1 00:00:01,360 --> 00:00:05,279 Speaker 1: This facility is a mess, totally not up to imperial standards. 2 00:00:05,720 --> 00:00:08,240 Speaker 1: He says that it's due to his haste. He could 3 00:00:08,240 --> 00:00:12,119 Speaker 1: perform tidier neckruptcies of the alien species requested, but it 4 00:00:12,200 --> 00:00:17,040 Speaker 1: would require more time. Lord Veta has absolutely forbidden a 5 00:00:17,120 --> 00:00:20,759 Speaker 1: third episode. The analysis needs to be completed today. The 6 00:00:20,960 --> 00:00:23,840 Speaker 1: surgical droid is requesting that we each hold a flap 7 00:00:23,880 --> 00:00:26,920 Speaker 1: of tissue. I am just here to supervise. Doesn't he 8 00:00:26,960 --> 00:00:30,159 Speaker 1: have extra arms for precisely this reason? Those are for 9 00:00:30,280 --> 00:00:38,360 Speaker 1: waving around all right? Then, welcome to Stuff to Blow 10 00:00:38,400 --> 00:00:47,839 Speaker 1: Your Mind production of My Heart Radio. Hey, welcome to 11 00:00:47,880 --> 00:00:50,120 Speaker 1: Stuff to Blow your Mind. My name is Robert Lamb 12 00:00:50,360 --> 00:00:52,720 Speaker 1: and I'm Joe McCormick, and we're back with part two 13 00:00:52,760 --> 00:00:57,040 Speaker 1: of our Star Wars Alien necropsies. So in the last episode, 14 00:00:57,080 --> 00:00:59,240 Speaker 1: if you haven't heard that, yeah, you should probably just 15 00:00:59,240 --> 00:01:01,800 Speaker 1: go listen to that one first where we discuss what 16 00:01:01,800 --> 00:01:03,720 Speaker 1: we're doing here and then and then come back and 17 00:01:03,720 --> 00:01:05,920 Speaker 1: rejoin us for this one. But hey, if if you're 18 00:01:05,920 --> 00:01:08,720 Speaker 1: all caught up here, we are again. And the last 19 00:01:08,760 --> 00:01:12,360 Speaker 1: time we talked about some aliens from the Star Wars galaxy, 20 00:01:12,360 --> 00:01:15,720 Speaker 1: we talked about some vacuum dwellers like the exo Gorth 21 00:01:15,800 --> 00:01:20,039 Speaker 1: and the Mynox and compared that to some real world biology, 22 00:01:20,160 --> 00:01:24,200 Speaker 1: both both definite and hypothetical. And we also talked about 23 00:01:24,240 --> 00:01:28,039 Speaker 1: the Jedi toe Gruta, a powerful and honorable species of 24 00:01:28,120 --> 00:01:30,960 Speaker 1: alien with some with awesome stuff on their heads. But 25 00:01:30,959 --> 00:01:33,280 Speaker 1: but we're back again, and I think it's heads up 26 00:01:33,319 --> 00:01:36,440 Speaker 1: first again today, isn't it? It is? And I'm glad 27 00:01:36,480 --> 00:01:39,360 Speaker 1: you mentioned the togruta because because basically it comes down 28 00:01:39,400 --> 00:01:43,240 Speaker 1: to this situation where you have various scenes in Star Wars, 29 00:01:43,880 --> 00:01:47,400 Speaker 1: Cantina scenes, Jedi Council scenes, etcetera, where part of the 30 00:01:47,440 --> 00:01:50,480 Speaker 1: fun is like, wow, look at the alien diversity and 31 00:01:50,520 --> 00:01:54,360 Speaker 1: look at all the strange things going on with with morphology, 32 00:01:54,440 --> 00:01:57,600 Speaker 1: with with these aliens heads and bodies. But of course, 33 00:01:58,440 --> 00:02:01,720 Speaker 1: if we're looking at things from a biological standpoint, things 34 00:02:01,760 --> 00:02:04,560 Speaker 1: are shaped certain ways for a reason. Things have evolved 35 00:02:04,560 --> 00:02:07,640 Speaker 1: into different forms for a reason. And those strange heads 36 00:02:07,640 --> 00:02:10,160 Speaker 1: you see just filling up the space if we were, 37 00:02:10,280 --> 00:02:12,760 Speaker 1: if we were to look at them with scientific scrutiny, 38 00:02:13,280 --> 00:02:16,000 Speaker 1: and you know, and also lean into the uh, you know, two, 39 00:02:16,040 --> 00:02:18,560 Speaker 1: into the imagination, into the fantasy of that you know, 40 00:02:18,720 --> 00:02:22,000 Speaker 1: all these things have a purpose, and and we can 41 00:02:22,160 --> 00:02:24,280 Speaker 1: we can turn, of course, to to Cannon and to 42 00:02:24,720 --> 00:02:26,720 Speaker 1: the fiction itself to get some of those answers. But 43 00:02:26,720 --> 00:02:29,200 Speaker 1: then a lot of the fun is in extrapolating and 44 00:02:29,240 --> 00:02:32,119 Speaker 1: saying what else could it be used for? Or if 45 00:02:32,120 --> 00:02:35,320 Speaker 1: the thing they're telling me is true, what are the ramifications, 46 00:02:35,360 --> 00:02:38,720 Speaker 1: often the unexplored ramifications of that right? What can you 47 00:02:39,400 --> 00:02:44,480 Speaker 1: deduce about the ancestral environment of the creature that confronts 48 00:02:44,560 --> 00:02:46,800 Speaker 1: Luke in the moss as Lee Cantina with the weird 49 00:02:46,800 --> 00:02:50,840 Speaker 1: little lobes on his chin. I actually know the answer 50 00:02:50,880 --> 00:02:53,160 Speaker 1: to that one. I think that was that one has 51 00:02:53,200 --> 00:02:56,799 Speaker 1: been described in Cannon. I think it's Cannon anyway as 52 00:02:56,840 --> 00:03:00,600 Speaker 1: being um like a a surgical It's like a self 53 00:03:00,639 --> 00:03:04,840 Speaker 1: surgical addict. So so all those weird features are at 54 00:03:04,919 --> 00:03:08,079 Speaker 1: least partially the result of self surgery. I think that's right. 55 00:03:08,560 --> 00:03:09,919 Speaker 1: Could be wrong on that. We might have to take 56 00:03:09,960 --> 00:03:11,760 Speaker 1: that out if I'm wrong, but but I believe that's 57 00:03:11,760 --> 00:03:14,079 Speaker 1: the case. That is not the answer I expect. Wait, 58 00:03:14,080 --> 00:03:16,120 Speaker 1: are you talking about the guy who talks to Luke 59 00:03:16,200 --> 00:03:18,040 Speaker 1: or just the guy who grunt? No, I meant the 60 00:03:18,040 --> 00:03:20,240 Speaker 1: guy who grunts at him, who has the weird little 61 00:03:20,320 --> 00:03:25,240 Speaker 1: kind of like the butt on his mouth or chin area. Yes, Um, 62 00:03:25,400 --> 00:03:27,280 Speaker 1: I don't know as much about those guys, but but 63 00:03:27,400 --> 00:03:29,440 Speaker 1: they are. They are described at length in some of 64 00:03:29,480 --> 00:03:32,120 Speaker 1: the books that uh, that I've looked at. One of 65 00:03:32,160 --> 00:03:34,320 Speaker 1: which I want to go ahead and mention is Star 66 00:03:34,400 --> 00:03:39,160 Speaker 1: Wars Alien Archive, which is just a wonderful illustrated tone 67 00:03:39,320 --> 00:03:41,920 Speaker 1: of Aliens from all I think, all the Star Wars 68 00:03:41,960 --> 00:03:46,200 Speaker 1: movies up through Solo, and it had just wonderful illustrations, 69 00:03:46,720 --> 00:03:49,080 Speaker 1: nice little write ups about them. It's one of these 70 00:03:49,080 --> 00:03:51,560 Speaker 1: books that UM that I got from my my son 71 00:03:52,360 --> 00:03:55,680 Speaker 1: sometime last year early last year, and we've already like 72 00:03:55,760 --> 00:03:58,440 Speaker 1: worn it out, their pages falling out of it. You know, 73 00:03:58,680 --> 00:04:00,160 Speaker 1: anytime you get the book out, you have to like 74 00:04:00,560 --> 00:04:03,280 Speaker 1: reinsert different parts of it that have come come apart. 75 00:04:03,600 --> 00:04:05,160 Speaker 1: It's a it's seen a lot of a lot of 76 00:04:05,200 --> 00:04:08,560 Speaker 1: wear and tear and love. So I highly recommend that one. Yeah. 77 00:04:08,600 --> 00:04:11,240 Speaker 1: I think we've talked to many times before about our 78 00:04:11,280 --> 00:04:14,920 Speaker 1: our love for the illustrated encyclopedias of fictional worlds, and 79 00:04:14,920 --> 00:04:18,080 Speaker 1: and this is a great one. But the the first 80 00:04:18,120 --> 00:04:20,839 Speaker 1: selection I want to make here today is Um is 81 00:04:20,880 --> 00:04:23,599 Speaker 1: not a creature from a Cantina. It is that, in fact, 82 00:04:23,640 --> 00:04:26,800 Speaker 1: a creature from UH that we first encounter in the 83 00:04:26,880 --> 00:04:32,280 Speaker 1: Jedi Council scenes in UH Star Wars The Phantom Menace. Now, 84 00:04:32,279 --> 00:04:34,640 Speaker 1: I don't know if you remember these these guys are 85 00:04:34,640 --> 00:04:37,240 Speaker 1: not are really there's mainly one guy that we encounter, 86 00:04:37,800 --> 00:04:42,120 Speaker 1: but the species they're known as the Serians. Oh, this 87 00:04:42,200 --> 00:04:44,400 Speaker 1: is the guy who looks like a wizard but with 88 00:04:44,480 --> 00:04:47,480 Speaker 1: a tower head. So it's almost as if the Tower 89 00:04:47,600 --> 00:04:52,600 Speaker 1: of Eisenard has been incorporated into Saruman's skull. Yes, these 90 00:04:52,720 --> 00:04:55,960 Speaker 1: uh these were a bipedal largely humanoid species. Were told 91 00:04:55,960 --> 00:04:58,840 Speaker 1: their native to the planet Syria, and they're most notable 92 00:04:58,880 --> 00:05:03,000 Speaker 1: for their in large, just vaguely conical craniums, though they 93 00:05:03,080 --> 00:05:08,360 Speaker 1: lack the pronounced cone heads of the Mulachians of cone 94 00:05:08,400 --> 00:05:11,560 Speaker 1: Head's fame. Um. We're told that they have two hearts, 95 00:05:12,040 --> 00:05:14,920 Speaker 1: the second of which is said to supply extra blood 96 00:05:14,920 --> 00:05:18,960 Speaker 1: and oxygen to their most curious uh neurobiology. And that 97 00:05:19,200 --> 00:05:24,000 Speaker 1: is a binary brain. Oh okay, I can see why 98 00:05:24,040 --> 00:05:27,120 Speaker 1: this caught your attention. Yes, so what is meant by 99 00:05:27,120 --> 00:05:30,680 Speaker 1: a binary brain? Well? In UH again, the excellent illustrated 100 00:05:30,680 --> 00:05:33,080 Speaker 1: Star Wars Alien Archive it is said that the Syrian 101 00:05:33,120 --> 00:05:36,480 Speaker 1: binary brain is quote able to process many things at 102 00:05:36,480 --> 00:05:39,799 Speaker 1: the same time, sort through data quickly and also consider 103 00:05:39,880 --> 00:05:45,640 Speaker 1: two sides of the same arguments simultaneously parallel processing. Yeah, 104 00:05:45,720 --> 00:05:48,520 Speaker 1: and it's also been suggested I think in perhaps this 105 00:05:48,560 --> 00:05:51,839 Speaker 1: is like an extended universe, you know, novelization thing. But 106 00:05:51,880 --> 00:05:55,200 Speaker 1: it's been suggested that this sort of brain structure allows 107 00:05:55,320 --> 00:05:58,359 Speaker 1: at least certain members of of of the Syrian species, 108 00:05:58,680 --> 00:06:02,320 Speaker 1: especially like for or sensitive individuals, to explore both the 109 00:06:02,440 --> 00:06:04,960 Speaker 1: light and the dark side of the force in ways 110 00:06:05,080 --> 00:06:09,000 Speaker 1: that are maybe somewhat safer compared to just normal dabbling 111 00:06:09,000 --> 00:06:11,760 Speaker 1: in the dark side. Oh, I see. So the understanding 112 00:06:11,880 --> 00:06:15,200 Speaker 1: is that normally, if you are to explore the dark side, 113 00:06:15,560 --> 00:06:18,320 Speaker 1: it's kind of not possible to just do that as 114 00:06:18,360 --> 00:06:22,640 Speaker 1: a curiosity like learning. The dark side necessarily will corrupt 115 00:06:22,720 --> 00:06:25,560 Speaker 1: and contaminate your brain. And so if you have a 116 00:06:25,640 --> 00:06:28,760 Speaker 1: divided mind like this, maybe you can sort of quarantine 117 00:06:28,960 --> 00:06:31,520 Speaker 1: the half of your brain that does get corrupted with 118 00:06:31,560 --> 00:06:33,840 Speaker 1: that so that it doesn't spread to the other half. 119 00:06:33,960 --> 00:06:35,920 Speaker 1: Is is that what you're saying? That is what? That 120 00:06:36,040 --> 00:06:38,400 Speaker 1: is what I believe the argument is. I haven't actually 121 00:06:38,440 --> 00:06:41,480 Speaker 1: read anything um or viewed anything where they get into that. 122 00:06:41,640 --> 00:06:43,880 Speaker 1: But certainly, if anyone out there has, if you're familiar 123 00:06:43,920 --> 00:06:47,480 Speaker 1: with with whatever novelization or or novel or comic this 124 00:06:47,520 --> 00:06:48,880 Speaker 1: happens to be from, I'd love to hear it a 125 00:06:48,920 --> 00:06:52,680 Speaker 1: little bit more. Now. The most famous and recognizable Serian is, 126 00:06:52,680 --> 00:06:56,640 Speaker 1: without a doubt, Jedi Master Kai Adimundi, hero general of 127 00:06:56,680 --> 00:06:58,839 Speaker 1: the Clone Wars who fought alongside the likes of Anakin 128 00:06:58,920 --> 00:07:01,840 Speaker 1: Skywalker and Obie one Kenobi. He fought at the first 129 00:07:01,839 --> 00:07:05,080 Speaker 1: and second battles of Genosis and perished during the invasion 130 00:07:05,160 --> 00:07:09,560 Speaker 1: of the Ghetto with the twenty one Novocore. When Supreme 131 00:07:09,680 --> 00:07:14,400 Speaker 1: Chancellor Palpatine initiated Order sixty six, he stilled with a lightsaber. 132 00:07:14,560 --> 00:07:17,200 Speaker 1: He was a skilled force combatant, but he was equally 133 00:07:17,200 --> 00:07:20,160 Speaker 1: known and respected for his logic and tactics. That big 134 00:07:20,200 --> 00:07:22,920 Speaker 1: brain of his. Yeah, that would make sense. I seem 135 00:07:22,960 --> 00:07:25,680 Speaker 1: to recall his death scene. I think it's in Revenge 136 00:07:25,680 --> 00:07:28,880 Speaker 1: of the Sith. He's like running across a is it 137 00:07:28,920 --> 00:07:31,200 Speaker 1: across a bridge or something? Yeah, I think it's a 138 00:07:31,200 --> 00:07:33,720 Speaker 1: bridge battle and all the Clone troopers start shooting him 139 00:07:33,720 --> 00:07:37,640 Speaker 1: in the back. Yeah. Yeah, So so he definitely goes 140 00:07:37,680 --> 00:07:40,160 Speaker 1: down but you so you don't see a lot of 141 00:07:40,200 --> 00:07:43,000 Speaker 1: him in the live action stuff, but um And in 142 00:07:43,040 --> 00:07:45,400 Speaker 1: those prequel films he was played by an actor by 143 00:07:45,400 --> 00:07:49,240 Speaker 1: the name of Silas Carson under heavy um effects makeup. 144 00:07:49,480 --> 00:07:52,240 Speaker 1: But in the Clone Wars animated series, the main one, 145 00:07:52,320 --> 00:07:55,320 Speaker 1: he was voiced by British Israeli actor Brian George, who 146 00:07:55,320 --> 00:07:57,040 Speaker 1: does a great job with him, and they have a 147 00:07:57,080 --> 00:08:00,040 Speaker 1: little more time to flesh him out. And in the 148 00:08:00,040 --> 00:08:04,560 Speaker 1: two thousand three Clone Wars series from Ghindi Tartakowski, you 149 00:08:04,600 --> 00:08:06,920 Speaker 1: don't have um you don't really have a lot of 150 00:08:07,000 --> 00:08:08,720 Speaker 1: character development there, but you have a lot of action. 151 00:08:08,760 --> 00:08:13,160 Speaker 1: That's a very action centric series. And in that um 152 00:08:13,200 --> 00:08:16,200 Speaker 1: Master Mundi is an absolute shirt ripping beast. Like he's 153 00:08:16,240 --> 00:08:19,280 Speaker 1: running around with head bandaged and his shirt torn open, 154 00:08:19,360 --> 00:08:21,640 Speaker 1: with all these muscles and he's just like, you know, 155 00:08:21,720 --> 00:08:25,000 Speaker 1: killing the thousands of droids. It's it's pretty fun. So 156 00:08:25,080 --> 00:08:29,200 Speaker 1: he's like your Hunter from the Future mode. Yeah, just 157 00:08:29,280 --> 00:08:32,000 Speaker 1: slaying but you know, Okay, it's impressive that he can 158 00:08:32,040 --> 00:08:33,920 Speaker 1: do stuff with lightsaber and then he can go into 159 00:08:33,920 --> 00:08:36,640 Speaker 1: best mode. But the main thing we're going to talk 160 00:08:36,679 --> 00:08:39,920 Speaker 1: about here is this idea of a binary brain and 161 00:08:39,960 --> 00:08:42,920 Speaker 1: as far as I know, there's no definitive word on 162 00:08:42,960 --> 00:08:46,800 Speaker 1: the exact structure of the Syrian brain or brains. But 163 00:08:46,880 --> 00:08:49,120 Speaker 1: I think there are essentially a couple of ways to 164 00:08:49,200 --> 00:08:52,000 Speaker 1: look at what might be going on inside that skull 165 00:08:52,040 --> 00:08:55,800 Speaker 1: of their's. Okay, let's let's hear it. What's the first option? Okay, 166 00:08:55,880 --> 00:08:58,440 Speaker 1: first option would be just, of course, a supersized brain 167 00:08:58,600 --> 00:09:02,800 Speaker 1: that enables this buying, very mental process, composed of two 168 00:09:03,040 --> 00:09:05,640 Speaker 1: lobes like ours, or maybe more lobes. I don't know, 169 00:09:05,720 --> 00:09:07,920 Speaker 1: you know, when you're getting into an unknown alien brain. 170 00:09:08,280 --> 00:09:12,559 Speaker 1: Who's to say, right, And Syrian brain evolution could certainly 171 00:09:12,600 --> 00:09:16,160 Speaker 1: follow the ice cream scoop model of human brain evolution. 172 00:09:16,800 --> 00:09:18,880 Speaker 1: I think we've discussed this on the show before. But 173 00:09:19,000 --> 00:09:22,480 Speaker 1: as explained by Kyle Moon Kittrick in a two thousand 174 00:09:22,520 --> 00:09:26,240 Speaker 1: ten Discover magazine article, quote, evolution built our brain by 175 00:09:26,240 --> 00:09:29,560 Speaker 1: taking simpler brains and just piling more brains on top, 176 00:09:29,960 --> 00:09:34,800 Speaker 1: like adding scoops of ice cream to an ice cream cone. Yeah. 177 00:09:35,840 --> 00:09:37,439 Speaker 1: I think that's a good way of thinking about it. 178 00:09:37,480 --> 00:09:39,680 Speaker 1: I mean, obviously, we always want to be careful not 179 00:09:39,760 --> 00:09:42,160 Speaker 1: to oversimplify the way we think about the structures of 180 00:09:42,160 --> 00:09:45,160 Speaker 1: the brain. Because brains are complex and and all that, 181 00:09:45,280 --> 00:09:47,959 Speaker 1: but in rough terms, I think that is sort of true. 182 00:09:48,040 --> 00:09:50,640 Speaker 1: Like at the the lower levels of the brain, you 183 00:09:50,720 --> 00:09:54,439 Speaker 1: have um the more sort of automatic processes of the body, 184 00:09:54,520 --> 00:09:58,679 Speaker 1: and the more base level things like emotional type reactions. 185 00:09:58,720 --> 00:10:00,760 Speaker 1: And then when you get further and further into the 186 00:10:00,880 --> 00:10:03,800 Speaker 1: younger parts of the brain, younger in an evolutionary sense, 187 00:10:04,360 --> 00:10:06,760 Speaker 1: towards the top and front of the brain, you get 188 00:10:06,760 --> 00:10:09,720 Speaker 1: these you know, these coretexes, which are very involved in 189 00:10:10,080 --> 00:10:12,800 Speaker 1: executive function and a lot of the things we think 190 00:10:12,840 --> 00:10:17,160 Speaker 1: of as higher level thinking and behavior. Yeah, so mon 191 00:10:17,160 --> 00:10:20,720 Speaker 1: Gentric describes like the first the first layer is actually 192 00:10:20,800 --> 00:10:24,079 Speaker 1: the cone, and that's the nervous jellyfish cone, and then 193 00:10:24,080 --> 00:10:27,320 Speaker 1: you get your instinctive lizard scoop pile on top of that, 194 00:10:27,440 --> 00:10:30,480 Speaker 1: then the memory mouse scoop, then the thinking the thinking 195 00:10:30,559 --> 00:10:33,319 Speaker 1: ape scoop on top of that. So each layer brings 196 00:10:33,360 --> 00:10:36,199 Speaker 1: with it great pros that enable the human brain to 197 00:10:36,240 --> 00:10:39,480 Speaker 1: function and evolved, but also arguably certain cons and that's 198 00:10:39,480 --> 00:10:41,160 Speaker 1: one of the things they get into in this article. 199 00:10:41,600 --> 00:10:43,800 Speaker 1: But for our purposes, Yeah, I think you could look 200 00:10:43,840 --> 00:10:47,360 Speaker 1: at the Syrian the brain as essentially a human level 201 00:10:47,400 --> 00:10:51,080 Speaker 1: brain with additional scoops cowering atop the rest of the cone, 202 00:10:51,400 --> 00:10:55,559 Speaker 1: enabling this vastly increased functionality. Now you might think, well, 203 00:10:55,559 --> 00:10:58,400 Speaker 1: what would the cons of having higher brain function be? 204 00:10:58,600 --> 00:11:00,800 Speaker 1: And I would just say, like I, I'm not aware 205 00:11:00,800 --> 00:11:07,320 Speaker 1: of any reptiles that really get bogged down in rumination. Yeah, yeah, um, 206 00:11:07,640 --> 00:11:09,960 Speaker 1: and I and I really hope certainly a Jedi master 207 00:11:10,000 --> 00:11:12,199 Speaker 1: wouldn't have like Jedi masters have to deal with the 208 00:11:12,240 --> 00:11:14,040 Speaker 1: dark side too. I mean, that's kind of the thing, right, 209 00:11:14,200 --> 00:11:16,520 Speaker 1: Like higher cognition means you're open to the dark side. 210 00:11:16,679 --> 00:11:18,600 Speaker 1: Correct me if I'm wrong. But I seem to recall 211 00:11:18,640 --> 00:11:21,040 Speaker 1: in the prequels that a lot of Jedi training is 212 00:11:21,120 --> 00:11:25,160 Speaker 1: about purging emotions, or at least certain kinds of emotions. 213 00:11:25,200 --> 00:11:28,559 Speaker 1: Maybe not to the full Spock extent, but at least 214 00:11:28,600 --> 00:11:33,280 Speaker 1: like not letting impulsive emotional reactions guide you're thinking, to 215 00:11:33,320 --> 00:11:35,560 Speaker 1: be clear and to be you know, to to be 216 00:11:35,679 --> 00:11:39,120 Speaker 1: able to use clear thinking in your mind when when 217 00:11:39,160 --> 00:11:41,640 Speaker 1: our our natural tendency would be to get hot headed, 218 00:11:42,240 --> 00:11:45,079 Speaker 1: right uh yeah. And then there's a lot of Buddhist 219 00:11:45,160 --> 00:11:49,640 Speaker 1: uh uh Buddhism in there as well, dealing with like 220 00:11:49,840 --> 00:11:53,600 Speaker 1: the idea of avoiding attachments and all. So we see 221 00:11:53,640 --> 00:11:56,120 Speaker 1: that doesn't necessarily work out all that well for those 222 00:11:56,160 --> 00:11:59,320 Speaker 1: who aspire to it, right in those films. But but 223 00:11:59,360 --> 00:12:02,640 Speaker 1: even like in terms of like confronting the dark side though, 224 00:12:02,800 --> 00:12:05,480 Speaker 1: like that's always been a part of the uh of 225 00:12:05,600 --> 00:12:07,840 Speaker 1: the of the Star Wars world, I mean, back the Empire, 226 00:12:07,920 --> 00:12:10,720 Speaker 1: when Luke goes into that swamp and he's completing his training, 227 00:12:10,720 --> 00:12:12,559 Speaker 1: like one of the things he does is the encounters 228 00:12:12,600 --> 00:12:15,320 Speaker 1: that that vision of of Darth Vader that is also 229 00:12:15,360 --> 00:12:17,640 Speaker 1: a vision of himself, right, I mean, I think we're 230 00:12:17,679 --> 00:12:20,840 Speaker 1: supposed to take that as like Luke is being confronted 231 00:12:20,920 --> 00:12:24,079 Speaker 1: by the possibility of what would happen if he himself 232 00:12:24,120 --> 00:12:26,480 Speaker 1: were seduced by the dark Side, which of course he does. 233 00:12:26,679 --> 00:12:29,680 Speaker 1: He does play pretty dangerous in the movies, right, he 234 00:12:29,720 --> 00:12:34,400 Speaker 1: gets close. Yeah. Yeah, anyway, that's basically this is like 235 00:12:34,559 --> 00:12:36,920 Speaker 1: one idea of looking at this big brain, just one 236 00:12:36,960 --> 00:12:39,400 Speaker 1: big brain in there, right, so it's like built up 237 00:12:39,480 --> 00:12:42,800 Speaker 1: level by level, and maybe the additional brains are are 238 00:12:42,880 --> 00:12:45,840 Speaker 1: something like what you would put even on top of 239 00:12:45,880 --> 00:12:48,400 Speaker 1: our neo cortex. Maybe like they've got like a neo 240 00:12:48,520 --> 00:12:53,560 Speaker 1: neo cortex or something. Yeah, Now, another interpretation and I 241 00:12:53,600 --> 00:12:56,600 Speaker 1: think a more exotic one and also maybe maybe more fun, 242 00:12:56,720 --> 00:13:00,360 Speaker 1: maybe more sci fi fantasy, but also one that I 243 00:13:00,360 --> 00:13:03,120 Speaker 1: think I've seen visually represented somewhere. I tried to hunt 244 00:13:03,120 --> 00:13:04,520 Speaker 1: it down to see if I could, because I would 245 00:13:04,520 --> 00:13:07,520 Speaker 1: have put it in our inside of our notes if 246 00:13:07,520 --> 00:13:08,920 Speaker 1: I could, but I couldn't find it. But I think 247 00:13:08,920 --> 00:13:11,360 Speaker 1: I've seen this represented visibly. And that is the idea 248 00:13:11,679 --> 00:13:15,720 Speaker 1: that Syrians actually have two brains inside their skull, one 249 00:13:15,760 --> 00:13:18,400 Speaker 1: positioned right on top of the other, just straight up, 250 00:13:18,440 --> 00:13:21,880 Speaker 1: two brains inside their heads. So that means one of 251 00:13:21,920 --> 00:13:24,280 Speaker 1: the brains is closer to the heart. Maybe that makes 252 00:13:24,320 --> 00:13:26,400 Speaker 1: it easier to get blood flow to that one. Well, 253 00:13:26,400 --> 00:13:30,000 Speaker 1: that's why they have two hearts, Joe. So the idea 254 00:13:30,040 --> 00:13:32,600 Speaker 1: is that that second heart is I guess, powering the 255 00:13:32,600 --> 00:13:35,120 Speaker 1: second brain or enabling just enough blood flow to get 256 00:13:35,160 --> 00:13:38,920 Speaker 1: up there to to work with both brains. Um. So 257 00:13:39,760 --> 00:13:41,640 Speaker 1: I want to stress I'm not talking two brains here 258 00:13:41,679 --> 00:13:43,720 Speaker 1: in the sense that the human brain consists of two 259 00:13:43,760 --> 00:13:47,679 Speaker 1: hemispheres connected by the corpus co awesome, but two separate brains, 260 00:13:48,120 --> 00:13:52,839 Speaker 1: perhaps each consisting of two hemispheres each. And uh, I 261 00:13:53,120 --> 00:13:56,600 Speaker 1: should also add that that some descriptions refer to Syrian 262 00:13:56,640 --> 00:13:59,079 Speaker 1: brains in a way that does seem to indicate two brains. 263 00:13:59,600 --> 00:14:01,800 Speaker 1: And again they do have too hard so I guess 264 00:14:01,880 --> 00:14:05,160 Speaker 1: the duplicity seems to to work out here. So these 265 00:14:05,200 --> 00:14:08,400 Speaker 1: two I tend to lean more towards the actual two 266 00:14:08,400 --> 00:14:12,040 Speaker 1: brains inside their their heads. Uh So, I guess another 267 00:14:12,120 --> 00:14:13,840 Speaker 1: you could do a third option. It would be a 268 00:14:13,880 --> 00:14:16,040 Speaker 1: variation on idea number two, and that would be that 269 00:14:16,080 --> 00:14:18,840 Speaker 1: they just had a very large humanoid brain, but the 270 00:14:18,920 --> 00:14:22,760 Speaker 1: hemispheres are not connected by something like the corpus colossum. 271 00:14:22,800 --> 00:14:25,360 Speaker 1: Oh no, that's very interesting. I want to say some things, 272 00:14:25,400 --> 00:14:26,840 Speaker 1: but I also don't want to preempt you because I 273 00:14:26,880 --> 00:14:28,600 Speaker 1: know you're going to get into talking about split brain 274 00:14:28,680 --> 00:14:32,400 Speaker 1: experiments here. Yeah, okay, but yeah, So the corpus colossum, 275 00:14:32,440 --> 00:14:35,120 Speaker 1: at least we know in the human brain, enables a 276 00:14:35,280 --> 00:14:39,440 Speaker 1: large amount of communication between the hemispheres, and in cases 277 00:14:39,440 --> 00:14:42,960 Speaker 1: where the corpus colossum in humans has been severed, often 278 00:14:42,960 --> 00:14:45,400 Speaker 1: a person can still live their life, like you can 279 00:14:45,480 --> 00:14:49,360 Speaker 1: function with your brain hemispheres severed, and you can do things. 280 00:14:49,400 --> 00:14:53,640 Speaker 1: But there are some very noticeable changes to how the 281 00:14:53,680 --> 00:14:57,240 Speaker 1: brain or brains react to certain types of stimuli and 282 00:14:57,280 --> 00:15:00,120 Speaker 1: scenarios under that condition. Yeah, yeah, when the color some 283 00:15:00,280 --> 00:15:03,480 Speaker 1: has been severed. And then when you have like often 284 00:15:03,480 --> 00:15:07,760 Speaker 1: it's you have to have certain experimental scenarios in place 285 00:15:08,800 --> 00:15:12,400 Speaker 1: to make it become obvious because otherwise the individual doesn't 286 00:15:12,440 --> 00:15:15,400 Speaker 1: notice and people who know them probably don't notice. But 287 00:15:15,360 --> 00:15:17,160 Speaker 1: we'll get out into all that in a second. Now, 288 00:15:17,200 --> 00:15:18,680 Speaker 1: there are a lot of different directions you could go 289 00:15:18,680 --> 00:15:20,840 Speaker 1: in here, like why, I mean the big one is 290 00:15:20,880 --> 00:15:23,320 Speaker 1: like why would they go in this direction? First of all, 291 00:15:23,360 --> 00:15:25,800 Speaker 1: would it be natural? Would it be just an evolution 292 00:15:26,760 --> 00:15:28,800 Speaker 1: or would it be something that was engineered? And in 293 00:15:28,840 --> 00:15:31,960 Speaker 1: either case, like why would it have to do with uh, 294 00:15:32,440 --> 00:15:36,120 Speaker 1: like higher why would they need this like higher cognitive state? 295 00:15:36,160 --> 00:15:39,280 Speaker 1: Would it have something to do with, you know, being 296 00:15:39,320 --> 00:15:42,600 Speaker 1: an interstellar species or something to do with their their 297 00:15:42,600 --> 00:15:45,680 Speaker 1: home environment. I don't know. Well, I mean it makes 298 00:15:45,720 --> 00:15:48,320 Speaker 1: me think about how there are species on Earth that 299 00:15:48,480 --> 00:15:53,360 Speaker 1: have a more distributed model of intelligence and nervous system control. 300 00:15:53,400 --> 00:15:56,640 Speaker 1: And a great example would be octopuses, you know, like 301 00:15:56,680 --> 00:15:59,080 Speaker 1: the octopus of course, like they've got a central brain, 302 00:15:59,160 --> 00:16:02,000 Speaker 1: but then they have anglia throughout the body that are 303 00:16:02,120 --> 00:16:05,240 Speaker 1: sometimes written about and you could argue to what extent 304 00:16:05,280 --> 00:16:09,040 Speaker 1: this is a fair characterization, but they you could argue 305 00:16:09,080 --> 00:16:13,320 Speaker 1: that octopuses in some ways also think with their arms 306 00:16:13,520 --> 00:16:16,120 Speaker 1: in ways that are independent of the thinking that takes 307 00:16:16,160 --> 00:16:19,960 Speaker 1: place in the centralized brain. So you can imagine there 308 00:16:19,960 --> 00:16:22,800 Speaker 1: are scenarios where it's useful for an animal to have 309 00:16:22,920 --> 00:16:26,880 Speaker 1: thinking or information processing happening at multiple different places within 310 00:16:26,920 --> 00:16:29,600 Speaker 1: the body. But the Syrian seems kind of different because 311 00:16:29,720 --> 00:16:31,960 Speaker 1: you can imagine with the octopus, Okay, maybe somehow the 312 00:16:32,120 --> 00:16:35,120 Speaker 1: arm needs to think independently of the central brain. But 313 00:16:35,240 --> 00:16:38,520 Speaker 1: this is two central brains, two brains in the head, 314 00:16:38,800 --> 00:16:41,640 Speaker 1: So what's the what's like the second one doing differently? 315 00:16:41,720 --> 00:16:44,160 Speaker 1: How would that be distributed in a way that would 316 00:16:44,160 --> 00:16:48,080 Speaker 1: be useful like the octopus's arm. Yeah, and and so 317 00:16:48,880 --> 00:16:51,080 Speaker 1: in thinking about possibilities, you know, we also come into 318 00:16:51,120 --> 00:16:54,840 Speaker 1: ideas of that, like philosophical or spiritual upgrades to the brain. 319 00:16:54,880 --> 00:16:57,360 Speaker 1: I mean, why not if we're trying to determine where 320 00:16:57,400 --> 00:17:00,840 Speaker 1: we go from here, I mean, it seems that's worth 321 00:17:00,840 --> 00:17:03,240 Speaker 1: thinking about. I should also just go ahead and add 322 00:17:03,280 --> 00:17:06,600 Speaker 1: that obviously, big headed aliens is just a long, a 323 00:17:06,640 --> 00:17:09,520 Speaker 1: long standing trope, you know, going back to the outer limits, 324 00:17:09,520 --> 00:17:12,120 Speaker 1: and so forth. So, Uh, it's not like they invented 325 00:17:12,160 --> 00:17:15,600 Speaker 1: the idea of big headed aliens and big headed future humanoids. 326 00:17:15,880 --> 00:17:19,760 Speaker 1: It's been pretty much standard. Um. But but I don't 327 00:17:19,760 --> 00:17:22,200 Speaker 1: know that I have I'm sure there's some sci fi 328 00:17:22,200 --> 00:17:24,920 Speaker 1: out there predating this in which a human had two 329 00:17:25,000 --> 00:17:28,040 Speaker 1: brain or humanoid had two brains, aside from Steve Martin, 330 00:17:28,200 --> 00:17:32,159 Speaker 1: but yeah, but I'm not. I'm not aware of it 331 00:17:32,280 --> 00:17:34,879 Speaker 1: off the top of my head. But but a lot 332 00:17:34,920 --> 00:17:37,520 Speaker 1: of these considerations, like when we're talking about what, you know, 333 00:17:37,560 --> 00:17:39,320 Speaker 1: what does this mean? What would two brains be like? 334 00:17:39,359 --> 00:17:41,479 Speaker 1: I mean, it basically comes down to to that, what 335 00:17:41,520 --> 00:17:44,880 Speaker 1: would it be like to have two brains? What would 336 00:17:44,880 --> 00:17:47,840 Speaker 1: it conceive? What would conceivably be the mental state of 337 00:17:47,880 --> 00:17:50,640 Speaker 1: an an individual like Master moon Dy here with two 338 00:17:50,680 --> 00:17:53,160 Speaker 1: brains in their head? Ah, So now you're getting into 339 00:17:53,240 --> 00:17:56,360 Speaker 1: subjective experience, And this of course touches on really big 340 00:17:56,440 --> 00:18:00,600 Speaker 1: questions that are still unsettled in in human science and philosophy, 341 00:18:00,680 --> 00:18:05,520 Speaker 1: stuff about like where consciousness resides in what it consists of? Yeah, yeah, 342 00:18:06,080 --> 00:18:08,560 Speaker 1: and ultimately, yeah, this is gonna be unanswerable and we 343 00:18:08,600 --> 00:18:10,399 Speaker 1: just have to sort of speculate and have fun with 344 00:18:10,440 --> 00:18:13,600 Speaker 1: the speculation. But on one level, you have to say 345 00:18:13,640 --> 00:18:16,439 Speaker 1: that ultimately the mind of alien being might just be 346 00:18:16,560 --> 00:18:19,679 Speaker 1: impossible for us to comprehend. It just might be that different. 347 00:18:20,000 --> 00:18:22,240 Speaker 1: On the other hand, you could say, well, having two 348 00:18:22,280 --> 00:18:24,080 Speaker 1: brains in your head like this, it would just be 349 00:18:24,200 --> 00:18:28,040 Speaker 1: like our mental experience. Because, as we alluded to earlier, though, 350 00:18:28,040 --> 00:18:30,919 Speaker 1: the human brain consists of two cerebral hemispheres connected by 351 00:18:30,920 --> 00:18:35,560 Speaker 1: the corpus um closum, each with many different modules, all 352 00:18:35,560 --> 00:18:38,680 Speaker 1: of these acting in concert with each other, interconnected, and 353 00:18:38,760 --> 00:18:41,240 Speaker 1: we explored this at length in our episodes on split 354 00:18:41,320 --> 00:18:45,520 Speaker 1: brain experiments UM and of and of those experiments, most interestingly, 355 00:18:45,640 --> 00:18:47,800 Speaker 1: one of the big ta coms was is that indeed, 356 00:18:47,800 --> 00:18:50,399 Speaker 1: if you split the brain, you essentially split the person 357 00:18:50,440 --> 00:18:54,359 Speaker 1: as well. Um, we're talking one person per hemisphere of 358 00:18:54,400 --> 00:18:56,919 Speaker 1: the brain. A division of self, not one that is 359 00:18:57,320 --> 00:19:00,280 Speaker 1: obvious to the individual or two people around them, but 360 00:19:00,359 --> 00:19:05,680 Speaker 1: again presents itself when revealed through various experiments, particularly the 361 00:19:06,000 --> 00:19:11,159 Speaker 1: Nobel winning work of neuroscientists Roger Sperry and Michael Gazzaniga 362 00:19:11,280 --> 00:19:14,120 Speaker 1: in the sixties and seventies. And so we go into 363 00:19:14,200 --> 00:19:16,399 Speaker 1: much more depth than in that pair of episodes from 364 00:19:16,440 --> 00:19:17,840 Speaker 1: I think it was a couple of years ago now, 365 00:19:17,840 --> 00:19:19,320 Speaker 1: so you can go look those up if you want 366 00:19:19,359 --> 00:19:22,480 Speaker 1: the full scoop. But they did find some very interesting 367 00:19:22,560 --> 00:19:25,240 Speaker 1: things that I will say. Um. We also talked in 368 00:19:25,280 --> 00:19:27,600 Speaker 1: that episode, I think about how there has been some 369 00:19:27,680 --> 00:19:32,000 Speaker 1: research in recent years that sort of challenged their original findings, 370 00:19:32,000 --> 00:19:34,200 Speaker 1: but people have pushed back against that research too, So 371 00:19:34,280 --> 00:19:35,600 Speaker 1: it seems like, you know, this is one of the 372 00:19:35,600 --> 00:19:39,200 Speaker 1: many things in in psychology and neuroscience that's still an 373 00:19:39,200 --> 00:19:41,800 Speaker 1: ongoing question. But at least what they appeared to find 374 00:19:41,960 --> 00:19:46,119 Speaker 1: is that you can, for example, in a patient who's 375 00:19:46,160 --> 00:19:49,359 Speaker 1: had their hemisphere severed through this radical uh severing of 376 00:19:49,359 --> 00:19:51,600 Speaker 1: the corpus closum, which is done not for the purpose 377 00:19:51,640 --> 00:19:54,720 Speaker 1: of the experiment, but it's done specifically for people with 378 00:19:54,960 --> 00:19:59,080 Speaker 1: really uh treatment resistant epilepsy to prevent them from having 379 00:19:59,400 --> 00:20:03,480 Speaker 1: these recurr terrible seizures. UH. That you can sever the 380 00:20:03,480 --> 00:20:07,120 Speaker 1: corpus closum, a person still reports being able to live 381 00:20:07,160 --> 00:20:09,960 Speaker 1: their life generally like it is not a debilitating thing 382 00:20:10,000 --> 00:20:12,240 Speaker 1: to do to the brain, but it causes these strange 383 00:20:12,320 --> 00:20:15,920 Speaker 1: things where, for example, it seems that some amount of 384 00:20:16,000 --> 00:20:20,920 Speaker 1: information is prevented from being shared fully between the two 385 00:20:21,000 --> 00:20:23,480 Speaker 1: different parts of the brain. And so, for example, it 386 00:20:23,600 --> 00:20:27,280 Speaker 1: is widely uh that in in most brains it is 387 00:20:27,400 --> 00:20:30,719 Speaker 1: the left hemisphere that seems to do the talking, like 388 00:20:30,800 --> 00:20:34,520 Speaker 1: the language interactions with the outside world. And so you 389 00:20:34,560 --> 00:20:38,640 Speaker 1: can present stimuli that are only within the sensory awareness 390 00:20:38,680 --> 00:20:41,640 Speaker 1: of the right hemisphere of the brain, say by presenting 391 00:20:41,640 --> 00:20:44,240 Speaker 1: it in a certain part of the visual field. And 392 00:20:44,320 --> 00:20:47,840 Speaker 1: so the parts of the body controlled primarily by the 393 00:20:47,960 --> 00:20:51,040 Speaker 1: right hemisphere of the brain can do things that seem 394 00:20:51,080 --> 00:20:54,040 Speaker 1: to reflect knowledge of the stimulus that you have showed 395 00:20:54,040 --> 00:20:56,960 Speaker 1: that hemisphere of the brain, but the person can't talk 396 00:20:57,040 --> 00:21:00,000 Speaker 1: about that knowledge. They don't seem to have linguistic aware 397 00:21:00,000 --> 00:21:03,879 Speaker 1: earness of it, which is extremely weird. Yeah, And and 398 00:21:04,119 --> 00:21:06,040 Speaker 1: at times it kind of comes off as a sort 399 00:21:06,080 --> 00:21:09,199 Speaker 1: of subtle duality of self. Some of the most interesting 400 00:21:09,240 --> 00:21:11,520 Speaker 1: ideas that come come out of it because Anaga wraps 401 00:21:11,600 --> 00:21:14,200 Speaker 1: up in his interpreter theory, which which again we've discussed 402 00:21:14,240 --> 00:21:17,320 Speaker 1: on the show, in which the left brain hemisphere contains 403 00:21:17,359 --> 00:21:21,439 Speaker 1: some function that he calls the interpreter, which creates a 404 00:21:21,440 --> 00:21:24,680 Speaker 1: sense of self, even if it is a completely false sense. 405 00:21:24,920 --> 00:21:28,640 Speaker 1: By coming up with a post talk explanation for behaviors. Yeah, 406 00:21:28,680 --> 00:21:31,760 Speaker 1: that that there's this function that's largely seated within the 407 00:21:31,840 --> 00:21:35,199 Speaker 1: left hemisphere that sort of tells the narrative story to 408 00:21:35,440 --> 00:21:38,840 Speaker 1: your own brain, that explains why you're doing what you're doing. 409 00:21:39,320 --> 00:21:42,920 Speaker 1: It creates that moment to moment, the stream of consciousness 410 00:21:42,920 --> 00:21:45,840 Speaker 1: that helps you understand your own behavior. Even though it 411 00:21:45,840 --> 00:21:48,399 Speaker 1: seems a lot of your own behavior is caused by 412 00:21:48,440 --> 00:21:51,240 Speaker 1: things that are not actually within your awareness. It doesn't, 413 00:21:51,240 --> 00:21:54,680 Speaker 1: it doesn't. It's not downstream from your consciousness, but upstream 414 00:21:54,720 --> 00:21:57,720 Speaker 1: from your consciousness. Now I should also throw in that 415 00:21:57,760 --> 00:22:00,840 Speaker 1: in there. They did experiment with animals as well, and um, 416 00:22:01,040 --> 00:22:02,960 Speaker 1: you know, there are limitations when you're looking at animal 417 00:22:02,960 --> 00:22:05,720 Speaker 1: brains and you know, trying to compare it to human brains. 418 00:22:05,760 --> 00:22:08,359 Speaker 1: But but they found that if they produced a split 419 00:22:08,400 --> 00:22:11,439 Speaker 1: brain in some of these animals. Uh. First of all, 420 00:22:11,480 --> 00:22:13,720 Speaker 1: of course, each side seemed to function independently the other, 421 00:22:14,040 --> 00:22:16,720 Speaker 1: but also that an animal with a split brain could 422 00:22:16,720 --> 00:22:22,280 Speaker 1: memorize double the information. Uh. So that basic idea again, 423 00:22:22,359 --> 00:22:25,359 Speaker 1: we could at least when talking about Star Wars, we 424 00:22:25,400 --> 00:22:27,639 Speaker 1: could extrapolate to say, well, maybe if you did have 425 00:22:27,640 --> 00:22:29,960 Speaker 1: two independent brains in your head, yeah, maybe you could 426 00:22:30,400 --> 00:22:34,520 Speaker 1: uh process and contain double the information so that's really interesting. 427 00:22:34,560 --> 00:22:37,160 Speaker 1: But I'm also really interested in this idea of exploring 428 00:22:37,240 --> 00:22:39,560 Speaker 1: both sides of the force with a brain like this 429 00:22:39,760 --> 00:22:42,840 Speaker 1: that you mentioned earlier. Yeah, So with that in mind, 430 00:22:43,040 --> 00:22:45,480 Speaker 1: let's consider a couple of take comes. And again we're 431 00:22:45,520 --> 00:22:47,400 Speaker 1: kind of cherry picking here, but a couple of take 432 00:22:47,400 --> 00:22:51,480 Speaker 1: comes from the split brain research that Kazanga put forth. 433 00:22:51,880 --> 00:22:54,720 Speaker 1: First of all, the interpreter function of the left brain 434 00:22:54,880 --> 00:22:58,360 Speaker 1: makes it more makes it more likely to distort recall 435 00:22:58,440 --> 00:23:02,920 Speaker 1: of events, and at the non interpreting, non explaining right 436 00:23:03,000 --> 00:23:07,040 Speaker 1: brain has a more accurate recall function. So it's not 437 00:23:07,160 --> 00:23:10,879 Speaker 1: telling itself a story to post talk rationalize whatever is 438 00:23:10,960 --> 00:23:15,520 Speaker 1: it's experiencing. It's logging information in a more objective sense. Yeah, 439 00:23:15,560 --> 00:23:18,479 Speaker 1: Like one side is telling a story, crafting a story, 440 00:23:18,880 --> 00:23:22,639 Speaker 1: and retelling a story. On the other side is recalling events, 441 00:23:22,680 --> 00:23:25,840 Speaker 1: saying what happened. Also, the left and right hemispheres have 442 00:23:25,920 --> 00:23:30,400 Speaker 1: different problem solving approaches. The right hemisphere bases its judgments 443 00:23:30,440 --> 00:23:34,439 Speaker 1: on simple frequency information, while the left relies on the 444 00:23:34,480 --> 00:23:38,760 Speaker 1: formation of elaborate hypotheses. So that this makes me wonder 445 00:23:38,880 --> 00:23:42,119 Speaker 1: like which side would lean dark side? Because you know 446 00:23:42,440 --> 00:23:45,280 Speaker 1: that the left is again partial to distorted recall, the 447 00:23:45,359 --> 00:23:47,680 Speaker 1: very sort of distortion that we see in the fall 448 00:23:47,760 --> 00:23:51,439 Speaker 1: of say Anakin Skywalker, but it also relies on uh, 449 00:23:51,480 --> 00:23:54,720 Speaker 1: you know those the idea of elaborate hypotheses, which again 450 00:23:55,040 --> 00:23:58,160 Speaker 1: matches up with some of some of Skywalker's inner torment 451 00:23:58,400 --> 00:24:01,000 Speaker 1: or or you know, as well as the expressed worldview 452 00:24:01,160 --> 00:24:05,520 Speaker 1: of of his master Darth City, a simper of Palpatine, right. Uh, 453 00:24:05,320 --> 00:24:08,000 Speaker 1: and and perhaps the light you know, the right side 454 00:24:08,040 --> 00:24:10,480 Speaker 1: of the force, the side of the brain here is 455 00:24:10,520 --> 00:24:15,639 Speaker 1: more about simple frequency information and accurate recall. So instead 456 00:24:15,680 --> 00:24:18,239 Speaker 1: of the distorted worldview like this is the world as 457 00:24:18,280 --> 00:24:21,760 Speaker 1: it is, like a more logical approach to reality. So 458 00:24:21,920 --> 00:24:25,199 Speaker 1: if there is anything to interpreter theory, it seems to 459 00:24:25,320 --> 00:24:27,520 Speaker 1: me pretty clear that it would be the left side, 460 00:24:27,520 --> 00:24:29,640 Speaker 1: this is the dark side, right, because what's the dark side? 461 00:24:29,640 --> 00:24:32,000 Speaker 1: Do the dark side? You tell a story in which 462 00:24:32,040 --> 00:24:35,640 Speaker 1: your actions are justified because of some reason. Right, well, 463 00:24:35,680 --> 00:24:37,680 Speaker 1: I had to do it because I had to save 464 00:24:37,760 --> 00:24:41,199 Speaker 1: pad May, right right, where the logical side is like, no, 465 00:24:41,320 --> 00:24:44,520 Speaker 1: you're just like strayed up killing people. Uh. But then again, 466 00:24:44,800 --> 00:24:46,760 Speaker 1: you know what would Darth City has say to all this? 467 00:24:46,840 --> 00:24:49,920 Speaker 1: What would would Palpatine say and I think he might 468 00:24:49,960 --> 00:24:53,119 Speaker 1: well argue that it's only through mental gymnastics that we 469 00:24:53,280 --> 00:24:57,399 Speaker 1: arrive at the Jedi way, that the Jedi exists because 470 00:24:57,440 --> 00:25:00,199 Speaker 1: they're telling this themselves, this story, you know, or run 471 00:25:00,320 --> 00:25:04,640 Speaker 1: over again. They're creating their own mythology to rationalize their tyranny, 472 00:25:04,680 --> 00:25:07,200 Speaker 1: and that the Dark Side is just the shortest logical 473 00:25:07,280 --> 00:25:10,879 Speaker 1: path like that Sidious is the same man in the 474 00:25:11,000 --> 00:25:16,000 Speaker 1: universe that has been deluded by this um, this ancient religion. 475 00:25:16,280 --> 00:25:18,280 Speaker 1: Darth Cidius makes a good point, you know, I think 476 00:25:18,280 --> 00:25:21,200 Speaker 1: it would work better. Actually, though, if Darth said if 477 00:25:21,240 --> 00:25:23,840 Speaker 1: the Sith Lords were not always saying like, yes, we 478 00:25:24,000 --> 00:25:27,600 Speaker 1: are the dark Side, we we are the bad guys. 479 00:25:27,640 --> 00:25:29,600 Speaker 1: Like what if Darth Cidius had been like, no, it's 480 00:25:29,640 --> 00:25:33,520 Speaker 1: the Jedi who are the dark Side? Well, I think 481 00:25:33,520 --> 00:25:35,840 Speaker 1: he also realized that, you know, dark Side is good branding. 482 00:25:35,840 --> 00:25:38,400 Speaker 1: You know, oh yeah, yeah, it looks I mean seriously, 483 00:25:38,440 --> 00:25:41,359 Speaker 1: who looks cool or Darth Vader or what Yoda or 484 00:25:41,359 --> 00:25:43,880 Speaker 1: Obi wan Kenobi? I mean yeah, have you ever seen 485 00:25:43,920 --> 00:25:45,600 Speaker 1: there's an illustration. I think this is from a comic 486 00:25:45,680 --> 00:25:48,480 Speaker 1: or something where they did an alternate reality where Darth 487 00:25:48,560 --> 00:25:52,840 Speaker 1: Vader fully redeemed himself and survived at some point in 488 00:25:53,040 --> 00:25:55,520 Speaker 1: like say Return of the Jedi, and then he's still 489 00:25:55,560 --> 00:25:59,080 Speaker 1: in his armor, but now it's white armor, white white 490 00:25:59,160 --> 00:26:02,760 Speaker 1: Darth Darth Vader outfit. And I mean it's kind of 491 00:26:02,760 --> 00:26:05,840 Speaker 1: a neat idea. I love the idea of exploring alternate possibilities, 492 00:26:06,400 --> 00:26:08,320 Speaker 1: but on the other hand, it just doesn't look as 493 00:26:08,359 --> 00:26:10,119 Speaker 1: cool as it does in black. Oh. I think he 494 00:26:10,119 --> 00:26:12,439 Speaker 1: should have kept it. I mean, I don't love anyway, 495 00:26:12,520 --> 00:26:15,840 Speaker 1: like the simple like color coordinating of morality. I mean, 496 00:26:16,000 --> 00:26:18,760 Speaker 1: like that's dumb. I mean, and they already transcended in 497 00:26:18,800 --> 00:26:22,920 Speaker 1: some ways, like the Stormtroopers are addressed in clean white, right, 498 00:26:24,119 --> 00:26:26,240 Speaker 1: So yeah, I think they should let Darth Vader keep 499 00:26:26,440 --> 00:26:30,080 Speaker 1: his original armor. I mean, it looks looks awesome. Before 500 00:26:30,080 --> 00:26:31,879 Speaker 1: we move on from the split brain stuff, I just 501 00:26:31,880 --> 00:26:34,200 Speaker 1: wanted to throw in. So so there's some more nuance 502 00:26:34,280 --> 00:26:37,760 Speaker 1: on the subject that that that research I alluded to 503 00:26:37,800 --> 00:26:40,720 Speaker 1: in recent years that's put some challenges to the original 504 00:26:40,720 --> 00:26:42,840 Speaker 1: split brain research. Uh. I think a lot of that 505 00:26:42,880 --> 00:26:46,720 Speaker 1: was associated with the researcher named Pinto, I think named 506 00:26:46,800 --> 00:26:50,160 Speaker 1: Yair Pinto, who I think is a Dutch neuropsychologist, and 507 00:26:50,640 --> 00:26:55,520 Speaker 1: basically what Uh. That person and colleagues have argued is 508 00:26:55,640 --> 00:27:00,480 Speaker 1: that the split brain experiments actually just proved divided perception, 509 00:27:00,720 --> 00:27:04,919 Speaker 1: not divided consciousness. But then people who people have defended 510 00:27:04,920 --> 00:27:07,320 Speaker 1: the original research coming back against that. I don't remember 511 00:27:07,320 --> 00:27:09,280 Speaker 1: how all of the back and forth worked out right now, 512 00:27:09,320 --> 00:27:12,800 Speaker 1: but just be aware that there is ongoing division about that. 513 00:27:12,840 --> 00:27:16,520 Speaker 1: In fact, split brain researchers appear to be somewhat divided. 514 00:27:16,640 --> 00:27:20,080 Speaker 1: We may say, yeah, well I'm of two minds myself 515 00:27:20,160 --> 00:27:23,879 Speaker 1: on it right. Um. Speaking of which, back to the 516 00:27:24,200 --> 00:27:28,480 Speaker 1: Syrian binary brain. Um. Again, they're apparently noted for their 517 00:27:28,480 --> 00:27:31,920 Speaker 1: ability to come at a topic from both sides simultaneously. 518 00:27:32,520 --> 00:27:34,720 Speaker 1: Um and uh. And I got to thinking about that. 519 00:27:34,760 --> 00:27:36,480 Speaker 1: I mean, in one hand, I was wondering, again, is 520 00:27:36,480 --> 00:27:38,800 Speaker 1: this something they do naturally or is it only accessible 521 00:27:38,880 --> 00:27:42,280 Speaker 1: via training? But I suppose one way to really tackle 522 00:27:42,359 --> 00:27:44,840 Speaker 1: the problem is again to come back to human cognition 523 00:27:45,160 --> 00:27:47,480 Speaker 1: and to ask what seems like it should be a 524 00:27:47,520 --> 00:27:51,280 Speaker 1: pretty simple question, is it possible for a human to 525 00:27:51,480 --> 00:27:55,440 Speaker 1: think two things at one time, not to juggle between thoughts, 526 00:27:55,800 --> 00:27:58,520 Speaker 1: or to focus on like a combination of two things, 527 00:27:58,600 --> 00:28:00,639 Speaker 1: Like you know, for instance, I can think about a 528 00:28:00,720 --> 00:28:02,639 Speaker 1: human and I can think about a horse, you know, 529 00:28:02,680 --> 00:28:04,280 Speaker 1: I can sort of go back and forth between the two. 530 00:28:04,280 --> 00:28:06,240 Speaker 1: I can focus on the idea of a centaur and 531 00:28:06,359 --> 00:28:08,800 Speaker 1: kind of involve you know, both of them at once. 532 00:28:09,040 --> 00:28:11,040 Speaker 1: But can I think about a horse and a human 533 00:28:11,520 --> 00:28:14,760 Speaker 1: on like on, you know, and actually do parallel lines 534 00:28:14,800 --> 00:28:16,919 Speaker 1: of thought at the same time, So not this is 535 00:28:16,960 --> 00:28:19,000 Speaker 1: a mixture between a horse and a human, but to 536 00:28:19,160 --> 00:28:23,119 Speaker 1: think simultaneously, this is one horse and this is one 537 00:28:23,920 --> 00:28:26,320 Speaker 1: human at the same time. Right, Can I what's the 538 00:28:26,359 --> 00:28:31,840 Speaker 1: business lingo dual track, parallel path, parallel path? I think 539 00:28:31,840 --> 00:28:34,199 Speaker 1: that means something somewhat different, But yeah, yeah, I know 540 00:28:34,200 --> 00:28:36,680 Speaker 1: what you're saying, so like, yeah, being able to I mean, 541 00:28:36,720 --> 00:28:39,640 Speaker 1: I think it's a really important thing in in good 542 00:28:39,680 --> 00:28:42,240 Speaker 1: mental hygiene, in training your brain to work well, that 543 00:28:42,320 --> 00:28:45,520 Speaker 1: you are able to hold conflicting ideas in your mind 544 00:28:45,560 --> 00:28:48,760 Speaker 1: in order to figure out which one makes more sense. 545 00:28:48,800 --> 00:28:51,440 Speaker 1: I mean, I think it's our natural tendency to kind 546 00:28:51,440 --> 00:28:56,120 Speaker 1: of to instead get a feel for conflicting ideas pretty 547 00:28:56,200 --> 00:28:58,520 Speaker 1: quickly figure out which one we're more attached to, and 548 00:28:58,560 --> 00:29:00,920 Speaker 1: then just fully commit to that one and not consider 549 00:29:01,000 --> 00:29:03,240 Speaker 1: the other at all. But I think also maybe you're 550 00:29:03,240 --> 00:29:06,640 Speaker 1: getting at something different, which is not um being able 551 00:29:06,720 --> 00:29:11,880 Speaker 1: to consider conflicting ideas or conflicting explanations for something you're 552 00:29:11,920 --> 00:29:16,120 Speaker 1: talking more about like having the focus of attention in 553 00:29:16,160 --> 00:29:18,880 Speaker 1: the mind be two different things at the same time. 554 00:29:19,240 --> 00:29:22,240 Speaker 1: Is that what you're okay? Yeah, yeah, that's a different thing. 555 00:29:22,240 --> 00:29:25,200 Speaker 1: And that's also very interesting because yeah, this once again 556 00:29:25,240 --> 00:29:28,840 Speaker 1: gets into like what is consciousness? And one of the 557 00:29:28,880 --> 00:29:33,000 Speaker 1: central features of consciousness seems to be this spotlight quality 558 00:29:33,040 --> 00:29:36,000 Speaker 1: to it, right that it consciousness seems to have a 559 00:29:36,080 --> 00:29:40,040 Speaker 1: basically like one focal point of attention at a time, 560 00:29:40,400 --> 00:29:43,640 Speaker 1: and other things can kind of intrude on consciousness suddenly. 561 00:29:44,000 --> 00:29:46,960 Speaker 1: But if you are thinking about a horse, you're also 562 00:29:47,080 --> 00:29:50,760 Speaker 1: not simultaneously thinking with the same level of focus and 563 00:29:50,800 --> 00:29:55,600 Speaker 1: intensity about a person, right right. And so this is 564 00:29:55,640 --> 00:29:59,360 Speaker 1: something that a psychologist by the name of nick I 565 00:29:59,400 --> 00:30:01,840 Speaker 1: believe it is Shader. I could have his last name 566 00:30:01,880 --> 00:30:04,440 Speaker 1: pronounced wrong, if so, I apologize here at c H 567 00:30:04,520 --> 00:30:07,320 Speaker 1: A T E er um. But he is the author 568 00:30:07,400 --> 00:30:10,440 Speaker 1: of the mind is flat, the illusion of mental depth 569 00:30:10,600 --> 00:30:14,920 Speaker 1: in the improvised mind. And what he would argue here 570 00:30:15,000 --> 00:30:17,320 Speaker 1: is that that we depend on a cycle of thought 571 00:30:17,440 --> 00:30:21,320 Speaker 1: whereby a number of systems work to push forward ideas 572 00:30:21,640 --> 00:30:25,480 Speaker 1: step by step. Uh. So I he would argue, I think, 573 00:30:25,600 --> 00:30:27,440 Speaker 1: if he were to weigh in on on this topic, 574 00:30:27,640 --> 00:30:31,000 Speaker 1: that our limited human neural capacity is only sufficient to 575 00:30:31,040 --> 00:30:34,880 Speaker 1: pursue one goal at a time, and maybe just maybe 576 00:30:35,160 --> 00:30:38,720 Speaker 1: doubled human neural capacity is what it would actually take 577 00:30:39,240 --> 00:30:43,400 Speaker 1: to truly dual track something. Does that make sense? Yeah, 578 00:30:43,440 --> 00:30:45,800 Speaker 1: I think so. So he's saying to to like consider 579 00:30:46,920 --> 00:30:50,320 Speaker 1: like to you know, it's kind of how when we're 580 00:30:50,360 --> 00:30:52,880 Speaker 1: making like a to do list, you have to break 581 00:30:53,080 --> 00:30:57,800 Speaker 1: tasks apart into into like individual steps and do them 582 00:30:57,840 --> 00:31:01,000 Speaker 1: one at a time. Uh. And uh, I find, you know, 583 00:31:01,080 --> 00:31:04,600 Speaker 1: doing that for me, it definitely helps me organize the 584 00:31:04,640 --> 00:31:07,360 Speaker 1: flow of of work a lot better. But maybe if 585 00:31:07,360 --> 00:31:09,720 Speaker 1: you had a more powerful mind, if you had like 586 00:31:09,760 --> 00:31:13,000 Speaker 1: two brains in your head, you could actually you wouldn't 587 00:31:13,000 --> 00:31:15,720 Speaker 1: have to break things into parts quite so much. You could, 588 00:31:15,880 --> 00:31:19,640 Speaker 1: you know, consider more sort of umbrella tasks with all 589 00:31:19,680 --> 00:31:24,280 Speaker 1: of their subdivided parts simultaneously. Yeah. And I think ultimately 590 00:31:24,280 --> 00:31:26,920 Speaker 1: it's it's very difficult to imagine what that would be like. 591 00:31:27,000 --> 00:31:29,160 Speaker 1: I mean, it's kind of like trying to imagine what 592 00:31:29,160 --> 00:31:30,920 Speaker 1: would our view of reality be like if we could 593 00:31:30,960 --> 00:31:34,600 Speaker 1: also uh, you know, feel the magnetosphere or something you 594 00:31:34,640 --> 00:31:37,600 Speaker 1: know or or or you know, see wavelengths of light 595 00:31:37,680 --> 00:31:41,960 Speaker 1: that we don't have access to that sort of thing. Um. Now, 596 00:31:42,840 --> 00:31:44,600 Speaker 1: the author of the Mind is Flat, well, he was. 597 00:31:44,840 --> 00:31:48,680 Speaker 1: He was also a co author on a paper um 598 00:31:48,800 --> 00:31:52,240 Speaker 1: along with Elizabeth A. May Mahler and Gregory V. Jones 599 00:31:52,360 --> 00:31:55,280 Speaker 1: from two thousand one titled searching for Two Things at Once. 600 00:31:55,800 --> 00:31:58,600 Speaker 1: And in this the author's conducted an experiment into whether 601 00:31:58,640 --> 00:32:03,880 Speaker 1: retrieval from semantic memory and autobiographical memory is exclusive or 602 00:32:03,920 --> 00:32:07,240 Speaker 1: whether people can search for two things at once, and 603 00:32:07,320 --> 00:32:11,360 Speaker 1: they concluded that quote exclusivity was observed to occur in 604 00:32:11,440 --> 00:32:15,640 Speaker 1: retrieval among multiple non overlapping categories in both semantic and 605 00:32:15,680 --> 00:32:20,360 Speaker 1: autobiographical memory. Again they're they're talking about about memory recall here, 606 00:32:20,680 --> 00:32:22,360 Speaker 1: but this also seems to get it sort of the 607 00:32:22,400 --> 00:32:25,280 Speaker 1: same idea. I was reading a summary of the Mind 608 00:32:25,360 --> 00:32:28,120 Speaker 1: is Flat by Stephen Pool for The Guardian, and they 609 00:32:28,120 --> 00:32:30,719 Speaker 1: summarize some of this by by by saying, quote, we 610 00:32:30,800 --> 00:32:33,960 Speaker 1: can't even see two or more colors at once, but 611 00:32:34,120 --> 00:32:37,600 Speaker 1: switch between one at a time. In general, our richness 612 00:32:37,640 --> 00:32:40,840 Speaker 1: of experience seems to be a construct, and we've touched 613 00:32:40,840 --> 00:32:42,920 Speaker 1: on some of this before as well, especially with vision 614 00:32:43,240 --> 00:32:46,440 Speaker 1: about like how um you know, we we have this 615 00:32:46,600 --> 00:32:48,640 Speaker 1: idea in our mind that the whole everything we can see, 616 00:32:48,640 --> 00:32:51,160 Speaker 1: whether our eyes at one time are in like full 617 00:32:51,160 --> 00:32:54,520 Speaker 1: color and maybe even full detail. But you don't have 618 00:32:54,640 --> 00:32:58,600 Speaker 1: to really get too experimental. You can just to realize 619 00:32:58,640 --> 00:33:00,800 Speaker 1: that this is not the case. Yeah, And there are 620 00:33:00,800 --> 00:33:04,200 Speaker 1: tons of examples of this. We like if you close 621 00:33:04,240 --> 00:33:06,840 Speaker 1: one eye, you still feel like you have total vision 622 00:33:06,880 --> 00:33:08,640 Speaker 1: and you can see all around, but in fact there's 623 00:33:08,640 --> 00:33:10,800 Speaker 1: a blind spot caused by your optic nerve, and you 624 00:33:10,880 --> 00:33:13,360 Speaker 1: just don't see that there is a blind spot there, 625 00:33:14,000 --> 00:33:16,280 Speaker 1: um or. One of the other examples we've often cited 626 00:33:16,400 --> 00:33:19,680 Speaker 1: is color blindness and peripheral vision, Like you believe that 627 00:33:19,760 --> 00:33:22,280 Speaker 1: you can see color in your peripheral vision until you 628 00:33:22,320 --> 00:33:25,320 Speaker 1: try it. Like somebody holds up different colored objects right 629 00:33:25,360 --> 00:33:26,720 Speaker 1: at the edge of where you can see, and it 630 00:33:26,760 --> 00:33:29,240 Speaker 1: turns out you can't. You know, you can't see different 631 00:33:29,240 --> 00:33:32,480 Speaker 1: colors there. You can only see vague things. Something is moving, 632 00:33:32,760 --> 00:33:35,120 Speaker 1: even though it totally like a p it feels like 633 00:33:35,160 --> 00:33:38,760 Speaker 1: I can see color in my periphery, so so very roughly, 634 00:33:38,760 --> 00:33:41,440 Speaker 1: if we take that idea and we we extrapolate it 635 00:33:41,480 --> 00:33:44,239 Speaker 1: to cognition itself. You know, we can we see the 636 00:33:44,240 --> 00:33:48,160 Speaker 1: limitations of of our focus. We see the limitations of 637 00:33:48,160 --> 00:33:50,520 Speaker 1: of how we construct a world and focus on it, 638 00:33:50,560 --> 00:33:52,720 Speaker 1: you know, and it is you could basically break it 639 00:33:52,760 --> 00:33:54,720 Speaker 1: down to the idea of we have the one spotlight, 640 00:33:55,720 --> 00:33:57,920 Speaker 1: but if we had two brains in our head, would 641 00:33:57,960 --> 00:34:01,120 Speaker 1: we essentially have two spotlights. That's very interesting and it 642 00:34:01,160 --> 00:34:04,800 Speaker 1: makes me wonder what the practical differences in like say, 643 00:34:04,640 --> 00:34:08,680 Speaker 1: a culture and a technosphere and a science developed by 644 00:34:08,760 --> 00:34:12,160 Speaker 1: people with brains of that type would be, like, Yeah, Like, 645 00:34:12,239 --> 00:34:15,160 Speaker 1: how is art different if you can focus on more 646 00:34:15,239 --> 00:34:18,120 Speaker 1: than one thing at a time? How how is science 647 00:34:18,160 --> 00:34:20,640 Speaker 1: and technology different if you can focus on more than 648 00:34:20,719 --> 00:34:23,200 Speaker 1: one thing at a time? Yeah? Or even your your 649 00:34:23,280 --> 00:34:26,000 Speaker 1: use of symbols and language, etcetera. I mean it kind 650 00:34:26,000 --> 00:34:27,719 Speaker 1: of coming back to the idea of the center. The 651 00:34:27,760 --> 00:34:31,759 Speaker 1: center exists to a certain extent because it combines two 652 00:34:31,840 --> 00:34:35,279 Speaker 1: things into one and brags in aspects of both of 653 00:34:35,320 --> 00:34:39,080 Speaker 1: those independent things. But would you would these type would 654 00:34:39,080 --> 00:34:43,080 Speaker 1: these forms be necessary for um uh, for the Syrians, 655 00:34:43,200 --> 00:34:45,920 Speaker 1: or would they by just by necessity would all of 656 00:34:45,960 --> 00:34:50,960 Speaker 1: their hybrids be more complex chimeras that involve like multiple aspects, 657 00:34:50,960 --> 00:34:53,239 Speaker 1: like at least four aspects, because in terms of just 658 00:34:53,320 --> 00:34:56,399 Speaker 1: contemplating two parallels, they can do that on their own. 659 00:34:56,440 --> 00:34:59,160 Speaker 1: They don't need a symbol to help with it. This 660 00:34:59,239 --> 00:35:01,960 Speaker 1: is really interesting. I want more about the Syrians now, 661 00:35:02,239 --> 00:35:05,600 Speaker 1: I want like Syrian focused Star Wars stories. I want 662 00:35:05,600 --> 00:35:09,400 Speaker 1: to master moondy Um novelization to read. Somebody, why do 663 00:35:09,480 --> 00:35:12,040 Speaker 1: we not have one? Mace Window got his own book. 664 00:35:12,160 --> 00:35:15,439 Speaker 1: It's really really difficult to follow his inner monologue though. 665 00:35:15,640 --> 00:35:18,560 Speaker 1: Oh man, it's it's actually two volumes and you have 666 00:35:18,640 --> 00:35:22,799 Speaker 1: to read them at the same time. Oh wait, No, 667 00:35:23,040 --> 00:35:27,520 Speaker 1: that's a fantastic idea. Actually you write two different novels 668 00:35:27,560 --> 00:35:31,560 Speaker 1: that narrate the exact same events, but they're one is 669 00:35:31,600 --> 00:35:35,000 Speaker 1: from each each brain in the head. That's really yeah. 670 00:35:35,080 --> 00:35:37,240 Speaker 1: That could be good, now, that would that would actually 671 00:35:37,280 --> 00:35:39,759 Speaker 1: be a fun yeah, short story exercise if someone wanted it. 672 00:35:39,800 --> 00:35:42,720 Speaker 1: To keep it simple, all right, talk about his death, 673 00:35:42,800 --> 00:35:44,520 Speaker 1: like the final moments leading up to his death, to 674 00:35:44,600 --> 00:35:47,360 Speaker 1: his betrayal by the Clone Troopers. He was aside, he 675 00:35:47,400 --> 00:35:49,880 Speaker 1: was working aside, Like what is one account of it? 676 00:35:50,000 --> 00:35:51,880 Speaker 1: What is the other? Like, I guess one account is 677 00:35:51,920 --> 00:35:53,160 Speaker 1: kind of like I didn't see this coming at all. 678 00:35:53,200 --> 00:35:57,200 Speaker 1: The other account is is, yeah, that makes sense. Yeah, 679 00:35:57,400 --> 00:35:59,160 Speaker 1: I should have talked to the other brain about this 680 00:35:59,239 --> 00:36:03,279 Speaker 1: before we ran of them on the bridge. Yeah, all right, 681 00:36:03,320 --> 00:36:06,520 Speaker 1: well I say we we close out on the Syrians 682 00:36:06,560 --> 00:36:08,960 Speaker 1: for now. Obviously there there are a ton of other 683 00:36:09,000 --> 00:36:11,680 Speaker 1: weird brains and multi headed things we could talk about 684 00:36:11,680 --> 00:36:14,360 Speaker 1: in Star Wars universe. But uh yeah, for for some reason, 685 00:36:14,400 --> 00:36:16,920 Speaker 1: I think the Syrian was the one that captured my 686 00:36:16,960 --> 00:36:19,520 Speaker 1: imagination the most here. This was a very good pick. 687 00:36:23,880 --> 00:36:27,279 Speaker 1: Thank all right, what do you have, Joe, What do 688 00:36:27,280 --> 00:36:29,239 Speaker 1: you have for us? Okay, well, you had to help 689 00:36:29,280 --> 00:36:31,560 Speaker 1: me with the Star Wars aspect of this one, because 690 00:36:31,600 --> 00:36:34,160 Speaker 1: I admit this is one that I backed into because 691 00:36:34,200 --> 00:36:37,760 Speaker 1: I got interested in the analogy animal from reality first. 692 00:36:38,040 --> 00:36:41,560 Speaker 1: To be fully transparent, This is a type of animal 693 00:36:41,640 --> 00:36:44,719 Speaker 1: that I first started looking at for our episode last week. 694 00:36:44,760 --> 00:36:47,960 Speaker 1: I think it was about the sargassum seaweed, but then 695 00:36:48,000 --> 00:36:50,600 Speaker 1: I realized that it didn't really fit super well into 696 00:36:50,640 --> 00:36:54,439 Speaker 1: that episode. This animal is not especially associated with sargassum, 697 00:36:54,800 --> 00:36:57,839 Speaker 1: only in certain occasions. Uh So I figured I would 698 00:36:57,880 --> 00:36:59,560 Speaker 1: actually save it for this and I found what I 699 00:36:59,560 --> 00:37:02,439 Speaker 1: believe a fantastic wedge to to get into the Star 700 00:37:02,440 --> 00:37:04,480 Speaker 1: Wars universe. But I felt like I had to hold 701 00:37:04,520 --> 00:37:07,319 Speaker 1: up a hand and be honest about where this comes from. Oh, 702 00:37:07,360 --> 00:37:11,120 Speaker 1: fair enough, but I wanted to think about bipedal, aquatic, 703 00:37:11,200 --> 00:37:16,120 Speaker 1: humanoid aliens, sentient water creatures who stand up on two 704 00:37:16,120 --> 00:37:19,920 Speaker 1: feet with a Homo sapiens posture. Now, the first one 705 00:37:19,960 --> 00:37:22,480 Speaker 1: I thought about is is not your your excellent pick here, 706 00:37:22,600 --> 00:37:25,279 Speaker 1: it's something that doesn't quite fit my animal as well. 707 00:37:25,320 --> 00:37:28,000 Speaker 1: But uh, the first one I wanted to talk about 708 00:37:28,120 --> 00:37:31,439 Speaker 1: is one of my favorites from childhood, Admiral Akbar from 709 00:37:31,480 --> 00:37:33,840 Speaker 1: Return of the Jedi, and I think he's been featured 710 00:37:33,840 --> 00:37:39,520 Speaker 1: in many other things since. But Admiral Akbar the the noble, brilliant, 711 00:37:40,480 --> 00:37:44,280 Speaker 1: big eyed commander of the Rebel Fleet during its attack 712 00:37:44,360 --> 00:37:47,799 Speaker 1: on the second Death Star. Famously he discovers it is 713 00:37:47,800 --> 00:37:51,400 Speaker 1: a trap. Yeah, he's a super fun character, wonderful, just 714 00:37:51,520 --> 00:37:55,719 Speaker 1: wonderful special effects makeup to create that guy. And uh, 715 00:37:55,760 --> 00:37:57,920 Speaker 1: and that that species is is fleshed out a bit 716 00:37:58,000 --> 00:38:00,480 Speaker 1: more in the Clone Wars animated seri is as well. 717 00:38:00,520 --> 00:38:02,759 Speaker 1: We get to go to their their home world of 718 00:38:02,760 --> 00:38:06,560 Speaker 1: of Moncola, which is this ocean world and it's also 719 00:38:06,719 --> 00:38:10,440 Speaker 1: where uh the core in live. Um. I don't know 720 00:38:10,440 --> 00:38:12,600 Speaker 1: if you remember these guys. They were also I think 721 00:38:12,680 --> 00:38:15,760 Speaker 1: first uh shown to us in Return of the Jedi. 722 00:38:15,800 --> 00:38:18,600 Speaker 1: But they're like a squid face guy. Yes, yeah, they 723 00:38:18,600 --> 00:38:21,359 Speaker 1: pop up in a job as palace I believe, yes, so, 724 00:38:21,480 --> 00:38:24,839 Speaker 1: Admiral Akbar. Species is called the mon Calamari and they 725 00:38:24,840 --> 00:38:27,759 Speaker 1: are native to this home planet of Montcola. But also, yes, 726 00:38:27,800 --> 00:38:30,960 Speaker 1: the Coreans, these other creatures who look more like so, 727 00:38:31,000 --> 00:38:34,120 Speaker 1: the Montclamari are an amphibious species, and they look sort 728 00:38:34,160 --> 00:38:36,719 Speaker 1: of I guess the closest analogy in Earth life would 729 00:38:36,719 --> 00:38:39,360 Speaker 1: be they look kind of like frogs. They've got frog 730 00:38:39,440 --> 00:38:42,719 Speaker 1: like eyes and kind of frog like skin, and it 731 00:38:42,760 --> 00:38:45,400 Speaker 1: would make sense since they're supposed to be amphibious. But 732 00:38:45,560 --> 00:38:51,560 Speaker 1: the Corn's they look more like bipedal uh humans basically, 733 00:38:51,600 --> 00:38:55,359 Speaker 1: but with squids for heads. I think they've sometimes been 734 00:38:55,400 --> 00:38:59,640 Speaker 1: called like kind of Cathulu aliens. Yeah, now the Montclamari. 735 00:39:00,200 --> 00:39:03,360 Speaker 1: This does raise a number of questions itself, because I 736 00:39:03,360 --> 00:39:07,320 Speaker 1: wonder how does the bipedalism of the mon Calumari evolve 737 00:39:07,440 --> 00:39:11,880 Speaker 1: like bipedalism and limit even limited by beetle behaviors can 738 00:39:11,920 --> 00:39:14,600 Speaker 1: be found in a number of terrestrial animals on Earth. 739 00:39:14,719 --> 00:39:18,799 Speaker 1: You've got birds and their extinct therapod dinosaur relatives, some 740 00:39:18,880 --> 00:39:21,880 Speaker 1: reptiles such as you know the reptiles we've discussed in 741 00:39:21,920 --> 00:39:24,160 Speaker 1: the past, lizards that run on the water with two 742 00:39:24,239 --> 00:39:27,040 Speaker 1: back legs. Of course, in primate so a number of 743 00:39:27,080 --> 00:39:30,000 Speaker 1: animals will stand up on two legs, But almost all 744 00:39:30,000 --> 00:39:33,640 Speaker 1: the cases I can think of with this involve animals 745 00:39:33,680 --> 00:39:37,839 Speaker 1: that are standing on or walking on solid land, or 746 00:39:38,000 --> 00:39:40,799 Speaker 1: walking or running across the top of the water. And 747 00:39:40,840 --> 00:39:43,280 Speaker 1: it's actually still a matter of debate in a pretty 748 00:39:43,280 --> 00:39:48,279 Speaker 1: interesting way, how human ancestors developed full time bipedalism. One 749 00:39:48,280 --> 00:39:51,279 Speaker 1: of the bygone hypotheses you've probably heard, this was from 750 00:39:51,320 --> 00:39:55,400 Speaker 1: the old days, was that human ancestors evolved bipedalism so 751 00:39:55,480 --> 00:39:58,560 Speaker 1: that they could see over the tall grasses of the savannah. 752 00:39:58,600 --> 00:40:02,680 Speaker 1: But I think this hypothesis is mostly discarded now. One 753 00:40:02,719 --> 00:40:05,600 Speaker 1: of the main reasons is that it looks like from 754 00:40:05,640 --> 00:40:09,439 Speaker 1: from the fossil record, that humans became by petal when 755 00:40:09,480 --> 00:40:12,879 Speaker 1: they still lived primarily in an arboreal environment, so around 756 00:40:12,920 --> 00:40:16,600 Speaker 1: the trees, not in grasslands with tall grasses, and so 757 00:40:16,880 --> 00:40:19,520 Speaker 1: there are a number of competing hypotheses today, one of 758 00:40:19,560 --> 00:40:22,560 Speaker 1: which that's pretty interesting, or I guess several actually get 759 00:40:22,600 --> 00:40:25,719 Speaker 1: into the idea that by petalism evolved because of the 760 00:40:25,760 --> 00:40:30,200 Speaker 1: evolutionary advantages in various different ways of having free hands 761 00:40:30,239 --> 00:40:33,880 Speaker 1: available for carrying things around while you move. Yeah, as 762 00:40:33,920 --> 00:40:36,440 Speaker 1: I'm hunting and gathering, like I need those free hands 763 00:40:36,480 --> 00:40:39,279 Speaker 1: to hold like my my satchel of collected berries or 764 00:40:39,360 --> 00:40:43,480 Speaker 1: mushrooms or the tools that I'm using, yeah, to bring 765 00:40:43,520 --> 00:40:45,920 Speaker 1: back to your family from across a long distance or 766 00:40:45,920 --> 00:40:49,040 Speaker 1: something like that. But there could be another explanation this better. 767 00:40:49,239 --> 00:40:51,000 Speaker 1: This is one one of those things where I think 768 00:40:51,000 --> 00:40:53,279 Speaker 1: the it's wide open, you know, there there are tons 769 00:40:53,320 --> 00:40:56,200 Speaker 1: of different ideas competing and and and so it's very 770 00:40:56,200 --> 00:40:58,759 Speaker 1: interesting for that reason. But whatever the reason that that 771 00:40:58,880 --> 00:41:01,480 Speaker 1: human ancestors have all full time by petalism, it does 772 00:41:01,520 --> 00:41:05,359 Speaker 1: seem kind of weird to imagine by petalism evolving in 773 00:41:05,480 --> 00:41:09,000 Speaker 1: an aquatic or mostly aquatic species, Like what are they 774 00:41:09,080 --> 00:41:11,799 Speaker 1: walking around on? You know, are they walking around on 775 00:41:11,960 --> 00:41:15,080 Speaker 1: the ocean floor? In order to do that, it would 776 00:41:15,080 --> 00:41:17,160 Speaker 1: seem like they would have to be very dense, right, 777 00:41:17,200 --> 00:41:18,759 Speaker 1: Like they sink to the bottom and they need to 778 00:41:18,800 --> 00:41:21,520 Speaker 1: stand up and walk around on the bottom. You'd imagine 779 00:41:21,560 --> 00:41:24,720 Speaker 1: they'd mostly be geared for for swimming. Uh, though maybe 780 00:41:24,760 --> 00:41:26,600 Speaker 1: I don't know because the mont Calamari it says that 781 00:41:26,600 --> 00:41:29,680 Speaker 1: they're an amphibious species. Maybe they evolved by petalism for 782 00:41:29,920 --> 00:41:33,160 Speaker 1: whatever part of their life they spend walking around outside 783 00:41:33,160 --> 00:41:35,400 Speaker 1: the water on the land, if they if they do 784 00:41:35,440 --> 00:41:37,879 Speaker 1: that at all, I don't know all that much about 785 00:41:37,920 --> 00:41:42,040 Speaker 1: the mont Calamari. But amphibious, yeah, maybe. Yeah. In the 786 00:41:42,120 --> 00:41:44,520 Speaker 1: episodes of Clone Wars where they're they're more fleshed out, 787 00:41:44,680 --> 00:41:46,520 Speaker 1: we we don't really always see here. I think some 788 00:41:46,680 --> 00:41:49,920 Speaker 1: like big submersible environments, and of course a lot of 789 00:41:49,960 --> 00:41:54,080 Speaker 1: like open water warfare that's taking place. So I don't 790 00:41:54,080 --> 00:41:56,719 Speaker 1: know if that ultimately we get much in the way 791 00:41:56,719 --> 00:41:59,880 Speaker 1: of answers from that show either. But in thinking about 792 00:42:00,000 --> 00:42:03,680 Speaker 1: other bipedal upright water aliens in the Star Wars universe, Rob, 793 00:42:04,120 --> 00:42:05,719 Speaker 1: you're gonna have to help me with this one, because 794 00:42:05,760 --> 00:42:08,120 Speaker 1: you connected me to the species and I knew nothing 795 00:42:08,160 --> 00:42:11,120 Speaker 1: about it previously. But there is a species from the 796 00:42:11,120 --> 00:42:14,440 Speaker 1: Star Wars universe called the Nephron in E. P H 797 00:42:14,680 --> 00:42:17,640 Speaker 1: R A N. And this is much closer to what 798 00:42:17,719 --> 00:42:19,520 Speaker 1: I want to talk about here, because this is a 799 00:42:19,600 --> 00:42:22,880 Speaker 1: bipedal aquatic alien that's more like a crustacean, like a 800 00:42:23,000 --> 00:42:27,120 Speaker 1: bipedal shrimp or crab. They are said to come from 801 00:42:27,160 --> 00:42:30,040 Speaker 1: an ocean world in the Star Wars galaxy called Nippotus, 802 00:42:30,640 --> 00:42:33,480 Speaker 1: And the main example character of this species is a 803 00:42:33,520 --> 00:42:37,800 Speaker 1: person from stuff I haven't seen called Therm scissor punch 804 00:42:37,960 --> 00:42:39,600 Speaker 1: Rob Can you can you fill me in, you know 805 00:42:39,600 --> 00:42:42,279 Speaker 1: about Therm? Yeah, So this is a character if if 806 00:42:42,320 --> 00:42:45,400 Speaker 1: memory serves, pops up in the movie Solo, which, of 807 00:42:45,400 --> 00:42:48,880 Speaker 1: course the Han Solo prequel, which I know some folks 808 00:42:48,880 --> 00:42:50,600 Speaker 1: didn't care for. I we thought it was a lot 809 00:42:50,640 --> 00:42:53,120 Speaker 1: of fun when we watched a family. Uh. It certainly 810 00:42:53,120 --> 00:42:55,279 Speaker 1: had some great aliens in it for sure, and this 811 00:42:55,320 --> 00:42:57,920 Speaker 1: is one of them. Uh you know, this kind of shrimpy, 812 00:42:58,120 --> 00:43:01,560 Speaker 1: squitty looking guy and he's wearing what looks to be 813 00:43:01,760 --> 00:43:05,880 Speaker 1: like an interstellar flight suit. So this seems to support 814 00:43:05,960 --> 00:43:10,279 Speaker 1: like the theory that underwater creatures in the Star Wars 815 00:43:10,360 --> 00:43:15,080 Speaker 1: universe perhaps have an advantage when it comes to navigating 816 00:43:15,239 --> 00:43:18,600 Speaker 1: the three dimensional world of open space, because again, think 817 00:43:18,600 --> 00:43:21,319 Speaker 1: of the mont Calamari. Where do we encounter them time 818 00:43:21,360 --> 00:43:27,279 Speaker 1: and time again? Uh, heterggic commanders strategic commanders during space warfare. 819 00:43:27,520 --> 00:43:29,520 Speaker 1: So it makes you wonder do they have some sort 820 00:43:29,560 --> 00:43:31,839 Speaker 1: of would they have some sort of advantage they're used 821 00:43:31,840 --> 00:43:36,200 Speaker 1: to the oceanic environment, like the open water warfare environment 822 00:43:36,200 --> 00:43:39,000 Speaker 1: and the survival environment. Do they are they better than 823 00:43:39,080 --> 00:43:43,480 Speaker 1: contemplating threats in outer space? That would make a lot 824 00:43:43,520 --> 00:43:46,440 Speaker 1: of sense. Now, there's still some important differences. I'd say 825 00:43:46,440 --> 00:43:48,680 Speaker 1: one of the most important differences is even within the 826 00:43:48,719 --> 00:43:51,560 Speaker 1: water column, you've still got an up and down. You've 827 00:43:51,560 --> 00:43:54,360 Speaker 1: got gravity and buoyancy, which you don't have in space. 828 00:43:54,400 --> 00:43:56,279 Speaker 1: In space, there's no up and down. It's just a 829 00:43:56,480 --> 00:44:00,480 Speaker 1: limitless three dimensional space. But even with out you can 830 00:44:00,520 --> 00:44:04,600 Speaker 1: still see the advantage where you're naturally evolutionarily adapted to 831 00:44:04,800 --> 00:44:07,399 Speaker 1: combat within a space where you can move in three 832 00:44:07,440 --> 00:44:09,920 Speaker 1: different dimensions in a way that we can't really on 833 00:44:09,960 --> 00:44:11,680 Speaker 1: the surface of the Earth. Like you can jump and 834 00:44:11,719 --> 00:44:14,200 Speaker 1: you can climb a tree and stuff, but mostly you're 835 00:44:14,239 --> 00:44:16,359 Speaker 1: just going to be on flat ground when you're fighting 836 00:44:16,360 --> 00:44:19,080 Speaker 1: other people. Yeah, and of course you can have aircraft 837 00:44:19,080 --> 00:44:21,120 Speaker 1: and stuff, but that's not really part of the ancestral 838 00:44:21,239 --> 00:44:25,440 Speaker 1: environment that shaped our brains. Yeah, I imagine the reverse. 839 00:44:25,480 --> 00:44:28,520 Speaker 1: That's probably true too. I like a crustacean alien had 840 00:44:28,560 --> 00:44:32,840 Speaker 1: an advantage, and imagining open space warfare, they'd probably also 841 00:44:32,880 --> 00:44:36,200 Speaker 1: be really disadvantaged. Imagining like a land warfare. It would 842 00:44:36,200 --> 00:44:38,080 Speaker 1: be like like, what, what's your command, general, and they 843 00:44:38,120 --> 00:44:42,680 Speaker 1: would be like move, swim away, yea swim away, Yeah, 844 00:44:42,960 --> 00:44:47,160 Speaker 1: get back in the water. So this guy is called 845 00:44:47,239 --> 00:44:50,160 Speaker 1: therm scissor Punch, And at first the name seemed weird 846 00:44:50,200 --> 00:44:52,400 Speaker 1: to me until I connected it to the fact that 847 00:44:52,440 --> 00:44:55,680 Speaker 1: he has crab like claws instead of hands. So if 848 00:44:55,719 --> 00:44:58,120 Speaker 1: he punches you, I guess it is much like being 849 00:44:58,160 --> 00:45:01,439 Speaker 1: punched with a giant, blunt pair of scissors. Yeah, yeah, 850 00:45:01,440 --> 00:45:04,480 Speaker 1: I think so. Okay, But here we're gonna make the 851 00:45:04,560 --> 00:45:08,160 Speaker 1: lateral leap to real biology because I've got a crustacean 852 00:45:08,280 --> 00:45:12,560 Speaker 1: with an eerily human bipedal type posture to talk about. 853 00:45:13,120 --> 00:45:19,120 Speaker 1: And this is the skeleton shrimp from the crustacean family Caprilla. Day. 854 00:45:19,160 --> 00:45:22,520 Speaker 1: This is one absolutely to look up pictures of. Go 855 00:45:22,640 --> 00:45:26,479 Speaker 1: google skeleton shrimp while I'm talking about this. They look 856 00:45:26,880 --> 00:45:30,680 Speaker 1: very cool, very creepy, and on top of that, and 857 00:45:30,680 --> 00:45:33,840 Speaker 1: on top of their they're kind of haunting creepy appearance. 858 00:45:34,239 --> 00:45:37,600 Speaker 1: They somehow to me look a little bit obscene. I 859 00:45:37,640 --> 00:45:41,080 Speaker 1: can't quite explain it very well, but they look like 860 00:45:41,160 --> 00:45:45,280 Speaker 1: an acolyte of some horrible shadow god that was rightly 861 00:45:45,280 --> 00:45:48,640 Speaker 1: banished to the cavern of tears. Yeah, they are very 862 00:45:48,680 --> 00:45:51,719 Speaker 1: strange looking. And that's even if you're approaching it with 863 00:45:51,800 --> 00:45:53,520 Speaker 1: the idea that, yeah, there are a lot of different 864 00:45:53,520 --> 00:45:56,840 Speaker 1: shrimp in the ocean, and not all shrimp, you know, 865 00:45:56,920 --> 00:45:58,560 Speaker 1: look like the shrimp that you might buy at the 866 00:45:58,600 --> 00:46:02,680 Speaker 1: seafood store. But these guys, especially, they feel like they 867 00:46:02,719 --> 00:46:05,800 Speaker 1: earn their nickname the skeleton shrimp or the ghost shrimp. 868 00:46:05,840 --> 00:46:09,680 Speaker 1: They look like some sort of a horrible shri raith shrimp. 869 00:46:09,719 --> 00:46:11,920 Speaker 1: That would be a good name for them. I think 870 00:46:11,920 --> 00:46:15,400 Speaker 1: they're called skeleton shrimp because they typically have a very 871 00:46:15,680 --> 00:46:21,160 Speaker 1: spindly appearance. They're almost like a stick insect, but creepier. Now. 872 00:46:21,160 --> 00:46:23,799 Speaker 1: They're typically very small. They range in size from a 873 00:46:23,840 --> 00:46:27,359 Speaker 1: few millimeters to a couple of inches long. But if 874 00:46:27,400 --> 00:46:29,400 Speaker 1: you get up close and you look at them with 875 00:46:29,440 --> 00:46:34,000 Speaker 1: some magnification, you'll notice that they often have an upright 876 00:46:34,160 --> 00:46:37,359 Speaker 1: posture where they will stretch their body out as they 877 00:46:37,400 --> 00:46:40,720 Speaker 1: cling onto something with their back legs. So in that sense, 878 00:46:40,760 --> 00:46:44,680 Speaker 1: they look eerily human. But in addition to this, they 879 00:46:44,719 --> 00:46:48,880 Speaker 1: often have a kind of bent over supplicant posture within 880 00:46:49,040 --> 00:46:53,319 Speaker 1: that upstanding position, almost looking like they're in prayer. Again, 881 00:46:53,360 --> 00:46:57,640 Speaker 1: I guess to that, to that rightly banished God. Yeah, yeah, 882 00:46:57,680 --> 00:47:00,960 Speaker 1: in a way, similar posture to old scissor punch. There, 883 00:47:01,120 --> 00:47:03,400 Speaker 1: he looks a little bit dent over in the skills 884 00:47:03,400 --> 00:47:05,520 Speaker 1: I have of him. Oh, yes, you're right, I've seen 885 00:47:05,640 --> 00:47:07,319 Speaker 1: some of the skills I've seen of him. He looks 886 00:47:07,360 --> 00:47:09,680 Speaker 1: like he's hanging his head, or maybe like he's about 887 00:47:09,719 --> 00:47:12,600 Speaker 1: to bow down at the altar. Gravity is really hard 888 00:47:12,640 --> 00:47:15,880 Speaker 1: on him. But he must damble, he must play cards. 889 00:47:17,920 --> 00:47:20,400 Speaker 1: Uh So, I was wondering if my raw sense of 890 00:47:20,480 --> 00:47:24,000 Speaker 1: obscenity when looking at a skeleton shrimp comes from the 891 00:47:24,080 --> 00:47:27,799 Speaker 1: different body parts that seem to defy type. It has 892 00:47:27,960 --> 00:47:32,360 Speaker 1: antentnie that look like legs, and claws that look like heads, 893 00:47:32,400 --> 00:47:35,560 Speaker 1: and little claws near the face of the actual head. 894 00:47:35,600 --> 00:47:38,279 Speaker 1: It's Its main claws are called natopods, and it has 895 00:47:38,640 --> 00:47:41,839 Speaker 1: smaller natopods near its face that look kind of like, 896 00:47:43,000 --> 00:47:45,400 Speaker 1: I don't know, like hip facial hair facial or I 897 00:47:45,400 --> 00:47:46,960 Speaker 1: don't know how hip. It would be the kind of 898 00:47:46,960 --> 00:47:50,680 Speaker 1: facial hair that makes a statement. Now, despite being called 899 00:47:50,719 --> 00:47:54,359 Speaker 1: skeleton shrimp, these are not exactly super closely related to 900 00:47:54,400 --> 00:47:57,439 Speaker 1: the shrimp that you would eat in your shrimp cocktail. Um. 901 00:47:57,800 --> 00:48:00,319 Speaker 1: Skeleton shrimp in fact, consistent with what I was saying 902 00:48:00,320 --> 00:48:04,239 Speaker 1: about their their different weird claws and legs. They are 903 00:48:04,560 --> 00:48:08,280 Speaker 1: of an order of crustaceans known as amphipods, which literally 904 00:48:08,320 --> 00:48:11,880 Speaker 1: means different feet as opposed to related crustaceans that have 905 00:48:12,000 --> 00:48:15,360 Speaker 1: more consistent sets of feet. And I was reading about 906 00:48:15,400 --> 00:48:17,799 Speaker 1: them on a page for the Monterey Bay Aquarium that 907 00:48:17,920 --> 00:48:22,080 Speaker 1: mentions that these animals are sometimes called praying mantises of 908 00:48:22,160 --> 00:48:26,440 Speaker 1: the sea. I can absolutely understand the comparison. In addition 909 00:48:26,480 --> 00:48:29,840 Speaker 1: to the of course praying posture I mentioned, Uh, the 910 00:48:30,000 --> 00:48:33,880 Speaker 1: claws look very much like the raptorial four legs of 911 00:48:33,920 --> 00:48:38,439 Speaker 1: a praying mantis. So skeleton shrimp are often camouflaged within 912 00:48:38,480 --> 00:48:42,880 Speaker 1: their environment, making forests of seaweed a really great habitat 913 00:48:42,960 --> 00:48:47,600 Speaker 1: for them. Uh. They're often found clinging to bryozoans, hydroids, 914 00:48:47,680 --> 00:48:51,640 Speaker 1: or eel grass, sometimes even in patches of sarcassum, which 915 00:48:51,640 --> 00:48:54,680 Speaker 1: we talked about last week. Those skeleton shrimp are found 916 00:48:54,680 --> 00:48:56,840 Speaker 1: in other habitats as well. You can find them on 917 00:48:56,880 --> 00:49:00,840 Speaker 1: a ship's hull or on some other animals body. Even 918 00:49:00,960 --> 00:49:05,280 Speaker 1: one video I was watching of skeleton shrimp showed hundreds, 919 00:49:05,320 --> 00:49:09,360 Speaker 1: I don't know, maybe thousands of tiny skeleton shrimp clinging 920 00:49:09,400 --> 00:49:13,680 Speaker 1: to the scales of a scorpion fish, crowded right around 921 00:49:13,719 --> 00:49:16,040 Speaker 1: the fish's I I tried to take a take a 922 00:49:16,200 --> 00:49:19,120 Speaker 1: screen grab so you can see it here robbed down below. 923 00:49:19,200 --> 00:49:21,879 Speaker 1: But they're just crowded around the eye and all over 924 00:49:22,080 --> 00:49:24,920 Speaker 1: the top of his head, and they're just swaying around 925 00:49:24,920 --> 00:49:27,319 Speaker 1: in the water. And the fish does not really look 926 00:49:27,320 --> 00:49:29,799 Speaker 1: put out, I know, like at first glance, these look 927 00:49:29,880 --> 00:49:33,640 Speaker 1: like eyebrows and tufts of hair, almost kind of zat 928 00:49:33,840 --> 00:49:36,920 Speaker 1: ish tufts of hair, you know. Oh yeah, Sometimes they 929 00:49:36,960 --> 00:49:40,400 Speaker 1: can look quite fuzzy, especially when the females are carrying 930 00:49:40,520 --> 00:49:44,399 Speaker 1: their brood along with them, like after mating. They they 931 00:49:44,440 --> 00:49:49,040 Speaker 1: reproduce sexually, and after mating, the females will sometimes carry 932 00:49:49,040 --> 00:49:52,840 Speaker 1: around what looks almost like a ball of dandelion fuzz 933 00:49:52,920 --> 00:49:55,440 Speaker 1: or something. But that's all they're young that that haven't 934 00:49:55,560 --> 00:49:59,440 Speaker 1: left the mother's body yet. Now, the different appendages jutting 935 00:49:59,480 --> 00:50:02,520 Speaker 1: off of the bodies provide a range of different ways 936 00:50:02,560 --> 00:50:06,320 Speaker 1: to survive. In general, their back legs are for gripping 937 00:50:06,360 --> 00:50:08,400 Speaker 1: onto a substrate, and this is where you get the 938 00:50:08,560 --> 00:50:12,920 Speaker 1: bipedal posture. Here you will very often see skeleton shrimp 939 00:50:13,360 --> 00:50:16,799 Speaker 1: clinging to something a piece of seaweed or even a 940 00:50:16,920 --> 00:50:20,439 Speaker 1: scorpion fish's head or something with their back legs while 941 00:50:20,520 --> 00:50:23,319 Speaker 1: their body is stretched out above that, looking like they're 942 00:50:23,360 --> 00:50:27,080 Speaker 1: standing up and reaching out into the water. And then meanwhile, 943 00:50:27,120 --> 00:50:30,200 Speaker 1: while they're clinging with their back legs and standing up 944 00:50:30,239 --> 00:50:33,200 Speaker 1: like this, they're larger front legs with the folding features 945 00:50:33,239 --> 00:50:36,239 Speaker 1: that look like mantis claws. These can be used for 946 00:50:36,320 --> 00:50:39,680 Speaker 1: grooming the body or for violence in fighting each other, 947 00:50:39,760 --> 00:50:42,359 Speaker 1: which it seems like they do a lot, or for 948 00:50:42,600 --> 00:50:45,560 Speaker 1: snagging food, and the antennae coming off of their head 949 00:50:45,600 --> 00:50:49,560 Speaker 1: apparently can sometimes be used for filter feeding. They eat 950 00:50:49,800 --> 00:50:53,760 Speaker 1: everything it seems that they say are different. Different species 951 00:50:53,800 --> 00:50:56,040 Speaker 1: of them will eat different things sometimes, but they're they're 952 00:50:56,040 --> 00:51:00,680 Speaker 1: pretty omnivorous. They scavenge for floating detritus, meaning particles of 953 00:51:00,719 --> 00:51:03,960 Speaker 1: dead organic matter. They're just sort of like hanging around 954 00:51:03,960 --> 00:51:07,359 Speaker 1: in the water. Sometimes they eat algae or sometimes they 955 00:51:07,440 --> 00:51:10,560 Speaker 1: act as predators. They can snag kill and eat live prey, 956 00:51:10,719 --> 00:51:14,919 Speaker 1: for example worms or crustacean larvae. And though they look 957 00:51:15,080 --> 00:51:18,160 Speaker 1: very bipedal when they're attached to a substrate and reaching 958 00:51:18,160 --> 00:51:21,239 Speaker 1: out into the water, I thought this was interesting. They 959 00:51:21,320 --> 00:51:24,600 Speaker 1: generally move not by walking on their back legs, but 960 00:51:24,680 --> 00:51:28,439 Speaker 1: by gripping the substrate, folding their body over, and then 961 00:51:28,600 --> 00:51:33,520 Speaker 1: sliding along like an inchworm. Again, very creepy. And there's 962 00:51:33,560 --> 00:51:38,360 Speaker 1: another fascinating comparison to the praying mantis. Some species of 963 00:51:38,360 --> 00:51:43,839 Speaker 1: skeleton shrimp practice sexual homicide, where the female will kill 964 00:51:44,000 --> 00:51:47,759 Speaker 1: the male after mating, sometimes by stabbing them with a 965 00:51:47,800 --> 00:51:53,040 Speaker 1: special claw and injecting them with venom, which this strikes 966 00:51:53,080 --> 00:51:56,360 Speaker 1: me as a very interesting example of convergent evolution, because 967 00:51:56,400 --> 00:52:00,360 Speaker 1: of course this is there's this superficial resemblance between the 968 00:52:00,400 --> 00:52:03,560 Speaker 1: body form of a praying mantis and a skeleton shrimp. 969 00:52:03,560 --> 00:52:07,280 Speaker 1: They have these similar raptorial fore legs and similar posture 970 00:52:07,320 --> 00:52:10,960 Speaker 1: and stuff, and like a praying mantis, sometimes the female 971 00:52:11,040 --> 00:52:13,960 Speaker 1: will kill the male after mating. Uh. Though I didn't 972 00:52:14,000 --> 00:52:16,760 Speaker 1: see much about the female eating the male after mating. 973 00:52:16,760 --> 00:52:20,839 Speaker 1: Maybe they do, because sometimes these skeleton shrimp are cannibalistic, 974 00:52:20,880 --> 00:52:23,120 Speaker 1: but mainly I just saw about killing the male with 975 00:52:23,200 --> 00:52:26,800 Speaker 1: this venomous claw. I was wondering why it would be 976 00:52:26,920 --> 00:52:29,279 Speaker 1: that the female would kill the male after mating. I 977 00:52:29,360 --> 00:52:32,600 Speaker 1: wonder if this is in part to prevent the males 978 00:52:32,760 --> 00:52:36,839 Speaker 1: from cannibalizing them or their offspring in the future. So 979 00:52:36,840 --> 00:52:38,960 Speaker 1: there are a couple of things they're one of which 980 00:52:39,120 --> 00:52:43,560 Speaker 1: is that mating. Uh So, of course these crustaceans, like 981 00:52:43,600 --> 00:52:47,160 Speaker 1: other crustaceans, they have to grow by molting, right because 982 00:52:47,360 --> 00:52:51,000 Speaker 1: having a hard outer exoskeleton. You can't get bigger with 983 00:52:51,040 --> 00:52:53,560 Speaker 1: a hardened outer exo skeleton. You have to shed the 984 00:52:53,560 --> 00:52:57,440 Speaker 1: exo skeleton and then come come out as a larger 985 00:52:57,600 --> 00:53:00,400 Speaker 1: soft version of yourself, and then the outer layer a 986 00:53:00,400 --> 00:53:03,640 Speaker 1: few hardens into a new larger exoskeleton. This is the 987 00:53:03,680 --> 00:53:08,000 Speaker 1: molting process. And apparently skeleton shrimp can only mate when 988 00:53:08,120 --> 00:53:11,960 Speaker 1: the female is freshly molted, so I don't know. There's 989 00:53:12,000 --> 00:53:14,840 Speaker 1: possibly that means that she could be in a in 990 00:53:14,920 --> 00:53:18,160 Speaker 1: a more vulnerable position around the time of mating, or 991 00:53:18,200 --> 00:53:21,040 Speaker 1: it could be to prevent males from from eating the 992 00:53:21,080 --> 00:53:23,719 Speaker 1: new larva that will be coming along soon. I don't know. 993 00:53:23,760 --> 00:53:26,600 Speaker 1: I wonder I like the idea that they have they 994 00:53:26,640 --> 00:53:29,200 Speaker 1: may have a special claw for this though, Oh yeah, yeah, 995 00:53:29,200 --> 00:53:32,280 Speaker 1: with the with the venom and apparently the males also 996 00:53:32,400 --> 00:53:35,480 Speaker 1: sometimes have venomous claws which they use for fighting each other. 997 00:53:35,600 --> 00:53:38,160 Speaker 1: I think in some cases at least for access to 998 00:53:38,239 --> 00:53:42,759 Speaker 1: mating real scissor punches. They're right exactly. But as I 999 00:53:42,800 --> 00:53:45,319 Speaker 1: said already, skeleton shrimp are really something that you need 1000 00:53:45,360 --> 00:53:47,719 Speaker 1: to see with your eyes to appreciate. So I would 1001 00:53:47,760 --> 00:53:50,600 Speaker 1: highly recommend looking up some pictures and looking up some 1002 00:53:50,760 --> 00:53:56,080 Speaker 1: videos of these animals there. They're very small, but they're beautiful, creepy, unsettling, 1003 00:53:56,600 --> 00:54:06,480 Speaker 1: worth your attention absolutely than Alright, I think we have 1004 00:54:06,640 --> 00:54:10,400 Speaker 1: time for one more specimen here, oh boy. And for 1005 00:54:10,520 --> 00:54:12,360 Speaker 1: this one, Joe, I'm gonna have to ask you to 1006 00:54:12,440 --> 00:54:15,160 Speaker 1: come to the planet Naboo with me. Well, I'll always 1007 00:54:15,160 --> 00:54:17,400 Speaker 1: go to Naboo. Well, I mean, it's an interesting world, 1008 00:54:17,480 --> 00:54:19,239 Speaker 1: but I would say one of the most interesting in 1009 00:54:19,239 --> 00:54:22,640 Speaker 1: the Star Wars universe because even outside of its important 1010 00:54:22,719 --> 00:54:27,000 Speaker 1: role in galactic history, it has just incredibly rich fauna. Uh. 1011 00:54:27,080 --> 00:54:29,440 Speaker 1: You have human human settlers coming to the planet at 1012 00:54:29,520 --> 00:54:32,239 Speaker 1: some point, and then there's signs of an elder civilization, 1013 00:54:32,280 --> 00:54:35,640 Speaker 1: but you have this native Gungan population um that are 1014 00:54:35,719 --> 00:54:39,720 Speaker 1: an advanced amphibious species that make their home and underwater cities, 1015 00:54:39,760 --> 00:54:44,319 Speaker 1: and the planets expansive underwater oceans. Uh Naboo seems to 1016 00:54:44,360 --> 00:54:49,960 Speaker 1: have a vast uh number of of impressive land animals, 1017 00:54:50,280 --> 00:54:53,000 Speaker 1: many of which are used as battle mounts by the Gungans. 1018 00:54:53,000 --> 00:54:56,880 Speaker 1: But then you have this this shadowy underwater realm that 1019 00:54:57,040 --> 00:55:00,560 Speaker 1: is home to just many many marine or anis ums. 1020 00:55:00,960 --> 00:55:04,960 Speaker 1: And there's a fabulous uh section in The Phantom Menace 1021 00:55:05,200 --> 00:55:07,839 Speaker 1: where we get to explore it a bit. Uh. It's 1022 00:55:07,920 --> 00:55:11,200 Speaker 1: the scene where we have our main characters there uh 1023 00:55:11,320 --> 00:55:14,000 Speaker 1: with with the kid I think and and uh and 1024 00:55:14,120 --> 00:55:16,960 Speaker 1: jar jar and they're in a submarine and they are 1025 00:55:17,000 --> 00:55:21,839 Speaker 1: attacked by one giant underwater creature after another, each one 1026 00:55:22,000 --> 00:55:25,160 Speaker 1: bigger and more horrifying than the last. Out of the 1027 00:55:25,160 --> 00:55:28,799 Speaker 1: frying pan and into the fish. Yes, so the first 1028 00:55:28,800 --> 00:55:31,840 Speaker 1: one that attacks is this thing that's op c killer 1029 00:55:31,880 --> 00:55:33,879 Speaker 1: that looks kind of like a like a deep sea 1030 00:55:33,920 --> 00:55:37,440 Speaker 1: angler fish type of of a thing. Then they're attacked 1031 00:55:37,440 --> 00:55:40,200 Speaker 1: by the colo clawfish, which looks like a cross between 1032 00:55:40,200 --> 00:55:42,960 Speaker 1: a crocodile and an eel, and then finally by this 1033 00:55:43,120 --> 00:55:46,840 Speaker 1: even more titanic Sando Aqua monster, which is just an 1034 00:55:46,920 --> 00:55:49,920 Speaker 1: Apex of Apex predators looks like some sort of a 1035 00:55:49,960 --> 00:55:54,920 Speaker 1: salamandery um giant. Do I recall that in this sequence 1036 00:55:55,000 --> 00:55:58,160 Speaker 1: they are trying to like take a submarine through the 1037 00:55:58,200 --> 00:56:01,280 Speaker 1: center of the world to get to the other side 1038 00:56:01,280 --> 00:56:03,960 Speaker 1: of the planet or something. I don't remember if they're 1039 00:56:04,239 --> 00:56:06,280 Speaker 1: I don't remember if they're actually going through the center, 1040 00:56:06,560 --> 00:56:08,759 Speaker 1: but they are at least at the very least. Yeah, 1041 00:56:08,760 --> 00:56:12,480 Speaker 1: they're going through the deep underwater sections of the of 1042 00:56:12,480 --> 00:56:16,160 Speaker 1: of the world to get to a specific location. Okay, okay, 1043 00:56:16,280 --> 00:56:18,840 Speaker 1: maybe it might just be underwater caves. Yeah, but I 1044 00:56:18,840 --> 00:56:20,520 Speaker 1: don't know, it could be. If it is. If it's 1045 00:56:20,520 --> 00:56:23,440 Speaker 1: the former, then it it's dante esk and it's and 1046 00:56:23,520 --> 00:56:27,319 Speaker 1: it's nature, right. Yeah. But anyway, the creature of these 1047 00:56:27,320 --> 00:56:29,080 Speaker 1: three I want to talk about is that middle one, 1048 00:56:29,120 --> 00:56:32,880 Speaker 1: the colo clawfish, which which is pretty neat litt looking. 1049 00:56:32,960 --> 00:56:35,920 Speaker 1: I mean, all three of these are impressive creatures. This 1050 00:56:35,960 --> 00:56:39,880 Speaker 1: one is um is again enormous. Its head is larger 1051 00:56:39,920 --> 00:56:43,400 Speaker 1: than the Gungan sub We're told in like the Alien 1052 00:56:43,480 --> 00:56:45,880 Speaker 1: Archive and other books that they can reach lengths of 1053 00:56:45,920 --> 00:56:51,160 Speaker 1: at least forty one feet. Their long bioluminescent predators with 1054 00:56:51,400 --> 00:56:55,279 Speaker 1: mandible like four legs to grip their their prey and 1055 00:56:55,320 --> 00:56:58,200 Speaker 1: this long mouth of razor sharp teeth and I and 1056 00:56:58,280 --> 00:57:00,399 Speaker 1: I believe they're supposed to have venomous things in there 1057 00:57:00,480 --> 00:57:04,440 Speaker 1: is as well to partially or completely disable some of 1058 00:57:04,480 --> 00:57:07,440 Speaker 1: their prey. And they can unhinge their jaw like a 1059 00:57:07,520 --> 00:57:10,719 Speaker 1: terrestrial snake in order to eat prey larger than their 1060 00:57:10,760 --> 00:57:12,959 Speaker 1: own head. But the part that interests me the most 1061 00:57:13,000 --> 00:57:15,680 Speaker 1: here is this one little tid debt that is that 1062 00:57:15,920 --> 00:57:19,240 Speaker 1: is described in the Star Wars Alien Archive book quote. However, 1063 00:57:19,440 --> 00:57:23,000 Speaker 1: Colo's must ensure their prey is dead before ingesting it. 1064 00:57:23,400 --> 00:57:26,520 Speaker 1: Their digestive systems are slow, and they run the risk 1065 00:57:26,600 --> 00:57:31,320 Speaker 1: of being eaten from inside out if the prey remains alive. WHOA. 1066 00:57:32,160 --> 00:57:34,360 Speaker 1: So obviously that got me thinking. I was like, is 1067 00:57:34,400 --> 00:57:37,640 Speaker 1: there anything like this here on Earth? And uh I 1068 00:57:37,920 --> 00:57:41,520 Speaker 1: I found an excellent article on this in BBC Earth 1069 00:57:41,640 --> 00:57:46,600 Speaker 1: by Sandrine Kristamont. This is from and and they made 1070 00:57:46,600 --> 00:57:49,760 Speaker 1: some wonderful points on this. So basically, as the author 1071 00:57:49,840 --> 00:57:53,120 Speaker 1: points out, you'd probably need two key realities to be 1072 00:57:53,160 --> 00:57:56,360 Speaker 1: in place for something like this to happen. So, first 1073 00:57:56,400 --> 00:57:58,840 Speaker 1: of all, the animal would have to survive the jaws 1074 00:57:58,880 --> 00:58:00,920 Speaker 1: of its attacker. It would have to be swallowed whole. 1075 00:58:01,280 --> 00:58:06,480 Speaker 1: No fatal crushing, no incapacitating venom uh you know, inserted 1076 00:58:06,560 --> 00:58:09,440 Speaker 1: into the creature. It would no no death roll or 1077 00:58:09,480 --> 00:58:12,040 Speaker 1: death shake. Yeah, no death roll, no death shake, no 1078 00:58:12,120 --> 00:58:15,240 Speaker 1: intentional breaking of the bones like you see with you know, 1079 00:58:15,280 --> 00:58:17,600 Speaker 1: like a cattle due to it to its um you know, 1080 00:58:17,720 --> 00:58:21,080 Speaker 1: rodent prey um, and you know it would it would 1081 00:58:21,080 --> 00:58:23,120 Speaker 1: just have to happen in the case of an animal 1082 00:58:23,120 --> 00:58:26,800 Speaker 1: that just gulps its prey down whole. Secondly, the digestive 1083 00:58:26,880 --> 00:58:30,360 Speaker 1: juices would have to be weak enough and or the 1084 00:58:30,400 --> 00:58:33,680 Speaker 1: praise outer covering would have to be resilient enough for 1085 00:58:33,760 --> 00:58:37,959 Speaker 1: it to survive entry into the stomach at least initial entry, 1086 00:58:38,000 --> 00:58:41,080 Speaker 1: if not its entire time there. So it seems like 1087 00:58:41,120 --> 00:58:44,120 Speaker 1: maybe there's some risk at like swallowing whole a creature 1088 00:58:44,160 --> 00:58:46,240 Speaker 1: with a hard outer layer, like if you swallowed a 1089 00:58:46,280 --> 00:58:49,280 Speaker 1: whole crab, that could be pretty bad, right. And then 1090 00:58:49,440 --> 00:58:51,640 Speaker 1: also it would help if the prey in question has 1091 00:58:51,680 --> 00:58:54,040 Speaker 1: some sort of ace up its sleeve as well. So, 1092 00:58:54,160 --> 00:58:57,480 Speaker 1: as the author explains, yes, there are cases where all 1093 00:58:57,480 --> 00:59:00,640 Speaker 1: of these things seem to line up. Um. The first 1094 00:59:00,680 --> 00:59:04,800 Speaker 1: one is the rough skinned newt can survive being swallowed 1095 00:59:04,840 --> 00:59:07,160 Speaker 1: by a frog and in in in large part this 1096 00:59:07,240 --> 00:59:10,320 Speaker 1: is because it packs enough toxin to kill the predator 1097 00:59:10,600 --> 00:59:14,320 Speaker 1: before the digestive juices overpower it. Quote then the newts 1098 00:59:14,320 --> 00:59:16,800 Speaker 1: simply has to crawl back up the dead frog's throat 1099 00:59:17,080 --> 00:59:20,560 Speaker 1: and out of its mouth, which is pretty badass. I 1100 00:59:20,600 --> 00:59:23,680 Speaker 1: like that. Yes, that is power can respect. Now the 1101 00:59:23,720 --> 00:59:27,200 Speaker 1: next example is is even weirder and maybe maybe not 1102 00:59:27,400 --> 00:59:30,400 Speaker 1: as as cool in the sense that like it's not 1103 00:59:30,480 --> 00:59:33,160 Speaker 1: a full survival story, but it's still really amazing. And 1104 00:59:33,280 --> 00:59:37,520 Speaker 1: that is the case of the brahminy blind snake, a 1105 00:59:37,560 --> 00:59:40,880 Speaker 1: tiny natural burrower, and it has been observed to survive 1106 00:59:40,920 --> 00:59:44,400 Speaker 1: the digestion of a toad and emerge out the other 1107 00:59:44,520 --> 00:59:47,520 Speaker 1: end of the toad, essentially swallowed by the toad, and 1108 00:59:47,560 --> 00:59:50,320 Speaker 1: then just wriggles through the rest of the way and 1109 00:59:50,800 --> 00:59:53,760 Speaker 1: out out the rear entry um or the rear exit 1110 00:59:53,840 --> 00:59:56,920 Speaker 1: as it were. Uh So, in these cases of survival, 1111 00:59:57,160 --> 01:00:00,280 Speaker 1: it also really helps if if if it maybe even 1112 01:00:00,280 --> 01:00:03,120 Speaker 1: be essential that there's not another big meal up ahead 1113 01:00:03,120 --> 01:00:06,280 Speaker 1: of it blocking the way. I see. But then this 1114 01:00:06,320 --> 01:00:09,200 Speaker 1: is also a situation where protection from the digestive juices 1115 01:00:09,200 --> 01:00:12,040 Speaker 1: seems to be key. This is what the author Kristamont 1116 01:00:12,120 --> 01:00:15,880 Speaker 1: had to say. Quote, but its skin was probably the 1117 01:00:15,880 --> 01:00:20,400 Speaker 1: biggest lifesaver. The closely knit, overlapping scales that help blind 1118 01:00:20,440 --> 01:00:24,600 Speaker 1: snakes move on land would likely block gastric juices, preventing 1119 01:00:24,640 --> 01:00:28,080 Speaker 1: them from reaching delicate tissues and organs. The scales of 1120 01:00:28,120 --> 01:00:31,040 Speaker 1: other snakes come apart slightly when they move, so would 1121 01:00:31,080 --> 01:00:34,080 Speaker 1: not have the same protective effect. It's like a natural 1122 01:00:34,160 --> 01:00:37,400 Speaker 1: hazmat suit. Yeah, I have never I don't think I've 1123 01:00:37,440 --> 01:00:42,560 Speaker 1: ever considered this as a strategy for defending against predators before. Uh. 1124 01:00:42,960 --> 01:00:45,800 Speaker 1: When I've always thought about trying to avoid getting eaten, 1125 01:00:46,280 --> 01:00:49,560 Speaker 1: I thought about trying to escape or trying to fight back, 1126 01:00:50,120 --> 01:00:54,080 Speaker 1: not preventing eating from hurting you, Like, yeah, just get 1127 01:00:54,160 --> 01:00:58,080 Speaker 1: eaten and you know you'll be okay. Probably Now, it 1128 01:00:58,160 --> 01:01:00,360 Speaker 1: may be a case. First of all, it seems to 1129 01:01:00,400 --> 01:01:02,120 Speaker 1: be a case where this is not certainly not an 1130 01:01:02,120 --> 01:01:05,680 Speaker 1: evolved way of surviving predators. Uh. And it also seems 1131 01:01:05,680 --> 01:01:08,920 Speaker 1: to be a case where survival is perhaps a um 1132 01:01:09,360 --> 01:01:12,520 Speaker 1: an incorrect term for it. Because this in the case 1133 01:01:12,560 --> 01:01:15,160 Speaker 1: that it was observed by researchers here, the snake died 1134 01:01:15,240 --> 01:01:18,120 Speaker 1: five hours later, probably due to complications due to lack 1135 01:01:18,120 --> 01:01:20,840 Speaker 1: of oxygen. Because that's the thing. If even if you're 1136 01:01:20,920 --> 01:01:24,040 Speaker 1: armored against that that acid or the acid isn't strong enough, 1137 01:01:24,400 --> 01:01:26,520 Speaker 1: you're still going to be inside that animal for a 1138 01:01:26,520 --> 01:01:29,640 Speaker 1: certain amount of time if you're not killing it with 1139 01:01:29,680 --> 01:01:32,440 Speaker 1: toxins and chron climbing out the front. Uh. You know, 1140 01:01:32,480 --> 01:01:35,479 Speaker 1: if you're gonna take the complete journey through, you're gonna 1141 01:01:35,520 --> 01:01:38,960 Speaker 1: be without oxygen, and depending on your biology, you know, 1142 01:01:39,000 --> 01:01:41,800 Speaker 1: that can have very detrimental effects. That itself can be 1143 01:01:41,880 --> 01:01:44,760 Speaker 1: the fatal flaw. Okay, so you're saying this is not 1144 01:01:45,200 --> 01:01:48,520 Speaker 1: It doesn't appear that these tiny snakes have evolved a 1145 01:01:48,560 --> 01:01:52,240 Speaker 1: capacity to be eaten and survived specifically as a protection 1146 01:01:52,280 --> 01:01:56,040 Speaker 1: against predation. It just so happens like it's a coincidence 1147 01:01:56,120 --> 01:01:59,720 Speaker 1: that some of their natural defenses for other things happened 1148 01:01:59,720 --> 01:02:02,760 Speaker 1: to a allow them to survive passing through the digestive 1149 01:02:02,760 --> 01:02:06,600 Speaker 1: system in at least this case or limited cases. Yeah, 1150 01:02:06,800 --> 01:02:10,080 Speaker 1: and maybe it's more of a curse. You know, they 1151 01:02:10,120 --> 01:02:14,320 Speaker 1: get to survive the whole process. Now on top of 1152 01:02:14,360 --> 01:02:17,280 Speaker 1: these cases, apparently there are some land snails that can 1153 01:02:17,320 --> 01:02:21,280 Speaker 1: survive the journey through a bird's digestive system. And this 1154 01:02:21,320 --> 01:02:23,920 Speaker 1: is a case where you have you have another important 1155 01:02:24,000 --> 01:02:26,720 Speaker 1: helpful fact here, and that is SPEEDI or digestion time. 1156 01:02:26,960 --> 01:02:30,560 Speaker 1: So just less time spent in the bird's digestive system. 1157 01:02:30,880 --> 01:02:34,720 Speaker 1: That means less exposure to the digestive juices, coupled with 1158 01:02:34,800 --> 01:02:37,720 Speaker 1: the natural protection of the snail shell which is key, 1159 01:02:37,800 --> 01:02:40,720 Speaker 1: but also the mucus of the snail might also help 1160 01:02:40,800 --> 01:02:45,640 Speaker 1: serve as a protective barrier like a chemical armor. Yeah. 1161 01:02:45,760 --> 01:02:48,160 Speaker 1: And so you have some aquatic snails as well that 1162 01:02:48,240 --> 01:02:51,080 Speaker 1: have been that have been observed to be very uh 1163 01:02:51,880 --> 01:02:56,000 Speaker 1: uh resilient to digestion. You have nematode worms of course, 1164 01:02:56,200 --> 01:02:59,400 Speaker 1: some of which are true internal parasites. So once you 1165 01:02:59,440 --> 01:03:02,760 Speaker 1: get into that territory, I think we're more inclined to 1166 01:03:03,640 --> 01:03:05,960 Speaker 1: uh it's not expect but you know, not be surprised 1167 01:03:06,000 --> 01:03:09,640 Speaker 1: by that kind of resiliency things that that survive in 1168 01:03:09,720 --> 01:03:13,720 Speaker 1: the digestive system of of of host organisms. But you 1169 01:03:13,760 --> 01:03:17,800 Speaker 1: generally don't think about snakes, salamanders and other things, uh, 1170 01:03:17,840 --> 01:03:21,080 Speaker 1: you know, having a chance once they're actually in the 1171 01:03:21,120 --> 01:03:26,120 Speaker 1: predator's gullet. You have opened my eyes. So with to 1172 01:03:26,200 --> 01:03:29,040 Speaker 1: come back to the planet naboo. Uh, I guess the 1173 01:03:29,080 --> 01:03:32,360 Speaker 1: idea here is that we're largely talking about other deadly 1174 01:03:32,400 --> 01:03:35,120 Speaker 1: predators in the depths of Neboo that after having been eaten, 1175 01:03:35,440 --> 01:03:39,440 Speaker 1: then turn on the predator host here. Um. You know, 1176 01:03:39,440 --> 01:03:42,880 Speaker 1: it's just that that crazy and environment. So it seems 1177 01:03:43,000 --> 01:03:45,040 Speaker 1: entirely feasible that you could have something like this, like 1178 01:03:45,080 --> 01:03:48,520 Speaker 1: maybe there's one particular type of fish or you know, 1179 01:03:48,560 --> 01:03:52,360 Speaker 1: creature in that deep sea underground environment and naboo, and 1180 01:03:52,400 --> 01:03:54,960 Speaker 1: if it eats those, it gets too excited about them. 1181 01:03:54,960 --> 01:03:57,800 Speaker 1: Maybe it's maybe it's a venom doesn't work on that 1182 01:03:57,960 --> 01:04:00,680 Speaker 1: on that particular creature, or sometimes maybe it doesn't use 1183 01:04:00,680 --> 01:04:04,040 Speaker 1: its venom um. You know, often we see that with snakes, right, 1184 01:04:04,040 --> 01:04:05,720 Speaker 1: they're not going to use their venom every time if 1185 01:04:05,760 --> 01:04:08,400 Speaker 1: they don't have to. It is a it is an 1186 01:04:08,400 --> 01:04:11,840 Speaker 1: important resource. But maybe that's a fatal mistake for the 1187 01:04:12,280 --> 01:04:16,400 Speaker 1: COLO concerning certain prey species. You don't want to underestimate 1188 01:04:16,440 --> 01:04:19,760 Speaker 1: what you're eating. Yeah, all right, Well that's that's all 1189 01:04:19,800 --> 01:04:23,240 Speaker 1: I have, Joe. Should we close the compendium. Let's let's 1190 01:04:23,240 --> 01:04:26,160 Speaker 1: close it up now. Obviously there are tons of other 1191 01:04:26,320 --> 01:04:30,800 Speaker 1: creatures and aliens and the Star Wars universe, so you know, 1192 01:04:30,880 --> 01:04:33,160 Speaker 1: perhaps there's some other really good candidates that we didn't 1193 01:04:33,160 --> 01:04:36,800 Speaker 1: touch on. If you have suggestions for the future, let 1194 01:04:36,920 --> 01:04:38,800 Speaker 1: us know. Likewise, you know, we could always take this 1195 01:04:38,840 --> 01:04:43,160 Speaker 1: approach to other uh you know, fictional ecosystems and uh 1196 01:04:43,200 --> 01:04:44,680 Speaker 1: and take a look at those. I know we had 1197 01:04:44,720 --> 01:04:48,600 Speaker 1: some fun talking about the sandworms of Dune, uh several 1198 01:04:48,680 --> 01:04:52,680 Speaker 1: years back. Um Dune is coming back. Yeah, yeah, I 1199 01:04:52,960 --> 01:04:55,640 Speaker 1: need to revisit. I think I have some some ideas 1200 01:04:55,720 --> 01:04:59,080 Speaker 1: jotted down about things we might might consider when we 1201 01:04:59,080 --> 01:05:02,000 Speaker 1: get a little closer to uh to doom time. Well 1202 01:05:02,120 --> 01:05:04,960 Speaker 1: that's exciting, and hey, they're they're probably other world I'm 1203 01:05:04,960 --> 01:05:06,760 Speaker 1: not even thinking of. I mean, I guess there's Star 1204 01:05:06,800 --> 01:05:08,560 Speaker 1: Trek too. I don't think we've ever done anything on 1205 01:05:08,600 --> 01:05:11,280 Speaker 1: Star Trek. If we we have, I'm certainly not remembering it. 1206 01:05:11,400 --> 01:05:13,600 Speaker 1: Did you actually watch Star Trek? You weren't really a 1207 01:05:13,640 --> 01:05:16,160 Speaker 1: Star Trek guy where you I wasn't an original Star 1208 01:05:16,240 --> 01:05:19,960 Speaker 1: Trek guy, but there was I watched tons of Next 1209 01:05:20,000 --> 01:05:24,360 Speaker 1: Generation and tons of Deep Space nine and uh and 1210 01:05:24,360 --> 01:05:27,160 Speaker 1: and you know some of the movies. But yeah, that 1211 01:05:27,160 --> 01:05:29,280 Speaker 1: that was my my area. Like I think it was 1212 01:05:29,360 --> 01:05:33,600 Speaker 1: like every evening at nine pm, Next Generation was on, 1213 01:05:33,720 --> 01:05:35,480 Speaker 1: and I always watched it like that was my go 1214 01:05:35,600 --> 01:05:38,200 Speaker 1: to for a while. I like in the uh. I 1215 01:05:38,240 --> 01:05:40,320 Speaker 1: haven't seen all of the Next Generation, but I like 1216 01:05:40,360 --> 01:05:43,520 Speaker 1: those episodes. I think, especially in the early seasons of TNNG, 1217 01:05:43,720 --> 01:05:45,480 Speaker 1: where they would go down to a planet and it 1218 01:05:45,520 --> 01:05:49,160 Speaker 1: would just look like a nineteen nineties uh you know, 1219 01:05:49,280 --> 01:05:53,680 Speaker 1: family portrait photos studio with some potted plants on it. Yeah, yeah, 1220 01:05:53,760 --> 01:05:55,840 Speaker 1: I remember some of those settings. I think I've said 1221 01:05:55,840 --> 01:05:58,400 Speaker 1: this on the show before, but I don't know exactly why. 1222 01:05:58,400 --> 01:06:01,040 Speaker 1: I always really really love a good cheap indoor for 1223 01:06:01,120 --> 01:06:08,880 Speaker 1: outdoor set. Yeah. Yeah, I've also really been, uh been 1224 01:06:08,920 --> 01:06:12,560 Speaker 1: thinking about this a lot in terms of Outer Limits series, 1225 01:06:13,000 --> 01:06:15,000 Speaker 1: where they have some great sets on that show, but 1226 01:06:15,160 --> 01:06:18,480 Speaker 1: also each episode is like, Okay, what are they about 1227 01:06:18,480 --> 01:06:22,200 Speaker 1: to film in like the Toronto area that they're gonna 1228 01:06:22,240 --> 01:06:26,480 Speaker 1: make look like the future or or the post apocalyptic world. 1229 01:06:26,520 --> 01:06:29,640 Speaker 1: Like there's some interesting choices at times where it's like, 1230 01:06:30,120 --> 01:06:32,320 Speaker 1: you know, it's it's not really an impressive building they're 1231 01:06:32,360 --> 01:06:34,400 Speaker 1: working with here, but they try and figure out ways 1232 01:06:34,440 --> 01:06:36,960 Speaker 1: to shoot it in such a way that it feels 1233 01:06:37,000 --> 01:06:39,160 Speaker 1: fresh and different compared to all these other episodes they're 1234 01:06:39,160 --> 01:06:42,280 Speaker 1: pumping out, so they're actually writing around the second hand 1235 01:06:42,280 --> 01:06:46,520 Speaker 1: sets and costumes and stuff. Um, they seem to I 1236 01:06:46,720 --> 01:06:49,280 Speaker 1: I haven't seen all the outer limits yet, but they 1237 01:06:49,320 --> 01:06:51,320 Speaker 1: seem to do a pretty good job of of not 1238 01:06:51,400 --> 01:06:53,840 Speaker 1: repeating themselves, which I think can be hard when you 1239 01:06:53,880 --> 01:06:56,960 Speaker 1: have so many episodes that are about being trapped in 1240 01:06:56,960 --> 01:07:00,320 Speaker 1: an alien spaceship, being trapped in a in a survival bunker. 1241 01:07:00,400 --> 01:07:03,080 Speaker 1: You know, like a lot of the same basic setups 1242 01:07:03,080 --> 01:07:05,280 Speaker 1: are going to be in place. Like I wonder how 1243 01:07:05,320 --> 01:07:10,000 Speaker 1: many different alien hallways, uh they create alien spaceship hallways 1244 01:07:10,040 --> 01:07:12,480 Speaker 1: they created for this show and still found a way 1245 01:07:12,520 --> 01:07:16,120 Speaker 1: to make them feel different enough if if not, you know, 1246 01:07:16,160 --> 01:07:18,960 Speaker 1: substantially different. It's the mark of a good bottle episode. 1247 01:07:19,080 --> 01:07:22,800 Speaker 1: Different yep, just different enough? All right? Should we wrap up? 1248 01:07:23,080 --> 01:07:24,880 Speaker 1: Let's wrap up. If you want to listen to other 1249 01:07:24,880 --> 01:07:27,240 Speaker 1: episodes of Stuff to Blow your mind, you can find 1250 01:07:27,280 --> 01:07:29,880 Speaker 1: them wherever you get your podcasts and wherever that happens 1251 01:07:29,920 --> 01:07:32,120 Speaker 1: to be. We just asked that you rate, review, and subscribe. 1252 01:07:32,760 --> 01:07:35,720 Speaker 1: Huge thanks as always to our excellent audio producer Seth 1253 01:07:35,800 --> 01:07:38,120 Speaker 1: Nicholas Johnson. If you would like to get in touch 1254 01:07:38,200 --> 01:07:40,439 Speaker 1: with us with feedback on this episode or any other 1255 01:07:40,480 --> 01:07:42,440 Speaker 1: to suggest a topic, for the future or just to 1256 01:07:42,480 --> 01:07:45,560 Speaker 1: say hi. You can email us at contact at stuff 1257 01:07:45,600 --> 01:07:55,400 Speaker 1: to Blow your Mind dot com. Stuff to Blow Your 1258 01:07:55,400 --> 01:07:58,320 Speaker 1: Mind is production of I Heart Radio. For more podcasts 1259 01:07:58,320 --> 01:08:00,080 Speaker 1: from my heart radio because at the heart rate you 1260 01:08:00,200 --> 01:08:14,360 Speaker 1: app Apple Podcasts or wherever you listening to your favorite shows.