WEBVTT - Judging Sam: Sam Bankman-Fried Takes The Stand

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<v Speaker 1>Push Kim.

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<v Speaker 2>Welcome to Judging Sam, our podcast about the trial of

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<v Speaker 2>Sam Bankman Freed. We were in the courtroom today October

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<v Speaker 2>the twenty seventh. It was me, Michael Lewis, one of

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<v Speaker 2>your hosts, and Lydia Jean Kott, who's actually kind of

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<v Speaker 2>running the show, and we've just come out.

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<v Speaker 1>So this is a hot take.

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<v Speaker 2>Like, I haven't had a whole lot of time to

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<v Speaker 2>process what happened, but I had random sort of reactions

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<v Speaker 2>to things, and I've tried to kind of order them

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<v Speaker 2>in my head a bit. So l J, here's here's

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<v Speaker 2>the first question I want to ask, if you were

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<v Speaker 2>just to explain to like your mother, the significance of today,

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<v Speaker 2>how would you sort of frame.

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<v Speaker 3>It for So, today it was the first day that

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<v Speaker 3>Sam Bankmin Freed was on the stand that the jury

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<v Speaker 3>was present for, and his defense lawyers to direct examination

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<v Speaker 3>with him, which means that they were able to draw

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<v Speaker 3>out of him his side of the story, and.

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<v Speaker 2>They drew out of the side of the story in

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<v Speaker 2>a way that sort of followed mostly the plot of my.

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<v Speaker 1>Book about it.

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<v Speaker 2>They walked him through his life and took us all

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<v Speaker 2>the way through to kind of almost the crisis. We

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<v Speaker 2>didn't quite get to the crisis. We got to the

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<v Speaker 2>kind of latest, kind of September.

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<v Speaker 4>Of last year exactly.

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<v Speaker 3>And the way they set everything up at the beginning

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<v Speaker 3>is they asked him, did you defraud anyone? Did you

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<v Speaker 3>take anyone's money? And he said no, but he did

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<v Speaker 3>say that he made mistakes, small and large mistakes. And

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<v Speaker 3>then I feel like we got the story of how

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<v Speaker 3>these mistakes happened and what they were, or the beginning

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<v Speaker 3>of it.

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<v Speaker 2>A lot of it reads like the cliff notes to

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<v Speaker 2>Going Intoite. I mean really, it's just like I feel

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<v Speaker 2>like they're like bouncing along through the book but just

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<v Speaker 2>grabbing like the barest of the details until they get

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<v Speaker 2>to the collapse.

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<v Speaker 4>Yeah, that's much more boring.

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<v Speaker 2>Oh well, you know, it's funny you say that, because

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<v Speaker 2>it is. There is this tedium, But it's funny. Everybody

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<v Speaker 2>turns up early in the morning to Gideon, right like

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<v Speaker 2>you O. These reports leaning up at two in the

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<v Speaker 2>morning and three in the morning, so they're full of

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<v Speaker 2>energy and they're full of anticipation that the day is

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<v Speaker 2>going to be so exciting. And then by about ten

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<v Speaker 2>o'clock everybody's yawning and I bet.

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<v Speaker 1>What happens is they walk out of.

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<v Speaker 2>The courthouse exhausted, sort of thinking most of that day

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<v Speaker 2>was boring. But then people tell them, Wow, your tweet

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<v Speaker 2>was good or your story was good because they made

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<v Speaker 2>it more interesting than it was, and you know, rinse

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<v Speaker 2>and repeat every day.

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<v Speaker 4>Yeah.

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<v Speaker 3>I don't think that's fair though, because there are real

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<v Speaker 3>moments of excitement.

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<v Speaker 2>True, so true, And it's easier for you to see

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<v Speaker 2>that today you were in the overflow room for all

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<v Speaker 2>of it. I was in the overflow room at the beginning,

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<v Speaker 2>and then after lunch I went into the main courtroom.

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<v Speaker 2>And it's funny. It's like you have a laugh track

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<v Speaker 2>and I don't. So I have to supply my own

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<v Speaker 2>emotional content because nobody's allowed to say anything in the courtroom.

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<v Speaker 2>You can't even allowed to whisper to the person next

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<v Speaker 2>to you, and they're pretty harsh about it. But you

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<v Speaker 2>get to sit in a room with people who are

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<v Speaker 2>laughing and slapping their thighs and doing whatever they.

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<v Speaker 1>Really want to do.

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<v Speaker 3>I just wanted to know what it was like to

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<v Speaker 3>be in the courtroom and watching Sam Bnkman free testify.

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<v Speaker 4>It where his parents looking at.

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<v Speaker 2>Him, His mother takes looks down and takes notes and

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<v Speaker 2>looks at him and nods, and she seems she looks,

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<v Speaker 2>you know, very grim the whole time.

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<v Speaker 1>And she looks frazzled, like she's just stressed beyond belief.

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<v Speaker 1>You know.

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<v Speaker 2>It's just not fair what's going on inside the central

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<v Speaker 2>nervous system there. And the dad looks like he is

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<v Speaker 2>paying almost as much attention to the mom as he

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<v Speaker 2>is to Sam. That might be wrong, but that's what

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<v Speaker 2>it looks like to me. And Sam seems completely himself Sam.

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<v Speaker 1>The whole time.

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<v Speaker 2>I've thought this, that Sam is the only one who

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<v Speaker 2>seems like calm about everything. Aside from him seeming like himself.

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<v Speaker 2>I'm struck by how he doesn't look like himself. He

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<v Speaker 2>just looks like, you know, with the short hair and

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<v Speaker 2>having dry some weight and dressed up like mortician.

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<v Speaker 3>And is a jury paying attention very much.

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<v Speaker 2>I couldn't only see their profiles, but the former Solomon

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<v Speaker 2>Brothers guy is paying very close attention.

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<v Speaker 1>The ones I could really.

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<v Speaker 2>See seem very alert, like really watching him. And I

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<v Speaker 2>guess if I was on the jury and I'd been

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<v Speaker 2>hearing about this guy for the past month, I'd be

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<v Speaker 2>paying attention too.

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<v Speaker 1>It's the first time to really hear him.

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<v Speaker 2>Yeah, and that was who heard him for the first

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<v Speaker 2>time today because the jury wasn't there yesterday.

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<v Speaker 3>I thought it was interesting watching them when they file

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<v Speaker 3>in and file out, because the camera you can see

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<v Speaker 3>his face. They all really avoid looking in his direction.

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<v Speaker 3>It seems like they all are looking down when they

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<v Speaker 3>walk past him.

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<v Speaker 1>They don't look at anybody.

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<v Speaker 2>They make a point of not looking at anybody, so

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<v Speaker 2>they're not I've tried to make eye contact, they.

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<v Speaker 1>Won't do it.

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<v Speaker 2>They've been well trained to prevent any kind of information

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<v Speaker 2>coming into them that they're not that the judge does

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<v Speaker 2>not approve of.

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<v Speaker 3>I'm curious what the judge was like in the courtroom

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<v Speaker 3>because in our previous episode, Rebecca Marmolstein, the former SDNY prosecutor,

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<v Speaker 3>said that Sam testifying might really make the judge annoyed.

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<v Speaker 1>It's funny.

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<v Speaker 2>It's a little hard to read the judge's true feelings,

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<v Speaker 2>which I think is intentional probably, But the first thing

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<v Speaker 2>that comes off the judge thick as smoke, is how much.

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<v Speaker 1>He loves being a judge.

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<v Speaker 2>You know, he's just like loving being a judge, and

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<v Speaker 2>he's like playing a judge at the same time, he

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<v Speaker 2>is a judge and he and he likes making people laugh.

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<v Speaker 2>He likes looking over it. If you were wearing spectacles,

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<v Speaker 2>he'd be looking over his spectacles at Sam with concern,

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<v Speaker 2>you know, like this. The thing, whatever he's looking for,

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<v Speaker 2>is the judge to be angry at Sam. And everybody's

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<v Speaker 2>looking for this, because that's become the general thought has

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<v Speaker 2>been the judge hates Sam. The judge has been irritated

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<v Speaker 2>with Sam from the very beginning when he was under

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<v Speaker 2>house arrests. So therefore the judge must be getting even

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<v Speaker 2>more worked up that Sam has had the goal to

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<v Speaker 2>get up on the stand and testify. I think if

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<v Speaker 2>I were just if I didn't know any of the

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<v Speaker 2>story and I didn't know what I was expected to see,

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<v Speaker 2>and I was just looking at this relationship fresh, I

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<v Speaker 2>think the judge enjoys Sam, and the facial expressions are

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<v Speaker 2>not hostile, the mannerisms are not hostile. I wouldn't be

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<v Speaker 2>shocked if the judge is curious about Sam, like it

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<v Speaker 2>hasn't completely made up his mind about Sam.

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<v Speaker 4>That's interesting.

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<v Speaker 1>We'll be right back, welcome back.

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<v Speaker 2>So I'm curious how you felt or what if any

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<v Speaker 2>differences you felt there were between today and yesterday, because

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<v Speaker 2>in some ways it was a continuation of yesterday.

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<v Speaker 3>Yesterday was kind of like a dress rehearsal because Sam

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<v Speaker 3>testified without the jury present in order for the judge

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<v Speaker 3>to decide whether or not to allow certain bits of testimony.

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<v Speaker 3>Today we only had direct and yesterday did really well

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<v Speaker 3>on direct he seemed very much himself and very reasonable,

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<v Speaker 3>And this time today on direct I would say he

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<v Speaker 3>did very well again and seemed very much himself un reasonable.

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<v Speaker 3>I felt like his lawyers were drawing out things that

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<v Speaker 3>did that really made me think differently about the picture

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<v Speaker 3>that the prosecution had been painting. And they showed, for instance,

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<v Speaker 3>that picture of Sam makman Freed holding a deck of

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<v Speaker 3>cards and they said do you even play cards? And

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<v Speaker 3>Sam said no, I'm just really fidgety, and they said

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<v Speaker 3>have you ever even been to a casino? And they

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<v Speaker 3>stopped that on direct. But I felt like that picture,

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<v Speaker 3>in that back and forth, really showed how the prosecution

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<v Speaker 3>had been showing us one version of Sam, which is

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<v Speaker 3>that he's this villainous character with a deck of cards plotting,

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<v Speaker 3>and then there was the real Sam on the stand,

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<v Speaker 3>who's this reasonable sounding guy who's.

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<v Speaker 4>Very good at explaining things.

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<v Speaker 3>And is a little fidgety and is a bit nerdy,

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<v Speaker 3>and didn't really seem to have any sort of undercovered

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<v Speaker 3>nefarious plot, and in fact talks so much and it's

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<v Speaker 3>trying to explain things so much that he's constantly getting

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<v Speaker 3>in trouble with it.

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<v Speaker 4>From the judge.

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<v Speaker 2>Today, he didn't get in as much trouble as he

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<v Speaker 2>got yesterday.

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<v Speaker 3>Though not as nothing, but still a little bit more

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<v Speaker 3>than other witnesses.

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<v Speaker 1>That's true.

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<v Speaker 2>The bigger point is the judge is sitting there listening

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<v Speaker 2>to see if Sam is actually answering.

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<v Speaker 4>The question because he knows he doesn't do that yet.

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<v Speaker 2>Or generating a word salad for us all to consume.

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<v Speaker 2>And I was thinking about this again to day. Why

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<v Speaker 2>Sam's word salads are so fun, like why he gets

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<v Speaker 2>away with it Like most people when they don't answer

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<v Speaker 2>a question, your alarm bells go off pretty quickly, like

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<v Speaker 2>that you just redirected in some way. He's really really

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<v Speaker 2>good at starting the answer in a place where you think, oh,

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<v Speaker 2>that's where the beginning of the answer belongs, and then

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<v Speaker 2>making a little jump into things are actually interesting to

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<v Speaker 2>know about, so you're not bored, You're actually interested in

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<v Speaker 2>what he's saying.

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<v Speaker 3>You're saying like there's substance to it. He's not just

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<v Speaker 3>saying nothing. He's saying something that's substantive and makes you

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<v Speaker 3>think it's just not what you asked. But then you're

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<v Speaker 3>thinking and you forget what you asked.

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<v Speaker 2>That's exactly what happens. It's engaging. It's like, maybe it's

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<v Speaker 2>even better than the answer to the question.

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<v Speaker 4>Right, Maybe it's what you should.

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<v Speaker 1>Have as you should have asked. That's exactly right.

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<v Speaker 3>And then to me, it kind of felt like that

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<v Speaker 3>movie Raschamon, because it was three scenes that the prosecutors

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<v Speaker 3>had painted on direct right with Caroline Allison in the

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<v Speaker 3>balance sheets, and they showed the seven balance sheets that

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<v Speaker 3>Caroline had apparently made for him that then he looked at,

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<v Speaker 3>and then he, according to Caroline, chose the one that

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<v Speaker 3>looked best and was misleading to send to investors. But

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<v Speaker 3>according to Sam akmun Freed, it kind of sounded like

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<v Speaker 3>he just looked at the first one that was highlighted,

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<v Speaker 3>basically and said this slicks fy, and send this on.

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<v Speaker 2>He made it seem like he didn't pay a whole

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<v Speaker 2>lot of attention to it.

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<v Speaker 4>Exactly.

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<v Speaker 2>He didn't actually say I didn't look at all, so

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<v Speaker 2>he didn't.

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<v Speaker 3>I think the lawyer said, do you remember talking about

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<v Speaker 3>each of these tabs and he said no.

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<v Speaker 4>Right, then we have the.

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<v Speaker 3>Other story was the bulletproof conversation between him and Adam

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<v Speaker 3>you DiDia that happened on the.

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<v Speaker 4>Paddle ball court. Is it is it paddle on.

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<v Speaker 3>The paddle tennis court on this paddle tennis court, which

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<v Speaker 3>sounds like a rich person sport that I don't know about.

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<v Speaker 3>And they have this conversation that sounds kind of nefarious

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<v Speaker 3>where Adam tells him about how there's these billions of

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<v Speaker 3>dollars missing that Alameda took from FTX and he asks

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<v Speaker 3>Sam mcmunfreed to respond to that, and Sam Bankman Freed says,

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<v Speaker 3>we used to be bulletproof, but we're not anymore. And

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<v Speaker 3>it sounds like just this very damning story.

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<v Speaker 2>Yeah, that conversation occurred supposedly in June. I think I

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<v Speaker 2>sat down and had a very long interview with Adam

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<v Speaker 2>yu DiDia July August, and if Adam you DiDio was

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<v Speaker 2>so disturbed in June by this encounter on the paddle

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<v Speaker 2>town's court and thinks these in the middle of a fraud.

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<v Speaker 2>The last thing I'm going to do is sit down

0:11:14.556 --> 0:11:16.756
<v Speaker 2>with me and have this kind of conversation I would

0:11:16.796 --> 0:11:19.156
<v Speaker 2>have fought before. We get to a couple of substantive

0:11:19.236 --> 0:11:22.996
<v Speaker 2>things that sort of struck me. And on a related note,

0:11:23.236 --> 0:11:26.076
<v Speaker 2>I am still again now that I'm watching this process

0:11:26.116 --> 0:11:29.556
<v Speaker 2>up close, the structure of our system of justice. They're

0:11:29.596 --> 0:11:33.316
<v Speaker 2>just the basic some of the basics assumptions about it

0:11:33.356 --> 0:11:34.636
<v Speaker 2>is just to me.

0:11:36.276 --> 0:11:36.916
<v Speaker 1>Bizarre.

0:11:37.516 --> 0:11:40.716
<v Speaker 2>In addition to plea agreements, we haven't gotten an answer

0:11:40.836 --> 0:11:44.836
<v Speaker 2>yet from I've asked now several lawyers, like serious lawyers,

0:11:44.956 --> 0:11:47.476
<v Speaker 2>in the last forty eight hours, what's the history of

0:11:47.476 --> 0:11:48.316
<v Speaker 2>the Pleague agreement?

0:11:48.396 --> 0:11:49.236
<v Speaker 1>Like why do we have it?

0:11:49.276 --> 0:11:52.276
<v Speaker 2>The englishing around London, people were saying that I can't

0:11:52.316 --> 0:11:54.556
<v Speaker 2>believe these people are allowed to do this. Nobody's really

0:11:54.556 --> 0:11:56.516
<v Speaker 2>had an answer. It's just woven into the fabric of

0:11:56.556 --> 0:11:59.676
<v Speaker 2>our legal culture. And I'm just looking at it like

0:12:00.396 --> 0:12:02.876
<v Speaker 2>as for the first time and just kind of shocked

0:12:02.876 --> 0:12:05.756
<v Speaker 2>by it and interested by it. Last point, because I

0:12:05.756 --> 0:12:07.916
<v Speaker 2>don't want to be a downer about our legal system.

0:12:08.276 --> 0:12:12.636
<v Speaker 2>This court house is so beautifully run. It's just like

0:12:12.716 --> 0:12:15.716
<v Speaker 2>amazingly run, and it's the federal government. I would tip

0:12:15.756 --> 0:12:19.196
<v Speaker 2>the cat to whoever manages those courthouses down in the

0:12:19.196 --> 0:12:22.036
<v Speaker 2>southern Manhattan. They're so awful and boring to look out

0:12:22.076 --> 0:12:25.596
<v Speaker 2>from the outside. It's like you never there's nothing about

0:12:25.596 --> 0:12:29.716
<v Speaker 2>them that beckons you inside. But once you're inside, you're

0:12:29.756 --> 0:12:32.356
<v Speaker 2>treated so well by like the people who frisk you

0:12:32.516 --> 0:12:35.196
<v Speaker 2>to go in. The guy I even got the guy's name,

0:12:35.316 --> 0:12:37.716
<v Speaker 2>David Carrera, who runs the restaurant.

0:12:38.316 --> 0:12:40.396
<v Speaker 1>It's like, why is the food so good here? Doesn't

0:12:40.436 --> 0:12:41.956
<v Speaker 1>have to be good here? And they're so nice.

0:12:41.996 --> 0:12:44.236
<v Speaker 2>They kind of make a point of like coming over

0:12:44.276 --> 0:12:46.796
<v Speaker 2>and saying hi, and how you doing that. I was

0:12:46.876 --> 0:12:50.156
<v Speaker 2>asking the woman at the cash register, like who runs

0:12:50.156 --> 0:12:53.436
<v Speaker 2>this place? She says, my dad, you know, And it's

0:12:53.476 --> 0:12:55.676
<v Speaker 2>like it's so cute. The people that seem to be

0:12:55.716 --> 0:12:57.236
<v Speaker 2>really energized by their jobs.

0:12:57.356 --> 0:12:59.396
<v Speaker 3>Yeah, I think that's true because they, you know, there's

0:12:59.396 --> 0:13:03.756
<v Speaker 3>such important cases there. And also marshalls are retired police

0:13:03.796 --> 0:13:06.436
<v Speaker 3>officers a lot of time who now have a much

0:13:06.436 --> 0:13:09.996
<v Speaker 3>easier job. I think that's and get paid a fair amount.

0:13:10.556 --> 0:13:13.316
<v Speaker 2>You've been in the main courtroom some right, I mean,

0:13:13.396 --> 0:13:16.276
<v Speaker 2>like the judge has this very weird tapestry.

0:13:15.796 --> 0:13:18.756
<v Speaker 3>Behind Oh yeah, I've been wondering about that tapestry. It's

0:13:18.796 --> 0:13:21.756
<v Speaker 3>kind of like blue and purplish, and it kind of

0:13:21.796 --> 0:13:24.836
<v Speaker 3>seemed like it seems like a bad idea. It seems

0:13:24.836 --> 0:13:27.796
<v Speaker 3>like someone was like, I'll make something for the courtroom,

0:13:27.876 --> 0:13:30.516
<v Speaker 3>and this person was like, Okay, make it, and then

0:13:30.556 --> 0:13:32.596
<v Speaker 3>they had to put it up. But it doesn't really

0:13:32.636 --> 0:13:34.396
<v Speaker 3>fit in with what the rest of the courtroom looks

0:13:34.396 --> 0:13:34.796
<v Speaker 3>like at all.

0:13:35.556 --> 0:13:38.996
<v Speaker 2>So I heard tell that it's the creation of the

0:13:39.036 --> 0:13:41.636
<v Speaker 2>wife of the former judge who had that corporate It

0:13:41.676 --> 0:13:45.556
<v Speaker 2>has that feeling, it feel, it has the feeling of

0:13:45.596 --> 0:13:47.756
<v Speaker 2>the work of art someone gave you that they created

0:13:47.836 --> 0:13:49.396
<v Speaker 2>and they gave it to you as a Christmas present,

0:13:49.436 --> 0:13:51.116
<v Speaker 2>and you're stuck having to put it up on your

0:13:51.156 --> 0:13:53.476
<v Speaker 2>wall because they go visit every four months and if

0:13:53.516 --> 0:13:55.716
<v Speaker 2>it's not on your wall, you're in I found out

0:13:55.756 --> 0:13:57.956
<v Speaker 2>about it today. I was asking one of the marshals.

0:13:58.316 --> 0:14:01.116
<v Speaker 1>It covers a bulletproof.

0:14:00.556 --> 0:14:02.516
<v Speaker 2>Pane of glass that's behind the judge, because that's a

0:14:02.516 --> 0:14:05.876
<v Speaker 2>little unsightly. And the reason there's a bulletproof pane of

0:14:05.876 --> 0:14:09.516
<v Speaker 2>glass behind the judge is that they fortified that room

0:14:10.116 --> 0:14:12.116
<v Speaker 2>more than any of the other courtrooms in the building

0:14:12.516 --> 0:14:15.836
<v Speaker 2>against attack. It's bomb proof. All the window.

0:14:15.596 --> 0:14:17.876
<v Speaker 1>Is bulletproof, and it was because it.

0:14:17.796 --> 0:14:21.916
<v Speaker 2>Was designed for whatever the cases were that came out

0:14:21.916 --> 0:14:26.916
<v Speaker 2>of the World Trade Center bombings. And it's actually where

0:14:26.956 --> 0:14:28.876
<v Speaker 2>they it's the very room where they had where Trump

0:14:29.116 --> 0:14:33.396
<v Speaker 2>and the e Gen Carroll trial was. And actually, lastly,

0:14:33.556 --> 0:14:35.116
<v Speaker 2>one of the things the interesting things they told me

0:14:35.396 --> 0:14:37.916
<v Speaker 2>was the guy who worked there for a long time

0:14:37.956 --> 0:14:41.036
<v Speaker 2>said he's never seen such public interest in the trial.

0:14:41.236 --> 0:14:42.836
<v Speaker 1>So here's a question for you.

0:14:43.156 --> 0:14:45.836
<v Speaker 2>Because I just My answer is, I just spent two

0:14:45.876 --> 0:14:46.956
<v Speaker 2>years writing a book about it.

0:14:46.996 --> 0:14:48.996
<v Speaker 1>But why do you think.

0:14:50.636 --> 0:14:53.356
<v Speaker 2>So many people are so interested in Sam Bangman free.

0:14:53.676 --> 0:14:56.956
<v Speaker 2>He hasn't come and gone like most cultural phenomenon. He's

0:14:56.956 --> 0:14:59.596
<v Speaker 2>been in the news for a long time that's been

0:14:59.636 --> 0:15:02.236
<v Speaker 2>surprisingly interested in it. I mean, look, there are hundreds

0:15:02.236 --> 0:15:04.876
<v Speaker 2>some journalists floating around that place. What do you think

0:15:04.916 --> 0:15:05.756
<v Speaker 2>is going on there?

0:15:06.116 --> 0:15:08.196
<v Speaker 3>I think there's so many layers of the story that

0:15:08.236 --> 0:15:08.916
<v Speaker 3>are fascinating.

0:15:08.956 --> 0:15:09.276
<v Speaker 4>Right.

0:15:09.516 --> 0:15:11.916
<v Speaker 3>There's the one layer of Sam said he wanted to

0:15:11.956 --> 0:15:14.396
<v Speaker 3>make the world a better place and then he failed

0:15:14.396 --> 0:15:17.676
<v Speaker 3>so spectacularly. It's much more interesting than someone who is

0:15:17.716 --> 0:15:21.116
<v Speaker 3>just bad from the beginning. I think the second layer

0:15:21.436 --> 0:15:23.996
<v Speaker 3>is there's so much money. When there's a lot of money,

0:15:23.996 --> 0:15:24.636
<v Speaker 3>that's interesting.

0:15:25.276 --> 0:15:25.556
<v Speaker 1>Yeah.

0:15:25.596 --> 0:15:28.796
<v Speaker 3>I think another layer is it's his closest friends and

0:15:28.796 --> 0:15:33.236
<v Speaker 3>his ex girlfriend. It's so interesting to watch people's relationships

0:15:33.276 --> 0:15:36.356
<v Speaker 3>play out also, and to watch a play out kind

0:15:36.356 --> 0:15:38.956
<v Speaker 3>of on a public stage. And to me, for instance,

0:15:38.996 --> 0:15:41.756
<v Speaker 3>even the balance sheet that had kind of couple's therapy

0:15:41.876 --> 0:15:43.796
<v Speaker 3>energy to me, like it felt to me reminded me

0:15:43.796 --> 0:15:47.076
<v Speaker 3>of purple therapy, where one person sees something one way

0:15:47.156 --> 0:15:49.676
<v Speaker 3>and then the other person sees something completely differently and

0:15:49.716 --> 0:15:53.636
<v Speaker 3>there are some overlapping facts. But the take at the

0:15:53.676 --> 0:15:55.756
<v Speaker 3>same time I have felt, you know, it's like, were

0:15:55.796 --> 0:15:57.676
<v Speaker 3>you guys both there, were you talking to each other?

0:15:57.956 --> 0:15:59.756
<v Speaker 4>How is there this huge misunderstanding?

0:16:00.836 --> 0:16:02.836
<v Speaker 2>Well, they were at war with each other. She booted

0:16:02.876 --> 0:16:04.356
<v Speaker 2>him out of the Orchid penthouse.

0:16:04.436 --> 0:16:04.676
<v Speaker 4>Yeah.

0:16:04.676 --> 0:16:08.316
<v Speaker 3>The third big moment that was recast was Nashad's conversation

0:16:08.396 --> 0:16:12.396
<v Speaker 3>with sam Akmon Freed on the balcony, which was you know,

0:16:12.476 --> 0:16:14.436
<v Speaker 3>dramatic woman in the trial with the picture of the

0:16:14.476 --> 0:16:17.716
<v Speaker 3>balcony and then the way sam Mgmunfried told the stories.

0:16:18.236 --> 0:16:21.556
<v Speaker 3>That conversation was hardly even really about the missing funds

0:16:21.556 --> 0:16:24.316
<v Speaker 3>at all. It was really just a conversation about marketing,

0:16:24.556 --> 0:16:28.236
<v Speaker 3>and Nishad was a little bit worried about Alameda's liabilities,

0:16:28.276 --> 0:16:31.396
<v Speaker 3>but was worried also that ftexas spending too much money

0:16:31.396 --> 0:16:34.716
<v Speaker 3>in marketing, and Sam said, maybe you have a point.

0:16:34.796 --> 0:16:36.836
<v Speaker 3>Why don't you research the marketing and get back to

0:16:36.876 --> 0:16:37.476
<v Speaker 3>me about it.

0:16:38.116 --> 0:16:41.156
<v Speaker 1>So you know, only two people know the truth of this.

0:16:41.396 --> 0:16:45.076
<v Speaker 2>But one thing that is true is that the spring

0:16:45.116 --> 0:16:49.996
<v Speaker 2>of twenty twenty two, when Ryan Salem moves basically moves

0:16:49.996 --> 0:16:53.356
<v Speaker 2>out of the company, he becomes much less interested in

0:16:53.836 --> 0:17:00.076
<v Speaker 2>being involved, and Nishad and Nishad's girlfriend basically took over

0:17:00.116 --> 0:17:03.156
<v Speaker 2>the role that Ryan had and Ryan had been really

0:17:03.876 --> 0:17:06.876
<v Speaker 2>the department is spending money. I mean, it was unbelievable

0:17:06.916 --> 0:17:11.956
<v Speaker 2>how Ryan spent money. And it drove Nashad crazy. Uh

0:17:11.996 --> 0:17:15.916
<v Speaker 2>and he was even well before there were obvious problems.

0:17:16.476 --> 0:17:19.196
<v Speaker 2>Nishad was like, we got to stop this. This is

0:17:19.236 --> 0:17:22.676
<v Speaker 2>just crazy. Because Nishad was thinking like effective altruism, these

0:17:22.716 --> 0:17:26.236
<v Speaker 2>dollars could be going to this other thing. And I

0:17:26.236 --> 0:17:28.836
<v Speaker 2>think Sam's mind was that these are all rounding eras.

0:17:28.876 --> 0:17:32.036
<v Speaker 2>We're aiming for a trillion. Anything that slows us down

0:17:32.436 --> 0:17:36.276
<v Speaker 2>is dumb. And and if we buy these fancy apartments

0:17:36.316 --> 0:17:38.076
<v Speaker 2>and enables us to get smarter people to come move

0:17:38.116 --> 0:17:40.956
<v Speaker 2>to the Bahamas and work for us, and the apartments

0:17:40.996 --> 0:17:41.956
<v Speaker 2>will hold their value.

0:17:42.116 --> 0:17:43.396
<v Speaker 1>Like it's this is no big deal.

0:17:44.236 --> 0:17:48.476
<v Speaker 2>You're looking at two people having very radically different accounts of.

0:17:48.596 --> 0:17:52.076
<v Speaker 4>And three people too. It's like three different stories.

0:17:52.676 --> 0:17:52.916
<v Speaker 1>Yep.

0:17:53.516 --> 0:17:58.636
<v Speaker 2>Two random thoughts, like not ordered thoughts. One was that

0:17:59.036 --> 0:18:04.556
<v Speaker 2>it's kind of interesting that Sam's effective altruist passion had

0:18:04.596 --> 0:18:09.076
<v Speaker 2>him focused on pandemic prevention. At least three of the

0:18:09.516 --> 0:18:12.396
<v Speaker 2>members of the jury are wearing masks, so we have

0:18:13.116 --> 0:18:18.796
<v Speaker 2>a germaphobic jury and by this and Sam's, Sam's has

0:18:18.836 --> 0:18:22.876
<v Speaker 2>an interest in pandemic prevention, and I just wonder that

0:18:22.996 --> 0:18:25.596
<v Speaker 2>was the first thought was like, hmm, I wonder if

0:18:25.596 --> 0:18:27.996
<v Speaker 2>they're the germophobes, you're going to form a little you

0:18:28.036 --> 0:18:29.276
<v Speaker 2>know what, let that guy loose.

0:18:30.116 --> 0:18:32.876
<v Speaker 3>If the defense lawyers were thinking about that when they

0:18:32.876 --> 0:18:36.436
<v Speaker 3>were choosing who they wanted on the jury, that's a.

0:18:37.276 --> 0:18:40.356
<v Speaker 2>Who knows right, I'll argue at some point we stick

0:18:40.356 --> 0:18:43.596
<v Speaker 2>a pin in that and we'll last We'll be back

0:18:43.596 --> 0:18:52.676
<v Speaker 2>in a minute with one last thing, welcome back. I

0:18:52.756 --> 0:18:56.756
<v Speaker 2>did the unseemly thing of running out of the courtroom

0:18:57.316 --> 0:18:59.676
<v Speaker 2>moments before they said we were done for the day,

0:18:59.716 --> 0:19:01.876
<v Speaker 2>because I smelled it and I wanted to beat everybody

0:19:01.876 --> 0:19:04.996
<v Speaker 2>of the elevators and get my phone first, so I missed, like,

0:19:05.276 --> 0:19:08.076
<v Speaker 2>what's coming next? That section that they do at the

0:19:08.156 --> 0:19:10.516
<v Speaker 2>end of the day, what's coming next? What can we

0:19:10.556 --> 0:19:11.436
<v Speaker 2>expect next week?

0:19:11.516 --> 0:19:14.076
<v Speaker 3>Okay, direct, we'll finish, and then there's going to be

0:19:14.196 --> 0:19:18.196
<v Speaker 3>cross examination, which is what all the reporters are excited about,

0:19:18.236 --> 0:19:21.236
<v Speaker 3>because that's going to be the more pugnacious part of

0:19:21.276 --> 0:19:26.956
<v Speaker 3>Sam's testimony, and the prosecutors said that the judge should

0:19:26.996 --> 0:19:30.036
<v Speaker 3>anticipate quote significant cross examination.

0:19:33.596 --> 0:19:34.476
<v Speaker 1>Sounds unpleasant.

0:19:35.836 --> 0:19:40.116
<v Speaker 3>It sounds unpleasant, except I personally love watching the prosecutor

0:19:40.316 --> 0:19:44.756
<v Speaker 3>doing her work because she is so good and so precise,

0:19:45.316 --> 0:19:48.476
<v Speaker 3>and there's just something really satisfying to me about watching

0:19:48.476 --> 0:19:51.156
<v Speaker 3>someone who is very good at what they do.

0:19:51.716 --> 0:19:54.676
<v Speaker 2>Yeah, I agree, someone needs to profile Danielle so soon.

0:19:55.316 --> 0:19:58.516
<v Speaker 1>There's a story there. Al Jay, it's been.

0:19:58.516 --> 0:20:00.556
<v Speaker 2>A total guest hanging with you in the last two days,

0:20:00.676 --> 0:20:02.116
<v Speaker 2>and I get to hang with you in another.

0:20:01.916 --> 0:20:04.236
<v Speaker 1>Two days at least next week. But let's say.

0:20:04.076 --> 0:20:05.396
<v Speaker 4>Goodbye now, see you on Monday.

0:20:05.916 --> 0:20:09.476
<v Speaker 2>By bye, We'll be back in your feed next week.

0:20:09.476 --> 0:20:12.596
<v Speaker 2>With more expert analysis and news from Sambangmanfreed's trial.

0:20:13.116 --> 0:20:13.956
<v Speaker 1>Thanks for listening.

0:20:14.916 --> 0:20:18.476
<v Speaker 2>This episode of Judging Sam was hosted by Me, Michael Lewis,

0:20:18.956 --> 0:20:22.316
<v Speaker 2>Lydia Gencott is our court reporter. Katherine Girardeau and Nisha

0:20:22.396 --> 0:20:26.276
<v Speaker 2>Venken produced this show. Sophie Crane is our editor. Our

0:20:26.356 --> 0:20:29.676
<v Speaker 2>music was composed by Matthias Bossi and John Evans of

0:20:29.756 --> 0:20:34.156
<v Speaker 2>stell Wagons Symphonet. Judging Sam is a production of Pushkin Industries.

0:20:34.636 --> 0:20:37.076
<v Speaker 2>Got a question or comment for me? There's a website

0:20:37.116 --> 0:20:44.116
<v Speaker 2>for that atr podcast dot com. That's atr podcast dot com.

0:20:44.436 --> 0:20:47.516
<v Speaker 2>To find more Pushkin podcasts, listen on the iHeartRadio app,

0:20:47.676 --> 0:20:51.836
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0:20:51.876 --> 0:20:55.116
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0:20:55.556 --> 0:20:57.916
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0:20:58.276 --> 0:21:01.756
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0:21:01.836 --> 0:21:06.516
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