1 00:00:15,316 --> 00:00:15,916 Speaker 1: Push Kim. 2 00:00:20,796 --> 00:00:24,156 Speaker 2: Welcome to Judging Sam, our podcast about the trial of 3 00:00:24,196 --> 00:00:27,356 Speaker 2: Sam Bankman Freed. We were in the courtroom today October 4 00:00:27,396 --> 00:00:30,756 Speaker 2: the twenty seventh. It was me, Michael Lewis, one of 5 00:00:30,796 --> 00:00:33,516 Speaker 2: your hosts, and Lydia Jean Kott, who's actually kind of 6 00:00:33,556 --> 00:00:35,716 Speaker 2: running the show, and we've just come out. 7 00:00:35,876 --> 00:00:36,996 Speaker 1: So this is a hot take. 8 00:00:37,156 --> 00:00:38,636 Speaker 2: Like, I haven't had a whole lot of time to 9 00:00:38,716 --> 00:00:42,676 Speaker 2: process what happened, but I had random sort of reactions 10 00:00:42,676 --> 00:00:44,756 Speaker 2: to things, and I've tried to kind of order them 11 00:00:44,756 --> 00:00:47,796 Speaker 2: in my head a bit. So l J, here's here's 12 00:00:47,796 --> 00:00:49,556 Speaker 2: the first question I want to ask, if you were 13 00:00:49,596 --> 00:00:54,836 Speaker 2: just to explain to like your mother, the significance of today, 14 00:00:55,716 --> 00:00:56,876 Speaker 2: how would you sort of frame. 15 00:00:56,676 --> 00:00:59,716 Speaker 3: It for So, today it was the first day that 16 00:00:59,796 --> 00:01:02,596 Speaker 3: Sam Bankmin Freed was on the stand that the jury 17 00:01:02,676 --> 00:01:07,996 Speaker 3: was present for, and his defense lawyers to direct examination 18 00:01:08,116 --> 00:01:10,836 Speaker 3: with him, which means that they were able to draw 19 00:01:10,876 --> 00:01:13,476 Speaker 3: out of him his side of the story, and. 20 00:01:13,436 --> 00:01:14,636 Speaker 2: They drew out of the side of the story in 21 00:01:14,676 --> 00:01:17,516 Speaker 2: a way that sort of followed mostly the plot of my. 22 00:01:17,516 --> 00:01:18,716 Speaker 1: Book about it. 23 00:01:18,996 --> 00:01:22,476 Speaker 2: They walked him through his life and took us all 24 00:01:22,516 --> 00:01:26,276 Speaker 2: the way through to kind of almost the crisis. We 25 00:01:26,356 --> 00:01:28,636 Speaker 2: didn't quite get to the crisis. We got to the 26 00:01:29,036 --> 00:01:32,316 Speaker 2: kind of latest, kind of September. 27 00:01:31,716 --> 00:01:33,716 Speaker 4: Of last year exactly. 28 00:01:33,756 --> 00:01:35,716 Speaker 3: And the way they set everything up at the beginning 29 00:01:36,116 --> 00:01:39,156 Speaker 3: is they asked him, did you defraud anyone? Did you 30 00:01:39,196 --> 00:01:42,156 Speaker 3: take anyone's money? And he said no, but he did 31 00:01:42,156 --> 00:01:45,476 Speaker 3: say that he made mistakes, small and large mistakes. And 32 00:01:45,516 --> 00:01:48,556 Speaker 3: then I feel like we got the story of how 33 00:01:48,556 --> 00:01:50,956 Speaker 3: these mistakes happened and what they were, or the beginning 34 00:01:51,036 --> 00:01:51,356 Speaker 3: of it. 35 00:01:52,116 --> 00:01:53,956 Speaker 2: A lot of it reads like the cliff notes to 36 00:01:54,036 --> 00:01:56,196 Speaker 2: Going Intoite. I mean really, it's just like I feel 37 00:01:56,196 --> 00:01:58,996 Speaker 2: like they're like bouncing along through the book but just 38 00:01:59,076 --> 00:02:02,516 Speaker 2: grabbing like the barest of the details until they get 39 00:02:02,556 --> 00:02:04,316 Speaker 2: to the collapse. 40 00:02:04,556 --> 00:02:06,156 Speaker 4: Yeah, that's much more boring. 41 00:02:07,076 --> 00:02:09,076 Speaker 2: Oh well, you know, it's funny you say that, because 42 00:02:09,796 --> 00:02:12,636 Speaker 2: it is. There is this tedium, But it's funny. Everybody 43 00:02:12,636 --> 00:02:14,956 Speaker 2: turns up early in the morning to Gideon, right like 44 00:02:14,956 --> 00:02:16,636 Speaker 2: you O. These reports leaning up at two in the 45 00:02:16,676 --> 00:02:18,476 Speaker 2: morning and three in the morning, so they're full of 46 00:02:18,556 --> 00:02:20,596 Speaker 2: energy and they're full of anticipation that the day is 47 00:02:20,636 --> 00:02:22,716 Speaker 2: going to be so exciting. And then by about ten 48 00:02:22,716 --> 00:02:24,796 Speaker 2: o'clock everybody's yawning and I bet. 49 00:02:24,836 --> 00:02:25,956 Speaker 1: What happens is they walk out of. 50 00:02:25,956 --> 00:02:29,036 Speaker 2: The courthouse exhausted, sort of thinking most of that day 51 00:02:29,116 --> 00:02:31,636 Speaker 2: was boring. But then people tell them, Wow, your tweet 52 00:02:31,716 --> 00:02:33,996 Speaker 2: was good or your story was good because they made 53 00:02:34,036 --> 00:02:37,436 Speaker 2: it more interesting than it was, and you know, rinse 54 00:02:37,476 --> 00:02:38,596 Speaker 2: and repeat every day. 55 00:02:38,996 --> 00:02:39,236 Speaker 4: Yeah. 56 00:02:39,356 --> 00:02:41,276 Speaker 3: I don't think that's fair though, because there are real 57 00:02:41,356 --> 00:02:42,356 Speaker 3: moments of excitement. 58 00:02:43,036 --> 00:02:45,996 Speaker 2: True, so true, And it's easier for you to see 59 00:02:45,996 --> 00:02:49,356 Speaker 2: that today you were in the overflow room for all 60 00:02:49,396 --> 00:02:51,636 Speaker 2: of it. I was in the overflow room at the beginning, 61 00:02:51,636 --> 00:02:54,676 Speaker 2: and then after lunch I went into the main courtroom. 62 00:02:55,116 --> 00:02:58,836 Speaker 2: And it's funny. It's like you have a laugh track 63 00:02:58,836 --> 00:03:03,036 Speaker 2: and I don't. So I have to supply my own 64 00:03:03,076 --> 00:03:06,436 Speaker 2: emotional content because nobody's allowed to say anything in the courtroom. 65 00:03:06,516 --> 00:03:08,716 Speaker 2: You can't even allowed to whisper to the person next 66 00:03:08,716 --> 00:03:12,716 Speaker 2: to you, and they're pretty harsh about it. But you 67 00:03:12,756 --> 00:03:14,196 Speaker 2: get to sit in a room with people who are 68 00:03:14,236 --> 00:03:16,676 Speaker 2: laughing and slapping their thighs and doing whatever they. 69 00:03:16,516 --> 00:03:17,156 Speaker 1: Really want to do. 70 00:03:17,516 --> 00:03:19,076 Speaker 3: I just wanted to know what it was like to 71 00:03:19,116 --> 00:03:22,156 Speaker 3: be in the courtroom and watching Sam Bnkman free testify. 72 00:03:22,196 --> 00:03:23,516 Speaker 4: It where his parents looking at. 73 00:03:23,516 --> 00:03:28,076 Speaker 2: Him, His mother takes looks down and takes notes and 74 00:03:28,116 --> 00:03:30,356 Speaker 2: looks at him and nods, and she seems she looks, 75 00:03:30,636 --> 00:03:33,316 Speaker 2: you know, very grim the whole time. 76 00:03:33,636 --> 00:03:38,276 Speaker 1: And she looks frazzled, like she's just stressed beyond belief. 77 00:03:38,316 --> 00:03:38,476 Speaker 1: You know. 78 00:03:38,476 --> 00:03:41,036 Speaker 2: It's just not fair what's going on inside the central 79 00:03:41,036 --> 00:03:44,116 Speaker 2: nervous system there. And the dad looks like he is 80 00:03:44,956 --> 00:03:48,116 Speaker 2: paying almost as much attention to the mom as he 81 00:03:48,276 --> 00:03:51,396 Speaker 2: is to Sam. That might be wrong, but that's what 82 00:03:51,436 --> 00:03:56,076 Speaker 2: it looks like to me. And Sam seems completely himself Sam. 83 00:03:56,276 --> 00:03:56,836 Speaker 1: The whole time. 84 00:03:56,876 --> 00:03:58,636 Speaker 2: I've thought this, that Sam is the only one who 85 00:03:58,676 --> 00:04:03,196 Speaker 2: seems like calm about everything. Aside from him seeming like himself. 86 00:04:03,956 --> 00:04:06,516 Speaker 2: I'm struck by how he doesn't look like himself. He 87 00:04:06,636 --> 00:04:08,636 Speaker 2: just looks like, you know, with the short hair and 88 00:04:08,676 --> 00:04:12,316 Speaker 2: having dry some weight and dressed up like mortician. 89 00:04:12,436 --> 00:04:15,076 Speaker 3: And is a jury paying attention very much. 90 00:04:15,516 --> 00:04:19,356 Speaker 2: I couldn't only see their profiles, but the former Solomon 91 00:04:19,396 --> 00:04:21,276 Speaker 2: Brothers guy is paying very close attention. 92 00:04:21,876 --> 00:04:23,116 Speaker 1: The ones I could really. 93 00:04:22,916 --> 00:04:26,996 Speaker 2: See seem very alert, like really watching him. And I 94 00:04:26,996 --> 00:04:28,476 Speaker 2: guess if I was on the jury and I'd been 95 00:04:28,476 --> 00:04:30,436 Speaker 2: hearing about this guy for the past month, I'd be 96 00:04:30,436 --> 00:04:31,276 Speaker 2: paying attention too. 97 00:04:31,476 --> 00:04:32,836 Speaker 1: It's the first time to really hear him. 98 00:04:33,236 --> 00:04:35,276 Speaker 2: Yeah, and that was who heard him for the first 99 00:04:35,276 --> 00:04:37,276 Speaker 2: time today because the jury wasn't there yesterday. 100 00:04:37,636 --> 00:04:40,316 Speaker 3: I thought it was interesting watching them when they file 101 00:04:40,356 --> 00:04:42,356 Speaker 3: in and file out, because the camera you can see 102 00:04:42,356 --> 00:04:45,316 Speaker 3: his face. They all really avoid looking in his direction. 103 00:04:45,436 --> 00:04:47,236 Speaker 3: It seems like they all are looking down when they 104 00:04:47,236 --> 00:04:47,996 Speaker 3: walk past him. 105 00:04:48,436 --> 00:04:49,476 Speaker 1: They don't look at anybody. 106 00:04:50,556 --> 00:04:52,676 Speaker 2: They make a point of not looking at anybody, so 107 00:04:52,716 --> 00:04:57,756 Speaker 2: they're not I've tried to make eye contact, they. 108 00:04:57,636 --> 00:04:58,156 Speaker 1: Won't do it. 109 00:04:58,156 --> 00:05:01,516 Speaker 2: They've been well trained to prevent any kind of information 110 00:05:01,636 --> 00:05:03,716 Speaker 2: coming into them that they're not that the judge does 111 00:05:03,756 --> 00:05:04,636 Speaker 2: not approve of. 112 00:05:04,796 --> 00:05:07,236 Speaker 3: I'm curious what the judge was like in the courtroom 113 00:05:07,356 --> 00:05:13,116 Speaker 3: because in our previous episode, Rebecca Marmolstein, the former SDNY prosecutor, 114 00:05:13,636 --> 00:05:17,436 Speaker 3: said that Sam testifying might really make the judge annoyed. 115 00:05:18,356 --> 00:05:18,876 Speaker 1: It's funny. 116 00:05:18,876 --> 00:05:21,836 Speaker 2: It's a little hard to read the judge's true feelings, 117 00:05:21,836 --> 00:05:25,436 Speaker 2: which I think is intentional probably, But the first thing 118 00:05:25,476 --> 00:05:30,436 Speaker 2: that comes off the judge thick as smoke, is how much. 119 00:05:30,236 --> 00:05:31,836 Speaker 1: He loves being a judge. 120 00:05:31,996 --> 00:05:34,036 Speaker 2: You know, he's just like loving being a judge, and 121 00:05:34,076 --> 00:05:36,036 Speaker 2: he's like playing a judge at the same time, he 122 00:05:36,156 --> 00:05:39,076 Speaker 2: is a judge and he and he likes making people laugh. 123 00:05:39,436 --> 00:05:41,636 Speaker 2: He likes looking over it. If you were wearing spectacles, 124 00:05:41,676 --> 00:05:44,276 Speaker 2: he'd be looking over his spectacles at Sam with concern, 125 00:05:44,556 --> 00:05:47,836 Speaker 2: you know, like this. The thing, whatever he's looking for, 126 00:05:48,556 --> 00:05:51,836 Speaker 2: is the judge to be angry at Sam. And everybody's 127 00:05:51,836 --> 00:05:54,596 Speaker 2: looking for this, because that's become the general thought has 128 00:05:54,596 --> 00:05:56,996 Speaker 2: been the judge hates Sam. The judge has been irritated 129 00:05:56,996 --> 00:05:58,756 Speaker 2: with Sam from the very beginning when he was under 130 00:05:58,796 --> 00:06:01,116 Speaker 2: house arrests. So therefore the judge must be getting even 131 00:06:01,156 --> 00:06:03,716 Speaker 2: more worked up that Sam has had the goal to 132 00:06:03,796 --> 00:06:07,556 Speaker 2: get up on the stand and testify. I think if 133 00:06:07,596 --> 00:06:08,916 Speaker 2: I were just if I didn't know any of the 134 00:06:09,356 --> 00:06:11,796 Speaker 2: story and I didn't know what I was expected to see, 135 00:06:11,836 --> 00:06:15,196 Speaker 2: and I was just looking at this relationship fresh, I 136 00:06:15,236 --> 00:06:19,636 Speaker 2: think the judge enjoys Sam, and the facial expressions are 137 00:06:19,676 --> 00:06:24,236 Speaker 2: not hostile, the mannerisms are not hostile. I wouldn't be 138 00:06:24,236 --> 00:06:27,996 Speaker 2: shocked if the judge is curious about Sam, like it 139 00:06:28,036 --> 00:06:32,236 Speaker 2: hasn't completely made up his mind about Sam. 140 00:06:32,316 --> 00:06:33,036 Speaker 4: That's interesting. 141 00:06:34,036 --> 00:06:43,516 Speaker 1: We'll be right back, welcome back. 142 00:06:45,076 --> 00:06:49,196 Speaker 2: So I'm curious how you felt or what if any 143 00:06:49,236 --> 00:06:53,596 Speaker 2: differences you felt there were between today and yesterday, because 144 00:06:54,116 --> 00:06:56,276 Speaker 2: in some ways it was a continuation of yesterday. 145 00:06:56,996 --> 00:07:00,076 Speaker 3: Yesterday was kind of like a dress rehearsal because Sam 146 00:07:00,116 --> 00:07:03,236 Speaker 3: testified without the jury present in order for the judge 147 00:07:03,236 --> 00:07:06,156 Speaker 3: to decide whether or not to allow certain bits of testimony. 148 00:07:06,676 --> 00:07:10,156 Speaker 3: Today we only had direct and yesterday did really well 149 00:07:10,196 --> 00:07:13,236 Speaker 3: on direct he seemed very much himself and very reasonable, 150 00:07:13,756 --> 00:07:16,716 Speaker 3: And this time today on direct I would say he 151 00:07:16,756 --> 00:07:19,716 Speaker 3: did very well again and seemed very much himself un reasonable. 152 00:07:20,036 --> 00:07:22,196 Speaker 3: I felt like his lawyers were drawing out things that 153 00:07:22,276 --> 00:07:25,876 Speaker 3: did that really made me think differently about the picture 154 00:07:25,916 --> 00:07:28,916 Speaker 3: that the prosecution had been painting. And they showed, for instance, 155 00:07:28,956 --> 00:07:31,596 Speaker 3: that picture of Sam makman Freed holding a deck of 156 00:07:31,636 --> 00:07:34,836 Speaker 3: cards and they said do you even play cards? And 157 00:07:34,916 --> 00:07:37,716 Speaker 3: Sam said no, I'm just really fidgety, and they said 158 00:07:37,716 --> 00:07:39,556 Speaker 3: have you ever even been to a casino? And they 159 00:07:39,556 --> 00:07:41,956 Speaker 3: stopped that on direct. But I felt like that picture, 160 00:07:41,956 --> 00:07:44,876 Speaker 3: in that back and forth, really showed how the prosecution 161 00:07:44,996 --> 00:07:47,836 Speaker 3: had been showing us one version of Sam, which is 162 00:07:47,876 --> 00:07:52,516 Speaker 3: that he's this villainous character with a deck of cards plotting, 163 00:07:53,036 --> 00:07:55,316 Speaker 3: and then there was the real Sam on the stand, 164 00:07:55,516 --> 00:07:58,596 Speaker 3: who's this reasonable sounding guy who's. 165 00:07:58,476 --> 00:08:00,076 Speaker 4: Very good at explaining things. 166 00:07:59,796 --> 00:08:02,036 Speaker 3: And is a little fidgety and is a bit nerdy, 167 00:08:02,636 --> 00:08:06,476 Speaker 3: and didn't really seem to have any sort of undercovered 168 00:08:06,556 --> 00:08:09,676 Speaker 3: nefarious plot, and in fact talks so much and it's 169 00:08:09,676 --> 00:08:12,156 Speaker 3: trying to explain things so much that he's constantly getting 170 00:08:12,196 --> 00:08:12,796 Speaker 3: in trouble with it. 171 00:08:12,796 --> 00:08:14,076 Speaker 4: From the judge. 172 00:08:14,116 --> 00:08:16,436 Speaker 2: Today, he didn't get in as much trouble as he 173 00:08:16,556 --> 00:08:17,796 Speaker 2: got yesterday. 174 00:08:17,356 --> 00:08:21,156 Speaker 3: Though not as nothing, but still a little bit more 175 00:08:21,196 --> 00:08:22,316 Speaker 3: than other witnesses. 176 00:08:23,116 --> 00:08:23,836 Speaker 1: That's true. 177 00:08:24,036 --> 00:08:26,836 Speaker 2: The bigger point is the judge is sitting there listening 178 00:08:26,996 --> 00:08:29,316 Speaker 2: to see if Sam is actually answering. 179 00:08:28,956 --> 00:08:31,276 Speaker 4: The question because he knows he doesn't do that yet. 180 00:08:31,316 --> 00:08:33,636 Speaker 2: Or generating a word salad for us all to consume. 181 00:08:34,116 --> 00:08:36,756 Speaker 2: And I was thinking about this again to day. Why 182 00:08:36,916 --> 00:08:41,076 Speaker 2: Sam's word salads are so fun, like why he gets 183 00:08:41,116 --> 00:08:43,356 Speaker 2: away with it Like most people when they don't answer 184 00:08:43,396 --> 00:08:46,676 Speaker 2: a question, your alarm bells go off pretty quickly, like 185 00:08:46,716 --> 00:08:50,476 Speaker 2: that you just redirected in some way. He's really really 186 00:08:50,556 --> 00:08:53,916 Speaker 2: good at starting the answer in a place where you think, oh, 187 00:08:53,956 --> 00:08:57,036 Speaker 2: that's where the beginning of the answer belongs, and then 188 00:08:57,076 --> 00:09:00,636 Speaker 2: making a little jump into things are actually interesting to 189 00:09:00,636 --> 00:09:03,916 Speaker 2: know about, so you're not bored, You're actually interested in 190 00:09:03,916 --> 00:09:04,396 Speaker 2: what he's saying. 191 00:09:04,476 --> 00:09:06,316 Speaker 3: You're saying like there's substance to it. He's not just 192 00:09:06,316 --> 00:09:09,076 Speaker 3: saying nothing. He's saying something that's substantive and makes you 193 00:09:09,196 --> 00:09:12,236 Speaker 3: think it's just not what you asked. But then you're 194 00:09:12,276 --> 00:09:13,996 Speaker 3: thinking and you forget what you asked. 195 00:09:14,356 --> 00:09:19,196 Speaker 2: That's exactly what happens. It's engaging. It's like, maybe it's 196 00:09:19,276 --> 00:09:22,436 Speaker 2: even better than the answer to the question. 197 00:09:22,836 --> 00:09:24,676 Speaker 4: Right, Maybe it's what you should. 198 00:09:24,396 --> 00:09:28,236 Speaker 1: Have as you should have asked. That's exactly right. 199 00:09:28,476 --> 00:09:30,156 Speaker 3: And then to me, it kind of felt like that 200 00:09:30,196 --> 00:09:33,516 Speaker 3: movie Raschamon, because it was three scenes that the prosecutors 201 00:09:33,516 --> 00:09:36,276 Speaker 3: had painted on direct right with Caroline Allison in the 202 00:09:36,276 --> 00:09:39,276 Speaker 3: balance sheets, and they showed the seven balance sheets that 203 00:09:39,316 --> 00:09:42,716 Speaker 3: Caroline had apparently made for him that then he looked at, 204 00:09:43,556 --> 00:09:46,276 Speaker 3: and then he, according to Caroline, chose the one that 205 00:09:46,316 --> 00:09:49,196 Speaker 3: looked best and was misleading to send to investors. But 206 00:09:49,316 --> 00:09:52,156 Speaker 3: according to Sam akmun Freed, it kind of sounded like 207 00:09:52,196 --> 00:09:55,116 Speaker 3: he just looked at the first one that was highlighted, 208 00:09:55,196 --> 00:09:57,996 Speaker 3: basically and said this slicks fy, and send this on. 209 00:09:59,276 --> 00:10:01,076 Speaker 2: He made it seem like he didn't pay a whole 210 00:10:01,076 --> 00:10:02,156 Speaker 2: lot of attention to it. 211 00:10:02,596 --> 00:10:03,036 Speaker 4: Exactly. 212 00:10:04,356 --> 00:10:06,196 Speaker 2: He didn't actually say I didn't look at all, so 213 00:10:06,516 --> 00:10:06,996 Speaker 2: he didn't. 214 00:10:07,676 --> 00:10:09,796 Speaker 3: I think the lawyer said, do you remember talking about 215 00:10:09,796 --> 00:10:11,556 Speaker 3: each of these tabs and he said no. 216 00:10:12,876 --> 00:10:14,436 Speaker 4: Right, then we have the. 217 00:10:14,436 --> 00:10:18,436 Speaker 3: Other story was the bulletproof conversation between him and Adam 218 00:10:18,476 --> 00:10:20,356 Speaker 3: you DiDia that happened on the. 219 00:10:20,196 --> 00:10:23,796 Speaker 4: Paddle ball court. Is it is it paddle on. 220 00:10:23,756 --> 00:10:27,476 Speaker 3: The paddle tennis court on this paddle tennis court, which 221 00:10:27,476 --> 00:10:29,676 Speaker 3: sounds like a rich person sport that I don't know about. 222 00:10:30,436 --> 00:10:33,596 Speaker 3: And they have this conversation that sounds kind of nefarious 223 00:10:33,636 --> 00:10:36,076 Speaker 3: where Adam tells him about how there's these billions of 224 00:10:36,156 --> 00:10:41,116 Speaker 3: dollars missing that Alameda took from FTX and he asks 225 00:10:41,276 --> 00:10:44,516 Speaker 3: Sam mcmunfreed to respond to that, and Sam Bankman Freed says, 226 00:10:44,956 --> 00:10:47,316 Speaker 3: we used to be bulletproof, but we're not anymore. And 227 00:10:47,396 --> 00:10:50,316 Speaker 3: it sounds like just this very damning story. 228 00:10:50,796 --> 00:10:57,636 Speaker 2: Yeah, that conversation occurred supposedly in June. I think I 229 00:10:57,716 --> 00:11:00,396 Speaker 2: sat down and had a very long interview with Adam 230 00:11:00,436 --> 00:11:05,276 Speaker 2: yu DiDia July August, and if Adam you DiDio was 231 00:11:05,316 --> 00:11:10,236 Speaker 2: so disturbed in June by this encounter on the paddle 232 00:11:10,316 --> 00:11:12,516 Speaker 2: town's court and thinks these in the middle of a fraud. 233 00:11:12,956 --> 00:11:14,556 Speaker 2: The last thing I'm going to do is sit down 234 00:11:14,556 --> 00:11:16,756 Speaker 2: with me and have this kind of conversation I would 235 00:11:16,796 --> 00:11:19,156 Speaker 2: have fought before. We get to a couple of substantive 236 00:11:19,236 --> 00:11:22,996 Speaker 2: things that sort of struck me. And on a related note, 237 00:11:23,236 --> 00:11:26,076 Speaker 2: I am still again now that I'm watching this process 238 00:11:26,116 --> 00:11:29,556 Speaker 2: up close, the structure of our system of justice. They're 239 00:11:29,596 --> 00:11:33,316 Speaker 2: just the basic some of the basics assumptions about it 240 00:11:33,356 --> 00:11:34,636 Speaker 2: is just to me. 241 00:11:36,276 --> 00:11:36,916 Speaker 1: Bizarre. 242 00:11:37,516 --> 00:11:40,716 Speaker 2: In addition to plea agreements, we haven't gotten an answer 243 00:11:40,836 --> 00:11:44,836 Speaker 2: yet from I've asked now several lawyers, like serious lawyers, 244 00:11:44,956 --> 00:11:47,476 Speaker 2: in the last forty eight hours, what's the history of 245 00:11:47,476 --> 00:11:48,316 Speaker 2: the Pleague agreement? 246 00:11:48,396 --> 00:11:49,236 Speaker 1: Like why do we have it? 247 00:11:49,276 --> 00:11:52,276 Speaker 2: The englishing around London, people were saying that I can't 248 00:11:52,316 --> 00:11:54,556 Speaker 2: believe these people are allowed to do this. Nobody's really 249 00:11:54,556 --> 00:11:56,516 Speaker 2: had an answer. It's just woven into the fabric of 250 00:11:56,556 --> 00:11:59,676 Speaker 2: our legal culture. And I'm just looking at it like 251 00:12:00,396 --> 00:12:02,876 Speaker 2: as for the first time and just kind of shocked 252 00:12:02,876 --> 00:12:05,756 Speaker 2: by it and interested by it. Last point, because I 253 00:12:05,756 --> 00:12:07,916 Speaker 2: don't want to be a downer about our legal system. 254 00:12:08,276 --> 00:12:12,636 Speaker 2: This court house is so beautifully run. It's just like 255 00:12:12,716 --> 00:12:15,716 Speaker 2: amazingly run, and it's the federal government. I would tip 256 00:12:15,756 --> 00:12:19,196 Speaker 2: the cat to whoever manages those courthouses down in the 257 00:12:19,196 --> 00:12:22,036 Speaker 2: southern Manhattan. They're so awful and boring to look out 258 00:12:22,076 --> 00:12:25,596 Speaker 2: from the outside. It's like you never there's nothing about 259 00:12:25,596 --> 00:12:29,716 Speaker 2: them that beckons you inside. But once you're inside, you're 260 00:12:29,756 --> 00:12:32,356 Speaker 2: treated so well by like the people who frisk you 261 00:12:32,516 --> 00:12:35,196 Speaker 2: to go in. The guy I even got the guy's name, 262 00:12:35,316 --> 00:12:37,716 Speaker 2: David Carrera, who runs the restaurant. 263 00:12:38,316 --> 00:12:40,396 Speaker 1: It's like, why is the food so good here? Doesn't 264 00:12:40,436 --> 00:12:41,956 Speaker 1: have to be good here? And they're so nice. 265 00:12:41,996 --> 00:12:44,236 Speaker 2: They kind of make a point of like coming over 266 00:12:44,276 --> 00:12:46,796 Speaker 2: and saying hi, and how you doing that. I was 267 00:12:46,876 --> 00:12:50,156 Speaker 2: asking the woman at the cash register, like who runs 268 00:12:50,156 --> 00:12:53,436 Speaker 2: this place? She says, my dad, you know, And it's 269 00:12:53,476 --> 00:12:55,676 Speaker 2: like it's so cute. The people that seem to be 270 00:12:55,716 --> 00:12:57,236 Speaker 2: really energized by their jobs. 271 00:12:57,356 --> 00:12:59,396 Speaker 3: Yeah, I think that's true because they, you know, there's 272 00:12:59,396 --> 00:13:03,756 Speaker 3: such important cases there. And also marshalls are retired police 273 00:13:03,796 --> 00:13:06,436 Speaker 3: officers a lot of time who now have a much 274 00:13:06,436 --> 00:13:09,996 Speaker 3: easier job. I think that's and get paid a fair amount. 275 00:13:10,556 --> 00:13:13,316 Speaker 2: You've been in the main courtroom some right, I mean, 276 00:13:13,396 --> 00:13:16,276 Speaker 2: like the judge has this very weird tapestry. 277 00:13:15,796 --> 00:13:18,756 Speaker 3: Behind Oh yeah, I've been wondering about that tapestry. It's 278 00:13:18,796 --> 00:13:21,756 Speaker 3: kind of like blue and purplish, and it kind of 279 00:13:21,796 --> 00:13:24,836 Speaker 3: seemed like it seems like a bad idea. It seems 280 00:13:24,836 --> 00:13:27,796 Speaker 3: like someone was like, I'll make something for the courtroom, 281 00:13:27,876 --> 00:13:30,516 Speaker 3: and this person was like, Okay, make it, and then 282 00:13:30,556 --> 00:13:32,596 Speaker 3: they had to put it up. But it doesn't really 283 00:13:32,636 --> 00:13:34,396 Speaker 3: fit in with what the rest of the courtroom looks 284 00:13:34,396 --> 00:13:34,796 Speaker 3: like at all. 285 00:13:35,556 --> 00:13:38,996 Speaker 2: So I heard tell that it's the creation of the 286 00:13:39,036 --> 00:13:41,636 Speaker 2: wife of the former judge who had that corporate It 287 00:13:41,676 --> 00:13:45,556 Speaker 2: has that feeling, it feel, it has the feeling of 288 00:13:45,596 --> 00:13:47,756 Speaker 2: the work of art someone gave you that they created 289 00:13:47,836 --> 00:13:49,396 Speaker 2: and they gave it to you as a Christmas present, 290 00:13:49,436 --> 00:13:51,116 Speaker 2: and you're stuck having to put it up on your 291 00:13:51,156 --> 00:13:53,476 Speaker 2: wall because they go visit every four months and if 292 00:13:53,516 --> 00:13:55,716 Speaker 2: it's not on your wall, you're in I found out 293 00:13:55,756 --> 00:13:57,956 Speaker 2: about it today. I was asking one of the marshals. 294 00:13:58,316 --> 00:14:01,116 Speaker 1: It covers a bulletproof. 295 00:14:00,556 --> 00:14:02,516 Speaker 2: Pane of glass that's behind the judge, because that's a 296 00:14:02,516 --> 00:14:05,876 Speaker 2: little unsightly. And the reason there's a bulletproof pane of 297 00:14:05,876 --> 00:14:09,516 Speaker 2: glass behind the judge is that they fortified that room 298 00:14:10,116 --> 00:14:12,116 Speaker 2: more than any of the other courtrooms in the building 299 00:14:12,516 --> 00:14:15,836 Speaker 2: against attack. It's bomb proof. All the window. 300 00:14:15,596 --> 00:14:17,876 Speaker 1: Is bulletproof, and it was because it. 301 00:14:17,796 --> 00:14:21,916 Speaker 2: Was designed for whatever the cases were that came out 302 00:14:21,916 --> 00:14:26,916 Speaker 2: of the World Trade Center bombings. And it's actually where 303 00:14:26,956 --> 00:14:28,876 Speaker 2: they it's the very room where they had where Trump 304 00:14:29,116 --> 00:14:33,396 Speaker 2: and the e Gen Carroll trial was. And actually, lastly, 305 00:14:33,556 --> 00:14:35,116 Speaker 2: one of the things the interesting things they told me 306 00:14:35,396 --> 00:14:37,916 Speaker 2: was the guy who worked there for a long time 307 00:14:37,956 --> 00:14:41,036 Speaker 2: said he's never seen such public interest in the trial. 308 00:14:41,236 --> 00:14:42,836 Speaker 1: So here's a question for you. 309 00:14:43,156 --> 00:14:45,836 Speaker 2: Because I just My answer is, I just spent two 310 00:14:45,876 --> 00:14:46,956 Speaker 2: years writing a book about it. 311 00:14:46,996 --> 00:14:48,996 Speaker 1: But why do you think. 312 00:14:50,636 --> 00:14:53,356 Speaker 2: So many people are so interested in Sam Bangman free. 313 00:14:53,676 --> 00:14:56,956 Speaker 2: He hasn't come and gone like most cultural phenomenon. He's 314 00:14:56,956 --> 00:14:59,596 Speaker 2: been in the news for a long time that's been 315 00:14:59,636 --> 00:15:02,236 Speaker 2: surprisingly interested in it. I mean, look, there are hundreds 316 00:15:02,236 --> 00:15:04,876 Speaker 2: some journalists floating around that place. What do you think 317 00:15:04,916 --> 00:15:05,756 Speaker 2: is going on there? 318 00:15:06,116 --> 00:15:08,196 Speaker 3: I think there's so many layers of the story that 319 00:15:08,236 --> 00:15:08,916 Speaker 3: are fascinating. 320 00:15:08,956 --> 00:15:09,276 Speaker 4: Right. 321 00:15:09,516 --> 00:15:11,916 Speaker 3: There's the one layer of Sam said he wanted to 322 00:15:11,956 --> 00:15:14,396 Speaker 3: make the world a better place and then he failed 323 00:15:14,396 --> 00:15:17,676 Speaker 3: so spectacularly. It's much more interesting than someone who is 324 00:15:17,716 --> 00:15:21,116 Speaker 3: just bad from the beginning. I think the second layer 325 00:15:21,436 --> 00:15:23,996 Speaker 3: is there's so much money. When there's a lot of money, 326 00:15:23,996 --> 00:15:24,636 Speaker 3: that's interesting. 327 00:15:25,276 --> 00:15:25,556 Speaker 1: Yeah. 328 00:15:25,596 --> 00:15:28,796 Speaker 3: I think another layer is it's his closest friends and 329 00:15:28,796 --> 00:15:33,236 Speaker 3: his ex girlfriend. It's so interesting to watch people's relationships 330 00:15:33,276 --> 00:15:36,356 Speaker 3: play out also, and to watch a play out kind 331 00:15:36,356 --> 00:15:38,956 Speaker 3: of on a public stage. And to me, for instance, 332 00:15:38,996 --> 00:15:41,756 Speaker 3: even the balance sheet that had kind of couple's therapy 333 00:15:41,876 --> 00:15:43,796 Speaker 3: energy to me, like it felt to me reminded me 334 00:15:43,796 --> 00:15:47,076 Speaker 3: of purple therapy, where one person sees something one way 335 00:15:47,156 --> 00:15:49,676 Speaker 3: and then the other person sees something completely differently and 336 00:15:49,716 --> 00:15:53,636 Speaker 3: there are some overlapping facts. But the take at the 337 00:15:53,676 --> 00:15:55,756 Speaker 3: same time I have felt, you know, it's like, were 338 00:15:55,796 --> 00:15:57,676 Speaker 3: you guys both there, were you talking to each other? 339 00:15:57,956 --> 00:15:59,756 Speaker 4: How is there this huge misunderstanding? 340 00:16:00,836 --> 00:16:02,836 Speaker 2: Well, they were at war with each other. She booted 341 00:16:02,876 --> 00:16:04,356 Speaker 2: him out of the Orchid penthouse. 342 00:16:04,436 --> 00:16:04,676 Speaker 4: Yeah. 343 00:16:04,676 --> 00:16:08,316 Speaker 3: The third big moment that was recast was Nashad's conversation 344 00:16:08,396 --> 00:16:12,396 Speaker 3: with sam Akmon Freed on the balcony, which was you know, 345 00:16:12,476 --> 00:16:14,436 Speaker 3: dramatic woman in the trial with the picture of the 346 00:16:14,476 --> 00:16:17,716 Speaker 3: balcony and then the way sam Mgmunfried told the stories. 347 00:16:18,236 --> 00:16:21,556 Speaker 3: That conversation was hardly even really about the missing funds 348 00:16:21,556 --> 00:16:24,316 Speaker 3: at all. It was really just a conversation about marketing, 349 00:16:24,556 --> 00:16:28,236 Speaker 3: and Nishad was a little bit worried about Alameda's liabilities, 350 00:16:28,276 --> 00:16:31,396 Speaker 3: but was worried also that ftexas spending too much money 351 00:16:31,396 --> 00:16:34,716 Speaker 3: in marketing, and Sam said, maybe you have a point. 352 00:16:34,796 --> 00:16:36,836 Speaker 3: Why don't you research the marketing and get back to 353 00:16:36,876 --> 00:16:37,476 Speaker 3: me about it. 354 00:16:38,116 --> 00:16:41,156 Speaker 1: So you know, only two people know the truth of this. 355 00:16:41,396 --> 00:16:45,076 Speaker 2: But one thing that is true is that the spring 356 00:16:45,116 --> 00:16:49,996 Speaker 2: of twenty twenty two, when Ryan Salem moves basically moves 357 00:16:49,996 --> 00:16:53,356 Speaker 2: out of the company, he becomes much less interested in 358 00:16:53,836 --> 00:17:00,076 Speaker 2: being involved, and Nishad and Nishad's girlfriend basically took over 359 00:17:00,116 --> 00:17:03,156 Speaker 2: the role that Ryan had and Ryan had been really 360 00:17:03,876 --> 00:17:06,876 Speaker 2: the department is spending money. I mean, it was unbelievable 361 00:17:06,916 --> 00:17:11,956 Speaker 2: how Ryan spent money. And it drove Nashad crazy. Uh 362 00:17:11,996 --> 00:17:15,916 Speaker 2: and he was even well before there were obvious problems. 363 00:17:16,476 --> 00:17:19,196 Speaker 2: Nishad was like, we got to stop this. This is 364 00:17:19,236 --> 00:17:22,676 Speaker 2: just crazy. Because Nishad was thinking like effective altruism, these 365 00:17:22,716 --> 00:17:26,236 Speaker 2: dollars could be going to this other thing. And I 366 00:17:26,236 --> 00:17:28,836 Speaker 2: think Sam's mind was that these are all rounding eras. 367 00:17:28,876 --> 00:17:32,036 Speaker 2: We're aiming for a trillion. Anything that slows us down 368 00:17:32,436 --> 00:17:36,276 Speaker 2: is dumb. And and if we buy these fancy apartments 369 00:17:36,316 --> 00:17:38,076 Speaker 2: and enables us to get smarter people to come move 370 00:17:38,116 --> 00:17:40,956 Speaker 2: to the Bahamas and work for us, and the apartments 371 00:17:40,996 --> 00:17:41,956 Speaker 2: will hold their value. 372 00:17:42,116 --> 00:17:43,396 Speaker 1: Like it's this is no big deal. 373 00:17:44,236 --> 00:17:48,476 Speaker 2: You're looking at two people having very radically different accounts of. 374 00:17:48,596 --> 00:17:52,076 Speaker 4: And three people too. It's like three different stories. 375 00:17:52,676 --> 00:17:52,916 Speaker 1: Yep. 376 00:17:53,516 --> 00:17:58,636 Speaker 2: Two random thoughts, like not ordered thoughts. One was that 377 00:17:59,036 --> 00:18:04,556 Speaker 2: it's kind of interesting that Sam's effective altruist passion had 378 00:18:04,596 --> 00:18:09,076 Speaker 2: him focused on pandemic prevention. At least three of the 379 00:18:09,516 --> 00:18:12,396 Speaker 2: members of the jury are wearing masks, so we have 380 00:18:13,116 --> 00:18:18,796 Speaker 2: a germaphobic jury and by this and Sam's, Sam's has 381 00:18:18,836 --> 00:18:22,876 Speaker 2: an interest in pandemic prevention, and I just wonder that 382 00:18:22,996 --> 00:18:25,596 Speaker 2: was the first thought was like, hmm, I wonder if 383 00:18:25,596 --> 00:18:27,996 Speaker 2: they're the germophobes, you're going to form a little you 384 00:18:28,036 --> 00:18:29,276 Speaker 2: know what, let that guy loose. 385 00:18:30,116 --> 00:18:32,876 Speaker 3: If the defense lawyers were thinking about that when they 386 00:18:32,876 --> 00:18:36,436 Speaker 3: were choosing who they wanted on the jury, that's a. 387 00:18:37,276 --> 00:18:40,356 Speaker 2: Who knows right, I'll argue at some point we stick 388 00:18:40,356 --> 00:18:43,596 Speaker 2: a pin in that and we'll last We'll be back 389 00:18:43,596 --> 00:18:52,676 Speaker 2: in a minute with one last thing, welcome back. I 390 00:18:52,756 --> 00:18:56,756 Speaker 2: did the unseemly thing of running out of the courtroom 391 00:18:57,316 --> 00:18:59,676 Speaker 2: moments before they said we were done for the day, 392 00:18:59,716 --> 00:19:01,876 Speaker 2: because I smelled it and I wanted to beat everybody 393 00:19:01,876 --> 00:19:04,996 Speaker 2: of the elevators and get my phone first, so I missed, like, 394 00:19:05,276 --> 00:19:08,076 Speaker 2: what's coming next? That section that they do at the 395 00:19:08,156 --> 00:19:10,516 Speaker 2: end of the day, what's coming next? What can we 396 00:19:10,556 --> 00:19:11,436 Speaker 2: expect next week? 397 00:19:11,516 --> 00:19:14,076 Speaker 3: Okay, direct, we'll finish, and then there's going to be 398 00:19:14,196 --> 00:19:18,196 Speaker 3: cross examination, which is what all the reporters are excited about, 399 00:19:18,236 --> 00:19:21,236 Speaker 3: because that's going to be the more pugnacious part of 400 00:19:21,276 --> 00:19:26,956 Speaker 3: Sam's testimony, and the prosecutors said that the judge should 401 00:19:26,996 --> 00:19:30,036 Speaker 3: anticipate quote significant cross examination. 402 00:19:33,596 --> 00:19:34,476 Speaker 1: Sounds unpleasant. 403 00:19:35,836 --> 00:19:40,116 Speaker 3: It sounds unpleasant, except I personally love watching the prosecutor 404 00:19:40,316 --> 00:19:44,756 Speaker 3: doing her work because she is so good and so precise, 405 00:19:45,316 --> 00:19:48,476 Speaker 3: and there's just something really satisfying to me about watching 406 00:19:48,476 --> 00:19:51,156 Speaker 3: someone who is very good at what they do. 407 00:19:51,716 --> 00:19:54,676 Speaker 2: Yeah, I agree, someone needs to profile Danielle so soon. 408 00:19:55,316 --> 00:19:58,516 Speaker 1: There's a story there. Al Jay, it's been. 409 00:19:58,516 --> 00:20:00,556 Speaker 2: A total guest hanging with you in the last two days, 410 00:20:00,676 --> 00:20:02,116 Speaker 2: and I get to hang with you in another. 411 00:20:01,916 --> 00:20:04,236 Speaker 1: Two days at least next week. But let's say. 412 00:20:04,076 --> 00:20:05,396 Speaker 4: Goodbye now, see you on Monday. 413 00:20:05,916 --> 00:20:09,476 Speaker 2: By bye, We'll be back in your feed next week. 414 00:20:09,476 --> 00:20:12,596 Speaker 2: With more expert analysis and news from Sambangmanfreed's trial. 415 00:20:13,116 --> 00:20:13,956 Speaker 1: Thanks for listening. 416 00:20:14,916 --> 00:20:18,476 Speaker 2: This episode of Judging Sam was hosted by Me, Michael Lewis, 417 00:20:18,956 --> 00:20:22,316 Speaker 2: Lydia Gencott is our court reporter. Katherine Girardeau and Nisha 418 00:20:22,396 --> 00:20:26,276 Speaker 2: Venken produced this show. Sophie Crane is our editor. Our 419 00:20:26,356 --> 00:20:29,676 Speaker 2: music was composed by Matthias Bossi and John Evans of 420 00:20:29,756 --> 00:20:34,156 Speaker 2: stell Wagons Symphonet. Judging Sam is a production of Pushkin Industries. 421 00:20:34,636 --> 00:20:37,076 Speaker 2: Got a question or comment for me? There's a website 422 00:20:37,116 --> 00:20:44,116 Speaker 2: for that atr podcast dot com. That's atr podcast dot com. 423 00:20:44,436 --> 00:20:47,516 Speaker 2: To find more Pushkin podcasts, listen on the iHeartRadio app, 424 00:20:47,676 --> 00:20:51,836 Speaker 2: Apple Podcasts, or wherever you listen to your podcasts. If 425 00:20:51,876 --> 00:20:55,116 Speaker 2: you'd like to access bonus episodes and listen ad free, 426 00:20:55,556 --> 00:20:57,916 Speaker 2: don't forget to sign up for a Pushkin Plus subscription 427 00:20:58,276 --> 00:21:01,756 Speaker 2: at pushkin dot fm, slash Plus, or on our Apple 428 00:21:01,836 --> 00:21:06,516 Speaker 2: show page