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Speaker 1: Welicend. He's home sick today, so she has school, she's

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Speaker 1: just not there. So Zoe got sick again.

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Speaker 2: What Sunday since she got her was like just another

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Speaker 2: terrible hold. Poor thing was home Monday.

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Speaker 1: Tuesday was like this is all this. I felt so

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Speaker 1: bad for her. She was super sick. She's like, I'm

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Speaker 1: never taking my tonsils out ever again, or adnoids whatever

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Speaker 1: she got to have been out. That's the ad a.

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Speaker 2: This was just she got her the adnoids out, got

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Speaker 2: sick the day of her the night she.

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Speaker 1: Had her surgery.

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Speaker 2: It was miserable for that and then was like better

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Speaker 2: for a week five days and then her boyfriend's uh

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Speaker 2: little toddler brother I think was sick.

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Speaker 3: And these little tree dishes, aren't they? Oh boy?

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Speaker 2: Yeah, super just hands all over everything and their nose

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Speaker 2: in their mouth that you yeah.

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Speaker 1: Oh yeah, it's like two straight years of illness in

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Speaker 1: those preschool years.

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Speaker 3: Right.

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Speaker 2: But yeah, I was like, oh it' stop not again,

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Speaker 2: because it keeps going around the house and I relatively

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Speaker 2: bounce back quickly. But like poor mascalt, he'll get it and.

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Speaker 1: It just lingers. Oh no, he says it's because he's old.

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Speaker 3: But I don't think that's true. Well, it could be.

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Speaker 1: It could be because he's old, or there's just stuff

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Speaker 1: going around, you know, there is. There's a lot of stuff.

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Speaker 3: For me.

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Speaker 1: It feels in the year. Yeah, I think it's getting

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Speaker 1: colder in the mornings. We had lots of cag out here.

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Speaker 1: This spe is love it. I love fall. Yes, you're

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Speaker 1: shorter days, oh mind those.

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Speaker 2: See I hate the shorter days. But I have my

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Speaker 2: human plant light.

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Speaker 1: Oh yeah, you're You're like the reptile under.

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Speaker 2: A I am like a reptile in the morning, and

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Speaker 2: I in my little nook under the stairs where I

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Speaker 2: do my journaling in the morning, I have my little

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Speaker 2: plant light. So I basically have a small greenhouse for

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Speaker 2: myself and I sit in there and I just get

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Speaker 2: as much vitamin D as I can in the morning

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Speaker 2: because I'm waking up. I hate the short days that

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Speaker 2: I am not a fan of, but I'm trying to

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Speaker 2: find joy in the fall, which I did in a

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Speaker 2: big way.

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Speaker 1: You love fall. Yes, this is your season between the

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Speaker 1: pump halloweens, some the Halloween.

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Speaker 2: Pumpkins, pumpkin spice. You can have now, people, I'll allow it. Well, really, September,

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Speaker 2: you could start, but it was still so hot, right

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Speaker 2: you know. And and the rule is you can't drink

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Speaker 2: a cold pumpkin spy, you can't have an iced pumpkin spice.

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Speaker 1: That that's ridiculous, right, You're just defeating the purpose of cozy,

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Speaker 1: you know what I mean? Not cozy, it's dying. It's

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Speaker 1: not very high. That's too hig Who got that? It's

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Speaker 1: a Danish word? No, no, no, I get to correct you.

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Speaker 1: I only know this because I lived in Denmark for

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Speaker 1: four months and so h y g e is yes, yes, yes,

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Speaker 1: which is it's like coziness. It's like it's a whole

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Speaker 1: thing in Denmark. They strive for.

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Speaker 2: This, trying to live my best Huga life, yes, Huga.

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Speaker 2: But no, I I am a huge fan of Halloween. Yeah,

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Speaker 2: as you know, because I have dragged you to horror

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Speaker 2: nights many many times.

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Speaker 1: I hate it and we're not I'm so sad. We

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Speaker 1: we haven't planned it for this, Thank god. I'm not going.

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Speaker 2: I'm going to see I'm going to I'm going with

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Speaker 2: Teddy and Larry and a group of of their friends

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Speaker 2: that we call the Delusionals to uh the delusion interactive

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Speaker 2: horror play here in l a in a couple of weeks,

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Speaker 2: so I'll see him then and be like, hey, Aby

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Speaker 2: really wants to go still horror nights.

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Speaker 1: We need to make this happen. I'll go beforehand anyway,

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Speaker 1: you know. I want to see friends Teddy and Larry.

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Speaker 2: Teddy was one of our Netflix execs on Fuller House

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Speaker 2: that we have become very good friends with, and his

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Speaker 2: husband Larry.

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Speaker 1: And Larry as Larry also love.

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Speaker 2: Halloween and and Larry is always Andrea's protector. So yeah,

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Speaker 2: you're just you're sort of you're seeing eye dog when

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Speaker 2: you go. Your service, my emotional service, Larry emotional support.

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Speaker 1: Like I'll just hold onto his arm and he'll just

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Speaker 1: whisper in my ear it's okay, you're flying, it's not real,

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Speaker 1: You're okay, and he actually helps. So that's the only

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Speaker 1: way I'll go is if Larry No. But I this year.

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Speaker 2: Decided to go all out and have front of my

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Speaker 2: house decorated.

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Speaker 1: So did you did you go out? Yeah?

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Speaker 2: If you head over to my Instagram at Jodi Sweeten,

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Speaker 2: you can check out my amazing twelve foot tall animatronic

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Speaker 2: werewolf that's on my that's in my front yard.

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Speaker 1: It's pretty spectacular. It's amazing.

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Speaker 2: It howls, it yelps, it scares the dogs in the neighborhood.

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Speaker 1: It's great.

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Speaker 3: I am really enjoying. It keeps them from pooping on

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Speaker 3: her lawn.

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Speaker 1: It's the biggest, you know it is. It is a

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Speaker 1: big wolf.

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Speaker 2: We haven't named it yet because Zoe is it her dad,

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Speaker 2: so she hasn't seen it. So we're gonna have to

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Speaker 2: name him, uh me, Zoe and b obviously.

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Speaker 1: Because he needs a name. Well, yeah, yeah, I have.

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Speaker 1: I have a huge werewolf.

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Speaker 2: I've got gravestones, I've got little skeletons, I've got I've

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Speaker 2: got lights, I've.

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Speaker 3: Got very statter of things. It's so festive, very festive,

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Speaker 3: and I have to give a huge shout out.

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Speaker 1: I tagged them in my story.

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Speaker 2: But the Christmas lights, guys, if you're in here, if

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Speaker 2: you're here in La, the Christmas lights guys. I've talked

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Speaker 2: about them before on another show I did.

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Speaker 1: I love them.

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Speaker 2: James Costigan is the owner, super sweet, incredibly friendly.

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Speaker 1: Like so thorough. They do such a great job.

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Speaker 2: But they have done my house for Christmas, like the

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Speaker 2: outside lights because I can do the inside.

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Speaker 1: But we do an outside totally in a ladder. That's all.

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Speaker 3: So no ladders for Jodi seen no ladders for me.

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Speaker 2: So yeah, they have come and done the outside of

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Speaker 2: the house with Christmas lights and they just started doing

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Speaker 2: like Halloween this year, and so they were like, we

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Speaker 2: would love to come and and do your house and

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Speaker 2: do it. So it was really really fun way I mean,

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Speaker 2: I was like, just I don't know, have fun, go

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Speaker 2: for it, you know. And so yeah, so I now

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Speaker 2: have a howling werewolf in my yard for the next month.

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Speaker 1: That's shell.

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Speaker 2: He walked outside and he was like what, there's like

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Speaker 2: three people in the yard from like nine to four.

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Speaker 1: By the way, bless them. They went all day Wow.

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Speaker 2: Like everything is so meticulous. They like they ran all

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Speaker 2: of the electrical taped it down like you can't see anything.

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Speaker 1: It's the hardest part yep. But yeah, big shout out.

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Speaker 2: I tag them at Xmas lights guys on Instagram.

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Speaker 3: Check them out.

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Speaker 2: Because all of the stuff in the yard is not

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Speaker 2: even it's not mine. I don't I don't have to

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Speaker 2: store it or keep it's the best. It's like it's theirs.

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Speaker 2: And they set it up and they take it down

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Speaker 2: and it is absolutely worth it and bringing me joy.

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Speaker 2: I wasn't going to do it, and I was like,

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Speaker 2: oh no, you know see how the how the year goes, whatever,

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Speaker 2: holidays and stuff. But I was like, you know what,

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Speaker 2: this is what I need in the world right now.

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Speaker 1: I need.

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Speaker 2: The world is scary, so I'm going to make it

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Speaker 2: pretend scarier and deal with it that way.

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Speaker 1: There you go, escapism. I am escapism. Halloween.

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Speaker 2: I have bought more Halloween decorations. Mescal is going to

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Speaker 2: be out of town over the weekend and I told him,

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Speaker 2: I said, I need you to get the Halloween decorations

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Speaker 2: down before you leave.

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Speaker 1: Really, I'm surprised he hasn't done it already.

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Speaker 3: I have to nag him today. But it's the second

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Speaker 3: so you've.

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Speaker 1: Got you've got to talk. You're ahead of the game.

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Speaker 2: Yeah, well, I would have liked to have had it

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Speaker 2: done on the first, but whatever. No, but he's going

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Speaker 2: to get everything down and when he comes home, it's

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Speaker 2: he's going to have just He's like, oh my god, in.

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Speaker 1: This what did I do? Who did I? Well?

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Speaker 2: I told him I on like September twenty ninth. I said, babe,

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Speaker 2: you know what time it is.

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Speaker 1: He was like, what I said, It's decoration time.

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Speaker 2: Because basically from now through Christmas is uh oh yeah,

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Speaker 2: it's just it's one.

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Speaker 1: Holidays, all holidays.

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Speaker 2: Yeah, and I've got decor for all of it. I

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Speaker 2: am Janas Sweeten's daughter in this regard. Is this is

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Speaker 2: where my like little Orange County housewife comes out.

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Speaker 1: Yeah, and I am.

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Speaker 3: Thrilled for like, you know, a good faux leaf table runner,

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Speaker 3: you know what I mean.

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Speaker 1: So proud, Yes, really, Nick knacks the better just put

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Speaker 1: everything like Halloween throw up all over.

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Speaker 2: Halloween is going to puke all over my house.

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Speaker 1: It's gonna be great. I mean it's already got the

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Speaker 1: outside so and then you got Thanksgiving and then yeah,

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Speaker 1: it's like one big holiday.

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Speaker 2: Well Thanksgiving also is nice because like you start with

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Speaker 2: the with the Halloween and the pumpkins and whatever. You

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Speaker 2: can kind of throw some of the pumpkin in there

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Speaker 2: and then the Halloween and then the other things are left.

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Speaker 3: Yeah.

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Speaker 1: Oh no, it's my favorite time of year. I'm not

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Speaker 1: even a pump and spice person, but I just love

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Speaker 1: the weather. I love the houga, I love the candles, right,

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Speaker 1: oh I candles.

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Speaker 2: Yeah, yeah, it's been great. The weather's been super nice.

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Speaker 2: Finally it's not nine thousand degrees.

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Speaker 1: So I hope, I hope everybody else.

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Speaker 2: Out there is excited for Halloween now that we are

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Speaker 2: in the spooky season officially bookie season.

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Speaker 1: Yeah. No, it's a it's a great, great time of year.

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Speaker 2: I uh, I'm building my nightmare before Christmas.

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Speaker 1: Legos just started that. How many pieces is that?

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Speaker 2: I'm not sure how many pieces, but it's like three.

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Speaker 2: It's like the Halloween town. So it's like three little builds,

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Speaker 2: like separate buildings.

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Speaker 1: That kind of all connect together. Nice.

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Speaker 2: So I just started that because I couldn't started in

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Speaker 2: September because it's not Halloween.

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Speaker 1: No. No, you're a purist. I can tell you're a

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Speaker 1: purest pump spice. You're like a little OCD about it.

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Speaker 1: But what else? It's I admire that you commit, you

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Speaker 1: have boundaries in an.

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Speaker 2: Area in my life that I have any form of

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Speaker 2: self restraint and uh and planning ability and.

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Speaker 1: So yeah, I don't know, Oh god, it was this good.

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Speaker 3: You know, planning marriages?

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Speaker 1: Okay, you can plan Halloween though, dang it.

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Speaker 2: I can plan I can well. Yeah, look, I guess

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Speaker 2: I'm good at planning scary things.

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Speaker 1: Okay, yes you are, you are? Oh oh my how

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Speaker 1: are you? What are you? What's good you? I never

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Speaker 1: texted you back. Sorry, but when you texted me one

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Speaker 1: day and I was like, I can't talk. I'm a

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Speaker 1: Joey McIntyre's show, I can't talk.

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Speaker 3: So I just was like, justrified that I even thought

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Speaker 3: of interrupting, didn't you.

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Speaker 2: I didn't have it on my calendar that Andrea was

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Speaker 2: going to the Joey mcdie.

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Speaker 1: I'm sorry I failed. You didn't know. I'm just kidding.

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Speaker 1: I just didn't need to blow you off, but I

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Speaker 1: knew you would understand that blow me blew you away. Yeah,

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Speaker 1: you circle back the next day. I was like, no,

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Speaker 1: not a circle back.

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Speaker 2: No, not a loop around, not a touch base, no nothing.

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Speaker 1: No, I could you exited my mind? I thought of

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Speaker 1: I didn't think of you again until right now. So

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Speaker 1: sorry about that.

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Speaker 3: Welcome to my world. This is if I have like

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Speaker 3: zero object permanence, if it's a drawer, I.

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Speaker 1: Forget I have it, okay, Like I have to look

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Speaker 1: at things. So you're a visual Yeah, I'm a visual

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Speaker 1: person too.

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Speaker 2: Speaking of visuals, how was the Joey McIntyre It was

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Speaker 2: so good?

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Speaker 1: You get was the seats good? Were great? Like the whole.

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Speaker 1: First of all, the whole weekend was one of the

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Speaker 1: best weekends I've had in such a long time. My

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Speaker 1: friends Katie from Connecticut Andrea from Arizona, Uh, they flew

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Speaker 1: out and stayed with me for the weekend, and it

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Speaker 1: was just such perfect timing. Not that we had planned

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Speaker 1: it this way, but with you know, losing Holly a

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Speaker 1: couple of weeks ago, and I just in my half.

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Speaker 1: I needed a distraction, I needed friends, I needed laughter,

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Speaker 1: and they provided all of it. It was so fun.

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Speaker 1: They went to They went with me to Felicity show

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Speaker 1: Choir performance, her performance, which was fantastic. We went to Alcholo,

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Speaker 1: which is fantastic. We went to a little Korean mall

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Speaker 1: and got some skincare which was fantastic, and then we

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Speaker 1: saw you know. The the ultimate was the Joe Mack

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Speaker 1: his Freedom Tour, which kicked off in Anaheim at the

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Speaker 1: House of Blues on Monday night, and he was fantastic.

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Speaker 1: I expect nothing less. I mean I stressed all day

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Speaker 1: about like logistics and what, you know, where are we

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Speaker 1: gonna have dinner and what when do we have to

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Speaker 1: check in? And where? No. I was just playing no, no, no, no, no,

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Speaker 1: it doesn't matter. But the logistics of me getting to

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Speaker 1: this event almost as complicated as Planet a whole tour,

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Speaker 1: because you know, it's like when does the box office open?

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Speaker 1: On my tickets? At the box office, I don't know.

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Speaker 1: Michael's like, why did you just text him and ask

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Speaker 1: him where your tickets are? And I'm like, no, I

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Speaker 1: don't want to disturb him. No, he's in like prep mode.

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Speaker 1: I'm not going to disturb him, so I'm just gonna

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Speaker 1: go up. But I mean, I feel like he should

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Speaker 1: have let you know he's before that. He's a boy.

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Speaker 1: He's a boy. He's just like, hang got you.

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Speaker 3: But like this, you know, you gotta be like, yo,

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Speaker 3: where's where do I pick him up?

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Speaker 1: We'll call your pocket? What are we you talking? Well,

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Speaker 1: the first mistake was we showed up an hour early,

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Speaker 1: Like the ticketmaster said that the show started at seven,

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Speaker 1: but it was doors at seven. Shows starts at eight,

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Speaker 1: So he showed up two hours early and my tickets

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Speaker 1: were not at will call. But she's like, oh, yeah,

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Speaker 1: the artist sometimes holds back tickets so he can give

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Speaker 1: them to you in person. And I'm like, I try

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Speaker 1: not to bother him, Like I don't want like, just

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Speaker 1: if he is holding on to them.

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Speaker 2: To give to you, he realizes there is going to

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Speaker 2: be an interaction that is obviously not bothersome times.

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Speaker 1: What if he's in sound check, what if he's like

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Speaker 1: having a meal. I don't know. I didn't want to

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Speaker 1: bother him. Probably wait and be like, yo, I'll hit

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Speaker 1: you at fifteen. Anyways, the lovely tour manager shout out

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Speaker 1: to Justin. He came out and didn't have tickets, but

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Speaker 1: he was like, oh, let me personally escore you. We

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Speaker 1: created a row for you. And I'm like what. So

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Speaker 1: then I overanalyzed this and I'm like, did Joe forget

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Speaker 1: about me and this is the last minute, let's add

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Speaker 1: a row for Andrew because we're sold out? Or did

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Speaker 1: was he like, Oh, she's a special guest. I'm going

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Speaker 1: to create a row for her. I still haven't decided whether,

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Speaker 1: you know what, how I'm going to interpret this gesture,

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Speaker 1: But it was a lovely gesture. We had great season,

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Speaker 1: not front row. We were in the back of like

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Speaker 1: a section that was on the stage stage. No, no,

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Speaker 1: I was the crown of every shot. I would have.

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Speaker 1: I would have, but I absolutely would have. The show

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Speaker 1: was fantastic. There's nothing better than solo Joe. I love

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Speaker 1: all the new kids, but he really shines when it's

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Speaker 1: just him. Yeah, saying all of his newest hits on

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Speaker 1: his Freedom album. He's sang some deep cuts. He sings

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Speaker 1: Please Don't Go Girl. I mean it was just the

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Speaker 1: lighting was so good, he sings, was so much heart. Yeah.

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Speaker 1: He wore a mesh shirt as a throwback to the nineties.

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Speaker 1: It was just everything. No, no, it's perfection shirt. I

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Speaker 1: love it shirt. Yes, And his hair was kind of

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Speaker 1: like he had really high like the boy band hair

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Speaker 1: was extra boy bandish. He looked a little bit like

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Speaker 1: like a porcupine, very high. Yeah, I had like this sculp.

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Speaker 1: It was well sculpted. Yeah. I was just Oh, it

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Speaker 1: was such a great night. And we did get to

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Speaker 1: go backstage and say hi to him. He was very

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Speaker 1: kind and sat with us for ten minutes and we

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Speaker 1: chatted just about that huge.

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Speaker 3: Tour bother for him.

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Speaker 1: I bet I thought it was really I didn't want

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Speaker 1: to him. I never I don't have it. I show

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Speaker 1: up without expectations. I just you know, it happened organically

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Speaker 1: and it was so lovely and he's just so kind,

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Speaker 1: So I'm sure he's listening to this. Thank you Joey

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Speaker 1: McIntyre for it, obvious night. Who knows he's on tour

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Speaker 1: right now. He's up in Sacramento on his way. I

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Speaker 1: think Favor is next. Yeah, so travel, what are you

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Speaker 1: gonna do?

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Speaker 3: You listen to a podcast?

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Speaker 1: Oh yeah, that's true, your podcast got quite the road trip.

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Speaker 3: You know. He's going acrosst the country driving in a

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Speaker 3: tour bus.

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Speaker 1: Oh, he's in a sprinter got three sprinter vans for

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Speaker 1: this tour. So so yeah, anyways, it was fantastic, fantastic. Yeah,

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Speaker 1: it was just the best weekend. I'm sad it's over,

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Speaker 1: but it was just it filled my soul with much

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Speaker 1: needed happiness that I really need it at that moment.

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Speaker 3: So oh I love it.

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Speaker 1: Well good, Yeah, I'm glad that. Uh yeah, we both

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Speaker 1: uh we.

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Speaker 3: Found a little joy this weekend.

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Speaker 1: I loved it. Yes, we did.

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Speaker 2: You with your creepy creepy you with your boy band.

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Speaker 1: You know, we're very on brand. We don't ever stray

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Speaker 1: from no else where. I'd like to think of it

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Speaker 1: as we know ourselves. You know what I mean? We

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Speaker 1: know thyself is very important. By the time you reach

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Speaker 1: your forties, your mid forties. You're like, I know, I

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Speaker 1: know me and I'm not going to change, so this

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Speaker 1: is rue.

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Speaker 2: I remember, yeah, I remember thinking like when I was

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Speaker 2: young and looking at my parents being like starting to

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Speaker 2: go like I don't want.

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Speaker 1: To do that.

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Speaker 2: This is I'm setting my way and I was like, God,

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Speaker 2: I'll never be that old and boring.

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Speaker 3: And now I just look at old and boring. I know,

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Speaker 3: now look at me.

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Speaker 1: I wouldn't say you're boring, wouldn't mean say no, no,

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Speaker 1: I'm not boring you middle aged.

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Speaker 2: I yeah, I'm I'm comfortable in my weirdom these days,

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Speaker 2: and I've just let the freak flag fly.

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Speaker 1: You know, who wants to be boring? You know, like

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Speaker 1: just just be you, just be you, just be you.

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Speaker 1: There's only one. Yeah, that's it. Yeah Ah.

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Speaker 4: I'm Kristen Davis, host of the podcast Are You a Charlotte.

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Speaker 4: I'm so excited to share that I got to sit

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Speaker 4: down with incredible Bridget moynihan, who plays Natasha Bigg's wife.

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Speaker 4: She is telling stories from the very beginning, like why

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Speaker 4: she almost left the audition.

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Speaker 1: I'm calling my agents. I'm like, guys, I have to

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Speaker 1: go to the other one, and they're like stay for this.

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Speaker 1: You need to stay for this. I'm like, well, you

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Speaker 1: can't be late for the next one.

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Speaker 4: She shares her thoughts on the Big and Carry affair.

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Speaker 1: I think I actually said out loud sometimes like, no,

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Speaker 1: she was having an affair with my husband. Let's break

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Speaker 1: this down.

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Speaker 4: And what it was like coming back to the show

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Speaker 4: when we did.

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Speaker 1: And just like that, I love that it's Natasha who

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Speaker 1: is caring for her. Yes, I mean there really is

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Speaker 1: that bond between them. You can't miss this.

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Speaker 4: Listen to Are You a Charlotte on the iHeartRadio app,

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Speaker 4: Apple Podcasts or wherever you get your podcasts.

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Speaker 1: Welcome back to how are You? Tannerito's I'm Andrea Barber

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Speaker 1: and I'm Jody Sweeten, and today we're discussing season five,

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Speaker 1: episode fifteen. Play it again, Jesse, and again and again,

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Speaker 1: again and again and again. I just sort, hey, I

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Speaker 1: welcome a good snort, you know, just fly your freak flag, Jody.

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Speaker 2: And high into the Microsoft snort of I don't even

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Speaker 2: know what of judgment.

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Speaker 1: A lot of judgment. That's a common reaction, I think. Anyways.

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Speaker 1: This episode originally air January seventh, nineteen ninety two.

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Speaker 3: We're in the nineteen ninety two day week before my

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Speaker 3: tenth birthday.

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Speaker 1: Oh oh yeah, okay, so oh wait, that's the next episode.

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Speaker 1: We're discussing Stephanie's tenth birthday.

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Speaker 2: But yeah, yeah, but we don't know what time of

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Speaker 2: year it is, do we No, not really, and it's

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Speaker 2: not very not very specific.

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Speaker 1: So anyway, very yeah, this was Yeah, it was right

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Speaker 1: right before your real tenth birthday. Fantastic.

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Speaker 2: Yeah, well, probably the episode that because it was in

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Speaker 2: the next week. I would imagine that probably the week

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Speaker 2: we shot it might have been my actual birthday.

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Speaker 1: So maybe Stephanie's birthday is your actual birthday. Yeah, we'll

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Speaker 1: go with let's go with that like this. You know what,

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Speaker 1: a fan of Rito will correct us.

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Speaker 3: If we've somewhere out there, if we've ever said birthdays

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Speaker 3: of Stephanie, Judith Tanner and uh Dona Joe almost said

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Speaker 3: Dona Joe, Gibbler Joe.

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Speaker 1: That actually flows. Well, the episode goes a little something

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Speaker 1: like this. When Becky returns to work, Jesse is uncomfortable

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Speaker 1: with being a stay at home father to Nikki and Alex.

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Speaker 3: I'm sure shocked.

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Speaker 1: Lots to talk about here. This is so nineteen ninety one.

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Speaker 1: I did not ninety two. Yeah, this is ninety one.

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Speaker 3: There's no excuse for ninety two, and we're still here,

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Speaker 3: no excuse for this episode.

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Speaker 1: But you know that's okay. We're here to enjoy it.

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Speaker 1: It was directed by Joelswick. It was written by Dennis

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Speaker 1: Rinstler and Mark Warren. And we have two great guest stars.

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Speaker 1: Danny Breen plays George in the Supermarket. He did sixty

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Speaker 1: episodes of the series Not Necessarily The News in the eighties.

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Speaker 1: I remember that show. Yeah, me too, And he was

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Speaker 1: a producer on Whose Line Is It Anyway? And the

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Speaker 1: Wayne Brady Show. Yeah it's a great guy. Okay, he's

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Speaker 1: your favorite guest star, now favorite?

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Speaker 3: Yeah? Whose Line Is It Anyway? Is one of my

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Speaker 3: favorite shows.

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Speaker 2: It's just I based on a lot of like stupid

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Speaker 2: games and stuff that we played in my comedy show,

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Speaker 2: off of like things that I've that we've seen in

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Speaker 2: Whose Lines?

436
00:21:00,160 --> 00:21:02,960
Speaker 1: Oh, that's a great a great place to find inspiration

437
00:21:03,480 --> 00:21:07,360
Speaker 1: for improv. Comedy. Improv doesn't get better, and it's so intimidating.

438
00:21:07,680 --> 00:21:11,160
Speaker 1: I really admire the actors that do that because that's hard.

439
00:21:11,359 --> 00:21:13,200
Speaker 1: It's like for someone like me who's anxious, I'm like

440
00:21:13,240 --> 00:21:15,840
Speaker 1: improv scares the heck out of me, so mad props

441
00:21:15,840 --> 00:21:18,639
Speaker 1: to these people. And next we have Greg Collins. He

442
00:21:18,760 --> 00:21:22,120
Speaker 1: returns to full House as a tough guy. We last

443
00:21:22,160 --> 00:21:25,800
Speaker 1: saw him in season three's Fraternity Reunion. He's the guy

444
00:21:25,840 --> 00:21:28,720
Speaker 1: in the prison. Uh, and well, so he got out,

445
00:21:28,840 --> 00:21:30,800
Speaker 1: he got out of prison, and yeah, he got out

446
00:21:30,840 --> 00:21:31,800
Speaker 1: of prison, got to the.

447
00:21:31,800 --> 00:21:36,399
Speaker 2: Airport obviously, back to doing some shady transportation stuff with

448
00:21:36,560 --> 00:21:37,320
Speaker 2: the luggage.

449
00:21:37,600 --> 00:21:40,960
Speaker 1: Yeah, there's a con. There's some other con going down

450
00:21:41,400 --> 00:21:41,720
Speaker 1: in the air.

451
00:21:42,240 --> 00:21:43,919
Speaker 3: There's so many drugs in that back.

452
00:21:44,640 --> 00:21:47,120
Speaker 1: Drill a lot. Yeah, and this is not the last

453
00:21:47,119 --> 00:21:49,439
Speaker 1: we'll see him. We'll see him again in season six,

454
00:21:50,000 --> 00:21:53,840
Speaker 1: episode nineteen, Subterranean Graduation Blues. I don't know what he's

455
00:21:53,840 --> 00:21:55,640
Speaker 1: doing in that episode, but I'm sure he's playing another

456
00:21:55,680 --> 00:21:59,119
Speaker 1: tough guy. Yeah, from the sewers. I don't know. I

457
00:21:59,160 --> 00:22:02,040
Speaker 1: don't know either. We got we have a whole season

458
00:22:02,040 --> 00:22:04,720
Speaker 1: to find out, so I will be waiting with baited breath.

459
00:22:05,560 --> 00:22:08,320
Speaker 1: So there's no teaser. We go straight to credits, and

460
00:22:08,359 --> 00:22:10,879
Speaker 1: then we are in the kitchen. Jesse is feeding Nikki

461
00:22:10,960 --> 00:22:14,200
Speaker 1: a bottle and jokes that the baby needs to save

462
00:22:14,320 --> 00:22:17,320
Speaker 1: room for the peaking duck. He laughs at his own

463
00:22:17,400 --> 00:22:20,560
Speaker 1: joke and says, oh, just a little solid food humor.

464
00:22:22,320 --> 00:22:23,640
Speaker 1: I don't know the last.

465
00:22:23,520 --> 00:22:26,119
Speaker 3: Gone with the burrito myself, But peaking duck is funny,

466
00:22:26,160 --> 00:22:26,560
Speaker 3: king duck.

467
00:22:26,640 --> 00:22:28,920
Speaker 1: Doesn't that a call back to another like when they

468
00:22:28,920 --> 00:22:32,640
Speaker 1: did the peaking peaking with the duck, the ceramic duck

469
00:22:32,640 --> 00:22:34,320
Speaker 1: in the kitchen, So I feel like that was a

470
00:22:34,320 --> 00:22:38,680
Speaker 1: callback to that. But whatever, Okay, not the strongest start

471
00:22:38,720 --> 00:22:43,080
Speaker 1: to the episode. But could have said fried chicken, Oh yeah,

472
00:22:43,160 --> 00:22:45,400
Speaker 1: cold fried chicken. It would have been funny. That would

473
00:22:45,400 --> 00:22:49,560
Speaker 1: have been funnier, yea. So then Jesse sets Nicky's car

474
00:22:49,600 --> 00:22:52,439
Speaker 1: seat right next to Alex's, and Becky walks downstairs, all

475
00:22:52,520 --> 00:22:56,000
Speaker 1: dressed for work and admires her boys. She says, oh,

476
00:22:56,040 --> 00:22:58,280
Speaker 1: I can't believe I have to go back to work already.

477
00:22:58,520 --> 00:23:02,160
Speaker 1: I'm gonna miss my pooky bear so much, and Jesse

478
00:23:02,280 --> 00:23:04,639
Speaker 1: reminds her you'll see them in an hour. You're putting

479
00:23:04,680 --> 00:23:08,080
Speaker 1: them on your show today. Becky whinds, but what if

480
00:23:08,119 --> 00:23:10,600
Speaker 1: they do something cute? What if they learn to talk?

481
00:23:11,280 --> 00:23:15,720
Speaker 1: And Jesse sarcastically responds, I'll have them call you. Then

482
00:23:15,800 --> 00:23:18,240
Speaker 1: Danny walks into the kitchen and tells Becky, they gotta go,

483
00:23:18,920 --> 00:23:23,639
Speaker 1: he adds with remorse, today's our big farewell to Vicky show.

484
00:23:24,400 --> 00:23:28,160
Speaker 1: And Becky puts a hand on her hip and Danny

485
00:23:28,160 --> 00:23:31,040
Speaker 1: gives her a smile and are even bigger, welcome back

486
00:23:31,160 --> 00:23:33,560
Speaker 1: Becky's show, and he gives Becky a kiss on the cheek.

487
00:23:35,160 --> 00:23:38,760
Speaker 1: Jesse is surprised to see Danny's cheerful demeanor. He thought

488
00:23:38,800 --> 00:23:41,720
Speaker 1: that he'd be down in the dumps about Vicky's last day.

489
00:23:42,480 --> 00:23:46,360
Speaker 1: Danny forces a smile down me, mister up, mister life

490
00:23:46,400 --> 00:23:49,200
Speaker 1: of the party. Oh yeah, man, let the good times roll.

491
00:23:50,000 --> 00:23:52,399
Speaker 1: Then he quickly changes his tone and begins to sob

492
00:23:52,720 --> 00:23:55,720
Speaker 1: Why did she have to go? I feel like we

493
00:23:55,760 --> 00:23:57,919
Speaker 1: haven't seen a whole lot of Danny and Vicky's Like

494
00:23:58,080 --> 00:24:02,080
Speaker 1: there's been a couple of miners couple, Yeah, but no,

495
00:24:02,480 --> 00:24:04,679
Speaker 1: like real it was all the storylines were about them

496
00:24:04,680 --> 00:24:07,639
Speaker 1: getting together. We haven't seen much of the current relationship.

497
00:24:07,760 --> 00:24:09,800
Speaker 2: Yeah, we kind of went well, and it was sort

498
00:24:09,840 --> 00:24:12,240
Speaker 2: of a sudden jump from like they were sort of

499
00:24:12,280 --> 00:24:14,160
Speaker 2: liking each other to like she walked in the door

500
00:24:14,200 --> 00:24:16,480
Speaker 2: and gave him a kiss. Right, we had that moment

501
00:24:16,520 --> 00:24:18,800
Speaker 2: where we're like, oh, okay, we're there, right, yeah, it

502
00:24:18,840 --> 00:24:21,119
Speaker 2: was never. There was never like an episode where it

503
00:24:21,160 --> 00:24:23,480
Speaker 2: was like I think, I think, I think I'm gonna

504
00:24:23,720 --> 00:24:25,360
Speaker 2: make it official, right.

505
00:24:25,440 --> 00:24:27,679
Speaker 1: Yeah, and then now she's leaving for Chicago. I know

506
00:24:27,720 --> 00:24:31,600
Speaker 1: she comes back because she's in the Disney World episode

507
00:24:31,800 --> 00:24:33,679
Speaker 1: whenever that is in the future, But I don't know

508
00:24:34,520 --> 00:24:36,399
Speaker 1: is she in any other episodes? Like, I don't know

509
00:24:36,480 --> 00:24:38,720
Speaker 1: what I was really enjoyed. Did you watch this one?

510
00:24:38,840 --> 00:24:41,720
Speaker 1: You know what? Excuse me a hiccup? Did you let me.

511
00:24:41,720 --> 00:24:42,240
Speaker 3: Try that again?

512
00:24:42,440 --> 00:24:46,639
Speaker 1: Did you watch this episode? Do you know? Uh, you

513
00:24:46,720 --> 00:24:49,720
Speaker 1: know what happens? Yeah, I know what happens, but she's

514
00:24:49,920 --> 00:24:52,160
Speaker 1: I'm just do you not getting rich of wed? No?

515
00:24:52,400 --> 00:24:55,200
Speaker 1: But I just spoil it, guys, But uh, Vicky stage,

516
00:24:55,760 --> 00:24:58,600
Speaker 1: it was just this was sudden. This just felt sudden

517
00:24:58,640 --> 00:25:01,280
Speaker 1: for me. I wish I could have seen more of

518
00:25:01,440 --> 00:25:06,480
Speaker 1: like build up to make this goodbye, the alleged goodbye. Yeah,

519
00:25:06,680 --> 00:25:09,080
Speaker 1: it wasn't a good not a good pay We have

520
00:25:09,119 --> 00:25:11,760
Speaker 1: a note. We have a note from our wonderful poster Maddie.

521
00:25:11,760 --> 00:25:16,160
Speaker 1: According to Google, Steph's birthday is January fourteenth, and DJ's

522
00:25:16,200 --> 00:25:19,879
Speaker 1: birthday is February ninth. Okay, all right, all right, so

523
00:25:20,080 --> 00:25:23,440
Speaker 1: like five days earlier. Okay, Like, I like, if you're

524
00:25:23,480 --> 00:25:25,960
Speaker 1: still you're still in the same horse. It still a capricorn,

525
00:25:26,040 --> 00:25:30,440
Speaker 1: Still a capricorn, right, yea, yeah, okay. So Joey walks

526
00:25:30,440 --> 00:25:33,560
Speaker 1: into the kitchen and greets everyone while staring up at

527
00:25:33,560 --> 00:25:37,080
Speaker 1: the ceiling. He's wearing his Ranger Joe uniform to remind

528
00:25:37,080 --> 00:25:40,320
Speaker 1: all of us that he's still employed, and has mister

529
00:25:40,359 --> 00:25:43,199
Speaker 1: Woodchuck at his side, who is also gazing at the ceiling.

530
00:25:43,760 --> 00:25:46,840
Speaker 1: Everyone stops what they're doing to look up to Danny

531
00:25:46,880 --> 00:25:50,280
Speaker 1: curiously asks what are we looking at? Ranger Joe. Joey

532
00:25:50,320 --> 00:25:53,040
Speaker 1: admits he has a stiff neck, saying I sure hope

533
00:25:53,040 --> 00:25:55,680
Speaker 1: my neck loosens up before my show or it's gonna

534
00:25:55,680 --> 00:25:59,000
Speaker 1: be bird watching day, which I would love, I would

535
00:25:59,040 --> 00:26:01,919
Speaker 1: tune in. I was like, this is right, you'd be like,

536
00:26:02,000 --> 00:26:03,360
Speaker 1: move out of the way, Ranger Joe.

537
00:26:03,800 --> 00:26:06,719
Speaker 3: Kimmy's coming for Iteah, we've got the turkey vultures are

538
00:26:06,760 --> 00:26:08,760
Speaker 3: now out encircling my house.

539
00:26:08,920 --> 00:26:12,680
Speaker 1: That's it's turkey vulture season. Those ugliest birds I've ever seen.

540
00:26:13,080 --> 00:26:16,520
Speaker 3: I know because there were several that fell out of

541
00:26:16,640 --> 00:26:22,480
Speaker 3: a nest in Zoe's dad's backyard. Showed me like they

542
00:26:22,680 --> 00:26:25,800
Speaker 3: it looked like the fledging didn't maybe go or something.

543
00:26:27,240 --> 00:26:30,800
Speaker 1: They were common. But yeah they're massive. Oh yeah, they're

544
00:26:31,240 --> 00:26:35,800
Speaker 1: huge and ugly and but you're fascinating to watch. Oh totally.

545
00:26:36,160 --> 00:26:39,480
Speaker 1: So then mister Woodchuck shines in. Yeah, we can look

546
00:26:39,520 --> 00:26:44,479
Speaker 1: for woodpeckers. Becky makes a joke, well, Joey, keep your

547
00:26:44,560 --> 00:26:47,960
Speaker 1: chin up. Ha I guess you have no choice, and

548
00:26:48,000 --> 00:26:52,000
Speaker 1: then Danny, Becky and Joey exit the kitchen. You notice

549
00:26:52,000 --> 00:26:56,200
Speaker 1: that Joey consistently has these anthropomorphic objects that are always

550
00:26:56,240 --> 00:26:59,040
Speaker 1: matching what he's doing. The mannequin always was wearing the

551
00:26:59,080 --> 00:27:02,480
Speaker 1: same outfit as him. Mister Woodchuck is like looking up

552
00:27:02,720 --> 00:27:07,200
Speaker 1: like him. Yeah, this is a fascinating psychological study. Why

553
00:27:07,680 --> 00:27:10,320
Speaker 1: is like what doesn't need a best friend?

554
00:27:10,400 --> 00:27:13,359
Speaker 2: There's probably some some sort of like trauma in his

555
00:27:13,520 --> 00:27:16,360
Speaker 2: in his childhood from that very strict father, and so

556
00:27:16,480 --> 00:27:22,520
Speaker 2: he inadimate objects to uh sort of channel himself through

557
00:27:22,560 --> 00:27:25,240
Speaker 2: it so he can be himself. But it's sort of

558
00:27:25,320 --> 00:27:27,520
Speaker 2: through the lens of the puppet, so it's not really

559
00:27:27,640 --> 00:27:29,320
Speaker 2: you know, it doesn't doesn't feel too personal.

560
00:27:29,400 --> 00:27:31,960
Speaker 1: Yeah, subjection doesn't take on that Yeah, yeah, yeah, the

561
00:27:32,040 --> 00:27:33,640
Speaker 1: emotion to do the things.

562
00:27:33,320 --> 00:27:36,840
Speaker 2: But he yeah, Oh, I'm I'm going to go get

563
00:27:36,840 --> 00:27:37,280
Speaker 2: a puppet.

564
00:27:38,440 --> 00:27:40,920
Speaker 1: This makes a lot of sense and explains a lot

565
00:27:40,960 --> 00:27:42,880
Speaker 1: about Joey Gladstone.

566
00:27:42,640 --> 00:27:44,600
Speaker 3: Yeah, and why he doesn't have a girlfriend.

567
00:27:44,560 --> 00:27:48,679
Speaker 1: Right doesn't need one, He's got inadimant objects to talk to.

568
00:27:50,000 --> 00:27:53,720
Speaker 1: On cue, Michelle, DJ and Stephanie walk downstairs, all ready

569
00:27:53,760 --> 00:27:57,479
Speaker 1: for school. DJ is sternly telling Steph forget it. You

570
00:27:57,520 --> 00:28:01,960
Speaker 1: cannot borrow my clothes. Stephanie begs please. DJ says no.

571
00:28:02,680 --> 00:28:05,719
Speaker 1: They go back and forth until Steph says please please please.

572
00:28:06,680 --> 00:28:09,120
Speaker 1: Michelle pipes up to take the reins. She tells DJ,

573
00:28:09,280 --> 00:28:13,120
Speaker 1: I'll do it and wags her finger at Steph, saying no, no, no.

574
00:28:14,359 --> 00:28:17,760
Speaker 1: DJ focuses her attention on Steph once more. Remember my

575
00:28:17,880 --> 00:28:23,119
Speaker 1: clothes are untouchable, off limits. This means you understand, And

576
00:28:23,160 --> 00:28:26,919
Speaker 1: with that she walks out the door. Steph solemnly responds,

577
00:28:27,080 --> 00:28:30,120
Speaker 1: I understand. But as soon as DJ's out of the door,

578
00:28:30,320 --> 00:28:34,240
Speaker 1: she turns to Michelle and unzips her jacket. Not I'm

579
00:28:34,280 --> 00:28:39,880
Speaker 1: wearing DJ's sweater. Michelle gasps in complete shock. She's gonna

580
00:28:39,880 --> 00:28:44,160
Speaker 1: have a cow. Jesse hands Michelle and stephanieither sit under

581
00:28:44,200 --> 00:28:46,560
Speaker 1: the table. Yeah, the cow in the kitchen.

582
00:28:46,600 --> 00:28:49,080
Speaker 3: There's a cow in the cow in the kitchen.

583
00:28:48,880 --> 00:28:51,120
Speaker 1: Under the table. For anyone who doesn't know what we're

584
00:28:51,120 --> 00:28:53,320
Speaker 1: talking about, there was an episode of Fuller House with

585
00:28:53,360 --> 00:28:56,920
Speaker 1: a cow, a life sized real cow.

586
00:28:57,520 --> 00:28:59,800
Speaker 2: That Jeff wanted to fit under the table that could

587
00:28:59,880 --> 00:29:01,760
Speaker 2: not physically happened in this.

588
00:29:02,520 --> 00:29:04,640
Speaker 1: And Jeff was like, well, what we have to make

589
00:29:04,640 --> 00:29:06,520
Speaker 1: the joke work. So the cow has to fit under

590
00:29:06,520 --> 00:29:08,600
Speaker 1: the table. And the handler's like, like, the cow wolt

591
00:29:08,600 --> 00:29:09,560
Speaker 1: fit at the table.

592
00:29:09,640 --> 00:29:13,560
Speaker 2: You're looking at the same cow. I am right, Yeah, anyways,

593
00:29:13,560 --> 00:29:14,200
Speaker 2: I love that cow.

594
00:29:14,280 --> 00:29:17,480
Speaker 1: Back to the cows. Okay, So Jesse hands you guys

595
00:29:17,480 --> 00:29:21,480
Speaker 1: your lunches and these tiny little lunch like these are

596
00:29:21,480 --> 00:29:24,400
Speaker 1: not the regular brown bag lunches. It's like their tiny

597
00:29:24,440 --> 00:29:27,880
Speaker 1: little I don't know, pastry bags or something. But anyways,

598
00:29:27,880 --> 00:29:29,360
Speaker 1: I was worried that you guys were going to be

599
00:29:29,400 --> 00:29:31,960
Speaker 1: hungry at school later with your lack of lunch.

600
00:29:32,000 --> 00:29:33,440
Speaker 2: The kids are they get to that age and they're like,

601
00:29:33,480 --> 00:29:35,680
Speaker 2: they don't eat, they're eating anything all day.

602
00:29:35,880 --> 00:29:38,480
Speaker 1: Yeah, that's true. That's why they, you know, raid the

603
00:29:38,560 --> 00:29:42,440
Speaker 1: snack cupboard when they get home from school. Uh So,

604
00:29:43,240 --> 00:29:45,560
Speaker 1: Jesse checks on the twins and then the phone rings.

605
00:29:46,080 --> 00:29:48,720
Speaker 1: He answers it and excitedly tells the boys that it's

606
00:29:48,760 --> 00:29:51,960
Speaker 1: the record company. Here we go? Which one this time?

607
00:29:52,120 --> 00:29:52,680
Speaker 1: Which one?

608
00:29:52,840 --> 00:29:55,840
Speaker 2: Which one the Wisch record said that already put them

609
00:29:55,840 --> 00:29:58,360
Speaker 2: on tour or the one that canceled the tour or

610
00:29:58,440 --> 00:30:01,240
Speaker 2: the one that said, I don't use which record company

611
00:30:01,320 --> 00:30:01,760
Speaker 2: were it?

612
00:30:01,840 --> 00:30:05,600
Speaker 1: Yes? I think it's intentionally vague. I don't know what are.

613
00:30:05,440 --> 00:30:08,680
Speaker 3: We talking Yeah, just death Row? Like what record company

614
00:30:08,880 --> 00:30:10,000
Speaker 3: are we talking about here?

615
00:30:10,080 --> 00:30:10,320
Speaker 1: Jesse?

616
00:30:10,520 --> 00:30:10,720
Speaker 3: Yeah?

617
00:30:11,000 --> 00:30:14,880
Speaker 1: Yes, please be more specific, Jesse. Uh so, he asks

618
00:30:14,880 --> 00:30:16,920
Speaker 1: the person on the other line, tell me you love

619
00:30:16,960 --> 00:30:20,960
Speaker 1: the song? You like the song? He starts to ramble, Oh, well,

620
00:30:21,000 --> 00:30:23,800
Speaker 1: maybe you can learn to love it. I mean like

621
00:30:23,920 --> 00:30:26,200
Speaker 1: as a kid, I hated blue cheese. I thought it

622
00:30:26,240 --> 00:30:29,560
Speaker 1: was like eating sweat socks. But eventually and the person

623
00:30:29,600 --> 00:30:32,080
Speaker 1: on the other end says something in Jesse's demeanor turns

624
00:30:32,160 --> 00:30:36,240
Speaker 1: to sadness. Right, okay, I'm sorry too, and he hangs

625
00:30:36,320 --> 00:30:39,040
Speaker 1: up the phone. He lets out a huge sigh and

626
00:30:39,080 --> 00:30:42,320
Speaker 1: tells his sons, your old man got rejected again, but

627
00:30:42,400 --> 00:30:45,280
Speaker 1: you still love me? Right? And the baby stare at

628
00:30:45,360 --> 00:30:49,280
Speaker 1: him blankly. In response, he.

629
00:30:48,400 --> 00:30:54,160
Speaker 5: He's gone from job to job and tour to record

630
00:30:54,240 --> 00:30:57,920
Speaker 5: studio in the basement to the thing to add man,

631
00:30:58,640 --> 00:31:01,080
Speaker 5: I think I think Jesse's.

632
00:31:00,640 --> 00:31:04,080
Speaker 1: Doing he's he's an artist. Rejection.

633
00:31:04,440 --> 00:31:09,080
Speaker 3: Yeah, rejection, very seriously, if you're gonna be an artist,

634
00:31:09,160 --> 00:31:11,880
Speaker 3: you have to get used to rejection and insistent.

635
00:31:13,080 --> 00:31:16,320
Speaker 1: Yeah it is not easy. He's he's comforting himself by

636
00:31:16,320 --> 00:31:19,280
Speaker 1: trying to get validation from his infants, like, yeah, this

637
00:31:19,400 --> 00:31:22,320
Speaker 1: is he's taken it. He's taking it badly. But yeah,

638
00:31:22,320 --> 00:31:24,959
Speaker 1: that's what when you're a musician, when you're an artist,

639
00:31:25,320 --> 00:31:28,600
Speaker 1: this is what happens. Sometimes you're out of work. Uh,

640
00:31:28,640 --> 00:31:31,280
Speaker 1: And he says that in the same book, out of

641
00:31:31,320 --> 00:31:33,320
Speaker 1: work high fives, out of work high fives, and he

642
00:31:33,400 --> 00:31:37,040
Speaker 1: high fives his babies. Next, on the set of Wake

643
00:31:37,160 --> 00:31:40,680
Speaker 1: Up San Francisco, First, Danny and Vicky start the show

644
00:31:40,680 --> 00:31:43,840
Speaker 1: together and sadly, Vicky announces that this is her last

645
00:31:44,000 --> 00:31:47,760
Speaker 1: day because Becky is back from maternity leave. She longingly

646
00:31:47,800 --> 00:31:50,360
Speaker 1: looks at Danny it admits I'm gonna miss you, Danny.

647
00:31:50,960 --> 00:31:54,120
Speaker 1: Danny stares right back, starts to lean in and says, oh, Vicky.

648
00:31:54,640 --> 00:31:58,680
Speaker 1: He continues to almost kiss her on air, but thankfully

649
00:31:58,760 --> 00:32:01,480
Speaker 1: he stops himself and says, you know, I just forgot

650
00:32:01,520 --> 00:32:04,800
Speaker 1: we're still on camera. They both turned to the camera

651
00:32:04,840 --> 00:32:07,880
Speaker 1: and awkwardly laugh. Then Danny announces that he has a

652
00:32:07,920 --> 00:32:10,680
Speaker 1: surprise for her. I spoke to our station manager and

653
00:32:10,720 --> 00:32:13,200
Speaker 1: he wants you to do the weather reports right here

654
00:32:13,360 --> 00:32:17,520
Speaker 1: on Wake Up San Francisco. Isn't that wonderful? And Vicki

655
00:32:17,640 --> 00:32:21,520
Speaker 1: WinCE's at the suggestion, Uh, it would be, except this morning,

656
00:32:21,640 --> 00:32:25,680
Speaker 1: I was offered an incredible job anchoring the news in Chicago.

657
00:32:26,800 --> 00:32:27,840
Speaker 1: It's a no brainer to me.

658
00:32:28,080 --> 00:32:30,920
Speaker 3: Yeah, she was a news anchor, right, the weather girl.

659
00:32:31,120 --> 00:32:32,000
Speaker 1: That would be a demotion.

660
00:32:32,200 --> 00:32:37,240
Speaker 3: Excuse me, not a weather meteorologist. Meteorology just sounded very sexist,

661
00:32:37,240 --> 00:32:38,880
Speaker 3: and I Apologizell, it's not what I meant.

662
00:32:38,920 --> 00:32:41,239
Speaker 2: That's okay, But it felt like that was what they

663
00:32:41,320 --> 00:32:43,120
Speaker 2: were calling her, you know what I mean, That's what

664
00:32:43,160 --> 00:32:45,760
Speaker 2: the It felt like, going from like, hey, you're actually

665
00:32:45,800 --> 00:32:46,920
Speaker 2: a really downed news anchor.

666
00:32:46,960 --> 00:32:48,960
Speaker 1: Would you like to host the weather? Yeah? It was

667
00:32:48,960 --> 00:32:53,000
Speaker 1: a little no, there's anything. No, we need meteorologists, we

668
00:32:53,040 --> 00:32:55,000
Speaker 1: need their important job that there.

669
00:32:55,360 --> 00:32:59,760
Speaker 2: We actually uh have anything to have them meteorologize off

670
00:32:59,840 --> 00:33:02,520
Speaker 2: of anymore, because I think we pretty much got rid

671
00:33:02,520 --> 00:33:03,520
Speaker 2: of all those things.

672
00:33:03,800 --> 00:33:08,680
Speaker 1: Well, yeah, you know, just Loo. Yeah, the sky is

673
00:33:08,680 --> 00:33:13,840
Speaker 1: still there. Okay, So Danny wonders, Chicago, the windy City.

674
00:33:14,200 --> 00:33:16,240
Speaker 1: You'll have to wear a hat, you'll get hat hair.

675
00:33:17,160 --> 00:33:19,680
Speaker 1: Vicky admits that they'll have to talk about this after

676
00:33:19,720 --> 00:33:22,200
Speaker 1: the show, and she tries to bring Becky on stage,

677
00:33:22,560 --> 00:33:25,520
Speaker 1: but Danny won't let it go. Chicago, didn't they have

678
00:33:25,560 --> 00:33:29,040
Speaker 1: a really big fire there? Vicky assures him it was

679
00:33:29,080 --> 00:33:31,920
Speaker 1: over one hundred years ago. I'm sure it's out by now.

680
00:33:32,840 --> 00:33:35,680
Speaker 2: I mean San Francisco too, Yeah, yeah, you really want

681
00:33:35,720 --> 00:33:37,920
Speaker 2: to do you have some terrible fires.

682
00:33:38,080 --> 00:33:41,160
Speaker 1: There's been a lot of disasters in both major cities.

683
00:33:41,280 --> 00:33:44,520
Speaker 1: So this was, yeah, weak excuse for Danny, but he's desperate.

684
00:33:44,600 --> 00:33:48,400
Speaker 1: He's grasping at straws. He doesn't want her to leave. Finally,

685
00:33:48,440 --> 00:33:51,040
Speaker 1: Becky takes things into her own hands, stepping into the

686
00:33:51,040 --> 00:33:54,640
Speaker 1: shot and introducing herself. Hi, I'm Rebecca Donaldson and I'm

687
00:33:54,680 --> 00:33:58,360
Speaker 1: welcoming myself back to the show. Welcome back, Becky, and

688
00:33:58,440 --> 00:34:02,480
Speaker 1: Vicky and Danny both smile. Welcome back, Becky. Becky proceeds

689
00:34:02,520 --> 00:34:05,200
Speaker 1: with her segment, telling the viewers, I would like all

690
00:34:05,240 --> 00:34:07,080
Speaker 1: of you to meet the two reasons that I've been

691
00:34:07,160 --> 00:34:10,520
Speaker 1: out of work for the last eight weeks. Ah, eight weeks.

692
00:34:10,560 --> 00:34:12,560
Speaker 1: I was wondering how long was this maternity leave?

693
00:34:12,640 --> 00:34:17,880
Speaker 2: So two months, maybe longer than anybody gets in this country.

694
00:34:18,080 --> 00:34:21,520
Speaker 1: Yeah right, that's a really long maternity right, so that's

695
00:34:21,520 --> 00:34:25,239
Speaker 1: a europe maternity leave. Yeah. Yeah, sad but true. So

696
00:34:25,280 --> 00:34:27,640
Speaker 1: she says, Nicky and Alex come on in, boys and

697
00:34:27,680 --> 00:34:31,920
Speaker 1: this is my wonderful husband Jesse. Becky boasts that the

698
00:34:31,960 --> 00:34:35,880
Speaker 1: boys are identical twins and jokes except Alex has a

699
00:34:35,880 --> 00:34:39,279
Speaker 1: birthmark on his tissue, just like his daddy. Jesse is

700
00:34:39,320 --> 00:34:43,120
Speaker 1: completely embarrassed and starts to walk off the set, but

701
00:34:43,200 --> 00:34:46,520
Speaker 1: Becky forces him back and tells everyone she is so

702
00:34:46,680 --> 00:34:49,359
Speaker 1: proud of him because today he's going to take care

703
00:34:49,360 --> 00:34:52,040
Speaker 1: of the kids, do the shopping, do the laundry, and

704
00:34:52,120 --> 00:34:55,920
Speaker 1: cook a wonderful dinner. Jesse tries to maintain some of

705
00:34:55,960 --> 00:34:58,600
Speaker 1: his macho ness, and right after that, I'm going to

706
00:34:58,680 --> 00:35:02,719
Speaker 1: rustle a bob kat with my bear hands. Sure you're Jesse,

707
00:35:02,880 --> 00:35:05,400
Speaker 1: he's very threatened. He's very well yeah right, no, right,

708
00:35:05,440 --> 00:35:08,799
Speaker 1: have you seen this guy in play sports? Yeah, you know,

709
00:35:08,920 --> 00:35:11,840
Speaker 1: he's this is just this is just the beginning of

710
00:35:12,080 --> 00:35:15,840
Speaker 1: uh oh, I know this storyline. So yes, Jesse's upset,

711
00:35:15,960 --> 00:35:19,560
Speaker 1: Jesse's threatened, Jesse's ubsess, He's just upset. Next, at the

712
00:35:19,560 --> 00:35:23,640
Speaker 1: grocery store, Jesse is shopping with the boys. He jokingly

713
00:35:23,719 --> 00:35:26,239
Speaker 1: weighs one of the babies on the produce scale, have

714
00:35:26,360 --> 00:35:29,680
Speaker 1: mercy fourteen pounds? Have you guys been sneaking down to

715
00:35:29,719 --> 00:35:33,799
Speaker 1: the kitchen eating cheeseburgers at night? He continues shopping with

716
00:35:33,840 --> 00:35:36,760
Speaker 1: one baby strapped to his chest and the other seated

717
00:35:36,800 --> 00:35:40,360
Speaker 1: in the shopping cart. He grabs a melon and explains

718
00:35:40,360 --> 00:35:42,319
Speaker 1: to the boys, this is what you're gonna look like

719
00:35:42,400 --> 00:35:46,000
Speaker 1: if you don't start growing hair. It's very obsessed with

720
00:35:46,040 --> 00:35:47,920
Speaker 1: these boys growing hair.

721
00:35:48,000 --> 00:35:53,000
Speaker 2: Well, yeah, it's like honeydew from the Muppets.

722
00:35:53,040 --> 00:35:56,399
Speaker 1: Oh yeah, yeah, that's super cool.

723
00:35:56,440 --> 00:35:59,080
Speaker 3: So can we look at the grocery prices please and

724
00:35:59,160 --> 00:35:59,840
Speaker 3: just have a moment.

725
00:36:00,520 --> 00:36:02,240
Speaker 1: I was startled, stunned.

726
00:36:02,320 --> 00:36:07,080
Speaker 2: Ninety nine cents for cauliflour and seventy nine cents for

727
00:36:07,239 --> 00:36:08,040
Speaker 2: egg plants.

728
00:36:08,120 --> 00:36:13,000
Speaker 1: Wow, wow, under a dollar? Under a dollar? Yes, I

729
00:36:13,080 --> 00:36:14,560
Speaker 1: know it's it's depressing.

730
00:36:14,680 --> 00:36:16,600
Speaker 2: It's depressing when you've got to take out a loan

731
00:36:16,680 --> 00:36:19,200
Speaker 2: to get more than one egg plant these days. I know,

732
00:36:19,480 --> 00:36:21,719
Speaker 2: if you want a dozen eggs, whipp forget it.

733
00:36:21,960 --> 00:36:25,040
Speaker 1: That's not it. That's like a much payment. Yep, yeah,

734
00:36:25,040 --> 00:36:27,880
Speaker 1: you better own own chickens, grow your own vegetables in

735
00:36:27,880 --> 00:36:29,600
Speaker 1: the backyard with the.

736
00:36:29,600 --> 00:36:34,880
Speaker 2: Other and easily spent like two and a half times

737
00:36:34,920 --> 00:36:35,680
Speaker 2: as much.

738
00:36:35,560 --> 00:36:39,320
Speaker 3: For what I always I was like, yeah, Trader Joe's

739
00:36:39,360 --> 00:36:40,040
Speaker 3: what are you doing?

740
00:36:40,120 --> 00:36:43,279
Speaker 1: I know, I know it's depressing. It is depressing to

741
00:36:43,800 --> 00:36:46,280
Speaker 1: have to eat in this these days.

742
00:36:46,360 --> 00:36:48,720
Speaker 2: But we can always dream of seventy nine cent egg plants,

743
00:36:49,160 --> 00:36:52,240
Speaker 2: which sounds not the way I meant it.

744
00:36:53,040 --> 00:36:54,279
Speaker 1: I mean, you can dream of that too, if.

745
00:36:54,239 --> 00:36:57,600
Speaker 3: You like, I guess some people do for seventy eggs.

746
00:36:58,680 --> 00:37:01,840
Speaker 3: That sounds disappointing, you know, not when you'd want to

747
00:37:02,120 --> 00:37:03,280
Speaker 3: discount egg plant.

748
00:37:05,440 --> 00:37:08,400
Speaker 1: So then stephan Michelle appear from one of the aisles.

749
00:37:08,719 --> 00:37:11,320
Speaker 1: Stephanie has her arms full of junk food and states,

750
00:37:11,560 --> 00:37:15,000
Speaker 1: I got our dinner, Uncle Jesse. Jesse shakes his head

751
00:37:15,000 --> 00:37:18,640
Speaker 1: in disapproval. I'm not buying all that junk food. Michelle

752
00:37:18,640 --> 00:37:21,239
Speaker 1: waves a box of vanilla cookies in his face. Well,

753
00:37:21,239 --> 00:37:24,400
Speaker 1: you better buy these cookies. I already ate four. She

754
00:37:24,480 --> 00:37:27,480
Speaker 1: shoves another cookie into her mouth. And corrects herself, I mean.

755
00:37:27,400 --> 00:37:30,840
Speaker 3: Five love a good Nilla Waifer. Oh yeah, it's good stuff.

756
00:37:31,520 --> 00:37:34,520
Speaker 1: She turns to find a row of featured cereal and

757
00:37:34,560 --> 00:37:37,680
Speaker 1: screams at the top of her lungs, Billy Bunny Cereal.

758
00:37:37,840 --> 00:37:41,200
Speaker 1: I gotta have it. Jesse tries to reason with her.

759
00:37:41,600 --> 00:37:44,200
Speaker 1: Let me tell you something, just because there's some goofy

760
00:37:44,280 --> 00:37:46,839
Speaker 1: character on the box doesn't mean the product is any good.

761
00:37:47,680 --> 00:37:50,520
Speaker 1: Then something on the shelf catches his eye. He runs

762
00:37:50,560 --> 00:37:52,520
Speaker 1: to pick up a jar and exclaims, Oh my god,

763
00:37:52,719 --> 00:37:56,879
Speaker 1: Elvis peanut butter. Steph wonders, isn't that the same thing

764
00:37:56,920 --> 00:38:02,080
Speaker 1: as Billy Bunny cereal? Mean you're not wrong, I'm not wrong,

765
00:38:02,719 --> 00:38:05,600
Speaker 1: Jesse defends himself. No, it's not. Elvis is a man,

766
00:38:05,760 --> 00:38:08,640
Speaker 1: not a cartoon. Now what do you guys want, smooth

767
00:38:08,840 --> 00:38:12,399
Speaker 1: or hunka hunka chunka. I'll take both. That was clever.

768
00:38:12,480 --> 00:38:13,480
Speaker 1: Hunka hunka chunka.

769
00:38:13,920 --> 00:38:14,240
Speaker 5: Yeah.

770
00:38:14,280 --> 00:38:16,400
Speaker 1: I was like, Oh that's actually that's good. That was clever.

771
00:38:17,360 --> 00:38:19,919
Speaker 1: Jesse walks back to the cart and lovingly bends down

772
00:38:19,960 --> 00:38:23,000
Speaker 1: to Nikki, but his face sours when he smells him

773
00:38:23,920 --> 00:38:26,279
Speaker 1: he needs a diaper change before they head to the

774
00:38:26,360 --> 00:38:29,880
Speaker 1: diaper aisle, Jesse has a temporary solution. He sticks an

775
00:38:29,880 --> 00:38:33,600
Speaker 1: air freshener to the baby's bottom to help with the smell.

776
00:38:35,480 --> 00:38:38,080
Speaker 3: Then he reminds that sound any weird chemical on your

777
00:38:38,080 --> 00:38:39,480
Speaker 3: baby's body?

778
00:38:40,600 --> 00:38:44,279
Speaker 1: It was, I know, remember those ones? Those are the

779
00:38:44,320 --> 00:38:45,960
Speaker 1: word there smell.

780
00:38:45,920 --> 00:38:50,040
Speaker 3: So often terrible yeahs, and it makes me want a gags.

781
00:38:50,040 --> 00:38:51,600
Speaker 1: I'm like, oh god, it smells like a puppet. It

782
00:38:51,640 --> 00:38:54,279
Speaker 1: makes it worse. Yeah, whatever you whatever smell you're trying

783
00:38:54,280 --> 00:38:54,880
Speaker 1: to get rid of, is.

784
00:38:54,920 --> 00:39:00,560
Speaker 3: Much moreferable to those those distinct things. Yeah, gas station

785
00:39:00,640 --> 00:39:01,800
Speaker 3: vibes totally.

786
00:39:01,880 --> 00:39:05,880
Speaker 1: Yeah. So then he reminds Michelle and Stuff that they

787
00:39:05,960 --> 00:39:08,279
Speaker 1: need milk and bread, So the girls run to the

788
00:39:08,320 --> 00:39:11,360
Speaker 1: aisle on the right. Jesse yells out, no more junk

789
00:39:11,360 --> 00:39:14,000
Speaker 1: food and on cue Michelle and Stuff run out of

790
00:39:14,000 --> 00:39:16,600
Speaker 1: that aisle and over to the correct one. That's a

791
00:39:16,600 --> 00:39:20,920
Speaker 1: good bit, good little bit there. Jesse continues to contradict

792
00:39:21,000 --> 00:39:23,520
Speaker 1: himself as he runs over to the Elvis peanut butter

793
00:39:23,600 --> 00:39:27,640
Speaker 1: and stalks up on an ungodly amount. Who needs that

794
00:39:27,760 --> 00:39:33,000
Speaker 1: much peanut butter? Jesse does. As he's loading up his cart,

795
00:39:33,120 --> 00:39:35,640
Speaker 1: another dad walks up to him and says, hey, I

796
00:39:35,719 --> 00:39:38,280
Speaker 1: saw you on TV this morning. Obviously.

797
00:39:38,320 --> 00:39:44,000
Speaker 2: Do you think that they meant to make him look

798
00:39:44,200 --> 00:39:47,560
Speaker 2: like the live action version of Ned Flanders.

799
00:39:48,719 --> 00:39:55,160
Speaker 1: Because he one, Oh yeah, he really does well. He's

800
00:39:55,160 --> 00:39:57,239
Speaker 1: supposed to be. I mean, I think he's supposed to

801
00:39:57,239 --> 00:39:59,600
Speaker 1: be like a nerd. He thought he was going to

802
00:39:59,640 --> 00:40:01,680
Speaker 1: be going to neighbor.

803
00:40:02,600 --> 00:40:04,600
Speaker 2: I was waiting for it, yeah, or pop out of

804
00:40:04,600 --> 00:40:05,520
Speaker 2: a bush or something.

805
00:40:05,640 --> 00:40:08,839
Speaker 1: Yeah, No, I was he Yeah, he's not. This isn't

806
00:40:08,840 --> 00:40:10,840
Speaker 1: supposed to be a cool dad. He's supposed to be

807
00:40:10,920 --> 00:40:13,920
Speaker 1: kind of a nerve. But he worried. The mustache, the sweater,

808
00:40:14,200 --> 00:40:18,960
Speaker 1: the hair, the voice. He was Ned Flanders, he was

809
00:40:19,040 --> 00:40:21,759
Speaker 1: in the flesh, he was. He nailed it. He absolutely

810
00:40:21,800 --> 00:40:25,239
Speaker 1: nailed it. It was perfect. The man goes on to say

811
00:40:25,280 --> 00:40:30,000
Speaker 1: you're Rebecca's husband, Jesse Donaldson, and Jesse looks like he

812
00:40:30,040 --> 00:40:34,000
Speaker 1: got punched in the gut. He corrects the man, it's Kitsopolis,

813
00:40:34,440 --> 00:40:39,040
Speaker 1: Jesse Kitsopolis. The man shrugs, whatever, I'm George. It's nice

814
00:40:39,080 --> 00:40:41,799
Speaker 1: to meet another house husband, and he reaches out to

815
00:40:41,840 --> 00:40:45,239
Speaker 1: shake Jesse's hand. Jesse chuckles and tells George that he

816
00:40:45,360 --> 00:40:49,360
Speaker 1: is not a house husband. He's a musician. George nods

817
00:40:49,360 --> 00:40:54,799
Speaker 1: with understanding. Yeah, I'm a screenwriter. Jesse continues to explain himself. Look,

818
00:40:54,880 --> 00:40:59,919
Speaker 1: I'm just doing this because my career is temporarily on hold. Okay, again,

819
00:41:00,160 --> 00:41:02,759
Speaker 1: George knows how he's feeling. I said the same thing

820
00:41:02,800 --> 00:41:04,759
Speaker 1: to my wife when she went back to work. That

821
00:41:04,920 --> 00:41:08,560
Speaker 1: was four years ago, and Jesse is in disbelief. So

822
00:41:08,680 --> 00:41:10,680
Speaker 1: for four years, all you've done is take care of

823
00:41:10,719 --> 00:41:11,720
Speaker 1: the kids in the house.

824
00:41:12,800 --> 00:41:14,560
Speaker 3: This that line made me want to slap.

825
00:41:15,719 --> 00:41:18,040
Speaker 1: Yeah, this is this, This is.

826
00:41:19,680 --> 00:41:21,920
Speaker 3: Was I was like, oh, this didn't age.

827
00:41:22,000 --> 00:41:24,640
Speaker 1: Well yeah I know, yeah, yeah, yeah, and yeah, I've

828
00:41:24,680 --> 00:41:26,919
Speaker 1: got I got I got more thoughts. I'll save I'll

829
00:41:26,960 --> 00:41:30,360
Speaker 1: save them. But it was very nineteen ninety two. You

830
00:41:30,360 --> 00:41:31,840
Speaker 1: wouldn't see this storyline today.

831
00:41:32,120 --> 00:41:34,759
Speaker 3: Very nineteen seventy two, sixty two, really really two, I

832
00:41:34,800 --> 00:41:37,279
Speaker 3: don't know, it was very Yeah it's old.

833
00:41:37,120 --> 00:41:41,400
Speaker 1: Old school. Uh, George clarifies, well, of course not. I

834
00:41:41,440 --> 00:41:45,759
Speaker 1: mean there's the shopping carpools and my favorite soap, General Hospital.

835
00:41:47,040 --> 00:41:50,040
Speaker 1: Lovely nod to John's former show when he was on

836
00:41:50,080 --> 00:41:53,400
Speaker 1: General Hospital. Then George says he has to run and

837
00:41:53,440 --> 00:41:56,759
Speaker 1: tells Jesse he'll see him on Thursday for double coupon day.

838
00:41:57,480 --> 00:42:00,680
Speaker 1: Jesse responds under his breath, Hope I can sleep Wednesday night.

839
00:42:01,760 --> 00:42:04,000
Speaker 3: Then we switch the twins. You gotta save every cent

840
00:42:04,120 --> 00:42:04,359
Speaker 3: you can.

841
00:42:04,680 --> 00:42:06,960
Speaker 1: Yeah, you need as much sleep as you can get.

842
00:42:08,320 --> 00:42:11,359
Speaker 1: We switch over to Steph and Michelle's grocery adventures. Now

843
00:42:11,400 --> 00:42:15,520
Speaker 1: they're at a Funky Frank's sample table eating little hot dogs.

844
00:42:16,360 --> 00:42:19,720
Speaker 1: Steff admits these Funky Franks are pretty good. I better

845
00:42:19,719 --> 00:42:22,640
Speaker 1: try a few more, just to make sure. She grabs

846
00:42:22,640 --> 00:42:25,040
Speaker 1: a hot dog and a mustard bottle. But when she

847
00:42:25,160 --> 00:42:29,600
Speaker 1: squeezes the mustard, it lands all over DJ's sweater.

848
00:42:29,920 --> 00:42:35,160
Speaker 2: In a totally not staged easy. Uh looks like it

849
00:42:35,320 --> 00:42:36,560
Speaker 2: just happened sort of way.

850
00:42:36,960 --> 00:42:39,879
Speaker 3: Yeah, not at all, not at all staged. Your your

851
00:42:39,920 --> 00:42:42,440
Speaker 3: prop work was excellent, Tear. I was like, oh, it

852
00:42:42,520 --> 00:42:44,360
Speaker 3: was great, it really, but it's like, don't.

853
00:42:44,239 --> 00:42:46,880
Speaker 1: Make it on the hot dog. I was right, don't

854
00:42:46,880 --> 00:42:50,840
Speaker 1: make wait, make sure hold it. So Yeah, props are

855
00:42:50,880 --> 00:42:53,200
Speaker 1: stressful when you're a kid, especially, props could be very

856
00:42:53,200 --> 00:42:55,600
Speaker 1: stress when you have to do two props, one in

857
00:42:55,640 --> 00:42:57,080
Speaker 1: each hand. That's it's hard to do.

858
00:42:57,840 --> 00:42:59,400
Speaker 3: I can't act and do props at the same time.

859
00:42:59,800 --> 00:43:02,160
Speaker 1: That's it's too much multitasking for us.

860
00:43:03,400 --> 00:43:03,520
Speaker 5: Uh.

861
00:43:03,760 --> 00:43:08,080
Speaker 1: So Michelle's eyes widen uh oh, and stuff starts to panic.

862
00:43:08,239 --> 00:43:11,400
Speaker 1: What have I done? I got mustard on DJ's sweater.

863
00:43:12,200 --> 00:43:16,760
Speaker 1: Michelle admits she's gonna have a cow. Steph is frantically

864
00:43:16,800 --> 00:43:19,520
Speaker 1: wiping the sweater as she responds, tell me something I

865
00:43:19,560 --> 00:43:23,680
Speaker 1: don't know, So Michelle does yesterday I dropped your toothbrush

866
00:43:23,680 --> 00:43:29,640
Speaker 1: in the toilet. Stephanie looks at her in disbelief, and

867
00:43:29,719 --> 00:43:35,640
Speaker 1: you're definitely, You're definitely got. So that was a great line.

868
00:43:35,680 --> 00:43:39,279
Speaker 1: I mean, the delivery was just fantastic. So then Jesse

869
00:43:39,400 --> 00:43:42,080
Speaker 1: walks over and tells them all they need now are

870
00:43:42,120 --> 00:43:45,880
Speaker 1: paper towels. Michelle walks over to the nearby paper towel

871
00:43:46,239 --> 00:43:49,680
Speaker 1: tower and says I'll get one. She goes to grab

872
00:43:49,840 --> 00:43:52,319
Speaker 1: one on the bottom, but Jesse stops her. Hold it.

873
00:43:52,760 --> 00:43:55,800
Speaker 1: You never take from the bottom, always from the top.

874
00:43:56,160 --> 00:43:59,040
Speaker 1: Like this. You see, as he grabs a paper towel

875
00:43:59,120 --> 00:44:01,880
Speaker 1: roll from the top, he accidentally bumps into it and

876
00:44:01,960 --> 00:44:03,480
Speaker 1: knocks the whole thing down.

877
00:44:04,280 --> 00:44:06,400
Speaker 2: I mean, this looked about as realistic as the mustard,

878
00:44:06,400 --> 00:44:08,680
Speaker 2: so I didn't take it so hard, right, I.

879
00:44:08,640 --> 00:44:11,560
Speaker 1: Was like, you know what, that wasn't.

880
00:44:11,320 --> 00:44:13,960
Speaker 3: Really believable either, So I'm gonna take yeah, and yeah,

881
00:44:14,160 --> 00:44:14,680
Speaker 3: I'll take it.

882
00:44:14,800 --> 00:44:19,279
Speaker 1: No one's doing no one's doing believable accidental prop, prop

883
00:44:19,760 --> 00:44:20,080
Speaker 1: and more.

884
00:44:20,120 --> 00:44:24,640
Speaker 3: Accidents are so hard to do on camera because you.

885
00:44:24,719 --> 00:44:28,440
Speaker 1: Have to be very right. You have to execute it

886
00:44:28,560 --> 00:44:31,200
Speaker 1: exactly the way the director wants you to execute it,

887
00:44:31,239 --> 00:44:32,239
Speaker 1: but make it look like.

888
00:44:32,160 --> 00:44:34,720
Speaker 3: It's not make it look like it's an accident.

889
00:44:34,920 --> 00:44:39,280
Speaker 1: It's actually very stressful. I totally agree. Uh, and Michelle's

890
00:44:39,320 --> 00:44:42,840
Speaker 1: snarkily says, I could have done that. And you know,

891
00:44:42,880 --> 00:44:45,520
Speaker 1: stuff is always getting into trouble with DJ's sweaters. You know,

892
00:44:45,560 --> 00:44:49,959
Speaker 1: you stole the sweater and little shop of sweaters. She'd learn.

893
00:44:50,280 --> 00:44:53,400
Speaker 1: I know, I take the sweaters. Just enough of the sweaters.

894
00:44:53,440 --> 00:44:56,439
Speaker 1: Wear your own clothes, Stephanie. That's that's the lesson. Here

895
00:44:58,080 --> 00:45:01,360
Speaker 1: in the kitchen, Jesse is cooking dinner while Michelle sets

896
00:45:01,400 --> 00:45:04,839
Speaker 1: the table. Then steph walks down the stairs and announces,

897
00:45:05,120 --> 00:45:07,680
Speaker 1: I'm too full to eat dinner. Now I know why

898
00:45:07,719 --> 00:45:11,719
Speaker 1: they call them funky franks. So Jesse instructs Michelle to

899
00:45:11,760 --> 00:45:14,880
Speaker 1: take one plate away. She pretends it's a magic trip,

900
00:45:15,200 --> 00:45:18,600
Speaker 1: magic trick, saying now you see it, now you don't.

901
00:45:19,640 --> 00:45:22,880
Speaker 1: Then a timer buzzes and Steph exclaims, that's my laundry.

902
00:45:23,719 --> 00:45:25,640
Speaker 1: Jesse tells the girls he'll be right back. He just

903
00:45:25,680 --> 00:45:28,640
Speaker 1: needs to check on the boys. Steph opens the dryer

904
00:45:28,680 --> 00:45:31,640
Speaker 1: and tells her little sister, I threw DJ's sweater in.

905
00:45:31,840 --> 00:45:35,280
Speaker 1: I hope that mustard stain came out. Then she holds

906
00:45:35,320 --> 00:45:40,680
Speaker 1: up the sweater and screeches, ah, it shrank. Michelle is

907
00:45:40,719 --> 00:45:44,759
Speaker 1: happy about this. That will fit my Barbie on cue.

908
00:45:44,800 --> 00:45:47,640
Speaker 1: The door opens and DJ and Kimmy come walking in.

909
00:45:48,560 --> 00:45:50,959
Speaker 1: Steph quickly tries to hide the sweater behind her back

910
00:45:51,080 --> 00:45:54,960
Speaker 1: and slowly backs out of the kitchen. She casually says, stage,

911
00:45:55,360 --> 00:45:58,440
Speaker 1: my loving sister, how nice to see you. I'm just

912
00:45:58,440 --> 00:46:01,320
Speaker 1: gonna go to the living room and practice my moonwalk.

913
00:46:02,120 --> 00:46:05,080
Speaker 1: DJ and Kimmy sherry puzzled look as Steph shows off

914
00:46:05,080 --> 00:46:08,480
Speaker 1: her moves and DJ scoffs Steph, the eighties are over.

915
00:46:09,520 --> 00:46:11,759
Speaker 1: I enjoyed your moonwalk. That was a thank you, well

916
00:46:11,800 --> 00:46:12,760
Speaker 1: executed moonwalk.

917
00:46:13,000 --> 00:46:15,200
Speaker 2: You know it was better than I expected. Yeah, I expected,

918
00:46:15,760 --> 00:46:18,800
Speaker 2: oh no, and that I didn't fall down backwards. I'm fine,

919
00:46:18,920 --> 00:46:21,840
Speaker 2: but you're fine bits walking forwards that you have a trouble.

920
00:46:21,920 --> 00:46:26,000
Speaker 1: It was the forward direction that's difficult. Then Jesse walks

921
00:46:26,040 --> 00:46:28,400
Speaker 1: back in and tells DJ and Kimmy that they're just

922
00:46:28,440 --> 00:46:32,040
Speaker 1: in time for dinner. DJ responds, Oh, sorry, uncle Jesse,

923
00:46:32,320 --> 00:46:33,880
Speaker 1: but Kimmy and I are going to go study at

924
00:46:33,920 --> 00:46:37,000
Speaker 1: the library. We'll catch a burger on the way. Jesse

925
00:46:37,120 --> 00:46:39,720
Speaker 1: puts a hand on his hip. Is that the thanks

926
00:46:39,760 --> 00:46:43,160
Speaker 1: I get for slaving over a hot stove all day?

927
00:46:44,239 --> 00:46:47,240
Speaker 1: And John could not get this line right. I vividly

928
00:46:47,280 --> 00:46:50,560
Speaker 1: remember him mixing up the words and saying like, stay,

929
00:46:50,880 --> 00:46:53,360
Speaker 1: is this what I get for staving over a slow.

930
00:46:53,400 --> 00:46:58,920
Speaker 2: Hot at once you get that in your head, you're like,

931
00:46:59,040 --> 00:46:59,520
Speaker 2: that's it.

932
00:46:59,640 --> 00:47:01,560
Speaker 1: I can't My mouth is not going to work the

933
00:47:01,600 --> 00:47:04,040
Speaker 1: other way. Yes, I don't know how many takes we

934
00:47:04,080 --> 00:47:06,080
Speaker 1: did of this, but he could not. Yeah, he just

935
00:47:06,080 --> 00:47:08,640
Speaker 1: couldn't do it. But he apparently did it once because

936
00:47:08,640 --> 00:47:13,160
Speaker 1: it made the final cut here. So Kimmy reacts, boy,

937
00:47:13,200 --> 00:47:16,680
Speaker 1: you sound just like my mom, only more bitter. Jesse

938
00:47:16,840 --> 00:47:19,520
Speaker 1: aggressively points to the door and responds, prompting Kimmy and

939
00:47:19,600 --> 00:47:22,960
Speaker 1: DJ to leave. Michelle walks back to the table and sighs,

940
00:47:23,440 --> 00:47:27,160
Speaker 1: there goes another plate. Then Joey walks in. This time

941
00:47:27,360 --> 00:47:30,200
Speaker 1: he and mister Woodchuck are looking down at the floor.

942
00:47:30,880 --> 00:47:35,000
Speaker 1: Jesse asks, did you lose something? Joey says, yeah, the

943
00:47:35,120 --> 00:47:37,680
Speaker 1: use of my neck. I tried to crack it myself.

944
00:47:38,040 --> 00:47:40,640
Speaker 1: Do you know it's amazing how many people need shoeshine?

945
00:47:40,680 --> 00:47:43,640
Speaker 1: Why is he carrying the puppet in? I don't know,

946
00:47:43,880 --> 00:47:45,719
Speaker 1: Like this is a bit I'm telling you. This is

947
00:47:45,760 --> 00:47:51,160
Speaker 1: his anthropomorphic bits, right, that's right. I forgot his trauma response. Yeah, yeah,

948
00:47:51,440 --> 00:47:54,919
Speaker 1: it's yeah. The puppet talks for him, right right?

949
00:47:56,600 --> 00:47:56,759
Speaker 3: No?

950
00:47:56,960 --> 00:47:59,719
Speaker 1: This, yeah, this, I mean, Dave is committed to this

951
00:48:00,480 --> 00:48:03,160
Speaker 1: so great, but it's kind often the way it's written.

952
00:48:03,960 --> 00:48:06,320
Speaker 1: You So, did you get.

953
00:48:06,120 --> 00:48:08,560
Speaker 2: Out of your car and put the puppet back on

954
00:48:08,600 --> 00:48:12,200
Speaker 2: your hand before you unlocked the door after? Like you

955
00:48:12,239 --> 00:48:15,239
Speaker 2: know what I mean, it's just how'd you drive home

956
00:48:15,280 --> 00:48:16,960
Speaker 2: if you can only look at the ground?

957
00:48:17,000 --> 00:48:18,800
Speaker 1: Were you on the bus? Did you take the puppet

958
00:48:18,840 --> 00:48:22,120
Speaker 1: on the bus? Ticket? Hold on? There's a lot of questions.

959
00:48:22,200 --> 00:48:25,640
Speaker 1: Don't pull that thread, Just don't pull that thread, like it.

960
00:48:25,719 --> 00:48:27,520
Speaker 3: Does a puppet need a ticket on the bart system?

961
00:48:27,560 --> 00:48:30,239
Speaker 1: I don't know. Oh, well this one does, because it's

962
00:48:30,280 --> 00:48:32,800
Speaker 1: this one does. Joey thinks it's a real, real character,

963
00:48:32,920 --> 00:48:37,120
Speaker 1: So yeah, I would say yes, So Jesse wonders where's

964
00:48:37,160 --> 00:48:39,919
Speaker 1: Becky and Danny. Joey tells them they had to work late,

965
00:48:40,120 --> 00:48:43,680
Speaker 1: which means they'll be late for dinner. Jesse instructs Michelle

966
00:48:43,680 --> 00:48:46,880
Speaker 1: to take away two more plates, and she huffs, why

967
00:48:46,880 --> 00:48:47,840
Speaker 1: do I even bother?

968
00:48:48,680 --> 00:48:48,879
Speaker 6: Damn?

969
00:48:48,960 --> 00:48:51,200
Speaker 1: They host a morning show and they're gonna miss dinner. Yeah,

970
00:48:51,200 --> 00:48:53,719
Speaker 1: that's a long work day, very long. Worse people. I

971
00:48:53,760 --> 00:48:54,600
Speaker 1: know they do morning shows.

972
00:48:54,640 --> 00:48:56,680
Speaker 3: You're like, I love this job because I'm done by

973
00:48:56,680 --> 00:48:58,320
Speaker 3: eleven thirty, Right.

974
00:48:58,200 --> 00:48:59,920
Speaker 1: That's the whole point of getting up at four am.

975
00:49:00,480 --> 00:49:01,440
Speaker 1: You're done?

976
00:49:01,480 --> 00:49:04,520
Speaker 3: Yeah, well, you know they have to produce it all themselves.

977
00:49:04,880 --> 00:49:08,640
Speaker 1: Oh that's right. They do everything, including costuming and props

978
00:49:08,800 --> 00:49:13,440
Speaker 1: and set design, hair makeup. Yeah. So Joey breaks some

979
00:49:13,520 --> 00:49:16,319
Speaker 1: more news. I gotta go see a chiropractor, so I'm

980
00:49:16,360 --> 00:49:19,200
Speaker 1: not going to be here for dinner either. Jesse holds

981
00:49:19,239 --> 00:49:22,760
Speaker 1: up the number one to Michelle, so she removes another plate,

982
00:49:22,960 --> 00:49:26,879
Speaker 1: asking what is this a joke? Then Joey asks Jesse

983
00:49:26,960 --> 00:49:29,880
Speaker 1: for a favor, can you sew this button onto mister Woodchuck,

984
00:49:30,640 --> 00:49:35,120
Speaker 1: and Jesse sarcastically responds, oh love to Joey walks out

985
00:49:35,160 --> 00:49:38,040
Speaker 1: of the kitchen with his head held low. Boy, this

986
00:49:38,120 --> 00:49:42,640
Speaker 1: floor needs a wax job, Jesse. He feels surprising for Danny.

987
00:49:42,800 --> 00:49:45,080
Speaker 1: You think it would be freshly waxed, right, But Danny's

988
00:49:45,120 --> 00:49:46,759
Speaker 1: been at the he's been at the set all day.

989
00:49:46,800 --> 00:49:47,799
Speaker 1: He's been in Vicki Land.

990
00:49:48,760 --> 00:49:52,520
Speaker 3: He neglected his floors, neglected the job. The floor waxing.

991
00:49:52,640 --> 00:49:57,360
Speaker 1: It's understandable. Yep, so Jesse complains. Not only am I

992
00:49:57,480 --> 00:50:01,040
Speaker 1: mister mom, I'm mister Woodchuck's mom. And he sets the

993
00:50:01,040 --> 00:50:03,799
Speaker 1: puppet down on the counter. He grabs the pot of

994
00:50:03,800 --> 00:50:05,600
Speaker 1: food and sets it on the table, and then he

995
00:50:05,680 --> 00:50:09,600
Speaker 1: slumps down next to Michelle in defeat. She wonders, are

996
00:50:09,600 --> 00:50:14,120
Speaker 1: you totally bummed? And he nods, yeah, totally. She insists,

997
00:50:14,520 --> 00:50:16,600
Speaker 1: go ahead tell me all about it.

998
00:50:17,120 --> 00:50:20,960
Speaker 3: Have a seat in my office, sir. She knows the

999
00:50:21,000 --> 00:50:21,960
Speaker 3: doctor is in.

1000
00:50:22,280 --> 00:50:24,520
Speaker 1: That's a good therapist right there. She knows that he

1001
00:50:24,600 --> 00:50:27,560
Speaker 1: needs to talk. And she's just encouraging something wrong with you.

1002
00:50:27,640 --> 00:50:30,480
Speaker 3: You look like an adult in need of some emotional

1003
00:50:30,520 --> 00:50:32,719
Speaker 3: assistance from a child. Yeah, you know.

1004
00:50:32,960 --> 00:50:35,160
Speaker 1: I mean, at least he's using an actual human being

1005
00:50:35,200 --> 00:50:37,680
Speaker 1: and not a puppet or a mannequin. So true.

1006
00:50:37,960 --> 00:50:40,719
Speaker 3: Yeah, everybody in this house has some communications.

1007
00:50:40,760 --> 00:50:44,800
Speaker 1: You have some issues. Yeah, so, Jesse admits, I'm just afraid,

1008
00:50:44,880 --> 00:50:47,880
Speaker 1: you know what if I never get a record deal again.

1009
00:50:48,880 --> 00:50:51,720
Speaker 1: I mean, is this it for me? Didn't you already

1010
00:50:51,760 --> 00:50:54,080
Speaker 1: have a record deal and a confusion?

1011
00:50:54,080 --> 00:50:55,359
Speaker 3: I don't know.

1012
00:50:55,360 --> 00:50:59,640
Speaker 1: We're gonna have to ask Jeff about this. Jesse continues,

1013
00:50:59,719 --> 00:51:03,000
Speaker 1: I mean, is this it for me? Cooking, cleaning, watching

1014
00:51:03,040 --> 00:51:05,279
Speaker 1: the kids while Becky's at work. I got to make

1015
00:51:05,320 --> 00:51:08,879
Speaker 1: some changes in my life. Michelle asks, can we eat

1016
00:51:08,880 --> 00:51:13,520
Speaker 1: dinner first? Jesse laughs and scoops some dinner onto her plate, saying,

1017
00:51:13,719 --> 00:51:16,480
Speaker 1: I hope you're hungry because it's just you and me eating.

1018
00:51:17,320 --> 00:51:21,560
Speaker 1: Michelle responds, I think you forgot somebody on cue. Comet

1019
00:51:21,640 --> 00:51:24,239
Speaker 1: runs in and snatches his bowl from the ground. He's

1020
00:51:24,239 --> 00:51:26,200
Speaker 1: such a good boy. He's such a good boy. He's

1021
00:51:26,239 --> 00:51:32,160
Speaker 1: so happy in this scene, presents the bowl to Jesse,

1022
00:51:32,239 --> 00:51:35,960
Speaker 1: who serves him some food, saying bonea petite comet, and

1023
00:51:36,040 --> 00:51:47,879
Speaker 1: Comet goes to town on his chow so good. Next

1024
00:51:47,880 --> 00:51:50,400
Speaker 1: to the living room, Jesse is rocking the twins in

1025
00:51:50,440 --> 00:51:53,600
Speaker 1: their swings as he sews the button on mister Woodchuck.

1026
00:51:54,239 --> 00:51:57,000
Speaker 1: He tells the puppet, all right, there your button's on,

1027
00:51:57,160 --> 00:52:02,719
Speaker 1: you saw dust sucking tree freak. It's creative like that.

1028
00:52:03,000 --> 00:52:07,840
Speaker 1: He he Jesse loves to insult like everything. But I'm like,

1029
00:52:07,880 --> 00:52:09,879
Speaker 1: it's that funny. That's his communications.

1030
00:52:10,200 --> 00:52:13,800
Speaker 3: He's just help everything because he's just right right, because.

1031
00:52:13,560 --> 00:52:14,719
Speaker 1: It's just he's got to make it.

1032
00:52:14,840 --> 00:52:17,720
Speaker 3: He's got to make it stupid so that he feels

1033
00:52:17,719 --> 00:52:18,480
Speaker 3: better about himself.

1034
00:52:18,520 --> 00:52:19,560
Speaker 1: Yeah, I guess that's excelling.

1035
00:52:19,600 --> 00:52:22,680
Speaker 2: You know, Dave has to distance himself or not Dave.

1036
00:52:22,800 --> 00:52:25,560
Speaker 2: Joey has to distance himself from the emotions with the puppet.

1037
00:52:25,880 --> 00:52:29,480
Speaker 2: Oh okay, and uh and Danny. I don't think has

1038
00:52:29,520 --> 00:52:31,359
Speaker 2: really ever dealt with the death of Pam.

1039
00:52:31,440 --> 00:52:34,760
Speaker 1: No, no, he hasn't spoke of her. He's just shoved

1040
00:52:34,760 --> 00:52:36,799
Speaker 1: that far down and it's not going to deal with

1041
00:52:36,840 --> 00:52:37,719
Speaker 1: that ever.

1042
00:52:38,000 --> 00:52:39,799
Speaker 3: You know what, it's good to know that even the

1043
00:52:39,840 --> 00:52:43,239
Speaker 3: Tanners struggle a little bit with Uh. Yeah.

1044
00:52:43,440 --> 00:52:46,480
Speaker 1: It explains a lot about this family. Actually, it explains

1045
00:52:46,520 --> 00:52:49,719
Speaker 1: an awful lot. So Jesse makes eye contact with the

1046
00:52:49,719 --> 00:52:53,560
Speaker 1: woodchuck and snarks. Oh, so you have no snappy comebacks?

1047
00:52:53,640 --> 00:52:56,560
Speaker 1: Since Joey's hand isn't up your back, huh.

1048
00:52:57,040 --> 00:52:58,600
Speaker 3: You know he wanted to say up your butt.

1049
00:52:58,719 --> 00:53:02,279
Speaker 1: I know. Oh yeah, that, I'm sure he did on

1050
00:53:02,320 --> 00:53:04,719
Speaker 1: several takes. I didn't make it to the to the

1051
00:53:04,760 --> 00:53:09,520
Speaker 1: final cut. So when mister Woodchuck doesn't respond, Jesse says,

1052
00:53:09,560 --> 00:53:11,959
Speaker 1: that's what I thought and tosses him onto a chair.

1053
00:53:13,239 --> 00:53:17,719
Speaker 1: Then beyn, I know, like that seems that seems illegal

1054
00:53:17,960 --> 00:53:20,000
Speaker 1: to be well, I should say that you're the one

1055
00:53:20,000 --> 00:53:24,840
Speaker 1: that broke mister woodchuck stand nineties broke his stand.

1056
00:53:25,440 --> 00:53:27,000
Speaker 3: And then he came to the next one with a

1057
00:53:27,200 --> 00:53:30,319
Speaker 3: half terrible hat stand. It didn't even prop him up.

1058
00:53:30,320 --> 00:53:31,680
Speaker 3: I was like, that's my fault.

1059
00:53:31,719 --> 00:53:33,719
Speaker 1: That's because of you. Jodie Sweet. I know you should

1060
00:53:33,760 --> 00:53:37,440
Speaker 1: feel bad, but that's okay. The puppet himself is still intact.

1061
00:53:38,239 --> 00:53:41,840
Speaker 1: I feel bad. So Becky and Danny walk in from work.

1062
00:53:42,160 --> 00:53:45,760
Speaker 1: Becky apologizes for missing dinner, and Danny begins to confide

1063
00:53:45,880 --> 00:53:48,480
Speaker 1: in his brother in law. I should be happy about

1064
00:53:48,560 --> 00:53:51,600
Speaker 1: Vicky's new job in Chicago, and I am, but I'm

1065
00:53:51,640 --> 00:53:54,480
Speaker 1: feeling a little guilty that I'm not happy enough, you know.

1066
00:53:55,719 --> 00:53:58,400
Speaker 1: Danny doesn't let anyone answer and just continues to babble.

1067
00:53:58,680 --> 00:54:00,880
Speaker 1: I think I hid my feelings pretty well, although I

1068
00:54:00,880 --> 00:54:03,480
Speaker 1: did weep all over her. Goodbye Ice cream cake. I'm

1069
00:54:03,520 --> 00:54:07,280
Speaker 1: fine about this, I really am. Then he laughs and asks,

1070
00:54:07,760 --> 00:54:10,279
Speaker 1: do you guys know any good therapists? I'll be leaving now,

1071
00:54:10,440 --> 00:54:13,839
Speaker 1: and he promptly exits the living room. Yeah, where there's

1072
00:54:13,840 --> 00:54:16,520
Speaker 1: one of the lives in the house. Right, Well, Jess's

1073
00:54:16,520 --> 00:54:19,560
Speaker 1: not going to share. Jesse's not going to share his therapist.

1074
00:54:19,800 --> 00:54:22,080
Speaker 2: Her client list. I mean, she's got so many she

1075
00:54:22,120 --> 00:54:22,680
Speaker 2: can't take.

1076
00:54:22,560 --> 00:54:25,279
Speaker 1: On another, she cannot take on one more client. Yeah,

1077
00:54:25,520 --> 00:54:30,160
Speaker 1: she's very busy. So Becky and Jesse both sarcastically agree

1078
00:54:30,239 --> 00:54:34,000
Speaker 1: that he's taking this well. Then Becky asks Jesse about

1079
00:54:34,000 --> 00:54:37,520
Speaker 1: his day. He admits, well, the record company called. They

1080
00:54:37,520 --> 00:54:43,160
Speaker 1: didn't like my demo. Becky is sympathetic. They like the tour. Yeah,

1081
00:54:43,200 --> 00:54:45,040
Speaker 1: he's going to be going to Japan. It's in some

1082
00:54:45,040 --> 00:54:48,080
Speaker 1: one of these upcomings. He hasn't even gone to Japan. Kay,

1083
00:54:48,280 --> 00:54:50,839
Speaker 1: So like, just wait, did he I think he did

1084
00:54:51,040 --> 00:54:55,520
Speaker 1: does go to Japan? But did he already? No? No,

1085
00:54:55,800 --> 00:54:58,080
Speaker 1: I don't know what season that is. But yeah, just

1086
00:54:58,200 --> 00:55:01,920
Speaker 1: hang tight there, Jesse. Your your moment to shine will come.

1087
00:55:02,160 --> 00:55:05,600
Speaker 1: Just you know, calm down. Jesse goes on to say,

1088
00:55:05,920 --> 00:55:08,440
Speaker 1: it's all right, I'm shaking things up. I got myself

1089
00:55:08,480 --> 00:55:11,440
Speaker 1: a gig tonight. I'm playing with an oldies band at

1090
00:55:11,440 --> 00:55:14,719
Speaker 1: the Airport Lounge. And Becky is surprised by this the

1091
00:55:14,800 --> 00:55:18,920
Speaker 1: airport lounge. Honey, isn't that a step down? Kind of

1092
00:55:19,000 --> 00:55:21,399
Speaker 1: that's kind of harsh hard, I know, I agree. I thought, Hey,

1093
00:55:21,440 --> 00:55:23,400
Speaker 1: a job is a job, and when you're an artist,

1094
00:55:23,440 --> 00:55:26,800
Speaker 1: you take what you I was kind of proud of

1095
00:55:26,880 --> 00:55:28,240
Speaker 1: Jesse for just taking whatever.

1096
00:55:29,040 --> 00:55:31,959
Speaker 3: Yeah, you know what I'm gonna do this just feel

1097
00:55:31,960 --> 00:55:33,840
Speaker 3: a little better about myself. I have something to do,

1098
00:55:33,920 --> 00:55:35,040
Speaker 3: and that's really what it's.

1099
00:55:34,880 --> 00:55:38,160
Speaker 1: About, right Becky. This is the one rare occasion when

1100
00:55:38,200 --> 00:55:41,439
Speaker 1: Becky supportive person where I'm.

1101
00:55:41,360 --> 00:55:44,680
Speaker 3: Like, wow, Becky, that was yeah, Yeah, I agree, I

1102
00:55:44,760 --> 00:55:45,320
Speaker 3: totally agree.

1103
00:55:46,400 --> 00:55:50,560
Speaker 1: Jesse defends himself, Nah, it's music, it's a paycheck, and

1104
00:55:50,600 --> 00:55:52,880
Speaker 1: then he jokes besides, I got a real nice coloring

1105
00:55:52,920 --> 00:55:56,600
Speaker 1: book and those little wings. Becky can't hide her sadness.

1106
00:55:56,680 --> 00:55:59,240
Speaker 1: I've been gone all day. I mean, this was supposed

1107
00:55:59,280 --> 00:56:03,080
Speaker 1: to be our time to other. Jesse responds with frustration, Well,

1108
00:56:03,120 --> 00:56:05,440
Speaker 1: this is my time to make some money for my family.

1109
00:56:06,360 --> 00:56:09,160
Speaker 1: Becky counters, I make more than enough money to support

1110
00:56:09,200 --> 00:56:14,080
Speaker 1: our family, and Jesse's tone changes thanks for reminding me.

1111
00:56:15,160 --> 00:56:17,880
Speaker 1: Becky asks, what you have some problem with me making

1112
00:56:17,920 --> 00:56:21,040
Speaker 1: a decent living. Jesse snaps, no, I have a problem

1113
00:56:21,120 --> 00:56:22,760
Speaker 1: with me making a decent living.

1114
00:56:23,320 --> 00:56:28,040
Speaker 3: That's basically yes, yes, yes, that's just a longer answer yes,

1115
00:56:28,200 --> 00:56:29,399
Speaker 3: too many words to say yes.

1116
00:56:30,280 --> 00:56:33,040
Speaker 1: Becky scoffs. Oh, okay, so now I know what argument

1117
00:56:33,080 --> 00:56:37,280
Speaker 1: I'm in. This is about your stubborn, macho pride ding

1118
00:56:37,360 --> 00:56:41,280
Speaker 1: ding ding ding ding Right on the nose, Jesse angrily responds,

1119
00:56:41,320 --> 00:56:44,520
Speaker 1: what pride. I don't have any pride. I lost my pride,

1120
00:56:44,840 --> 00:56:46,520
Speaker 1: and he walks toward the door and says, I'm going

1121
00:56:46,560 --> 00:56:48,399
Speaker 1: to go get some pride.

1122
00:56:48,719 --> 00:56:51,600
Speaker 2: Honey, you got enough. Yes, you've got enough. You got

1123
00:56:51,920 --> 00:56:52,480
Speaker 2: too much.

1124
00:56:52,640 --> 00:56:54,799
Speaker 1: You don't need any more. You don't need no more.

1125
00:56:56,000 --> 00:56:58,920
Speaker 1: He grabs his jacket, a motorcycle helmet, and bitterly says,

1126
00:56:59,160 --> 00:57:03,000
Speaker 1: say goodbye to ster Donaldson. Becky is left alone in

1127
00:57:03,040 --> 00:57:06,600
Speaker 1: the living room with concern written all over her face.

1128
00:57:07,280 --> 00:57:09,359
Speaker 3: Spray, so get back on that bike after breaking both

1129
00:57:09,360 --> 00:57:10,480
Speaker 3: of his arms.

1130
00:57:10,320 --> 00:57:12,920
Speaker 1: Oh yeah, that's right. Well yeah, when he when he

1131
00:57:13,000 --> 00:57:16,160
Speaker 1: rides his motorcycle, when he's upset like this, bad things happen.

1132
00:57:16,360 --> 00:57:17,440
Speaker 1: He could be.

1133
00:57:17,520 --> 00:57:20,439
Speaker 3: On the edge of a parking structure in no time.

1134
00:57:20,640 --> 00:57:25,240
Speaker 1: Yeah, no, totally totally. But this this okay, so this episode,

1135
00:57:25,280 --> 00:57:29,200
Speaker 1: it didn't it didn't age well these Jesse's view on masculinity.

1136
00:57:29,400 --> 00:57:32,680
Speaker 1: You know, his identities all tied up with with masculinity,

1137
00:57:32,720 --> 00:57:35,880
Speaker 1: and he's got this old school view of masculinity that

1138
00:57:36,040 --> 00:57:38,600
Speaker 1: no doubt undoubtedly came from Nick, his dad, who had

1139
00:57:38,600 --> 00:57:43,160
Speaker 1: a similar and also was a very typical and there's

1140
00:57:43,320 --> 00:57:44,760
Speaker 1: you know, look, there's a lot of people that still

1141
00:57:44,840 --> 00:57:45,439
Speaker 1: feel that way.

1142
00:57:45,480 --> 00:57:49,480
Speaker 2: But it's just an interesting thing where you know, you

1143
00:57:49,520 --> 00:57:51,800
Speaker 2: see him saying like, oh, all I'm gonna do is

1144
00:57:52,080 --> 00:57:54,400
Speaker 2: just you know, take care of the house and the

1145
00:57:54,480 --> 00:57:55,920
Speaker 2: kids and the thing, and then this and you're.

1146
00:57:55,800 --> 00:58:00,000
Speaker 1: Like, oh, so who was supposed to do that? Right? Yeah?

1147
00:58:00,000 --> 00:58:03,600
Speaker 1: And that's just and that's just you know what I mean.

1148
00:58:03,640 --> 00:58:05,360
Speaker 2: I think that's the thing that we've all kind of

1149
00:58:05,360 --> 00:58:08,440
Speaker 2: figured out now, is like there's nothing just about it

1150
00:58:08,480 --> 00:58:11,400
Speaker 2: that's as much of a full time job, maybe not

1151
00:58:11,480 --> 00:58:12,880
Speaker 2: more than you know, anything else.

1152
00:58:12,920 --> 00:58:15,240
Speaker 1: And yeah, so it's not it's not even really about

1153
00:58:15,360 --> 00:58:19,920
Speaker 1: Jesse's need to provide financially. It's the problem is that

1154
00:58:19,960 --> 00:58:24,160
Speaker 1: the de values housework, which is traditionally seen as women's

1155
00:58:24,160 --> 00:58:28,120
Speaker 1: women's feminine work, and how people don't they just like, oh,

1156
00:58:28,120 --> 00:58:31,880
Speaker 1: it's just it's just right care Well know, the most

1157
00:58:31,920 --> 00:58:36,120
Speaker 1: successful men out there had a woman supporting him and

1158
00:58:36,240 --> 00:58:38,240
Speaker 1: raising the babies and making sure.

1159
00:58:38,040 --> 00:58:41,440
Speaker 2: That you know, so it's kind of like that it's

1160
00:58:41,480 --> 00:58:45,280
Speaker 2: got to be and like, yeah, it's in this, you know,

1161
00:58:45,640 --> 00:58:48,720
Speaker 2: as we here live in twenty twenty five, I think

1162
00:58:48,760 --> 00:58:53,200
Speaker 2: we would hope that this episode would maybe be handled

1163
00:58:53,240 --> 00:58:55,760
Speaker 2: a little differently, but also find some ways to like

1164
00:58:56,200 --> 00:58:59,280
Speaker 2: because and here's the thing is I do get. I

1165
00:58:59,320 --> 00:59:02,240
Speaker 2: get the under the conversation, which is like I want

1166
00:59:02,240 --> 00:59:06,080
Speaker 2: to feel like I'm contributing. True, yes, but it's the

1167
00:59:06,240 --> 00:59:12,200
Speaker 2: discounting of how much what you are doing is contributing. Yes,

1168
00:59:12,320 --> 00:59:15,200
Speaker 2: that it's not all about money. That it's that that

1169
00:59:15,400 --> 00:59:19,080
Speaker 2: is just as valuable and you know you should that

1170
00:59:20,400 --> 00:59:22,680
Speaker 2: it's worth your it's you know, cost your time.

1171
00:59:22,800 --> 00:59:26,520
Speaker 1: Yeah, it's important work. While Jesse Jesse.

1172
00:59:26,480 --> 00:59:29,560
Speaker 6: Twins bro this is not easy to think what's going

1173
00:59:29,640 --> 00:59:32,880
Speaker 6: to happen, arguably harder than hosting a morning show, but

1174
00:59:33,040 --> 00:59:37,520
Speaker 6: both you know, jessely finds his worth in his financial contributions,

1175
00:59:37,600 --> 00:59:39,840
Speaker 6: and it's like, no, there's multiple ways to contribute to

1176
00:59:39,880 --> 00:59:40,320
Speaker 6: the family.

1177
00:59:40,960 --> 00:59:42,480
Speaker 1: And so yeah, he.

1178
00:59:42,520 --> 00:59:44,960
Speaker 2: Definitely And there's a lot of his his self worth

1179
00:59:45,160 --> 00:59:50,400
Speaker 2: tied up in in how he's seen uh as a

1180
00:59:50,480 --> 00:59:55,120
Speaker 2: masculine right, a praditional sort of Yeah, yeah, a masculine provider.

1181
00:59:55,160 --> 00:59:57,920
Speaker 1: And I also think it's not just the financial component.

1182
00:59:58,000 --> 01:00:02,080
Speaker 1: I think it's also like the public uh adoration, like

1183
01:00:02,120 --> 01:00:04,560
Speaker 1: he needs to be acknowledged for how good he is

1184
01:00:04,560 --> 01:00:06,680
Speaker 1: at his job whatever that is, and he needs a

1185
01:00:06,680 --> 01:00:10,200
Speaker 1: lot of childcare and house care. How you know they

1186
01:00:10,200 --> 01:00:13,720
Speaker 1: don't They aren't acknowledged for doing a good job. So

1187
01:00:14,600 --> 01:00:17,600
Speaker 1: I think it's all tied up in gender roles and

1188
01:00:18,240 --> 01:00:21,120
Speaker 1: views and uh sure, so yeah so I and so

1189
01:00:21,120 --> 01:00:22,320
Speaker 1: I don't even blame Jesse here.

1190
01:00:22,320 --> 01:00:26,160
Speaker 3: This is just a culture I see, like where like

1191
01:00:26,480 --> 01:00:29,680
Speaker 3: what it is. It's just the way the priorities that

1192
01:00:29,720 --> 01:00:32,439
Speaker 3: he places are a little uh it's all.

1193
01:00:33,880 --> 01:00:39,680
Speaker 1: What is the word gender restrictive? I guess Yeah, no,

1194
01:00:39,760 --> 01:00:40,600
Speaker 1: I would agree with that.

1195
01:00:40,680 --> 01:00:44,040
Speaker 3: This is because let me tell you men, for the

1196
01:00:44,080 --> 01:00:48,120
Speaker 3: men listening out there, they probably know this. If you

1197
01:00:48,640 --> 01:00:53,120
Speaker 3: want a happy life, do all that take help, take

1198
01:00:53,160 --> 01:00:54,440
Speaker 3: care of the kids, make.

1199
01:00:54,320 --> 01:00:57,200
Speaker 2: Some dinner, do some laundry. Let me tell you you

1200
01:00:57,360 --> 01:00:59,200
Speaker 2: it will pay off for you.

1201
01:00:59,320 --> 01:01:02,960
Speaker 3: Yes, guys, that makes for That makes for a happy

1202
01:01:03,040 --> 01:01:03,920
Speaker 3: partnership too.

1203
01:01:04,200 --> 01:01:06,920
Speaker 1: Yes, I do think we've come a long way, at

1204
01:01:07,000 --> 01:01:10,320
Speaker 1: least in the relationships I've had, as far as splitting

1205
01:01:10,400 --> 01:01:13,040
Speaker 1: the housework and the childcare and stuff like. Thank god

1206
01:01:13,080 --> 01:01:16,040
Speaker 1: we are living in these modern times. We've come a

1207
01:01:16,080 --> 01:01:18,120
Speaker 1: long way, and this episode proves it.

1208
01:01:18,480 --> 01:01:21,640
Speaker 2: Look, all I'm saying is you're really not getting any

1209
01:01:21,720 --> 01:01:23,600
Speaker 2: if you're not at least helping wash a dish once

1210
01:01:23,600 --> 01:01:23,880
Speaker 2: in a while.

1211
01:01:23,920 --> 01:01:25,800
Speaker 1: You know what I mean. There is nothing sexier than

1212
01:01:25,840 --> 01:01:30,600
Speaker 1: a man doing some dishes. Yeah, just saying to turn on. Okay, Yeah,

1213
01:01:31,320 --> 01:01:35,160
Speaker 1: moving right along. Up in Michelle and Stephanie's room, Joey

1214
01:01:35,280 --> 01:01:39,480
Speaker 1: walks in with his head finally looking semi normal. He

1215
01:01:39,600 --> 01:01:42,040
Speaker 1: asks steph if she knows where the heating pad is.

1216
01:01:42,680 --> 01:01:44,600
Speaker 1: She says her dad keeps it in his top drawer

1217
01:01:44,640 --> 01:01:47,120
Speaker 1: because he preheats his socks in the winter.

1218
01:01:48,000 --> 01:01:49,280
Speaker 3: That sounds delightful, that does.

1219
01:01:49,440 --> 01:01:52,720
Speaker 1: That's a great idea, actually, a heated sock drawer.

1220
01:01:53,400 --> 01:01:55,040
Speaker 3: For Gotten it now.

1221
01:01:56,920 --> 01:02:00,080
Speaker 1: Stephanie asks Joey how his neck is doing. He admits, oh, oh,

1222
01:02:00,120 --> 01:02:02,720
Speaker 1: it's much better. I just can't make any sudden moves

1223
01:02:03,520 --> 01:02:06,959
Speaker 1: Then Michelle walks in wearing DJ's sweater and shouts, look

1224
01:02:07,000 --> 01:02:10,560
Speaker 1: what fits me. Stephanie's jaw drops and her eyes wide

1225
01:02:10,560 --> 01:02:14,920
Speaker 1: and Michelle. Joey's head whips towards Michelle and he asks

1226
01:02:14,960 --> 01:02:19,600
Speaker 1: what and he immediately wins is in pain? Mister Woodchuck responds,

1227
01:02:19,600 --> 01:02:22,080
Speaker 1: way to go stupid. As they walk out of the room,

1228
01:02:23,000 --> 01:02:25,040
Speaker 1: Puppet's talking or Dave like they just didn't know what

1229
01:02:25,040 --> 01:02:27,040
Speaker 1: to do with him in this episode. You know, It's

1230
01:02:27,040 --> 01:02:29,120
Speaker 1: like he wasn't really part of the A or the

1231
01:02:29,160 --> 01:02:32,400
Speaker 1: B storyline, so they're just like, here have a bad.

1232
01:02:32,360 --> 01:02:36,000
Speaker 3: Neck and a puppet and a puppet. Yeah, so that's

1233
01:02:36,000 --> 01:02:36,240
Speaker 3: all right.

1234
01:02:36,320 --> 01:02:40,160
Speaker 1: Dave does great with whatever material he's given, Oh for sure. Uh.

1235
01:02:40,200 --> 01:02:43,120
Speaker 1: Then DJ walks in with Kimmy and notices Michelle's outfit.

1236
01:02:43,680 --> 01:02:47,000
Speaker 1: She absent mindedly comments, Hey, I have the exact same

1237
01:02:47,000 --> 01:02:50,760
Speaker 1: sweater in my closet. Steph responds, well, it's a small

1238
01:02:50,800 --> 01:02:54,080
Speaker 1: world after all, and lets out a nervous laugh. And

1239
01:02:54,080 --> 01:02:55,480
Speaker 1: then I couldn't get the song out of my head.

1240
01:02:57,600 --> 01:03:00,720
Speaker 1: DJ continues to examine the sweater and that one has

1241
01:03:00,760 --> 01:03:03,800
Speaker 1: a button missing right where this one has a button missing.

1242
01:03:04,200 --> 01:03:08,600
Speaker 1: Can someone explain this? Michelle innocently says, I just wear them,

1243
01:03:08,880 --> 01:03:12,480
Speaker 1: I don't shrink them. DJ looks at Stephanie for an answer,

1244
01:03:12,560 --> 01:03:15,760
Speaker 1: and she admits, all right, this is your sweater. I

1245
01:03:15,800 --> 01:03:18,960
Speaker 1: stole it. I stained it, I shrunk it. I should

1246
01:03:18,960 --> 01:03:23,200
Speaker 1: have buried it. Michelle chimes next time again, next time,

1247
01:03:23,320 --> 01:03:28,600
Speaker 1: lesson learned. Michelle says, DJ, have that cow, and Steph apologizes.

1248
01:03:28,720 --> 01:03:31,720
Speaker 1: I am so sorry. DJ. I'll do anything to make

1249
01:03:31,760 --> 01:03:34,840
Speaker 1: it up to you. DJ looks at Kimmy. Well, make

1250
01:03:34,880 --> 01:03:37,280
Speaker 1: it up to Kimmy. I borrowed that sweater from her

1251
01:03:37,360 --> 01:03:43,200
Speaker 1: last summer recognition crosses Kimmy's face. Oh yeah, that is

1252
01:03:43,280 --> 01:03:47,400
Speaker 1: my sweater. She walks over to Stephanie and continues, So, Steph,

1253
01:03:47,800 --> 01:03:51,480
Speaker 1: you'll do anything to make it up to me. Stephanie

1254
01:03:51,560 --> 01:03:56,280
Speaker 1: immediately regrets her words, saying this is my worst nightmare. Okay, Kimmy,

1255
01:03:56,360 --> 01:03:59,840
Speaker 1: I deserve this. What do you want? Kimmy walks over

1256
01:03:59,880 --> 01:04:03,360
Speaker 1: to the table and starts to take off her shoe. Well, actually,

1257
01:04:03,520 --> 01:04:08,640
Speaker 1: I haven't had a pedicure in my whole life. Jimmy

1258
01:04:08,720 --> 01:04:10,800
Speaker 1: removes her shoe and puts her foot on the table.

1259
01:04:10,840 --> 01:04:13,480
Speaker 1: And I obviously have painted toes in this scene, so

1260
01:04:13,520 --> 01:04:18,560
Speaker 1: that was right. Whatever, everyone it's recoils in horror and

1261
01:04:18,600 --> 01:04:24,040
Speaker 1: says ew gross. Jimmy starts to remove her sock. Michelle screams,

1262
01:04:24,120 --> 01:04:27,360
Speaker 1: not the sock, run for it, and the girls hurry

1263
01:04:27,360 --> 01:04:30,880
Speaker 1: out of the room, covering their noses. I mean, your

1264
01:04:30,880 --> 01:04:34,080
Speaker 1: face looks horrified. I feel like we're still early in

1265
01:04:34,120 --> 01:04:37,440
Speaker 1: the sock like I'm not so annoyed yet as I

1266
01:04:37,480 --> 01:04:39,920
Speaker 1: was by the end of the series in season eight.

1267
01:04:40,000 --> 01:04:42,840
Speaker 1: But yeah, this is just one the you know, we're

1268
01:04:42,880 --> 01:04:45,760
Speaker 1: still at the very beginning of the sock jokes, so

1269
01:04:47,200 --> 01:04:53,480
Speaker 1: yeh whatever. Next, at the San Francisco International Airport, Jesse

1270
01:04:53,600 --> 01:04:57,400
Speaker 1: is singing with an oldies band called the Diplomats and

1271
01:04:57,440 --> 01:05:02,160
Speaker 1: they're performing the song Glowworm by the Middle Brothers. Jesse's

1272
01:05:02,160 --> 01:05:05,800
Speaker 1: on piano, and the entire band is wearing matching plaid

1273
01:05:06,160 --> 01:05:08,000
Speaker 1: jackets and bow ties.

1274
01:05:09,400 --> 01:05:12,120
Speaker 2: They were kind of they could have pulled it off

1275
01:05:12,160 --> 01:05:13,840
Speaker 2: as like a hipster vibe, you know what I mean,

1276
01:05:14,240 --> 01:05:18,480
Speaker 2: just oh, just wear it with confidence. Well, you'd somebody

1277
01:05:18,720 --> 01:05:21,000
Speaker 2: in you know, silver Lake would have been wearing that

1278
01:05:21,400 --> 01:05:22,280
Speaker 2: probably yesterday.

1279
01:05:22,800 --> 01:05:25,440
Speaker 1: No, but this, I'm very upset at this episode. I've

1280
01:05:25,480 --> 01:05:28,560
Speaker 1: been mad since nineteen ninety two. You don't even know.

1281
01:05:28,520 --> 01:05:32,600
Speaker 7: This, oh, because it was gonna be Jeff got this

1282
01:05:32,760 --> 01:05:37,440
Speaker 7: idea from my favorite musical, Forever Plaid, right, which is

1283
01:05:37,640 --> 01:05:41,240
Speaker 7: a musical about a four part harmony band four guys

1284
01:05:41,280 --> 01:05:42,400
Speaker 7: who were wearing.

1285
01:05:42,440 --> 01:05:45,720
Speaker 1: Plaid tuxedo jackets. Right, And so Jeff was like, Oh,

1286
01:05:45,760 --> 01:05:48,200
Speaker 1: this would be great to have you know these guys,

1287
01:05:48,760 --> 01:05:51,520
Speaker 1: these these Forever Plaid guys do this bit with Jesse.

1288
01:05:51,600 --> 01:05:53,800
Speaker 1: And I got so excited and I told the Forever

1289
01:05:53,840 --> 01:05:55,640
Speaker 1: Plaid guys, I'm just like, this is great. You might

1290
01:05:55,640 --> 01:05:57,360
Speaker 1: be able to get on the show. This is gonna

1291
01:05:57,360 --> 01:05:59,680
Speaker 1: be so fun. And then we show up for like

1292
01:05:59,720 --> 01:06:03,080
Speaker 1: the first stay rehearsal and it's these old codgers wearing

1293
01:06:03,160 --> 01:06:08,600
Speaker 1: these pastel plaid jackets, and I wash. I was crushed,

1294
01:06:08,920 --> 01:06:11,480
Speaker 1: and I get it, and now as an adult in hindsight,

1295
01:06:11,560 --> 01:06:13,520
Speaker 1: I get it. I'm like, it's a funnier bit that Jesse,

1296
01:06:13,680 --> 01:06:16,280
Speaker 1: this young hot dude, is performing with these old codgers.

1297
01:06:16,800 --> 01:06:19,640
Speaker 1: But I was devastated that it couldn't be my front

1298
01:06:19,840 --> 01:06:20,480
Speaker 1: Plaid guys.

1299
01:06:20,520 --> 01:06:23,640
Speaker 3: I was like, oh, I'm devastated for you.

1300
01:06:24,520 --> 01:06:26,280
Speaker 1: I've been resentful ever since.

1301
01:06:26,560 --> 01:06:30,200
Speaker 3: So you have your plaid jacket. I have my pink bunny.

1302
01:06:30,280 --> 01:06:33,640
Speaker 1: Ye see, we both I get it. Sometimes there's just

1303
01:06:33,720 --> 01:06:35,080
Speaker 1: the thing that sticks with you.

1304
01:06:35,160 --> 01:06:38,480
Speaker 3: Yeah, you go, I really wanted that in this podcasting

1305
01:06:38,600 --> 01:06:38,960
Speaker 3: we are.

1306
01:06:39,040 --> 01:06:41,320
Speaker 1: We are getting it all out on this podcast and

1307
01:06:41,360 --> 01:06:45,560
Speaker 1: healing our inner trauma. Right, all these injustices against just

1308
01:06:46,400 --> 01:06:47,000
Speaker 1: it's just.

1309
01:06:47,080 --> 01:06:49,360
Speaker 3: All of them we're gonna be Yeah, we're working out

1310
01:06:49,360 --> 01:06:49,760
Speaker 3: our trauma.

1311
01:06:49,840 --> 01:06:55,520
Speaker 1: Yeah, at least it's not with puppets. So Jesse thanks

1312
01:06:55,560 --> 01:06:58,760
Speaker 1: the crowd. As Danny, Becky, and Vicki walk in, he

1313
01:06:58,880 --> 01:07:01,840
Speaker 1: asks them what they're doing here, and Becky explains, well,

1314
01:07:01,880 --> 01:07:04,760
Speaker 1: we thought we'd come to see you. She questions, I

1315
01:07:04,760 --> 01:07:07,480
Speaker 1: thought you said this was an oldies band, and Jesse

1316
01:07:07,600 --> 01:07:12,400
Speaker 1: awkwardly nods towards his bandmates and Becky gives an awkward smile. Ah,

1317
01:07:12,480 --> 01:07:15,240
Speaker 1: I get it. Jesse says he'll talk to her after

1318
01:07:15,280 --> 01:07:18,600
Speaker 1: the set. Meanwhile, Joey is sitting next to a tough

1319
01:07:18,640 --> 01:07:21,400
Speaker 1: looking guy and his neck is stuck looking off to

1320
01:07:21,480 --> 01:07:26,840
Speaker 1: the side directly at this man. He notices, and the

1321
01:07:26,880 --> 01:07:29,480
Speaker 1: man gruffly asks, Hey, buddy, what are you staring at.

1322
01:07:30,120 --> 01:07:32,520
Speaker 1: Joey replies, Oh, I'm not staring. I just have a

1323
01:07:32,560 --> 01:07:37,160
Speaker 1: stiff neck. This is like Dave's expression is so funny

1324
01:07:37,200 --> 01:07:42,360
Speaker 1: and it's so awkward. I did really enjoy this.

1325
01:07:43,200 --> 01:07:46,440
Speaker 2: His character, he built the whole thing, yeah, over the shoulder,

1326
01:07:46,520 --> 01:07:48,800
Speaker 2: and he just had a character that was always walking

1327
01:07:48,800 --> 01:07:50,640
Speaker 2: around talking over his shoulders.

1328
01:07:51,880 --> 01:07:54,520
Speaker 1: This is just I love Dave so much. This is

1329
01:07:54,600 --> 01:07:58,840
Speaker 1: so funny. So the man threatens, you want me to

1330
01:07:58,920 --> 01:08:02,040
Speaker 1: adjust it for you, and Joey designs he'll just adjust

1331
01:08:02,080 --> 01:08:06,200
Speaker 1: his chair instead. Then Jesse begins to tell the crowd

1332
01:08:06,200 --> 01:08:08,760
Speaker 1: what number they'll be playing next. When the tough guy

1333
01:08:08,800 --> 01:08:13,560
Speaker 1: walks toward him, Jesse happily asks what his song request is,

1334
01:08:14,160 --> 01:08:16,960
Speaker 1: and the man simply states, watch my luggage while I

1335
01:08:17,000 --> 01:08:17,719
Speaker 1: go to the john.

1336
01:08:18,840 --> 01:08:22,280
Speaker 2: That is the thing they tell you not to terrorists

1337
01:08:22,520 --> 01:08:24,000
Speaker 2: anybody's luggage.

1338
01:08:24,200 --> 01:08:29,160
Speaker 1: Especially some guy that just got out of jail, right like.

1339
01:08:29,080 --> 01:08:34,720
Speaker 2: This is that thing is full of uh it's Tarantela's

1340
01:08:34,760 --> 01:08:35,680
Speaker 2: that you're not allowed to have.

1341
01:08:35,880 --> 01:08:40,120
Speaker 1: Yeah, cocaine, yea illegal illegal animals, illegal plants, and maybe

1342
01:08:40,120 --> 01:08:43,360
Speaker 1: some drugs. Drug There is a lot that could be

1343
01:08:43,439 --> 01:08:47,880
Speaker 1: in that bag. So Jesse jokes, oh who wrote that one?

1344
01:08:48,000 --> 01:08:51,720
Speaker 1: Gershwin and IRV the Drummer gives him the uh the

1345
01:08:53,640 --> 01:08:56,960
Speaker 1: shot shot. I do like this bit with IRV they

1346
01:08:57,000 --> 01:08:59,559
Speaker 1: do it a couple of times. It's funny Yeah. Jesse

1347
01:08:59,600 --> 01:09:02,639
Speaker 1: gets back to his music and starts playing. As time

1348
01:09:02,720 --> 01:09:07,160
Speaker 1: goes by from the film Casablanca, Danny and Vicki begin

1349
01:09:07,240 --> 01:09:11,439
Speaker 1: to recreate a similar farewell scene to the Will Always

1350
01:09:11,439 --> 01:09:15,360
Speaker 1: Have Paris ending. Vicky insists on taking the weather job

1351
01:09:15,439 --> 01:09:19,960
Speaker 1: in San Francisco, but Danny won't allow it. Overhead speaker

1352
01:09:20,680 --> 01:09:25,320
Speaker 1: Brian Cale announces final boarding call for flight nineteen to Chicago.

1353
01:09:26,040 --> 01:09:30,120
Speaker 1: Danny stands up and dramatically quotes Casablanca, Vicky, you've got

1354
01:09:30,120 --> 01:09:32,080
Speaker 1: to get on that plane or you're gonna regret it.

1355
01:09:32,520 --> 01:09:35,920
Speaker 1: Maybe not today, maybe not tomorrow, but soon and for

1356
01:09:35,960 --> 01:09:39,080
Speaker 1: the rest of your life. Vicky replies with just as

1357
01:09:39,160 --> 01:09:42,360
Speaker 1: much drama. You're right, Oh, Danny, I'm gonna miss you.

1358
01:09:42,920 --> 01:09:46,519
Speaker 1: He responds, I'm gonna miss you too. Goodbye, sweetheart, and

1359
01:09:46,560 --> 01:09:50,240
Speaker 1: they share a very passionate kiss. She quickly runs off

1360
01:09:50,240 --> 01:09:53,840
Speaker 1: and Danny slumps into his seat with sadness, but then

1361
01:09:54,040 --> 01:09:56,400
Speaker 1: Vicky runs back to him and says, I can't do it.

1362
01:09:57,120 --> 01:10:00,760
Speaker 1: Danny tells her she has to be strong, but Vicky explains, no,

1363
01:10:01,320 --> 01:10:03,240
Speaker 1: I can't do it because I don't have luggage or

1364
01:10:03,280 --> 01:10:06,280
Speaker 1: a ticket. Tanny replies, you mean I have to go

1365
01:10:06,360 --> 01:10:10,320
Speaker 1: through this whole goodbye again tomorrow. Vicky takes inspiration from

1366
01:10:10,360 --> 01:10:14,880
Speaker 1: Casablanca again. Yes, but we'll always have the terminal lounge.

1367
01:10:15,680 --> 01:10:18,679
Speaker 2: Back when you could just walk into an airport, walk

1368
01:10:18,720 --> 01:10:19,679
Speaker 2: your family to the gate.

1369
01:10:20,040 --> 01:10:24,880
Speaker 1: That's I don't remember those days even. That feels like

1370
01:10:25,000 --> 01:10:27,439
Speaker 1: so long ago, when you could just yeah, walk your

1371
01:10:27,439 --> 01:10:28,559
Speaker 1: loved one right up to the gate.

1372
01:10:31,080 --> 01:10:34,960
Speaker 3: Yeah, no, wave the window window I do.

1373
01:10:35,479 --> 01:10:41,679
Speaker 1: Yeah, that's just a total, whole, totally different world. Uh So, next,

1374
01:10:42,080 --> 01:10:45,280
Speaker 1: Jesse finishes his song decides to take a break. Joey

1375
01:10:45,280 --> 01:10:48,880
Speaker 1: compliments Jesse's band, saying it makes him look young. Then

1376
01:10:48,880 --> 01:10:51,360
Speaker 1: he asks to be pointed to the to the bathroom.

1377
01:10:52,040 --> 01:10:54,559
Speaker 1: He walks past the tough guy from earlier and shields

1378
01:10:54,600 --> 01:10:57,360
Speaker 1: his eyes so he doesn't stare at him again.

1379
01:10:58,280 --> 01:11:01,600
Speaker 3: And this is this is the same I'm hiding characters,

1380
01:11:01,680 --> 01:11:04,519
Speaker 3: except he usually does it with two fingers right, But

1381
01:11:04,560 --> 01:11:05,240
Speaker 3: he's doing the.

1382
01:11:05,320 --> 01:11:08,120
Speaker 1: Yeah I can't see you all in this.

1383
01:11:08,120 --> 01:11:10,519
Speaker 2: Scene like, and then at the end he's doing this

1384
01:11:10,520 --> 01:11:15,480
Speaker 2: little This entire scene is Dave doing bits that nobody

1385
01:11:15,600 --> 01:11:19,960
Speaker 2: else knows except for the cast, and every one of them.

1386
01:11:19,960 --> 01:11:21,639
Speaker 1: I'm like, Oh, I know that character guy.

1387
01:11:22,280 --> 01:11:25,400
Speaker 2: He just makes up these and all of them were

1388
01:11:25,439 --> 01:11:26,320
Speaker 2: in this scene.

1389
01:11:27,080 --> 01:11:30,160
Speaker 1: Yes, it's like the greatest nobody else except us will

1390
01:11:30,200 --> 01:11:33,160
Speaker 1: ever be able to appreciate it. Yeah, the stiff tr

1391
01:11:33,600 --> 01:11:36,160
Speaker 1: the hiding behind you know, can't see, you can't see,

1392
01:11:36,200 --> 01:11:38,720
Speaker 1: you can't see, and then the little shimmy at the end. Yeah,

1393
01:11:38,760 --> 01:11:42,479
Speaker 1: this is all of Dave's best hits. And I'm just thinking,

1394
01:11:42,560 --> 01:11:44,800
Speaker 1: like the tough guy. Last time they saw each other,

1395
01:11:45,080 --> 01:11:47,120
Speaker 1: Dave was wearing a dress, had a wig in the

1396
01:11:47,320 --> 01:11:48,080
Speaker 1: jail cells.

1397
01:11:48,160 --> 01:11:54,200
Speaker 2: This guy's probably like I ripped this guy's the neck

1398
01:11:54,200 --> 01:11:55,679
Speaker 2: and the thing and the dress and the thing.

1399
01:11:56,280 --> 01:11:58,240
Speaker 3: At least he didn't have this puppet at the airport.

1400
01:11:59,479 --> 01:12:04,160
Speaker 1: One same grace, right, So then Becky and Jesse start

1401
01:12:04,200 --> 01:12:07,400
Speaker 1: to chat. Becky asks him if this is really what

1402
01:12:07,520 --> 01:12:10,599
Speaker 1: he wants to do, and he sighs, no, this is

1403
01:12:10,760 --> 01:12:14,360
Speaker 1: really what I have to do. And Becky questions seeing

1404
01:12:14,439 --> 01:12:18,800
Speaker 1: Glowworm in an airport lounge. He admits, it's not the

1405
01:12:18,840 --> 01:12:21,920
Speaker 1: coolest gig in the world, but it's still music, and

1406
01:12:21,960 --> 01:12:24,479
Speaker 1: you gotta admit Irv is one bad mama in his

1407
01:12:24,520 --> 01:12:29,479
Speaker 1: own right. Becky wonders, what about your music Jesse insists,

1408
01:12:29,520 --> 01:12:31,280
Speaker 1: I'm still going to work on my music, and if

1409
01:12:31,320 --> 01:12:33,320
Speaker 1: I get lucky, it'll be great. I'll get it. I'll

1410
01:12:33,320 --> 01:12:36,280
Speaker 1: get a shot. But right now, I have to contribute

1411
01:12:36,280 --> 01:12:40,639
Speaker 1: to my family. Becky argues, but you do contribute. You're

1412
01:12:40,640 --> 01:12:45,040
Speaker 1: a great husband, you're a great father, and Jesse interrupts her.

1413
01:12:45,200 --> 01:12:48,719
Speaker 1: I'm talking about money now, whether I make a million

1414
01:12:48,800 --> 01:12:51,400
Speaker 1: dollars or one dollar, I can't just let you go

1415
01:12:51,479 --> 01:12:53,519
Speaker 1: to work and make all the money for this family.

1416
01:12:53,880 --> 01:12:56,840
Speaker 1: I'm a man. You know, maybe I'm old fashioned, but

1417
01:12:56,880 --> 01:12:59,920
Speaker 1: that's who I am. See, well, Jesse, we could work

1418
01:13:00,080 --> 01:13:03,200
Speaker 1: that he gets all his self worth over his financial

1419
01:13:03,320 --> 01:13:06,240
Speaker 1: contributions and publication in.

1420
01:13:06,120 --> 01:13:07,720
Speaker 2: This situation, that'll be one of those things. It's like,

1421
01:13:07,760 --> 01:13:10,519
Speaker 2: it's I get that with there's an expectation that sort

1422
01:13:10,560 --> 01:13:14,519
Speaker 2: of Nick, his father, society has put on him, that

1423
01:13:14,680 --> 01:13:17,200
Speaker 2: like he needs to be the one going out and

1424
01:13:17,240 --> 01:13:17,799
Speaker 2: doing stuff.

1425
01:13:17,800 --> 01:13:19,639
Speaker 3: And you know, Becky's like, dude.

1426
01:13:19,520 --> 01:13:23,320
Speaker 1: I guess we're working together. Yeah, well you noticed that,

1427
01:13:23,400 --> 01:13:27,160
Speaker 1: bet that it's not flipped. Like Becky never feels guilty

1428
01:13:27,200 --> 01:13:30,519
Speaker 1: for not being at home with kids and doing the

1429
01:13:30,560 --> 01:13:34,360
Speaker 1: mother what's traditionally mothering duties. So she's not she's not.

1430
01:13:34,439 --> 01:13:35,280
Speaker 1: She's like, I'm good.

1431
01:13:35,320 --> 01:13:37,479
Speaker 3: I make enough family and I'm a mom and I

1432
01:13:37,560 --> 01:13:38,880
Speaker 3: work and we do.

1433
01:13:39,000 --> 01:13:41,439
Speaker 1: They have this three thousand square foot attic and they

1434
01:13:41,439 --> 01:13:42,240
Speaker 1: don't even pay for it.

1435
01:13:42,479 --> 01:13:47,200
Speaker 3: Doesn't need to pay for diapers again, and they built

1436
01:13:47,240 --> 01:13:48,080
Speaker 3: you a recording studio.

1437
01:13:48,120 --> 01:13:51,040
Speaker 2: You don't even need a recording studio. All your friends

1438
01:13:51,080 --> 01:13:52,840
Speaker 2: play their instruments and bring them over.

1439
01:13:53,000 --> 01:13:55,800
Speaker 1: You don't got to pay musicians. No utilities, I'm sure

1440
01:13:55,840 --> 01:13:58,680
Speaker 1: are included in the Danny Tanner welcome package. You know,

1441
01:13:59,040 --> 01:14:01,920
Speaker 1: they just buy diapers, formula. Maybe that's that's that's all

1442
01:14:01,960 --> 01:14:02,200
Speaker 1: they have.

1443
01:14:02,320 --> 01:14:04,880
Speaker 2: Yeah, but yeah, Mattie said he just has to buy

1444
01:14:04,920 --> 01:14:06,440
Speaker 2: seventy nine cent egg plants.

1445
01:14:07,240 --> 01:14:09,360
Speaker 1: Yes, that's true. This guy a lot of.

1446
01:14:09,280 --> 01:14:16,680
Speaker 3: Egg plants, egg plants for I Bucks. Yes, you know, absolutely.

1447
01:14:18,680 --> 01:14:18,760
Speaker 5: So.

1448
01:14:18,880 --> 01:14:23,599
Speaker 1: Becky smiles and says, and that's who I love. God

1449
01:14:23,640 --> 01:14:24,320
Speaker 1: bless you, Becky.

1450
01:14:24,640 --> 01:14:27,280
Speaker 3: Yeah right, thank god you do, Becky.

1451
01:14:27,880 --> 01:14:31,280
Speaker 1: She kisses him and apologizes if she hurt his feelings,

1452
01:14:31,680 --> 01:14:33,840
Speaker 1: and she's even willing to back him up, back him

1453
01:14:33,920 --> 01:14:37,439
Speaker 1: up if he wants to be a diplomat. He kisses

1454
01:14:37,439 --> 01:14:39,639
Speaker 1: her forehead and walks back to the stage to work

1455
01:14:39,640 --> 01:14:43,559
Speaker 1: on the tuneage. In this joint, and he addresses his

1456
01:14:43,560 --> 01:14:47,559
Speaker 1: fellow bandmates, calling them the Dips. He says, now, I know,

1457
01:14:47,720 --> 01:14:50,400
Speaker 1: deep deep down inside you, there's got to be some

1458
01:14:50,479 --> 01:14:53,559
Speaker 1: kind of wild rock and roll maniac just dying to

1459
01:14:53,600 --> 01:14:56,919
Speaker 1: get out. Huh. They all just stare at him blankly,

1460
01:14:57,439 --> 01:14:59,800
Speaker 1: and he shrugs, all right, we'll fake it and tells

1461
01:14:59,840 --> 01:15:02,040
Speaker 1: them to play a little rock and roll music In

1462
01:15:02,280 --> 01:15:05,479
Speaker 1: e Vicky and Danny get up to dance. Becky and

1463
01:15:05,520 --> 01:15:08,960
Speaker 1: Joey do the same. Then Joey's next snaps back into

1464
01:15:08,960 --> 01:15:10,800
Speaker 1: place and he's magically.

1465
01:15:10,400 --> 01:15:12,920
Speaker 2: Cured and able to do his little dance and doing

1466
01:15:12,920 --> 01:15:17,320
Speaker 2: his little little jimmy, which the you know, the Olsen

1467
01:15:17,360 --> 01:15:20,679
Speaker 2: twins would do that too, but David Dawns they did

1468
01:15:20,720 --> 01:15:25,000
Speaker 2: in the in the recording booth when we came down

1469
01:15:25,160 --> 01:15:25,639
Speaker 2: to the.

1470
01:15:25,800 --> 01:15:28,760
Speaker 1: Yeah, that's right, that's his brand.

1471
01:15:28,000 --> 01:15:29,960
Speaker 2: New recording studio, and he was in there and he's

1472
01:15:30,000 --> 01:15:31,080
Speaker 2: doing his weird little dance.

1473
01:15:31,120 --> 01:15:31,880
Speaker 3: It's the same dance.

1474
01:15:31,960 --> 01:15:34,240
Speaker 1: It's it's Dave like. To this day, he still does

1475
01:15:34,280 --> 01:15:38,599
Speaker 1: that little dance and he loves it. The whole airport

1476
01:15:38,640 --> 01:15:41,080
Speaker 1: lounge is up and moving and dancing and enjoying the

1477
01:15:41,120 --> 01:15:49,559
Speaker 1: Diplomat's music. And that is our show. Though I know

1478
01:15:49,640 --> 01:15:51,960
Speaker 1: what was in that bag, right, and he never comes

1479
01:15:51,960 --> 01:15:53,400
Speaker 1: back to get it, Like, what was he doing? It

1480
01:15:53,439 --> 01:15:55,840
Speaker 1: was a long bathroom break. I'm just gonna say he

1481
01:15:55,880 --> 01:15:57,800
Speaker 1: had too many seventy nine and ink plants. He was

1482
01:15:57,840 --> 01:16:00,760
Speaker 1: stuck in the bathroom for a while. Digg blends do

1483
01:16:00,840 --> 01:16:03,120
Speaker 1: that too. I don't know. I mean maybe these too

1484
01:16:03,120 --> 01:16:05,240
Speaker 1: many vegetables in general, you get kind of gassy.

1485
01:16:05,800 --> 01:16:08,479
Speaker 3: I think I still think it's connected somehow to some

1486
01:16:08,520 --> 01:16:11,160
Speaker 3: sort of nefarious criminal organization.

1487
01:16:11,560 --> 01:16:13,320
Speaker 1: Yeah, I agree with that. I agree.

1488
01:16:14,240 --> 01:16:17,559
Speaker 3: So this was this was this was This was an

1489
01:16:17,560 --> 01:16:21,120
Speaker 3: episode yet not my favorite, not my favorite.

1490
01:16:21,200 --> 01:16:23,880
Speaker 1: I'm choosing to look at it as like this archaeological

1491
01:16:24,000 --> 01:16:26,679
Speaker 1: artifact of this is what life was like in nineteen

1492
01:16:26,760 --> 01:16:30,840
Speaker 1: ninety two, and I'm glad, we am glad we've all

1493
01:16:30,920 --> 01:16:34,080
Speaker 1: changed since then. Although it was.

1494
01:16:35,600 --> 01:16:39,280
Speaker 2: But we even even Jesse admits in it, He's like,

1495
01:16:39,280 --> 01:16:41,640
Speaker 2: I'm old fashioned, so we know that this sort of

1496
01:16:41,720 --> 01:16:44,200
Speaker 2: mindset is like kind of out of date.

1497
01:16:44,360 --> 01:16:49,120
Speaker 1: He acknowledges this, which I appreciate. Honestly, I think he

1498
01:16:49,120 --> 01:16:51,320
Speaker 1: should have gotten more credit for just taking whatever job.

1499
01:16:51,720 --> 01:16:54,080
Speaker 1: You know, this random airport lounge job.

1500
01:16:54,320 --> 01:16:57,160
Speaker 2: Well, does it make you happy? Are you enjoying playing music?

1501
01:16:57,479 --> 01:16:59,599
Speaker 2: Then rocket right, go for it?

1502
01:16:59,720 --> 01:17:01,800
Speaker 1: Yeah? Do you hate this? Do you feel terrible? Then

1503
01:17:01,800 --> 01:17:04,800
Speaker 1: don't do it? Yes, that's it. I think that's we

1504
01:17:05,120 --> 01:17:05,840
Speaker 1: Jesse needs to.

1505
01:17:05,760 --> 01:17:09,680
Speaker 2: Work on his his uh intrinsic self worth on, you know,

1506
01:17:09,880 --> 01:17:12,040
Speaker 2: sort of finding it within himself.

1507
01:17:12,400 --> 01:17:14,679
Speaker 1: Maybe Michelle will help him get to that by Michelle

1508
01:17:14,680 --> 01:17:16,600
Speaker 1: needs to put this in her notes and work on

1509
01:17:16,640 --> 01:17:22,280
Speaker 1: this in future sessions, because he's good at unloading on her,

1510
01:17:22,360 --> 01:17:25,320
Speaker 1: but he's not good at listening to whatever feedback She

1511
01:17:25,400 --> 01:17:29,520
Speaker 1: has to help him putting it into new practice. Yeah. Yeah,

1512
01:17:29,640 --> 01:17:32,280
Speaker 1: but got a couple more seasons, got a couple more seasons.

1513
01:17:32,600 --> 01:17:34,839
Speaker 1: So yeah, I don't love this episode between the Forever

1514
01:17:34,920 --> 01:17:41,639
Speaker 1: Plaid plagiarism and the Genders episode for you right, thank you,

1515
01:17:42,000 --> 01:17:42,719
Speaker 1: thank you.

1516
01:17:42,720 --> 01:17:45,639
Speaker 2: You know I feel the Jackets anymore. I liked him originally,

1517
01:17:45,720 --> 01:17:46,799
Speaker 2: Now I think they're crap.

1518
01:17:47,000 --> 01:17:50,840
Speaker 1: No, burn them. I don't like them. No, I'm plaid.

1519
01:17:51,320 --> 01:17:54,639
Speaker 1: It's full plaid. It's not forever plaid, it's faux plaid.

1520
01:17:55,439 --> 01:17:57,760
Speaker 1: But I feel better now that I've gotten this off

1521
01:17:57,760 --> 01:18:00,000
Speaker 1: my chest, and now you and all the fan ritos

1522
01:18:00,040 --> 01:18:03,000
Speaker 1: are now aware of my feelings about this, and now

1523
01:18:03,080 --> 01:18:07,080
Speaker 1: you're going to get plaid jackets. Oh gosh, I have some.

1524
01:18:07,200 --> 01:18:10,320
Speaker 1: I have my forever plaid leather jacket I bet I

1525
01:18:10,320 --> 01:18:13,200
Speaker 1: got for my sixteenth birthday. Yeah, one of my prize,

1526
01:18:13,840 --> 01:18:15,639
Speaker 1: your love of plaid. It was amazing. Oh. I took

1527
01:18:15,680 --> 01:18:17,559
Speaker 1: you at least twelve times to that place.

1528
01:18:17,680 --> 01:18:21,200
Speaker 3: Yeah, for sure, at least you and Janie and we

1529
01:18:21,240 --> 01:18:22,360
Speaker 3: loved it and we love it.

1530
01:18:22,760 --> 01:18:24,919
Speaker 1: Did you have any? Were there any? Everywhere? He looks

1531
01:18:25,240 --> 01:18:27,880
Speaker 1: the only one I have. I already mentioned Brian Kale

1532
01:18:27,960 --> 01:18:31,439
Speaker 1: doing all of the announcements everywhere you listen, Yes, did

1533
01:18:31,479 --> 01:18:34,200
Speaker 1: you have Yeah? Did you have any? I didn't. I didn't. Oh.

1534
01:18:34,400 --> 01:18:37,439
Speaker 2: I did notice that the Tanners were recycling back in

1535
01:18:37,520 --> 01:18:40,080
Speaker 2: nineteen ninety two, you know, they had a little recycling

1536
01:18:40,120 --> 01:18:42,000
Speaker 2: binds there, and I was like, okay, I noticed that.

1537
01:18:42,040 --> 01:18:46,040
Speaker 1: Good for them. Yeah, this. I did a waste management

1538
01:18:46,320 --> 01:18:50,160
Speaker 1: commercial probably right around this time, in the early nineties.

1539
01:18:50,280 --> 01:18:52,600
Speaker 1: So yeah, I think recycling was becoming.

1540
01:18:52,920 --> 01:18:57,800
Speaker 2: Saying Captain Planet really did that? Yeah, reduce, reuse, recycle, Yeah,

1541
01:18:57,800 --> 01:18:58,519
Speaker 2: recycle reused.

1542
01:18:58,600 --> 01:19:01,200
Speaker 1: I don't know that was a big campaign, you know that.

1543
01:19:01,320 --> 01:19:03,960
Speaker 1: Oh yeah, they went hard with that. Can look at

1544
01:19:04,000 --> 01:19:08,479
Speaker 1: all the good it did Hey, I recycle. I still recycle.

1545
01:19:08,600 --> 01:19:11,840
Speaker 1: So glad we did that and saved everything. We're much

1546
01:19:11,880 --> 01:19:12,559
Speaker 1: better right now.

1547
01:19:12,640 --> 01:19:15,200
Speaker 3: Yeah, oh those cans I collected.

1548
01:19:14,800 --> 01:19:18,160
Speaker 1: Really thank god, that really made a difference. I look

1549
01:19:18,200 --> 01:19:19,839
Speaker 1: at this guy.

1550
01:19:22,760 --> 01:19:25,160
Speaker 3: I think that's all we got.

1551
01:19:25,520 --> 01:19:28,799
Speaker 2: Thank you so much for bearing with us in today's

1552
01:19:28,840 --> 01:19:32,840
Speaker 2: one hour and twenty minute episode, A thirty minute show.

1553
01:19:33,160 --> 01:19:34,920
Speaker 1: We like to talk show.

1554
01:19:35,439 --> 01:19:37,840
Speaker 2: We have a lot of we had a lot of thoughts,

1555
01:19:37,840 --> 01:19:39,760
Speaker 2: we had a lot of funds, and we hope you

1556
01:19:39,760 --> 01:19:41,679
Speaker 2: had fun too. And if you want to continue the fun,

1557
01:19:42,800 --> 01:19:45,800
Speaker 2: listen next week and follow us on Instagram at how

1558
01:19:45,880 --> 01:19:48,760
Speaker 2: Rude Podcasts or send us an email at how Rude

1559
01:19:48,840 --> 01:19:51,639
Speaker 2: Tanner Ritos at gmail dot com, where you can maybe

1560
01:19:51,920 --> 01:19:54,519
Speaker 2: answer some of our questions that we never seem to know,

1561
01:19:55,320 --> 01:19:59,240
Speaker 2: like birthday days and you know, whatevers or show.

1562
01:19:59,040 --> 01:20:02,160
Speaker 1: Ideas us you're views about this episode, Yeah, I'd love

1563
01:20:02,200 --> 01:20:03,360
Speaker 1: to eat Yeah, yeah, I'd love to hear.

1564
01:20:03,320 --> 01:20:06,280
Speaker 2: Take people's views and comments and things like what what

1565
01:20:06,320 --> 01:20:07,000
Speaker 2: did you think of this?

1566
01:20:07,200 --> 01:20:09,280
Speaker 1: Is this like where? Was it kind of cringey? Or

1567
01:20:09,400 --> 01:20:11,559
Speaker 1: was it like man, we get it? Or you know, yeah,

1568
01:20:11,760 --> 01:20:13,360
Speaker 1: what did you think of it when you watched in

1569
01:20:13,439 --> 01:20:16,160
Speaker 1: nineteen ninety two live there we go on Friday night,

1570
01:20:16,200 --> 01:20:17,120
Speaker 1: and what do you think of it now?

1571
01:20:17,120 --> 01:20:18,880
Speaker 3: And what do you think of it now? Oh smart,

1572
01:20:18,880 --> 01:20:21,400
Speaker 3: I'm very curious to hear the fan of how Have

1573
01:20:21,520 --> 01:20:21,960
Speaker 3: We Grown?

1574
01:20:22,160 --> 01:20:24,760
Speaker 2: Yeah, check out our merch store at how rude merch

1575
01:20:25,000 --> 01:20:29,040
Speaker 2: dot com. And I think that's that's it.

1576
01:20:29,120 --> 01:20:31,880
Speaker 1: You got you got it, that's it. Yeah, done, gone

1577
01:20:32,280 --> 01:20:34,639
Speaker 1: all of it. Just need your your tag.

1578
01:20:35,000 --> 01:20:40,479
Speaker 3: We love you, and remember the world is small. The

1579
01:20:40,520 --> 01:20:44,240
Speaker 3: house is full of plaid jackets, but like not those

1580
01:20:44,280 --> 01:20:45,080
Speaker 3: crappy plaid jets.

1581
01:20:45,200 --> 01:20:49,400
Speaker 1: The last ones legim plaid jackets. The real ones were

1582
01:20:49,400 --> 01:20:53,400
Speaker 1: white touxedo jackets with plaid lapels and a plaid commer

1583
01:20:53,439 --> 01:20:56,080
Speaker 1: bun and a plaid a little bow tie. Oh, that's

1584
01:20:56,200 --> 01:20:58,920
Speaker 1: that's what I'm picturing. That's what the house is full of. That. Yeah,

1585
01:20:58,960 --> 01:21:04,160
Speaker 1: that's much better. Faux plaids. All right, you next sent

1586
01:21:13,560 --> 01:21:13,720
Speaker 2: Hmm