WEBVTT - My Lady's Song - Act 1 0:00:00.080 --> 0:00:02.480 There Go one two Tabor. 0:00:02.840 --> 0:00:17.280 My All, My Lady's Song by Dan Lauria and Frank Megna, 0:00:17.720 --> 0:00:23.160 based on a story by Dan Lauria. Interior, Black Limo Night. 0:00:24.079 --> 0:00:28.600 As credits roll, we hear Peggy Lee singing fever. Camera 0:00:28.760 --> 0:00:34.080 slowly pans over a smooth, dull, black, leathery background. Suddenly 0:00:34.479 --> 0:00:38.760 a cleaning rag travels across, leading it shiny, the first 0:00:38.760 --> 0:00:42.640 in a parade of images, an ashtray being cleaned, a 0:00:42.640 --> 0:00:48.000 small liquor cabinet being restocked, royal red, roughly textured surface. 0:00:48.760 --> 0:00:52.000 After a moment, a silver dustbuster moves back and forth 0:00:52.040 --> 0:00:55.440 across the screen. The red surface is the carpet of 0:00:55.480 --> 0:01:00.400 a stretch Limo, the opposite front door of the black Limos. 0:01:01.200 --> 0:01:06.760 First third of credits ends. Interior Lasal Limo Service Garage Night. 0:01:07.760 --> 0:01:11.720 Uncle Charlie late sixties, the heavy set manager of Lasal 0:01:11.800 --> 0:01:16.280 Limo Service, speaks to Sal Marino, the driver, who is 0:01:16.319 --> 0:01:16.920 off camera. 0:01:17.120 --> 0:01:20.200 Hey, Sal, Yeah, everything going okay? 0:01:20.240 --> 0:01:24.000 Great? Nice old man, extra fifty. I'm on the wrong 0:01:24.120 --> 0:01:24.800 end of this shit. 0:01:25.400 --> 0:01:26.920 What are you gonna do? You get my blowjob? 0:01:27.440 --> 0:01:30.399 Sal, a tough ex con in his mid fifties, wears 0:01:30.440 --> 0:01:33.399 the hard years on his face. He backs out of 0:01:33.440 --> 0:01:35.880 his side and looks at Charlie across the top of 0:01:35.920 --> 0:01:39.880 the black limo. Standing behind Charlie is Leo, a goon 0:01:39.920 --> 0:01:42.759 in his late twenties. Next to him is a mean 0:01:42.880 --> 0:01:44.560 dog on a short leash. 0:01:44.600 --> 0:01:46.119 I'll leave that to little Leo here. 0:01:46.480 --> 0:01:47.720 Leo's face tightens. 0:01:47.920 --> 0:01:51.880 The dog growls, easy boy, everybody knows he's your sex. 0:01:51.960 --> 0:01:52.240 Sleg. 0:01:53.320 --> 0:01:54.320 That'll be the date. 0:01:54.640 --> 0:01:56.080 As long as he makes you happy. 0:01:56.160 --> 0:01:57.840 Charlie, keep pushing. 0:01:57.600 --> 0:01:59.160 Up, more growling shit. 0:02:00.560 --> 0:02:02.520 I'll right you two, Just knock it off. 0:02:02.800 --> 0:02:05.920 Sal, You're going back out tonight. Tonight, it's almost midnight. 0:02:06.400 --> 0:02:09.920 Vince is here, Vince. He wants to see you at 0:02:09.919 --> 0:02:10.359 the club. 0:02:11.639 --> 0:02:13.639 When about ten minutes ago. 0:02:13.840 --> 0:02:16.120 Charlie and Leo head for the office door as the 0:02:16.160 --> 0:02:17.520 limo pulls away. 0:02:18.000 --> 0:02:19.320 Washed up old bastards. 0:02:19.639 --> 0:02:22.560 In his day, sal Lebarbara would have any of your 0:02:22.560 --> 0:02:23.640 young punks for lunch. 0:02:24.880 --> 0:02:27.520 Sala barba salda nothing. 0:02:27.919 --> 0:02:30.440 You know, Sal's right, you were starting to look a. 0:02:30.400 --> 0:02:31.400 Look like this dog. 0:02:32.040 --> 0:02:35.080 They entered the office and close the door. Loud disco 0:02:35.200 --> 0:02:39.239 music jumps out at us exterior New York City street night. 0:02:39.720 --> 0:02:42.120 The sound of loud New York City streets. As we 0:02:42.240 --> 0:02:45.079 turn on to forty second and eighth Avenue and hear 0:02:45.160 --> 0:02:49.880 nothing but loud mechanized disco. Interior front seat of Sal's 0:02:49.919 --> 0:02:53.640 black Limo Night. Second third of credits roll As Billie 0:02:53.680 --> 0:02:58.200 Holiday sings lover Man, Sal drives down eighth Avenue. The 0:02:58.240 --> 0:03:01.680 city is shut out from Sal's in world. He turns 0:03:01.720 --> 0:03:06.480 onto forty fifth Street. End of the second third of credits. Exterior, 0:03:06.600 --> 0:03:10.360 Private Eye Club Night. The limo drives past the front 0:03:10.360 --> 0:03:14.000 of the strip club. Live nude girls flashes in neon. 0:03:14.600 --> 0:03:17.400 A large poster on the front wall reads to night 0:03:17.600 --> 0:03:21.840 porn stars Hara Rheims and Lada Minas. The limo parks 0:03:21.880 --> 0:03:25.040 across the street under a sign that reads, don't even 0:03:25.080 --> 0:03:29.440 think of parking here. Sal exits limo. The music stops, 0:03:29.520 --> 0:03:32.600 only to be replaced by disco music from inside the 0:03:32.600 --> 0:03:35.960 Strip club. Sal tosses his butt and puts on his 0:03:36.040 --> 0:03:39.240 black suit jacket. He walks across the street to the club. 0:03:40.200 --> 0:03:44.640 Interior Private Eye Club Night. The packed club pulsates with 0:03:44.720 --> 0:03:48.720 ear piercing disco music. Men with cigars and drinks tuck 0:03:48.800 --> 0:03:52.280 it up and sheer. Hara and Lada, two beautiful young 0:03:52.400 --> 0:03:56.320 ladies one in her twenties. The others slightly older, are 0:03:56.320 --> 0:03:58.920 on stage in the beginning stages of their dance act, 0:03:59.160 --> 0:04:02.680 and are very elaborately dressed. Obviously there act as a 0:04:02.760 --> 0:04:07.400 lesbian dance number meant to excite heterosexual males. Sal moves 0:04:07.440 --> 0:04:10.200 through the crowd to the bar, where Frank, the bartender, 0:04:10.280 --> 0:04:10.839 greets him. 0:04:11.080 --> 0:04:14.440 Sally, boy, how's it hanging well? Can I catch you? Yeah? 0:04:14.560 --> 0:04:15.080 Good? Frank? 0:04:15.120 --> 0:04:15.600 Good? 0:04:15.840 --> 0:04:18.039 Vince here, he's waiting for you in the office. 0:04:18.160 --> 0:04:19.839 What the office? 0:04:20.279 --> 0:04:20.679 Thanks? 0:04:21.040 --> 0:04:22.120 Hey, you want to drink first? 0:04:22.240 --> 0:04:22.320 What? 0:04:23.160 --> 0:04:23.520 Drake? 0:04:24.240 --> 0:04:24.920 Yeah? 0:04:25.120 --> 0:04:28.040 Sal heads for the back office. He passes the stage. 0:04:28.279 --> 0:04:32.039 Lada has one breast exposed as Hara dances behind her. 0:04:32.480 --> 0:04:37.200 Harah reaches around and caresses Lada's exposed breast. Harrah spots 0:04:37.240 --> 0:04:42.400 Sal and winks. Sal just smiles and keeps walking. Interior 0:04:42.440 --> 0:04:46.800 back office, Private Eye Club, Late night. Vincent Delora, a 0:04:46.880 --> 0:04:50.400 rugged mid fifties, sits behind a large oak desk that 0:04:50.520 --> 0:04:53.920 dominates a stylish office. He's going over some books when 0:04:53.960 --> 0:04:57.000 there's a knock at the door. The door opens and Sal. 0:04:57.040 --> 0:05:02.200 Enters, Sally, why. 0:05:00.000 --> 0:05:03.479 Oh good, Vince, I'm good. When'd you get in yesterday? 0:05:03.520 --> 0:05:06.960 I got in yesterday. A long time almost two years 0:05:07.040 --> 0:05:10.320 at family business south West, La, La Land. All legal, 0:05:10.360 --> 0:05:12.680 all respected, well legal. 0:05:12.720 --> 0:05:14.279 Anyway, we're doing good. 0:05:14.560 --> 0:05:15.320 We're doing good. 0:05:15.800 --> 0:05:17.000 Your father would be proud. 0:05:17.120 --> 0:05:21.479 My father wouldn't understand different world. How's your mom? She's 0:05:21.520 --> 0:05:22.120 doing all right? 0:05:22.200 --> 0:05:23.080 A men's a men's. 0:05:23.120 --> 0:05:26.040 You know she get the roses for her birthday. 0:05:26.400 --> 0:05:27.080 She loved them. 0:05:27.200 --> 0:05:30.080 Thanks. Hey, the least they can do. What was it 0:05:30.200 --> 0:05:31.280 seventy seven eight? 0:05:31.839 --> 0:05:33.599 She'll be eighty this year. Eighty? 0:05:33.920 --> 0:05:37.960 Gee, Kamella is eighty. Ah, we should live so long. 0:05:38.560 --> 0:05:41.599 We gotta do something special for my girlfriend. Right, we'll 0:05:41.640 --> 0:05:44.159 do something special for my girlfriend this year. You hear me, 0:05:44.720 --> 0:05:48.039 that'd be good. Remind me that's in order. You got it, 0:05:48.520 --> 0:05:49.520 and you you okay? 0:05:50.320 --> 0:05:50.800 I'm good. 0:05:51.160 --> 0:05:53.480 I like driving and. 0:05:52.920 --> 0:05:56.960 Watching them shoot those movies. Maybe we should change places. 0:05:57.120 --> 0:05:58.400 All I do is dry. 0:05:58.600 --> 0:06:01.480 Yeah, you get tired of it? You let me know. 0:06:02.040 --> 0:06:04.279 I will gotta take care of my favorite soldier. 0:06:04.720 --> 0:06:07.000 Soldier, those days are long gone. 0:06:07.200 --> 0:06:08.680 Why what are you an old man or what? 0:06:09.400 --> 0:06:09.719 Yeah? 0:06:09.920 --> 0:06:10.279 I am? 0:06:10.520 --> 0:06:12.800 Sincon pours himself a perrier with lime. 0:06:13.600 --> 0:06:16.000 I'll give you a million bucks. You show me somebody 0:06:16.040 --> 0:06:19.039 getting younger. Have a drink, Mavie. What do you want 0:06:19.440 --> 0:06:23.920 I got everything here, Diet Pepsi's good, Look at this way, 0:06:25.000 --> 0:06:28.760 die at pepsi and sparkling water. That's what it comes 0:06:28.800 --> 0:06:32.080 down to. Next thing, you know, we'll be playing Peknockle. 0:06:32.920 --> 0:06:33.920 We used to be bols. 0:06:34.080 --> 0:06:38.279 Remember Sally Bowls can sell his drink that was there. 0:06:38.800 --> 0:06:42.960 Now, forget it. The old days. We had to be hard, 0:06:43.080 --> 0:06:48.480 we had to be mean. Now it's all legal, oohs, gambling, 0:06:48.560 --> 0:06:53.000 point even prostitution in some states. Soon drugs will be 0:06:53.720 --> 0:06:55.720 a hell of a way to fight crime. Make it 0:06:55.760 --> 0:07:01.120 all legal, all legal, and all disgustingly weak. 0:07:02.000 --> 0:07:04.200 Vince starts dreaming of the old days. 0:07:04.680 --> 0:07:07.760 Remember when we started working for my father running numbers 0:07:07.800 --> 0:07:12.880 in Brooklyn. I mean, we understood what family meant. The bond, loyalty. 0:07:13.480 --> 0:07:15.000 It's like a dirty word today. 0:07:15.320 --> 0:07:16.040 We were kids. 0:07:16.320 --> 0:07:22.480 Yeah, but with the balls the size of Uncle Charlie 0:07:22.480 --> 0:07:26.160 taking us on our first hit, you got me through that. 0:07:26.760 --> 0:07:28.840 Uncle Charlie said, you wanted to see me about something? 0:07:29.440 --> 0:07:32.840 Yeah? Yeah, how would you like to be in a 0:07:32.920 --> 0:07:33.920 porn movie? 0:07:34.640 --> 0:07:39.120 Close on Sal's face exterior, New York City Street night, 0:07:39.680 --> 0:07:43.400 last of the credits run as a ridiculously long white 0:07:43.440 --> 0:07:45.920 limo moves through the city streets to the rhythm of 0:07:45.960 --> 0:07:49.520 the disco music playing in the strip club. The decadence 0:07:49.520 --> 0:07:53.280 of late Night Eighth Avenue is seen end credits as 0:07:53.320 --> 0:07:55.960 the white limo pulls up to the club's stage entrance. 0:07:56.680 --> 0:07:59.520 Sell exits and goes to the passenger rear door and 0:07:59.600 --> 0:08:02.760 opens it. He waits like a soldier at his post. 0:08:02.960 --> 0:08:05.520 Tot dot was lovely, Sal, just love me. 0:08:06.320 --> 0:08:09.520 Now, when the girls come out, they will get into 0:08:09.560 --> 0:08:11.440 the limo and you will shut the door and get 0:08:11.480 --> 0:08:12.840 into it as you pull away. 0:08:13.160 --> 0:08:13.720 And that's it. 0:08:13.840 --> 0:08:18.400 That's all I need, Jose. Let's get that camera set 0:08:18.480 --> 0:08:20.920 up for when the girls shut the exit the club. 0:08:21.320 --> 0:08:23.960 Three men, acting like a film crew move a lamp 0:08:24.000 --> 0:08:26.679 from across the street. They start laying some track. 0:08:27.040 --> 0:08:29.920 What do I do now, go back to Vince's office. 0:08:29.960 --> 0:08:31.480 I'll call you when the girls are ready. 0:08:31.800 --> 0:08:32.559 Sal leaves. 0:08:32.800 --> 0:08:33.520 What are we waiting? 0:08:34.240 --> 0:08:37.560 Oh no, Now they could have gotten another stud and 0:08:37.600 --> 0:08:38.920 had the option of another fuck. 0:08:39.440 --> 0:08:42.400 I don't understand these people. Don't they love their craft? 0:08:42.920 --> 0:08:48.160 Please interior back office, Private I Club, Late Night. We 0:08:48.240 --> 0:08:51.479 hear a news broadcast on TV after. 0:08:51.320 --> 0:08:53.640 Three weeks of a strike, the hotel workers Union and 0:08:53.679 --> 0:08:55.600 the hotel owners have agreed to come back to the 0:08:55.640 --> 0:08:57.760 table with Senator Backster mediating. 0:08:58.440 --> 0:09:01.679 I'm looking forward to sitting with sides and ending the strike. 0:09:03.000 --> 0:09:07.760 Pump Vincent Delora, rugged mid fifties, sits behind a large 0:09:07.760 --> 0:09:11.080 oak desk that dominates a stylish office. He's going over 0:09:11.120 --> 0:09:14.000 some books. When there's a knock at the door. Vincent 0:09:14.040 --> 0:09:15.840 shuts off the TV as sal. 0:09:15.840 --> 0:09:18.160 Enters Sally Boy. 0:09:20.040 --> 0:09:22.559 Interior, Private Eye Club, back office night. 0:09:23.000 --> 0:09:25.240 Hey, how's a porn star? 0:09:26.000 --> 0:09:26.520 Some star? 0:09:27.000 --> 0:09:28.520 That a limo's like driving a bus. 0:09:28.800 --> 0:09:31.439 I've never seen one that big two TV's, two bars, 0:09:31.520 --> 0:09:34.040 two stereo, two cameras. 0:09:33.720 --> 0:09:35.640 Here, Vincent tosses Salin. 0:09:35.760 --> 0:09:38.960 Envelope must have set you back a few over one 0:09:39.040 --> 0:09:39.640 hundred grand. 0:09:40.320 --> 0:09:42.719 It's a lot of cat sala is shocked by the 0:09:42.760 --> 0:09:44.480 amount of money inside the envelope. 0:09:45.840 --> 0:09:48.400 Porn's big business, salve, big power. 0:09:48.679 --> 0:09:49.959 There's got to be two g's here. 0:09:50.840 --> 0:09:53.319 Movies pay big two two g's. 0:09:53.120 --> 0:09:54.760 For driving up and opening the door. 0:09:55.400 --> 0:09:59.559 What's up, Fince, it's easy money, nothing's easy, sal You 0:09:59.640 --> 0:10:01.680 got one more shot to do. You open the door 0:10:01.720 --> 0:10:04.199 for the girls, and that's where two grand. You were 0:10:04.240 --> 0:10:05.559 never in the movie before? 0:10:05.800 --> 0:10:07.199 Okay, then what. 0:10:08.080 --> 0:10:10.080 Then You're gonna take the girls to pick up our 0:10:10.120 --> 0:10:13.120 favorite John. They're gonna be in the backseat doing their 0:10:13.200 --> 0:10:16.560 thing while you tour the city. When they're done, you 0:10:16.679 --> 0:10:19.920 drop mister big shot off, You drop the broads off. 0:10:20.400 --> 0:10:24.000 Nothing you haven't done a million times before. This time. 0:10:24.440 --> 0:10:27.079 You go home with two grand and you keep your 0:10:27.080 --> 0:10:30.360 mouth shut. That's all you got the whole thing. 0:10:31.160 --> 0:10:33.760 Have another diet soda, Sal gets a soda. 0:10:35.120 --> 0:10:39.600 Look, Sal, Making porn is not illegal. Making home movies 0:10:39.640 --> 0:10:44.679 with two consenting adults or three consenting adults is not illegal. 0:10:46.000 --> 0:10:48.880 You don't want to do it. I'll give Leo a call. 0:10:49.320 --> 0:10:51.840 I just figured i'd throw a little your way. That's 0:10:51.880 --> 0:10:55.680 all what your beak for old time sake. Besides, the 0:10:55.720 --> 0:10:56.600 girls asked for you. 0:10:57.160 --> 0:10:58.680 Sal starts to say something. 0:10:59.400 --> 0:11:03.400 And because you got the right license to drive that 0:11:03.480 --> 0:11:06.640 white yacht out there, the last thing this John needs 0:11:06.720 --> 0:11:08.160 is to be stopped for a ticket. 0:11:08.280 --> 0:11:10.200 Okay, why not? 0:11:11.080 --> 0:11:13.720 Thanks, better get back. I have to prepare for my 0:11:13.760 --> 0:11:14.280 close up. 0:11:15.040 --> 0:11:18.120 The two old friends laugh. Sal turns to leave. 0:11:19.720 --> 0:11:24.920 Sal. One more thing tomorrow. You bring that boat back 0:11:25.000 --> 0:11:29.680 to me at LaSalle. Don't clean up anything, don't touch 0:11:29.720 --> 0:11:31.520 the video equipment. You understand. 0:11:32.160 --> 0:11:34.120 Yeah, huh, I understand. 0:11:35.040 --> 0:11:39.560 Sal exits, the door closes. Close up shot on Vincent 0:11:40.080 --> 0:11:44.080 exterior Private Eye Club stage entrance night. The rear door 0:11:44.120 --> 0:11:47.680 of the long white limo opens. Harah and Lata exit 0:11:47.720 --> 0:11:50.319 the club and approach Sal standing by the open door. 0:11:51.040 --> 0:11:53.680 Evening Sal Sal bows at the waist. 0:11:53.920 --> 0:11:58.719 Good evening, my lady, cop. What the hell was that? 0:11:59.080 --> 0:12:03.800 What with the bowing? Just open the door, close it 0:12:03.840 --> 0:12:04.640 when the girls get in. 0:12:05.000 --> 0:12:08.360 Well, I thought, you know a way to show, don't 0:12:08.480 --> 0:12:10.120 think and don't show. 0:12:10.800 --> 0:12:15.800 But I gotta say this, Daniel Day. You don't have 0:12:15.920 --> 0:12:21.000 to show nothing. You don't gotta say nothing. You're a 0:12:21.040 --> 0:12:24.000 limo driver in a porn movie at it's after midnight. 0:12:24.280 --> 0:12:26.080 That's all You've got to know. Everybody. 0:12:26.080 --> 0:12:29.720 Back to one, Andy, We got, we got once again. 0:12:30.240 --> 0:12:33.440 The girls head back to position one as they pass Sao. 0:12:34.120 --> 0:12:35.360 Close up on Sao. 0:12:35.720 --> 0:12:38.559 I'd like to kick his ass, Believe me, he'd enjoy 0:12:38.600 --> 0:12:42.400 An exterior New York City street night traveling. 0:12:42.760 --> 0:12:45.959 We hear Edda James singing at last as the big 0:12:46.000 --> 0:12:50.440 white limo cruises down city streets. Interior, Big White Limo 0:12:50.600 --> 0:12:53.839 continuous inside window opens between Sal and. 0:12:53.800 --> 0:12:57.760 The girls say uh, sal You're gonna do a Fox 0:12:57.840 --> 0:12:59.160 scene with us in this movie. 0:12:59.640 --> 0:13:01.840 Sal nervously laughs and turns red. 0:13:02.360 --> 0:13:04.840 Yes, Salvin's gonna have them write a scene for the 0:13:04.840 --> 0:13:05.760 three of us. 0:13:06.000 --> 0:13:10.400 I'm afraid not, ladies, you ever had to at one time, Sally. 0:13:10.960 --> 0:13:13.280 I never had that pleasure, even when you was a 0:13:13.280 --> 0:13:14.200 big time guy. 0:13:14.640 --> 0:13:16.880 I was never that big, never too eate. 0:13:17.040 --> 0:13:19.640 Oh stop it, lot of you're embarrassing the poor guy. 0:13:20.520 --> 0:13:21.480 Sal You know where to go? 0:13:22.120 --> 0:13:23.199 Yeah, I got the address. 0:13:23.559 --> 0:13:25.720 You ask the night clerk to call up to apartment 0:13:25.840 --> 0:13:28.440 seven k K like in King. 0:13:28.600 --> 0:13:32.959 Exterior east side apartment building. Night Sal enters the building 0:13:33.040 --> 0:13:35.520 a lot of exits the limo and lights a cigarette. 0:13:35.720 --> 0:13:36.640 Harah joins her. 0:13:37.880 --> 0:13:38.360 What's a name? 0:13:39.120 --> 0:13:39.480 Nothing? 0:13:41.360 --> 0:13:44.320 Look, kid, I gotta do this and this is the 0:13:44.320 --> 0:13:47.280 big bucks. I ain't getting any younger. If Fince finds out, 0:13:47.400 --> 0:13:50.440 Vince ain't gonna find out. Shit like this is between 0:13:50.480 --> 0:13:53.440 me and the Senator. I've been riding that pony for years. 0:13:53.440 --> 0:13:55.760 It's about time that horse paid off. Oh you gotta 0:13:55.800 --> 0:13:58.800 do is keep your mouth shut. You owe me that much. 0:13:59.520 --> 0:14:02.640 It's not that I always get like this. When I 0:14:02.640 --> 0:14:04.680 got to do one of these scumbags who sets himself 0:14:04.760 --> 0:14:06.040 up to be better than anyone else. 0:14:06.200 --> 0:14:09.160 Remember it's not a dick, it's money. 0:14:10.000 --> 0:14:11.360 Sal exits the building. 0:14:11.640 --> 0:14:12.480 He'll be right down. 0:14:13.280 --> 0:14:14.800 You get in, Sal, we'll get the door. 0:14:15.320 --> 0:14:17.000 Put on some of that old shit you listen to. 0:14:17.920 --> 0:14:20.680 Sale gets into the limbo and lowers his window. He 0:14:20.720 --> 0:14:23.720 plays the rest of at last, who's that singing? 0:14:24.320 --> 0:14:26.040 Eddie James, one of the best. 0:14:27.840 --> 0:14:30.800 Can almost feel the pain you play her while we 0:14:30.840 --> 0:14:31.320 do our thing. 0:14:31.360 --> 0:14:35.400 Okay, sure, kid, I'll just do that. He's in the lobby. 0:14:36.040 --> 0:14:38.360 Lada opens the rear passenger side door. 0:14:39.520 --> 0:14:41.440 You know, Sal, My mama would never let me listen 0:14:41.520 --> 0:14:44.080 to music like that, she said, Only Saint Louis trash 0:14:44.080 --> 0:14:45.680 would sing such sinful songs. 0:14:46.360 --> 0:14:47.720 Is that where you're from? St? Louis? 0:14:48.360 --> 0:14:51.000 I'm from wherever they want? What the hell is their dime? 0:14:51.120 --> 0:14:54.080 Right if you say so? Harry comes. 0:14:55.560 --> 0:14:58.480 High is Sugar, A well dressed man in his mid 0:14:58.520 --> 0:14:59.880 fifties enters the limo. 0:15:00.520 --> 0:15:02.520 Sal, just keep driving around till we tell you to 0:15:02.560 --> 0:15:04.920 head back. Don't open the window. 0:15:05.360 --> 0:15:06.640 The two girls jump in. 0:15:07.040 --> 0:15:07.560 You got it. 0:15:08.280 --> 0:15:12.000 Exterior New York City Street night continuous the city in 0:15:12.040 --> 0:15:14.920 the wee hours, as Eda James sings the Love of 0:15:14.960 --> 0:15:19.320 My Man montage of shots dashboard as light goes on, 0:15:19.440 --> 0:15:24.160 indicating tape recording times square the Washington Bridge from the 0:15:24.160 --> 0:15:29.600 west Side Highway, Empire State Building, Grant's Tomb sunrise at 0:15:29.600 --> 0:15:36.240 the seventy ninth Street boat basin, exterior east side apartment 0:15:36.240 --> 0:15:39.640 building early morning, Sal exits and runs to open the 0:15:39.680 --> 0:15:42.320 rear door for the John, who looks at Sal. 0:15:43.160 --> 0:15:44.920 I was told you're a man who knows how to 0:15:45.000 --> 0:15:46.000 keep his mouth shut. 0:15:46.440 --> 0:15:47.360 That's what they say. 0:15:48.040 --> 0:15:49.160 Let's keep it that way. 0:15:50.280 --> 0:15:52.720 The John takes out a roll of money and peels 0:15:52.720 --> 0:15:56.280 off a few bills, putting them into Sal's suit jacket pocket. 0:15:56.360 --> 0:16:01.280 The John enters the apartment building interior, big white limo continuous. 0:16:01.600 --> 0:16:05.120 Sal opens the inside window where two ladies. 0:16:05.440 --> 0:16:07.160 I'm at your sirfa I live. 0:16:07.000 --> 0:16:08.560 In queens Brooklyn. 0:16:08.800 --> 0:16:10.880 Me too, so I'll drop a lot off first. 0:16:11.040 --> 0:16:13.160 Hey, stop at a good digner on Queen's Boulevard. 0:16:13.480 --> 0:16:15.320 Whatever you say, but I'm buying. 0:16:15.880 --> 0:16:17.520 Sal starts to close the window. 0:16:18.320 --> 0:16:19.960 Sal, I want to come up front with you. She's 0:16:20.000 --> 0:16:21.440 going to start smoking like a chimney. 0:16:21.480 --> 0:16:23.240 Back here, shoot yourself. 0:16:23.960 --> 0:16:27.200 Window closes as a lot of pulls connecting wires from 0:16:27.200 --> 0:16:30.680 her pocketbook, and during the following dialogue, she connects one 0:16:30.760 --> 0:16:34.760 TVVCR to the other TV. She removes two blank tapes 0:16:34.800 --> 0:16:37.400 from her purse. She then removes a tape from one 0:16:37.440 --> 0:16:39.520 of the VCR's and puts it in the blank. 0:16:39.640 --> 0:16:41.800 Okay, whatever you do, don't let him open that window. 0:16:41.920 --> 0:16:42.640 I know, I know. 0:16:42.800 --> 0:16:45.000 When we get to the restaurant, tell him my fell asleep. 0:16:45.000 --> 0:16:46.520 I don't care if you have to fuck the old bastard. 0:16:46.560 --> 0:16:47.360 Don't let him back here. 0:16:47.400 --> 0:16:48.400 Don't worry about it. 0:16:48.560 --> 0:16:50.040 If I had my equipment, I'd be able to burn 0:16:50.080 --> 0:16:51.280 off a DVD and nothing flat. 0:16:51.480 --> 0:16:52.720 Why does Vince want to copy? 0:16:53.240 --> 0:16:55.320 Who knows two can play at that game? 0:16:56.200 --> 0:17:00.560 Alie, can you read that line? Instead of saying DBD, 0:17:00.720 --> 0:17:01.960 can you say tape? 0:17:02.600 --> 0:17:02.880 Yep? 0:17:03.400 --> 0:17:06.560 Okay, because they actually didn't have DVD ut. 0:17:06.520 --> 0:17:08.040 An old bastard. Have you seen this face? 0:17:10.880 --> 0:17:12.840 I remember when Joe had that face. 0:17:12.880 --> 0:17:17.160 I guess I know my new age range. 0:17:17.560 --> 0:17:20.000 She then removes the tape from one of the VCRs 0:17:20.040 --> 0:17:21.240 and puts in the blank. 0:17:21.400 --> 0:17:23.439 Look, whatever you do, don't let him open that window. 0:17:23.520 --> 0:17:24.359 I know, I know. 0:17:24.520 --> 0:17:26.680 When we get to the restaurant, tell them my fall asleep. 0:17:26.760 --> 0:17:28.359 I don't care if you have to fuck the old bastard, 0:17:28.359 --> 0:17:29.280 don't let him back here. 0:17:29.640 --> 0:17:30.720 Don't worry about it. 0:17:31.000 --> 0:17:32.600 Find my equipment. I'd be able to burn off a 0:17:32.640 --> 0:17:33.520 tape and nothing flat. 0:17:34.119 --> 0:17:35.320 Why does Vince want to copy? 0:17:35.600 --> 0:17:36.159 Who knows? 0:17:36.760 --> 0:17:38.000 But who complay this game? 0:17:38.560 --> 0:17:43.800 Harah exits interior, Big White Limo continuous. Haarah sits in 0:17:43.840 --> 0:17:47.240 the front seat and sell heads for Queens. Haarah puts 0:17:47.240 --> 0:17:49.640 her head back on the big leather seat and closes 0:17:49.680 --> 0:17:52.640 her eyes. Her knee covers the record. 0:17:52.280 --> 0:17:56.080 Light Queens my good Man music, Please. 0:17:55.960 --> 0:17:56.560 You got it? 0:17:57.200 --> 0:18:01.080 Sell presses play and Dinah Washington sings, What a difference 0:18:01.080 --> 0:18:01.879 a day makes? 0:18:02.160 --> 0:18:06.399 She sounds great, Yeah, smooth, I saw that guy you. 0:18:06.800 --> 0:18:09.280 Sal looks at Hara, who's asleep. 0:18:09.880 --> 0:18:11.240 Tough night at the office. 0:18:11.840 --> 0:18:17.359 Sal smiles and pulls away. Exterior long white Limo. Early morning. 0:18:17.720 --> 0:18:20.880 The limo heads for the Queensboro Bridge as Dinah Washington 0:18:21.000 --> 0:18:25.240 sings and Hara sleeps. New York City at dawn, Nothing 0:18:25.400 --> 0:18:30.760 like it. Exterior Empire Diner, Queens Boulevard continuous. We see 0:18:30.760 --> 0:18:34.560 the Queensboro Bridge. The big white Limo maneuvers in the 0:18:34.640 --> 0:18:39.160 diner parking lot. Interior front of Big White Limo continuous. 0:18:39.800 --> 0:18:42.280 Sal is about to wake Hara when he stops and 0:18:42.440 --> 0:18:45.400 stares at her for a moment. He brushes some hair 0:18:45.480 --> 0:18:50.520 covering her face. Flash. Harah astride the john, grinding and 0:18:50.560 --> 0:18:53.879 looking straight at the camera. Sal shuts off the music. 0:18:54.560 --> 0:18:59.400 Hey, hey, we're here, Hey kid, get up? What we're here? 0:19:00.119 --> 0:19:02.920 Where I'll get your partner. 0:19:03.080 --> 0:19:06.399 Sal moves to lower the window. Harah grabs his hand. 0:19:06.960 --> 0:19:09.600 I'll get her. She's probably out like a light too. 0:19:10.040 --> 0:19:15.560 We'll be right in exterior Empire Diner parking lot, Queens Boulevard. Continuous. 0:19:16.160 --> 0:19:19.000 Sal heads for the diner entrance. Harah goes to the 0:19:19.040 --> 0:19:24.320 limo's rear door. Interior, Big white Limo Continuous. Harah opens 0:19:24.359 --> 0:19:27.640 the door to find Lotta Fast asleep as the tape plays. 0:19:28.119 --> 0:19:30.399 The red recorder light on one of the VCRs is 0:19:30.440 --> 0:19:33.240 glowing as a tape of the threesome plays on the 0:19:33.280 --> 0:19:35.920 other screen, Haro wakes Lada. 0:19:36.200 --> 0:19:39.080 What the hell are you doing? What you're supposed to 0:19:39.080 --> 0:19:39.680 be taping? 0:19:39.680 --> 0:19:39.760 This? 0:19:39.920 --> 0:19:41.919 Not sleeping, it's taping. It's taping. 0:19:41.960 --> 0:19:46.160 Don't have a kitten? What I'm supposed to watch us? Fuck? 0:19:46.240 --> 0:19:47.000 Give me a break. 0:19:47.119 --> 0:19:47.679 Is it done? 0:19:48.040 --> 0:19:49.720 Lata looks at the VCR counter. 0:19:49.960 --> 0:19:53.359