WEBVTT - #56 44 Photos

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<v Speaker 1>Hello, Hello, Oh Hello, Do you know who this is? Yes, Stevie, Yeah,

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<v Speaker 1>you got me.

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<v Speaker 2>You have a pretty recognizable voice.

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<v Speaker 1>I have to say.

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<v Speaker 3>It has sort of like a pleasantly deep registered wow

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<v Speaker 3>in a nice way, but it makes your voice very distinct.

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<v Speaker 4>It's funny you should say this because, Yeah, one time,

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<v Speaker 4>when I was like in middle school, my friend called

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<v Speaker 4>my house and I picked up the phone and I

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<v Speaker 4>was like, hello, and she thought it was my dad.

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<v Speaker 4>She was like, hi, Rob, is Stevie home? And I

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<v Speaker 4>just pretended that, in fact, I was my father, and

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<v Speaker 4>I was just like, uh yeah, let me get her.

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<v Speaker 1>You didn't want to contradict your friend.

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<v Speaker 4>I think I was just so embarrassed that I could

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<v Speaker 4>possibly be mistaken for an old man.

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<v Speaker 5>Well maybe with respect to your dad, he maybe he

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<v Speaker 5>kind of sounds like little girl.

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<v Speaker 3>Hello, Stevie Lane, stads speaking.

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<v Speaker 4>I'm Stevie Lane, and this is Heavyweight Today's episode forty

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<v Speaker 4>four photos.

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<v Speaker 1>Right after the break.

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<v Speaker 4>There are places, according to Celtic folklore, where the boundary

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<v Speaker 4>between our physical world and the spiritual world is porous,

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<v Speaker 4>where Earth and the otherworldly are separated.

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<v Speaker 1>By no more than a few inches.

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<v Speaker 4>At these places, strange unexplainable things can happen. These places

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<v Speaker 4>are called thin places, and this is a story about

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<v Speaker 4>one of them. A few years ago, Jordan Kissner wrote

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<v Speaker 4>a book about thin places. She wanted to send it

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<v Speaker 4>to her friend Amy.

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<v Speaker 2>So it was April seventh, twenty twenty one, and I

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<v Speaker 2>went to the USPS that was a few blocks away

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<v Speaker 2>from my apartment at the time.

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<v Speaker 4>Jordan bought a brown padded envelope, put her book inside,

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<v Speaker 4>and handed it to the postal worker and that was that.

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<v Speaker 2>It was a really uneventful post office visit on a

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<v Speaker 2>pretty normal spring day in Vegas.

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<v Speaker 6>It was a sunny day in April, and I walked

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<v Speaker 6>to the mailbox. This is Jordan's friend Amy, which is

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<v Speaker 6>a really exciting part of my day. I really like mail.

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<v Speaker 6>And I opened the mailbox with the little key and

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<v Speaker 6>there's something like stuffed into my box.

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<v Speaker 4>Something Amy had been expecting the package Jordan sent her.

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<v Speaker 6>It says, you know, to Amy from Jordan and the

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<v Speaker 6>addresses Las Vegas.

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<v Speaker 4>Amy brought the package back to her house and eagerly

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<v Speaker 4>tore it open. But inside Amy did not find Jordan's book.

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<v Speaker 4>She didn't find a book at all. Instead, she found

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<v Speaker 4>a stack of.

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<v Speaker 6>Photographs, and that's where the mystery begins.

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<v Speaker 4>Amy didn't recognize anyone in the photos. There was one

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<v Speaker 4>of a girl wearing a blue T shirt with clouds

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<v Speaker 4>printed on it, another of three teenagers in caps and gowns.

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<v Speaker 4>The people were of all different ages and races. Some

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<v Speaker 4>of the photos were in black and white, some in color.

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<v Speaker 4>One was a polaroid. Amy counted forty four photos in all,

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<v Speaker 4>forty four photos of complete and total strangers, And yet

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<v Speaker 4>the package was labeled to Amy, her name written in

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<v Speaker 4>ballpoint pen Jordan's return address was scrawled in the upper

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<v Speaker 4>left hand corner. Struggling to come up with an explanation,

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<v Speaker 4>Amy wondered.

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<v Speaker 6>Maybe Jordan sent these by accident.

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<v Speaker 4>So Amy texted Jordan, telling her she received her package,

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<v Speaker 4>but rather than a book, found forty four photographs inside.

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<v Speaker 2>And I was completely confused.

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<v Speaker 1>I just couldn't.

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<v Speaker 2>I actually felt like I couldn't totally comprehend the message

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<v Speaker 2>she was sending me.

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<v Speaker 1>So Jordan texted Amy back.

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<v Speaker 6>Wait, Comma, what with two question marks?

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<v Speaker 5>Two?

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<v Speaker 3>Yeah? Two?

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<v Speaker 6>And then photos question mark.

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<v Speaker 4>Amy sent Jordan a picture of the package and all

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<v Speaker 4>forty four photographs spread out on her kitchen counter.

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<v Speaker 6>And she said, what in all caps? I have no

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<v Speaker 6>idea what those photos are. I don't even I know

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<v Speaker 6>those people, but that's my handwriting on the package.

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<v Speaker 4>It was hard to know what to make of the

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<v Speaker 4>whole thing. It's like Amy expected a book about thin

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<v Speaker 4>places but got an actual thin place experience instead. Amy

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<v Speaker 4>can't bring herself to just throw the photos away, so

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<v Speaker 4>for an entire year now she's kept them by her desk,

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<v Speaker 4>and for an entire year she's been studying them. There's

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<v Speaker 4>the one of a new baby sucking on someone's finger.

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<v Speaker 4>There's a little girl in glasses and a cheerleader's outfit,

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<v Speaker 4>holding her leg up and smiling confidently into the camera.

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<v Speaker 4>The more Amy looks at the photos, the more she

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<v Speaker 4>thinks about the family that's missing them. These people in

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<v Speaker 4>the photos are nobody's to Amy, but they are somebody's

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<v Speaker 4>to somebody.

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<v Speaker 6>Is there a way to find any of these people?

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<v Speaker 3>Like?

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<v Speaker 6>Who are they? Do they want their photographs back? Because

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<v Speaker 6>I would like the photographs to be returned to the family.

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<v Speaker 6>I feel like people should have their things.

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<v Speaker 4>A year ago, when Amy first received the package, she

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<v Speaker 4>and Jordan tried opening a case file on the mysterious

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<v Speaker 4>photos hoping the USPS could shed light on where they

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<v Speaker 4>came from, but nothing ever came of it.

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<v Speaker 2>The mail system, we feel like we understand it, but

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<v Speaker 2>then when you really think about it, it is this

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<v Speaker 2>complete mystery. It's like a void into which we send

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<v Speaker 2>stuff and from which that stuff emerges again. But then

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<v Speaker 2>when it doesn't emerge, you're like, wait a second, but

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<v Speaker 2>what is where is it going?

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<v Speaker 1>What is this system? What don't we know about it?

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<v Speaker 4>There's a lot that I don't know about it, but

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<v Speaker 4>Amy and Jordan want my help figuring out how Amy

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<v Speaker 4>ended up with the photographs and how to return to sender.

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<v Speaker 4>To get to the bottom of it, I'll have to

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<v Speaker 4>navigate a mysterious, little understood world that exists alongside our own,

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<v Speaker 4>a world separated only by an inches wide slot in

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<v Speaker 4>a metal box. And so I step over the boundary

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<v Speaker 4>into the world of the United States Postal Service.

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<v Speaker 1>I start with a.

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<v Speaker 4>Theory that Jordan, Amy and I discussed on the phone.

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<v Speaker 4>Jordan had sent Amy the book via media mail, a

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<v Speaker 4>discounted rate for sending things like books and CDs. From

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<v Speaker 4>what I read online, it sounds like the Post Office

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<v Speaker 4>searches media mail packages to prevent people from sending anything

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<v Speaker 4>they want on the cheap and in fact, Amy noticed

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<v Speaker 4>that the package had been taped up as though it

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<v Speaker 4>had been resealed en route. Maybe Jordan's package and the

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<v Speaker 4>package with the photos were both searched and then accidentally swapped.

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<v Speaker 4>To test this theory, I call the Postal Inspection Service.

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<v Speaker 4>It turns out out the post Office as a whole

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<v Speaker 4>department of inspectors.

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<v Speaker 1>Are you sort of like the James Bond of the

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<v Speaker 1>mail service?

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<v Speaker 5>Actually, it's funny you mentioned that my badge number was

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<v Speaker 5>double O seven.

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<v Speaker 4>No really, really, his name is me Halco, Dan Mihalko.

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<v Speaker 4>He's a US Postal inspector. And what does he inspect?

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<v Speaker 5>Postal crimes? Theft of mail, mail fraud, prohibited items in

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<v Speaker 5>the mail such as bombs, narcotics, anthrax, attacks, pornography.

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<v Speaker 1>I put my theory to Dan.

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<v Speaker 4>Might the Postal Inspection Service have opened and examined Jordan's package?

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<v Speaker 5>No, No, we don't do anything like that. The only

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<v Speaker 5>time would ever inspect mail is if we had a

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<v Speaker 5>search warrant so that we can't just open up mail. Huh,

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<v Speaker 5>nobody in a postal service has that.

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<v Speaker 4>Authority, Dan says, USPS investigators don't inspect packages without probable cause.

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<v Speaker 5>Here's what it sounds like may have happened.

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<v Speaker 4>So Dan guesses that somewhere along the way, Jordan's package

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<v Speaker 4>got damaged and the.

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<v Speaker 1>Book fell out.

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<v Speaker 4>Another package carrying the bundle of photos could have also

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<v Speaker 4>broken open. A postal worker might have seen the loose

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<v Speaker 4>bundle of photos, thought they belonged to Jordan's envelope, and

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<v Speaker 4>accidentally switched the packaging. And here's where that switch might

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<v Speaker 4>have occurred.

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<v Speaker 5>It used to be commonly referred to as a dead

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<v Speaker 5>letter office, but now it's I think it's Mail Recovery Center.

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<v Speaker 4>The Mail Recovery Center, or MRC, is located in Atlanta, Georgia.

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<v Speaker 4>It's where all undeliverable mail winds up. Some of the

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<v Speaker 4>stuff they receive is truly strange. An alligator skull still

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<v Speaker 4>covered in flesh cremation boxes Tom Nissalke's nineteen seventy one

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<v Speaker 4>NBA championship, which had been stolen from him twelve years before,

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<v Speaker 4>showing up at the MRC. I don't know who Tom

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<v Speaker 4>Desalk is, but listeners might. The MRC is also one

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<v Speaker 4>of the few places where postal workers are actually allowed

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<v Speaker 4>to open mail to help them look for clues as

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<v Speaker 4>to where the items or letters belong. Dan says that

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<v Speaker 4>it's the job in part of the MRC employees to

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<v Speaker 4>make their best guess about what belongs with what and

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<v Speaker 4>send it on its way.

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<v Speaker 5>They have to try to put pieces together. You know,

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<v Speaker 5>they're kind of sluice in their own way.

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<v Speaker 4>In their own way, don't condescend to the MRC agent Mihalko.

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<v Speaker 1>If Dan is right, the.

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<v Speaker 4>Original package, the photos came in with the original address

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<v Speaker 4>might still be sitting somewhere at the MRC. So I

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<v Speaker 4>phone up the person in charge.

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<v Speaker 5>To ask, this is a manager.

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<v Speaker 4>Lionel snow, Oh high, Lionel, my name is Stevie Lane

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<v Speaker 4>and I'm a radio journalist. Do you have a moment

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<v Speaker 4>so I can tell you why I'm calling?

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<v Speaker 3>Uh?

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<v Speaker 7>Not really, I mean I don't have a lot of

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<v Speaker 7>conversation time to falup with customers.

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<v Speaker 4>Nevertheless, I tell him about the mix up.

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<v Speaker 7>Anything could have happened, Anything could have happened.

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<v Speaker 8>I mean, I can tell you.

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<v Speaker 4>Lionel tells me that, contrary to Dan Mihalko's theory, Jordan's

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<v Speaker 4>package likely never made it to the MRC. If it had,

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<v Speaker 4>it would probably have a special stamp on it, which

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<v Speaker 4>Jordan's package doesn't. I ask if he has any other guesses,

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<v Speaker 4>but he just keeps sweeping out his favorite phrase.

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<v Speaker 6>Anything could have happened, Anything could have happened. I can

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<v Speaker 6>make an educated guess or or not.

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<v Speaker 1>When I press, the answer is or not.

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<v Speaker 7>Anything could have happened.

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<v Speaker 4>Jordan had likened the mail system to avoid into which

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<v Speaker 4>we send stuff and from which that stuff emerges. But

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<v Speaker 4>it appears it's also a void into which I send

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<v Speaker 4>my questions and from which nothing emerges. Over a number

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<v Speaker 4>of weeks, I reach out to more people at the USPS,

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<v Speaker 4>in the Communications Department, the Historian's office, even the Postal Museum.

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<v Speaker 3>It is a mystery.

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<v Speaker 5>I can't really guess.

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<v Speaker 9>You have one hundred and sixty million addresses in the US.

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<v Speaker 6>It could have come from any one of them.

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<v Speaker 1>Nobody is able to help.

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<v Speaker 4>I've hit a dead end with the post Office, so

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<v Speaker 4>I turn to the only other information that I have,

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<v Speaker 4>the photos themselves. Is there a way to identify the

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<v Speaker 4>people in these photographs? There's a photo of someone's pet cat,

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<v Speaker 4>but it doesn't have a collar.

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<v Speaker 1>With a tag.

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<v Speaker 4>There's a graduation, but it doesn't show the name of

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<v Speaker 4>the school. There's one photo of a man sitting in

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<v Speaker 4>a restaurant pulling up a signed headshot of what looks

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<v Speaker 4>like a younger version of himself. The headshot is signed

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<v Speaker 4>doctor Pedro something MD, but after hours of photoshop sharpening,

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<v Speaker 4>I still can't read what that something is. For every photo,

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<v Speaker 4>I'm just one small piece of information away from cracking

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<v Speaker 4>the case. Every photo except for one. The photo is

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<v Speaker 4>the oldest in the bunch, a creased and faded polaroid.

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<v Speaker 4>In it, a man crouches in the grass supporting a

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<v Speaker 4>baby in plaid overalls, barely old enough to walk. The

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<v Speaker 4>baby is looking down at a dog rolling over on

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<v Speaker 4>its back playfully while the man pets its stomach. No

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<v Speaker 4>one is aware of the camera. It seems to be

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<v Speaker 4>capturing a private moment. And when you flip the photo

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<v Speaker 4>over there's something written on the back Dalln Kelly and Queenye.

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<v Speaker 4>It says, in all caps at grandparents Coxes Kelly nine

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<v Speaker 4>and a half months Dallen Kelly and Queenee grandparents Coxes.

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<v Speaker 4>After googling around, I find a number for a Dallon

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<v Speaker 4>Cox in California.

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<v Speaker 1>Hello, Hi, is this Jalon I'd called a few days

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<v Speaker 1>before and left a message.

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<v Speaker 9>I'm just really curious what this is all about. Honestly,

0:14:45.240 --> 0:14:49.040
<v Speaker 9>I have no idea how to be involved in anything

0:14:49.120 --> 0:14:50.880
<v Speaker 9>that you would be looking into.

0:14:51.680 --> 0:14:55.280
<v Speaker 4>So I explain about the package of photos Amy received,

0:14:55.640 --> 0:14:58.760
<v Speaker 4>about one in particular of a man with a child

0:14:58.800 --> 0:15:02.000
<v Speaker 4>and a dog with a inscription on the back, and

0:15:02.080 --> 0:15:08.320
<v Speaker 4>it says Dallan, Kelly and queenye At grandparents Coxes Kelly

0:15:08.880 --> 0:15:11.840
<v Speaker 4>nine and a half months.

0:15:11.160 --> 0:15:13.040
<v Speaker 3>Definitely, that's crazy.

0:15:13.120 --> 0:15:13.800
<v Speaker 6>Yeah, that's crazy.

0:15:13.800 --> 0:15:14.760
<v Speaker 5>That would be my dad.

0:15:14.880 --> 0:15:18.120
<v Speaker 9>Yeah, huh, yeah, it sounds like it might be of

0:15:18.240 --> 0:15:19.840
<v Speaker 9>my dad and my sister Kelly.

0:15:20.920 --> 0:15:22.920
<v Speaker 1>Dallan's dad is Dalan Senior.

0:15:23.600 --> 0:15:26.280
<v Speaker 4>Dallan suggests I give him a call to see if

0:15:26.320 --> 0:15:30.440
<v Speaker 4>the photo belongs to him.

0:15:30.640 --> 0:15:31.080
<v Speaker 5>Hello.

0:15:31.920 --> 0:15:34.760
<v Speaker 4>I tell Dalan Senior all about the photo of him

0:15:34.760 --> 0:15:38.000
<v Speaker 4>and his daughter Kelly. Then I texted over to him,

0:15:38.440 --> 0:15:41.480
<v Speaker 4>all right, here it comes.

0:15:42.240 --> 0:15:46.360
<v Speaker 5>Yeah, I'm a beet daughter. Wow.

0:15:46.840 --> 0:15:50.280
<v Speaker 8>That would have been from nineteen sixty seven, probably sixty eight.

0:15:51.080 --> 0:15:53.080
<v Speaker 7>She'd have been about nine months old, I would say

0:15:53.080 --> 0:15:56.800
<v Speaker 7>at that time obviously is standing up a little bit,

0:15:56.880 --> 0:16:00.960
<v Speaker 7>but she walked at early age like that, So yeah,

0:16:00.960 --> 0:16:01.880
<v Speaker 7>that's really something.

0:16:02.120 --> 0:16:04.200
<v Speaker 8>No, I don't have that picture in my collection. In fact,

0:16:04.240 --> 0:16:08.960
<v Speaker 8>I don't recall ever having seen it before. Kelly was

0:16:09.000 --> 0:16:12.400
<v Speaker 8>born in sixty seven, in June of sixty seven, and

0:16:12.520 --> 0:16:14.960
<v Speaker 8>she actually she passed away in March of last year.

0:16:21.560 --> 0:16:25.880
<v Speaker 4>Kelly died on March thirtieth, twenty twenty one. The package

0:16:25.880 --> 0:16:30.000
<v Speaker 4>with Kelly's photo was postmarked April seventh, twenty twenty one,

0:16:31.000 --> 0:16:33.880
<v Speaker 4>just one week after she died, so.

0:16:33.880 --> 0:16:36.160
<v Speaker 8>That just makes it really strange.

0:16:39.200 --> 0:16:42.400
<v Speaker 4>Kelly died unexpectedly of heart failure at the age of

0:16:42.400 --> 0:16:42.960
<v Speaker 4>fifty three.

0:16:43.680 --> 0:16:45.080
<v Speaker 1>It was a shock to her family.

0:16:46.120 --> 0:16:47.480
<v Speaker 5>Everybody loved her laugh.

0:16:47.520 --> 0:16:52.840
<v Speaker 9>When she laughed, it was just really unique, an enthusiastic laugh,

0:16:53.120 --> 0:17:01.120
<v Speaker 9>you know. I remember taking her with me to like

0:17:01.680 --> 0:17:04.280
<v Speaker 9>one weekend and she learned the water ski and she

0:17:04.400 --> 0:17:11.840
<v Speaker 9>was having a ball. My dad used to take Kelly

0:17:11.880 --> 0:17:13.800
<v Speaker 9>at that age, when she was about a year old,

0:17:14.400 --> 0:17:17.040
<v Speaker 9>down to the lake and they would feed the ducks.

0:17:17.359 --> 0:17:19.359
<v Speaker 9>He'd take breadcrumbs and they'd throw them to the ducks,

0:17:19.359 --> 0:17:21.919
<v Speaker 9>and she got so excited to do that.

0:17:21.920 --> 0:17:23.160
<v Speaker 3>That was her favorite thing to do.

0:17:35.000 --> 0:17:38.159
<v Speaker 4>Dyllan Senior doesn't recognize the handwriting on the back of

0:17:38.160 --> 0:17:41.720
<v Speaker 4>the photograph, but he wonders if it belongs to Kelly's mother,

0:17:42.280 --> 0:17:46.040
<v Speaker 4>his ex wife, Betty. Betty had been sick and unable

0:17:46.080 --> 0:17:48.760
<v Speaker 4>to make it to Kelly's funeral. Maybe she put it

0:17:48.800 --> 0:17:51.120
<v Speaker 4>in the mail, hoping it would arrive for the service.

0:17:52.359 --> 0:17:55.439
<v Speaker 4>When I phoned Betty, she doesn't remember the photo, but

0:17:55.520 --> 0:17:57.960
<v Speaker 4>she tells me that she did indeed mail a package

0:17:57.960 --> 0:18:03.359
<v Speaker 4>of photos to her granddaughter, Devin. Devin is Kelly's daughter.

0:18:06.320 --> 0:18:07.080
<v Speaker 3>This is Devin.

0:18:07.640 --> 0:18:08.600
<v Speaker 1>So I called.

0:18:08.280 --> 0:18:11.040
<v Speaker 4>Devan to see if I ended up with the photos

0:18:11.080 --> 0:18:12.600
<v Speaker 4>that her grandma tried to send her.

0:18:13.359 --> 0:18:17.480
<v Speaker 3>No, I did get a package of photos from my grandmother.

0:18:18.320 --> 0:18:19.359
<v Speaker 1>Huh.

0:18:19.800 --> 0:18:22.600
<v Speaker 4>Devin got the photos from Betty in a package that

0:18:22.680 --> 0:18:25.720
<v Speaker 4>was firmly sealed, and the photo of Kelly and Dallen

0:18:26.400 --> 0:18:29.840
<v Speaker 4>that one wasn't in there. Devin says she's never seen

0:18:29.840 --> 0:18:34.320
<v Speaker 4>it before. As for the rest of the photographs Amy received.

0:18:34.480 --> 0:18:38.200
<v Speaker 3>I don't recognize any of the people, none of them.

0:18:38.320 --> 0:18:38.919
<v Speaker 1>Huh.

0:18:39.400 --> 0:18:39.640
<v Speaker 3>No.

0:18:41.080 --> 0:18:44.320
<v Speaker 4>Dallan Junior, Dalan Senior, and Betty all said the same

0:18:44.400 --> 0:18:48.199
<v Speaker 4>thing when I sent them the photos. Somehow, then it

0:18:48.240 --> 0:18:52.080
<v Speaker 4>seems this photograph, along its journey through the mail, wound

0:18:52.160 --> 0:18:55.880
<v Speaker 4>up with forty three other images of other random families.

0:18:56.920 --> 0:19:00.639
<v Speaker 4>Devin can't tell me anything about those other families, but

0:19:00.680 --> 0:19:04.200
<v Speaker 4>she does tell me about her own. Her mom, Kelly,

0:19:04.359 --> 0:19:07.439
<v Speaker 4>got pregnant with her when she was in college. Kelly

0:19:07.480 --> 0:19:09.960
<v Speaker 4>wasn't prepared to take care of a child, and soon

0:19:09.960 --> 0:19:14.600
<v Speaker 4>after Devan was born, Dallan Senior, Devin's grandfather, took Devon

0:19:14.640 --> 0:19:16.439
<v Speaker 4>in and raised her as his daughter.

0:19:17.040 --> 0:19:21.000
<v Speaker 3>I know that my mom had mental health issues, and

0:19:23.119 --> 0:19:27.640
<v Speaker 3>it took over my mom's life in many ways. There

0:19:27.640 --> 0:19:31.359
<v Speaker 3>were many instances in my mom's life where she didn't

0:19:31.359 --> 0:19:34.959
<v Speaker 3>have the power to take care of me. And there

0:19:35.000 --> 0:19:39.199
<v Speaker 3>were many years that passed by and I had nothing

0:19:39.240 --> 0:19:41.720
<v Speaker 3>to do with my mom, Like I didn't know where

0:19:41.760 --> 0:19:46.120
<v Speaker 3>she was. I didn't hear from her. I was unsure

0:19:46.280 --> 0:19:50.720
<v Speaker 3>if she was even alive. So I've had a hard

0:19:50.760 --> 0:19:57.919
<v Speaker 3>time growing up believing that my mom loved me.

0:20:01.240 --> 0:20:03.840
<v Speaker 4>But Devin tells me in the last seven or eight

0:20:03.920 --> 0:20:08.280
<v Speaker 4>years before her mom's death, that changed. Devin was in

0:20:08.280 --> 0:20:13.280
<v Speaker 4>her mid twenties, and without explanation, seemingly overnight, Kelly started

0:20:13.320 --> 0:20:16.440
<v Speaker 4>reaching out more. She would come over to help Devin

0:20:16.480 --> 0:20:20.160
<v Speaker 4>with projects around the house, like painting cabinets. The two

0:20:20.160 --> 0:20:24.520
<v Speaker 4>of them spent hours sitting together on the couch, playing Zelda, and.

0:20:24.880 --> 0:20:28.080
<v Speaker 3>I felt like I had my mom. I finally had

0:20:28.080 --> 0:20:31.080
<v Speaker 3>my mom. I was an adult, but at least I

0:20:31.200 --> 0:20:41.920
<v Speaker 3>had my mom. Two weeks before she passed, my mom

0:20:42.040 --> 0:20:43.800
<v Speaker 3>just out of the blue said do you want to

0:20:43.840 --> 0:20:46.399
<v Speaker 3>go out and go do something together? And I was like,

0:20:46.800 --> 0:20:49.480
<v Speaker 3>I don't know where do you want to go? And

0:20:49.600 --> 0:20:52.359
<v Speaker 3>she's like, what about that place that has mini golf

0:20:52.400 --> 0:20:55.040
<v Speaker 3>and go carts? And I was like, okay, then let's go.

0:20:56.760 --> 0:21:05.760
<v Speaker 3>And I hang on to that moment. Somehow, I feel

0:21:05.760 --> 0:21:08.520
<v Speaker 3>like she knew that she wasn't going to be around

0:21:08.560 --> 0:21:12.040
<v Speaker 3>for very long, and she was trying to spend more

0:21:12.080 --> 0:21:14.280
<v Speaker 3>time with me and trying to do things with me.

0:21:17.600 --> 0:21:21.760
<v Speaker 4>As for the photograph and the strange circumstances of its appearance,

0:21:22.520 --> 0:21:23.040
<v Speaker 4>I don't.

0:21:22.920 --> 0:21:28.560
<v Speaker 3>Feel like it's weird. I just think that it fits

0:21:28.600 --> 0:21:31.480
<v Speaker 3>my mom's personality to do something like that.

0:21:32.080 --> 0:21:34.199
<v Speaker 1>How do you mean it fits her personality to do

0:21:34.240 --> 0:21:34.760
<v Speaker 1>something like.

0:21:34.920 --> 0:21:41.560
<v Speaker 3>She believed that there's something beyond death. And I've never

0:21:41.640 --> 0:21:47.000
<v Speaker 3>believed in ghosts or anything or anything after you passed,

0:21:47.720 --> 0:21:51.600
<v Speaker 3>but if there is something there, my mom would definitely

0:21:51.640 --> 0:21:52.480
<v Speaker 3>do something like this.

0:21:53.720 --> 0:21:56.800
<v Speaker 1>See you think that this is almost like a missive

0:21:57.040 --> 0:21:58.160
<v Speaker 1>from your mom.

0:21:58.560 --> 0:22:02.080
<v Speaker 3>Yeah, I think that's possible, and I feel like this

0:22:02.240 --> 0:22:05.040
<v Speaker 3>is her trying to say I'm still here.

0:22:12.960 --> 0:22:17.280
<v Speaker 4>In Jordan's book, she writes that in thin places quote

0:22:17.600 --> 0:22:21.880
<v Speaker 4>invisible things like music or love or dead people might

0:22:21.920 --> 0:22:25.879
<v Speaker 4>become visible, or if they don't become visible, they become

0:22:25.880 --> 0:22:28.720
<v Speaker 4>so present and tangible that it doesn't matter.

0:22:30.400 --> 0:22:31.680
<v Speaker 1>Like Devon, I'm not.

0:22:31.680 --> 0:22:35.600
<v Speaker 4>One to believe in ghosts, Yet after talking with everyone,

0:22:35.960 --> 0:22:38.639
<v Speaker 4>I still don't know where the photo of Kelly came from.

0:22:39.359 --> 0:22:42.320
<v Speaker 4>No one in Kelly's family can account for it, so

0:22:42.440 --> 0:22:45.880
<v Speaker 4>after months of searching, the origins of this photo are

0:22:45.920 --> 0:22:49.520
<v Speaker 4>still a mystery. But in what I see as a

0:22:49.600 --> 0:22:53.320
<v Speaker 4>series of unexplainable events that began with Jordan sending a

0:22:53.320 --> 0:22:58.000
<v Speaker 4>book and ended up here, Devin sees her mother, and

0:22:58.080 --> 0:23:01.600
<v Speaker 4>it's precisely the unlikeliness of the that she points to

0:23:01.800 --> 0:23:02.399
<v Speaker 4>as proof.

0:23:03.400 --> 0:23:05.439
<v Speaker 3>I just think, if you look at all of the

0:23:05.480 --> 0:23:10.520
<v Speaker 3>little pieces of how this happened, not just anybody would

0:23:10.520 --> 0:23:12.560
<v Speaker 3>have reached out and tried to find the owner of

0:23:12.600 --> 0:23:15.679
<v Speaker 3>a photo, I think it would have been tossed in

0:23:15.720 --> 0:23:18.920
<v Speaker 3>the trash or pushed aside.

0:23:18.080 --> 0:23:19.760
<v Speaker 5>I feel like.

0:23:21.359 --> 0:23:22.760
<v Speaker 3>It's like a treasure.

0:23:22.600 --> 0:23:23.240
<v Speaker 1>From my mom.

0:23:24.160 --> 0:23:28.040
<v Speaker 3>That's how I feel huh, like my mom placed it

0:23:28.040 --> 0:23:31.200
<v Speaker 3>there on purpose and got it into the right hands

0:23:31.240 --> 0:23:32.800
<v Speaker 3>that would reach out to me.

0:23:35.119 --> 0:23:37.680
<v Speaker 4>I'd been thinking of this as a story about male

0:23:37.800 --> 0:23:41.240
<v Speaker 4>going to the wrong place, but listening to Devn, I

0:23:41.320 --> 0:23:43.760
<v Speaker 4>wonder if it's actually a story about it going to

0:23:43.800 --> 0:23:48.919
<v Speaker 4>the right one to Amy. And yet because the photo

0:23:48.960 --> 0:23:51.879
<v Speaker 4>wound up in Amy's hands, Devin didn't get it for

0:23:51.920 --> 0:23:56.480
<v Speaker 4>an entire year after Kelly's death. If Kelly wanted Devin

0:23:56.560 --> 0:23:59.680
<v Speaker 4>to have the photo, why deliver it a year late?

0:24:00.440 --> 0:24:00.720
<v Speaker 1>Why?

0:24:00.800 --> 0:24:01.040
<v Speaker 5>Now?

0:24:02.080 --> 0:24:05.199
<v Speaker 3>There have been times where I've really needed somebody to

0:24:05.280 --> 0:24:09.480
<v Speaker 3>be in my house with me, and out of everybody

0:24:09.520 --> 0:24:12.399
<v Speaker 3>in my family and out of all of my friends,

0:24:13.880 --> 0:24:18.600
<v Speaker 3>my mom would drop anything to come and support me.

0:24:20.040 --> 0:24:24.960
<v Speaker 3>And when she passed, I didn't have that safety net anymore.

0:24:26.040 --> 0:24:29.159
<v Speaker 10>I had trouble at my job and I had to

0:24:29.200 --> 0:24:36.560
<v Speaker 10>take extra time off. But if she's still here, that

0:24:36.600 --> 0:24:37.440
<v Speaker 10>makes a difference.

0:24:41.320 --> 0:24:47.400
<v Speaker 3>It's not easy losing a mom, so having this feeling

0:24:47.440 --> 0:24:50.359
<v Speaker 3>that she's still here and she's still with me is

0:24:52.840 --> 0:24:53.520
<v Speaker 3>is amazing.

0:24:58.080 --> 0:25:00.520
<v Speaker 4>Right after a loss, there are a lot of people

0:25:00.560 --> 0:25:04.359
<v Speaker 4>to lean on, but as time passes and people return

0:25:04.440 --> 0:25:07.199
<v Speaker 4>to their lives, you begin to feel that loss in

0:25:07.240 --> 0:25:11.600
<v Speaker 4>a new way. Houses get cleaned out, clothes get donated,

0:25:12.359 --> 0:25:17.639
<v Speaker 4>and all evidence of the person fades away with the photo.

0:25:17.720 --> 0:25:22.000
<v Speaker 4>Though Kelly has come back to Devon a year late,

0:25:22.880 --> 0:25:32.800
<v Speaker 4>but perhaps right on time. Devin's grandfather, Dallan Senior, is

0:25:32.840 --> 0:25:36.680
<v Speaker 4>turning seventy five soon. Devon told me that they're throwing

0:25:36.760 --> 0:25:39.680
<v Speaker 4>him a big party. She's been working on his birthday

0:25:39.680 --> 0:25:44.119
<v Speaker 4>present for months, a new family photo album, and along

0:25:44.160 --> 0:25:47.760
<v Speaker 4>with all the photographs she's collected, she wants to include

0:25:47.760 --> 0:25:52.080
<v Speaker 4>this one safe among the other smiling faces of Kelly's

0:25:52.080 --> 0:26:40.280
<v Speaker 4>family members, where surely it won't be lost again. Now

0:26:40.400 --> 0:26:40.840
<v Speaker 4>that the.

0:26:41.000 --> 0:26:45.560
<v Speaker 5>Fern atures rip turned into its good will.

0:26:45.520 --> 0:26:53.359
<v Speaker 3>Home, now that the last month's rant is skiming with

0:26:53.640 --> 0:26:58.199
<v Speaker 3>the damage to post, take this moment to dessert.

0:27:00.240 --> 0:27:05.800
<v Speaker 1>If we mentioned if we trash Feld for.

0:27:09.400 --> 0:27:11.200
<v Speaker 6>Things as dan Lee.

0:27:13.200 --> 0:27:13.440
<v Speaker 3>Zero.

0:27:16.359 --> 0:27:19.479
<v Speaker 4>This episode of Heavyweight was produced by me Stevie Lane,

0:27:19.520 --> 0:27:23.520
<v Speaker 4>along with Jonathan Goldstein, Phoebe Flanagan, and Mohemi mcgouger. Our

0:27:23.560 --> 0:27:27.320
<v Speaker 4>Senior producer is Khaleila Holt. Special thanks to Alex Bloomberg,

0:27:27.440 --> 0:27:31.520
<v Speaker 4>mime O'Donnell, Laurence Silverman, Maureene Taylor, Estelle Ivory and all

0:27:31.560 --> 0:27:35.880
<v Speaker 4>The Incredibly Patient People over at the USPS editorial guidance

0:27:35.880 --> 0:27:38.959
<v Speaker 4>from Emily Condon. Bobby Lord mixed the episode with original

0:27:39.040 --> 0:27:42.360
<v Speaker 4>music by Christine Fellows, John K. Sampson, Blue Dot Sessions,

0:27:42.480 --> 0:27:45.879
<v Speaker 4>John Jacoby, and Bobby Lord. Additional music credits can be

0:27:45.920 --> 0:27:49.840
<v Speaker 4>found on our website gimlimedia dot com slash Heavyweight. Our

0:27:49.880 --> 0:27:53.000
<v Speaker 4>theme song is by The Weaker Thens, courtesy of Epitaph Records.

0:27:53.440 --> 0:27:55.080
<v Speaker 1>Amy has just written a new.

0:27:54.920 --> 0:27:58.560
<v Speaker 4>Book, Artificial, a graphic memoir about her father's efforts to

0:27:58.600 --> 0:28:02.720
<v Speaker 4>preserve her late grandfather's life identity using AI technology. You

0:28:02.760 --> 0:28:05.639
<v Speaker 4>can find it at your local bookstore. Heavyweight is a

0:28:05.680 --> 0:28:09.679
<v Speaker 4>Spotify original podcast. Follow us on Twitter at Heavyweight, on

0:28:09.800 --> 0:28:13.520
<v Speaker 4>Instagram at Heavyweight podcast, or email us at Heavyweight at

0:28:13.520 --> 0:28:16.680
<v Speaker 4>gimlipmedia dot com. You can follow our show on Spotify

0:28:16.800 --> 0:28:20.480
<v Speaker 4>and tap the bell to receive notifications when new episodes.

0:28:20.080 --> 0:28:23.360
<v Speaker 1>Drop, and one will drop next week.

0:28:41.760 --> 0:28:43.640
<v Speaker 5>Hello Stevie's dad speaking.

0:28:44.480 --> 0:28:47.600
<v Speaker 3>Oh that was nice, okay, great Estelle, Thank you so much.

0:28:47.880 --> 0:28:49.400
<v Speaker 3>What is your school about anyway,