1 00:00:00,040 --> 00:00:17,080 Speaker 1: Yes, Brendan Being and Iron Rapports Stereo podcast. This here, 2 00:00:17,160 --> 00:00:21,800 Speaker 1: higginy have no fear. Unfortunately, we lost another great iconic actor, 3 00:00:22,440 --> 00:00:28,400 Speaker 1: Paul Servino from Goodfellas passes away at eighty three. Talking 4 00:00:28,440 --> 00:00:30,640 Speaker 1: about him and losing some of these greats that we 5 00:00:30,680 --> 00:00:34,280 Speaker 1: have been losing at a very very rapid pace. I 6 00:00:34,280 --> 00:00:40,040 Speaker 1: have rewatched and watched some fantastic films on Netflix and 7 00:00:40,120 --> 00:00:43,120 Speaker 1: a Woody Allen classic. I break those down and so 8 00:00:43,400 --> 00:00:47,199 Speaker 1: much more on a really really good this is a 9 00:00:47,240 --> 00:00:51,120 Speaker 1: good episode, a really good, really disruptive, museum quality. I 10 00:00:51,200 --> 00:00:54,480 Speaker 1: Am wrapp Report Stereo podcast coming up right now. Miles 11 00:00:54,520 --> 00:00:56,600 Speaker 1: Joan a k. The Bleached Brothers a k a. The 12 00:00:56,720 --> 00:00:59,880 Speaker 1: Dust brother Start to puppy over something real nice, started 13 00:01:00,360 --> 00:01:02,480 Speaker 1: something real loud but most quality. Start to Iron Wrapp 14 00:01:02,480 --> 00:01:05,320 Speaker 1: Reports Stereo podcast. Offer something real funky. I Am Rapports 15 00:01:05,360 --> 00:01:09,360 Speaker 1: Terio podcast coming at you right now, Ligety, Let's fucking 16 00:01:09,520 --> 00:01:27,880 Speaker 1: go boom, Yes, piggy boom, Yes, did you have no fear? 17 00:01:27,959 --> 00:01:32,920 Speaker 1: The I Am Wrappaport Stereo podcast is here. My name 18 00:01:32,959 --> 00:01:37,880 Speaker 1: is the disruptive Michael Rappaport a k a. The Gringo 19 00:01:37,959 --> 00:01:42,120 Speaker 1: man Dingo a k a. The Sultan of Sniff a k. 20 00:01:42,360 --> 00:01:48,120 Speaker 1: The Raging Bullshitter a k A. Mr New York. You 21 00:01:48,160 --> 00:01:50,160 Speaker 1: are now rocking with the very best the I Am 22 00:01:50,200 --> 00:01:55,200 Speaker 1: Wrappaport Stereo Podcast, which is now part of the I 23 00:01:55,400 --> 00:02:02,240 Speaker 1: Heart Podcast I Heart Radio Family. Welcome to the Dignity 24 00:02:02,320 --> 00:02:08,000 Speaker 1: Zone of Disruption. Welcome to the Dignity Dome of Disruption. 25 00:02:08,040 --> 00:02:11,000 Speaker 1: Iron Rapports Stereo Podcast, coming live and direct from UVA 26 00:02:11,120 --> 00:02:15,480 Speaker 1: York and New York City. Once again, my name is 27 00:02:15,520 --> 00:02:19,760 Speaker 1: Michael Rappaport a k a. The Disruptive Michael Rappaport. Again, 28 00:02:19,760 --> 00:02:25,160 Speaker 1: I thought, like Metal World Peace, like World Be Free, 29 00:02:25,880 --> 00:02:30,280 Speaker 1: like chad Ocho Sinco. I'm really considering changing my name 30 00:02:30,320 --> 00:02:36,560 Speaker 1: to the disruptive Michael Rappaport. I feel really really disruptive today, 31 00:02:37,160 --> 00:02:39,239 Speaker 1: and when as I when I feel as a disruptive 32 00:02:39,639 --> 00:02:41,240 Speaker 1: as I do today, I'm like, that should just be 33 00:02:41,320 --> 00:02:45,840 Speaker 1: my name, that should just be my name. Cassius Clay 34 00:02:45,919 --> 00:02:49,040 Speaker 1: changed his name to Muhammad Ali, like I said, Lloyd 35 00:02:49,120 --> 00:02:52,560 Speaker 1: Free changed his name to World Be Free. Uh, And 36 00:02:52,680 --> 00:02:58,680 Speaker 1: I'm I'm thinking about it. The disruptive Michael Rappaport. It 37 00:02:58,720 --> 00:03:03,079 Speaker 1: just rolls off. The tongue sounds. It sounds right anyway. 38 00:03:03,080 --> 00:03:05,440 Speaker 1: I hope everybody's feeling good. Hope everybody's feeling safe. Hope 39 00:03:05,440 --> 00:03:10,360 Speaker 1: everybody is feeling sane. I know, I am. I am 40 00:03:10,440 --> 00:03:13,720 Speaker 1: Rapport Stereo POKT is coming live and direct from Well. 41 00:03:13,720 --> 00:03:18,240 Speaker 1: The heat just broke sort of, but it's a do 42 00:03:18,360 --> 00:03:20,959 Speaker 1: the right thing heat wave here in New York City. 43 00:03:21,040 --> 00:03:22,720 Speaker 1: A lot of heat all over the world, all over 44 00:03:22,760 --> 00:03:33,040 Speaker 1: the country, Midwest, West Coast, London, UK, Spain, France, Greece, 45 00:03:34,160 --> 00:03:36,600 Speaker 1: South America. Of course down South is always hot as 46 00:03:36,600 --> 00:03:42,160 Speaker 1: fuck during the summer. Um. I hope everybody's keeping their cool. 47 00:03:42,200 --> 00:03:44,520 Speaker 1: You know, I was walking around my wife yesterday and 48 00:03:44,600 --> 00:03:53,440 Speaker 1: soho it was blazing fucking hot. I mean blazing like 49 00:03:53,560 --> 00:03:59,920 Speaker 1: melt your motherfucking ass no Bruno hot. And you know, 50 00:04:00,040 --> 00:04:02,240 Speaker 1: we had made a we had made a decision, like 51 00:04:02,240 --> 00:04:04,760 Speaker 1: we're gonna go out to a couple of errands. I 52 00:04:04,760 --> 00:04:08,000 Speaker 1: wanted to go to this store, that store. She wanted 53 00:04:08,040 --> 00:04:11,200 Speaker 1: to go to this shop. That shop. We went to 54 00:04:11,240 --> 00:04:15,440 Speaker 1: this one shop over there and sort of the East village. 55 00:04:15,600 --> 00:04:18,640 Speaker 1: It looked like a nothing shop. The people were very 56 00:04:18,720 --> 00:04:20,400 Speaker 1: very nice, I mean, but it looked like nothing. It 57 00:04:20,640 --> 00:04:23,040 Speaker 1: literally looked like this nothing place. She boy somebody get 58 00:04:23,080 --> 00:04:27,839 Speaker 1: this dress. Sitting down and trying on the dress, trying 59 00:04:27,839 --> 00:04:31,760 Speaker 1: on a different color, trying to a different size this shop. 60 00:04:31,800 --> 00:04:36,599 Speaker 1: I'm like, the bill comes, I'm like, what what what 61 00:04:36,680 --> 00:04:37,960 Speaker 1: the fun? What the what? What? What was it? What 62 00:04:38,000 --> 00:04:40,600 Speaker 1: the fuck? This place looks like a hole in the wall. 63 00:04:40,600 --> 00:04:44,240 Speaker 1: I never heard some of these bills. They charge. The 64 00:04:44,320 --> 00:04:49,480 Speaker 1: prices for these clothing shocking, especially when it's hot. You're 65 00:04:49,480 --> 00:04:51,680 Speaker 1: already like, you know, when you're in that kind of heat, 66 00:04:51,680 --> 00:04:55,159 Speaker 1: you have to make a concerted is it concerted or 67 00:04:55,240 --> 00:05:01,719 Speaker 1: constructive effort to mind yourself because people are irritable. You 68 00:05:01,760 --> 00:05:07,320 Speaker 1: could burn down Sal's famous pizzeria, start a riot. In 69 00:05:07,360 --> 00:05:09,200 Speaker 1: this kind of heat. You gotta be careful out there 70 00:05:09,200 --> 00:05:13,240 Speaker 1: because people are you know, they're under drest, they're not comfortable, 71 00:05:13,279 --> 00:05:16,960 Speaker 1: they're not you know, they're not well. You know, especially 72 00:05:17,000 --> 00:05:20,200 Speaker 1: if you're already not well. I'm not well. But then 73 00:05:20,200 --> 00:05:21,840 Speaker 1: there's people that are really out on the streets that 74 00:05:21,880 --> 00:05:25,920 Speaker 1: are truly, truly, truly not well. But you know, we 75 00:05:25,920 --> 00:05:28,400 Speaker 1: were able to, you know, get a couple of Arnold Palmers. 76 00:05:28,400 --> 00:05:30,520 Speaker 1: I had some Arnold Palmer. I haven't been drinking a 77 00:05:30,520 --> 00:05:33,560 Speaker 1: lot of Arnold Palmers, and uh, you know, made it 78 00:05:33,560 --> 00:05:36,560 Speaker 1: through the day without any incidents because we both said them. 79 00:05:36,560 --> 00:05:39,120 Speaker 1: I said, some more, so let's let's just not talk. 80 00:05:39,279 --> 00:05:41,920 Speaker 1: Let's just agree not to talk. So let's just hold 81 00:05:41,960 --> 00:05:43,919 Speaker 1: hands and not talk. We held hands and walked, and 82 00:05:43,920 --> 00:05:45,560 Speaker 1: then she said, I don't want you to hold my hands. 83 00:05:45,600 --> 00:05:49,719 Speaker 1: My my palms are sweating on some eminem ship. I said, 84 00:05:49,760 --> 00:05:51,680 Speaker 1: I I felt those sweaty palms before she goes. But 85 00:05:51,760 --> 00:05:53,320 Speaker 1: to what, I'm really sweaty. I just she just don't 86 00:05:53,320 --> 00:05:54,680 Speaker 1: hold my hand. I said, no problem. I don't. I 87 00:05:54,640 --> 00:05:58,240 Speaker 1: don't want any I don't really smoke the fucking problems. 88 00:05:59,360 --> 00:06:02,560 Speaker 1: Get you a little dress, all right. I was trying 89 00:06:02,560 --> 00:06:07,160 Speaker 1: to buy me some socks, some thin cool socks. Couldn't 90 00:06:07,240 --> 00:06:11,400 Speaker 1: do that. Got the arna palmer, got some food, got 91 00:06:11,400 --> 00:06:15,280 Speaker 1: in an uber, went the funk back home because it's 92 00:06:15,320 --> 00:06:19,920 Speaker 1: hot and uh anyway, I hope everybody's feeling good. A 93 00:06:19,920 --> 00:06:22,360 Speaker 1: lot to talk about on today's I Am Wrapp Reports 94 00:06:22,360 --> 00:06:25,040 Speaker 1: stereo podcast. I probably not gonna be able to get 95 00:06:25,080 --> 00:06:30,400 Speaker 1: to it all. First. Um Paul Sorvino, the Great Paul 96 00:06:30,440 --> 00:06:39,360 Speaker 1: Sorvino actor who most famously known for starring in Good Fellas, 97 00:06:40,080 --> 00:06:44,440 Speaker 1: one of the stars of Good Fellas passed away today 98 00:06:44,480 --> 00:06:50,279 Speaker 1: at eighty three years old, nominated for Academy Award and 99 00:06:50,360 --> 00:06:56,839 Speaker 1: Good Fellas as PAULI. Uh had a career, long, long, 100 00:06:56,880 --> 00:07:00,680 Speaker 1: long career as an actor's on Law and Order. Uh 101 00:07:00,720 --> 00:07:04,120 Speaker 1: you know, he played cops, he played mobsters. You know, 102 00:07:04,400 --> 00:07:10,640 Speaker 1: big personality, big body, big heart, big voice. Uh. You know. 103 00:07:10,680 --> 00:07:17,360 Speaker 1: Paul Sorvino passed away, um from natural causes, eighty three, 104 00:07:17,600 --> 00:07:21,160 Speaker 1: eighty three years old. Sad day I had a chance 105 00:07:21,200 --> 00:07:24,640 Speaker 1: to I worked with Paul. I met Paul. Obviously, everybody 106 00:07:24,680 --> 00:07:27,679 Speaker 1: knew Paul Sorvino. You know. I worked with his daughter 107 00:07:27,800 --> 00:07:30,160 Speaker 1: Mia a couple of times. I worked with her on 108 00:07:30,360 --> 00:07:34,840 Speaker 1: Beautiful Girls, and worked with her on Mighty Affrodity, actually 109 00:07:34,920 --> 00:07:39,160 Speaker 1: Mighty Affrodity and then Beautiful Girls, which was an exciting 110 00:07:39,320 --> 00:07:43,680 Speaker 1: time to be a young actor. Um. And then I 111 00:07:43,720 --> 00:07:46,800 Speaker 1: did a film, a little film, independent film, Once upon 112 00:07:46,840 --> 00:07:53,560 Speaker 1: a Time in Queens with Paul Sorvino, you know. And 113 00:07:53,640 --> 00:07:56,880 Speaker 1: Paul was a big personality. He was an opera singer 114 00:07:56,920 --> 00:07:58,520 Speaker 1: and he would sing at the drop of a dime. 115 00:07:58,560 --> 00:08:01,600 Speaker 1: If you asked Paul Sorvino to sit any time, any place, 116 00:08:02,720 --> 00:08:07,560 Speaker 1: he would sing. Love telling stories was an artist, very 117 00:08:07,720 --> 00:08:12,200 Speaker 1: very Italian like in the classic sort of way storyteller, 118 00:08:12,920 --> 00:08:15,880 Speaker 1: a friendly guy, not a tough guy at all. Didn't 119 00:08:15,880 --> 00:08:18,000 Speaker 1: act like a tough guy at all. You know, just 120 00:08:18,080 --> 00:08:22,560 Speaker 1: love to laugh, big booming laugh and you know, a 121 00:08:22,600 --> 00:08:28,200 Speaker 1: big on screen persona. Of course, you know, Pauli played 122 00:08:28,200 --> 00:08:32,320 Speaker 1: that character Paul Vario and Good Fellas shit. I mean, 123 00:08:32,360 --> 00:08:35,200 Speaker 1: what can you say? We know every beat of what 124 00:08:35,280 --> 00:08:37,920 Speaker 1: he did in that film, and he didn't even say much. 125 00:08:38,720 --> 00:08:40,840 Speaker 1: He did not even say much in that film because 126 00:08:40,840 --> 00:08:42,960 Speaker 1: Paul he didn't have to talk loud. And like they 127 00:08:42,960 --> 00:08:45,200 Speaker 1: said in the movie, Paul he didn't have to move 128 00:08:45,520 --> 00:08:48,480 Speaker 1: for anybody or a guy who moved all day long. 129 00:08:49,200 --> 00:08:51,520 Speaker 1: Paul he didn't talk to six people. If there was 130 00:08:51,559 --> 00:08:54,160 Speaker 1: a union problem or say a beef, and the numbers 131 00:08:54,320 --> 00:08:56,439 Speaker 1: and only the top guys can meet with Pauli to 132 00:08:56,520 --> 00:09:00,960 Speaker 1: discuss the problem. Everything was one on one. Pauli aided conferences. 133 00:09:01,880 --> 00:09:04,680 Speaker 1: He didn't want anybody hearing what he said, and he 134 00:09:04,679 --> 00:09:07,320 Speaker 1: didn't want anybody listening to what he was being told. 135 00:09:07,960 --> 00:09:10,240 Speaker 1: Hundreds of guys depended on Pauli and he got a 136 00:09:10,280 --> 00:09:13,480 Speaker 1: piece of everything they made. It was tribute, just like 137 00:09:13,559 --> 00:09:15,559 Speaker 1: in the old country. Except they were doing it here 138 00:09:15,559 --> 00:09:19,040 Speaker 1: in America, and all they got from Pauli was protection 139 00:09:19,120 --> 00:09:22,000 Speaker 1: from other guys looking to rip them off. And that's 140 00:09:22,040 --> 00:09:24,520 Speaker 1: what it's all about. That's what the FBI could never 141 00:09:24,640 --> 00:09:28,640 Speaker 1: understand that what Pauli and the organization does is off 142 00:09:28,720 --> 00:09:31,199 Speaker 1: for protection for people who can't go to the cops. 143 00:09:31,800 --> 00:09:34,400 Speaker 1: That's it. That's all it is, or like the police 144 00:09:34,400 --> 00:09:39,840 Speaker 1: department for wise guys. Sad Paul Servino passed away at 145 00:09:39,840 --> 00:09:42,640 Speaker 1: eighty three years old, and you know, we just lost 146 00:09:42,720 --> 00:09:47,160 Speaker 1: Ray Liotta, and um, you know, guys are getting older. Man. 147 00:09:48,240 --> 00:09:49,840 Speaker 1: You know, I was doing some interviews. I was doing 148 00:09:49,880 --> 00:09:54,280 Speaker 1: a little press run for the Iron Rapports Stereo podcast, which, 149 00:09:54,720 --> 00:09:59,200 Speaker 1: as you guys know, is now on I Heart part 150 00:09:59,200 --> 00:10:03,079 Speaker 1: of the I Heart Podcast family. And I was talking 151 00:10:03,360 --> 00:10:05,720 Speaker 1: to somebody and they were asking me about these actors 152 00:10:05,760 --> 00:10:10,080 Speaker 1: this is before Savino had passed earlier today, and asking me, 153 00:10:10,720 --> 00:10:14,880 Speaker 1: you know about James Con Ray Liotta, you know, and 154 00:10:14,920 --> 00:10:21,000 Speaker 1: these older actors that you know we all adore, Christopher Walking, 155 00:10:21,520 --> 00:10:30,160 Speaker 1: Harvey Keitel, Gene Hackman, Robert Daval, Robert de Niro, Joe Paschi, 156 00:10:30,200 --> 00:10:36,240 Speaker 1: al Pacino, even Sylvester Saloonian. These guy Jack Nicholson's, I said, 157 00:10:36,280 --> 00:10:40,840 Speaker 1: Jack Mixon, they're all getting older, and um, you know, 158 00:10:40,880 --> 00:10:43,880 Speaker 1: they just mean so much too fans. They mean so 159 00:10:43,960 --> 00:10:46,920 Speaker 1: much to me personally. They mean so much to all actors. 160 00:10:47,720 --> 00:10:50,760 Speaker 1: And it's like I was trying to articulate what they mean. 161 00:10:52,080 --> 00:10:55,560 Speaker 1: It's hard to explain because they're they're not family members, 162 00:10:56,200 --> 00:11:01,120 Speaker 1: but they all feel like uncle's in a way, whether 163 00:11:01,160 --> 00:11:03,320 Speaker 1: you've met them or not, they all feel like my 164 00:11:03,400 --> 00:11:09,400 Speaker 1: uncle's or I don't know, like principles or you know, 165 00:11:09,480 --> 00:11:12,120 Speaker 1: school teachers. You just love them. I just loved them 166 00:11:12,120 --> 00:11:15,000 Speaker 1: and adore them so much and study them, all, all 167 00:11:15,040 --> 00:11:17,840 Speaker 1: of them for years, and you watch it over and 168 00:11:17,880 --> 00:11:19,640 Speaker 1: over and over and watch the films over and over 169 00:11:19,640 --> 00:11:23,440 Speaker 1: and over. For me, I have um Danny a Yello, 170 00:11:24,120 --> 00:11:30,319 Speaker 1: you know, inspired by them, stolen bit their ship, whether 171 00:11:30,559 --> 00:11:33,960 Speaker 1: it's on purpose or not. And it's sad when they 172 00:11:35,120 --> 00:11:40,120 Speaker 1: when they pass. So the Great Paul Sorvino is gone 173 00:11:40,120 --> 00:11:43,480 Speaker 1: at eighty three, but the work we'll never go away. 174 00:11:44,960 --> 00:11:48,160 Speaker 1: And um, if you're making some food today or this week, 175 00:11:48,600 --> 00:11:53,680 Speaker 1: slice up a clove of garlic with a razor blade 176 00:11:53,720 --> 00:11:58,920 Speaker 1: really thin, in honor of the Great Paul Sorvino In 177 00:11:59,040 --> 00:12:02,319 Speaker 1: prison was always a big thing, and we had a 178 00:12:02,400 --> 00:12:05,240 Speaker 1: pasta course and then we had a meteror of fish. 179 00:12:06,200 --> 00:12:08,120 Speaker 1: Polly did the prep work. He was doing a year 180 00:12:08,120 --> 00:12:10,520 Speaker 1: for contempt, and he had this wonderful system for doing 181 00:12:10,520 --> 00:12:14,000 Speaker 1: the garlic. He was the razor and used to slice 182 00:12:14,000 --> 00:12:15,920 Speaker 1: it so thin that it used to liquefy in the 183 00:12:15,960 --> 00:12:21,439 Speaker 1: pan with just a little oil. That's a very good system. Podas. 184 00:12:35,679 --> 00:12:37,280 Speaker 1: But I've been watching a lot of films, as I 185 00:12:37,360 --> 00:12:41,920 Speaker 1: mentioned the other day, really really watching a lot of movies. 186 00:12:42,400 --> 00:12:49,120 Speaker 1: Another film with mobsters, funny though funny mobsters, fucking great movie, 187 00:12:50,400 --> 00:12:57,040 Speaker 1: whether you like him or not. Woody Allen's masterpiece, one 188 00:12:57,040 --> 00:13:01,640 Speaker 1: of his many masterpieces. I rewatched the other day A 189 00:13:01,679 --> 00:13:09,640 Speaker 1: Broadway Danny Rose, starring Woody Allen as a fledging, flailing 190 00:13:11,080 --> 00:13:19,000 Speaker 1: agent named Danny Rose, manager to you know vaudeville comedians 191 00:13:19,040 --> 00:13:24,920 Speaker 1: and you know bad ventriloquist gets tied up with this 192 00:13:24,960 --> 00:13:29,360 Speaker 1: woman played by me or Farrow, um and they get 193 00:13:29,400 --> 00:13:34,000 Speaker 1: on the run from the mob and um. If you've 194 00:13:34,040 --> 00:13:37,680 Speaker 1: never seen Broadway Danny Rose, and you like comedy, and 195 00:13:37,760 --> 00:13:42,679 Speaker 1: you like mobsters, and you like funny New York films, 196 00:13:44,320 --> 00:13:50,320 Speaker 1: and you like masterpieces, watch Broadway, Danny Rose. It's I 197 00:13:50,360 --> 00:13:55,360 Speaker 1: think it's either ninety minutes or eighty five minutes or minutes, 198 00:13:55,400 --> 00:13:58,120 Speaker 1: which is the perfect time, in my opinion for a film. 199 00:13:58,200 --> 00:14:02,760 Speaker 1: It's so fucking good, top to bottom. The storytelling is 200 00:14:02,840 --> 00:14:07,960 Speaker 1: so original, it's so unique. The cinematography black and white, 201 00:14:10,160 --> 00:14:18,600 Speaker 1: m M perfecto. Black and white film um inspired by 202 00:14:19,240 --> 00:14:22,560 Speaker 1: Raging Bull. Woody Allen talks about that film being inspired 203 00:14:22,680 --> 00:14:27,040 Speaker 1: visually by Raging Bull, which was of course inspired by 204 00:14:27,120 --> 00:14:31,400 Speaker 1: another masterpiece which I'm planning on rewatching, that was shot 205 00:14:31,400 --> 00:14:36,240 Speaker 1: in black and white. Lenny one of Bob Fosse's films. 206 00:14:36,240 --> 00:14:41,120 Speaker 1: Bob Fosse, of course, the Broadway director who also directed 207 00:14:41,160 --> 00:14:45,360 Speaker 1: Star Adie directed Lenny, directed Cabaret and a couple of 208 00:14:45,400 --> 00:14:49,360 Speaker 1: other films. Fucking great film Lenny, starring Dustin Hoffman about Lenny. Bruce. 209 00:14:49,640 --> 00:14:54,600 Speaker 1: Love that movie, Love Love Love Love that movie. Gorgeous 210 00:14:54,640 --> 00:15:01,600 Speaker 1: black and white, Ridiculous performances, ridiculous cinematography, ridiculous editing, ridiculous sound. 211 00:15:02,160 --> 00:15:05,960 Speaker 1: Everything about Lenny is a masterpiece, and so is Broadway. 212 00:15:06,000 --> 00:15:11,200 Speaker 1: Danny Rose. It looks great, it's hilarious, it's funny, it's poignant. 213 00:15:11,240 --> 00:15:16,200 Speaker 1: The performances, the cinematography, Um, the blocking, the way he 214 00:15:16,280 --> 00:15:20,160 Speaker 1: sets up every single shot, the music, just the old 215 00:15:20,200 --> 00:15:22,040 Speaker 1: New York. I think that film was shot in eighty 216 00:15:22,120 --> 00:15:25,200 Speaker 1: one or eighty two. New York looks. Fucking It's so 217 00:15:25,360 --> 00:15:27,920 Speaker 1: different the way New York looks today than it did 218 00:15:27,960 --> 00:15:32,160 Speaker 1: back then, just because time, you know, time changes, Buildings change, 219 00:15:32,360 --> 00:15:37,640 Speaker 1: the way buildings, the way um storefronts were decorated, the 220 00:15:37,640 --> 00:15:41,359 Speaker 1: way storefronts were lit. So many of the neon lights 221 00:15:41,520 --> 00:15:47,000 Speaker 1: um that were on every storefront are showcased all throughout Broadway, 222 00:15:47,040 --> 00:15:50,400 Speaker 1: Danny Rose. And of course that changes because that costs money. 223 00:15:50,400 --> 00:15:53,080 Speaker 1: And it's just different now. Um. The cars look different, 224 00:15:53,120 --> 00:15:56,160 Speaker 1: the busses look different, the cabs look different. Um, some 225 00:15:56,200 --> 00:16:00,360 Speaker 1: of the buildings look different. But it's just a funny, unique, weird, 226 00:16:01,400 --> 00:16:06,520 Speaker 1: easy to watch. Just I mean, such a Woody Allen 227 00:16:06,520 --> 00:16:08,960 Speaker 1: Woody Allen film. And like I said, some people might 228 00:16:08,960 --> 00:16:11,640 Speaker 1: not funk with Woody Allen, I still funk with Woody 229 00:16:11,640 --> 00:16:15,240 Speaker 1: Allen films. I have mixed feelings about him, But I 230 00:16:15,280 --> 00:16:18,680 Speaker 1: also have mixed feelings about Miles Davis, who's on the 231 00:16:18,720 --> 00:16:23,080 Speaker 1: record beating up women. John Lennon smacked around Yoko Ono. 232 00:16:23,360 --> 00:16:26,200 Speaker 1: He admitted that um, And I don't know if Woody 233 00:16:26,200 --> 00:16:29,720 Speaker 1: Allen did the things he was accused of. I've studied it, 234 00:16:29,720 --> 00:16:32,440 Speaker 1: I looked at it. I still honestly don't know. Nonetheless, 235 00:16:32,720 --> 00:16:36,000 Speaker 1: if you want a really good film, funny, unique film, 236 00:16:36,160 --> 00:16:38,760 Speaker 1: and it has gangsters that are funny and weird and 237 00:16:38,840 --> 00:16:43,240 Speaker 1: just the faces on these people, I mean the fucking faces. Um, 238 00:16:43,280 --> 00:16:46,640 Speaker 1: and you want a cameo from Howard Cosell and Milton Burl, 239 00:16:48,160 --> 00:16:53,360 Speaker 1: rewatch or watch for the first time Woody Allen's masterpiece 240 00:16:53,640 --> 00:16:57,560 Speaker 1: Broadway Danny Rose Um. I watched that film, uh this 241 00:16:57,840 --> 00:17:01,960 Speaker 1: past weekend. I also rewatched another Woody Allen film, Blue Jasmine. 242 00:17:03,680 --> 00:17:09,560 Speaker 1: Fucking great film. Woody Allen, his filmmaking and his storytelling 243 00:17:09,600 --> 00:17:12,040 Speaker 1: and the way he tells stories in such a concise, 244 00:17:12,800 --> 00:17:16,840 Speaker 1: simple way. You're watching it and you're like, all this 245 00:17:16,880 --> 00:17:21,280 Speaker 1: stuff is happening, three or four pages of dialogue, story 246 00:17:21,359 --> 00:17:26,840 Speaker 1: being broken down so seamlessly you don't even realize it's happening. 247 00:17:27,480 --> 00:17:31,479 Speaker 1: Blue Jasmine, starring the great Kate Blanchet, I believe she 248 00:17:31,680 --> 00:17:36,159 Speaker 1: was nominated for an Oscar. Excellent, ridiculously excellent portrayal of 249 00:17:36,200 --> 00:17:41,359 Speaker 1: this woman who was sort of like a married to 250 00:17:41,760 --> 00:17:44,520 Speaker 1: like a hedge forward matt Off. I'm sure it was 251 00:17:44,560 --> 00:17:47,560 Speaker 1: based on like like because this was after Um, she's 252 00:17:47,600 --> 00:17:51,720 Speaker 1: married to a person played my Alec Baldwin, who I'm 253 00:17:51,760 --> 00:17:54,600 Speaker 1: sure was inspired loosely. Loosely because he's he's he way 254 00:17:54,680 --> 00:17:57,199 Speaker 1: younger and it doesn't go into that he's just a 255 00:17:57,240 --> 00:17:59,920 Speaker 1: smaller part. But like she was married to a ponzi's 256 00:18:00,040 --> 00:18:04,320 Speaker 1: gaming scumbag who I'm sure was based on Bernie matt 257 00:18:04,320 --> 00:18:08,119 Speaker 1: Off played by Alec Balwin. And she's mentally ill, you know, 258 00:18:08,200 --> 00:18:10,400 Speaker 1: her whole life is taken away, her whole all her 259 00:18:10,440 --> 00:18:14,119 Speaker 1: fortune is taken away, and she goes to San Francisco. 260 00:18:14,240 --> 00:18:17,720 Speaker 1: She's a New York socialite, big shot Fifth Avenue, Park Avenue, 261 00:18:18,119 --> 00:18:20,600 Speaker 1: you know, at the met gall and this gallon, this charity, 262 00:18:20,760 --> 00:18:23,600 Speaker 1: and all her wealth is taken away because her husband 263 00:18:23,640 --> 00:18:28,080 Speaker 1: was a cheating, scandalous, no good scumbag. And she winds 264 00:18:28,160 --> 00:18:31,320 Speaker 1: up going to San Francisco and is having a mental breakdown. 265 00:18:31,640 --> 00:18:36,320 Speaker 1: And Kate Blanchet, who is a fucking beast. Kate Blanchet 266 00:18:36,400 --> 00:18:41,120 Speaker 1: is such a good fucking actress. She's been good in everything. Um, 267 00:18:41,520 --> 00:18:45,760 Speaker 1: she continues to be good in everything, and she's just man. 268 00:18:45,800 --> 00:18:48,920 Speaker 1: She makes it look so fucking easy. Of course, everybody 269 00:18:48,960 --> 00:18:51,480 Speaker 1: knows who Kate Blanchet is. She's one of the best 270 00:18:51,520 --> 00:18:55,360 Speaker 1: to do it. She's in those Hobbit movies. I mean, 271 00:18:55,800 --> 00:18:58,760 Speaker 1: what the funk? I mean, she so so many movies. 272 00:18:58,840 --> 00:19:02,280 Speaker 1: Kate Blanchet Elizabeth, which she was ridiculous, and she does accent, 273 00:19:02,400 --> 00:19:05,840 Speaker 1: she does Shakespeare, she does American. She was in Babbel 274 00:19:06,200 --> 00:19:10,879 Speaker 1: dope ass movie, which was with um Brad Pitt. I 275 00:19:10,960 --> 00:19:14,840 Speaker 1: love that film, A really good film. Giermo Um. I 276 00:19:14,880 --> 00:19:17,520 Speaker 1: know the guy who did um Amorros Perros and Birdman. 277 00:19:18,040 --> 00:19:21,520 Speaker 1: That director also did that film, beautiful dope film. Anyway, 278 00:19:21,600 --> 00:19:24,440 Speaker 1: Kate Blanchett is in Blue Jasmine. I rewatched that film. 279 00:19:24,560 --> 00:19:26,960 Speaker 1: Listen if you still want to funk with Woody Allen. 280 00:19:27,320 --> 00:19:30,880 Speaker 1: Those movies are good. They are good and they don't 281 00:19:30,880 --> 00:19:36,080 Speaker 1: get bad. They don't get bad. So I watched that film. 282 00:19:36,119 --> 00:19:38,720 Speaker 1: I also watched me and my wife watched gray Man 283 00:19:40,080 --> 00:19:42,399 Speaker 1: The gray Man, which is a Netflix film, which is 284 00:19:42,400 --> 00:19:44,320 Speaker 1: not normally the kind of film that I could watch. 285 00:19:44,920 --> 00:19:48,359 Speaker 1: But this was after being out and about in the heat, 286 00:19:49,160 --> 00:19:52,199 Speaker 1: and uh, I said to my wife, watch whatever you 287 00:19:52,240 --> 00:19:55,760 Speaker 1: want Saturday night. What do you want to watch? And 288 00:19:56,080 --> 00:20:00,600 Speaker 1: she chose gray Man, which is starring Ryan Gosling on 289 00:20:00,800 --> 00:20:03,639 Speaker 1: um Netflix, It's on Netflix, And I funked with Ryan Gosling. 290 00:20:03,680 --> 00:20:06,560 Speaker 1: I like to break his balls because, um, you know, 291 00:20:06,640 --> 00:20:09,879 Speaker 1: his hair never gets fucked up. But he's a really 292 00:20:09,920 --> 00:20:12,719 Speaker 1: really good actor, you know, star, he's got the looks. 293 00:20:12,960 --> 00:20:16,520 Speaker 1: He could do comedy, Um, he could do drama, he 294 00:20:16,560 --> 00:20:20,239 Speaker 1: could do indie films. He's fucking dope. And it's not 295 00:20:20,280 --> 00:20:23,439 Speaker 1: like they reinvented the wheel. It's about a c I 296 00:20:23,560 --> 00:20:27,120 Speaker 1: a guy you know who could kick gas. He knows karate, 297 00:20:27,280 --> 00:20:31,480 Speaker 1: he knows taekwon do, he knows jiu jitsu. His hair 298 00:20:31,600 --> 00:20:34,720 Speaker 1: never gets out of place, and you know, he gets 299 00:20:34,720 --> 00:20:40,000 Speaker 1: on a mission to find this chip or this uh 300 00:20:40,200 --> 00:20:41,760 Speaker 1: you know what do they call it when you download 301 00:20:41,800 --> 00:20:44,600 Speaker 1: something in a computer? And he gets the chip and 302 00:20:44,640 --> 00:20:46,960 Speaker 1: then he looks at the chip and then he works 303 00:20:46,960 --> 00:20:49,360 Speaker 1: for the CIA, and then the CIA turns on him. 304 00:20:49,640 --> 00:20:52,160 Speaker 1: And then his mentor, which is played by the great 305 00:20:52,160 --> 00:20:54,800 Speaker 1: Billy Bob Thornton. Billy Bob Thornton is great. You know, 306 00:20:55,160 --> 00:20:57,680 Speaker 1: he says to him, they're gonna kill you. And then 307 00:20:57,720 --> 00:21:00,240 Speaker 1: there's a niece involved, and then Chris Evans. This is 308 00:21:00,280 --> 00:21:02,560 Speaker 1: the bad guy Chris Evans, who I've never seen in 309 00:21:02,600 --> 00:21:07,359 Speaker 1: any other film. I've never seen a Chris Evans film. 310 00:21:07,480 --> 00:21:10,840 Speaker 1: And you're like, what, I have never seen Chris Evans act. 311 00:21:10,840 --> 00:21:14,160 Speaker 1: I'm well aware who he is, big fucking star, right, 312 00:21:14,880 --> 00:21:20,600 Speaker 1: big Captain America. He's in uh Avengers, right, I know 313 00:21:20,640 --> 00:21:24,280 Speaker 1: all about this. I've never seen him in a film, 314 00:21:24,520 --> 00:21:28,120 Speaker 1: but I'm well aware who he is. He's excellent as 315 00:21:28,160 --> 00:21:31,320 Speaker 1: the bad CIA guy. And uh, this fucking film must 316 00:21:31,359 --> 00:21:36,040 Speaker 1: have cost a fortune. Apparently it's the most expensive Netflix 317 00:21:36,119 --> 00:21:40,440 Speaker 1: film ever. And you could see it. They're in Thailand, 318 00:21:40,480 --> 00:21:44,960 Speaker 1: they're in Bangkok, They're in Germany, they're in France, they're 319 00:21:45,080 --> 00:21:48,440 Speaker 1: there every fuckingwhere, and uh, unless they see g i'ed 320 00:21:48,440 --> 00:21:50,400 Speaker 1: at all. I could see why it was so expensive. 321 00:21:50,400 --> 00:21:54,920 Speaker 1: And there's planes blowing up, there's trains blowing up, there's 322 00:21:54,960 --> 00:21:58,960 Speaker 1: automobiles blowing up, there's explosions. Ryan Gonson's beating the ship 323 00:21:59,040 --> 00:22:01,320 Speaker 1: out of people. People are beating the ship out of 324 00:22:01,400 --> 00:22:03,960 Speaker 1: Ryan Gosling. He gets a little scar on his hair. 325 00:22:04,160 --> 00:22:09,360 Speaker 1: Never out of fucking place. Guy looks fantastic. I don't 326 00:22:09,400 --> 00:22:12,840 Speaker 1: know what this fucking guy is on. He's doing push ups, Okay, 327 00:22:13,119 --> 00:22:14,840 Speaker 1: sit up. I don't know what kind of work out 328 00:22:14,840 --> 00:22:18,520 Speaker 1: the funk this guy's on. He not walking six miles. 329 00:22:19,200 --> 00:22:22,560 Speaker 1: This guy is doing some CrossFit ship. He's a chestneked, 330 00:22:23,280 --> 00:22:25,880 Speaker 1: he's got the dick ravine, he's got the whole packages 331 00:22:25,960 --> 00:22:29,360 Speaker 1: sucking Ryan Gossling. He's excellent. But like I said, it's 332 00:22:29,359 --> 00:22:33,200 Speaker 1: like Borne Identity or Double O seven or Mission Impossible. 333 00:22:33,600 --> 00:22:35,920 Speaker 1: No matter how hard they make you think that they're 334 00:22:35,920 --> 00:22:38,760 Speaker 1: gonna kill Ryan Gosling, they ain't gonna fucking kill How 335 00:22:38,800 --> 00:22:42,120 Speaker 1: you gonna kill Ryan Gosling. The ladies love Ryan Gosling. 336 00:22:42,359 --> 00:22:45,520 Speaker 1: The guys love Ryan Gosling. It's the most expensive Netflix 337 00:22:45,560 --> 00:22:49,000 Speaker 1: film ever. If you like a nice popcorn, milk Duds 338 00:22:49,440 --> 00:22:52,240 Speaker 1: Twizzler film to watch in your house, get yourself a 339 00:22:52,280 --> 00:22:55,040 Speaker 1: point of Ben and Jerry's frozen yogurt, do whatever the 340 00:22:55,080 --> 00:22:58,639 Speaker 1: funk you like to do. Gray Man, starring Ryan Gosling 341 00:22:58,760 --> 00:23:01,800 Speaker 1: and Christopher Chris Evans. They call him Christopher Everens. It's 342 00:23:01,800 --> 00:23:06,520 Speaker 1: just Chris Evans, just just Chris Evans, a lot of fun. Excellent. 343 00:23:06,720 --> 00:23:09,960 Speaker 1: It's directed by the Russo Brothers. How could you not 344 00:23:10,040 --> 00:23:13,560 Speaker 1: like the Russo brothers? There named the Russo brothers, but excellent, 345 00:23:13,960 --> 00:23:16,240 Speaker 1: you know, popcorn film. Popcorn film. Like I said, not 346 00:23:16,320 --> 00:23:19,320 Speaker 1: reinventing the wheel a little longer than I thought it 347 00:23:19,359 --> 00:23:22,600 Speaker 1: needed to be. But uh, you know, like I said, 348 00:23:22,640 --> 00:23:25,200 Speaker 1: the ladies love this guy, Chris Evans, great hair. Also 349 00:23:25,800 --> 00:23:29,159 Speaker 1: fucking guy, great hair, Uh cock these. I don't think 350 00:23:29,200 --> 00:23:31,440 Speaker 1: he's chest neked in it, but it's it's a lot 351 00:23:31,480 --> 00:23:35,080 Speaker 1: of fun. Gray Man, which is on Netflix, and uh, 352 00:23:35,200 --> 00:23:38,760 Speaker 1: you know, just enjoying films, enjoying films and trying to 353 00:23:39,480 --> 00:23:43,320 Speaker 1: sort of ebb and flow with my time because I'm 354 00:23:43,320 --> 00:23:46,520 Speaker 1: not working right now. I'm actually getting ready to come 355 00:23:46,520 --> 00:23:48,359 Speaker 1: out to Los Angeles for a few days, take a 356 00:23:48,359 --> 00:23:51,760 Speaker 1: little trip to Los Angeles, and uh, when it's hot, 357 00:23:52,920 --> 00:23:54,320 Speaker 1: when it's hot like it is in New York, you 358 00:23:54,359 --> 00:23:57,600 Speaker 1: gotta buye your fucking time, you know, I gotta tell you, 359 00:23:57,880 --> 00:24:00,800 Speaker 1: like I said, I'm no Ryan Gosling, but I'm doing 360 00:24:00,840 --> 00:24:05,200 Speaker 1: my workouts, doing my walks, doing my little weightlifting, and 361 00:24:05,520 --> 00:24:10,480 Speaker 1: you know, post pneumonia, coming out of hospital, I'm feeling 362 00:24:10,520 --> 00:24:16,040 Speaker 1: fucking good, um, feeling really fucking good, feeling really fucking strong. 363 00:24:16,520 --> 00:24:18,560 Speaker 1: You know, every time I go into my apartment building, 364 00:24:19,480 --> 00:24:23,160 Speaker 1: I don't take the elevator. I take the stairs, don't 365 00:24:23,160 --> 00:24:25,560 Speaker 1: matter what floor I'm on. I doubled my floors the 366 00:24:25,600 --> 00:24:26,919 Speaker 1: other day. I said, I'm not even gonna go to 367 00:24:26,960 --> 00:24:29,520 Speaker 1: my floor. I'm gonna go double the amount of floors. 368 00:24:29,880 --> 00:24:32,479 Speaker 1: Did it? You know, I got my fucking h you know, 369 00:24:32,520 --> 00:24:35,400 Speaker 1: my eye watch, my Apple watch with my heart rate 370 00:24:35,440 --> 00:24:39,879 Speaker 1: thing and my blood oxygen level reader. And I you know, 371 00:24:40,000 --> 00:24:43,600 Speaker 1: I'm feeling I'm knocking on what. I'm feeling good and 372 00:24:43,720 --> 00:24:46,920 Speaker 1: enjoying being healthy despite the fact that it's hot as 373 00:24:47,040 --> 00:24:49,520 Speaker 1: a motherfucker here in New York. And again, I know 374 00:24:49,560 --> 00:24:51,040 Speaker 1: it's hot all over the world. And like I said 375 00:24:51,040 --> 00:24:54,399 Speaker 1: at the top of the show, and I'm flowing. I mean, 376 00:24:54,440 --> 00:24:57,360 Speaker 1: we've been rocking here for twenty five minutes. I'm god 377 00:24:57,440 --> 00:25:00,480 Speaker 1: damnit the Iron rappor Sereo Pockets. This is a fucking 378 00:25:00,480 --> 00:25:04,560 Speaker 1: good podcast, if I must say so myself. This is 379 00:25:04,600 --> 00:25:07,960 Speaker 1: a great, fucking a great This is just twenty five 380 00:25:08,040 --> 00:25:13,359 Speaker 1: minutes and I've already stuffed it down your throat podcast. 381 00:25:27,760 --> 00:25:31,879 Speaker 1: One other film. One other film, um that I was 382 00:25:31,920 --> 00:25:36,240 Speaker 1: talking about recently that I was having trouble getting finally got. 383 00:25:37,600 --> 00:25:40,480 Speaker 1: I tried to do it legally. You know, I'm in 384 00:25:40,520 --> 00:25:43,600 Speaker 1: the film business. I'm in the film and the entertainment business. 385 00:25:43,600 --> 00:25:48,120 Speaker 1: I tried to do it legally. Um I couldn't do it. 386 00:25:48,640 --> 00:25:51,080 Speaker 1: I know some people found it on an MGM app 387 00:25:52,200 --> 00:25:56,160 Speaker 1: Metro Golden Mayor tried to get the Metro Golden Mayor app. 388 00:25:56,600 --> 00:26:00,480 Speaker 1: Couldn't get the Metro Golden Mayor app. Tried re single 389 00:26:01,600 --> 00:26:07,960 Speaker 1: every which way, but loose too legally. Watch a film 390 00:26:07,960 --> 00:26:10,040 Speaker 1: that I watched I think once a year, once every 391 00:26:10,040 --> 00:26:13,320 Speaker 1: other year, State of Grace. Finally got it. Shout out 392 00:26:13,359 --> 00:26:18,040 Speaker 1: to the young shooter Dean Collins, the part time, half 393 00:26:18,080 --> 00:26:20,560 Speaker 1: of the time co host of the Iron Rapp Reports 394 00:26:20,560 --> 00:26:24,320 Speaker 1: Stereo Pod, because he finally found me a link that worked. 395 00:26:24,800 --> 00:26:27,959 Speaker 1: And like I said, I don't support nor I had 396 00:26:28,000 --> 00:26:33,160 Speaker 1: to condone illegal downloads, taking money out of my fucking mouth, 397 00:26:33,400 --> 00:26:36,679 Speaker 1: taking money out of all the actors mouths, all the 398 00:26:36,720 --> 00:26:41,840 Speaker 1: directors mouths. But I needed to watch State of Grace. 399 00:26:42,560 --> 00:26:46,639 Speaker 1: I love that movie. You know, really good movie. It 400 00:26:46,800 --> 00:26:51,000 Speaker 1: aged really well, that film. They don't make movies like that. Again. 401 00:26:51,280 --> 00:26:53,639 Speaker 1: I love watching that film because it came out I 402 00:26:53,640 --> 00:26:58,680 Speaker 1: believe in it was either ninety came out the same 403 00:26:58,800 --> 00:27:05,919 Speaker 1: year as Good Fellas, which is either ninety or ninety one. Also, 404 00:27:05,960 --> 00:27:08,160 Speaker 1: it came out the same year as Miller's Crossing, because 405 00:27:08,160 --> 00:27:09,840 Speaker 1: I always remember there was an article in the New 406 00:27:09,920 --> 00:27:18,159 Speaker 1: York Times about those three movies and Reservoir Dogs. Yeah, 407 00:27:18,640 --> 00:27:23,879 Speaker 1: because it is the thirtieth year anniversary of Reservoir Dogs. 408 00:27:23,920 --> 00:27:27,720 Speaker 1: Am I right? Right? What if it's the thirty If 409 00:27:27,720 --> 00:27:31,399 Speaker 1: it's the thirtieth year anniversary of Reservoir Dogs. Yeah, no, okay, 410 00:27:31,400 --> 00:27:34,760 Speaker 1: So good Fellas came out in ninety Reservoir Dogs. It's 411 00:27:34,760 --> 00:27:39,920 Speaker 1: the thirtieth year anniversary of Reservoir Dogs this year, because 412 00:27:39,920 --> 00:27:44,639 Speaker 1: I was hearing something about that. But Miller's Crossing, great 413 00:27:44,680 --> 00:27:50,200 Speaker 1: film by the Cohen Brothers, Good Fellas, and State of 414 00:27:50,280 --> 00:27:54,479 Speaker 1: Grace all came out in the fall or the winter 415 00:27:55,280 --> 00:27:59,240 Speaker 1: of I always remember because there was an article. It 416 00:27:59,320 --> 00:28:01,960 Speaker 1: was either a New Work magazine or the New York Times, 417 00:28:02,520 --> 00:28:07,080 Speaker 1: but I always remember reading about the resurrection of of 418 00:28:07,160 --> 00:28:12,320 Speaker 1: gangster films and it was focusing on those three films. Um. 419 00:28:12,040 --> 00:28:17,200 Speaker 1: And that's crazy, though, switching back to Reservoir Dogs, that's 420 00:28:17,280 --> 00:28:25,040 Speaker 1: thirty years ago, which is insane. Jesus Christ Man, time, 421 00:28:26,040 --> 00:28:29,479 Speaker 1: you know, time, time is of the essence and time 422 00:28:29,640 --> 00:28:34,120 Speaker 1: fucking flies man. That is wild. That is thirty years ago. 423 00:28:36,320 --> 00:28:38,720 Speaker 1: You know, my first movie was at the Sundance Film 424 00:28:38,800 --> 00:28:43,560 Speaker 1: Festival with Reservoir Dogs. My first film that I ever 425 00:28:43,640 --> 00:28:45,840 Speaker 1: did called zebra Head, which is another film it's hard 426 00:28:45,880 --> 00:28:48,760 Speaker 1: to find, hard to watch. You know, some of these movies, 427 00:28:49,240 --> 00:28:50,760 Speaker 1: I don't know where the funk they go, these little 428 00:28:50,800 --> 00:28:52,680 Speaker 1: indies from the nineties. You know that the rights they 429 00:28:52,720 --> 00:28:54,520 Speaker 1: get brought up by this company, and then the company 430 00:28:54,520 --> 00:28:56,760 Speaker 1: goes out of business, and then it gets sold to 431 00:28:56,800 --> 00:28:59,840 Speaker 1: a foreign place and then the bapa ba ba. But 432 00:29:00,160 --> 00:29:02,600 Speaker 1: that was an exciting time to be at the Sundance 433 00:29:02,680 --> 00:29:07,720 Speaker 1: Film Festival, probably in two it was probably in January 434 00:29:07,680 --> 00:29:10,880 Speaker 1: of two, yeah, and I was twenty two years old, 435 00:29:10,920 --> 00:29:13,880 Speaker 1: and to just be a part of that whirlwind. And 436 00:29:13,920 --> 00:29:16,600 Speaker 1: I remember meeting Quentin Tarantino there. I remember meeting John 437 00:29:16,640 --> 00:29:18,960 Speaker 1: Taturo there, and I was a fucking kid. And I 438 00:29:18,960 --> 00:29:21,640 Speaker 1: remember meet Lawrence Fishburn there. I mean, there were so 439 00:29:21,680 --> 00:29:28,200 Speaker 1: many people. There was exciting, exciting reemergence of independent film. 440 00:29:28,200 --> 00:29:30,560 Speaker 1: They called it the re emergence of independent film. Mirror 441 00:29:30,600 --> 00:29:34,560 Speaker 1: Max was in the infant stage. Um no pun intended, 442 00:29:35,040 --> 00:29:37,680 Speaker 1: Harvey Wanting the creep, Cox Sucker locked up in jail. 443 00:29:38,080 --> 00:29:43,680 Speaker 1: What the fuck what he did to himself. Um, anyway, damn, 444 00:29:43,680 --> 00:29:45,880 Speaker 1: that's wild. Thirty years ago. You know, when I mentioned 445 00:29:47,160 --> 00:29:52,280 Speaker 1: Paul Sorvino passing it at eighty three, I thought about 446 00:29:52,280 --> 00:29:55,120 Speaker 1: my father, who's eighty nine, Disco Dave Rappaport, and how 447 00:29:55,200 --> 00:29:58,960 Speaker 1: lucky I am to have this guy around, has all 448 00:29:59,040 --> 00:30:03,560 Speaker 1: his faculties. Uh, we'll talk your fucking ear off, will 449 00:30:03,720 --> 00:30:06,480 Speaker 1: argue with you, will break your balls at eighty nine 450 00:30:06,560 --> 00:30:08,280 Speaker 1: years old. And it ain't just like, oh, the eighty 451 00:30:08,320 --> 00:30:11,360 Speaker 1: nine year old old guy he's I mean, he's in 452 00:30:11,520 --> 00:30:15,600 Speaker 1: fucking good shape my father, And uh, you know, eighty 453 00:30:15,720 --> 00:30:17,720 Speaker 1: three is old, eighty nine year is old. You know, 454 00:30:18,320 --> 00:30:21,120 Speaker 1: try to enjoy your family while you can, even if 455 00:30:21,160 --> 00:30:25,200 Speaker 1: they drive you nuts. And trust me, Disco Dave love 456 00:30:27,080 --> 00:30:29,160 Speaker 1: drives me nuts. I mean that's what he's supposed to do. 457 00:30:29,960 --> 00:30:31,800 Speaker 1: You know, he's eighty nine year always supposed to break 458 00:30:31,840 --> 00:30:34,160 Speaker 1: my balls. Hopefully if I live to be eighty nine 459 00:30:34,240 --> 00:30:36,880 Speaker 1: years old, my kids will be going I love my dad, 460 00:30:36,880 --> 00:30:41,840 Speaker 1: but he breaks my fucking balls. Anyway. UM, a whole 461 00:30:41,840 --> 00:30:44,640 Speaker 1: bunch of tangents there about films. But I got to 462 00:30:44,640 --> 00:30:48,880 Speaker 1: finally watch State, Oh State to Grace, State to Grace Hey, 463 00:30:48,960 --> 00:30:51,960 Speaker 1: if you could find it, rewatch it. Young Sean pen 464 00:30:52,480 --> 00:30:57,160 Speaker 1: Young Gary Oldman, Young John c Riley, Ed Harris, fucking 465 00:30:57,160 --> 00:30:59,840 Speaker 1: love Ed Harris. I'm about to rewatch the movie Truman 466 00:31:00,000 --> 00:31:04,440 Speaker 1: Show at the Young Shooter Dean Collins persistence. You don't 467 00:31:04,480 --> 00:31:06,480 Speaker 1: have to twist my arm to rewatch that film. I 468 00:31:06,520 --> 00:31:08,160 Speaker 1: really liked that film. I only saw it one time 469 00:31:08,160 --> 00:31:09,880 Speaker 1: in the theater, but I'm gonna rewatch that film. But 470 00:31:09,920 --> 00:31:12,760 Speaker 1: I was thinking about Ed Harrison. He's in a state 471 00:31:12,760 --> 00:31:14,760 Speaker 1: of grade and I'm gonna rewatch the film Pollock, which 472 00:31:14,760 --> 00:31:18,000 Speaker 1: I love him in. He's a fucking dope actor. Ed Harris, 473 00:31:18,400 --> 00:31:20,160 Speaker 1: of course, he was just doing I believe he was 474 00:31:20,240 --> 00:31:26,080 Speaker 1: on the HBO show Westworld. Understated, cool, unique, actor, always 475 00:31:26,080 --> 00:31:29,680 Speaker 1: good and everything. Doesn't get the credit that he deserves. 476 00:31:29,960 --> 00:31:32,840 Speaker 1: And I've really been thinking about, you know, actors and 477 00:31:32,880 --> 00:31:35,880 Speaker 1: what they mean to me and different performances. I've been 478 00:31:35,880 --> 00:31:38,320 Speaker 1: thinking a lot about that lately, and it's such a 479 00:31:39,560 --> 00:31:42,200 Speaker 1: you know, to be able to do it, to be 480 00:31:42,240 --> 00:31:44,000 Speaker 1: able to be doing it like I do it, and 481 00:31:44,000 --> 00:31:46,000 Speaker 1: to be able to be doing it for as long 482 00:31:46,000 --> 00:31:48,040 Speaker 1: as I do it, and also be such a fan. 483 00:31:48,160 --> 00:31:51,000 Speaker 1: I continue to be such a fan, and I guess 484 00:31:51,000 --> 00:31:54,520 Speaker 1: I would say a student of other actors is cool. 485 00:31:54,640 --> 00:31:56,280 Speaker 1: And to know some of these people and to come 486 00:31:56,280 --> 00:31:58,280 Speaker 1: across some of these people and to have to work 487 00:31:58,280 --> 00:32:02,320 Speaker 1: with some of these people, it's pretty and pretty special. Um. 488 00:32:02,400 --> 00:32:05,680 Speaker 1: So that's my movie reviews. Ship that I've seen, Ship 489 00:32:05,760 --> 00:32:08,400 Speaker 1: that I'm gonna see, uh, and ship that I watched 490 00:32:08,400 --> 00:32:27,520 Speaker 1: in the last few days before you know this story, 491 00:32:28,320 --> 00:32:33,640 Speaker 1: this is so New York and so Brooklyn. This is 492 00:32:33,680 --> 00:32:38,720 Speaker 1: the type of ship where if you grew up in 493 00:32:38,760 --> 00:32:45,440 Speaker 1: New York City and you understand the dynamics of Brooklyn, 494 00:32:47,480 --> 00:32:50,360 Speaker 1: you really could appreciate this story. Um. If you're a 495 00:32:50,360 --> 00:32:58,200 Speaker 1: fan of jay Z, Sean Price, Biggie Smalls, Big Daddy Kane, Any, 496 00:32:58,240 --> 00:33:05,480 Speaker 1: Brooklyn m c Any, Brookland Rapper, Fabulous jess A, slim quality, 497 00:33:05,600 --> 00:33:11,320 Speaker 1: old dirty bastard, Okay Buckshot j Ruta, damn it. Even 498 00:33:11,360 --> 00:33:13,120 Speaker 1: if you're not from New York and you've never been 499 00:33:13,160 --> 00:33:17,720 Speaker 1: to New York. Okay, you hear Biggie Small say that 500 00:33:17,760 --> 00:33:23,760 Speaker 1: Brooklyn bullshit or on it? This is that Brooklyn bullshit 501 00:33:24,080 --> 00:33:29,560 Speaker 1: that he was talking about. So there's a bishop apparently 502 00:33:29,560 --> 00:33:31,680 Speaker 1: he's a controversial bishop. I don't even know what a 503 00:33:31,680 --> 00:33:34,960 Speaker 1: bishop is. I don't know what a bishop is in 504 00:33:35,120 --> 00:33:39,440 Speaker 1: church or you know, I don't know what that is. Okay, 505 00:33:39,560 --> 00:33:41,480 Speaker 1: I'm not fact checking what a bishop is. I don't 506 00:33:41,520 --> 00:33:44,840 Speaker 1: know the difference between a bishop, a pope, or a pastor. 507 00:33:44,960 --> 00:33:50,720 Speaker 1: No disrespect, sincerely, no disrespect. Okay. But there's a controversial 508 00:33:50,760 --> 00:33:58,120 Speaker 1: bishop named Lamar Whitehead from Brooklyn, Okay, who has a 509 00:33:58,240 --> 00:34:01,360 Speaker 1: Rolls Royce. He is a man of God with a 510 00:34:01,480 --> 00:34:05,600 Speaker 1: Rolls Royce. He walks around in Gucci suits, like the 511 00:34:05,680 --> 00:34:08,960 Speaker 1: kind of Gucci suits that like, I don't know, fucking 512 00:34:10,719 --> 00:34:13,920 Speaker 1: DJ Khalid walks around in except for the guys you know, 513 00:34:13,960 --> 00:34:16,879 Speaker 1: thinner than DJ Kaled, but the kind of ship you see, 514 00:34:16,920 --> 00:34:19,160 Speaker 1: like you know the Kardashians were, and they're that fucking 515 00:34:19,160 --> 00:34:23,200 Speaker 1: Gamble guy whatever the fucking Corey Gamble, like that Gaudie 516 00:34:23,760 --> 00:34:29,120 Speaker 1: Tackie over the top ship. He's a bishop, a man 517 00:34:29,200 --> 00:34:31,760 Speaker 1: of God who rides around in a Rolls Royce Gucci suits, 518 00:34:32,080 --> 00:34:39,560 Speaker 1: bling the fuck out. Okay. In Canarsi, Canarsie, Brooklyn near 519 00:34:39,600 --> 00:34:45,120 Speaker 1: Avenue d Okay, near Remsen and Avenue d Okay. The Bishop, 520 00:34:45,160 --> 00:34:49,600 Speaker 1: the Good Bishop Lamar Whitehead, was giving his sermon Okay, 521 00:34:49,640 --> 00:34:54,480 Speaker 1: apparently he's friends with Mayor Adams where he supported Mayor Adams. 522 00:34:54,520 --> 00:34:59,400 Speaker 1: Maybe he's not friends. I don't know. Who's also from Brooklyn, Okay. 523 00:34:59,640 --> 00:35:04,560 Speaker 1: On Sunday he's in the fucking church no disrespect the 524 00:35:04,680 --> 00:35:08,799 Speaker 1: leaders of Tomorrow International Ministry. Maybe that's not a church. 525 00:35:08,960 --> 00:35:11,400 Speaker 1: I don't know. I'm Jewish. I don't know these things. 526 00:35:12,760 --> 00:35:16,160 Speaker 1: But I do know that the Good Bishop Lamar Whitehead 527 00:35:16,680 --> 00:35:21,799 Speaker 1: was doing his sermon on a Sunday boom, three gunmen 528 00:35:21,840 --> 00:35:24,920 Speaker 1: came into the service. The whole thing is caught on tape. 529 00:35:25,520 --> 00:35:27,760 Speaker 1: While the good Bishop is up there, the good Bishop 530 00:35:28,200 --> 00:35:29,959 Speaker 1: us is get on the ground, Get on the ground. 531 00:35:30,239 --> 00:35:32,600 Speaker 1: He's telling the people in the church to get on 532 00:35:32,640 --> 00:35:35,520 Speaker 1: the ground. I don't think you could hear what's happening 533 00:35:35,600 --> 00:35:39,759 Speaker 1: during the robbery, the stick up, the bandits, the mask 534 00:35:39,880 --> 00:35:44,120 Speaker 1: bandits who um were black, because later on the good 535 00:35:44,120 --> 00:35:48,080 Speaker 1: Bishop went on social media of course, blinged out fucking 536 00:35:48,120 --> 00:35:51,360 Speaker 1: custom suits. He's just like fucking mc hammer and his 537 00:35:51,440 --> 00:35:53,840 Speaker 1: prime with the red and all, you know, the cuff links, 538 00:35:54,840 --> 00:35:59,680 Speaker 1: exotic suits, leathers, linens, all kind of fly ship. He 539 00:35:59,760 --> 00:36:03,400 Speaker 1: broke down what happened. He said, these mass gunmen were black. 540 00:36:03,440 --> 00:36:08,040 Speaker 1: I could see their faces. They came in, robbed him 541 00:36:08,080 --> 00:36:13,319 Speaker 1: and his wife, rob the bishop's wife and him a 542 00:36:13,400 --> 00:36:19,799 Speaker 1: four hundred thousand dollaries in jewelry, and then made off 543 00:36:21,320 --> 00:36:24,080 Speaker 1: went on the run. The bishop said he chased them 544 00:36:24,120 --> 00:36:27,040 Speaker 1: down in his rolls Royce. He says he knows who 545 00:36:27,120 --> 00:36:33,000 Speaker 1: they are. They're gonna catch him, YadA, YadA, YadA. Then God, 546 00:36:33,040 --> 00:36:35,560 Speaker 1: no one was hurt. But the fact that a man 547 00:36:35,640 --> 00:36:39,000 Speaker 1: of God, and this is not the only man of 548 00:36:39,000 --> 00:36:41,640 Speaker 1: God who's riding around in the rolls right. I don't 549 00:36:41,680 --> 00:36:46,960 Speaker 1: know how this ship happens, but to go into a ministry, 550 00:36:47,080 --> 00:36:50,319 Speaker 1: a church, a place of worship on a Sunday, a 551 00:36:50,440 --> 00:36:54,640 Speaker 1: Sunday morning before noon, when you're supposed to be chilling 552 00:36:54,719 --> 00:37:02,200 Speaker 1: during a fucking heat wave, with guns pulled out, the pistols, 553 00:37:02,200 --> 00:37:10,160 Speaker 1: the pistols, the hammers in Brooklyn and rob a bishop, 554 00:37:10,880 --> 00:37:14,000 Speaker 1: a blinged out bishop in Brooklyn is the most Brooklyn 555 00:37:14,040 --> 00:37:17,920 Speaker 1: ship you're ever gonna hear. When Biggie Small says that 556 00:37:18,000 --> 00:37:21,760 Speaker 1: Brooklyn bullshit, we're on it, this is exactly what his means. 557 00:37:21,920 --> 00:37:28,240 Speaker 1: Sean Price is up in heaven with Biggie Smalls right 558 00:37:28,239 --> 00:37:32,319 Speaker 1: now smoking a blunt, laughing about this ship. Again we 559 00:37:32,360 --> 00:37:35,200 Speaker 1: could laugh because no one got hurt. They are cracking 560 00:37:35,239 --> 00:37:39,319 Speaker 1: the fuck up. The great stick up kids, the stick 561 00:37:39,360 --> 00:37:44,720 Speaker 1: up kids from Brooklyn, all of them are laughing, whether 562 00:37:44,760 --> 00:37:48,399 Speaker 1: they're in jail, passed away, or still doing their thing, 563 00:37:48,520 --> 00:37:53,600 Speaker 1: laughing about this ship. Because you gotta be a dumb ass, motherfucker, 564 00:37:54,600 --> 00:37:58,160 Speaker 1: no disrespect to the bishop to be walking around Brooklyn, 565 00:38:00,200 --> 00:38:04,040 Speaker 1: driving around in a Rolls Royce with your fancy suits 566 00:38:04,040 --> 00:38:08,680 Speaker 1: and your Gucci this and your Balenciaga that, and your 567 00:38:08,680 --> 00:38:11,640 Speaker 1: four hundred thousand dollars worth of jewelry, and you think 568 00:38:11,680 --> 00:38:14,000 Speaker 1: you ain't gonna get robbed, whether you're a man of 569 00:38:14,040 --> 00:38:17,600 Speaker 1: God or not. Besides, who the how did you know 570 00:38:17,640 --> 00:38:20,040 Speaker 1: if you have four hundred thousand dollars of jewelry and 571 00:38:20,080 --> 00:38:23,000 Speaker 1: a Rolls Royce, you know much money you have to have? 572 00:38:23,040 --> 00:38:26,160 Speaker 1: I don't care if that motherfucker's you know how much 573 00:38:26,200 --> 00:38:29,239 Speaker 1: money you have to have? Where do you get that 574 00:38:29,280 --> 00:38:35,000 Speaker 1: money from? Donations? Brooklyn? Motherfucker's are supposed to be smart. 575 00:38:35,040 --> 00:38:37,719 Speaker 1: You guys in Brooklyn and b K are giving this 576 00:38:37,800 --> 00:38:41,759 Speaker 1: bishop that much money? And if they got away with 577 00:38:41,760 --> 00:38:43,759 Speaker 1: four hundred thousand dollars worth of jewlie, do you know 578 00:38:43,800 --> 00:38:47,240 Speaker 1: how much other jewelry. Him and his wife, his whiz, 579 00:38:47,280 --> 00:38:52,879 Speaker 1: his peace, his earth have to have. And if you've 580 00:38:52,880 --> 00:38:55,600 Speaker 1: got one rolls, right, you gotta at least have something else, 581 00:38:56,000 --> 00:38:58,520 Speaker 1: a range rover or something else. I mean, this is 582 00:38:58,600 --> 00:39:03,920 Speaker 1: just hoary us on so many fucking levels. This is 583 00:39:04,080 --> 00:39:06,880 Speaker 1: every single thing that Sean Price was rapping about. This 584 00:39:06,920 --> 00:39:09,600 Speaker 1: is every single thing that Biggie Smalls was wrapping around, 585 00:39:09,880 --> 00:39:13,759 Speaker 1: jay Z was rapping about. It's so damn Brooklyn and 586 00:39:13,800 --> 00:39:17,719 Speaker 1: you just can't even you can't even understand. But trust me, 587 00:39:18,520 --> 00:39:21,839 Speaker 1: it'll never get more Brooklyn than a bishop getting stuck up, 588 00:39:22,480 --> 00:39:29,880 Speaker 1: not on the street, not at a home invasion, but 589 00:39:29,960 --> 00:39:32,800 Speaker 1: while he was at the fucking pulpit given a sermon 590 00:39:32,960 --> 00:39:35,840 Speaker 1: on a Sunday morning. God lead, damn that is some 591 00:39:35,960 --> 00:39:45,040 Speaker 1: wild ship. Who man, damn it, damn it. What else 592 00:39:45,120 --> 00:39:52,040 Speaker 1: is going on? Apparently Dave Chappelle performed opened for Chris 593 00:39:52,160 --> 00:39:54,840 Speaker 1: rock Kevin Hart, Kevin harton Chris Rocker on tour. I 594 00:39:54,880 --> 00:39:56,800 Speaker 1: didn't know these motherfucker's were performing in New York. I 595 00:39:56,800 --> 00:39:59,280 Speaker 1: would have went to go see them, Sorry, Ryan Gosslin 596 00:39:59,280 --> 00:40:03,640 Speaker 1: and Chris Ovans. If I had known that Dave Chappelle 597 00:40:03,680 --> 00:40:06,400 Speaker 1: was going to perform open. Essentially, he was the opening 598 00:40:06,440 --> 00:40:11,280 Speaker 1: act for Chris Rock and Kevin Horton and Madison Square Garden. 599 00:40:11,760 --> 00:40:13,880 Speaker 1: I wouldn't have sat through two hours and twelve minutes 600 00:40:13,880 --> 00:40:18,359 Speaker 1: of your very entertaining popcorn uh Netflix film The Gray Man. 601 00:40:19,040 --> 00:40:22,520 Speaker 1: But the night before, Dave Chappelle had a a show 602 00:40:22,520 --> 00:40:26,200 Speaker 1: in Minnesota that had to be rescheduled because he was 603 00:40:26,280 --> 00:40:33,280 Speaker 1: performing and protesters at the famed Minnesota club First Avenue, 604 00:40:33,880 --> 00:40:38,040 Speaker 1: which I'm not gonna I'm not gonna guarantee, nor am 605 00:40:38,080 --> 00:40:40,399 Speaker 1: I gonna fact check. I'm Wrappers Stereo poks. If you've 606 00:40:40,400 --> 00:40:42,359 Speaker 1: never listened to the Iron Wrappers Stereo podcast, we don't 607 00:40:42,360 --> 00:40:45,359 Speaker 1: fact check. You know, I'm not gonna sit up here 608 00:40:45,360 --> 00:40:47,040 Speaker 1: and talk recklessly and make things up. But I'm not 609 00:40:47,080 --> 00:40:49,080 Speaker 1: fact checking certain things during the middle of the show. 610 00:40:49,480 --> 00:40:51,680 Speaker 1: But I believe the club First Avenue, which is the 611 00:40:51,719 --> 00:40:54,080 Speaker 1: name of the club, I believe maybe I'm wrong that 612 00:40:54,239 --> 00:40:59,040 Speaker 1: Prince got his start there. He maybe got his start there. Anyway, 613 00:40:59,400 --> 00:41:01,640 Speaker 1: Chappelle was to perform the other night at the First 614 00:41:01,719 --> 00:41:07,799 Speaker 1: Avenue club in Minnesota, and some of the workers there 615 00:41:08,520 --> 00:41:13,720 Speaker 1: refused to work. They were protesting, they were supporting trans rights, 616 00:41:14,640 --> 00:41:17,160 Speaker 1: and of course the event. You had to cancel the 617 00:41:17,200 --> 00:41:20,520 Speaker 1: show because it was last minute, and you can't perform 618 00:41:20,560 --> 00:41:23,080 Speaker 1: if there's no you know, people working, the bartenders and 619 00:41:23,120 --> 00:41:25,920 Speaker 1: all that stuff. They wanted to do a little dustup 620 00:41:25,920 --> 00:41:29,600 Speaker 1: because they're still upset about Dave Chappelle's last special. Um 621 00:41:29,640 --> 00:41:32,120 Speaker 1: and of course Dave Chappell just rescheduled the next night, 622 00:41:32,200 --> 00:41:35,759 Speaker 1: sold out, and uh, you know, talk shit. Apparently he 623 00:41:35,760 --> 00:41:40,439 Speaker 1: heckled the protesters as he should. So sick and tired 624 00:41:40,480 --> 00:41:44,799 Speaker 1: of these fucking protesters with their fucking bullshit. Spend more 625 00:41:44,840 --> 00:41:49,800 Speaker 1: time protesting bullshit then they do focusing on their own lives, 626 00:41:50,000 --> 00:41:54,480 Speaker 1: their own careers. That last Dave Chappelle special was so 627 00:41:55,840 --> 00:41:58,880 Speaker 1: he was so delicate, he was so thoughtful and everything 628 00:41:58,920 --> 00:42:02,520 Speaker 1: that he said. People can't take jokes, you can't make 629 00:42:02,600 --> 00:42:04,920 Speaker 1: jokes about certain community. He broke it down. I'm not 630 00:42:04,920 --> 00:42:07,799 Speaker 1: even gonna break it down. Dave Chappelle broke it the 631 00:42:07,920 --> 00:42:11,880 Speaker 1: fuck down. You want to protest, get a life. You 632 00:42:11,880 --> 00:42:15,000 Speaker 1: want to protest during a heat wave, get a fucking life. 633 00:42:15,000 --> 00:42:20,000 Speaker 1: It's ridiculous. I'm glad Dave Chappelle mocked them, screamed apparently 634 00:42:20,000 --> 00:42:21,880 Speaker 1: from his dressing whom he had to hit a bullhorn. 635 00:42:21,920 --> 00:42:26,160 Speaker 1: He was talking ship to him. He was snapping on him. Good, good, good, 636 00:42:26,360 --> 00:42:31,080 Speaker 1: It's fantastic. Fuck these protesters, Fuck these snowflakes, Fuck these 637 00:42:31,120 --> 00:42:35,320 Speaker 1: ovally sensitive. You want to laugh at Dave Chappelle's the best? 638 00:42:35,760 --> 00:42:39,560 Speaker 1: You don't like it, don't watch? Cancel your Netflix subscription. 639 00:42:39,640 --> 00:42:42,320 Speaker 1: Should have asked these protests, do any of you have Netflix? 640 00:42:45,120 --> 00:42:47,840 Speaker 1: You're out of here protesting, but you're still You're gonna 641 00:42:47,880 --> 00:42:51,160 Speaker 1: go home and watch Ryan Gosling in his new film. 642 00:42:51,200 --> 00:42:53,319 Speaker 1: You're gonna go home Netflix and chill. You're gonna go 643 00:42:53,400 --> 00:42:57,560 Speaker 1: home Murder Doc and Chill. Yeah, you're mad at Dave Chappelle. 644 00:42:57,560 --> 00:43:03,640 Speaker 1: I'm done, kam saw distructive. My name is the destructive 645 00:43:03,680 --> 00:43:08,120 Speaker 1: Michael Rapport. What else you expect? Another fantastic iron Wrapp 646 00:43:08,120 --> 00:43:10,960 Speaker 1: reports stereo podcast, museum quality. Tell a friend to tell 647 00:43:11,000 --> 00:43:17,080 Speaker 1: a friend, share the link past the link around Myles 648 00:43:17,160 --> 00:43:19,720 Speaker 1: Jordan's a K. The Bleach Brothers, a K. The Dust Brothers. 649 00:43:20,760 --> 00:43:22,080 Speaker 1: Let's get out of here. Let's get out of with 650 00:43:22,120 --> 00:43:25,440 Speaker 1: something real nice. Let's get out of here with something real, proper, 651 00:43:25,800 --> 00:43:29,560 Speaker 1: but most important, let's end this gorgeous museum quality. Fantastic, 652 00:43:29,600 --> 00:43:32,560 Speaker 1: hard hitting iron rapports stereo podcast something real loud and 653 00:43:32,600 --> 00:43:35,800 Speaker 1: real funking. I am Wrapports stereo podcast, forty five minutes 654 00:43:35,840 --> 00:43:38,000 Speaker 1: of funk on that ass amount