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Speaker 1: Hey, I'm Nora Jones and today I'm playing along with

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Speaker 1: Remy Wolf.

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Speaker 2: I'm just playing long Weuzy, I'm just playing lone Weezy.

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Speaker 1: Hi, I'm Norah Jones. Welcome to the show with me,

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Speaker 1: as always is Sarah Oda. Hi.

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Speaker 3: Hi, our guest today is incredibly talented and very sweet

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Speaker 3: singer songwriter Remy Wolf.

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Speaker 4: We had so much fun.

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Speaker 3: Yeah, she's young, but she's covered a lot of basses.

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Speaker 3: She made her solo debut in twenty nineteen with her

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Speaker 3: EP called You're a Dog exclamation point.

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Speaker 4: I can hear her saying that today.

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Speaker 3: Has followed that up with the releases called I'm Allergic

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Speaker 3: to Dogs and we Love Dogs.

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Speaker 1: We do talk about dogs in this episode.

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Speaker 3: And in twenty twenty one, she put out her first

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Speaker 3: studio album titled Juno. And this year she's played and

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Speaker 3: is scheduled to play some huge festivals from Coachella to

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Speaker 3: Governor's Ball to Bonnerou to the Newport Folk Festival and more.

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Speaker 3: She's just everywhere.

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Speaker 4: She's everywhere.

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Speaker 1: She's doing really great.

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Speaker 4: She's an incredible singer.

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Speaker 1: Yeah, being in the room with her and hearing the

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Speaker 1: power from her voice was really special. And we had

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Speaker 1: a lot of fun. She is really interesting and her

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Speaker 1: songs are so great. And I heard about her from

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Speaker 1: a friend, so I didn't know her music very long,

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Speaker 1: and it was really fun that we got to connect.

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Speaker 3: Her voice in her songwriting is like truly her own thing,

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Speaker 3: and she can tell you can hear lots of different

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Speaker 3: influences sort of in there, which she talks about in

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Speaker 3: the episode.

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Speaker 1: Yeah, we had a blast, So please enjoy our hang

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Speaker 1: with Remy wolf.

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Speaker 5: M dude likes joys in the midst You know, he

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Speaker 5: likes his movies from the Turn to Know and he knows.

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Speaker 5: He's always ready to gold just station gases on the

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Speaker 5: sweet wheel and he get it yecki get it.

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Speaker 6: Ha you got drunk? God don't be good.

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Speaker 7: Oh so there is a disco and he's got a

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Speaker 7: lot of fiscal dance and the automic kiss smile.

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Speaker 6: If you me me at the disco.

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Speaker 7: Disco said, he's a discoment and he's got a lot

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Speaker 7: of fiscal lands and the atomic kiss my hand.

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Speaker 6: If me at disco.

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Speaker 8: This g he's ever drum time.

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Speaker 9: He's all right.

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Speaker 4: He's always just black tie with white guys.

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Speaker 7: Oh yeah, and he's looking in the sunshine.

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Speaker 9: The dead lines oh.

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Speaker 6: He and wusit all his moneybody never been a waste

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Speaker 6: of time.

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Speaker 7: Said, that is a distor man, and he's got a

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Speaker 7: lot of fiscal plans.

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Speaker 6: And you told I mean to kiss.

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Speaker 7: My at the disco discus say that he is a

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Speaker 7: disco man and he's got a lot.

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Speaker 10: Of fiscal plans, and to me to kiss my man

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Speaker 10: at the discal disc man.

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Speaker 9: Yeah he get it. Yeah, yeah, he get it. We

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Speaker 9: got churn, got done, forgeted.

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Speaker 6: So that is a disco.

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Speaker 7: He's got a lot of fiscal bus and told me

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Speaker 7: to kiss me and.

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Speaker 8: At the discal disco.

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Speaker 7: Sa, that is a discover man and it's got a

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Speaker 7: lot of fiscal plans.

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Speaker 8: And the tatomy to.

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Speaker 10: Kiss my man, I had pisto disco. Up we are fine,

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Speaker 10: but we are fine. But up we are fine. Bye,

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Speaker 10: up we are fine, but up we are fine.

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Speaker 9: Bute up we are fine. Bute up we are fine.

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Speaker 9: We are fine. Fine.

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Speaker 11: Yah, yeah that fine.

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Speaker 7: So that is a tisco and it's got a lot

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Speaker 7: of full school fans. I told him we could kiss

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Speaker 7: my hands, fem me, its disco disco.

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Speaker 12: Yeah that was good, that was great, That's awesome. First pancake, Yeah,

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Speaker 12: first pancake, first pancake. That's all fun, squarely pancake. This

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Speaker 12: is this is a fun moment.

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Speaker 4: Yeah, you're doing something really cool.

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Speaker 1: I was playing the wrong chord, is what it was.

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Speaker 8: But that was cool.

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Speaker 1: I don't know what I was doing.

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Speaker 4: It was good.

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Speaker 1: I couldn't help. You were playing C sharp minor or?

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Speaker 4: Well, I was playing some major ship. I switched to

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Speaker 4: major real quick, and then I went back to the minor. Guys,

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Speaker 4: I was just hitting the bottom the bottom string. Yeah,

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Speaker 4: it's cool. It did it work? Yeah, okay, cool. I

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Speaker 4: love your voice, thank you. It's insane.

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Speaker 1: It's beautiful and like powerful and.

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Speaker 4: Earthy and all these things.

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Speaker 1: Sorry, that got it.

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Speaker 4: No, that's good. I love that. Yeah, that's thank you. Yeah,

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Speaker 4: you're really powerful. Thank you. I feel like our voices

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Speaker 4: are quite different. We sing quite differently. Yeah we do, yeah,

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Speaker 4: which is awesome. Yeah. Yeah, yeah, it's great. Yeah. I

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Speaker 4: love your voice. By the way, I grew up on

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Speaker 4: your voice, did you. Yes? Oh my god.

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Speaker 1: Yeah that's so funny for me because I still feel

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Speaker 1: like i'm twenty, but I know i'm not.

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Speaker 4: Yeah, but that's awesome. Yeah, it's crazy. I've known your

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Speaker 4: songs for a long time studied them in school. That's crazy.

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Speaker 4: Did you study music in school? I did?

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Speaker 1: Yeah, where in the Bay Area.

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Speaker 4: Well, yeah, when I was in high school, I studied

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Speaker 4: in the Bay because I grew up in the Bay.

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Speaker 4: I didn't go to like a music high school or

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Speaker 4: anything like that, but I was in kind of just

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Speaker 4: after school music programs and bands and stuff like that.

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Speaker 4: So I was learning a bunch of music, like pretty

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Speaker 4: much just repertoire time.

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Speaker 1: Any genre specific. Were you sort of in a certain genre?

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Speaker 1: Were you kind of all over the place? I was

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Speaker 1: super all over the place.

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Speaker 4: That's great. Yeah, very all over the place, like Red Hot,

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Speaker 4: Chili Pepper, Stevie Wonder, a lot of the Beatles your

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Speaker 4: songs you not to include me, no, but that's it's true.

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Speaker 13: It's true.

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Speaker 4: And then like like uptown Funk awesome, and like whatever

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Speaker 4: the pop radio was hitting at the time, so like

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Speaker 4: Maroon five and Wow. And then also like jazz stuff,

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Speaker 4: kind of like neo jazz shit, like snarky puppy stuff. Yeah,

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Speaker 4: and Hyat's coyote stuff and just a lot of different stuff.

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Speaker 1: I feel like your neo jazz soul is It's funny

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Speaker 1: you say that, and I think Oh yeah, I grew

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Speaker 1: up on that too, but it's a different era, so

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Speaker 1: you're thinking snarky puppy. Those guys are my age, right,

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Speaker 1: they're from Dallas. And I was thinking, you know this

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Speaker 1: stuff before that, but like Jamiroqua, no, I was thinking

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Speaker 1: more like like neo soul. I guess, okay, like, yeah,

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Speaker 1: it's funny. Yeah, I don't even know it's funny how

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Speaker 1: I feel like it's like just this big ball and

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Speaker 1: you put everything in it and you shake it up

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Speaker 1: and then you just roll the dice and you're a

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Speaker 1: mix of all those crazy things that have been in

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Speaker 1: your head and out of your head.

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Speaker 4: I don't know why it's like now within the music

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Speaker 4: culture of you know, like Spotify and just I mean,

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Speaker 4: I guess just everything's like branded as like a genreists artist. Yeah,

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Speaker 4: And I don't know, like, I don't know why that

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Speaker 4: is happening now, but or why it's being labeled as

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Speaker 4: that now. And I feel like everything has kind of

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Speaker 4: always been that because it's constantly evolving. Yeah, but maybe

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Speaker 4: it's easier for us to put things in categories when

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Speaker 4: we're like looking back on it, because you're like, oh, well,

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Speaker 4: that stuff makes sense with that, so that's like hair metal.

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Speaker 13: But at the time you're like, is this hair metal?

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Speaker 4: I don't know.

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Speaker 1: Well, I think people like to put things in boxes,

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Speaker 1: especially like record companies and marketing.

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Speaker 13: They like to tie things up in a bow and

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Speaker 13: tell you what you like.

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Speaker 1: And yeah, that's just the way it used to be,

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Speaker 1: domb and I feel like with the way things are

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Speaker 1: now and spotif or any other streaming but mostly Spotify,

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Speaker 1: I mean, yeah, it's just changed everything. The way it's

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Speaker 1: done is just.

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Speaker 4: Turned upside down on its head kind of. Yeah.

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Speaker 1: And I've always felt kind of like I hated being

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Speaker 1: told what I was because I always felt very out

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Speaker 1: of whatever it was they were telling me.

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Speaker 4: I was, What did they tell you you were?

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Speaker 1: I think for a lot some people would say I

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Speaker 1: was a jazz artist, and I came from that stuff

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Speaker 1: and I learned it, but I didn't feel like the

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Speaker 1: records I was making were jazz quote ungul So I

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Speaker 1: just I just think I just think it's always been

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Speaker 1: weird to label things.

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Speaker 13: So yeah, I agree with you.

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Speaker 4: Yeah, yeah, I don't even know how I started talking

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Speaker 4: about that about that, oh right, because we all listened

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Speaker 4: to all this shit and then it's just it is

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Speaker 4: the big puzzle in our brain that is subconscious that's

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Speaker 4: just coming out.

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Speaker 1: I wonder what it's going to be like in twenty

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Speaker 1: years when the kids of today listen to stuff more

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Speaker 1: randomly than I mean, you listen to stuff kind of

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Speaker 1: randomly though, but I feel like it's times one hundred.

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Speaker 4: With the oh yeah, all over the place ness with

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Speaker 4: play with like playlisting and being able. Yeah, it's it's

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Speaker 4: weird because I feel like kids are they have the opportunity,

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Speaker 4: with algorithms and stuff now to like really find really

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Speaker 4: good music without even trying.

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Speaker 13: Yeah, like you don't have to do shit.

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Speaker 4: Like all you have to do is be like, Okay,

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Speaker 4: here's this, I don't know this, like pointers sister's song,

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Speaker 4: and I'm going to put it on radio and then

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Speaker 4: I'm gonna hear all of these amazing songs from the seventies. Yeah,

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Speaker 4: it's sick, it is. And I use it too. I

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Speaker 4: use it too, and it's amazing. But I don't put

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Speaker 4: on records anymore. I know, and I should, I know,

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Speaker 4: and I love doing that. It's just I get lazy,

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Speaker 4: and yeah, it's all there. It's very rare that I do. Yeah,

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Speaker 4: it's extremely rare. I mean, I definitely don't put on vinyl, but.

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Speaker 1: It's such a special thing, but a lot of people do.

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Speaker 1: A lot of people are into music. Yeah, people are

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Speaker 1: into music, but a lot of people are into vinyl now.

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Speaker 13: So it's good. Yeah, it is good.

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Speaker 4: Do you sell your stuff on vinyl? I do? Yeah, yeah,

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Speaker 4: but I don't even have my own vinyl, like I

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Speaker 4: don't have You don't have a record player?

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Speaker 6: No I do.

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Speaker 13: You don't have your my vinyl record?

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Speaker 4: Right?

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Speaker 1: Yeah, on vinyl?

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Speaker 4: I have.

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Speaker 13: I have a bunch of different records on vinyl, but

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Speaker 13: I never listened to them.

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Speaker 1: Yeah, well then you probably wouldn't listen to yours. Oh man,

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Speaker 1: it's so fun to meet you.

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Speaker 4: Yeah. So I discovered you through Leon Michaels. Yes, yeah,

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Speaker 4: our good friend, Yeah, mutual good friend.

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Speaker 1: Yeah, who's incredible producer and musician. And yeah, I'm excited

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Speaker 1: you did some stuff with them. I don't know if

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Speaker 1: we're allowed to say.

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Speaker 4: That, but yeah, I think we are. Okay, I've worked

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Speaker 4: with him.

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Speaker 13: Yeah, the songs aren't out yet.

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Speaker 1: But they're not out yet.

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Speaker 13: They're in my phone.

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Speaker 4: He's well cool, I want to hear later. Yeah.

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Speaker 1: His whole thing is is cool. We were talking about

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Speaker 1: Homer and Nick and the best. Yeah, Homer Styiny Wised

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Speaker 1: and Nick Ma Sean and Diamond Mind recording.

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Speaker 13: It's a cool crew.

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Speaker 1: And I feel like Le has turned me onto so

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Speaker 1: much music, yeah, because he's got great taste and he's

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Speaker 1: always like playing stuff. And he turned me onto this

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Speaker 1: Blossom Deary song and it was like, oh, man, and

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Speaker 1: I love Blossom Deary.

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Speaker 4: Yeah, but I had never heard that album. Yeah, the one,

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Speaker 4: the white one, the fifty year anniversary one. I forget

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Speaker 4: what it's called. Yeah, what is it called? Blossom Deary sings?

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Speaker 14: Oh?

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Speaker 1: Yeah, but it's like a seventies album or something.

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Speaker 13: It's from the seventies.

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Speaker 1: So I always listen to her stuff from the sixties

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Speaker 1: and I never knew this album and it's incredible, and

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Speaker 1: he totally turned me onto it. And then when we're

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Speaker 1: talking on the phone about maybe we do a cover,

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Speaker 1: and he said, do you like Blossom Deary? And I

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Speaker 1: said yeah, And he said, do you know this song

246
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Speaker 1: Sunday Afternoon? And I said, did you get that from Leon?

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Speaker 1: Or did Leon get that from you? And it sounds

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Speaker 1: like Leon heard it from you.

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Speaker 4: I think Leon might have heard it from me. That's awesome,

250
00:12:51,000 --> 00:12:54,120
Speaker 4: I honestly think so. And then yeah, yeah, and then

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Speaker 4: he has gone on to show you, I guess, and

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Speaker 4: then also show another mutual friend, Clara, because I was

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Speaker 4: talking to Clara also about it, and we all have

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Speaker 4: this like random Leon blossom deary, like special studio moments.

255
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Speaker 4: Six degrees of Leon, six degrees of Blossom.

256
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Speaker 13: Yeah, that's so strange.

257
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Speaker 4: It's great, But I feel like she is, like she's

258
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Speaker 4: weirdly this because I have a lot of friends my

259
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Speaker 4: age like female songwriters, and we all secretly love her secretly.

260
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Speaker 4: Why is it a secret. I think it's a secret

261
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Speaker 4: because not a lot of people know who she is,

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Speaker 4: and I feel like she is. Especially this album for me,

263
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Speaker 4: was like honestly mind blowing to me, like just the

264
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Speaker 4: fact that her songwriting was so witty and like charming,

265
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Speaker 4: and her voice is just so pure and she's like

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Speaker 4: shredding piano because all of her other records are like

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Speaker 4: kind of classic, like jazz standards, traditional more traditional jazz sounds,

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Speaker 4: and then these are like jazz songs, but they're pop songs,

269
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Speaker 4: but they're like smart and like sung by this tiny

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Speaker 4: little woman I know, and it's cool.

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Speaker 1: She got like double vocals and there's a worry and

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00:14:10,880 --> 00:14:14,920
Speaker 1: it's ates, but then there's overdubs and there's harmonies, and.

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Speaker 4: Yeah, it's just interesting.

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Speaker 13: It's funky.

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Speaker 4: It's funky.

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Speaker 13: It's very unique, yeah, because.

277
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Speaker 1: The way she sings is so specifically different from anyone else.

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Speaker 4: Yeah, and all of her lyrics too, I think I

279
00:14:27,880 --> 00:14:31,480
Speaker 4: really resonate with They're very like there's like a almost

280
00:14:31,520 --> 00:14:36,560
Speaker 4: an evil longing to them, like over these men that

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Speaker 4: she like likes.

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Speaker 7: I don't know.

283
00:14:38,400 --> 00:14:41,800
Speaker 4: She just paints of such a clear picture of her

284
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Speaker 4: like emotional state, and it's just beautiful and I relate

285
00:14:45,960 --> 00:14:48,560
Speaker 4: to it so much. That's cool. Yeah, I just love it.

286
00:14:48,680 --> 00:14:50,520
Speaker 4: But I feel like we keep it secret because it's

287
00:14:50,520 --> 00:14:52,040
Speaker 4: so like I don't want to say, it's like a

288
00:14:52,120 --> 00:14:54,400
Speaker 4: gatekeepy thing, but it like, for me, it just means

289
00:14:54,440 --> 00:14:57,000
Speaker 4: so much that I don't like showing people that much

290
00:14:57,080 --> 00:14:59,400
Speaker 4: unless I know that they're gonna like appreciate it. Yeah.

291
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Speaker 1: Well, it's I was like wild wildfire though.

292
00:15:02,040 --> 00:15:07,320
Speaker 4: Yeah. Yeah, you know, I feel bad because I've lived

293
00:15:07,360 --> 00:15:11,040
Speaker 4: in New York for twenty four years now, in the city,

294
00:15:11,280 --> 00:15:14,000
Speaker 4: and yeah, and I moved there when I was twenty

295
00:15:14,560 --> 00:15:19,400
Speaker 4: and she was playing every week, once a week at

296
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Speaker 4: this place called danny Skylight Room Danny's Skylight Room. I

297
00:15:22,640 --> 00:15:25,880
Speaker 4: think I never saw her because when you were living there, yeah,

298
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Speaker 4: I mean I was, and I loved her then, but

299
00:15:28,360 --> 00:15:30,560
Speaker 4: I just you know, you get busy and then when

300
00:15:30,600 --> 00:15:33,480
Speaker 4: somebody does a weekly gig, you kind of forget. I'll

301
00:15:33,520 --> 00:15:36,200
Speaker 4: go next week, I'll go next month. Yeah, oh I'm

302
00:15:36,240 --> 00:15:36,960
Speaker 4: busy this week.

303
00:15:37,800 --> 00:15:39,720
Speaker 1: I can't believe. I'm like kicked myself for that.

304
00:15:39,880 --> 00:15:40,080
Speaker 4: Yeah.

305
00:15:42,040 --> 00:15:44,400
Speaker 1: She died, Yeah, and she was old then, so I

306
00:15:44,440 --> 00:15:46,720
Speaker 1: should have just gone yeah and kept going.

307
00:15:46,920 --> 00:15:47,440
Speaker 4: That's crazy.

308
00:15:47,520 --> 00:15:50,360
Speaker 13: She was doing weekly I know, but I think that's.

309
00:15:50,360 --> 00:15:53,200
Speaker 4: Also pretty badass, like so bad as I want to

310
00:15:53,240 --> 00:15:55,880
Speaker 4: do that when i'm yeah, I just want to play

311
00:15:55,920 --> 00:15:57,000
Speaker 4: once a week. That's enough.

312
00:15:57,840 --> 00:15:58,680
Speaker 13: That's so enough.

313
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Speaker 4: Keep you young, know, that's how he's stay young. You

314
00:16:01,760 --> 00:16:03,880
Speaker 4: never have to leave the city. I guess that's why

315
00:16:03,960 --> 00:16:09,680
Speaker 4: people do the Vegas Many people come to them. Yeah,

316
00:16:09,880 --> 00:16:14,120
Speaker 4: just like live there, live in the MGM, never leave.

317
00:16:14,880 --> 00:16:17,400
Speaker 1: Maybe I'll do that in New York. I don't know, Yeah,

318
00:16:17,440 --> 00:16:20,920
Speaker 1: maybe in New York. I did nothing against Vegas, but.

319
00:16:21,040 --> 00:16:23,040
Speaker 4: I don't actually like Vegas. I was just in Vegas

320
00:16:23,320 --> 00:16:25,600
Speaker 4: last week, and it was the most fun I've had

321
00:16:25,640 --> 00:16:27,800
Speaker 4: in Vegas, really, but I was only there one day

322
00:16:27,880 --> 00:16:31,280
Speaker 4: and I just decided to gamble. Yeah it's fun when

323
00:16:31,320 --> 00:16:33,960
Speaker 4: you do that. Yeah, you just have to decide to gamble.

324
00:16:33,960 --> 00:16:35,720
Speaker 4: I was like, I'm gonna go max. I'm gonna lose

325
00:16:35,720 --> 00:16:38,320
Speaker 4: a max of two hundred dollars. That's why did you

326
00:16:38,400 --> 00:16:42,560
Speaker 4: go over? No, did you win anything? I overall lost

327
00:16:43,080 --> 00:16:45,000
Speaker 4: one hundred and forty dollars. That's great.

328
00:16:45,080 --> 00:16:47,840
Speaker 13: But I was up at some time at some point.

329
00:16:47,920 --> 00:16:49,920
Speaker 4: So you wrote that you had a fun ride. I

330
00:16:50,080 --> 00:16:53,000
Speaker 4: was riding and then we were Honestly, the best time

331
00:16:53,120 --> 00:16:55,040
Speaker 4: was when it was me and my band and some

332
00:16:55,200 --> 00:16:57,760
Speaker 4: of my crew and we we all had just played

333
00:16:57,840 --> 00:17:01,720
Speaker 4: roulette like hours of electronic and we all were down.

334
00:17:02,080 --> 00:17:04,840
Speaker 4: So we're all like, okay, like as a last last

335
00:17:04,920 --> 00:17:06,359
Speaker 4: for off the night, we're gonna go to a slot

336
00:17:06,440 --> 00:17:08,520
Speaker 4: machine and just like put everything in the slot machine,

337
00:17:08,560 --> 00:17:10,560
Speaker 4: or put like twenty bucks in the slot machine. So

338
00:17:10,640 --> 00:17:13,359
Speaker 4: we went over to the Crazy Rich Asians slot machine,

339
00:17:13,400 --> 00:17:16,120
Speaker 4: which is a thing. It's a thing that they've created, okay,

340
00:17:16,119 --> 00:17:18,520
Speaker 4: I guess based off the movie. And we put twenty

341
00:17:18,600 --> 00:17:21,080
Speaker 4: bucks in that thing and five minutes later we had

342
00:17:21,160 --> 00:17:24,119
Speaker 4: three hundred and seventy five dollars. Wow, that was the most.

343
00:17:24,600 --> 00:17:27,959
Speaker 4: Like we were all just watching the numbers go up.

344
00:17:28,119 --> 00:17:31,240
Speaker 4: There's a video of us, just like all nine of

345
00:17:31,359 --> 00:17:34,040
Speaker 4: us watching the screen and the screen was one where

346
00:17:34,320 --> 00:17:36,720
Speaker 4: it kind of curves around you like a like a

347
00:17:37,280 --> 00:17:39,879
Speaker 4: convex mirror or whatever. Wow, and it was it. So

348
00:17:40,000 --> 00:17:43,480
Speaker 4: you're just like all encompass anyway. Yeah, gambling is crazy.

349
00:17:43,760 --> 00:17:44,560
Speaker 4: Vegas is crazy.

350
00:17:44,840 --> 00:17:48,000
Speaker 1: Presidencies if you if you lean in the Vegas and

351
00:17:48,200 --> 00:17:51,280
Speaker 1: you you ride the ride, it's I've had fun nights

352
00:17:51,320 --> 00:17:54,000
Speaker 1: in Vegas. Yeah, oh, I've had really fun nights. It's

353
00:17:54,080 --> 00:17:56,480
Speaker 1: fun and the crowd is fun. We played a show

354
00:17:56,520 --> 00:17:58,359
Speaker 1: and the crowd was awesome. Oh they're always there at

355
00:17:58,400 --> 00:18:01,280
Speaker 1: a party. So yeah, there's no yeah, okay, I take

356
00:18:01,320 --> 00:18:03,360
Speaker 1: it back. I would do I don't know. I don't

357
00:18:03,359 --> 00:18:07,520
Speaker 1: know if i'm their company to you. But you will

358
00:18:07,520 --> 00:18:08,280
Speaker 1: play another song?

359
00:18:08,720 --> 00:18:10,199
Speaker 4: Sure? What should we do? You want to write a song?

360
00:18:10,240 --> 00:18:11,120
Speaker 4: You want to play a song?

361
00:18:11,480 --> 00:18:11,840
Speaker 1: I don't know.

362
00:18:12,080 --> 00:18:16,200
Speaker 4: Let's he could do woo woo woo. Yeah, let's do woo.

363
00:18:16,359 --> 00:18:21,240
Speaker 1: Okay, I practiced this one. Okay, I mean to practice

364
00:18:21,280 --> 00:18:23,600
Speaker 1: them all, but I have this one's crazy.

365
00:18:23,440 --> 00:18:28,720
Speaker 4: Kind of Yeah, I'm gonna try to hold it down. Okay,

366
00:18:29,160 --> 00:18:32,040
Speaker 4: over here, I'm gonna I'll sing.

367
00:18:35,800 --> 00:18:50,399
Speaker 6: Mm love, what not go? And do you wake up with?

368
00:18:50,720 --> 00:18:50,760
Speaker 12: So?

369
00:18:51,119 --> 00:18:52,800
Speaker 6: Don shove.

370
00:18:55,560 --> 00:18:55,840
Speaker 14: Love?

371
00:18:57,040 --> 00:19:02,720
Speaker 7: And it's not the so it's the said the questions,

372
00:19:02,960 --> 00:19:03,960
Speaker 7: not a bowl.

373
00:19:04,800 --> 00:19:06,159
Speaker 6: It's so fine.

374
00:19:06,960 --> 00:19:11,720
Speaker 8: Don't know the guy here ship only the jerk.

375
00:19:13,000 --> 00:19:14,800
Speaker 6: I'm not good you.

376
00:19:15,920 --> 00:19:18,240
Speaker 9: You don't buy your things?

377
00:19:19,960 --> 00:19:24,199
Speaker 8: Noise what bab believe that.

378
00:19:24,520 --> 00:19:27,200
Speaker 9: You got the feeling?

379
00:19:27,520 --> 00:19:32,720
Speaker 6: You got nothing but feeling for you so hard? Got

380
00:19:32,800 --> 00:19:33,879
Speaker 6: lost a weekend?

381
00:19:34,080 --> 00:19:37,600
Speaker 7: NIE's got but like a fuck up the surgery and

382
00:19:37,720 --> 00:19:40,200
Speaker 7: the ten to start telling me the flash of teeth

383
00:19:41,119 --> 00:19:44,360
Speaker 7: And I'm running out of ax goten Yeah, and I'm

384
00:19:44,400 --> 00:19:47,680
Speaker 7: running out of good Yeah. And I don't know what

385
00:19:47,840 --> 00:19:51,120
Speaker 7: I've beenie wanted Yeah, And fuck I think I lost

386
00:19:51,119 --> 00:19:53,040
Speaker 7: my wallet. Fuck, I think I lost my wallet.

387
00:19:53,119 --> 00:19:53,320
Speaker 14: Fuck.

388
00:19:53,359 --> 00:19:54,560
Speaker 6: I think I'm getting out.

389
00:19:54,440 --> 00:19:57,720
Speaker 9: Of wall Oh where does it go?

390
00:19:58,440 --> 00:20:02,840
Speaker 6: And do you have the answer to my questions?

391
00:20:03,040 --> 00:20:03,440
Speaker 15: Baby?

392
00:20:03,800 --> 00:20:10,000
Speaker 16: I don't know, but so not the can mean cositom

393
00:20:10,680 --> 00:20:11,879
Speaker 16: that's a creezy.

394
00:20:12,240 --> 00:20:13,200
Speaker 4: And don't.

395
00:20:14,520 --> 00:20:22,520
Speaker 17: You don't buy your things got te noise o, baby,

396
00:20:22,840 --> 00:20:27,040
Speaker 17: don't believe you can feel?

397
00:20:27,920 --> 00:20:31,560
Speaker 9: Can feel fire love?

398
00:20:34,680 --> 00:20:38,040
Speaker 6: We'll say all this, soull settle the snow.

399
00:20:40,680 --> 00:20:42,680
Speaker 9: We'll settle the size.

400
00:20:42,960 --> 00:20:47,800
Speaker 6: Still in town, we'll settled.

401
00:20:48,760 --> 00:20:50,200
Speaker 9: Settle now.

402
00:20:52,880 --> 00:20:58,359
Speaker 6: Why you are still in town? Don't if nowhere start with.

403
00:20:58,640 --> 00:21:04,720
Speaker 8: Your le not going on? Baby, take me high and high.

404
00:21:07,560 --> 00:21:10,119
Speaker 6: I don't even fen nowhere.

405
00:21:10,080 --> 00:21:18,200
Speaker 18: Starting, don't know what's going on a baby, take me hard, high.

406
00:21:22,080 --> 00:21:23,200
Speaker 14: And hi.

407
00:21:27,200 --> 00:21:27,440
Speaker 4: High.

408
00:21:28,200 --> 00:21:35,720
Speaker 19: We'll get it, fid so, no, baby, cut a job

409
00:21:36,359 --> 00:21:39,200
Speaker 19: so we can go skate on us.

410
00:21:40,240 --> 00:21:46,320
Speaker 8: We're getting higher and higher and high and tire and high.

411
00:21:46,760 --> 00:21:52,320
Speaker 9: Baby, who who.

412
00:21:55,760 --> 00:21:55,879
Speaker 14: Who?

413
00:21:58,760 --> 00:21:58,960
Speaker 8: Night?

414
00:21:59,200 --> 00:22:02,400
Speaker 4: That's good. It was okay, yeah, that's great.

415
00:22:03,040 --> 00:22:05,359
Speaker 1: I got so distracted by how amazing your voice is.

416
00:22:05,520 --> 00:22:09,239
Speaker 4: I was like, thank you. I've never like, I've never

417
00:22:09,400 --> 00:22:11,720
Speaker 4: done that song like that, and I kind of like

418
00:22:11,840 --> 00:22:14,440
Speaker 4: it like that. Yeah, I try to do some harmonies.

419
00:22:14,480 --> 00:22:16,240
Speaker 1: But then I was like, oh crap, I forgot.

420
00:22:16,840 --> 00:22:19,760
Speaker 4: I know. The hermons are weird too, and the fucking

421
00:22:20,359 --> 00:22:24,480
Speaker 4: syncopation of all the lyrics to or it's it's a

422
00:22:24,560 --> 00:22:25,240
Speaker 4: lot of lyrics.

423
00:22:25,359 --> 00:22:26,679
Speaker 13: It's a lot of fucking lyrics.

424
00:22:26,840 --> 00:22:27,439
Speaker 4: I forget them.

425
00:22:27,480 --> 00:22:31,560
Speaker 1: But I see the Blashomedan them you see yeah, yeah, okay, cool,

426
00:22:31,920 --> 00:22:34,000
Speaker 1: But I actually kind of do this kind of a joke.

427
00:22:34,040 --> 00:22:34,960
Speaker 1: But also not at all.

428
00:22:35,119 --> 00:22:37,440
Speaker 4: I think this was like right when I wrote this

429
00:22:37,680 --> 00:22:40,040
Speaker 4: was like right when I was getting into her.

430
00:22:40,680 --> 00:22:43,239
Speaker 1: Yeah, I mean it doesn't sound like that at all.

431
00:22:43,359 --> 00:22:44,040
Speaker 6: No, not at all.

432
00:22:44,520 --> 00:22:49,040
Speaker 4: I feel it. Yeah, it's pretty amazing, thank you. Yeah, yay,

433
00:22:49,640 --> 00:22:51,600
Speaker 4: see this is fun, right, Yeah, I like it. Yeah,

434
00:22:52,600 --> 00:22:53,119
Speaker 4: it's weird.

435
00:22:53,200 --> 00:22:54,800
Speaker 1: I feel like when I asked people to do this,

436
00:22:55,080 --> 00:22:57,720
Speaker 1: especially in the beginning before I had any episodes, and

437
00:22:57,840 --> 00:22:59,440
Speaker 1: even now, I feel like when I ask people to

438
00:22:59,480 --> 00:23:02,320
Speaker 1: do it this don't listen to it and understand completely

439
00:23:02,400 --> 00:23:07,240
Speaker 1: what it's about, and so it's always like they don't

440
00:23:07,280 --> 00:23:10,119
Speaker 1: know what they're walking into. And I'm like, it's easy.

441
00:23:10,280 --> 00:23:11,560
Speaker 1: It's supposed to be fun.

442
00:23:11,800 --> 00:23:16,400
Speaker 4: You know. It's not definitely not polished, but that's that's cool,

443
00:23:16,520 --> 00:23:19,280
Speaker 4: part of the fun. Yeah. Yeah, thank god. I'm not

444
00:23:19,400 --> 00:23:22,040
Speaker 4: polished at all, so it would.

445
00:23:21,880 --> 00:23:22,880
Speaker 13: Be oh my god.

446
00:23:23,640 --> 00:23:27,680
Speaker 4: Yeah. So you just did Coachella. I just did Coachella

447
00:23:27,760 --> 00:23:29,560
Speaker 4: for the first time. First time. It was your first

448
00:23:29,560 --> 00:23:32,879
Speaker 4: time going or anything, first time playing. I went one

449
00:23:32,960 --> 00:23:36,320
Speaker 4: time in twenty nineteen. I had a better time playing. Wow.

450
00:23:37,320 --> 00:23:39,400
Speaker 1: Did you have a backstage pass in twenty nineteen?

451
00:23:39,880 --> 00:23:43,680
Speaker 4: I actually did, but I didn't use it, but I

452
00:23:43,920 --> 00:23:47,159
Speaker 4: got in because my friend it was actually the end

453
00:23:47,200 --> 00:23:49,720
Speaker 4: of my first ever tour that I did, and the

454
00:23:49,760 --> 00:23:53,080
Speaker 4: people that we were opening for this my friend name's Fenn,

455
00:23:53,080 --> 00:23:55,720
Speaker 4: who's in this band called Still Loosey. They their final

456
00:23:55,760 --> 00:23:58,359
Speaker 4: stop was Coachella. Oh cool, and so we just like

457
00:23:58,520 --> 00:24:01,680
Speaker 4: drove down with them after our tour and went to Coachella.

458
00:24:01,880 --> 00:24:04,199
Speaker 4: And so how was it this weekend?

459
00:24:04,840 --> 00:24:05,479
Speaker 13: This weekend?

460
00:24:05,800 --> 00:24:09,720
Speaker 4: Well, it's two weekends, right, right, it's two weekends. Who thing,

461
00:24:10,400 --> 00:24:13,640
Speaker 4: It's quite a thing. I feel like there's a it's

462
00:24:13,720 --> 00:24:16,600
Speaker 4: the most pressure and the most work I've ever put

463
00:24:16,640 --> 00:24:20,760
Speaker 4: into playing a festival because people like I think maybe

464
00:24:20,800 --> 00:24:23,960
Speaker 4: because it's so close to La or something like music

465
00:24:24,440 --> 00:24:28,360
Speaker 4: like music lovers are there, but then also every industry

466
00:24:28,440 --> 00:24:30,639
Speaker 4: person and their mother is there as well, like literally

467
00:24:30,720 --> 00:24:34,159
Speaker 4: everybody's mom is there too. So like it's it's just

468
00:24:34,280 --> 00:24:36,600
Speaker 4: like a lot of build up to like what is

469
00:24:36,840 --> 00:24:39,640
Speaker 4: just a show, which is just it's a huge thing.

470
00:24:39,960 --> 00:24:43,520
Speaker 4: It's a huge thing that yeah, just gets built up.

471
00:24:43,560 --> 00:24:45,440
Speaker 4: But so the first weekend I was quite nervous, probably

472
00:24:45,440 --> 00:24:47,720
Speaker 4: the most nervous I've been for a show in years,

473
00:24:48,040 --> 00:24:49,560
Speaker 4: but it I think it went well. And then the

474
00:24:49,640 --> 00:24:53,520
Speaker 4: second weekend was so chill and amazing. And I played

475
00:24:53,520 --> 00:24:56,080
Speaker 4: with a nine piece band, and that is that bigger

476
00:24:56,160 --> 00:24:58,440
Speaker 4: than normal, Bigger than normal. Normally it's a four piece,

477
00:24:58,560 --> 00:25:00,800
Speaker 4: but I did nine piece, which added kind of to

478
00:25:00,880 --> 00:25:03,320
Speaker 4: the stress, but also added to the fun because all

479
00:25:03,400 --> 00:25:05,480
Speaker 4: of my it was all of my friends that like

480
00:25:05,720 --> 00:25:08,000
Speaker 4: kind of throughout the past ten years of my life,

481
00:25:08,160 --> 00:25:10,200
Speaker 4: who some of them knew each other, some of them didn't,

482
00:25:10,240 --> 00:25:11,720
Speaker 4: And then like I got them all in a room

483
00:25:11,760 --> 00:25:13,680
Speaker 4: and then we all became like this one big, happy

484
00:25:13,720 --> 00:25:18,480
Speaker 4: family and so honestly, like the biggest It reminded me why.

485
00:25:18,640 --> 00:25:22,040
Speaker 4: It reminded me why I kind of really love playing

486
00:25:22,440 --> 00:25:25,520
Speaker 4: music with people in a live setting. And just like

487
00:25:25,920 --> 00:25:27,240
Speaker 4: like when I was in high school, I was playing

488
00:25:27,320 --> 00:25:29,680
Speaker 4: music and it's how I like made my friends. Like

489
00:25:29,800 --> 00:25:32,200
Speaker 4: all of my friends we were jamming together and that

490
00:25:32,359 --> 00:25:34,159
Speaker 4: was like my social scene. And then I feel like,

491
00:25:34,240 --> 00:25:37,119
Speaker 4: once you get into working and traveling so much, the

492
00:25:37,200 --> 00:25:40,119
Speaker 4: community is really important because you're traveling all like my

493
00:25:40,200 --> 00:25:41,760
Speaker 4: band is, we're traveling all together.

494
00:25:41,840 --> 00:25:44,840
Speaker 1: But it becomes a bubble, it's organism.

495
00:25:45,200 --> 00:25:49,480
Speaker 4: It becomes an organism. Yeah, and I forgot that I

496
00:25:49,600 --> 00:25:54,240
Speaker 4: can like look outside of the organism and like, you know,

497
00:25:55,000 --> 00:25:59,720
Speaker 4: have this sounds weird, but like have like human experiences again,

498
00:26:00,000 --> 00:26:02,120
Speaker 4: does this makes sense to do? It makes sense? Yeah.

499
00:26:02,359 --> 00:26:06,520
Speaker 1: You can get super insular when you're working hard, yes,

500
00:26:06,640 --> 00:26:07,520
Speaker 1: and touring a lot.

501
00:26:07,960 --> 00:26:09,640
Speaker 4: Yeah, you know, and that's what you're in that zone

502
00:26:09,720 --> 00:26:11,240
Speaker 4: right now, super in that zone. You know.

503
00:26:11,320 --> 00:26:13,520
Speaker 1: I don't do that anymore. I mean, I to worry,

504
00:26:13,560 --> 00:26:16,720
Speaker 1: but I'm not like at the beginning making things like

505
00:26:17,160 --> 00:26:18,480
Speaker 1: riding a wave anymore.

506
00:26:18,680 --> 00:26:21,520
Speaker 4: So what I remember that the waves being written.

507
00:26:21,760 --> 00:26:24,159
Speaker 1: It's hard. Yeah, you're writing the shit out of it.

508
00:26:24,240 --> 00:26:28,640
Speaker 4: Oh yeah, faking it's like it's psychotic, and it's honestly

509
00:26:29,480 --> 00:26:32,960
Speaker 4: like I was talking to my friend who was playing

510
00:26:33,119 --> 00:26:36,520
Speaker 4: percussion for me at Coachella, and he doesn't like really

511
00:26:36,640 --> 00:26:38,520
Speaker 4: leave town. All of his work is kind of like

512
00:26:38,800 --> 00:26:42,760
Speaker 4: in town work, and and I was just talking and

513
00:26:42,840 --> 00:26:44,480
Speaker 4: I was like, he's like, oh, yeah, you like must

514
00:26:44,520 --> 00:26:46,760
Speaker 4: have people like texting you all the time, blah blah blah,

515
00:26:46,880 --> 00:26:49,520
Speaker 4: or like whatever, you're like busy and hanging around people

516
00:26:49,520 --> 00:26:51,840
Speaker 4: all the time. Because I think he is. And I

517
00:26:51,920 --> 00:26:54,119
Speaker 4: think that that's just like the general perception of the

518
00:26:54,280 --> 00:26:57,080
Speaker 4: job is that it's like you're you have like an

519
00:26:57,119 --> 00:27:00,800
Speaker 4: abundance of friends and fun and party and it's just like,

520
00:27:01,200 --> 00:27:02,960
Speaker 4: like I was talking to it was like actually, like no,

521
00:27:03,119 --> 00:27:05,600
Speaker 4: and like nobody really texts me and I don't really

522
00:27:05,680 --> 00:27:09,560
Speaker 4: talk to people like ever. And then I was like, wait, am.

523
00:27:09,480 --> 00:27:10,920
Speaker 13: I like super lonely?

524
00:27:11,359 --> 00:27:13,480
Speaker 4: And then I started getting in this big trip about

525
00:27:13,560 --> 00:27:15,640
Speaker 4: oh my god, being lonely? Sorry, is this weird?

526
00:27:16,400 --> 00:27:16,440
Speaker 14: No?

527
00:27:16,560 --> 00:27:18,040
Speaker 4: It's great, are you I think?

528
00:27:18,440 --> 00:27:18,920
Speaker 13: Sometimes?

529
00:27:19,000 --> 00:27:21,480
Speaker 4: Yeah, it can be isolating being on the road. Yeah,

530
00:27:21,760 --> 00:27:22,960
Speaker 4: it is super isolation.

531
00:27:23,440 --> 00:27:25,280
Speaker 1: I mean you basically have to have your crew in

532
00:27:25,359 --> 00:27:27,879
Speaker 1: band is either your best friends and that makes it

533
00:27:27,960 --> 00:27:31,240
Speaker 1: a lot better, yeah, or or they're not and that's

534
00:27:31,320 --> 00:27:31,880
Speaker 1: really hard.

535
00:27:32,280 --> 00:27:35,280
Speaker 4: Yeah. I think that when I'm on the road, I'm

536
00:27:35,359 --> 00:27:38,040
Speaker 4: not lonely and isolated because my band they are my

537
00:27:38,119 --> 00:27:40,199
Speaker 4: best friends. I also tour with like my boyfriend too,

538
00:27:40,320 --> 00:27:42,840
Speaker 4: So it's like, which actually is great for me.

539
00:27:43,280 --> 00:27:44,359
Speaker 13: For some people it's bad.

540
00:27:44,520 --> 00:27:47,520
Speaker 4: You know. It can be great when it's great, yeah,

541
00:27:47,640 --> 00:27:49,880
Speaker 4: and it can be not when it's not. Yeah. Yeah,

542
00:27:50,000 --> 00:27:52,400
Speaker 4: but it's great to feel like you have a little

543
00:27:52,400 --> 00:27:54,199
Speaker 4: bit of a family on the road totally.

544
00:27:54,320 --> 00:27:55,920
Speaker 1: So do you feel like you're more lonely when you're

545
00:27:55,960 --> 00:27:56,760
Speaker 1: not on the road.

546
00:27:56,680 --> 00:27:58,639
Speaker 4: Yeah, but that's because I've been on the road for

547
00:27:58,720 --> 00:28:02,040
Speaker 4: two years and it's fine winding down like literally right

548
00:28:02,119 --> 00:28:04,960
Speaker 4: now as we speak, it's like I leave tomorrow for

549
00:28:05,080 --> 00:28:06,879
Speaker 4: three more shows and then that's pretty much it the

550
00:28:06,960 --> 00:28:10,240
Speaker 4: rest of the year. So I'm just anticipating this, like

551
00:28:10,720 --> 00:28:13,520
Speaker 4: I need to like build a life again, and I

552
00:28:13,640 --> 00:28:15,280
Speaker 4: don't know how to do it because I have I'm

553
00:28:15,320 --> 00:28:16,960
Speaker 4: completely out of practice, so I've.

554
00:28:16,880 --> 00:28:19,960
Speaker 1: Been through all that. It's really hard. Yeah, And when

555
00:28:20,000 --> 00:28:23,600
Speaker 1: you finish a tour or take a break without something

556
00:28:23,720 --> 00:28:27,880
Speaker 1: really close on the horizon, it gets really you get depressed.

557
00:28:28,520 --> 00:28:29,119
Speaker 4: Yeah, I do.

558
00:28:29,600 --> 00:28:31,240
Speaker 13: I get really depressed, or I used to.

559
00:28:31,640 --> 00:28:34,680
Speaker 1: Now I have kids, so I'm distracted, heavily distracted, and

560
00:28:34,800 --> 00:28:37,840
Speaker 1: I well, that's good. That is my life basically when

561
00:28:37,840 --> 00:28:42,680
Speaker 1: I'm home, so I don't have that time to wonder

562
00:28:43,000 --> 00:28:44,120
Speaker 1: what I'm doing, you know.

563
00:28:44,280 --> 00:28:47,200
Speaker 4: But I remember that time when I was your age.

564
00:28:48,160 --> 00:28:50,240
Speaker 1: In fact, I was twenty seven when I was my

565
00:28:50,400 --> 00:28:55,760
Speaker 1: most like lost in my life when I got off tour. Yeah,

566
00:28:55,840 --> 00:28:59,120
Speaker 1: and I took a pottery class, dude, I'm saying.

567
00:29:01,040 --> 00:29:04,320
Speaker 4: Like two weeks ago, took a pottery class. PLA. It's

568
00:29:04,360 --> 00:29:07,600
Speaker 4: called bitter Root, which is maybe ten minute drive from

569
00:29:07,640 --> 00:29:09,560
Speaker 4: where we are right now, and I was like, this

570
00:29:09,640 --> 00:29:12,440
Speaker 4: is going to solve my Probably that's exactly what I'm not.

571
00:29:13,640 --> 00:29:16,360
Speaker 4: That's so funny. It actually helps. It's like, you know,

572
00:29:16,560 --> 00:29:17,760
Speaker 4: it's a tool. It's a tool.

573
00:29:18,160 --> 00:29:20,880
Speaker 1: Getting a hobby is a pretty rad thing that I

574
00:29:20,960 --> 00:29:22,800
Speaker 1: didn't learn until I was in my late twenties.

575
00:29:23,240 --> 00:29:25,840
Speaker 4: Dude, me neither. I'm like learning it now, but I

576
00:29:26,440 --> 00:29:28,120
Speaker 4: don't even know if i'm learning it. I know that

577
00:29:28,400 --> 00:29:30,840
Speaker 4: it needs to be learned. I need to actually put

578
00:29:30,880 --> 00:29:31,560
Speaker 4: into practice.

579
00:29:31,680 --> 00:29:32,040
Speaker 13: That's good.

580
00:29:32,120 --> 00:29:34,320
Speaker 4: You're in the you're in the open zone where you

581
00:29:34,560 --> 00:29:37,080
Speaker 4: you know what you need to Yeah. Yeah, And it's

582
00:29:37,120 --> 00:29:39,120
Speaker 4: also weird because I just don't I don't want my

583
00:29:39,240 --> 00:29:42,680
Speaker 4: life to just be like my job and then like

584
00:29:42,920 --> 00:29:45,960
Speaker 4: my significant other and then like me alone. Like it

585
00:29:46,160 --> 00:29:49,040
Speaker 4: just it needs to be enriched. But it's so hard

586
00:29:49,120 --> 00:29:51,440
Speaker 4: to know what to do, so hard to know what

587
00:29:51,520 --> 00:29:51,680
Speaker 4: to do.

588
00:29:52,280 --> 00:29:53,480
Speaker 1: It it'll become clear.

589
00:29:53,920 --> 00:29:55,200
Speaker 13: Yeah, as you keep going.

590
00:29:55,320 --> 00:29:57,360
Speaker 4: But I keep having pregnancy dreams, and I think it's

591
00:29:57,440 --> 00:29:59,920
Speaker 4: because I think it's because part of me is like, oh,

592
00:30:00,120 --> 00:30:03,120
Speaker 4: if I have like dogs or like a kid or

593
00:30:03,200 --> 00:30:05,400
Speaker 4: something like that, the next step is a dog, Yeah,

594
00:30:05,520 --> 00:30:06,120
Speaker 4: before the kid.

595
00:30:06,800 --> 00:30:08,880
Speaker 1: Well that's what I did. You do your own order.

596
00:30:09,000 --> 00:30:11,040
Speaker 1: But like, yeah, I got a dog at twenty seven.

597
00:30:11,560 --> 00:30:13,480
Speaker 4: Yeah, oh my god. Okay, we're on like the same

598
00:30:13,520 --> 00:30:14,240
Speaker 4: little path here.

599
00:30:14,520 --> 00:30:16,480
Speaker 1: Yeah, and then I didn't have kids, so I was

600
00:30:16,520 --> 00:30:21,040
Speaker 1: like thirty four. But I think, yeah, something like that

601
00:30:21,400 --> 00:30:24,120
Speaker 1: helps ground you, and it gives you something, gives you

602
00:30:24,160 --> 00:30:25,960
Speaker 1: a little bit of a purpose when you're not on

603
00:30:26,120 --> 00:30:28,680
Speaker 1: stage or a recording basically. But yeah, but you got

604
00:30:28,760 --> 00:30:32,360
Speaker 1: to make sure you get a travel friendly dog do otherwise.

605
00:30:32,480 --> 00:30:35,560
Speaker 4: Yeah, you know, it's tough. I mean I have. I

606
00:30:35,960 --> 00:30:39,560
Speaker 4: got a dog when I was twenty three. His name

607
00:30:39,640 --> 00:30:42,640
Speaker 4: is Juno, and I named my first record after him.

608
00:30:42,760 --> 00:30:45,160
Speaker 4: He was with me the entire time I made that album,

609
00:30:45,440 --> 00:30:48,680
Speaker 4: and then I went on tour and my parents were like, Okay,

610
00:30:48,720 --> 00:30:50,280
Speaker 4: we'll take care of him while you're on tour because

611
00:30:50,280 --> 00:30:53,200
Speaker 4: he's like forty pounds and he's oh yeah, crazy, and

612
00:30:53,840 --> 00:30:55,040
Speaker 4: he was like, there's it on tour.

613
00:30:55,360 --> 00:30:55,400
Speaker 10: No.

614
00:30:56,280 --> 00:30:57,920
Speaker 4: I mean, that's like the gamble. When you get a

615
00:30:58,000 --> 00:30:59,640
Speaker 4: dog as a puppy. It's like you have no idea

616
00:30:59,640 --> 00:31:01,720
Speaker 4: what they're personality it's going to be. It's true, and

617
00:31:01,920 --> 00:31:05,760
Speaker 4: he was definitely not a tour dog. So I was like, okay,

618
00:31:05,840 --> 00:31:07,720
Speaker 4: can you guys take care of him? And then they've

619
00:31:07,800 --> 00:31:09,600
Speaker 4: just been taking care of him. And they sat me

620
00:31:09,680 --> 00:31:12,680
Speaker 4: down for dinner, maybe six months ago, and they're like,

621
00:31:12,800 --> 00:31:15,200
Speaker 4: he is not your dog anymore. Yeah, you're never getting it.

622
00:31:15,320 --> 00:31:18,000
Speaker 4: You're never getting him back. We love him, he is ours.

623
00:31:18,360 --> 00:31:20,080
Speaker 13: And I was like, okay, but.

624
00:31:20,200 --> 00:31:22,080
Speaker 1: You, I mean, what are you going to do? You've

625
00:31:22,080 --> 00:31:24,600
Speaker 1: got to work. I have to work, and like, and

626
00:31:24,720 --> 00:31:26,920
Speaker 1: you're lucky that he has a stable place and you

627
00:31:27,000 --> 00:31:28,600
Speaker 1: can go exactly exactly.

628
00:31:28,960 --> 00:31:31,320
Speaker 13: Yeah, no, it's great. But now I'm like, fuck, I

629
00:31:31,440 --> 00:31:32,320
Speaker 13: had another dog.

630
00:31:32,840 --> 00:31:34,000
Speaker 1: Oh no, no, you gotta wait.

631
00:31:34,200 --> 00:31:36,720
Speaker 4: Yeah, maybe you have to wait. Maybe wait, I got

632
00:31:36,800 --> 00:31:40,480
Speaker 4: a dog, my dog, Ralph. He's still around and he's

633
00:31:40,560 --> 00:31:43,880
Speaker 4: fifteen years old. Oh my god, is he little? Wait?

634
00:31:44,040 --> 00:31:45,800
Speaker 4: I was twenty seven when I got him. That means

635
00:31:45,880 --> 00:31:48,560
Speaker 4: he's wait, maybe my math is off.

636
00:31:48,680 --> 00:31:50,800
Speaker 1: Okay, maybe I wasn't twenty seven when I got him,

637
00:31:50,800 --> 00:31:55,240
Speaker 1: because he's fifteen now. Anyway, but he's he was supposed

638
00:31:55,240 --> 00:31:57,640
Speaker 1: to be little, yeah, to take like on the plane,

639
00:31:57,720 --> 00:31:59,920
Speaker 1: and he grew and grew.

640
00:32:00,960 --> 00:32:01,800
Speaker 13: He's very tall.

641
00:32:02,040 --> 00:32:05,280
Speaker 4: He's he's more like a medium sized dog. But when

642
00:32:05,280 --> 00:32:07,600
Speaker 4: he was young, I I took him on the plane.

643
00:32:07,920 --> 00:32:09,560
Speaker 4: You know, you put him in a bag, under the

644
00:32:09,600 --> 00:32:13,240
Speaker 4: seat in front of you, which is really it's it's

645
00:32:13,280 --> 00:32:16,200
Speaker 4: actually fine for a lot of small dogs, they're comfortable

646
00:32:16,240 --> 00:32:19,520
Speaker 4: in there. But he wasn't because he's tall, and I mean,

647
00:32:19,560 --> 00:32:22,080
Speaker 4: he wasn't like crammed in the bag. Don't Yeah, I

648
00:32:22,080 --> 00:32:25,920
Speaker 4: don't want any angry letters there. He was. He fit

649
00:32:26,000 --> 00:32:26,400
Speaker 4: in the bag.

650
00:32:26,520 --> 00:32:30,960
Speaker 1: It wasn't like bad, but he got severe anxiety. And

651
00:32:31,120 --> 00:32:34,840
Speaker 1: turns out he got severe anxiety on the plane and

652
00:32:35,080 --> 00:32:37,680
Speaker 1: on a tour bus and a car is the vibration.

653
00:32:39,360 --> 00:32:40,040
Speaker 13: He hates it.

654
00:32:40,600 --> 00:32:42,840
Speaker 4: So yeah, that's I did take him on the butt

655
00:32:42,920 --> 00:32:44,400
Speaker 4: on a few bus tours for a long time.

656
00:32:44,680 --> 00:32:45,760
Speaker 1: He came on tour a lot.

657
00:32:46,240 --> 00:32:48,920
Speaker 4: And after the first three days on the bus he

658
00:32:49,120 --> 00:32:52,200
Speaker 4: totally chilled and he was fine. Oh that's cool. But yeah,

659
00:32:52,280 --> 00:32:55,120
Speaker 4: he was not the like travel ready passport and and

660
00:32:56,280 --> 00:32:58,680
Speaker 4: but he's the best. Oh that's good. He's a sweetie.

661
00:32:58,720 --> 00:33:00,360
Speaker 1: But yeah, for a long time we had have like

662
00:33:00,480 --> 00:33:02,880
Speaker 1: I had to have roommates. I had roommates for a

663
00:33:02,960 --> 00:33:06,240
Speaker 1: while who would just live with me so that I

664
00:33:06,320 --> 00:33:08,480
Speaker 1: could tour and they would just stay with Ralph for

665
00:33:08,600 --> 00:33:12,720
Speaker 1: a couple of years. Some friends just friends, Oh yeah, yeah,

666
00:33:12,800 --> 00:33:13,520
Speaker 1: like close friends.

667
00:33:13,640 --> 00:33:15,840
Speaker 4: Oh that's good. Okay, I live alone right now.

668
00:33:16,080 --> 00:33:16,719
Speaker 13: It's crazy.

669
00:33:17,120 --> 00:33:21,080
Speaker 4: Yeah, it's yeah, it's wild. Does it feel like it?

670
00:33:21,840 --> 00:33:25,880
Speaker 4: It feels at times like it's like the best thing

671
00:33:25,920 --> 00:33:30,280
Speaker 4: ever because I need to have alone time sometimes because

672
00:33:30,280 --> 00:33:35,080
Speaker 4: I am like surrounded by people a lot. But sometimes

673
00:33:35,120 --> 00:33:37,240
Speaker 4: it also it's like, I it'd be nice if there

674
00:33:37,320 --> 00:33:39,440
Speaker 4: was like a warm body, just like even if it's

675
00:33:39,520 --> 00:33:43,000
Speaker 4: like three rooms away. Oh, like the roommates situation. Yea, yeah,

676
00:33:43,760 --> 00:33:47,240
Speaker 4: like I know what you mean. I think I think

677
00:33:47,280 --> 00:33:50,720
Speaker 4: I've lived alone only short periods. Yeah.

678
00:33:51,080 --> 00:33:54,560
Speaker 1: Yeah, it's a trip to be around in Brazilian people

679
00:33:54,640 --> 00:33:57,680
Speaker 1: and then come home and be like who am I?

680
00:33:58,120 --> 00:34:02,160
Speaker 4: Yeah, it's yeah, it's like the weirdest thing to navigate ever.

681
00:34:02,640 --> 00:34:04,360
Speaker 4: Do you have your how long have you been in

682
00:34:04,440 --> 00:34:08,320
Speaker 4: the home here in now to two years? So basically

683
00:34:08,520 --> 00:34:10,960
Speaker 4: while you've been on tour a lot. Yeah, So do

684
00:34:11,000 --> 00:34:12,840
Speaker 4: you have it set up in homie or are you

685
00:34:12,960 --> 00:34:16,560
Speaker 4: not at that phase in your life yet? I think

686
00:34:16,600 --> 00:34:21,080
Speaker 4: that comes in your like mid thirties maybe. Well, yeah,

687
00:34:21,160 --> 00:34:23,880
Speaker 4: it's yeah, it's weird. I'm actually thinking about like buying

688
00:34:23,960 --> 00:34:25,839
Speaker 4: a house right now. It just feels like a thing

689
00:34:25,960 --> 00:34:27,800
Speaker 4: to do. I don't I don't know, like that's what

690
00:34:27,840 --> 00:34:29,600
Speaker 4: you're supposed to do. That's what I'm supposed to do.

691
00:34:30,239 --> 00:34:33,360
Speaker 4: And I kind of like this Coachella weekend actually inspired

692
00:34:33,400 --> 00:34:35,239
Speaker 4: me because we rented this house so that we could

693
00:34:35,280 --> 00:34:38,000
Speaker 4: all stay there and there's a pool and I was like, wait,

694
00:34:38,120 --> 00:34:43,040
Speaker 4: the pool, like the watering hole, like that's where people gather.

695
00:34:44,120 --> 00:34:46,800
Speaker 4: And I was like, what if I had the pool

696
00:34:46,920 --> 00:34:48,920
Speaker 4: where we all gathered. You want to be the hostess

697
00:34:49,000 --> 00:34:51,719
Speaker 4: with the mostest I do, And so I'm like, I

698
00:34:51,840 --> 00:34:54,799
Speaker 4: need a pool, that's right, But we'll see, we'll see

699
00:34:54,840 --> 00:34:57,239
Speaker 4: what happens. And I want to be chill, and I

700
00:34:57,320 --> 00:34:59,640
Speaker 4: think that the I think I'm not chill, and I

701
00:34:59,719 --> 00:35:02,200
Speaker 4: think the pool will chill me out. Potentially. Maybe a

702
00:35:02,239 --> 00:35:04,040
Speaker 4: hot tub would chill you out. Maybe a hot tub.

703
00:35:04,400 --> 00:35:08,600
Speaker 4: That sounds actually fucking great. Yeah I'm into that. Yeah, yeah,

704
00:35:09,080 --> 00:35:11,439
Speaker 4: go back and forth. Yeah that sounds like a good

705
00:35:11,840 --> 00:35:15,160
Speaker 4: like thing. Yeah, it's a good thing. Yeah that's exciting.

706
00:35:15,520 --> 00:35:15,759
Speaker 6: Yeah.

707
00:35:15,920 --> 00:35:18,480
Speaker 4: Yeah. And you can you can like decorate it with

708
00:35:18,560 --> 00:35:22,880
Speaker 4: all your pottery exactly. Yeah. The thing about this pottery place, though,

709
00:35:23,000 --> 00:35:25,520
Speaker 4: is I was I made a bowl. Yeah. I was like, great,

710
00:35:25,640 --> 00:35:27,879
Speaker 4: it's hard to do the wheel, It's so hard.

711
00:35:28,000 --> 00:35:28,200
Speaker 12: Yeah.

712
00:35:28,280 --> 00:35:28,919
Speaker 13: Well, so hard.

713
00:35:28,960 --> 00:35:29,799
Speaker 4: But I made a bowl.

714
00:35:29,920 --> 00:35:31,040
Speaker 13: It looks like a bowl, and.

715
00:35:31,080 --> 00:35:33,560
Speaker 4: Then they're like, you're getting it back in six months.

716
00:35:33,760 --> 00:35:33,960
Speaker 14: I know.

717
00:35:34,080 --> 00:35:38,640
Speaker 4: It's so unsatisfying, right, Yeah, I need the bowl like

718
00:35:38,880 --> 00:35:42,400
Speaker 4: next week, dude. Yeah, but it takes forever to finish

719
00:35:42,480 --> 00:35:44,400
Speaker 4: it and bring it home. Yeah, what is up for that?

720
00:35:44,480 --> 00:35:44,919
Speaker 4: It's weird.

721
00:35:45,160 --> 00:35:47,120
Speaker 1: Well, because you know they're on their own schedule with

722
00:35:47,280 --> 00:35:50,640
Speaker 1: whatever firing kiln they have, and yeah, you get a

723
00:35:50,719 --> 00:35:53,279
Speaker 1: pay once you start. If you can go regularly, it

724
00:35:53,360 --> 00:35:54,240
Speaker 1: gets more clear.

725
00:35:54,400 --> 00:35:57,200
Speaker 4: But yeah, I do go regularly. Do you still do?

726
00:35:57,360 --> 00:35:59,440
Speaker 4: Not right now? But I did.

727
00:35:59,760 --> 00:36:02,960
Speaker 1: I haven't done it since like the pandemic basically. But

728
00:36:03,760 --> 00:36:06,040
Speaker 1: I I'm not great at the wheel, but I make

729
00:36:06,120 --> 00:36:09,160
Speaker 1: these weird masks because I grew up going to pottery

730
00:36:09,360 --> 00:36:11,160
Speaker 1: and making these weird masks.

731
00:36:10,960 --> 00:36:12,600
Speaker 4: And so I just sort of do what I know

732
00:36:13,239 --> 00:36:15,719
Speaker 4: from childhood, and so I do I do that. I

733
00:36:15,800 --> 00:36:18,160
Speaker 4: do like the hand stuff. I like the hand stuff

734
00:36:18,200 --> 00:36:21,960
Speaker 4: better I took. I was like huge art kid in

735
00:36:22,400 --> 00:36:24,320
Speaker 4: like middle school and high school, and I was always

736
00:36:24,360 --> 00:36:27,960
Speaker 4: in ceramics making oh cool making. I guess I made

737
00:36:28,040 --> 00:36:30,400
Speaker 4: a couple of masks, but I would make like sculptures

738
00:36:30,440 --> 00:36:33,480
Speaker 4: of shoes and like, oh, weird shit. Yeah, I would

739
00:36:33,520 --> 00:36:36,560
Speaker 4: make weird so too. Yeah. So it's familiar. It's familiar.

740
00:36:36,680 --> 00:36:37,120
Speaker 13: That's good.

741
00:36:37,280 --> 00:36:39,200
Speaker 4: Yeah, yeah for sure. When I was a kid, I

742
00:36:39,280 --> 00:36:41,279
Speaker 4: took the same class every year and I would make

743
00:36:41,360 --> 00:36:47,160
Speaker 4: this thing called slug Land. It's stupid. It's just a

744
00:36:47,280 --> 00:36:50,160
Speaker 4: slab with like a slug family on it.

745
00:36:50,600 --> 00:36:53,719
Speaker 13: Oh that's cute, it's really weird. That's cool.

746
00:36:53,880 --> 00:36:55,480
Speaker 4: Well, I mean I think it's cool. It's cool.

747
00:36:55,560 --> 00:36:57,720
Speaker 1: But like I think we had slugs on our porch

748
00:36:57,880 --> 00:37:00,279
Speaker 1: in Texas and they were always there and it was

749
00:37:00,320 --> 00:37:00,800
Speaker 1: so gross.

750
00:37:00,840 --> 00:37:03,080
Speaker 13: And I don't know that's slugs, not snails.

751
00:37:03,360 --> 00:37:08,320
Speaker 4: Slugs. Actual slugs, like banana slugs are like big, yeah, random,

752
00:37:08,520 --> 00:37:10,560
Speaker 4: probably like that, like yellow slugs.

753
00:37:10,680 --> 00:37:13,080
Speaker 1: No, they were gray, they were gray. They weren't very pretty.

754
00:37:13,200 --> 00:37:17,040
Speaker 4: But wow, that's cool. Slug Land anyway, it's like polly

755
00:37:17,120 --> 00:37:17,960
Speaker 4: Land but slugs.

756
00:37:18,160 --> 00:37:18,359
Speaker 16: Yeah.

757
00:37:18,360 --> 00:37:21,160
Speaker 1: But I kept doing like different ones, like you don't

758
00:37:21,160 --> 00:37:22,080
Speaker 1: need more than one.

759
00:37:24,160 --> 00:37:24,399
Speaker 4: Plate.

760
00:37:25,160 --> 00:37:26,640
Speaker 13: No, it was functionless.

761
00:37:27,520 --> 00:37:28,360
Speaker 1: There's no heart.

762
00:37:28,440 --> 00:37:28,879
Speaker 4: That's art.

763
00:37:30,320 --> 00:37:30,879
Speaker 13: I'm not sure.

764
00:37:30,920 --> 00:37:34,640
Speaker 4: It was hard. It was like my nightmares come to life.

765
00:37:34,719 --> 00:37:53,319
Speaker 8: Oh my god, got this fan?

766
00:37:54,160 --> 00:37:59,839
Speaker 9: Oh not the good card.

767
00:38:00,080 --> 00:38:04,960
Speaker 14: This Parma stoic makes my scape cold. Look at the slave,

768
00:38:07,239 --> 00:38:12,840
Speaker 14: so so patient, so easy.

769
00:38:13,480 --> 00:38:20,040
Speaker 8: It's I can from it. I will show it to

770
00:38:21,000 --> 00:38:25,160
Speaker 8: a feel on and baby from it.

771
00:38:25,760 --> 00:38:40,000
Speaker 11: I will show it to the child. May sakee.

772
00:38:39,640 --> 00:38:45,960
Speaker 18: Game Holway staggle here make easy.

773
00:38:46,440 --> 00:38:54,960
Speaker 7: It's it's a mod and a boos. Even mother food

774
00:38:56,000 --> 00:38:58,480
Speaker 7: showed my mom for script.

775
00:38:58,239 --> 00:39:05,120
Speaker 6: Sh you know.

776
00:39:07,920 --> 00:39:12,960
Speaker 9: Oh, I'm coming over the walls. I made getting over

777
00:39:13,040 --> 00:39:14,400
Speaker 9: that pass in my head.

778
00:39:15,640 --> 00:39:17,840
Speaker 8: So I put my.

779
00:39:18,080 --> 00:39:25,520
Speaker 20: Bread and toaster and I'm making uppen in an easy baby.

780
00:39:26,920 --> 00:39:33,200
Speaker 20: But we're not out man, feel wanted baby. I can't

781
00:39:33,440 --> 00:39:34,000
Speaker 20: prove it.

782
00:39:34,560 --> 00:39:41,719
Speaker 9: I will show to it, feeled baby, I can't prove it.

783
00:39:42,320 --> 00:39:44,440
Speaker 8: I will show it to you.

784
00:39:45,040 --> 00:39:55,840
Speaker 9: Godby take the heavy.

785
00:39:56,320 --> 00:39:59,799
Speaker 6: Game in Alastad.

786
00:40:01,120 --> 00:40:07,960
Speaker 18: You'll make easies and chew. It's a moment and the

787
00:40:08,120 --> 00:40:14,160
Speaker 18: blues even mother a blues, your mom?

788
00:40:14,640 --> 00:40:16,200
Speaker 8: What was somebody?

789
00:40:22,760 --> 00:40:33,040
Speaker 21: The fire and the flame statues work one the same,

790
00:40:34,880 --> 00:40:41,200
Speaker 21: Chee and I really like the fire in the flame.

791
00:40:41,960 --> 00:40:43,080
Speaker 4: That is.

792
00:40:45,880 --> 00:40:53,320
Speaker 6: Because work one and the same Histoe and I really

793
00:40:53,520 --> 00:40:58,959
Speaker 6: like it. We did it. That's great.

794
00:41:01,120 --> 00:41:02,480
Speaker 4: That's a good one. Thank you.

795
00:41:03,120 --> 00:41:03,719
Speaker 6: You like that one?

796
00:41:03,800 --> 00:41:08,000
Speaker 4: Okay, I do this one makes me nervous for some reason. Well,

797
00:41:08,040 --> 00:41:10,920
Speaker 4: first of all, it's not out so it's just scary

798
00:41:11,040 --> 00:41:12,520
Speaker 4: when you're leading up to that.

799
00:41:12,960 --> 00:41:15,560
Speaker 1: Oh, like you don't know how people will respond.

800
00:41:17,000 --> 00:41:20,360
Speaker 13: It just feels vulnerable. And I also wrote it for

801
00:41:21,320 --> 00:41:21,840
Speaker 13: this show.

802
00:41:22,320 --> 00:41:25,200
Speaker 4: Oh so it's something which is something I've never done.

803
00:41:25,320 --> 00:41:29,359
Speaker 4: What show. It's called I'm a Virgo and it's it's

804
00:41:29,440 --> 00:41:31,440
Speaker 4: directed by this guy, Boots Riley. Do you know who

805
00:41:31,480 --> 00:41:34,799
Speaker 4: that He did that movie Sorry to Bother You, which

806
00:41:34,840 --> 00:41:39,120
Speaker 4: is like crazy. He's like a crazy psychedelic madman. So

807
00:41:39,280 --> 00:41:42,040
Speaker 4: I think it's going to be this really crazy psychedelic show.

808
00:41:42,520 --> 00:41:43,840
Speaker 4: But yeah, I wrote it.

809
00:41:43,880 --> 00:41:44,319
Speaker 6: For the show.

810
00:41:44,440 --> 00:41:47,240
Speaker 4: And it's also just very different from my other stuff,

811
00:41:47,400 --> 00:41:48,759
Speaker 4: which might be good. I don't know.

812
00:41:49,000 --> 00:41:49,800
Speaker 1: Oh it's different.

813
00:41:49,960 --> 00:41:52,120
Speaker 4: I know what you mean when something's very different from

814
00:41:52,160 --> 00:41:52,799
Speaker 4: everything else.

815
00:41:52,880 --> 00:41:54,200
Speaker 1: It's it's late.

816
00:41:54,640 --> 00:41:57,759
Speaker 4: Yeah, it is a little more vulnerable. It feels vulnerable. Yeah,

817
00:41:57,920 --> 00:41:59,799
Speaker 4: it's fine saying it is fun.

818
00:42:00,120 --> 00:42:01,640
Speaker 1: Well you sound great, thank you.

819
00:42:01,960 --> 00:42:05,160
Speaker 4: That's cool. Sound great too. I like the re harms. Yeah,

820
00:42:05,280 --> 00:42:07,520
Speaker 4: I didn't mean to. I think I was here, but

821
00:42:07,600 --> 00:42:08,040
Speaker 4: that's cool.

822
00:42:08,320 --> 00:42:10,640
Speaker 1: I heard the minor four in one part and I

823
00:42:10,840 --> 00:42:13,759
Speaker 1: liked it a lot. Yeah, but yeah, good, I'm glad

824
00:42:13,840 --> 00:42:15,600
Speaker 1: you didn't mind that it wasn't exact.

825
00:42:15,920 --> 00:42:18,040
Speaker 13: I don't give I don't give a shit, dude.

826
00:42:18,840 --> 00:42:20,800
Speaker 4: This is this is very fun for me. Thank you

827
00:42:20,960 --> 00:42:24,200
Speaker 4: for like learning my songs. Oh, I'm honestly such an honor,

828
00:42:24,320 --> 00:42:25,759
Speaker 4: Like it's crazy, So thank you.

829
00:42:26,239 --> 00:42:28,279
Speaker 1: It's fun for me, and you know it keeps my

830
00:42:28,400 --> 00:42:33,200
Speaker 1: brain inspired. Yeah, active, but like actually inspired, like learning

831
00:42:33,239 --> 00:42:35,759
Speaker 1: all of these songs by different people. Everybody has a

832
00:42:35,840 --> 00:42:39,120
Speaker 1: different thing they go towards, and you're always just.

833
00:42:39,160 --> 00:42:42,160
Speaker 4: Picking stuff up and learning. Do you like see the

834
00:42:42,320 --> 00:42:45,360
Speaker 4: patterns and people's chord progressions some stuff?

835
00:42:45,640 --> 00:42:45,879
Speaker 13: Yeah?

836
00:42:45,960 --> 00:42:49,600
Speaker 1: Yeah, I haven't completely found yours, but I think I

837
00:42:49,760 --> 00:42:55,400
Speaker 1: tend to gravitate towards specific keys, and I think I

838
00:42:55,840 --> 00:42:56,640
Speaker 1: fluctuate a lot.

839
00:42:56,800 --> 00:43:00,600
Speaker 4: Recently in my writing, I've been loving a major six. Yeah,

840
00:43:00,840 --> 00:43:07,120
Speaker 4: that's been very fun for me. Those are great major.

841
00:43:07,640 --> 00:43:09,480
Speaker 4: I don't know do you mostly Do you only write

842
00:43:09,480 --> 00:43:11,480
Speaker 4: a guitar? Do you play piano or keys or anything?

843
00:43:12,520 --> 00:43:15,400
Speaker 4: You did mostly write on guitar, but a lot of

844
00:43:15,480 --> 00:43:18,719
Speaker 4: the times. My one of my co writers that I

845
00:43:18,800 --> 00:43:23,960
Speaker 4: write with, like I've written most of my catalog with him.

846
00:43:24,600 --> 00:43:27,800
Speaker 4: His name's Jared and he is an incredible guitar player

847
00:43:28,600 --> 00:43:31,759
Speaker 4: name Jared Solomon, and we grew up together. We were

848
00:43:31,840 --> 00:43:34,320
Speaker 4: like in bands together when we were fifteen and sixteen,

849
00:43:34,360 --> 00:43:37,839
Speaker 4: so he's known yeh, known each other for a long

850
00:43:37,960 --> 00:43:40,839
Speaker 4: time and have been making music together for a long time,

851
00:43:40,960 --> 00:43:44,080
Speaker 4: and I just a lot of the time he is

852
00:43:45,040 --> 00:43:48,400
Speaker 4: just a genius. So he's just like making these crazy

853
00:43:48,480 --> 00:43:50,560
Speaker 4: progressions that I don't even really know what's going on,

854
00:43:50,760 --> 00:43:52,920
Speaker 4: but I will staying on top of them. But when

855
00:43:52,960 --> 00:43:57,239
Speaker 4: I write alone, I tend to love what do I like?

856
00:43:57,480 --> 00:44:00,600
Speaker 4: I love a one for yeah, or like a four

857
00:44:00,719 --> 00:44:03,680
Speaker 4: or five I like. I love two chord songs I

858
00:44:03,800 --> 00:44:07,080
Speaker 4: do too. I love them well like disco Man's Disco Man.

859
00:44:07,200 --> 00:44:09,440
Speaker 1: Yeah, yeah, I write it's just a jam, and then

860
00:44:09,440 --> 00:44:11,960
Speaker 1: you can put you can put different melodies over it

861
00:44:12,080 --> 00:44:14,000
Speaker 1: and change it and have a chorus and you can.

862
00:44:14,239 --> 00:44:16,600
Speaker 4: Yeah, it's just fun. It's like easy and breezy and

863
00:44:16,800 --> 00:44:20,920
Speaker 4: just like awesome. And sometimes, like if I'm writing alone,

864
00:44:21,000 --> 00:44:24,399
Speaker 4: it's just too complicated for me to have too many

865
00:44:24,480 --> 00:44:27,120
Speaker 4: progressions going on because I'm not a great I like,

866
00:44:27,200 --> 00:44:29,279
Speaker 4: can definitely make my way around a guitar, but I'm

867
00:44:29,320 --> 00:44:31,800
Speaker 4: not like a great player, so it's just easier to

868
00:44:31,880 --> 00:44:35,000
Speaker 4: keep it simple. Two chord bangers love them.

869
00:44:34,960 --> 00:44:35,480
Speaker 13: It's great.

870
00:44:35,600 --> 00:44:37,759
Speaker 1: And then you have fun and you can dance while

871
00:44:37,760 --> 00:44:40,439
Speaker 1: you're playing. You can dance, you can kind of, yeah,

872
00:44:41,360 --> 00:44:43,239
Speaker 1: I know what you mean. When there's too much going on,

873
00:44:43,360 --> 00:44:44,920
Speaker 1: it gets a little it's crazy.

874
00:44:45,000 --> 00:44:47,479
Speaker 4: I mean it's it's it's crazy. But when other people

875
00:44:47,520 --> 00:44:50,160
Speaker 4: are doing the crazy, then I can like like do

876
00:44:50,320 --> 00:44:53,000
Speaker 4: my crazy, yeah a little more. Do you ever play

877
00:44:53,040 --> 00:44:53,920
Speaker 4: guitar in your shows?

878
00:44:54,719 --> 00:44:54,759
Speaker 5: Not?

879
00:44:55,040 --> 00:44:57,080
Speaker 4: I really don't. I hate playing on stage.

880
00:44:57,200 --> 00:44:59,520
Speaker 1: Why because you can't dance, I can't free Yeah.

881
00:44:59,560 --> 00:45:02,160
Speaker 4: Yeah. I love moving and I love holding the mic.

882
00:45:02,239 --> 00:45:04,440
Speaker 4: And I think if I were to ever play something,

883
00:45:04,520 --> 00:45:06,800
Speaker 4: I would want to play bass or something because that

884
00:45:06,960 --> 00:45:07,920
Speaker 4: just feels more.

885
00:45:07,880 --> 00:45:11,480
Speaker 1: Like like you can wobble around like it's weady.

886
00:45:11,719 --> 00:45:11,919
Speaker 4: Yeah.

887
00:45:12,200 --> 00:45:14,200
Speaker 1: On the opposite, if I don't have a guitar or

888
00:45:14,280 --> 00:45:16,880
Speaker 1: a piano on stage, I don't know how to move.

889
00:45:16,920 --> 00:45:18,120
Speaker 1: It's like I don't know how to move.

890
00:45:18,640 --> 00:45:18,879
Speaker 4: Really.

891
00:45:19,200 --> 00:45:21,040
Speaker 13: Yeah, it's like you normally play.

892
00:45:21,400 --> 00:45:24,920
Speaker 1: I play, I don't really play piano, and then some

893
00:45:25,120 --> 00:45:27,560
Speaker 1: guitar on stage, some guitar. Yeah, I'm not a great

894
00:45:27,560 --> 00:45:30,880
Speaker 1: guitar player, but I I like to switch it up.

895
00:45:31,239 --> 00:45:33,120
Speaker 1: I like getting up from the piano because I like

896
00:45:33,200 --> 00:45:35,800
Speaker 1: to face the audience and I love to play the guitar.

897
00:45:36,480 --> 00:45:39,759
Speaker 1: But yeah, the piano is so awesome, but it's so

898
00:45:40,040 --> 00:45:44,120
Speaker 1: limiting on stage. It really separates you from everybody. It

899
00:45:44,280 --> 00:45:48,239
Speaker 1: separates you from the band. Do you like with your

900
00:45:48,480 --> 00:45:51,000
Speaker 1: stage plot? Is it like you and the center with

901
00:45:51,080 --> 00:45:51,480
Speaker 1: the piano.

902
00:45:51,760 --> 00:45:54,560
Speaker 4: It's a constant struggle because I have to see everybody.

903
00:45:55,080 --> 00:45:57,680
Speaker 1: I like to be close. I don't like being too

904
00:45:57,760 --> 00:45:58,200
Speaker 1: far away.

905
00:45:58,360 --> 00:45:58,560
Speaker 5: Yeah.

906
00:45:59,440 --> 00:46:02,840
Speaker 1: I don't like laying on monitors, you know, so I

907
00:46:02,960 --> 00:46:05,360
Speaker 1: like to be close enough. I mean, we have monitors obviously.

908
00:46:05,760 --> 00:46:07,400
Speaker 13: Do you do any monitors or no?

909
00:46:07,880 --> 00:46:11,920
Speaker 1: Okay, I used to when I was, you know, starting

910
00:46:11,960 --> 00:46:14,360
Speaker 1: out we were playing bigger venues though.

911
00:46:14,320 --> 00:46:18,239
Speaker 4: So yeah, but I hate them. Yeah, I mean, you know,

912
00:46:18,520 --> 00:46:20,640
Speaker 4: I feel like you probably need them with the kind

913
00:46:20,640 --> 00:46:24,480
Speaker 4: of places you play, especially Coachella, you know, like I.

914
00:46:24,520 --> 00:46:25,759
Speaker 13: Mean, yeah, you can't get around it.

915
00:46:26,040 --> 00:46:28,880
Speaker 4: Yeah. So and a lot of the rooms I've been playing,

916
00:46:29,040 --> 00:46:32,320
Speaker 4: like theaters are just so verby.

917
00:46:32,640 --> 00:46:35,279
Speaker 13: They are if they can trip you up, it's yeah,

918
00:46:35,480 --> 00:46:36,320
Speaker 13: it's just trippy.

919
00:46:36,520 --> 00:46:38,920
Speaker 4: So you kind of need it. But I'm bad, and

920
00:46:39,000 --> 00:46:41,560
Speaker 4: I do One year in one ear out Is that bad?

921
00:46:41,960 --> 00:46:42,479
Speaker 4: It's bad.

922
00:46:42,760 --> 00:46:44,479
Speaker 13: It's bad for your hearing, bad for your hearing.

923
00:46:44,560 --> 00:46:46,719
Speaker 4: Yeah, this year is this is the one I take

924
00:46:46,800 --> 00:46:50,440
Speaker 4: out and there's a noticeable difference. So which one is

925
00:46:50,480 --> 00:46:53,160
Speaker 4: it bad? For the one you don't use it in?

926
00:46:53,480 --> 00:46:53,680
Speaker 13: Yeah?

927
00:46:54,040 --> 00:46:57,399
Speaker 1: See, I feel like when I used to use them,

928
00:46:57,680 --> 00:46:59,879
Speaker 1: it was the ear I had in that would ring.

929
00:47:00,400 --> 00:47:02,920
Speaker 1: After that fact, maybe I just I think my stage

930
00:47:03,000 --> 00:47:05,840
Speaker 1: volume has never been that loud. Yeah, so you probably

931
00:47:05,880 --> 00:47:07,000
Speaker 1: have a much louder.

932
00:47:06,960 --> 00:47:12,200
Speaker 4: Mine's a loudishing thing because we're going just everybody's going crazy. Yeah,

933
00:47:12,200 --> 00:47:14,480
Speaker 4: and it's just it's just loud, and I like it

934
00:47:14,640 --> 00:47:16,560
Speaker 4: to be loud so that I can like feel the

935
00:47:16,800 --> 00:47:19,000
Speaker 4: energy of it, because if it's too quiet, then I'm like,

936
00:47:19,360 --> 00:47:23,239
Speaker 4: it's it's just so dissociative for something. Yeah, yeah, yeah,

937
00:47:23,280 --> 00:47:26,200
Speaker 4: I know. You mean, yeah, it's such a it's everybody

938
00:47:26,280 --> 00:47:29,680
Speaker 4: does things different. Yeah, you know, it's crazy so different.

939
00:47:29,800 --> 00:47:32,800
Speaker 4: It's awesome. Though. The only other person that I know

940
00:47:32,960 --> 00:47:37,840
Speaker 4: that doesn't use in your monitors is Madison Cunningham. Do

941
00:47:37,880 --> 00:47:39,680
Speaker 4: you know her? I know who she is? I think, yeah,

942
00:47:39,960 --> 00:47:42,160
Speaker 4: And she like just has her four piece and they're

943
00:47:42,200 --> 00:47:45,640
Speaker 4: all just like really close together and yeah, they hate

944
00:47:45,719 --> 00:47:48,279
Speaker 4: in ears and they just rock the wedge. Yeah, it's

945
00:47:48,360 --> 00:47:49,400
Speaker 4: my favorite way to do it.

946
00:47:49,719 --> 00:47:49,919
Speaker 5: Yeah.

947
00:47:50,000 --> 00:47:52,520
Speaker 4: The piano just kind of throws a wrench into it. Yeah,

948
00:47:52,800 --> 00:47:55,080
Speaker 4: do you use the grand piano or I do I

949
00:47:55,320 --> 00:47:58,040
Speaker 4: for a long time, in the middle of the last

950
00:47:58,080 --> 00:48:01,120
Speaker 4: twenty years, I used to upright because I was playing

951
00:48:01,120 --> 00:48:01,600
Speaker 4: more guitar.

952
00:48:02,040 --> 00:48:04,600
Speaker 1: But that's when I had a bigger band and I

953
00:48:04,640 --> 00:48:07,279
Speaker 1: didn't play as much piano. And now I have a

954
00:48:07,400 --> 00:48:10,200
Speaker 1: smaller band and I'm like really digging into the piano.

955
00:48:10,320 --> 00:48:12,719
Speaker 1: And I might try it upright again, but I think

956
00:48:12,719 --> 00:48:16,439
Speaker 1: I'll miss the low end, you know, but whatever, blah blah.

957
00:48:16,800 --> 00:48:17,799
Speaker 13: This is some nerd talk?

958
00:48:18,160 --> 00:48:18,960
Speaker 4: Is this nerd talk?

959
00:48:19,280 --> 00:48:19,719
Speaker 6: Not to me?

960
00:48:20,120 --> 00:48:20,800
Speaker 4: But not to me?

961
00:48:20,960 --> 00:48:23,360
Speaker 1: I wonder if people listening are I think they're bored.

962
00:48:23,640 --> 00:48:25,600
Speaker 13: I don't know, Are you guys bored?

963
00:48:26,280 --> 00:48:29,120
Speaker 4: Yeah, you guys, this is like interesting. This is what

964
00:48:29,239 --> 00:48:32,320
Speaker 4: I'm interested in. I know, well, because you're a musician.

965
00:48:32,440 --> 00:48:34,880
Speaker 1: I don't know if everybody is interested in this stuff,

966
00:48:34,920 --> 00:48:37,320
Speaker 1: but I think it's interesting everybody, everybody.

967
00:48:37,480 --> 00:48:38,759
Speaker 4: I just like to hear what people do.

968
00:48:39,280 --> 00:48:43,160
Speaker 1: It's like I need to learn everybody slices their ham differently. Wait,

969
00:48:43,480 --> 00:48:47,360
Speaker 1: that's not a thing, turkey turkey. Maybe no, there's like

970
00:48:47,440 --> 00:48:48,320
Speaker 1: a way to slice it.

971
00:48:48,960 --> 00:48:50,960
Speaker 4: Yeah, I feel like there's definitely a way to slice

972
00:48:50,960 --> 00:48:52,759
Speaker 4: Ham too. I know people like Cube Ham and do

973
00:48:52,840 --> 00:48:56,560
Speaker 4: shit like that. What about like the Deviled Ham? What

974
00:48:56,760 --> 00:48:56,920
Speaker 4: is that?

975
00:48:57,480 --> 00:48:57,600
Speaker 14: Is that?

976
00:48:57,840 --> 00:49:01,759
Speaker 4: Just like minced Ham, Deviled old Hand? I've never heard

977
00:49:01,800 --> 00:49:01,960
Speaker 4: of that.

978
00:49:02,120 --> 00:49:04,080
Speaker 1: That'd be a good band name, devil Ham.

979
00:49:04,880 --> 00:49:05,480
Speaker 13: That's fire.

980
00:49:07,040 --> 00:49:08,839
Speaker 4: You're recording an album. I'm recording an album.

981
00:49:09,640 --> 00:49:11,520
Speaker 1: Do you have any idea when it's going to be done?

982
00:49:11,880 --> 00:49:14,880
Speaker 4: Probably soonish? Yeah, I want it to be done soonish

983
00:49:14,920 --> 00:49:17,680
Speaker 4: because I'm kind of over it. I've pretty much been

984
00:49:17,719 --> 00:49:20,360
Speaker 4: writing it for a year and a half. Now what

985
00:49:20,520 --> 00:49:21,279
Speaker 4: you said, you are?

986
00:49:21,320 --> 00:49:24,080
Speaker 1: You writing a lot and then you whittle it down

987
00:49:24,280 --> 00:49:27,320
Speaker 1: very from a huge swath of songs.

988
00:49:27,560 --> 00:49:30,040
Speaker 4: Yeah, there's probably like fifty songs or something.

989
00:49:30,120 --> 00:49:30,960
Speaker 13: That is crazy.

990
00:49:31,480 --> 00:49:33,880
Speaker 4: Yeah, that sounds intense. I've never done it like that.

991
00:49:34,280 --> 00:49:37,640
Speaker 4: It's super intense. Have you really never? What's your What

992
00:49:37,760 --> 00:49:42,080
Speaker 4: do you do? I normally have a group of songs

993
00:49:42,360 --> 00:49:45,280
Speaker 4: and get excited and start doing it, and I usually

994
00:49:45,400 --> 00:49:48,239
Speaker 4: have very few on the floor after like maybe two

995
00:49:48,400 --> 00:49:51,160
Speaker 4: or three if I'm lucky, very few on the floor

996
00:49:51,360 --> 00:49:52,720
Speaker 4: Like that don't make the record.

997
00:49:53,320 --> 00:49:55,879
Speaker 13: Oh really, okay, that's crazy? Okay, Yeah.

998
00:49:56,000 --> 00:50:00,799
Speaker 4: My My process is super has been super I think

999
00:50:00,840 --> 00:50:04,760
Speaker 4: it's because I work with different people. Like I haven't

1000
00:50:04,960 --> 00:50:09,480
Speaker 4: yet done a project that's like solely one producer or

1001
00:50:09,560 --> 00:50:12,680
Speaker 4: a project where it's like I'm taking songs to a producer.

1002
00:50:12,760 --> 00:50:15,000
Speaker 4: It's more like I go in, we have a session,

1003
00:50:15,080 --> 00:50:17,520
Speaker 4: and we like make the song in the room with

1004
00:50:17,680 --> 00:50:18,839
Speaker 4: different people. Yeah.

1005
00:50:19,080 --> 00:50:21,279
Speaker 1: Yeah, but that's sort of a typical way to do

1006
00:50:21,400 --> 00:50:26,160
Speaker 1: it in the world of pop music. And yeah, that

1007
00:50:26,400 --> 00:50:30,080
Speaker 1: kind of pop well more like popular music, right, yeah.

1008
00:50:29,960 --> 00:50:32,279
Speaker 4: I think so. I mean that's what That's definitely what

1009
00:50:32,360 --> 00:50:34,279
Speaker 4: a lot of people in LA do. It's a very

1010
00:50:34,520 --> 00:50:38,480
Speaker 4: la yeah type thing. But it's been interesting because I

1011
00:50:39,000 --> 00:50:41,759
Speaker 4: have these songs. I have like fifty of them or

1012
00:50:41,880 --> 00:50:44,400
Speaker 4: something like that. I like them all. There's ones that

1013
00:50:44,440 --> 00:50:46,759
Speaker 4: I definitely like more. But since I've gotten home from

1014
00:50:46,840 --> 00:50:48,879
Speaker 4: tour and I get I get in these like little

1015
00:50:48,920 --> 00:50:52,279
Speaker 4: depression things. But it's kind of awesome because I will

1016
00:50:52,360 --> 00:50:54,840
Speaker 4: sit in my house and I've just been writing songs

1017
00:50:55,040 --> 00:50:57,520
Speaker 4: alone on the guitar, which I haven't done in years.

1018
00:50:57,760 --> 00:51:00,359
Speaker 4: Oh yeah, like because you've been too busy, too busy

1019
00:51:00,480 --> 00:51:03,880
Speaker 4: to do it, and I'm just like, I feel like

1020
00:51:03,960 --> 00:51:08,080
Speaker 4: that needs to be the next thing, you know, which

1021
00:51:08,120 --> 00:51:11,080
Speaker 4: I think is maybe more of a it's a more

1022
00:51:11,160 --> 00:51:13,200
Speaker 4: focused project, more focused project.

1023
00:51:13,400 --> 00:51:16,200
Speaker 1: Yeah, I mean writing that way is so cool because

1024
00:51:16,239 --> 00:51:18,960
Speaker 1: you're going it's like going fishing and you're like catching

1025
00:51:19,000 --> 00:51:23,040
Speaker 1: all this cool stuff. But being in a zone and

1026
00:51:23,280 --> 00:51:26,600
Speaker 1: catching a vibe and then like threading it through everything

1027
00:51:26,960 --> 00:51:27,759
Speaker 1: is a different way.

1028
00:51:28,120 --> 00:51:30,680
Speaker 13: It's a totally different way that I think I really

1029
00:51:30,760 --> 00:51:31,160
Speaker 13: want to do.

1030
00:51:31,960 --> 00:51:34,640
Speaker 4: Yeah you will. Yeah, I think there's just so many

1031
00:51:34,680 --> 00:51:36,680
Speaker 4: things I want to do, and I feel like I'm

1032
00:51:36,760 --> 00:51:40,239
Speaker 4: just like, yeah, I'm like, can I focus for once

1033
00:51:40,320 --> 00:51:43,440
Speaker 4: in my life? Don't really get to talk to people

1034
00:51:44,600 --> 00:51:47,839
Speaker 4: like you a lot who have like done what I'm

1035
00:51:47,920 --> 00:51:51,319
Speaker 4: doing and are have done it for a way longer

1036
00:51:51,400 --> 00:51:53,640
Speaker 4: time and have kind of just been through the ringers.

1037
00:51:53,719 --> 00:51:57,800
Speaker 4: So thank you for talking to me. I'm happy to

1038
00:51:57,920 --> 00:52:01,799
Speaker 4: talk to you. It makes me feel us insane. Call

1039
00:52:01,880 --> 00:52:05,120
Speaker 4: me anytime, except I mean, you're on a much different ride.

1040
00:52:05,280 --> 00:52:07,719
Speaker 1: You know, we're we're still on different rides, so I

1041
00:52:07,719 --> 00:52:12,200
Speaker 1: don't different very different worlds and like different stage setup,

1042
00:52:12,920 --> 00:52:13,680
Speaker 1: you know, everything.

1043
00:52:14,120 --> 00:52:17,480
Speaker 4: But still, yeah, there's a common there's a common thing.

1044
00:52:17,600 --> 00:52:18,359
Speaker 4: If you ever need.

1045
00:52:18,280 --> 00:52:24,360
Speaker 13: Anything, Okay, should we just try this?

1046
00:52:24,560 --> 00:52:26,239
Speaker 4: I think I might be really bad at singing the

1047
00:52:26,320 --> 00:52:28,239
Speaker 4: song when I was when I threw this out as

1048
00:52:28,280 --> 00:52:31,439
Speaker 4: an option. I did not realize that I was gonna

1049
00:52:31,480 --> 00:52:32,839
Speaker 4: have to sing it. I think I was like, oh,

1050
00:52:32,880 --> 00:52:34,960
Speaker 4: this is a great one, do try. It was gonna happen.

1051
00:52:34,960 --> 00:52:35,840
Speaker 1: I was going to sing it for you.

1052
00:52:38,200 --> 00:52:38,560
Speaker 6: I don't know.

1053
00:52:39,080 --> 00:52:41,440
Speaker 4: Well, we try it. It's high because her voice is

1054
00:52:41,600 --> 00:52:50,120
Speaker 4: very high. Yeah, it's so high. Okay, I know it now.

1055
00:52:50,320 --> 00:52:53,040
Speaker 4: I was like, what the fuck do I know on this? Okay?

1056
00:52:53,920 --> 00:52:56,160
Speaker 13: Ready, yeah, okay?

1057
00:52:57,320 --> 00:53:07,160
Speaker 15: On the high were digging gooday afternoon, full up the highway.

1058
00:53:07,600 --> 00:53:10,840
Speaker 15: We're heading for a Sunday afternoon.

1059
00:53:13,320 --> 00:53:18,480
Speaker 7: Plenty of sunshine letting the way for of the things do,

1060
00:53:20,840 --> 00:53:26,600
Speaker 7: taking our own sleep time, starting out easy and slow.

1061
00:53:28,760 --> 00:53:37,800
Speaker 7: Well on the highway, we're taking Sunday afternoon. Plenty of

1062
00:53:38,160 --> 00:53:42,799
Speaker 7: people stretching the lakes out, shifting and keep.

1063
00:53:44,920 --> 00:53:52,840
Speaker 22: Traveling roads with curious faces standing back at you, taking

1064
00:53:53,000 --> 00:53:58,240
Speaker 22: our own sweet time, moving up, easy and slow.

1065
00:54:00,520 --> 00:54:05,320
Speaker 15: We're on the highway. We're taking Sunday afternoon.

1066
00:54:09,080 --> 00:54:10,760
Speaker 6: Have you been.

1067
00:54:12,280 --> 00:54:15,040
Speaker 9: Flowerding with your U tree.

1068
00:54:17,200 --> 00:54:22,640
Speaker 11: Takes you've never seen?

1069
00:54:25,040 --> 00:54:31,080
Speaker 7: Do you want to Gus get a car kick kicking

1070
00:54:31,200 --> 00:54:32,239
Speaker 7: kick Gigy?

1071
00:54:34,280 --> 00:54:37,040
Speaker 9: Want to Gus get.

1072
00:54:36,960 --> 00:54:40,160
Speaker 15: A car kick kicking kicky Gigy?

1073
00:54:40,840 --> 00:54:46,240
Speaker 7: Thinking about people tasting the sweetness, living to the food,

1074
00:54:48,800 --> 00:54:54,360
Speaker 7: thinking about children, laughing and saying it, taking us to school,

1075
00:54:56,560 --> 00:54:58,840
Speaker 7: taking our sweet time.

1076
00:55:00,400 --> 00:55:05,880
Speaker 15: Going up, busy and slow, well on the highway.

1077
00:55:06,520 --> 00:55:17,920
Speaker 23: We're digging Sunday afternoon, go and fall, and I'm old.

1078
00:55:22,040 --> 00:55:36,600
Speaker 16: And and well, waiting to our fans. M m hm,

1079
00:55:37,280 --> 00:55:41,040
Speaker 16: smileing back guys.

1080
00:55:41,239 --> 00:55:48,120
Speaker 20: Skinky ki kick kick kick, thinking bouteople.

1081
00:55:47,640 --> 00:55:54,960
Speaker 7: This in the sweetness, liveing to the phone, think about children,

1082
00:55:55,080 --> 00:56:01,720
Speaker 7: and laughing and singing, and taking us to school, taking

1083
00:56:01,920 --> 00:56:06,560
Speaker 7: our time, growing up easy.

1084
00:56:06,719 --> 00:56:07,080
Speaker 14: And so.

1085
00:56:09,400 --> 00:56:10,799
Speaker 6: We're on the highlay.

1086
00:56:11,360 --> 00:56:20,080
Speaker 23: We're digging Sunday afternoon, waving.

1087
00:56:19,960 --> 00:56:31,000
Speaker 22: To spiling backa.

1088
00:56:33,640 --> 00:56:37,960
Speaker 4: K. We're on the highway.

1089
00:56:38,440 --> 00:56:41,640
Speaker 23: We're digging Sunday afternoon.

1090
00:56:44,320 --> 00:56:44,800
Speaker 10: There it is.

1091
00:56:45,440 --> 00:56:45,880
Speaker 5: I love it.

1092
00:56:46,040 --> 00:56:47,880
Speaker 4: I loved it. It sounds good. It was fun. I

1093
00:56:48,000 --> 00:56:51,399
Speaker 4: tried to dou w and be the double when I could.

1094
00:56:51,520 --> 00:56:52,080
Speaker 13: Yeah, that was good.

1095
00:56:52,320 --> 00:56:53,480
Speaker 4: I like singing and using.

1096
00:56:53,560 --> 00:56:56,040
Speaker 1: I feel like I've been sow into harmonies my whole

1097
00:56:56,080 --> 00:56:57,120
Speaker 1: life that I forget that.

1098
00:56:57,360 --> 00:57:00,799
Speaker 4: Unison's fun. Unison's fucking be really fun.

1099
00:57:01,000 --> 00:57:02,920
Speaker 1: Do you have other singers in your band or is

1100
00:57:02,960 --> 00:57:03,840
Speaker 1: your whole band sing.

1101
00:57:05,840 --> 00:57:07,520
Speaker 4: With the nine piece that we just did? I have

1102
00:57:07,640 --> 00:57:12,320
Speaker 4: two singers singing with me, so doing harmonies, but normally

1103
00:57:12,400 --> 00:57:14,760
Speaker 4: it's just I have the harmonies in the track.

1104
00:57:15,200 --> 00:57:15,640
Speaker 17: Ah you do.

1105
00:57:15,800 --> 00:57:18,800
Speaker 4: But I'm a huge harmony person. Yeah, really into them.

1106
00:57:19,080 --> 00:57:22,720
Speaker 4: They're great. But I love I love the Unison who

1107
00:57:22,800 --> 00:57:25,320
Speaker 4: sings in Unison there's I was just listening.

1108
00:57:25,320 --> 00:57:25,960
Speaker 13: I don't know what it was.

1109
00:57:26,040 --> 00:57:27,760
Speaker 4: I was just listening to some stuff that was in

1110
00:57:27,920 --> 00:57:30,160
Speaker 4: Unison and I was like, damn, Like it is such

1111
00:57:30,200 --> 00:57:32,040
Speaker 4: a flex to be able.

1112
00:57:31,920 --> 00:57:34,360
Speaker 13: To to really really do it so well.

1113
00:57:35,360 --> 00:57:38,160
Speaker 4: Yeah, do you know Gillian Welsh and d Rallings They

1114
00:57:38,200 --> 00:57:41,080
Speaker 4: have this one song they do that is in Unison

1115
00:57:41,520 --> 00:57:44,120
Speaker 4: and they play so quiet, so it's even harder, you know,

1116
00:57:45,200 --> 00:57:48,240
Speaker 4: And I mean their voices are just so melded together.

1117
00:57:48,080 --> 00:57:51,280
Speaker 1: Anyway, but it's really beautiful. I can't what's called right now,

1118
00:57:51,360 --> 00:57:53,560
Speaker 1: but it's my favorite.

1119
00:57:53,680 --> 00:57:56,680
Speaker 4: Well, this was so fun, so fun. Thank you, thank

1120
00:57:56,720 --> 00:57:59,280
Speaker 4: you for doing it. Yeah, we're friends, No, we're friends.

1121
00:57:59,360 --> 00:58:05,480
Speaker 4: Yeah yeah, yeah, yay, we didn't get it. Yeah. Wow.

1122
00:58:06,480 --> 00:58:07,320
Speaker 4: I love her voice.

1123
00:58:07,560 --> 00:58:08,080
Speaker 13: She's grabbed.

1124
00:58:08,120 --> 00:58:09,760
Speaker 4: So glad we did that Blossom Deery song.

1125
00:58:11,320 --> 00:58:13,720
Speaker 3: So cool to hear this like stripped down version of

1126
00:58:13,840 --> 00:58:14,439
Speaker 3: what she does.

1127
00:58:14,800 --> 00:58:17,480
Speaker 1: Yeah, because her her albums are very pop kind of

1128
00:58:17,640 --> 00:58:20,840
Speaker 1: production wise, you to like not have that much going

1129
00:58:20,920 --> 00:58:23,120
Speaker 1: on but still be so powerful.

1130
00:58:23,240 --> 00:58:25,560
Speaker 4: It's just like, yeah, you'll credit to her voice.

1131
00:58:25,640 --> 00:58:26,240
Speaker 1: She's great.

1132
00:58:26,400 --> 00:58:28,800
Speaker 4: I love her. Let's hang out on, Remy, Let's hang

1133
00:58:28,840 --> 00:58:29,160
Speaker 4: out more.

1134
00:58:29,280 --> 00:58:30,520
Speaker 1: If you want to know what songs we played in

1135
00:58:30,600 --> 00:58:34,160
Speaker 1: this episode, we did Discoman from Remy's EP I'm Allergic

1136
00:58:34,240 --> 00:58:36,680
Speaker 1: to Dogs. We did WU from the same EP, the

1137
00:58:36,760 --> 00:58:40,360
Speaker 1: song Prescription, which is Remy's latest single released earlier this

1138
00:58:40,520 --> 00:58:44,080
Speaker 1: year twenty twenty three. And we did Sunday Afternoon, the

1139
00:58:44,160 --> 00:58:48,440
Speaker 1: Blossom Dary song from the Blossom Dairy Sings nineteen seventy

1140
00:58:48,480 --> 00:58:52,400
Speaker 1: three album. This episode was recorded at night Bird Recording Studios.

1141
00:58:52,680 --> 00:58:57,160
Speaker 1: Recorded by Colton Lakey, assisted by Louis Sanchez Navarro, mixed

1142
00:58:57,160 --> 00:59:00,840
Speaker 1: by Jamie Landry, edited by Sarah Ode. Additional editing and

1143
00:59:00,920 --> 00:59:05,960
Speaker 1: mixing by Matthew Fasquez. Additional engineering by Matt Marinelli. Artwork

1144
00:59:06,040 --> 00:59:10,040
Speaker 1: by Eliza Frye. Photography by Shervin Linez. Produced by Norah

1145
00:59:10,120 --> 00:59:14,640
Speaker 1: Jones and Sarah Oda. That's me and you. Hey, hey girl, Hey.

1146
00:59:15,280 --> 00:59:20,000
Speaker 4: Oh hey, I'm like, why didn't she responding? Thanks for

1147
00:59:20,160 --> 00:59:20,520
Speaker 4: listening