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Speaker 1: H writer, you're in yet a new location, Yes, a

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Speaker 1: new location. That is the oldest location. This is my

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Speaker 1: childhood bedroom.

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Speaker 2: Oh yeah, pink where's pink Floyd poster?

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Speaker 1: No, none of the stuff on the walls is mine.

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Speaker 3: Besides this glorious photo of Will and me as Batman

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Speaker 3: and Robin. And then this was my map that I

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Speaker 3: used to put pins in of where I was going

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Speaker 3: to drive on like road trips. I should like update

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Speaker 3: it because I still have Like I had a color

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Speaker 3: codeed so it was like the.

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Speaker 1: Where I wanted to go and then where I'd been.

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Speaker 3: But then since I moved out, my parents made it

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Speaker 3: into a guest bedroom, put in this giant bed, you know,

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Speaker 3: took out my waterbed.

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Speaker 1: Can you believe it?

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Speaker 3: They put up a cabin fever poster because they didn't

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Speaker 3: want to have it anywhere else, I guess. And The

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Speaker 3: Buck Naked Arson, which is a movie that we actually

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Speaker 3: shot here. Yeah, right when boy Be World ended, So

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Speaker 3: it's not really oh, but you can see the ceiling

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Speaker 3: is painted in this like the Yeah I did that

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Speaker 3: when I was like sixteen, and me and a friend

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Speaker 3: of mine took paint and covered our hands and just

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Speaker 3: painted the ceiling yeah, and we didn't quite finish it,

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Speaker 3: but you can still see hand prints.

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Speaker 4: It's yeah, your ceiling looks like the Caesar's Palace Forum

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Speaker 4: shops exactly exactly.

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Speaker 1: I didn't realize it, but that's what I was going. Yeah, Salad,

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Speaker 1: that'd be great.

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Speaker 4: I want to know what it feels like to have

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Speaker 4: so much stability in your life that you could still

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Speaker 4: record from your childhood bedroom.

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Speaker 1: I it's awesome. My parents have.

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Speaker 4: Moved only eighty five times since my childhood.

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Speaker 2: Then your regular room is gone. Now you are literally

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Speaker 2: in the white void. You're getting what I'd said when

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Speaker 2: I first popped out this morning, I'm like, daddy, I'll

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Speaker 2: hold up today's paper and let me know they're doing okay, I.

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Speaker 1: Am being held captive. No, I'm in. I got an office.

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Speaker 4: Jensen and I took a took a giant leap and

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Speaker 4: decided that our marriage, our family life would be better

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Speaker 4: if we had more strict dividers between where we work

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Speaker 4: and where we live. And we had been doing all

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Speaker 4: of our work out of our home office, which, unlike

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Speaker 4: writer's office, which is at least a separate property on

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Speaker 4: his property, it's just the room, a room and the

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Speaker 4: downstairs part of our house where then when our kids

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Speaker 4: were home, they didn't quite understand why they could be

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Speaker 4: there and hear us working, but we couldn't deal with them,

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Speaker 4: and it just got to a point where I was like, listen,

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Speaker 4: I think we need an office. And so now we

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Speaker 4: have an office. I have not had the time or energy.

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Speaker 2: You decided to move to the TV room from Willie

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Speaker 2: Walk and the chocolates happing ye TV, so you.

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Speaker 1: Decided to go.

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Speaker 4: I will do something. I will do something. I will

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Speaker 4: put something on the walls. I'm not sure what I'm

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Speaker 4: gonna do yet or when I'm gonna have the time

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Speaker 4: er energy to do it. You may be stuck seeing

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Speaker 4: this for a while, but eventually I will do something.

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Speaker 1: I'm want to send you a full sized poster of

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Speaker 1: my headshot. I do want that out.

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Speaker 4: I actually if I could just have two pictures of

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Speaker 4: you guys, like full poster size right behind me.

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Speaker 3: You can't you remember somebody we were at a convention

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Speaker 3: and was it Jackie pulled up? You can buy hard work,

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Speaker 3: life sized hardwork cutouts.

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Speaker 2: Of us, not of me. Remember a lot of your

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Speaker 2: thing there were you each had one. It's like I

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Speaker 2: was never on this show. It's just I don't get

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Speaker 2: recognized anywhere. I don't have standy's and nobody cares about

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Speaker 2: my feet. Yes those are standies, my friends, So yeah,

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Speaker 2: that's fine. It is what it does bother me.

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Speaker 1: Welcome to Pod meets World.

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Speaker 4: I'm Danielle Fischel, I'm right or Strong, and I'm Wilford O.

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Speaker 4: So very exciting recap this week. We are here to

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Speaker 4: recap season five, episode eight, Chasing Angela, Part two. It

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Speaker 4: originally aired November fourteenth, nineteen ninety seven. It was a

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Speaker 4: two fer on this night. They aired part one and

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Speaker 4: part two back to back, which feels a little anti

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Speaker 4: climactic to me if if you ask me, yeah, yeah.

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Speaker 3: Watch episode It continued, though after watching the episode, it

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Speaker 3: makes sense.

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Speaker 2: Oh really still, I mean, this is like you, the

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Speaker 2: most horrible thing and the best thing in television back

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Speaker 2: in the day was you'd be start looking at the clock, going,

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Speaker 2: wait a minute, they're not going to be able to

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Speaker 2: wrap this up. They're not gonna and then the two

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Speaker 2: be continued comes on. It was likely wait a week, yes.

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Speaker 3: But see I think, yeah, I think that there's something

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Speaker 3: kind of wrong with the structure of this This episode

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Speaker 3: that you know that that they were like, oh, let's just.

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Speaker 1: Put them together because it didn't. It didn't need the delay.

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Speaker 1: It didn't. It was just one long episode. That's what

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Speaker 1: I felt like.

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Speaker 3: So I was like, oh, this was not really a

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Speaker 3: well plotted out anticipatory thing because they actually the biggest

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Speaker 3: turn happened at the end of the last episode, and

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Speaker 3: it was a positive turn.

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Speaker 1: Right we found out it was Angela. Oh, oh my gosh.

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Speaker 1: That means they're going to get together. And then they do,

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Speaker 1: and then they do, and then they do. Well don't

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Speaker 1: real for me, I haven't seen it yet. They get together,

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Speaker 1: damn it. Okay.

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Speaker 4: So the one of the reasons this is very exciting

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Speaker 4: is because miss Trina McGee herself is joining us for

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Speaker 4: this recap.

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Speaker 1: I'm very excited before we bring her in.

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Speaker 4: Let me do. Let me tell you the synopsis. In

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Speaker 4: the conclusion of a two parter, thanks to a lost purse,

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Speaker 4: Sean realizes he might be in love with Angela. However,

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Speaker 4: Angela might not feel the same way. Across town, Jack

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Speaker 4: and Eric are nervous about hosting Thanksgiving dinner for the

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Speaker 4: Matthews family in their new apartment.

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Speaker 1: It was directed by Alan Myerson.

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Speaker 4: It was written by Matthew Nelson and guest starring Miss

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Speaker 4: Trina McGhee as Angela Moore back for an important second half.

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Speaker 4: And then we also have Heather Shannon as Beverly. This

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Speaker 4: was Heather's first acting job and almost her last. Her

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Speaker 4: only other credit is the two thousand and two movie

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Speaker 4: Mother Ghost and please, I want you to remember the

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Speaker 4: title because we are coming back to that. Then we

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Speaker 4: have Selim Grant as Ted. Selim is a recognizable nineties

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Speaker 4: face who appeared on The Wonder Years, Salute Your Shorts,

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Speaker 4: and Sister Sister, but is best known as Hollywood from

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Speaker 4: Saved by the Bell, The New Class, and from some

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Speaker 4: roles in some pretty great movies including La Confidential, Angus,

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Speaker 4: and he was the son in Ghost Dad.

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Speaker 1: So yes, we've got the ghost.

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Speaker 4: This episode features an actress from Mother Ghost and an

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Speaker 4: actor from Ghost Dad.

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Speaker 2: Oh my, the Ghost gives and this is not hyperbole

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Speaker 2: or exaggeration. He gives an Academy Award possible nominated performance

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Speaker 2: in La Confidential.

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Speaker 1: He is so good. Oh that's right, it's unbelieve.

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Speaker 2: He's one of the kids who gets caught and he's

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Speaker 2: being interrogated and he's breaking down the interrogation room. He is,

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Speaker 2: the performance is outstanding, and he's created.

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Speaker 1: Work without somebody like as funny as he is so good.

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Speaker 1: But oh Man Confidential is next? He is so good. Yeah.

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Speaker 4: Just touching back on ghost Ad for a second. It

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Speaker 4: was directed by Sydney Poitier.

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Speaker 1: Really, yes, I never knew that. And then we have

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Speaker 1: Brian George as Eduardo.

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Speaker 4: He was a very busy character actor seen in movies

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Speaker 4: like Austin Powers.

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Speaker 1: Bubble Boy, and Ghost World. Are you kidding?

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Speaker 4: Not kidding, guys, I just I can't make a good

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Speaker 4: stuff up.

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Speaker 1: The spirits were trying to speak to us this week.

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Speaker 4: Also going okay, Yes, he was on ghost World, but

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Speaker 4: also TV shows like Seinfeld, The Secret Life of the

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Speaker 4: American Teenager, and sixteen episodes of The Big Bang Theory

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Speaker 4: as doctor V. M.

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Speaker 1: Kuthrapoli.

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Speaker 4: Also worth noting he is a very busy voiceover actor

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Speaker 4: with credits like a ton of animated Batman projects.

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Speaker 1: Yeah.

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Speaker 2: I worked with Brian all the time and we're so

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Speaker 2: familiar to me, like on Seinfeld.

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Speaker 1: But how many episodes of the show did he do?

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Speaker 1: Is this the only one?

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Speaker 2: Just?

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Speaker 1: I think just one? Okay, then I must have met

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Speaker 1: him outside of this a couple of times like I did.

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Speaker 2: I don't know, because I must have sent ten voiceovers

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Speaker 2: with him. And then I did an on camera show

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Speaker 2: with him called Regular Joe with Daniel Stern. We did

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Speaker 2: six episodes of that, and then I ran into him

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Speaker 2: again a year later, and he had no idea who

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Speaker 2: I was. To the point where when I said, were

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Speaker 2: getting Regular Joe. We did six episodes of that, he went, no,

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Speaker 2: you weren't on that show. Oh, literally told me right

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Speaker 2: to my face that I was not on the show.

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Speaker 1: But he was not.

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Speaker 2: He was one hundred percent serious podcast. You were not

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Speaker 2: on that.

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Speaker 1: Show anything about us? Literally told me I wasn't on

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Speaker 1: my own show.

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Speaker 4: I want you to bring him on this show and

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Speaker 4: be like, we work together on Boy Meets World. No,

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Speaker 4: you weren't on that show.

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Speaker 1: Yeah he was, That's what it was.

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Speaker 4: He's literally saying, Well, he was also Duff Killigin on

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Speaker 4: Kim Possible.

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Speaker 1: He was, so he was, he's been.

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Speaker 2: We worked together, we did hundreds of episodes and stuff

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Speaker 2: together and no idea, no idea.

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Speaker 1: Okay.

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Speaker 4: Well, and then McKenna Jones is back for her second

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Speaker 4: episode in a row as Beth so let's please welcome

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Speaker 4: miss Trina McGee to join us for our recap.

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Speaker 5: Good to see you, guys, good to see you.

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Speaker 4: So we are so excited that you're here to recap

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Speaker 4: this episode with us, just so you know, because you

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Speaker 4: would not have heard our first recap of the part

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Speaker 4: one to this episode. Okay, we think your character introduction,

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Speaker 4: minus that first episode you were in in season five

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Speaker 4: where you just had like a line or two sitting

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Speaker 4: in the back of the classroom.

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Speaker 1: That's part of it.

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Speaker 4: You love it, you love it. Yeah, okay, yeah, Well

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Speaker 4: I was gonna say, let's not count that as like

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Speaker 4: the intro, but you're right if we count it as

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Speaker 4: a taste of a intro, Part one leading into this

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Speaker 4: Part two is one of the greatest character introductions on

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Speaker 4: a TV show I think I've ever seen. I instantly

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Speaker 4: care about this character. I'm interesting, immediately intrigued by this character.

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Speaker 4: I want to know more. I already have so much

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Speaker 4: love and affinity for this character. Like it is just

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Speaker 4: it was so well done.

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Speaker 2: Also, the chemistry between you and I is just it's instant,

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Speaker 2: it's it pops through the screen.

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Speaker 1: It is just it's right, it's there, it's there, right, away.

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Speaker 3: To start together with such an interesting and perfect part

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Speaker 3: because it's like, oh, you already see us together, and

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Speaker 3: then you're kind of like.

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Speaker 1: Oh, but this works. Why are they why are they doing?

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Speaker 3: And then you're just waiting for us to get back together.

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Speaker 3: It's really well written, so good.

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Speaker 1: Yeah it was.

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Speaker 5: You know, I just had this revelation at the day

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Speaker 5: that there should be like a dating show called the Purse.

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Speaker 5: The context of that you have to pick the girl

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Speaker 5: or pick the guy, and you only have the purse.

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Speaker 1: Great idea, Trina, great idea.

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Speaker 2: Go sell it, Go sell that. I see I see

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Speaker 2: Nick and Vanessa la hosting the Purse.

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Speaker 1: I know, yeah, I'll do it right now. Should we

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Speaker 1: do the contents of my backpack? We'll just do that

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Speaker 1: because the contents of my backpack would totally.

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Speaker 4: Some dirt, an extra pair of books, underwear, literally because.

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Speaker 1: I don't do kindle or anything, so I live.

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Speaker 3: It's like four books and then I have like three

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Speaker 3: different notebooks, like three different journal situations two different times.

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Speaker 1: That's you know, if you found it, you could read

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Speaker 1: all everything I'm writing.

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Speaker 4: We know the interior of your brain, yeah.

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Speaker 6: And reading.

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Speaker 7: Yeah, that's a great idea.

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Speaker 4: So let's jump into our recap. Since this is a

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Speaker 4: part two. We open with a previously on Boy Meets World,

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Speaker 4: and then we get a rundown of the most important

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Speaker 4: events that happened in episode seven. We see Sean finding

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Speaker 4: the purse. He's impressed by its contents. Then we see

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Speaker 4: the purse girl show up to get her stuff, but

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Speaker 4: she has a boyfriend, and we hear Sean's heartbroken.

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Speaker 1: Speech in the hallway.

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Speaker 4: And then jumping into this episode, episode eight, we start

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Speaker 4: in Chubby's We hear a girl enthusiastically chanting, give me

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Speaker 4: a te give me an E, give me an R

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Speaker 4: Sean Hunter. It's a cheerleader, yelling directly into Sean's face.

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Speaker 4: She plops herself back into the booth next to Sean.

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Speaker 4: See I can make a cheer about anything. And then,

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Speaker 4: Sean is a.

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Speaker 2: Funny joke because the whole idea is that the cheer.

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Speaker 2: Whatever you say, she's just gonna spell whatever you say.

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Speaker 2: Now that's the whole chair. Whatever you say, she just

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Speaker 2: spells it as like.

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Speaker 1: See I can make it out of anything. It's like

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Speaker 1: you're just spelling whatever just said. Okay on them on

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Speaker 1: the pia right exactly.

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Speaker 4: Uh So, Sean is surprised they didn't let her on

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Speaker 4: the cheerleading squad, but the girl has had enough small talk.

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Speaker 4: Do you want to make out? Meanwhile, Angela is on

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Speaker 4: a date directly behind them, because other than pinks, which

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Speaker 4: we've heard mentioned once, there's nowhere else to go.

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Speaker 1: Corey into Bank are.

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Speaker 4: Onlookers, and boy, oh boy, do I want to have

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Speaker 4: a word with myself about my posture.

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Speaker 1: You are a little slouchy. It's hard on those stools.

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Speaker 1: Stools are not good for televirason.

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Speaker 4: I also don't like stools in real life. No, thank you,

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Speaker 4: high chairs take them away. Posture too, I really I

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Speaker 4: have not noticed that about you to make it like.

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Speaker 1: Yeah, no, see that's that's at least good mind, and

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Speaker 1: mine is terrible.

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Speaker 2: To the point where we were at Ryder's house, the

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Speaker 2: bartender out of nowhere just went, you know, I'm also

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Speaker 2: an amateur chiropractor.

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Speaker 1: I can fix that role in your back. I went,

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Speaker 1: I'm good. Yeah, thanks, thank you, sir, Thank you, strange sir. Yeah,

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Speaker 1: you want to keep that hump.

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Speaker 2: Lots of bells to ring, thank you.

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Speaker 4: So, Angela's date is recalling a sports story, and then

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Speaker 4: the coach says, Scooter that's what he calls me, Scooter.

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Speaker 4: Angela is clearly not impressed. Gee, what happened next, Scooter?

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Speaker 4: And then he asks her if she wants to make out? Trina,

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Speaker 4: what do you remember about filming this week?

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Speaker 5: I remember that. I remember I really liked just as

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Speaker 5: a friend, the guy who played Scooter, and he had

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Speaker 5: Yea too, and they were in the business together. They

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Speaker 5: were sister and us brother. They were like getting hot

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Speaker 5: for a minute, like doing a lot of sitcoms and

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Speaker 5: stuff and everything, so they were really nice to talk to.

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Speaker 5: And you know, I remember being so nervous, and when

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Speaker 5: I look at myself, I don't feel like I was

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Speaker 5: acting my best, you know. I was kind of stiff,

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Speaker 5: and my mind was racing, like am I getting this right?

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Speaker 5: I think people that knew me were kind of like

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Speaker 5: treating You're not doing your usual. You know, I usually

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Speaker 5: try to pop more, but I felt like I had to, like, yeah,

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Speaker 5: you know this.

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Speaker 1: Interesting nervous.

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Speaker 5: They're so nervous. So I never felt like I was

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Speaker 5: really emoting like I wanted to emote. But when I

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Speaker 5: look at it now, it's.

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Speaker 4: Fine, you know, I mean, yeah, it definitely it definitely plays.

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Speaker 4: But I we have We have talked a lot about

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Speaker 4: how season five has felt different.

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Speaker 1: Yet feels a little feels a little forced.

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Speaker 5: Some of them Boy meets World, like they're like, we

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Speaker 5: cannot be canceled. Five years is hard. Five years is

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Speaker 5: when you're supposed to be canceled. That's that's the mark.

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Speaker 5: So I think at that point, what I'm feeling is like,

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Speaker 5: we're not going to get canceled, So bring on, bring

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Speaker 5: on the Redhead, bring on the girl. Whatever.

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Speaker 1: I think what you're feeling like when you're talking about

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Speaker 1: like how you're not popping or you're kind of.

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Speaker 3: For me, like it's the writing of this episode. It's

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Speaker 3: just like it's just the sort of like.

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Speaker 1: Unraveling or the unrolling of like what was started in

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Speaker 1: the last episode.

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Speaker 3: The last episode was so good and so well written,

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Speaker 3: and then this one just feels like one kind of scene,

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Speaker 3: like the reveal of you know, and I really besides

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Speaker 3: the dinner table stuff, which I you know, with the

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Speaker 3: Corey tapango, which I thought was hysterical and like, you know,

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Speaker 3: big but funny, the stuff between Sean and Angela is

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Speaker 3: just like they're great for each other, so let's just

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Speaker 3: show that, and like, you know, they don't allow us

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Speaker 3: to have any inter conflict between us. Really, like the

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Speaker 3: conflict is that there is no conflict or that I'm.

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Speaker 1: Anxious about it. It's like an anxiety show as opposed

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Speaker 1: to real conflict. And so you're like we're mostly just

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Speaker 1: speaking exposition to one another. Like in every one of

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Speaker 1: our scenes, we're just like I'm scared because I feel this,

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Speaker 1: and you're like I'm scared because I feel this, and

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Speaker 1: I'm you know, it's like, I don't know.

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Speaker 3: It didn't say like the way people actually talk to

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Speaker 3: one another to me, and like so if I wanted,

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Speaker 3: like I wanted it to happen and I liked these characters,

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Speaker 3: I didn't feel like they were played for realism or

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Speaker 3: it was just sort of like, let's just bring this together,

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Speaker 3: let's wrap this all up.

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Speaker 1: So like the whole episode felt.

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Speaker 3: A little inevitable to me and a little like A

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Speaker 3: and they was like, okay, cool, you know, so I

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Speaker 3: don't know that, and so I feel like that, you know,

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Speaker 3: if like Angela had come in with more personality or

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Speaker 3: more attitude and that had been a problem. More like

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Speaker 3: they disagreed about something a little more like intensely, like

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Speaker 3: in scenes we would have more to do, but instead

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Speaker 3: we're just kind of like, I don't know's.

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Speaker 1: I kind of liked. I liked though. I liked how

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Speaker 1: it was. I liked how it was, you know, with.

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Speaker 2: With very little intro to Angela's character, you got that

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Speaker 2: she was Sean essentially, It's like they had something where

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Speaker 2: neither of them had really been. You know, this unfolds

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Speaker 2: obviously is the episodes going, but neither of them had

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Speaker 2: really been in a relationship before. They're they're kind of

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Speaker 2: both scared for some reason, but we don't know why yet,

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Speaker 2: why they're scared to get into a relationship, and they

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Speaker 2: both realize at the same time that they do want

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Speaker 2: something more and they want it with each other.

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Speaker 1: I don't know.

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Speaker 2: To me, it kind of worked. It worked that it was,

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Speaker 2: you know, it's a sitcom, so it's going to be

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Speaker 2: inevitable that they're going to get together.

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Speaker 1: But I liked that it was.

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Speaker 2: It wasn't opposites attract It wasn't we're fighting and now

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Speaker 2: we love each other. It was they're both realizing at

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Speaker 2: the same time they're kind of the same person and

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Speaker 2: they're going to do it together.

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Speaker 1: And I liked that. I thought that was cool.

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Speaker 3: I guess, like a clear example for me is like

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Speaker 3: when she's still dating Tim right right?

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Speaker 1: Ted? Ted? Okay, Ted's Ted? If she had just if

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Speaker 1: you know, instead of like the way the way that

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Speaker 1: that scene goes, it's like, you know that she feels

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Speaker 1: bad about this and that there was any confusion, you know,

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Speaker 1: whereas she's like, what are you doing?

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Speaker 3: I'm dating Ted, like you know, and then it was

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Speaker 3: like oh god, you know, and like and then we're

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Speaker 3: that conflict was like but I actually like you and

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Speaker 3: you know, I don't know. Instead we're both in the

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Speaker 3: same position of like, well we really love each other.

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Speaker 3: I guess it's just not gonna happen. It's like why

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Speaker 3: not Ted?

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Speaker 1: Obviously, I don't know. It was like just the way

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Speaker 1: it was all sort of yeah, it was kind of

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Speaker 1: the idea.

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Speaker 2: And that's what you get when you're looking at Coreyantopanga

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Speaker 2: is the idea of love to them was better than love.

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Speaker 1: It's what love is.

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Speaker 2: Because when they saw it and I love that, Tapanga

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Speaker 2: finally explodes and it's like we're eighty.

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Speaker 1: I don't want to be eighty.

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Speaker 2: So it was that kind of like do we want

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00:19:22,680 --> 00:19:24,280
Speaker 2: to jump right into that I don't know it worked

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Speaker 2: for me. I think you're right, it didn't work as

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Speaker 2: a second episode, meaning like you didn't need the week

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Speaker 2: in between.

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Speaker 1: I think you're one hundred percent right.

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Speaker 2: But if they just played it for an hour straight

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Speaker 2: without a break, I think it was a great one

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Speaker 2: hour episode. Sure, Frankly to bring the two of them together,

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Speaker 2: because you're so rooting for the two of you, because

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Speaker 2: you do have such chemistry that you just you want

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Speaker 2: to see this and where it's going. And that's a

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Speaker 2: tough thing to do, especially on an established show where

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Speaker 2: you've got a character like Sean Hunter, that's the ladies man,

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Speaker 2: that's the from the trailer park. To bring in another

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Speaker 2: character that in an episode, not even in half an episode,

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Speaker 2: you already are rooting for them together.

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Speaker 1: That's tough.

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Speaker 2: So it was as I was sitting there watching, I'm like,

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Speaker 2: I I kind of at this point just because they

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Speaker 2: were going funny with Corey and Tapanga, and I get that,

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Speaker 2: But I was over Corey and Tapanga halfway through the

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Speaker 2: episode and was concentrating more on Sean and Angela because

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Speaker 2: you're like, Okay, I get now that we now just

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Speaker 2: have to accept that Corey and tapanga have. This is

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Speaker 2: the nineteenth different version of how they met, the nineteenth

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Speaker 2: different version of how they've been together. We now just

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Speaker 2: have to accept that this is what they are. They're

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Speaker 2: the old married couple. And so I kind of dug

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Speaker 2: I like watching it.

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Speaker 1: But I was like I got it, Like I get that.

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Speaker 2: I could put that to the side and now I

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Speaker 2: wanted to watch this new fresh God is this going

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Speaker 2: to work for Sean? And to bring in a character

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Speaker 2: right away that can already match that energy, I thought

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Speaker 2: was pretty impressive.

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Speaker 1: Trina, do you.

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Speaker 4: Remember your first episode of season five where you were

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Speaker 4: sitting in the classroom and and you were you just

439
00:20:57,440 --> 00:20:59,480
Speaker 4: had like one line. Do you remember that first week?

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Speaker 5: That was a lot for me, that whole that one

441
00:21:03,119 --> 00:21:08,240
Speaker 5: line took like my whole week. It existed, but like Corey,

442
00:21:10,240 --> 00:21:13,400
Speaker 5: you know, over and overagain in my head. Yeah, no, no,

443
00:21:13,440 --> 00:21:15,560
Speaker 5: you know that was I thought that was kind of

444
00:21:15,560 --> 00:21:18,399
Speaker 5: an odd way to be introduced into the show, ye

445
00:21:18,840 --> 00:21:21,120
Speaker 5: with this weird one line out of nowhere, like who

446
00:21:21,160 --> 00:21:22,960
Speaker 5: are you? And then I'm like you need to do that,

447
00:21:23,119 --> 00:21:25,680
Speaker 5: like who are you? To just kind of had to

448
00:21:25,720 --> 00:21:26,520
Speaker 5: do this project.

449
00:21:26,680 --> 00:21:28,760
Speaker 4: Did you know that in the future, like in just

450
00:21:28,800 --> 00:21:30,960
Speaker 4: a few episodes. They were going to do a very

451
00:21:31,480 --> 00:21:34,120
Speaker 4: big two parter introducing you.

452
00:21:34,160 --> 00:21:37,120
Speaker 5: No, I was living in my head a lot then

453
00:21:37,280 --> 00:21:39,960
Speaker 5: if I didn't listen, well, they might have said that

454
00:21:39,960 --> 00:21:42,160
Speaker 5: these are the things I didn't listen to. I didn't

455
00:21:42,200 --> 00:21:46,040
Speaker 5: listen to. It's a reoccurring. I just automatically thought that

456
00:21:46,080 --> 00:21:49,040
Speaker 5: I was a series regular. Somehow my head didn't register

457
00:21:49,200 --> 00:21:51,639
Speaker 5: that way. Okay, So when I actually was told I

458
00:21:51,720 --> 00:21:54,320
Speaker 5: was a series regular, I was like, Oh, already have

459
00:21:54,440 --> 00:21:58,720
Speaker 5: been talking about you know, yeah, you know, so I

460
00:21:58,880 --> 00:22:01,120
Speaker 5: wasn't the greatest list. I was always in my head

461
00:22:01,119 --> 00:22:04,280
Speaker 5: a lot. I at that time. I was worried about

462
00:22:04,359 --> 00:22:09,120
Speaker 5: so many plethora of things, being ten years older than

463
00:22:09,160 --> 00:22:09,679
Speaker 5: you guys.

464
00:22:10,400 --> 00:22:13,000
Speaker 1: Yeah, so yeah, yeah, you know.

465
00:22:13,880 --> 00:22:17,720
Speaker 5: The thing I liked the most about that particular, the

466
00:22:17,880 --> 00:22:20,320
Speaker 5: episode we're talking about too, is just the fact that

467
00:22:20,359 --> 00:22:23,800
Speaker 5: they didn't really get so into, of course, the color

468
00:22:23,800 --> 00:22:26,239
Speaker 5: of our skin. You know, they really just you know,

469
00:22:26,359 --> 00:22:29,120
Speaker 5: and I've always grappled with that over the years. I've

470
00:22:29,160 --> 00:22:31,960
Speaker 5: talked about it or whatever, but it's such a human

471
00:22:32,000 --> 00:22:38,120
Speaker 5: testament of how we can feel each other and love

472
00:22:38,160 --> 00:22:40,960
Speaker 5: each other and be interested. And I also like the

473
00:22:41,000 --> 00:22:43,119
Speaker 5: fact that it was a different kind of trope for

474
00:22:43,160 --> 00:22:46,280
Speaker 5: a black girl on television to not be you know,

475
00:22:47,240 --> 00:22:51,480
Speaker 5: extra sassy or be able to be nice and feminine

476
00:22:51,600 --> 00:22:56,520
Speaker 5: and loved and not in conflict or or I mean,

477
00:22:56,520 --> 00:22:58,840
Speaker 5: we were in conflict and struggle, but the love was

478
00:22:58,880 --> 00:23:02,080
Speaker 5: always there, you know, and I think that that was

479
00:23:02,200 --> 00:23:04,520
Speaker 5: that was really good school. So all those things were

480
00:23:04,520 --> 00:23:08,080
Speaker 5: always going through my mind, like, you know, aside from

481
00:23:08,080 --> 00:23:11,520
Speaker 5: the genuine character like as a black woman, like I

482
00:23:11,880 --> 00:23:15,679
Speaker 5: got to make sure that I pulled up my sisters,

483
00:23:15,800 --> 00:23:18,760
Speaker 5: but so many like tight ropes you have to to

484
00:23:18,840 --> 00:23:20,560
Speaker 5: walk on. So I think a lot of times when

485
00:23:20,600 --> 00:23:22,000
Speaker 5: I look at it and I say, I didn't pop.

486
00:23:22,240 --> 00:23:25,440
Speaker 5: I was being so careful about my choices, my choice

487
00:23:25,760 --> 00:23:29,640
Speaker 5: very yeah, Okay, I do want to sound too, sister girl.

488
00:23:29,720 --> 00:23:32,080
Speaker 5: Didn't want to sound too why, you know, it's like

489
00:23:32,240 --> 00:23:34,800
Speaker 5: so stupid, so many.

490
00:23:34,560 --> 00:23:37,520
Speaker 4: Things, Yeah, but so many considerations that you had running

491
00:23:37,520 --> 00:23:39,840
Speaker 4: through your mind that none of us would have ever

492
00:23:39,920 --> 00:23:42,280
Speaker 4: known was you know, we couldn't have ever but you

493
00:23:42,320 --> 00:23:43,399
Speaker 4: had so much on your plate.

494
00:23:43,880 --> 00:23:46,560
Speaker 3: It is interesting I noticed, you know, like because we've

495
00:23:46,560 --> 00:23:49,439
Speaker 3: always talked about how we never referenced race in relation

496
00:23:49,560 --> 00:23:54,040
Speaker 3: to Sean and Angela, and yet in this opening scene

497
00:23:54,480 --> 00:23:57,080
Speaker 3: they partner you without the same thing and me with

498
00:23:57,080 --> 00:24:00,280
Speaker 3: a white girl, and it was like, so, I was like,

499
00:24:00,320 --> 00:24:01,800
Speaker 3: I had never it never even occurred to me. It

500
00:24:01,840 --> 00:24:03,800
Speaker 3: was like we are talking about it without having to

501
00:24:03,840 --> 00:24:06,720
Speaker 3: say anything about it. We're we're like, we're yeah, it

502
00:24:06,840 --> 00:24:09,040
Speaker 3: was super interesting. I was like, ah, so they're they're

503
00:24:09,080 --> 00:24:11,879
Speaker 3: showing us like what we're supposed to be with or

504
00:24:11,920 --> 00:24:14,440
Speaker 3: like what we nor like the default position. They are

505
00:24:14,520 --> 00:24:17,840
Speaker 3: showcasing that, and then you know, having us break that

506
00:24:17,960 --> 00:24:21,520
Speaker 3: barrier even though we already dated before. But yeah, so

507
00:24:21,800 --> 00:24:23,720
Speaker 3: it's it's so interesting to see the way. And I

508
00:24:23,760 --> 00:24:25,800
Speaker 3: talked about this when we watched the Perst episode too,

509
00:24:25,840 --> 00:24:27,840
Speaker 3: Like the whole point of the Purse is that I

510
00:24:27,960 --> 00:24:30,159
Speaker 3: fall in love with the contents of your character just

511
00:24:30,359 --> 00:24:33,160
Speaker 3: you know, without knowing anything about the surface of who

512
00:24:33,200 --> 00:24:35,320
Speaker 3: you are, which is another sort of way to talk

513
00:24:35,359 --> 00:24:37,480
Speaker 3: about race without talking about race, right.

514
00:24:37,440 --> 00:24:38,360
Speaker 1: Like and that.

515
00:24:38,760 --> 00:24:41,360
Speaker 3: So it's so it's so interesting to revisit now after

516
00:24:41,400 --> 00:24:44,840
Speaker 3: all these years of like conversations between us or with

517
00:24:45,160 --> 00:24:48,639
Speaker 3: fans about like whether we should have referenced race or not,

518
00:24:48,800 --> 00:24:50,840
Speaker 3: or did we reference race. I'm like, it is there,

519
00:24:51,000 --> 00:24:53,760
Speaker 3: it's just not it's just not explicit.

520
00:24:54,280 --> 00:24:54,800
Speaker 1: Yeah right.

521
00:24:55,000 --> 00:24:57,200
Speaker 5: It was also an episode where we did the karaoke

522
00:24:57,400 --> 00:25:00,560
Speaker 5: later on and then they with with another black guy.

523
00:25:00,800 --> 00:25:04,600
Speaker 5: You know, Like so sometimes what's not said is pretty

524
00:25:05,040 --> 00:25:06,040
Speaker 5: pretty loud too.

525
00:25:07,240 --> 00:25:19,359
Speaker 6: Yeah.

526
00:25:19,440 --> 00:25:22,560
Speaker 4: Jumping back into our recap, Corey, who is nearby looking

527
00:25:22,640 --> 00:25:25,320
Speaker 4: on with Tapanga, is conflicted. He has to tell Sean

528
00:25:25,359 --> 00:25:28,800
Speaker 4: about Angela. Topanga disagrees, he told you not to interfere

529
00:25:28,800 --> 00:25:31,400
Speaker 4: in his personal life. Corey argues, this is the woman

530
00:25:31,440 --> 00:25:33,120
Speaker 4: of his dreams, the woman he could spend the rest

531
00:25:33,119 --> 00:25:36,280
Speaker 4: of his life with. That's not personal. He marches over

532
00:25:36,320 --> 00:25:38,920
Speaker 4: and interrupts Sean, who is making out with his cheerleader date.

533
00:25:39,119 --> 00:25:41,760
Speaker 4: He asks Sean to let the nice lady breathe. Sean

534
00:25:41,880 --> 00:25:44,840
Speaker 4: is annoyed. This better be important. Corey tells him the truth.

535
00:25:45,040 --> 00:25:48,040
Speaker 4: Everything that was in that purse belongs to Angela. Sean

536
00:25:48,080 --> 00:25:51,560
Speaker 4: corrects him the purse belonged to Beth. To Panga creeps

537
00:25:51,600 --> 00:25:55,560
Speaker 4: in from the back to clarify Angela borrowed Beth's purse.

538
00:25:55,920 --> 00:25:57,960
Speaker 4: She turns to Corey to remind him. But that's none

539
00:25:57,960 --> 00:26:00,280
Speaker 4: of our business, now, is it? And then he turns

540
00:26:00,320 --> 00:26:02,160
Speaker 4: to Sean, what are you going to do about it? Mister,

541
00:26:02,480 --> 00:26:05,359
Speaker 4: Sean scoffs nothing. Angela and I already went out for

542
00:26:05,359 --> 00:26:06,840
Speaker 4: two weeks. If I was in love with her, you

543
00:26:06,880 --> 00:26:09,640
Speaker 4: don't think I'd know it. Corey assures him that Angela

544
00:26:09,720 --> 00:26:11,720
Speaker 4: is everything he's ever wanted in a girl.

545
00:26:11,920 --> 00:26:13,080
Speaker 1: He just needs to look.

546
00:26:12,880 --> 00:26:16,440
Speaker 4: Into her eyes and he'll realize it a new type

547
00:26:16,440 --> 00:26:17,240
Speaker 4: of ensorcement.

548
00:26:17,760 --> 00:26:23,119
Speaker 1: Yes, this is a callback to the first season forget this.

549
00:26:23,359 --> 00:26:28,719
Speaker 1: You giggle giggles right to touch her hair? Right, it

550
00:26:28,760 --> 00:26:30,080
Speaker 1: wasn't it looks? Yeah?

551
00:26:30,200 --> 00:26:32,919
Speaker 4: Yeah, I'm just I'm just I love how many types

552
00:26:32,960 --> 00:26:35,400
Speaker 4: of ways women can ensorcele men.

553
00:26:38,119 --> 00:26:41,000
Speaker 1: A kiss and we turned to Jello. That's just the

554
00:26:41,040 --> 00:26:42,200
Speaker 1: way it is.

555
00:26:41,880 --> 00:26:44,520
Speaker 4: That's right, We're very powerful.

556
00:26:45,920 --> 00:26:47,000
Speaker 1: Sean has had enough.

557
00:26:47,040 --> 00:26:49,320
Speaker 4: He walks back to his booth, but Angela stops him

558
00:26:49,320 --> 00:26:52,199
Speaker 4: on his way and playfully touches his hand to say hello.

559
00:26:52,640 --> 00:26:55,280
Speaker 4: Sean notices her book of sonnets and starts to giggle.

560
00:26:55,480 --> 00:26:58,880
Speaker 4: Angela looks at him, completely confused. Why is he giggling?

561
00:26:59,320 --> 00:27:01,600
Speaker 4: Sean can't high his gettiness, and he turns to Corey

562
00:27:01,640 --> 00:27:04,879
Speaker 4: for help. Corey reminds him look into her eyes. Sean

563
00:27:04,920 --> 00:27:08,520
Speaker 4: does as he's told, and he stares directly into Angela's soul.

564
00:27:09,200 --> 00:27:09,639
Speaker 1: I felt like.

565
00:27:09,760 --> 00:27:14,080
Speaker 4: Maybe creepy, feel like maybe you were trying, you were

566
00:27:14,080 --> 00:27:16,400
Speaker 4: trying to suck it out of her, just a soul

567
00:27:16,520 --> 00:27:17,200
Speaker 4: right out of her.

568
00:27:19,160 --> 00:27:21,360
Speaker 1: What's happening? What is happening right now?

569
00:27:21,680 --> 00:27:25,120
Speaker 4: That's basically what she asks. She's even more confused. Why

570
00:27:25,240 --> 00:27:27,960
Speaker 4: is he looking at her like that? He softly explains,

571
00:27:28,400 --> 00:27:31,240
Speaker 4: because I never have before Sean drops the book of

572
00:27:31,280 --> 00:27:34,000
Speaker 4: Sonnets before stumbling backwards. He makes his way back to

573
00:27:34,040 --> 00:27:37,680
Speaker 4: Corey into Panga, stuttering, it's Angela.

574
00:27:38,800 --> 00:27:40,439
Speaker 2: I have a great read too, that kind of like

575
00:27:40,640 --> 00:27:44,840
Speaker 2: you're amazed. Oh my god, it's Angela. Yeah, that's good.

576
00:27:45,440 --> 00:27:47,479
Speaker 4: Then we go to a commercial break and we come

577
00:27:47,520 --> 00:27:50,200
Speaker 4: back where at John Adams High, Sean runs up to Corey,

578
00:27:50,240 --> 00:27:52,600
Speaker 4: who greets him with a huge grin and asks Sean,

579
00:27:52,680 --> 00:27:55,120
Speaker 4: he's in love? Did you call her? Sean says, no,

580
00:27:55,119 --> 00:27:57,080
Speaker 4: no way, too nervous, he wouldn't even know where to start.

581
00:27:57,359 --> 00:28:00,520
Speaker 4: Corey suggests starting with hello, but Sean says that's risky.

582
00:28:00,600 --> 00:28:03,120
Speaker 4: It would probably come out I want to have your children.

583
00:28:03,920 --> 00:28:06,800
Speaker 4: Corey can't help but laugh. Sean Hunter, man of a

584
00:28:06,840 --> 00:28:10,320
Speaker 4: thousand dates, afraid to call a girl. Shawn's eyes narrow,

585
00:28:10,520 --> 00:28:15,120
Speaker 4: How dare you my family comes from Cossacks. I fear nothing.

586
00:28:15,080 --> 00:28:17,600
Speaker 2: And noticed there was no lass like the audience that

587
00:28:17,760 --> 00:28:19,840
Speaker 2: they didn't know what to understand what it was. Because,

588
00:28:19,840 --> 00:28:21,840
Speaker 2: of course, if you want to hit a good thirteen

589
00:28:21,880 --> 00:28:24,560
Speaker 2: year old, fourteen year old joke, you talk about the Cossacks, right,

590
00:28:25,000 --> 00:28:26,480
Speaker 2: So I was starting to play.

591
00:28:26,600 --> 00:28:30,359
Speaker 5: Hey, did you say that joke all the time on set? Nothing,

592
00:28:30,520 --> 00:28:32,160
Speaker 5: I'm I'm Scottish.

593
00:28:33,880 --> 00:28:37,920
Speaker 1: No. Oh, you know, maybe maybe we would quote Braveheart,

594
00:28:37,920 --> 00:28:42,640
Speaker 1: I remember quart all the time Freedom if you really

595
00:28:42,680 --> 00:28:45,560
Speaker 1: would have said, no, I don't even know what a

596
00:28:45,640 --> 00:28:46,239
Speaker 1: Cossack is.

597
00:28:46,640 --> 00:28:49,240
Speaker 4: Listen, I listen, guys. I googled it, and I still

598
00:28:49,280 --> 00:28:50,600
Speaker 4: don't have anything to tell you.

599
00:28:50,760 --> 00:28:52,680
Speaker 1: I don't know the Cossacks were.

600
00:28:53,120 --> 00:28:57,040
Speaker 2: They were Russians, but then they helped in the German War,

601
00:28:57,080 --> 00:28:59,880
Speaker 2: but then they were turned in by the It was weird.

602
00:29:00,560 --> 00:29:04,240
Speaker 2: Essentially trader. Essentially traders is what a Cossack was at

603
00:29:04,240 --> 00:29:05,760
Speaker 2: the time. So if you were a Cossack, you were

604
00:29:05,800 --> 00:29:06,200
Speaker 2: a trader.

605
00:29:06,880 --> 00:29:09,000
Speaker 3: We've already established as Shans Italian, so I don't know

606
00:29:09,000 --> 00:29:09,760
Speaker 3: what that's all about.

607
00:29:09,880 --> 00:29:12,920
Speaker 2: But all right, and then okay, yeah, but that's not

608
00:29:12,960 --> 00:29:14,560
Speaker 2: the thing about the scene that through me. The thing

609
00:29:14,600 --> 00:29:17,400
Speaker 2: about the scene that through me was was the the

610
00:29:17,440 --> 00:29:21,200
Speaker 2: sign in the hallway that said rooms for rent in

611
00:29:21,280 --> 00:29:24,520
Speaker 2: high school, that one with the little poll tab, like,

612
00:29:24,560 --> 00:29:27,560
Speaker 2: because you're in high school. God, somebody's got a room

613
00:29:27,640 --> 00:29:32,560
Speaker 2: to replace for me, all right.

614
00:29:32,640 --> 00:29:34,840
Speaker 3: I thought I was breaking when I said this my

615
00:29:34,880 --> 00:29:38,120
Speaker 3: people come to class, and then then covers with by

616
00:29:38,160 --> 00:29:39,760
Speaker 3: laughing through his line a little bit.

617
00:29:39,880 --> 00:29:41,440
Speaker 1: But yeah, okay, so you guys saw it too. I

618
00:29:41,480 --> 00:29:42,760
Speaker 1: was like, oh, I couldn't get through this.

619
00:29:43,360 --> 00:29:45,280
Speaker 4: I don't know if you guys thought it was funny,

620
00:29:45,520 --> 00:29:48,400
Speaker 4: which you were the only one, or if it was

621
00:29:48,480 --> 00:29:50,200
Speaker 4: you thought it was funny because no one was laughing,

622
00:29:50,200 --> 00:29:51,720
Speaker 4: Like you know, yeah, I think.

623
00:29:53,000 --> 00:29:55,240
Speaker 2: Those are those beats where you hit a joke and

624
00:29:55,280 --> 00:29:59,120
Speaker 2: you run into the wall first, head first, and there's silence,

625
00:29:59,200 --> 00:30:01,680
Speaker 2: so you start to because it's so bad.

626
00:30:01,800 --> 00:30:03,800
Speaker 1: Yeah, they let that go.

627
00:30:03,840 --> 00:30:06,760
Speaker 5: All the way to tape. Though it wasn't funny. It

628
00:30:06,800 --> 00:30:07,920
Speaker 5: wasn't funny, you know.

629
00:30:09,640 --> 00:30:10,000
Speaker 1: I know.

630
00:30:10,400 --> 00:30:13,640
Speaker 4: Listen, there's some stuff in this season we are a

631
00:30:13,680 --> 00:30:15,880
Speaker 4: little we feel like maybe people were tired.

632
00:30:16,440 --> 00:30:18,239
Speaker 2: I want to know who's living and dying by this

633
00:30:18,320 --> 00:30:21,640
Speaker 2: cossic joke where it's like, no this is gonna work.

634
00:30:21,520 --> 00:30:22,640
Speaker 1: Damn it. I love it.

635
00:30:23,560 --> 00:30:27,840
Speaker 4: Oh so, Corey nods and he sees someone approaching good

636
00:30:27,960 --> 00:30:31,000
Speaker 4: here she comes. Sean bolts past Corey and right into

637
00:30:31,040 --> 00:30:34,560
Speaker 4: the custodian closet. Angela arrives and Corey tells her Sean's

638
00:30:34,560 --> 00:30:38,240
Speaker 4: in the closet. She says, hi through the door. Sean responds, Angela,

639
00:30:38,600 --> 00:30:42,240
Speaker 4: you smell nice. She's confused, and to Panga appears carrying

640
00:30:42,280 --> 00:30:45,400
Speaker 4: a bundle of balloons. She exchanges helloes with Angela as

641
00:30:45,400 --> 00:30:48,600
Speaker 4: she's walking away. Tapanga tells Corey these balloons were just

642
00:30:48,680 --> 00:30:50,360
Speaker 4: delivered from Balloonatics.

643
00:30:50,560 --> 00:30:52,600
Speaker 1: I like the name. I like the name too. I

644
00:30:52,600 --> 00:30:53,400
Speaker 1: thought that was cute.

645
00:30:53,920 --> 00:30:57,720
Speaker 4: Yeah, yeah, Balloonatics is cute. The card reads happy Anniversary,

646
00:30:57,880 --> 00:31:01,640
Speaker 4: Love Norman. Corey's puzzled. I'm pretty sure, I said, Corey,

647
00:31:01,920 --> 00:31:05,800
Speaker 4: and I also made reservations at Barelli's. Topanga asks, wasn't

648
00:31:05,800 --> 00:31:08,400
Speaker 4: it our anniversary last month? Cory says no, they were

649
00:31:08,440 --> 00:31:10,960
Speaker 4: just doubling with his parents because it was their anniversary.

650
00:31:11,080 --> 00:31:14,560
Speaker 4: To Pango's baffled, wait, so when's ours? Sean chimes in

651
00:31:14,560 --> 00:31:17,480
Speaker 4: from the closet. It's Wednesday. To Pango wonders, how come

652
00:31:17,560 --> 00:31:19,240
Speaker 4: Janitor Bud knows our anniversary.

653
00:31:19,440 --> 00:31:27,680
Speaker 1: Then Shawn Janitor Bud mentioned Janitor Buds right fired, and

654
00:31:28,080 --> 00:31:29,720
Speaker 1: he came back as a secretary.

655
00:31:30,640 --> 00:31:34,760
Speaker 4: The secretary Janitor again. We're about to in the scream

656
00:31:34,800 --> 00:31:38,800
Speaker 4: episode that's upcoming. He's we call that guy Janitor Bud too.

657
00:31:39,360 --> 00:31:39,680
Speaker 1: Do we?

658
00:31:39,800 --> 00:31:41,800
Speaker 2: The guy that gets gets killed, the guy we can't

659
00:31:41,800 --> 00:31:43,240
Speaker 2: be dying, We call him Janitor Bud.

660
00:31:43,480 --> 00:31:44,840
Speaker 5: I thought that was Janitor Bud.

661
00:31:45,160 --> 00:31:48,600
Speaker 1: I think it is. I think that guy Janitor Bud too. Man.

662
00:31:49,240 --> 00:31:51,320
Speaker 1: Oh geez, Okay, so we'll see. We'll see.

663
00:31:51,360 --> 00:31:54,120
Speaker 4: My memory may be faulty, but I'm pretty sure we

664
00:31:54,120 --> 00:31:58,160
Speaker 4: we say Janitor Bud like all right, Uh, so we'll see.

665
00:31:58,240 --> 00:32:03,320
Speaker 4: But okay, uh and then why Sean's dad Yes, and

666
00:32:03,440 --> 00:32:06,920
Speaker 4: Janitor Dad of course? Oh you remember the episode Janitor Dad.

667
00:32:07,760 --> 00:32:11,160
Speaker 1: I didn't remember the name, but I do now, So okay,

668
00:32:11,800 --> 00:32:15,400
Speaker 1: not to be confused with ghost Dad. Different differ, different

669
00:32:15,480 --> 00:32:16,200
Speaker 1: different movie.

670
00:32:16,840 --> 00:32:19,160
Speaker 4: So Sean exits the closet and Corey explains that he's

671
00:32:19,200 --> 00:32:21,080
Speaker 4: hiding from Angela to peg is in awe.

672
00:32:21,240 --> 00:32:22,520
Speaker 1: Oh that's so sweet.

673
00:32:22,840 --> 00:32:25,400
Speaker 4: Sean's convinced that everything he's ever known about girls has

674
00:32:25,440 --> 00:32:27,520
Speaker 4: been completely erased from his brain. He looks at a

675
00:32:27,520 --> 00:32:30,320
Speaker 4: girl who's passing by. Hello, sir see, I know that

676
00:32:30,400 --> 00:32:32,840
Speaker 4: was wrong. He's never been worried about a girl liking

677
00:32:32,880 --> 00:32:35,600
Speaker 4: him or not, but with Angela it matters. He really

678
00:32:35,640 --> 00:32:38,000
Speaker 4: wants her to like him. To Pega gushes again, this

679
00:32:38,120 --> 00:32:41,960
Speaker 4: is so cute. Corey agrees. Personally, I worship the man.

680
00:32:42,360 --> 00:32:43,160
Speaker 1: It's a little sad.

681
00:32:43,880 --> 00:32:48,920
Speaker 4: I thought, what a funny joke for everything we've seen

682
00:32:49,080 --> 00:32:50,920
Speaker 4: between their relationship up to this point.

683
00:32:51,200 --> 00:32:52,520
Speaker 1: Ye, I loved it.

684
00:32:53,960 --> 00:32:56,440
Speaker 4: Angela returns and Sean tries to bolt again, but to

685
00:32:56,480 --> 00:32:58,880
Speaker 4: Pega pushes him back towards Angela.

686
00:32:59,000 --> 00:33:01,560
Speaker 1: Why is Angela walked away? Coming back back and away?

687
00:33:02,400 --> 00:33:04,360
Speaker 3: They didn't give you any reason to walk back in,

688
00:33:04,440 --> 00:33:06,560
Speaker 3: like you know, I left your purse on the table,

689
00:33:06,800 --> 00:33:09,160
Speaker 3: or going to a locker. We're just like crossing for

690
00:33:09,440 --> 00:33:10,400
Speaker 3: crossing sake at.

691
00:33:10,360 --> 00:33:11,840
Speaker 1: The like, what's happening?

692
00:33:12,040 --> 00:33:15,120
Speaker 5: Yeah, I'm one of those actors, especially back then, if

693
00:33:15,120 --> 00:33:16,920
Speaker 5: you didn't give me a reason to walk across, I

694
00:33:16,960 --> 00:33:19,160
Speaker 5: would find the reason in my head. So I can

695
00:33:19,240 --> 00:33:21,160
Speaker 5: imagine what I was thinking, like, yeah.

696
00:33:21,080 --> 00:33:23,520
Speaker 4: You had something in your mind for sure this time.

697
00:33:24,320 --> 00:33:25,640
Speaker 8: Because but this.

698
00:33:25,600 --> 00:33:29,320
Speaker 3: Whole set is so weird, Like this whole hallway set

699
00:33:29,400 --> 00:33:31,960
Speaker 3: doesn't work as a hallway, doesn't work as a living room,

700
00:33:32,320 --> 00:33:34,200
Speaker 3: and so we're and we're trying to have it as

701
00:33:34,240 --> 00:33:37,400
Speaker 3: both all the time, and like there's no like, just

702
00:33:37,400 --> 00:33:40,320
Speaker 3: just give us like a coffee machine or have some

703
00:33:40,520 --> 00:33:42,520
Speaker 3: reason for this room to exist or a copy.

704
00:33:42,680 --> 00:33:46,920
Speaker 2: You have to disagree a little bit because and I again,

705
00:33:46,960 --> 00:33:48,400
Speaker 2: I don't want to harp on this, nor do I

706
00:33:48,440 --> 00:33:50,360
Speaker 2: want to throw anyone under the bus.

707
00:33:50,800 --> 00:33:52,160
Speaker 1: But it worked last week.

708
00:33:53,000 --> 00:33:56,440
Speaker 2: And so some of the blocking has not been great

709
00:33:56,560 --> 00:33:59,160
Speaker 2: this season to the point where we've been noticing it.

710
00:33:59,600 --> 00:34:02,400
Speaker 1: But last week when trainer directed, or when when it.

711
00:34:02,400 --> 00:34:06,320
Speaker 2: Was yeah it was David Kendall, I didn't notice any

712
00:34:06,360 --> 00:34:08,280
Speaker 2: weird crosses or anything strange in the hallway.

713
00:34:08,320 --> 00:34:10,880
Speaker 1: The hallway worked fine, And this week I was like,

714
00:34:10,880 --> 00:34:13,160
Speaker 1: what the hell is going on with some of these crosses? Trina?

715
00:34:13,280 --> 00:34:15,960
Speaker 1: Do you remember working with Alan Myerson? Yeah?

716
00:34:16,080 --> 00:34:16,960
Speaker 5: Yeah, the older.

717
00:34:20,760 --> 00:34:21,920
Speaker 1: Yes, that guy.

718
00:34:27,640 --> 00:34:27,960
Speaker 5: Kids.

719
00:34:28,840 --> 00:34:33,600
Speaker 2: Okay, you made him the bad guy on Scooby Doo

720
00:34:33,640 --> 00:34:35,160
Speaker 2: all of a sudden. I would have gotten away with

721
00:34:35,200 --> 00:34:39,279
Speaker 2: it if it wasn't for these medaling kids. Did you

722
00:34:39,400 --> 00:34:40,320
Speaker 2: like working with Alan?

723
00:34:40,800 --> 00:34:43,879
Speaker 5: I liked Alec. Alan would check y'all a lot okay.

724
00:34:46,040 --> 00:34:47,880
Speaker 5: Alan would check me all the time. He'd be like,

725
00:34:47,920 --> 00:34:51,879
Speaker 5: and what's your excuse for laughing giggling with them?

726
00:34:52,280 --> 00:34:53,120
Speaker 1: You're all right?

727
00:34:53,640 --> 00:34:54,560
Speaker 4: I like that guy.

728
00:34:54,560 --> 00:34:55,480
Speaker 5: I like to be checked.

729
00:34:55,560 --> 00:34:57,400
Speaker 1: So okay, Alan.

730
00:34:57,320 --> 00:35:01,040
Speaker 5: Alan, Alan was uh. He was very authoritative.

731
00:35:01,200 --> 00:35:04,520
Speaker 2: I remember, hm, you know, but is it quiet where

732
00:35:04,520 --> 00:35:07,480
Speaker 2: I remember him being very He was quiet, wasn't he No?

733
00:35:07,520 --> 00:35:10,359
Speaker 5: I felt like his silence was like always judging.

734
00:35:10,120 --> 00:35:11,239
Speaker 1: Us, That's what I mean.

735
00:35:11,280 --> 00:35:12,680
Speaker 2: It was like he did it in a very like

736
00:35:12,800 --> 00:35:14,759
Speaker 2: kind of quiet way where it was like he would

737
00:35:14,840 --> 00:35:16,520
Speaker 2: stare at you, just be kind of quiet and stare you.

738
00:35:16,560 --> 00:35:18,319
Speaker 1: I loved him. We got along really really well. But

739
00:35:19,000 --> 00:35:20,040
Speaker 1: I'm noticing some of the bad.

740
00:35:20,239 --> 00:35:21,879
Speaker 5: I did not get along with him. I just felt

741
00:35:21,920 --> 00:35:24,640
Speaker 5: like he was so in the like the parent mode.

742
00:35:24,880 --> 00:35:27,040
Speaker 5: Even as an adult. I felt like he was so

743
00:35:27,680 --> 00:35:30,959
Speaker 5: older and a thorative and like stop it. He never

744
00:35:31,040 --> 00:35:33,239
Speaker 5: laughed at anything, you know, right, you know.

745
00:35:33,800 --> 00:35:36,719
Speaker 1: I think it's a riot, you know, I think, looking back,

746
00:35:36,760 --> 00:35:40,320
Speaker 1: I think what he would do, which was probably I

747
00:35:40,360 --> 00:35:42,480
Speaker 1: mean it was one hundred and eighty degrees opposite from

748
00:35:42,520 --> 00:35:44,319
Speaker 1: Jeff McCracken, is that he would come in and be like,

749
00:35:44,320 --> 00:35:47,240
Speaker 1: all right, you stand here, you stand here, you walk over.

750
00:35:47,120 --> 00:35:48,919
Speaker 3: Here, then you're gonna say this, and then you're gonna

751
00:35:48,960 --> 00:35:51,000
Speaker 3: do it, and and just told us where to go.

752
00:35:51,560 --> 00:35:55,279
Speaker 3: I think, like will you and I thrived in that

753
00:35:55,560 --> 00:35:57,840
Speaker 3: because it was like, you're not talking about my performance,

754
00:35:57,880 --> 00:35:59,920
Speaker 3: you're not talking about my feelings. You let me do

755
00:36:00,080 --> 00:36:01,960
Speaker 3: all of that and da da, And I think some

756
00:36:02,000 --> 00:36:05,200
Speaker 3: people just really hate that, you know, but I mean,

757
00:36:05,280 --> 00:36:08,479
Speaker 3: and it's it's a style in retrospect, I would hate

758
00:36:08,520 --> 00:36:11,040
Speaker 3: that now, like that is not my style of acting

759
00:36:11,160 --> 00:36:13,919
Speaker 3: or directing. Like I think it's antithetical to the whole

760
00:36:14,000 --> 00:36:16,920
Speaker 3: you know. I love it wasn't organic, it wasn't organic.

761
00:36:17,080 --> 00:36:19,319
Speaker 3: But I think at this point during the show, I

762
00:36:19,360 --> 00:36:21,920
Speaker 3: didn't care me. It was just like, oh, I'm plugging,

763
00:36:21,960 --> 00:36:25,759
Speaker 3: play Sean now. Whereas in seasons two, three, and four

764
00:36:26,200 --> 00:36:29,560
Speaker 3: with McCracken directing, there was so much conversation, there was

765
00:36:29,560 --> 00:36:32,200
Speaker 3: so much investigation, and I cared I really wanted to

766
00:36:32,280 --> 00:36:35,640
Speaker 3: like find Sean or have these moments. But by this season,

767
00:36:35,760 --> 00:36:37,279
Speaker 3: I can tell I'm just like.

768
00:36:37,440 --> 00:36:39,160
Speaker 1: Where do I go? Sure, I'll make it work, I'll

769
00:36:39,160 --> 00:36:41,480
Speaker 1: figure it out, and I kind of do.

770
00:36:41,719 --> 00:36:43,719
Speaker 3: But I think there's a lack of depth here in

771
00:36:43,800 --> 00:36:45,680
Speaker 3: a lot of these moments, I think like there's a

772
00:36:45,920 --> 00:36:49,440
Speaker 3: lack of motivation, there's a lack of explored there's just

773
00:36:49,520 --> 00:36:52,440
Speaker 3: unexplored territory, and a lot of these these ple for me.

774
00:36:52,600 --> 00:36:56,799
Speaker 2: By season five, we are kind of we're on autopilot

775
00:36:56,840 --> 00:36:59,040
Speaker 2: a little bit. I mean, it's just we and we

776
00:36:59,120 --> 00:37:01,560
Speaker 2: know what we're doing. Get the jokes, let's go where

777
00:37:01,560 --> 00:37:03,600
Speaker 2: we're going. So somebody, I think you're right, somebody coming

778
00:37:03,640 --> 00:37:06,759
Speaker 2: in going stand here, walk here, do this for again.

779
00:37:06,840 --> 00:37:08,759
Speaker 2: You And I was like, okay, great, I'll take care

780
00:37:08,800 --> 00:37:10,560
Speaker 2: of the rest, but you're right, I'll cross over here,

781
00:37:10,560 --> 00:37:11,799
Speaker 2: I'll do this, and I'll say that, and I think

782
00:37:11,880 --> 00:37:12,279
Speaker 2: you're right.

783
00:37:12,320 --> 00:37:14,319
Speaker 4: So Trina, just to fill you in a little bit,

784
00:37:14,360 --> 00:37:17,000
Speaker 4: the episode before this is the first episode of the

785
00:37:17,080 --> 00:37:20,120
Speaker 4: season that wasn't directed by Alan Myerson. It was directed

786
00:37:20,120 --> 00:37:22,799
Speaker 4: by David Kendall, and it was far and away our

787
00:37:22,840 --> 00:37:24,520
Speaker 4: favorite episode of the entire season.

788
00:37:24,600 --> 00:37:25,000
Speaker 7: Thus fall.

789
00:37:25,160 --> 00:37:26,400
Speaker 1: Oh okay, so.

790
00:37:26,440 --> 00:37:30,680
Speaker 4: We are noticing a very stark difference in the one

791
00:37:30,760 --> 00:37:35,279
Speaker 4: episode that was directed by somebody else was beautiful and

792
00:37:36,239 --> 00:37:40,719
Speaker 4: just effortless and had been so great, and then part

793
00:37:40,719 --> 00:37:43,160
Speaker 4: two we're back to Alan Myerson and we're noticing, oh,

794
00:37:43,320 --> 00:37:45,480
Speaker 4: this feels a little more like some of the episodes

795
00:37:45,520 --> 00:37:47,080
Speaker 4: we saw before. So we're just we're just.

796
00:37:47,480 --> 00:37:52,880
Speaker 5: You know, definitely like a dictator director. Okay, actually reminds

797
00:37:52,880 --> 00:37:55,839
Speaker 5: me real quick of ice Cube. That's ice Cube directs.

798
00:37:56,280 --> 00:37:59,719
Speaker 5: Really you met at her lay it out?

799
00:38:00,040 --> 00:38:00,359
Speaker 1: That's it?

800
00:38:01,040 --> 00:38:01,360
Speaker 7: Wow?

801
00:38:04,400 --> 00:38:09,480
Speaker 4: Yeah, yeah, I love knowing that. So then after a

802
00:38:09,480 --> 00:38:12,279
Speaker 4: few giggly exchanges, Angela asks Sean if he'd like to

803
00:38:12,320 --> 00:38:15,360
Speaker 4: go out and get something to eat later. He nervously responds,

804
00:38:15,600 --> 00:38:18,239
Speaker 4: I'd like that. Then she pulls something out of her

805
00:38:18,239 --> 00:38:21,040
Speaker 4: pocket and hands it to Sean. She saw it and

806
00:38:21,080 --> 00:38:23,560
Speaker 4: she thought of him. He is speechless, and she offers

807
00:38:23,600 --> 00:38:26,880
Speaker 4: a casual seeya and walks away. It was a seashell.

808
00:38:27,160 --> 00:38:30,640
Speaker 4: Tapanga asks if he likes seashells, and Sean defensively answers,

809
00:38:30,800 --> 00:38:31,160
Speaker 4: I like.

810
00:38:31,239 --> 00:38:34,560
Speaker 1: This one, like this one. I like that button. But

811
00:38:34,640 --> 00:38:36,759
Speaker 1: the whole seashell thing doesn't really make sense to me.

812
00:38:37,280 --> 00:38:39,960
Speaker 5: Well, no, it's just a fun People come up to

813
00:38:40,000 --> 00:38:43,600
Speaker 5: me all the time with that seashell line. Sometimes sells

814
00:38:43,800 --> 00:38:48,359
Speaker 5: just a seashell like that's what they say. That part

815
00:38:48,400 --> 00:38:50,760
Speaker 5: that Seashell played for a lot of fans.

816
00:38:51,520 --> 00:38:53,440
Speaker 1: Well, yeah, what doesn't make sense to you about the seashell,

817
00:38:53,560 --> 00:38:54,760
Speaker 1: just that they picked a seashell.

818
00:38:55,200 --> 00:38:59,080
Speaker 3: Yeah, we've established all these things and you know, like

819
00:38:59,080 --> 00:39:03,120
Speaker 3: that a connector and for and then of course, like

820
00:39:02,880 --> 00:39:05,239
Speaker 3: I like the idea of the Perst episode was that

821
00:39:05,480 --> 00:39:09,000
Speaker 3: we have this mind meld of like taste and lifestyle

822
00:39:09,120 --> 00:39:11,960
Speaker 3: or whatever. But then the joke here is that I

823
00:39:12,040 --> 00:39:14,680
Speaker 3: don't like seashells until she gives me one, and like,

824
00:39:14,719 --> 00:39:16,840
Speaker 3: why did she think of me when she found a seashell?

825
00:39:17,040 --> 00:39:18,880
Speaker 3: How many seashells are you finding in Philly?

826
00:39:20,080 --> 00:39:21,600
Speaker 1: Like all of it, none of it makes sense to me.

827
00:39:21,680 --> 00:39:25,240
Speaker 3: I was like the seashell capital of Pennsylvania. The point

828
00:39:25,320 --> 00:39:28,040
Speaker 3: is that she gives me something special, right, That's the point.

829
00:39:28,239 --> 00:39:31,520
Speaker 3: And so to me, it should be something that connects

830
00:39:31,560 --> 00:39:33,760
Speaker 3: us as something that we've talked about once or twice,

831
00:39:34,000 --> 00:39:36,360
Speaker 3: and that I'm like, see she does remember, or she

832
00:39:36,440 --> 00:39:38,440
Speaker 3: does have these feelings and we are going to do

833
00:39:38,480 --> 00:39:41,320
Speaker 3: a day, you know. But instead it's actually the point

834
00:39:41,320 --> 00:39:43,600
Speaker 3: of the Seashell ends up being that sometimes the seashell

835
00:39:43,680 --> 00:39:46,239
Speaker 3: is just a seashell. So I just didn't understand why

836
00:39:46,239 --> 00:39:47,920
Speaker 3: it's there, What what is this all about? It's just

837
00:39:47,920 --> 00:39:50,960
Speaker 3: to give Sean hope that he's gonna that they're gonna date.

838
00:39:51,239 --> 00:39:52,880
Speaker 3: But then if I don't know, I just like it.

839
00:39:52,920 --> 00:39:54,400
Speaker 3: None of it made sense to me, Like, have it

840
00:39:54,400 --> 00:39:55,960
Speaker 3: be an object, have it be a poem, have it

841
00:39:55,960 --> 00:39:59,960
Speaker 3: be tickets to a movie, anything that establishes.

842
00:39:59,440 --> 00:40:04,600
Speaker 4: Once showing Philly like a diamond in the rough.

843
00:40:08,080 --> 00:40:11,120
Speaker 1: So then we are in Eric, Jack and Sean's apartment, which,

844
00:40:11,120 --> 00:40:14,479
Speaker 1: by the way, Seawan is never there, never your home.

845
00:40:14,840 --> 00:40:15,920
Speaker 1: That's why there's rooms.

846
00:40:15,920 --> 00:40:18,160
Speaker 2: There's rooms to rent in high school, so you can

847
00:40:18,200 --> 00:40:22,520
Speaker 2: Shawn's room live somewhere else exactly, Just like.

848
00:40:22,440 --> 00:40:25,160
Speaker 3: That, The fact that I was a roommate was just

849
00:40:25,239 --> 00:40:26,239
Speaker 3: completely cut out.

850
00:40:26,520 --> 00:40:27,360
Speaker 1: Again, none of it.

851
00:40:27,480 --> 00:40:29,520
Speaker 2: This goes back to what I was saying, where there

852
00:40:29,600 --> 00:40:32,959
Speaker 2: is no point in Eric or in Jack and Sewan

853
00:40:33,080 --> 00:40:34,719
Speaker 2: being brothers, none whatsoever.

854
00:40:34,800 --> 00:40:36,720
Speaker 1: It was unnecessary to the show.

855
00:40:37,160 --> 00:40:39,719
Speaker 2: It just should have been Jack and Eric met as

856
00:40:39,800 --> 00:40:42,200
Speaker 2: college roommates, and they were college roommates.

857
00:40:42,360 --> 00:40:43,879
Speaker 1: Like, why did you need anything else?

858
00:40:44,520 --> 00:40:46,720
Speaker 4: So Jack is talking to his mom on the phone.

859
00:40:46,760 --> 00:40:50,160
Speaker 4: He completely understands and wishes her fun on the cruise.

860
00:40:50,360 --> 00:40:50,640
Speaker 6: What a.

861
00:40:55,239 --> 00:40:58,759
Speaker 7: Sorry son going on a cruise from taking giving a

862
00:40:58,920 --> 00:41:00,279
Speaker 7: Thanksgiving crew it.

863
00:41:03,880 --> 00:41:06,439
Speaker 1: She took him up to eighteen and then just get out, Dude,

864
00:41:06,680 --> 00:41:08,759
Speaker 1: I get it. It's fine. I can't wait to be

865
00:41:08,760 --> 00:41:11,680
Speaker 1: able to not go on a cruise, but just kick

866
00:41:11,719 --> 00:41:12,480
Speaker 1: India of the house.

867
00:41:13,360 --> 00:41:13,600
Speaker 2: You can.

868
00:41:13,760 --> 00:41:16,080
Speaker 3: You can figure out Thanksgiving, Dude, I fed you for

869
00:41:16,120 --> 00:41:16,680
Speaker 3: eighteen years.

870
00:41:16,719 --> 00:41:19,400
Speaker 4: I mean, he's probably off from school. You could invite

871
00:41:19,440 --> 00:41:20,799
Speaker 4: him to go on the cruise with you.

872
00:41:21,280 --> 00:41:26,759
Speaker 1: Ah. Anyway, is this implying that like Jack's because you

873
00:41:26,800 --> 00:41:30,240
Speaker 1: know that we had the storyline that he's well daddy's right.

874
00:41:30,400 --> 00:41:31,560
Speaker 1: So is the idea that.

875
00:41:31,560 --> 00:41:33,680
Speaker 3: Like, yeah, but they haven't really hit on that because

876
00:41:33,680 --> 00:41:36,400
Speaker 3: when he when when we had the like he and

877
00:41:36,440 --> 00:41:38,680
Speaker 3: I had the moment of like I would have content,

878
00:41:38,760 --> 00:41:41,880
Speaker 3: we didn't get the sense that like his his step

879
00:41:41,920 --> 00:41:43,880
Speaker 3: mom or his mom. No, so it's just mom wouldn't

880
00:41:43,920 --> 00:41:47,400
Speaker 3: his actual mom was like I don't know, okay, So.

881
00:41:48,040 --> 00:41:49,640
Speaker 1: It's all hard to keep track of all this stuff.

882
00:41:49,800 --> 00:41:50,040
Speaker 2: I know.

883
00:41:50,160 --> 00:41:52,040
Speaker 1: So they are wealthy. So his mom might be an

884
00:41:52,040 --> 00:41:54,120
Speaker 1: awful person, is like his mom might be.

885
00:41:54,160 --> 00:41:57,040
Speaker 4: But the only person he said something nice about is

886
00:41:57,040 --> 00:41:59,080
Speaker 4: he does say his dad treated him well, that he

887
00:41:59,120 --> 00:42:00,319
Speaker 4: had no issues with his dad.

888
00:42:00,320 --> 00:42:01,680
Speaker 1: That's all we know up until That's what I was

889
00:42:01,680 --> 00:42:03,680
Speaker 1: trying to remember. Did he talk about his mom being

890
00:42:03,680 --> 00:42:04,239
Speaker 1: great too.

891
00:42:04,440 --> 00:42:07,680
Speaker 4: In that the only thing is well though, I think

892
00:42:07,760 --> 00:42:09,359
Speaker 4: is yeah. But the only thing we know is that

893
00:42:09,600 --> 00:42:12,320
Speaker 4: immediately he says, my mom might have thrown those letters away.

894
00:42:13,239 --> 00:42:15,520
Speaker 1: That's true too. Oh is that the storyline? So she

895
00:42:15,560 --> 00:42:16,919
Speaker 1: threw the letters to the letters?

896
00:42:18,520 --> 00:42:21,160
Speaker 4: He said no, he said my mom. He said, I

897
00:42:21,200 --> 00:42:22,480
Speaker 4: didn't get those my mom.

898
00:42:22,960 --> 00:42:23,359
Speaker 3: My mom.

899
00:42:24,880 --> 00:42:30,000
Speaker 1: Is what I'm saying. I established her didn't.

900
00:42:29,120 --> 00:42:31,520
Speaker 4: Because I hate women like I really this.

901
00:42:31,520 --> 00:42:36,120
Speaker 1: One another reason. That's reason I said to the character

902
00:42:37,960 --> 00:42:39,040
Speaker 1: threw away the letters.

903
00:42:40,400 --> 00:42:43,520
Speaker 4: Now she's calling him to be like, I'm going on

904
00:42:43,560 --> 00:42:46,440
Speaker 4: a cruise for Thanksgiving. I'm sure you'll be fine. And

905
00:42:46,560 --> 00:42:47,920
Speaker 4: I don't like this, lady.

906
00:42:47,920 --> 00:42:50,799
Speaker 1: Mom, buddy, it's Thanksgiving. I don't want I don't want to.

907
00:42:51,120 --> 00:42:55,560
Speaker 4: By the way, great acting debut for Fort Lawrence.

908
00:42:56,040 --> 00:42:59,640
Speaker 2: The best factor on the on the show. Phone acting

909
00:42:59,719 --> 00:43:01,000
Speaker 2: is top notch.

910
00:43:01,200 --> 00:43:04,320
Speaker 1: We have noticed that there's some some not.

911
00:43:04,239 --> 00:43:06,439
Speaker 4: So great phone acting on Boy Meets World, and we've

912
00:43:06,480 --> 00:43:07,680
Speaker 4: decided to call it acting.

913
00:43:07,960 --> 00:43:10,520
Speaker 1: Well uh you and Ben is great when he has

914
00:43:10,520 --> 00:43:12,759
Speaker 1: a chord because like when he and I did the court,

915
00:43:12,800 --> 00:43:14,399
Speaker 1: you know when he's in it's actually not true.

916
00:43:14,440 --> 00:43:15,800
Speaker 4: There was one where he had a court and he

917
00:43:16,760 --> 00:43:21,719
Speaker 4: was still trying to tried to close, tried to close

918
00:43:21,719 --> 00:43:24,520
Speaker 4: the thing. Do you know how your facting is, Trina,

919
00:43:24,640 --> 00:43:26,720
Speaker 4: Do you ever remember having to act with the phone?

920
00:43:26,920 --> 00:43:29,120
Speaker 5: Oh, all the time. There's there's a secret to that.

921
00:43:29,239 --> 00:43:31,880
Speaker 5: You have to okay, you have to pick up the phone, right,

922
00:43:31,960 --> 00:43:33,920
Speaker 5: You have to be like you have to pretend that

923
00:43:34,000 --> 00:43:36,719
Speaker 5: the person is actually saying something and let them say

924
00:43:36,719 --> 00:43:40,439
Speaker 5: an entire sentence in your head, right right, just something else.

925
00:43:40,480 --> 00:43:41,920
Speaker 5: So you're like, hey, how you doing.

926
00:43:44,520 --> 00:43:47,799
Speaker 1: Really great?

927
00:43:47,840 --> 00:43:50,960
Speaker 5: To give it a minute, you know, and you hear something.

928
00:43:51,280 --> 00:43:54,040
Speaker 5: But when you just keep going line after line, that's.

929
00:43:54,560 --> 00:43:57,560
Speaker 2: Right, That's that's why we just were You just holding

930
00:43:57,560 --> 00:43:59,840
Speaker 2: a stapler is remote.

931
00:44:00,080 --> 00:44:02,000
Speaker 1: It's just a case to hold my courts.

932
00:44:05,880 --> 00:44:06,759
Speaker 5: We're down here now.

933
00:44:07,760 --> 00:44:10,080
Speaker 2: My problem is every time I was facting, when I

934
00:44:10,120 --> 00:44:12,279
Speaker 2: had somebody doing the lines in my head, they were

935
00:44:12,280 --> 00:44:13,360
Speaker 2: in the middle of the monologue.

936
00:44:13,400 --> 00:44:15,240
Speaker 1: That took forever. That was the problem.

937
00:44:15,280 --> 00:44:19,600
Speaker 2: It's like, and I'd be I'd just be like okay.

938
00:44:18,800 --> 00:44:22,760
Speaker 2: So yeah, so they they finally just stopped having people

939
00:44:22,800 --> 00:44:23,319
Speaker 2: call Eric.

940
00:44:25,680 --> 00:44:27,440
Speaker 5: That's funny.

941
00:44:27,880 --> 00:44:32,000
Speaker 1: You we did. We needed a we did. We did.

942
00:44:32,880 --> 00:44:35,000
Speaker 4: Jack sadly hangs up and tells Eric he's going to

943
00:44:35,080 --> 00:44:39,200
Speaker 4: be alone for Thanksgiving. Eric responds without any emotion at all. Yeah,

944
00:44:39,239 --> 00:44:41,560
Speaker 4: it's kind of sad. Jack comes up with an idea

945
00:44:41,640 --> 00:44:44,719
Speaker 4: while standing next to the art above the sink, which

946
00:44:44,800 --> 00:44:47,040
Speaker 4: is now a photo of egg.

947
00:44:46,880 --> 00:44:48,960
Speaker 1: Roll it's we change it every week.

948
00:44:49,080 --> 00:44:52,200
Speaker 2: We've decided we have new food items every week that

949
00:44:52,320 --> 00:44:53,080
Speaker 2: we just put up there.

950
00:44:53,400 --> 00:44:56,000
Speaker 1: What is this joke is? I don't know. I do

951
00:44:56,120 --> 00:44:56,279
Speaker 1: like the.

952
00:44:56,719 --> 00:44:59,640
Speaker 8: Design joke that like, it's got to be just for them,

953
00:45:00,040 --> 00:45:03,200
Speaker 8: because we never noticed any of this, So this had

954
00:45:03,239 --> 00:45:05,839
Speaker 8: to been for the set deck where they're like, every week,

955
00:45:05,880 --> 00:45:07,239
Speaker 8: we're just going to put a different kind of food

956
00:45:07,320 --> 00:45:09,359
Speaker 8: up there, and we're not going to mention we're going

957
00:45:09,400 --> 00:45:13,000
Speaker 8: to anybody mentions it because my guess is Michael would have.

958
00:45:13,000 --> 00:45:15,160
Speaker 2: Been like, why why does that keep changing? I don't

959
00:45:15,160 --> 00:45:19,440
Speaker 2: think anybody noticed. And it's actually it's pretty funny.

960
00:45:19,440 --> 00:45:20,080
Speaker 1: It's great.

961
00:45:20,600 --> 00:45:23,720
Speaker 4: Yeah, we haven't seen any lobsters yet. I haven't noticed

962
00:45:23,760 --> 00:45:24,520
Speaker 4: any lobsters.

963
00:45:24,760 --> 00:45:28,080
Speaker 3: Lobsters until season six, ye six or seven. Yeah, should

964
00:45:28,080 --> 00:45:29,759
Speaker 3: we make predictions on what food is going to be

965
00:45:29,800 --> 00:45:30,200
Speaker 3: in there?

966
00:45:31,960 --> 00:45:35,560
Speaker 4: We've had pizza, we're now having egg rolls. We had

967
00:45:35,600 --> 00:45:39,000
Speaker 4: something that looked like meat loaf. Wasn't that something that

968
00:45:39,000 --> 00:45:39,360
Speaker 4: looked like me.

969
00:45:39,600 --> 00:45:42,160
Speaker 1: I would say burger. I'd say some sort you're.

970
00:45:42,120 --> 00:45:44,719
Speaker 4: Right with, with a bun off and the toppings.

971
00:45:44,800 --> 00:45:47,080
Speaker 1: I can picture it. Yeah, you can see the pickles yet.

972
00:45:47,120 --> 00:45:48,879
Speaker 1: That's a good one. Yeah, all right.

973
00:45:48,920 --> 00:45:50,759
Speaker 4: So Jack comes up with an idea while standing next

974
00:45:50,800 --> 00:45:52,640
Speaker 4: to the egg rolls. Maybe I could join you and

975
00:45:52,680 --> 00:45:55,759
Speaker 4: your family for Thanksgiving. Eric simply tells him no, while

976
00:45:55,760 --> 00:45:58,319
Speaker 4: spreading peanut butter on some bread. I don't think they'd

977
00:45:58,320 --> 00:46:00,680
Speaker 4: want me inviting anybody else over after last year we

978
00:46:00,719 --> 00:46:02,480
Speaker 4: had fene over and he ate all the white meat.

979
00:46:03,040 --> 00:46:05,920
Speaker 4: Jack disappointedly suggests, I guess I'll just stay here and

980
00:46:06,040 --> 00:46:09,279
Speaker 4: order a pizza or something. Eric, getting zero messages here,

981
00:46:09,400 --> 00:46:12,560
Speaker 4: enthusiastically tells him that's great. Jack throws up his arms

982
00:46:12,560 --> 00:46:15,719
Speaker 4: in defeat. Eric laughs, I'm kidding. I love needling you.

983
00:46:15,880 --> 00:46:18,439
Speaker 4: He has an idea, what if we have Thanksgiving here?

984
00:46:18,920 --> 00:46:19,840
Speaker 4: Jack's not on board.

985
00:46:19,920 --> 00:46:20,439
Speaker 1: It's us.

986
00:46:20,560 --> 00:46:23,120
Speaker 4: We could ruin Thanksgiving for a lot of people. Eric

987
00:46:23,200 --> 00:46:27,320
Speaker 4: then pours cereal on his peanut butter. Oh yes, was

988
00:46:27,360 --> 00:46:28,000
Speaker 4: this your idea?

989
00:46:28,040 --> 00:46:28,200
Speaker 6: Well?

990
00:46:28,200 --> 00:46:29,200
Speaker 1: Oh yeah, absolutely yeah.

991
00:46:29,239 --> 00:46:31,480
Speaker 2: Anything I was eating was all mist Every time I ate,

992
00:46:31,520 --> 00:46:33,400
Speaker 2: I would always do something weird, and it was always

993
00:46:33,440 --> 00:46:37,360
Speaker 2: in my head. And here's the thing, this Bee story

994
00:46:38,120 --> 00:46:40,799
Speaker 2: really didn't need. It made no sense lifted right out

995
00:46:40,840 --> 00:46:43,800
Speaker 2: of the episode if you wanted to. And for some reason,

996
00:46:44,120 --> 00:46:49,080
Speaker 2: I remembered every single line and I had no idea

997
00:46:49,120 --> 00:46:53,359
Speaker 2: why there was entire a storylines I didn't remember doing.

998
00:46:53,440 --> 00:46:57,440
Speaker 2: For some reason, I could mouth along with every single line.

999
00:46:57,200 --> 00:46:59,120
Speaker 1: Of dialogue from this Beast story and I have no

1000
00:46:59,200 --> 00:46:59,600
Speaker 1: idea why.

1001
00:47:00,160 --> 00:47:03,120
Speaker 4: So funny, I wonder, I wonder what was going on

1002
00:47:03,200 --> 00:47:05,520
Speaker 4: in your real life this week that made this episode

1003
00:47:05,560 --> 00:47:06,120
Speaker 4: so salient.

1004
00:47:06,400 --> 00:47:07,759
Speaker 2: I don't know, but at one point I turned to

1005
00:47:07,800 --> 00:47:10,120
Speaker 2: Sue right before and I went gobble, gobble, black Ice,

1006
00:47:10,280 --> 00:47:13,080
Speaker 2: and then it was just really weird.

1007
00:47:13,360 --> 00:47:16,560
Speaker 3: That's funny, because I felt I felt something in this

1008
00:47:16,560 --> 00:47:19,920
Speaker 3: this this version of Eric, this sort of like super

1009
00:47:19,960 --> 00:47:25,040
Speaker 3: confident but chatty and and dismissive of Jack version that

1010
00:47:25,080 --> 00:47:28,799
Speaker 3: remind me of Fletch and a little bit okay, And

1011
00:47:28,880 --> 00:47:32,360
Speaker 3: I could see that because that's very close to your

1012
00:47:32,840 --> 00:47:35,680
Speaker 3: favorite kind of humor, Like, I know you love those

1013
00:47:35,760 --> 00:47:37,880
Speaker 3: kinds of characters, and so I think maybe you just

1014
00:47:37,960 --> 00:47:41,040
Speaker 3: really liked this, yeah, this whole thing, because it's like,

1015
00:47:41,440 --> 00:47:43,600
Speaker 3: let me you know, because it used to grow you know,

1016
00:47:43,640 --> 00:47:46,440
Speaker 3: the sort of like throwing away like and being super

1017
00:47:46,440 --> 00:47:49,920
Speaker 3: condescending without even realizing it and like on your own trip,

1018
00:47:50,200 --> 00:47:52,919
Speaker 3: Like it's very like your sense of humor this version.

1019
00:47:52,960 --> 00:47:57,360
Speaker 1: I just but yeah, I'm really condescending, writer Trina.

1020
00:47:57,440 --> 00:47:59,600
Speaker 4: Do you when you watch episodes, do you ever remember

1021
00:47:59,640 --> 00:48:00,880
Speaker 4: whole of dialogue?

1022
00:48:02,160 --> 00:48:02,399
Speaker 1: Yeah?

1023
00:48:02,480 --> 00:48:06,240
Speaker 5: Well I remember lines lines I love you, I've always

1024
00:48:06,280 --> 00:48:08,000
Speaker 5: loved you. I say it to my husband all the time.

1025
00:48:08,040 --> 00:48:08,839
Speaker 5: That's from.

1026
00:48:10,920 --> 00:48:11,759
Speaker 1: And he goes, I.

1027
00:48:11,880 --> 00:48:12,480
Speaker 5: Get out here.

1028
00:48:12,760 --> 00:48:14,719
Speaker 1: Wait that's from what what is that from? From Boy

1029
00:48:14,760 --> 00:48:22,120
Speaker 1: Meets World? World? I've always them?

1030
00:48:22,640 --> 00:48:26,120
Speaker 5: Yeah, but usually one one line zingers I I love you?

1031
00:48:26,160 --> 00:48:28,640
Speaker 1: Remember those? When's the last time?

1032
00:48:28,680 --> 00:48:30,840
Speaker 2: I'm curious, when's the last time you watched an episode

1033
00:48:30,840 --> 00:48:33,120
Speaker 2: of Boy from beginning to end? Has it been a while.

1034
00:48:34,800 --> 00:48:38,279
Speaker 5: I watched it. It's it's been within the year this

1035
00:48:38,400 --> 00:48:40,839
Speaker 5: last year of us all going to the cons. There

1036
00:48:40,880 --> 00:48:43,439
Speaker 5: was something about watching it again after having spent time

1037
00:48:43,480 --> 00:48:47,040
Speaker 5: with you guys. It was really healing for me. It

1038
00:48:47,120 --> 00:48:50,279
Speaker 5: was like, Wow, it just was different. You know. I

1039
00:48:50,320 --> 00:48:53,200
Speaker 5: always kind of watched it more for my flaws and

1040
00:48:53,239 --> 00:48:55,440
Speaker 5: what I could have done better, But now I was

1041
00:48:55,480 --> 00:48:58,200
Speaker 5: watching it like as an adult, as a whole as

1042
00:48:58,239 --> 00:49:01,239
Speaker 5: an insumb looking at more like an domble thing, and

1043
00:49:01,320 --> 00:49:05,240
Speaker 5: how the chemistry with everyone, what was really good and everything.

1044
00:49:05,560 --> 00:49:07,520
Speaker 5: I still watch it. I'm one of those people who

1045
00:49:07,600 --> 00:49:10,400
Speaker 5: doesn't like to watch themselves. I'm horrible. I will watch

1046
00:49:10,440 --> 00:49:16,520
Speaker 5: myself over and over. No shame about it.

1047
00:49:16,160 --> 00:49:19,000
Speaker 1: Good for you. No, I've done that too hard. I've

1048
00:49:19,040 --> 00:49:22,080
Speaker 1: done that too. Confidence. I've done that too. It wasn't

1049
00:49:22,080 --> 00:49:23,960
Speaker 1: with Boy, but with other stuff. I've done that too.

1050
00:49:24,000 --> 00:49:26,000
Speaker 2: And it's more to like kind of know that if

1051
00:49:26,000 --> 00:49:28,840
Speaker 2: I ever do it again, I will see flaws in

1052
00:49:28,880 --> 00:49:31,319
Speaker 2: my performance that I know I won't want to repeat.

1053
00:49:31,640 --> 00:49:33,480
Speaker 2: So I'll be like, Okay, oh I did that in

1054
00:49:33,520 --> 00:49:35,440
Speaker 2: five episodes. I got to make sure I don't do

1055
00:49:35,520 --> 00:49:37,560
Speaker 2: that if I ever do something again. I haven't been

1056
00:49:37,560 --> 00:49:39,960
Speaker 2: on Cameron seventeen years, and I'm still like, but if

1057
00:49:40,000 --> 00:49:42,759
Speaker 2: I ever am, I did this one thing. So yeah,

1058
00:49:42,760 --> 00:49:44,840
Speaker 2: I'm the same way. I had no problem watching myself

1059
00:49:44,880 --> 00:49:45,600
Speaker 2: after a while either.

1060
00:49:46,360 --> 00:49:49,120
Speaker 5: Yeah. I mean it's it's it's good for growth. My

1061
00:49:49,239 --> 00:49:51,320
Speaker 5: thing about I usually don't like the way my face

1062
00:49:51,440 --> 00:49:53,200
Speaker 5: is or whey I'm holding my because I mean a

1063
00:49:53,200 --> 00:49:59,680
Speaker 5: lot of faces just as a person. It's like, yeah,

1064
00:49:59,719 --> 00:50:02,600
Speaker 5: I mean it's okay to love yourself in this acting

1065
00:50:02,600 --> 00:50:06,120
Speaker 5: world is yes, you know, there's a lot of negativity here.

1066
00:50:06,239 --> 00:50:08,080
Speaker 5: You can look at yourself.

1067
00:50:07,680 --> 00:50:09,200
Speaker 1: And say, hey, that's what I'm saying.

1068
00:50:09,280 --> 00:50:12,359
Speaker 4: We need more of that confidence. I am here for it.

1069
00:50:12,400 --> 00:50:15,200
Speaker 2: Well, that's being an actor. It's a bizarre combination of

1070
00:50:15,280 --> 00:50:17,800
Speaker 2: ego and insecurity. Gotta love being an actor.

1071
00:50:17,960 --> 00:50:20,360
Speaker 5: Yep, it's a line you have to master.

1072
00:50:20,719 --> 00:50:21,359
Speaker 1: Yeah.

1073
00:50:21,440 --> 00:50:25,120
Speaker 4: Yeah, So Eric is glad Jack wasn't at Plymouth rock Ooh,

1074
00:50:25,239 --> 00:50:26,440
Speaker 4: I'm hungry, Let's.

1075
00:50:26,200 --> 00:50:27,000
Speaker 1: Go back to Sweden.

1076
00:50:27,280 --> 00:50:29,920
Speaker 4: And then he concludes the scene by taking a giant

1077
00:50:29,960 --> 00:50:32,239
Speaker 4: bite from his PB and C sandwich.

1078
00:50:32,400 --> 00:50:34,400
Speaker 1: Oh, I bet it's so good. Yeah, I bet you

1079
00:50:34,440 --> 00:50:35,160
Speaker 1: it was delicious.

1080
00:50:35,320 --> 00:50:35,680
Speaker 6: Yeah.

1081
00:50:35,719 --> 00:50:38,200
Speaker 4: And then we're in the John Adams High Custodian closet.

1082
00:50:38,239 --> 00:50:40,560
Speaker 4: Sean is hiding, sitting on a bucket and reading something

1083
00:50:40,600 --> 00:50:43,759
Speaker 4: when Corey walks in, Corey shocked. Sean is reading from

1084
00:50:43,760 --> 00:50:47,120
Speaker 4: his Black Book, the early nineties edition. Corey asks if

1085
00:50:47,160 --> 00:50:48,799
Speaker 4: he can take a look, but Sean pulls it away.

1086
00:50:49,040 --> 00:50:51,360
Speaker 4: Some names in there could upset him and his parents,

1087
00:50:51,400 --> 00:50:54,520
Speaker 4: and I thought that was a very funny joke joke.

1088
00:50:55,120 --> 00:50:57,600
Speaker 4: Corey reminds him that that's the old Sean. There's a

1089
00:50:57,640 --> 00:50:59,480
Speaker 4: girl out there who likes him and asked him out.

1090
00:50:59,719 --> 00:51:02,440
Speaker 4: Sean size, he realizes he'd be giving up all of

1091
00:51:02,440 --> 00:51:04,680
Speaker 4: this if he went out with her. Corey says, it's

1092
00:51:04,680 --> 00:51:07,040
Speaker 4: not about what he's giving up, it's about what he's gaining.

1093
00:51:07,280 --> 00:51:09,719
Speaker 4: Sean laughs, no offense, but you have no idea what

1094
00:51:09,760 --> 00:51:14,120
Speaker 4: I'd be giving up. Again, another very funny joke, Corey

1095
00:51:14,200 --> 00:51:16,000
Speaker 4: dares him to find one girl in the book he

1096
00:51:16,080 --> 00:51:18,920
Speaker 4: actually cares about and call her. Sean flips right to

1097
00:51:18,960 --> 00:51:23,000
Speaker 4: the front, a Angela. She's the first name in his book,

1098
00:51:23,080 --> 00:51:25,920
Speaker 4: and she's the one he wants, but a real relationship

1099
00:51:25,960 --> 00:51:28,839
Speaker 4: is completely new to him. Corey references that airplane movie

1100
00:51:28,880 --> 00:51:30,520
Speaker 4: where the nun had to fly the plane and the

1101
00:51:30,520 --> 00:51:33,319
Speaker 4: air traffic controller had to talk her down. Corey will

1102
00:51:33,360 --> 00:51:36,720
Speaker 4: be Sean's air traffic controller, so that means all Sean

1103
00:51:36,800 --> 00:51:38,360
Speaker 4: has to be is the nun.

1104
00:51:39,360 --> 00:51:42,520
Speaker 2: As of how, Sean does his book alphabetically by first

1105
00:51:42,600 --> 00:51:46,400
Speaker 2: name correct, so it's like, God forbid you, you're dating

1106
00:51:46,440 --> 00:51:47,200
Speaker 2: four PAMs.

1107
00:51:48,000 --> 00:51:54,440
Speaker 1: That's not gonna help at all. That's so funny. I

1108
00:51:54,480 --> 00:51:56,319
Speaker 1: guess it's in case he doesn't know their last name.

1109
00:51:56,440 --> 00:51:59,920
Speaker 4: Yeah, yeah, yeah, exactly with only two weeks you know,

1110
00:52:00,040 --> 00:52:00,360
Speaker 4: ever know?

1111
00:52:01,200 --> 00:52:02,360
Speaker 1: And then we're in the guy's apartment.

1112
00:52:02,440 --> 00:52:04,640
Speaker 4: Eric's schipping away at a giant chunk of ice, trying

1113
00:52:04,640 --> 00:52:06,640
Speaker 4: to carve it into a turkey. Jack says, it's three

1114
00:52:06,680 --> 00:52:09,240
Speaker 4: days until Thanksgiving. Shouldn't he be afraid of it melting?

1115
00:52:09,640 --> 00:52:12,720
Speaker 4: That's why I'm making it bigger? And then a timer

1116
00:52:12,840 --> 00:52:14,920
Speaker 4: dings Jack's pumpkin pies already.

1117
00:52:15,000 --> 00:52:17,759
Speaker 1: Well was that real ice? Yeah, it was real ice.

1118
00:52:19,080 --> 00:52:21,279
Speaker 1: I definitely remember. It was a big chunk of real ice.

1119
00:52:21,560 --> 00:52:25,160
Speaker 2: And for some reason Jack is making a pie days

1120
00:52:25,160 --> 00:52:26,160
Speaker 2: before Thanksgiving.

1121
00:52:26,280 --> 00:52:29,799
Speaker 4: That I think he's practicing, because I thought of that too.

1122
00:52:30,000 --> 00:52:33,600
Speaker 1: The poppy pie, I thought of that too.

1123
00:52:33,960 --> 00:52:37,560
Speaker 4: But I did think he cares a lot about this,

1124
00:52:37,920 --> 00:52:40,080
Speaker 4: and he wanted to give it pactice his pie recipe.

1125
00:52:40,239 --> 00:52:41,439
Speaker 1: Wanted you to try it. See.

1126
00:52:41,480 --> 00:52:42,960
Speaker 4: I make sure he has it down.

1127
00:52:43,239 --> 00:52:43,640
Speaker 1: Thank god.

1128
00:52:43,680 --> 00:52:45,880
Speaker 2: I don't even wait for it to cool before I

1129
00:52:45,920 --> 00:52:47,640
Speaker 2: dig right to the center of the pie.

1130
00:52:48,320 --> 00:52:52,840
Speaker 4: Oh, wait for it to cool. He pulls the hot

1131
00:52:52,880 --> 00:52:56,960
Speaker 4: pie tin out with one and the other one with

1132
00:52:57,200 --> 00:53:01,720
Speaker 4: nothing of He has a wooden spoon in this hand,

1133
00:53:01,960 --> 00:53:03,959
Speaker 4: and and no ofve admitt this one has enough emit

1134
00:53:04,040 --> 00:53:06,359
Speaker 4: and He reaches in and with two hands.

1135
00:53:06,680 --> 00:53:11,000
Speaker 1: Souls in great pie acting packaging called pack it is

1136
00:53:11,040 --> 00:53:11,759
Speaker 1: facting great.

1137
00:53:13,920 --> 00:53:15,840
Speaker 2: Well, no it was not, and I actually discussed this.

1138
00:53:15,920 --> 00:53:18,680
Speaker 2: What you don't realize is that Jack has a teflon hand,

1139
00:53:19,600 --> 00:53:21,080
Speaker 2: so this is a part of the backstory.

1140
00:53:21,120 --> 00:53:23,400
Speaker 1: He could you notice how much this is the stove

1141
00:53:23,520 --> 00:53:28,920
Speaker 1: like rattled when he went to get it there, It's

1142
00:53:28,960 --> 00:53:31,440
Speaker 1: just like like rattled. As he pulled it out, was

1143
00:53:31,480 --> 00:53:33,640
Speaker 1: like it kind of like it's just a cheap like

1144
00:53:33,680 --> 00:53:35,680
Speaker 1: little stove. But actually I was like, yeah, that's because

1145
00:53:35,680 --> 00:53:36,600
Speaker 1: there's nothing behind it.

1146
00:53:37,440 --> 00:53:41,239
Speaker 4: Yeah, yeah, it's all very funny. But he scoops out

1147
00:53:41,280 --> 00:53:43,759
Speaker 4: some soupy pie felling right from the middle so Eric

1148
00:53:43,800 --> 00:53:46,439
Speaker 4: can try it. Jack asks him how it tastes. Eric

1149
00:53:46,480 --> 00:53:48,280
Speaker 4: makes a face and pulls something out of his mouth.

1150
00:53:48,560 --> 00:53:50,640
Speaker 4: Is pumpkin pie supposed to have bones?

1151
00:53:50,800 --> 00:53:55,239
Speaker 1: So how did you do that? Did you have to have?

1152
00:53:55,440 --> 00:54:00,640
Speaker 1: You had it? I had to know where to Yeah,

1153
00:54:00,680 --> 00:54:04,000
Speaker 1: you could see it in this poon. Then Jack gives up.

1154
00:54:04,080 --> 00:54:06,800
Speaker 4: He's calling the caterers so they can provide the Thanksgiving

1155
00:54:06,800 --> 00:54:09,960
Speaker 4: feast that the Matthews are expecting. Eric scoffs, my parents

1156
00:54:10,080 --> 00:54:12,000
Speaker 4: Thanksgiving is like the least important day of the year

1157
00:54:12,040 --> 00:54:15,000
Speaker 4: to them. They don't even exchange gifts. Then there's a

1158
00:54:15,080 --> 00:54:17,720
Speaker 4: loud pounding at the door. Jack opens it to reveal

1159
00:54:17,760 --> 00:54:19,759
Speaker 4: Alan in a black Canadian tuxedo.

1160
00:54:20,239 --> 00:54:25,680
Speaker 1: Just the knock is funny. I know, pounding and I

1161
00:54:25,719 --> 00:54:26,680
Speaker 1: know so great.

1162
00:54:27,719 --> 00:54:31,000
Speaker 2: Hey, it's like this isn't going to be a serious conversation.

1163
00:54:31,400 --> 00:54:34,160
Speaker 4: Yeah, he steps in and tells the boys He's going

1164
00:54:34,239 --> 00:54:36,200
Speaker 4: to get right to the point. Thanksgiving is the most

1165
00:54:36,200 --> 00:54:37,960
Speaker 4: important day of the year to me. I'm sure Eric

1166
00:54:38,000 --> 00:54:40,360
Speaker 4: told you that. Jack nervously tells him he did not,

1167
00:54:40,760 --> 00:54:42,160
Speaker 4: but Eric explains, yes.

1168
00:54:42,000 --> 00:54:43,759
Speaker 1: I did. Dad. He hears what he wants to hear.

1169
00:54:45,400 --> 00:54:49,799
Speaker 3: Okay, now I thought this this whole bit was pretty funny. Yeah,

1170
00:54:49,840 --> 00:54:53,719
Speaker 3: it didn't make any sense with Alan, like Alan as

1171
00:54:53,800 --> 00:54:57,239
Speaker 3: we know him, either as in a like a hard

1172
00:54:57,320 --> 00:54:58,160
Speaker 3: ass right.

1173
00:54:58,320 --> 00:55:01,400
Speaker 1: Huh, or as a guy who would prank the kids

1174
00:55:01,480 --> 00:55:03,560
Speaker 1: like this, Like it just doesn't like is who what

1175
00:55:03,600 --> 00:55:05,520
Speaker 1: Alan is? This? Does this make any sense to you?

1176
00:55:05,560 --> 00:55:07,560
Speaker 1: Because this is random love Thanksgiving Alan.

1177
00:55:07,960 --> 00:55:10,680
Speaker 5: Do you guys remember when Alan sat us all down

1178
00:55:10,719 --> 00:55:13,120
Speaker 5: and like told us we had to get it together?

1179
00:55:13,280 --> 00:55:15,480
Speaker 1: You guys don't remember that? Oh that meeting?

1180
00:55:15,920 --> 00:55:17,920
Speaker 5: Yeah, like in real life, I called.

1181
00:55:17,680 --> 00:55:21,399
Speaker 1: That meeting in the kitchen table. Yeah yeah, yeah, yeah,

1182
00:55:21,719 --> 00:55:22,920
Speaker 1: I was. I there for that.

1183
00:55:22,960 --> 00:55:25,600
Speaker 3: I wanted to have it because we were having so

1184
00:55:25,680 --> 00:55:29,319
Speaker 3: much conflict on set. It was with Matt and you

1185
00:55:29,600 --> 00:55:31,640
Speaker 3: and me and Alan, and I said we need to

1186
00:55:31,800 --> 00:55:33,400
Speaker 3: like sit down and talk, and Alan.

1187
00:55:33,160 --> 00:55:35,439
Speaker 1: Said, I'll talk to him. I'll talk to him, and

1188
00:55:36,040 --> 00:55:38,200
Speaker 1: we sat down and had It was awful because I

1189
00:55:38,239 --> 00:55:40,239
Speaker 1: was trying to like broke of the piece and he

1190
00:55:40,400 --> 00:55:43,439
Speaker 1: just he just wouldn't give up. And I think Matt

1191
00:55:43,520 --> 00:55:44,160
Speaker 1: stormed away.

1192
00:55:45,360 --> 00:55:47,439
Speaker 4: I'm sorry, I'm I was. I just wanted in case

1193
00:55:47,480 --> 00:55:50,720
Speaker 4: the listeners were also confused like I was when she said, Alan,

1194
00:55:50,840 --> 00:55:52,480
Speaker 4: because this is the scene with Rusty.

1195
00:55:52,560 --> 00:55:55,880
Speaker 1: Yeah, yeah, I thought you were Alan Myerson. Okay.

1196
00:55:55,920 --> 00:55:58,640
Speaker 4: So Alan Myerson, so okay.

1197
00:55:58,680 --> 00:55:58,919
Speaker 1: Writer.

1198
00:55:59,040 --> 00:56:01,279
Speaker 4: So there was conflict but between Alan and Matt and

1199
00:56:01,320 --> 00:56:02,360
Speaker 4: Trina and you.

1200
00:56:02,920 --> 00:56:05,200
Speaker 3: Not with me, but there was conflict that went between

1201
00:56:05,239 --> 00:56:07,719
Speaker 3: that those they everybody was pretty unhappy and there was

1202
00:56:07,800 --> 00:56:10,560
Speaker 3: lots of yelling and lots of upset and so I said.

1203
00:56:10,360 --> 00:56:12,640
Speaker 5: Had no conflict. I was just there in the meeting, like.

1204
00:56:12,600 --> 00:56:15,960
Speaker 1: I said, let's sit down, let's have a conversation. And

1205
00:56:16,160 --> 00:56:18,040
Speaker 1: Alan was just like, yeah, they don't listen.

1206
00:56:18,800 --> 00:56:20,440
Speaker 3: They don't they don't know their lines, and they don't listen,

1207
00:56:20,520 --> 00:56:21,920
Speaker 3: they don't do their blocking, So what are you going

1208
00:56:22,000 --> 00:56:23,839
Speaker 3: to do? And I was like, well, hold on, let's

1209
00:56:23,840 --> 00:56:26,960
Speaker 3: try and find and Matt got up and it was

1210
00:56:26,960 --> 00:56:28,880
Speaker 3: like it was it was I was hoping for a

1211
00:56:28,920 --> 00:56:32,080
Speaker 3: resolution to make it a better working environment on the set,

1212
00:56:32,160 --> 00:56:36,840
Speaker 3: and it totally backfired and nobody.

1213
00:56:37,200 --> 00:56:39,640
Speaker 1: I yeah, because I remember, because I think you were.

1214
00:56:39,719 --> 00:56:41,400
Speaker 1: You were telling me all the time like that you

1215
00:56:41,400 --> 00:56:44,000
Speaker 1: were really unhappy. And I was like, well, we can

1216
00:56:44,080 --> 00:56:46,880
Speaker 1: just talk to him about it. And he was just like, no, no,

1217
00:56:46,960 --> 00:56:49,400
Speaker 1: they're not doing their job. So when we that's what

1218
00:56:51,280 --> 00:56:53,279
Speaker 1: And I was like, oh, I guess not everything can

1219
00:56:53,360 --> 00:56:57,399
Speaker 1: be resolved, you know. I was so like, uh, you know, like.

1220
00:56:57,360 --> 00:56:59,719
Speaker 2: He didn't come in, but it sounds like he didn't

1221
00:56:59,719 --> 00:57:02,440
Speaker 2: come in wanting to have any discussion whatsoever.

1222
00:57:02,520 --> 00:57:04,279
Speaker 1: That he don't well, I think he would have been

1223
00:57:04,320 --> 00:57:08,399
Speaker 1: open to discussion if if if Trina or Matt had

1224
00:57:08,400 --> 00:57:11,120
Speaker 1: said here's how I want you to talk to me,

1225
00:57:12,160 --> 00:57:13,600
Speaker 1: he might have. It could have been constructive.

1226
00:57:13,600 --> 00:57:17,040
Speaker 3: But instead everyone was offended by him saying that, you know,

1227
00:57:17,080 --> 00:57:19,200
Speaker 3: they weren't doing their job, and so it didn't go anywhere.

1228
00:57:19,200 --> 00:57:21,120
Speaker 3: So the whole thing just like ground alt and like

1229
00:57:21,360 --> 00:57:23,480
Speaker 3: everybody split up, and I was like wow, But it

1230
00:57:23,520 --> 00:57:25,200
Speaker 3: was a good lesson for me and that I was like, writer,

1231
00:57:25,360 --> 00:57:28,880
Speaker 3: you can't fix everything like you're not. Sometimes it does

1232
00:57:30,160 --> 00:57:32,360
Speaker 3: because I me and Allan got along fun and I

1233
00:57:32,440 --> 00:57:34,040
Speaker 3: you know, the only thing that bothered me was the

1234
00:57:34,960 --> 00:57:37,720
Speaker 3: tenor on set, you know, with everybody you know, which

1235
00:57:37,920 --> 00:57:39,720
Speaker 3: now I can look back and say, like, that is

1236
00:57:39,720 --> 00:57:42,920
Speaker 3: the director's responsibility ultimately, like it is not the actor's

1237
00:57:42,960 --> 00:57:44,600
Speaker 3: responsibility to set the tone on set.

1238
00:57:44,800 --> 00:57:46,040
Speaker 1: But in my mind back then, it.

1239
00:57:46,080 --> 00:57:48,040
Speaker 3: Was like we're all equals and the you know, we're

1240
00:57:48,040 --> 00:57:50,080
Speaker 3: all working together, so why can't we all just get along?

1241
00:57:50,080 --> 00:57:51,000
Speaker 1: And I tried and.

1242
00:57:50,920 --> 00:57:54,080
Speaker 5: I was that Alan Myers last one.

1243
00:57:54,920 --> 00:57:57,320
Speaker 3: No, he's still He was there the rest of the

1244
00:57:57,360 --> 00:58:01,000
Speaker 3: season and then never came back. I mean, I think

1245
00:58:01,040 --> 00:58:04,560
Speaker 3: in retrospect, I think that that that Michael and the

1246
00:58:04,600 --> 00:58:08,080
Speaker 3: writers probably loved Alan because he was quick and like

1247
00:58:08,120 --> 00:58:09,880
Speaker 3: you were saying, train it was authoritarian and sort of

1248
00:58:09,920 --> 00:58:14,080
Speaker 3: kept us in line and did not give many acting notes. Therefore,

1249
00:58:14,080 --> 00:58:16,080
Speaker 3: Michael could sort of slip in to give the acting

1250
00:58:16,120 --> 00:58:18,480
Speaker 3: notes and like take control of the acting. So I

1251
00:58:18,520 --> 00:58:20,240
Speaker 3: think they thought it was good, but then I think

1252
00:58:20,480 --> 00:58:23,000
Speaker 3: enough the word probably got back by the end of

1253
00:58:23,000 --> 00:58:24,800
Speaker 3: the season that that it was like, you know what,

1254
00:58:25,040 --> 00:58:28,400
Speaker 3: like what McCracken was doing took longer, but resulted in

1255
00:58:28,440 --> 00:58:32,160
Speaker 3: a more like harmonious set environment and now that I'm

1256
00:58:32,160 --> 00:58:35,320
Speaker 3: seeing it better episodes bet you know, so, I think

1257
00:58:35,400 --> 00:58:37,200
Speaker 3: we went you know, and then we started you know,

1258
00:58:37,240 --> 00:58:39,560
Speaker 3: then we got every director under the sun. From season

1259
00:58:39,600 --> 00:58:41,880
Speaker 3: six and seven, we just kept changing like every week,

1260
00:58:42,280 --> 00:58:46,919
Speaker 3: which is interesting. I was talking about Alan the character, yeah,

1261
00:58:46,960 --> 00:58:50,320
Speaker 3: and I don't I don't feel like this is appro

1262
00:58:50,600 --> 00:58:53,440
Speaker 3: like adequately set up. I just this is clearly a

1263
00:58:53,520 --> 00:58:56,320
Speaker 3: riff on the pulp fiction watch scene, like you know,

1264
00:58:56,320 --> 00:58:59,400
Speaker 3: the like really intense, like involved story to like empower

1265
00:58:59,440 --> 00:59:00,560
Speaker 3: the meaning and to like.

1266
00:59:00,600 --> 00:59:03,160
Speaker 1: Set the stakes. But I don't know, like, is Russ

1267
00:59:03,360 --> 00:59:05,120
Speaker 1: is Alan making a show.

1268
00:59:05,440 --> 00:59:10,240
Speaker 4: We have established before that Alan loves Thanksgiving. We have yes,

1269
00:59:10,400 --> 00:59:14,160
Speaker 4: we have established before he likes this day, he likes

1270
00:59:14,200 --> 00:59:16,120
Speaker 4: this food, and episode we're they're talking about going to

1271
00:59:16,160 --> 00:59:17,840
Speaker 4: the trailer park. He's like, this is my favorite day

1272
00:59:17,840 --> 00:59:19,960
Speaker 4: of the year. Don't do this to me. I love

1273
00:59:20,000 --> 00:59:22,240
Speaker 4: this day, I love this food, I love my house.

1274
00:59:22,520 --> 00:59:25,760
Speaker 4: So we've established that he likes Thanksgiving. That didn't bump me.

1275
00:59:26,080 --> 00:59:27,640
Speaker 4: The part that bummed me a little bit was then

1276
00:59:27,720 --> 00:59:29,080
Speaker 4: later when it was like, oh, we were never going

1277
00:59:29,120 --> 00:59:30,360
Speaker 4: to leave it up to you. Then I'm like, well,

1278
00:59:30,400 --> 00:59:32,240
Speaker 4: what did he do that for? But what I'll give

1279
00:59:32,400 --> 00:59:35,560
Speaker 4: space for is that it's possible. He went home after

1280
00:59:35,600 --> 00:59:39,240
Speaker 4: this conversation and was like I was there, which it's

1281
00:59:39,280 --> 00:59:42,160
Speaker 4: a mess. We're not doing this please, let's let's come

1282
00:59:42,240 --> 00:59:45,360
Speaker 4: up with a plan. So I think that's kind of

1283
00:59:45,360 --> 00:59:47,320
Speaker 4: how I convinced myself that it all made sense. But

1284
00:59:47,440 --> 00:59:50,720
Speaker 4: to me at least, I remembered, oh, Alan does love Thanksgiving.

1285
00:59:50,960 --> 00:59:51,160
Speaker 1: Yeah.

1286
00:59:51,680 --> 00:59:54,200
Speaker 2: I also think it's it's almost from Matt Lawrence's point

1287
00:59:54,200 --> 00:59:56,919
Speaker 2: of view of like if you're supposed to talk about

1288
00:59:56,960 --> 00:59:58,560
Speaker 2: what happened, it's like he grabbed me by the back

1289
00:59:58,600 --> 01:00:00,000
Speaker 2: of the neck and told me it was the most

1290
01:00:00,600 --> 01:00:02,880
Speaker 2: important day of his life, when in reality was probably just.

1291
01:00:02,800 --> 01:00:03,840
Speaker 1: Like, hey, I love Thanksgiving.

1292
01:00:03,880 --> 01:00:06,640
Speaker 2: But like in Matt's mine, that's what that's what he

1293
01:00:06,720 --> 01:00:10,080
Speaker 2: saw was like Thanksgiving and which made me laugh and

1294
01:00:10,120 --> 01:00:12,080
Speaker 2: I just started with the knock. For me, it was

1295
01:00:12,160 --> 01:00:15,040
Speaker 2: like I'm coming here to fatalistically tell you not that

1296
01:00:15,160 --> 01:00:15,560
Speaker 2: I grew up.

1297
01:00:16,120 --> 01:00:17,400
Speaker 1: I know what you're saying about the knock, but I

1298
01:00:17,440 --> 01:00:20,320
Speaker 1: would have rather started more casual and then turned a

1299
01:00:20,560 --> 01:00:22,480
Speaker 1: point of the scene is like Alan's just dropping by

1300
01:00:22,560 --> 01:00:26,440
Speaker 1: and by the way, Thanksgiving's coming up, don't And then

1301
01:00:26,480 --> 01:00:28,280
Speaker 1: I'd be like, what's funny too, And then it would

1302
01:00:28,320 --> 01:00:30,000
Speaker 1: have been more like Jack's like, oh, I'm good, this

1303
01:00:30,040 --> 01:00:31,720
Speaker 1: is gonna be fine, and I'm like, no, it's not.

1304
01:00:32,040 --> 01:00:34,959
Speaker 3: Instead, it's like kind of Alan's coming in one note

1305
01:00:35,000 --> 01:00:37,120
Speaker 3: the whole time, and I think it's less.

1306
01:00:37,040 --> 01:00:40,400
Speaker 1: Funny the grill, even the way he's dressed to the black.

1307
01:00:40,560 --> 01:00:43,160
Speaker 1: I think he's supposed to be the grim Reaper, right totally? Yeah,

1308
01:00:43,160 --> 01:00:45,000
Speaker 1: you know, essentially is what it is.

1309
01:00:45,320 --> 01:00:47,880
Speaker 4: So he Alan tells him he remembers Thanksgiving dinner with

1310
01:00:47,880 --> 01:00:50,439
Speaker 4: his grandpa Charlie thirty years ago. It was a big day,

1311
01:00:50,720 --> 01:00:53,200
Speaker 4: his first football game, and he pulls out a pocket watch.

1312
01:00:53,400 --> 01:00:55,800
Speaker 4: He got this gift from him. Then Grandpa Charlie went

1313
01:00:55,840 --> 01:00:58,000
Speaker 4: upstairs to take a little nap and he died in

1314
01:00:58,000 --> 01:01:00,160
Speaker 4: his sleep. He pats Jack on the back and it's

1315
01:01:00,240 --> 01:01:02,800
Speaker 4: up to leave. Eric is now sobbing, Daddy, I miss

1316
01:01:02,920 --> 01:01:06,720
Speaker 4: Grandpa Charlie. It's so good, so funny, and I was

1317
01:01:06,760 --> 01:01:10,680
Speaker 4: actually crying too. I was like, god, I made myself cry. Yeah,

1318
01:01:10,760 --> 01:01:14,080
Speaker 4: it's so funny. Alan looks at his watch one last time,

1319
01:01:14,440 --> 01:01:18,439
Speaker 4: three days till Turkey that he leaves Eric's scoots toward Jack,

1320
01:01:18,520 --> 01:01:21,160
Speaker 4: still breaking down. You make better pies.

1321
01:01:22,480 --> 01:01:23,360
Speaker 1: That beat.

1322
01:01:23,440 --> 01:01:25,760
Speaker 3: Will's so brilliant, Like it's you know, it's one thing

1323
01:01:25,760 --> 01:01:29,120
Speaker 3: to be crying, but you also are crying exactly like an.

1324
01:01:29,080 --> 01:01:31,440
Speaker 1: Eight year old boy right now. It's like it's like

1325
01:01:31,480 --> 01:01:34,520
Speaker 1: a very specific kind of cry where you're like punching,

1326
01:01:35,600 --> 01:01:37,520
Speaker 1: and then you're like it was perfect. I was like,

1327
01:01:37,560 --> 01:01:39,280
Speaker 1: oh my god, because like you know, you could have

1328
01:01:39,360 --> 01:01:41,480
Speaker 1: just been you could cry a million ways, but you

1329
01:01:41,720 --> 01:01:44,760
Speaker 1: tapped into the very specific like you're like, oh, he

1330
01:01:44,960 --> 01:01:48,120
Speaker 1: was seven when uncle Grandpa Charlie died. You could just

1331
01:01:48,160 --> 01:01:51,600
Speaker 1: see the like childish. It was so funny. It was

1332
01:01:51,840 --> 01:01:52,400
Speaker 1: so funny.

1333
01:01:53,440 --> 01:01:54,640
Speaker 7: I don't I remember all them.

1334
01:01:55,080 --> 01:01:56,680
Speaker 1: So then we are back at Chubby's.

1335
01:01:56,800 --> 01:02:01,240
Speaker 4: Sean plays Vivaldi on the World's Weirdest Box again and

1336
01:02:01,280 --> 01:02:04,439
Speaker 4: Angela recognizes it. She loves this song. If you close

1337
01:02:04,480 --> 01:02:07,320
Speaker 4: your eyes you can actually see the seasons change. Sean

1338
01:02:07,400 --> 01:02:09,760
Speaker 4: grasps I said that, I said that exact same thing.

1339
01:02:10,160 --> 01:02:13,440
Speaker 4: Angela admits, yes, just last week, in the last episode,

1340
01:02:13,520 --> 01:02:16,520
Speaker 4: I said that in the previous thirty minutes, I said.

1341
01:02:16,280 --> 01:02:22,520
Speaker 5: That what young teenager girl is gonna Likelvaldi? Like that

1342
01:02:23,400 --> 01:02:23,960
Speaker 5: it happens.

1343
01:02:24,400 --> 01:02:25,840
Speaker 3: Will and I were saying, we went through a whole

1344
01:02:25,840 --> 01:02:28,480
Speaker 3: classical music phase when we were on the show, so

1345
01:02:28,840 --> 01:02:30,840
Speaker 3: a lot of Bach, We listened to a lot of Boton.

1346
01:02:31,000 --> 01:02:31,200
Speaker 1: Yeah.

1347
01:02:31,240 --> 01:02:34,800
Speaker 3: I listened to the Planets a lot like Yeah, talk

1348
01:02:35,160 --> 01:02:37,919
Speaker 3: we love course, yep Yeah.

1349
01:02:38,600 --> 01:02:41,240
Speaker 4: Angela admits she really likes hanging out with Sean. Maybe

1350
01:02:41,240 --> 01:02:43,360
Speaker 4: they can see a movie later this week. Sean tells

1351
01:02:43,400 --> 01:02:45,840
Speaker 4: her there's a new Van dam movie opening. Angela loves

1352
01:02:45,840 --> 01:02:50,520
Speaker 4: the idea, obviously, so Sean suggests Friday night. Angela says, oh,

1353
01:02:50,600 --> 01:02:53,160
Speaker 4: I have plans with Ted that night. Sean can't hide

1354
01:02:53,160 --> 01:02:56,240
Speaker 4: his disappointment that she's still seeing Ted. He excuses himself

1355
01:02:56,240 --> 01:02:58,480
Speaker 4: from the table. I better go check on our food.

1356
01:02:58,760 --> 01:03:00,600
Speaker 4: Sean walks over to Corey, who's sitting at the bar.

1357
01:03:00,880 --> 01:03:03,000
Speaker 4: Corey assures him that Ted is a two weaker. He

1358
01:03:03,040 --> 01:03:05,240
Speaker 4: means nothing, He's just a name in her book. He

1359
01:03:05,320 --> 01:03:08,560
Speaker 4: encourages him to tell Angela how he feels. Sean asks

1360
01:03:08,560 --> 01:03:11,240
Speaker 4: if he's sure and Corey asks who's driving this plane?

1361
01:03:11,520 --> 01:03:15,000
Speaker 4: Sean admits Corey is. Sean returns to the table with

1362
01:03:15,000 --> 01:03:17,200
Speaker 4: both of their burgers, and he asks Angela, what do

1363
01:03:17,240 --> 01:03:19,320
Speaker 4: you think of Corey into Panga? And she thinks they're

1364
01:03:19,360 --> 01:03:22,080
Speaker 4: a great couple. Sean follows it up with maybe we

1365
01:03:22,160 --> 01:03:25,280
Speaker 4: can have what they have. Angela has taken aback they're

1366
01:03:25,280 --> 01:03:28,040
Speaker 4: not even dating. Sean questions what are they doing right now?

1367
01:03:28,200 --> 01:03:31,160
Speaker 4: And Angela answers, I asked you to get something to eat.

1368
01:03:31,720 --> 01:03:35,600
Speaker 4: Sean reminds her about the Seashell, and Angela responds, Trina,

1369
01:03:35,680 --> 01:03:36,080
Speaker 4: you want.

1370
01:03:35,920 --> 01:03:37,960
Speaker 5: To say just a seashell.

1371
01:03:41,000 --> 01:03:42,920
Speaker 1: Sean then takes the leap.

1372
01:03:43,440 --> 01:03:45,600
Speaker 4: I want to be with you more than anybody in

1373
01:03:45,640 --> 01:03:49,080
Speaker 4: this entire world. Why can't we be? Corey into Panga.

1374
01:03:49,680 --> 01:03:52,720
Speaker 4: Angela is obviously uncomfortable. She tries to find the words

1375
01:03:52,760 --> 01:03:55,720
Speaker 4: before settling on telling Sean she needs to go. She

1376
01:03:55,800 --> 01:03:58,000
Speaker 4: no longer has a purse. I noticed when she left

1377
01:03:58,040 --> 01:04:00,760
Speaker 4: she just decided to give up care. I know she

1378
01:04:00,880 --> 01:04:02,840
Speaker 4: keeps losing them. And then it made me think so

1379
01:04:02,960 --> 01:04:07,760
Speaker 4: funny that writer loses all his jackets, and and on

1380
01:04:07,840 --> 01:04:11,280
Speaker 4: the show, Angela loses her purse, and it really in

1381
01:04:11,360 --> 01:04:14,640
Speaker 4: like some weird meta thing. I was like, this works.

1382
01:04:15,080 --> 01:04:20,240
Speaker 4: You know, we both lose her lost, lost the lost

1383
01:04:20,280 --> 01:04:21,120
Speaker 4: and found couple.

1384
01:04:21,480 --> 01:04:24,720
Speaker 1: So this is like the It's so interesting to me

1385
01:04:24,880 --> 01:04:28,720
Speaker 1: to see how the beginning of Sean and Angela was

1386
01:04:28,840 --> 01:04:34,160
Speaker 1: always a counterpoint yes, core into Panga, which it continues

1387
01:04:34,200 --> 01:04:38,120
Speaker 1: to be, right, Like there's always this like Sean trying

1388
01:04:38,320 --> 01:04:41,880
Speaker 1: to have what Corey has, and it's just it's so

1389
01:04:42,000 --> 01:04:43,480
Speaker 1: weird to me, Like I don't know if you know,

1390
01:04:43,720 --> 01:04:47,320
Speaker 1: Like I don't know. It's like it just written into

1391
01:04:47,360 --> 01:04:47,680
Speaker 1: the light.

1392
01:04:48,800 --> 01:04:52,840
Speaker 5: What it's like, get your own life, Sean, I say,

1393
01:04:52,920 --> 01:04:59,040
Speaker 5: I want. Yeah, always you're always searching for what he has.

1394
01:04:59,120 --> 01:05:02,200
Speaker 5: And I also know notice that every time that Corey

1395
01:05:02,200 --> 01:05:05,760
Speaker 5: and Topanga are together, we would break up, and then

1396
01:05:05,760 --> 01:05:07,880
Speaker 5: when we got together they would be broken up.

1397
01:05:08,040 --> 01:05:11,600
Speaker 4: Right, they needed the conflict at all times from some companies.

1398
01:05:12,480 --> 01:05:14,760
Speaker 3: Yeah, it's like the two relationships are like two different

1399
01:05:14,840 --> 01:05:17,520
Speaker 3: models of relationships and which one's better and which one's

1400
01:05:17,560 --> 01:05:19,640
Speaker 3: gonna work and and I don't know, like I just

1401
01:05:19,640 --> 01:05:23,960
Speaker 3: don't know if that makes sense to me, Like why,

1402
01:05:24,200 --> 01:05:26,680
Speaker 3: I don't know, But in a soaper operatic way, I

1403
01:05:26,680 --> 01:05:28,280
Speaker 3: guess it makes sense because you look at the show

1404
01:05:28,320 --> 01:05:31,040
Speaker 3: as like a metaphor for all love and it's like

1405
01:05:31,040 --> 01:05:33,600
Speaker 3: and sometimes love won't work out and sometimes it will

1406
01:05:34,000 --> 01:05:36,600
Speaker 3: and but then I don't know if that's an assessment

1407
01:05:36,640 --> 01:05:38,760
Speaker 3: of the characters of the people involved, Like, are we

1408
01:05:38,800 --> 01:05:41,200
Speaker 3: supposed to think that Corey and Tapango work because of

1409
01:05:41,480 --> 01:05:44,280
Speaker 3: something about the two of them that Sean and Angela

1410
01:05:44,320 --> 01:05:47,040
Speaker 3: don't have as people or as a destiny? Like what

1411
01:05:47,080 --> 01:05:49,120
Speaker 3: do you think is like because in this case, it

1412
01:05:49,120 --> 01:05:49,600
Speaker 3: seems like.

1413
01:05:49,560 --> 01:05:53,240
Speaker 2: It's about obsession. I mean that's kind of unfortunately. Well,

1414
01:05:53,240 --> 01:05:55,040
Speaker 2: I mean when you look at Corey and Tapanga, that's it.

1415
01:05:55,600 --> 01:05:57,920
Speaker 2: We were meant to be together, and he becomes obsessed

1416
01:05:57,920 --> 01:06:00,640
Speaker 2: with there, and then Sean kind of has an inkling

1417
01:06:00,680 --> 01:06:04,720
Speaker 2: of that in this episode, where it's that kind of oh,

1418
01:06:04,800 --> 01:06:05,720
Speaker 2: now that I've looked at her.

1419
01:06:05,640 --> 01:06:08,160
Speaker 1: Now I have to have her, and you can't give

1420
01:06:08,200 --> 01:06:10,440
Speaker 1: her away and you can't ever look then you have

1421
01:06:10,480 --> 01:06:12,960
Speaker 1: to just be Yeah, it's like a real like double

1422
01:06:13,000 --> 01:06:13,600
Speaker 1: down on love.

1423
01:06:13,800 --> 01:06:16,240
Speaker 4: Well, it's also really interesting that Corey and Panga have

1424
01:06:16,320 --> 01:06:20,520
Speaker 4: been together for thirteen years and yet Corey still doesn't

1425
01:06:20,560 --> 01:06:23,160
Speaker 4: know that Tapanga doesn't want this, so he doesn't actually

1426
01:06:23,200 --> 01:06:26,720
Speaker 4: know her at all, and yet Sean does already know.

1427
01:06:27,280 --> 01:06:28,600
Speaker 4: I don't know, man, I told her we were going

1428
01:06:28,680 --> 01:06:30,120
Speaker 4: to be casual. I don't really think this is a

1429
01:06:30,160 --> 01:06:33,439
Speaker 4: place for us. So truthfully, Sean does know Angela and

1430
01:06:33,760 --> 01:06:35,960
Speaker 4: who they should be or who they would be as

1431
01:06:35,960 --> 01:06:38,480
Speaker 4: a couple, way more than Corey knows Tapanga, even though

1432
01:06:38,480 --> 01:06:39,760
Speaker 4: they've been together for thirteen years.

1433
01:06:40,160 --> 01:06:40,840
Speaker 1: Yeah.

1434
01:06:41,040 --> 01:06:56,800
Speaker 4: Yeah, just super interesting. We jump back into John Adams High.

1435
01:06:56,800 --> 01:06:59,880
Speaker 4: Sean is banging his head against a locker. Stupid, stupid, stupid.

1436
01:07:00,080 --> 01:07:02,320
Speaker 4: Corey Worridley runs up and Sean reveals that his date

1437
01:07:02,360 --> 01:07:05,200
Speaker 4: with Angela ended in a crash and burn. Nuns should

1438
01:07:05,240 --> 01:07:08,240
Speaker 4: never fly airplanes. I'm not sure why Corey didn't get

1439
01:07:08,240 --> 01:07:10,840
Speaker 4: blamed for this the way he did in Parsonic, the

1440
01:07:11,000 --> 01:07:12,080
Speaker 4: same thing.

1441
01:07:12,280 --> 01:07:14,960
Speaker 2: He says something in part one and he gets screamed.

1442
01:07:15,000 --> 01:07:17,360
Speaker 2: At this time, he takes an active hand and it

1443
01:07:17,400 --> 01:07:19,520
Speaker 2: crashes and burns, and Sean, my.

1444
01:07:21,000 --> 01:07:22,040
Speaker 5: What not?

1445
01:07:22,240 --> 01:07:22,640
Speaker 1: Very weird?

1446
01:07:22,800 --> 01:07:23,560
Speaker 2: I thought the same thing.

1447
01:07:23,760 --> 01:07:25,800
Speaker 4: Sean pulls back out his black book. He's going to

1448
01:07:25,880 --> 01:07:27,800
Speaker 4: go back to the way things were. Corey stops him.

1449
01:07:27,840 --> 01:07:30,200
Speaker 4: That'll never make you happy. Corey looks in the black

1450
01:07:30,240 --> 01:07:36,720
Speaker 4: book and shouts, ah, my aunt, so funny. Sean rips

1451
01:07:36,720 --> 01:07:38,440
Speaker 4: the book from his hands and tells Corey he gave

1452
01:07:38,480 --> 01:07:40,800
Speaker 4: Angela a shot and he got hurt. I would like

1453
01:07:40,840 --> 01:07:43,200
Speaker 4: to say it's very funny, even though again that would

1454
01:07:43,200 --> 01:07:45,880
Speaker 4: imply that a grown woman was making out with a

1455
01:07:45,960 --> 01:07:49,680
Speaker 4: high schooler, which again super inappropriate, but it does tie

1456
01:07:49,680 --> 01:07:51,280
Speaker 4: back in with the funny joke of there's some names

1457
01:07:51,320 --> 01:07:53,320
Speaker 4: in here that might make you and your family uncomfortable.

1458
01:07:53,560 --> 01:07:53,800
Speaker 1: Yep.

1459
01:07:54,360 --> 01:07:56,240
Speaker 4: So Sean rips the book from his hands and tells

1460
01:07:56,240 --> 01:07:58,280
Speaker 4: Corey he gave angela shot and he got hurt. Corey

1461
01:07:58,280 --> 01:08:00,920
Speaker 4: insists that Angela doesn't know what she wants, but he does.

1462
01:08:01,440 --> 01:08:03,400
Speaker 4: He says when he met to Pega thirteen years ago

1463
01:08:03,440 --> 01:08:08,040
Speaker 4: in the Sandbox, story just continues to shift to Panga

1464
01:08:08,160 --> 01:08:11,840
Speaker 4: started going after Joey Hutchinson. Sean argues that Corey was

1465
01:08:11,840 --> 01:08:13,960
Speaker 4: only four, but Corey insists, you don't have to be

1466
01:08:14,000 --> 01:08:15,160
Speaker 4: five to have feelings.

1467
01:08:16,720 --> 01:08:20,920
Speaker 1: And before the Lama Pen was we were saying five, right, six?

1468
01:08:21,200 --> 01:08:22,840
Speaker 4: I think we were five in the Lama Pen. So

1469
01:08:22,880 --> 01:08:26,840
Speaker 4: there was apparently a sandbox before this. Yes, I mean,

1470
01:08:26,840 --> 01:08:28,800
Speaker 4: I guess in the Sandboa Pen.

1471
01:08:29,680 --> 01:08:33,000
Speaker 1: Lama Pen is Sean where he met I was already

1472
01:08:33,400 --> 01:08:35,040
Speaker 1: you're already the wife. Yeah, okay, that makes it.

1473
01:08:35,120 --> 01:08:38,439
Speaker 3: Yes, okay, So his strollers in the first you guys

1474
01:08:38,439 --> 01:08:39,680
Speaker 3: were babies and strollers.

1475
01:08:39,800 --> 01:08:40,479
Speaker 1: Yeah. Yeah.

1476
01:08:40,760 --> 01:08:42,840
Speaker 5: Then it twitched to the sandbox.

1477
01:08:43,040 --> 01:08:46,360
Speaker 1: Sandbox, and then and then then and then.

1478
01:08:46,280 --> 01:08:50,439
Speaker 4: We also had a great character introduction for Topanga season one,

1479
01:08:50,439 --> 01:08:54,960
Speaker 4: episode four. Yeah that was also we just you forget

1480
01:08:54,960 --> 01:08:58,559
Speaker 4: that one. So Corey could have just given up. The

1481
01:08:58,600 --> 01:09:01,439
Speaker 4: sandbox was filled with pretty babies, but he didn't give up.

1482
01:09:01,600 --> 01:09:03,759
Speaker 4: In fact, he told Joey he could fly and directed

1483
01:09:03,800 --> 01:09:06,120
Speaker 4: him toward the monkey bars for that brief moment that

1484
01:09:06,200 --> 01:09:09,160
Speaker 4: Joey was airborne. I told to Penga she had beautiful lips,

1485
01:09:09,280 --> 01:09:12,400
Speaker 4: and I kissed her. Sean needs clarification. When you were four,

1486
01:09:12,520 --> 01:09:15,800
Speaker 4: you told Topega she had beautiful lips. Corey nods and

1487
01:09:15,920 --> 01:09:19,439
Speaker 4: a very cute tush. Sean wants what Corey has, so

1488
01:09:19,520 --> 01:09:22,240
Speaker 4: Corey urges him to go and get it. And I'd

1489
01:09:22,280 --> 01:09:25,160
Speaker 4: just like to state, this is very bad advice. When

1490
01:09:25,200 --> 01:09:28,360
Speaker 4: a woman tells you she needs some space, maybe just.

1491
01:09:28,320 --> 01:09:31,240
Speaker 1: Give it to her. That's the advice I gave Ryder

1492
01:09:31,240 --> 01:09:37,000
Speaker 1: and we were in Amsterdam. No, that was go get her,

1493
01:09:37,200 --> 01:09:38,120
Speaker 1: Go get her, get her?

1494
01:09:38,760 --> 01:09:40,400
Speaker 4: Who know it is funny that it was just basically

1495
01:09:40,400 --> 01:09:41,360
Speaker 4: boy meets world advice.

1496
01:09:41,479 --> 01:09:43,800
Speaker 1: Yeah, sometimes you gotta take, sometimes you gotta swing, you

1497
01:09:43,800 --> 01:09:44,160
Speaker 1: gotta sing.

1498
01:09:44,520 --> 01:09:47,400
Speaker 4: Last time, shoot your shot, I guess shoots your shot.

1499
01:09:47,560 --> 01:09:49,799
Speaker 1: Absolutely So then we're back in Chubby's.

1500
01:09:49,840 --> 01:09:52,479
Speaker 4: Sean, back in his leather jacket, walks right up to Angela,

1501
01:09:52,479 --> 01:09:53,760
Speaker 4: who's sitting at a booth with Ted.

1502
01:09:54,160 --> 01:09:54,680
Speaker 1: Hear me out.

1503
01:09:54,680 --> 01:09:56,599
Speaker 4: This will just take a minute, he asks Ted if

1504
01:09:56,640 --> 01:09:59,320
Speaker 4: he minds. In response, Ted offers Sean a fry and

1505
01:09:59,400 --> 01:10:03,720
Speaker 4: this scene it is so funny and so perfect, and

1506
01:10:03,880 --> 01:10:06,759
Speaker 4: all the performances are spot on. I love every second

1507
01:10:06,800 --> 01:10:09,160
Speaker 4: of it. Sean looks back at Angela. I read the

1508
01:10:09,160 --> 01:10:11,200
Speaker 4: same books as you. I listen to the same music,

1509
01:10:11,240 --> 01:10:13,040
Speaker 4: I go to the same movies. So when I tell

1510
01:10:13,040 --> 01:10:16,400
Speaker 4: you how I feel, it's not just words. Ted chimes in, Hunter,

1511
01:10:16,479 --> 01:10:20,080
Speaker 4: I'm on a date here, come on so good. Angela

1512
01:10:20,080 --> 01:10:22,120
Speaker 4: asks why Sean is doing this. They went out. He

1513
01:10:22,160 --> 01:10:23,439
Speaker 4: told her it was only going to be for two

1514
01:10:23,439 --> 01:10:25,439
Speaker 4: weeks and then it was going to be over. Sean

1515
01:10:25,479 --> 01:10:27,800
Speaker 4: tells her, I know that you're scared. I'm scared too.

1516
01:10:28,040 --> 01:10:30,800
Speaker 4: We both love Vivaldi and we're both scared. Ted with

1517
01:10:30,880 --> 01:10:32,400
Speaker 4: a mouthful of fries, looks at Angela.

1518
01:10:32,520 --> 01:10:33,240
Speaker 1: I'm scared too.

1519
01:10:35,880 --> 01:10:38,480
Speaker 4: Angela reminds Sean that he's never been in a relationship

1520
01:10:38,479 --> 01:10:40,720
Speaker 4: for longer than two weeks, and neither has she. They

1521
01:10:40,720 --> 01:10:42,680
Speaker 4: wouldn't know what to do. This is getting to be

1522
01:10:42,760 --> 01:10:45,280
Speaker 4: too heavy for Ted. I'm taking my fries and I'm leaving.

1523
01:10:45,560 --> 01:10:48,519
Speaker 4: Angela calls after him, but explains, But he explains, I

1524
01:10:48,560 --> 01:10:50,320
Speaker 4: paid for these fries, and he just leaves.

1525
01:10:50,600 --> 01:10:53,280
Speaker 1: I love Ted. Ted's great, He's great. Sean.

1526
01:10:53,320 --> 01:10:54,960
Speaker 3: I feel like this could have been like the second

1527
01:10:55,000 --> 01:10:56,479
Speaker 3: scene of the episode, do you know what I mean? Like,

1528
01:10:56,479 --> 01:10:58,840
Speaker 3: I feel like we've been treading water. This is a

1529
01:10:58,840 --> 01:11:01,679
Speaker 3: great scene, but it's like when Sean realizes it's Angela,

1530
01:11:01,800 --> 01:11:03,120
Speaker 3: it should go right to this.

1531
01:11:03,400 --> 01:11:05,360
Speaker 1: It should just be this and it would be fine.

1532
01:11:05,439 --> 01:11:09,320
Speaker 1: Like all the angst and like just Sean having internal

1533
01:11:09,640 --> 01:11:12,200
Speaker 1: it's melodrama as opposed to drama. This is like an

1534
01:11:12,280 --> 01:11:14,640
Speaker 1: actual scene where something's happening, and you know, this is

1535
01:11:14,680 --> 01:11:16,639
Speaker 1: what Sean would have been able to say this right away.

1536
01:11:16,640 --> 01:11:17,320
Speaker 1: I don't understand.

1537
01:11:18,439 --> 01:11:21,519
Speaker 5: Yeah, your character got upset about things, a lot of

1538
01:11:21,560 --> 01:11:22,879
Speaker 5: things that weren't really happening.

1539
01:11:24,000 --> 01:11:25,200
Speaker 1: It's all anxiety.

1540
01:11:25,439 --> 01:11:32,800
Speaker 4: Yeah, Sean begs Angela to give him a chance. I

1541
01:11:32,960 --> 01:11:35,120
Speaker 4: just want to see you, and she gives him a

1542
01:11:35,160 --> 01:11:39,160
Speaker 4: sly smile and response, and then we're in the Matthew's kitchen.

1543
01:11:39,200 --> 01:11:41,880
Speaker 4: Alan is at the kitchen counter as Corey strolls downstairs.

1544
01:11:41,960 --> 01:11:43,559
Speaker 4: It's another anniversary night for him.

1545
01:11:43,560 --> 01:11:46,040
Speaker 1: Into panga. He asks, what says I love you more?

1546
01:11:46,160 --> 01:11:47,479
Speaker 1: A fern or a ficus?

1547
01:11:48,000 --> 01:11:50,080
Speaker 4: Alan asks how long the two of them have been together,

1548
01:11:50,120 --> 01:11:52,360
Speaker 4: because sometimes it seems like they've been together longer than

1549
01:11:52,439 --> 01:11:55,240
Speaker 4: him and Amy Corey laughs, isn't it great? Then Sean

1550
01:11:55,280 --> 01:11:57,800
Speaker 4: walks down the stairs wearing a suit. He's uncomfortable. He

1551
01:11:57,840 --> 01:11:59,479
Speaker 4: told Angela it was going to be a casual night.

1552
01:11:59,680 --> 01:12:03,000
Speaker 4: Corey says, yeah, that's my casual suit. Alan asks what's

1553
01:12:03,000 --> 01:12:06,360
Speaker 4: going on and Corey explains that tonight, romance in love

1554
01:12:06,479 --> 01:12:09,240
Speaker 4: will fill the air. Allan smacks Corey on the head

1555
01:12:09,400 --> 01:12:11,120
Speaker 4: you're ninety and leaves.

1556
01:12:10,880 --> 01:12:14,200
Speaker 1: But that's not what he says. I remember that I'm ninety,

1557
01:12:14,360 --> 01:12:15,120
Speaker 1: You're ninety.

1558
01:12:15,479 --> 01:12:18,760
Speaker 2: Ninety always pronounced it so strangely, and I remember, even

1559
01:12:18,800 --> 01:12:21,519
Speaker 2: at the moment, being like, why does that sound so weird?

1560
01:12:21,600 --> 01:12:22,559
Speaker 1: Like you're nine ninety?

1561
01:12:22,760 --> 01:12:27,720
Speaker 2: I know ninety ninety ninety, you're ninety like, okay, okays

1562
01:12:28,320 --> 01:12:29,879
Speaker 2: ninety ninety.

1563
01:12:30,040 --> 01:12:33,559
Speaker 1: Yeah, he's technically right, but it's right. So where why

1564
01:12:33,640 --> 01:12:36,000
Speaker 1: did Michael yell at him and give the library? I

1565
01:12:36,040 --> 01:12:37,599
Speaker 1: don't know it because he's because I wasn't a kid.

1566
01:12:37,760 --> 01:12:41,960
Speaker 1: You wouldn't because he was grown up like you're ninety ninety.

1567
01:12:42,720 --> 01:12:45,080
Speaker 4: Corey tells Sean that he and Angela have eight o'clock

1568
01:12:45,120 --> 01:12:47,559
Speaker 4: reservations at Barelli's. Sean doesn't really see the two of

1569
01:12:47,560 --> 01:12:49,880
Speaker 4: them in a place like that. Corey explains, if Sean

1570
01:12:49,920 --> 01:12:51,920
Speaker 4: and Angela want to be like him in Tapanga, then

1571
01:12:51,920 --> 01:12:55,200
Speaker 4: they'll go to Barelli's. It's the place where dreams come true.

1572
01:12:55,280 --> 01:12:57,760
Speaker 4: It says so on the menu. And then we see

1573
01:12:57,800 --> 01:13:00,960
Speaker 4: the Barelli's menu, and yes, it says where dreams come true.

1574
01:13:01,040 --> 01:13:01,719
Speaker 1: Smash gut.

1575
01:13:01,800 --> 01:13:03,920
Speaker 4: It's filled with an older crowd, and Angela points out

1576
01:13:03,920 --> 01:13:06,080
Speaker 4: how fancy this all is. Sean tries to play it

1577
01:13:06,080 --> 01:13:07,920
Speaker 4: off cool. They both take a sip of water, and

1578
01:13:07,960 --> 01:13:10,680
Speaker 4: after they are done, two waiters immediately appear to take

1579
01:13:10,720 --> 01:13:12,479
Speaker 4: the glasses and replace them with new ones.

1580
01:13:13,080 --> 01:13:14,960
Speaker 1: Then Corey AND's so cute.

1581
01:13:14,960 --> 01:13:17,439
Speaker 4: Corey and Topanga walk in Corey's asking Topanga why she's

1582
01:13:17,520 --> 01:13:18,200
Speaker 4: angry with him?

1583
01:13:18,320 --> 01:13:18,920
Speaker 1: Was it the fern?

1584
01:13:18,920 --> 01:13:21,120
Speaker 4: Because for the extra two dollars, I'll happily change it

1585
01:13:21,120 --> 01:13:24,559
Speaker 4: for the fcus. Tapanga tells them it's not about the fern.

1586
01:13:24,640 --> 01:13:26,479
Speaker 4: She just wants them to get through the evening. The

1587
01:13:26,520 --> 01:13:29,320
Speaker 4: host greets them, how many years have you two been married?

1588
01:13:29,360 --> 01:13:32,000
Speaker 4: Now the kids are good? No, Tapanga tells them, we

1589
01:13:32,040 --> 01:13:34,840
Speaker 4: are not married and we do not have kids. Corey

1590
01:13:34,840 --> 01:13:37,519
Speaker 4: whispers to Eduardo that Topanga's a little angry at him.

1591
01:13:37,640 --> 01:13:40,360
Speaker 4: Here's a fiver put an extra shrimp on her cocktail.

1592
01:13:41,160 --> 01:13:43,640
Speaker 4: Corey stops by Sean and Angela's table and pretends like

1593
01:13:43,680 --> 01:13:47,280
Speaker 4: he had no idea they'd be there. Wow, considering all

1594
01:13:47,439 --> 01:13:48,759
Speaker 4: the restaurants in town.

1595
01:13:49,080 --> 01:13:50,880
Speaker 2: To Pang, it no longer a vegetarian. By the way,

1596
01:13:50,920 --> 01:13:54,639
Speaker 2: She's just a completely different character. It's totally just meat

1597
01:13:54,680 --> 01:13:58,640
Speaker 2: eating normal. Like everything about her that was quirky and

1598
01:13:58,680 --> 01:14:00,880
Speaker 2: interesting in season one is officially dead.

1599
01:14:01,200 --> 01:14:05,960
Speaker 4: Yeah gone, Sewn whispers and all the suits, referring to

1600
01:14:06,000 --> 01:14:09,200
Speaker 4: the fact that Corey's suit exactly matches Sean's. Sean and

1601
01:14:09,240 --> 01:14:11,479
Speaker 4: Angela are left alone again, and the host appears again

1602
01:14:11,520 --> 01:14:12,320
Speaker 4: to take their order.

1603
01:14:12,439 --> 01:14:15,280
Speaker 1: They haven't touched the patae. Sean admits he doesn't really

1604
01:14:15,280 --> 01:14:15,880
Speaker 1: know what it is.

1605
01:14:16,320 --> 01:14:19,240
Speaker 4: Eduardo tells them it's goose liver, which sparks a disgusted

1606
01:14:19,240 --> 01:14:22,120
Speaker 4: face from both Angela and Sean. Edwardo reminds him he

1607
01:14:22,200 --> 01:14:26,040
Speaker 4: requested it when he telephoned this afternoon. Sean clarifies, when

1608
01:14:26,080 --> 01:14:28,160
Speaker 4: I called, did I sound like I had curly hair

1609
01:14:28,240 --> 01:14:32,360
Speaker 4: and was ninety Eduardo nods, see ninety ninety.

1610
01:14:32,720 --> 01:14:33,200
Speaker 1: I think this.

1611
01:14:33,680 --> 01:14:36,080
Speaker 3: I really think that this is where this is like

1612
01:14:36,080 --> 01:14:38,400
Speaker 3: where the episode should have. This should be like seeing

1613
01:14:38,479 --> 01:14:40,360
Speaker 3: three of the episodes, you know, like because there's actual

1614
01:14:40,479 --> 01:14:44,320
Speaker 3: there's something. There's something cool here about Corey being the

1615
01:14:44,560 --> 01:14:49,679
Speaker 3: pilot and forcing me to into his version of wooing Angela.

1616
01:14:49,360 --> 01:14:51,960
Speaker 3: But like instead, like I'm just not quite clear, Like

1617
01:14:52,000 --> 01:14:54,960
Speaker 3: the conflict is like kind of class based, like that

1618
01:14:55,080 --> 01:14:57,080
Speaker 3: we're in too fancy of a restaurant, but we haven't

1619
01:14:57,160 --> 01:15:00,599
Speaker 3: established that like the things that we like are really

1620
01:15:00,920 --> 01:15:02,840
Speaker 3: like Like I just I wanted it to be more

1621
01:15:02,880 --> 01:15:06,320
Speaker 3: about like, uh, if we knew that Angela liked a

1622
01:15:06,320 --> 01:15:08,320
Speaker 3: certain type of food and that Sean liked another type

1623
01:15:08,320 --> 01:15:10,120
Speaker 3: of food, and then they were both trying to be

1624
01:15:10,240 --> 01:15:13,840
Speaker 3: something for the other that's not quite established enough here.

1625
01:15:13,880 --> 01:15:16,400
Speaker 3: So I it's a funny scene, but I just don't

1626
01:15:16,400 --> 01:15:19,280
Speaker 3: know why it's happening. And then the resolution feels like,

1627
01:15:19,800 --> 01:15:22,360
Speaker 3: let's get burgers. I'm like, okay, so the problem was

1628
01:15:22,400 --> 01:15:24,479
Speaker 3: that we were forced into eating fancy food.

1629
01:15:24,720 --> 01:15:26,760
Speaker 2: I just it's a little I think it's exactly what

1630
01:15:26,800 --> 01:15:29,120
Speaker 2: you were saying before. It's not a problem. It's that

1631
01:15:29,200 --> 01:15:31,919
Speaker 2: you realize that there are different kinds.

1632
01:15:31,680 --> 01:15:32,519
Speaker 1: Of love and ry.

1633
01:15:32,680 --> 01:15:36,120
Speaker 2: Topanga are their own thing, and everybody it's like, you

1634
01:15:36,160 --> 01:15:38,120
Speaker 2: want what they have, but you're not them.

1635
01:15:38,240 --> 01:15:38,960
Speaker 1: Nobody want.

1636
01:15:40,400 --> 01:15:44,040
Speaker 2: Right Your version is burgers and Vivaldi and hanging out

1637
01:15:44,080 --> 01:15:46,759
Speaker 2: at a different place. But so it's like you can't

1638
01:15:46,760 --> 01:15:49,840
Speaker 2: be them because they're you know, even Topanga doesn't want

1639
01:15:49,840 --> 01:15:53,320
Speaker 2: this them at this point. So I think it's this

1640
01:15:53,360 --> 01:15:55,639
Speaker 2: is what happens when you let Corey in the driver's seat,

1641
01:15:55,760 --> 01:15:56,280
Speaker 2: is well.

1642
01:15:56,160 --> 01:15:58,200
Speaker 1: This is what love is. It's being married right away.

1643
01:15:58,320 --> 01:15:59,400
Speaker 1: It's the I.

1644
01:15:59,320 --> 01:16:03,719
Speaker 4: Actually really like the bones of the only relationship Angela

1645
01:16:03,760 --> 01:16:05,760
Speaker 4: and Sean can point to for what it looks like

1646
01:16:05,800 --> 01:16:08,800
Speaker 4: for a teenage couple to be in a relationship is them,

1647
01:16:09,320 --> 01:16:12,160
Speaker 4: And I don't really like that. Is that what they

1648
01:16:12,200 --> 01:16:14,880
Speaker 4: all are, and for them to realize, oh no, we

1649
01:16:14,960 --> 01:16:17,400
Speaker 4: can set the tone for what our relationship is.

1650
01:16:17,479 --> 01:16:19,360
Speaker 3: It can It should have been the whole episode instead

1651
01:16:19,400 --> 01:16:22,160
Speaker 3: of one scene if that is your last story, where

1652
01:16:22,160 --> 01:16:24,679
Speaker 3: we watch that play out in high jinks and funny

1653
01:16:24,680 --> 01:16:27,040
Speaker 3: scenes with Corey whispering in my ear and and maybe

1654
01:16:27,040 --> 01:16:30,240
Speaker 3: even Tapango whispering Angela's ear trying to get it could

1655
01:16:30,280 --> 01:16:32,360
Speaker 3: have been like a lot of miscommunication and then the

1656
01:16:32,360 --> 01:16:33,519
Speaker 3: two of us finally being.

1657
01:16:33,400 --> 01:16:34,840
Speaker 1: Like, no, we're going to do our own and.

1658
01:16:36,439 --> 01:16:40,679
Speaker 2: If Sarah and nogate advice exactly like that, like something

1659
01:16:40,720 --> 01:16:43,360
Speaker 2: like that, exactly the same story, except it's a terrible

1660
01:16:43,400 --> 01:16:46,120
Speaker 2: advice all the way around, because don't we find out

1661
01:16:46,120 --> 01:16:49,240
Speaker 2: that Angela's parents are divorced as well that her father's

1662
01:16:49,240 --> 01:16:52,240
Speaker 2: in the military, so they have that going so they

1663
01:16:52,520 --> 01:16:54,479
Speaker 2: we keep alloding to the fact that we're not ready

1664
01:16:54,479 --> 01:16:57,200
Speaker 2: for this relationship. We're broken people, but we don't talk

1665
01:16:57,240 --> 01:16:59,479
Speaker 2: about what that means, and we're not engaging with each

1666
01:16:59,479 --> 01:17:00,240
Speaker 2: other about that.

1667
01:17:00,439 --> 01:17:03,160
Speaker 1: We're just like the weld. I like it, You like it, right,

1668
01:17:03,200 --> 01:17:05,640
Speaker 1: I don't know it's together. Yeah, it's underdeveloped.

1669
01:17:05,640 --> 01:17:07,960
Speaker 3: I feel like taking this scene is the model and

1670
01:17:08,000 --> 01:17:10,519
Speaker 3: expanding it in both directions would have been a better

1671
01:17:10,560 --> 01:17:11,720
Speaker 3: way to like confront the.

1672
01:17:11,920 --> 01:17:27,320
Speaker 4: Completely agree, completely agree. Meanwhile, Corey is staring at Sean

1673
01:17:27,320 --> 01:17:29,720
Speaker 4: and Angela from across the restaurant. To Pega points out

1674
01:17:29,720 --> 01:17:31,840
Speaker 4: that he's staring at them more than he's staring at her.

1675
01:17:31,960 --> 01:17:34,320
Speaker 4: He doesn't break his gaze. Look at those two. It's

1676
01:17:34,400 --> 01:17:37,679
Speaker 4: us twenty years ago. To Pega asks, what is happening

1677
01:17:37,680 --> 01:17:40,599
Speaker 4: to us? Co port Corey is completely oblivious. He reminds

1678
01:17:40,600 --> 01:17:44,719
Speaker 4: her they're celebrating another one of their delightful occasions. Tapenga responds,

1679
01:17:44,760 --> 01:17:48,800
Speaker 4: who talks like that? Meanwhile, Angela asks Sean, you said

1680
01:17:48,800 --> 01:17:51,200
Speaker 4: you knew me. If you really knew me, why would

1681
01:17:51,240 --> 01:17:53,800
Speaker 4: you bring me here. Sean admits I have no idea

1682
01:17:53,840 --> 01:17:55,479
Speaker 4: what I'm doing. I don't know how to be myself

1683
01:17:55,520 --> 01:17:58,280
Speaker 4: around you. I really want you to like me. Angela

1684
01:17:58,280 --> 01:18:00,840
Speaker 4: assures him, I do like you. If I didn't, I

1685
01:18:00,840 --> 01:18:04,360
Speaker 4: wouldn't be here. Sean asks why it's so hard. Angela

1686
01:18:04,400 --> 01:18:07,200
Speaker 4: tells him she's never had a serious relationship either. Every

1687
01:18:07,200 --> 01:18:09,120
Speaker 4: time she got close to someone, she figured it was

1688
01:18:09,160 --> 01:18:11,559
Speaker 4: best to get away before they hurt each other. Is

1689
01:18:11,560 --> 01:18:12,680
Speaker 4: someone going to get hurt here?

1690
01:18:12,680 --> 01:18:12,960
Speaker 1: Sean?

1691
01:18:13,439 --> 01:18:16,920
Speaker 4: He earnestly tells her, no, not if we're ourselves. He

1692
01:18:17,000 --> 01:18:19,320
Speaker 4: calls out for Eduardo, asking him to clear their table

1693
01:18:19,320 --> 01:18:21,000
Speaker 4: and just bring them a couple of burgers.

1694
01:18:21,040 --> 01:18:24,519
Speaker 3: And see, like all of that dialogue is exposition. No,

1695
01:18:24,680 --> 01:18:27,080
Speaker 3: I think it's I think I don't know what we're

1696
01:18:27,080 --> 01:18:27,679
Speaker 3: talking about.

1697
01:18:27,760 --> 01:18:31,080
Speaker 5: Like we're just established my character to say what I

1698
01:18:31,120 --> 01:18:31,639
Speaker 5: would like.

1699
01:18:31,680 --> 01:18:34,000
Speaker 1: Or not like right and so, and we're not being specific.

1700
01:18:34,040 --> 01:18:36,679
Speaker 1: We're just pope and love and me and want. And

1701
01:18:36,720 --> 01:18:38,840
Speaker 1: it's like it's like song lyrics as opposed to like

1702
01:18:39,120 --> 01:18:42,120
Speaker 1: very like sharp, like the thing you're doing right now

1703
01:18:42,360 --> 01:18:43,800
Speaker 1: you can take, you know, I don't know. It just

1704
01:18:43,840 --> 01:18:46,400
Speaker 1: feels like I don't know. I feel so like I.

1705
01:18:46,320 --> 01:18:49,439
Speaker 4: Feel like for Sean, Angela is intuitive enough to know

1706
01:18:49,960 --> 01:18:53,559
Speaker 4: that the Sean she had started falling for is is

1707
01:18:53,600 --> 01:18:59,439
Speaker 4: no longer this Sean, and she recognizes, why are you you?

1708
01:18:59,439 --> 01:19:02,080
Speaker 4: You said you knew me, and yet now you're doing

1709
01:19:02,160 --> 01:19:05,680
Speaker 4: things that had this been the way we started our relationship,

1710
01:19:06,000 --> 01:19:09,280
Speaker 4: I wouldn't have necessarily liked this. So what's going on?

1711
01:19:09,680 --> 01:19:14,160
Speaker 4: And Sean saying, listen, I really like you. I'm I'm

1712
01:19:14,160 --> 01:19:18,479
Speaker 4: doing things because I'm trying hard, and that to me

1713
01:19:18,560 --> 01:19:21,200
Speaker 4: doesn't feel like X. I mean, I guess it is exposition,

1714
01:19:21,320 --> 01:19:24,840
Speaker 4: but the audience is aware that you're not being yourself either,

1715
01:19:24,960 --> 01:19:29,040
Speaker 4: and so we're all wondering why, why is this? Why

1716
01:19:29,120 --> 01:19:31,320
Speaker 4: is this so hard? Which I like that you directly

1717
01:19:31,400 --> 01:19:34,200
Speaker 4: ask why now that it matters. Am I having a

1718
01:19:34,200 --> 01:19:37,559
Speaker 4: hard time being my real self? So that for me,

1719
01:19:38,000 --> 01:19:41,519
Speaker 4: this scene like this to me realized I wanted a

1720
01:19:41,560 --> 01:19:42,920
Speaker 4: whole episode about this scene.

1721
01:19:43,000 --> 01:19:44,639
Speaker 1: Yes, yeah, I.

1722
01:19:44,640 --> 01:19:46,719
Speaker 3: Just think the actual like, we we have not covered

1723
01:19:46,840 --> 01:19:49,479
Speaker 3: details between our characters, so we have not said like

1724
01:19:50,120 --> 01:19:52,360
Speaker 3: what we do imagine our lives would be, because we

1725
01:19:52,640 --> 01:19:55,200
Speaker 3: have the Vivaldi and Shakespeare, but we haven't seen the

1726
01:19:55,439 --> 01:19:56,840
Speaker 3: like what do you like to wear?

1727
01:19:57,000 --> 01:19:57,840
Speaker 1: What do you like to eat?

1728
01:19:57,880 --> 01:20:00,639
Speaker 3: And then to see that in conflict with this, so

1729
01:20:00,920 --> 01:20:04,840
Speaker 3: we're just expressing this makes me uncomfortable in abstract terms,

1730
01:20:04,840 --> 01:20:06,800
Speaker 3: and so it stays abstract. And that's what, to me

1731
01:20:06,880 --> 01:20:08,760
Speaker 3: is the definition of like. I think it's more.

1732
01:20:08,960 --> 01:20:11,639
Speaker 2: I think it ends the same way where you guys

1733
01:20:11,840 --> 01:20:15,080
Speaker 2: are now figuring out what it's going to be, the

1734
01:20:15,120 --> 01:20:17,400
Speaker 2: same way you figured out this restaurant isn't for us.

1735
01:20:17,479 --> 01:20:18,960
Speaker 1: You figured out you didn't want to eat this food.

1736
01:20:19,000 --> 01:20:20,960
Speaker 1: It's like we'll figure it out. We'll figure it out.

1737
01:20:21,040 --> 01:20:23,360
Speaker 2: No, you don't know yet, and it's this is just

1738
01:20:23,439 --> 01:20:25,960
Speaker 2: the start of we know we don't want that. We

1739
01:20:26,040 --> 01:20:28,000
Speaker 2: know we're not them, and we don't want we don't

1740
01:20:28,000 --> 01:20:31,320
Speaker 2: want this restaurant. But we'll figure out whatever comes next.

1741
01:20:31,360 --> 01:20:33,920
Speaker 2: As long as we're ourselves, we'll figure it out, I think,

1742
01:20:34,000 --> 01:20:34,599
Speaker 2: is what they're saying.

1743
01:20:34,640 --> 01:20:35,960
Speaker 1: Yeah, so sentiment.

1744
01:20:36,240 --> 01:20:38,960
Speaker 4: Eduardo claps his hands together. But Relli's is a place

1745
01:20:38,960 --> 01:20:42,160
Speaker 4: where all your dreams come true to burgers. Angela ads

1746
01:20:42,200 --> 01:20:45,200
Speaker 4: and fries. Sean chimes in, oh yeah, get some ketchup too.

1747
01:20:45,520 --> 01:20:47,160
Speaker 4: Sean asks if he can take his tie off, and

1748
01:20:47,200 --> 01:20:49,040
Speaker 4: Angela says yes, please never wear.

1749
01:20:48,920 --> 01:20:49,920
Speaker 1: A tie again. Okay.

1750
01:20:50,200 --> 01:20:52,800
Speaker 4: She questions why he has it anyway, it's certainly not his.

1751
01:20:53,240 --> 01:20:55,599
Speaker 4: Sean confesses, I'm not one to give up any names.

1752
01:20:55,600 --> 01:20:57,960
Speaker 4: But Corey, all of this was Corey. He's a good guy.

1753
01:20:58,000 --> 01:20:59,240
Speaker 4: He just wants us to have what he and to

1754
01:20:59,280 --> 01:21:01,760
Speaker 4: Panga have. And then we cut back to Tapanga, who

1755
01:21:01,800 --> 01:21:03,960
Speaker 4: is shouting at Corey, I don't want to put the

1756
01:21:04,000 --> 01:21:07,120
Speaker 4: sweet and low in my purse. Corey's worried she's going

1757
01:21:07,200 --> 01:21:09,880
Speaker 4: to get them in trouble at their place. Topanga doesn't

1758
01:21:09,920 --> 01:21:12,479
Speaker 4: want this to be their place. Corey says she's ruining

1759
01:21:12,479 --> 01:21:14,960
Speaker 4: their anniversary, but she doesn't even know what anniversary. This

1760
01:21:15,080 --> 01:21:16,800
Speaker 4: is the first time we kissed, the first time we met.

1761
01:21:16,840 --> 01:21:17,639
Speaker 1: What what is it?

1762
01:21:18,800 --> 01:21:21,000
Speaker 4: Corey responds, it's the anniversary of the first time we

1763
01:21:21,040 --> 01:21:21,840
Speaker 4: hated Barelli's.

1764
01:21:21,880 --> 01:21:23,439
Speaker 1: How could you forget? I love that?

1765
01:21:23,760 --> 01:21:24,040
Speaker 2: I know.

1766
01:21:25,520 --> 01:21:29,080
Speaker 4: Tapanga is furious because I hate Barelli's. I am fifty

1767
01:21:29,200 --> 01:21:31,840
Speaker 4: years away from going to Barelli's. Can't we just go

1768
01:21:31,880 --> 01:21:35,240
Speaker 4: downtown and grab a pretzel from a cart? Corey shouts back,

1769
01:21:35,320 --> 01:21:37,920
Speaker 4: I'm not making you happy. Go you think you're gonna

1770
01:21:37,920 --> 01:21:41,200
Speaker 4: find someone else at your age? Tapega looks like she's

1771
01:21:41,240 --> 01:21:44,000
Speaker 4: about to strangle him. Eduardo steps in, begging Tapanga to

1772
01:21:44,080 --> 01:21:46,760
Speaker 4: keep her voice down. She growls at him in response,

1773
01:21:47,479 --> 01:21:49,800
Speaker 4: and he says thank you so much before running away.

1774
01:21:50,040 --> 01:21:53,000
Speaker 4: Angela and Sean are watching, and Angela confesses this is

1775
01:21:53,000 --> 01:21:55,160
Speaker 4: what scares me. You get close to someone and you

1776
01:21:55,240 --> 01:21:57,559
Speaker 4: end up hating each other. Shawn assures her there is

1777
01:21:57,600 --> 01:22:00,280
Speaker 4: nothing to be scared of. When two people are truly

1778
01:22:00,360 --> 01:22:02,439
Speaker 4: in love, there is no way they can end up

1779
01:22:02,479 --> 01:22:05,760
Speaker 4: hating each other. Right on time, we cut back to Tipega.

1780
01:22:05,360 --> 01:22:08,960
Speaker 1: Who's murder each other, which happens all all this. It's funny.

1781
01:22:09,000 --> 01:22:12,799
Speaker 1: I thought the same people love each other. It's actually

1782
01:22:12,840 --> 01:22:15,400
Speaker 1: the closest to hating each other because you have so

1783
01:22:15,520 --> 01:22:25,960
Speaker 1: much at stake. Yes, yeah, people, you're most like optimistic

1784
01:22:26,040 --> 01:22:28,160
Speaker 1: and uh yeah, backwards lining in my.

1785
01:22:29,640 --> 01:22:31,840
Speaker 4: Right on time. We cut back to Tapega, who's still

1786
01:22:31,920 --> 01:22:34,679
Speaker 4: yelling at Corey. Corey tries to growl back in response,

1787
01:22:34,720 --> 01:22:37,679
Speaker 4: but it doesn't work. It's tepid at best. To Pega laughs,

1788
01:22:37,680 --> 01:22:40,760
Speaker 4: his attempt at growl was pathetic. Corey smiles, well, I

1789
01:22:40,760 --> 01:22:43,400
Speaker 4: could never really get mad at you. Tapega tells him

1790
01:22:43,439 --> 01:22:46,240
Speaker 4: she just doesn't want to celebrate any more occasions. Corey

1791
01:22:46,280 --> 01:22:47,880
Speaker 4: was only doing it because he thought that's what she

1792
01:22:47,960 --> 01:22:50,879
Speaker 4: wanted to Penga says she just wants to be seventeen,

1793
01:22:51,080 --> 01:22:54,120
Speaker 4: and Corey happily agrees. Then he pushes everything off their

1794
01:22:54,160 --> 01:22:57,280
Speaker 4: table and Eduardo lets out a little shriek. He grabs Corey,

1795
01:22:57,280 --> 01:22:59,479
Speaker 4: grabs Tapanga, and layser down on the table to get

1796
01:22:59,520 --> 01:23:00,360
Speaker 4: hat and heavy.

1797
01:23:00,680 --> 01:23:02,400
Speaker 1: It's very unsanitary in a restaurant.

1798
01:23:03,280 --> 01:23:06,720
Speaker 4: Angela watches this unfold and tells Sean, I want what

1799
01:23:06,760 --> 01:23:10,000
Speaker 4: they have, but she leans in and kisses him, and

1800
01:23:10,040 --> 01:23:12,960
Speaker 4: we freeze frame on our new couple staring into each

1801
01:23:12,960 --> 01:23:13,599
Speaker 4: other's eyes.

1802
01:23:15,040 --> 01:23:20,400
Speaker 2: Sean Angelo, I think they were talking about the food

1803
01:23:20,439 --> 01:23:22,000
Speaker 2: whatever they ordered that they have.

1804
01:23:22,400 --> 01:23:25,719
Speaker 5: Yeah, a commercial back in the day, what's that Sally

1805
01:23:25,800 --> 01:23:27,320
Speaker 5: versus a what is that movie?

1806
01:23:27,400 --> 01:23:36,320
Speaker 1: Where when Sally met Harrick? And then we're in the

1807
01:23:36,360 --> 01:23:37,040
Speaker 1: guy's apartment.

1808
01:23:37,120 --> 01:23:39,639
Speaker 4: Jack is trailing a line of paper towels behind him

1809
01:23:39,640 --> 01:23:41,800
Speaker 4: as he points out to Eric that it's Thanksgiving and

1810
01:23:41,880 --> 01:23:44,559
Speaker 4: all they have is an Easter basket and Santa Claus.

1811
01:23:45,240 --> 01:23:48,160
Speaker 4: Eric says, my dad's gonna kill you. But then Eric

1812
01:23:48,200 --> 01:23:50,320
Speaker 4: comes up with a brilliant plan. He spends a few

1813
01:23:50,400 --> 01:23:51,960
Speaker 4: nights in the a few nights in the hospital, and

1814
01:23:51,960 --> 01:23:54,320
Speaker 4: they'll forget the whole thing. He tells Jack to get him,

1815
01:23:54,520 --> 01:23:56,639
Speaker 4: bust him in the nose, cracker rib, whatever it'll take.

1816
01:23:56,840 --> 01:24:00,000
Speaker 4: Jack shures him that's a stupid idea. Eric agrees it'll

1817
01:24:00,080 --> 01:24:01,920
Speaker 4: be better for him to hit Jack. He gets in

1818
01:24:01,960 --> 01:24:04,720
Speaker 4: a fighting stance fac or gut just in time. They

1819
01:24:04,720 --> 01:24:07,080
Speaker 4: hear someone pounding at the door. Eric yells just a

1820
01:24:07,120 --> 01:24:09,880
Speaker 4: second and apologizes to Jack, getting back in position to

1821
01:24:09,920 --> 01:24:12,439
Speaker 4: punch him. Jack yells for the people to come in,

1822
01:24:12,520 --> 01:24:15,960
Speaker 4: and it's the entire family plus some. They've brought the

1823
01:24:16,000 --> 01:24:18,679
Speaker 4: Thanksgiving dinner to them. They never believed that the guys

1824
01:24:18,720 --> 01:24:21,240
Speaker 4: could pull it off. Morgan ads, you can't even make toast.

1825
01:24:21,800 --> 01:24:23,640
Speaker 4: Amy asks her son if he at least has some

1826
01:24:23,720 --> 01:24:28,920
Speaker 4: clean dishes, and Eric blurts out no, no, he need's

1827
01:24:28,960 --> 01:24:31,560
Speaker 4: preparing to carve the bird, and asks everybody wants a

1828
01:24:31,600 --> 01:24:34,800
Speaker 4: dark meat, right, and again everyone loudly shouts no.

1829
01:24:35,640 --> 01:24:38,320
Speaker 2: These are my least favorite moments when the entire cast

1830
01:24:38,400 --> 01:24:40,000
Speaker 2: has to say stuff at the same time.

1831
01:24:40,400 --> 01:24:43,000
Speaker 4: I more than what bothered me is why are we

1832
01:24:43,040 --> 01:24:45,400
Speaker 4: acting like the white meat part of turkey is the

1833
01:24:45,400 --> 01:24:45,960
Speaker 4: good stuff.

1834
01:24:46,000 --> 01:24:46,759
Speaker 1: It's like the worst.

1835
01:24:46,920 --> 01:24:50,840
Speaker 4: It's the worst. Of course, yes, we shouldn't want the

1836
01:24:50,960 --> 01:24:51,479
Speaker 4: dork meat.

1837
01:24:52,439 --> 01:24:54,439
Speaker 1: White meat's good too. I like them both. It's the

1838
01:24:54,479 --> 01:24:56,519
Speaker 1: combo of the two with everything that's but if you

1839
01:24:56,560 --> 01:24:58,960
Speaker 1: eat the white meat, you're eating the majority of the turkey.

1840
01:24:58,960 --> 01:25:03,519
Speaker 4: The turkey yes, yeah, yeah, okay to Benga says it's

1841
01:25:03,520 --> 01:25:05,640
Speaker 4: so nice for them to all be together on Thanksgiving,

1842
01:25:05,800 --> 01:25:08,040
Speaker 4: Corey wants to tell her something. Then he leans in

1843
01:25:08,080 --> 01:25:10,519
Speaker 4: and starts to make out with her in front of everyone,

1844
01:25:10,720 --> 01:25:14,600
Speaker 4: with weird blocking in the In the apartment, Sean and

1845
01:25:14,640 --> 01:25:17,320
Speaker 4: Angela watch on and Angela says, I'm so glad I'm

1846
01:25:17,320 --> 01:25:19,360
Speaker 4: here Sean. Sean holds out his hand for her to

1847
01:25:19,360 --> 01:25:21,559
Speaker 4: grab and then leads her into the apartment. Before we

1848
01:25:21,600 --> 01:25:23,439
Speaker 4: sit down, I'd like to say thanks for all the

1849
01:25:23,439 --> 01:25:25,400
Speaker 4: good things that have happened to us. He looks at

1850
01:25:25,400 --> 01:25:29,960
Speaker 4: Angela and me. Then the whole group yells to one another,

1851
01:25:30,560 --> 01:25:31,880
Speaker 4: happy Thanksgiving.

1852
01:25:31,920 --> 01:25:34,840
Speaker 1: Me, but we wait for Rusty to start it.

1853
01:25:34,920 --> 01:25:36,880
Speaker 2: He like looks around and nobody's starting, so he's like

1854
01:25:37,000 --> 01:25:40,439
Speaker 2: happy and we're like happy thanks kidding the worst.

1855
01:25:40,920 --> 01:25:45,320
Speaker 3: Actually thought we were almost turning to camera Thanksgiving. Yes,

1856
01:25:45,640 --> 01:25:47,680
Speaker 3: I was waiting for us because that's literally what it

1857
01:25:47,760 --> 01:25:51,280
Speaker 3: is like. And now the chorus break down the song.

1858
01:25:52,160 --> 01:25:54,840
Speaker 3: I really thought we were like a Greek chorus. And

1859
01:25:54,880 --> 01:25:56,120
Speaker 3: that's the story of.

1860
01:25:58,560 --> 01:26:03,320
Speaker 1: What is pulling on the should have gone back to

1861
01:26:03,360 --> 01:26:05,519
Speaker 1: the old the holiday episodes where we set up a

1862
01:26:05,760 --> 01:26:08,679
Speaker 1: camera or like, do you know some reason, because why

1863
01:26:08,720 --> 01:26:11,760
Speaker 1: is Sean making a speech as the typical, as the

1864
01:26:11,840 --> 01:26:15,600
Speaker 1: non member of the family. It's really invite.

1865
01:26:15,320 --> 01:26:18,479
Speaker 5: Me to invite a girl to the Thanksgiving, which I love.

1866
01:26:20,560 --> 01:26:23,519
Speaker 1: But why I don't know. It's like it's just such

1867
01:26:23,560 --> 01:26:27,240
Speaker 1: a bizarre, forced little like tag. It doesn't it doesn't

1868
01:26:27,280 --> 01:26:27,800
Speaker 1: work for me.

1869
01:26:27,760 --> 01:26:31,880
Speaker 4: But well, Trina, welcome officially to season five.

1870
01:26:32,479 --> 01:26:35,760
Speaker 5: Yeah, thank you, thanks for having me.

1871
01:26:35,880 --> 01:26:39,040
Speaker 4: Man oh man, we have so loved having you. It

1872
01:26:39,080 --> 01:26:41,000
Speaker 4: will not be the last time we will have you back,

1873
01:26:41,080 --> 01:26:44,679
Speaker 4: for sure. We we are trying, we are not jumping ahead,

1874
01:26:44,720 --> 01:26:46,920
Speaker 4: so we don't exactly know what's coming up when it

1875
01:26:46,960 --> 01:26:49,479
Speaker 4: comes up, but we look forward to having you back again,

1876
01:26:49,720 --> 01:26:52,280
Speaker 4: So please join us another time. We thank you so

1877
01:26:52,360 --> 01:26:54,320
Speaker 4: much for spending your time with us this morning. As

1878
01:26:54,360 --> 01:26:58,439
Speaker 4: always a pleasure to see you. Continued health for you

1879
01:26:58,600 --> 01:27:01,559
Speaker 4: and Marcello. And yeah, we love you guys.

1880
01:27:02,120 --> 01:27:05,080
Speaker 5: Yeah, yeah, thank you. We love you guys too. It's

1881
01:27:05,120 --> 01:27:08,240
Speaker 5: so good to see you all. Good to see writer.

1882
01:27:10,479 --> 01:27:17,960
Speaker 1: I'm up at my childhood house. So yeah, that was

1883
01:27:18,000 --> 01:27:18,400
Speaker 1: so fun.

1884
01:27:18,439 --> 01:27:19,960
Speaker 4: It's it is such a shame that the part two

1885
01:27:20,000 --> 01:27:22,280
Speaker 4: doesn't quite match up to the brilliant.

1886
01:27:21,840 --> 01:27:25,000
Speaker 1: Stuff on to talk about part one one. I know

1887
01:27:25,080 --> 01:27:26,160
Speaker 1: I still liked it though.

1888
01:27:26,280 --> 01:27:28,519
Speaker 2: Because I liked I don't know, I'm already rooting for

1889
01:27:28,560 --> 01:27:31,560
Speaker 2: the couple, and so I did. If you watch it

1890
01:27:31,600 --> 01:27:34,960
Speaker 2: all as one's honestly, and I.

1891
01:27:34,920 --> 01:27:36,280
Speaker 1: Think I think if I had done it that way,

1892
01:27:36,320 --> 01:27:38,479
Speaker 1: I probably wouldn't have been as critical because it's like, oh,

1893
01:27:38,520 --> 01:27:39,200
Speaker 1: this is so nice.

1894
01:27:39,200 --> 01:27:41,000
Speaker 3: I want this to happen, and then it does. But

1895
01:27:41,160 --> 01:27:43,479
Speaker 3: Washing has its own episode you're just getting and then

1896
01:27:43,520 --> 01:27:47,360
Speaker 3: it does. It's sort of like, oh, okay.

1897
01:27:46,920 --> 01:27:48,880
Speaker 4: But you're right as one. I still I still like

1898
01:27:48,920 --> 01:27:51,439
Speaker 4: it me too. So thank you for listening to this

1899
01:27:51,479 --> 01:27:53,360
Speaker 4: episode of Pod Meets World. As always, you can follow

1900
01:27:53,439 --> 01:27:56,360
Speaker 4: us on Instagram pod Meets World Show. You can send

1901
01:27:56,439 --> 01:27:58,920
Speaker 4: us your emails pod Meets World Show at gmail dot com,

1902
01:27:58,960 --> 01:28:00,200
Speaker 4: and we have merch.

1903
01:28:00,000 --> 01:28:03,479
Speaker 2: Which season five might be picking up March.

1904
01:28:04,040 --> 01:28:06,920
Speaker 4: Podmeetsworldshow dot Com will send us out.

1905
01:28:07,439 --> 01:28:09,240
Speaker 1: We love you all, pod dismissed.

1906
01:28:10,280 --> 01:28:13,840
Speaker 2: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1907
01:28:13,920 --> 01:28:18,120
Speaker 2: Wilfredell and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman.

1908
01:28:18,439 --> 01:28:21,960
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

1909
01:28:22,000 --> 01:28:25,800
Speaker 2: Tara sudbachsch producer, Maddy Moore, engineer and Boy Meets World

1910
01:28:25,840 --> 01:28:28,759
Speaker 2: superfan Easton Allen. Our theme song is by Kyle Morton

1911
01:28:28,760 --> 01:28:30,920
Speaker 2: of Typhoon, and you can follow us on Instagram. At

1912
01:28:30,960 --> 01:28:34,000
Speaker 2: Podmeets World Show or email us at Podmets Worldshow at

1913
01:28:34,040 --> 01:28:36,760
Speaker 2: gmail dot com.