WEBVTT - TGI – Episode 710 “Picket Fences” PART 2

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<v Speaker 1>Welcome back to an episode where we can't stop talking.

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<v Speaker 1>This is part too enjoy. Then we flip to the

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<v Speaker 1>Matthews living room. Corey and Tapanga are prepping Alan and Amy.

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<v Speaker 1>You guys are gonna be so proud of us because

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<v Speaker 1>I went into the world, I did my homework, and

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<v Speaker 1>I made it happen. I made it happen. Alan is suspicious,

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<v Speaker 1>would you do to pega vouches? No, it's good. I

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<v Speaker 1>didn't think it was good at first, but it is.

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<v Speaker 1>She urges Corey to show them a document he pulls

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<v Speaker 1>out of his pocket. All we need are your signatures

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<v Speaker 1>and we'll have our dream home. Corey gleefully adds with nook, okay,

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<v Speaker 1>he hands the contract over to his parents. As soon

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<v Speaker 1>as you sign this, we are completely on our own.

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<v Speaker 1>Amy asks what this is, and Alan explains this is

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<v Speaker 1>a loan application for an eighty thousand dollars house. Amy comments,

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<v Speaker 1>I don't like it when you call him an idiot,

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<v Speaker 1>but Alan didn't call him anything, so Amy admits, oh,

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<v Speaker 1>I must have thought it in my head.

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<v Speaker 2>Good mind, Yeah, it is very funny.

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<v Speaker 1>Corey butts in and nervously asks what's going on. Alan

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<v Speaker 1>tells him you want us to sign your eighty thousand

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<v Speaker 1>dollars mortgage so that when you don't pay it. Corey interjects,

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<v Speaker 1>we're gonna pay it, but Alan continues his shpiel. Then

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<v Speaker 1>they can come and take our house. Is that what

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<v Speaker 1>you want us to sign?

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<v Speaker 3>Corey?

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<v Speaker 1>Amy reiterates, do you realize how ridiculous you are? Corey

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<v Speaker 1>doesn't get it, so Amy, the one time real estate agent,

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<v Speaker 1>or maybe a still active real estate agent, paints it

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<v Speaker 1>out for him. You can't buy a house before you

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<v Speaker 1>have a job. Alan breaks it down. You get a job,

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<v Speaker 1>save for a down payment, then buy the house. Corey argues, no, Dad,

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<v Speaker 1>it's gonna take us forever to raise that kind of money.

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<v Speaker 1>Nah uh uh, we just heard it was only a week.

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<v Speaker 3>Well, Corey, Topeka don't have jobs, though, do that?

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<v Speaker 1>I know? Why don't they have jobs?

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<v Speaker 3>Because they're in school? They're in college, sure.

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<v Speaker 1>But don't most college kids have jobs?

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<v Speaker 3>Not most? But I don't think most.

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<v Speaker 4>I would maybe have you did, yeah, but I just

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<v Speaker 4>think I think a lot of people dedicate those that time.

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<v Speaker 3>Just I mean, if you can afford it, right, you don't,

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<v Speaker 3>I mean, I don't know.

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<v Speaker 5>Well, they set it up so they've said several times

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<v Speaker 5>during the episode, not just for Corey and to Panga,

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<v Speaker 5>but also for Sean and Angela. People are quote unquote

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<v Speaker 5>helping them or helping to pay are Corey and to

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<v Speaker 5>Panga asking Alan and Amy to co sign while also

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<v Speaker 5>helping to pay for Corey and Eric in college. So

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<v Speaker 5>they have two kids in college a baby.

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<v Speaker 1>Yeah, I mean, unless they have loans. Unless they have

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<v Speaker 1>student loans or scholarships. Are grants that we don't know about.

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<v Speaker 1>It appears as though the Matthews are paying well. At

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<v Speaker 1>least Eric has a job. He's working at the student union.

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<v Speaker 2>He's doing something.

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<v Speaker 1>Correy is not. And Topanga, who knows what her family's

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<v Speaker 1>financial situation is. It seems as though her daddy was rich,

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<v Speaker 1>but maybe they're on their own now.

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<v Speaker 5>It's interesting they never they didn't and you have to

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<v Speaker 5>imagine he still has the Wilderness Store.

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<v Speaker 4>I mean.

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<v Speaker 1>Also, Topanga and Angela worked at a Mexican restaurant in

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<v Speaker 1>high school and now in college don't work.

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<v Speaker 4>I mean, it seems like Topanga would definitely have a job,

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<v Speaker 4>right like she she would be like already interning somewhere

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<v Speaker 4>at least yes, or.

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<v Speaker 3>Yeah, she's not the type of person that wouldn't be.

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<v Speaker 2>But her father fathers are luthier bankers. Yeah, can be

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<v Speaker 2>very lucrative.

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<v Speaker 4>Once you asked me, Danielle, I realized, like, yeah, everybody

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<v Speaker 4>I know had a job in college. In college, my

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<v Speaker 4>wife worked through college. All of my friends had jobs. Yeah,

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<v Speaker 4>they definitely all had jobs.

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<v Speaker 1>I don't even think it's about uh needing it, per se.

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<v Speaker 1>I think it's about wanting it. It's it is you.

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<v Speaker 1>I can see in high school parents saying it would

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<v Speaker 1>be I know, you're allowed to start working at sixteen,

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<v Speaker 1>but it would be my preference that you not, so

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<v Speaker 1>that you can really focus on your SATs and that

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<v Speaker 1>you can you know, but by the time you get

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<v Speaker 1>to college, that's really a time to like figure out

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<v Speaker 1>what it feels like to live in the world, not

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<v Speaker 1>just like I have no other responsibilities and all I

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<v Speaker 1>have to do is focus on my tests.

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<v Speaker 4>It's like it really depends. I mean, there are some

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<v Speaker 4>programs that are so yeah, you know, like if you're

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<v Speaker 4>a pre med if you're like you don't have time,

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<v Speaker 4>you literally are working so hard just to you know,

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<v Speaker 4>get all your units in four years or whatever.

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<v Speaker 3>Yes, So I don't know.

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<v Speaker 1>Well, Topanga steps in, Dad, I'm calling you, dad. She

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<v Speaker 1>takes a seat next to her in laws. The house

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<v Speaker 1>that we're in right now is very bad. We would

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<v Speaker 1>have invited you there, except it's very bad. Alan shakes

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<v Speaker 1>his head. I'm sorry that it's very bad. Amy agrees.

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<v Speaker 1>We know this isn't easy for you. Corey emotionally pleads

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<v Speaker 1>with them. Look, we're dying in that place. Why do

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<v Speaker 1>you keep shutting us down? Alan responds calmly, Corey, my son,

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<v Speaker 1>whom I love. Figure it out. Cory fires back, you

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<v Speaker 1>think I'm going to figure out what kind of father

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<v Speaker 1>wants his kids to have a bad time. I'm never

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<v Speaker 1>going to figure that out. Never. Corey tells Tapega he

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<v Speaker 1>doesn't even know why they came here, and then walks

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<v Speaker 1>out to Pegs choked up and agrees. She tells Amy

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<v Speaker 1>and Allen, I don't understand this either, and walks out

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<v Speaker 1>as sad piano music plays.

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<v Speaker 6>He was sad.

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<v Speaker 5>It was sad.

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<v Speaker 1>Yeah, now alone. Amy turns to Alan, I hate this.

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<v Speaker 1>He puts his arm around her and kisses her forehead.

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<v Speaker 3>I know I think they should have signed a loan

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<v Speaker 3>for them. You do, yes, I don't. I think you know,

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<v Speaker 3>I think the point.

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<v Speaker 4>The point is are you showing responsibility and taking on

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<v Speaker 4>more responsibility? And I feel like when Corey shows up

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<v Speaker 4>and says I have a plan, We're going to be

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<v Speaker 4>able to pay this off, that that is going to

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<v Speaker 4>your parents and saying I'm trying to, I need to,

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<v Speaker 4>I want to take the next step in life. And

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<v Speaker 4>I'm like, I think that if your kid is that responsible.

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<v Speaker 5>You're risking of it because if they do default on

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<v Speaker 5>the loan, they come after you and your.

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<v Speaker 1>And if they go, we don't have the money to

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<v Speaker 1>easily cover it.

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<v Speaker 4>If you evaluate your kid right, which in this case,

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<v Speaker 4>evaluate Corey into Panga, Uh, I think I would take

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<v Speaker 4>that bet that they're going.

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<v Speaker 3>To be responsible.

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<v Speaker 4>Like Corey's not a troublemaker, He's not a lazy guy.

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<v Speaker 2>Like what, we have a job? You said yourself a job.

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<v Speaker 4>I'm imagining that they have a job because in my

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<v Speaker 4>mind to Panga definitely has a job, and like I

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<v Speaker 4>could or you know, a plan, Like I just don't.

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<v Speaker 1>I agree that they're they'd set it up in this scene.

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<v Speaker 1>First you get a job, then you get a house.

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<v Speaker 1>If if this were my real life scenario and I

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<v Speaker 1>were going to my parents. Yes, my dad absolutely would

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<v Speaker 1>have co signed on a loan for me. And by

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<v Speaker 1>the way, did I think because I when I bought

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<v Speaker 1>my when I bought my first house, I had no

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<v Speaker 1>real credit history. And and it's weird when you buy

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<v Speaker 1>a place and you're an actor and they want like

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<v Speaker 1>three years of your last pay stubs and it's like, well,

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<v Speaker 1>two years ago, i made a ton of money and

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<v Speaker 1>the last two years I've made zero money. Like, my

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<v Speaker 1>dad did co sign on a place for me. But

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<v Speaker 1>my dad would have wanted to see if I were

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<v Speaker 1>Corey into Panga, what job did you have? Can I

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<v Speaker 1>see your past ubs? How much are you making? How

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<v Speaker 1>long have you had this job? Are there any pitfalls

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<v Speaker 1>you see? Is there a reason you think you might

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<v Speaker 1>get fired or that you might not want to keep

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<v Speaker 1>this job? My dad would want to see a very

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<v Speaker 1>well thought out, for lack of a better term, business plan.

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<v Speaker 6>Yeah.

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<v Speaker 1>And then we're in Corey Intopanga's department. Angela inspects their

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<v Speaker 1>rusty oven and tells Topanga it's nice. She responds loudly Liyah.

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<v Speaker 1>Angela admits, when you said stinkhole, I really didn't think

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<v Speaker 1>it was a stinkhole, but it is it is a stinkhole,

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<v Speaker 1>isn't it?

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<v Speaker 2>I didn't need to hear.

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<v Speaker 1>We say it too many times. It's just normal, is

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<v Speaker 1>forget we hear it?

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<v Speaker 2>Okay, yeah, okay.

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<v Speaker 1>Meanwhile, Sean takes a look at the place and decides,

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<v Speaker 1>I think it has possibilities. Corey wonders, like what greasefire,

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<v Speaker 1>wrecking ball or the place just falls apart on its

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<v Speaker 1>own because it knows it should. Sean tries to look

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<v Speaker 1>at the bright side. This is the type of place

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<v Speaker 1>we always said we wanted to live in, right, Corey

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<v Speaker 1>reminds him he's married now, but Tapega immediately jumps in, no, hey,

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<v Speaker 1>if you guys want to live here, you can go

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<v Speaker 1>right ahead. Sean and Angela suggest various ways to redecorate

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<v Speaker 1>their little space, a bookshelf, a romantic photograph. Corey explains, guys,

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<v Speaker 1>we're not gonna fix this place up. Okay, it's not

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<v Speaker 1>like we're gonna live here. Sean wonders where they plan

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<v Speaker 1>on living then, and Tapanga tells them about the dream

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<v Speaker 1>house with a nook, but Sean still doesn't get it.

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<v Speaker 1>Corey asks, what's not to get We hate this house

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<v Speaker 1>and I'm going to get us into that other house

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<v Speaker 1>with or without my cheapskate dad, Sean points out, they've

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<v Speaker 1>already got a great place to start. Why don't you

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<v Speaker 1>slow down for a second and take a look around you.

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<v Speaker 1>This is your place, man, fix it up. Have an imagination.

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<v Speaker 1>Corey laughs, you have an imagination. Look what we've got here, Sean,

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<v Speaker 1>imagine this is the water you drink. He turns on

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<v Speaker 1>the faucet and brown water come shooting out. Corey catches

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<v Speaker 1>it in a glass and offers it to Sean. Go ahead,

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<v Speaker 1>drink the mud. Sean snaps at him. Corey, imagine you

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<v Speaker 1>have some pride in the place and fix the rusty pipes.

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<v Speaker 1>You want to live in a nice place, you're going

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<v Speaker 1>to have to work at it.

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<v Speaker 2>I like it.

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<v Speaker 1>I like it.

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<v Speaker 4>Hearing all this, I was surprised that Sean doesn't bring

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<v Speaker 4>up his upbringing, right, I thought so too. It seems

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<v Speaker 4>like an easy thing to be like, dude, you know,

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<v Speaker 4>I lived in a trailer and.

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<v Speaker 1>I loved it and it was just my hole.

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<v Speaker 4>Yeah. The home is wherever you make out of it,

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<v Speaker 4>you know, Like I don't know. It's surprising that the

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<v Speaker 4>writers didn't fall back on that.

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<v Speaker 1>They kept all the on the nose dialogue for the

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<v Speaker 1>Bee storyline, I am a spoiled brat who gets whatever

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<v Speaker 1>she wants hippotism land, and on this one they wanted

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<v Speaker 1>us to read between the lines ambiguous.

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<v Speaker 2>With the Sean storyline.

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<v Speaker 1>Exactly, you want to live in a nice place, You're

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<v Speaker 1>going to have to work at it, and then someday

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<v Speaker 1>maybe you'll be lying next to each other on the

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<v Speaker 1>floor with the sun streaming in the window, drinking coffee

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<v Speaker 1>and reading the newspaper, which, as Will pointed out, is

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<v Speaker 1>apparently the textbook definition of marriage.

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<v Speaker 2>You ever hit the pinnacle of marriage?

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<v Speaker 5>My friend were sharing a newspaper on the floor, sipping coffee.

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<v Speaker 1>Marriage. It should be on the post, on the poster

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<v Speaker 1>for marriage.

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<v Speaker 3>It should.

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<v Speaker 1>Corey scoffs, that's easy for you to say, mister. I

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<v Speaker 1>live with my girlfriend in a great apartment that I

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<v Speaker 1>lucked into and you know what, you guys aren't even married.

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<v Speaker 3>How fair is that.

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<v Speaker 1>After a few seconds of silence, Sean admits I don't know,

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<v Speaker 1>thanks for.

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<v Speaker 7>Having us, and I was like, yes, angsty, Sean is back.

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<v Speaker 2>I was so happy to see him.

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<v Speaker 4>I was like, there, he is.

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<v Speaker 2>Kind of existential Christ.

0:10:52.920 --> 0:11:01.600
<v Speaker 3>And walk out. I was open your face. Uh.

0:11:02.280 --> 0:11:06.959
<v Speaker 4>At this point, Rachel is moving out. Yeah, Cory to

0:11:07.000 --> 0:11:09.360
<v Speaker 4>Mega can move in. Yep, they could even have separate

0:11:09.360 --> 0:11:12.040
<v Speaker 4>bedrooms because exactly, it's so dumb.

0:11:12.920 --> 0:11:14.520
<v Speaker 5>Do you want to you want to mopen a stinkhole?

0:11:14.880 --> 0:11:15.880
<v Speaker 5>What's happened in my friend?

0:11:17.320 --> 0:11:19.040
<v Speaker 3>I'm gonna open your stinkhole?

0:11:20.240 --> 0:11:20.760
<v Speaker 1>Shut up?

0:11:23.080 --> 0:11:25.200
<v Speaker 2>Okay, so moping in a stink hoole?

0:11:29.040 --> 0:11:35.480
<v Speaker 1>Oh god, I got four body chills again. Oh my god.

0:11:36.120 --> 0:11:39.000
<v Speaker 1>Angela quickly follows suit and politely adds, we had a

0:11:39.080 --> 0:11:41.760
<v Speaker 1>very nice time to paying a yells atter again. Liar

0:11:42.520 --> 0:11:46.160
<v Speaker 1>now alone in their whole Corey into paying a share

0:11:46.280 --> 0:11:47.560
<v Speaker 1>a moment of sadness.

0:11:47.600 --> 0:11:49.320
<v Speaker 3>It's funny that pole is like easier.

0:11:50.280 --> 0:11:52.199
<v Speaker 1>It doesn't take it as much it is.

0:11:52.480 --> 0:11:53.199
<v Speaker 3>It's so true.

0:11:55.760 --> 0:11:58.920
<v Speaker 2>Then your hithole doesn't sound too good.

0:12:02.360 --> 0:12:05.640
<v Speaker 1>We're in the student union. We are uncomfortably zoomed in

0:12:05.679 --> 0:12:07.120
<v Speaker 1>on bridgets butt while she's.

0:12:06.920 --> 0:12:12.320
<v Speaker 3>Playing I couldn't actually this is like that.

0:12:12.480 --> 0:12:14.240
<v Speaker 4>This is like one of the few times I feel like,

0:12:14.320 --> 0:12:16.480
<v Speaker 4>I mean, well, I guess our show is pretty yeah,

0:12:16.520 --> 0:12:19.600
<v Speaker 4>but but it's like using the camera to actually zoom

0:12:19.640 --> 0:12:20.080
<v Speaker 4>in on a.

0:12:20.960 --> 0:12:22.840
<v Speaker 5>And I get They cut their pulling back and then

0:12:22.840 --> 0:12:25.120
<v Speaker 5>it's supposed to be that Eric is leering at her,

0:12:25.120 --> 0:12:27.720
<v Speaker 5>which doesn't make it any better, But there is something

0:12:27.720 --> 0:12:30.200
<v Speaker 5>about the camera shot itself that does take it to

0:12:30.280 --> 0:12:31.040
<v Speaker 5>another level.

0:12:31.200 --> 0:12:35.400
<v Speaker 4>The gas man yeah oh.

0:12:35.800 --> 0:12:38.360
<v Speaker 1>Nearby, Eric admits to Jack, I can't keep my eyes

0:12:38.360 --> 0:12:40.920
<v Speaker 1>off her tushy. Jack grabs him to bring him back

0:12:40.960 --> 0:12:43.760
<v Speaker 1>to reality. You must don't let that tushy control you.

0:12:44.080 --> 0:12:47.600
<v Speaker 1>Eric repeats, bad tushy, and Jack emphasizes the point evil,

0:12:47.800 --> 0:12:50.760
<v Speaker 1>but Eric still walks towards her. I want it. Jack

0:12:50.840 --> 0:12:53.400
<v Speaker 1>holds him back. She knows you want it, she knows

0:12:53.440 --> 0:12:54.320
<v Speaker 1>you'd be her pet.

0:12:55.120 --> 0:12:57.640
<v Speaker 3>Interesting question, and maybe do you?

0:12:57.760 --> 0:13:01.040
<v Speaker 4>I mean because Michael had worked with coal right, like

0:13:01.120 --> 0:13:04.520
<v Speaker 4>they went back, Like does that make this kind of

0:13:04.520 --> 0:13:08.400
<v Speaker 4>camera shot okay for him? Because like I don't know

0:13:08.400 --> 0:13:10.640
<v Speaker 4>if he would have zoomed in on a guest star's butt,

0:13:10.880 --> 0:13:14.520
<v Speaker 4>Like that's a really bold camera thing to do. We've

0:13:14.520 --> 0:13:18.040
<v Speaker 4>had lots of like hot girls and we augle them

0:13:18.040 --> 0:13:20.640
<v Speaker 4>in that's, but for the camera itself, for the show

0:13:20.760 --> 0:13:23.760
<v Speaker 4>itself to begin zoomed in like that's.

0:13:23.800 --> 0:13:27.960
<v Speaker 1>We also have never commented on whether or not someone's

0:13:28.000 --> 0:13:31.360
<v Speaker 1>body had been surgically and but we did with her.

0:13:31.440 --> 0:13:34.600
<v Speaker 1>But we do with her, So it one hundred percent

0:13:35.280 --> 0:13:44.920
<v Speaker 1>think their familiarity, yes, and child she was treated less respectfully.

0:13:44.480 --> 0:13:48.160
<v Speaker 5>Yes, differently it was or I think yes, yes, you

0:13:48.200 --> 0:13:51.280
<v Speaker 5>know what, it's so funny we see it as less respectfully.

0:13:51.400 --> 0:13:54.280
<v Speaker 2>It would be Michael being like, well, she's a friend exactly.

0:13:54.720 --> 0:13:56.520
<v Speaker 3>I know, because it's because.

0:13:56.520 --> 0:13:58.520
<v Speaker 2>John defyant, Yeah, buying her.

0:13:58.440 --> 0:13:59.960
<v Speaker 3>This job and it's a good part.

0:14:00.559 --> 0:14:03.959
<v Speaker 2>She knows. I'm like this, he knows exactly the thing.

0:14:04.160 --> 0:14:06.679
<v Speaker 4>But I yeah, it just occurred to me that, like,

0:14:06.760 --> 0:14:08.720
<v Speaker 4>I don't think he would have gotten away with that shot.

0:14:08.920 --> 0:14:11.880
<v Speaker 4>I don't think we would have even tried it attempted.

0:14:12.040 --> 0:14:13.360
<v Speaker 4>You know, you just have a hot girl and you

0:14:13.400 --> 0:14:16.040
<v Speaker 4>have that, but the camera itself, yeah, and then making

0:14:16.080 --> 0:14:16.480
<v Speaker 4>a yeah.

0:14:16.559 --> 0:14:18.439
<v Speaker 3>I think that that's because of familiarity.

0:14:18.520 --> 0:14:22.840
<v Speaker 2>And I have I have an honest question. Is there

0:14:23.080 --> 0:14:27.080
<v Speaker 2>anything redeeming about this beast story? Anything?

0:14:29.200 --> 0:14:32.160
<v Speaker 4>I mean, I think Danielle pointed out that it could

0:14:32.200 --> 0:14:37.080
<v Speaker 4>have the dynamic of of Matt Lauren Jack meeting another Jack,

0:14:37.240 --> 0:14:40.200
<v Speaker 4>like meeting a female version of him is a cool idea,

0:14:40.480 --> 0:14:42.520
<v Speaker 4>and I like that he like that that he's not

0:14:42.560 --> 0:14:44.240
<v Speaker 4>going to fall for her, like that first bit.

0:14:44.160 --> 0:14:46.680
<v Speaker 3>Where he's like I'm basically the male version of you.

0:14:46.720 --> 0:14:48.640
<v Speaker 3>I thought it was. I think that's a cool observation.

0:14:48.880 --> 0:14:50.720
<v Speaker 4>And it's nice for Jack to be a little self

0:14:50.720 --> 0:14:53.240
<v Speaker 4>aware about him, like being a rich party boy. That

0:14:53.360 --> 0:14:55.400
<v Speaker 4>is cool that and I wish they did more of

0:14:55.440 --> 0:14:57.320
<v Speaker 4>that throughout the show because it gives.

0:14:57.160 --> 0:14:57.840
<v Speaker 3>It more of a character.

0:14:57.880 --> 0:15:01.680
<v Speaker 1>It's smilarly to the episode. Keep bringing up the monkey episode,

0:15:01.760 --> 0:15:06.360
<v Speaker 1>similarly to the way Jack learned about himself that there

0:15:06.480 --> 0:15:10.440
<v Speaker 1>is a downside to what he's like. It would have

0:15:10.480 --> 0:15:14.720
<v Speaker 1>been redeeming and nice if she taught him something about himself.

0:15:15.040 --> 0:15:18.480
<v Speaker 1>And if the lesson of this had actually been that

0:15:18.520 --> 0:15:21.720
<v Speaker 1>he becomes a better person because of something she inadvertently

0:15:22.640 --> 0:15:25.880
<v Speaker 1>teaches him because he sees a similarity in them, then

0:15:25.920 --> 0:15:28.360
<v Speaker 1>that would have been redeeming. But they set something up

0:15:29.480 --> 0:15:35.840
<v Speaker 1>and sucking, so Eric is thrilled. Did she say that

0:15:36.160 --> 0:15:39.000
<v Speaker 1>Jack calls Bridget a sadist just looking for a masochist,

0:15:39.040 --> 0:15:42.480
<v Speaker 1>and again Eric is elated. Did she say that this

0:15:42.600 --> 0:15:44.480
<v Speaker 1>is another one of our moments from the season seven

0:15:44.480 --> 0:15:48.200
<v Speaker 1>Bluebers where you grab Matt's muscle and say, guy, you're

0:15:48.240 --> 0:15:49.800
<v Speaker 1>well built, and he goes, thank you, and then he

0:15:49.800 --> 0:15:50.920
<v Speaker 1>has to get back into characters.

0:15:51.880 --> 0:15:52.720
<v Speaker 2>It's favorite.

0:15:53.160 --> 0:16:01.720
<v Speaker 7>Thanks, You're like the way you do it, really God,

0:16:01.760 --> 0:16:07.320
<v Speaker 7>you're really really well built.

0:16:05.520 --> 0:16:06.720
<v Speaker 3>So earnestly. Just thanks you.

0:16:06.840 --> 0:16:11.560
<v Speaker 4>He's like thanks, and then he's like, con so funny, funny,

0:16:11.640 --> 0:16:12.200
<v Speaker 4>Oh my god.

0:16:12.480 --> 0:16:14.800
<v Speaker 1>Jack kicks it up a notch. Here's what she'll say,

0:16:14.840 --> 0:16:17.440
<v Speaker 1>clean the toilets, ground the espresso, count the cups, and

0:16:17.480 --> 0:16:19.400
<v Speaker 1>then you'll say, I will get to it when I'm

0:16:19.400 --> 0:16:23.320
<v Speaker 1>good and ready. Show shut your cake hole, Irene. Do

0:16:23.400 --> 0:16:24.520
<v Speaker 1>we know where Irene came from?

0:16:25.520 --> 0:16:31.680
<v Speaker 4>Okay, cake hole, stinkhole, cakele versus, I'll take a cake hole.

0:16:32.280 --> 0:16:33.560
<v Speaker 2>Of the week.

0:16:32.880 --> 0:16:38.320
<v Speaker 5>Also, we we really show in this episode again there

0:16:38.400 --> 0:16:40.080
<v Speaker 5>is a fashionation with the word tushy.

0:16:40.240 --> 0:16:41.160
<v Speaker 1>Oh yeah, we love tushy.

0:16:41.440 --> 0:16:45.920
<v Speaker 2>Tushy all the time, all the time. For season tushy.

0:16:46.040 --> 0:16:50.040
<v Speaker 4>The last episode, your mama wiped my tushy.

0:16:50.240 --> 0:16:53.280
<v Speaker 2>Yeah, that's that's the word for it. We say tushy

0:16:53.320 --> 0:16:53.760
<v Speaker 2>all the time.

0:16:55.160 --> 0:16:57.480
<v Speaker 1>Eric responds, her name is Bridgett, and I wrote her

0:16:57.480 --> 0:16:59.960
<v Speaker 1>this poem. He pulls out a comically large piece of

0:17:00.120 --> 0:17:05.080
<v Speaker 1>paper and begins reciting bridget you make me fidget. Then

0:17:05.160 --> 0:17:07.439
<v Speaker 1>he holds the ginormous piece of paper back up and

0:17:07.480 --> 0:17:11.280
<v Speaker 1>returns it to his pocket. That's all he's got. I

0:17:11.320 --> 0:17:13.720
<v Speaker 1>feel like that was a will thing. I'm on cute,

0:17:13.720 --> 0:17:17.439
<v Speaker 1>it's funny on cube. Bridget appears, Hello, pretty boys. She

0:17:17.480 --> 0:17:19.159
<v Speaker 1>takes a seat on the coffee bar and asks, have

0:17:19.200 --> 0:17:21.639
<v Speaker 1>you scrubbed the toilets, ground, the espresso, counted the cups.

0:17:22.000 --> 0:17:24.480
<v Speaker 1>Jack puts on a brave face and confidently answers, I

0:17:24.520 --> 0:17:26.359
<v Speaker 1>will get to it when I'm good and ready, so

0:17:26.520 --> 0:17:29.479
<v Speaker 1>shut your cake hole, Irene. Bridget looks to Eric, how

0:17:29.480 --> 0:17:35.240
<v Speaker 1>about you, bonehead? Jack whispers with encouragement, cakele, Cakele. Eric pauses,

0:17:35.280 --> 0:17:37.240
<v Speaker 1>not knowing what to say, and then blurts out Jack

0:17:37.280 --> 0:17:39.000
<v Speaker 1>thinks you're a bad girl and I'll fall prey to

0:17:39.040 --> 0:17:42.560
<v Speaker 1>your tushy. Jack is very disappointed as Eric calmly continues,

0:17:42.680 --> 0:17:44.600
<v Speaker 1>I think you're a sweet little farm girl who likes

0:17:44.640 --> 0:17:47.399
<v Speaker 1>to hold hands on the porch. Bridget sticks out her

0:17:47.480 --> 0:17:49.840
<v Speaker 1>leg and matter of factly demands Eric to take off

0:17:49.840 --> 0:17:53.760
<v Speaker 1>her shoe and suck her third toe. Eric's face slides

0:17:53.880 --> 0:17:56.800
<v Speaker 1>up and he falls to the ground without hesitation. Bridget

0:17:56.880 --> 0:17:58.280
<v Speaker 1>turns her attention back to Jack.

0:17:58.359 --> 0:18:00.719
<v Speaker 3>This is really it? Huh? Are you're thinking that there

0:18:00.760 --> 0:18:03.720
<v Speaker 3>was another? Nope? Turn or point to the storyline.

0:18:03.800 --> 0:18:07.800
<v Speaker 1>Nope, nope, by the way, you're fired with that, Eric

0:18:07.920 --> 0:18:10.280
<v Speaker 1>calls out from the floor, and I'm in a brand new,

0:18:10.320 --> 0:18:13.640
<v Speaker 1>healthy relationship, all right.

0:18:13.680 --> 0:18:17.480
<v Speaker 5>A what the and B If I had to do

0:18:17.520 --> 0:18:19.800
<v Speaker 5>it over again, I would have said that with my mouthful.

0:18:20.800 --> 0:18:28.439
<v Speaker 1>No, right, but it's true. Then we're in Corey in

0:18:28.440 --> 0:18:31.000
<v Speaker 1>Tepega's dorm. To PEG's depressed on the couch as Corey

0:18:31.040 --> 0:18:33.920
<v Speaker 1>paces the living room. He's venting about Sean, claiming he's

0:18:33.960 --> 0:18:36.560
<v Speaker 1>in a cushy apartment, living the good life, eating bonbonds.

0:18:36.880 --> 0:18:39.240
<v Speaker 1>Tapega admits a bookshelf would look cute in the corner,

0:18:39.320 --> 0:18:40.880
<v Speaker 1>but Corey doesn't want to hear it. You know, we're

0:18:40.880 --> 0:18:43.440
<v Speaker 1>a bookshelf would look good in the nook. To Pega

0:18:43.480 --> 0:18:45.080
<v Speaker 1>breaks it to him, We're not going to have a

0:18:45.119 --> 0:18:48.560
<v Speaker 1>nook right now, He desperately asks, we're not to Penga

0:18:48.600 --> 0:18:52.600
<v Speaker 1>reiterates no. Corey takes a look around and sighs, So

0:18:53.000 --> 0:18:55.879
<v Speaker 1>we live here now? She nods. He takes a spot

0:18:55.920 --> 0:18:58.000
<v Speaker 1>next to her on the couch and asks, what if

0:18:58.040 --> 0:19:00.720
<v Speaker 1>I built us a nook. She explains there isn't any room,

0:19:00.800 --> 0:19:03.920
<v Speaker 1>so Corey asks, what if I fix the sink? Topanga

0:19:04.000 --> 0:19:05.560
<v Speaker 1>asks if he knows how to fix a sink, and

0:19:05.600 --> 0:19:09.080
<v Speaker 1>he admits no. She laughs, you never thought you'd ever

0:19:09.119 --> 0:19:12.200
<v Speaker 1>have to fix a sink, did you? Corey chuckles no,

0:19:12.920 --> 0:19:17.320
<v Speaker 1>and so Tapanga offers to help. He's shocked, haha, you

0:19:17.359 --> 0:19:19.360
<v Speaker 1>know how to fix a sink. Now it's her turn

0:19:19.400 --> 0:19:22.400
<v Speaker 1>to admit she has no clue. Corey states, so neither

0:19:22.440 --> 0:19:24.280
<v Speaker 1>one of us knows how to fix a sink. She

0:19:24.359 --> 0:19:27.320
<v Speaker 1>looks at him. Together, they get it from the couch,

0:19:27.359 --> 0:19:29.640
<v Speaker 1>ready to team up. Corey warns her as he takes

0:19:29.680 --> 0:19:32.240
<v Speaker 1>his spot underneath the scene. I now loved that whole

0:19:32.359 --> 0:19:33.119
<v Speaker 1>part on the couch was.

0:19:33.440 --> 0:19:36.960
<v Speaker 5>Good that part, this part I didn't like ouse next part.

0:19:37.640 --> 0:19:39.760
<v Speaker 1>Before I go under there, I gotta tell you, whatever

0:19:39.800 --> 0:19:42.280
<v Speaker 1>you do, it's very important that you do not. And

0:19:42.359 --> 0:19:44.720
<v Speaker 1>before he can finish the sentence to Panga turns on

0:19:44.760 --> 0:19:48.200
<v Speaker 1>the faucet and Corey shrieks, do not turn on the water.

0:19:49.080 --> 0:19:51.720
<v Speaker 1>She quickly turns it off. I'm sorry, did something bad happen?

0:19:52.040 --> 0:19:54.440
<v Speaker 1>Corey pops back up and we see brown sludge all

0:19:54.440 --> 0:19:56.960
<v Speaker 1>over his face and shirt. He points a finger at Topanga,

0:19:57.080 --> 0:20:00.440
<v Speaker 1>possibly on the brink of breaking, and says, you tell

0:20:00.480 --> 0:20:04.119
<v Speaker 1>me to. Penga wins this. She's so sorry. Corey opens

0:20:04.160 --> 0:20:06.320
<v Speaker 1>his arms for an embrace. Okay, you gotta hug me.

0:20:06.560 --> 0:20:08.520
<v Speaker 1>She yells no and starts to run away.

0:20:08.880 --> 0:20:10.840
<v Speaker 5>This part, to me, all of a sudden, turned into

0:20:10.840 --> 0:20:12.240
<v Speaker 5>a little bit of a high school play.

0:20:12.920 --> 0:20:13.240
<v Speaker 1>Yeah.

0:20:13.240 --> 0:20:15.320
<v Speaker 5>I don't know if it was the blocking or the

0:20:15.440 --> 0:20:19.640
<v Speaker 5>acting in this one specific part, but it seemed very stiff.

0:20:19.880 --> 0:20:20.520
<v Speaker 2>Yeah this part.

0:20:20.640 --> 0:20:24.880
<v Speaker 1>Yeah, yeah. She teases him get away from me, swamp thing.

0:20:25.040 --> 0:20:29.320
<v Speaker 1>Corey screams, swamp thing wants the booty Tapenga jumps onto

0:20:29.359 --> 0:20:31.720
<v Speaker 1>the couch and jokingly yells, it's after me. I must

0:20:31.720 --> 0:20:34.800
<v Speaker 1>warn the village. Corey threatens, no, no, I'm taking you

0:20:34.840 --> 0:20:37.920
<v Speaker 1>back to the swamp to do things to. Penga throws

0:20:37.920 --> 0:20:39.600
<v Speaker 1>her arms in the air and Corey's about to grab

0:20:39.600 --> 0:20:40.800
<v Speaker 1>her when there's a knock at the door.

0:20:41.160 --> 0:20:44.360
<v Speaker 4>Before we go further in the episode, I've heard back

0:20:44.400 --> 0:20:48.119
<v Speaker 4>from Nate Brewer. Yes, oh, and so he had texted

0:20:48.160 --> 0:20:50.400
<v Speaker 4>me we're all just bosos on the bus and I said, wait,

0:20:50.520 --> 0:20:52.600
<v Speaker 4>what was that one? And he said, that's the record

0:20:52.680 --> 0:20:56.480
<v Speaker 4>it came from. Check out this video fire sign theater

0:20:56.600 --> 0:20:59.639
<v Speaker 4>Bozos on the bus. I think your brother found the

0:20:59.640 --> 0:21:01.840
<v Speaker 4>old record at your parents' house and we were probably

0:21:01.920 --> 0:21:02.399
<v Speaker 4>high out of.

0:21:02.400 --> 0:21:04.760
<v Speaker 3>Our minds and listen to it. I will try to

0:21:04.760 --> 0:21:05.600
<v Speaker 3>find this sound bite.

0:21:05.640 --> 0:21:07.639
<v Speaker 4>And he sent me a YouTube link and at five

0:21:07.640 --> 0:21:10.720
<v Speaker 4>point twenty they say, Unhappy Macnam.

0:21:10.960 --> 0:21:14.880
<v Speaker 3>It's like, now you have to play it right, doesn't stop.

0:21:14.920 --> 0:21:18.640
<v Speaker 2>Please now listen to me. This is worker speaking.

0:21:20.160 --> 0:21:22.040
<v Speaker 3>Open your gate doctor.

0:21:22.400 --> 0:21:24.480
<v Speaker 4>I have no idea what this is, but is that

0:21:24.760 --> 0:21:26.400
<v Speaker 4>like it's really trippy.

0:21:28.840 --> 0:21:45.040
<v Speaker 8>Mom damnd it's repeating. He's saying Macnam, mom man, ma'am,

0:21:43.480 --> 0:21:47.639
<v Speaker 8>ma'am madam.

0:21:47.000 --> 0:21:49.720
<v Speaker 2>My memory laugh.

0:21:51.840 --> 0:21:53.879
<v Speaker 3>Read Unhappy Macnam.

0:21:54.000 --> 0:21:57.560
<v Speaker 8>Unhappy Macnam sistat up time nine.

0:21:58.000 --> 0:22:01.919
<v Speaker 3>Away for None orders took. So.

0:22:02.440 --> 0:22:05.400
<v Speaker 4>I think the idea was that it was like a

0:22:05.440 --> 0:22:08.000
<v Speaker 4>bad drug trip that they had and they were like,

0:22:09.320 --> 0:22:12.199
<v Speaker 4>listening to this album that my parents had. Whatever, this

0:22:12.359 --> 0:22:15.440
<v Speaker 4>is comedy, classic Shoes for Industry, hilarious.

0:22:17.560 --> 0:22:20.360
<v Speaker 2>Yeah, this is the best of what are their regular albums?

0:22:20.440 --> 0:22:20.520
<v Speaker 5>Like?

0:22:20.600 --> 0:22:22.280
<v Speaker 4>So yeah, So I think the idea was it was

0:22:22.320 --> 0:22:27.000
<v Speaker 4>just pure psychedelic weirdness. And so whenever we were around

0:22:27.080 --> 0:22:29.240
<v Speaker 4>people that were making us uncomfortable, we would look at

0:22:29.280 --> 0:22:32.160
<v Speaker 4>each other and go mc no, I'm like I'm having

0:22:32.160 --> 0:22:32.879
<v Speaker 4>a bad trip.

0:22:33.600 --> 0:22:36.080
<v Speaker 1>There you go there, it is there, it is I

0:22:36.119 --> 0:22:42.760
<v Speaker 1>can just before Oh god, you know what. I'm so

0:22:42.960 --> 0:22:45.400
<v Speaker 1>glad when we have these little moments and then they

0:22:45.480 --> 0:22:47.680
<v Speaker 1>just take us a little deeper into the life of writer,

0:22:47.880 --> 0:22:49.200
<v Speaker 1>the childhood life of writer.

0:22:49.960 --> 0:22:53.400
<v Speaker 5>The Fireside Theater was an American surreal comedy troupe who

0:22:53.400 --> 0:22:56.440
<v Speaker 5>first appeared on November seventeenth, nineteen sixty six, and live

0:22:56.480 --> 0:22:59.520
<v Speaker 5>performance on the Los Angeles radio program Radio Free OZ.

0:23:00.040 --> 0:23:03.600
<v Speaker 2>They continued appearing on Radio Friage later moved to k RLA.

0:23:04.480 --> 0:23:09.040
<v Speaker 5>They produced fifteen albums, fifteen.

0:23:08.680 --> 0:23:12.159
<v Speaker 4>Albums, Holy must have done well, Wow, that is a

0:23:12.200 --> 0:23:13.720
<v Speaker 4>deep cut, man, It is a deep cut.

0:23:13.760 --> 0:23:17.680
<v Speaker 1>Okay, okay, Well, Corey whins, oh, wouldn't you know it?

0:23:17.880 --> 0:23:21.639
<v Speaker 1>Swamp thing, though he fustweighted. It's Kelly, the neighbor with

0:23:21.720 --> 0:23:23.880
<v Speaker 1>the baby, who looks like she's at her wits end.

0:23:23.960 --> 0:23:26.240
<v Speaker 1>She won't go to sleep, she hasn't slept in three weeks,

0:23:26.280 --> 0:23:26.919
<v Speaker 1>and neither of I.

0:23:27.320 --> 0:23:28.440
<v Speaker 2>Did she knock this time?

0:23:28.680 --> 0:23:28.920
<v Speaker 1>Yes?

0:23:29.119 --> 0:23:29.920
<v Speaker 2>Okay, thank god?

0:23:30.160 --> 0:23:30.600
<v Speaker 6>Yeah.

0:23:30.720 --> 0:23:32.680
<v Speaker 1>She asks if she can just lean against their doorframe

0:23:32.720 --> 0:23:34.800
<v Speaker 1>to get the baby to settle, and Tapanga tells Corey

0:23:34.840 --> 0:23:36.920
<v Speaker 1>that Kelly and the baby are here and he's already

0:23:36.960 --> 0:23:39.280
<v Speaker 1>over at the sink. You guys got a five eighths

0:23:39.280 --> 0:23:42.280
<v Speaker 1>crescent wrench. Peg is impressed he figured out how to

0:23:42.320 --> 0:23:44.320
<v Speaker 1>fix it. He says, no, I just want to hit

0:23:44.320 --> 0:23:47.560
<v Speaker 1>myself over the head. Kelly winceys, I'm sorry. Was I

0:23:47.600 --> 0:23:50.720
<v Speaker 1>interrupting something? Corey answers, well, we were playing a nice

0:23:50.720 --> 0:23:53.600
<v Speaker 1>little game of swamp thing. Kelly smiles and walks into

0:23:53.640 --> 0:23:57.199
<v Speaker 1>the apartment without asking. Oh, yeah, swamp thing. I remember

0:23:57.240 --> 0:23:59.359
<v Speaker 1>playing swamp thing with my husband. You know what you

0:23:59.359 --> 0:24:02.239
<v Speaker 1>get at the end of the game. Corey wonders, what's that?

0:24:02.720 --> 0:24:05.359
<v Speaker 1>She quickly bursts his bubble, pointing to the screaming baby

0:24:05.359 --> 0:24:09.800
<v Speaker 1>on her shoulder. Hello, Corey tells Tapanga, I don't want

0:24:09.840 --> 0:24:13.080
<v Speaker 1>to play anymore. Topanga offers that they watch the baby,

0:24:13.119 --> 0:24:15.280
<v Speaker 1>so Kelly can go see a movie. I don't know

0:24:15.320 --> 0:24:19.439
<v Speaker 1>why Topanga thinks that's what the mom who hasn't slept

0:24:19.480 --> 0:24:20.720
<v Speaker 1>in three weeks once.

0:24:21.480 --> 0:24:23.439
<v Speaker 2>Or take a nap? Why don't you take it? You

0:24:23.520 --> 0:24:23.920
<v Speaker 2>lay down?

0:24:24.200 --> 0:24:26.080
<v Speaker 1>Yeah? Why does she say go see a movie?

0:24:26.640 --> 0:24:27.320
<v Speaker 2>A rollercoaster?

0:24:27.840 --> 0:24:31.040
<v Speaker 4>But isn't it funny that didn't we say this last episode?

0:24:31.160 --> 0:24:34.119
<v Speaker 4>We said, why does the topanga offer to watch the baby?

0:24:34.200 --> 0:24:36.040
<v Speaker 2>And I was like, I was, we were ahead of

0:24:36.119 --> 0:24:36.879
<v Speaker 2>we were ahead of it.

0:24:36.960 --> 0:24:39.240
<v Speaker 5>Yeah, exactly, Why don't you just go to a water park,

0:24:39.320 --> 0:24:40.360
<v Speaker 5>take a second.

0:24:40.680 --> 0:24:41.639
<v Speaker 1>Take some time.

0:24:43.119 --> 0:24:43.760
<v Speaker 3>Exercise.

0:24:46.720 --> 0:24:49.280
<v Speaker 1>Kelly has taken aback. Oh no, I could never do that.

0:24:49.400 --> 0:24:51.960
<v Speaker 1>Topanga asks why you deserve some time to yourself? And

0:24:52.000 --> 0:24:54.800
<v Speaker 1>Corey and I have everything under control, right, honey. Corey

0:24:54.880 --> 0:24:56.960
<v Speaker 1>is back under the sink. There's something staring at me

0:24:57.000 --> 0:25:00.560
<v Speaker 1>in here to Pega insists go see a movie. Meanwhile,

0:25:00.600 --> 0:25:04.600
<v Speaker 1>Corey's now yelling it's licking me to Panga promises she's

0:25:04.600 --> 0:25:07.720
<v Speaker 1>a really great babysitter. Kelly asks, could I just sleep

0:25:07.720 --> 0:25:08.760
<v Speaker 1>for an hour instead?

0:25:09.320 --> 0:25:09.960
<v Speaker 2>Fair question?

0:25:10.200 --> 0:25:13.040
<v Speaker 1>Fair question? Still under the saint Cory insists, in a

0:25:13.080 --> 0:25:16.640
<v Speaker 1>billy crystal, you look marvelous accent, sleep as long as

0:25:16.680 --> 0:25:20.399
<v Speaker 1>you need, Darling. Finally willing to accept the help, Kelly

0:25:20.440 --> 0:25:22.639
<v Speaker 1>briefs to Panga she just dates, so you might need

0:25:22.680 --> 0:25:24.920
<v Speaker 1>to burper and if she gets fussy, she likes itsy

0:25:24.960 --> 0:25:27.800
<v Speaker 1>bitsy spider the best. Topanga smiles and tells her to

0:25:27.800 --> 0:25:30.119
<v Speaker 1>get some sleep. Kelly hands over the crying baby and

0:25:30.160 --> 0:25:31.960
<v Speaker 1>thanks her with no hen here, by the.

0:25:31.920 --> 0:25:35.040
<v Speaker 5>Way, no diapers, not a bag, nothing, here's the kid

0:25:35.080 --> 0:25:36.080
<v Speaker 5>in a blanket.

0:25:35.760 --> 0:25:37.800
<v Speaker 1>Good luck, enjoy the stinkhole.

0:25:37.960 --> 0:25:38.160
<v Speaker 3>Yeah.

0:25:42.119 --> 0:25:45.040
<v Speaker 1>On her way out, she tells Stefanga, you're a really

0:25:45.040 --> 0:25:47.639
<v Speaker 1>good neighbor. I'm glad you're here. Tapanga thanks her and

0:25:47.680 --> 0:25:50.199
<v Speaker 1>begins to sing itsy Bitsy Spider to Savannah, who is

0:25:50.280 --> 0:25:52.600
<v Speaker 1>no longer crying. Savannah the name of the baby.

0:25:52.680 --> 0:25:55.000
<v Speaker 5>I think, so that's apparently now that, by the way,

0:25:55.119 --> 0:25:57.879
<v Speaker 5>the only thing that makes my grandson laugh instantly.

0:25:58.040 --> 0:25:59.000
<v Speaker 2>It'sy Bitsy Spider.

0:25:59.160 --> 0:26:01.520
<v Speaker 5>Oh so the second we heard that too, and I

0:26:01.520 --> 0:26:02.639
<v Speaker 5>were like, well, that's true to life.

0:26:02.800 --> 0:26:03.880
<v Speaker 3>That's cute. Its love it.

0:26:04.160 --> 0:26:05.760
<v Speaker 1>She takes a seat on the floor with the baby

0:26:05.760 --> 0:26:08.920
<v Speaker 1>and asks Corey, how's that water spout going sport? Which

0:26:08.960 --> 0:26:10.960
<v Speaker 1>is hard to say. I don't know why that was

0:26:11.000 --> 0:26:14.760
<v Speaker 1>the line, you know, wat.

0:26:15.320 --> 0:26:17.560
<v Speaker 5>You know what's even harder than that, though, is fixing

0:26:17.560 --> 0:26:20.520
<v Speaker 5>a sink with no tools, no tools or any equipment

0:26:20.640 --> 0:26:22.120
<v Speaker 5>or any new pipes at all.

0:26:22.200 --> 0:26:24.600
<v Speaker 2>It's just him underneath, underneath.

0:26:24.320 --> 0:26:25.480
<v Speaker 1>Just drinking the muddy water.

0:26:25.600 --> 0:26:26.840
<v Speaker 2>It literally is done.

0:26:27.680 --> 0:26:31.200
<v Speaker 4>D That made me so mad because it's like, literally

0:26:31.359 --> 0:26:34.439
<v Speaker 4>the point is you have to do something and then.

0:26:34.640 --> 0:26:38.800
<v Speaker 1>Hold on, my laptop's broken, you got it.

0:26:39.000 --> 0:26:40.920
<v Speaker 4>But I mean it's like the it just ruins the

0:26:40.960 --> 0:26:43.479
<v Speaker 4>whole lesson, Like the whole lesson of this is like

0:26:43.600 --> 0:26:46.840
<v Speaker 4>it should take hard work. So dissolved show that he

0:26:46.960 --> 0:26:48.000
<v Speaker 4>has to go get something.

0:26:48.000 --> 0:26:50.600
<v Speaker 5>Figure there's different pieces of it all over the place,

0:26:50.600 --> 0:26:52.959
<v Speaker 5>and this this doesn't seem to be working anymore.

0:26:53.359 --> 0:26:57.000
<v Speaker 3>I know, dosolve. It's like if it's literally just put

0:26:57.040 --> 0:26:59.120
<v Speaker 3>your head to them. It's like, yeah, I hate it. It

0:26:59.160 --> 0:26:59.959
<v Speaker 3>drove me crazy.

0:27:00.080 --> 0:27:01.359
<v Speaker 5>It did for me as well, and it was like

0:27:01.359 --> 0:27:02.720
<v Speaker 5>what the hep But at the same time, I was

0:27:02.760 --> 0:27:05.560
<v Speaker 5>also thinking, this is ninety nine. If you didn't know

0:27:05.600 --> 0:27:06.960
<v Speaker 5>what you were doing in ninety nine and you had

0:27:07.000 --> 0:27:08.680
<v Speaker 5>to do this, you had to have the entire set

0:27:08.720 --> 0:27:10.159
<v Speaker 5>of those time life books.

0:27:10.520 --> 0:27:13.200
<v Speaker 1>Yeah, like how to fix your house Time life books.

0:27:13.280 --> 0:27:16.840
<v Speaker 2>Yeah, ain't no YouTube. So yeah, but was he drove

0:27:16.840 --> 0:27:18.280
<v Speaker 2>me crazy too? I was like, he literally doesn't even

0:27:18.320 --> 0:27:19.480
<v Speaker 2>have a wrench, he doesn't have anything.

0:27:19.760 --> 0:27:20.040
<v Speaker 8>I know.

0:27:20.480 --> 0:27:25.480
<v Speaker 1>I did just buy that he had tools under there already.

0:27:26.400 --> 0:27:29.200
<v Speaker 3>Why because Corey, they didn't even they don't have stuff

0:27:30.880 --> 0:27:33.080
<v Speaker 3>a sandwich. They don't have enough money for food.

0:27:33.119 --> 0:27:35.399
<v Speaker 1>Apparently I love tuna sandwiches.

0:27:35.520 --> 0:27:38.639
<v Speaker 2>I did too, not the airwan tuna though we tried

0:27:38.640 --> 0:27:40.639
<v Speaker 2>that yesterday. It's disgusting. It's soshy.

0:27:41.040 --> 0:27:43.360
<v Speaker 1>Oh it was gross. I don't like that. You got

0:27:43.359 --> 0:27:45.320
<v Speaker 1>to get an egcel of sandwich from seven to eleven.

0:27:45.200 --> 0:27:46.080
<v Speaker 2>Sixty two dollars.

0:27:46.160 --> 0:27:48.840
<v Speaker 1>Yeah, he admits, I don't know, but it's he bitsy

0:27:48.840 --> 0:27:51.040
<v Speaker 1>spider just laid about five million eggs ut my nose

0:27:51.440 --> 0:27:54.000
<v Speaker 1>to Panga asks mister plumber if it's fixed yet, and

0:27:54.040 --> 0:27:56.359
<v Speaker 1>Corey can't believe her. How could I have fixed it?

0:27:56.400 --> 0:27:59.680
<v Speaker 1>How could anybody do anything good around here? He turns

0:27:59.720 --> 0:28:03.399
<v Speaker 1>the same back on and it's brown, but then it

0:28:03.560 --> 0:28:08.679
<v Speaker 1>magically turns crystal clear. Corey's in shock. They have clear

0:28:08.720 --> 0:28:12.439
<v Speaker 1>water now, she points out, and you fixed it. Corey

0:28:12.560 --> 0:28:15.560
<v Speaker 1>is beaming. We did this, We did it. I feel incredible.

0:28:15.840 --> 0:28:18.560
<v Speaker 1>What a great day for me. Tapanga pulls the blanket

0:28:18.560 --> 0:28:21.199
<v Speaker 1>from the baby's face. Isn't that incredible? But then she

0:28:21.320 --> 0:28:25.480
<v Speaker 1>notices Savannah is finally asleep. She went to sleep for me.

0:28:26.040 --> 0:28:28.840
<v Speaker 1>She's comfortable here. And in case you haven't put it

0:28:28.840 --> 0:28:32.480
<v Speaker 1>together yourself, Corey looks at the baby, then the clear water,

0:28:32.960 --> 0:28:48.520
<v Speaker 1>and then he nods. We are back at Angela and

0:28:48.560 --> 0:28:51.400
<v Speaker 1>Sean's apartment. Sean Angela are lying on the floor reading

0:28:51.440 --> 0:28:52.200
<v Speaker 1>the newspaper.

0:28:52.880 --> 0:28:56.040
<v Speaker 2>Yeah, and they're lying on the floor reading the newspaper, perfect.

0:28:55.960 --> 0:29:02.040
<v Speaker 1>Drinking coffee, just as Corey predicted her. Angela loves their

0:29:02.080 --> 0:29:05.040
<v Speaker 1>life and Sean admits it's what I've always wanted. She

0:29:05.160 --> 0:29:08.680
<v Speaker 1>asks him are you happy, and a somewhat perplexed Sean nods,

0:29:09.120 --> 0:29:11.840
<v Speaker 1>I'm as happy as I'm going to get. Angela wonders

0:29:12.040 --> 0:29:15.600
<v Speaker 1>what does that mean, and he answers, we don't deserve this, Angela,

0:29:16.160 --> 0:29:19.400
<v Speaker 1>not yet. This came easy for us. What I didn't this?

0:29:19.880 --> 0:29:20.120
<v Speaker 1>I know?

0:29:20.560 --> 0:29:24.520
<v Speaker 4>I don't well who talks like this, who is aware

0:29:24.560 --> 0:29:28.400
<v Speaker 4>of themselves as a character and says I don't deserve

0:29:28.560 --> 0:29:29.160
<v Speaker 4>this yet?

0:29:29.760 --> 0:29:31.760
<v Speaker 3>It's the weirdest logic.

0:29:32.400 --> 0:29:34.520
<v Speaker 2>It doesn't make any sense.

0:29:34.520 --> 0:29:38.200
<v Speaker 5>And yet if seventeen year old Rider has said this

0:29:38.240 --> 0:29:40.120
<v Speaker 5>to me, it would have been perfectly in keeping with

0:29:40.160 --> 0:29:41.080
<v Speaker 5>seventeen year old Rider.

0:29:41.480 --> 0:29:43.800
<v Speaker 6>Really, yeah, I.

0:29:43.800 --> 0:29:47.040
<v Speaker 2>Do, because this was you. It's like everything's going really

0:29:47.080 --> 0:29:49.440
<v Speaker 2>good in my life, Hostel. I got to figure out

0:29:49.600 --> 0:29:50.760
<v Speaker 2>how I can this up.

0:29:53.600 --> 0:29:57.680
<v Speaker 4>I mean, yes, I guess I wouldn't express it that way.

0:29:57.880 --> 0:30:01.080
<v Speaker 3>I would probably not know you working harder? I should

0:30:01.120 --> 0:30:03.560
<v Speaker 3>be doing this. Why haven't I accomplished this yet? I

0:30:03.600 --> 0:30:04.360
<v Speaker 3>need to be blah blah.

0:30:04.400 --> 0:30:06.960
<v Speaker 4>I can't just relax like and I'm still doing that, yes,

0:30:07.080 --> 0:30:08.680
<v Speaker 4>my wife and say I'm still doing but I'm never

0:30:08.720 --> 0:30:12.520
<v Speaker 4>gonna say, you know what, I'm really happy right now.

0:30:12.560 --> 0:30:14.840
<v Speaker 4>And that's a problem I need to make you know,

0:30:14.880 --> 0:30:16.360
<v Speaker 4>like I never expressed it this way.

0:30:16.680 --> 0:30:17.280
<v Speaker 3>Yes, exactly.

0:30:17.520 --> 0:30:20.160
<v Speaker 4>The way Sean would actually do this is he would

0:30:20.200 --> 0:30:20.920
<v Speaker 4>screw this up.

0:30:21.160 --> 0:30:21.920
<v Speaker 3>He would, you know.

0:30:21.960 --> 0:30:23.960
<v Speaker 4>It's like, like Sean's the kind of guy who would

0:30:23.960 --> 0:30:26.840
<v Speaker 4>be it doesn't break up with somebody, he just acts.

0:30:27.000 --> 0:30:29.080
<v Speaker 3>He'd just be so bad that he gets broken up

0:30:29.080 --> 0:30:31.320
<v Speaker 3>with so he can have the responsibility.

0:30:30.720 --> 0:30:32.040
<v Speaker 1>And then he can be the victim.

0:30:32.320 --> 0:30:35.080
<v Speaker 3>Exactly. That's exactly what Sean would do in this situation.

0:30:35.360 --> 0:30:38.080
<v Speaker 4>And like he would just ruin this scene because it's like,

0:30:38.440 --> 0:30:40.840
<v Speaker 4>you know, he's not comfortable with the idea of being happy.

0:30:41.000 --> 0:30:43.800
<v Speaker 4>That's a good that's a good character motivation. You don't

0:30:43.880 --> 0:30:45.480
<v Speaker 4>just put it in the character's mouth.

0:30:45.840 --> 0:30:48.400
<v Speaker 3>It's so weird. No one talks like this hot take.

0:30:49.040 --> 0:30:53.720
<v Speaker 5>The apartment is haunted, and anybody who's in there.

0:30:52.400 --> 0:30:56.640
<v Speaker 1>Is exactly you do say. This came easy for us.

0:30:56.640 --> 0:30:58.840
<v Speaker 1>We didn't work at it. It's easy to be happy

0:30:58.880 --> 0:31:01.120
<v Speaker 1>about all this, but what if we were on our

0:31:01.200 --> 0:31:05.239
<v Speaker 1>own and other people weren't helping us pay rent? So

0:31:05.880 --> 0:31:09.160
<v Speaker 1>at the very least we could say that. Sean is saying,

0:31:10.600 --> 0:31:10.960
<v Speaker 1>you know.

0:31:11.920 --> 0:31:14.000
<v Speaker 3>Because we're I feel bad other people.

0:31:14.280 --> 0:31:17.000
<v Speaker 1>Yeah, like I want if I were really going to

0:31:17.040 --> 0:31:19.200
<v Speaker 1>be able, what would we be able to afford? We

0:31:19.240 --> 0:31:26.760
<v Speaker 1>could never afford this if we Jack Jack's dad still.

0:31:26.680 --> 0:31:31.040
<v Speaker 4>I was helping him pay for college college because ch

0:31:31.280 --> 0:31:33.000
<v Speaker 4>asked him to help out with all that.

0:31:33.320 --> 0:31:37.120
<v Speaker 3>Okay, yeah, all right, okay, it's weird.

0:31:37.440 --> 0:31:40.959
<v Speaker 1>Angela realizes you're jealous of Corey and Topanga. You're jealous

0:31:40.960 --> 0:31:42.000
<v Speaker 1>of their stinkhole.

0:31:43.080 --> 0:31:43.520
<v Speaker 2>Here you go.

0:31:44.440 --> 0:31:46.200
<v Speaker 1>Sean explains, I haven't had a lot of good things

0:31:46.240 --> 0:31:48.239
<v Speaker 1>in my life that really belonged to me, so when

0:31:48.280 --> 0:31:49.960
<v Speaker 1>they come along, I want to do my best to

0:31:49.960 --> 0:31:51.840
<v Speaker 1>protect them and hold on to them. I'm not going

0:31:51.920 --> 0:31:55.200
<v Speaker 1>to let anything bad happen to this relationship. Angela shakes

0:31:55.200 --> 0:31:57.400
<v Speaker 1>her head. You're such a sap. Why can't you just

0:31:57.480 --> 0:32:00.760
<v Speaker 1>be happy? Sean is adamant, because this is not real life.

0:32:01.080 --> 0:32:03.920
<v Speaker 1>It's not like Corey and Tapanga. You and I we're

0:32:03.920 --> 0:32:07.440
<v Speaker 1>just playing house. Angela is startled. You want what Corey

0:32:07.440 --> 0:32:11.080
<v Speaker 1>and Topanga have? Do you want to get married. Sean chuckles,

0:32:11.600 --> 0:32:17.240
<v Speaker 1>are you proposing? She clarifies, I'm just asking, and Sean

0:32:17.280 --> 0:32:21.160
<v Speaker 1>tells her not yet, and Angela laughs. She appears to

0:32:21.200 --> 0:32:24.120
<v Speaker 1>feel the same way. Sean throws his arm around her.

0:32:24.480 --> 0:32:27.680
<v Speaker 1>But someday, if and when we do, I promise we'll

0:32:27.720 --> 0:32:31.040
<v Speaker 1>have a stinkhole just like Corey and Tapanga. Angela makes

0:32:31.080 --> 0:32:34.200
<v Speaker 1>him promise, and she sighs, Oh, I'm looking forward to it.

0:32:34.720 --> 0:32:38.400
<v Speaker 1>Sean nods me too, and then a sweet moment passes

0:32:38.440 --> 0:32:41.920
<v Speaker 1>between them, before Angela looks off camer and wonders, who's

0:32:41.960 --> 0:32:44.400
<v Speaker 1>going to break it to him? We Panda their new

0:32:44.440 --> 0:32:46.920
<v Speaker 1>saint Bernard clueless lounging on the floor.

0:32:48.040 --> 0:32:49.640
<v Speaker 2>How do you know they named it clueless?

0:32:51.640 --> 0:32:54.560
<v Speaker 3>That's really sweet? So wait, they are not going to

0:32:54.640 --> 0:32:55.680
<v Speaker 3>live together? Is that?

0:32:55.720 --> 0:32:57.160
<v Speaker 2>This is no?

0:32:57.160 --> 0:32:57.360
<v Speaker 6>Now?

0:32:57.400 --> 0:33:00.959
<v Speaker 1>Angela's moving out and Eric and Jack are moving in

0:33:01.000 --> 0:33:01.240
<v Speaker 1>with you?

0:33:01.760 --> 0:33:04.280
<v Speaker 2>I don't like Wait, so Eric and Jack are going

0:33:04.360 --> 0:33:10.600
<v Speaker 2>to live with Sean again? Yes, the ven diagram needed.

0:33:10.400 --> 0:33:12.160
<v Speaker 4>Hold on, but what do I say in this? Because

0:33:12.200 --> 0:33:13.720
<v Speaker 4>I didn't quite understand that.

0:33:13.640 --> 0:33:15.920
<v Speaker 1>We're just playing house. I'm not going to let anything

0:33:15.920 --> 0:33:18.120
<v Speaker 1>bad happen to our relationship, but we're just playing house.

0:33:18.160 --> 0:33:20.800
<v Speaker 1>And if and when we do decide to get married,

0:33:21.040 --> 0:33:23.280
<v Speaker 1>the place we will live in together will be a stinkle?

0:33:23.400 --> 0:33:26.040
<v Speaker 3>When does she say I'm moving out in the tag?

0:33:26.120 --> 0:33:26.600
<v Speaker 2>In the tag?

0:33:27.120 --> 0:33:27.280
<v Speaker 3>Right?

0:33:27.320 --> 0:33:29.160
<v Speaker 4>But so why do we say who's going to break

0:33:29.160 --> 0:33:31.200
<v Speaker 4>it to him through the dog? As if we've already

0:33:31.200 --> 0:33:32.840
<v Speaker 4>made a decision to do something.

0:33:33.000 --> 0:33:37.000
<v Speaker 1>They think that that conversation was clear. Yeah, but they

0:33:37.000 --> 0:33:39.440
<v Speaker 1>think the audience. They think the audience picked up on

0:33:39.520 --> 0:33:42.080
<v Speaker 1>the idea that what you guys just agreed was that

0:33:42.120 --> 0:33:43.920
<v Speaker 1>you were no longer going to live together. But that

0:33:44.080 --> 0:33:44.680
<v Speaker 1>is not clear.

0:33:44.760 --> 0:33:48.040
<v Speaker 3>It is not clear that I'm so baffled. I was like, Yeah, what,

0:33:48.200 --> 0:33:49.120
<v Speaker 3>who's going to bring what?

0:33:49.200 --> 0:33:51.920
<v Speaker 4>Like, we just decided to not get married, which is

0:33:51.960 --> 0:33:55.120
<v Speaker 4>a cool, fun moment, But then why does that imply

0:33:55.240 --> 0:33:56.520
<v Speaker 4>we have to also move out?

0:33:56.840 --> 0:34:01.120
<v Speaker 1>No, the not needing to move out came from we

0:34:01.160 --> 0:34:05.520
<v Speaker 1>didn't earn this. People are helping us pay rent, and

0:34:05.560 --> 0:34:06.120
<v Speaker 1>we have to do.

0:34:06.120 --> 0:34:09.040
<v Speaker 3>With not being together. I don't understand or not living together.

0:34:09.160 --> 0:34:10.839
<v Speaker 2>I love that you're still trying to figure it out.

0:34:11.200 --> 0:34:14.239
<v Speaker 5>Yeah, so did you watch the b story of this episode?

0:34:14.640 --> 0:34:16.320
<v Speaker 3>Go suck a toe exactly.

0:34:17.280 --> 0:34:19.520
<v Speaker 1>We're in the Matthews living room, Amy and Alan are

0:34:19.520 --> 0:34:23.880
<v Speaker 1>cuddled up on the couch reading the newspaper. Marriage drinking

0:34:23.960 --> 0:34:28.719
<v Speaker 1>coffee together beverage the position we recognize as marriage. Then

0:34:28.800 --> 0:34:31.600
<v Speaker 1>Corey into Panga walk through the kitchen door. Corey's holding

0:34:31.600 --> 0:34:34.200
<v Speaker 1>a crystal clear glass of water. Drink this, you know,

0:34:34.400 --> 0:34:36.880
<v Speaker 1>signing no money, giving us, no letting us stay in

0:34:36.880 --> 0:34:40.560
<v Speaker 1>your house, little wisp of a man. Drink it. Alan

0:34:40.640 --> 0:34:44.200
<v Speaker 1>cautiously asks, is it poison? To Panga explains it was

0:34:44.239 --> 0:34:48.080
<v Speaker 1>before Corey fixed it. Alan is surprised he fixed pipes

0:34:48.160 --> 0:34:51.200
<v Speaker 1>dear to Panga casually adds, while I was playing with

0:34:51.239 --> 0:34:55.920
<v Speaker 1>the baby. Alan quips they had a baby. Dear. Corey

0:34:55.960 --> 0:34:57.680
<v Speaker 1>goes into detail. I was gonna call you to come

0:34:57.680 --> 0:35:00.200
<v Speaker 1>over and help me fix the pipes, but I didn't

0:34:59.800 --> 0:35:01.880
<v Speaker 1>want know why because I didn't think you'd help me.

0:35:02.080 --> 0:35:05.040
<v Speaker 1>Would you have helped me? The answer should be hell,

0:35:06.120 --> 0:35:10.600
<v Speaker 1>of course, Alan shakes his head. No, Corey knew it. Well,

0:35:10.640 --> 0:35:13.479
<v Speaker 1>we fix the pipes ourselves. Amy asks how they feel

0:35:13.480 --> 0:35:17.320
<v Speaker 1>about that, and Corey admits, proud, very proud of us. Okay.

0:35:17.760 --> 0:35:20.000
<v Speaker 1>He pulls his wife in close to Panga and I

0:35:20.040 --> 0:35:21.480
<v Speaker 1>are going to paint our place. We're going to put

0:35:21.480 --> 0:35:23.200
<v Speaker 1>in a bookshelf, and when we can afford it, we're

0:35:23.239 --> 0:35:25.680
<v Speaker 1>going to buy that house with the nook without your help.

0:35:26.160 --> 0:35:28.719
<v Speaker 1>What do you have to say to that? Alan stands up.

0:35:29.080 --> 0:35:32.080
<v Speaker 1>I'd say you finally figured it out. He and Amy

0:35:32.200 --> 0:35:35.600
<v Speaker 1>raise their glasses and she adds, welcome to being an adult.

0:35:35.840 --> 0:35:38.480
<v Speaker 2>He couldn't wipe his face off before he still got

0:35:38.880 --> 0:35:40.040
<v Speaker 2>over his face. Did you notice that?

0:35:40.440 --> 0:35:45.360
<v Speaker 1>I know he literally couldn't even he got there. Alan explains,

0:35:45.360 --> 0:35:47.520
<v Speaker 1>when your mother and I got married, we had nothing.

0:35:47.680 --> 0:35:50.719
<v Speaker 1>Nobody would help us. We did fine. Amy adds we

0:35:50.760 --> 0:35:52.719
<v Speaker 1>didn't know it then, but it was the sweetest time

0:35:52.719 --> 0:35:56.480
<v Speaker 1>in our lives. Alan clarifies we bonded together forever. We

0:35:56.520 --> 0:35:58.799
<v Speaker 1>fell completely in love because we knew we had made

0:35:58.840 --> 0:36:01.120
<v Speaker 1>a life for ourselves with no nobody's help but our own.

0:36:01.520 --> 0:36:04.279
<v Speaker 1>He tells Cory, I would never take that away from you, son.

0:36:04.719 --> 0:36:06.920
<v Speaker 1>Corey and Tapanga look at each other a little embarrassed,

0:36:06.920 --> 0:36:09.160
<v Speaker 1>and then back at Amy and Alan with huge grins.

0:36:09.600 --> 0:36:11.879
<v Speaker 1>Corey gives Alan a big hug and he says he's

0:36:11.920 --> 0:36:16.280
<v Speaker 1>sorry to Pega, grabs Alan's hands. Thanks Dad, I'm calling

0:36:16.280 --> 0:36:18.560
<v Speaker 1>you dad. They all hug and it ends in a

0:36:18.680 --> 0:36:22.879
<v Speaker 1>very sweet moment and then we're in the tag. We're

0:36:22.920 --> 0:36:27.680
<v Speaker 1>in Rachel's room, new set alert. Angela's visiting Rachel in

0:36:27.760 --> 0:36:31.040
<v Speaker 1>her new ra digs and Rachel is confused. So you're

0:36:31.080 --> 0:36:36.760
<v Speaker 1>telling me your butts out in the street, Angela explains, well, Sean,

0:36:37.160 --> 0:36:40.360
<v Speaker 1>Jack and Eric are gonna take over the apartment because

0:36:40.400 --> 0:36:43.440
<v Speaker 1>there's three bedrooms, and that's what makes sense.

0:36:44.080 --> 0:36:46.160
<v Speaker 2>Uh huh, none of this makes it, None of this,

0:36:46.880 --> 0:36:48.000
<v Speaker 2>she could start.

0:36:48.440 --> 0:36:48.960
<v Speaker 3>Oh my god.

0:36:49.400 --> 0:36:53.160
<v Speaker 1>Rachel nods, but your butt's out on the street. Angela agrees.

0:36:53.440 --> 0:36:55.359
<v Speaker 1>But if you talk to my last roommate, I bet

0:36:55.400 --> 0:36:58.520
<v Speaker 1>she'll give you some good references. Rachel jokes, you know what,

0:36:58.760 --> 0:37:00.919
<v Speaker 1>I know her, and she is a very beautiful woman.

0:37:01.360 --> 0:37:04.959
<v Speaker 1>Angela agrees that she is. Rachel adds, and she would

0:37:05.040 --> 0:37:08.120
<v Speaker 1>love to have you as her roommate. Angela lights up. Really,

0:37:08.440 --> 0:37:10.680
<v Speaker 1>Rachel gives her a big hug. It's a yes, But

0:37:10.800 --> 0:37:13.719
<v Speaker 1>Rachel still has one big question. Who's getting the dog?

0:37:14.520 --> 0:37:17.560
<v Speaker 1>Then we cut to the boy's apartment. Eric is napping

0:37:17.560 --> 0:37:20.359
<v Speaker 1>on the couch talking in his sleep. Oh, Bridget, your

0:37:20.400 --> 0:37:23.279
<v Speaker 1>breath's so warm. The camera pulls out to reveal that

0:37:23.320 --> 0:37:25.279
<v Speaker 1>the same Bernard is sprawled out on top of him.

0:37:25.480 --> 0:37:28.280
<v Speaker 1>Eric and Jack watch on from the stairs. Should they intervene?

0:37:28.640 --> 0:37:31.120
<v Speaker 1>Jack says no, they actually make a cute couple. Eric

0:37:31.120 --> 0:37:34.360
<v Speaker 1>continues to sleep talk Bridget. I got two words for you,

0:37:35.000 --> 0:37:39.800
<v Speaker 1>Tictac with that the same, Bernard breathes directly into his face.

0:37:39.960 --> 0:37:41.480
<v Speaker 5>That's a fun place to be, by the way, under

0:37:41.520 --> 0:37:43.319
<v Speaker 5>a big dog, just lying on a couch.

0:37:43.440 --> 0:37:47.160
<v Speaker 1>Just panting on you. Yeah, that's marriage cuddling. So yeah,

0:37:47.160 --> 0:37:49.640
<v Speaker 1>none of that made sense, None of that, Like.

0:37:49.600 --> 0:37:53.920
<v Speaker 4>I don't, I did not understand it, like I just don't. No,

0:37:54.120 --> 0:37:56.960
<v Speaker 4>But it's it's all presented as if it like makes

0:37:57.520 --> 0:37:58.400
<v Speaker 4>a logical sense.

0:37:58.840 --> 0:38:03.319
<v Speaker 1>It really presented as is. Let's not. No, let's talk

0:38:03.320 --> 0:38:04.880
<v Speaker 1>about it for too long. So the guys are going

0:38:04.920 --> 0:38:06.560
<v Speaker 1>to move in there because the three bedrooms. That makes sense.

0:38:07.000 --> 0:38:09.279
<v Speaker 1>Rushing right along, no time to think about it. Just

0:38:09.640 --> 0:38:11.400
<v Speaker 1>drop that little nugget of information.

0:38:11.600 --> 0:38:12.359
<v Speaker 3>I don't. I didn't.

0:38:12.360 --> 0:38:14.279
<v Speaker 5>I had no recollection that the three of us moved

0:38:14.320 --> 0:38:15.200
<v Speaker 5>back in together either.

0:38:15.480 --> 0:38:16.040
<v Speaker 1>I don't either.

0:38:16.440 --> 0:38:20.120
<v Speaker 3>So this is the way we started season six? No,

0:38:20.600 --> 0:38:21.120
<v Speaker 3>when did we.

0:38:21.080 --> 0:38:22.279
<v Speaker 1>Have living in the apartments? Yes?

0:38:22.520 --> 0:38:24.960
<v Speaker 5>If Matt Maddie came on season five, so season six

0:38:25.080 --> 0:38:25.799
<v Speaker 5>was us starting there?

0:38:25.880 --> 0:38:26.000
<v Speaker 6>Right?

0:38:26.520 --> 0:38:26.600
<v Speaker 5>Oh?

0:38:26.719 --> 0:38:29.480
<v Speaker 2>Yes, it's amazing came in.

0:38:29.640 --> 0:38:29.839
<v Speaker 8>Yeah.

0:38:29.880 --> 0:38:31.600
<v Speaker 1>So season five, you guys started living together.

0:38:31.680 --> 0:38:31.799
<v Speaker 8>Yea.

0:38:32.680 --> 0:38:34.520
<v Speaker 2>Through season five we started living I was still in

0:38:34.600 --> 0:38:35.120
<v Speaker 2>high school.

0:38:35.120 --> 0:38:37.200
<v Speaker 4>There you go, living with you guys right, because we

0:38:37.239 --> 0:38:39.360
<v Speaker 4>did the Witches of penbroke in there exactly.

0:38:40.800 --> 0:38:42.640
<v Speaker 1>Thank you all for joining us for this episode of

0:38:42.640 --> 0:38:44.520
<v Speaker 1>Pod Meets World. As always, you can follow us on

0:38:44.560 --> 0:38:46.600
<v Speaker 1>Instagram pod Meets World Show. You can send us your

0:38:46.600 --> 0:38:49.200
<v Speaker 1>emails pod meets World Show at gmail dot com and

0:38:49.520 --> 0:38:50.280
<v Speaker 1>we've got merch.

0:38:51.040 --> 0:38:54.000
<v Speaker 2>Suck my toe, moping in my stinkhole.

0:38:58.840 --> 0:39:04.000
<v Speaker 1>Join the podorldshow dot com. Full body, Chelsea, join us

0:39:04.000 --> 0:39:06.600
<v Speaker 1>for our next episode recap, which will be season seven,

0:39:06.680 --> 0:39:10.600
<v Speaker 1>episode eleven, What a Drag, which originally aired December third,

0:39:10.840 --> 0:39:13.919
<v Speaker 1>nineteen ninety nine. Writer send us out.

0:39:14.160 --> 0:39:16.120
<v Speaker 3>We love you all, pod dismissed.

0:39:18.520 --> 0:39:21.920
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0:39:22.000 --> 0:39:26.160
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