WEBVTT - "Play It Again, Jesse" Recap Season 5, Episode 15

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<v Speaker 1>Welicend. He's home sick today, so she has school, she's

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<v Speaker 1>just not there. So Zoe got sick again.

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<v Speaker 2>What Sunday since she got her was like just another

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<v Speaker 2>terrible hold. Poor thing was home Monday.

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<v Speaker 1>Tuesday was like this is all this. I felt so

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<v Speaker 1>bad for her. She was super sick. She's like, I'm

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<v Speaker 1>never taking my tonsils out ever again, or adnoids whatever

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<v Speaker 1>she got to have been out. That's the ad a.

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<v Speaker 2>This was just she got her the adnoids out, got

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<v Speaker 2>sick the day of her the night she.

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<v Speaker 1>Had her surgery.

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<v Speaker 2>It was miserable for that and then was like better

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<v Speaker 2>for a week five days and then her boyfriend's uh

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<v Speaker 2>little toddler brother I think was sick.

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<v Speaker 3>And these little tree dishes, aren't they? Oh boy?

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<v Speaker 2>Yeah, super just hands all over everything and their nose

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<v Speaker 2>in their mouth that you yeah.

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<v Speaker 1>Oh yeah, it's like two straight years of illness in

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<v Speaker 1>those preschool years.

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<v Speaker 3>Right.

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<v Speaker 2>But yeah, I was like, oh it' stop not again,

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<v Speaker 2>because it keeps going around the house and I relatively

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<v Speaker 2>bounce back quickly. But like poor mascalt, he'll get it and.

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<v Speaker 1>It just lingers. Oh no, he says it's because he's old.

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<v Speaker 3>But I don't think that's true. Well, it could be.

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<v Speaker 1>It could be because he's old, or there's just stuff

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<v Speaker 1>going around, you know, there is. There's a lot of stuff.

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<v Speaker 3>For me.

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<v Speaker 1>It feels in the year. Yeah, I think it's getting

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<v Speaker 1>colder in the mornings. We had lots of cag out here.

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<v Speaker 1>This spe is love it. I love fall. Yes, you're

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<v Speaker 1>shorter days, oh mind those.

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<v Speaker 2>See I hate the shorter days. But I have my

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<v Speaker 2>human plant light.

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<v Speaker 1>Oh yeah, you're You're like the reptile under.

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<v Speaker 2>A I am like a reptile in the morning, and

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<v Speaker 2>I in my little nook under the stairs where I

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<v Speaker 2>do my journaling in the morning, I have my little

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<v Speaker 2>plant light. So I basically have a small greenhouse for

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<v Speaker 2>myself and I sit in there and I just get

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<v Speaker 2>as much vitamin D as I can in the morning

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<v Speaker 2>because I'm waking up. I hate the short days that

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<v Speaker 2>I am not a fan of, but I'm trying to

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<v Speaker 2>find joy in the fall, which I did in a

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<v Speaker 2>big way.

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<v Speaker 1>You love fall. Yes, this is your season between the

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<v Speaker 1>pump halloweens, some the Halloween.

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<v Speaker 2>Pumpkins, pumpkin spice. You can have now, people, I'll allow it. Well, really, September,

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<v Speaker 2>you could start, but it was still so hot, right

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<v Speaker 2>you know. And and the rule is you can't drink

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<v Speaker 2>a cold pumpkin spy, you can't have an iced pumpkin spice.

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<v Speaker 1>That that's ridiculous, right, You're just defeating the purpose of cozy,

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<v Speaker 1>you know what I mean? Not cozy, it's dying. It's

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<v Speaker 1>not very high. That's too hig Who got that? It's

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<v Speaker 1>a Danish word? No, no, no, I get to correct you.

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<v Speaker 1>I only know this because I lived in Denmark for

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<v Speaker 1>four months and so h y g e is yes, yes, yes,

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<v Speaker 1>which is it's like coziness. It's like it's a whole

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<v Speaker 1>thing in Denmark. They strive for.

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<v Speaker 2>This, trying to live my best Huga life, yes, Huga.

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<v Speaker 2>But no, I I am a huge fan of Halloween. Yeah,

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<v Speaker 2>as you know, because I have dragged you to horror

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<v Speaker 2>nights many many times.

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<v Speaker 1>I hate it and we're not I'm so sad. We

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<v Speaker 1>we haven't planned it for this, Thank god. I'm not going.

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<v Speaker 2>I'm going to see I'm going to I'm going with

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<v Speaker 2>Teddy and Larry and a group of of their friends

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<v Speaker 2>that we call the Delusionals to uh the delusion interactive

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<v Speaker 2>horror play here in l a in a couple of weeks,

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<v Speaker 2>so I'll see him then and be like, hey, Aby

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<v Speaker 2>really wants to go still horror nights.

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<v Speaker 1>We need to make this happen. I'll go beforehand anyway,

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<v Speaker 1>you know. I want to see friends Teddy and Larry.

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<v Speaker 2>Teddy was one of our Netflix execs on Fuller House

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<v Speaker 2>that we have become very good friends with, and his

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<v Speaker 2>husband Larry.

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<v Speaker 1>And Larry as Larry also love.

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<v Speaker 2>Halloween and and Larry is always Andrea's protector. So yeah,

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<v Speaker 2>you're just you're sort of you're seeing eye dog when

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<v Speaker 2>you go. Your service, my emotional service, Larry emotional support.

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<v Speaker 1>Like I'll just hold onto his arm and he'll just

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<v Speaker 1>whisper in my ear it's okay, you're flying, it's not real,

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<v Speaker 1>You're okay, and he actually helps. So that's the only

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<v Speaker 1>way I'll go is if Larry No. But I this year.

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<v Speaker 2>Decided to go all out and have front of my

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<v Speaker 2>house decorated.

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<v Speaker 1>So did you did you go out? Yeah?

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<v Speaker 2>If you head over to my Instagram at Jodi Sweeten,

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<v Speaker 2>you can check out my amazing twelve foot tall animatronic

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<v Speaker 2>werewolf that's on my that's in my front yard.

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<v Speaker 1>It's pretty spectacular. It's amazing.

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<v Speaker 2>It howls, it yelps, it scares the dogs in the neighborhood.

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<v Speaker 1>It's great.

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<v Speaker 3>I am really enjoying. It keeps them from pooping on

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<v Speaker 3>her lawn.

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<v Speaker 1>It's the biggest, you know it is. It is a

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<v Speaker 1>big wolf.

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<v Speaker 2>We haven't named it yet because Zoe is it her dad,

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<v Speaker 2>so she hasn't seen it. So we're gonna have to

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<v Speaker 2>name him, uh me, Zoe and b obviously.

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<v Speaker 1>Because he needs a name. Well, yeah, yeah, I have.

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<v Speaker 1>I have a huge werewolf.

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<v Speaker 2>I've got gravestones, I've got little skeletons, I've got I've

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<v Speaker 2>got lights, I've.

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<v Speaker 3>Got very statter of things. It's so festive, very festive,

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<v Speaker 3>and I have to give a huge shout out.

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<v Speaker 1>I tagged them in my story.

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<v Speaker 2>But the Christmas lights, guys, if you're in here, if

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<v Speaker 2>you're here in La, the Christmas lights guys. I've talked

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<v Speaker 2>about them before on another show I did.

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<v Speaker 1>I love them.

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<v Speaker 2>James Costigan is the owner, super sweet, incredibly friendly.

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<v Speaker 1>Like so thorough. They do such a great job.

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<v Speaker 2>But they have done my house for Christmas, like the

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<v Speaker 2>outside lights because I can do the inside.

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<v Speaker 1>But we do an outside totally in a ladder. That's all.

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<v Speaker 3>So no ladders for Jodi seen no ladders for me.

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<v Speaker 2>So yeah, they have come and done the outside of

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<v Speaker 2>the house with Christmas lights and they just started doing

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<v Speaker 2>like Halloween this year, and so they were like, we

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<v Speaker 2>would love to come and and do your house and

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<v Speaker 2>do it. So it was really really fun way I mean,

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<v Speaker 2>I was like, just I don't know, have fun, go

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<v Speaker 2>for it, you know. And so yeah, so I now

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<v Speaker 2>have a howling werewolf in my yard for the next month.

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<v Speaker 1>That's shell.

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<v Speaker 2>He walked outside and he was like what, there's like

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<v Speaker 2>three people in the yard from like nine to four.

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<v Speaker 1>By the way, bless them. They went all day Wow.

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<v Speaker 2>Like everything is so meticulous. They like they ran all

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<v Speaker 2>of the electrical taped it down like you can't see anything.

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<v Speaker 1>It's the hardest part yep. But yeah, big shout out.

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<v Speaker 2>I tag them at Xmas lights guys on Instagram.

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<v Speaker 3>Check them out.

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<v Speaker 2>Because all of the stuff in the yard is not

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<v Speaker 2>even it's not mine. I don't I don't have to

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<v Speaker 2>store it or keep it's the best. It's like it's theirs.

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<v Speaker 2>And they set it up and they take it down

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<v Speaker 2>and it is absolutely worth it and bringing me joy.

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<v Speaker 2>I wasn't going to do it, and I was like,

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<v Speaker 2>oh no, you know see how the how the year goes, whatever,

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<v Speaker 2>holidays and stuff. But I was like, you know what,

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<v Speaker 2>this is what I need in the world right now.

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<v Speaker 1>I need.

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<v Speaker 2>The world is scary, so I'm going to make it

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<v Speaker 2>pretend scarier and deal with it that way.

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<v Speaker 1>There you go, escapism. I am escapism. Halloween.

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<v Speaker 2>I have bought more Halloween decorations. Mescal is going to

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<v Speaker 2>be out of town over the weekend and I told him,

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<v Speaker 2>I said, I need you to get the Halloween decorations

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<v Speaker 2>down before you leave.

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<v Speaker 1>Really, I'm surprised he hasn't done it already.

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<v Speaker 3>I have to nag him today. But it's the second

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<v Speaker 3>so you've.

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<v Speaker 1>Got you've got to talk. You're ahead of the game.

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<v Speaker 2>Yeah, well, I would have liked to have had it

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<v Speaker 2>done on the first, but whatever. No, but he's going

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<v Speaker 2>to get everything down and when he comes home, it's

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<v Speaker 2>he's going to have just He's like, oh my god, in.

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<v Speaker 1>This what did I do? Who did I? Well?

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<v Speaker 2>I told him I on like September twenty ninth. I said, babe,

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<v Speaker 2>you know what time it is.

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<v Speaker 1>He was like, what I said, It's decoration time.

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<v Speaker 2>Because basically from now through Christmas is uh oh yeah,

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<v Speaker 2>it's just it's one.

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<v Speaker 1>Holidays, all holidays.

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<v Speaker 2>Yeah, and I've got decor for all of it. I

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<v Speaker 2>am Janas Sweeten's daughter in this regard. Is this is

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<v Speaker 2>where my like little Orange County housewife comes out.

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<v Speaker 1>Yeah, and I am.

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<v Speaker 3>Thrilled for like, you know, a good faux leaf table runner,

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<v Speaker 3>you know what I mean.

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<v Speaker 1>So proud, Yes, really, Nick knacks the better just put

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<v Speaker 1>everything like Halloween throw up all over.

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<v Speaker 2>Halloween is going to puke all over my house.

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<v Speaker 1>It's gonna be great. I mean it's already got the

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<v Speaker 1>outside so and then you got Thanksgiving and then yeah,

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<v Speaker 1>it's like one big holiday.

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<v Speaker 2>Well Thanksgiving also is nice because like you start with

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<v Speaker 2>the with the Halloween and the pumpkins and whatever. You

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<v Speaker 2>can kind of throw some of the pumpkin in there

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<v Speaker 2>and then the Halloween and then the other things are left.

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<v Speaker 3>Yeah.

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<v Speaker 1>Oh no, it's my favorite time of year. I'm not

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<v Speaker 1>even a pump and spice person, but I just love

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<v Speaker 1>the weather. I love the houga, I love the candles, right,

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<v Speaker 1>oh I candles.

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<v Speaker 2>Yeah, yeah, it's been great. The weather's been super nice.

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<v Speaker 2>Finally it's not nine thousand degrees.

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<v Speaker 1>So I hope, I hope everybody else.

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<v Speaker 2>Out there is excited for Halloween now that we are

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<v Speaker 2>in the spooky season officially bookie season.

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<v Speaker 1>Yeah. No, it's a it's a great, great time of year.

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<v Speaker 2>I uh, I'm building my nightmare before Christmas.

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<v Speaker 1>Legos just started that. How many pieces is that?

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<v Speaker 2>I'm not sure how many pieces, but it's like three.

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<v Speaker 2>It's like the Halloween town. So it's like three little builds,

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<v Speaker 2>like separate buildings.

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<v Speaker 1>That kind of all connect together. Nice.

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<v Speaker 2>So I just started that because I couldn't started in

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<v Speaker 2>September because it's not Halloween.

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<v Speaker 1>No. No, you're a purist. I can tell you're a

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<v Speaker 1>purest pump spice. You're like a little OCD about it.

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<v Speaker 1>But what else? It's I admire that you commit, you

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<v Speaker 1>have boundaries in an.

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<v Speaker 2>Area in my life that I have any form of

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<v Speaker 2>self restraint and uh and planning ability and.

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<v Speaker 1>So yeah, I don't know, Oh god, it was this good.

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<v Speaker 3>You know, planning marriages?

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<v Speaker 1>Okay, you can plan Halloween though, dang it.

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<v Speaker 2>I can plan I can well. Yeah, look, I guess

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<v Speaker 2>I'm good at planning scary things.

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<v Speaker 1>Okay, yes you are, you are? Oh oh my how

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<v Speaker 1>are you? What are you? What's good you? I never

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<v Speaker 1>texted you back. Sorry, but when you texted me one

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<v Speaker 1>day and I was like, I can't talk. I'm a

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<v Speaker 1>Joey McIntyre's show, I can't talk.

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<v Speaker 3>So I just was like, justrified that I even thought

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<v Speaker 3>of interrupting, didn't you.

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<v Speaker 2>I didn't have it on my calendar that Andrea was

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<v Speaker 2>going to the Joey mcdie.

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<v Speaker 1>I'm sorry I failed. You didn't know. I'm just kidding.

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<v Speaker 1>I just didn't need to blow you off, but I

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<v Speaker 1>knew you would understand that blow me blew you away. Yeah,

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<v Speaker 1>you circle back the next day. I was like, no,

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<v Speaker 1>not a circle back.

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<v Speaker 2>No, not a loop around, not a touch base, no nothing.

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<v Speaker 1>No, I could you exited my mind? I thought of

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<v Speaker 1>I didn't think of you again until right now. So

0:11:08.960 --> 0:11:09.600
<v Speaker 1>sorry about that.

0:11:09.720 --> 0:11:12.640
<v Speaker 3>Welcome to my world. This is if I have like

0:11:13.000 --> 0:11:16.040
<v Speaker 3>zero object permanence, if it's a drawer, I.

0:11:16.000 --> 0:11:18.120
<v Speaker 1>Forget I have it, okay, Like I have to look

0:11:18.160 --> 0:11:20.840
<v Speaker 1>at things. So you're a visual Yeah, I'm a visual

0:11:20.840 --> 0:11:21.400
<v Speaker 1>person too.

0:11:22.000 --> 0:11:24.920
<v Speaker 2>Speaking of visuals, how was the Joey McIntyre It was

0:11:25.000 --> 0:11:25.440
<v Speaker 2>so good?

0:11:25.440 --> 0:11:29.080
<v Speaker 1>You get was the seats good? Were great? Like the whole.

0:11:29.240 --> 0:11:31.040
<v Speaker 1>First of all, the whole weekend was one of the

0:11:31.040 --> 0:11:34.240
<v Speaker 1>best weekends I've had in such a long time. My

0:11:34.400 --> 0:11:38.439
<v Speaker 1>friends Katie from Connecticut Andrea from Arizona, Uh, they flew

0:11:38.480 --> 0:11:41.199
<v Speaker 1>out and stayed with me for the weekend, and it

0:11:41.320 --> 0:11:44.400
<v Speaker 1>was just such perfect timing. Not that we had planned

0:11:44.440 --> 0:11:46.240
<v Speaker 1>it this way, but with you know, losing Holly a

0:11:46.280 --> 0:11:49.160
<v Speaker 1>couple of weeks ago, and I just in my half.

0:11:49.960 --> 0:11:52.920
<v Speaker 1>I needed a distraction, I needed friends, I needed laughter,

0:11:53.160 --> 0:11:56.320
<v Speaker 1>and they provided all of it. It was so fun.

0:11:56.360 --> 0:11:58.560
<v Speaker 1>They went to They went with me to Felicity show

0:11:58.600 --> 0:12:02.880
<v Speaker 1>Choir performance, her performance, which was fantastic. We went to Alcholo,

0:12:03.520 --> 0:12:06.520
<v Speaker 1>which is fantastic. We went to a little Korean mall

0:12:06.640 --> 0:12:10.800
<v Speaker 1>and got some skincare which was fantastic, and then we

0:12:10.840 --> 0:12:13.640
<v Speaker 1>saw you know. The the ultimate was the Joe Mack

0:12:13.800 --> 0:12:16.120
<v Speaker 1>his Freedom Tour, which kicked off in Anaheim at the

0:12:16.160 --> 0:12:20.160
<v Speaker 1>House of Blues on Monday night, and he was fantastic.

0:12:20.920 --> 0:12:23.120
<v Speaker 1>I expect nothing less. I mean I stressed all day

0:12:23.200 --> 0:12:25.520
<v Speaker 1>about like logistics and what, you know, where are we

0:12:25.559 --> 0:12:26.839
<v Speaker 1>gonna have dinner and what when do we have to

0:12:26.880 --> 0:12:31.600
<v Speaker 1>check in? And where? No. I was just playing no, no, no, no, no,

0:12:31.720 --> 0:12:34.960
<v Speaker 1>it doesn't matter. But the logistics of me getting to

0:12:35.040 --> 0:12:38.000
<v Speaker 1>this event almost as complicated as Planet a whole tour,

0:12:38.679 --> 0:12:40.680
<v Speaker 1>because you know, it's like when does the box office open?

0:12:40.720 --> 0:12:42.320
<v Speaker 1>On my tickets? At the box office, I don't know.

0:12:42.559 --> 0:12:44.000
<v Speaker 1>Michael's like, why did you just text him and ask

0:12:44.040 --> 0:12:45.360
<v Speaker 1>him where your tickets are? And I'm like, no, I

0:12:45.400 --> 0:12:48.520
<v Speaker 1>don't want to disturb him. No, he's in like prep mode.

0:12:48.760 --> 0:12:50.800
<v Speaker 1>I'm not going to disturb him, so I'm just gonna

0:12:50.800 --> 0:12:52.080
<v Speaker 1>go up. But I mean, I feel like he should

0:12:52.120 --> 0:12:54.600
<v Speaker 1>have let you know he's before that. He's a boy.

0:12:54.640 --> 0:12:55.960
<v Speaker 1>He's a boy. He's just like, hang got you.

0:12:56.080 --> 0:12:58.000
<v Speaker 3>But like this, you know, you gotta be like, yo,

0:12:58.040 --> 0:12:59.320
<v Speaker 3>where's where do I pick him up?

0:13:00.160 --> 0:13:03.240
<v Speaker 1>We'll call your pocket? What are we you talking? Well,

0:13:03.559 --> 0:13:05.959
<v Speaker 1>the first mistake was we showed up an hour early,

0:13:06.040 --> 0:13:09.080
<v Speaker 1>Like the ticketmaster said that the show started at seven,

0:13:09.800 --> 0:13:12.600
<v Speaker 1>but it was doors at seven. Shows starts at eight,

0:13:13.400 --> 0:13:16.080
<v Speaker 1>So he showed up two hours early and my tickets

0:13:16.120 --> 0:13:18.240
<v Speaker 1>were not at will call. But she's like, oh, yeah,

0:13:18.280 --> 0:13:20.839
<v Speaker 1>the artist sometimes holds back tickets so he can give

0:13:20.880 --> 0:13:23.400
<v Speaker 1>them to you in person. And I'm like, I try

0:13:23.520 --> 0:13:25.560
<v Speaker 1>not to bother him, Like I don't want like, just

0:13:25.679 --> 0:13:27.680
<v Speaker 1>if he is holding on to them.

0:13:27.559 --> 0:13:30.400
<v Speaker 2>To give to you, he realizes there is going to

0:13:30.440 --> 0:13:33.160
<v Speaker 2>be an interaction that is obviously not bothersome times.

0:13:33.240 --> 0:13:35.000
<v Speaker 1>What if he's in sound check, what if he's like

0:13:35.080 --> 0:13:36.800
<v Speaker 1>having a meal. I don't know. I didn't want to

0:13:36.800 --> 0:13:39.520
<v Speaker 1>bother him. Probably wait and be like, yo, I'll hit

0:13:39.559 --> 0:13:45.440
<v Speaker 1>you at fifteen. Anyways, the lovely tour manager shout out

0:13:45.440 --> 0:13:48.800
<v Speaker 1>to Justin. He came out and didn't have tickets, but

0:13:48.840 --> 0:13:50.600
<v Speaker 1>he was like, oh, let me personally escore you. We

0:13:50.640 --> 0:13:53.160
<v Speaker 1>created a row for you. And I'm like what. So

0:13:53.200 --> 0:13:55.199
<v Speaker 1>then I overanalyzed this and I'm like, did Joe forget

0:13:55.200 --> 0:13:56.800
<v Speaker 1>about me and this is the last minute, let's add

0:13:56.800 --> 0:13:59.200
<v Speaker 1>a row for Andrew because we're sold out? Or did

0:13:59.360 --> 0:14:01.240
<v Speaker 1>was he like, Oh, she's a special guest. I'm going

0:14:01.320 --> 0:14:03.959
<v Speaker 1>to create a row for her. I still haven't decided whether,

0:14:05.240 --> 0:14:08.000
<v Speaker 1>you know what, how I'm going to interpret this gesture,

0:14:08.040 --> 0:14:11.040
<v Speaker 1>But it was a lovely gesture. We had great season,

0:14:11.080 --> 0:14:12.679
<v Speaker 1>not front row. We were in the back of like

0:14:12.960 --> 0:14:16.640
<v Speaker 1>a section that was on the stage stage. No, no,

0:14:16.679 --> 0:14:19.280
<v Speaker 1>I was the crown of every shot. I would have.

0:14:19.400 --> 0:14:22.600
<v Speaker 1>I would have, but I absolutely would have. The show

0:14:22.680 --> 0:14:26.040
<v Speaker 1>was fantastic. There's nothing better than solo Joe. I love

0:14:26.080 --> 0:14:28.560
<v Speaker 1>all the new kids, but he really shines when it's

0:14:28.680 --> 0:14:31.840
<v Speaker 1>just him. Yeah, saying all of his newest hits on

0:14:32.240 --> 0:14:35.120
<v Speaker 1>his Freedom album. He's sang some deep cuts. He sings

0:14:35.160 --> 0:14:37.440
<v Speaker 1>Please Don't Go Girl. I mean it was just the

0:14:37.560 --> 0:14:41.880
<v Speaker 1>lighting was so good, he sings, was so much heart. Yeah.

0:14:42.160 --> 0:14:44.960
<v Speaker 1>He wore a mesh shirt as a throwback to the nineties.

0:14:44.960 --> 0:14:48.680
<v Speaker 1>It was just everything. No, no, it's perfection shirt. I

0:14:48.960 --> 0:14:51.600
<v Speaker 1>love it shirt. Yes, And his hair was kind of

0:14:51.600 --> 0:14:53.680
<v Speaker 1>like he had really high like the boy band hair

0:14:53.840 --> 0:14:56.600
<v Speaker 1>was extra boy bandish. He looked a little bit like

0:14:57.120 --> 0:15:00.240
<v Speaker 1>like a porcupine, very high. Yeah, I had like this sculp.

0:15:00.600 --> 0:15:03.400
<v Speaker 1>It was well sculpted. Yeah. I was just Oh, it

0:15:03.520 --> 0:15:05.720
<v Speaker 1>was such a great night. And we did get to

0:15:05.720 --> 0:15:07.600
<v Speaker 1>go backstage and say hi to him. He was very

0:15:07.680 --> 0:15:09.560
<v Speaker 1>kind and sat with us for ten minutes and we

0:15:09.680 --> 0:15:12.000
<v Speaker 1>chatted just about that huge.

0:15:11.880 --> 0:15:12.800
<v Speaker 3>Tour bother for him.

0:15:12.880 --> 0:15:14.560
<v Speaker 1>I bet I thought it was really I didn't want

0:15:14.560 --> 0:15:16.360
<v Speaker 1>to him. I never I don't have it. I show

0:15:16.440 --> 0:15:22.440
<v Speaker 1>up without expectations. I just you know, it happened organically

0:15:22.520 --> 0:15:24.720
<v Speaker 1>and it was so lovely and he's just so kind,

0:15:24.840 --> 0:15:27.680
<v Speaker 1>So I'm sure he's listening to this. Thank you Joey

0:15:27.720 --> 0:15:32.240
<v Speaker 1>McIntyre for it, obvious night. Who knows he's on tour

0:15:32.320 --> 0:15:35.160
<v Speaker 1>right now. He's up in Sacramento on his way. I

0:15:35.200 --> 0:15:37.440
<v Speaker 1>think Favor is next. Yeah, so travel, what are you

0:15:37.440 --> 0:15:37.800
<v Speaker 1>gonna do?

0:15:37.840 --> 0:15:39.080
<v Speaker 3>You listen to a podcast?

0:15:39.240 --> 0:15:41.880
<v Speaker 1>Oh yeah, that's true, your podcast got quite the road trip.

0:15:41.960 --> 0:15:44.920
<v Speaker 3>You know. He's going acrosst the country driving in a

0:15:44.960 --> 0:15:45.720
<v Speaker 3>tour bus.

0:15:45.800 --> 0:15:48.960
<v Speaker 1>Oh, he's in a sprinter got three sprinter vans for

0:15:49.000 --> 0:15:54.640
<v Speaker 1>this tour. So so yeah, anyways, it was fantastic, fantastic. Yeah,

0:15:54.680 --> 0:15:56.720
<v Speaker 1>it was just the best weekend. I'm sad it's over,

0:15:56.920 --> 0:16:00.280
<v Speaker 1>but it was just it filled my soul with much

0:16:00.320 --> 0:16:03.080
<v Speaker 1>needed happiness that I really need it at that moment.

0:16:03.240 --> 0:16:04.520
<v Speaker 3>So oh I love it.

0:16:04.520 --> 0:16:07.720
<v Speaker 1>Well good, Yeah, I'm glad that. Uh yeah, we both

0:16:07.880 --> 0:16:08.880
<v Speaker 1>uh we.

0:16:09.000 --> 0:16:10.200
<v Speaker 3>Found a little joy this weekend.

0:16:10.360 --> 0:16:11.600
<v Speaker 1>I loved it. Yes, we did.

0:16:11.680 --> 0:16:16.360
<v Speaker 2>You with your creepy creepy you with your boy band.

0:16:16.640 --> 0:16:21.880
<v Speaker 1>You know, we're very on brand. We don't ever stray

0:16:22.000 --> 0:16:24.920
<v Speaker 1>from no else where. I'd like to think of it

0:16:24.960 --> 0:16:27.120
<v Speaker 1>as we know ourselves. You know what I mean? We

0:16:27.920 --> 0:16:31.280
<v Speaker 1>know thyself is very important. By the time you reach

0:16:31.360 --> 0:16:33.680
<v Speaker 1>your forties, your mid forties. You're like, I know, I

0:16:33.760 --> 0:16:35.640
<v Speaker 1>know me and I'm not going to change, so this

0:16:35.760 --> 0:16:36.040
<v Speaker 1>is rue.

0:16:36.440 --> 0:16:40.200
<v Speaker 2>I remember, yeah, I remember thinking like when I was

0:16:40.280 --> 0:16:42.760
<v Speaker 2>young and looking at my parents being like starting to

0:16:42.760 --> 0:16:43.560
<v Speaker 2>go like I don't want.

0:16:43.440 --> 0:16:43.760
<v Speaker 1>To do that.

0:16:43.800 --> 0:16:45.840
<v Speaker 2>This is I'm setting my way and I was like, God,

0:16:45.880 --> 0:16:47.560
<v Speaker 2>I'll never be that old and boring.

0:16:48.200 --> 0:16:50.080
<v Speaker 3>And now I just look at old and boring. I know,

0:16:50.200 --> 0:16:50.760
<v Speaker 3>now look at me.

0:16:51.200 --> 0:16:53.360
<v Speaker 1>I wouldn't say you're boring, wouldn't mean say no, no,

0:16:53.440 --> 0:16:55.920
<v Speaker 1>I'm not boring you middle aged.

0:16:56.480 --> 0:17:01.640
<v Speaker 2>I yeah, I'm I'm comfortable in my weirdom these days,

0:17:02.120 --> 0:17:05.160
<v Speaker 2>and I've just let the freak flag fly.

0:17:05.440 --> 0:17:07.600
<v Speaker 1>You know, who wants to be boring? You know, like

0:17:07.720 --> 0:17:10.399
<v Speaker 1>just just be you, just be you, just be you.

0:17:10.520 --> 0:17:20.800
<v Speaker 1>There's only one. Yeah, that's it. Yeah Ah.

0:17:21.240 --> 0:17:24.920
<v Speaker 4>I'm Kristen Davis, host of the podcast Are You a Charlotte.

0:17:25.480 --> 0:17:27.880
<v Speaker 4>I'm so excited to share that I got to sit

0:17:27.960 --> 0:17:33.040
<v Speaker 4>down with incredible Bridget moynihan, who plays Natasha Bigg's wife.

0:17:33.760 --> 0:17:37.160
<v Speaker 4>She is telling stories from the very beginning, like why

0:17:37.240 --> 0:17:38.960
<v Speaker 4>she almost left the audition.

0:17:39.119 --> 0:17:41.159
<v Speaker 1>I'm calling my agents. I'm like, guys, I have to

0:17:41.160 --> 0:17:43.560
<v Speaker 1>go to the other one, and they're like stay for this.

0:17:43.800 --> 0:17:45.159
<v Speaker 1>You need to stay for this. I'm like, well, you

0:17:45.200 --> 0:17:46.360
<v Speaker 1>can't be late for the next one.

0:17:46.480 --> 0:17:48.919
<v Speaker 4>She shares her thoughts on the Big and Carry affair.

0:17:49.240 --> 0:17:51.760
<v Speaker 1>I think I actually said out loud sometimes like, no,

0:17:51.920 --> 0:17:56.240
<v Speaker 1>she was having an affair with my husband. Let's break

0:17:56.240 --> 0:17:56.920
<v Speaker 1>this down.

0:17:56.840 --> 0:17:58.919
<v Speaker 4>And what it was like coming back to the show

0:17:59.040 --> 0:17:59.680
<v Speaker 4>when we did.

0:17:59.800 --> 0:18:03.520
<v Speaker 1>And just like that, I love that it's Natasha who

0:18:03.600 --> 0:18:07.320
<v Speaker 1>is caring for her. Yes, I mean there really is

0:18:08.119 --> 0:18:11.840
<v Speaker 1>that bond between them. You can't miss this.

0:18:12.400 --> 0:18:15.600
<v Speaker 4>Listen to Are You a Charlotte on the iHeartRadio app,

0:18:16.000 --> 0:18:18.960
<v Speaker 4>Apple Podcasts or wherever you get your podcasts.

0:18:19.240 --> 0:18:21.840
<v Speaker 1>Welcome back to how are You? Tannerito's I'm Andrea Barber

0:18:22.400 --> 0:18:25.879
<v Speaker 1>and I'm Jody Sweeten, and today we're discussing season five,

0:18:26.080 --> 0:18:31.120
<v Speaker 1>episode fifteen. Play it again, Jesse, and again and again,

0:18:31.200 --> 0:18:36.520
<v Speaker 1>again and again and again. I just sort, hey, I

0:18:36.600 --> 0:18:41.879
<v Speaker 1>welcome a good snort, you know, just fly your freak flag, Jody.

0:18:41.680 --> 0:18:46.000
<v Speaker 2>And high into the Microsoft snort of I don't even

0:18:46.080 --> 0:18:48.639
<v Speaker 2>know what of judgment.

0:18:48.280 --> 0:18:52.480
<v Speaker 1>A lot of judgment. That's a common reaction, I think. Anyways.

0:18:52.480 --> 0:18:56.360
<v Speaker 1>This episode originally air January seventh, nineteen ninety two.

0:18:56.640 --> 0:19:00.800
<v Speaker 3>We're in the nineteen ninety two day week before my

0:19:01.520 --> 0:19:02.240
<v Speaker 3>tenth birthday.

0:19:02.280 --> 0:19:06.040
<v Speaker 1>Oh oh yeah, okay, so oh wait, that's the next episode.

0:19:06.040 --> 0:19:08.119
<v Speaker 1>We're discussing Stephanie's tenth birthday.

0:19:08.160 --> 0:19:09.720
<v Speaker 2>But yeah, yeah, but we don't know what time of

0:19:09.800 --> 0:19:12.880
<v Speaker 2>year it is, do we No, not really, and it's

0:19:13.040 --> 0:19:14.719
<v Speaker 2>not very not very specific.

0:19:14.960 --> 0:19:17.920
<v Speaker 1>So anyway, very yeah, this was Yeah, it was right

0:19:17.960 --> 0:19:20.600
<v Speaker 1>right before your real tenth birthday. Fantastic.

0:19:20.720 --> 0:19:23.879
<v Speaker 2>Yeah, well, probably the episode that because it was in

0:19:23.880 --> 0:19:26.320
<v Speaker 2>the next week. I would imagine that probably the week

0:19:26.320 --> 0:19:28.000
<v Speaker 2>we shot it might have been my actual birthday.

0:19:28.040 --> 0:19:33.800
<v Speaker 1>So maybe Stephanie's birthday is your actual birthday. Yeah, we'll

0:19:33.800 --> 0:19:36.320
<v Speaker 1>go with let's go with that like this. You know what,

0:19:36.359 --> 0:19:37.840
<v Speaker 1>a fan of Rito will correct us.

0:19:37.720 --> 0:19:40.520
<v Speaker 3>If we've somewhere out there, if we've ever said birthdays

0:19:40.680 --> 0:19:44.600
<v Speaker 3>of Stephanie, Judith Tanner and uh Dona Joe almost said

0:19:44.600 --> 0:19:46.080
<v Speaker 3>Dona Joe, Gibbler Joe.

0:19:47.960 --> 0:19:50.840
<v Speaker 1>That actually flows. Well, the episode goes a little something

0:19:50.880 --> 0:19:55.760
<v Speaker 1>like this. When Becky returns to work, Jesse is uncomfortable

0:19:55.840 --> 0:19:59.240
<v Speaker 1>with being a stay at home father to Nikki and Alex.

0:19:59.680 --> 0:20:00.760
<v Speaker 3>I'm sure shocked.

0:20:01.160 --> 0:20:04.000
<v Speaker 1>Lots to talk about here. This is so nineteen ninety one.

0:20:04.840 --> 0:20:08.760
<v Speaker 1>I did not ninety two. Yeah, this is ninety one.

0:20:09.600 --> 0:20:12.080
<v Speaker 3>There's no excuse for ninety two, and we're still here,

0:20:12.480 --> 0:20:14.960
<v Speaker 3>no excuse for this episode.

0:20:15.000 --> 0:20:18.480
<v Speaker 1>But you know that's okay. We're here to enjoy it.

0:20:18.480 --> 0:20:21.000
<v Speaker 1>It was directed by Joelswick. It was written by Dennis

0:20:21.080 --> 0:20:25.240
<v Speaker 1>Rinstler and Mark Warren. And we have two great guest stars.

0:20:25.480 --> 0:20:31.000
<v Speaker 1>Danny Breen plays George in the Supermarket. He did sixty

0:20:31.040 --> 0:20:35.159
<v Speaker 1>episodes of the series Not Necessarily The News in the eighties.

0:20:35.880 --> 0:20:38.600
<v Speaker 1>I remember that show. Yeah, me too, And he was

0:20:38.640 --> 0:20:40.800
<v Speaker 1>a producer on Whose Line Is It Anyway? And the

0:20:40.840 --> 0:20:44.600
<v Speaker 1>Wayne Brady Show. Yeah it's a great guy. Okay, he's

0:20:44.640 --> 0:20:46.800
<v Speaker 1>your favorite guest star, now favorite?

0:20:46.840 --> 0:20:49.800
<v Speaker 3>Yeah? Whose Line Is It Anyway? Is one of my

0:20:49.960 --> 0:20:50.840
<v Speaker 3>favorite shows.

0:20:51.000 --> 0:20:53.760
<v Speaker 2>It's just I based on a lot of like stupid

0:20:53.840 --> 0:20:56.720
<v Speaker 2>games and stuff that we played in my comedy show,

0:20:56.840 --> 0:20:58.960
<v Speaker 2>off of like things that I've that we've seen in

0:20:59.000 --> 0:20:59.480
<v Speaker 2>Whose Lines?

0:21:00.160 --> 0:21:02.960
<v Speaker 1>Oh, that's a great a great place to find inspiration

0:21:03.480 --> 0:21:07.360
<v Speaker 1>for improv. Comedy. Improv doesn't get better, and it's so intimidating.

0:21:07.680 --> 0:21:11.160
<v Speaker 1>I really admire the actors that do that because that's hard.

0:21:11.359 --> 0:21:13.200
<v Speaker 1>It's like for someone like me who's anxious, I'm like

0:21:13.240 --> 0:21:15.840
<v Speaker 1>improv scares the heck out of me, so mad props

0:21:15.840 --> 0:21:18.639
<v Speaker 1>to these people. And next we have Greg Collins. He

0:21:18.760 --> 0:21:22.120
<v Speaker 1>returns to full House as a tough guy. We last

0:21:22.160 --> 0:21:25.800
<v Speaker 1>saw him in season three's Fraternity Reunion. He's the guy

0:21:25.840 --> 0:21:28.720
<v Speaker 1>in the prison. Uh, and well, so he got out,

0:21:28.840 --> 0:21:30.800
<v Speaker 1>he got out of prison, and yeah, he got out

0:21:30.840 --> 0:21:31.800
<v Speaker 1>of prison, got to the.

0:21:31.800 --> 0:21:36.399
<v Speaker 2>Airport obviously, back to doing some shady transportation stuff with

0:21:36.560 --> 0:21:37.320
<v Speaker 2>the luggage.

0:21:37.600 --> 0:21:40.960
<v Speaker 1>Yeah, there's a con. There's some other con going down

0:21:41.400 --> 0:21:41.720
<v Speaker 1>in the air.

0:21:42.240 --> 0:21:43.919
<v Speaker 3>There's so many drugs in that back.

0:21:44.640 --> 0:21:47.120
<v Speaker 1>Drill a lot. Yeah, and this is not the last

0:21:47.119 --> 0:21:49.439
<v Speaker 1>we'll see him. We'll see him again in season six,

0:21:50.000 --> 0:21:53.840
<v Speaker 1>episode nineteen, Subterranean Graduation Blues. I don't know what he's

0:21:53.840 --> 0:21:55.640
<v Speaker 1>doing in that episode, but I'm sure he's playing another

0:21:55.680 --> 0:21:59.119
<v Speaker 1>tough guy. Yeah, from the sewers. I don't know. I

0:21:59.160 --> 0:22:02.040
<v Speaker 1>don't know either. We got we have a whole season

0:22:02.040 --> 0:22:04.720
<v Speaker 1>to find out, so I will be waiting with baited breath.

0:22:05.560 --> 0:22:08.320
<v Speaker 1>So there's no teaser. We go straight to credits, and

0:22:08.359 --> 0:22:10.879
<v Speaker 1>then we are in the kitchen. Jesse is feeding Nikki

0:22:10.960 --> 0:22:14.200
<v Speaker 1>a bottle and jokes that the baby needs to save

0:22:14.320 --> 0:22:17.320
<v Speaker 1>room for the peaking duck. He laughs at his own

0:22:17.400 --> 0:22:20.560
<v Speaker 1>joke and says, oh, just a little solid food humor.

0:22:22.320 --> 0:22:23.640
<v Speaker 1>I don't know the last.

0:22:23.520 --> 0:22:26.119
<v Speaker 3>Gone with the burrito myself, But peaking duck is funny,

0:22:26.160 --> 0:22:26.560
<v Speaker 3>king duck.

0:22:26.640 --> 0:22:28.920
<v Speaker 1>Doesn't that a call back to another like when they

0:22:28.920 --> 0:22:32.640
<v Speaker 1>did the peaking peaking with the duck, the ceramic duck

0:22:32.640 --> 0:22:34.320
<v Speaker 1>in the kitchen, So I feel like that was a

0:22:34.320 --> 0:22:38.680
<v Speaker 1>callback to that. But whatever, Okay, not the strongest start

0:22:38.720 --> 0:22:43.080
<v Speaker 1>to the episode. But could have said fried chicken, Oh yeah,

0:22:43.160 --> 0:22:45.400
<v Speaker 1>cold fried chicken. It would have been funny. That would

0:22:45.400 --> 0:22:49.560
<v Speaker 1>have been funnier, yea. So then Jesse sets Nicky's car

0:22:49.600 --> 0:22:52.439
<v Speaker 1>seat right next to Alex's, and Becky walks downstairs, all

0:22:52.520 --> 0:22:56.000
<v Speaker 1>dressed for work and admires her boys. She says, oh,

0:22:56.040 --> 0:22:58.280
<v Speaker 1>I can't believe I have to go back to work already.

0:22:58.520 --> 0:23:02.160
<v Speaker 1>I'm gonna miss my pooky bear so much, and Jesse

0:23:02.280 --> 0:23:04.639
<v Speaker 1>reminds her you'll see them in an hour. You're putting

0:23:04.680 --> 0:23:08.080
<v Speaker 1>them on your show today. Becky whinds, but what if

0:23:08.119 --> 0:23:10.600
<v Speaker 1>they do something cute? What if they learn to talk?

0:23:11.280 --> 0:23:15.720
<v Speaker 1>And Jesse sarcastically responds, I'll have them call you. Then

0:23:15.800 --> 0:23:18.240
<v Speaker 1>Danny walks into the kitchen and tells Becky, they gotta go,

0:23:18.920 --> 0:23:23.639
<v Speaker 1>he adds with remorse, today's our big farewell to Vicky show.

0:23:24.400 --> 0:23:28.160
<v Speaker 1>And Becky puts a hand on her hip and Danny

0:23:28.160 --> 0:23:31.040
<v Speaker 1>gives her a smile and are even bigger, welcome back

0:23:31.160 --> 0:23:33.560
<v Speaker 1>Becky's show, and he gives Becky a kiss on the cheek.

0:23:35.160 --> 0:23:38.760
<v Speaker 1>Jesse is surprised to see Danny's cheerful demeanor. He thought

0:23:38.800 --> 0:23:41.720
<v Speaker 1>that he'd be down in the dumps about Vicky's last day.

0:23:42.480 --> 0:23:46.360
<v Speaker 1>Danny forces a smile down me, mister up, mister life

0:23:46.400 --> 0:23:49.200
<v Speaker 1>of the party. Oh yeah, man, let the good times roll.

0:23:50.000 --> 0:23:52.399
<v Speaker 1>Then he quickly changes his tone and begins to sob

0:23:52.720 --> 0:23:55.720
<v Speaker 1>Why did she have to go? I feel like we

0:23:55.760 --> 0:23:57.919
<v Speaker 1>haven't seen a whole lot of Danny and Vicky's Like

0:23:58.080 --> 0:24:02.080
<v Speaker 1>there's been a couple of miners couple, Yeah, but no,

0:24:02.480 --> 0:24:04.679
<v Speaker 1>like real it was all the storylines were about them

0:24:04.680 --> 0:24:07.639
<v Speaker 1>getting together. We haven't seen much of the current relationship.

0:24:07.760 --> 0:24:09.800
<v Speaker 2>Yeah, we kind of went well, and it was sort

0:24:09.840 --> 0:24:12.240
<v Speaker 2>of a sudden jump from like they were sort of

0:24:12.280 --> 0:24:14.160
<v Speaker 2>liking each other to like she walked in the door

0:24:14.200 --> 0:24:16.480
<v Speaker 2>and gave him a kiss. Right, we had that moment

0:24:16.520 --> 0:24:18.800
<v Speaker 2>where we're like, oh, okay, we're there, right, yeah, it

0:24:18.840 --> 0:24:21.119
<v Speaker 2>was never. There was never like an episode where it

0:24:21.160 --> 0:24:23.480
<v Speaker 2>was like I think, I think, I think I'm gonna

0:24:23.720 --> 0:24:25.360
<v Speaker 2>make it official, right.

0:24:25.440 --> 0:24:27.679
<v Speaker 1>Yeah, and then now she's leaving for Chicago. I know

0:24:27.720 --> 0:24:31.600
<v Speaker 1>she comes back because she's in the Disney World episode

0:24:31.800 --> 0:24:33.679
<v Speaker 1>whenever that is in the future, But I don't know

0:24:34.520 --> 0:24:36.399
<v Speaker 1>is she in any other episodes? Like, I don't know

0:24:36.480 --> 0:24:38.720
<v Speaker 1>what I was really enjoyed. Did you watch this one?

0:24:38.840 --> 0:24:41.720
<v Speaker 1>You know what? Excuse me a hiccup? Did you let me.

0:24:41.720 --> 0:24:42.240
<v Speaker 3>Try that again?

0:24:42.440 --> 0:24:46.639
<v Speaker 1>Did you watch this episode? Do you know? Uh, you

0:24:46.720 --> 0:24:49.720
<v Speaker 1>know what happens? Yeah, I know what happens, but she's

0:24:49.920 --> 0:24:52.160
<v Speaker 1>I'm just do you not getting rich of wed? No?

0:24:52.400 --> 0:24:55.200
<v Speaker 1>But I just spoil it, guys, But uh, Vicky stage,

0:24:55.760 --> 0:24:58.600
<v Speaker 1>it was just this was sudden. This just felt sudden

0:24:58.640 --> 0:25:01.280
<v Speaker 1>for me. I wish I could have seen more of

0:25:01.440 --> 0:25:06.480
<v Speaker 1>like build up to make this goodbye, the alleged goodbye. Yeah,

0:25:06.680 --> 0:25:09.080
<v Speaker 1>it wasn't a good not a good pay We have

0:25:09.119 --> 0:25:11.760
<v Speaker 1>a note. We have a note from our wonderful poster Maddie.

0:25:11.760 --> 0:25:16.160
<v Speaker 1>According to Google, Steph's birthday is January fourteenth, and DJ's

0:25:16.200 --> 0:25:19.879
<v Speaker 1>birthday is February ninth. Okay, all right, all right, so

0:25:20.080 --> 0:25:23.440
<v Speaker 1>like five days earlier. Okay, Like, I like, if you're

0:25:23.480 --> 0:25:25.960
<v Speaker 1>still you're still in the same horse. It still a capricorn,

0:25:26.040 --> 0:25:30.440
<v Speaker 1>Still a capricorn, right, yea, yeah, okay. So Joey walks

0:25:30.440 --> 0:25:33.560
<v Speaker 1>into the kitchen and greets everyone while staring up at

0:25:33.560 --> 0:25:37.080
<v Speaker 1>the ceiling. He's wearing his Ranger Joe uniform to remind

0:25:37.080 --> 0:25:40.320
<v Speaker 1>all of us that he's still employed, and has mister

0:25:40.359 --> 0:25:43.199
<v Speaker 1>Woodchuck at his side, who is also gazing at the ceiling.

0:25:43.760 --> 0:25:46.840
<v Speaker 1>Everyone stops what they're doing to look up to Danny

0:25:46.880 --> 0:25:50.280
<v Speaker 1>curiously asks what are we looking at? Ranger Joe. Joey

0:25:50.320 --> 0:25:53.040
<v Speaker 1>admits he has a stiff neck, saying I sure hope

0:25:53.040 --> 0:25:55.680
<v Speaker 1>my neck loosens up before my show or it's gonna

0:25:55.680 --> 0:25:59.000
<v Speaker 1>be bird watching day, which I would love, I would

0:25:59.040 --> 0:26:01.919
<v Speaker 1>tune in. I was like, this is right, you'd be like,

0:26:02.000 --> 0:26:03.360
<v Speaker 1>move out of the way, Ranger Joe.

0:26:03.800 --> 0:26:06.719
<v Speaker 3>Kimmy's coming for Iteah, we've got the turkey vultures are

0:26:06.760 --> 0:26:08.760
<v Speaker 3>now out encircling my house.

0:26:08.920 --> 0:26:12.680
<v Speaker 1>That's it's turkey vulture season. Those ugliest birds I've ever seen.

0:26:13.080 --> 0:26:16.520
<v Speaker 3>I know because there were several that fell out of

0:26:16.640 --> 0:26:22.480
<v Speaker 3>a nest in Zoe's dad's backyard. Showed me like they

0:26:22.680 --> 0:26:25.800
<v Speaker 3>it looked like the fledging didn't maybe go or something.

0:26:27.240 --> 0:26:30.800
<v Speaker 1>They were common. But yeah they're massive. Oh yeah, they're

0:26:31.240 --> 0:26:35.800
<v Speaker 1>huge and ugly and but you're fascinating to watch. Oh totally.

0:26:36.160 --> 0:26:39.480
<v Speaker 1>So then mister Woodchuck shines in. Yeah, we can look

0:26:39.520 --> 0:26:44.479
<v Speaker 1>for woodpeckers. Becky makes a joke, well, Joey, keep your

0:26:44.560 --> 0:26:47.960
<v Speaker 1>chin up. Ha I guess you have no choice, and

0:26:48.000 --> 0:26:52.000
<v Speaker 1>then Danny, Becky and Joey exit the kitchen. You notice

0:26:52.000 --> 0:26:56.200
<v Speaker 1>that Joey consistently has these anthropomorphic objects that are always

0:26:56.240 --> 0:26:59.040
<v Speaker 1>matching what he's doing. The mannequin always was wearing the

0:26:59.080 --> 0:27:02.480
<v Speaker 1>same outfit as him. Mister Woodchuck is like looking up

0:27:02.720 --> 0:27:07.200
<v Speaker 1>like him. Yeah, this is a fascinating psychological study. Why

0:27:07.680 --> 0:27:10.320
<v Speaker 1>is like what doesn't need a best friend?

0:27:10.400 --> 0:27:13.359
<v Speaker 2>There's probably some some sort of like trauma in his

0:27:13.520 --> 0:27:16.360
<v Speaker 2>in his childhood from that very strict father, and so

0:27:16.480 --> 0:27:22.520
<v Speaker 2>he inadimate objects to uh sort of channel himself through

0:27:22.560 --> 0:27:25.240
<v Speaker 2>it so he can be himself. But it's sort of

0:27:25.320 --> 0:27:27.520
<v Speaker 2>through the lens of the puppet, so it's not really

0:27:27.640 --> 0:27:29.320
<v Speaker 2>you know, it doesn't doesn't feel too personal.

0:27:29.400 --> 0:27:31.960
<v Speaker 1>Yeah, subjection doesn't take on that Yeah, yeah, yeah, the

0:27:32.040 --> 0:27:33.640
<v Speaker 1>emotion to do the things.

0:27:33.320 --> 0:27:36.840
<v Speaker 2>But he yeah, Oh, I'm I'm going to go get

0:27:36.840 --> 0:27:37.280
<v Speaker 2>a puppet.

0:27:38.440 --> 0:27:40.920
<v Speaker 1>This makes a lot of sense and explains a lot

0:27:40.960 --> 0:27:42.880
<v Speaker 1>about Joey Gladstone.

0:27:42.640 --> 0:27:44.600
<v Speaker 3>Yeah, and why he doesn't have a girlfriend.

0:27:44.560 --> 0:27:48.679
<v Speaker 1>Right doesn't need one, He's got inadimant objects to talk to.

0:27:50.000 --> 0:27:53.720
<v Speaker 1>On cue, Michelle, DJ and Stephanie walk downstairs, all ready

0:27:53.760 --> 0:27:57.479
<v Speaker 1>for school. DJ is sternly telling Steph forget it. You

0:27:57.520 --> 0:28:01.960
<v Speaker 1>cannot borrow my clothes. Stephanie begs please. DJ says no.

0:28:02.680 --> 0:28:05.719
<v Speaker 1>They go back and forth until Steph says please please please.

0:28:06.680 --> 0:28:09.120
<v Speaker 1>Michelle pipes up to take the reins. She tells DJ,

0:28:09.280 --> 0:28:13.120
<v Speaker 1>I'll do it and wags her finger at Steph, saying no, no, no.

0:28:14.359 --> 0:28:17.760
<v Speaker 1>DJ focuses her attention on Steph once more. Remember my

0:28:17.880 --> 0:28:23.119
<v Speaker 1>clothes are untouchable, off limits. This means you understand, And

0:28:23.160 --> 0:28:26.919
<v Speaker 1>with that she walks out the door. Steph solemnly responds,

0:28:27.080 --> 0:28:30.120
<v Speaker 1>I understand. But as soon as DJ's out of the door,

0:28:30.320 --> 0:28:34.240
<v Speaker 1>she turns to Michelle and unzips her jacket. Not I'm

0:28:34.280 --> 0:28:39.880
<v Speaker 1>wearing DJ's sweater. Michelle gasps in complete shock. She's gonna

0:28:39.880 --> 0:28:44.160
<v Speaker 1>have a cow. Jesse hands Michelle and stephanieither sit under

0:28:44.200 --> 0:28:46.560
<v Speaker 1>the table. Yeah, the cow in the kitchen.

0:28:46.600 --> 0:28:49.080
<v Speaker 3>There's a cow in the cow in the kitchen.

0:28:48.880 --> 0:28:51.120
<v Speaker 1>Under the table. For anyone who doesn't know what we're

0:28:51.120 --> 0:28:53.320
<v Speaker 1>talking about, there was an episode of Fuller House with

0:28:53.360 --> 0:28:56.920
<v Speaker 1>a cow, a life sized real cow.

0:28:57.520 --> 0:28:59.800
<v Speaker 2>That Jeff wanted to fit under the table that could

0:28:59.880 --> 0:29:01.760
<v Speaker 2>not physically happened in this.

0:29:02.520 --> 0:29:04.640
<v Speaker 1>And Jeff was like, well, what we have to make

0:29:04.640 --> 0:29:06.520
<v Speaker 1>the joke work. So the cow has to fit under

0:29:06.520 --> 0:29:08.600
<v Speaker 1>the table. And the handler's like, like, the cow wolt

0:29:08.600 --> 0:29:09.560
<v Speaker 1>fit at the table.

0:29:09.640 --> 0:29:13.560
<v Speaker 2>You're looking at the same cow. I am right, Yeah, anyways,

0:29:13.560 --> 0:29:14.200
<v Speaker 2>I love that cow.

0:29:14.280 --> 0:29:17.480
<v Speaker 1>Back to the cows. Okay, So Jesse hands you guys

0:29:17.480 --> 0:29:21.480
<v Speaker 1>your lunches and these tiny little lunch like these are

0:29:21.480 --> 0:29:24.400
<v Speaker 1>not the regular brown bag lunches. It's like their tiny

0:29:24.440 --> 0:29:27.880
<v Speaker 1>little I don't know, pastry bags or something. But anyways,

0:29:27.880 --> 0:29:29.360
<v Speaker 1>I was worried that you guys were going to be

0:29:29.400 --> 0:29:31.960
<v Speaker 1>hungry at school later with your lack of lunch.

0:29:32.000 --> 0:29:33.440
<v Speaker 2>The kids are they get to that age and they're like,

0:29:33.480 --> 0:29:35.680
<v Speaker 2>they don't eat, they're eating anything all day.

0:29:35.880 --> 0:29:38.480
<v Speaker 1>Yeah, that's true. That's why they, you know, raid the

0:29:38.560 --> 0:29:42.440
<v Speaker 1>snack cupboard when they get home from school. Uh So,

0:29:43.240 --> 0:29:45.560
<v Speaker 1>Jesse checks on the twins and then the phone rings.

0:29:46.080 --> 0:29:48.720
<v Speaker 1>He answers it and excitedly tells the boys that it's

0:29:48.760 --> 0:29:51.960
<v Speaker 1>the record company. Here we go? Which one this time?

0:29:52.120 --> 0:29:52.680
<v Speaker 1>Which one?

0:29:52.840 --> 0:29:55.840
<v Speaker 2>Which one the Wisch record said that already put them

0:29:55.840 --> 0:29:58.360
<v Speaker 2>on tour or the one that canceled the tour or

0:29:58.440 --> 0:30:01.240
<v Speaker 2>the one that said, I don't use which record company

0:30:01.320 --> 0:30:01.760
<v Speaker 2>were it?

0:30:01.840 --> 0:30:05.600
<v Speaker 1>Yes? I think it's intentionally vague. I don't know what are.

0:30:05.440 --> 0:30:08.680
<v Speaker 3>We talking Yeah, just death Row? Like what record company

0:30:08.880 --> 0:30:10.000
<v Speaker 3>are we talking about here?

0:30:10.080 --> 0:30:10.320
<v Speaker 1>Jesse?

0:30:10.520 --> 0:30:10.720
<v Speaker 3>Yeah?

0:30:11.000 --> 0:30:14.880
<v Speaker 1>Yes, please be more specific, Jesse. Uh so, he asks

0:30:14.880 --> 0:30:16.920
<v Speaker 1>the person on the other line, tell me you love

0:30:16.960 --> 0:30:20.960
<v Speaker 1>the song? You like the song? He starts to ramble, Oh, well,

0:30:21.000 --> 0:30:23.800
<v Speaker 1>maybe you can learn to love it. I mean like

0:30:23.920 --> 0:30:26.200
<v Speaker 1>as a kid, I hated blue cheese. I thought it

0:30:26.240 --> 0:30:29.560
<v Speaker 1>was like eating sweat socks. But eventually and the person

0:30:29.600 --> 0:30:32.080
<v Speaker 1>on the other end says something in Jesse's demeanor turns

0:30:32.160 --> 0:30:36.240
<v Speaker 1>to sadness. Right, okay, I'm sorry too, and he hangs

0:30:36.320 --> 0:30:39.040
<v Speaker 1>up the phone. He lets out a huge sigh and

0:30:39.080 --> 0:30:42.320
<v Speaker 1>tells his sons, your old man got rejected again, but

0:30:42.400 --> 0:30:45.280
<v Speaker 1>you still love me? Right? And the baby stare at

0:30:45.360 --> 0:30:49.280
<v Speaker 1>him blankly. In response, he.

0:30:48.400 --> 0:30:54.160
<v Speaker 5>He's gone from job to job and tour to record

0:30:54.240 --> 0:30:57.920
<v Speaker 5>studio in the basement to the thing to add man,

0:30:58.640 --> 0:31:01.080
<v Speaker 5>I think I think Jesse's.

0:31:00.640 --> 0:31:04.080
<v Speaker 1>Doing he's he's an artist. Rejection.

0:31:04.440 --> 0:31:09.080
<v Speaker 3>Yeah, rejection, very seriously, if you're gonna be an artist,

0:31:09.160 --> 0:31:11.880
<v Speaker 3>you have to get used to rejection and insistent.

0:31:13.080 --> 0:31:16.320
<v Speaker 1>Yeah it is not easy. He's he's comforting himself by

0:31:16.320 --> 0:31:19.280
<v Speaker 1>trying to get validation from his infants, like, yeah, this

0:31:19.400 --> 0:31:22.320
<v Speaker 1>is he's taken it. He's taking it badly. But yeah,

0:31:22.320 --> 0:31:24.959
<v Speaker 1>that's what when you're a musician, when you're an artist,

0:31:25.320 --> 0:31:28.600
<v Speaker 1>this is what happens. Sometimes you're out of work. Uh,

0:31:28.640 --> 0:31:31.280
<v Speaker 1>And he says that in the same book, out of

0:31:31.320 --> 0:31:33.320
<v Speaker 1>work high fives, out of work high fives, and he

0:31:33.400 --> 0:31:37.040
<v Speaker 1>high fives his babies. Next, on the set of Wake

0:31:37.160 --> 0:31:40.680
<v Speaker 1>Up San Francisco, First, Danny and Vicky start the show

0:31:40.680 --> 0:31:43.840
<v Speaker 1>together and sadly, Vicky announces that this is her last

0:31:44.000 --> 0:31:47.760
<v Speaker 1>day because Becky is back from maternity leave. She longingly

0:31:47.800 --> 0:31:50.360
<v Speaker 1>looks at Danny it admits I'm gonna miss you, Danny.

0:31:50.960 --> 0:31:54.120
<v Speaker 1>Danny stares right back, starts to lean in and says, oh, Vicky.

0:31:54.640 --> 0:31:58.680
<v Speaker 1>He continues to almost kiss her on air, but thankfully

0:31:58.760 --> 0:32:01.480
<v Speaker 1>he stops himself and says, you know, I just forgot

0:32:01.520 --> 0:32:04.800
<v Speaker 1>we're still on camera. They both turned to the camera

0:32:04.840 --> 0:32:07.880
<v Speaker 1>and awkwardly laugh. Then Danny announces that he has a

0:32:07.920 --> 0:32:10.680
<v Speaker 1>surprise for her. I spoke to our station manager and

0:32:10.720 --> 0:32:13.200
<v Speaker 1>he wants you to do the weather reports right here

0:32:13.360 --> 0:32:17.520
<v Speaker 1>on Wake Up San Francisco. Isn't that wonderful? And Vicki

0:32:17.640 --> 0:32:21.520
<v Speaker 1>WinCE's at the suggestion, Uh, it would be, except this morning,

0:32:21.640 --> 0:32:25.680
<v Speaker 1>I was offered an incredible job anchoring the news in Chicago.

0:32:26.800 --> 0:32:27.840
<v Speaker 1>It's a no brainer to me.

0:32:28.080 --> 0:32:30.920
<v Speaker 3>Yeah, she was a news anchor, right, the weather girl.

0:32:31.120 --> 0:32:32.000
<v Speaker 1>That would be a demotion.

0:32:32.200 --> 0:32:37.240
<v Speaker 3>Excuse me, not a weather meteorologist. Meteorology just sounded very sexist,

0:32:37.240 --> 0:32:38.880
<v Speaker 3>and I Apologizell, it's not what I meant.

0:32:38.920 --> 0:32:41.239
<v Speaker 2>That's okay, But it felt like that was what they

0:32:41.320 --> 0:32:43.120
<v Speaker 2>were calling her, you know what I mean, That's what

0:32:43.160 --> 0:32:45.760
<v Speaker 2>the It felt like, going from like, hey, you're actually

0:32:45.800 --> 0:32:46.920
<v Speaker 2>a really downed news anchor.

0:32:46.960 --> 0:32:48.960
<v Speaker 1>Would you like to host the weather? Yeah? It was

0:32:48.960 --> 0:32:53.000
<v Speaker 1>a little no, there's anything. No, we need meteorologists, we

0:32:53.040 --> 0:32:55.000
<v Speaker 1>need their important job that there.

0:32:55.360 --> 0:32:59.760
<v Speaker 2>We actually uh have anything to have them meteorologize off

0:32:59.840 --> 0:33:02.520
<v Speaker 2>of anymore, because I think we pretty much got rid

0:33:02.520 --> 0:33:03.520
<v Speaker 2>of all those things.

0:33:03.800 --> 0:33:08.680
<v Speaker 1>Well, yeah, you know, just Loo. Yeah, the sky is

0:33:08.680 --> 0:33:13.840
<v Speaker 1>still there. Okay, So Danny wonders, Chicago, the windy City.

0:33:14.200 --> 0:33:16.240
<v Speaker 1>You'll have to wear a hat, you'll get hat hair.

0:33:17.160 --> 0:33:19.680
<v Speaker 1>Vicky admits that they'll have to talk about this after

0:33:19.720 --> 0:33:22.200
<v Speaker 1>the show, and she tries to bring Becky on stage,

0:33:22.560 --> 0:33:25.520
<v Speaker 1>but Danny won't let it go. Chicago, didn't they have

0:33:25.560 --> 0:33:29.040
<v Speaker 1>a really big fire there? Vicky assures him it was

0:33:29.080 --> 0:33:31.920
<v Speaker 1>over one hundred years ago. I'm sure it's out by now.

0:33:32.840 --> 0:33:35.680
<v Speaker 2>I mean San Francisco too, Yeah, yeah, you really want

0:33:35.720 --> 0:33:37.920
<v Speaker 2>to do you have some terrible fires.

0:33:38.080 --> 0:33:41.160
<v Speaker 1>There's been a lot of disasters in both major cities.

0:33:41.280 --> 0:33:44.520
<v Speaker 1>So this was, yeah, weak excuse for Danny, but he's desperate.

0:33:44.600 --> 0:33:48.400
<v Speaker 1>He's grasping at straws. He doesn't want her to leave. Finally,

0:33:48.440 --> 0:33:51.040
<v Speaker 1>Becky takes things into her own hands, stepping into the

0:33:51.040 --> 0:33:54.640
<v Speaker 1>shot and introducing herself. Hi, I'm Rebecca Donaldson and I'm

0:33:54.680 --> 0:33:58.360
<v Speaker 1>welcoming myself back to the show. Welcome back, Becky, and

0:33:58.440 --> 0:34:02.480
<v Speaker 1>Vicky and Danny both smile. Welcome back, Becky. Becky proceeds

0:34:02.520 --> 0:34:05.200
<v Speaker 1>with her segment, telling the viewers, I would like all

0:34:05.240 --> 0:34:07.080
<v Speaker 1>of you to meet the two reasons that I've been

0:34:07.160 --> 0:34:10.520
<v Speaker 1>out of work for the last eight weeks. Ah, eight weeks.

0:34:10.560 --> 0:34:12.560
<v Speaker 1>I was wondering how long was this maternity leave?

0:34:12.640 --> 0:34:17.880
<v Speaker 2>So two months, maybe longer than anybody gets in this country.

0:34:18.080 --> 0:34:21.520
<v Speaker 1>Yeah right, that's a really long maternity right, so that's

0:34:21.520 --> 0:34:25.239
<v Speaker 1>a europe maternity leave. Yeah. Yeah, sad but true. So

0:34:25.280 --> 0:34:27.640
<v Speaker 1>she says, Nicky and Alex come on in, boys and

0:34:27.680 --> 0:34:31.920
<v Speaker 1>this is my wonderful husband Jesse. Becky boasts that the

0:34:31.960 --> 0:34:35.880
<v Speaker 1>boys are identical twins and jokes except Alex has a

0:34:35.880 --> 0:34:39.279
<v Speaker 1>birthmark on his tissue, just like his daddy. Jesse is

0:34:39.320 --> 0:34:43.120
<v Speaker 1>completely embarrassed and starts to walk off the set, but

0:34:43.200 --> 0:34:46.520
<v Speaker 1>Becky forces him back and tells everyone she is so

0:34:46.680 --> 0:34:49.359
<v Speaker 1>proud of him because today he's going to take care

0:34:49.360 --> 0:34:52.040
<v Speaker 1>of the kids, do the shopping, do the laundry, and

0:34:52.120 --> 0:34:55.920
<v Speaker 1>cook a wonderful dinner. Jesse tries to maintain some of

0:34:55.960 --> 0:34:58.600
<v Speaker 1>his macho ness, and right after that, I'm going to

0:34:58.680 --> 0:35:02.719
<v Speaker 1>rustle a bob kat with my bear hands. Sure you're Jesse,

0:35:02.880 --> 0:35:05.400
<v Speaker 1>he's very threatened. He's very well yeah right, no, right,

0:35:05.440 --> 0:35:08.799
<v Speaker 1>have you seen this guy in play sports? Yeah, you know,

0:35:08.920 --> 0:35:11.840
<v Speaker 1>he's this is just this is just the beginning of

0:35:12.080 --> 0:35:15.840
<v Speaker 1>uh oh, I know this storyline. So yes, Jesse's upset,

0:35:15.960 --> 0:35:19.560
<v Speaker 1>Jesse's threatened, Jesse's ubsess, He's just upset. Next, at the

0:35:19.560 --> 0:35:23.640
<v Speaker 1>grocery store, Jesse is shopping with the boys. He jokingly

0:35:23.719 --> 0:35:26.239
<v Speaker 1>weighs one of the babies on the produce scale, have

0:35:26.360 --> 0:35:29.680
<v Speaker 1>mercy fourteen pounds? Have you guys been sneaking down to

0:35:29.719 --> 0:35:33.799
<v Speaker 1>the kitchen eating cheeseburgers at night? He continues shopping with

0:35:33.840 --> 0:35:36.760
<v Speaker 1>one baby strapped to his chest and the other seated

0:35:36.800 --> 0:35:40.360
<v Speaker 1>in the shopping cart. He grabs a melon and explains

0:35:40.360 --> 0:35:42.319
<v Speaker 1>to the boys, this is what you're gonna look like

0:35:42.400 --> 0:35:46.000
<v Speaker 1>if you don't start growing hair. It's very obsessed with

0:35:46.040 --> 0:35:47.920
<v Speaker 1>these boys growing hair.

0:35:48.000 --> 0:35:53.000
<v Speaker 2>Well, yeah, it's like honeydew from the Muppets.

0:35:53.040 --> 0:35:56.399
<v Speaker 1>Oh yeah, yeah, that's super cool.

0:35:56.440 --> 0:35:59.080
<v Speaker 3>So can we look at the grocery prices please and

0:35:59.160 --> 0:35:59.840
<v Speaker 3>just have a moment.

0:36:00.520 --> 0:36:02.240
<v Speaker 1>I was startled, stunned.

0:36:02.320 --> 0:36:07.080
<v Speaker 2>Ninety nine cents for cauliflour and seventy nine cents for

0:36:07.239 --> 0:36:08.040
<v Speaker 2>egg plants.

0:36:08.120 --> 0:36:13.000
<v Speaker 1>Wow, wow, under a dollar? Under a dollar? Yes, I

0:36:13.080 --> 0:36:14.560
<v Speaker 1>know it's it's depressing.

0:36:14.680 --> 0:36:16.600
<v Speaker 2>It's depressing when you've got to take out a loan

0:36:16.680 --> 0:36:19.200
<v Speaker 2>to get more than one egg plant these days. I know,

0:36:19.480 --> 0:36:21.719
<v Speaker 2>if you want a dozen eggs, whipp forget it.

0:36:21.960 --> 0:36:25.040
<v Speaker 1>That's not it. That's like a much payment. Yep, yeah,

0:36:25.040 --> 0:36:27.880
<v Speaker 1>you better own own chickens, grow your own vegetables in

0:36:27.880 --> 0:36:29.600
<v Speaker 1>the backyard with the.

0:36:29.600 --> 0:36:34.880
<v Speaker 2>Other and easily spent like two and a half times

0:36:34.920 --> 0:36:35.680
<v Speaker 2>as much.

0:36:35.560 --> 0:36:39.320
<v Speaker 3>For what I always I was like, yeah, Trader Joe's

0:36:39.360 --> 0:36:40.040
<v Speaker 3>what are you doing?

0:36:40.120 --> 0:36:43.279
<v Speaker 1>I know, I know it's depressing. It is depressing to

0:36:43.800 --> 0:36:46.280
<v Speaker 1>have to eat in this these days.

0:36:46.360 --> 0:36:48.720
<v Speaker 2>But we can always dream of seventy nine cent egg plants,

0:36:49.160 --> 0:36:52.240
<v Speaker 2>which sounds not the way I meant it.

0:36:53.040 --> 0:36:54.279
<v Speaker 1>I mean, you can dream of that too, if.

0:36:54.239 --> 0:36:57.600
<v Speaker 3>You like, I guess some people do for seventy eggs.

0:36:58.680 --> 0:37:01.840
<v Speaker 3>That sounds disappointing, you know, not when you'd want to

0:37:02.120 --> 0:37:03.280
<v Speaker 3>discount egg plant.

0:37:05.440 --> 0:37:08.400
<v Speaker 1>So then stephan Michelle appear from one of the aisles.

0:37:08.719 --> 0:37:11.320
<v Speaker 1>Stephanie has her arms full of junk food and states,

0:37:11.560 --> 0:37:15.000
<v Speaker 1>I got our dinner, Uncle Jesse. Jesse shakes his head

0:37:15.000 --> 0:37:18.640
<v Speaker 1>in disapproval. I'm not buying all that junk food. Michelle

0:37:18.640 --> 0:37:21.239
<v Speaker 1>waves a box of vanilla cookies in his face. Well,

0:37:21.239 --> 0:37:24.400
<v Speaker 1>you better buy these cookies. I already ate four. She

0:37:24.480 --> 0:37:27.480
<v Speaker 1>shoves another cookie into her mouth. And corrects herself, I mean.

0:37:27.400 --> 0:37:30.840
<v Speaker 3>Five love a good Nilla Waifer. Oh yeah, it's good stuff.

0:37:31.520 --> 0:37:34.520
<v Speaker 1>She turns to find a row of featured cereal and

0:37:34.560 --> 0:37:37.680
<v Speaker 1>screams at the top of her lungs, Billy Bunny Cereal.

0:37:37.840 --> 0:37:41.200
<v Speaker 1>I gotta have it. Jesse tries to reason with her.

0:37:41.600 --> 0:37:44.200
<v Speaker 1>Let me tell you something, just because there's some goofy

0:37:44.280 --> 0:37:46.839
<v Speaker 1>character on the box doesn't mean the product is any good.

0:37:47.680 --> 0:37:50.520
<v Speaker 1>Then something on the shelf catches his eye. He runs

0:37:50.560 --> 0:37:52.520
<v Speaker 1>to pick up a jar and exclaims, Oh my god,

0:37:52.719 --> 0:37:56.879
<v Speaker 1>Elvis peanut butter. Steph wonders, isn't that the same thing

0:37:56.920 --> 0:38:02.080
<v Speaker 1>as Billy Bunny cereal? Mean you're not wrong, I'm not wrong,

0:38:02.719 --> 0:38:05.600
<v Speaker 1>Jesse defends himself. No, it's not. Elvis is a man,

0:38:05.760 --> 0:38:08.640
<v Speaker 1>not a cartoon. Now what do you guys want, smooth

0:38:08.840 --> 0:38:12.399
<v Speaker 1>or hunka hunka chunka. I'll take both. That was clever.

0:38:12.480 --> 0:38:13.480
<v Speaker 1>Hunka hunka chunka.

0:38:13.920 --> 0:38:14.240
<v Speaker 5>Yeah.

0:38:14.280 --> 0:38:16.400
<v Speaker 1>I was like, Oh that's actually that's good. That was clever.

0:38:17.360 --> 0:38:19.919
<v Speaker 1>Jesse walks back to the cart and lovingly bends down

0:38:19.960 --> 0:38:23.000
<v Speaker 1>to Nikki, but his face sours when he smells him

0:38:23.920 --> 0:38:26.279
<v Speaker 1>he needs a diaper change before they head to the

0:38:26.360 --> 0:38:29.880
<v Speaker 1>diaper aisle, Jesse has a temporary solution. He sticks an

0:38:29.880 --> 0:38:33.600
<v Speaker 1>air freshener to the baby's bottom to help with the smell.

0:38:35.480 --> 0:38:38.080
<v Speaker 3>Then he reminds that sound any weird chemical on your

0:38:38.080 --> 0:38:39.480
<v Speaker 3>baby's body?

0:38:40.600 --> 0:38:44.279
<v Speaker 1>It was, I know, remember those ones? Those are the

0:38:44.320 --> 0:38:45.960
<v Speaker 1>word there smell.

0:38:45.920 --> 0:38:50.040
<v Speaker 3>So often terrible yeahs, and it makes me want a gags.

0:38:50.040 --> 0:38:51.600
<v Speaker 1>I'm like, oh god, it smells like a puppet. It

0:38:51.640 --> 0:38:54.279
<v Speaker 1>makes it worse. Yeah, whatever you whatever smell you're trying

0:38:54.280 --> 0:38:54.880
<v Speaker 1>to get rid of, is.

0:38:54.920 --> 0:39:00.560
<v Speaker 3>Much moreferable to those those distinct things. Yeah, gas station

0:39:00.640 --> 0:39:01.800
<v Speaker 3>vibes totally.

0:39:01.880 --> 0:39:05.880
<v Speaker 1>Yeah. So then he reminds Michelle and Stuff that they

0:39:05.960 --> 0:39:08.279
<v Speaker 1>need milk and bread, So the girls run to the

0:39:08.320 --> 0:39:11.360
<v Speaker 1>aisle on the right. Jesse yells out, no more junk

0:39:11.360 --> 0:39:14.000
<v Speaker 1>food and on cue Michelle and Stuff run out of

0:39:14.000 --> 0:39:16.600
<v Speaker 1>that aisle and over to the correct one. That's a

0:39:16.600 --> 0:39:20.920
<v Speaker 1>good bit, good little bit there. Jesse continues to contradict

0:39:21.000 --> 0:39:23.520
<v Speaker 1>himself as he runs over to the Elvis peanut butter

0:39:23.600 --> 0:39:27.640
<v Speaker 1>and stalks up on an ungodly amount. Who needs that

0:39:27.760 --> 0:39:33.000
<v Speaker 1>much peanut butter? Jesse does. As he's loading up his cart,

0:39:33.120 --> 0:39:35.640
<v Speaker 1>another dad walks up to him and says, hey, I

0:39:35.719 --> 0:39:38.280
<v Speaker 1>saw you on TV this morning. Obviously.

0:39:38.320 --> 0:39:44.000
<v Speaker 2>Do you think that they meant to make him look

0:39:44.200 --> 0:39:47.560
<v Speaker 2>like the live action version of Ned Flanders.

0:39:48.719 --> 0:39:55.160
<v Speaker 1>Because he one, Oh yeah, he really does well. He's

0:39:55.160 --> 0:39:57.239
<v Speaker 1>supposed to be. I mean, I think he's supposed to

0:39:57.239 --> 0:39:59.600
<v Speaker 1>be like a nerd. He thought he was going to

0:39:59.640 --> 0:40:01.680
<v Speaker 1>be going to neighbor.

0:40:02.600 --> 0:40:04.600
<v Speaker 2>I was waiting for it, yeah, or pop out of

0:40:04.600 --> 0:40:05.520
<v Speaker 2>a bush or something.

0:40:05.640 --> 0:40:08.839
<v Speaker 1>Yeah, No, I was he Yeah, he's not. This isn't

0:40:08.840 --> 0:40:10.840
<v Speaker 1>supposed to be a cool dad. He's supposed to be

0:40:10.920 --> 0:40:13.920
<v Speaker 1>kind of a nerve. But he worried. The mustache, the sweater,

0:40:14.200 --> 0:40:18.960
<v Speaker 1>the hair, the voice. He was Ned Flanders, he was

0:40:19.040 --> 0:40:21.759
<v Speaker 1>in the flesh, he was. He nailed it. He absolutely

0:40:21.800 --> 0:40:25.239
<v Speaker 1>nailed it. It was perfect. The man goes on to say

0:40:25.280 --> 0:40:30.000
<v Speaker 1>you're Rebecca's husband, Jesse Donaldson, and Jesse looks like he

0:40:30.040 --> 0:40:34.000
<v Speaker 1>got punched in the gut. He corrects the man, it's Kitsopolis,

0:40:34.440 --> 0:40:39.040
<v Speaker 1>Jesse Kitsopolis. The man shrugs, whatever, I'm George. It's nice

0:40:39.080 --> 0:40:41.799
<v Speaker 1>to meet another house husband, and he reaches out to

0:40:41.840 --> 0:40:45.239
<v Speaker 1>shake Jesse's hand. Jesse chuckles and tells George that he

0:40:45.360 --> 0:40:49.360
<v Speaker 1>is not a house husband. He's a musician. George nods

0:40:49.360 --> 0:40:54.799
<v Speaker 1>with understanding. Yeah, I'm a screenwriter. Jesse continues to explain himself. Look,

0:40:54.880 --> 0:40:59.919
<v Speaker 1>I'm just doing this because my career is temporarily on hold. Okay, again,

0:41:00.160 --> 0:41:02.759
<v Speaker 1>George knows how he's feeling. I said the same thing

0:41:02.800 --> 0:41:04.759
<v Speaker 1>to my wife when she went back to work. That

0:41:04.920 --> 0:41:08.560
<v Speaker 1>was four years ago, and Jesse is in disbelief. So

0:41:08.680 --> 0:41:10.680
<v Speaker 1>for four years, all you've done is take care of

0:41:10.719 --> 0:41:11.720
<v Speaker 1>the kids in the house.

0:41:12.800 --> 0:41:14.560
<v Speaker 3>This that line made me want to slap.

0:41:15.719 --> 0:41:18.040
<v Speaker 1>Yeah, this is this, This is.

0:41:19.680 --> 0:41:21.920
<v Speaker 3>Was I was like, oh, this didn't age.

0:41:22.000 --> 0:41:24.640
<v Speaker 1>Well yeah I know, yeah, yeah, yeah, and yeah, I've

0:41:24.680 --> 0:41:26.919
<v Speaker 1>got I got I got more thoughts. I'll save I'll

0:41:26.960 --> 0:41:30.360
<v Speaker 1>save them. But it was very nineteen ninety two. You

0:41:30.360 --> 0:41:31.840
<v Speaker 1>wouldn't see this storyline today.

0:41:32.120 --> 0:41:34.759
<v Speaker 3>Very nineteen seventy two, sixty two, really really two, I

0:41:34.800 --> 0:41:37.279
<v Speaker 3>don't know, it was very Yeah it's old.

0:41:37.120 --> 0:41:41.400
<v Speaker 1>Old school. Uh, George clarifies, well, of course not. I

0:41:41.440 --> 0:41:45.759
<v Speaker 1>mean there's the shopping carpools and my favorite soap, General Hospital.

0:41:47.040 --> 0:41:50.040
<v Speaker 1>Lovely nod to John's former show when he was on

0:41:50.080 --> 0:41:53.400
<v Speaker 1>General Hospital. Then George says he has to run and

0:41:53.440 --> 0:41:56.759
<v Speaker 1>tells Jesse he'll see him on Thursday for double coupon day.

0:41:57.480 --> 0:42:00.680
<v Speaker 1>Jesse responds under his breath, Hope I can sleep Wednesday night.

0:42:01.760 --> 0:42:04.000
<v Speaker 3>Then we switch the twins. You gotta save every cent

0:42:04.120 --> 0:42:04.359
<v Speaker 3>you can.

0:42:04.680 --> 0:42:06.960
<v Speaker 1>Yeah, you need as much sleep as you can get.

0:42:08.320 --> 0:42:11.359
<v Speaker 1>We switch over to Steph and Michelle's grocery adventures. Now

0:42:11.400 --> 0:42:15.520
<v Speaker 1>they're at a Funky Frank's sample table eating little hot dogs.

0:42:16.360 --> 0:42:19.720
<v Speaker 1>Steff admits these Funky Franks are pretty good. I better

0:42:19.719 --> 0:42:22.640
<v Speaker 1>try a few more, just to make sure. She grabs

0:42:22.640 --> 0:42:25.040
<v Speaker 1>a hot dog and a mustard bottle. But when she

0:42:25.160 --> 0:42:29.600
<v Speaker 1>squeezes the mustard, it lands all over DJ's sweater.

0:42:29.920 --> 0:42:35.160
<v Speaker 2>In a totally not staged easy. Uh looks like it

0:42:35.320 --> 0:42:36.560
<v Speaker 2>just happened sort of way.

0:42:36.960 --> 0:42:39.879
<v Speaker 3>Yeah, not at all, not at all staged. Your your

0:42:39.920 --> 0:42:42.440
<v Speaker 3>prop work was excellent, Tear. I was like, oh, it

0:42:42.520 --> 0:42:44.360
<v Speaker 3>was great, it really, but it's like, don't.

0:42:44.239 --> 0:42:46.880
<v Speaker 1>Make it on the hot dog. I was right, don't

0:42:46.880 --> 0:42:50.840
<v Speaker 1>make wait, make sure hold it. So Yeah, props are

0:42:50.880 --> 0:42:53.200
<v Speaker 1>stressful when you're a kid, especially, props could be very

0:42:53.200 --> 0:42:55.600
<v Speaker 1>stress when you have to do two props, one in

0:42:55.640 --> 0:42:57.080
<v Speaker 1>each hand. That's it's hard to do.

0:42:57.840 --> 0:42:59.400
<v Speaker 3>I can't act and do props at the same time.

0:42:59.800 --> 0:43:02.160
<v Speaker 1>That's it's too much multitasking for us.

0:43:03.400 --> 0:43:03.520
<v Speaker 5>Uh.

0:43:03.760 --> 0:43:08.080
<v Speaker 1>So Michelle's eyes widen uh oh, and stuff starts to panic.

0:43:08.239 --> 0:43:11.400
<v Speaker 1>What have I done? I got mustard on DJ's sweater.

0:43:12.200 --> 0:43:16.760
<v Speaker 1>Michelle admits she's gonna have a cow. Steph is frantically

0:43:16.800 --> 0:43:19.520
<v Speaker 1>wiping the sweater as she responds, tell me something I

0:43:19.560 --> 0:43:23.680
<v Speaker 1>don't know, So Michelle does yesterday I dropped your toothbrush

0:43:23.680 --> 0:43:29.640
<v Speaker 1>in the toilet. Stephanie looks at her in disbelief, and

0:43:29.719 --> 0:43:35.640
<v Speaker 1>you're definitely, You're definitely got. So that was a great line.

0:43:35.680 --> 0:43:39.279
<v Speaker 1>I mean, the delivery was just fantastic. So then Jesse

0:43:39.400 --> 0:43:42.080
<v Speaker 1>walks over and tells them all they need now are

0:43:42.120 --> 0:43:45.880
<v Speaker 1>paper towels. Michelle walks over to the nearby paper towel

0:43:46.239 --> 0:43:49.680
<v Speaker 1>tower and says I'll get one. She goes to grab

0:43:49.840 --> 0:43:52.319
<v Speaker 1>one on the bottom, but Jesse stops her. Hold it.

0:43:52.760 --> 0:43:55.800
<v Speaker 1>You never take from the bottom, always from the top.

0:43:56.160 --> 0:43:59.040
<v Speaker 1>Like this. You see, as he grabs a paper towel

0:43:59.120 --> 0:44:01.880
<v Speaker 1>roll from the top, he accidentally bumps into it and

0:44:01.960 --> 0:44:03.480
<v Speaker 1>knocks the whole thing down.

0:44:04.280 --> 0:44:06.400
<v Speaker 2>I mean, this looked about as realistic as the mustard,

0:44:06.400 --> 0:44:08.680
<v Speaker 2>so I didn't take it so hard, right, I.

0:44:08.640 --> 0:44:11.560
<v Speaker 1>Was like, you know what, that wasn't.

0:44:11.320 --> 0:44:13.960
<v Speaker 3>Really believable either, So I'm gonna take yeah, and yeah,

0:44:14.160 --> 0:44:14.680
<v Speaker 3>I'll take it.

0:44:14.800 --> 0:44:19.279
<v Speaker 1>No one's doing no one's doing believable accidental prop, prop

0:44:19.760 --> 0:44:20.080
<v Speaker 1>and more.

0:44:20.120 --> 0:44:24.640
<v Speaker 3>Accidents are so hard to do on camera because you.

0:44:24.719 --> 0:44:28.440
<v Speaker 1>Have to be very right. You have to execute it

0:44:28.560 --> 0:44:31.200
<v Speaker 1>exactly the way the director wants you to execute it,

0:44:31.239 --> 0:44:32.239
<v Speaker 1>but make it look like.

0:44:32.160 --> 0:44:34.720
<v Speaker 3>It's not make it look like it's an accident.

0:44:34.920 --> 0:44:39.280
<v Speaker 1>It's actually very stressful. I totally agree. Uh, and Michelle's

0:44:39.320 --> 0:44:42.840
<v Speaker 1>snarkily says, I could have done that. And you know,

0:44:42.880 --> 0:44:45.520
<v Speaker 1>stuff is always getting into trouble with DJ's sweaters. You know,

0:44:45.560 --> 0:44:49.959
<v Speaker 1>you stole the sweater and little shop of sweaters. She'd learn.

0:44:50.280 --> 0:44:53.400
<v Speaker 1>I know, I take the sweaters. Just enough of the sweaters.

0:44:53.440 --> 0:44:56.439
<v Speaker 1>Wear your own clothes, Stephanie. That's that's the lesson. Here

0:44:58.080 --> 0:45:01.360
<v Speaker 1>in the kitchen, Jesse is cooking dinner while Michelle sets

0:45:01.400 --> 0:45:04.839
<v Speaker 1>the table. Then steph walks down the stairs and announces,

0:45:05.120 --> 0:45:07.680
<v Speaker 1>I'm too full to eat dinner. Now I know why

0:45:07.719 --> 0:45:11.719
<v Speaker 1>they call them funky franks. So Jesse instructs Michelle to

0:45:11.760 --> 0:45:14.880
<v Speaker 1>take one plate away. She pretends it's a magic trip,

0:45:15.200 --> 0:45:18.600
<v Speaker 1>magic trick, saying now you see it, now you don't.

0:45:19.640 --> 0:45:22.880
<v Speaker 1>Then a timer buzzes and Steph exclaims, that's my laundry.

0:45:23.719 --> 0:45:25.640
<v Speaker 1>Jesse tells the girls he'll be right back. He just

0:45:25.680 --> 0:45:28.640
<v Speaker 1>needs to check on the boys. Steph opens the dryer

0:45:28.680 --> 0:45:31.640
<v Speaker 1>and tells her little sister, I threw DJ's sweater in.

0:45:31.840 --> 0:45:35.280
<v Speaker 1>I hope that mustard stain came out. Then she holds

0:45:35.320 --> 0:45:40.680
<v Speaker 1>up the sweater and screeches, ah, it shrank. Michelle is

0:45:40.719 --> 0:45:44.759
<v Speaker 1>happy about this. That will fit my Barbie on cue.

0:45:44.800 --> 0:45:47.640
<v Speaker 1>The door opens and DJ and Kimmy come walking in.

0:45:48.560 --> 0:45:50.959
<v Speaker 1>Steph quickly tries to hide the sweater behind her back

0:45:51.080 --> 0:45:54.960
<v Speaker 1>and slowly backs out of the kitchen. She casually says, stage,

0:45:55.360 --> 0:45:58.440
<v Speaker 1>my loving sister, how nice to see you. I'm just

0:45:58.440 --> 0:46:01.320
<v Speaker 1>gonna go to the living room and practice my moonwalk.

0:46:02.120 --> 0:46:05.080
<v Speaker 1>DJ and Kimmy sherry puzzled look as Steph shows off

0:46:05.080 --> 0:46:08.480
<v Speaker 1>her moves and DJ scoffs Steph, the eighties are over.

0:46:09.520 --> 0:46:11.759
<v Speaker 1>I enjoyed your moonwalk. That was a thank you, well

0:46:11.800 --> 0:46:12.760
<v Speaker 1>executed moonwalk.

0:46:13.000 --> 0:46:15.200
<v Speaker 2>You know it was better than I expected. Yeah, I expected,

0:46:15.760 --> 0:46:18.800
<v Speaker 2>oh no, and that I didn't fall down backwards. I'm fine,

0:46:18.920 --> 0:46:21.840
<v Speaker 2>but you're fine bits walking forwards that you have a trouble.

0:46:21.920 --> 0:46:26.000
<v Speaker 1>It was the forward direction that's difficult. Then Jesse walks

0:46:26.040 --> 0:46:28.400
<v Speaker 1>back in and tells DJ and Kimmy that they're just

0:46:28.440 --> 0:46:32.040
<v Speaker 1>in time for dinner. DJ responds, Oh, sorry, uncle Jesse,

0:46:32.320 --> 0:46:33.880
<v Speaker 1>but Kimmy and I are going to go study at

0:46:33.920 --> 0:46:37.000
<v Speaker 1>the library. We'll catch a burger on the way. Jesse

0:46:37.120 --> 0:46:39.720
<v Speaker 1>puts a hand on his hip. Is that the thanks

0:46:39.760 --> 0:46:43.160
<v Speaker 1>I get for slaving over a hot stove all day?

0:46:44.239 --> 0:46:47.240
<v Speaker 1>And John could not get this line right. I vividly

0:46:47.280 --> 0:46:50.560
<v Speaker 1>remember him mixing up the words and saying like, stay,

0:46:50.880 --> 0:46:53.360
<v Speaker 1>is this what I get for staving over a slow.

0:46:53.400 --> 0:46:58.920
<v Speaker 2>Hot at once you get that in your head, you're like,

0:46:59.040 --> 0:46:59.520
<v Speaker 2>that's it.

0:46:59.640 --> 0:47:01.560
<v Speaker 1>I can't My mouth is not going to work the

0:47:01.600 --> 0:47:04.040
<v Speaker 1>other way. Yes, I don't know how many takes we

0:47:04.080 --> 0:47:06.080
<v Speaker 1>did of this, but he could not. Yeah, he just

0:47:06.080 --> 0:47:08.640
<v Speaker 1>couldn't do it. But he apparently did it once because

0:47:08.640 --> 0:47:13.160
<v Speaker 1>it made the final cut here. So Kimmy reacts, boy,

0:47:13.200 --> 0:47:16.680
<v Speaker 1>you sound just like my mom, only more bitter. Jesse

0:47:16.840 --> 0:47:19.520
<v Speaker 1>aggressively points to the door and responds, prompting Kimmy and

0:47:19.600 --> 0:47:22.960
<v Speaker 1>DJ to leave. Michelle walks back to the table and sighs,

0:47:23.440 --> 0:47:27.160
<v Speaker 1>there goes another plate. Then Joey walks in. This time

0:47:27.360 --> 0:47:30.200
<v Speaker 1>he and mister Woodchuck are looking down at the floor.

0:47:30.880 --> 0:47:35.000
<v Speaker 1>Jesse asks, did you lose something? Joey says, yeah, the

0:47:35.120 --> 0:47:37.680
<v Speaker 1>use of my neck. I tried to crack it myself.

0:47:38.040 --> 0:47:40.640
<v Speaker 1>Do you know it's amazing how many people need shoeshine?

0:47:40.680 --> 0:47:43.640
<v Speaker 1>Why is he carrying the puppet in? I don't know,

0:47:43.880 --> 0:47:45.719
<v Speaker 1>Like this is a bit I'm telling you. This is

0:47:45.760 --> 0:47:51.160
<v Speaker 1>his anthropomorphic bits, right, that's right. I forgot his trauma response. Yeah, yeah,

0:47:51.440 --> 0:47:54.919
<v Speaker 1>it's yeah. The puppet talks for him, right right?

0:47:56.600 --> 0:47:56.759
<v Speaker 3>No?

0:47:56.960 --> 0:47:59.719
<v Speaker 1>This, yeah, this, I mean, Dave is committed to this

0:48:00.480 --> 0:48:03.160
<v Speaker 1>so great, but it's kind often the way it's written.

0:48:03.960 --> 0:48:06.320
<v Speaker 1>You So, did you get.

0:48:06.120 --> 0:48:08.560
<v Speaker 2>Out of your car and put the puppet back on

0:48:08.600 --> 0:48:12.200
<v Speaker 2>your hand before you unlocked the door after? Like you

0:48:12.239 --> 0:48:15.239
<v Speaker 2>know what I mean, it's just how'd you drive home

0:48:15.280 --> 0:48:16.960
<v Speaker 2>if you can only look at the ground?

0:48:17.000 --> 0:48:18.800
<v Speaker 1>Were you on the bus? Did you take the puppet

0:48:18.840 --> 0:48:22.120
<v Speaker 1>on the bus? Ticket? Hold on? There's a lot of questions.

0:48:22.200 --> 0:48:25.640
<v Speaker 1>Don't pull that thread, Just don't pull that thread, like it.

0:48:25.719 --> 0:48:27.520
<v Speaker 3>Does a puppet need a ticket on the bart system?

0:48:27.560 --> 0:48:30.239
<v Speaker 1>I don't know. Oh, well this one does, because it's

0:48:30.280 --> 0:48:32.800
<v Speaker 1>this one does. Joey thinks it's a real, real character,

0:48:32.920 --> 0:48:37.120
<v Speaker 1>So yeah, I would say yes, So Jesse wonders where's

0:48:37.160 --> 0:48:39.919
<v Speaker 1>Becky and Danny. Joey tells them they had to work late,

0:48:40.120 --> 0:48:43.680
<v Speaker 1>which means they'll be late for dinner. Jesse instructs Michelle

0:48:43.680 --> 0:48:46.880
<v Speaker 1>to take away two more plates, and she huffs, why

0:48:46.880 --> 0:48:47.840
<v Speaker 1>do I even bother?

0:48:48.680 --> 0:48:48.879
<v Speaker 6>Damn?

0:48:48.960 --> 0:48:51.200
<v Speaker 1>They host a morning show and they're gonna miss dinner. Yeah,

0:48:51.200 --> 0:48:53.719
<v Speaker 1>that's a long work day, very long. Worse people. I

0:48:53.760 --> 0:48:54.600
<v Speaker 1>know they do morning shows.

0:48:54.640 --> 0:48:56.680
<v Speaker 3>You're like, I love this job because I'm done by

0:48:56.680 --> 0:48:58.320
<v Speaker 3>eleven thirty, Right.

0:48:58.200 --> 0:48:59.920
<v Speaker 1>That's the whole point of getting up at four am.

0:49:00.480 --> 0:49:01.440
<v Speaker 1>You're done?

0:49:01.480 --> 0:49:04.520
<v Speaker 3>Yeah, well, you know they have to produce it all themselves.

0:49:04.880 --> 0:49:08.640
<v Speaker 1>Oh that's right. They do everything, including costuming and props

0:49:08.800 --> 0:49:13.440
<v Speaker 1>and set design, hair makeup. Yeah. So Joey breaks some

0:49:13.520 --> 0:49:16.319
<v Speaker 1>more news. I gotta go see a chiropractor, so I'm

0:49:16.360 --> 0:49:19.200
<v Speaker 1>not going to be here for dinner either. Jesse holds

0:49:19.239 --> 0:49:22.760
<v Speaker 1>up the number one to Michelle, so she removes another plate,

0:49:22.960 --> 0:49:26.879
<v Speaker 1>asking what is this a joke? Then Joey asks Jesse

0:49:26.960 --> 0:49:29.880
<v Speaker 1>for a favor, can you sew this button onto mister Woodchuck,

0:49:30.640 --> 0:49:35.120
<v Speaker 1>and Jesse sarcastically responds, oh love to Joey walks out

0:49:35.160 --> 0:49:38.040
<v Speaker 1>of the kitchen with his head held low. Boy, this

0:49:38.120 --> 0:49:42.640
<v Speaker 1>floor needs a wax job, Jesse. He feels surprising for Danny.

0:49:42.800 --> 0:49:45.080
<v Speaker 1>You think it would be freshly waxed, right, But Danny's

0:49:45.120 --> 0:49:46.759
<v Speaker 1>been at the he's been at the set all day.

0:49:46.800 --> 0:49:47.799
<v Speaker 1>He's been in Vicki Land.

0:49:48.760 --> 0:49:52.520
<v Speaker 3>He neglected his floors, neglected the job. The floor waxing.

0:49:52.640 --> 0:49:57.360
<v Speaker 1>It's understandable. Yep, so Jesse complains. Not only am I

0:49:57.480 --> 0:50:01.040
<v Speaker 1>mister mom, I'm mister Woodchuck's mom. And he sets the

0:50:01.040 --> 0:50:03.799
<v Speaker 1>puppet down on the counter. He grabs the pot of

0:50:03.800 --> 0:50:05.600
<v Speaker 1>food and sets it on the table, and then he

0:50:05.680 --> 0:50:09.600
<v Speaker 1>slumps down next to Michelle in defeat. She wonders, are

0:50:09.600 --> 0:50:14.120
<v Speaker 1>you totally bummed? And he nods, yeah, totally. She insists,

0:50:14.520 --> 0:50:16.600
<v Speaker 1>go ahead tell me all about it.

0:50:17.120 --> 0:50:20.960
<v Speaker 3>Have a seat in my office, sir. She knows the

0:50:21.000 --> 0:50:21.960
<v Speaker 3>doctor is in.

0:50:22.280 --> 0:50:24.520
<v Speaker 1>That's a good therapist right there. She knows that he

0:50:24.600 --> 0:50:27.560
<v Speaker 1>needs to talk. And she's just encouraging something wrong with you.

0:50:27.640 --> 0:50:30.480
<v Speaker 3>You look like an adult in need of some emotional

0:50:30.520 --> 0:50:32.719
<v Speaker 3>assistance from a child. Yeah, you know.

0:50:32.960 --> 0:50:35.160
<v Speaker 1>I mean, at least he's using an actual human being

0:50:35.200 --> 0:50:37.680
<v Speaker 1>and not a puppet or a mannequin. So true.

0:50:37.960 --> 0:50:40.719
<v Speaker 3>Yeah, everybody in this house has some communications.

0:50:40.760 --> 0:50:44.800
<v Speaker 1>You have some issues. Yeah, so, Jesse admits, I'm just afraid,

0:50:44.880 --> 0:50:47.880
<v Speaker 1>you know what if I never get a record deal again.

0:50:48.880 --> 0:50:51.720
<v Speaker 1>I mean, is this it for me? Didn't you already

0:50:51.760 --> 0:50:54.080
<v Speaker 1>have a record deal and a confusion?

0:50:54.080 --> 0:50:55.359
<v Speaker 3>I don't know.

0:50:55.360 --> 0:50:59.640
<v Speaker 1>We're gonna have to ask Jeff about this. Jesse continues,

0:50:59.719 --> 0:51:03.000
<v Speaker 1>I mean, is this it for me? Cooking, cleaning, watching

0:51:03.040 --> 0:51:05.279
<v Speaker 1>the kids while Becky's at work. I got to make

0:51:05.320 --> 0:51:08.879
<v Speaker 1>some changes in my life. Michelle asks, can we eat

0:51:08.880 --> 0:51:13.520
<v Speaker 1>dinner first? Jesse laughs and scoops some dinner onto her plate, saying,

0:51:13.719 --> 0:51:16.480
<v Speaker 1>I hope you're hungry because it's just you and me eating.

0:51:17.320 --> 0:51:21.560
<v Speaker 1>Michelle responds, I think you forgot somebody on cue. Comet

0:51:21.640 --> 0:51:24.239
<v Speaker 1>runs in and snatches his bowl from the ground. He's

0:51:24.239 --> 0:51:26.200
<v Speaker 1>such a good boy. He's such a good boy. He's

0:51:26.239 --> 0:51:32.160
<v Speaker 1>so happy in this scene, presents the bowl to Jesse,

0:51:32.239 --> 0:51:35.960
<v Speaker 1>who serves him some food, saying bonea petite comet, and

0:51:36.040 --> 0:51:47.879
<v Speaker 1>Comet goes to town on his chow so good. Next

0:51:47.880 --> 0:51:50.400
<v Speaker 1>to the living room, Jesse is rocking the twins in

0:51:50.440 --> 0:51:53.600
<v Speaker 1>their swings as he sews the button on mister Woodchuck.

0:51:54.239 --> 0:51:57.000
<v Speaker 1>He tells the puppet, all right, there your button's on,

0:51:57.160 --> 0:52:02.719
<v Speaker 1>you saw dust sucking tree freak. It's creative like that.

0:52:03.000 --> 0:52:07.840
<v Speaker 1>He he Jesse loves to insult like everything. But I'm like,

0:52:07.880 --> 0:52:09.879
<v Speaker 1>it's that funny. That's his communications.

0:52:10.200 --> 0:52:13.800
<v Speaker 3>He's just help everything because he's just right right, because.

0:52:13.560 --> 0:52:14.719
<v Speaker 1>It's just he's got to make it.

0:52:14.840 --> 0:52:17.720
<v Speaker 3>He's got to make it stupid so that he feels

0:52:17.719 --> 0:52:18.480
<v Speaker 3>better about himself.

0:52:18.520 --> 0:52:19.560
<v Speaker 1>Yeah, I guess that's excelling.

0:52:19.600 --> 0:52:22.680
<v Speaker 2>You know, Dave has to distance himself or not Dave.

0:52:22.800 --> 0:52:25.560
<v Speaker 2>Joey has to distance himself from the emotions with the puppet.

0:52:25.880 --> 0:52:29.480
<v Speaker 2>Oh okay, and uh and Danny. I don't think has

0:52:29.520 --> 0:52:31.359
<v Speaker 2>really ever dealt with the death of Pam.

0:52:31.440 --> 0:52:34.760
<v Speaker 1>No, no, he hasn't spoke of her. He's just shoved

0:52:34.760 --> 0:52:36.799
<v Speaker 1>that far down and it's not going to deal with

0:52:36.840 --> 0:52:37.719
<v Speaker 1>that ever.

0:52:38.000 --> 0:52:39.799
<v Speaker 3>You know what, it's good to know that even the

0:52:39.840 --> 0:52:43.239
<v Speaker 3>Tanners struggle a little bit with Uh. Yeah.

0:52:43.440 --> 0:52:46.480
<v Speaker 1>It explains a lot about this family. Actually, it explains

0:52:46.520 --> 0:52:49.719
<v Speaker 1>an awful lot. So Jesse makes eye contact with the

0:52:49.719 --> 0:52:53.560
<v Speaker 1>woodchuck and snarks. Oh, so you have no snappy comebacks?

0:52:53.640 --> 0:52:56.560
<v Speaker 1>Since Joey's hand isn't up your back, huh.

0:52:57.040 --> 0:52:58.600
<v Speaker 3>You know he wanted to say up your butt.

0:52:58.719 --> 0:53:02.279
<v Speaker 1>I know. Oh yeah, that, I'm sure he did on

0:53:02.320 --> 0:53:04.719
<v Speaker 1>several takes. I didn't make it to the to the

0:53:04.760 --> 0:53:09.520
<v Speaker 1>final cut. So when mister Woodchuck doesn't respond, Jesse says,

0:53:09.560 --> 0:53:11.959
<v Speaker 1>that's what I thought and tosses him onto a chair.

0:53:13.239 --> 0:53:17.719
<v Speaker 1>Then beyn, I know, like that seems that seems illegal

0:53:17.960 --> 0:53:20.000
<v Speaker 1>to be well, I should say that you're the one

0:53:20.000 --> 0:53:24.840
<v Speaker 1>that broke mister woodchuck stand nineties broke his stand.

0:53:25.440 --> 0:53:27.000
<v Speaker 3>And then he came to the next one with a

0:53:27.200 --> 0:53:30.319
<v Speaker 3>half terrible hat stand. It didn't even prop him up.

0:53:30.320 --> 0:53:31.680
<v Speaker 3>I was like, that's my fault.

0:53:31.719 --> 0:53:33.719
<v Speaker 1>That's because of you. Jodie Sweet. I know you should

0:53:33.760 --> 0:53:37.440
<v Speaker 1>feel bad, but that's okay. The puppet himself is still intact.

0:53:38.239 --> 0:53:41.840
<v Speaker 1>I feel bad. So Becky and Danny walk in from work.

0:53:42.160 --> 0:53:45.760
<v Speaker 1>Becky apologizes for missing dinner, and Danny begins to confide

0:53:45.880 --> 0:53:48.480
<v Speaker 1>in his brother in law. I should be happy about

0:53:48.560 --> 0:53:51.600
<v Speaker 1>Vicky's new job in Chicago, and I am, but I'm

0:53:51.640 --> 0:53:54.480
<v Speaker 1>feeling a little guilty that I'm not happy enough, you know.

0:53:55.719 --> 0:53:58.400
<v Speaker 1>Danny doesn't let anyone answer and just continues to babble.

0:53:58.680 --> 0:54:00.880
<v Speaker 1>I think I hid my feelings pretty well, although I

0:54:00.880 --> 0:54:03.480
<v Speaker 1>did weep all over her. Goodbye Ice cream cake. I'm

0:54:03.520 --> 0:54:07.280
<v Speaker 1>fine about this, I really am. Then he laughs and asks,

0:54:07.760 --> 0:54:10.279
<v Speaker 1>do you guys know any good therapists? I'll be leaving now,

0:54:10.440 --> 0:54:13.839
<v Speaker 1>and he promptly exits the living room. Yeah, where there's

0:54:13.840 --> 0:54:16.520
<v Speaker 1>one of the lives in the house. Right, Well, Jess's

0:54:16.520 --> 0:54:19.560
<v Speaker 1>not going to share. Jesse's not going to share his therapist.

0:54:19.800 --> 0:54:22.080
<v Speaker 2>Her client list. I mean, she's got so many she

0:54:22.120 --> 0:54:22.680
<v Speaker 2>can't take.

0:54:22.560 --> 0:54:25.279
<v Speaker 1>On another, she cannot take on one more client. Yeah,

0:54:25.520 --> 0:54:30.160
<v Speaker 1>she's very busy. So Becky and Jesse both sarcastically agree

0:54:30.239 --> 0:54:34.000
<v Speaker 1>that he's taking this well. Then Becky asks Jesse about

0:54:34.000 --> 0:54:37.520
<v Speaker 1>his day. He admits, well, the record company called. They

0:54:37.520 --> 0:54:43.160
<v Speaker 1>didn't like my demo. Becky is sympathetic. They like the tour. Yeah,

0:54:43.200 --> 0:54:45.040
<v Speaker 1>he's going to be going to Japan. It's in some

0:54:45.040 --> 0:54:48.080
<v Speaker 1>one of these upcomings. He hasn't even gone to Japan. Kay,

0:54:48.280 --> 0:54:50.839
<v Speaker 1>So like, just wait, did he I think he did

0:54:51.040 --> 0:54:55.520
<v Speaker 1>does go to Japan? But did he already? No? No,

0:54:55.800 --> 0:54:58.080
<v Speaker 1>I don't know what season that is. But yeah, just

0:54:58.200 --> 0:55:01.920
<v Speaker 1>hang tight there, Jesse. Your your moment to shine will come.

0:55:02.160 --> 0:55:05.600
<v Speaker 1>Just you know, calm down. Jesse goes on to say,

0:55:05.920 --> 0:55:08.440
<v Speaker 1>it's all right, I'm shaking things up. I got myself

0:55:08.480 --> 0:55:11.440
<v Speaker 1>a gig tonight. I'm playing with an oldies band at

0:55:11.440 --> 0:55:14.719
<v Speaker 1>the Airport Lounge. And Becky is surprised by this the

0:55:14.800 --> 0:55:18.920
<v Speaker 1>airport lounge. Honey, isn't that a step down? Kind of

0:55:19.000 --> 0:55:21.399
<v Speaker 1>that's kind of harsh hard, I know, I agree. I thought, Hey,

0:55:21.440 --> 0:55:23.400
<v Speaker 1>a job is a job, and when you're an artist,

0:55:23.440 --> 0:55:26.800
<v Speaker 1>you take what you I was kind of proud of

0:55:26.880 --> 0:55:28.240
<v Speaker 1>Jesse for just taking whatever.

0:55:29.040 --> 0:55:31.959
<v Speaker 3>Yeah, you know what I'm gonna do this just feel

0:55:31.960 --> 0:55:33.840
<v Speaker 3>a little better about myself. I have something to do,

0:55:33.920 --> 0:55:35.040
<v Speaker 3>and that's really what it's.

0:55:34.880 --> 0:55:38.160
<v Speaker 1>About, right Becky. This is the one rare occasion when

0:55:38.200 --> 0:55:41.439
<v Speaker 1>Becky supportive person where I'm.

0:55:41.360 --> 0:55:44.680
<v Speaker 3>Like, wow, Becky, that was yeah, Yeah, I agree, I

0:55:44.760 --> 0:55:45.320
<v Speaker 3>totally agree.

0:55:46.400 --> 0:55:50.560
<v Speaker 1>Jesse defends himself, Nah, it's music, it's a paycheck, and

0:55:50.600 --> 0:55:52.880
<v Speaker 1>then he jokes besides, I got a real nice coloring

0:55:52.920 --> 0:55:56.600
<v Speaker 1>book and those little wings. Becky can't hide her sadness.

0:55:56.680 --> 0:55:59.240
<v Speaker 1>I've been gone all day. I mean, this was supposed

0:55:59.280 --> 0:56:03.080
<v Speaker 1>to be our time to other. Jesse responds with frustration, Well,

0:56:03.120 --> 0:56:05.440
<v Speaker 1>this is my time to make some money for my family.

0:56:06.360 --> 0:56:09.160
<v Speaker 1>Becky counters, I make more than enough money to support

0:56:09.200 --> 0:56:14.080
<v Speaker 1>our family, and Jesse's tone changes thanks for reminding me.

0:56:15.160 --> 0:56:17.880
<v Speaker 1>Becky asks, what you have some problem with me making

0:56:17.920 --> 0:56:21.040
<v Speaker 1>a decent living. Jesse snaps, no, I have a problem

0:56:21.120 --> 0:56:22.760
<v Speaker 1>with me making a decent living.

0:56:23.320 --> 0:56:28.040
<v Speaker 3>That's basically yes, yes, yes, that's just a longer answer yes,

0:56:28.200 --> 0:56:29.399
<v Speaker 3>too many words to say yes.

0:56:30.280 --> 0:56:33.040
<v Speaker 1>Becky scoffs. Oh, okay, so now I know what argument

0:56:33.080 --> 0:56:37.280
<v Speaker 1>I'm in. This is about your stubborn, macho pride ding

0:56:37.360 --> 0:56:41.280
<v Speaker 1>ding ding ding ding Right on the nose, Jesse angrily responds,

0:56:41.320 --> 0:56:44.520
<v Speaker 1>what pride. I don't have any pride. I lost my pride,

0:56:44.840 --> 0:56:46.520
<v Speaker 1>and he walks toward the door and says, I'm going

0:56:46.560 --> 0:56:48.399
<v Speaker 1>to go get some pride.

0:56:48.719 --> 0:56:51.600
<v Speaker 2>Honey, you got enough. Yes, you've got enough. You got

0:56:51.920 --> 0:56:52.480
<v Speaker 2>too much.

0:56:52.640 --> 0:56:54.799
<v Speaker 1>You don't need any more. You don't need no more.

0:56:56.000 --> 0:56:58.920
<v Speaker 1>He grabs his jacket, a motorcycle helmet, and bitterly says,

0:56:59.160 --> 0:57:03.000
<v Speaker 1>say goodbye to ster Donaldson. Becky is left alone in

0:57:03.040 --> 0:57:06.600
<v Speaker 1>the living room with concern written all over her face.

0:57:07.280 --> 0:57:09.359
<v Speaker 3>Spray, so get back on that bike after breaking both

0:57:09.360 --> 0:57:10.480
<v Speaker 3>of his arms.

0:57:10.320 --> 0:57:12.920
<v Speaker 1>Oh yeah, that's right. Well yeah, when he when he

0:57:13.000 --> 0:57:16.160
<v Speaker 1>rides his motorcycle, when he's upset like this, bad things happen.

0:57:16.360 --> 0:57:17.440
<v Speaker 1>He could be.

0:57:17.520 --> 0:57:20.439
<v Speaker 3>On the edge of a parking structure in no time.

0:57:20.640 --> 0:57:25.240
<v Speaker 1>Yeah, no, totally totally. But this this okay, so this episode,

0:57:25.280 --> 0:57:29.200
<v Speaker 1>it didn't it didn't age well these Jesse's view on masculinity.

0:57:29.400 --> 0:57:32.680
<v Speaker 1>You know, his identities all tied up with with masculinity,

0:57:32.720 --> 0:57:35.880
<v Speaker 1>and he's got this old school view of masculinity that

0:57:36.040 --> 0:57:38.600
<v Speaker 1>no doubt undoubtedly came from Nick, his dad, who had

0:57:38.600 --> 0:57:43.160
<v Speaker 1>a similar and also was a very typical and there's

0:57:43.320 --> 0:57:44.760
<v Speaker 1>you know, look, there's a lot of people that still

0:57:44.840 --> 0:57:45.439
<v Speaker 1>feel that way.

0:57:45.480 --> 0:57:49.480
<v Speaker 2>But it's just an interesting thing where you know, you

0:57:49.520 --> 0:57:51.800
<v Speaker 2>see him saying like, oh, all I'm gonna do is

0:57:52.080 --> 0:57:54.400
<v Speaker 2>just you know, take care of the house and the

0:57:54.480 --> 0:57:55.920
<v Speaker 2>kids and the thing, and then this and you're.

0:57:55.800 --> 0:58:00.000
<v Speaker 1>Like, oh, so who was supposed to do that? Right? Yeah?

0:58:00.000 --> 0:58:03.600
<v Speaker 1>And that's just and that's just you know what I mean.

0:58:03.640 --> 0:58:05.360
<v Speaker 2>I think that's the thing that we've all kind of

0:58:05.360 --> 0:58:08.440
<v Speaker 2>figured out now, is like there's nothing just about it

0:58:08.480 --> 0:58:11.400
<v Speaker 2>that's as much of a full time job, maybe not

0:58:11.480 --> 0:58:12.880
<v Speaker 2>more than you know, anything else.

0:58:12.920 --> 0:58:15.240
<v Speaker 1>And yeah, so it's not it's not even really about

0:58:15.360 --> 0:58:19.920
<v Speaker 1>Jesse's need to provide financially. It's the problem is that

0:58:19.960 --> 0:58:24.160
<v Speaker 1>the de values housework, which is traditionally seen as women's

0:58:24.160 --> 0:58:28.120
<v Speaker 1>women's feminine work, and how people don't they just like, oh,

0:58:28.120 --> 0:58:31.880
<v Speaker 1>it's just it's just right care Well know, the most

0:58:31.920 --> 0:58:36.120
<v Speaker 1>successful men out there had a woman supporting him and

0:58:36.240 --> 0:58:38.240
<v Speaker 1>raising the babies and making sure.

0:58:38.040 --> 0:58:41.440
<v Speaker 2>That you know, so it's kind of like that it's

0:58:41.480 --> 0:58:45.280
<v Speaker 2>got to be and like, yeah, it's in this, you know,

0:58:45.640 --> 0:58:48.720
<v Speaker 2>as we here live in twenty twenty five, I think

0:58:48.760 --> 0:58:53.200
<v Speaker 2>we would hope that this episode would maybe be handled

0:58:53.240 --> 0:58:55.760
<v Speaker 2>a little differently, but also find some ways to like

0:58:56.200 --> 0:58:59.280
<v Speaker 2>because and here's the thing is I do get. I

0:58:59.320 --> 0:59:02.240
<v Speaker 2>get the under the conversation, which is like I want

0:59:02.240 --> 0:59:06.080
<v Speaker 2>to feel like I'm contributing. True, yes, but it's the

0:59:06.240 --> 0:59:12.200
<v Speaker 2>discounting of how much what you are doing is contributing. Yes,

0:59:12.320 --> 0:59:15.200
<v Speaker 2>that it's not all about money. That it's that that

0:59:15.400 --> 0:59:19.080
<v Speaker 2>is just as valuable and you know you should that

0:59:20.400 --> 0:59:22.680
<v Speaker 2>it's worth your it's you know, cost your time.

0:59:22.800 --> 0:59:26.520
<v Speaker 1>Yeah, it's important work. While Jesse Jesse.

0:59:26.480 --> 0:59:29.560
<v Speaker 6>Twins bro this is not easy to think what's going

0:59:29.640 --> 0:59:32.880
<v Speaker 6>to happen, arguably harder than hosting a morning show, but

0:59:33.040 --> 0:59:37.520
<v Speaker 6>both you know, jessely finds his worth in his financial contributions,

0:59:37.600 --> 0:59:39.840
<v Speaker 6>and it's like, no, there's multiple ways to contribute to

0:59:39.880 --> 0:59:40.320
<v Speaker 6>the family.

0:59:40.960 --> 0:59:42.480
<v Speaker 1>And so yeah, he.

0:59:42.520 --> 0:59:44.960
<v Speaker 2>Definitely And there's a lot of his his self worth

0:59:45.160 --> 0:59:50.400
<v Speaker 2>tied up in in how he's seen uh as a

0:59:50.480 --> 0:59:55.120
<v Speaker 2>masculine right, a praditional sort of Yeah, yeah, a masculine provider.

0:59:55.160 --> 0:59:57.920
<v Speaker 1>And I also think it's not just the financial component.

0:59:58.000 --> 1:00:02.080
<v Speaker 1>I think it's also like the public uh adoration, like

1:00:02.120 --> 1:00:04.560
<v Speaker 1>he needs to be acknowledged for how good he is

1:00:04.560 --> 1:00:06.680
<v Speaker 1>at his job whatever that is, and he needs a

1:00:06.680 --> 1:00:10.200
<v Speaker 1>lot of childcare and house care. How you know they

1:00:10.200 --> 1:00:13.720
<v Speaker 1>don't They aren't acknowledged for doing a good job. So

1:00:14.600 --> 1:00:17.600
<v Speaker 1>I think it's all tied up in gender roles and

1:00:18.240 --> 1:00:21.120
<v Speaker 1>views and uh sure, so yeah so I and so

1:00:21.120 --> 1:00:22.320
<v Speaker 1>I don't even blame Jesse here.

1:00:22.320 --> 1:00:26.160
<v Speaker 3>This is just a culture I see, like where like

1:00:26.480 --> 1:00:29.680
<v Speaker 3>what it is. It's just the way the priorities that

1:00:29.720 --> 1:00:32.439
<v Speaker 3>he places are a little uh it's all.

1:00:33.880 --> 1:00:39.680
<v Speaker 1>What is the word gender restrictive? I guess Yeah, no,

1:00:39.760 --> 1:00:40.600
<v Speaker 1>I would agree with that.

1:00:40.680 --> 1:00:44.040
<v Speaker 3>This is because let me tell you men, for the

1:00:44.080 --> 1:00:48.120
<v Speaker 3>men listening out there, they probably know this. If you

1:00:48.640 --> 1:00:53.120
<v Speaker 3>want a happy life, do all that take help, take

1:00:53.160 --> 1:00:54.440
<v Speaker 3>care of the kids, make.

1:00:54.320 --> 1:00:57.200
<v Speaker 2>Some dinner, do some laundry. Let me tell you you

1:00:57.360 --> 1:00:59.200
<v Speaker 2>it will pay off for you.

1:00:59.320 --> 1:01:02.960
<v Speaker 3>Yes, guys, that makes for That makes for a happy

1:01:03.040 --> 1:01:03.920
<v Speaker 3>partnership too.

1:01:04.200 --> 1:01:06.920
<v Speaker 1>Yes, I do think we've come a long way, at

1:01:07.000 --> 1:01:10.320
<v Speaker 1>least in the relationships I've had, as far as splitting

1:01:10.400 --> 1:01:13.040
<v Speaker 1>the housework and the childcare and stuff like. Thank god

1:01:13.080 --> 1:01:16.040
<v Speaker 1>we are living in these modern times. We've come a

1:01:16.080 --> 1:01:18.120
<v Speaker 1>long way, and this episode proves it.

1:01:18.480 --> 1:01:21.640
<v Speaker 2>Look, all I'm saying is you're really not getting any

1:01:21.720 --> 1:01:23.600
<v Speaker 2>if you're not at least helping wash a dish once

1:01:23.600 --> 1:01:23.880
<v Speaker 2>in a while.

1:01:23.920 --> 1:01:25.800
<v Speaker 1>You know what I mean. There is nothing sexier than

1:01:25.840 --> 1:01:30.600
<v Speaker 1>a man doing some dishes. Yeah, just saying to turn on. Okay, Yeah,

1:01:31.320 --> 1:01:35.160
<v Speaker 1>moving right along. Up in Michelle and Stephanie's room, Joey

1:01:35.280 --> 1:01:39.480
<v Speaker 1>walks in with his head finally looking semi normal. He

1:01:39.600 --> 1:01:42.040
<v Speaker 1>asks steph if she knows where the heating pad is.

1:01:42.680 --> 1:01:44.600
<v Speaker 1>She says her dad keeps it in his top drawer

1:01:44.640 --> 1:01:47.120
<v Speaker 1>because he preheats his socks in the winter.

1:01:48.000 --> 1:01:49.280
<v Speaker 3>That sounds delightful, that does.

1:01:49.440 --> 1:01:52.720
<v Speaker 1>That's a great idea, actually, a heated sock drawer.

1:01:53.400 --> 1:01:55.040
<v Speaker 3>For Gotten it now.

1:01:56.920 --> 1:02:00.080
<v Speaker 1>Stephanie asks Joey how his neck is doing. He admits, oh, oh,

1:02:00.120 --> 1:02:02.720
<v Speaker 1>it's much better. I just can't make any sudden moves

1:02:03.520 --> 1:02:06.959
<v Speaker 1>Then Michelle walks in wearing DJ's sweater and shouts, look

1:02:07.000 --> 1:02:10.560
<v Speaker 1>what fits me. Stephanie's jaw drops and her eyes wide

1:02:10.560 --> 1:02:14.920
<v Speaker 1>and Michelle. Joey's head whips towards Michelle and he asks

1:02:14.960 --> 1:02:19.600
<v Speaker 1>what and he immediately wins is in pain? Mister Woodchuck responds,

1:02:19.600 --> 1:02:22.080
<v Speaker 1>way to go stupid. As they walk out of the room,

1:02:23.000 --> 1:02:25.040
<v Speaker 1>Puppet's talking or Dave like they just didn't know what

1:02:25.040 --> 1:02:27.040
<v Speaker 1>to do with him in this episode. You know, It's

1:02:27.040 --> 1:02:29.120
<v Speaker 1>like he wasn't really part of the A or the

1:02:29.160 --> 1:02:32.400
<v Speaker 1>B storyline, so they're just like, here have a bad.

1:02:32.360 --> 1:02:36.000
<v Speaker 3>Neck and a puppet and a puppet. Yeah, so that's

1:02:36.000 --> 1:02:36.240
<v Speaker 3>all right.

1:02:36.320 --> 1:02:40.160
<v Speaker 1>Dave does great with whatever material he's given, Oh for sure. Uh.

1:02:40.200 --> 1:02:43.120
<v Speaker 1>Then DJ walks in with Kimmy and notices Michelle's outfit.

1:02:43.680 --> 1:02:47.000
<v Speaker 1>She absent mindedly comments, Hey, I have the exact same

1:02:47.000 --> 1:02:50.760
<v Speaker 1>sweater in my closet. Steph responds, well, it's a small

1:02:50.800 --> 1:02:54.080
<v Speaker 1>world after all, and lets out a nervous laugh. And

1:02:54.080 --> 1:02:55.480
<v Speaker 1>then I couldn't get the song out of my head.

1:02:57.600 --> 1:03:00.720
<v Speaker 1>DJ continues to examine the sweater and that one has

1:03:00.760 --> 1:03:03.800
<v Speaker 1>a button missing right where this one has a button missing.

1:03:04.200 --> 1:03:08.600
<v Speaker 1>Can someone explain this? Michelle innocently says, I just wear them,

1:03:08.880 --> 1:03:12.480
<v Speaker 1>I don't shrink them. DJ looks at Stephanie for an answer,

1:03:12.560 --> 1:03:15.760
<v Speaker 1>and she admits, all right, this is your sweater. I

1:03:15.800 --> 1:03:18.960
<v Speaker 1>stole it. I stained it, I shrunk it. I should

1:03:18.960 --> 1:03:23.200
<v Speaker 1>have buried it. Michelle chimes next time again, next time,

1:03:23.320 --> 1:03:28.600
<v Speaker 1>lesson learned. Michelle says, DJ, have that cow, and Steph apologizes.

1:03:28.720 --> 1:03:31.720
<v Speaker 1>I am so sorry. DJ. I'll do anything to make

1:03:31.760 --> 1:03:34.840
<v Speaker 1>it up to you. DJ looks at Kimmy. Well, make

1:03:34.880 --> 1:03:37.280
<v Speaker 1>it up to Kimmy. I borrowed that sweater from her

1:03:37.360 --> 1:03:43.200
<v Speaker 1>last summer recognition crosses Kimmy's face. Oh yeah, that is

1:03:43.280 --> 1:03:47.400
<v Speaker 1>my sweater. She walks over to Stephanie and continues, So, Steph,

1:03:47.800 --> 1:03:51.480
<v Speaker 1>you'll do anything to make it up to me. Stephanie

1:03:51.560 --> 1:03:56.280
<v Speaker 1>immediately regrets her words, saying this is my worst nightmare. Okay, Kimmy,

1:03:56.360 --> 1:03:59.840
<v Speaker 1>I deserve this. What do you want? Kimmy walks over

1:03:59.880 --> 1:04:03.360
<v Speaker 1>to the table and starts to take off her shoe. Well, actually,

1:04:03.520 --> 1:04:08.640
<v Speaker 1>I haven't had a pedicure in my whole life. Jimmy

1:04:08.720 --> 1:04:10.800
<v Speaker 1>removes her shoe and puts her foot on the table.

1:04:10.840 --> 1:04:13.480
<v Speaker 1>And I obviously have painted toes in this scene, so

1:04:13.520 --> 1:04:18.560
<v Speaker 1>that was right. Whatever, everyone it's recoils in horror and

1:04:18.600 --> 1:04:24.040
<v Speaker 1>says ew gross. Jimmy starts to remove her sock. Michelle screams,

1:04:24.120 --> 1:04:27.360
<v Speaker 1>not the sock, run for it, and the girls hurry

1:04:27.360 --> 1:04:30.880
<v Speaker 1>out of the room, covering their noses. I mean, your

1:04:30.880 --> 1:04:34.080
<v Speaker 1>face looks horrified. I feel like we're still early in

1:04:34.120 --> 1:04:37.440
<v Speaker 1>the sock like I'm not so annoyed yet as I

1:04:37.480 --> 1:04:39.920
<v Speaker 1>was by the end of the series in season eight.

1:04:40.000 --> 1:04:42.840
<v Speaker 1>But yeah, this is just one the you know, we're

1:04:42.880 --> 1:04:45.760
<v Speaker 1>still at the very beginning of the sock jokes, so

1:04:47.200 --> 1:04:53.480
<v Speaker 1>yeh whatever. Next, at the San Francisco International Airport, Jesse

1:04:53.600 --> 1:04:57.400
<v Speaker 1>is singing with an oldies band called the Diplomats and

1:04:57.440 --> 1:05:02.160
<v Speaker 1>they're performing the song Glowworm by the Middle Brothers. Jesse's

1:05:02.160 --> 1:05:05.800
<v Speaker 1>on piano, and the entire band is wearing matching plaid

1:05:06.160 --> 1:05:08.000
<v Speaker 1>jackets and bow ties.

1:05:09.400 --> 1:05:12.120
<v Speaker 2>They were kind of they could have pulled it off

1:05:12.160 --> 1:05:13.840
<v Speaker 2>as like a hipster vibe, you know what I mean,

1:05:14.240 --> 1:05:18.480
<v Speaker 2>just oh, just wear it with confidence. Well, you'd somebody

1:05:18.720 --> 1:05:21.000
<v Speaker 2>in you know, silver Lake would have been wearing that

1:05:21.400 --> 1:05:22.280
<v Speaker 2>probably yesterday.

1:05:22.800 --> 1:05:25.440
<v Speaker 1>No, but this, I'm very upset at this episode. I've

1:05:25.480 --> 1:05:28.560
<v Speaker 1>been mad since nineteen ninety two. You don't even know.

1:05:28.520 --> 1:05:32.600
<v Speaker 7>This, oh, because it was gonna be Jeff got this

1:05:32.760 --> 1:05:37.440
<v Speaker 7>idea from my favorite musical, Forever Plaid, right, which is

1:05:37.640 --> 1:05:41.240
<v Speaker 7>a musical about a four part harmony band four guys

1:05:41.280 --> 1:05:42.400
<v Speaker 7>who were wearing.

1:05:42.440 --> 1:05:45.720
<v Speaker 1>Plaid tuxedo jackets. Right, And so Jeff was like, Oh,

1:05:45.760 --> 1:05:48.200
<v Speaker 1>this would be great to have you know these guys,

1:05:48.760 --> 1:05:51.520
<v Speaker 1>these these Forever Plaid guys do this bit with Jesse.

1:05:51.600 --> 1:05:53.800
<v Speaker 1>And I got so excited and I told the Forever

1:05:53.840 --> 1:05:55.640
<v Speaker 1>Plaid guys, I'm just like, this is great. You might

1:05:55.640 --> 1:05:57.360
<v Speaker 1>be able to get on the show. This is gonna

1:05:57.360 --> 1:05:59.680
<v Speaker 1>be so fun. And then we show up for like

1:05:59.720 --> 1:06:03.080
<v Speaker 1>the first stay rehearsal and it's these old codgers wearing

1:06:03.160 --> 1:06:08.600
<v Speaker 1>these pastel plaid jackets, and I wash. I was crushed,

1:06:08.920 --> 1:06:11.480
<v Speaker 1>and I get it, and now as an adult in hindsight,

1:06:11.560 --> 1:06:13.520
<v Speaker 1>I get it. I'm like, it's a funnier bit that Jesse,

1:06:13.680 --> 1:06:16.280
<v Speaker 1>this young hot dude, is performing with these old codgers.

1:06:16.800 --> 1:06:19.640
<v Speaker 1>But I was devastated that it couldn't be my front

1:06:19.840 --> 1:06:20.480
<v Speaker 1>Plaid guys.

1:06:20.520 --> 1:06:23.640
<v Speaker 3>I was like, oh, I'm devastated for you.

1:06:24.520 --> 1:06:26.280
<v Speaker 1>I've been resentful ever since.

1:06:26.560 --> 1:06:30.200
<v Speaker 3>So you have your plaid jacket. I have my pink bunny.

1:06:30.280 --> 1:06:33.640
<v Speaker 1>Ye see, we both I get it. Sometimes there's just

1:06:33.720 --> 1:06:35.080
<v Speaker 1>the thing that sticks with you.

1:06:35.160 --> 1:06:38.480
<v Speaker 3>Yeah, you go, I really wanted that in this podcasting

1:06:38.600 --> 1:06:38.960
<v Speaker 3>we are.

1:06:39.040 --> 1:06:41.320
<v Speaker 1>We are getting it all out on this podcast and

1:06:41.360 --> 1:06:45.560
<v Speaker 1>healing our inner trauma. Right, all these injustices against just

1:06:46.400 --> 1:06:47.000
<v Speaker 1>it's just.

1:06:47.080 --> 1:06:49.360
<v Speaker 3>All of them we're gonna be Yeah, we're working out

1:06:49.360 --> 1:06:49.760
<v Speaker 3>our trauma.

1:06:49.840 --> 1:06:55.520
<v Speaker 1>Yeah, at least it's not with puppets. So Jesse thanks

1:06:55.560 --> 1:06:58.760
<v Speaker 1>the crowd. As Danny, Becky, and Vicki walk in, he

1:06:58.880 --> 1:07:01.840
<v Speaker 1>asks them what they're doing here, and Becky explains, well,

1:07:01.880 --> 1:07:04.760
<v Speaker 1>we thought we'd come to see you. She questions, I

1:07:04.760 --> 1:07:07.480
<v Speaker 1>thought you said this was an oldies band, and Jesse

1:07:07.600 --> 1:07:12.400
<v Speaker 1>awkwardly nods towards his bandmates and Becky gives an awkward smile. Ah,

1:07:12.480 --> 1:07:15.240
<v Speaker 1>I get it. Jesse says he'll talk to her after

1:07:15.280 --> 1:07:18.600
<v Speaker 1>the set. Meanwhile, Joey is sitting next to a tough

1:07:18.640 --> 1:07:21.400
<v Speaker 1>looking guy and his neck is stuck looking off to

1:07:21.480 --> 1:07:26.840
<v Speaker 1>the side directly at this man. He notices, and the

1:07:26.880 --> 1:07:29.480
<v Speaker 1>man gruffly asks, Hey, buddy, what are you staring at.

1:07:30.120 --> 1:07:32.520
<v Speaker 1>Joey replies, Oh, I'm not staring. I just have a

1:07:32.560 --> 1:07:37.160
<v Speaker 1>stiff neck. This is like Dave's expression is so funny

1:07:37.200 --> 1:07:42.360
<v Speaker 1>and it's so awkward. I did really enjoy this.

1:07:43.200 --> 1:07:46.440
<v Speaker 2>His character, he built the whole thing, yeah, over the shoulder,

1:07:46.520 --> 1:07:48.800
<v Speaker 2>and he just had a character that was always walking

1:07:48.800 --> 1:07:50.640
<v Speaker 2>around talking over his shoulders.

1:07:51.880 --> 1:07:54.520
<v Speaker 1>This is just I love Dave so much. This is

1:07:54.600 --> 1:07:58.840
<v Speaker 1>so funny. So the man threatens, you want me to

1:07:58.920 --> 1:08:02.040
<v Speaker 1>adjust it for you, and Joey designs he'll just adjust

1:08:02.080 --> 1:08:06.200
<v Speaker 1>his chair instead. Then Jesse begins to tell the crowd

1:08:06.200 --> 1:08:08.760
<v Speaker 1>what number they'll be playing next. When the tough guy

1:08:08.800 --> 1:08:13.560
<v Speaker 1>walks toward him, Jesse happily asks what his song request is,

1:08:14.160 --> 1:08:16.960
<v Speaker 1>and the man simply states, watch my luggage while I

1:08:17.000 --> 1:08:17.719
<v Speaker 1>go to the john.

1:08:18.840 --> 1:08:22.280
<v Speaker 2>That is the thing they tell you not to terrorists

1:08:22.520 --> 1:08:24.000
<v Speaker 2>anybody's luggage.

1:08:24.200 --> 1:08:29.160
<v Speaker 1>Especially some guy that just got out of jail, right like.

1:08:29.080 --> 1:08:34.720
<v Speaker 2>This is that thing is full of uh it's Tarantela's

1:08:34.760 --> 1:08:35.680
<v Speaker 2>that you're not allowed to have.

1:08:35.880 --> 1:08:40.120
<v Speaker 1>Yeah, cocaine, yea illegal illegal animals, illegal plants, and maybe

1:08:40.120 --> 1:08:43.360
<v Speaker 1>some drugs. Drug There is a lot that could be

1:08:43.439 --> 1:08:47.880
<v Speaker 1>in that bag. So Jesse jokes, oh who wrote that one?

1:08:48.000 --> 1:08:51.720
<v Speaker 1>Gershwin and IRV the Drummer gives him the uh the

1:08:53.640 --> 1:08:56.960
<v Speaker 1>shot shot. I do like this bit with IRV they

1:08:57.000 --> 1:08:59.559
<v Speaker 1>do it a couple of times. It's funny Yeah. Jesse

1:08:59.600 --> 1:09:02.639
<v Speaker 1>gets back to his music and starts playing. As time

1:09:02.720 --> 1:09:07.160
<v Speaker 1>goes by from the film Casablanca, Danny and Vicki begin

1:09:07.240 --> 1:09:11.439
<v Speaker 1>to recreate a similar farewell scene to the Will Always

1:09:11.439 --> 1:09:15.360
<v Speaker 1>Have Paris ending. Vicky insists on taking the weather job

1:09:15.439 --> 1:09:19.960
<v Speaker 1>in San Francisco, but Danny won't allow it. Overhead speaker

1:09:20.680 --> 1:09:25.320
<v Speaker 1>Brian Cale announces final boarding call for flight nineteen to Chicago.

1:09:26.040 --> 1:09:30.120
<v Speaker 1>Danny stands up and dramatically quotes Casablanca, Vicky, you've got

1:09:30.120 --> 1:09:32.080
<v Speaker 1>to get on that plane or you're gonna regret it.

1:09:32.520 --> 1:09:35.920
<v Speaker 1>Maybe not today, maybe not tomorrow, but soon and for

1:09:35.960 --> 1:09:39.080
<v Speaker 1>the rest of your life. Vicky replies with just as

1:09:39.160 --> 1:09:42.360
<v Speaker 1>much drama. You're right, Oh, Danny, I'm gonna miss you.

1:09:42.920 --> 1:09:46.519
<v Speaker 1>He responds, I'm gonna miss you too. Goodbye, sweetheart, and

1:09:46.560 --> 1:09:50.240
<v Speaker 1>they share a very passionate kiss. She quickly runs off

1:09:50.240 --> 1:09:53.840
<v Speaker 1>and Danny slumps into his seat with sadness, but then

1:09:54.040 --> 1:09:56.400
<v Speaker 1>Vicky runs back to him and says, I can't do it.

1:09:57.120 --> 1:10:00.760
<v Speaker 1>Danny tells her she has to be strong, but Vicky explains, no,

1:10:01.320 --> 1:10:03.240
<v Speaker 1>I can't do it because I don't have luggage or

1:10:03.280 --> 1:10:06.280
<v Speaker 1>a ticket. Tanny replies, you mean I have to go

1:10:06.360 --> 1:10:10.320
<v Speaker 1>through this whole goodbye again tomorrow. Vicky takes inspiration from

1:10:10.360 --> 1:10:14.880
<v Speaker 1>Casablanca again. Yes, but we'll always have the terminal lounge.

1:10:15.680 --> 1:10:18.679
<v Speaker 2>Back when you could just walk into an airport, walk

1:10:18.720 --> 1:10:19.679
<v Speaker 2>your family to the gate.

1:10:20.040 --> 1:10:24.880
<v Speaker 1>That's I don't remember those days even. That feels like

1:10:25.000 --> 1:10:27.439
<v Speaker 1>so long ago, when you could just yeah, walk your

1:10:27.439 --> 1:10:28.559
<v Speaker 1>loved one right up to the gate.

1:10:31.080 --> 1:10:34.960
<v Speaker 3>Yeah, no, wave the window window I do.

1:10:35.479 --> 1:10:41.679
<v Speaker 1>Yeah, that's just a total, whole, totally different world. Uh So, next,

1:10:42.080 --> 1:10:45.280
<v Speaker 1>Jesse finishes his song decides to take a break. Joey

1:10:45.280 --> 1:10:48.880
<v Speaker 1>compliments Jesse's band, saying it makes him look young. Then

1:10:48.880 --> 1:10:51.360
<v Speaker 1>he asks to be pointed to the to the bathroom.

1:10:52.040 --> 1:10:54.559
<v Speaker 1>He walks past the tough guy from earlier and shields

1:10:54.600 --> 1:10:57.360
<v Speaker 1>his eyes so he doesn't stare at him again.

1:10:58.280 --> 1:11:01.600
<v Speaker 3>And this is this is the same I'm hiding characters,

1:11:01.680 --> 1:11:04.519
<v Speaker 3>except he usually does it with two fingers right, But

1:11:04.560 --> 1:11:05.240
<v Speaker 3>he's doing the.

1:11:05.320 --> 1:11:08.120
<v Speaker 1>Yeah I can't see you all in this.

1:11:08.120 --> 1:11:10.519
<v Speaker 2>Scene like, and then at the end he's doing this

1:11:10.520 --> 1:11:15.480
<v Speaker 2>little This entire scene is Dave doing bits that nobody

1:11:15.600 --> 1:11:19.960
<v Speaker 2>else knows except for the cast, and every one of them.

1:11:19.960 --> 1:11:21.639
<v Speaker 1>I'm like, Oh, I know that character guy.

1:11:22.280 --> 1:11:25.400
<v Speaker 2>He just makes up these and all of them were

1:11:25.439 --> 1:11:26.320
<v Speaker 2>in this scene.

1:11:27.080 --> 1:11:30.160
<v Speaker 1>Yes, it's like the greatest nobody else except us will

1:11:30.200 --> 1:11:33.160
<v Speaker 1>ever be able to appreciate it. Yeah, the stiff tr

1:11:33.600 --> 1:11:36.160
<v Speaker 1>the hiding behind you know, can't see, you can't see,

1:11:36.200 --> 1:11:38.720
<v Speaker 1>you can't see, and then the little shimmy at the end. Yeah,

1:11:38.760 --> 1:11:42.479
<v Speaker 1>this is all of Dave's best hits. And I'm just thinking,

1:11:42.560 --> 1:11:44.800
<v Speaker 1>like the tough guy. Last time they saw each other,

1:11:45.080 --> 1:11:47.120
<v Speaker 1>Dave was wearing a dress, had a wig in the

1:11:47.320 --> 1:11:48.080
<v Speaker 1>jail cells.

1:11:48.160 --> 1:11:54.200
<v Speaker 2>This guy's probably like I ripped this guy's the neck

1:11:54.200 --> 1:11:55.679
<v Speaker 2>and the thing and the dress and the thing.

1:11:56.280 --> 1:11:58.240
<v Speaker 3>At least he didn't have this puppet at the airport.

1:11:59.479 --> 1:12:04.160
<v Speaker 1>One same grace, right, So then Becky and Jesse start

1:12:04.200 --> 1:12:07.400
<v Speaker 1>to chat. Becky asks him if this is really what

1:12:07.520 --> 1:12:10.599
<v Speaker 1>he wants to do, and he sighs, no, this is

1:12:10.760 --> 1:12:14.360
<v Speaker 1>really what I have to do. And Becky questions seeing

1:12:14.439 --> 1:12:18.800
<v Speaker 1>Glowworm in an airport lounge. He admits, it's not the

1:12:18.840 --> 1:12:21.920
<v Speaker 1>coolest gig in the world, but it's still music, and

1:12:21.960 --> 1:12:24.479
<v Speaker 1>you gotta admit Irv is one bad mama in his

1:12:24.520 --> 1:12:29.479
<v Speaker 1>own right. Becky wonders, what about your music Jesse insists,

1:12:29.520 --> 1:12:31.280
<v Speaker 1>I'm still going to work on my music, and if

1:12:31.320 --> 1:12:33.320
<v Speaker 1>I get lucky, it'll be great. I'll get it. I'll

1:12:33.320 --> 1:12:36.280
<v Speaker 1>get a shot. But right now, I have to contribute

1:12:36.280 --> 1:12:40.639
<v Speaker 1>to my family. Becky argues, but you do contribute. You're

1:12:40.640 --> 1:12:45.040
<v Speaker 1>a great husband, you're a great father, and Jesse interrupts her.

1:12:45.200 --> 1:12:48.719
<v Speaker 1>I'm talking about money now, whether I make a million

1:12:48.800 --> 1:12:51.400
<v Speaker 1>dollars or one dollar, I can't just let you go

1:12:51.479 --> 1:12:53.519
<v Speaker 1>to work and make all the money for this family.

1:12:53.880 --> 1:12:56.840
<v Speaker 1>I'm a man. You know, maybe I'm old fashioned, but

1:12:56.880 --> 1:12:59.920
<v Speaker 1>that's who I am. See, well, Jesse, we could work

1:13:00.080 --> 1:13:03.200
<v Speaker 1>that he gets all his self worth over his financial

1:13:03.320 --> 1:13:06.240
<v Speaker 1>contributions and publication in.

1:13:06.120 --> 1:13:07.720
<v Speaker 2>This situation, that'll be one of those things. It's like,

1:13:07.760 --> 1:13:10.519
<v Speaker 2>it's I get that with there's an expectation that sort

1:13:10.560 --> 1:13:14.519
<v Speaker 2>of Nick, his father, society has put on him, that

1:13:14.680 --> 1:13:17.200
<v Speaker 2>like he needs to be the one going out and

1:13:17.240 --> 1:13:17.799
<v Speaker 2>doing stuff.

1:13:17.800 --> 1:13:19.639
<v Speaker 3>And you know, Becky's like, dude.

1:13:19.520 --> 1:13:23.320
<v Speaker 1>I guess we're working together. Yeah, well you noticed that,

1:13:23.400 --> 1:13:27.160
<v Speaker 1>bet that it's not flipped. Like Becky never feels guilty

1:13:27.200 --> 1:13:30.519
<v Speaker 1>for not being at home with kids and doing the

1:13:30.560 --> 1:13:34.360
<v Speaker 1>mother what's traditionally mothering duties. So she's not she's not.

1:13:34.439 --> 1:13:35.280
<v Speaker 1>She's like, I'm good.

1:13:35.320 --> 1:13:37.479
<v Speaker 3>I make enough family and I'm a mom and I

1:13:37.560 --> 1:13:38.880
<v Speaker 3>work and we do.

1:13:39.000 --> 1:13:41.439
<v Speaker 1>They have this three thousand square foot attic and they

1:13:41.439 --> 1:13:42.240
<v Speaker 1>don't even pay for it.

1:13:42.479 --> 1:13:47.200
<v Speaker 3>Doesn't need to pay for diapers again, and they built

1:13:47.240 --> 1:13:48.080
<v Speaker 3>you a recording studio.

1:13:48.120 --> 1:13:51.040
<v Speaker 2>You don't even need a recording studio. All your friends

1:13:51.080 --> 1:13:52.840
<v Speaker 2>play their instruments and bring them over.

1:13:53.000 --> 1:13:55.800
<v Speaker 1>You don't got to pay musicians. No utilities, I'm sure

1:13:55.840 --> 1:13:58.680
<v Speaker 1>are included in the Danny Tanner welcome package. You know,

1:13:59.040 --> 1:14:01.920
<v Speaker 1>they just buy diapers, formula. Maybe that's that's that's all

1:14:01.960 --> 1:14:02.200
<v Speaker 1>they have.

1:14:02.320 --> 1:14:04.880
<v Speaker 2>Yeah, but yeah, Mattie said he just has to buy

1:14:04.920 --> 1:14:06.440
<v Speaker 2>seventy nine cent egg plants.

1:14:07.240 --> 1:14:09.360
<v Speaker 1>Yes, that's true. This guy a lot of.

1:14:09.280 --> 1:14:16.680
<v Speaker 3>Egg plants, egg plants for I Bucks. Yes, you know, absolutely.

1:14:18.680 --> 1:14:18.760
<v Speaker 5>So.

1:14:18.880 --> 1:14:23.599
<v Speaker 1>Becky smiles and says, and that's who I love. God

1:14:23.640 --> 1:14:24.320
<v Speaker 1>bless you, Becky.

1:14:24.640 --> 1:14:27.280
<v Speaker 3>Yeah right, thank god you do, Becky.

1:14:27.880 --> 1:14:31.280
<v Speaker 1>She kisses him and apologizes if she hurt his feelings,

1:14:31.680 --> 1:14:33.840
<v Speaker 1>and she's even willing to back him up, back him

1:14:33.920 --> 1:14:37.439
<v Speaker 1>up if he wants to be a diplomat. He kisses

1:14:37.439 --> 1:14:39.639
<v Speaker 1>her forehead and walks back to the stage to work

1:14:39.640 --> 1:14:43.559
<v Speaker 1>on the tuneage. In this joint, and he addresses his

1:14:43.560 --> 1:14:47.559
<v Speaker 1>fellow bandmates, calling them the Dips. He says, now, I know,

1:14:47.720 --> 1:14:50.400
<v Speaker 1>deep deep down inside you, there's got to be some

1:14:50.479 --> 1:14:53.559
<v Speaker 1>kind of wild rock and roll maniac just dying to

1:14:53.600 --> 1:14:56.919
<v Speaker 1>get out. Huh. They all just stare at him blankly,

1:14:57.439 --> 1:14:59.800
<v Speaker 1>and he shrugs, all right, we'll fake it and tells

1:14:59.840 --> 1:15:02.040
<v Speaker 1>them to play a little rock and roll music In

1:15:02.280 --> 1:15:05.479
<v Speaker 1>e Vicky and Danny get up to dance. Becky and

1:15:05.520 --> 1:15:08.960
<v Speaker 1>Joey do the same. Then Joey's next snaps back into

1:15:08.960 --> 1:15:10.800
<v Speaker 1>place and he's magically.

1:15:10.400 --> 1:15:12.920
<v Speaker 2>Cured and able to do his little dance and doing

1:15:12.920 --> 1:15:17.320
<v Speaker 2>his little little jimmy, which the you know, the Olsen

1:15:17.360 --> 1:15:20.679
<v Speaker 2>twins would do that too, but David Dawns they did

1:15:20.720 --> 1:15:25.000
<v Speaker 2>in the in the recording booth when we came down

1:15:25.160 --> 1:15:25.639
<v Speaker 2>to the.

1:15:25.800 --> 1:15:28.760
<v Speaker 1>Yeah, that's right, that's his brand.

1:15:28.000 --> 1:15:29.960
<v Speaker 2>New recording studio, and he was in there and he's

1:15:30.000 --> 1:15:31.080
<v Speaker 2>doing his weird little dance.

1:15:31.120 --> 1:15:31.880
<v Speaker 3>It's the same dance.

1:15:31.960 --> 1:15:34.240
<v Speaker 1>It's it's Dave like. To this day, he still does

1:15:34.280 --> 1:15:38.599
<v Speaker 1>that little dance and he loves it. The whole airport

1:15:38.640 --> 1:15:41.080
<v Speaker 1>lounge is up and moving and dancing and enjoying the

1:15:41.120 --> 1:15:49.559
<v Speaker 1>Diplomat's music. And that is our show. Though I know

1:15:49.640 --> 1:15:51.960
<v Speaker 1>what was in that bag, right, and he never comes

1:15:51.960 --> 1:15:53.400
<v Speaker 1>back to get it, Like, what was he doing? It

1:15:53.439 --> 1:15:55.840
<v Speaker 1>was a long bathroom break. I'm just gonna say he

1:15:55.880 --> 1:15:57.800
<v Speaker 1>had too many seventy nine and ink plants. He was

1:15:57.840 --> 1:16:00.760
<v Speaker 1>stuck in the bathroom for a while. Digg blends do

1:16:00.840 --> 1:16:03.120
<v Speaker 1>that too. I don't know. I mean maybe these too

1:16:03.120 --> 1:16:05.240
<v Speaker 1>many vegetables in general, you get kind of gassy.

1:16:05.800 --> 1:16:08.479
<v Speaker 3>I think I still think it's connected somehow to some

1:16:08.520 --> 1:16:11.160
<v Speaker 3>sort of nefarious criminal organization.

1:16:11.560 --> 1:16:13.320
<v Speaker 1>Yeah, I agree with that. I agree.

1:16:14.240 --> 1:16:17.559
<v Speaker 3>So this was this was this was This was an

1:16:17.560 --> 1:16:21.120
<v Speaker 3>episode yet not my favorite, not my favorite.

1:16:21.200 --> 1:16:23.880
<v Speaker 1>I'm choosing to look at it as like this archaeological

1:16:24.000 --> 1:16:26.679
<v Speaker 1>artifact of this is what life was like in nineteen

1:16:26.760 --> 1:16:30.840
<v Speaker 1>ninety two, and I'm glad, we am glad we've all

1:16:30.920 --> 1:16:34.080
<v Speaker 1>changed since then. Although it was.

1:16:35.600 --> 1:16:39.280
<v Speaker 2>But we even even Jesse admits in it, He's like,

1:16:39.280 --> 1:16:41.640
<v Speaker 2>I'm old fashioned, so we know that this sort of

1:16:41.720 --> 1:16:44.200
<v Speaker 2>mindset is like kind of out of date.

1:16:44.360 --> 1:16:49.120
<v Speaker 1>He acknowledges this, which I appreciate. Honestly, I think he

1:16:49.120 --> 1:16:51.320
<v Speaker 1>should have gotten more credit for just taking whatever job.

1:16:51.720 --> 1:16:54.080
<v Speaker 1>You know, this random airport lounge job.

1:16:54.320 --> 1:16:57.160
<v Speaker 2>Well, does it make you happy? Are you enjoying playing music?

1:16:57.479 --> 1:16:59.599
<v Speaker 2>Then rocket right, go for it?

1:16:59.720 --> 1:17:01.800
<v Speaker 1>Yeah? Do you hate this? Do you feel terrible? Then

1:17:01.800 --> 1:17:04.800
<v Speaker 1>don't do it? Yes, that's it. I think that's we

1:17:05.120 --> 1:17:05.840
<v Speaker 1>Jesse needs to.

1:17:05.760 --> 1:17:09.680
<v Speaker 2>Work on his his uh intrinsic self worth on, you know,

1:17:09.880 --> 1:17:12.040
<v Speaker 2>sort of finding it within himself.

1:17:12.400 --> 1:17:14.679
<v Speaker 1>Maybe Michelle will help him get to that by Michelle

1:17:14.680 --> 1:17:16.600
<v Speaker 1>needs to put this in her notes and work on

1:17:16.640 --> 1:17:22.280
<v Speaker 1>this in future sessions, because he's good at unloading on her,

1:17:22.360 --> 1:17:25.320
<v Speaker 1>but he's not good at listening to whatever feedback She

1:17:25.400 --> 1:17:29.520
<v Speaker 1>has to help him putting it into new practice. Yeah. Yeah,

1:17:29.640 --> 1:17:32.280
<v Speaker 1>but got a couple more seasons, got a couple more seasons.

1:17:32.600 --> 1:17:34.839
<v Speaker 1>So yeah, I don't love this episode between the Forever

1:17:34.920 --> 1:17:41.639
<v Speaker 1>Plaid plagiarism and the Genders episode for you right, thank you,

1:17:42.000 --> 1:17:42.719
<v Speaker 1>thank you.

1:17:42.720 --> 1:17:45.639
<v Speaker 2>You know I feel the Jackets anymore. I liked him originally,

1:17:45.720 --> 1:17:46.799
<v Speaker 2>Now I think they're crap.

1:17:47.000 --> 1:17:50.840
<v Speaker 1>No, burn them. I don't like them. No, I'm plaid.

1:17:51.320 --> 1:17:54.639
<v Speaker 1>It's full plaid. It's not forever plaid, it's faux plaid.

1:17:55.439 --> 1:17:57.760
<v Speaker 1>But I feel better now that I've gotten this off

1:17:57.760 --> 1:18:00.000
<v Speaker 1>my chest, and now you and all the fan ritos

1:18:00.040 --> 1:18:03.000
<v Speaker 1>are now aware of my feelings about this, and now

1:18:03.080 --> 1:18:07.080
<v Speaker 1>you're going to get plaid jackets. Oh gosh, I have some.

1:18:07.200 --> 1:18:10.320
<v Speaker 1>I have my forever plaid leather jacket I bet I

1:18:10.320 --> 1:18:13.200
<v Speaker 1>got for my sixteenth birthday. Yeah, one of my prize,

1:18:13.840 --> 1:18:15.639
<v Speaker 1>your love of plaid. It was amazing. Oh. I took

1:18:15.680 --> 1:18:17.559
<v Speaker 1>you at least twelve times to that place.

1:18:17.680 --> 1:18:21.200
<v Speaker 3>Yeah, for sure, at least you and Janie and we

1:18:21.240 --> 1:18:22.360
<v Speaker 3>loved it and we love it.

1:18:22.760 --> 1:18:24.919
<v Speaker 1>Did you have any? Were there any? Everywhere? He looks

1:18:25.240 --> 1:18:27.880
<v Speaker 1>the only one I have. I already mentioned Brian Kale

1:18:27.960 --> 1:18:31.439
<v Speaker 1>doing all of the announcements everywhere you listen, Yes, did

1:18:31.479 --> 1:18:34.200
<v Speaker 1>you have Yeah? Did you have any? I didn't. I didn't. Oh.

1:18:34.400 --> 1:18:37.439
<v Speaker 2>I did notice that the Tanners were recycling back in

1:18:37.520 --> 1:18:40.080
<v Speaker 2>nineteen ninety two, you know, they had a little recycling

1:18:40.120 --> 1:18:42.000
<v Speaker 2>binds there, and I was like, okay, I noticed that.

1:18:42.040 --> 1:18:46.040
<v Speaker 1>Good for them. Yeah, this. I did a waste management

1:18:46.320 --> 1:18:50.160
<v Speaker 1>commercial probably right around this time, in the early nineties.

1:18:50.280 --> 1:18:52.600
<v Speaker 1>So yeah, I think recycling was becoming.

1:18:52.920 --> 1:18:57.800
<v Speaker 2>Saying Captain Planet really did that? Yeah, reduce, reuse, recycle, Yeah,

1:18:57.800 --> 1:18:58.519
<v Speaker 2>recycle reused.

1:18:58.600 --> 1:19:01.200
<v Speaker 1>I don't know that was a big campaign, you know that.

1:19:01.320 --> 1:19:03.960
<v Speaker 1>Oh yeah, they went hard with that. Can look at

1:19:04.000 --> 1:19:08.479
<v Speaker 1>all the good it did Hey, I recycle. I still recycle.

1:19:08.600 --> 1:19:11.840
<v Speaker 1>So glad we did that and saved everything. We're much

1:19:11.880 --> 1:19:12.559
<v Speaker 1>better right now.

1:19:12.640 --> 1:19:15.200
<v Speaker 3>Yeah, oh those cans I collected.

1:19:14.800 --> 1:19:18.160
<v Speaker 1>Really thank god, that really made a difference. I look

1:19:18.200 --> 1:19:19.839
<v Speaker 1>at this guy.

1:19:22.760 --> 1:19:25.160
<v Speaker 3>I think that's all we got.

1:19:25.520 --> 1:19:28.799
<v Speaker 2>Thank you so much for bearing with us in today's

1:19:28.840 --> 1:19:32.840
<v Speaker 2>one hour and twenty minute episode, A thirty minute show.

1:19:33.160 --> 1:19:34.920
<v Speaker 1>We like to talk show.

1:19:35.439 --> 1:19:37.840
<v Speaker 2>We have a lot of we had a lot of thoughts,

1:19:37.840 --> 1:19:39.760
<v Speaker 2>we had a lot of funds, and we hope you

1:19:39.760 --> 1:19:41.679
<v Speaker 2>had fun too. And if you want to continue the fun,

1:19:42.800 --> 1:19:45.800
<v Speaker 2>listen next week and follow us on Instagram at how

1:19:45.880 --> 1:19:48.760
<v Speaker 2>Rude Podcasts or send us an email at how Rude

1:19:48.840 --> 1:19:51.639
<v Speaker 2>Tanner Ritos at gmail dot com, where you can maybe

1:19:51.920 --> 1:19:54.519
<v Speaker 2>answer some of our questions that we never seem to know,

1:19:55.320 --> 1:19:59.240
<v Speaker 2>like birthday days and you know, whatevers or show.

1:19:59.040 --> 1:20:02.160
<v Speaker 1>Ideas us you're views about this episode, Yeah, I'd love

1:20:02.200 --> 1:20:03.360
<v Speaker 1>to eat Yeah, yeah, I'd love to hear.

1:20:03.320 --> 1:20:06.280
<v Speaker 2>Take people's views and comments and things like what what

1:20:06.320 --> 1:20:07.000
<v Speaker 2>did you think of this?

1:20:07.200 --> 1:20:09.280
<v Speaker 1>Is this like where? Was it kind of cringey? Or

1:20:09.400 --> 1:20:11.559
<v Speaker 1>was it like man, we get it? Or you know, yeah,

1:20:11.760 --> 1:20:13.360
<v Speaker 1>what did you think of it when you watched in

1:20:13.439 --> 1:20:16.160
<v Speaker 1>nineteen ninety two live there we go on Friday night,

1:20:16.200 --> 1:20:17.120
<v Speaker 1>and what do you think of it now?

1:20:17.120 --> 1:20:18.880
<v Speaker 3>And what do you think of it now? Oh smart,

1:20:18.880 --> 1:20:21.400
<v Speaker 3>I'm very curious to hear the fan of how Have

1:20:21.520 --> 1:20:21.960
<v Speaker 3>We Grown?

1:20:22.160 --> 1:20:24.760
<v Speaker 2>Yeah, check out our merch store at how rude merch

1:20:25.000 --> 1:20:29.040
<v Speaker 2>dot com. And I think that's that's it.

1:20:29.120 --> 1:20:31.880
<v Speaker 1>You got you got it, that's it. Yeah, done, gone

1:20:32.280 --> 1:20:34.639
<v Speaker 1>all of it. Just need your your tag.

1:20:35.000 --> 1:20:40.479
<v Speaker 3>We love you, and remember the world is small. The

1:20:40.520 --> 1:20:44.240
<v Speaker 3>house is full of plaid jackets, but like not those

1:20:44.280 --> 1:20:45.080
<v Speaker 3>crappy plaid jets.

1:20:45.200 --> 1:20:49.400
<v Speaker 1>The last ones legim plaid jackets. The real ones were

1:20:49.400 --> 1:20:53.400
<v Speaker 1>white touxedo jackets with plaid lapels and a plaid commer

1:20:53.439 --> 1:20:56.080
<v Speaker 1>bun and a plaid a little bow tie. Oh, that's

1:20:56.200 --> 1:20:58.920
<v Speaker 1>that's what I'm picturing. That's what the house is full of. That. Yeah,

1:20:58.960 --> 1:21:04.160
<v Speaker 1>that's much better. Faux plaids. All right, you next sent

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<v Speaker 2>Hmm