1 00:00:00,760 --> 00:00:18,079 Speaker 1: You're listening to an airwave media podcast. Hi everybody, and 2 00:00:18,200 --> 00:00:21,040 Speaker 1: welcome to hood Ed Want Now the history podcast that's 3 00:00:21,079 --> 00:00:24,480 Speaker 1: not your history class with me your host, Katie Charlwood, 4 00:00:24,880 --> 00:00:28,720 Speaker 1: history harlot and reader of books. So before I get 5 00:00:28,720 --> 00:00:31,440 Speaker 1: into anything else, I want to say thank you to 6 00:00:31,480 --> 00:00:35,800 Speaker 1: everyone who's still leaving reviews. And it's so much fun. 7 00:00:36,040 --> 00:00:40,120 Speaker 1: It's brilliant. You always say such nice things. And here's 8 00:00:40,120 --> 00:00:42,840 Speaker 1: the thing. If you're going to be mean, at least 9 00:00:42,840 --> 00:00:47,760 Speaker 1: be funny, because otherwise you're just wasting everybody's time. So 10 00:00:48,840 --> 00:00:51,920 Speaker 1: I was at the Podcast Awards on Friday night. I 11 00:00:52,000 --> 00:00:55,080 Speaker 1: may have mentioned it once or twimes, but I showed 12 00:00:55,160 --> 00:01:00,720 Speaker 1: up as I promised, in pajamas. The photos on my 13 00:01:00,760 --> 00:01:03,280 Speaker 1: Instagram you can go have a look at it, comment away, 14 00:01:03,840 --> 00:01:07,960 Speaker 1: But I did. I wore pajamas to the Irish Podcast 15 00:01:07,959 --> 00:01:11,360 Speaker 1: Awards because at the end of the day, if I 16 00:01:11,400 --> 00:01:16,960 Speaker 1: am not a Sherberd inspired retro sweet looking person, why 17 00:01:17,000 --> 00:01:21,399 Speaker 1: bother We are for dopamine dressing here and that's just 18 00:01:21,480 --> 00:01:25,000 Speaker 1: how it is. So I had such a great time. 19 00:01:25,040 --> 00:01:28,360 Speaker 1: I was really nervous about going because one, I'm an 20 00:01:28,360 --> 00:01:33,600 Speaker 1: anxious person anyway, because I've ADHD and an anxiety disorder, 21 00:01:33,640 --> 00:01:37,200 Speaker 1: So that's fun. And I decided to fly down on 22 00:01:37,280 --> 00:01:40,880 Speaker 1: my own. And I'm getting to the airport and it's 23 00:01:41,120 --> 00:01:44,440 Speaker 1: this wee rural airport and I had to get a 24 00:01:44,440 --> 00:01:46,760 Speaker 1: wee bus in it's on this wee bus and it's 25 00:01:46,800 --> 00:01:50,240 Speaker 1: me and a bunch of old ead pensionels and they're like, 26 00:01:50,560 --> 00:01:55,800 Speaker 1: are you on a Sheamus's lot. I'm like, no, I 27 00:01:55,840 --> 00:01:59,080 Speaker 1: don't know who Shemus is. I'm not entirely sure. I 28 00:01:59,120 --> 00:02:03,000 Speaker 1: know Samus well, I know one Shamus, but he's an 29 00:02:03,000 --> 00:02:08,080 Speaker 1: old man who you're tired now, I mean m But anyway, 30 00:02:09,040 --> 00:02:10,760 Speaker 1: I'm like nope, and like, oh, you look like one 31 00:02:10,800 --> 00:02:12,520 Speaker 1: has loot and I'm like, ah, yeah, you know share 32 00:02:12,600 --> 00:02:17,160 Speaker 1: it happens all the time, ha. And I get showing 33 00:02:17,320 --> 00:02:20,080 Speaker 1: you know, where Jimmy Johnny's house is. I get to 34 00:02:20,120 --> 00:02:23,000 Speaker 1: hear all about their holiday homes and where they live, 35 00:02:23,520 --> 00:02:27,240 Speaker 1: and also where the old barracks are and the place 36 00:02:27,240 --> 00:02:30,400 Speaker 1: that used to be a picturel's but is now somebody's house. 37 00:02:30,960 --> 00:02:34,560 Speaker 1: Like I'm getting all the gossip. It's fantastic. I fucking 38 00:02:34,639 --> 00:02:38,920 Speaker 1: love old people because they're funny and they give no shits. 39 00:02:39,120 --> 00:02:41,359 Speaker 1: But there was like a gang of them, and they 40 00:02:41,400 --> 00:02:45,359 Speaker 1: were brilliant and just because I was there, they were 41 00:02:45,400 --> 00:02:49,080 Speaker 1: like bringing me in on the jokes. I'm like, Marrid, 42 00:02:49,760 --> 00:02:52,240 Speaker 1: you silly sausage. But it was a good time had 43 00:02:52,280 --> 00:02:54,840 Speaker 1: by all. So I get to the airport and it's 44 00:02:55,120 --> 00:02:59,919 Speaker 1: just it's really busy because normally it's not that bad. 45 00:03:00,240 --> 00:03:02,480 Speaker 1: There's a couple of people going. It's a rural airport, 46 00:03:02,520 --> 00:03:06,840 Speaker 1: it's not usually that many people there. And I'm like, 47 00:03:06,880 --> 00:03:09,560 Speaker 1: oh jeez, it's busy today. And the woman at the 48 00:03:09,639 --> 00:03:13,280 Speaker 1: check out desk is like, yeah, lots of Garth Brooks 49 00:03:13,320 --> 00:03:18,480 Speaker 1: fans because I forgot that Garth Brooks was playing in Dublin, 50 00:03:19,560 --> 00:03:24,079 Speaker 1: and so it was me and a ton of country 51 00:03:24,080 --> 00:03:29,240 Speaker 1: Western fans traveling down. So first the flight gets delayed 52 00:03:29,280 --> 00:03:31,000 Speaker 1: and it's like it's only going to be half an hour, 53 00:03:32,040 --> 00:03:35,240 Speaker 1: ends up being an hour and a half. So I 54 00:03:35,400 --> 00:03:38,800 Speaker 1: land in Dublin. I'm running late, so I missed the 55 00:03:38,840 --> 00:03:42,120 Speaker 1: bus I was supposed to get. Managed to get another bus, 56 00:03:42,160 --> 00:03:46,720 Speaker 1: which is not as slow as I was anticipating it 57 00:03:46,720 --> 00:03:50,760 Speaker 1: to be because the way the bus service explains the times, 58 00:03:51,560 --> 00:03:54,720 Speaker 1: it like tells you the time to the last stop 59 00:03:55,040 --> 00:04:00,640 Speaker 1: on the destination, but not your stop. So I God, 60 00:04:00,720 --> 00:04:03,160 Speaker 1: but it's fine. I made it work, don't worry about it. 61 00:04:04,000 --> 00:04:06,480 Speaker 1: So I get there, I'll land down. I'm like, shit, 62 00:04:06,640 --> 00:04:08,600 Speaker 1: I'm not gonna have time to do my hair and makeup. 63 00:04:09,160 --> 00:04:12,520 Speaker 1: So I'm on the bus like smothering on like oil 64 00:04:12,720 --> 00:04:16,400 Speaker 1: and moisturizer and primer, like I'm doing all the priming 65 00:04:16,800 --> 00:04:20,600 Speaker 1: and getting making sure that's done. I get to the hotel, 66 00:04:21,400 --> 00:04:27,080 Speaker 1: check in. Beautiful hotel, by the way, fucking gorgeous, totally 67 00:04:27,080 --> 00:04:28,960 Speaker 1: worth the two hundred and thirty year old. I would 68 00:04:29,000 --> 00:04:32,640 Speaker 1: do it again. So I show up. I'm chatting to 69 00:04:32,640 --> 00:04:36,520 Speaker 1: the concierge and he's asking if I'm going to go 70 00:04:36,600 --> 00:04:38,600 Speaker 1: to Garth Brooks and I was like, oh no, I've 71 00:04:38,640 --> 00:04:42,039 Speaker 1: got an event on but it's fine, and he's like, oh, 72 00:04:42,240 --> 00:04:44,120 Speaker 1: he will miss you. He's like, oh yeah, of course 73 00:04:44,120 --> 00:04:46,880 Speaker 1: he will. He's gonna go where's that weird haired girl. 74 00:04:47,160 --> 00:04:50,600 Speaker 1: She should be here? So he laughs. I laugh, you 75 00:04:50,600 --> 00:04:53,800 Speaker 1: know whatever, and I check in, I take my keys. 76 00:04:53,839 --> 00:04:58,320 Speaker 1: I'm about to go, and oh, yeah was Mademoiselle. And 77 00:04:58,360 --> 00:05:01,440 Speaker 1: I'm like I turn around and he's handing me champagne 78 00:05:01,760 --> 00:05:05,000 Speaker 1: and I was like, mercy, and so he tries to 79 00:05:05,040 --> 00:05:09,960 Speaker 1: speak French to me and I'm like, oh, dear, yeah, 80 00:05:10,040 --> 00:05:21,840 Speaker 1: He's like and I'm like, no, no, Joni, and it 81 00:05:21,920 --> 00:05:25,960 Speaker 1: was just it was fun. So anyway, go to my room. 82 00:05:26,320 --> 00:05:29,120 Speaker 1: I'm drinking my champagne, I'm putting my makeup on, and 83 00:05:29,240 --> 00:05:31,520 Speaker 1: I'm doing my hair. I ended up putting my hair 84 00:05:31,520 --> 00:05:36,719 Speaker 1: in a scrunchy because this just feels like the most 85 00:05:36,760 --> 00:05:40,120 Speaker 1: appropriate way to do it. So I've got my pajamason, 86 00:05:40,640 --> 00:05:44,760 Speaker 1: i got my pink sweat shoes, and I'm ready press 87 00:05:44,800 --> 00:05:48,800 Speaker 1: on nails. I got the press on nails. And if 88 00:05:48,800 --> 00:05:51,760 Speaker 1: I go alone to this event, and I show up 89 00:05:51,800 --> 00:05:55,080 Speaker 1: and there's people outside taking photos, and I'm like, fuck, 90 00:05:55,720 --> 00:06:00,440 Speaker 1: I'm here alone. I literally know no one, and the 91 00:06:00,520 --> 00:06:06,400 Speaker 1: realization hits me that I am surrounded by like actual 92 00:06:07,279 --> 00:06:11,400 Speaker 1: professional people, or, as one person during the night called it, 93 00:06:12,200 --> 00:06:14,520 Speaker 1: a room for the people who don't shut the fuck up. 94 00:06:15,400 --> 00:06:20,840 Speaker 1: So there's me, and you've got like radio DJs and 95 00:06:21,000 --> 00:06:27,160 Speaker 1: television people like they are legit, actual like professionals there. 96 00:06:28,120 --> 00:06:31,320 Speaker 1: And then you get someone that me showing up like, hello, 97 00:06:32,200 --> 00:06:36,799 Speaker 1: I am here. I've got a TikTok it's doing pretty well. 98 00:06:38,279 --> 00:06:41,160 Speaker 1: So I show up and I say, this woman and 99 00:06:41,200 --> 00:06:48,799 Speaker 1: she's in this fusia seris seris fusia, this bright pink 100 00:06:49,160 --> 00:06:53,000 Speaker 1: soot with a feather trim, and I'm and a clear 101 00:06:54,040 --> 00:06:58,640 Speaker 1: pink it's clear and pink and a plastic it's this bag. 102 00:06:58,720 --> 00:07:04,680 Speaker 1: It's it's really cool. It's awesome, and I'm just like, hi, hello, 103 00:07:05,680 --> 00:07:08,040 Speaker 1: I like, yeah, you're cool. I love everything about this. 104 00:07:08,920 --> 00:07:12,000 Speaker 1: And then there's this woman with a yellow hair and 105 00:07:12,040 --> 00:07:14,320 Speaker 1: an orange dress that kind of looks like a loofa 106 00:07:14,880 --> 00:07:18,360 Speaker 1: and and at one point, I'm just talking about my pajamas, right, 107 00:07:18,840 --> 00:07:20,960 Speaker 1: and I'm saying about how there was a point where 108 00:07:20,960 --> 00:07:22,320 Speaker 1: I didn't know whether I was actually going to be 109 00:07:22,320 --> 00:07:25,680 Speaker 1: able to get a hotel, and worst case scenario, In 110 00:07:25,800 --> 00:07:27,840 Speaker 1: worst case scenario, I was just gonna go straight to 111 00:07:27,920 --> 00:07:30,200 Speaker 1: the fucking airport and my pag's and just stay there. 112 00:07:30,840 --> 00:07:33,400 Speaker 1: But I got myself so ordered it was fine. And 113 00:07:33,560 --> 00:07:38,120 Speaker 1: I'm chatting to Murder most Irish, and they were so sweet. 114 00:07:38,120 --> 00:07:40,560 Speaker 1: They were like, did you find somewhere to stay, because 115 00:07:40,600 --> 00:07:43,920 Speaker 1: you know you can always come crash with us, not 116 00:07:44,000 --> 00:07:46,760 Speaker 1: in a weird way, which was fucking love that they 117 00:07:46,760 --> 00:07:49,360 Speaker 1: were like, not in a weird way, and it was 118 00:07:49,480 --> 00:07:53,920 Speaker 1: really sweet and really kind and I was just it 119 00:07:53,960 --> 00:07:56,520 Speaker 1: was really nice, like you don't have to do that, 120 00:07:57,000 --> 00:07:58,480 Speaker 1: and I love the fat that I made a nice 121 00:07:58,560 --> 00:08:02,280 Speaker 1: enough impression, and also that I don't seem like a murderer, 122 00:08:02,320 --> 00:08:06,120 Speaker 1: which is good because you know, it's kind of what 123 00:08:06,160 --> 00:08:08,920 Speaker 1: they deal with. They can see the signs, and it 124 00:08:08,960 --> 00:08:10,640 Speaker 1: was just a good night. It was really fucking sweet. 125 00:08:10,680 --> 00:08:14,120 Speaker 1: I loved it, so Andrew spending most of my time 126 00:08:14,160 --> 00:08:18,280 Speaker 1: with like real life cohost Stories Murder, most Irish, this 127 00:08:18,440 --> 00:08:25,080 Speaker 1: paranormal life and living room signs and honestly best time. 128 00:08:26,320 --> 00:08:28,440 Speaker 1: I'll post myself up on the Instagram because it's I 129 00:08:28,480 --> 00:08:31,160 Speaker 1: had a good time. It was great. So we're one 130 00:08:31,200 --> 00:08:33,640 Speaker 1: of the last people to like leave the building and 131 00:08:34,320 --> 00:08:36,800 Speaker 1: all the goodie bags are gone and all they've got 132 00:08:36,880 --> 00:08:39,360 Speaker 1: left is fake tan. Now, I don't know if any 133 00:08:39,360 --> 00:08:41,840 Speaker 1: of you out for like look at my Instagram or 134 00:08:41,840 --> 00:08:45,400 Speaker 1: my TikTok and you see my face, but I am 135 00:08:45,480 --> 00:08:48,520 Speaker 1: in an unnatural shade of pale. I don't do the 136 00:08:48,559 --> 00:08:52,600 Speaker 1: tan thing. It just doesn't work for me. So I 137 00:08:52,640 --> 00:08:55,600 Speaker 1: was like, oh, thanks, and I don't know what to 138 00:08:55,640 --> 00:08:57,560 Speaker 1: do with this. And I gave it to somebody who 139 00:08:57,640 --> 00:09:02,439 Speaker 1: actually used tan, which seems like the more reasonable. So afterwards, 140 00:09:02,440 --> 00:09:04,920 Speaker 1: I was like, do I go out? I want to 141 00:09:04,920 --> 00:09:07,600 Speaker 1: go like drinking and partying with all these super cool, 142 00:09:07,640 --> 00:09:12,719 Speaker 1: awesome people. But I decided to be responsible because I 143 00:09:12,760 --> 00:09:16,040 Speaker 1: knew I had to flight early enough the next day, 144 00:09:16,080 --> 00:09:18,200 Speaker 1: and you I was gonna have to leave early. So 145 00:09:18,360 --> 00:09:20,480 Speaker 1: I was like, now I'm going to go home. As 146 00:09:20,520 --> 00:09:22,000 Speaker 1: I go home, I'm going to go back to the 147 00:09:22,000 --> 00:09:26,000 Speaker 1: hotel and go to bed, have a shower, like just 148 00:09:26,160 --> 00:09:30,200 Speaker 1: chill out, change into a different pair of pajamas, and 149 00:09:30,200 --> 00:09:34,200 Speaker 1: go to bed. And that's what I did, because that's 150 00:09:34,240 --> 00:09:40,720 Speaker 1: what someone in their thirties does. I guess. My friend 151 00:09:40,800 --> 00:09:43,400 Speaker 1: was like, yeah, that sounds exactly like someone who's in 152 00:09:43,440 --> 00:09:47,120 Speaker 1: their thirties would do. It's like, yep, that's me. I'm old. 153 00:09:47,160 --> 00:09:51,160 Speaker 1: Now I'm the crypt caper. I know what you're thinking. 154 00:09:51,200 --> 00:09:53,320 Speaker 1: You're thinking, quit your jibber jab, but in fact me, 155 00:09:53,800 --> 00:09:56,760 Speaker 1: in fact you I will. But first we've got to 156 00:09:56,760 --> 00:10:01,880 Speaker 1: get our source on. Our sources are Home Office records 157 00:10:01,960 --> 00:10:06,679 Speaker 1: in the British government's National archives. In Q, World's Last 158 00:10:06,760 --> 00:10:11,760 Speaker 1: Stand by Philip Horrer, Salome's Last Veil by Michael Kettle, 159 00:10:12,520 --> 00:10:17,760 Speaker 1: Twentieth Century Sexuality by Angus McLaren My Life in Dancing 160 00:10:17,880 --> 00:10:21,040 Speaker 1: by Maud Allen, the verbatim report of the trial of 161 00:10:21,120 --> 00:10:24,280 Speaker 1: no Pemberton Billing MP on a charge of common libel. 162 00:10:24,800 --> 00:10:28,120 Speaker 1: We also have newspapers of the era, including The Times, 163 00:10:28,120 --> 00:10:32,920 Speaker 1: The Palmal Gazette, The Imperialist and The Vigilante, and finally 164 00:10:33,160 --> 00:10:36,760 Speaker 1: Modern Robbin on Trial by Lucy Bland. Are you sitting 165 00:10:36,800 --> 00:10:42,000 Speaker 1: comfortably good, then let's begin. That is, of course, if 166 00:10:42,040 --> 00:10:45,440 Speaker 1: you are ready to hear about the case of the 167 00:10:45,480 --> 00:10:49,080 Speaker 1: Cult of the Clutters. I cannot tell you how happy 168 00:10:49,120 --> 00:10:52,160 Speaker 1: I am to finally talk about this, because this is 169 00:10:52,200 --> 00:10:55,240 Speaker 1: one of those pieces of history that's like overlooked and 170 00:10:55,280 --> 00:10:59,319 Speaker 1: ignored and not well known, and this is one of 171 00:10:59,360 --> 00:11:01,320 Speaker 1: those things I I think really should have its own 172 00:11:01,400 --> 00:11:05,920 Speaker 1: three part miniseries. So if you are a TV executive, hi, 173 00:11:06,360 --> 00:11:09,360 Speaker 1: I'm available to be the resident historian on these things. 174 00:11:09,640 --> 00:11:11,720 Speaker 1: Thank you very much. Also, the fact that I do 175 00:11:11,800 --> 00:11:14,920 Speaker 1: not have my own documentary series on the television is 176 00:11:14,960 --> 00:11:20,080 Speaker 1: a disgrace, by the way, just saying but this, the 177 00:11:20,160 --> 00:11:24,600 Speaker 1: case of the Cult of the clitteris also the Battle 178 00:11:24,640 --> 00:11:27,640 Speaker 1: of Castle Uttar, which is just a farce in real life, 179 00:11:28,559 --> 00:11:32,200 Speaker 1: and of course the life of Julie d'Aubigny La mapin 180 00:11:33,280 --> 00:11:40,280 Speaker 1: the bisexual cross dressing sword dueling opera singer. Now all 181 00:11:40,320 --> 00:11:42,800 Speaker 1: of these deserve their own three part mini series. I mean, 182 00:11:42,840 --> 00:11:45,920 Speaker 1: you could also do documentaries. It's fine, but they all 183 00:11:45,960 --> 00:11:49,079 Speaker 1: deserve them, and you should totally hire me. But yes, 184 00:11:49,520 --> 00:11:51,760 Speaker 1: one of the reasons I started this podcast was to 185 00:11:51,920 --> 00:11:55,080 Speaker 1: talk about the stuff in history that I found interesting 186 00:11:55,679 --> 00:11:58,320 Speaker 1: or pieces that I wanted to share, and this is 187 00:11:58,360 --> 00:12:03,520 Speaker 1: one of those things. And this itself revolves around shitty men, 188 00:12:04,400 --> 00:12:09,560 Speaker 1: their refusal to acknowledge the concept of female desire and 189 00:12:10,960 --> 00:12:18,320 Speaker 1: puritanical misogynist bullshit, all because of a popular dancer and 190 00:12:18,400 --> 00:12:24,760 Speaker 1: a homophobic conspiracy theory. So in nineteen eighteen, Britain or 191 00:12:25,920 --> 00:12:30,040 Speaker 1: some Britons, i should say, believed that the Cult of 192 00:12:30,040 --> 00:12:36,400 Speaker 1: the Clutterists was deliberately undermining the British war effort. The 193 00:12:36,559 --> 00:12:42,640 Speaker 1: accusation being that Germany had these special female agents who 194 00:12:42,679 --> 00:12:46,600 Speaker 1: were luring the wives of powerful British men into lesbian 195 00:12:46,640 --> 00:12:49,839 Speaker 1: affairs and enlisting them in the Cult of the Clitterorists. 196 00:12:50,400 --> 00:12:53,200 Speaker 1: And all of this comes to a head in a 197 00:12:53,400 --> 00:12:57,959 Speaker 1: libel trial of all fucking things, involving a member of parliament, 198 00:12:58,679 --> 00:13:04,319 Speaker 1: a possibly fictional press, a barefoot dancer, and a dead playwright. 199 00:13:04,880 --> 00:13:08,600 Speaker 1: The barefoot answer in question. The forty four year old 200 00:13:08,800 --> 00:13:14,600 Speaker 1: Canadian star of the day, Maud Allen originally born Ullah 201 00:13:15,200 --> 00:13:19,920 Speaker 1: Maud Alma Durant, which is basically a bit of a mouthful, 202 00:13:20,640 --> 00:13:23,439 Speaker 1: but in fairness, her brother was also called William Henry 203 00:13:23,520 --> 00:13:28,680 Speaker 1: Theodor Durant because apparently as many names as possible. Listen, 204 00:13:28,760 --> 00:13:31,319 Speaker 1: I don't know how expensive birth certificates are, but you 205 00:13:31,440 --> 00:13:34,720 Speaker 1: really do not need to fill in every single space, like, 206 00:13:34,840 --> 00:13:38,000 Speaker 1: you're fine. You don't need to give your kids four names. 207 00:13:38,480 --> 00:13:41,640 Speaker 1: You know, just a four name is fine if you 208 00:13:41,720 --> 00:13:44,160 Speaker 1: just want to do that. If you really feel like 209 00:13:44,200 --> 00:13:47,559 Speaker 1: having a middle name, great, but you don't need you 210 00:13:47,600 --> 00:13:49,840 Speaker 1: don't need all the names. You do, don't need all 211 00:13:49,840 --> 00:13:53,760 Speaker 1: the names. But yeah, So when she's like six years old, 212 00:13:54,080 --> 00:13:56,240 Speaker 1: her family they moved to the States. Well, her dad's 213 00:13:56,280 --> 00:13:59,040 Speaker 1: already there. He's in San Francisco and he's setting up shop. 214 00:13:59,400 --> 00:14:03,200 Speaker 1: He moves when she's three, and once he's you know, 215 00:14:03,240 --> 00:14:07,040 Speaker 1: o set up the family move with him. Turns out 216 00:14:07,160 --> 00:14:10,080 Speaker 1: Maud's pretty good at piano, so she studies growing up 217 00:14:10,520 --> 00:14:13,640 Speaker 1: and when she's like in her twenties, her mom sends 218 00:14:13,679 --> 00:14:16,840 Speaker 1: her to Europe so that she can continue studying being 219 00:14:16,880 --> 00:14:20,280 Speaker 1: a pianist. And even though they don't really have a 220 00:14:20,280 --> 00:14:28,800 Speaker 1: lot of money, technically, supposedly, Maud's actual biological grandfather is 221 00:14:29,200 --> 00:14:32,360 Speaker 1: funding a good chunk of this. See Maud's mom was 222 00:14:32,440 --> 00:14:38,280 Speaker 1: adopted and apparently this rather wealthy gentleman was her biological 223 00:14:38,560 --> 00:14:43,360 Speaker 1: you know, grandfather who provided the family with monetary support 224 00:14:43,480 --> 00:14:46,360 Speaker 1: here and there. So Maud, she's in Germany, she's studying 225 00:14:46,400 --> 00:14:50,720 Speaker 1: the piano, and she's there for six weeks when her 226 00:14:50,760 --> 00:14:57,240 Speaker 1: brother is arrested for the crime of the century when 227 00:14:57,280 --> 00:15:00,160 Speaker 1: he kills two women within nine days of he each 228 00:15:00,160 --> 00:15:05,720 Speaker 1: other at the immanual Baptist Church. Now this is a 229 00:15:06,000 --> 00:15:09,440 Speaker 1: massive deal. Maud is convinced that her brother is innocent. 230 00:15:09,480 --> 00:15:12,600 Speaker 1: He is protesting his innocence, but there is a reason 231 00:15:12,640 --> 00:15:15,920 Speaker 1: he is known as the Demon of the Belfry. Unsurprisingly, 232 00:15:16,080 --> 00:15:19,840 Speaker 1: after this event, Maud changes her name. Now in fairness, 233 00:15:20,600 --> 00:15:24,480 Speaker 1: Ula Maude Alma Durant not exactly the best stage name 234 00:15:24,520 --> 00:15:28,400 Speaker 1: in the world, so it gets shortened too Maud Allan. Now, 235 00:15:29,160 --> 00:15:31,400 Speaker 1: was it changed because she doesn't want to be associated 236 00:15:31,440 --> 00:15:35,440 Speaker 1: with a double murderer or because it's a better stage name. 237 00:15:36,120 --> 00:15:40,600 Speaker 1: Whom's to say, So she gives up piano playing and 238 00:15:40,760 --> 00:15:44,240 Speaker 1: decides to take the stage as a dancer instead, and 239 00:15:44,400 --> 00:15:46,600 Speaker 1: this is where the world starts to turn in her favor. 240 00:15:47,520 --> 00:15:50,360 Speaker 1: By the time nineteen oh sex rolls around, she is 241 00:15:50,600 --> 00:15:54,440 Speaker 1: making waves in Vienna and she's becoming very well known 242 00:15:54,800 --> 00:15:58,440 Speaker 1: performing as Salome, based on a version of Oscar Welt's 243 00:15:58,480 --> 00:16:00,440 Speaker 1: play for those of you who did not go to 244 00:16:00,520 --> 00:16:05,000 Speaker 1: Sunday School. In the Bible, the Holy Bible, the one 245 00:16:05,080 --> 00:16:09,720 Speaker 1: with Jesus in it, Salome is a princess who asks 246 00:16:09,880 --> 00:16:13,320 Speaker 1: King Herod for the head of John the Baptist. She's 247 00:16:13,360 --> 00:16:17,600 Speaker 1: also known for doing this dance of seven Vales. And 248 00:16:17,720 --> 00:16:23,040 Speaker 1: it's this dance that Maud is particularly famous for because 249 00:16:23,120 --> 00:16:27,040 Speaker 1: she fashions the outfit herself and it is sheer and 250 00:16:27,320 --> 00:16:33,080 Speaker 1: gauzy and beaded. It's luscious in her dances, seductive and sexy. 251 00:16:33,360 --> 00:16:36,480 Speaker 1: It's a very sexy dance, and Maud she very much 252 00:16:36,560 --> 00:16:41,280 Speaker 1: has ownership of her body on stage. She's confident and 253 00:16:41,640 --> 00:16:44,960 Speaker 1: when she dances it appears as if she's dancing for 254 00:16:45,160 --> 00:16:49,480 Speaker 1: her own pleasure. You know, it's very much about her. 255 00:16:50,320 --> 00:16:54,400 Speaker 1: So in this version of Salome when she has to 256 00:16:54,520 --> 00:16:56,680 Speaker 1: dance with the head of John the Baptist on a 257 00:16:56,760 --> 00:17:01,400 Speaker 1: silver plate, the whole presenting it on a solatter. Yes, 258 00:17:01,600 --> 00:17:05,119 Speaker 1: it's based on that, so she does this, but in 259 00:17:05,240 --> 00:17:09,400 Speaker 1: Oscar World's version she kisses the head of John the Baptist, 260 00:17:09,600 --> 00:17:12,920 Speaker 1: which really leans into like the evils of women and 261 00:17:13,040 --> 00:17:18,440 Speaker 1: female sexuality, etc. Etc. More. Alan ends up performing all 262 00:17:18,640 --> 00:17:21,600 Speaker 1: over Europe. She goes across the world and she is 263 00:17:21,720 --> 00:17:25,000 Speaker 1: more famous than Isidora Duncan, who some of you may 264 00:17:25,119 --> 00:17:28,200 Speaker 1: know as the woman with the really fucking long scarf 265 00:17:28,640 --> 00:17:30,840 Speaker 1: who got caught in the back of a car and 266 00:17:31,000 --> 00:17:33,600 Speaker 1: it choked her to death. She was more famous than her. 267 00:17:34,400 --> 00:17:36,360 Speaker 1: The best part for me about this is the fact 268 00:17:36,359 --> 00:17:40,720 Speaker 1: that Maude Alan is not a trained dancer, like she 269 00:17:40,960 --> 00:17:43,840 Speaker 1: doesn't have the same skill of someone like Isidoor Duncan. 270 00:17:44,600 --> 00:17:48,760 Speaker 1: She is not a professional dancer. Yet she is dancing professionally. 271 00:17:49,680 --> 00:17:52,800 Speaker 1: But this production of the vision of Salome was fantastic 272 00:17:52,960 --> 00:17:57,040 Speaker 1: because they really leaned into everything and had shock value. 273 00:17:57,640 --> 00:18:03,440 Speaker 1: It had sensuality. So she was like barely dressed. She 274 00:18:03,680 --> 00:18:09,440 Speaker 1: was effectively topless, but covered in beads and jewels so 275 00:18:09,600 --> 00:18:14,840 Speaker 1: that she looked well, technically covered. She was technically covered 276 00:18:14,920 --> 00:18:20,520 Speaker 1: up free the nipple because as a musician who became 277 00:18:20,560 --> 00:18:24,639 Speaker 1: a dancer, she saw her body as an instrument and 278 00:18:24,800 --> 00:18:27,840 Speaker 1: felt that it wasn't appropriate for her body to be 279 00:18:27,960 --> 00:18:33,119 Speaker 1: covered up, especially considering the fact that she started dancing 280 00:18:33,200 --> 00:18:39,760 Speaker 1: at thirty and age then compared to age now is 281 00:18:40,960 --> 00:18:44,800 Speaker 1: very different, or concept of it anyway. So being a 282 00:18:44,880 --> 00:18:50,080 Speaker 1: thirty year old woman dancing in that manner like that's 283 00:18:51,000 --> 00:18:55,439 Speaker 1: that's fantastic. I fucking love it. So she's practically naked 284 00:18:55,600 --> 00:19:00,680 Speaker 1: in the eyes of nineteen hundred society. Not only that, 285 00:19:01,359 --> 00:19:06,320 Speaker 1: but they've got this waxwork realistic head of John the 286 00:19:06,359 --> 00:19:09,440 Speaker 1: Baptist that they bring out, So it's really known for 287 00:19:09,520 --> 00:19:12,360 Speaker 1: being like gory and shocking and it's you know, it's 288 00:19:12,400 --> 00:19:15,680 Speaker 1: a whole thing. So she's having a great fucking time. 289 00:19:16,040 --> 00:19:19,040 Speaker 1: She's traveling all across Europe. She even goes to Russia. 290 00:19:19,480 --> 00:19:26,280 Speaker 1: So she's performing in Paris, in Bohemia, Munich, Budapest, Prag, 291 00:19:27,280 --> 00:19:30,280 Speaker 1: she goes to Moscow and Saint Petersburg performs for the 292 00:19:30,320 --> 00:19:33,160 Speaker 1: Czar and the Czarena, And like in Russia, they're more 293 00:19:33,200 --> 00:19:35,879 Speaker 1: into like the technical stuff of it. So because she 294 00:19:36,080 --> 00:19:38,359 Speaker 1: was not, you know, a professional dancer, because it was 295 00:19:38,440 --> 00:19:41,480 Speaker 1: more about how she felt in the movement as opposed 296 00:19:41,480 --> 00:19:46,440 Speaker 1: to the technical skills of dance. The reviews weren't great. 297 00:19:47,040 --> 00:19:48,960 Speaker 1: But after Russia, she ends up doing a tour of 298 00:19:49,000 --> 00:19:53,199 Speaker 1: the States. But before she gets there, this other dancer 299 00:19:53,280 --> 00:19:56,880 Speaker 1: had come over and like watched the show, gone back 300 00:19:56,920 --> 00:19:59,879 Speaker 1: to the States and then performed it there, resulting in 301 00:20:00,240 --> 00:20:03,720 Speaker 1: being banned in a bunch of places. So when mod 302 00:20:03,760 --> 00:20:08,040 Speaker 1: Allen goes to the States to perform, people are like 303 00:20:08,240 --> 00:20:10,040 Speaker 1: chomping at the bit because they're wondering why the fuck 304 00:20:10,119 --> 00:20:13,320 Speaker 1: is this being banned, So it creates more excitement and 305 00:20:13,480 --> 00:20:16,720 Speaker 1: greater publicity for Modalen, so it really worked in her favor. 306 00:20:17,160 --> 00:20:22,359 Speaker 1: Then she really goes global, like she is in Australia, India, Africa, 307 00:20:22,960 --> 00:20:26,200 Speaker 1: like she is everywhere. She ends up going back to 308 00:20:26,280 --> 00:20:27,879 Speaker 1: the States, and then she's in a couple of like 309 00:20:28,040 --> 00:20:32,320 Speaker 1: silent movies. So after performing in some silent movies, she 310 00:20:32,440 --> 00:20:34,240 Speaker 1: decaid she's going to go on tour again. But she 311 00:20:34,359 --> 00:20:36,560 Speaker 1: hires like an orchestral and a bunch of other dancers, 312 00:20:37,480 --> 00:20:41,600 Speaker 1: and effectively the tour starts, but then collapses because you know, 313 00:20:41,760 --> 00:20:44,760 Speaker 1: lack of money, and things aren't looking too good for her. 314 00:20:45,080 --> 00:20:48,280 Speaker 1: But in nineteen eighteen, the war, the Great War, World 315 00:20:48,320 --> 00:20:52,480 Speaker 1: War One, is still fucking raging on, and there is 316 00:20:52,560 --> 00:20:58,480 Speaker 1: nothing people like more during horrific times than entertainment. Luckily 317 00:20:58,640 --> 00:21:02,160 Speaker 1: for her, she's an entertain The forty four year old 318 00:21:02,240 --> 00:21:05,359 Speaker 1: dancer is looking for work and in a crazy random 319 00:21:05,400 --> 00:21:09,520 Speaker 1: Happens dance, Oscar Wilde's friends are looking to bring his 320 00:21:09,720 --> 00:21:13,040 Speaker 1: work back into sort of public view because they have 321 00:21:13,200 --> 00:21:18,920 Speaker 1: been unceremoniously banned after his massive trial and public outcry. 322 00:21:20,119 --> 00:21:22,239 Speaker 1: But he's been dead several years and his friends are 323 00:21:22,280 --> 00:21:24,520 Speaker 1: trying to bring his name back in some sort of 324 00:21:25,000 --> 00:21:28,639 Speaker 1: hopefully out of the realms of infamy, and Maud is 325 00:21:28,720 --> 00:21:34,000 Speaker 1: still very very famous, or the very least quite notorious. 326 00:21:34,560 --> 00:21:37,440 Speaker 1: So she agrees to come back. But it's not for 327 00:21:37,560 --> 00:21:42,720 Speaker 1: a public show. It is a private show, a private performance, 328 00:21:42,800 --> 00:21:49,199 Speaker 1: because not only are Oscar Wilde's works banned, but there 329 00:21:49,240 --> 00:21:53,400 Speaker 1: were very very strict rules about religious figures being portrayed 330 00:21:53,560 --> 00:21:56,760 Speaker 1: on the stage, so it was very much a fine 331 00:21:56,840 --> 00:22:01,119 Speaker 1: line for this performance. But again because this was not 332 00:22:01,320 --> 00:22:05,000 Speaker 1: a public sort of display, because it was a private 333 00:22:05,119 --> 00:22:08,000 Speaker 1: showing and it had to be paid for and booked 334 00:22:08,520 --> 00:22:12,199 Speaker 1: in advance. You had to request it, like you had 335 00:22:12,240 --> 00:22:16,399 Speaker 1: to write a letter and request admission and be a 336 00:22:16,600 --> 00:22:21,360 Speaker 1: patron of this particular theater, so members only, which made 337 00:22:21,400 --> 00:22:25,920 Speaker 1: it just about okay. So when the play is advertised 338 00:22:25,960 --> 00:22:28,720 Speaker 1: in early nineteen eighteen with more Allen as the star, 339 00:22:29,680 --> 00:22:32,800 Speaker 1: something else is kind of going on within politics in 340 00:22:32,840 --> 00:22:37,080 Speaker 1: Britain because on the sixth of February, the Representation of 341 00:22:37,160 --> 00:22:41,640 Speaker 1: People Act is past and this basically means women over 342 00:22:41,840 --> 00:22:47,920 Speaker 1: thirty who had property and money could vote, So a 343 00:22:48,000 --> 00:22:51,439 Speaker 1: wee bit of women's suffrage, not much, but a wee bit. 344 00:22:52,080 --> 00:22:59,480 Speaker 1: So this is passed and then No Pemberton Billing writes 345 00:22:59,520 --> 00:23:04,800 Speaker 1: this scathing article which was basically an attack on this 346 00:23:05,160 --> 00:23:10,400 Speaker 1: one woman, not just Allen, but everything more Alan represents 347 00:23:10,920 --> 00:23:14,520 Speaker 1: because she's a single woman who has her own income, 348 00:23:14,880 --> 00:23:19,440 Speaker 1: who has her own life that doesn't revolve around the 349 00:23:19,640 --> 00:23:24,119 Speaker 1: man being a necessity. You know, this is not the 350 00:23:24,280 --> 00:23:27,800 Speaker 1: first dodgy article this man has ever written. So let 351 00:23:27,920 --> 00:23:32,440 Speaker 1: me tell you a little bit about Pemberton Billing. So No, 352 00:23:32,600 --> 00:23:36,720 Speaker 1: Pemberton Billing was a British MP, a Member of Parliament, 353 00:23:37,320 --> 00:23:40,920 Speaker 1: and he was an independent, so he wasn't aligned with 354 00:23:41,119 --> 00:23:47,119 Speaker 1: like conservatives or labor Yariara. He was just an independent 355 00:23:48,200 --> 00:23:52,119 Speaker 1: and he had been trained as a barrister, so like 356 00:23:52,200 --> 00:23:57,639 Speaker 1: a lawyer. He was once at one point an actor. 357 00:23:57,920 --> 00:23:59,200 Speaker 1: So I'm feeling there may be a wee bit of 358 00:23:59,280 --> 00:24:03,440 Speaker 1: jealousy going on, but that's neither here nor there. He 359 00:24:03,640 --> 00:24:07,560 Speaker 1: was an aviator and an inventor, and of course an 360 00:24:07,680 --> 00:24:12,120 Speaker 1: absolute dick. It's like taking the worst qualities of Joe 361 00:24:12,280 --> 00:24:15,520 Speaker 1: Rogan and Andrew Tate. I know you're thinking, do they 362 00:24:15,560 --> 00:24:19,399 Speaker 1: have good qualities? Maybe I've never seen them, But the 363 00:24:19,480 --> 00:24:22,600 Speaker 1: point is it's like taking them throwing them back into 364 00:24:22,680 --> 00:24:27,399 Speaker 1: a nineteen eighteen boy with the sensibilities and shit standards 365 00:24:27,480 --> 00:24:32,560 Speaker 1: of the time, and just being the worst possible version 366 00:24:33,480 --> 00:24:38,240 Speaker 1: of what a man could be. A year after being elected, 367 00:24:38,600 --> 00:24:44,240 Speaker 1: he found this vigilante society promote and I shit you not, 368 00:24:45,080 --> 00:24:51,400 Speaker 1: the purity in public life, and to discover and destroy 369 00:24:51,600 --> 00:24:56,399 Speaker 1: the mysterious influence which was undermining the British war effort. 370 00:24:57,480 --> 00:25:04,040 Speaker 1: The mysterious influence is Germany's influence, apparently, so he is 371 00:25:04,640 --> 00:25:09,480 Speaker 1: hell bent on this. It's his own personal sad man crusade, 372 00:25:09,920 --> 00:25:16,879 Speaker 1: with such charming slogans like hinder the huns, paralyzed propheteers, 373 00:25:17,640 --> 00:25:23,000 Speaker 1: purify politics, win the war. Now, some of that, some 374 00:25:23,119 --> 00:25:27,320 Speaker 1: of that's not so bad, like when the war, pure 375 00:25:27,440 --> 00:25:33,960 Speaker 1: purified politics isn't the worst. But together together, it just 376 00:25:34,119 --> 00:25:38,520 Speaker 1: makes you sound like an absolute toss pot. See, not 377 00:25:38,640 --> 00:25:44,320 Speaker 1: only is this man a raging misogynist, he's also fucking fascist. 378 00:25:45,000 --> 00:25:50,320 Speaker 1: He's xenophobic and racist and anti Semitic. I mean, are 379 00:25:50,440 --> 00:25:54,960 Speaker 1: we really surprised at the rich white man who's very 380 00:25:55,040 --> 00:26:00,200 Speaker 1: into purity and shit? All? Isn't this way? No, We're 381 00:26:00,240 --> 00:26:02,480 Speaker 1: not fucking surprised at all. And for a couple of 382 00:26:02,640 --> 00:26:05,639 Speaker 1: years he really seems to have this massive fucking issue 383 00:26:06,160 --> 00:26:10,639 Speaker 1: with Maude Alan, specifically, like he is gunning for her. 384 00:26:11,880 --> 00:26:16,480 Speaker 1: And so he publishes this article in his newspaper, The Vigilante. 385 00:26:17,080 --> 00:26:20,199 Speaker 1: I say, newspaper. It is not worthy of wiping your 386 00:26:20,320 --> 00:26:26,680 Speaker 1: arms with. It is a right wing fascist, just absolute propaganda, 387 00:26:27,200 --> 00:26:32,639 Speaker 1: popularist bullshit. It is fucking awful. And they published this 388 00:26:32,920 --> 00:26:36,800 Speaker 1: article called the Cult of the Clutterists, and it's written 389 00:26:36,880 --> 00:26:40,840 Speaker 1: by I think Howard Spencer. I think it's Howard Spencer, 390 00:26:41,000 --> 00:26:46,080 Speaker 1: who had been discharged from the British Army for insanity. 391 00:26:47,160 --> 00:26:51,680 Speaker 1: And this trashy pest rag of a paper heavily implies 392 00:26:51,920 --> 00:26:57,960 Speaker 1: that mode Alan is a lesbian. Although not illegal, was scandalous. 393 00:26:58,800 --> 00:27:03,040 Speaker 1: You see, SAMs relationships for women were never held in 394 00:27:03,119 --> 00:27:06,520 Speaker 1: the same way that they were for like men male 395 00:27:07,080 --> 00:27:13,040 Speaker 1: same sex relationships. So where male homosexuality was just banned, 396 00:27:14,200 --> 00:27:18,639 Speaker 1: women loving women was not because they didn't believe it 397 00:27:18,800 --> 00:27:23,200 Speaker 1: was real and they thought that women would be manipulated 398 00:27:24,160 --> 00:27:28,480 Speaker 1: into I'm explaining this poorly, you see, it was basically 399 00:27:28,640 --> 00:27:33,800 Speaker 1: like shoring her sexuality. It existed and didn't exist simultaneously. 400 00:27:34,520 --> 00:27:41,160 Speaker 1: So the general consensus was that lesbianism didn't exist because 401 00:27:41,800 --> 00:27:45,480 Speaker 1: women were not seen as individuals. They were not seeing 402 00:27:45,520 --> 00:27:49,560 Speaker 1: as sexual beings who had agency and their own desires, 403 00:27:50,720 --> 00:27:55,760 Speaker 1: but they were also seen as deviants if they had 404 00:27:56,160 --> 00:28:00,360 Speaker 1: said desires to Having desires is one thing, and then 405 00:28:00,480 --> 00:28:06,600 Speaker 1: expressing those desires is just a fucking catastrophe, which brings 406 00:28:06,680 --> 00:28:10,200 Speaker 1: us to the juxtaposition at the center of womanhood. Because 407 00:28:10,320 --> 00:28:16,720 Speaker 1: women are not only these incredibly sly and sneaky and 408 00:28:17,080 --> 00:28:23,400 Speaker 1: deceitful deviance, they're also innocent and ignorant and easily manipulated 409 00:28:23,520 --> 00:28:27,720 Speaker 1: and foolish and everything that goes along with that. So 410 00:28:27,880 --> 00:28:32,520 Speaker 1: they were worried that if they stated that lesbianism was 411 00:28:32,560 --> 00:28:36,200 Speaker 1: a thing, if lesbianism was banned, it would become this 412 00:28:36,440 --> 00:28:41,160 Speaker 1: big gay domino effect. So because women would learn what 413 00:28:41,360 --> 00:28:48,440 Speaker 1: lesbianism is, they would then turn gay and start being lesbian, 414 00:28:48,920 --> 00:28:53,720 Speaker 1: doing lesbian things. Like they would be so easily manipulated 415 00:28:53,840 --> 00:28:58,560 Speaker 1: by the concept of lesbians that they would just fall 416 00:28:58,680 --> 00:29:00,880 Speaker 1: into the fashion of it. It would be like the 417 00:29:01,040 --> 00:29:03,840 Speaker 1: end thing, And that's what they were worried would happen. 418 00:29:04,600 --> 00:29:07,720 Speaker 1: So it kind of existed to them, but also didn't 419 00:29:07,760 --> 00:29:10,440 Speaker 1: exist to them. It's like this weird, this weird thing. 420 00:29:11,680 --> 00:29:15,160 Speaker 1: So not only does this article basically accuse her of 421 00:29:15,240 --> 00:29:18,840 Speaker 1: being a lesbian, but it also accuses man Alan of 422 00:29:18,960 --> 00:29:24,560 Speaker 1: having an affair, a lesbian affair with the ex prime 423 00:29:24,600 --> 00:29:30,160 Speaker 1: minister's wife, Margot askeduth see Margot is a woman who 424 00:29:30,240 --> 00:29:35,920 Speaker 1: does not suffer fools lightly. So underneath this article of 425 00:29:36,080 --> 00:29:42,200 Speaker 1: the cult of the Clitorists, there's an article on Margot Asquith. Now, 426 00:29:42,360 --> 00:29:46,680 Speaker 1: she was the second wife of Herbert Asqueth, the previous 427 00:29:46,720 --> 00:29:50,880 Speaker 1: Prime minister, and he was widowed and they got married, 428 00:29:50,920 --> 00:29:54,560 Speaker 1: and she's like quick witted, she's smart. She moved around 429 00:29:54,760 --> 00:29:59,240 Speaker 1: in intellectual circles. She was strong willed, she was opinionated, 430 00:29:59,320 --> 00:30:03,400 Speaker 1: she did not the fuck down, and all of those 431 00:30:03,480 --> 00:30:07,960 Speaker 1: sort of characteristics in her made her the opposite of 432 00:30:08,960 --> 00:30:14,520 Speaker 1: the traditional concept of British femininity, you know, and what 433 00:30:14,800 --> 00:30:19,440 Speaker 1: was acceptable to people like Pemberton Billing. So under the 434 00:30:19,520 --> 00:30:23,080 Speaker 1: cult of Gluitterous article there is Margot and the snipers 435 00:30:23,880 --> 00:30:28,120 Speaker 1: basically saying that she's colluding with the Germans and that 436 00:30:28,320 --> 00:30:31,240 Speaker 1: she is going to be the equivalent of the previous 437 00:30:31,320 --> 00:30:36,880 Speaker 1: French prime minister's like wife who shot to a journalist 438 00:30:37,000 --> 00:30:41,080 Speaker 1: because he wrote like dodgy shit about her husband. She's 439 00:30:41,080 --> 00:30:46,440 Speaker 1: seen as a sleeky, sneaky, treacherous, fucking bitch like that 440 00:30:46,640 --> 00:30:49,520 Speaker 1: is the opinion that this Vigilante paper has of her. 441 00:30:50,760 --> 00:30:55,960 Speaker 1: And the whole purpose of these articles was for a 442 00:30:56,120 --> 00:31:00,080 Speaker 1: libel case to come about, like they wanted some and 443 00:31:00,160 --> 00:31:03,320 Speaker 1: to accuse them of libel because they are obsessed with 444 00:31:03,440 --> 00:31:09,320 Speaker 1: this forty seven thousand conspiracy. So for a good while 445 00:31:09,640 --> 00:31:13,040 Speaker 1: the Vigilante and whatever the previous version of this journal 446 00:31:13,200 --> 00:31:18,040 Speaker 1: was called, they were publishing these stories about this black 447 00:31:18,200 --> 00:31:22,200 Speaker 1: book owned by Germany, and the black book had the 448 00:31:22,280 --> 00:31:26,840 Speaker 1: name of forty seven thousand homosexual people in it. Ah, Yes, 449 00:31:27,080 --> 00:31:29,959 Speaker 1: we're completely reasonable and not at all in sae idea 450 00:31:30,440 --> 00:31:33,560 Speaker 1: that a country has a secret but not so secret 451 00:31:33,960 --> 00:31:37,400 Speaker 1: big Book of Gays that it's going to use to 452 00:31:37,560 --> 00:31:44,120 Speaker 1: destroy you. And because homosexuality, specifically male on male relationships 453 00:31:44,560 --> 00:31:47,160 Speaker 1: was illegal in Britain at the time, and it was 454 00:31:48,280 --> 00:31:55,200 Speaker 1: very controversial, very socially destructive and for a woman especially 455 00:31:55,280 --> 00:31:59,560 Speaker 1: of the time even fucking now, because the patriarchy sucks 456 00:32:00,320 --> 00:32:05,920 Speaker 1: that if your reputation was ruined, your life was basically over, 457 00:32:06,440 --> 00:32:13,240 Speaker 1: like you were unsavable, you were destroyed, tarnished, unworthy, and 458 00:32:13,360 --> 00:32:18,400 Speaker 1: they're absolutely not. Bonker's theory was that Germans were putting 459 00:32:18,440 --> 00:32:21,240 Speaker 1: pressure on these people and because they had, you know, 460 00:32:21,400 --> 00:32:24,040 Speaker 1: the Big Book of Gays, that they would release this 461 00:32:24,200 --> 00:32:29,320 Speaker 1: information and just fucking ruined lives just all over the shop. 462 00:32:29,960 --> 00:32:33,720 Speaker 1: And so people were pressured into working with the Germans 463 00:32:34,160 --> 00:32:37,960 Speaker 1: to undermine the British war effort. Like at one point, 464 00:32:38,160 --> 00:32:41,040 Speaker 1: blaming gay people just isn't enough, and they you know, 465 00:32:41,160 --> 00:32:44,880 Speaker 1: they sprinkle ins and anti Semitism and so they accuse 466 00:32:45,760 --> 00:32:49,360 Speaker 1: Jewish gay people as if it's some kind of gay 467 00:32:49,440 --> 00:32:55,840 Speaker 1: Jewish agenda. The real gay agenda of deliberately spreading venereal 468 00:32:55,920 --> 00:33:00,000 Speaker 1: diseases throughout like the British and Allied troops and order 469 00:33:00,280 --> 00:33:04,280 Speaker 1: to builp fuck up the war effort, disease all the 470 00:33:04,360 --> 00:33:07,240 Speaker 1: soldiers and get them sent off the battlefield and thus 471 00:33:07,400 --> 00:33:11,440 Speaker 1: win the war. So not only did they think gay 472 00:33:11,600 --> 00:33:17,360 Speaker 1: Jews were infiltrating the British army, seducing soldiers, and spreading 473 00:33:17,560 --> 00:33:23,840 Speaker 1: syphilis in Gonerhel, they were also accusing Lesbians of infiltrating 474 00:33:23,880 --> 00:33:28,959 Speaker 1: the British government via politicians' wives. And because they believed 475 00:33:29,040 --> 00:33:32,120 Speaker 1: all of these things to be true, they wanted a 476 00:33:32,240 --> 00:33:35,520 Speaker 1: libel case so that they could help promote it and 477 00:33:35,600 --> 00:33:39,240 Speaker 1: push it and just really get into this. And the 478 00:33:39,320 --> 00:33:42,320 Speaker 1: thing is, if maud Allen wasn't suing them for libel, 479 00:33:43,120 --> 00:33:46,600 Speaker 1: Margot Asquith probably would because she'd done it before. 480 00:33:47,800 --> 00:33:48,560 Speaker 2: She had been. 481 00:33:48,520 --> 00:33:54,800 Speaker 1: Libeled for treason treason at least twice. So at one 482 00:33:54,880 --> 00:33:59,400 Speaker 1: point she's accused of taking presents to German prisoners of 483 00:33:59,480 --> 00:34:03,600 Speaker 1: war and of being an integral part of the plot 484 00:34:03,880 --> 00:34:08,120 Speaker 1: to kill Kitchener by sending secret signals to the submarine 485 00:34:08,160 --> 00:34:13,040 Speaker 1: that's Suncomb. The funny thing was like Margo won her 486 00:34:13,160 --> 00:34:16,000 Speaker 1: cases like I mean, if she was accused of treason, 487 00:34:16,160 --> 00:34:18,520 Speaker 1: bad things would happen. But she was able to prove 488 00:34:18,600 --> 00:34:21,800 Speaker 1: that it was all fucking billshit, right. But mod Alan's like, 489 00:34:22,040 --> 00:34:26,680 Speaker 1: fuck this for a game, Missldiers, I'm contesting this. I'm 490 00:34:26,760 --> 00:34:31,160 Speaker 1: being libeled. So when mod Allen brings forth this libel case, 491 00:34:32,200 --> 00:34:35,600 Speaker 1: he is ready billing, is ready with a plea of justification, 492 00:34:36,560 --> 00:34:39,439 Speaker 1: because of course he does. This smarmy piece of shit. 493 00:34:40,080 --> 00:34:44,880 Speaker 1: He says it's not defamation, because it's true. He says 494 00:34:45,000 --> 00:34:46,319 Speaker 1: that mode Allen was. 495 00:34:46,400 --> 00:34:52,320 Speaker 3: A lude unchased and a modern woman who was about 496 00:34:52,560 --> 00:34:57,120 Speaker 3: to give private performances of an obscene and indecent character, 497 00:34:59,040 --> 00:35:03,840 Speaker 3: which finally, we're designed to foster and encourage obstain and 498 00:35:04,040 --> 00:35:06,160 Speaker 3: unnatural practices amongst winning. 499 00:35:07,560 --> 00:35:11,640 Speaker 1: Because he's a misogynistic piece of shit, so she has 500 00:35:11,719 --> 00:35:16,640 Speaker 1: brought this libel case against him. He is the defendant, right, 501 00:35:17,960 --> 00:35:22,560 Speaker 1: And what happens is during this trial, maud Allen seems 502 00:35:22,600 --> 00:35:27,320 Speaker 1: to be the one who's on trial, right, because of 503 00:35:27,400 --> 00:35:30,320 Speaker 1: course it is because this is a woman who lives alone, 504 00:35:30,600 --> 00:35:33,400 Speaker 1: who does not fall within the pathetic, shitty standards of 505 00:35:33,440 --> 00:35:37,080 Speaker 1: the time, who is living her best life and is 506 00:35:37,160 --> 00:35:41,759 Speaker 1: doing rather well for herself. She also has the misfortune 507 00:35:41,800 --> 00:35:45,640 Speaker 1: of not being British, and because she had spent some 508 00:35:45,920 --> 00:35:49,520 Speaker 1: time in Germany that also made her like dodgy. And 509 00:35:49,719 --> 00:35:52,320 Speaker 1: then you throw in the fact that she's playing Salome, 510 00:35:53,160 --> 00:35:57,120 Speaker 1: which although I think is Turkish, I think technically it's 511 00:35:57,160 --> 00:36:00,239 Speaker 1: still seen as an other. And it's you know, it's 512 00:36:00,360 --> 00:36:03,200 Speaker 1: just all British racism with its roots deep buried in 513 00:36:04,640 --> 00:36:08,640 Speaker 1: and it's more who really deals with like the shit. 514 00:36:09,719 --> 00:36:13,400 Speaker 1: So the entire first day of the trial is Billings 515 00:36:14,000 --> 00:36:18,480 Speaker 1: basically cross examining her, and you're thinking, why is he 516 00:36:18,640 --> 00:36:24,200 Speaker 1: cross examining her? Because he is that arsehole who defends himself. 517 00:36:24,880 --> 00:36:28,240 Speaker 1: He is his own barrister, he is his own lawyer, 518 00:36:28,680 --> 00:36:32,400 Speaker 1: he's in his own defense. I mean, luckily enough, he 519 00:36:32,520 --> 00:36:38,440 Speaker 1: did actually train as a barrister. So it's not that shitty, 520 00:36:38,760 --> 00:36:43,200 Speaker 1: you know, it's not I mean, it's still narcissistic, but 521 00:36:43,320 --> 00:36:45,719 Speaker 1: it's not as bad as someone who's had no legal 522 00:36:45,800 --> 00:36:51,680 Speaker 1: training whatsoever, who thinks they can defend themselves. So he's 523 00:36:51,760 --> 00:36:56,560 Speaker 1: talking shit about mod Alan and the thing that really 524 00:36:57,520 --> 00:37:00,880 Speaker 1: turns the case against her, apart the fact that she 525 00:37:01,080 --> 00:37:06,280 Speaker 1: is a woman who exists because she understood the libelist 526 00:37:06,360 --> 00:37:11,200 Speaker 1: claims against her, because she knew what the libel was. 527 00:37:13,000 --> 00:37:16,600 Speaker 1: She was guilty of the fucking shit they accused her of, 528 00:37:17,080 --> 00:37:20,040 Speaker 1: which is so ridiculous. And to top it all off, 529 00:37:20,440 --> 00:37:23,600 Speaker 1: it is very fucking clear that there were two people 530 00:37:23,680 --> 00:37:27,680 Speaker 1: on trial and neither of them is no Pemberton Billing, 531 00:37:28,640 --> 00:37:30,719 Speaker 1: even though he is the defendant and he is the 532 00:37:30,760 --> 00:37:33,839 Speaker 1: one who should be on trial. It is very much 533 00:37:34,800 --> 00:37:40,040 Speaker 1: maud Allen and Margot Asquith that are being dragged through this. 534 00:37:41,719 --> 00:37:44,200 Speaker 1: So right back in that article which had the forty 535 00:37:44,280 --> 00:37:48,440 Speaker 1: seven thousand Big Book of Gay People owned by Germany whatever, 536 00:37:49,560 --> 00:37:56,880 Speaker 1: it mentioned lesbian ecstasy in which the most sacred secrets 537 00:37:56,920 --> 00:38:02,960 Speaker 1: of state were betrayed, and it all referencing Margot asked with, 538 00:38:03,560 --> 00:38:06,440 Speaker 1: and it keeps leaning into and playing with this rumor, 539 00:38:06,600 --> 00:38:09,640 Speaker 1: this gossip that's been going around for years that Margot 540 00:38:09,680 --> 00:38:12,759 Speaker 1: asked With was a lesbian. I mean, she could have 541 00:38:12,800 --> 00:38:16,320 Speaker 1: been by she might have been a lesbian, but a 542 00:38:16,400 --> 00:38:18,160 Speaker 1: lot of it seems to stem from the fact that 543 00:38:18,320 --> 00:38:22,640 Speaker 1: she was naturally wealthy, she was born into wealth. But 544 00:38:23,160 --> 00:38:25,080 Speaker 1: we're not gonna hold this against her this one time, 545 00:38:25,800 --> 00:38:29,040 Speaker 1: because she's a funny fucker and she pisses this bitch off. 546 00:38:30,000 --> 00:38:35,080 Speaker 1: Margot was independently wealthy. She was really fucking clever, and 547 00:38:35,920 --> 00:38:40,080 Speaker 1: she was modern. She was a modern woman. She had 548 00:38:40,440 --> 00:38:44,680 Speaker 1: modern standards, and she gave a shit about herself, like 549 00:38:45,719 --> 00:38:49,360 Speaker 1: she didn't fall into the concept of British femininity and 550 00:38:49,480 --> 00:38:53,920 Speaker 1: what womanhood was. I keep ranting about this, but it's true. 551 00:38:54,760 --> 00:38:58,360 Speaker 1: She was also a bit of a dick. But again, 552 00:38:58,680 --> 00:39:03,280 Speaker 1: she was really funny. But she was also really generous 553 00:39:04,400 --> 00:39:07,120 Speaker 1: and because she just gifted things to her friends and 554 00:39:07,200 --> 00:39:11,200 Speaker 1: she helped other women, this also made her like a target. 555 00:39:12,560 --> 00:39:16,440 Speaker 1: But back to the case. When mon Allen appears in court, 556 00:39:16,719 --> 00:39:20,920 Speaker 1: she really plays up to that concept of femininity. So 557 00:39:21,080 --> 00:39:23,400 Speaker 1: she dresses in like a blouse which is a wee 558 00:39:23,560 --> 00:39:26,360 Speaker 1: bit too low, and she's got a cloak and a 559 00:39:26,440 --> 00:39:31,839 Speaker 1: nice wee hat. Right, she's dressed well and she's gone 560 00:39:31,880 --> 00:39:35,000 Speaker 1: there because she's accused of being a lesbian. She wants 561 00:39:35,080 --> 00:39:40,080 Speaker 1: to look more womanly as opposed to more masculine. And 562 00:39:40,200 --> 00:39:43,520 Speaker 1: there she sits in the old bailey after bringing forth 563 00:39:43,640 --> 00:39:48,200 Speaker 1: a libel case, as she fucking should, because she saw 564 00:39:48,280 --> 00:39:51,800 Speaker 1: this as a challenge to her honor and her respectability, 565 00:39:52,200 --> 00:39:57,480 Speaker 1: her social standing, like this could fuck her entire life up, 566 00:39:58,440 --> 00:40:04,240 Speaker 1: like these kind of statements, this gossip, this absolute tom fucker, 567 00:40:04,360 --> 00:40:10,640 Speaker 1: eh could just destroy her entire life. So she's at 568 00:40:10,719 --> 00:40:14,480 Speaker 1: the Old Bailey and she admits that she understood the 569 00:40:14,560 --> 00:40:18,359 Speaker 1: libel on site. She read it, she knew what it meant, 570 00:40:19,200 --> 00:40:23,280 Speaker 1: and she wasn't happy with the implication. Then Billing asks 571 00:40:23,320 --> 00:40:27,200 Speaker 1: her if she is well acquainted with the term clitoris, 572 00:40:28,200 --> 00:40:32,560 Speaker 1: and she's like, not particularly. And on top of this, 573 00:40:33,160 --> 00:40:36,719 Speaker 1: it is made very clear that she did not have 574 00:40:36,880 --> 00:40:39,719 Speaker 1: to explain, you know, the libel to her friends, like 575 00:40:39,840 --> 00:40:44,960 Speaker 1: they also understood its meaning. So because she and her 576 00:40:45,080 --> 00:40:50,800 Speaker 1: friends knew a what the clitoris was and b what 577 00:40:51,080 --> 00:40:55,920 Speaker 1: lesbians are this This is really where the shit hits 578 00:40:55,960 --> 00:40:58,799 Speaker 1: the fan for Maud and in one of the most 579 00:40:58,920 --> 00:41:04,160 Speaker 1: pathetic gotcha's in history, Billing turns around and he states 580 00:41:04,200 --> 00:41:08,000 Speaker 1: that he showed the libel the cult of clitoris to 581 00:41:08,320 --> 00:41:13,799 Speaker 1: twenty four men, and out of these twenty four men, 582 00:41:14,719 --> 00:41:24,120 Speaker 1: only one understood its meaning. I mean, are we really surprised? No, no, 583 00:41:24,239 --> 00:41:28,880 Speaker 1: we're not so. Then Billing brings forth his chief medical 584 00:41:28,920 --> 00:41:34,320 Speaker 1: witness on to the stand, and this part's incredibly worrying. 585 00:41:34,880 --> 00:41:43,200 Speaker 1: So doctor Cyril Cook, Cyril, not Cyril Cyril. He showed 586 00:41:43,280 --> 00:41:48,080 Speaker 1: the libel two fifty or sexty of his friends. He 587 00:41:48,160 --> 00:41:51,400 Speaker 1: doesn't have an exact number, but he shows the libel 588 00:41:51,440 --> 00:41:54,800 Speaker 1: to fifty or sixty of his friends and none of 589 00:41:54,920 --> 00:42:02,400 Speaker 1: them understand. None of them know what it is, zero zilch, nada. 590 00:42:04,560 --> 00:42:10,320 Speaker 1: This is a medical professional who one would assume is 591 00:42:10,400 --> 00:42:17,320 Speaker 1: acquainted with other medical professionals, and none of them know 592 00:42:17,480 --> 00:42:23,800 Speaker 1: what a clitteriss is. I mean, I know, I know 593 00:42:24,000 --> 00:42:31,240 Speaker 1: it's the nineteen hundreds, right, but still, and then Billing 594 00:42:31,360 --> 00:42:35,440 Speaker 1: brings in Captain Spencer because he's the one who wrote, 595 00:42:35,640 --> 00:42:37,439 Speaker 1: you know, the actual piece. He's the one who wrote 596 00:42:37,440 --> 00:42:41,880 Speaker 1: the headline. And he was asked why he chose this 597 00:42:42,280 --> 00:42:47,320 Speaker 1: specific phrase, and Spencer says that he had contacted a 598 00:42:47,440 --> 00:42:55,239 Speaker 1: village doctor who gave him the term clutteris and. 599 00:42:55,440 --> 00:42:59,200 Speaker 4: Told him the clutteris is a superficial organ the when 600 00:42:59,320 --> 00:43:03,320 Speaker 4: undula or a developed possess the most dreadful influence on 601 00:43:03,440 --> 00:43:06,760 Speaker 4: any woman, that she should know the most extraordinary things. 602 00:43:07,960 --> 00:43:13,360 Speaker 4: Unexaggerated clitterists might drive women to an elephant. Okay, somebody's 603 00:43:13,400 --> 00:43:18,120 Speaker 4: got confidence issues. So we've got doctor Cook, who says 604 00:43:18,239 --> 00:43:22,560 Speaker 4: that nobody but a medical man or people interested in 605 00:43:22,680 --> 00:43:26,200 Speaker 4: that kind of thing would understand the term clitoris. 606 00:43:27,320 --> 00:43:30,480 Speaker 1: So then you've got this other doctor, doctor Clark, who's asked, 607 00:43:30,960 --> 00:43:34,960 Speaker 1: is there any other person that would understand the term clitoris? 608 00:43:35,520 --> 00:43:40,799 Speaker 1: And he's like, m lesbians. And it's so fucking weird 609 00:43:40,840 --> 00:43:46,360 Speaker 1: that this entire thing boils down to understanding clutteress. So 610 00:43:47,640 --> 00:43:50,360 Speaker 1: not knowing the word meant that you were ignorant, and 611 00:43:50,800 --> 00:43:54,840 Speaker 1: you weren't like a pervert basically, but by knowing the 612 00:43:55,000 --> 00:44:00,239 Speaker 1: term and not being a medical professional, this meant that 613 00:44:00,320 --> 00:44:05,719 Speaker 1: you were some kind of sexual deviant, like that's that's 614 00:44:05,760 --> 00:44:10,040 Speaker 1: what this is. Another thing which really really fucked up 615 00:44:10,080 --> 00:44:15,120 Speaker 1: everything for Maud was her brother. So because her brother, 616 00:44:15,239 --> 00:44:19,400 Speaker 1: as we know, had killed those two young women, she 617 00:44:19,680 --> 00:44:26,080 Speaker 1: was seen as a herreditary deviant and unfortunate, herreditary deviant, 618 00:44:26,400 --> 00:44:31,799 Speaker 1: but herreditary deviant nonetheless, So because her brother did an 619 00:44:31,840 --> 00:44:35,680 Speaker 1: awful thing, clearly she too must be awful, like that 620 00:44:35,920 --> 00:44:39,480 Speaker 1: is that is what they're going with here, like they 621 00:44:39,640 --> 00:44:43,840 Speaker 1: both have to be the same. And because of her 622 00:44:43,920 --> 00:44:51,040 Speaker 1: brother's crime, Maude is labeled a sadist. As sadist because 623 00:44:51,080 --> 00:44:55,319 Speaker 1: of something her brother did, what the fuck. And then 624 00:44:55,360 --> 00:44:58,200 Speaker 1: of course we have Salome, the play that she's performing 625 00:44:58,880 --> 00:45:02,920 Speaker 1: and the fact that it very much seen as deviant 626 00:45:03,080 --> 00:45:07,960 Speaker 1: and criminal and dodgy as fuck, and Maud's response to 627 00:45:08,080 --> 00:45:13,000 Speaker 1: it all is basically that it's different times what would 628 00:45:13,000 --> 00:45:16,319 Speaker 1: have been seen as sort of not the done thing 629 00:45:16,440 --> 00:45:22,400 Speaker 1: now back then, in that era, in that culture, this 630 00:45:22,560 --> 00:45:25,880 Speaker 1: wouldn't have been as shocking to like to Salomon, like 631 00:45:25,960 --> 00:45:28,279 Speaker 1: seeing that the severed head, it wouldn't be as weird 632 00:45:28,320 --> 00:45:30,879 Speaker 1: to her because this would have been something she would 633 00:45:30,880 --> 00:45:34,279 Speaker 1: have known throughout her life. And the fact that she's 634 00:45:34,360 --> 00:45:38,040 Speaker 1: not only standing up for the character and its existence, 635 00:45:39,040 --> 00:45:43,200 Speaker 1: because she's standing up for something which is so far 636 00:45:43,360 --> 00:45:50,879 Speaker 1: away from Britishness like this again makes her the other 637 00:45:51,400 --> 00:45:54,360 Speaker 1: in all of this. Oh bollocks, I almost forgot the 638 00:45:54,400 --> 00:45:59,680 Speaker 1: agent provocateur. Okay, So there's this woman Eileen, Yeah, I know, 639 00:45:59,800 --> 00:46:03,120 Speaker 1: this sexiest name for a provocateur. So she is sent 640 00:46:03,239 --> 00:46:08,640 Speaker 1: by Lloyd George to compromise billing, like she's supposed to 641 00:46:08,680 --> 00:46:11,360 Speaker 1: seduce him and fuck him up, basically to get some 642 00:46:11,520 --> 00:46:18,839 Speaker 1: dirt on him, and unfortunately, somehow she falls in love 643 00:46:18,920 --> 00:46:27,879 Speaker 1: with this man. Okay, okay, I mean I'm pretty sure 644 00:46:27,960 --> 00:46:31,360 Speaker 1: I've seen dish rags with a more sex appeal, but 645 00:46:31,480 --> 00:46:34,680 Speaker 1: that it was the olden days. It was a different time, 646 00:46:34,760 --> 00:46:40,600 Speaker 1: and people found creepy, misogynistic pieces of shit absolutely attractive. Apparently, 647 00:46:42,280 --> 00:46:46,440 Speaker 1: so she falls for him, and she defects effectively, and 648 00:46:47,760 --> 00:46:51,400 Speaker 1: she goes up in court and talks about this black Book, 649 00:46:51,480 --> 00:46:53,920 Speaker 1: the forty seven thousand names in the Black Book, and 650 00:46:54,360 --> 00:46:57,560 Speaker 1: you've got her and Spencer who are claiming to have 651 00:46:57,760 --> 00:47:02,680 Speaker 1: seen it, but war show it to anybody, like apparently 652 00:47:02,800 --> 00:47:05,279 Speaker 1: one of it, one of them was shown it by 653 00:47:05,400 --> 00:47:09,840 Speaker 1: the Prince of Albania, but like it always seems to 654 00:47:09,880 --> 00:47:12,200 Speaker 1: be just out with their grasp, like they can't show 655 00:47:12,200 --> 00:47:17,560 Speaker 1: anybody else it. But it's real, it's definitely there. So 656 00:47:17,760 --> 00:47:20,759 Speaker 1: they're asked about like the names that were in the book. 657 00:47:21,280 --> 00:47:24,840 Speaker 1: And Spencer again, the man who was discharged from the 658 00:47:24,880 --> 00:47:30,080 Speaker 1: British Army for insanity. He says that he will only 659 00:47:30,120 --> 00:47:33,840 Speaker 1: give the names of who he thinks has been approached 660 00:47:33,920 --> 00:47:38,600 Speaker 1: and succumbed to German agents. I will only give the 661 00:47:38,719 --> 00:47:41,920 Speaker 1: names to those I think have been approached and have 662 00:47:42,040 --> 00:47:46,160 Speaker 1: succumbed to German agents. Let's just think about that for 663 00:47:46,200 --> 00:47:50,000 Speaker 1: a week. Second, he will only give the names of 664 00:47:50,160 --> 00:47:54,440 Speaker 1: people who he thinks have been approached and succumbed by 665 00:47:54,520 --> 00:47:59,480 Speaker 1: German agents. Not the names of people he knows, but 666 00:47:59,680 --> 00:48:04,360 Speaker 1: just yes, because what's a lively leader to fuck it, 667 00:48:05,000 --> 00:48:11,680 Speaker 1: it's fine. So he names Margot askedwith and Lord Halden. 668 00:48:13,160 --> 00:48:18,759 Speaker 1: He does not remember killingly, mister Asquith's name being in 669 00:48:18,840 --> 00:48:27,920 Speaker 1: the book, Herbert, that's not there pictures Margot. So again Eileen, 670 00:48:28,760 --> 00:48:32,600 Speaker 1: she's like, I saw it too, those names were definitely 671 00:48:32,680 --> 00:48:36,400 Speaker 1: in the book, pinky promise and stuff. 672 00:48:37,480 --> 00:48:37,719 Speaker 3: Yeah. 673 00:48:39,440 --> 00:48:43,440 Speaker 1: So the judge on the case, he says that, you know, 674 00:48:43,680 --> 00:48:49,040 Speaker 1: any information about this book is inadmissible in court unless 675 00:48:49,120 --> 00:48:53,359 Speaker 1: you physically show us the book. But nobody shows him 676 00:48:53,360 --> 00:48:57,520 Speaker 1: the book, and then they go on to discuss this 677 00:48:57,680 --> 00:49:03,680 Speaker 1: book at width in detail consistently over the course of 678 00:49:03,719 --> 00:49:09,239 Speaker 1: this trial. Like at one point Eileen says that the judge. 679 00:49:09,600 --> 00:49:12,759 Speaker 2: Is in the book, and he's like, get out of 680 00:49:12,800 --> 00:49:18,839 Speaker 2: my court, and she's like, nah, it is, it's it's 681 00:49:19,280 --> 00:49:19,920 Speaker 2: it's something. 682 00:49:20,480 --> 00:49:24,120 Speaker 1: It's definitely something. But like before the jury, you know, 683 00:49:24,280 --> 00:49:27,520 Speaker 1: was supposed to make the decision, the judge tells them, 684 00:49:28,120 --> 00:49:30,879 Speaker 1: you can't, you can't use any references to this book. 685 00:49:31,200 --> 00:49:34,600 Speaker 1: There's forty seven thousand names like that can't be part 686 00:49:34,640 --> 00:49:40,960 Speaker 1: of your decision. And then when Billing addresses the jury, 687 00:49:42,680 --> 00:49:47,120 Speaker 1: all he does is talk about like Germany and German 688 00:49:47,320 --> 00:49:51,200 Speaker 1: influence was infiltrating Britain and trying to take it down 689 00:49:51,280 --> 00:49:57,479 Speaker 1: from the inside, like man, have a cup of tea, 690 00:49:58,320 --> 00:50:03,000 Speaker 1: Sit down, God, I have sex with someone I don't 691 00:50:03,000 --> 00:50:09,680 Speaker 1: know who's consenting, Like what, get a fucking hobby. So 692 00:50:09,840 --> 00:50:12,600 Speaker 1: one of mud Allen's lawyers he does the closing argument, 693 00:50:13,160 --> 00:50:15,759 Speaker 1: and he goes on about how this stuff about the 694 00:50:15,800 --> 00:50:21,960 Speaker 1: forty seven thousand names doesn't really matter, and that Pemberton 695 00:50:22,040 --> 00:50:27,520 Speaker 1: Filling never proved his plea for justification and that all 696 00:50:27,560 --> 00:50:30,719 Speaker 1: he wanted was publicity and that's what you gave him, 697 00:50:31,680 --> 00:50:34,520 Speaker 1: and in doing so, he's attempting to destroy this woman. 698 00:50:36,120 --> 00:50:41,480 Speaker 1: Don't do that. That's bad, and this all male jury. 699 00:50:42,440 --> 00:50:48,040 Speaker 1: They go back, they delivery, and when they return they 700 00:50:48,200 --> 00:50:56,080 Speaker 1: find no Pemberton Filling, accused of libel, is not guilty, 701 00:50:56,760 --> 00:51:01,640 Speaker 1: and the crowd goes wild, like people are just throwing 702 00:51:01,719 --> 00:51:06,640 Speaker 1: hats in the air and cheering, and you know, apparently 703 00:51:06,920 --> 00:51:10,200 Speaker 1: calling a woman a lesbian, an assadist and a German 704 00:51:10,360 --> 00:51:16,400 Speaker 1: spy without any evidence totally killed in the nineteen hundreds, 705 00:51:16,760 --> 00:51:21,719 Speaker 1: Absolutely fantastic. This tonail of a man got to go 706 00:51:21,800 --> 00:51:26,400 Speaker 1: out in public and actively to fame a woman by 707 00:51:26,520 --> 00:51:31,560 Speaker 1: calling her a German loving, sadistic pervert and faced no 708 00:51:31,719 --> 00:51:39,719 Speaker 1: we percussions, all because her femininity was undesirable, because it 709 00:51:39,800 --> 00:51:45,520 Speaker 1: was that of a modern woman. So several months later, Eileen, 710 00:51:45,920 --> 00:51:52,600 Speaker 1: his mistress, she's convicted of bigamy and she breaks down 711 00:51:52,719 --> 00:51:57,520 Speaker 1: and confesses that everything she said on the trial was bullshit. 712 00:51:57,600 --> 00:52:00,840 Speaker 1: She'd made it up. It had been furs with billing. 713 00:52:01,400 --> 00:52:04,759 Speaker 1: They had practiced it beforehand so that she should come 714 00:52:04,800 --> 00:52:10,120 Speaker 1: on and dance little monkey dance in for Maude Allen. 715 00:52:10,600 --> 00:52:15,880 Speaker 1: As a result of this case, her European career just 716 00:52:17,200 --> 00:52:25,440 Speaker 1: fizzles out. She's seen as this dodgy deviant like evil women, 717 00:52:27,160 --> 00:52:30,680 Speaker 1: so she gives up on Europe and then she goes 718 00:52:30,800 --> 00:52:35,880 Speaker 1: back to the States and for Pemberan billing. By nineteen 719 00:52:35,920 --> 00:52:41,640 Speaker 1: twenty one, he ends up just resigning from his seat 720 00:52:42,440 --> 00:52:46,440 Speaker 1: instead of losing it. So eventually all that you know, 721 00:52:46,760 --> 00:52:50,319 Speaker 1: shouting into the abyss, it gives up. So three years 722 00:52:50,400 --> 00:52:53,759 Speaker 1: later he has to give up his seat because it's 723 00:52:53,800 --> 00:52:57,520 Speaker 1: seen it is more respectable than losing it to someone else, 724 00:53:00,040 --> 00:53:02,800 Speaker 1: and there you go. That is the story of the 725 00:53:02,960 --> 00:53:07,800 Speaker 1: case of the Cult of Clutteress. Now what did we 726 00:53:07,960 --> 00:53:12,520 Speaker 1: learn today? We learned that any concept or expression of 727 00:53:12,560 --> 00:53:15,240 Speaker 1: womanhoo that does not fall specifically within the male gaze 728 00:53:15,560 --> 00:53:19,680 Speaker 1: will always be seen as other or deviant. We also 729 00:53:19,840 --> 00:53:23,280 Speaker 1: learned that, within the case of the Cult of the Clitteress, 730 00:53:24,400 --> 00:53:29,040 Speaker 1: that the truth not unlike the Clitteress, was incredibly difficult, 731 00:53:29,360 --> 00:53:35,360 Speaker 1: nigh impossible for men to find. If you liked my 732 00:53:35,560 --> 00:53:39,040 Speaker 1: telling of this tale, feel free to rate and review 733 00:53:39,200 --> 00:53:43,719 Speaker 1: five stars abs of fucking Lately do review. Say some 734 00:53:43,880 --> 00:53:46,759 Speaker 1: nice things, say some mean things. Tell me about your 735 00:53:46,800 --> 00:53:51,759 Speaker 1: favorite pajamas. Why not, love your best life and you 736 00:53:51,840 --> 00:53:54,080 Speaker 1: can follow me on all of the social media's. I 737 00:53:54,200 --> 00:53:59,320 Speaker 1: am on Instagram and TikTok on Facebook and Twitter. You 738 00:53:59,400 --> 00:54:02,239 Speaker 1: know to me on Twitter because I will talk back. 739 00:54:02,400 --> 00:54:05,560 Speaker 1: I am that person if you message me, and if 740 00:54:05,560 --> 00:54:09,400 Speaker 1: you message me, if you tweet me, I'll respond because 741 00:54:09,440 --> 00:54:11,759 Speaker 1: I will. It may take me a few hours because 742 00:54:11,760 --> 00:54:14,279 Speaker 1: I'm at work and also women a lot of pain, 743 00:54:15,200 --> 00:54:19,400 Speaker 1: but I'll get back to you. So today's episode is 744 00:54:19,560 --> 00:54:28,520 Speaker 1: dedicated to Emma Eerie, zary Error, zary Ira sorry, it's sorry. 745 00:54:30,640 --> 00:54:34,040 Speaker 1: You know what, Emma. You know I tried, and I 746 00:54:34,160 --> 00:54:38,120 Speaker 1: think that's what matters, because I wasn't. I don't know 747 00:54:38,440 --> 00:54:42,400 Speaker 1: what nationality that your curtain name comes from, so I 748 00:54:42,440 --> 00:54:47,000 Speaker 1: couldn't even hazard a guest, to be honest, but I tried. 749 00:54:47,400 --> 00:54:51,360 Speaker 1: And this episode is dedicated to you. You're welcome, you 750 00:54:51,480 --> 00:54:54,719 Speaker 1: got you got a good one. What episode did you get? 751 00:54:54,800 --> 00:54:59,160 Speaker 1: Dedicated it? It's fine. I don't need to say it aloud. 752 00:54:59,200 --> 00:55:04,960 Speaker 1: It's it's okay. So before I go, it's recommendation time. 753 00:55:05,719 --> 00:55:12,200 Speaker 1: So I want to recommend Murder Most Irish. That's for listening. 754 00:55:12,800 --> 00:55:16,440 Speaker 1: I was traveling back from Dublin and I listened to 755 00:55:16,600 --> 00:55:22,200 Speaker 1: like so so many episodes, Emma, Sarah, Jane Colin. They're 756 00:55:22,520 --> 00:55:27,680 Speaker 1: just absolute delights. I fucking love them. They are They're just. 757 00:55:27,880 --> 00:55:31,719 Speaker 1: They're fun and they're irreverent and witty and it's just 758 00:55:32,000 --> 00:55:35,360 Speaker 1: and it's crime, which is nice. So it's good and 759 00:55:35,400 --> 00:55:38,920 Speaker 1: it's Irish crime. So if you like that or crimes 760 00:55:39,000 --> 00:55:43,040 Speaker 1: in Ireland also, maybe yes, just check them out. They 761 00:55:43,080 --> 00:55:48,640 Speaker 1: really good for watching. Oh, House of the Dragon, listen, 762 00:55:48,760 --> 00:55:51,279 Speaker 1: I'm into it. I like it. You can judge me 763 00:55:51,320 --> 00:55:54,840 Speaker 1: if you want. That's fine, but I'm enjoying it. Go 764 00:55:55,000 --> 00:56:00,640 Speaker 1: watch it. And for reading, I am reading currently. I 765 00:56:00,800 --> 00:56:05,799 Speaker 1: just started reading I'm Glad that My Mom Died by 766 00:56:06,239 --> 00:56:09,960 Speaker 1: Jeanett McCarthy. It's finally here, so oh yeah, before I go. 767 00:56:10,320 --> 00:56:12,520 Speaker 1: So I opened up the box. I was like, oh, look, mom, 768 00:56:12,600 --> 00:56:16,600 Speaker 1: on your books here, and my mother gave me such 769 00:56:16,800 --> 00:56:21,840 Speaker 1: side eye. Probably not the best book to sort of 770 00:56:21,960 --> 00:56:28,799 Speaker 1: wave gleefully at your mother. Yep. Not not a good idea, 771 00:56:28,880 --> 00:56:31,080 Speaker 1: not the best idea. But it is a good read. 772 00:56:31,360 --> 00:56:35,439 Speaker 1: It is heart wrenching, but it's really good. It's really good. 773 00:56:36,000 --> 00:56:40,320 Speaker 1: So that's it. That's everything, and I shall bid you 774 00:56:40,920 --> 00:56:45,400 Speaker 1: good night. Adios au Revoir of w Ism, my friends, 775 00:56:46,000 --> 00:56:46,399 Speaker 1: bye bye,