WEBVTT - From the Vault: Fingernails, Part 2

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Land and I'm Joe McCormick, and it's Saturday.

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<v Speaker 1>Time for a vault episode today. It's part two of

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<v Speaker 1>our series on fingernails. This episode originally aired on September three.

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<v Speaker 1>I think it'll be a scream. Let's dig right in.

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of my

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<v Speaker 1>Heart Radio album. Hey you, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and we're back with part two of our talk about nails,

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<v Speaker 1>Fingernails Toenails. In the last episode, we talked about how

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<v Speaker 1>fast nails grow, what influences how fast they grow, some

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<v Speaker 1>strange decades long self experimentation projects on the measurement of nails,

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<v Speaker 1>And this time we're going to get out of some

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<v Speaker 1>of that scientific minutia and jump in to the weirder

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<v Speaker 1>world of nails and the role that nails and hair

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<v Speaker 1>play in a lot of very very surprising and interesting,

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<v Speaker 1>magical and religious beliefs. Yeah, and it it makes sense

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<v Speaker 1>that we would since the nails that we look down

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<v Speaker 1>at every day, that we you know, find ourselves absent

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<v Speaker 1>mindedly feeling uh that that in fact enhance our ability

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<v Speaker 1>to engage physically with the world. They are strange to behold.

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<v Speaker 1>Like we said before, they're both alive and dead at

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<v Speaker 1>the same time, at least as you know, in the

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<v Speaker 1>way that we we think of them. You know, they

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<v Speaker 1>they're obviously a part of our body, uh, and yet

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<v Speaker 1>they feel slightly external. You know that there are these

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<v Speaker 1>things that are like clause but not clause. So it

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<v Speaker 1>makes sense that we would have some kind of complicated

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<v Speaker 1>magical ideas at times about what they are and what

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<v Speaker 1>they do. Yeah, and I think some of the magical

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<v Speaker 1>and religious ideas are going to connect with something that

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<v Speaker 1>we talked about in the last episode, which was this

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<v Speaker 1>the strange thing I was observing about how our hard

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<v Speaker 1>body parts, the hard external parts like teeth and nails,

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<v Speaker 1>though you would expect them to be sort of like

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<v Speaker 1>the most uh I don't know what you would call

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<v Speaker 1>like the most brutally disposable parts of our bodies because

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<v Speaker 1>they're hard. You know, they're like what you put out

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<v Speaker 1>front in defense or attack. But in fact we've got

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<v Speaker 1>these kind of vulnerability trauma obsessions with these parts of

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<v Speaker 1>our bodies. Like if you just start worrying about what

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<v Speaker 1>could go wrong with your body, how you could be injured,

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<v Speaker 1>how it could be damaged. A lot of the natural

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<v Speaker 1>places that people go to go to worry about these

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<v Speaker 1>things our teeth and nails, absolutely, and that's that's why

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<v Speaker 1>towards the end of the at the last episode, we

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<v Speaker 1>started talking a little bit about Glenn Danzi's fingernails and

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<v Speaker 1>about how, at least in some music videos or posters

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<v Speaker 1>that I kind of half remember um from my my

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<v Speaker 1>teenage years, I recall that he had sharpened fingernails, and

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<v Speaker 1>I would wonder to myself, well, what purpose did those have?

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<v Speaker 1>And indeed, you know, would sharpened fingernails age you in

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<v Speaker 1>in fights or something? Because I also remember, like Stephen

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<v Speaker 1>King novels and short stories that I also was reading

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<v Speaker 1>at the time, you'd occasionally have a character show up

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<v Speaker 1>that's sharpened their teeth down to the to file points

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<v Speaker 1>um or or perhaps even has some sort of like

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<v Speaker 1>sharpened fingernails, I guess, and uh, and it brings them

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<v Speaker 1>to wonder like would there be any kind of actual

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<v Speaker 1>combat or defensive advantage to that sort of thing, And

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<v Speaker 1>we we mostly decided that there would not really be yes,

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<v Speaker 1>you can scratch your way out of a out of

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<v Speaker 1>a scrape here and there, But there's also a big

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<v Speaker 1>possibility to damage your your fingernails if you're trying to

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<v Speaker 1>use like sharpened fingernails to attack somebody. More than likely,

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<v Speaker 1>if you encounter somebody with really gnarly looking fingernails that

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<v Speaker 1>have been sharpened to a point, or or indeed, um uh,

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<v Speaker 1>you know, just look seemingly intentionally creepy, they probably are

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<v Speaker 1>trying to look at the still a little bit like

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<v Speaker 1>nos Feratu, right, And so this vampire association with long nails.

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<v Speaker 1>In fact, we were just talking about this with Seth

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<v Speaker 1>the other day, uh and and uh Seth. Seth was

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<v Speaker 1>sharing with us the idea that, you know, it's possible

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<v Speaker 1>that the association between long fingernails and vampires could come

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<v Speaker 1>from the idea that often in the old days, you

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<v Speaker 1>might open up if you've you've exhumed a body from

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<v Speaker 1>the graveyard and you notice that their nails look a

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<v Speaker 1>little bit long, and so you think, wait a minute,

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<v Speaker 1>are they still alive in some way or they're getting

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<v Speaker 1>up and roaming around and still growing body tissues. Yeah,

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<v Speaker 1>I feel like this has coming up on the show

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<v Speaker 1>in the past before and it's certainly it goes beyond

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<v Speaker 1>the world of mere vampires. We talked about it a

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<v Speaker 1>bit in the episode where we talked about the Kappa,

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<v Speaker 1>the Japanese water demon um where you have varying monstrous

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<v Speaker 1>conceptions in the human imagination that are based upon an

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<v Speaker 1>analysis of a physical death to see what happens to

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<v Speaker 1>the body after it dies and the seeming changes that

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<v Speaker 1>take place in the body. And in the case of

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<v Speaker 1>the vampire, yeah, it's like the bloated form. Uh, the

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<v Speaker 1>impression at least that the hair is still growing, the

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<v Speaker 1>impression that the nails are still growing. So if you

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<v Speaker 1>ask the question is that true, the answer is no,

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<v Speaker 1>It is not true that hair and fingernails continue to

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<v Speaker 1>grow after death, at least not to any significant degree. Now,

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<v Speaker 1>if the nails and the hair don't keep growing after death,

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<v Speaker 1>that that does leave the question of why so many

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<v Speaker 1>people thought that that was the case. Why Why would

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<v Speaker 1>you look at a corpse and think that its nails

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<v Speaker 1>appear long? And the most common explanation for this tends

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<v Speaker 1>to be based on the dehydration of the corps, that

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<v Speaker 1>as the body begins to decompose, it loses a lot

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<v Speaker 1>of moisture, which causes the retraction of the skin tissues

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<v Speaker 1>around the finger nails and around the nail plate, which

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<v Speaker 1>makes the nail plates look longer because there's there's just

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<v Speaker 1>less skin around them. Now, this helps inform more than

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<v Speaker 1>just our idea of vampires for starters. It also has

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<v Speaker 1>factored into the bare aid a live panics that have

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<v Speaker 1>existed at different times. I believe we we discussed this

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<v Speaker 1>a bit in an episode of Invention on various casket innovations.

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<v Speaker 1>So the idea is, oh, you know, you end up

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<v Speaker 1>digging up this corpse later. Maybe you don't assume that

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<v Speaker 1>they were some sort of undead fiend, but you might think, oh,

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<v Speaker 1>my goodness, they were still alive for some time after

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<v Speaker 1>we buried them. They must have been buried alive. And

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<v Speaker 1>this led to a fashionable demand in the nineteenth century

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<v Speaker 1>for caskets with escape hatches and ways of getting out.

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<v Speaker 1>If you happen to have been buried alive. Yes, so

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<v Speaker 1>if you want to catch up on that, do check

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<v Speaker 1>out that episode of Invention. It may still be in

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<v Speaker 1>the stuff to boil your mind feed from when we

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<v Speaker 1>put a bunch of those out earlier. In the year.

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<v Speaker 1>But if not, you can find the dedicated fee to invention.

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<v Speaker 1>Even though we're not putting out new episodes of that

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<v Speaker 1>show in that feed, you'll still find all of those

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<v Speaker 1>episodes there for your listening. I think it was a

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<v Speaker 1>three part last October. Yeah, that's what it was. Now.

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<v Speaker 1>In addition to this, you'll also find various myths and

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<v Speaker 1>legends just concerned just general monstrosity in the world. And

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<v Speaker 1>oftentimes you'll have a monster that has long finger nails.

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<v Speaker 1>And this is roughly, you know, associated with the idea that, okay,

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<v Speaker 1>long finger nails imply a wildness, to kind of beastial

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<v Speaker 1>nature of the the entity or the being in question, right,

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<v Speaker 1>what has claws wild animals? Yeah, and though the longer

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<v Speaker 1>finger nails become, the more like the claws of an

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<v Speaker 1>animal they become. Now, there are exceptions to this. Long

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<v Speaker 1>finger nails are sometimes considered fashionable for females. We see

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<v Speaker 1>we see a lot of that in um in modern culture,

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<v Speaker 1>and then also you sometimes see it as a fashion

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<v Speaker 1>for males as well. Long nails, for example, were important

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<v Speaker 1>symbols of social status at various points in Chinese history,

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<v Speaker 1>and they were sometimes painted for visual effect. But also

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<v Speaker 1>sometimes the painting or sometimes the lacquering of the nail

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<v Speaker 1>was as much about strengthening the nail as it was

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<v Speaker 1>about making it fancy, which is an interesting point. And

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<v Speaker 1>apparently this we see echoes of this and other cultures

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<v Speaker 1>as well. I think the ancient Egyptians um are Are

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<v Speaker 1>are thought to have engaged in this sort of thing

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<v Speaker 1>as well, strengthening the nail in order to maintain it's

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<v Speaker 1>elongated uh uh structure. Now, later on in Chinese history,

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<v Speaker 1>ornate finger nail guards were used to protect outer nails.

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<v Speaker 1>So this might be like on the pinky finger, for example,

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<v Speaker 1>and the ring finger uh and uh. And we're we're

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<v Speaker 1>talking some pretty ornate finger coverings here. For instance, the

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<v Speaker 1>six inch long golden nail protectors that were worn by

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<v Speaker 1>the emperorus Dowager Sushi, who ruled China for forty three

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<v Speaker 1>years from eighteen sixty one until her death in nineteen

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<v Speaker 1>o eight. If you look her up, you can find

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<v Speaker 1>actual photographs of her decked out with these things. Now, Robert,

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<v Speaker 1>can you describe Is this more of like a thimble

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<v Speaker 1>type covering that would go over the end of the

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<v Speaker 1>finger and extend out from there, or is it more

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<v Speaker 1>like that finger armor stuff that has joints and goes

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<v Speaker 1>over the whole finger. Um, not really joints per se.

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<v Speaker 1>It is one gets the impression of like long tapering

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<v Speaker 1>golden fingertip covers Um. I think this this sort of

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<v Speaker 1>thing has also been utilized in dance in various Asian cultures. Um. Yeah,

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<v Speaker 1>so they're really neat looking now in terms of just

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<v Speaker 1>longer finger nails in general, the style has also been

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<v Speaker 1>popular with males at different times in Chinese history, with

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<v Speaker 1>longer manicured nails still having a residual cultural association with

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<v Speaker 1>higher classes in society. Uh. One also sees the retention

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<v Speaker 1>of a long, pinky finger nail as a signifier of

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<v Speaker 1>social status. Uh. But then there are also varying levels

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<v Speaker 1>of when you get into the actual reasons uh that

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<v Speaker 1>the individuals um, you know, self identify uh and uh

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<v Speaker 1>and certainly uh uh explain that their their pinky nail.

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<v Speaker 1>They might be it's for good luck or you know,

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<v Speaker 1>it might be there might be some idea of divinational

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<v Speaker 1>aspects uh a finger morphology. They're various sort of cultural

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<v Speaker 1>ideas that seemed to be floating around. Um explaining you

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<v Speaker 1>know why one would have a longer nail. If there's

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<v Speaker 1>a class association that nails are, you know, for higher

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<v Speaker 1>social status. I wonder if it has anything to do

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<v Speaker 1>with demonstrating the lack of need to engage in physical

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<v Speaker 1>or manual labor. Yes, sort of along the same lines

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<v Speaker 1>as you know. There are some cultures. I think it

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<v Speaker 1>was once common in uh in European culture, for and

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<v Speaker 1>it was fashionable from me to where like long pointy shoes.

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<v Speaker 1>And one explanation given for this is, well, a long

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<v Speaker 1>pointy shoe makes you look rich because it's a kind

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<v Speaker 1>of shoe that you can't do any physical work in. Yeah. Yeah,

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<v Speaker 1>The best explanations seemed to tie it to this like

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<v Speaker 1>a long standing idea that it informs social status. However,

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<v Speaker 1>I should note that I've I've looked into this a

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<v Speaker 1>couple of times over the years, and I've never found

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<v Speaker 1>like a I have not found not to say it

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<v Speaker 1>doesn't exist, but I have never found like a really

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<v Speaker 1>good paper on this that really dives in with a

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<v Speaker 1>lot of the information out there about this is more

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<v Speaker 1>informal in nature. But um traditional Chinese cultural hierarchies do

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<v Speaker 1>seem to retain their power though according to one paper

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<v Speaker 1>I was looking at Saving Face in China, Modernization, parental

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<v Speaker 1>pressure and plastic Surgery by Andrew Lyndridge and Choufeng Wang,

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<v Speaker 1>published in the Journal of Consumer Affairs in two thousand

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<v Speaker 1>and eight. UM, so you know, basically underlying the idea

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<v Speaker 1>that you can you can have these ideas that are

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<v Speaker 1>still floating around in society, and perhaps you know, perhaps

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<v Speaker 1>the rationale for them isn't you know one uh in

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<v Speaker 1>an individual's forethought. But it's just something that survives and

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<v Speaker 1>is still done and perhaps on some level still does

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<v Speaker 1>inform UH that notion that I have this longer nail,

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<v Speaker 1>which means I am of a higher social status and

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<v Speaker 1>maybe don't have to engage in as much physical labor.

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<v Speaker 1>For in his storical example of this getting outside of

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<v Speaker 1>modern culture. UM, there's a book that I've I've been

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<v Speaker 1>fond of for for for many years titled Tales from

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<v Speaker 1>a Chinese Studio, and it's a collection from seventeen forty

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<v Speaker 1>of these various weird tales that were compiled by the

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<v Speaker 1>author Uh Pooh song Ling and Uh and it's these

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<v Speaker 1>are wonderful stories. I recommend anyone who's even halfway interested

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<v Speaker 1>in in strange Chinese ghost stories. You should pick up

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<v Speaker 1>a copy of this because some of them are funny,

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<v Speaker 1>some of them are just really weird. Um. There's also

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<v Speaker 1>a certain poetry to them, and I understand that if

0:12:39.480 --> 0:12:43.679
<v Speaker 1>if one is actually reading these stories uh in Mandarin uh,

0:12:43.840 --> 0:12:47.160
<v Speaker 1>they're also there are also a lot of various illusions

0:12:47.160 --> 0:12:50.400
<v Speaker 1>that are going to be lost on the English language

0:12:50.440 --> 0:12:54.680
<v Speaker 1>translation reader. But they're still they're still tremendous as translated pieces.

0:12:54.880 --> 0:12:57.439
<v Speaker 1>I think you've quoted from it before. I have positive

0:12:57.480 --> 0:13:01.360
<v Speaker 1>associations with this title. Yeah, it's a it's a great book,

0:13:01.480 --> 0:13:03.440
<v Speaker 1>and I think Penguin has an edition of it. Um.

0:13:04.120 --> 0:13:06.600
<v Speaker 1>So I was looking back through that because I'm thinking, Okay,

0:13:06.600 --> 0:13:09.400
<v Speaker 1>if there's a good example of a monster with long fingernails,

0:13:09.440 --> 0:13:12.680
<v Speaker 1>perhaps i'll find it entails from a Chinese studio. I

0:13:12.760 --> 0:13:15.160
<v Speaker 1>did not find it, but I did find this little

0:13:15.240 --> 0:13:18.680
<v Speaker 1>note um about a particular line in one of his

0:13:19.040 --> 0:13:23.080
<v Speaker 1>writings that I had skipped over before I didn't remember

0:13:23.080 --> 0:13:28.319
<v Speaker 1>from before. Basically, uh uh poohsong Ling mentions the bard

0:13:28.360 --> 0:13:32.200
<v Speaker 1>of the long nails, which the translators and editors of

0:13:32.240 --> 0:13:36.720
<v Speaker 1>this Penguin edition identify as Lee He who lived seven

0:13:36.840 --> 0:13:40.960
<v Speaker 1>sixty through eight sixteen. So he was a late Tongue scholar,

0:13:41.200 --> 0:13:44.720
<v Speaker 1>often characterized as a sort of quote doomed poet with

0:13:44.760 --> 0:13:48.439
<v Speaker 1>a vision so intense the world will destroy him if

0:13:48.440 --> 0:13:53.920
<v Speaker 1>he does not destroy himself. Whoa, and and so the

0:13:53.679 --> 0:13:57.200
<v Speaker 1>the editors here they could they compared him to John Keats.

0:13:58.080 --> 0:14:01.120
<v Speaker 1>That's interesting because Keiths definitely he died young. But I

0:14:01.160 --> 0:14:04.800
<v Speaker 1>don't really think of him as doom driven in that way. Uh.

0:14:04.880 --> 0:14:07.560
<v Speaker 1>When I think of doom driven English poets, I guess

0:14:07.600 --> 0:14:11.000
<v Speaker 1>I would think more like Byron or Percy Shelley. Yeah,

0:14:11.040 --> 0:14:14.079
<v Speaker 1>Lord Byron definitely comes to mind, right, especially with when

0:14:14.120 --> 0:14:16.480
<v Speaker 1>it comes to like a dark bad boy status walking

0:14:16.480 --> 0:14:18.720
<v Speaker 1>around a skull goblet and a pet bear on a

0:14:18.800 --> 0:14:23.440
<v Speaker 1>chain exactly. Uh. And and interestingly enough, uh, if you

0:14:23.480 --> 0:14:27.240
<v Speaker 1>look up some of uh Lee He's translated work, he's

0:14:27.280 --> 0:14:30.400
<v Speaker 1>sometimes described as this is from the Amazon description to

0:14:30.600 --> 0:14:33.120
<v Speaker 1>a nice collection of his work. Uh, the bad boy

0:14:33.200 --> 0:14:37.600
<v Speaker 1>poet of the late Tang dynasty. Well that I got

0:14:37.600 --> 0:14:39.480
<v Speaker 1>to hear more from this bad so it was it

0:14:39.560 --> 0:14:41.240
<v Speaker 1>was he a bet. Was the fact that he was

0:14:41.280 --> 0:14:43.840
<v Speaker 1>a bad boy at all related to the perception of

0:14:43.920 --> 0:14:48.600
<v Speaker 1>him having long nails? Um? Well, yes, and no, I

0:14:48.640 --> 0:14:51.160
<v Speaker 1>think when I think this will maybe become a little

0:14:51.200 --> 0:14:53.040
<v Speaker 1>more clear, Like, for instance, I don't think the fact

0:14:53.080 --> 0:14:56.480
<v Speaker 1>that that he had long nails was like the signifying

0:14:56.560 --> 0:14:59.080
<v Speaker 1>bad boy aspect about him. I take that to be

0:14:59.520 --> 0:15:02.960
<v Speaker 1>probably we're in common with with professional scholars of the day,

0:15:03.040 --> 0:15:05.080
<v Speaker 1>Like you know, you're you're you're a you're a scholar,

0:15:05.120 --> 0:15:08.160
<v Speaker 1>you're a man of of words. Uh, you certainly don't

0:15:08.200 --> 0:15:11.040
<v Speaker 1>need short nails in order to engage in a bunch

0:15:11.040 --> 0:15:13.800
<v Speaker 1>of physical labor, like you're a man of letters. I

0:15:13.880 --> 0:15:17.920
<v Speaker 1>see that being said, he has a very gothic quality

0:15:17.960 --> 0:15:21.720
<v Speaker 1>to him. The New Tang History of ten sixty described

0:15:21.920 --> 0:15:26.040
<v Speaker 1>him as quote frail and thin, with eyebrows that met

0:15:26.080 --> 0:15:30.160
<v Speaker 1>together and long fingernails. He was also known as the

0:15:30.240 --> 0:15:33.400
<v Speaker 1>Demon Talent due to his love of weird and exotic

0:15:33.440 --> 0:15:37.440
<v Speaker 1>subjects in his writings, and the New Tang History also

0:15:37.480 --> 0:15:41.040
<v Speaker 1>said that he quote felt himself already halfway across the

0:15:41.040 --> 0:15:44.720
<v Speaker 1>boundary between the living and the dead. Now that being said,

0:15:44.720 --> 0:15:47.880
<v Speaker 1>apparently he also wrote about mundane topics as well, like

0:15:47.920 --> 0:15:50.120
<v Speaker 1>you know, earth like food and so forth. So it

0:15:50.160 --> 0:15:54.040
<v Speaker 1>wasn't just all ghoulish content. Um, maybe a spooky food.

0:15:55.520 --> 0:15:58.040
<v Speaker 1>Oh No, I think he generally, you know, wrote about

0:15:58.040 --> 0:16:01.320
<v Speaker 1>food and acceptable non what we would think of in

0:16:01.400 --> 0:16:05.400
<v Speaker 1>Western terms is of you know, a non Gothic sense.

0:16:06.440 --> 0:16:09.360
<v Speaker 1>But anyway, if you if you look at his work,

0:16:09.400 --> 0:16:13.560
<v Speaker 1>it is really quite beautiful. Um. He is probably apparently

0:16:13.560 --> 0:16:17.080
<v Speaker 1>most famous for this poem song of Magic Strings that

0:16:17.160 --> 0:16:21.200
<v Speaker 1>the editors and translators of the pous song Ling text include. Uh.

0:16:21.320 --> 0:16:25.360
<v Speaker 1>The poem itself was translated by john Fordsham in ninety

0:16:25.440 --> 0:16:29.040
<v Speaker 1>three's Goddesses, Ghosts and Demons that Collected Poems of lee

0:16:29.080 --> 0:16:31.440
<v Speaker 1>he He He, which you can you can buy in like

0:16:31.640 --> 0:16:34.160
<v Speaker 1>e book or physical form. I'm thinking of picking up

0:16:34.160 --> 0:16:36.360
<v Speaker 1>a copy. But but here's here's just a little bit

0:16:36.400 --> 0:16:41.600
<v Speaker 1>from that poem. Quote. Blue raccoons are weeping blood as

0:16:41.640 --> 0:16:45.720
<v Speaker 1>shivering foxes die on the ancient wall. A painted dragon

0:16:45.880 --> 0:16:49.440
<v Speaker 1>tail inlaid with gold. The rain god is writing it

0:16:49.480 --> 0:16:53.360
<v Speaker 1>away to an autumn tarn. Owls that have lived a

0:16:53.440 --> 0:16:58.280
<v Speaker 1>hundred years turned forest demons laugh wildly as an emerald

0:16:58.360 --> 0:17:03.920
<v Speaker 1>fire leaps from their net. Wow. That that is electrifying. Man,

0:17:04.040 --> 0:17:07.280
<v Speaker 1>I've got goose bumps. Yeah. Like I say, I think

0:17:07.280 --> 0:17:10.720
<v Speaker 1>I'm gonna pick up a copy for this Halloween season. Um,

0:17:10.760 --> 0:17:13.359
<v Speaker 1>but there was there was another line when I was

0:17:13.359 --> 0:17:17.480
<v Speaker 1>looking at the preview of that actual text, Fordsham wrote, quotely,

0:17:17.680 --> 0:17:22.080
<v Speaker 1>he was temperamentally unable to write a conventional social poem,

0:17:22.400 --> 0:17:26.760
<v Speaker 1>and consequently he is very rarely dull. Uh So, apparently

0:17:26.760 --> 0:17:29.199
<v Speaker 1>to to be like a professional man of words, to

0:17:29.240 --> 0:17:31.159
<v Speaker 1>be like, you know, a writer of the day, you

0:17:31.200 --> 0:17:33.160
<v Speaker 1>had to engage in a lot of sort of boring,

0:17:33.600 --> 0:17:36.960
<v Speaker 1>sort of courtly writing. Uh. The example that he gave

0:17:37.160 --> 0:17:40.119
<v Speaker 1>was it was apparently common to sort of to to

0:17:40.200 --> 0:17:42.720
<v Speaker 1>write to patrons and compliment them on, say, the birth

0:17:42.800 --> 0:17:45.960
<v Speaker 1>of a child. And there's an example of this short

0:17:46.000 --> 0:17:49.080
<v Speaker 1>poetic poetic piece that he wrote to such a patron,

0:17:49.600 --> 0:17:52.119
<v Speaker 1>and he makes it sound like Fortshune compares it to

0:17:52.400 --> 0:17:57.080
<v Speaker 1>uh the child from the omen um about just how

0:17:57.080 --> 0:17:59.240
<v Speaker 1>he describes this child as like being able to like

0:17:59.320 --> 0:18:02.600
<v Speaker 1>see through people to their to their soul, or something

0:18:02.600 --> 0:18:05.760
<v Speaker 1>to that effect. It's pretty interesting. So I like the

0:18:05.800 --> 0:18:09.400
<v Speaker 1>idea of this, uh, this Bard of the Long Nails,

0:18:09.480 --> 0:18:12.119
<v Speaker 1>who when he tries to fit in and be like

0:18:12.160 --> 0:18:14.120
<v Speaker 1>just a boring poet, he can't quite do it. He's

0:18:14.160 --> 0:18:17.040
<v Speaker 1>just a little too weird. But I should drive home

0:18:17.040 --> 0:18:21.080
<v Speaker 1>that I don't think the Long nails were the were

0:18:21.119 --> 0:18:23.240
<v Speaker 1>the weird thing about him. No, it was that he

0:18:23.240 --> 0:18:25.840
<v Speaker 1>would write you a note saying, congratulations on the birth

0:18:25.840 --> 0:18:27.960
<v Speaker 1>of your child who will one day flay my soul

0:18:28.000 --> 0:18:32.479
<v Speaker 1>in the underworld. Yeah, that sort of thing. Um. So, anyway,

0:18:32.560 --> 0:18:35.000
<v Speaker 1>I encourage everyone to check out both of those authors.

0:18:35.000 --> 0:18:37.800
<v Speaker 1>But but anyway, back back to nails in general. Long

0:18:37.880 --> 0:18:41.160
<v Speaker 1>nails have have apparently sometimes been seen as a luxury

0:18:41.200 --> 0:18:43.600
<v Speaker 1>for those of upper classes in various cultures who don't

0:18:43.640 --> 0:18:46.840
<v Speaker 1>have to truly labor with their hands. And I've had

0:18:46.880 --> 0:18:49.680
<v Speaker 1>a couple of studies at least that backed this up,

0:18:49.760 --> 0:18:52.919
<v Speaker 1>such as excessively long fingernails as a risk factor for

0:18:53.040 --> 0:18:56.520
<v Speaker 1>upper extremity soft tissue injury published in two thousand eight

0:18:56.520 --> 0:18:59.679
<v Speaker 1>in the Journal of Occupational and Environmental Medicine, and another

0:18:59.720 --> 0:19:03.159
<v Speaker 1>pay or Effects of fingernail linked on finger and hand performance,

0:19:03.160 --> 0:19:06.360
<v Speaker 1>published in the Journal hand Therapy back in two thousand

0:19:06.680 --> 0:19:10.400
<v Speaker 1>and This the second paper here recommends keeping fingernails shortened

0:19:10.400 --> 0:19:14.320
<v Speaker 1>to at least point five centimeters to quote achieve optimal

0:19:14.359 --> 0:19:19.520
<v Speaker 1>functional outcomes. Well, I guess, to be fair, I laughed

0:19:19.520 --> 0:19:23.119
<v Speaker 1>because I was imagining optimal functional outcomes of hands just

0:19:23.359 --> 0:19:25.880
<v Speaker 1>in regular life. But I guess this is talking about therapy,

0:19:25.920 --> 0:19:28.800
<v Speaker 1>so that phrasing makes sense. Yes, yes, this this paper

0:19:28.840 --> 0:19:31.920
<v Speaker 1>does seem to be narrowing its focus somewhat. Uh. And

0:19:32.040 --> 0:19:34.080
<v Speaker 1>I think it's also worth noting that, you know, I

0:19:34.400 --> 0:19:37.080
<v Speaker 1>have for my own part, I've encountered people with with

0:19:37.240 --> 0:19:40.159
<v Speaker 1>very long, you know, well maintained nails, uh, you know,

0:19:40.200 --> 0:19:43.480
<v Speaker 1>sometimes very fancy looking nails. This seemed quite capable of

0:19:43.520 --> 0:19:47.400
<v Speaker 1>manipulating their environment and say, an office setting. Uh. Though

0:19:47.440 --> 0:19:49.760
<v Speaker 1>perhaps that's not that different from the sort of physical

0:19:49.880 --> 0:19:54.159
<v Speaker 1>demands of of of of a scholar in um, you know,

0:19:54.240 --> 0:19:57.119
<v Speaker 1>in in in in China, of old Uh. You know,

0:19:57.200 --> 0:20:00.159
<v Speaker 1>you're you're still not having to like actually physically in

0:20:00.200 --> 0:20:02.959
<v Speaker 1>the earth or something to that effect. So so I'm

0:20:03.000 --> 0:20:04.720
<v Speaker 1>not sure i'd be interesting to hear from anyone out

0:20:04.720 --> 0:20:08.080
<v Speaker 1>there who does, who has had long nails in the

0:20:08.119 --> 0:20:11.400
<v Speaker 1>past or keeps them maintains long nails today, Like are

0:20:11.440 --> 0:20:13.720
<v Speaker 1>there things that you find that they get in the

0:20:13.720 --> 0:20:16.920
<v Speaker 1>way of or are they just generally not in the way?

0:20:16.960 --> 0:20:20.240
<v Speaker 1>Do you sort of adapt I mean, obviously, you know,

0:20:20.320 --> 0:20:22.960
<v Speaker 1>we we we can adapt our body schema to a

0:20:22.960 --> 0:20:26.879
<v Speaker 1>accommodate for any number of of extra things. It seems

0:20:26.960 --> 0:20:29.119
<v Speaker 1>like just longer nails. I mean, that's even more a

0:20:29.160 --> 0:20:32.320
<v Speaker 1>part of our body than any tool or costume that

0:20:32.400 --> 0:20:34.680
<v Speaker 1>we might acquire. All Right, it's time to take a

0:20:34.760 --> 0:20:36.360
<v Speaker 1>quick break. But when we come back, we can talk

0:20:36.400 --> 0:20:42.919
<v Speaker 1>about a demon warship made out of nails than all right,

0:20:42.960 --> 0:20:44.919
<v Speaker 1>we're back, and I'm excited for this, Joe, because you

0:20:44.960 --> 0:20:48.840
<v Speaker 1>were you were about to embark on a journey and

0:20:48.920 --> 0:20:52.440
<v Speaker 1>you're you're going to uh tell us about what maybe

0:20:52.480 --> 0:20:57.080
<v Speaker 1>the the magical fingernail story par excellence. I mean, there

0:20:57.080 --> 0:20:59.560
<v Speaker 1>are a lot of great magical figure nail stories that

0:20:59.560 --> 0:21:01.439
<v Speaker 1>that I'm to get into, but this might be the

0:21:01.480 --> 0:21:05.159
<v Speaker 1>most most thoroughly mythological one, the one that's like the

0:21:05.200 --> 0:21:08.560
<v Speaker 1>most the most like a device in a story where

0:21:08.560 --> 0:21:10.800
<v Speaker 1>the nails are sort of the mcguffin. Though there's also

0:21:10.880 --> 0:21:13.400
<v Speaker 1>a very good Persian one that we'll get into. But anyway,

0:21:13.480 --> 0:21:15.880
<v Speaker 1>so I want to go to the prose Edda. This

0:21:15.960 --> 0:21:17.719
<v Speaker 1>is a work that tells us a lot of what

0:21:17.760 --> 0:21:22.000
<v Speaker 1>we know about ancient Norse mythology that was written or

0:21:22.119 --> 0:21:25.919
<v Speaker 1>edited by the medieval Icelandic author Snorri Sturlason. In the

0:21:25.960 --> 0:21:29.240
<v Speaker 1>prose Edda, there are these collected literary works that tell

0:21:29.840 --> 0:21:32.919
<v Speaker 1>many of the stories of Norse mythology, including the story

0:21:33.040 --> 0:21:37.760
<v Speaker 1>of Ragnarok, the final confrontation, the destruction of the gods

0:21:38.080 --> 0:21:41.639
<v Speaker 1>at the end of that era and there but early on,

0:21:41.720 --> 0:21:44.200
<v Speaker 1>there's a passage in the prose edit that's just talking

0:21:44.240 --> 0:21:47.840
<v Speaker 1>about ships, just mentioning what kinds of mythological ships there are,

0:21:48.600 --> 0:21:51.919
<v Speaker 1>And it mentions one ship in passing, calling it the

0:21:52.000 --> 0:21:54.320
<v Speaker 1>Nagle Far. And it only says a couple of things

0:21:54.359 --> 0:21:56.600
<v Speaker 1>about the Nagle Far. It says that it is in

0:21:56.880 --> 0:22:00.320
<v Speaker 1>mu spell. Mu Spell is a realm of fire, home

0:22:00.359 --> 0:22:03.000
<v Speaker 1>of the fire giants who you don't want to mess with.

0:22:03.600 --> 0:22:08.760
<v Speaker 1>And the passage also mentions that Nagle Far is the largest,

0:22:08.920 --> 0:22:12.199
<v Speaker 1>meaning the largest of all ships. So what is this

0:22:12.320 --> 0:22:15.439
<v Speaker 1>Nagle Far the largest of all ships? Well, later the

0:22:15.480 --> 0:22:19.400
<v Speaker 1>author here tells us that the Nagle Far will appear

0:22:19.640 --> 0:22:23.040
<v Speaker 1>over the horizon during the calamity of Ragnarok, when the

0:22:23.080 --> 0:22:26.399
<v Speaker 1>gods will be destroyed. And the author also tells us

0:22:26.440 --> 0:22:29.000
<v Speaker 1>something about its construction. And here I'm going to quote

0:22:29.000 --> 0:22:33.440
<v Speaker 1>directly from the work quote the stars shall be hurled

0:22:33.520 --> 0:22:36.320
<v Speaker 1>from heaven. Then it shall come to pass that the

0:22:36.320 --> 0:22:39.880
<v Speaker 1>earth and the mountains will shake so violently that trees

0:22:39.960 --> 0:22:42.680
<v Speaker 1>will be torn up by the roots, and the mountains

0:22:42.720 --> 0:22:46.159
<v Speaker 1>will topple down, and all bonds and fetters will be

0:22:46.200 --> 0:22:50.560
<v Speaker 1>broken and snapped. The fin ris wolf gets loose, the

0:22:50.640 --> 0:22:53.960
<v Speaker 1>sea rushes over the earth for the mid guard serpent

0:22:54.080 --> 0:22:57.560
<v Speaker 1>writhes in giant rage and seeks to gain the land.

0:22:58.280 --> 0:23:01.720
<v Speaker 1>The ship that is called nagle Are also becomes loose.

0:23:02.160 --> 0:23:06.000
<v Speaker 1>It is made of the nails of dead men. Wherefore

0:23:06.040 --> 0:23:08.919
<v Speaker 1>it is worth warning that when a man dies with

0:23:09.160 --> 0:23:13.399
<v Speaker 1>unpaired nails, he supplies a large amount of materials for

0:23:13.440 --> 0:23:16.520
<v Speaker 1>the building of this ship, which both gods and men

0:23:16.720 --> 0:23:20.600
<v Speaker 1>wish maybe finished as late as possible. But in this

0:23:20.680 --> 0:23:25.760
<v Speaker 1>flood Naggle far gets afloat. The giant crime is its steersman,

0:23:26.080 --> 0:23:29.120
<v Speaker 1>or there might be him h r y M. But okay, yeah,

0:23:29.160 --> 0:23:31.480
<v Speaker 1>so it's got it's got giants on it. It's got

0:23:31.480 --> 0:23:34.119
<v Speaker 1>the giant crime or h rim as it's steersman, and

0:23:34.200 --> 0:23:38.160
<v Speaker 1>it's made out of the fingernails and toenails of dead

0:23:38.200 --> 0:23:41.919
<v Speaker 1>men who did not care appropriately for their nails at

0:23:41.960 --> 0:23:46.040
<v Speaker 1>the time of death. That is that is gnarly um.

0:23:46.400 --> 0:23:49.720
<v Speaker 1>I by the way, I I'm not surprised at all

0:23:49.760 --> 0:23:53.560
<v Speaker 1>to learn as well that there is a a longstanding

0:23:53.600 --> 0:23:57.200
<v Speaker 1>Swedish black metal band that has naggle far as It's

0:23:57.560 --> 0:24:01.400
<v Speaker 1>as its name. They've been active since then the early

0:24:01.480 --> 0:24:04.800
<v Speaker 1>nineties apparently. Oh wow, I've never heard of him, but

0:24:04.920 --> 0:24:07.240
<v Speaker 1>of course yeah, I mean, in anything, this gnarly is

0:24:07.240 --> 0:24:09.840
<v Speaker 1>going to end up as a metal band name. But

0:24:09.920 --> 0:24:12.440
<v Speaker 1>I should also mention that in telling the same story

0:24:12.520 --> 0:24:14.760
<v Speaker 1>the story of Ragnarok, you know, sort of the destruction

0:24:14.760 --> 0:24:16.479
<v Speaker 1>of the gods at the end of at the end

0:24:16.480 --> 0:24:18.399
<v Speaker 1>of time, or maybe not of time, at least at

0:24:18.400 --> 0:24:20.400
<v Speaker 1>the end of the era the age of the gods

0:24:21.000 --> 0:24:24.400
<v Speaker 1>um it is. The same scene is described in the Voluspa,

0:24:24.480 --> 0:24:27.040
<v Speaker 1>which is an old Norse poem describing a lot of

0:24:27.119 --> 0:24:30.399
<v Speaker 1>mythological events that we've mentioned on the show pretty recently. Actually,

0:24:31.160 --> 0:24:33.640
<v Speaker 1>I think, wait, which episode did it come up in?

0:24:34.240 --> 0:24:36.880
<v Speaker 1>I cannot recall the context at the moment, but there's

0:24:36.880 --> 0:24:40.399
<v Speaker 1>also a quatrain in the Voluspa that mentions it. It says,

0:24:40.520 --> 0:24:44.119
<v Speaker 1>from the east comes crime with shield held high in

0:24:44.240 --> 0:24:48.800
<v Speaker 1>giant wrath, does the serpent writhe or the waves he twists,

0:24:49.080 --> 0:24:54.439
<v Speaker 1>and the tawny eagle naws corpses screaming. Naggle Far is loose.

0:24:55.080 --> 0:24:57.760
<v Speaker 1>I love, I love the idea that it's you know,

0:24:57.840 --> 0:25:00.240
<v Speaker 1>this is just me reading into it, perhaps, but it

0:25:00.240 --> 0:25:02.240
<v Speaker 1>it feels like it's not. It's not just the bones

0:25:03.000 --> 0:25:04.679
<v Speaker 1>that are making it's not bones that are making up

0:25:04.680 --> 0:25:06.840
<v Speaker 1>the ship. It is the toenails and the fingernails that

0:25:06.920 --> 0:25:12.399
<v Speaker 1>seem more like the detritus of of the the dead body.

0:25:12.520 --> 0:25:14.680
<v Speaker 1>You know. It seems like this is like a ship

0:25:14.720 --> 0:25:17.840
<v Speaker 1>that has been collecting and assembling, like at the bottom

0:25:17.880 --> 0:25:21.240
<v Speaker 1>of the universe, throughout all of human conflict, you know,

0:25:21.320 --> 0:25:23.439
<v Speaker 1>And so that that's why it is only it is

0:25:23.440 --> 0:25:26.879
<v Speaker 1>only completely finished towards the very end of human existence.

0:25:27.280 --> 0:25:29.160
<v Speaker 1>So there's a paper I want to talk about, Robert,

0:25:29.200 --> 0:25:32.400
<v Speaker 1>if you're ready, called the Treatment of Hair and Fingernails

0:25:32.440 --> 0:25:35.919
<v Speaker 1>among the Indo Europeans. Oh, yes, I am ready for

0:25:35.960 --> 0:25:38.960
<v Speaker 1>this because I've I've read about certainly nothing on the

0:25:38.960 --> 0:25:41.760
<v Speaker 1>ship level, the ship building level, but I've I've read

0:25:41.800 --> 0:25:44.680
<v Speaker 1>about some of these of these folk beliefs before. Yeah.

0:25:45.000 --> 0:25:47.720
<v Speaker 1>So this is a paper by Bruce Lincoln, who is

0:25:47.760 --> 0:25:50.600
<v Speaker 1>a scholar of religious studies at the University of Chicago.

0:25:50.920 --> 0:25:53.720
<v Speaker 1>It was published in nineteen seventy seven, and that's worth noting.

0:25:53.760 --> 0:25:56.560
<v Speaker 1>This is an older paper. I'm citing it because it's

0:25:56.600 --> 0:25:58.879
<v Speaker 1>still really interesting, but I just want to flag that

0:25:58.920 --> 0:26:02.160
<v Speaker 1>it's older, because it's possible that in the intervening years

0:26:02.200 --> 0:26:05.159
<v Speaker 1>some of Lincoln's factual assumptions might have been superseded by

0:26:05.240 --> 0:26:08.719
<v Speaker 1>more recent anthropological or historical research. But I think the

0:26:08.760 --> 0:26:12.520
<v Speaker 1>general thrust of the question he poses remains and uh,

0:26:12.720 --> 0:26:15.480
<v Speaker 1>and some of the hypotheses he discusses in this article

0:26:15.920 --> 0:26:19.920
<v Speaker 1>remain extremely interesting. Okay, so he starts like this quote.

0:26:20.440 --> 0:26:22.919
<v Speaker 1>One of the important lessons that has learned from the

0:26:22.960 --> 0:26:26.120
<v Speaker 1>study of history of religions is that there is no

0:26:26.240 --> 0:26:29.439
<v Speaker 1>act so small or insignificant that it cannot take on

0:26:29.560 --> 0:26:33.560
<v Speaker 1>symbolic importance. In certain cultures, it is not always an

0:26:33.560 --> 0:26:37.919
<v Speaker 1>easy task to recognize such symbolically invested action, although the

0:26:37.960 --> 0:26:42.000
<v Speaker 1>existence of elaborate rules for behavior in a given situation

0:26:42.119 --> 0:26:45.959
<v Speaker 1>may serve as a valuable clue. And if the identification

0:26:46.000 --> 0:26:49.359
<v Speaker 1>of such action is sometimes difficult, the interpretation of a

0:26:49.400 --> 0:26:53.720
<v Speaker 1>given motion, gesture, or ritual is even more delicate. And

0:26:53.800 --> 0:26:55.840
<v Speaker 1>the example that he gives that he's going to talk

0:26:55.840 --> 0:27:00.399
<v Speaker 1>about in this paper is the extremely careful, meticulous rules

0:27:00.520 --> 0:27:03.840
<v Speaker 1>governing the treatment of clippings from the hair and nails

0:27:03.920 --> 0:27:07.879
<v Speaker 1>in many cultures and religions throughout the world, especially in

0:27:07.960 --> 0:27:11.560
<v Speaker 1>many cultures that are descended from in some way the

0:27:11.600 --> 0:27:15.000
<v Speaker 1>ancient speakers of Proto Indo European, which I'll get into

0:27:15.040 --> 0:27:17.959
<v Speaker 1>more later. So I'm going to start by just listing

0:27:17.960 --> 0:27:21.280
<v Speaker 1>a number of examples that Lincoln brings up, and then

0:27:21.840 --> 0:27:24.600
<v Speaker 1>we can go back and talk about possible explanations for

0:27:24.680 --> 0:27:28.720
<v Speaker 1>where these beliefs and religious practices come from. So the

0:27:28.760 --> 0:27:32.919
<v Speaker 1>first one mentioned by Lincoln concerns the hair specifically, and

0:27:33.119 --> 0:27:36.639
<v Speaker 1>is it's the right of the child's first haircut or

0:27:36.720 --> 0:27:41.640
<v Speaker 1>first tonture, practiced historically by some people of India, and

0:27:41.720 --> 0:27:46.000
<v Speaker 1>it's described in the Sankayana Gria Sutra, and the Gria

0:27:46.119 --> 0:27:49.320
<v Speaker 1>Sutras are a number of manuals describing the steps of

0:27:49.400 --> 0:27:53.320
<v Speaker 1>various domestic religious ceremonies. So I think specifically the kind

0:27:53.320 --> 0:27:56.560
<v Speaker 1>of religious ceremonies that you you might perform around the house.

0:27:57.840 --> 0:28:00.639
<v Speaker 1>So this is performed for different children at front ages,

0:28:00.680 --> 0:28:04.000
<v Speaker 1>I think also traditionally depending on cast. But the process

0:28:04.040 --> 0:28:07.920
<v Speaker 1>goes like this in Lincoln's summary quote, the child's hair

0:28:08.040 --> 0:28:12.000
<v Speaker 1>is untangled and anointed and a young cusa shoot is

0:28:12.040 --> 0:28:15.680
<v Speaker 1>placed in it, Kusa being the sacred grass of ceremonial.

0:28:16.359 --> 0:28:19.000
<v Speaker 1>His hair is then shaved with a copper razor and

0:28:19.080 --> 0:28:22.000
<v Speaker 1>placed on a mound of bull dung mixed with kusa

0:28:22.119 --> 0:28:26.240
<v Speaker 1>grass that has been prepared to receive the hair. Finally,

0:28:26.480 --> 0:28:30.080
<v Speaker 1>and here he quotes directly from translation of the Sankayana

0:28:30.160 --> 0:28:34.359
<v Speaker 1>Gria Sutra quote to the northeast, in a place covered

0:28:34.359 --> 0:28:37.639
<v Speaker 1>with herbs, or in the neighborhood of water, they bury

0:28:37.760 --> 0:28:40.920
<v Speaker 1>the hairs in the earth. So that's interesting to begin with.

0:28:40.960 --> 0:28:43.680
<v Speaker 1>You you have this ritual of at a certain age,

0:28:43.720 --> 0:28:46.600
<v Speaker 1>the child's hair is shaved or cut, and then it

0:28:46.720 --> 0:28:50.040
<v Speaker 1>is in a kind of symbolic ritual way planted within

0:28:50.240 --> 0:28:53.560
<v Speaker 1>dung or within the earth. And there's this association with

0:28:53.760 --> 0:28:58.480
<v Speaker 1>vegetation or herbs. Interesting. Now, this may have absolutely no

0:28:58.520 --> 0:29:01.960
<v Speaker 1>connection with it. But uh, a while back, I guess,

0:29:02.680 --> 0:29:05.680
<v Speaker 1>oh man, probably more than probably about a year ago. Uh,

0:29:05.720 --> 0:29:07.280
<v Speaker 1>my son and I had our hair cut at our

0:29:07.280 --> 0:29:10.920
<v Speaker 1>house on our our front porch. And afterwards, um uh,

0:29:10.960 --> 0:29:14.280
<v Speaker 1>the individual cut our hair encouraged us to take the

0:29:14.480 --> 0:29:17.000
<v Speaker 1>clippings and put at least some of them in our

0:29:17.040 --> 0:29:21.040
<v Speaker 1>garden um in order to help deter creatures from eating

0:29:21.160 --> 0:29:25.000
<v Speaker 1>our vegetables. I wonder if that actually works. I don't know,

0:29:25.080 --> 0:29:28.720
<v Speaker 1>but I've I mean, I've heard also similar advice concerning

0:29:28.720 --> 0:29:31.200
<v Speaker 1>a little like hair from your pet, like to to

0:29:31.280 --> 0:29:33.160
<v Speaker 1>keep the road inside of your garden, to put some

0:29:33.200 --> 0:29:35.840
<v Speaker 1>hair from your cat for for for instance, in there,

0:29:36.120 --> 0:29:39.120
<v Speaker 1>which which I mean it sounds like it could work.

0:29:39.160 --> 0:29:41.280
<v Speaker 1>I don't know that I've I've seen any thing to

0:29:41.320 --> 0:29:45.040
<v Speaker 1>actually back that up, except I haven't noticed any any

0:29:45.120 --> 0:29:47.840
<v Speaker 1>mice or rats out there. But then again, um, just

0:29:47.880 --> 0:29:50.240
<v Speaker 1>because you don't notice them doesn't mean they're not there.

0:29:50.800 --> 0:29:53.479
<v Speaker 1>That's interesting. We'll definitely keep that in mind as we

0:29:53.520 --> 0:29:55.600
<v Speaker 1>go through a few more of these examples. So the

0:29:55.640 --> 0:29:59.560
<v Speaker 1>next one that Lincoln sites comes from ancient Roman religion. Uh.

0:29:59.560 --> 0:30:03.000
<v Speaker 1>And this is the example of the flamand Alice, or

0:30:03.040 --> 0:30:05.600
<v Speaker 1>the high priest of Jupiter, the chief god of the

0:30:05.720 --> 0:30:10.960
<v Speaker 1>Roman pantheon, and the flamand Alice had numerous ceremonial requirements

0:30:10.960 --> 0:30:14.440
<v Speaker 1>and restrictions guiding his daily activities. There were rules about

0:30:14.440 --> 0:30:16.640
<v Speaker 1>where he had to sleep, there were rules about what

0:30:16.680 --> 0:30:19.200
<v Speaker 1>he was supposed to wear, about what kinds of things

0:30:19.240 --> 0:30:22.960
<v Speaker 1>he could touch or couldn't touch. And one of these restrictions,

0:30:23.560 --> 0:30:27.360
<v Speaker 1>as reported by the second century Roman author Aulus Gellius,

0:30:27.360 --> 0:30:31.040
<v Speaker 1>in a text called Attic Nights, goes like this, and

0:30:31.160 --> 0:30:35.360
<v Speaker 1>this is with some abridgments. Quote the ceremonies placed upon

0:30:35.400 --> 0:30:39.360
<v Speaker 1>the flamand allies are many, and the forbearances are numerous.

0:30:40.040 --> 0:30:42.479
<v Speaker 1>No one should cut the hair of the de Aalie

0:30:42.560 --> 0:30:45.840
<v Speaker 1>except a free man. The cuttings of the nails and

0:30:45.960 --> 0:30:48.640
<v Speaker 1>hair of the deals are buried in the earth under

0:30:48.680 --> 0:30:52.760
<v Speaker 1>a fruitful tree. There were almost the same ceremonies for

0:30:52.880 --> 0:30:55.600
<v Speaker 1>the Flamenica de Alice, and I think that's the wife

0:30:55.640 --> 0:30:58.680
<v Speaker 1>of the high priest of Jupiter. And they say that

0:30:58.760 --> 0:31:01.680
<v Speaker 1>other different ones are to be observed, for instance, that

0:31:01.760 --> 0:31:04.680
<v Speaker 1>she is covered with a dyed gown, and that in

0:31:04.760 --> 0:31:07.760
<v Speaker 1>her veil she has the shoot of a fruitful tree.

0:31:09.000 --> 0:31:12.120
<v Speaker 1>And there are other similar practices elsewhere in ancient Roman religion.

0:31:12.200 --> 0:31:15.040
<v Speaker 1>For example, in the Natural History, Plenty of the Elder

0:31:15.080 --> 0:31:19.080
<v Speaker 1>recounts how the vestal virgins are expected to observe special

0:31:19.120 --> 0:31:22.400
<v Speaker 1>ceremonies in the disposal of the trimmings from their hair.

0:31:23.000 --> 0:31:26.640
<v Speaker 1>Plenty rights quote, truly, there is a lotus tree in Rome,

0:31:26.920 --> 0:31:30.040
<v Speaker 1>in the area of Lucina. Now this tree is about

0:31:30.040 --> 0:31:33.400
<v Speaker 1>five hundred years old or older. Its age is uncertain,

0:31:33.680 --> 0:31:37.200
<v Speaker 1>and it is called the hairy one because the hair

0:31:37.280 --> 0:31:40.320
<v Speaker 1>of the vestal virgins is brought to it. So note

0:31:40.360 --> 0:31:43.480
<v Speaker 1>again the kind of rough similarities with the Indian practice here,

0:31:43.720 --> 0:31:48.080
<v Speaker 1>the association with vegetation, especially well, hair is a is

0:31:48.120 --> 0:31:51.240
<v Speaker 1>a thing that grows out of us, not unlike a plant,

0:31:51.320 --> 0:31:54.360
<v Speaker 1>right or some sort of vine. And then I guess

0:31:54.400 --> 0:31:55.720
<v Speaker 1>a lot of this tube just has to do with

0:31:55.760 --> 0:31:59.480
<v Speaker 1>the fact that hair and fingernails and toenails as well

0:31:59.640 --> 0:32:04.440
<v Speaker 1>are the things that are paradoxically a part of us

0:32:04.520 --> 0:32:06.320
<v Speaker 1>and yet not a part of us. And then when

0:32:06.320 --> 0:32:09.080
<v Speaker 1>we trim them away or cut them away, they are

0:32:09.120 --> 0:32:11.520
<v Speaker 1>no longer part of our bodies that they came from

0:32:11.520 --> 0:32:14.480
<v Speaker 1>our bodies. And therefore you could you could see where

0:32:14.480 --> 0:32:17.480
<v Speaker 1>you could easily lean into this idea that's something appropriate

0:32:17.560 --> 0:32:20.840
<v Speaker 1>must be done with these parts of ourselves. Yeah, and

0:32:21.040 --> 0:32:22.920
<v Speaker 1>we'll get into more about that in the in the

0:32:22.960 --> 0:32:25.400
<v Speaker 1>part where we talk about the possible explanations for these

0:32:25.600 --> 0:32:27.960
<v Speaker 1>but I want to talk about the next example Lincoln sites,

0:32:28.040 --> 0:32:32.239
<v Speaker 1>which is German folkloric practices. He writes that there are

0:32:32.240 --> 0:32:36.000
<v Speaker 1>a number of archaic rituals among German people speaking Germanic

0:32:36.080 --> 0:32:39.640
<v Speaker 1>languages for dealing with the disposal of clippings from the

0:32:39.680 --> 0:32:44.000
<v Speaker 1>hair and nails quote. Thus, in Oldenburg hair and nails

0:32:44.040 --> 0:32:46.680
<v Speaker 1>are wrapped in a cloth and fastened under a tree

0:32:46.920 --> 0:32:51.480
<v Speaker 1>three days before the new moon to cure infertility. Similarly,

0:32:51.600 --> 0:32:56.479
<v Speaker 1>in Brandenburg, Dooseldorf, Swabia and elsewhere, hair and nails are

0:32:56.560 --> 0:32:59.640
<v Speaker 1>placed in a hole board in a tree or our

0:32:59.680 --> 0:33:02.440
<v Speaker 1>place to on a branch. This is often done when

0:33:02.440 --> 0:33:05.400
<v Speaker 1>one suffers from some sort of pain, and the pain

0:33:05.600 --> 0:33:09.320
<v Speaker 1>is said to go with these moving to anyone who

0:33:09.320 --> 0:33:12.280
<v Speaker 1>comes close to them. Now, there are some differences here

0:33:12.280 --> 0:33:14.880
<v Speaker 1>from the other examples we already talked about, because, you know,

0:33:14.920 --> 0:33:18.760
<v Speaker 1>Lincoln points out it's important to note that these practices

0:33:18.800 --> 0:33:22.360
<v Speaker 1>he just mentioned are targeted towards specific magical outcomes like

0:33:22.400 --> 0:33:25.480
<v Speaker 1>the curing of infertility or the healing of pain, rather

0:33:25.560 --> 0:33:28.520
<v Speaker 1>than a sort of free floating ritual without a specific

0:33:28.600 --> 0:33:32.480
<v Speaker 1>outcome object. But he notes again the similarity in the

0:33:32.480 --> 0:33:36.120
<v Speaker 1>association between hair and nails with plant life. Again, hair

0:33:36.160 --> 0:33:40.520
<v Speaker 1>and nails, and then trees and grass and branches. And

0:33:40.560 --> 0:33:43.000
<v Speaker 1>then finally one more example, and this one is probably

0:33:43.040 --> 0:33:47.600
<v Speaker 1>my favorite one, He draws attention to what is described

0:33:47.640 --> 0:33:50.880
<v Speaker 1>in an ancient text in the Avestan language, which is

0:33:50.920 --> 0:33:55.040
<v Speaker 1>associated with the ancient Iranian culture and is a foundational

0:33:55.120 --> 0:33:59.800
<v Speaker 1>religious text of Zoroastrianism. So this text is known as

0:34:00.040 --> 0:34:04.520
<v Speaker 1>the Vindidad or the vidv Dot. And in this writing

0:34:04.800 --> 0:34:08.440
<v Speaker 1>the character of Zoroaster also known as Zarathustra, and I

0:34:08.440 --> 0:34:14.000
<v Speaker 1>think Zarathustra is probably the earlier pronunciation. Zarathustra is speaking

0:34:14.080 --> 0:34:19.520
<v Speaker 1>to the wise Lord Ahura Mazda. And Zarathustra asks the

0:34:19.600 --> 0:34:23.560
<v Speaker 1>wise Lord why it is that the demon named Ayosha,

0:34:23.719 --> 0:34:28.280
<v Speaker 1>whose name literally means burning or destruction, Why Aosha harms

0:34:28.320 --> 0:34:34.920
<v Speaker 1>and punishes humans? And Ahura Mazda explains as follows, quote truly,

0:34:35.040 --> 0:34:39.319
<v Speaker 1>that righteous Zarathustra, when one arranges and cuts his hair

0:34:39.480 --> 0:34:42.320
<v Speaker 1>and clips his nails and then lets them fall into

0:34:42.360 --> 0:34:47.080
<v Speaker 1>holes in the earth or into furrows, for by these improprieties,

0:34:47.560 --> 0:34:52.600
<v Speaker 1>demons come forth, and from these improprieties monsters come forth

0:34:52.680 --> 0:34:57.080
<v Speaker 1>from the earth, which mortals call lice, and which devour

0:34:57.239 --> 0:35:01.479
<v Speaker 1>the grain in the fields and the clothes and the closets. Now,

0:35:01.560 --> 0:35:04.200
<v Speaker 1>when you must arrange and cut your hair and clip

0:35:04.239 --> 0:35:08.120
<v Speaker 1>your nails in the world Zarathustra. Hereafter you should bear

0:35:08.160 --> 0:35:13.080
<v Speaker 1>it ten steps from righteous men, twenty steps from fire,

0:35:13.120 --> 0:35:17.879
<v Speaker 1>thirty steps from water, and fifty steps from the barisman,

0:35:18.160 --> 0:35:21.480
<v Speaker 1>which is a bundle of sacred twigs. When it is

0:35:21.560 --> 0:35:24.840
<v Speaker 1>laid out. Then you should dig a pit here, a

0:35:25.000 --> 0:35:28.640
<v Speaker 1>disty deep in hard soil, and a vitasti deep in

0:35:28.719 --> 0:35:32.400
<v Speaker 1>soft soil. To that pit. You should bear the cuttings.

0:35:33.080 --> 0:35:38.000
<v Speaker 1>Then you should pronounce these words victorious Zarathustra. Now for me,

0:35:38.239 --> 0:35:42.160
<v Speaker 1>may Mazda make the plants grow by means of asha,

0:35:42.360 --> 0:35:46.239
<v Speaker 1>and Asha means right. Uh. You should plow three or

0:35:46.320 --> 0:35:51.600
<v Speaker 1>six or nine furrows for Zassura vira, meaning good dominion,

0:35:52.200 --> 0:35:55.799
<v Speaker 1>and you should recite the Ajuna Vira prayer three or

0:35:55.920 --> 0:35:59.319
<v Speaker 1>six or nine times. So here you're in in this

0:35:59.400 --> 0:36:02.040
<v Speaker 1>ancient z or asterie and text. You're getting this elaborate

0:36:02.160 --> 0:36:05.600
<v Speaker 1>ritual described for what you should do with the trimmings

0:36:05.640 --> 0:36:08.520
<v Speaker 1>from your hair and nails, and that there are actual,

0:36:08.880 --> 0:36:13.960
<v Speaker 1>like real demonic consequences if you do not follow these rituals. Uh.

0:36:14.000 --> 0:36:16.719
<v Speaker 1>And Lincoln points out several things he finds really interesting

0:36:16.719 --> 0:36:21.000
<v Speaker 1>about the explanation from the Wise Lord to Zarathustra. So,

0:36:21.120 --> 0:36:24.080
<v Speaker 1>first of all, there's the need to carry these clippings

0:36:24.120 --> 0:36:28.360
<v Speaker 1>from hair and nails away from sources of purification. Remember

0:36:28.400 --> 0:36:30.080
<v Speaker 1>the mentions, if you've got to carry him this far

0:36:30.120 --> 0:36:33.920
<v Speaker 1>away from righteous men, this far away from fire, from water,

0:36:34.320 --> 0:36:37.120
<v Speaker 1>and from the sacred bundle of twigs, because these are

0:36:37.120 --> 0:36:40.799
<v Speaker 1>all potentially sources of religious purity, and it seems like

0:36:40.840 --> 0:36:44.640
<v Speaker 1>there's a desire to avoid cross contamination of all that

0:36:44.760 --> 0:36:48.279
<v Speaker 1>purifying matter with impure matter that you've just trimmed off

0:36:48.320 --> 0:36:51.839
<v Speaker 1>of your body. But then there's also Lincoln points out

0:36:51.880 --> 0:36:55.600
<v Speaker 1>the use of troughs to demarcate a sacred space, and

0:36:55.640 --> 0:37:00.200
<v Speaker 1>then also the spontaneous production of monsters from the air

0:37:00.239 --> 0:37:03.640
<v Speaker 1>and nail trimmings that are disposed of incorrectly. And if

0:37:03.680 --> 0:37:06.240
<v Speaker 1>that sounds familiar based on stuff we were just talking about,

0:37:06.560 --> 0:37:09.480
<v Speaker 1>isn't that kind of similar to the supposed origin of

0:37:09.480 --> 0:37:13.080
<v Speaker 1>the noggle far the nail ship. So in the Ragnarok myth,

0:37:13.120 --> 0:37:16.440
<v Speaker 1>again from Norse religion, this ship is built out of

0:37:16.520 --> 0:37:19.600
<v Speaker 1>the nails of dead men as a result of their

0:37:19.680 --> 0:37:23.360
<v Speaker 1>nails not being trimmed and disposed of properly according to

0:37:23.400 --> 0:37:26.000
<v Speaker 1>the correct rituals. So if you do the wrong thing

0:37:26.040 --> 0:37:29.719
<v Speaker 1>with your nails, you make an accidental donation to the

0:37:29.840 --> 0:37:33.320
<v Speaker 1>construction of the demons galleon. Oh wow, So this is

0:37:33.600 --> 0:37:35.480
<v Speaker 1>this is fascinating cause that on one hand, you can

0:37:35.520 --> 0:37:37.440
<v Speaker 1>compare a lot of this with just kind of a

0:37:37.480 --> 0:37:42.239
<v Speaker 1>basic understanding that this is bio waste, and there's there

0:37:42.320 --> 0:37:45.600
<v Speaker 1>there's an appropriate and an inappropriate way to dispose of

0:37:45.640 --> 0:37:47.560
<v Speaker 1>bio waste. But then of course we have this this

0:37:47.600 --> 0:37:51.280
<v Speaker 1>whole magical domain as well of monsters and monstrous ships

0:37:51.400 --> 0:37:54.879
<v Speaker 1>rising up from sort of the accretion of these materials. Yeah,

0:37:54.920 --> 0:37:58.160
<v Speaker 1>and it's it's interesting. Lincoln doesn't really get into this

0:37:58.200 --> 0:38:00.839
<v Speaker 1>at all, but it's interesting to wonder about what role

0:38:01.600 --> 0:38:05.680
<v Speaker 1>um I don't know, like practical biological facts could play

0:38:05.760 --> 0:38:09.080
<v Speaker 1>into the origins of these practices. I don't know if

0:38:09.160 --> 0:38:12.560
<v Speaker 1>there is, for example, any kind of real disease risk

0:38:12.880 --> 0:38:16.440
<v Speaker 1>that you would get from from encountering the trimmings of

0:38:16.480 --> 0:38:19.239
<v Speaker 1>hair and nails from other people. Perhaps there's some, but

0:38:19.280 --> 0:38:21.440
<v Speaker 1>it seems like there would be less of that than

0:38:21.480 --> 0:38:24.520
<v Speaker 1>there would be from say, contact with blood or feces,

0:38:24.840 --> 0:38:26.919
<v Speaker 1>though I'm not sure. I mean, it's interesting that there's

0:38:26.960 --> 0:38:29.280
<v Speaker 1>a mention of lice and and one of the things

0:38:29.280 --> 0:38:32.200
<v Speaker 1>talking about being disposed of. Here is hair. Yeah, I mean,

0:38:32.560 --> 0:38:34.600
<v Speaker 1>you know, we might think, well, the hair is the

0:38:34.600 --> 0:38:37.840
<v Speaker 1>place where the lice live. Therefore, you know, less inclined

0:38:37.880 --> 0:38:40.720
<v Speaker 1>to pick up odd pieces of hair that we find

0:38:41.080 --> 0:38:44.040
<v Speaker 1>just out on the road. I mean, certainly, I think

0:38:44.040 --> 0:38:46.080
<v Speaker 1>we can all attest to, you know, being on a

0:38:46.120 --> 0:38:49.360
<v Speaker 1>walk or something, or and encountering a piece of someone's

0:38:49.400 --> 0:38:52.520
<v Speaker 1>hair or you know, hair clippings, or perhaps even a

0:38:52.560 --> 0:38:57.360
<v Speaker 1>fingernail or a toenail, and um, your first instinct is

0:38:57.400 --> 0:39:00.200
<v Speaker 1>not to pick that material up and look closer up

0:39:00.239 --> 0:39:03.640
<v Speaker 1>put it in your mouth. Yeah, yeah, that doesn't seem

0:39:03.680 --> 0:39:06.000
<v Speaker 1>like a natural thing to do. All right, On that note,

0:39:06.040 --> 0:39:07.880
<v Speaker 1>we're going to take a quick break, but we'll be

0:39:07.960 --> 0:39:14.000
<v Speaker 1>right back. Alright, we're back. But we've been talking about

0:39:14.000 --> 0:39:16.799
<v Speaker 1>all these examples from all of you know, different parts

0:39:16.840 --> 0:39:20.800
<v Speaker 1>of the world of religious or magical significance that is

0:39:20.840 --> 0:39:23.919
<v Speaker 1>granted to trimmings from the hair and nails. And this

0:39:24.040 --> 0:39:27.400
<v Speaker 1>list is far from exhaustive. There are tons of examples

0:39:27.440 --> 0:39:30.439
<v Speaker 1>in practices all all over the place. But I think

0:39:30.480 --> 0:39:32.520
<v Speaker 1>just the examples we've talked about do help paint a

0:39:32.520 --> 0:39:35.600
<v Speaker 1>picture of the wide range of myths, beliefs, and practices

0:39:35.920 --> 0:39:39.279
<v Speaker 1>about hair and nails and the many similarities between them.

0:39:39.320 --> 0:39:42.640
<v Speaker 1>But the question is why why do so many different

0:39:42.640 --> 0:39:46.840
<v Speaker 1>cultures place this important ritual or religious significance on the

0:39:46.920 --> 0:39:51.960
<v Speaker 1>correct procedures for trimming and disposing of hair and nails. Now,

0:39:52.040 --> 0:39:55.560
<v Speaker 1>Lincoln in his paper goes over several possible answers to

0:39:55.600 --> 0:39:57.920
<v Speaker 1>this question that had been advanced by the time he

0:39:57.960 --> 0:39:59.840
<v Speaker 1>was writing in the seventies. And I would say the

0:40:00.360 --> 0:40:03.560
<v Speaker 1>list of possible explanations is also not going to be exhaustive,

0:40:03.600 --> 0:40:07.239
<v Speaker 1>but just to discuss a few possibilities. One is a

0:40:07.360 --> 0:40:10.600
<v Speaker 1>very influential theory that's best known for its articulation by

0:40:10.640 --> 0:40:14.480
<v Speaker 1>the late nineteenth and early twentieth century Scottish anthropologist J. G.

0:40:14.719 --> 0:40:18.160
<v Speaker 1>Fraser in the Golden Bow. The Golden Bow has come

0:40:18.200 --> 0:40:21.080
<v Speaker 1>up on the show before. Uh. Fraser, of course is

0:40:21.719 --> 0:40:25.920
<v Speaker 1>very uh, you know, enormously influential, but also heavily criticized.

0:40:25.960 --> 0:40:28.120
<v Speaker 1>We can talk about that in a minute, um. But

0:40:28.440 --> 0:40:32.600
<v Speaker 1>Fraser argues that many of these practices have their roots

0:40:32.680 --> 0:40:35.680
<v Speaker 1>in a widespread ancient belief in what he would have

0:40:35.719 --> 0:40:40.680
<v Speaker 1>called the contagious branch of sympathetic magic. So the basic

0:40:40.760 --> 0:40:44.480
<v Speaker 1>idea here is that if something was once touching your body,

0:40:44.640 --> 0:40:48.760
<v Speaker 1>or especially if it was part of your body, that matter,

0:40:48.920 --> 0:40:53.400
<v Speaker 1>that object maintains a magical connection to your body even

0:40:53.440 --> 0:40:57.160
<v Speaker 1>after being physically separated from it, and thus it could

0:40:57.160 --> 0:41:00.360
<v Speaker 1>be used by a witch or a sorcerer to work

0:41:00.520 --> 0:41:04.239
<v Speaker 1>curses on you or magically control you in some way.

0:41:04.280 --> 0:41:07.120
<v Speaker 1>So if Jimmy the sorcerer gets hold of your hair

0:41:07.400 --> 0:41:10.720
<v Speaker 1>or nail trimmings, you are in for a very bad time.

0:41:11.120 --> 0:41:13.319
<v Speaker 1>And so in order to protect yourself from this kind

0:41:13.360 --> 0:41:16.279
<v Speaker 1>of sympathetic magic, you either had to destroy your hair

0:41:16.320 --> 0:41:19.719
<v Speaker 1>and nail trimmings or hide them very well, or maybe

0:41:19.800 --> 0:41:22.839
<v Speaker 1>also perform some kind of purging ritual to rid this

0:41:22.960 --> 0:41:26.600
<v Speaker 1>matter of its contagious magical power. And I think it's

0:41:26.640 --> 0:41:30.640
<v Speaker 1>interesting we still see evidence of this kind of magical

0:41:30.680 --> 0:41:33.480
<v Speaker 1>thinking even today. I mean, there there is magical thinking

0:41:33.480 --> 0:41:36.640
<v Speaker 1>that persists into the modern modern era whereby you can

0:41:37.280 --> 0:41:41.680
<v Speaker 1>have some kind of power over a person by by

0:41:41.719 --> 0:41:45.120
<v Speaker 1>possessing a personal artifact of there's or an object that

0:41:45.160 --> 0:41:47.400
<v Speaker 1>touched their body. You know, think about like doing magic

0:41:47.480 --> 0:41:51.399
<v Speaker 1>on someone by by possessing their hair brush. Right, There's

0:41:51.400 --> 0:41:55.279
<v Speaker 1>also interesting stuff about just how we think about the

0:41:55.280 --> 0:42:00.480
<v Speaker 1>contamination of of objects. Uh, there's a there's a there's

0:42:00.520 --> 0:42:04.040
<v Speaker 1>this study back in the nineteen nineties by social psychologist

0:42:04.280 --> 0:42:08.239
<v Speaker 1>Paul Rosen and um. This was actually recently mentioned on

0:42:08.320 --> 0:42:12.520
<v Speaker 1>an episode of the excellent radio show Hidden Brain. Uh.

0:42:12.560 --> 0:42:15.440
<v Speaker 1>They pointed out that they asked in this particular study,

0:42:15.480 --> 0:42:18.840
<v Speaker 1>they asked people if they would consider wearing hitler sweater

0:42:19.800 --> 0:42:23.319
<v Speaker 1>and uh, and they almost always said no. Uh. And

0:42:23.440 --> 0:42:25.640
<v Speaker 1>they said no even if they've been assured that it

0:42:25.640 --> 0:42:28.440
<v Speaker 1>had been washed, then it had that it had been torn,

0:42:28.600 --> 0:42:31.200
<v Speaker 1>you know, that it had been punished for being Hitler's sweater,

0:42:31.680 --> 0:42:35.280
<v Speaker 1>or that it had been symbolically cleansed by being worn

0:42:35.400 --> 0:42:39.440
<v Speaker 1>by say, mother Teresa before being passed on. And it

0:42:39.560 --> 0:42:41.920
<v Speaker 1>was the you know, this, this idea that that this,

0:42:41.920 --> 0:42:45.920
<v Speaker 1>this object, this sweater is is contaminated in a way

0:42:45.960 --> 0:42:50.680
<v Speaker 1>that cannot be uh punished away, cannot be cleansed away.

0:42:51.000 --> 0:42:55.000
<v Speaker 1>It just remains the impure in a completely irrational manner.

0:42:55.360 --> 0:42:57.640
<v Speaker 1>That is really funny. I mean, I can just say

0:42:57.680 --> 0:43:01.759
<v Speaker 1>for myself, like I I rationally do not believe in

0:43:01.800 --> 0:43:05.120
<v Speaker 1>any kind of sympathetic, contagious magic. So I don't think

0:43:05.160 --> 0:43:08.480
<v Speaker 1>like Hitler's evil would be contained in the physical sweater

0:43:08.520 --> 0:43:10.680
<v Speaker 1>in any way but still I wouldn't want to put

0:43:10.680 --> 0:43:14.840
<v Speaker 1>it on. Well, I have a lot of nitpicky questions

0:43:14.840 --> 0:43:17.440
<v Speaker 1>about that that scenario, like is it a good sweater?

0:43:17.800 --> 0:43:20.919
<v Speaker 1>Like is there anything notable notable about the sweater other

0:43:21.000 --> 0:43:23.360
<v Speaker 1>than it was Hitler's sweater? Because obviously I'm not going

0:43:23.440 --> 0:43:26.200
<v Speaker 1>to just wear a sweater because Hitler wore it? But

0:43:26.440 --> 0:43:28.560
<v Speaker 1>what ither I like? Was it a store and there

0:43:28.600 --> 0:43:30.319
<v Speaker 1>was like vintage stuff and there was like this really

0:43:30.400 --> 0:43:32.880
<v Speaker 1>nice sweater and I'm like, oh, this is nice. And

0:43:32.880 --> 0:43:35.520
<v Speaker 1>then I asked why is it so cheap? And they

0:43:35.520 --> 0:43:39.000
<v Speaker 1>tell me, oh, because this was Hitler's sweater. Then okay,

0:43:39.000 --> 0:43:41.759
<v Speaker 1>that might be different because I have some pre existing

0:43:41.840 --> 0:43:44.359
<v Speaker 1>interest in it. There's something about that sweater that's really neat.

0:43:45.080 --> 0:43:48.320
<v Speaker 1>I don't necessarily get that from this this limited scenario.

0:43:48.840 --> 0:43:50.520
<v Speaker 1>Uh you know, it's it's kind of implied that the

0:43:50.680 --> 0:43:53.560
<v Speaker 1>notable thing about the sweater is that it was Hitler's. Well,

0:43:53.600 --> 0:43:56.440
<v Speaker 1>you know, I actually can think of a reason I

0:43:56.480 --> 0:43:59.240
<v Speaker 1>wouldn't want to wear that sweater or own it, even

0:43:59.280 --> 0:44:02.240
<v Speaker 1>if even though I don't believe in any magical associations,

0:44:02.440 --> 0:44:04.479
<v Speaker 1>which is that I mean, I guess if you were

0:44:04.520 --> 0:44:06.719
<v Speaker 1>to wear a sweater that you knew had been warned

0:44:06.760 --> 0:44:10.040
<v Speaker 1>by Hitler, you'd probably end up thinking about Hitler all

0:44:10.120 --> 0:44:12.560
<v Speaker 1>the time. And you know, it's like, every time you

0:44:12.560 --> 0:44:14.520
<v Speaker 1>put it on, you have to be like, oh, yeah, Hitler,

0:44:14.760 --> 0:44:18.000
<v Speaker 1>and you just don't want Hitler in your brain that much. Yeah.

0:44:18.200 --> 0:44:20.319
<v Speaker 1>I mean, to a certain extent, one encounters this with

0:44:20.400 --> 0:44:24.320
<v Speaker 1>the you know, the struggle to separate say an artist

0:44:24.360 --> 0:44:26.880
<v Speaker 1>from the art. Uh. That can sort of be the

0:44:26.920 --> 0:44:30.560
<v Speaker 1>Hitler's sweater scenario in some cases, where you're like, Okay,

0:44:30.560 --> 0:44:32.759
<v Speaker 1>there's nothing wrong with the sweater, but I can't wear

0:44:32.760 --> 0:44:34.680
<v Speaker 1>it without thinking about Hitler. So I just don't think

0:44:34.719 --> 0:44:37.640
<v Speaker 1>I'm gonna wear this anymore. So it's worth noting that

0:44:37.800 --> 0:44:41.120
<v Speaker 1>Fraser's work on the origins of religions, again as I

0:44:41.120 --> 0:44:44.839
<v Speaker 1>said earlier, was both enormously influential and has come under

0:44:44.880 --> 0:44:47.440
<v Speaker 1>a lot of criticism. I you know, I'm not deep

0:44:47.520 --> 0:44:50.560
<v Speaker 1>on this, but I think one common criticism is that

0:44:50.640 --> 0:44:53.960
<v Speaker 1>Fraser would sometimes I think, kind of fudge or cherry

0:44:54.000 --> 0:44:57.640
<v Speaker 1>pick the ethnographic evidence he cited in order to make

0:44:57.719 --> 0:45:01.200
<v Speaker 1>things fit more cleanly into his broader theories. And you know,

0:45:01.320 --> 0:45:04.320
<v Speaker 1>this is something I think that a lot of writers

0:45:04.320 --> 0:45:07.440
<v Speaker 1>who have grand theories about human culture and society end

0:45:07.480 --> 0:45:10.719
<v Speaker 1>up being guilty of uh So, while the Golden Bow

0:45:10.880 --> 0:45:13.560
<v Speaker 1>remains a fascinating read, I would advocate that you shouldn't

0:45:13.600 --> 0:45:16.680
<v Speaker 1>rely on Fraser alone is your soul source for anything.

0:45:17.239 --> 0:45:20.640
<v Speaker 1>And in Lincoln's analysis of Fraser's thoughts on on the

0:45:20.680 --> 0:45:24.000
<v Speaker 1>origins of these uh these rituals for dealing with hair

0:45:24.080 --> 0:45:28.560
<v Speaker 1>and nails in in sympathetic contagious magic, Lincoln thinks that, well,

0:45:28.600 --> 0:45:31.920
<v Speaker 1>probably a lot of practices do have some kind of

0:45:32.000 --> 0:45:35.480
<v Speaker 1>roots like that, but he's not convinced that contagious sympathetic

0:45:35.480 --> 0:45:38.560
<v Speaker 1>magic lies at the root of all of these practices,

0:45:38.600 --> 0:45:42.239
<v Speaker 1>and certainly not the practices in the cultures that that

0:45:42.360 --> 0:45:45.840
<v Speaker 1>have some origins in the speakers of Proto Indo European,

0:45:45.920 --> 0:45:48.000
<v Speaker 1>because he has a different theory about that that we

0:45:48.000 --> 0:45:50.800
<v Speaker 1>can get into in just a minute. Lincoln also mentions

0:45:50.880 --> 0:45:53.840
<v Speaker 1>the work of an anthropologist named Mary Douglas, who is

0:45:53.880 --> 0:45:58.080
<v Speaker 1>a very influential twentieth century anthropologist. She proposed that uh

0:45:58.880 --> 0:46:02.840
<v Speaker 1>that within human religious thinking quote that the body is

0:46:02.880 --> 0:46:06.160
<v Speaker 1>a powerful model or image which can which can represent

0:46:06.280 --> 0:46:11.360
<v Speaker 1>any bounded system, and which most often represents society itself.

0:46:11.719 --> 0:46:15.680
<v Speaker 1>The limits of the body then represent the limits of society,

0:46:16.040 --> 0:46:19.520
<v Speaker 1>the points at which it encounters opposition and danger, and

0:46:19.640 --> 0:46:23.320
<v Speaker 1>must thus be treated with appropriate care. So she's arguing

0:46:23.360 --> 0:46:27.680
<v Speaker 1>basically that we symbolically make an an equivalence between our

0:46:27.760 --> 0:46:31.520
<v Speaker 1>bodies and the society at large, and that margins in

0:46:31.560 --> 0:46:35.680
<v Speaker 1>general are dangerous and ambiguous places, and thus the things

0:46:35.719 --> 0:46:38.839
<v Speaker 1>that come off of our body represent ambiguity at the

0:46:38.880 --> 0:46:42.759
<v Speaker 1>margins in the larger context of symbolic thinking about the society.

0:46:43.200 --> 0:46:46.560
<v Speaker 1>So you have to carefully regulate this marginal body matter.

0:46:47.120 --> 0:46:50.160
<v Speaker 1>And uh Lincoln in this paper, he he similarly thinks

0:46:50.239 --> 0:46:53.240
<v Speaker 1>this idea is interesting, that it might explain some things,

0:46:53.280 --> 0:46:57.040
<v Speaker 1>but he's got a different theory that is based in

0:46:57.280 --> 0:47:01.640
<v Speaker 1>the Proto Indo European creation myth. So, the Proto Indo

0:47:01.680 --> 0:47:06.480
<v Speaker 1>Europeans are a hypothesized prehistoric culture that we know about

0:47:06.480 --> 0:47:11.000
<v Speaker 1>primarily through reconstruction of their language, which is a direct

0:47:11.080 --> 0:47:15.719
<v Speaker 1>ancestor to a huge number of historical and existing languages

0:47:16.120 --> 0:47:20.160
<v Speaker 1>throughout Asia and Europe. Just for example, English has a

0:47:20.239 --> 0:47:23.760
<v Speaker 1>number of roots in different languages, including but not limited

0:47:23.760 --> 0:47:28.440
<v Speaker 1>to Germanic languages and Romance languages, but both Germanic and

0:47:28.600 --> 0:47:33.240
<v Speaker 1>Romance languages themselves have roots in Proto Indo European language,

0:47:33.560 --> 0:47:36.279
<v Speaker 1>so you know, there was a root language that influenced

0:47:36.280 --> 0:47:39.640
<v Speaker 1>these derivative languages that developed in you know, different ways,

0:47:40.000 --> 0:47:42.520
<v Speaker 1>and then those derivative languages came back and in a

0:47:42.520 --> 0:47:46.720
<v Speaker 1>way combined to influence other languages like English. The Proto

0:47:46.760 --> 0:47:50.880
<v Speaker 1>Indo European people left no written records, but linguists have

0:47:51.040 --> 0:47:54.040
<v Speaker 1>been able to reconstruct a lot of their language by

0:47:54.200 --> 0:48:00.000
<v Speaker 1>tracing back similar word roots in a widespread catalog of languages. Uh. Similarly,

0:48:00.080 --> 0:48:03.439
<v Speaker 1>scholars have tried to reconstruct other things about them. We

0:48:03.560 --> 0:48:06.000
<v Speaker 1>don't know a lot of things for sure, but they

0:48:06.080 --> 0:48:11.839
<v Speaker 1>probably lived somewhere around southern Russia, Ukraine, and Kazakhstan, sort

0:48:11.880 --> 0:48:14.200
<v Speaker 1>of between and to the north of the Black Sea

0:48:14.239 --> 0:48:17.480
<v Speaker 1>and the Caspian Sea, probably a few thousand years b c.

0:48:18.640 --> 0:48:21.560
<v Speaker 1>We don't have any direct records of their religious beliefs,

0:48:21.600 --> 0:48:25.720
<v Speaker 1>their myths, and their practices, but scholars, including Bruce Lincoln,

0:48:25.760 --> 0:48:31.399
<v Speaker 1>have used clues from other descendent religions to try as

0:48:31.440 --> 0:48:36.399
<v Speaker 1>best as possible to reconstruct elements such as their creation myth,

0:48:36.960 --> 0:48:42.319
<v Speaker 1>and Lincoln explains his hypothetical reconstruction of this creation myth

0:48:42.440 --> 0:48:46.680
<v Speaker 1>as follows, quote, this myth, as I have established elsewhere,

0:48:46.960 --> 0:48:49.799
<v Speaker 1>told how the world and all the creatures in it

0:48:49.880 --> 0:48:53.920
<v Speaker 1>were established by the first act of sacrifice, in the

0:48:54.000 --> 0:49:00.080
<v Speaker 1>primordial offering, the first priest Manu meaning man, dismembered the

0:49:00.080 --> 0:49:05.320
<v Speaker 1>first king Yemo meaning twin, and from his body built

0:49:05.440 --> 0:49:09.400
<v Speaker 1>up the material world. Now, certain steps in the process

0:49:09.440 --> 0:49:13.359
<v Speaker 1>of creation were described in this myth, steps whereby the

0:49:13.400 --> 0:49:18.319
<v Speaker 1>body of the primordial victim became the world. Thus his

0:49:18.440 --> 0:49:22.439
<v Speaker 1>skull became the heavens, his eyes the sun and moon,

0:49:23.040 --> 0:49:26.560
<v Speaker 1>his blood the seas, and what is most important for

0:49:26.600 --> 0:49:30.520
<v Speaker 1>the issue at hand, his hair became the plants and trees,

0:49:32.400 --> 0:49:34.960
<v Speaker 1>and so Lincoln quotes. He goes on to quote a

0:49:34.960 --> 0:49:39.000
<v Speaker 1>bunch of related ancient religious texts that serve as evidence

0:49:39.080 --> 0:49:42.839
<v Speaker 1>for his reconstruction of the myth in this way. Um,

0:49:42.920 --> 0:49:45.320
<v Speaker 1>And of course we don't know that this is actually

0:49:45.320 --> 0:49:47.680
<v Speaker 1>what their creation myth was like, but it seems like

0:49:47.719 --> 0:49:51.680
<v Speaker 1>a reasonable approximation of what their creation myth might have

0:49:51.760 --> 0:49:53.360
<v Speaker 1>been like, given what we know from a lot of

0:49:53.360 --> 0:49:56.520
<v Speaker 1>other religions that seem related to it. And this is,

0:49:56.600 --> 0:49:59.600
<v Speaker 1>of course, I mean, you can immediately think of other

0:50:00.000 --> 0:50:03.759
<v Speaker 1>samples of creation myths in which the parts of the

0:50:03.760 --> 0:50:07.120
<v Speaker 1>world are made out of the body of a slain

0:50:07.320 --> 0:50:10.719
<v Speaker 1>primordial foe. Think about the ways that in say the

0:50:10.800 --> 0:50:13.960
<v Speaker 1>Enema a leash, that the body of tiamat the dragon,

0:50:14.080 --> 0:50:17.359
<v Speaker 1>you know, the sea monster gets turned into the you know,

0:50:17.440 --> 0:50:19.520
<v Speaker 1>the mountains and the sky and the seas and all

0:50:19.520 --> 0:50:21.759
<v Speaker 1>that kind of stuff. Yeah. Yeah, this is something you

0:50:21.760 --> 0:50:23.759
<v Speaker 1>do see in a number of different mythologies like that,

0:50:24.560 --> 0:50:26.879
<v Speaker 1>if nothing else you could even summarize just to say

0:50:26.880 --> 0:50:31.120
<v Speaker 1>that the body, the primordial body of being such as

0:50:31.160 --> 0:50:33.520
<v Speaker 1>this are important in the way that they are then

0:50:34.000 --> 0:50:37.680
<v Speaker 1>taken apart and then redistributed in those parts become important

0:50:37.760 --> 0:50:41.520
<v Speaker 1>aspects of the world that follows right. And so Lincoln

0:50:41.560 --> 0:50:44.920
<v Speaker 1>says that, you know, if his reconstruction of the Proto

0:50:44.960 --> 0:50:48.640
<v Speaker 1>Indo European creation myth is is basically correct or is

0:50:48.680 --> 0:50:51.719
<v Speaker 1>on the right track, that a lot of religious practices

0:50:52.120 --> 0:50:55.440
<v Speaker 1>of round disposal of hair and nails in cultures that

0:50:55.560 --> 0:50:59.160
<v Speaker 1>are in part descended from the Proto Indo Europeans could

0:50:59.200 --> 0:51:04.040
<v Speaker 1>be rooted in a recapitulation of this creation myth. And

0:51:04.040 --> 0:51:06.080
<v Speaker 1>this draws on a strain of thinking that I think

0:51:06.239 --> 0:51:09.520
<v Speaker 1>in some way is associated with the Eliade. For example,

0:51:09.880 --> 0:51:13.040
<v Speaker 1>that a lot of religious rituals are in a way

0:51:13.080 --> 0:51:17.439
<v Speaker 1>supposed to be a re enactment of a foundational myth.

0:51:18.000 --> 0:51:20.560
<v Speaker 1>Yeah yeah, the idea that that that that everything we

0:51:20.600 --> 0:51:25.359
<v Speaker 1>do is only important in the archaic sense if we

0:51:25.440 --> 0:51:30.279
<v Speaker 1>are recreating something from our founding myths. Right, So that's

0:51:30.320 --> 0:51:34.719
<v Speaker 1>ultimately Lincoln's theory here what what he thinks best explains

0:51:34.840 --> 0:51:38.000
<v Speaker 1>the widespread nature of these these practices about the disposal

0:51:38.000 --> 0:51:40.760
<v Speaker 1>of hair and nails. That he thinks, when you dispose

0:51:40.840 --> 0:51:43.880
<v Speaker 1>of hair and nail clippings in the correct way, you

0:51:44.000 --> 0:51:48.880
<v Speaker 1>are furthering the life of the world's vegetation in keeping

0:51:48.920 --> 0:51:53.640
<v Speaker 1>with the creation story. The sacrifice here is your own body,

0:51:53.680 --> 0:51:57.200
<v Speaker 1>and the sacrifice of hair. Originally, he thinks hair and

0:51:57.200 --> 0:52:01.120
<v Speaker 1>the nails were sort of added onto the hair. Sacrifice

0:52:01.160 --> 0:52:04.319
<v Speaker 1>feeds the trees and the grasses the same way that

0:52:04.400 --> 0:52:10.200
<v Speaker 1>this primordially slain foe originally created all that vegetation. And uh.

0:52:10.239 --> 0:52:12.319
<v Speaker 1>And then Lincoln says, the other half of the coin

0:52:12.480 --> 0:52:16.320
<v Speaker 1>is quote. When such care is not taken, when disposal

0:52:16.480 --> 0:52:19.320
<v Speaker 1>is not a ritual and does not repeat the acts

0:52:19.360 --> 0:52:22.160
<v Speaker 1>of a mythic model, the reverse can be the effect.

0:52:22.640 --> 0:52:26.600
<v Speaker 1>For if proper disposal serves to create the cosmos, then

0:52:26.640 --> 0:52:30.880
<v Speaker 1>improper disposal can de create it, or to put it negatively,

0:52:31.200 --> 0:52:35.520
<v Speaker 1>conserved to create chaos out of cosmos. And think of

0:52:35.560 --> 0:52:38.920
<v Speaker 1>the examples again we discussed here the destruction of crops

0:52:39.000 --> 0:52:41.920
<v Speaker 1>by vice demons from the Avestan text, you know, the

0:52:41.960 --> 0:52:45.600
<v Speaker 1>ancient Zoroastrian text, or the creation of the noggle far

0:52:46.040 --> 0:52:49.520
<v Speaker 1>the ship that brings monsters to deliver the violent into

0:52:49.560 --> 0:52:52.480
<v Speaker 1>the world, and the destruction of the gods that's made

0:52:52.560 --> 0:52:56.000
<v Speaker 1>out of the nails of dead men improperly cared for.

0:52:56.800 --> 0:52:59.560
<v Speaker 1>So obviously, I mean, I would say in my final thoughts, obviously,

0:52:59.640 --> 0:53:02.960
<v Speaker 1>Lincoln idea here about the origins of these practices could

0:53:03.040 --> 0:53:06.160
<v Speaker 1>be wrong, but at the very least it provides some

0:53:06.320 --> 0:53:11.239
<v Speaker 1>really interesting scaffolding for understanding ways in which complex symbolic

0:53:11.320 --> 0:53:15.239
<v Speaker 1>religious thinking might enter into what we would consider an

0:53:15.239 --> 0:53:20.200
<v Speaker 1>extremely mundane grooming practice. How uh, it's it's possible that

0:53:20.360 --> 0:53:23.520
<v Speaker 1>just clipping your nails and cutting your hair too many

0:53:23.600 --> 0:53:27.680
<v Speaker 1>people might have cosmic significance because of the myths that

0:53:27.800 --> 0:53:31.400
<v Speaker 1>informed their worldview. Yeah, this is this is all very fascinating.

0:53:31.560 --> 0:53:34.400
<v Speaker 1>You know. It gets to the sort of the ambiguity

0:53:34.440 --> 0:53:37.440
<v Speaker 1>of what our nails and our as well as our hair, Like, well,

0:53:37.480 --> 0:53:40.719
<v Speaker 1>what what they really are? And and then yeah, what

0:53:40.760 --> 0:53:42.959
<v Speaker 1>are we supposed to do with them once we once

0:53:42.960 --> 0:53:44.920
<v Speaker 1>they leave our body? And then what sort of ideas

0:53:44.960 --> 0:53:47.760
<v Speaker 1>do we end up building up about uh those things

0:53:47.960 --> 0:53:50.959
<v Speaker 1>and our identity and our place in the cosmos? Yeah,

0:53:51.000 --> 0:53:55.040
<v Speaker 1>totally so maybe uh maybe if if you're somebody who

0:53:55.080 --> 0:53:57.800
<v Speaker 1>has a say a partner or roommate or family member

0:53:58.320 --> 0:54:00.839
<v Speaker 1>who gets mad when you just like clip your toe

0:54:00.880 --> 0:54:03.759
<v Speaker 1>nails in a willy lily fashion, they shoot all over

0:54:03.800 --> 0:54:05.920
<v Speaker 1>the room and you do not collect them in a

0:54:05.960 --> 0:54:09.279
<v Speaker 1>clean and tidy way for proper disposal, think about this

0:54:09.360 --> 0:54:13.319
<v Speaker 1>interpretation of the proto Indo European creation myth. What if

0:54:14.000 --> 0:54:18.000
<v Speaker 1>what if you are somehow creating chaos out of order

0:54:18.280 --> 0:54:21.160
<v Speaker 1>by doing so, and you are summoning demons up from

0:54:21.200 --> 0:54:25.000
<v Speaker 1>the earth. Yeah, yeah, indeed, I think they're there. There's

0:54:25.000 --> 0:54:27.840
<v Speaker 1>probably like a wide variety of different takes on this

0:54:27.960 --> 0:54:31.000
<v Speaker 1>as well. Like I think I've run across the examples

0:54:31.040 --> 0:54:34.440
<v Speaker 1>of a Chinese superstition um that at least exists in

0:54:34.480 --> 0:54:37.239
<v Speaker 1>some places where you are not supposed to trim your

0:54:37.239 --> 0:54:41.680
<v Speaker 1>toe nails at night while it's dark outside um or

0:54:41.760 --> 0:54:44.560
<v Speaker 1>not to trim them outside at night for my own part,

0:54:44.640 --> 0:54:47.480
<v Speaker 1>I mean, I prefer to to trim my my nails

0:54:47.560 --> 0:54:49.600
<v Speaker 1>outside if I can. I feel like they just simplifies

0:54:49.640 --> 0:54:52.400
<v Speaker 1>the whole scenario, you know, Um, you don't have to

0:54:52.400 --> 0:54:55.160
<v Speaker 1>worry about finding them if they go flying or anything

0:54:55.200 --> 0:54:58.160
<v Speaker 1>like that. Now, one thing that comes to my mind is,

0:54:58.360 --> 0:55:00.960
<v Speaker 1>you know, in terms of the the parts of our

0:55:01.000 --> 0:55:03.640
<v Speaker 1>bodies that we leave behind on regular basis, I mean,

0:55:03.719 --> 0:55:06.640
<v Speaker 1>humans have it fairly simple, you know. Well it's just

0:55:06.719 --> 0:55:10.200
<v Speaker 1>the most mostly just the nails and the hair, and

0:55:10.280 --> 0:55:12.000
<v Speaker 1>but and yet we still managed to build up all

0:55:12.000 --> 0:55:16.520
<v Speaker 1>these fabulous ideas to construct demonships of the mind. Um,

0:55:16.719 --> 0:55:19.400
<v Speaker 1>Imagine what it would be like if we if we

0:55:19.520 --> 0:55:24.520
<v Speaker 1>like molted um and left behind an exoskeleton that resembled ourselves,

0:55:24.880 --> 0:55:27.319
<v Speaker 1>you know, sort of like the cicada shell that is

0:55:27.400 --> 0:55:30.960
<v Speaker 1>left behind. Or imagine that we make something along the

0:55:31.000 --> 0:55:34.560
<v Speaker 1>lines of squid that leave behind us a pseudomorph, you know,

0:55:34.640 --> 0:55:38.040
<v Speaker 1>a cloud of of ink that is in the shape

0:55:38.040 --> 0:55:40.239
<v Speaker 1>of their body to fool predators, that sort of thing.

0:55:40.440 --> 0:55:43.960
<v Speaker 1>Imagine what sort of like strange ideas about self and

0:55:44.040 --> 0:55:49.200
<v Speaker 1>former self. Uh, such beings, intelligent beings might have. Yeah.

0:55:49.239 --> 0:55:52.880
<v Speaker 1>Can you imagine the religion and the religious practices of

0:55:53.280 --> 0:55:56.760
<v Speaker 1>intelligent arthropods that had to molten have a whole body

0:55:56.880 --> 0:56:00.239
<v Speaker 1>shell that was left behind? Oh? Man, that that would

0:56:00.239 --> 0:56:02.399
<v Speaker 1>be good. That's that's that's something good for your sci

0:56:02.440 --> 0:56:05.640
<v Speaker 1>fi novel there, Yeah, I mean what shape would it take?

0:56:05.680 --> 0:56:08.520
<v Speaker 1>Would it be? Would there be like a would you

0:56:08.560 --> 0:56:11.680
<v Speaker 1>have like special burial grounds where all of your your

0:56:11.760 --> 0:56:15.920
<v Speaker 1>various um uh, you know exoskeletons go once you've morphed

0:56:15.920 --> 0:56:19.880
<v Speaker 1>out of them. Um do do famous uh crab people

0:56:19.920 --> 0:56:23.520
<v Speaker 1>did do their exoskeleton moldings wind up in a museum somewhere?

0:56:24.200 --> 0:56:28.080
<v Speaker 1>I don't know. There's so many questions to ask. As always, Uh,

0:56:28.560 --> 0:56:31.200
<v Speaker 1>if you've run across any examples in science fiction or

0:56:31.239 --> 0:56:33.759
<v Speaker 1>fantasy to deal with these sort of issues, we'd love

0:56:33.800 --> 0:56:35.960
<v Speaker 1>to hear from you. We we always love your to

0:56:36.280 --> 0:56:40.520
<v Speaker 1>hear advice from listeners on old works of science fiction

0:56:40.560 --> 0:56:43.759
<v Speaker 1>and fantasy or new works as well. Um. Likewise, we

0:56:43.880 --> 0:56:47.359
<v Speaker 1>touched on a lot of different traditions and cultures in

0:56:47.440 --> 0:56:50.560
<v Speaker 1>this episode especially, so I would love to hear from

0:56:50.560 --> 0:56:53.960
<v Speaker 1>absolutely anybody who has insight on this. Uh, particularly with

0:56:53.960 --> 0:56:57.359
<v Speaker 1>with with long nails for example. Uh, do you keep

0:56:57.360 --> 0:57:00.680
<v Speaker 1>your nails long? Have you ever kept your nails long? Um?

0:57:00.719 --> 0:57:02.839
<v Speaker 1>You know, right in. I'd like to to know how

0:57:02.840 --> 0:57:06.000
<v Speaker 1>that has impacted your life or not impacted your life. Likewise,

0:57:06.480 --> 0:57:09.400
<v Speaker 1>if there's a particular tradition in your culture or your

0:57:09.480 --> 0:57:12.239
<v Speaker 1>culture of origin, I would like to hear about that

0:57:12.280 --> 0:57:15.200
<v Speaker 1>as well. And certainly, as Joe mentioned, if there are

0:57:15.200 --> 0:57:19.320
<v Speaker 1>any particular practices that you engage in, either culturally or

0:57:19.360 --> 0:57:21.520
<v Speaker 1>just sort of as a as a as a quirk

0:57:21.600 --> 0:57:24.880
<v Speaker 1>of your own individual nature regarding your your your nail

0:57:24.960 --> 0:57:27.760
<v Speaker 1>and hair trimmings. Uh, we would love to hear what

0:57:27.920 --> 0:57:30.840
<v Speaker 1>they are totally. In the meantime, if you would like

0:57:30.920 --> 0:57:33.520
<v Speaker 1>to listen to other episodes of Stuff to Blow your Mind,

0:57:33.640 --> 0:57:36.240
<v Speaker 1>you can find us wherever you find your podcasts and

0:57:36.240 --> 0:57:39.480
<v Speaker 1>wherever that happens to be. We just asked that you rate, review,

0:57:39.520 --> 0:57:42.880
<v Speaker 1>and subscribe. Huge thanks as always to our excellent audio

0:57:42.920 --> 0:57:45.920
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:57:45.960 --> 0:57:48.040
<v Speaker 1>in touch with us to answer any of the questions

0:57:48.160 --> 0:57:50.240
<v Speaker 1>Robert just listed, or if you'd like to suggest a

0:57:50.320 --> 0:57:52.600
<v Speaker 1>topic for the future. You've got any other feedback on

0:57:52.640 --> 0:57:56.360
<v Speaker 1>this episode, you can email us at contact that's Stuff

0:57:56.400 --> 0:58:06.200
<v Speaker 1>to Blow your Mind dot com Stuff to Blow Your

0:58:06.200 --> 0:58:09.120
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