1 00:00:00,480 --> 00:00:02,720 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,720 --> 00:00:06,960 Speaker 2: Zaren Elizabeth, Hello. 3 00:00:07,120 --> 00:00:11,159 Speaker 3: Zarn, Hello, Michel Lai. Listen pal, how are you? 4 00:00:11,360 --> 00:00:12,920 Speaker 2: I'm doing pretty well? How about you? Good? 5 00:00:13,119 --> 00:00:15,720 Speaker 3: Good? Do you know what's ridiculous? 6 00:00:15,960 --> 00:00:16,400 Speaker 2: Oh? 7 00:00:16,440 --> 00:00:19,640 Speaker 4: Man do I? But I want to preface this. This 8 00:00:19,680 --> 00:00:23,200 Speaker 4: is ridiculously cool. Oh really yeah, not like ridiculous, like 9 00:00:23,280 --> 00:00:24,239 Speaker 4: what ridiculous? 10 00:00:24,280 --> 00:00:24,840 Speaker 2: Like what? 11 00:00:26,920 --> 00:00:29,280 Speaker 5: I like that? 12 00:00:29,560 --> 00:00:33,040 Speaker 4: So we got this message right and the intern send 13 00:00:33,080 --> 00:00:35,000 Speaker 4: it to me. I thought this was I just wanted 14 00:00:35,000 --> 00:00:37,240 Speaker 4: to share it with you. So one of our rude 15 00:00:37,280 --> 00:00:41,880 Speaker 4: dude listeners is cat Josh Murphy from Down Under Down 16 00:00:41,880 --> 00:00:42,640 Speaker 4: to Aussie Rye. 17 00:00:42,760 --> 00:00:45,040 Speaker 3: Oh yes this guy, yeah right. 18 00:00:44,840 --> 00:00:49,000 Speaker 4: So he's a He opened a cafe in Brunswick, Melbourne, Melbourne, 19 00:00:49,520 --> 00:00:53,400 Speaker 4: and he named it after somebody we mentioned in one 20 00:00:53,400 --> 00:00:56,880 Speaker 4: of our episodes, The Horse, the Beautiful jim Key. Now 21 00:00:56,920 --> 00:00:58,720 Speaker 4: I'm not sure if you remember Beautiful jim Key, but 22 00:00:58,760 --> 00:01:00,120 Speaker 4: it was in the episode Lady One of. 23 00:01:00,120 --> 00:01:02,040 Speaker 2: This like a course, yes, yes, yes, okay. 24 00:01:02,120 --> 00:01:06,680 Speaker 4: So as Josh Murphy noted that he was inspired by 25 00:01:06,800 --> 00:01:10,319 Speaker 4: Beautiful jim Key and was like, you know, we named 26 00:01:10,319 --> 00:01:13,480 Speaker 4: our spot after it. And I looked up like some 27 00:01:13,480 --> 00:01:16,400 Speaker 4: some write ups and stuff, and he and his partner. 28 00:01:16,760 --> 00:01:19,320 Speaker 4: They've got this really cool spot. If I recommend if 29 00:01:19,319 --> 00:01:22,640 Speaker 4: you're in Melbourne go check it out. It is apparently 30 00:01:23,200 --> 00:01:27,399 Speaker 4: in Brunswick on Wilson Avenue, Okay, and it's right by 31 00:01:27,400 --> 00:01:30,600 Speaker 4: Iris the Bakery if you're familiar with the area. It's 32 00:01:30,640 --> 00:01:32,920 Speaker 4: described as a light filled space. It's full of character 33 00:01:33,520 --> 00:01:36,039 Speaker 4: and uh yeah, he wanted to name it. 34 00:01:36,000 --> 00:01:38,840 Speaker 2: After the horse fired by the show. 35 00:01:39,000 --> 00:01:41,680 Speaker 4: Yeah, which is just I thought ridiculously cool that that 36 00:01:41,840 --> 00:01:45,440 Speaker 4: this formerly enslaved man trains a horse. Way back in 37 00:01:45,440 --> 00:01:47,840 Speaker 4: the day. We cover him briefly in a story This 38 00:01:47,880 --> 00:01:50,520 Speaker 4: guy down in Australia names a cafe after this horse. 39 00:01:50,560 --> 00:01:52,639 Speaker 2: Well, you know, and it's such a great name, beautiful Jim. 40 00:01:52,720 --> 00:01:55,360 Speaker 3: So he's the guy. Josh Murphy is the guy who 41 00:01:55,440 --> 00:01:57,560 Speaker 3: sent us that mustard that we love. 42 00:01:57,760 --> 00:01:59,840 Speaker 2: Oh, the one you want to try Russell and Son. 43 00:02:00,080 --> 00:02:05,840 Speaker 2: He sended from Australia. Yes, it is proper good. God, 44 00:02:05,880 --> 00:02:07,280 Speaker 2: you had some, did I? 45 00:02:07,440 --> 00:02:08,680 Speaker 3: Yeah, we made that sandwich. 46 00:02:09,440 --> 00:02:10,640 Speaker 2: Oh that's what that was. 47 00:02:10,760 --> 00:02:12,280 Speaker 3: That's what that was. Oh. 48 00:02:12,960 --> 00:02:14,120 Speaker 2: I wish you would have let me know. 49 00:02:14,280 --> 00:02:17,239 Speaker 3: I told you never listening. 50 00:02:17,600 --> 00:02:18,800 Speaker 2: No, it's really really good. 51 00:02:18,840 --> 00:02:21,160 Speaker 3: And it was like we found out he sent us 52 00:02:21,200 --> 00:02:25,080 Speaker 3: this Mustard Russell and sons. Yes, phenomenal, kind of like 53 00:02:25,120 --> 00:02:27,320 Speaker 3: a small batch thing. And we're like, oh, that's so cool. 54 00:02:27,360 --> 00:02:28,440 Speaker 3: What a rad rude dude. 55 00:02:28,600 --> 00:02:29,560 Speaker 2: Totally and then. 56 00:02:29,440 --> 00:02:31,840 Speaker 3: He's like, oh, ps I named a restaurant after something 57 00:02:31,880 --> 00:02:32,440 Speaker 3: you talked. 58 00:02:32,240 --> 00:02:34,959 Speaker 2: About, Josh Murphy, you rock man. 59 00:02:35,520 --> 00:02:38,200 Speaker 4: So yeah, if you're ever in the Melbourne area, please 60 00:02:38,240 --> 00:02:40,600 Speaker 4: go check out his restaurant and let us know how 61 00:02:40,639 --> 00:02:40,960 Speaker 4: it is. 62 00:02:41,240 --> 00:02:44,440 Speaker 2: Yeah, it's like cafe. I don't want to say take. 63 00:02:44,280 --> 00:02:45,440 Speaker 3: It down there. 64 00:02:46,160 --> 00:02:47,959 Speaker 2: We can get you on a plane that long. Yeah, 65 00:02:48,080 --> 00:02:51,679 Speaker 2: probably not, maybe someday, who knows. There you go, thank 66 00:02:51,720 --> 00:02:53,560 Speaker 2: you again for that one. That game was both here smile. 67 00:02:53,639 --> 00:02:56,120 Speaker 3: That is wonderfully ridiculous. And do you want to know 68 00:02:56,160 --> 00:02:58,720 Speaker 3: what else is ridiculous but not wonderfully ridiculous? 69 00:02:58,760 --> 00:03:01,120 Speaker 2: Please being a not see what. 70 00:03:22,040 --> 00:03:27,720 Speaker 3: This is? Ridiculous? Crime A podcast about absurd and outrageous capers, 71 00:03:27,760 --> 00:03:31,519 Speaker 3: heists and cons. It's always ninety nine percent murder free 72 00:03:31,560 --> 00:03:33,960 Speaker 3: and one hundred percent ridiculous. 73 00:03:34,040 --> 00:03:35,160 Speaker 2: I know you hear that. 74 00:03:35,360 --> 00:03:40,120 Speaker 3: I done heard that. British Prime Minister Winston Churchill once said, 75 00:03:41,000 --> 00:03:45,720 Speaker 3: quote in Wartime, truth is so precious that she should 76 00:03:45,720 --> 00:03:48,000 Speaker 3: always be attended by a bodyguard. 77 00:03:48,200 --> 00:03:53,640 Speaker 2: Of lies. Yeah, it sounds like him, right, I'm not 78 00:03:53,680 --> 00:03:54,840 Speaker 2: a huge like. 79 00:03:55,040 --> 00:03:59,480 Speaker 3: I got like a secondhand gin buzz off of that anyway. 80 00:04:00,120 --> 00:04:03,680 Speaker 3: So I told you about old Velvelee Dickinson. Oh yeah 81 00:04:03,720 --> 00:04:07,040 Speaker 3: you did, and the codebreakers at the FBI during World 82 00:04:07,040 --> 00:04:10,080 Speaker 3: War Two, and that kind of led me down a 83 00:04:10,160 --> 00:04:14,120 Speaker 3: rabbit hole of other FBI efforts during World War Two. 84 00:04:14,240 --> 00:04:15,400 Speaker 2: You love rabbit holes. 85 00:04:15,480 --> 00:04:18,760 Speaker 3: Oh my god, I just live in them. Espionage is 86 00:04:18,800 --> 00:04:20,840 Speaker 3: a crime, obviously. 87 00:04:20,880 --> 00:04:22,320 Speaker 2: Oh for the other side. 88 00:04:22,880 --> 00:04:23,880 Speaker 3: However you slice it. 89 00:04:23,800 --> 00:04:25,160 Speaker 2: Well, know, if you're doing it for the right side, 90 00:04:25,160 --> 00:04:27,840 Speaker 2: it's actually like, yeah, you. 91 00:04:27,760 --> 00:04:31,560 Speaker 3: Can get busted for espionage. Yeah, violating the right And 92 00:04:31,600 --> 00:04:34,320 Speaker 3: that was a big problem and affair during World War two. 93 00:04:34,760 --> 00:04:38,440 Speaker 2: Oh, being like espionage spies, Oh just in general. Okay, 94 00:04:38,520 --> 00:04:40,239 Speaker 2: I think I like getting labeled as a spider. 95 00:04:40,320 --> 00:04:42,320 Speaker 3: No, no, no, no. So we're going to start with this guy, 96 00:04:42,600 --> 00:04:43,600 Speaker 3: Leon Terreau. 97 00:04:44,000 --> 00:04:44,279 Speaker 2: Okay. 98 00:04:45,080 --> 00:04:48,520 Speaker 3: He was an FBI agent who investigated the first major 99 00:04:48,680 --> 00:04:52,200 Speaker 3: Nazi spy ring in the United States. Oh and he 100 00:04:52,279 --> 00:04:55,320 Speaker 3: was born in nineteen hundred in the Russian Empire modern 101 00:04:55,400 --> 00:04:58,919 Speaker 3: day Belarus. He immigrated to the United States as a 102 00:04:58,960 --> 00:05:01,839 Speaker 3: young man. He served in the army during World War One, 103 00:05:01,960 --> 00:05:06,320 Speaker 3: but in like a non combat capacity. He joined the FBI, 104 00:05:06,400 --> 00:05:08,880 Speaker 3: but it was the Bureau of Investigation back then in 105 00:05:08,920 --> 00:05:11,640 Speaker 3: the nineteen twenties. He was fluent in a bunch of 106 00:05:11,680 --> 00:05:15,839 Speaker 3: different languages, including German and Russian, and that made him 107 00:05:15,839 --> 00:05:21,400 Speaker 3: like super valuable in early foreign counterintelligence works. And so 108 00:05:22,240 --> 00:05:24,560 Speaker 3: that was an area that the FBI had like really 109 00:05:24,640 --> 00:05:29,280 Speaker 3: limited experience in before World War Two. So there we are, 110 00:05:29,960 --> 00:05:34,400 Speaker 3: early nineteen thirty eight, and that's when a former US 111 00:05:34,560 --> 00:05:39,120 Speaker 3: Army private named Gunter Gustav Rumrik, he was arrested for 112 00:05:39,200 --> 00:05:44,440 Speaker 3: attempting to fraudulently obtain passports, and so they interrogated him. 113 00:05:44,920 --> 00:05:48,680 Speaker 3: That interrogation reveals something even bigger. He spilled it all 114 00:05:48,960 --> 00:05:53,320 Speaker 3: about a German obverse spy network operating in the United States, 115 00:05:53,800 --> 00:05:58,120 Speaker 3: collecting military, aviation and naval secrets. So like that's the 116 00:05:58,160 --> 00:05:59,919 Speaker 3: interview of a lifetime in there, totally. 117 00:06:00,000 --> 00:06:01,360 Speaker 2: I've heard about this in the Green Hornet. 118 00:06:02,200 --> 00:06:06,159 Speaker 3: So this is where Leon Terrell comes in. He became 119 00:06:06,240 --> 00:06:08,560 Speaker 3: the lead FBI agent on the case, and so he 120 00:06:08,640 --> 00:06:13,960 Speaker 3: conducted this like a drawn out interrogations of Rumrek what 121 00:06:14,000 --> 00:06:16,400 Speaker 3: with you know, he has all this language skills and stuff, 122 00:06:16,680 --> 00:06:20,640 Speaker 3: and he also ran surveillance on suspected German agents. He 123 00:06:20,760 --> 00:06:24,160 Speaker 3: tracked down all these couriers and safe houses and cutouts. 124 00:06:24,720 --> 00:06:28,560 Speaker 3: The FBI coordinated with the US Attorney's Office for indictments 125 00:06:28,600 --> 00:06:31,880 Speaker 3: in the matter eighteen of them. And it was the 126 00:06:31,880 --> 00:06:35,760 Speaker 3: first major espionage prosecution in the United States before World 127 00:06:35,839 --> 00:06:38,960 Speaker 3: War Two. And it exposed the presence of this like 128 00:06:39,560 --> 00:06:44,560 Speaker 3: organized Nazi intelligence apparatus in the United States. This was 129 00:06:44,600 --> 00:06:47,360 Speaker 3: a huge deal because it pushed the US to take 130 00:06:47,480 --> 00:06:53,679 Speaker 3: foreign espionage seriously for the first time. About it so well, 131 00:06:53,800 --> 00:06:57,640 Speaker 3: it seemed like a victory. Terrell kind of blew it 132 00:06:58,960 --> 00:07:03,039 Speaker 3: Wellll the case was still active. He leaked information to 133 00:07:03,120 --> 00:07:03,600 Speaker 3: the press. 134 00:07:04,040 --> 00:07:05,880 Speaker 2: Oh okay Germans. 135 00:07:06,080 --> 00:07:08,479 Speaker 3: Yeah. But then he wrote newspaper serials for the New 136 00:07:08,560 --> 00:07:09,880 Speaker 3: York Post about the case. 137 00:07:10,080 --> 00:07:10,960 Speaker 2: Uh huh. 138 00:07:11,000 --> 00:07:14,160 Speaker 3: He collaborated on a book called Nazi Spies in. 139 00:07:14,160 --> 00:07:15,840 Speaker 2: America That's Bad for Prosecution. 140 00:07:16,000 --> 00:07:18,880 Speaker 3: Yeah, assisted in the development of a Hollywood film called 141 00:07:19,520 --> 00:07:23,080 Speaker 3: Confessions of a Nazi Spy. Oh Yeah, nineteen thirty nine 142 00:07:23,120 --> 00:07:26,880 Speaker 3: Warner Brothers picture. He worked with the director as a 143 00:07:26,960 --> 00:07:33,480 Speaker 3: paid consultant. This is all while the investigations ongoing. Confessions 144 00:07:33,480 --> 00:07:36,240 Speaker 3: of a Nazi Spy was the first major studio picture 145 00:07:36,680 --> 00:07:38,560 Speaker 3: explicitly criticizing Hitler. 146 00:07:38,680 --> 00:07:40,160 Speaker 2: I was gonna say, that's why it's famous. 147 00:07:40,200 --> 00:07:42,440 Speaker 3: And it was released before we even got into World 148 00:07:42,480 --> 00:07:46,960 Speaker 3: War two. So all of this goes down before the 149 00:07:47,000 --> 00:07:52,320 Speaker 3: remaining suspects had been apprehended. That court, no, no, So the 150 00:07:52,400 --> 00:07:54,400 Speaker 3: indictments go out, but they're like, we got a round 151 00:07:54,400 --> 00:07:56,520 Speaker 3: them all up. And meanwhile he's like, I want to 152 00:07:56,560 --> 00:08:01,160 Speaker 3: be in pictures. So before they be arrested and. 153 00:08:01,160 --> 00:08:03,440 Speaker 2: Charged, how do I meet May West. 154 00:08:04,400 --> 00:08:08,440 Speaker 3: For the arrests? Before they're charged, all but four of 155 00:08:08,480 --> 00:08:11,200 Speaker 3: the spies fled the United States and made their way 156 00:08:11,280 --> 00:08:12,080 Speaker 3: safely to Europe. 157 00:08:12,160 --> 00:08:15,240 Speaker 2: Of course they did. First both they get hit. J 158 00:08:15,720 --> 00:08:17,880 Speaker 2: Edgar Hoover, Oh my god, he must have lost. 159 00:08:18,680 --> 00:08:22,600 Speaker 3: Livid, head of the FBI. Livid, so not only had 160 00:08:22,600 --> 00:08:26,000 Speaker 3: the case been blown, but he was highly sensitive to 161 00:08:26,080 --> 00:08:28,280 Speaker 3: publicity that was not controlled by him. 162 00:08:28,400 --> 00:08:30,720 Speaker 2: Yes, he wanted to always be the one telling, always had. 163 00:08:30,600 --> 00:08:32,360 Speaker 3: To be in charge, and so that was just like 164 00:08:32,800 --> 00:08:36,040 Speaker 3: on top of it. So Hoover made his move. He 165 00:08:36,200 --> 00:08:41,600 Speaker 3: accused Terreu of compromising ongoing investigations, which that's appropriate. 166 00:08:41,760 --> 00:08:43,560 Speaker 2: Oh, that's actually very accurate for what he did. 167 00:08:44,400 --> 00:08:48,199 Speaker 3: And obviously Terreu gets removed from the case, I hope. 168 00:08:48,240 --> 00:08:48,320 Speaker 1: So. 169 00:08:48,520 --> 00:08:51,280 Speaker 3: Yeah, he then resigned under pressure, and it's like, was 170 00:08:51,320 --> 00:08:53,200 Speaker 3: he forced out? Did he resigned? 171 00:08:53,440 --> 00:08:55,760 Speaker 2: Is he a German spy? Oh? No, double agent? 172 00:08:55,960 --> 00:08:59,319 Speaker 3: Start to wonder, I do so the FBI they publicly 173 00:08:59,360 --> 00:09:03,480 Speaker 3: distanced itself from him too, And Hoover had all these 174 00:09:03,520 --> 00:09:06,640 Speaker 3: internal memos that came out decades and decades later. Yeah, 175 00:09:06,640 --> 00:09:09,200 Speaker 3: of course it described him as quote a man who 176 00:09:09,240 --> 00:09:12,960 Speaker 3: permitted personal ambition to override bureau interests. 177 00:09:14,080 --> 00:09:14,679 Speaker 2: Hated that. 178 00:09:14,960 --> 00:09:19,640 Speaker 3: He's like, that's my job, I do. Hoover made sure 179 00:09:19,640 --> 00:09:23,840 Speaker 3: that that round never worked for US intelligence again. But 180 00:09:23,960 --> 00:09:27,400 Speaker 3: here's the thing, though. After his resignation, Tarrell got gigs 181 00:09:27,440 --> 00:09:31,320 Speaker 3: as a journalist and a writer. He wrote about espionage topics. 182 00:09:32,000 --> 00:09:35,320 Speaker 3: He did serve in the US Army counter Intelligence Corps 183 00:09:35,400 --> 00:09:38,840 Speaker 3: during World War Two, but he didn't serve with FBI 184 00:09:38,960 --> 00:09:42,479 Speaker 3: or OSS. He later in his life moved to California. 185 00:09:42,559 --> 00:09:45,480 Speaker 3: He wrote sporadically about intelligence matters. 186 00:09:45,640 --> 00:09:47,439 Speaker 2: I'm sure he tried to dabble in Hollywood for the 187 00:09:47,520 --> 00:09:48,120 Speaker 2: rest of his day. 188 00:09:48,520 --> 00:09:51,439 Speaker 3: Look a bunch of screenplays in the drawers. He never 189 00:09:51,559 --> 00:09:56,200 Speaker 3: regained his former standing in US counterintelligence, but like historians 190 00:09:56,240 --> 00:10:01,720 Speaker 3: now see him as this pivotal early figure whose missteps 191 00:10:01,760 --> 00:10:06,000 Speaker 3: helped define the FBI's strict secrecy culture. Yes, I got 192 00:10:06,040 --> 00:10:07,640 Speaker 3: to so it was kind of brewing, and he just 193 00:10:07,679 --> 00:10:09,760 Speaker 3: made it like, okay, now we actually have to really 194 00:10:09,800 --> 00:10:10,600 Speaker 3: do something about this. 195 00:10:10,679 --> 00:10:12,760 Speaker 2: That's how we always say ongoing investigation. It's part of 196 00:10:12,760 --> 00:10:13,320 Speaker 2: an ongoing. 197 00:10:13,080 --> 00:10:15,760 Speaker 3: Investigation, right right, instead of like, well here, let me 198 00:10:15,800 --> 00:10:16,640 Speaker 3: tell you everything. 199 00:10:16,720 --> 00:10:17,680 Speaker 2: Do you want the dish. 200 00:10:17,760 --> 00:10:21,600 Speaker 3: Sit So, while it was this total cluster with Tourou, 201 00:10:22,360 --> 00:10:25,880 Speaker 3: it kicked off the FBI's involvement in counter espionage efforts 202 00:10:25,880 --> 00:10:28,400 Speaker 3: for World War Two. It was a wake up call. 203 00:10:28,480 --> 00:10:33,040 Speaker 3: So the US needed serious strengthening of security surrounding all 204 00:10:33,080 --> 00:10:36,640 Speaker 3: these like military and industrial secrets, and they also needed 205 00:10:36,679 --> 00:10:40,959 Speaker 3: to launch serious counter espionage efforts. So the military starts 206 00:10:41,000 --> 00:10:43,960 Speaker 3: working with the FBI to address this stuff as crime, 207 00:10:44,760 --> 00:10:48,520 Speaker 3: which brings us to Ultra, not MK Ultra. 208 00:10:48,640 --> 00:10:49,800 Speaker 2: I was just about to ask. 209 00:10:49,640 --> 00:10:54,520 Speaker 3: As much later. Ultra was the code name used by 210 00:10:54,559 --> 00:10:57,920 Speaker 3: the British government beginning in June of nineteen forty one 211 00:10:58,400 --> 00:11:02,520 Speaker 3: to describe intelligence that it came from the Enigma decrypts 212 00:11:03,240 --> 00:11:06,800 Speaker 3: the German military Lushwaffe stuff they'd had it DECRYPTID then 213 00:11:07,400 --> 00:11:11,600 Speaker 3: naval Enigma crazy all these like high level German high 214 00:11:11,640 --> 00:11:12,600 Speaker 3: command traffic. 215 00:11:12,920 --> 00:11:13,160 Speaker 2: Yeah. 216 00:11:13,200 --> 00:11:15,599 Speaker 4: So basically after the Battle of Britain, they get the 217 00:11:15,720 --> 00:11:18,200 Speaker 4: Enigma machine decryptied before we even get in the war. 218 00:11:18,360 --> 00:11:18,760 Speaker 3: Correct. 219 00:11:18,840 --> 00:11:21,120 Speaker 2: I thought it was until like forty two of No. 220 00:11:21,000 --> 00:11:23,520 Speaker 3: Ultra wasn't really a single project, but it was like 221 00:11:23,559 --> 00:11:25,480 Speaker 3: a classification or a category. 222 00:11:25,600 --> 00:11:25,959 Speaker 2: I got you. 223 00:11:26,120 --> 00:11:28,800 Speaker 3: So it basically meant so secret that it was beyond 224 00:11:28,840 --> 00:11:29,400 Speaker 3: top secret. 225 00:11:29,520 --> 00:11:30,920 Speaker 2: Yeah, like all the Queen can learn this. 226 00:11:31,080 --> 00:11:34,560 Speaker 3: Yes, the work itself was conducted primarily at Bletchley Park, 227 00:11:34,600 --> 00:11:38,640 Speaker 3: which I mentioned before, under Government code and Cipher School, 228 00:11:39,040 --> 00:11:42,880 Speaker 3: and so the Ultra designation was created in nineteen forty one, 229 00:11:42,960 --> 00:11:47,080 Speaker 3: but that technical groundwork began way earlier. So what I 230 00:11:47,320 --> 00:11:50,400 Speaker 3: learned I didn't know. Between nineteen thirty two and nineteen 231 00:11:50,440 --> 00:11:55,760 Speaker 3: thirty nine, Polish cryptoanalysts broke early versions of Enigma really 232 00:11:55,800 --> 00:11:58,040 Speaker 3: all the way back then, and then in July of 233 00:11:58,120 --> 00:12:01,439 Speaker 3: thirty nine Poland shared their methods with Britain and France, 234 00:12:01,880 --> 00:12:07,240 Speaker 3: and after the war began, then England expanded operations at Bletchley, Okay, 235 00:12:08,080 --> 00:12:13,199 Speaker 3: so in nineteen forty initial breakthroughs came from Alan Turing 236 00:12:13,679 --> 00:12:18,040 Speaker 3: Gordon Welchman in the design of the bomb machine. So 237 00:12:18,160 --> 00:12:20,679 Speaker 3: lufwaff of traffic was like the first thing that they 238 00:12:20,720 --> 00:12:26,440 Speaker 3: were able to successfully and consistently read. By mid nineteen 239 00:12:26,480 --> 00:12:29,760 Speaker 3: forty one, there was enough high level German traffic being 240 00:12:29,840 --> 00:12:34,199 Speaker 3: read that they had to create this new Ultra classification 241 00:12:35,120 --> 00:12:37,800 Speaker 3: and so that was like mid forty one, that's the 242 00:12:37,840 --> 00:12:42,320 Speaker 3: formal creation of Ultra as this intelligence handling system. So 243 00:12:42,400 --> 00:12:43,839 Speaker 3: what did ULTRA produce, Seren? 244 00:12:44,000 --> 00:12:45,280 Speaker 2: What did it produce, Elizabeth? 245 00:12:45,280 --> 00:12:50,040 Speaker 3: I'm glad I asked that question. Ultra intelligence that had 246 00:12:50,080 --> 00:12:51,959 Speaker 3: like the Air Force operations U. 247 00:12:51,920 --> 00:12:54,800 Speaker 2: Boat positions because they're killing the shipping leg. 248 00:12:55,000 --> 00:13:00,439 Speaker 3: Exactly, Army operational plans, logistics supply routes, and so the 249 00:13:00,520 --> 00:13:05,280 Speaker 3: decrypts were translated, analyzed, and distributed only to like this tiny, 250 00:13:05,360 --> 00:13:08,520 Speaker 3: tiny handful of commanders, and they were forbidden to reveal 251 00:13:08,559 --> 00:13:12,680 Speaker 3: the source, so super super secretive, and the value depended 252 00:13:12,720 --> 00:13:16,960 Speaker 3: on that secrecy. So that's something that the FBI was like, Oh, 253 00:13:17,000 --> 00:13:20,000 Speaker 3: we should try that. That looks like that's a really 254 00:13:20,000 --> 00:13:23,200 Speaker 3: good idea. So they get wind of Ultra around nineteen 255 00:13:23,280 --> 00:13:25,960 Speaker 3: forty two and they're like, I want that. That would 256 00:13:26,040 --> 00:13:30,560 Speaker 3: be fun. So they're like, we need counterintelligence. FBI is like, 257 00:13:30,559 --> 00:13:33,120 Speaker 3: you know what, We're ready. We were messing around before. 258 00:13:33,679 --> 00:13:37,840 Speaker 3: We're totally JK, just so totally ready. So the Brits 259 00:13:37,880 --> 00:13:41,760 Speaker 3: passed along intelligence that they gathered through Ultra. The FBI 260 00:13:41,840 --> 00:13:45,760 Speaker 3: took it, incorporated it into their criminal investigations, and that 261 00:13:45,880 --> 00:13:50,600 Speaker 3: they came up with something they called Operation Ostrich. What 262 00:13:51,040 --> 00:13:52,480 Speaker 3: is there going to stick their head in the sands? 263 00:13:52,480 --> 00:13:53,800 Speaker 2: I don't know, I don't I don't know. 264 00:13:55,000 --> 00:13:58,400 Speaker 3: I guess Operation Ostrich wound up being part of this 265 00:13:58,600 --> 00:14:02,680 Speaker 3: larger effort by Ali forces to deceive the enemy called 266 00:14:02,760 --> 00:14:06,360 Speaker 3: Operation Bodyguard. And that comes from the quote that I 267 00:14:06,400 --> 00:14:09,600 Speaker 3: read you up top. In wartime, truth is so precious 268 00:14:09,640 --> 00:14:13,040 Speaker 3: that she should always be attended by a bodyguard of lies. 269 00:14:13,559 --> 00:14:16,800 Speaker 3: So all of these intercepted messages, some are decrypted by 270 00:14:16,840 --> 00:14:20,200 Speaker 3: the Brits, others by a US Army and Navy code 271 00:14:20,240 --> 00:14:24,400 Speaker 3: breakers or that crew of crazy kids led by Elizabeth 272 00:14:24,400 --> 00:14:28,840 Speaker 3: Smith Friedman in the new Cryptoanalyst team at the FBI laboratory. 273 00:14:29,840 --> 00:14:33,280 Speaker 3: They played a part in protecting the Allies, breaking down 274 00:14:33,320 --> 00:14:36,760 Speaker 3: the Germans. The Nazis the bad guys. Nazis are the 275 00:14:36,800 --> 00:14:41,920 Speaker 3: bad guys. So remember it was Elizabeth Smith Friedman who 276 00:14:41,960 --> 00:14:45,440 Speaker 3: took down that Nazi network in Argentina I talked about 277 00:14:45,480 --> 00:14:49,800 Speaker 3: in the Velvore. So she helped uncover the strong political 278 00:14:49,840 --> 00:14:54,200 Speaker 3: influence and intelligence activities of a German agent named Johannes Becker. 279 00:14:55,040 --> 00:14:57,920 Speaker 3: She and her FBI colleagues they mapped out his operation, 280 00:14:58,760 --> 00:15:02,320 Speaker 3: disrupted the works throughout the war, later shut it down completely, 281 00:15:03,280 --> 00:15:06,520 Speaker 3: and then without Ostrich, the FBI would not have been 282 00:15:06,560 --> 00:15:10,240 Speaker 3: as successful in pinning down the extent of Nazi espionage 283 00:15:10,240 --> 00:15:12,040 Speaker 3: in South America. 284 00:15:11,400 --> 00:15:13,760 Speaker 4: Right right, because also you sometimes want to keep the 285 00:15:13,800 --> 00:15:18,880 Speaker 4: network going so you can just exactly and then also 286 00:15:18,880 --> 00:15:21,080 Speaker 4: put out fake stuff for them to report on. See 287 00:15:21,080 --> 00:15:23,200 Speaker 4: how effective is what Ostrich was all about. 288 00:15:23,360 --> 00:15:25,880 Speaker 3: November of nineteen forty one, right before the attack on 289 00:15:25,920 --> 00:15:31,120 Speaker 3: Pearl Harbor, FBI special agent William Gustav Friedman sat down 290 00:15:31,120 --> 00:15:35,680 Speaker 3: with a man named Jorge Mosquerra. Quick note, Elizabeth Smith 291 00:15:35,680 --> 00:15:40,240 Speaker 3: Friedman's husband was William F. Friedman, one end on the 292 00:15:40,320 --> 00:15:43,840 Speaker 3: last name. The FBI special agent was William Gustav Freeman. 293 00:15:44,200 --> 00:15:45,760 Speaker 3: Two ms. No relationship. 294 00:15:45,760 --> 00:15:48,760 Speaker 2: Okay, I'm going to ask for a huge loop. 295 00:15:49,960 --> 00:15:53,800 Speaker 3: So anyway, who was Mouscara and why was a g 296 00:15:54,000 --> 00:15:56,880 Speaker 3: Man talking to him? Yeah, what's I would love to know? 297 00:15:56,960 --> 00:15:57,440 Speaker 3: You tell me. 298 00:15:57,600 --> 00:15:57,840 Speaker 2: Well. 299 00:15:58,400 --> 00:16:01,240 Speaker 3: Muscarra was a forty six year old businessman. He was 300 00:16:01,280 --> 00:16:04,800 Speaker 3: originally from Argentina and he'd spent the last twenty years 301 00:16:04,800 --> 00:16:06,960 Speaker 3: of his life living in Germany. So this made him 302 00:16:07,120 --> 00:16:10,720 Speaker 3: very interesting to the FBI for good reason. So let's 303 00:16:10,720 --> 00:16:12,840 Speaker 3: back up. Let me tell you about him. He had 304 00:16:12,880 --> 00:16:19,640 Speaker 3: a very successful import export business in Germany, always moving 305 00:16:19,760 --> 00:16:24,360 Speaker 3: stuff between Germany and Argentina. But during the thirties, I 306 00:16:24,400 --> 00:16:27,040 Speaker 3: don't know if you've heard about this, things in Germany changed. 307 00:16:27,400 --> 00:16:27,720 Speaker 2: I have. 308 00:16:27,800 --> 00:16:30,200 Speaker 4: I've read a little bit about this that I change 309 00:16:30,200 --> 00:16:31,560 Speaker 4: in leadership in the biz. 310 00:16:31,600 --> 00:16:35,320 Speaker 3: We call that an understatement. So he wove this tale 311 00:16:35,360 --> 00:16:39,200 Speaker 3: of woe about how German militarism started to get out 312 00:16:39,240 --> 00:16:42,000 Speaker 3: of hand. Then there were all these like crazy new 313 00:16:42,080 --> 00:16:45,160 Speaker 3: finance laws that were sort of dooming his business. So 314 00:16:45,200 --> 00:16:48,000 Speaker 3: he sold everything and headed back to Argentina to start 315 00:16:48,000 --> 00:16:52,360 Speaker 3: from scratch. The problem was that the Nazi authorities wouldn't 316 00:16:52,400 --> 00:16:57,280 Speaker 3: let him leave the country with his money. Instead, the 317 00:16:57,520 --> 00:17:00,440 Speaker 3: other they put pressure on him to work for them 318 00:17:00,440 --> 00:17:04,639 Speaker 3: as an intelligence agent in America. So no buenos aires 319 00:17:04,640 --> 00:17:06,359 Speaker 3: for you, sir. You're going to the US of a 320 00:17:06,840 --> 00:17:09,600 Speaker 3: and in return for his spy work, he would get 321 00:17:09,640 --> 00:17:13,280 Speaker 3: his s growd funds with interest. But that was as 322 00:17:13,280 --> 00:17:14,760 Speaker 3: soon as Germany won the war. 323 00:17:15,640 --> 00:17:16,680 Speaker 2: Oh wow, So. 324 00:17:16,640 --> 00:17:18,480 Speaker 3: He didn't really have a choice. He couldn't go back 325 00:17:18,480 --> 00:17:21,240 Speaker 3: to Argentina with nothing. He had nothing and no one there. 326 00:17:21,840 --> 00:17:23,920 Speaker 3: He couldn't stay in Europe because he saw how bad 327 00:17:23,960 --> 00:17:26,280 Speaker 3: it was about to get. So he agreed, but he 328 00:17:26,320 --> 00:17:28,160 Speaker 3: also had no intention of helping them. 329 00:17:28,160 --> 00:17:29,480 Speaker 2: But he also has this light at the end of 330 00:17:29,560 --> 00:17:31,639 Speaker 2: the tunnel. If he does, if. 331 00:17:31,480 --> 00:17:33,760 Speaker 3: He does the work and the Germans win, then he 332 00:17:33,800 --> 00:17:37,160 Speaker 3: gets his money plus interest. Well, so he tells the Nazis, 333 00:17:37,359 --> 00:17:39,640 Speaker 3: you know what, let's do this, and I don't want 334 00:17:39,680 --> 00:17:42,600 Speaker 3: I want to cover my trucks, so I'm going to 335 00:17:42,680 --> 00:17:46,480 Speaker 3: take this circuitous route to the United States. And they're like, great, 336 00:17:46,560 --> 00:17:51,159 Speaker 3: I love that perfect and action. And so August nineteen 337 00:17:51,240 --> 00:17:55,359 Speaker 3: forty one, he leaves Nazi occupied France, goes over the 338 00:17:55,400 --> 00:17:59,359 Speaker 3: Pyrenees and across Spain to Portugal. Then there he gets 339 00:17:59,359 --> 00:18:03,520 Speaker 3: on a ship South America. He gets to Montevideo, Uruguay, 340 00:18:04,160 --> 00:18:07,960 Speaker 3: goes straight to the American embassy and spills the beat. Yeah, 341 00:18:08,880 --> 00:18:14,160 Speaker 3: tells them everything, and he's like plus ps I want 342 00:18:14,160 --> 00:18:16,520 Speaker 3: to help Allied forces. I want nothing. I am at 343 00:18:16,560 --> 00:18:17,159 Speaker 3: your service. 344 00:18:17,359 --> 00:18:18,520 Speaker 2: I can win this war. 345 00:18:18,680 --> 00:18:18,880 Speaker 5: Yeah. 346 00:18:18,960 --> 00:18:21,760 Speaker 3: So days later he's on his way to New York 347 00:18:21,920 --> 00:18:25,359 Speaker 3: on the FBI dime to begin life as a double agent. 348 00:18:25,640 --> 00:18:28,359 Speaker 3: So the Germans, they gave him instructions, Okay, this is 349 00:18:28,359 --> 00:18:31,880 Speaker 3: what you do. You go to America, you spy on them. 350 00:18:32,440 --> 00:18:36,480 Speaker 3: You build a secret radio station. Here are your broadcast times, 351 00:18:36,480 --> 00:18:40,280 Speaker 3: Here are the frequencies, the call letters like emergency keys 352 00:18:40,280 --> 00:18:42,879 Speaker 3: and transposition codes. You have to be somewhere in the 353 00:18:42,920 --> 00:18:45,879 Speaker 3: New York area. We're going to be sending you messages, 354 00:18:46,000 --> 00:18:49,280 Speaker 3: and you're going to send messages back to Hamburg. So 355 00:18:49,359 --> 00:18:52,200 Speaker 3: he's like, you know what, that's great, I'm all in. 356 00:18:52,640 --> 00:18:54,919 Speaker 3: Then he goes and he tells the FBI exactly what 357 00:18:54,960 --> 00:18:55,600 Speaker 3: he's been told. 358 00:18:55,800 --> 00:18:57,760 Speaker 4: I'm wondering how they're capturing it. I wonder if they're 359 00:18:57,760 --> 00:18:59,720 Speaker 4: coming from like you know, U boats, like where there, 360 00:18:59,760 --> 00:19:02,600 Speaker 4: because you can't be broadcasting that far at the time, 361 00:19:02,640 --> 00:19:03,399 Speaker 4: he doesn't like me. 362 00:19:04,680 --> 00:19:07,359 Speaker 3: Yeah, So the FBI is like, thank you for for 363 00:19:07,400 --> 00:19:09,760 Speaker 3: your input. I love this. You're going to be a 364 00:19:09,800 --> 00:19:11,920 Speaker 3: double agent. We're going to code name you n D 365 00:19:12,240 --> 00:19:15,400 Speaker 3: ninety eight. Okay, and this is it showtime? 366 00:19:15,520 --> 00:19:17,120 Speaker 2: Yeah, lights, camera action. 367 00:19:17,359 --> 00:19:20,080 Speaker 3: Let's take a break. When we get back, we're going 368 00:19:20,119 --> 00:19:45,200 Speaker 3: to follow along with ND ninety eight. Zaren, I want 369 00:19:45,240 --> 00:19:47,359 Speaker 3: to tell you about a place called Owen House. 370 00:19:47,720 --> 00:19:48,359 Speaker 2: Owen House. 371 00:19:48,720 --> 00:19:52,680 Speaker 3: Yes, it was a beautiful estate on seventy one acres 372 00:19:52,720 --> 00:19:56,400 Speaker 3: in Wading River, New York. That's on Long Island, across 373 00:19:56,480 --> 00:19:58,720 Speaker 3: Long Island Sound from New Haven, Connecticut. 374 00:19:58,760 --> 00:20:03,159 Speaker 4: This is Owen like O I owe you money. 375 00:20:02,040 --> 00:20:06,960 Speaker 3: Owen Wilson ow E m so. The US Department of 376 00:20:06,960 --> 00:20:11,120 Speaker 3: the Interior describes this place as such, quote. Located eighty 377 00:20:11,160 --> 00:20:14,119 Speaker 3: miles east of New York on Long Island's North Fork. 378 00:20:14,520 --> 00:20:18,120 Speaker 3: The spacious three story building sat on a cliff bordered 379 00:20:18,160 --> 00:20:21,199 Speaker 3: on one side by Long Island Sound and acres of 380 00:20:21,280 --> 00:20:24,200 Speaker 3: dense trees on the other three sides, and the only 381 00:20:24,240 --> 00:20:27,440 Speaker 3: approach to the station was a bumpy, rutted quarter mile path. 382 00:20:27,760 --> 00:20:30,560 Speaker 3: Even by today's standards, the house is not easy to find. 383 00:20:30,880 --> 00:20:33,560 Speaker 3: In nineteen forty two, it would have been nearly impossible. 384 00:20:34,040 --> 00:20:34,280 Speaker 2: Yeah. 385 00:20:34,640 --> 00:20:34,760 Speaker 5: So. 386 00:20:34,960 --> 00:20:37,639 Speaker 3: The place was originally built as a summer home for 387 00:20:37,760 --> 00:20:42,639 Speaker 3: doctor Gabriel s Owen and his descendant. Sarah Owen was 388 00:20:42,680 --> 00:20:46,640 Speaker 3: the last occupant of the house. She was unmarried, no kids. 389 00:20:47,000 --> 00:20:49,760 Speaker 3: She died in nineteen forty She was almost ninety years 390 00:20:49,760 --> 00:20:54,200 Speaker 3: old at this point. So she has a niece, missus 391 00:20:54,200 --> 00:20:59,199 Speaker 3: Helen Owen Howell. Helen Owen Howell inherits the house in 392 00:20:59,280 --> 00:21:03,120 Speaker 3: nineteen forty one, something curious happened. Now keep in mind 393 00:21:03,160 --> 00:21:07,000 Speaker 3: that Owen house, like you said, super isolated, seventy one acres, 394 00:21:07,200 --> 00:21:10,520 Speaker 3: borders the sound, just a dirt path driveway. It's mid 395 00:21:10,520 --> 00:21:14,200 Speaker 3: December nineteen forty one. Helen was in the house. There's 396 00:21:14,200 --> 00:21:16,520 Speaker 3: a knock at the door. A guy is standing there, 397 00:21:16,600 --> 00:21:18,720 Speaker 3: dressed in a suit, very polite. He told her he 398 00:21:18,800 --> 00:21:22,119 Speaker 3: was interested in renting the house and the property. Now 399 00:21:22,400 --> 00:21:24,320 Speaker 3: Helen was in the process of trying to figure out 400 00:21:24,359 --> 00:21:25,639 Speaker 3: what to do with this place. 401 00:21:25,880 --> 00:21:28,119 Speaker 4: And we're like a week past Pearl Harbor. So like 402 00:21:28,200 --> 00:21:30,840 Speaker 4: everybody's thinking about the war. The only thought you have 403 00:21:31,000 --> 00:21:31,800 Speaker 4: her about the war. 404 00:21:32,160 --> 00:21:34,720 Speaker 3: She didn't need the house, she didn't intend to live there, 405 00:21:35,320 --> 00:21:38,760 Speaker 3: but this was strange. The distribution of the estate was 406 00:21:38,800 --> 00:21:42,280 Speaker 3: noted in the Brooklyn Eagle newspaper in November of forty one, 407 00:21:42,359 --> 00:21:44,280 Speaker 3: So maybe she's thinking like he heard about it. But 408 00:21:44,320 --> 00:21:48,159 Speaker 3: still Helen told him, like place isn't for rent, he 409 00:21:48,240 --> 00:21:51,240 Speaker 3: goes on his way. Everything seems hinky. And like you said, 410 00:21:51,400 --> 00:21:54,440 Speaker 3: this is right after the attack on Pearl Harbor, which 411 00:21:54,480 --> 00:21:57,400 Speaker 3: was December seventh, nineteen forty one, a day that will 412 00:21:57,440 --> 00:22:01,320 Speaker 3: live in infamy, as FDR said, the day afterwards, which 413 00:22:01,359 --> 00:22:03,840 Speaker 3: is the day that the US entered World War two. 414 00:22:04,640 --> 00:22:08,639 Speaker 3: So tensions are high, fears are building. Helen's trying to 415 00:22:08,720 --> 00:22:11,760 Speaker 3: imagine why someone would be looking to live at Owen 416 00:22:11,840 --> 00:22:15,000 Speaker 3: House at that time. Yeah, specifically, yeah, And she couldn't 417 00:22:15,000 --> 00:22:18,439 Speaker 3: think of anything that made sense, so she called the FBI. 418 00:22:19,600 --> 00:22:22,720 Speaker 3: See something, say something. So she told him all about 419 00:22:22,800 --> 00:22:25,080 Speaker 3: the visit from the man, that the home is on 420 00:22:25,119 --> 00:22:27,680 Speaker 3: the water and isolated, and she feared that it could 421 00:22:27,720 --> 00:22:31,280 Speaker 3: be like spies or soldiers or something nefarious. They took 422 00:22:31,320 --> 00:22:33,960 Speaker 3: all her information. They thanked her for sharing it. A 423 00:22:34,000 --> 00:22:37,720 Speaker 3: few days later, knock at the door. It's the same guy. 424 00:22:39,520 --> 00:22:43,400 Speaker 3: He pulls out his identification FBI. He explained to her 425 00:22:43,440 --> 00:22:46,560 Speaker 3: that it was the US government that wanted to us. 426 00:22:48,000 --> 00:22:48,760 Speaker 2: The FBI. 427 00:22:50,920 --> 00:22:55,520 Speaker 3: First test, so we need this her top secret activities. 428 00:22:55,560 --> 00:22:58,480 Speaker 3: In fact, the whole family would be sworn to secrecy. 429 00:22:58,520 --> 00:23:01,480 Speaker 3: They'd have to sign all these document They couldn't tell 430 00:23:01,480 --> 00:23:04,320 Speaker 3: anyone about this. So they renamed the place the Wading 431 00:23:04,440 --> 00:23:08,720 Speaker 3: River Station. And remember when we left off, the Nazis 432 00:23:08,760 --> 00:23:11,840 Speaker 3: had asked Jorge Moscerra to set up the. 433 00:23:11,840 --> 00:23:15,840 Speaker 2: Spy radio pirate radio station in or around New York. 434 00:23:16,320 --> 00:23:20,000 Speaker 3: So he immediately tells the FBI about a situation made 435 00:23:20,000 --> 00:23:23,600 Speaker 3: a double agent. They're like, let's set up our radio station. Guys, 436 00:23:23,680 --> 00:23:28,159 Speaker 3: let's start a station. And so an FBI technical agent 437 00:23:28,160 --> 00:23:32,120 Speaker 3: from Washington, d C. Named Richard Millan, he began searching 438 00:23:32,240 --> 00:23:36,480 Speaker 3: for a site somewhere on eastern Long Island. And according 439 00:23:36,560 --> 00:23:40,680 Speaker 3: to Ray bat Venice, a former FBI agent writing for 440 00:23:40,720 --> 00:23:45,480 Speaker 3: the Former Agents of the FBI Foundation, quote it's a 441 00:23:46,359 --> 00:23:52,520 Speaker 3: wow for the news site, Millan had two essential requirements. First, 442 00:23:52,680 --> 00:23:57,840 Speaker 3: atmospheric conditions had to be optimal for uninterrupted transatlantic high 443 00:23:57,880 --> 00:24:02,679 Speaker 3: frequency radio communication. Second, but equally important, it had to 444 00:24:02,680 --> 00:24:04,600 Speaker 3: be isolated and remote. 445 00:24:04,920 --> 00:24:08,840 Speaker 2: So they're trying to get across the Atlantic. Yes, how 446 00:24:09,200 --> 00:24:12,800 Speaker 2: how much watted are they running through this stage? And 447 00:24:13,040 --> 00:24:16,000 Speaker 2: they're doing AM radio which travels far. But even like 448 00:24:16,080 --> 00:24:16,719 Speaker 2: that's crazy. 449 00:24:16,840 --> 00:24:19,000 Speaker 3: So Owen House is perfect though, I mean, yeah, it 450 00:24:19,040 --> 00:24:20,119 Speaker 3: sounds like the box. 451 00:24:20,160 --> 00:24:22,800 Speaker 2: There's no mountains between them and the European. 452 00:24:22,960 --> 00:24:26,520 Speaker 3: And isolated and not in use everything. So at the 453 00:24:26,520 --> 00:24:30,439 Speaker 3: start of nineteen forty two, Millan got the house totally outfitted. 454 00:24:30,840 --> 00:24:33,399 Speaker 3: He had a team of engineers install all this like 455 00:24:33,560 --> 00:24:37,480 Speaker 3: crazy modern radio equipment. Keep in mind, this all had 456 00:24:37,520 --> 00:24:40,240 Speaker 3: to be self sustaining, so they had to have multiple 457 00:24:40,320 --> 00:24:43,280 Speaker 3: backup parts for everything. Yes, you couldn't just like pop 458 00:24:43,320 --> 00:24:46,240 Speaker 3: out and get stuff, so they that went for like 459 00:24:46,240 --> 00:24:52,080 Speaker 3: like spare parts, vacuum tubes, radios, dials, wiring paper, and pencils. 460 00:24:51,480 --> 00:24:53,560 Speaker 2: Ratchets, so many ratchets. 461 00:24:53,600 --> 00:24:57,200 Speaker 3: They had like a whole room of just ratchets, and 462 00:24:57,440 --> 00:25:00,119 Speaker 3: the place was crammed with stuff. So they had had 463 00:25:00,240 --> 00:25:03,679 Speaker 3: high frequency radios running twenty four hours a day and 464 00:25:03,720 --> 00:25:06,720 Speaker 3: that pulls a lot of electricity. Yeah, and they didn't 465 00:25:06,720 --> 00:25:09,280 Speaker 3: want the electric company to come sniffing around because as 466 00:25:09,280 --> 00:25:11,760 Speaker 3: far as they knew, a young family had moved into 467 00:25:11,800 --> 00:25:15,720 Speaker 3: the house. Okay, see, the agent sent to oversee operations 468 00:25:15,920 --> 00:25:18,240 Speaker 3: was this guy named Don Worth Johnson. 469 00:25:18,440 --> 00:25:20,640 Speaker 2: Wait what I'm near You need to hear that name again. 470 00:25:20,680 --> 00:25:22,360 Speaker 3: Don Worth Johnson. 471 00:25:22,560 --> 00:25:24,399 Speaker 2: So it's Don Johnson with an extra worth. 472 00:25:24,480 --> 00:25:27,879 Speaker 3: Yeah, more worth than Don Johnson. Not only was he 473 00:25:28,040 --> 00:25:31,720 Speaker 3: savvy with the technology, he also looked sickly. 474 00:25:32,400 --> 00:25:34,560 Speaker 2: Oh, and that was a selling point. 475 00:25:34,560 --> 00:25:37,359 Speaker 3: Okay, So the department picked him, yeah, to be the 476 00:25:37,400 --> 00:25:40,240 Speaker 3: face of Owen House to the public because he had 477 00:25:40,280 --> 00:25:43,320 Speaker 3: what they described as a quote tubercular appearance. 478 00:25:45,760 --> 00:25:45,879 Speaker 5: Right. 479 00:25:46,040 --> 00:25:49,640 Speaker 3: So the FBI was like this, this check's two boxes. One, 480 00:25:50,440 --> 00:25:54,080 Speaker 3: if the locals thought he was diseased, they wouldn't come calling, sure, 481 00:25:54,280 --> 00:25:57,120 Speaker 3: And two this explains why he doesn't get drafted. 482 00:25:57,160 --> 00:25:59,160 Speaker 2: So they're looking for a doc holiday looking guy to. 483 00:26:00,840 --> 00:26:03,679 Speaker 3: As far as everyone in town knew, part of the 484 00:26:03,680 --> 00:26:08,639 Speaker 3: war after he's just like this sickly, very rich lawyer 485 00:26:09,240 --> 00:26:11,840 Speaker 3: with a wife named Betty and an infant daughter named 486 00:26:11,920 --> 00:26:15,600 Speaker 3: Vicky Jean Jean and that was his real family. So 487 00:26:15,640 --> 00:26:18,520 Speaker 3: he brings his real family with him, plus their seventy 488 00:26:18,520 --> 00:26:22,639 Speaker 3: pound German shepherd dog named Clifford. Yeah, Clifford was a 489 00:26:22,680 --> 00:26:25,160 Speaker 3: piece of work. He like snarled at everyone all the time. 490 00:26:25,280 --> 00:26:26,600 Speaker 3: It was not one to be messed with. 491 00:26:26,800 --> 00:26:29,080 Speaker 4: Oh okay, so you know his snarl was like a 492 00:26:29,400 --> 00:26:30,440 Speaker 4: like a predicet to his bike. 493 00:26:31,119 --> 00:26:34,320 Speaker 3: Yeah, he was just nasty. So back to the power supply. 494 00:26:34,920 --> 00:26:38,040 Speaker 3: They needed a lot and a sick attorney and his 495 00:26:38,080 --> 00:26:40,639 Speaker 3: small family aren't going to need that much. So the 496 00:26:40,680 --> 00:26:42,720 Speaker 3: agents they had to set up a way to generate 497 00:26:42,760 --> 00:26:46,440 Speaker 3: their own power. And so Millan he put a diesel 498 00:26:46,520 --> 00:26:50,119 Speaker 3: engine in the basement that would boost the power supply 499 00:26:50,240 --> 00:26:51,280 Speaker 3: coming in from outside. 500 00:26:51,359 --> 00:26:52,240 Speaker 2: They made a generator. 501 00:26:52,359 --> 00:26:55,159 Speaker 3: Yeah, and so we got this big diesel engine. The 502 00:26:55,160 --> 00:26:57,440 Speaker 3: place is on seventy one acres. But they still had 503 00:26:57,440 --> 00:26:59,720 Speaker 3: to disguise the noise in case anyone rolled up. 504 00:26:59,760 --> 00:27:01,320 Speaker 2: That's a noise, So they. 505 00:27:01,200 --> 00:27:06,600 Speaker 3: Put a Buick karmuffler on it and a hose to 506 00:27:06,640 --> 00:27:09,320 Speaker 3: send the fumes out through the basement window. Oh right, yeah, 507 00:27:09,359 --> 00:27:12,200 Speaker 3: and then big engines like that also shimmy shake. 508 00:27:12,320 --> 00:27:12,679 Speaker 2: Yeah. 509 00:27:12,800 --> 00:27:16,480 Speaker 3: So the agents poured this huge concrete block into the 510 00:27:16,480 --> 00:27:19,480 Speaker 3: floor of the basement and bolted the engine to it. 511 00:27:19,480 --> 00:27:22,920 Speaker 3: So like problem solved. Everything's running smoothly, okay. And this 512 00:27:23,520 --> 00:27:27,280 Speaker 3: is how an FBI memo described the setup quote, we 513 00:27:27,400 --> 00:27:30,760 Speaker 3: have a highly confidential station at Wading River, Long Island, 514 00:27:31,000 --> 00:27:34,440 Speaker 3: where we have several radio operators assigned who are impersonating 515 00:27:34,600 --> 00:27:38,520 Speaker 3: enemy agents. And these operators have practiced and perfected this 516 00:27:38,600 --> 00:27:42,560 Speaker 3: impersonation almost to the ultimate point. They must live in 517 00:27:42,600 --> 00:27:46,160 Speaker 3: an isolated cottage under difficult conditions, and that they must 518 00:27:46,240 --> 00:27:49,240 Speaker 3: remain at the station twenty four hours a day, six 519 00:27:49,320 --> 00:27:52,240 Speaker 3: and seven days a week, it being impossible for them 520 00:27:52,280 --> 00:27:54,600 Speaker 3: to go to the next town for meals. They must 521 00:27:54,720 --> 00:27:58,520 Speaker 3: keep absolutely undercover in order that no suspicion as to 522 00:27:58,560 --> 00:28:01,880 Speaker 3: the activities being carried on at this station will leak 523 00:28:01,960 --> 00:28:04,280 Speaker 3: out to unauthorized persons in the vicinity. 524 00:28:04,560 --> 00:28:08,600 Speaker 4: So they're like creating a little Antarctic station. You got 525 00:28:08,600 --> 00:28:10,160 Speaker 4: to be with these people all the time. 526 00:28:10,240 --> 00:28:12,720 Speaker 3: It's a big house. So there we got Owen house. 527 00:28:12,760 --> 00:28:15,720 Speaker 3: We got the Johnson family, which you know they see 528 00:28:16,040 --> 00:28:18,320 Speaker 3: seem to be living a normal life to for everyone 529 00:28:18,320 --> 00:28:20,600 Speaker 3: on the outside. And then they've got like two or 530 00:28:20,600 --> 00:28:23,879 Speaker 3: three other radio operators at a time working non stop 531 00:28:23,960 --> 00:28:26,600 Speaker 3: on the second and third floors of the house, and 532 00:28:26,640 --> 00:28:29,280 Speaker 3: they would have to like change shifts at night under 533 00:28:29,280 --> 00:28:34,119 Speaker 3: cover of darkness. Missus Johnson cooked all the meals really yeah, 534 00:28:34,280 --> 00:28:38,080 Speaker 3: and just like ran a house, and then Clifford provided security, 535 00:28:38,840 --> 00:28:44,720 Speaker 3: including for the family. Zarin, close your eyes. I want 536 00:28:44,720 --> 00:28:53,320 Speaker 3: you to picture it. You are Vicky Jean Johnson. You 537 00:28:53,360 --> 00:28:56,280 Speaker 3: are two years old. It's one year into the US 538 00:28:56,400 --> 00:28:59,920 Speaker 3: involvement in World War two. Your house is always buzzing 539 00:29:00,080 --> 00:29:03,600 Speaker 3: with activity and radio waves. But this is not unusual 540 00:29:03,680 --> 00:29:06,719 Speaker 3: for you. It's all you've ever known. You're currently sitting 541 00:29:06,720 --> 00:29:08,640 Speaker 3: on the back porch of the house where you live. 542 00:29:09,240 --> 00:29:11,960 Speaker 3: The sun is out, the bird's chirp in the thick 543 00:29:12,000 --> 00:29:15,920 Speaker 3: cops of trees around you. Clifford, the family dog, sleeps 544 00:29:15,960 --> 00:29:18,280 Speaker 3: at the other end of the porch, waking every now 545 00:29:18,360 --> 00:29:21,440 Speaker 3: and then to growl and cuff, then go back to 546 00:29:21,480 --> 00:29:24,600 Speaker 3: sleep in the sun. Your mother's in the kitchen, baking 547 00:29:24,600 --> 00:29:28,000 Speaker 3: a pie, rinsing berries for the filling, checking the blind 548 00:29:28,040 --> 00:29:32,480 Speaker 3: bake on the crust. She's busy, otherwise occupied on this 549 00:29:32,600 --> 00:29:36,200 Speaker 3: warm day. You're wearing nothing but your diaper, the liberating 550 00:29:36,240 --> 00:29:40,440 Speaker 3: wardrobe afforded toddlers in the insane. You look out across 551 00:29:40,480 --> 00:29:43,640 Speaker 3: the lawn behind the house and spot something a butterfly. 552 00:29:44,200 --> 00:29:48,280 Speaker 3: It's beautiful. You scoot your rear down the few backsteps 553 00:29:48,280 --> 00:29:51,920 Speaker 3: and stand on the grass. The butterfly flits and skips 554 00:29:51,960 --> 00:29:54,680 Speaker 3: on the air. You can hear the static of radio 555 00:29:54,720 --> 00:29:58,280 Speaker 3: transmissions coming from the window above you. You begin to 556 00:29:58,280 --> 00:30:02,240 Speaker 3: follow the butterfly form the sober drunkard's walk of a 557 00:30:02,280 --> 00:30:06,400 Speaker 3: young child, knees stiff and gate rocking across the lawn. 558 00:30:06,440 --> 00:30:10,000 Speaker 3: You go following the big yellow butterfly. You make it 559 00:30:10,040 --> 00:30:12,000 Speaker 3: to the edge of the lawn and into the trees, 560 00:30:12,360 --> 00:30:15,120 Speaker 3: the butterfly still in the air above and just ahead 561 00:30:15,120 --> 00:30:18,000 Speaker 3: of you. You hear more birds now and a frog 562 00:30:18,120 --> 00:30:21,320 Speaker 3: somewhere far off. The trees block the midday sun, and 563 00:30:21,360 --> 00:30:25,080 Speaker 3: you're cast into shade. The yellow butterfly a beacon, a 564 00:30:25,160 --> 00:30:28,440 Speaker 3: spot of sun that you simply must follow. You reach 565 00:30:28,480 --> 00:30:31,200 Speaker 3: your chubby arms into the air, trying to grab it. 566 00:30:31,200 --> 00:30:35,120 Speaker 3: It slits on. You've now toddled almost three hundred feet 567 00:30:35,160 --> 00:30:38,440 Speaker 3: from the back steps. You emerge from the woods, still 568 00:30:38,560 --> 00:30:42,040 Speaker 3: tailing the butterfly. It's a erratic path, so tempting to chase. 569 00:30:42,680 --> 00:30:44,840 Speaker 3: As you come through the trees, you can hear the 570 00:30:44,880 --> 00:30:49,280 Speaker 3: water below Long Island sound. You hear waves, The wind 571 00:30:49,360 --> 00:30:51,040 Speaker 3: is up and the chop is out on the water. 572 00:30:51,720 --> 00:30:54,680 Speaker 3: The butterfly buffets against the breeze, coming over the cliff 573 00:30:54,720 --> 00:30:57,840 Speaker 3: before you. It lands on a flower of a small 574 00:30:57,920 --> 00:31:01,280 Speaker 3: weed living defiantly in the sand on the bluff. You 575 00:31:01,440 --> 00:31:04,600 Speaker 3: click in your chunky steps, eager to grab the butterfly 576 00:31:05,000 --> 00:31:08,360 Speaker 3: to grab the sun. You reach the plant and look down. 577 00:31:08,880 --> 00:31:11,760 Speaker 3: The steep cliff heads straight down to the now rough 578 00:31:11,840 --> 00:31:14,880 Speaker 3: waters below. You hear your mother calling your name in 579 00:31:14,920 --> 00:31:19,760 Speaker 3: the distance. It's Fate, but she sounds terrified urgent. You 580 00:31:19,800 --> 00:31:22,480 Speaker 3: look down and see the sand starting to slide from 581 00:31:22,560 --> 00:31:26,840 Speaker 3: under your feet. You're now slowly beginning to lean forward, 582 00:31:27,040 --> 00:31:30,840 Speaker 3: gravity pulling you to the water below. Then there's a jerk. 583 00:31:31,440 --> 00:31:34,360 Speaker 3: Your diaper tightens around your belly and your yank backward, 584 00:31:35,120 --> 00:31:38,200 Speaker 3: back over the sand spun and then back toward the woods. 585 00:31:38,640 --> 00:31:42,000 Speaker 3: You look behind you, hoping to see the butterfly. Instead 586 00:31:42,080 --> 00:31:45,880 Speaker 3: you see Clifford's smooth coat and caramel eyes. He's got 587 00:31:45,920 --> 00:31:48,000 Speaker 3: you by the diaper and is trotting you back to 588 00:31:48,040 --> 00:31:52,040 Speaker 3: the house. Your mother emerges from the trees, shouting your name. 589 00:31:52,240 --> 00:31:55,000 Speaker 3: She sees you and breathes a sigh of relief. She 590 00:31:55,120 --> 00:31:57,400 Speaker 3: reaches out to pluck you from Clifford's jaw, but he 591 00:31:57,440 --> 00:32:00,800 Speaker 3: does not release. He lets out a low ground and 592 00:32:00,880 --> 00:32:03,880 Speaker 3: continues back toward the house, intent on putting you back 593 00:32:03,960 --> 00:32:07,800 Speaker 3: where you were on the porch. He mutters to you, sheesh, 594 00:32:07,920 --> 00:32:12,080 Speaker 3: I gotta do everything around here. But that really happened, 595 00:32:12,120 --> 00:32:15,640 Speaker 3: by the way, not Clifford talking, but everything else, everything else. 596 00:32:16,080 --> 00:32:19,240 Speaker 4: So I love those I get videos, I think because 597 00:32:19,280 --> 00:32:21,640 Speaker 4: of I follow you on Instagram, and I think I 598 00:32:21,760 --> 00:32:24,040 Speaker 4: just get bleed over from things you watch because it's 599 00:32:24,080 --> 00:32:26,600 Speaker 4: like recommended by Elizabeth or right, I ever liked it, 600 00:32:26,600 --> 00:32:28,560 Speaker 4: and so my huh. But I've noticed that all these 601 00:32:28,560 --> 00:32:31,440 Speaker 4: animal videos keep showing up that I think you like. Anyway, 602 00:32:31,640 --> 00:32:34,760 Speaker 4: There's been ones that I've seen recently of dogs doing 603 00:32:34,880 --> 00:32:38,920 Speaker 4: exactly this, saving people, mostly saving children and the elderly, 604 00:32:39,360 --> 00:32:42,000 Speaker 4: and I'm always astounded. I mean, I'm sure you like 605 00:32:42,040 --> 00:32:44,480 Speaker 4: the fact people get saved. I'm astounded by how the 606 00:32:44,520 --> 00:32:47,680 Speaker 4: dogs read the behavior so well and assess the danger 607 00:32:48,040 --> 00:32:50,320 Speaker 4: and then know when to act, and they wait till 608 00:32:50,320 --> 00:32:51,400 Speaker 4: the very last moment. 609 00:32:51,440 --> 00:32:55,120 Speaker 3: That stood out to me about this whole like little vignette. Right, 610 00:32:55,240 --> 00:32:59,080 Speaker 3: So they're in this top secret space and there are 611 00:32:59,120 --> 00:33:02,920 Speaker 3: all these people and everyone's focused on their intense stuff, 612 00:33:02,960 --> 00:33:05,720 Speaker 3: and they all are irritated with Clifford because he's a 613 00:33:05,840 --> 00:33:08,280 Speaker 3: nasty dog and he prowls at everybody. But at the 614 00:33:08,320 --> 00:33:10,000 Speaker 3: same time, you're thinking, well, it's good to have this 615 00:33:10,120 --> 00:33:12,680 Speaker 3: security dog. Like if someone rolls up on the house 616 00:33:13,680 --> 00:33:16,480 Speaker 3: with Clifford and you think, well, but you know, is 617 00:33:16,520 --> 00:33:19,480 Speaker 3: Clifford okay around a kid and all this stuff, And 618 00:33:20,320 --> 00:33:23,360 Speaker 3: while all of this you know, high level work to 619 00:33:23,480 --> 00:33:27,080 Speaker 3: keep everybody safe is going on. You have a two 620 00:33:27,160 --> 00:33:30,720 Speaker 3: year old who's not being kept safe or watched or watched, 621 00:33:30,960 --> 00:33:33,600 Speaker 3: who toddles out and literally almost goes over the side 622 00:33:33,600 --> 00:33:35,320 Speaker 3: of the cliff until the dog grabs her by the 623 00:33:35,320 --> 00:33:37,680 Speaker 3: diaper and walks her back to the house. 624 00:33:37,800 --> 00:33:39,000 Speaker 2: At the very last moment. 625 00:33:41,320 --> 00:33:45,040 Speaker 3: Was just and that's like this, this this you know, 626 00:33:45,120 --> 00:33:47,760 Speaker 3: analog for what's going on up in the second and 627 00:33:47,840 --> 00:33:51,120 Speaker 3: third floors of the house. Really like they're they're pulling 628 00:33:51,160 --> 00:33:53,360 Speaker 3: us right back from the cliff and people don't even 629 00:33:53,360 --> 00:33:55,400 Speaker 3: know about it. So people don't know that these a 630 00:33:55,440 --> 00:33:57,720 Speaker 3: dog like Clifford is doing it. Anyway, I just thought 631 00:33:57,720 --> 00:33:58,640 Speaker 3: it was an interesting thing. 632 00:33:58,680 --> 00:33:59,560 Speaker 2: So that was a great moment. 633 00:33:59,640 --> 00:34:02,760 Speaker 3: I said, go back to Wading River Station. Let's get 634 00:34:02,760 --> 00:34:06,240 Speaker 3: back to it. So January nineteen forty two until the 635 00:34:06,360 --> 00:34:08,440 Speaker 3: end of the war in Europe in forty five, the 636 00:34:08,480 --> 00:34:13,080 Speaker 3: station just like cooked along. They weren't intercepting messages though 637 00:34:13,120 --> 00:34:16,960 Speaker 3: they were generating them. So remember we have Muscerra and 638 00:34:17,080 --> 00:34:20,640 Speaker 3: D ninety eight. The agents are sending out coded messages 639 00:34:20,680 --> 00:34:23,919 Speaker 3: to the Nazis from him, and the Nazis were like, ooh, 640 00:34:23,960 --> 00:34:26,560 Speaker 3: we are getting the goods. They're like, girl, come listen. 641 00:34:27,239 --> 00:34:32,560 Speaker 3: And so he's giving details about US forces, munitions, war preparations, 642 00:34:33,000 --> 00:34:36,680 Speaker 3: and everything is highly orchestrated to play them like fiddles. 643 00:34:37,000 --> 00:34:40,919 Speaker 3: So the Nazis think like, Okay, Muscarra, we sent him out. 644 00:34:41,000 --> 00:34:44,520 Speaker 3: He's doing what we asked. He has highly placed informants 645 00:34:44,560 --> 00:34:48,040 Speaker 3: and that's where he's getting all this intel. So, according 646 00:34:48,080 --> 00:34:52,680 Speaker 3: to that former agent bat Venice quote, one was Wash, 647 00:34:52,880 --> 00:34:56,280 Speaker 3: a senior civilian official working for the War Department in Washington, 648 00:34:56,280 --> 00:35:01,320 Speaker 3: who occasionally became infuriated when the Germans questioned his information. Nevy, 649 00:35:01,440 --> 00:35:05,520 Speaker 3: a secretary working for a Navy admiral, routinely supplied juicy 650 00:35:05,560 --> 00:35:09,640 Speaker 3: gossip hints of emergency high level meetings, together with extracts 651 00:35:09,680 --> 00:35:13,680 Speaker 3: from confidential documents. The other two were rep an employee 652 00:35:13,680 --> 00:35:18,759 Speaker 3: of the Republic Aviation Corporation in Farmingdale, New York, and Officer, 653 00:35:19,160 --> 00:35:22,279 Speaker 3: a worker at the vitally important Brooklyn Navy Yard, the 654 00:35:22,280 --> 00:35:25,719 Speaker 3: world's most important ship repair facility and the largest supplier 655 00:35:25,760 --> 00:35:30,440 Speaker 3: of convoys for every Allied battlefront. Of course, these informants 656 00:35:30,440 --> 00:35:32,000 Speaker 3: did not exist. 657 00:35:31,800 --> 00:35:34,319 Speaker 2: So they're peppering in some real stuff that's not too 658 00:35:34,440 --> 00:35:36,799 Speaker 2: dangerous than mostly fake. 659 00:35:36,680 --> 00:35:39,960 Speaker 3: Yeah, and they but he creates like these characters. I 660 00:35:40,040 --> 00:35:45,680 Speaker 3: was talking's like, you know, the juicy gum. 661 00:35:46,000 --> 00:35:46,840 Speaker 2: It's a good spread. 662 00:35:48,800 --> 00:35:49,360 Speaker 3: Yeah, it's. 663 00:35:50,920 --> 00:35:51,000 Speaker 5: So. 664 00:35:51,120 --> 00:35:55,719 Speaker 3: Muscara and another FBI double agent code named Kohler. They 665 00:35:55,920 --> 00:35:58,799 Speaker 3: used separate radio circuits at the property, so they had 666 00:35:58,840 --> 00:36:01,279 Speaker 3: each been asked in dependently to do this, and. 667 00:36:01,239 --> 00:36:02,359 Speaker 2: They're running out of the one. 668 00:36:02,400 --> 00:36:04,400 Speaker 3: They're running out of the same one, and the Germans 669 00:36:04,440 --> 00:36:05,000 Speaker 3: have no idea. 670 00:36:05,040 --> 00:36:07,359 Speaker 4: So the Germans don't have like Boondis they're checking in 671 00:36:07,440 --> 00:36:09,719 Speaker 4: with like in New York that occasionally they're just like, 672 00:36:09,840 --> 00:36:10,200 Speaker 4: it's good. 673 00:36:10,560 --> 00:36:13,760 Speaker 3: I think that that's him, right, Yeah. So they spit 674 00:36:13,800 --> 00:36:18,120 Speaker 3: out supposed intelligence detailing everything from like what was said 675 00:36:18,160 --> 00:36:21,000 Speaker 3: in a dust up between soldiers and sailors at a 676 00:36:21,040 --> 00:36:25,880 Speaker 3: bar like to troop movements and assignments and mosquera. He 677 00:36:26,000 --> 00:36:31,279 Speaker 3: bolstered his credibility with the other by telling them some truths. Yes, 678 00:36:31,960 --> 00:36:34,760 Speaker 3: one of them was he talked about a senior British 679 00:36:34,840 --> 00:36:37,640 Speaker 3: commander who was going to be replaced. And then the 680 00:36:37,640 --> 00:36:41,280 Speaker 3: news of that actually broke weeks later, and the Germans like, oh, 681 00:36:41,360 --> 00:36:44,040 Speaker 3: he is good. He is getting that stuff way ahead 682 00:36:44,080 --> 00:36:48,840 Speaker 3: of time. So a spoiler alert Moscira. So let's break 683 00:36:48,840 --> 00:36:52,160 Speaker 3: for some ads and we can pretend they're intercepted transmissions. 684 00:36:52,560 --> 00:36:55,840 Speaker 3: When we come back, things escalate at Wading River. 685 00:37:16,160 --> 00:37:19,040 Speaker 6: Muscerae, the fly mosquera. 686 00:37:20,120 --> 00:37:24,400 Speaker 3: Okay. So he would have these long interview sessions with 687 00:37:24,480 --> 00:37:25,920 Speaker 3: the Germans over the radio. 688 00:37:26,120 --> 00:37:27,160 Speaker 2: Oh really, Oh yeah. 689 00:37:27,160 --> 00:37:27,680 Speaker 3: They would just. 690 00:37:29,520 --> 00:37:32,520 Speaker 4: Interesting, So he wasn't just like broadcasting like Wolfman Jack. 691 00:37:33,520 --> 00:37:35,000 Speaker 2: For the Germans, he'd. 692 00:37:34,800 --> 00:37:39,359 Speaker 3: Be like, hey, Rudolph, oh what's up. So they would 693 00:37:39,440 --> 00:37:42,560 Speaker 3: press him for information. He'd supply it. But one day 694 00:37:42,600 --> 00:37:46,960 Speaker 3: he had a really strange conversation with his other handler 695 00:37:48,000 --> 00:37:51,680 Speaker 3: and he told Agent Friedman about it. But it's likely 696 00:37:51,760 --> 00:37:55,440 Speaker 3: that Friedman didn't understand the significance of the time. So 697 00:37:55,680 --> 00:38:01,400 Speaker 3: a German officer named Hans Bloom asked scra to sniff 698 00:38:01,440 --> 00:38:05,480 Speaker 3: out information about a new weapons system, one that involved 699 00:38:05,560 --> 00:38:07,759 Speaker 3: quote the shattering of atoms. 700 00:38:08,520 --> 00:38:10,920 Speaker 4: Oh so not like one of Tethla's death rays. They 701 00:38:10,920 --> 00:38:13,279 Speaker 4: actually wanted a real stuff. They're like, hey, what's up 702 00:38:13,280 --> 00:38:13,960 Speaker 4: with these atoms? 703 00:38:14,680 --> 00:38:19,400 Speaker 3: Blooms screwed up though, because he told Musketta that German 704 00:38:19,480 --> 00:38:22,840 Speaker 3: military planners were like all worked up and they wanted 705 00:38:22,880 --> 00:38:28,200 Speaker 3: to create these massive explosives from atoms sources, and they 706 00:38:28,239 --> 00:38:30,799 Speaker 3: were calculating that they would weigh no more than like 707 00:38:30,880 --> 00:38:34,440 Speaker 3: a pound or a pound and a half too, total devastation. 708 00:38:35,280 --> 00:38:38,480 Speaker 3: This is like foreign to to everybody at this point, 709 00:38:39,040 --> 00:38:41,719 Speaker 3: to the you know, the general, which almost anybody, even 710 00:38:41,719 --> 00:38:45,319 Speaker 3: in the military. True. So Blum said that, quote, the 711 00:38:45,400 --> 00:38:48,560 Speaker 3: victorious nation in this war will be the one which 712 00:38:48,560 --> 00:38:51,880 Speaker 3: has accomplished the task of shattering atoms and applying the 713 00:38:51,920 --> 00:38:53,840 Speaker 3: results thereof shattering atoms. 714 00:38:53,880 --> 00:38:56,840 Speaker 2: Such a great phrase. Yeah, do we think of splitting 715 00:38:58,080 --> 00:38:59,279 Speaker 2: the shattering. 716 00:38:58,840 --> 00:39:02,040 Speaker 3: Shattering of them? It's the violence, said that. So Agent 717 00:39:02,120 --> 00:39:05,239 Speaker 3: Friedman he makes a note of this, and he includes 718 00:39:05,239 --> 00:39:08,880 Speaker 3: it in his next report out to Washington. Three months later. 719 00:39:08,960 --> 00:39:12,279 Speaker 3: That intel gets added into other chatter picked up by 720 00:39:12,280 --> 00:39:15,920 Speaker 3: the US and the Brits, solidifying the understanding that the 721 00:39:16,000 --> 00:39:18,080 Speaker 3: Germans they want to build an atomic weapon. 722 00:39:18,200 --> 00:39:18,880 Speaker 2: Oh yeah. 723 00:39:19,040 --> 00:39:23,080 Speaker 3: And so it was this information, born of Bloom's overly 724 00:39:23,160 --> 00:39:27,600 Speaker 3: confident chatter into the equipment at Owen House that pushed 725 00:39:27,680 --> 00:39:31,240 Speaker 3: President Franklin Roosevelt to decide in May of nineteen forty 726 00:39:31,239 --> 00:39:34,440 Speaker 3: two to start development of the atomic bomb. 727 00:39:34,600 --> 00:39:37,359 Speaker 2: So that's why we get the Manhattan Project is because of. 728 00:39:37,320 --> 00:39:41,399 Speaker 3: This chatty A chatty German, so like, hey, y'all, let's 729 00:39:41,440 --> 00:39:42,120 Speaker 3: become dumb. 730 00:39:43,760 --> 00:39:45,479 Speaker 4: I thought it was always like yeah, like the whole 731 00:39:45,640 --> 00:39:47,759 Speaker 4: German physicists being like, you know what, we're hearing about 732 00:39:47,800 --> 00:39:48,719 Speaker 4: it in the conferences. 733 00:39:48,880 --> 00:39:49,719 Speaker 3: It kicks off. 734 00:39:50,040 --> 00:39:51,560 Speaker 2: That's crazy, that's cool. Yeah. 735 00:39:51,840 --> 00:39:55,600 Speaker 3: So meanwhile, the FBI they keep feeding bogus and confusing 736 00:39:55,640 --> 00:39:58,960 Speaker 3: information to the Germans from the upper floors of Owen House. 737 00:39:59,480 --> 00:40:03,040 Speaker 3: In the summer of nineteen forty three, they like befuddled 738 00:40:03,080 --> 00:40:07,479 Speaker 3: the Germans into freezing their forces in northwest Europe, which 739 00:40:07,560 --> 00:40:12,080 Speaker 3: prevented their redeployment to strengthen the Italian and Eastern Front. Yes, 740 00:40:12,320 --> 00:40:14,880 Speaker 3: so nineteen forty four and forty five, the agents at 741 00:40:14,920 --> 00:40:18,520 Speaker 3: Owen House they fed Germans a whole slew of truthful 742 00:40:19,040 --> 00:40:23,400 Speaker 3: and false information aimed at confusing their military about the 743 00:40:23,440 --> 00:40:26,799 Speaker 3: size and position of Allied forces in Great Britain. This 744 00:40:26,880 --> 00:40:30,480 Speaker 3: included the time and place of the D Day invasion. 745 00:40:30,840 --> 00:40:33,200 Speaker 2: Okay, so d wondering if this was going to come 746 00:40:33,239 --> 00:40:33,480 Speaker 2: into it. 747 00:40:33,719 --> 00:40:36,360 Speaker 3: As you well know, D Day was the successful Allied 748 00:40:36,400 --> 00:40:40,560 Speaker 3: invasion of Europe June sixth, nineteen forty four, along a 749 00:40:40,680 --> 00:40:44,640 Speaker 3: very narrow stretch of beach at Normandy France. Yes, and 750 00:40:44,680 --> 00:40:49,280 Speaker 3: so this surprise attack caught the German army completely off guard. 751 00:40:49,400 --> 00:40:52,200 Speaker 4: Oh, completely, Yeah, they were so fixated on this. I mean, 752 00:40:52,239 --> 00:40:53,880 Speaker 4: it was like a really big deal. But they were like, 753 00:40:53,920 --> 00:40:55,960 Speaker 4: you know, chess game playing in the head. 754 00:40:56,120 --> 00:41:01,120 Speaker 3: Yes. So Operation Bodyguard and then the US version, Operation Ostrich, 755 00:41:01,840 --> 00:41:05,440 Speaker 3: generated an incredible number in the lead up of phony 756 00:41:05,560 --> 00:41:09,760 Speaker 3: radio broadcasts, and then there were all these artfully created 757 00:41:09,800 --> 00:41:15,680 Speaker 3: like rubber tanks to make the broadcast look legit. 758 00:41:15,840 --> 00:41:19,160 Speaker 2: Yes, oh that's great. They're coordinating with that exactly. 759 00:41:19,280 --> 00:41:21,640 Speaker 3: So the closer they got to D Day, the more 760 00:41:21,719 --> 00:41:26,480 Speaker 3: the Allies amped up their counterintelligence moves. On May second, 761 00:41:26,560 --> 00:41:29,680 Speaker 3: nineteen forty four, the Wading River station at Owen House 762 00:41:30,120 --> 00:41:34,560 Speaker 3: sent out messages talking about how pissed off General Dwight D. Eisenhower, 763 00:41:34,600 --> 00:41:38,480 Speaker 3: who's the supreme Allied commander of the invasion forces, how 764 00:41:38,520 --> 00:41:42,400 Speaker 3: pissed off he was when he learned that essential landing craft, 765 00:41:42,440 --> 00:41:44,680 Speaker 3: which was already hard to come by, was being diverted 766 00:41:44,719 --> 00:41:49,000 Speaker 3: to the Pacific. So all those things you see in newsreels, 767 00:41:49,480 --> 00:41:52,440 Speaker 3: band of brothers and everything like that, And where my 768 00:41:52,960 --> 00:41:56,640 Speaker 3: great uncles were great great uncle, I don't know anyway, 769 00:41:57,200 --> 00:41:59,560 Speaker 3: So they're like, oh, this is going to delay a 770 00:41:59,600 --> 00:42:03,879 Speaker 3: British operation in the Balkans, and that's our most important thing. 771 00:42:04,520 --> 00:42:08,400 Speaker 3: So like they're just scattering everything, according to the Department 772 00:42:08,440 --> 00:42:12,239 Speaker 3: of the Interior. Quote. Just four days before the invasion, 773 00:42:12,320 --> 00:42:15,920 Speaker 3: the Wading River radio station again sent a message, this 774 00:42:16,080 --> 00:42:20,080 Speaker 3: time calculated to ease German anxieties about an imminent attack. 775 00:42:20,840 --> 00:42:25,120 Speaker 3: Quote WASH just reported information appearing of highest importance and 776 00:42:25,200 --> 00:42:28,799 Speaker 3: possibly indicating a change of plan. It appears that a 777 00:42:28,840 --> 00:42:32,600 Speaker 3: force consisting of a number of infantry and armored divisions 778 00:42:32,600 --> 00:42:36,440 Speaker 3: originally scheduled for the United Kingdom are being diverted for 779 00:42:36,560 --> 00:42:40,280 Speaker 3: special operations. And so it went. In the days, weeks 780 00:42:40,280 --> 00:42:43,000 Speaker 3: and months that followed, the agents in Wading River kept 781 00:42:43,040 --> 00:42:44,280 Speaker 3: up the deception pressure. 782 00:42:44,600 --> 00:42:45,399 Speaker 2: I love this. 783 00:42:45,960 --> 00:42:47,840 Speaker 3: All the misinformation is so good. 784 00:42:48,280 --> 00:42:50,239 Speaker 2: So that also the believability of it. 785 00:42:50,360 --> 00:42:51,799 Speaker 4: Yeah, the fact you've got to do it and then 786 00:42:51,800 --> 00:42:53,200 Speaker 4: give them like, you know, like a little taste, and 787 00:42:53,200 --> 00:42:57,239 Speaker 4: then you got to have the inflatable tanks. Yeah, and 788 00:42:57,239 --> 00:42:59,640 Speaker 4: in the personal drama of like you know, of course 789 00:42:59,680 --> 00:43:01,080 Speaker 4: I could exactly. 790 00:43:01,640 --> 00:43:05,319 Speaker 3: And so that other double agent Cohler, he also had 791 00:43:05,400 --> 00:43:11,160 Speaker 3: fake contacts. He had holtz Auto and Herman and they 792 00:43:11,160 --> 00:43:14,359 Speaker 3: were all employees at the Brooklyn Navy Yard, so again 793 00:43:14,600 --> 00:43:17,560 Speaker 3: largest ship yard facility in the world at the time. 794 00:43:18,120 --> 00:43:20,680 Speaker 3: There were more than one hundred thousand employees there. 795 00:43:20,920 --> 00:43:22,800 Speaker 2: Oh, totally, it's massive. 796 00:43:23,160 --> 00:43:26,360 Speaker 3: Massive, And so these three contacts were said to be 797 00:43:26,480 --> 00:43:30,680 Speaker 3: government workers in like sensitive posts, and Kohler told the 798 00:43:30,719 --> 00:43:33,680 Speaker 3: Germans that there was a build up of forces in 799 00:43:33,840 --> 00:43:36,920 Speaker 3: Iceland that he got from them, and that would mean 800 00:43:36,920 --> 00:43:39,359 Speaker 3: there was going to be an attack against Norway or 801 00:43:39,400 --> 00:43:43,880 Speaker 3: Denmark carried out by Allied forces based in Scotland. So 802 00:43:43,920 --> 00:43:48,320 Speaker 3: they're like, look up there. And it wasn't just European 803 00:43:48,400 --> 00:43:50,960 Speaker 3: intel that got spread out of owen House. They also 804 00:43:51,440 --> 00:43:55,000 Speaker 3: spread information about Allied actions in the Pacific, so the 805 00:43:55,040 --> 00:43:57,880 Speaker 3: Germans would pass that stuff along to the Japanese that 806 00:43:57,920 --> 00:44:01,239 Speaker 3: were based in Berlin. The owen House crew made up 807 00:44:01,280 --> 00:44:03,920 Speaker 3: all sorts of troop movements in the Pacific that they 808 00:44:03,920 --> 00:44:07,120 Speaker 3: would like nonchalantly mention in passing to the Germans. It's 809 00:44:07,160 --> 00:44:09,360 Speaker 3: just gossip. It's like, no big deal. 810 00:44:09,640 --> 00:44:10,640 Speaker 2: Just hot gossy. 811 00:44:11,040 --> 00:44:14,920 Speaker 3: They wound up pulling away major parts of Japanese naval 812 00:44:14,920 --> 00:44:18,279 Speaker 3: forces from what they thought was an impending attack in 813 00:44:18,320 --> 00:44:22,040 Speaker 3: the Central Pacific. And then meanwhile Allied forces like descend 814 00:44:22,080 --> 00:44:23,399 Speaker 3: on the Marshall Islands. 815 00:44:23,080 --> 00:44:25,600 Speaker 2: Oh, go down to Australia and work their way up right. 816 00:44:25,360 --> 00:44:29,000 Speaker 3: And so essentially per the Department of the Interior. Quote. 817 00:44:29,280 --> 00:44:32,160 Speaker 3: Until the last days of the war, as British forces 818 00:44:32,200 --> 00:44:36,239 Speaker 3: closed in on Hamburg, the Germans were still radioing the 819 00:44:36,239 --> 00:44:39,720 Speaker 3: agents and wading river with offers of thousands of dollars 820 00:44:39,719 --> 00:44:42,680 Speaker 3: to end ninety eight for information. In the words of 821 00:44:42,680 --> 00:44:47,919 Speaker 3: one historian, German faith in Moscera never wavered. They never 822 00:44:48,000 --> 00:44:50,319 Speaker 3: gave up on this do They never thought, you know what, 823 00:44:50,800 --> 00:44:53,600 Speaker 3: like he's not always right, Like they fully believed it. So, 824 00:44:53,760 --> 00:44:55,520 Speaker 3: I mean it's sort of a testament too, to the 825 00:44:55,520 --> 00:44:58,879 Speaker 3: skill of the FBI agents. They yes, in crafting all 826 00:44:58,880 --> 00:45:02,400 Speaker 3: this stuff. We never really associate the FBI with spy 827 00:45:02,480 --> 00:45:04,399 Speaker 3: stuff in World War Two. You think of it as 828 00:45:04,400 --> 00:45:06,480 Speaker 3: like higher You never think of it as a domestic thing. 829 00:45:06,760 --> 00:45:06,920 Speaker 2: Yeah. 830 00:45:06,920 --> 00:45:09,240 Speaker 4: I think about them like trying to get like saboteurs 831 00:45:09,239 --> 00:45:10,920 Speaker 4: at the Brooklyn Naval Yard exactly. 832 00:45:11,600 --> 00:45:14,200 Speaker 3: So, what happened to the place after the war, after 833 00:45:14,440 --> 00:45:16,520 Speaker 3: Operation Ostrich wrapped up. 834 00:45:16,440 --> 00:45:19,560 Speaker 2: What happened to Elizabeth after Operation Austrie wrapped. 835 00:45:19,360 --> 00:45:20,840 Speaker 3: Up Sarah, That's a great question. 836 00:45:21,080 --> 00:45:21,440 Speaker 2: Thank you. 837 00:45:21,719 --> 00:45:24,759 Speaker 3: Nineteen forty five a movie came out. Of course, it 838 00:45:24,840 --> 00:45:28,400 Speaker 3: was called The House on ninety second Street. It was 839 00:45:28,440 --> 00:45:30,960 Speaker 3: the spy film very of the moment, and it was 840 00:45:31,000 --> 00:45:34,680 Speaker 3: made with the full cooperation of the FBI, and it 841 00:45:34,719 --> 00:45:39,759 Speaker 3: was Hollywood's first semi documentary spy film, interesting dramatizing the 842 00:45:39,840 --> 00:45:44,239 Speaker 3: real nineteen thirty eight to forty one German spy investigations. 843 00:45:43,440 --> 00:45:45,440 Speaker 2: In the US House on ninety second Street. 844 00:45:45,480 --> 00:45:48,040 Speaker 3: House on ninety second Street. So the story follows this 845 00:45:48,200 --> 00:45:51,640 Speaker 3: young American with German roots who gets recruited by the Nazis, 846 00:45:52,000 --> 00:45:55,920 Speaker 3: but instead of joining the obver, he secretly contacts the 847 00:45:56,000 --> 00:46:00,400 Speaker 3: FBI and becomes a double agent. Sound familiar, totally movie. 848 00:46:00,400 --> 00:46:03,040 Speaker 3: The guy's mission was to join a Nazi spy ring 849 00:46:03,160 --> 00:46:06,000 Speaker 3: operating out of a boarding house on East ninety second 850 00:46:06,040 --> 00:46:09,080 Speaker 3: Street in Manhattan, and he was supposed to identify its 851 00:46:09,160 --> 00:46:12,759 Speaker 3: leadership and prevent the theft of atomic research secrets from 852 00:46:12,880 --> 00:46:15,840 Speaker 3: US laboratories. And he also had to help the FBI 853 00:46:16,640 --> 00:46:20,640 Speaker 3: roll up this entire espionage network. And so the climax 854 00:46:20,680 --> 00:46:24,560 Speaker 3: of the movie recreates an FBI raid using actual agents 855 00:46:24,640 --> 00:46:29,640 Speaker 3: and real procedures. So the AFI catalog American film Institute, 856 00:46:29,680 --> 00:46:33,480 Speaker 3: not the band notes quote. After the opening credits, a 857 00:46:33,520 --> 00:46:37,520 Speaker 3: written prologue reads, this story is adapted from cases in 858 00:46:37,560 --> 00:46:42,200 Speaker 3: the espionage files of the Federal Bureau of Investigation. Produced 859 00:46:42,239 --> 00:46:46,040 Speaker 3: with the FBI's complete cooperation. It could not be made 860 00:46:46,120 --> 00:46:49,360 Speaker 3: public until the first atomic bomb was dropped on Japan. 861 00:46:50,040 --> 00:46:53,520 Speaker 3: The scenes in this picture were photographed in the localities 862 00:46:53,560 --> 00:46:58,279 Speaker 3: of the incidents depicted, Washington, New York, and their vicinities, 863 00:46:58,560 --> 00:47:02,920 Speaker 3: wherever possible, in the actual place the original incident occurred. 864 00:47:03,360 --> 00:47:07,360 Speaker 3: With the exception of the leading players, all FBI personnel 865 00:47:07,440 --> 00:47:10,960 Speaker 3: in the picture are members of the Federal Bureau of Investigation. 866 00:47:12,080 --> 00:47:15,359 Speaker 3: The like celebrity worship of Jangarl. 867 00:47:15,200 --> 00:47:19,560 Speaker 2: Oh my god, he, oh my god, have you got 868 00:47:19,560 --> 00:47:21,680 Speaker 2: a movie camera? Lord? 869 00:47:23,440 --> 00:47:26,759 Speaker 3: So some of the filming for the movie took place 870 00:47:26,800 --> 00:47:30,239 Speaker 3: at Owen House aka Wading River Station. And so then 871 00:47:30,280 --> 00:47:33,560 Speaker 3: you compare this to how the UK, like, how over 872 00:47:33,600 --> 00:47:38,040 Speaker 3: there anyone with the slightest involvement in intelligence activities during 873 00:47:38,120 --> 00:47:40,560 Speaker 3: World War two had to sign a State Secret Act 874 00:47:40,600 --> 00:47:43,840 Speaker 3: thing like an agreement seventies right, Yeah, it was everything 875 00:47:43,880 --> 00:47:46,200 Speaker 3: stayed classified to the seventies. You couldn't even say that 876 00:47:46,239 --> 00:47:48,360 Speaker 3: you worked at a certain place like you just couldn't 877 00:47:48,400 --> 00:47:50,720 Speaker 3: talk about it. But we're the home a Hollywood baby. 878 00:47:50,760 --> 00:47:53,200 Speaker 2: Yeah, story must be told. 879 00:47:54,360 --> 00:47:55,600 Speaker 3: June nineteen forty. 880 00:47:55,360 --> 00:47:59,920 Speaker 2: Five from the headlines we love that not a new thing. 881 00:48:01,239 --> 00:48:03,720 Speaker 2: You watched the like I was a Communist for the FBI. 882 00:48:03,920 --> 00:48:07,320 Speaker 3: Yeah, yeah, So June nineteen forty five, Waiting River Station 883 00:48:07,560 --> 00:48:10,560 Speaker 3: was dismantled. They went took all the stuff out. The 884 00:48:10,640 --> 00:48:13,759 Speaker 3: FBI lease was up. The house and its seventy one 885 00:48:13,800 --> 00:48:17,200 Speaker 3: acres got transferred to the Episcopal Diocese. 886 00:48:16,640 --> 00:48:19,239 Speaker 2: Of New York. They didn't give it to the family, No. 887 00:48:19,280 --> 00:48:22,640 Speaker 3: The family was like here you were donated and they 888 00:48:22,880 --> 00:48:26,760 Speaker 3: to be used as a youth camp eventually called campd Wolf, 889 00:48:27,440 --> 00:48:30,400 Speaker 3: and the house became known as Benson House in honor 890 00:48:30,440 --> 00:48:34,680 Speaker 3: of Mary E. Benson, a Brooklyn Episcopalian who's fifty thousand 891 00:48:34,719 --> 00:48:39,120 Speaker 3: dollars bequest to the diocese funded the purchase of the property. 892 00:48:39,480 --> 00:48:41,879 Speaker 3: So in the subsequent years, like they built all these 893 00:48:41,920 --> 00:48:45,000 Speaker 3: other like outbuildings in a chapel and all this other stuff, 894 00:48:45,480 --> 00:48:50,480 Speaker 3: Benson House stayed the camp's administrative and residential corps. The 895 00:48:50,520 --> 00:48:53,320 Speaker 3: diocese shifted Camp to Wolf from like just a summer 896 00:48:53,480 --> 00:48:59,200 Speaker 3: youth camp to this like retreat, a conference ministry. Yeah. 897 00:48:59,320 --> 00:49:05,080 Speaker 3: By the nine they also were doing like family reunions, weddings, retreats. Yeah, 898 00:49:05,120 --> 00:49:07,360 Speaker 3: and they had like a swimming pool. They actually paved 899 00:49:07,400 --> 00:49:11,439 Speaker 3: the drivewood. But this whole time, no one really knew 900 00:49:11,520 --> 00:49:14,120 Speaker 3: much about the FBI presence there, really. 901 00:49:14,239 --> 00:49:14,560 Speaker 2: Yeah. 902 00:49:14,960 --> 00:49:20,920 Speaker 3: So then retired FBI agent Raymond bat Nivis, who liked 903 00:49:20,920 --> 00:49:23,840 Speaker 3: to write for the Society of Former Special Agents. He 904 00:49:23,920 --> 00:49:27,239 Speaker 3: was a history professor at George Washington University at the time, 905 00:49:27,280 --> 00:49:29,920 Speaker 3: and he was researching a book that he wanted to 906 00:49:29,920 --> 00:49:33,880 Speaker 3: write about wartime counterintelligence in the US and he uncovered 907 00:49:33,920 --> 00:49:37,640 Speaker 3: all this information about Owen House. So on the seventieth 908 00:49:37,680 --> 00:49:40,840 Speaker 3: anniversary of the D Day invasion June sixth, twenty fourteen, 909 00:49:41,280 --> 00:49:44,920 Speaker 3: there was a ceremony to honor the efforts of FBI 910 00:49:45,000 --> 00:49:47,279 Speaker 3: agents during World War Two, and they held it at 911 00:49:47,280 --> 00:49:51,680 Speaker 3: Owen House. The Society of Former Special Agents, the Episcopal 912 00:49:51,719 --> 00:49:55,160 Speaker 3: Diocese in New York, Suffolk County Historical Society, and the 913 00:49:55,200 --> 00:49:59,880 Speaker 3: FBI's New York Division installed a plaque there to you know, 914 00:50:00,080 --> 00:50:03,920 Speaker 3: recognize what had happened. And that's the first time that 915 00:50:03,960 --> 00:50:10,120 Speaker 3: the house's significance was made public. Everyone kept mum so 916 00:50:10,280 --> 00:50:12,600 Speaker 3: now it's The house is now officially referred to as 917 00:50:12,920 --> 00:50:16,680 Speaker 3: the Wading River Radio Station. In twenty eighteen, it was 918 00:50:16,719 --> 00:50:20,800 Speaker 3: put onto the National Register of Historic Places. Camp de 919 00:50:20,840 --> 00:50:24,719 Speaker 3: Wolfe's executive directors said there were quote not too many 920 00:50:24,920 --> 00:50:29,240 Speaker 3: artifacts that have survived. Besides the odd piece of physical evidence, 921 00:50:29,560 --> 00:50:32,680 Speaker 3: our basement was running a radio antenna. They actually put 922 00:50:32,680 --> 00:50:35,239 Speaker 3: a car engine in the basement in the floor to 923 00:50:35,239 --> 00:50:38,520 Speaker 3: make their own electricity. So we still have the block 924 00:50:38,560 --> 00:50:41,560 Speaker 3: where the car engine was actually mounted down there, but 925 00:50:41,640 --> 00:50:45,520 Speaker 3: there's actually very little evidence that anything happened there. So 926 00:50:46,120 --> 00:50:48,560 Speaker 3: they were pretty you know, FBI was pretty good and clear. 927 00:50:49,640 --> 00:50:51,480 Speaker 2: They just like, we couldn't get the cement block up, 928 00:50:51,520 --> 00:50:52,080 Speaker 2: so we left. 929 00:50:54,640 --> 00:50:56,400 Speaker 3: Zaren, what's your ridiculous takeaway? 930 00:50:57,200 --> 00:50:59,880 Speaker 2: Well, okay, this is going to sound wild. Maybe not. 931 00:51:00,040 --> 00:51:00,360 Speaker 2: I don't know. 932 00:51:00,400 --> 00:51:02,480 Speaker 4: You know me pretty well, the like, you know, the 933 00:51:02,640 --> 00:51:06,520 Speaker 4: the Djibuki tweet about the FBI and MLKA day being like, 934 00:51:06,640 --> 00:51:10,160 Speaker 4: just because we killed assassinated MLK doesn't mean we can't 935 00:51:10,200 --> 00:51:15,960 Speaker 4: miss them. I always feel very conflicted about the FBI 936 00:51:16,120 --> 00:51:18,840 Speaker 4: because of co intel, pro mk ultra a lot of 937 00:51:19,200 --> 00:51:23,040 Speaker 4: bad stuff, But I am able to like somehow compartmentalize 938 00:51:23,239 --> 00:51:26,879 Speaker 4: and be able to follow stories about well meaning things 939 00:51:26,920 --> 00:51:29,399 Speaker 4: like the FBI trying to fight fascism, so I can 940 00:51:29,440 --> 00:51:31,960 Speaker 4: love certain things and then hate other things without having 941 00:51:32,000 --> 00:51:34,320 Speaker 4: to have to have only one simple view of the FBI. 942 00:51:34,719 --> 00:51:37,239 Speaker 4: So I can marvel at an FBI agent doing their 943 00:51:37,280 --> 00:51:40,640 Speaker 4: really you know, their best work, all this like spycraft stuff, 944 00:51:40,880 --> 00:51:43,040 Speaker 4: and really be into it, be like, wait to go, FBI, 945 00:51:43,640 --> 00:51:45,040 Speaker 4: And then part of me is like, what are you 946 00:51:45,160 --> 00:51:45,920 Speaker 4: talking about? 947 00:51:46,040 --> 00:51:47,040 Speaker 2: So like I don't. 948 00:51:47,080 --> 00:51:50,520 Speaker 4: I'm always like thrilled at like stories of FBI agents, 949 00:51:50,640 --> 00:51:53,720 Speaker 4: especially of this period of time, and and I marvel 950 00:51:53,760 --> 00:51:56,920 Speaker 4: at and then I find my reaction to myself ridiculous 951 00:51:56,920 --> 00:51:58,759 Speaker 4: because I'm like, oh, so that's how it is now, 952 00:51:58,800 --> 00:52:00,440 Speaker 4: and I'm like, no, no, I'm just talking about this 953 00:52:00,440 --> 00:52:01,839 Speaker 4: in one individual FBI agent. 954 00:52:01,880 --> 00:52:03,239 Speaker 2: I don't mean the whole program. 955 00:52:03,400 --> 00:52:06,200 Speaker 4: So I find that these stories really like I love 956 00:52:06,280 --> 00:52:09,080 Speaker 4: the FBI of this period, which I find ridiculous that 957 00:52:09,120 --> 00:52:11,760 Speaker 4: I can even say that with that with this trade face. 958 00:52:12,200 --> 00:52:14,560 Speaker 2: So there you go. That's Mine's the I'm. 959 00:52:14,800 --> 00:52:18,120 Speaker 3: They're with you. I'm always I hear these stories. I'm 960 00:52:18,120 --> 00:52:21,680 Speaker 3: so impressed with the network that they had and how 961 00:52:21,800 --> 00:52:25,360 Speaker 3: quickly pre Internet they were getting information out there. And 962 00:52:25,600 --> 00:52:30,360 Speaker 3: acting on things, and the level of intelligence gathering. 963 00:52:30,600 --> 00:52:34,239 Speaker 4: Yes, the intelligence gathering and remarkable their work with the underworld. 964 00:52:34,320 --> 00:52:35,520 Speaker 4: I mean, let's not lie. 965 00:52:35,719 --> 00:52:37,960 Speaker 3: That was crazy, and we always say you don't lie 966 00:52:38,000 --> 00:52:40,000 Speaker 3: to the FBI because they're just like the alternate. And 967 00:52:40,000 --> 00:52:42,880 Speaker 3: that's why I think, like the things that diminish it, 968 00:52:43,000 --> 00:52:47,240 Speaker 3: the dark moments, and also like the disintegration of parts 969 00:52:47,239 --> 00:52:51,000 Speaker 3: of it these days is disappointing because there are really 970 00:52:51,040 --> 00:52:53,600 Speaker 3: incredible elements to to what they've done, what they. 971 00:52:53,480 --> 00:52:54,799 Speaker 2: Do, especially individually. 972 00:52:55,040 --> 00:52:58,239 Speaker 3: Yes, yeah, but anyway, I just I'm with you on that. 973 00:52:58,920 --> 00:52:59,960 Speaker 3: Let's get a talk back. 974 00:53:00,320 --> 00:53:05,759 Speaker 4: Yeah, oh. 975 00:53:05,760 --> 00:53:10,640 Speaker 2: My god, do illed g. 976 00:53:15,760 --> 00:53:18,640 Speaker 5: Hi Elizabeth and the man host. That's for you, Elizabeth. 977 00:53:19,600 --> 00:53:21,799 Speaker 5: My name is Katie. I am from Albuquerque. I'm a 978 00:53:21,800 --> 00:53:24,760 Speaker 5: longtime listener, but my husband is not. He's a new listener, 979 00:53:24,800 --> 00:53:27,240 Speaker 5: and I introduced the podcast to him because he recently 980 00:53:27,239 --> 00:53:28,960 Speaker 5: fell off the latter and broke his back. And while 981 00:53:28,960 --> 00:53:31,560 Speaker 5: he's being sad, I'm being like, here, listen to this podcast. 982 00:53:31,560 --> 00:53:33,520 Speaker 5: It will give you a joy. When he fell up 983 00:53:33,520 --> 00:53:35,040 Speaker 5: the ladder, he's like, oh my gosh, I'm so sorry. 984 00:53:35,040 --> 00:53:37,040 Speaker 5: I let everybody down, and I was like, no, the 985 00:53:37,040 --> 00:53:39,239 Speaker 5: only person you let down is yourself when you fell 986 00:53:39,280 --> 00:53:39,920 Speaker 5: off that ladder. 987 00:53:40,080 --> 00:53:41,080 Speaker 3: I thought you would enjoy that. 988 00:53:43,440 --> 00:53:46,160 Speaker 2: Hey, Katie, my sense of humors darking up. I love 989 00:53:46,200 --> 00:53:47,840 Speaker 2: that incredible. I feel. 990 00:53:48,040 --> 00:53:51,560 Speaker 3: I'm so sorry for your for your husband, that's terrible, 991 00:53:52,040 --> 00:53:56,960 Speaker 3: and I wish him the quickest of recuperations. But Katie, 992 00:53:57,000 --> 00:54:01,160 Speaker 3: he is one lucky duck to have you for You're amazing, 993 00:54:01,280 --> 00:54:03,360 Speaker 3: You're so funny. Oh my goodness. 994 00:54:03,360 --> 00:54:09,400 Speaker 4: Anyway, as the man host, I really appreciated that. 995 00:54:09,400 --> 00:54:12,040 Speaker 3: That's it for today. You can find us online at 996 00:54:12,120 --> 00:54:16,279 Speaker 3: ridiculous Crime dot com. We're also at Ridiculous Crime on 997 00:54:16,320 --> 00:54:20,680 Speaker 3: both Blue Sky and Instagram. We're on YouTube at Ridiculous 998 00:54:20,680 --> 00:54:24,560 Speaker 3: Crime Pod. You can email Ridiculous Crime at gmail dot com, 999 00:54:24,719 --> 00:54:26,320 Speaker 3: or you can be like Katie and leave us a 1000 00:54:26,360 --> 00:54:34,880 Speaker 3: talk back on the iHeart app reach out. Ridiculous Crime 1001 00:54:34,960 --> 00:54:37,719 Speaker 3: is hosted by Elizabeth Dutton and Zaren Burnett, produced and 1002 00:54:37,840 --> 00:54:41,080 Speaker 3: edited by special agent in charge of Mixed Berry Pies 1003 00:54:41,239 --> 00:54:45,440 Speaker 3: Dave Kusten, starring Annale Rutger as Judith. Research is by 1004 00:54:45,480 --> 00:54:50,080 Speaker 3: expert radio operator MRSA Brown and German accent coach Jabari Davis. 1005 00:54:50,440 --> 00:54:53,280 Speaker 3: The theme song is by our Man and Argentina Thomas 1006 00:54:53,360 --> 00:54:57,040 Speaker 3: Lee and Chief Petty Officer Travis Dutt. Host wardrobe is 1007 00:54:57,040 --> 00:55:00,000 Speaker 3: provided by Botany five hundred. Guest hair and makeup by 1008 00:55:00,120 --> 00:55:04,719 Speaker 3: Sparkleshot and mister Andre. Executive producers are FBI handlers Ben 1009 00:55:04,760 --> 00:55:06,200 Speaker 3: Bowen and Noel Brown. 1010 00:55:11,360 --> 00:55:17,000 Speaker 5: Ridicous Crime Say It One More Time Piquious Crime. 1011 00:55:18,000 --> 00:55:21,280 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1012 00:55:21,320 --> 00:55:24,400 Speaker 1: from my heart Radio. Visit the iHeartRadio app, Apple Podcasts, 1013 00:55:24,480 --> 00:55:26,320 Speaker 1: or wherever you listen to your favorite shows.