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Speaker 1: It's the best bit of the week With Morgan two,

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Speaker 1: she's breaking down the top seven segments from the Bobby

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Speaker 1: Bone Show this week.

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Speaker 2: What's up everybody?

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Speaker 3: If you're catching up on the Bobby Bone Show, then

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Speaker 3: you have made it to the right place. This is

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Speaker 3: best bits, just the bits. I'm Morgan. I hope you

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Speaker 3: check out Part one. In part three this weekend with

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Speaker 3: Mike d we had a lot of fun catching up

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Speaker 3: on things in our lives right now, but also answering

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Speaker 3: listener questions. We talked about food, some of his running things,

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Speaker 3: and adrenaline Junkie adventure. He would love to go on,

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Speaker 3: so good stuff over there in part one. In part three,

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Speaker 3: but the reason you're here you want to catch up,

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Speaker 3: so let's do it. We had a world premiere of

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Speaker 3: the full Bobby Bone Show song. So if you listen

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Speaker 3: to the live show around eight am, there's a new

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Speaker 3: song that's been playing lately and it's from Bobby's digital guy.

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Speaker 3: His name's Reid, and he wrote a song and we

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Speaker 3: never knew that he had wrote this, but he's sent

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Speaker 3: it in a long time ago. It got newly discovered,

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Speaker 3: so we've inserted it into the show. But apparently that

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Speaker 3: song also had more to it. It's about a minute

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Speaker 3: forty seconds long.

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Speaker 4: So we finally got.

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Speaker 3: The world premiere of the full Bobby Bones Show introduction

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Speaker 3: type song from Red Arberry number seven.

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Speaker 2: So you may hear this song right when the news

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Speaker 2: happens earlier this hour. Every day we play this.

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Speaker 5: Wake up, wake Up in the long and radio and

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Speaker 5: the divers. So we had to come up with a

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Speaker 5: theme song.

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Speaker 2: And this is Reid, who works on a bunch of

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Speaker 2: podcasts with Me, travels with Me, does all my digital

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Speaker 2: and so reads a good singer who knew and so

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Speaker 2: we just started playing it because they won't allow us

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Speaker 2: to play music on podcasts, and people love it, and

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Speaker 2: so Reid had a second verse. He just plays it

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Speaker 2: more importantly. He goes, I have a second verse, by

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Speaker 2: the way, reads here. Everybody say to read. Sorry, first

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Speaker 2: time he's ever been on like the big show, nervous

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Speaker 2: about what's about to happen. Yeah, So we play that

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Speaker 2: every day on the podcast and right before the news.

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Speaker 2: And so Reid records the second verse to the song.

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Speaker 2: And today we think today maybe Monday, if not today,

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Speaker 2: this song will be up to stream or whatever service

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Speaker 2: you use, radio, whatever you use. It'll be up under

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Speaker 2: Reid Yarberry. Oh cool, and so you can stream the

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Speaker 2: whole song. It's only like a minute twenty but here

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Speaker 2: is the whole thing. We even have world premiere, like

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Speaker 2: one of those world premiere we're gonna do that. What's

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Speaker 2: it called the Bobby Bone Show theme song? Okay, you

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Speaker 2: know that's pretty right. It could be called like wake

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Speaker 2: Up parentheses the Bobby Bone Show theme song.

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Speaker 6: Oh that's good too.

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Speaker 2: I literally like five minutes ago. Just send it off. Okay,

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Speaker 2: never mind, all right, okay, here we go. So this

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Speaker 2: is do you have the imaging first hits the imaging.

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Speaker 6: Let's go.

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Speaker 7: It's a world from.

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Speaker 2: Me from Reed to Arberry, the full minute and a

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Speaker 2: half song of the Bobby Bone Show theme song with

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Speaker 2: a secret second verse.

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Speaker 8: Here we go, wake up, wake up in the mall,

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Speaker 8: and you know, and you turning radio on.

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Speaker 9: And the Dodgers He's on Turn, He's on Turn, Heady

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Speaker 9: m launch box, morget two through the Steve red have it,

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Speaker 9: trying to put you through back.

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Speaker 2: He's riding this Week's next year.

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Speaker 6: The Babby's on the mix.

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Speaker 10: So you know what this.

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Speaker 3: Go?

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Speaker 5: See's about it?

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Speaker 11: Ball School.

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Speaker 2: It's a new day.

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Speaker 7: I'm gonna have a great day.

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Speaker 2: Listen to my fans and hear what they gotta say.

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Speaker 9: The common part of the show, you know, because as

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Speaker 9: soon as it starts and yelling morning Studio, it's any

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Speaker 9: Emmy launch box, morget through, shoot Steve red abits trying

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Speaker 9: to put you through. Maday's riding.

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Speaker 11: This week's next year.

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Speaker 9: The Babby's on the mix, so you know what this is, Morgan, Man,

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Speaker 9: it's trying to put you through this week next the

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Speaker 9: body is on the.

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Speaker 2: Vine, so you know what is.

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Speaker 3: It?

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Speaker 10: How you feel?

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Speaker 11: So cool? Man?

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Speaker 7: This is the coolest thing ever got a world premiere.

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Speaker 12: This is amazing. I don't even I don't even know

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Speaker 12: what to say.

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Speaker 2: Man, I need I feel like I'm winning a Grammy

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Speaker 2: right now.

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Speaker 7: Grand it gets a Grammy.

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Speaker 2: Great job on the song. It's their first time you

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Speaker 2: ever hear it, Amy so good new version.

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Speaker 11: Yeah.

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Speaker 13: I feel like now when I look at Reed, I

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Speaker 13: just he gives off different vibes now, like I have

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Speaker 13: to know, yeah, like I hear that I've heard you

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Speaker 13: singing that now for one, that's what it.

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Speaker 2: Feels like, what do you sing? I know you don't

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Speaker 2: mean that, but that's that's what it's feeling like. You're like,

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Speaker 2: it just is different vibes. Now all of us were

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Speaker 2: thinking it. I just wanted to say it so we

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Speaker 2: can get away.

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Speaker 13: Fine, but you look at him a little differently, like, oh, hey,

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Speaker 13: read like you know even that ye I mean, I

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Speaker 13: mean like John Mayer over there, vibes like hey, like

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Speaker 13: I look over I'm like, oh that's not John Mary.

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Speaker 14: Let's read.

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Speaker 2: Oh wow yeah, okay, well wow, great job, Thank you

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Speaker 2: very much. You can stream it. Every one of us

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Speaker 2: is look at each other like who's gonna say it?

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Speaker 2: And then you can also follow read at read Yarberry.

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Speaker 2: That's right, y A R B E d read Yarberry.

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Speaker 2: There he is a world premiere. Thank you read nice shot, buddy.

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Speaker 7: It's the best bits of the week with Morgan. Number two.

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Speaker 3: Speaking of songs, Abby has another song coming out next month.

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Speaker 3: She came into the show after Lunchbox gave her a

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Speaker 3: hard time and Bobby was like, Okay, let's bring some

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Speaker 3: positivity around Abby and not a only does she want

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Speaker 3: to change her stage name, but she also has this

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Speaker 3: new song coming out that she's super excited for. So

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Speaker 3: that's what you're about to hear.

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Speaker 2: Number six we brought in the very lovely Abby, our

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Speaker 2: multi talented and multifaceted producer and phone screener. Lunchbox is

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Speaker 2: a jerk and he just looks for reason to pick

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Speaker 2: on you.

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Speaker 4: Oh I didn't hear I was answering phones. Yeah, I

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Speaker 4: heard that.

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Speaker 1: I was reading the story and I was asking for

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Speaker 1: a caller feedback. I don't know what they're talking about.

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Speaker 2: I would like to dedicate this next little bit of

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Speaker 2: a segment to Abby. So, first of all, some big

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Speaker 2: news for our very own Abby Lee Anderson. No, everything's

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Speaker 2: not about her being engaged. Everything, every news that Abby

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Speaker 2: has is not her being engauge.

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Speaker 14: It's professional because you're saying, Abbey Lee Anderson.

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Speaker 2: Wow, why would you say, oh boy, why are you

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Speaker 2: saying negative Abby all the time? What did she do

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Speaker 2: to you?

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Speaker 11: Nothing?

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Speaker 2: Did you buy a bullet cheerios and she peed right

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Speaker 2: in it?

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Speaker 1: No, I'm just like, if you're saying Abby Lee Anderson,

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Speaker 1: you're talking about her singing.

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Speaker 2: Okay, Abby, wasn't Is there something you'd like to say?

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Speaker 4: Yeah, I have a new song coming out.

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Speaker 2: Okay, what's the name of the song, what's it about?

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Speaker 2: When does it come out?

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Speaker 15: So it's called ex boyfriend material, and so we like

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Speaker 15: went in the studio and I wanted to do like

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Speaker 15: more about my grandpa, something kind of like near to

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Speaker 15: my heart or whatever. Yes, heart felt. But then we

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Speaker 15: switch gears and so this is kind of about like

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Speaker 15: warning a guy.

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Speaker 12: Woh, there was no need to do all the whole yea,

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Speaker 12: we didn't even know about the grandpa.

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Speaker 2: On the interview skills.

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Speaker 15: There was an artist, yes anyway, So I wanted to

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Speaker 15: do a song that kind of like warned the ladies

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Speaker 15: about a guy that's just totally a red flag.

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Speaker 4: You know, it's like the guy that says everything you

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Speaker 4: want to hear at the beginning.

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Speaker 11: When is it?

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Speaker 2: So when did the song come out? Like can we

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Speaker 2: take it in like next month? I would say next month?

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Speaker 12: We're teasing something a month out.

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Speaker 2: Well, no, you were insulting. So I thought we'd bring

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Speaker 2: her in and let's celebrate.

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Speaker 12: Her for a minute.

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Speaker 14: Oh I thought we were going to hear a clip.

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Speaker 2: No, no, no clip, I just want I knew that

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Speaker 2: this may be coming down. Well, as soon as it's ready,

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Speaker 2: we'll get a clip.

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Speaker 13: But also, can I say something about Abby's answer? I

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Speaker 13: kind of like to know a little bit of the

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Speaker 13: backstory of what it was like on writing day, and

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Speaker 13: I like that maybe she was going to go in

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Speaker 13: and write a song about her grandpa, but she ended

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Speaker 13: up writing.

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Speaker 2: We were talking about that it wasn't the Bobby cast

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Speaker 2: what E said for an hour.

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Speaker 12: And she started talking about her ex boyfriend.

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Speaker 15: All right, cool, because I literally just went in studio

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Speaker 15: and did vocals like this past weekend.

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Speaker 2: So that's why we're very excited about your song ex

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Speaker 2: boyfriend material.

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Speaker 14: I'm proud of you.

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Speaker 12: Yes, is it weird for your new boyfriend to hear

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Speaker 12: a song about your old boyfriend?

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Speaker 14: No, he's the ex.

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Speaker 11: Yeah.

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Speaker 2: Another issue Abby is dealing with here. Yes, that's the

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Speaker 2: one she cannot shake is her name. Because of hers

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Speaker 2: she was just Abby Anderson. And there's another Abby Anderson

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Speaker 2: who's an excellent artist. We love Abby Anderson and the

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Speaker 2: other artists. Well, so our Abby goes okay, I'll be

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Speaker 2: Abby Lee Anderson. However, people are still they're.

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Speaker 15: Still like they messaged me and they're like, hey, I

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Speaker 15: saw you sing in Chicago last night.

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Speaker 4: It was so good.

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Speaker 15: I'm like, that's not me, that's the other Abbaye, Yeah exactly,

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Speaker 15: So I don't what are you going to do well,

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Speaker 15: I feel like I kind of want to change it

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Speaker 15: just to Abby Lee. But I love my Abby Anderson.

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Speaker 4: That's me.

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Speaker 2: I think Abby Lee is also too generic.

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Speaker 14: It is there, but I can't think of another Abbey Lee.

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Speaker 2: Well, I can't think of another Abby Anderson other than

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Speaker 2: I'm just I bet you there's an Abbey that already exists.

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Speaker 6: But is country.

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Speaker 2: I like that unless it's one word, I believe not

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Speaker 2: one word is in the South, you have a lot

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Speaker 2: of I don't know what l E I G eight.

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Speaker 14: What about Lee Anderson?

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Speaker 12: It sounds like it's a business, sounds like God bless

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Speaker 12: the U s A.

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Speaker 2: Okay, have I this If you will give us a

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Speaker 2: couple of days, we will all come up with suggestions

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Speaker 2: for you to change your artists name. Oh I like this, Okay,

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Speaker 2: Tomorrow the next day.

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Speaker 12: I want I'm just going to suggest you don't go

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Speaker 12: Abbey Lea.

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Speaker 2: Is there one already?

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Speaker 11: Yeah?

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Speaker 12: And she does videos.

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Speaker 7: I figure no, I.

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Speaker 4: Saw you and Charlotte love.

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Speaker 2: Like, would you would you be open to something like abolicious? Okay,

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Speaker 2: I'm just testing it out. Yes, Tomorrow the next day,

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Speaker 2: bring in names. Okay, then we can try to change

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Speaker 2: because she's gonna be a big star. She can't be

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Speaker 2: confused with Abby Lee or Abby Anderson.

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Speaker 4: Can it be serious, lunch Can you be serious?

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Speaker 12: For I'm being serious? This lady doesn't make videos.

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Speaker 2: I mean, with your suggestion, Okay, tomorrow, the next day,

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Speaker 2: we'll get to it.

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Speaker 11: Okay.

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Speaker 13: So does your boyfriend say anything about Lunchbox or does

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Speaker 13: he know how horrible he is to you?

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Speaker 4: He doesn't.

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Speaker 2: And here's the slide issue. I think Lunchbox is a

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Speaker 2: lot bigger than her boyfriend.

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Speaker 5: No he's not.

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Speaker 14: No, no, no, that's that possible.

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Speaker 11: Have you met him? No?

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Speaker 2: I've seen pictures though, and like, I don't think, but

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Speaker 2: I don't and I'm not gonna put a bunch of

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Speaker 2: money like DraftKings doesn't have a line on Lunchbox and

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Speaker 2: fights and how many is gonna win? But just by

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Speaker 2: looking at the two, I think Lunchbox will Abby's boyfriend's

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Speaker 2: But if that became an.

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Speaker 4: Issue, even Lunchbox knows that's not true.

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Speaker 11: Yea.

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Speaker 14: But when there's passion, you know.

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Speaker 2: Oh right, he does passionately have a problem with Abby. No, no, no, oh,

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Speaker 2: it's the.

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Speaker 7: Best bits of the week with Morgan.

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Speaker 3: Number two, Amy went to buy something on Facebook Marketplace

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Speaker 3: and things got a little interesting. She brought it to

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Speaker 3: the show and was like, was it a scam? Did

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Speaker 3: I show up to the wrong place? And she had

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Speaker 3: the guys going. They couldnot figure out what accurately happened

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Speaker 3: until she.

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Speaker 2: Finally told them.

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Speaker 3: So you can play the guessing game and then you'll

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Speaker 3: get the full.

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Speaker 4: Story from Amy.

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Speaker 2: Number five, Amy went to go pick up a bench

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Speaker 2: that she got on Facebook Marketplace, and then drama happened.

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Speaker 2: So I don't know how this turns out. So Amy's

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Speaker 2: gonna give us a scenario, and we guess what happened

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Speaker 2: when Amy, you bought a bench on Facebook Marketplace? Yes,

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Speaker 2: walk us to it.

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Speaker 13: Go.

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Speaker 14: I mean, this is the most amazing bench.

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Speaker 13: I have been looking at it on the actual website

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Speaker 13: from the company and on Facebook.

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Speaker 14: It's brand new, but it was half off okay, cause

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Speaker 14: I was like, fuck, okay, deal.

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Speaker 13: So I make the arrangements and I say, I'm going

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Speaker 13: to be there at eight thirty pm to pick it

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Speaker 13: up because that song's gonna take me to meet up

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Speaker 13: with one of my friends. She's got the truck, and

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Speaker 13: then another friend was coming to like help carry it,

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Speaker 13: and I said I could be the right eight.

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Speaker 2: Thirty with Facebook marketplace, because I've never used that. Do

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Speaker 2: you pay there? Like, do you change money right then

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Speaker 2: and there? When there?

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Speaker 13: You can do Yes, you can exchange cash, you can

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Speaker 13: do venmo, you can do whatever, like it's it's up

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Speaker 13: to you. But most of the time you don't give

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Speaker 13: the money until you've received.

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Speaker 2: So you don't pay ahead of time.

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Speaker 14: The products got it, you typically don't pay it.

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Speaker 2: Okay, So eight thirty pm sounds little late.

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Speaker 14: It's a little late, right, go ahead.

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Speaker 13: So I get a note that says, hey, we're thinking

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Speaker 13: about going to the movie, so I might put it

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Speaker 13: on the porch since it's that time, so it'll be

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Speaker 13: out there. You can just grab it and then send

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Speaker 13: the venmo.

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Speaker 14: I'm like, okay, all.

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Speaker 2: Right, filing a little suss already, go ahead, right.

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Speaker 14: But I'm like, okay, well this is to go. So

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Speaker 14: I'm just gonna like send the venmo.

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Speaker 13: This is we were in a nice neighborhood, Like where

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Speaker 13: we were is a nice part of town, Okay. I

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Speaker 13: had no reason to think anything was up. So we go,

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Speaker 13: we pull up, there's no bench on the porch. I'm like, oh,

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Speaker 13: I guess they didn't go to the movies, but there's

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Speaker 13: no lights on.

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Speaker 2: So then I go ring the doorbell nothing and there's

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Speaker 2: no bench on any porch on either side.

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Speaker 13: No, there's no well yeah, I mean from what we

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Speaker 13: could see, it's just right where we were.

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Speaker 14: It was dark.

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Speaker 13: And so then my friend's like, well, maybe you should

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Speaker 13: like they just knock louder ring again and something, and

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Speaker 13: it was a ring doorbell camp. So I'm like, they

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Speaker 13: have us on video, just being like totally confused and ridiculous.

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Speaker 14: And then finally this.

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Speaker 13: Guy comes to the door and he's like, uh, hey,

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Speaker 13: you know, can I help y'all? And he's in his pajamas.

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Speaker 13: I'm like, oh, we're here to pick up the bench

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Speaker 13: from Facebook marketplace and he said what, I don't have

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Speaker 13: a bench from Facebook marketplace and so.

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Speaker 2: And you've paid no money.

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Speaker 14: No, we've the train, We've paid the money, paid the money.

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Speaker 13: Because I was like on my way and I was like,

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Speaker 13: let's just go ahead and hit send. And I should

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Speaker 13: have not hit send, but I thought I was going.

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Speaker 2: Okay, So so okay, hold the story, hold the story,

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Speaker 2: let me play this.

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Speaker 6: Go ahead.

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Speaker 14: Yeah, So then we were like, okay, we got scammed.

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Speaker 13: And I'm like y'all. I this is total scam. Now

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Speaker 13: the whole movie thing makes sense, and I just felt

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00:14:25,720 --> 00:14:28,800
Speaker 13: for it. And then he pauses and he's yells back

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Speaker 13: to his wife and he's like, honey, did you sell

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Speaker 13: a chair on Facebook?

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Speaker 15: Marketplace?

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Speaker 13: And then I had three options for what happened next,

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Speaker 13: And y'all can choose. It's like pick your ending.

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00:14:40,480 --> 00:14:40,640
Speaker 11: Uh.

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Speaker 14: The wife ran at the door with the bench and said, yes, yes,

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Speaker 14: we're selling this.

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Speaker 4: Here it is.

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Speaker 13: We decided not to go to the movie, so I

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00:14:47,120 --> 00:14:48,960
Speaker 13: forgot to put it outside, and I also forgot to

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Speaker 13: tell my husband. She came to the door and said, yeah,

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Speaker 13: I have no idea what y'all are talking about. Someone

356
00:14:55,800 --> 00:14:59,880
Speaker 13: must have been posing as me and used my address,

357
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Speaker 13: Like how do we handle this?

358
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Speaker 14: Should we call the police? Like this is really weird?

359
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Speaker 6: That's b C is.

360
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Speaker 14: Me and my friends.

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Speaker 13: We realized that we went the wrong house and the

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Speaker 13: people selling the bench were next door to this house.

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Speaker 14: It's just like outdrozings up.

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Speaker 2: Okay, Okay, I think now I have it. I think now,

365
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Speaker 2: because initially it was gonna be she got scammed, huh,

366
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Speaker 2: But now it's for sure you went to the wrong house.

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Speaker 2: It's for sure, I bet how much you might have

368
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Speaker 2: all of it, all my money, my wallet. You went

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Speaker 2: to the wrong house.

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Speaker 14: Okay, so you're really putting really real money.

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Speaker 6: I'll put my money in it.

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Speaker 2: I'll put my money in C.

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Speaker 12: Because there was too many details in the first two.

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Speaker 2: We all are picking C. You went to the wrong house,

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Speaker 2: is it C?

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Speaker 11: No?

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00:15:45,040 --> 00:15:49,560
Speaker 2: We lost? Oh my gosh, wow, good job, good job

378
00:15:49,600 --> 00:15:51,760
Speaker 2: by the way getting us in the story. Okay, so

379
00:15:51,920 --> 00:15:55,040
Speaker 2: it's either you got scammed or they forgot to put

380
00:15:55,080 --> 00:15:56,400
Speaker 2: them on the porch and then forgot to go to

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Speaker 2: the movies.

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Speaker 12: There's no way they forgot to put it on the porch.

383
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Speaker 12: There's too many details.

384
00:16:00,440 --> 00:16:03,200
Speaker 1: There's too many communications of you saying this this. This

385
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Speaker 1: is them saying, oh, we're gonna go to the movies,

386
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Speaker 1: and then they're already in bed.

387
00:16:05,960 --> 00:16:06,520
Speaker 2: No, it's weird.

388
00:16:06,600 --> 00:16:07,040
Speaker 11: You gotta go.

389
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Speaker 2: I'm gonna go with A that where he's like, honeyed

390
00:16:10,400 --> 00:16:12,760
Speaker 2: you forget? Like, well, who would forget all of that?

391
00:16:12,880 --> 00:16:15,320
Speaker 2: I think it's got to be a I just don't

392
00:16:15,360 --> 00:16:17,640
Speaker 2: think Amy's gonna get scamed on Facebook marketplace and bringing

393
00:16:17,640 --> 00:16:19,720
Speaker 2: it to the show this quick. You guys are going

394
00:16:20,000 --> 00:16:22,800
Speaker 2: scam Meam. I have faith in you, Amy, So I'm

395
00:16:22,840 --> 00:16:24,040
Speaker 2: gonna go a what is it?

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Speaker 14: Well, guys, I have the bench in my house and

397
00:16:26,840 --> 00:16:29,440
Speaker 14: it's beautiful. It's a The wife came to the door

398
00:16:29,480 --> 00:16:32,720
Speaker 14: and was like, oh shoot, I didn't tell you that I.

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Speaker 13: Sold this on Facebook marketplace. She's like, and we didn't

400
00:16:34,880 --> 00:16:36,280
Speaker 13: end up going to the movie, so I forgot to

401
00:16:36,280 --> 00:16:37,800
Speaker 13: put it out and then we were just getting in

402
00:16:37,920 --> 00:16:40,960
Speaker 13: bed and yeah, so boom got the bench.

403
00:16:41,720 --> 00:16:43,400
Speaker 6: Good story worked out, job, Amy?

404
00:16:43,640 --> 00:16:45,960
Speaker 2: Yeah, why would they not put that on the play

405
00:16:45,960 --> 00:16:47,360
Speaker 2: even if they don't go to the movie. You didn't go,

406
00:16:47,600 --> 00:16:49,240
Speaker 2: you know, even if they don't go to the movie,

407
00:16:49,320 --> 00:16:50,920
Speaker 2: still put it on the porch because it'supposed to be

408
00:16:50,960 --> 00:16:51,280
Speaker 2: on the porch.

409
00:16:51,360 --> 00:16:53,800
Speaker 13: I know, but I mean, I get it. And several

410
00:16:53,880 --> 00:16:55,480
Speaker 13: hours have passed and I'm the one that made it

411
00:16:55,560 --> 00:16:57,560
Speaker 13: eight thirty because I had to get the truck.

412
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Speaker 2: That's late.

413
00:16:58,200 --> 00:16:58,840
Speaker 14: But here's the thing.

414
00:16:58,960 --> 00:17:01,160
Speaker 13: Don't sleep on Facebook place, Like I check that thing

415
00:17:01,240 --> 00:17:03,560
Speaker 13: every day and you never know what's gonna pop up.

416
00:17:03,880 --> 00:17:07,720
Speaker 14: And again this pinch, like I searched them, Well there

417
00:17:07,760 --> 00:17:09,240
Speaker 14: it is. One day, it's not there, next day it is.

418
00:17:09,280 --> 00:17:11,400
Speaker 13: And I got a deal, like I could probably sell

419
00:17:11,440 --> 00:17:12,920
Speaker 13: it turn it around right now and sell it for

420
00:17:12,960 --> 00:17:14,400
Speaker 13: a little commercial market.

421
00:17:14,560 --> 00:17:14,879
Speaker 16: Everybody.

422
00:17:14,960 --> 00:17:15,600
Speaker 13: No, not at all.

423
00:17:17,119 --> 00:17:20,240
Speaker 7: It's the best bits of the week with Morgan.

424
00:17:20,359 --> 00:17:25,760
Speaker 3: Number two, The tea gots filled on Lunchbox. He was

425
00:17:25,800 --> 00:17:28,639
Speaker 3: at the Chris Stapleton show recently and something happened and

426
00:17:29,280 --> 00:17:32,119
Speaker 3: somebody did a voice changer and s, I have to

427
00:17:32,160 --> 00:17:34,639
Speaker 3: share this news. I thought Lunchbox was, but he didn't,

428
00:17:35,320 --> 00:17:39,879
Speaker 3: and Lunchbox couldn't stop embarrassedly laughing at himself, which was

429
00:17:40,040 --> 00:17:41,320
Speaker 3: pretty entertaining to watch.

430
00:17:42,000 --> 00:17:42,560
Speaker 7: Number four.

431
00:17:42,760 --> 00:17:44,800
Speaker 2: If someone wants to tell on somebody here on the show,

432
00:17:44,880 --> 00:17:47,560
Speaker 2: we do allow it to be anonymous. It's anonymous. Spill

433
00:17:47,680 --> 00:17:48,080
Speaker 2: the tea.

434
00:17:49,280 --> 00:17:50,800
Speaker 12: Let's spill the tea.

435
00:17:51,200 --> 00:17:53,520
Speaker 2: So this is voice protected so he won't know who

436
00:17:53,560 --> 00:17:57,160
Speaker 2: it is. But here is somebody sharing some information about

437
00:17:57,200 --> 00:17:58,040
Speaker 2: somebody else on the show.

438
00:17:58,359 --> 00:18:00,960
Speaker 11: Well, or was waiting to see Lunchbox was going to

439
00:18:01,080 --> 00:18:04,560
Speaker 11: confess a super awkward moment that happened to him over

440
00:18:04,640 --> 00:18:06,800
Speaker 11: the weekend. But I don't think he is, so here

441
00:18:06,880 --> 00:18:09,800
Speaker 11: I am spilling the tea. At the Chris Stapleton concert,

442
00:18:10,160 --> 00:18:12,120
Speaker 11: a group of people came up to him and asked

443
00:18:12,160 --> 00:18:15,280
Speaker 11: to take a picture. He was so excited he jumped

444
00:18:15,320 --> 00:18:18,920
Speaker 11: in he said, everybody say cheese. What he didn't realize

445
00:18:19,119 --> 00:18:21,240
Speaker 11: was they just wanted him to take a picture of

446
00:18:21,400 --> 00:18:24,359
Speaker 11: their group. After he realized that he didn't know how

447
00:18:24,400 --> 00:18:28,040
Speaker 11: to get out of the situation, he basically walked away

448
00:18:28,080 --> 00:18:31,840
Speaker 11: in shame. So awkward and so hilarious.

449
00:18:33,760 --> 00:18:34,399
Speaker 16: This is great.

450
00:18:34,600 --> 00:18:35,440
Speaker 6: That's a good one.

451
00:18:36,359 --> 00:18:38,520
Speaker 2: Anything you'd like to say to that anonymous spill the

452
00:18:38,560 --> 00:18:39,320
Speaker 2: Tea lunchbox.

453
00:18:41,560 --> 00:18:44,800
Speaker 1: Yeah, So what happened is it was out of the

454
00:18:44,880 --> 00:18:49,160
Speaker 1: concert and we're standing there all talking and this dude

455
00:18:49,240 --> 00:18:51,960
Speaker 1: tasked me on the shoulder. He's like, hey, can we

456
00:18:52,040 --> 00:18:54,240
Speaker 1: get a photo? So I was like, yeah, we can

457
00:18:54,280 --> 00:18:55,840
Speaker 1: get a photo. And I turned around.

458
00:18:55,880 --> 00:18:57,159
Speaker 2: I puffed your chest out like him.

459
00:18:57,160 --> 00:18:59,520
Speaker 1: I was like, oh, yeah, yeah, you guys hold on

460
00:18:59,600 --> 00:19:00,879
Speaker 1: And I was like you want one of them to

461
00:19:00,920 --> 00:19:02,760
Speaker 1: take it? And they're like I was pointing like my

462
00:19:02,840 --> 00:19:05,040
Speaker 1: wife or our friends, and he was like, no, no,

463
00:19:05,200 --> 00:19:07,160
Speaker 1: I was just seeing if you could take our picture. Oh,

464
00:19:07,920 --> 00:19:09,840
Speaker 1: And I was like why did you and he goes, well,

465
00:19:09,840 --> 00:19:11,360
Speaker 1: you guy sat in nest of the concert. I thought

466
00:19:11,359 --> 00:19:12,080
Speaker 1: you could just take.

467
00:19:11,960 --> 00:19:12,399
Speaker 11: It for us.

468
00:19:13,160 --> 00:19:15,760
Speaker 2: And I was like, oh, slies the humble pie.

469
00:19:16,080 --> 00:19:18,480
Speaker 1: That was very I mean, I don't know if he was.

470
00:19:18,720 --> 00:19:20,359
Speaker 1: I feel like he really wanted to ask me for

471
00:19:20,400 --> 00:19:22,359
Speaker 1: a picture, but then he got nervous in the middle

472
00:19:22,400 --> 00:19:23,639
Speaker 1: of like the transaction.

473
00:19:23,760 --> 00:19:25,480
Speaker 2: Why do you not bring that story in? You have

474
00:19:25,560 --> 00:19:27,159
Speaker 2: so many stories that you bring in you want to

475
00:19:27,200 --> 00:19:28,879
Speaker 2: get on the air like that. One must have slipped.

476
00:19:29,320 --> 00:19:31,399
Speaker 12: Yeah, I must have slipped. I thought no. Maybe no,

477
00:19:31,720 --> 00:19:32,840
Speaker 12: I thought no one noticed.

478
00:19:33,880 --> 00:19:37,440
Speaker 1: Rude to whoever that is Abby, I don't know that

479
00:19:37,520 --> 00:19:39,760
Speaker 1: it was or had to be, because she's the only

480
00:19:39,800 --> 00:19:41,200
Speaker 1: one on the show that was still there at the

481
00:19:41,280 --> 00:19:41,760
Speaker 1: end of the show.

482
00:19:42,000 --> 00:19:46,359
Speaker 2: And unless someone told this person about it, or it

483
00:19:46,400 --> 00:19:48,760
Speaker 2: could have been a dude who used it. There's a

484
00:19:48,800 --> 00:19:50,440
Speaker 2: tactic people in the show are using to get somebody

485
00:19:50,480 --> 00:19:53,200
Speaker 2: else to record the audio so they don't get identified.

486
00:19:53,480 --> 00:19:53,920
Speaker 6: That's smart.

487
00:19:54,520 --> 00:19:57,639
Speaker 2: Actually no one's ever done that, but you should smart anyway,

488
00:19:57,640 --> 00:20:00,080
Speaker 2: get story that happen anybody.

489
00:20:00,880 --> 00:20:02,560
Speaker 12: What an idiot? Like, why would you tap me on

490
00:20:02,640 --> 00:20:03,080
Speaker 12: the shoulder?

491
00:20:03,200 --> 00:20:05,080
Speaker 2: Well, because you're a random person if you take a picture.

492
00:20:05,119 --> 00:20:07,000
Speaker 12: No, No, he tapped me because he knew I was

493
00:20:07,040 --> 00:20:07,560
Speaker 12: a celebrity.

494
00:20:08,000 --> 00:20:09,960
Speaker 2: Why else would you pick me out of all the

495
00:20:10,040 --> 00:20:11,680
Speaker 2: people proximity.

496
00:20:12,359 --> 00:20:14,720
Speaker 12: There's a thousand people walking by.

497
00:20:14,920 --> 00:20:16,480
Speaker 6: You were closest to him m m.

498
00:20:17,160 --> 00:20:18,639
Speaker 12: We kind of like he was going for the picture

499
00:20:18,680 --> 00:20:19,960
Speaker 12: of me and then just got nervous.

500
00:20:20,040 --> 00:20:22,359
Speaker 14: Okay, tell yourself that. Hey, sometimes we have to tell

501
00:20:22,400 --> 00:20:24,639
Speaker 14: ourselves the story so that we can move on.

502
00:20:24,840 --> 00:20:26,800
Speaker 2: You're probably gonna do that on the show later today, right,

503
00:20:28,359 --> 00:20:29,119
Speaker 2: kind of bring that up.

504
00:20:30,320 --> 00:20:33,520
Speaker 7: It's the best bits of the week with Morgan.

505
00:20:33,600 --> 00:20:37,359
Speaker 3: Number two Josh Turner stopped by the studio. He has

506
00:20:37,400 --> 00:20:40,280
Speaker 3: a new album out which is really great. Not only

507
00:20:40,359 --> 00:20:43,240
Speaker 3: that we heard about his mount Rushmore of Heroes. He

508
00:20:43,320 --> 00:20:45,720
Speaker 3: talked about a moment on stage where he says he

509
00:20:45,840 --> 00:20:48,000
Speaker 3: lost all of his sex appeal. And there's one of

510
00:20:48,080 --> 00:20:50,879
Speaker 3: his really famous songs that has a Rascal Flats connection.

511
00:20:51,160 --> 00:20:53,640
Speaker 3: So here it is Josh Turner in studio.

512
00:20:54,320 --> 00:20:56,960
Speaker 2: Number three, Josh, good to see a buddy, you too, Hey,

513
00:20:57,080 --> 00:21:00,119
Speaker 2: So a couple of questions for you. One, I do

514
00:21:00,200 --> 00:21:02,160
Speaker 2: want to talk about the Let's talk about the record first,

515
00:21:02,520 --> 00:21:05,119
Speaker 2: because how many is this your tenth album? Is it

516
00:21:05,200 --> 00:21:05,840
Speaker 2: ten albums?

517
00:21:06,200 --> 00:21:07,160
Speaker 16: Tenth studio album?

518
00:21:07,240 --> 00:21:11,160
Speaker 2: Yeah, so you do live albums too, that doesn't count.

519
00:21:12,480 --> 00:21:14,159
Speaker 16: Not as a studio album though, but none as that.

520
00:21:14,240 --> 00:21:16,040
Speaker 2: But I how many albums do you do? What do

521
00:21:16,080 --> 00:21:17,879
Speaker 2: you say? How many albums? If you had. Do you

522
00:21:17,920 --> 00:21:20,520
Speaker 2: count the live albums because that's work, right, Yeah?

523
00:21:20,560 --> 00:21:21,560
Speaker 16: I mean it was work.

524
00:21:21,720 --> 00:21:23,639
Speaker 2: Do you ever put new songs on a live album?

525
00:21:24,359 --> 00:21:25,880
Speaker 16: Yeah? Oh really yeah?

526
00:21:26,200 --> 00:21:27,440
Speaker 2: Oh I would be scared to do that. Do you

527
00:21:27,480 --> 00:21:29,320
Speaker 2: ever go back and kind of because we did a

528
00:21:29,400 --> 00:21:31,879
Speaker 2: live comedy album once and went back and kind of

529
00:21:31,920 --> 00:21:34,440
Speaker 2: fixed a vocal or too, I resang it on one

530
00:21:34,440 --> 00:21:35,520
Speaker 2: of them because I messed it up live.

531
00:21:35,920 --> 00:21:36,160
Speaker 11: Yeah.

532
00:21:36,359 --> 00:21:40,280
Speaker 16: I mean you always fix something because it's live music,

533
00:21:40,359 --> 00:21:42,840
Speaker 16: but you don't want to make it so you don't

534
00:21:42,840 --> 00:21:44,320
Speaker 16: want to fix so much stuff to where it like

535
00:21:44,480 --> 00:21:45,760
Speaker 16: loses its live feel.

536
00:21:46,160 --> 00:21:49,600
Speaker 2: I said a complete word wrong, so that happens. I

537
00:21:49,680 --> 00:21:51,760
Speaker 2: went back in and just tried to like act like

538
00:21:51,800 --> 00:21:53,280
Speaker 2: I was singing a live again, And I can kind

539
00:21:53,320 --> 00:21:55,119
Speaker 2: of tell when I listened to it that I can

540
00:21:55,160 --> 00:21:58,000
Speaker 2: tell anyway that it's kind of an over overdub. But

541
00:21:58,200 --> 00:21:59,919
Speaker 2: only eleven people listened and none of them even can.

542
00:22:00,520 --> 00:22:02,639
Speaker 16: So two sundays ago, I actually had to walk off

543
00:22:02,680 --> 00:22:06,040
Speaker 16: stage because I had like drainage that I couldn't clear

544
00:22:06,240 --> 00:22:09,359
Speaker 16: in my throat and like it was literally preventing me

545
00:22:09,440 --> 00:22:12,240
Speaker 16: from singing. So I was like, there's no way to

546
00:22:13,080 --> 00:22:15,280
Speaker 16: deal with this other than to just walk off stage

547
00:22:15,320 --> 00:22:17,200
Speaker 16: and try to get it out and come back.

548
00:22:17,400 --> 00:22:19,320
Speaker 2: And oh, but you did come back. You went, and

549
00:22:20,040 --> 00:22:21,280
Speaker 2: but everybody was so scared.

550
00:22:21,320 --> 00:22:23,560
Speaker 16: They were like, what happened? Is he okay? I'm like,

551
00:22:23,640 --> 00:22:24,040
Speaker 16: I'm good.

552
00:22:24,560 --> 00:22:26,120
Speaker 2: Did you tell your band guys while you were leaving?

553
00:22:26,560 --> 00:22:29,720
Speaker 16: No, there was no time to explain. I just had

554
00:22:29,760 --> 00:22:31,080
Speaker 16: to go deal with it and come back. And now

555
00:22:31,760 --> 00:22:33,640
Speaker 16: then I made the mistake of telling the crowd why

556
00:22:33,720 --> 00:22:35,320
Speaker 16: I left, and I was like, well, there went all

557
00:22:35,400 --> 00:22:36,119
Speaker 16: my sex appeals.

558
00:22:36,160 --> 00:22:42,280
Speaker 2: So so tell me about it. Tell me about this record,

559
00:22:42,280 --> 00:22:45,000
Speaker 2: because I was looking at a bunch of the tracks

560
00:22:45,080 --> 00:22:47,720
Speaker 2: and it's called this country music thing, which I think

561
00:22:47,760 --> 00:22:51,240
Speaker 2: of you as somebody who does traditional, straight ahead country music.

562
00:22:51,520 --> 00:22:54,159
Speaker 2: I would have expected nothing different than this country music thing.

563
00:22:54,680 --> 00:22:55,520
Speaker 2: Why'd you name it that?

564
00:22:56,720 --> 00:22:59,920
Speaker 16: It's it's named after a song on the record that

565
00:23:00,040 --> 00:23:02,480
Speaker 16: I wrote by myself and never thought it would end

566
00:23:02,560 --> 00:23:04,840
Speaker 16: up on a record, but my producer that was this

567
00:23:05,160 --> 00:23:08,680
Speaker 16: number one pick for this record. And I'm thinking, this

568
00:23:08,880 --> 00:23:11,920
Speaker 16: is so outside of what I normally sang about. And

569
00:23:12,040 --> 00:23:13,360
Speaker 16: he said, that's what I love about it. He said,

570
00:23:13,359 --> 00:23:15,040
Speaker 16: it's kind of like a rap song. It's like, you know, hey,

571
00:23:15,080 --> 00:23:15,600
Speaker 16: look what I did.

572
00:23:15,840 --> 00:23:17,800
Speaker 2: Why'd you write this song by yourself? Were you just

573
00:23:18,280 --> 00:23:19,880
Speaker 2: inspired one night at the house or something.

574
00:23:20,240 --> 00:23:23,680
Speaker 16: I honestly don't remember writing it. I don't know. I

575
00:23:23,720 --> 00:23:26,720
Speaker 16: don't know when I wrote it. It was just it

576
00:23:26,880 --> 00:23:29,679
Speaker 16: just kind of came out. And it's basically a snapshot

577
00:23:29,800 --> 00:23:33,600
Speaker 16: of my musical life about dreaming about getting here and

578
00:23:33,600 --> 00:23:36,959
Speaker 16: then getting here and actually living my dream and accomplishing

579
00:23:37,000 --> 00:23:40,640
Speaker 16: the things that I've accomplished, and calling my heroes friends

580
00:23:40,720 --> 00:23:43,480
Speaker 16: and so forth, and so on and so and then

581
00:23:43,520 --> 00:23:47,000
Speaker 16: at the end, the outro actually happened after the fact

582
00:23:47,080 --> 00:23:50,080
Speaker 16: because I was just messing around in the studio after

583
00:23:50,160 --> 00:23:53,040
Speaker 16: I had sung my vocal and it just felt so good,

584
00:23:53,440 --> 00:23:57,240
Speaker 16: and so I like constructed this whole outro and it

585
00:23:57,359 --> 00:23:58,920
Speaker 16: was just kind of a tip of the cap to

586
00:23:59,720 --> 00:24:01,000
Speaker 16: all the country greats.

587
00:24:01,320 --> 00:24:03,960
Speaker 2: Any chance that your producer got one over on you

588
00:24:04,040 --> 00:24:05,320
Speaker 2: and he actually wrote it and just told you.

589
00:24:05,400 --> 00:24:08,880
Speaker 16: You wrote it, No, because I actually sent it to him.

590
00:24:09,320 --> 00:24:11,720
Speaker 16: It was it was in a huge drop box folder

591
00:24:11,800 --> 00:24:14,280
Speaker 16: and he came back and that was his first choice.

592
00:24:14,560 --> 00:24:16,639
Speaker 2: So dang, that'd be so cool to be able to

593
00:24:16,640 --> 00:24:18,399
Speaker 2: write songs and not even know it, like really good

594
00:24:18,480 --> 00:24:20,159
Speaker 2: songs and not even know it. They must just be

595
00:24:20,320 --> 00:24:22,000
Speaker 2: churning out of you. Do you keep a full like?

596
00:24:22,240 --> 00:24:26,399
Speaker 16: And I don't even do drugs, So I mean, was

597
00:24:26,440 --> 00:24:29,160
Speaker 16: it Atlantis? Morset always said she had to be hired

598
00:24:29,200 --> 00:24:30,359
Speaker 16: to write songs or whatever.

599
00:24:30,480 --> 00:24:32,359
Speaker 2: Maybe that's why I'm not gonna write songs. I need

600
00:24:32,400 --> 00:24:36,040
Speaker 2: to do drugs. I'm just now Josh Turner is convincing

601
00:24:36,080 --> 00:24:37,399
Speaker 2: me to do drugs for the first time ever.

602
00:24:37,480 --> 00:24:39,240
Speaker 16: I'm not suggesting that. I'm just throwing it out there

603
00:24:39,280 --> 00:24:40,120
Speaker 16: as an option.

604
00:24:41,000 --> 00:24:42,720
Speaker 2: Anyone ever come to you to do voice work like

605
00:24:42,800 --> 00:24:45,800
Speaker 2: a cartoons or anything? I wish man, they're missing out.

606
00:24:45,960 --> 00:24:47,800
Speaker 16: You're the second person today they asked me that I

607
00:24:47,880 --> 00:24:52,000
Speaker 16: hate that, So, I mean, I could.

608
00:24:52,800 --> 00:24:55,240
Speaker 2: You ever do voice auditions for things? Because I have?

609
00:24:55,960 --> 00:24:56,840
Speaker 16: You had to bring that up?

610
00:24:56,920 --> 00:25:00,160
Speaker 2: Well, did I do like twenty every month? Or don't

611
00:25:00,160 --> 00:25:00,679
Speaker 2: get any of them?

612
00:25:00,800 --> 00:25:04,120
Speaker 16: I auditioned for one that it's probably been over ten

613
00:25:04,200 --> 00:25:06,119
Speaker 16: years ago now and it's still on the air, and

614
00:25:06,240 --> 00:25:07,560
Speaker 16: it hurts every time I see it.

615
00:25:07,760 --> 00:25:08,359
Speaker 12: Oh you hear it?

616
00:25:08,880 --> 00:25:11,920
Speaker 2: You actually got it. I read for it and you

617
00:25:12,320 --> 00:25:14,200
Speaker 2: got Oh no, oh got it? So you hear the

618
00:25:14,320 --> 00:25:17,200
Speaker 2: other thing? Yeah, my voice is on at the airport?

619
00:25:17,320 --> 00:25:17,600
Speaker 2: Is yours?

620
00:25:18,480 --> 00:25:18,920
Speaker 16: Sometimes.

621
00:25:19,000 --> 00:25:22,240
Speaker 2: Yeah. I feel pretty good about that one because it's like, hey,

622
00:25:22,240 --> 00:25:23,960
Speaker 2: it's Bobby Bond, don't forget to p in the journal

623
00:25:23,960 --> 00:25:25,480
Speaker 2: and not the floor. And I'm like, well, that's weird

624
00:25:25,520 --> 00:25:27,240
Speaker 2: they would play that one over the top. What is

625
00:25:27,280 --> 00:25:28,119
Speaker 2: your say at the airport?

626
00:25:28,200 --> 00:25:30,880
Speaker 16: You know, when you're on the moving walkway, please move

627
00:25:30,920 --> 00:25:32,520
Speaker 16: over to the right and get out of the way.

628
00:25:34,800 --> 00:25:36,520
Speaker 2: That's funny. You torn a bunch.

629
00:25:37,119 --> 00:25:38,160
Speaker 16: Oh yeah, yeah.

630
00:25:38,359 --> 00:25:39,679
Speaker 2: I saw you had some time off and you went

631
00:25:39,680 --> 00:25:42,760
Speaker 2: to the Grand Canyon. Yeah, which I'd never been to

632
00:25:42,800 --> 00:25:45,159
Speaker 2: the Grand Canyon until like three years ago. I was

633
00:25:45,680 --> 00:25:47,879
Speaker 2: it's hard for me to be blown away because on

634
00:25:48,000 --> 00:25:50,399
Speaker 2: Google image anything, but I went to the Grand Canyon,

635
00:25:50,720 --> 00:25:52,600
Speaker 2: and I don't know if you've been before, but I

636
00:25:52,760 --> 00:25:55,439
Speaker 2: was amazed at how grand that canyon is. That thing

637
00:25:55,600 --> 00:25:57,920
Speaker 2: is a monster, right it is.

638
00:25:58,080 --> 00:26:01,240
Speaker 16: I I had actually been there twice before and never

639
00:26:01,359 --> 00:26:03,440
Speaker 16: really had a whole lot of time to spend there.

640
00:26:03,480 --> 00:26:05,639
Speaker 16: But this time I actually had time to spend and

641
00:26:05,760 --> 00:26:08,080
Speaker 16: it was it was pretty incredible. We had great weather

642
00:26:08,200 --> 00:26:11,960
Speaker 16: and yeah, and then one of the other places I

643
00:26:12,000 --> 00:26:16,080
Speaker 16: went on vacation was Canyon Lands in Utah, and I

644
00:26:16,760 --> 00:26:19,520
Speaker 16: don't know how it compares necessarily to Grand Canyon, but

645
00:26:19,720 --> 00:26:21,840
Speaker 16: like when you go to the Grand Canyon, you look

646
00:26:21,920 --> 00:26:23,800
Speaker 16: down and you see the Colorado River. When you go

647
00:26:23,840 --> 00:26:26,080
Speaker 16: to canyon Lands, you look down and then there's a

648
00:26:26,119 --> 00:26:29,000
Speaker 16: canyon within a canyon, and then another canyon within another canyon,

649
00:26:29,040 --> 00:26:31,320
Speaker 16: and it's like and then the river's like way down there.

650
00:26:31,560 --> 00:26:34,520
Speaker 16: That was pretty wild to see. It was I've never

651
00:26:34,560 --> 00:26:35,160
Speaker 16: seen that before.

652
00:26:35,240 --> 00:26:37,480
Speaker 2: Does that stuff inspire you to write or does that

653
00:26:37,560 --> 00:26:39,840
Speaker 2: stuff actually get you out of your head when you're

654
00:26:39,920 --> 00:26:41,040
Speaker 2: not wanting to write at all?

655
00:26:42,480 --> 00:26:44,520
Speaker 16: A little of both. I think I have to have

656
00:26:44,680 --> 00:26:47,639
Speaker 16: time to kind of live with it and you know,

657
00:26:48,000 --> 00:26:53,440
Speaker 16: see if there's anything there. But songwriting is something I've

658
00:26:53,520 --> 00:26:56,960
Speaker 16: never really fully tried to figure out because I don't

659
00:26:56,960 --> 00:26:59,440
Speaker 16: think it can be figured out. It's something that just

660
00:26:59,520 --> 00:27:01,320
Speaker 16: kind of happened, and you just but you have to

661
00:27:01,400 --> 00:27:02,840
Speaker 16: keep at it and you have to keep trying to

662
00:27:02,880 --> 00:27:06,760
Speaker 16: get better and do your best at it. But I mean,

663
00:27:06,960 --> 00:27:08,960
Speaker 16: I've written more bad songs and good songs.

664
00:27:09,160 --> 00:27:11,600
Speaker 2: So do you keep notes on your phone all the

665
00:27:11,640 --> 00:27:15,200
Speaker 2: time for concepts or do you ever record melodies in

666
00:27:15,280 --> 00:27:16,520
Speaker 2: your phone where it just goes like does.

667
00:27:18,880 --> 00:27:19,600
Speaker 16: Every now and then?

668
00:27:19,840 --> 00:27:23,120
Speaker 2: Usually it's a title idea more of a concept guy

669
00:27:23,160 --> 00:27:23,920
Speaker 2: than a melody guy.

670
00:27:24,280 --> 00:27:28,120
Speaker 16: Yes, yeah, my, I guess the only song that I've

671
00:27:28,160 --> 00:27:31,840
Speaker 16: ever written that started with a melody first was Haywire

672
00:27:32,920 --> 00:27:35,440
Speaker 16: and that record actually just went platinum.

673
00:27:35,520 --> 00:27:39,639
Speaker 2: So wow, that worked like nice subtle flex where it

674
00:27:39,640 --> 00:27:41,600
Speaker 2: didn't feel like that was a brag. It's like, that's

675
00:27:41,640 --> 00:27:45,240
Speaker 2: really cool. Your hair's been the same for a long time,

676
00:27:46,000 --> 00:27:49,679
Speaker 2: had the same barber stylists changed.

677
00:27:49,440 --> 00:27:52,480
Speaker 16: For a long time? How long longer than I've been married?

678
00:27:53,720 --> 00:27:57,520
Speaker 2: So over twenty years, the same person for twenty years,

679
00:27:58,200 --> 00:27:58,840
Speaker 2: same location.

680
00:27:59,760 --> 00:28:03,080
Speaker 16: I've I tell people that she's my common law wife.

681
00:28:03,359 --> 00:28:05,639
Speaker 16: So because we've been together so long.

682
00:28:05,520 --> 00:28:07,680
Speaker 2: And so she asked us, you have to say nothing

683
00:28:07,720 --> 00:28:09,320
Speaker 2: to her about what you want. You just say, all right,

684
00:28:09,359 --> 00:28:09,960
Speaker 2: I'm back.

685
00:28:09,800 --> 00:28:11,840
Speaker 16: And the show up goes right to town the other things,

686
00:28:11,840 --> 00:28:12,359
Speaker 16: and I'm out of there.

687
00:28:12,400 --> 00:28:13,400
Speaker 2: Do you even care that much about?

688
00:28:13,720 --> 00:28:16,720
Speaker 16: And she's never raised the price on me, so still

689
00:28:16,760 --> 00:28:19,480
Speaker 16: a dollar, there's not it's not an inflationary relationship.

690
00:28:19,600 --> 00:28:20,359
Speaker 2: Dang, that's awesome.

691
00:28:22,240 --> 00:28:23,000
Speaker 12: You drive a truck.

692
00:28:23,880 --> 00:28:25,240
Speaker 2: How do you how do you get ever brand the truck?

693
00:28:25,359 --> 00:28:27,840
Speaker 16: It turns twenty years old this December. Yeah, I know

694
00:28:27,880 --> 00:28:31,240
Speaker 16: you're a guy that I'm loyal to a fault.

695
00:28:31,600 --> 00:28:32,800
Speaker 2: Who's your favorite sports team?

696
00:28:33,240 --> 00:28:36,080
Speaker 16: Braves got to kind of be loyal.

697
00:28:36,560 --> 00:28:39,360
Speaker 2: Yeah, you did win one pretty recently, we.

698
00:28:39,440 --> 00:28:41,960
Speaker 16: Did, but before that ninety five.

699
00:28:42,200 --> 00:28:45,080
Speaker 2: Yeah, there's a lot of just getting to that. You know,

700
00:28:45,160 --> 00:28:48,800
Speaker 2: winning in l East and that's it. You go to

701
00:28:48,880 --> 00:28:50,640
Speaker 2: many Braves games. Are you a big Braves fan? What

702
00:28:50,720 --> 00:28:51,840
Speaker 2: about football? And football fan?

703
00:28:52,080 --> 00:28:55,360
Speaker 16: Clempson Tigers? Same thing.

704
00:28:55,520 --> 00:28:56,360
Speaker 2: That's tough right now?

705
00:28:56,560 --> 00:28:58,880
Speaker 16: Yeah, nineteen eighty one, I was four years old. Yeah,

706
00:28:58,880 --> 00:29:00,640
Speaker 16: and then well then you aught to hard years.

707
00:29:00,480 --> 00:29:01,960
Speaker 2: But then you want then you had great years and

708
00:29:02,040 --> 00:29:03,760
Speaker 2: now it's kind of weird again, right.

709
00:29:03,760 --> 00:29:05,080
Speaker 16: Yeah, everything's weird right now.

710
00:29:05,200 --> 00:29:07,040
Speaker 2: Well, it's like your coach doesn't even doesn't want to

711
00:29:07,040 --> 00:29:09,400
Speaker 2: go to the portal at all. Don't you want to

712
00:29:09,400 --> 00:29:10,880
Speaker 2: call him and be like, let's go. I'll throw you

713
00:29:10,880 --> 00:29:11,720
Speaker 2: some in ilbox.

714
00:29:11,920 --> 00:29:14,640
Speaker 16: I can't fault him for that. I mean, you want

715
00:29:14,680 --> 00:29:16,320
Speaker 16: people to be there because they want to be there,

716
00:29:16,400 --> 00:29:20,480
Speaker 16: not because they're going to get exposure, money or whatever.

717
00:29:20,600 --> 00:29:22,600
Speaker 2: Well, coming from you had the same hairstyles for twenty years,

718
00:29:22,640 --> 00:29:25,280
Speaker 2: I felt that exactly are you involved?

719
00:29:25,440 --> 00:29:25,640
Speaker 11: Can you?

720
00:29:26,160 --> 00:29:27,720
Speaker 2: Can you call clumbson and go like I'm gonna come

721
00:29:27,720 --> 00:29:29,560
Speaker 2: to a game and they give you good seats. Oh

722
00:29:29,680 --> 00:29:31,920
Speaker 2: that's the best, isn't it. Yeah, like all that stuff

723
00:29:32,000 --> 00:29:32,160
Speaker 2: is a.

724
00:29:32,200 --> 00:29:34,480
Speaker 16: Kid that you really hasn't always been that way, No, I.

725
00:29:34,560 --> 00:29:36,600
Speaker 2: Agree, but yes, same same with me, Like it's it

726
00:29:36,640 --> 00:29:38,760
Speaker 2: hasn't been that way for many years with Arkansas, but

727
00:29:38,800 --> 00:29:39,400
Speaker 2: now it's really cool.

728
00:29:39,520 --> 00:29:42,360
Speaker 16: It's all about who you know. Because I went, I

729
00:29:42,360 --> 00:29:44,959
Speaker 16: would buy the cheap tickets, you know, and set up

730
00:29:45,040 --> 00:29:46,560
Speaker 16: in the those bleeds every time.

731
00:29:46,640 --> 00:29:48,040
Speaker 2: And I used to call it justin Moore, like can

732
00:29:48,080 --> 00:29:49,720
Speaker 2: I borrow your tickets? When I knew he wasn't going

733
00:29:49,760 --> 00:29:52,400
Speaker 2: to a game because I knew he had season tickets.

734
00:29:52,600 --> 00:29:54,040
Speaker 2: But yeah, it's one of the coolest things now to

735
00:29:54,120 --> 00:29:56,600
Speaker 2: be able to be an adult and go to experience

736
00:29:56,640 --> 00:29:58,680
Speaker 2: the things that I loved as a kid and couldn't

737
00:29:58,720 --> 00:30:01,680
Speaker 2: really do. Yeah, as a kid, who were your favorite

738
00:30:01,760 --> 00:30:02,640
Speaker 2: musical artists?

739
00:30:04,040 --> 00:30:07,480
Speaker 16: Randy Travis was the guy that inspired me to come

740
00:30:07,520 --> 00:30:09,240
Speaker 16: to this town. And I remember seeing him at the

741
00:30:09,400 --> 00:30:12,600
Speaker 16: South Carolina State Fair and it was just like a

742
00:30:12,640 --> 00:30:14,880
Speaker 16: whole nother level for me because we didn't have a

743
00:30:14,920 --> 00:30:18,680
Speaker 16: lot of and that was South Carolina State Fair was

744
00:30:18,680 --> 00:30:20,920
Speaker 16: at least two hours from where I grew up. So,

745
00:30:21,040 --> 00:30:22,880
Speaker 16: I mean it was you know, back then that was

746
00:30:22,920 --> 00:30:27,200
Speaker 16: a drive and we didn't have artists come anywhere near

747
00:30:27,360 --> 00:30:30,480
Speaker 16: us playing shows, so it was it was very foreig

748
00:30:30,520 --> 00:30:30,840
Speaker 16: unto me.

749
00:30:31,360 --> 00:30:33,320
Speaker 2: Was that the moment you knew what you wanted to

750
00:30:33,360 --> 00:30:34,680
Speaker 2: do or did you already have an idea?

751
00:30:34,720 --> 00:30:37,480
Speaker 16: And it just kind of sumended that I had already

752
00:30:37,920 --> 00:30:40,800
Speaker 16: kind of had the bug at that point, but seeing

753
00:30:40,880 --> 00:30:42,960
Speaker 16: him up there and seeing it in action like that

754
00:30:43,240 --> 00:30:44,880
Speaker 16: was it just made it more real to me.

755
00:30:45,600 --> 00:30:49,720
Speaker 2: So you're Mount rushmore of favorite musical artists of all time.

756
00:30:49,760 --> 00:30:50,880
Speaker 2: You put Randy Travis up there?

757
00:30:51,000 --> 00:30:54,959
Speaker 16: Ye who are you? John Anderson, Johnny cash, Burne Gosden,

758
00:30:55,000 --> 00:30:56,080
Speaker 16: and Hank Williams.

759
00:30:58,520 --> 00:31:00,280
Speaker 2: Because you have a junior shirt on. Oh you have

760
00:31:00,360 --> 00:31:01,000
Speaker 2: seen you up on the top.

761
00:31:02,240 --> 00:31:02,600
Speaker 11: There it is.

762
00:31:03,160 --> 00:31:04,800
Speaker 2: And obviously you didn't get to see Hank senior at

763
00:31:04,840 --> 00:31:07,800
Speaker 2: the fair. No he died, okay, just making sure he

764
00:31:07,880 --> 00:31:11,120
Speaker 2: died that he didn't either. I talked to Drew Baldridge

765
00:31:11,320 --> 00:31:13,440
Speaker 2: recently and he talked about how he cried when you

766
00:31:13,480 --> 00:31:16,240
Speaker 2: surprised him at the Opry and he was still super

767
00:31:16,320 --> 00:31:20,480
Speaker 2: moved about that. How did that go down? And you know,

768
00:31:20,880 --> 00:31:22,840
Speaker 2: Drew has been a great story of like just doing

769
00:31:22,880 --> 00:31:25,400
Speaker 2: it all himself. How do they approach you to go? Hey,

770
00:31:25,600 --> 00:31:26,760
Speaker 2: would you go in surprise Drew?

771
00:31:27,320 --> 00:31:30,040
Speaker 16: Yeah, that's been a little while, but but yeah, he

772
00:31:31,000 --> 00:31:33,160
Speaker 16: was a fan of mine and and they asked me

773
00:31:33,240 --> 00:31:35,560
Speaker 16: to come surprise him and it was an honor to me.

774
00:31:36,560 --> 00:31:40,280
Speaker 16: Slame with Scotti McCreery just recently, and you know, so

775
00:31:40,400 --> 00:31:43,360
Speaker 16: it you know, it feels good that that somebody's paying attention.

776
00:31:43,640 --> 00:31:45,720
Speaker 2: You know, what's the key to raising four boys?

777
00:31:47,280 --> 00:31:49,560
Speaker 16: Patience and discipline.

778
00:31:49,920 --> 00:31:51,760
Speaker 2: So do you think they're all boys? Because all this

779
00:31:51,840 --> 00:31:54,160
Speaker 2: testosterone that's like coming out of you, I mean your voice,

780
00:31:54,240 --> 00:31:55,680
Speaker 2: I feel like it's coming out of your fingernails.

781
00:31:55,840 --> 00:31:58,400
Speaker 16: Somebody asked me earlier this morning and if I had

782
00:31:58,440 --> 00:32:00,720
Speaker 16: ever served in the military. I was like no, I said,

783
00:32:00,760 --> 00:32:03,040
Speaker 16: but if you ask my boys that sometimes they probably

784
00:32:03,080 --> 00:32:03,480
Speaker 16: think I have.

785
00:32:04,640 --> 00:32:06,320
Speaker 2: With the way I are you disciplinarian?

786
00:32:06,640 --> 00:32:06,880
Speaker 16: Yeah?

787
00:32:07,440 --> 00:32:09,320
Speaker 13: Yeah, Now when you said discipline, I was gonna say

788
00:32:09,360 --> 00:32:12,120
Speaker 13: discipline towards them or just being disciplined with yourself as

789
00:32:12,160 --> 00:32:13,880
Speaker 13: apparently insistent with them?

790
00:32:14,120 --> 00:32:16,480
Speaker 2: Oh what about their dreams? Do they want a new

791
00:32:16,560 --> 00:32:20,080
Speaker 2: music or sports? Or they think you're cool?

792
00:32:20,400 --> 00:32:23,240
Speaker 16: My oldest he's got the music bug for sure.

793
00:32:23,560 --> 00:32:25,080
Speaker 2: And what advice do you give him because you've kind

794
00:32:25,120 --> 00:32:26,040
Speaker 2: of been through it in every way.

795
00:32:27,080 --> 00:32:31,280
Speaker 16: That's hard because I could easily, you know, just hold

796
00:32:31,320 --> 00:32:33,400
Speaker 16: his hand through the whole process, but I don't. I

797
00:32:33,520 --> 00:32:35,440
Speaker 16: just don't want to do that because I just feel

798
00:32:35,440 --> 00:32:37,360
Speaker 16: like that would do him a disservice. He needs to

799
00:32:37,840 --> 00:32:40,440
Speaker 16: learn on his own. I'm going to guide him and

800
00:32:40,600 --> 00:32:42,280
Speaker 16: make sure he doesn't make a lot of the bigger

801
00:32:42,360 --> 00:32:45,719
Speaker 16: mistakes that I made in my career. But he's got

802
00:32:45,800 --> 00:32:47,200
Speaker 16: to he's got to learn it on his own and

803
00:32:47,240 --> 00:32:50,480
Speaker 16: figure out exactly where he wants to go and and

804
00:32:50,880 --> 00:32:52,680
Speaker 16: you know, he's got to show that he's willing to

805
00:32:52,720 --> 00:32:53,120
Speaker 16: work for it.

806
00:32:53,320 --> 00:32:55,880
Speaker 2: So the new album, this Country Music Thing, it is

807
00:32:56,000 --> 00:32:58,360
Speaker 2: out today. I want to play a little bit of

808
00:32:58,520 --> 00:33:01,280
Speaker 2: down in Georgia. You think they wrote this song with

809
00:33:01,360 --> 00:33:01,840
Speaker 2: you in mind?

810
00:33:03,160 --> 00:33:06,800
Speaker 16: I think they did. I'm trying to find out what

811
00:33:06,920 --> 00:33:10,360
Speaker 16: that story is because my brother actually pitched me this song.

812
00:33:10,440 --> 00:33:12,720
Speaker 16: This is the first song that my brothers pitched to

813
00:33:12,760 --> 00:33:16,920
Speaker 16: me that I've actually recorded. So that's a little trivia

814
00:33:17,120 --> 00:33:18,240
Speaker 16: piece of this record.

815
00:33:18,280 --> 00:33:20,520
Speaker 2: But how many think he's pitched you a lot? Yeah?

816
00:33:20,720 --> 00:33:23,320
Speaker 16: Yeah, So he was super excited when this ended up

817
00:33:23,360 --> 00:33:26,640
Speaker 16: on the record, but yeah, I didn't know any of

818
00:33:26,680 --> 00:33:31,600
Speaker 16: the writers. Still don't. But this was before they even

819
00:33:31,680 --> 00:33:34,840
Speaker 16: knew that I was moving to Georgia, and I didn't

820
00:33:34,840 --> 00:33:36,520
Speaker 16: know if they knew my wife was from Georgia. So

821
00:33:36,600 --> 00:33:38,880
Speaker 16: I was like, they've been reading my mail or something.

822
00:33:39,200 --> 00:33:43,479
Speaker 16: And and then I saw on Instagram I think one

823
00:33:43,560 --> 00:33:45,240
Speaker 16: of the writers said yeah, we wrote it for you,

824
00:33:45,520 --> 00:33:50,840
Speaker 16: and I'm like, well, can you elaborate, like did you

825
00:33:50,960 --> 00:33:53,280
Speaker 16: know the story and then you wrote it or what?

826
00:33:53,840 --> 00:33:56,080
Speaker 16: So I'm still curious to find out.

827
00:33:56,360 --> 00:33:58,160
Speaker 2: So have you ever seen the national anthem? I?

828
00:33:58,280 --> 00:33:58,560
Speaker 6: Have you?

829
00:33:58,600 --> 00:33:58,640
Speaker 1: Know?

830
00:33:58,720 --> 00:34:01,160
Speaker 2: They start they say, start way? Do you even start lower?

831
00:34:01,520 --> 00:34:04,680
Speaker 16: Yeah? Yeah, I'm retired from the anthem though.

832
00:34:04,960 --> 00:34:06,680
Speaker 2: No, But I mean everyone's like, you know, if you

833
00:34:06,720 --> 00:34:09,400
Speaker 2: sing the anthem, start lower than you normally sing, how

834
00:34:09,480 --> 00:34:11,919
Speaker 2: do you start even lower than what you're already.

835
00:34:11,640 --> 00:34:12,960
Speaker 16: At because it only goes up.

836
00:34:13,560 --> 00:34:15,080
Speaker 2: I know what I'm saying is a sound that only

837
00:34:15,160 --> 00:34:16,200
Speaker 2: you can hear, because.

838
00:34:16,000 --> 00:34:19,040
Speaker 16: There's like probably yeah, it's just a vibration.

839
00:34:21,120 --> 00:34:23,640
Speaker 2: When you listen back to your own music, I don't

840
00:34:23,680 --> 00:34:24,320
Speaker 2: know do you like it?

841
00:34:25,239 --> 00:34:26,200
Speaker 11: Are you you do?

842
00:34:26,360 --> 00:34:26,919
Speaker 16: Because yeah?

843
00:34:27,080 --> 00:34:28,960
Speaker 2: Or are you at this point you've heard it so

844
00:34:29,160 --> 00:34:29,760
Speaker 2: many times?

845
00:34:29,880 --> 00:34:30,560
Speaker 16: I have to like it.

846
00:34:31,360 --> 00:34:33,120
Speaker 2: Yeah, I hear you. I just I hate everything I do.

847
00:34:33,760 --> 00:34:35,640
Speaker 2: I think that's it. We're different kinds of people, obviously,

848
00:34:35,680 --> 00:34:36,759
Speaker 2: but I hate everything I ever do.

849
00:34:37,000 --> 00:34:40,759
Speaker 16: So back in two thousand and nine, my second son

850
00:34:40,960 --> 00:34:44,840
Speaker 16: was born that June, and my daddy came out on

851
00:34:44,880 --> 00:34:46,520
Speaker 16: the road with me for a couple of weeks, and

852
00:34:47,800 --> 00:34:51,000
Speaker 16: about three four days in he was so sick of

853
00:34:51,080 --> 00:34:52,880
Speaker 16: the bus. He was so sick of like just the

854
00:34:53,000 --> 00:34:56,400
Speaker 16: whole thing. And he was like, you obviously love what

855
00:34:56,480 --> 00:34:58,840
Speaker 16: you do, because I don't know how you do it,

856
00:34:59,560 --> 00:35:01,279
Speaker 16: and I don't think he's been on the road with

857
00:35:01,360 --> 00:35:02,040
Speaker 16: me since so.

858
00:35:02,840 --> 00:35:04,640
Speaker 2: Well, you listen to songs of yours over and over

859
00:35:04,680 --> 00:35:06,920
Speaker 2: and over and over again, and make small tweaks as

860
00:35:06,920 --> 00:35:07,840
Speaker 2: you're in the process.

861
00:35:08,680 --> 00:35:11,439
Speaker 16: You know, It's funny. Some artists and writers like they'll

862
00:35:11,560 --> 00:35:14,399
Speaker 16: nitpick things to death, but I'm not like that. I'll

863
00:35:14,440 --> 00:35:16,160
Speaker 16: get it to where I feel like it needs to be,

864
00:35:16,239 --> 00:35:18,879
Speaker 16: and then I'll leave it alone. I wrote with Mac

865
00:35:18,960 --> 00:35:21,000
Speaker 16: Davis one time and he told me that he was

866
00:35:21,360 --> 00:35:26,439
Speaker 16: still tweaking in the ghetto. So I was like, Mac,

867
00:35:26,520 --> 00:35:27,400
Speaker 16: I think you should let it go.

868
00:35:28,520 --> 00:35:31,160
Speaker 2: Do you ever hear older songs? For example, your Man,

869
00:35:31,200 --> 00:35:33,279
Speaker 2: do you ever hear that song and go, man, I

870
00:35:33,280 --> 00:35:35,880
Speaker 2: wish we'd have done this differently as far as like

871
00:35:35,960 --> 00:35:38,160
Speaker 2: the production or your voice. Even though that song has

872
00:35:38,200 --> 00:35:40,040
Speaker 2: been number one, it's a massive song. Are you just

873
00:35:40,120 --> 00:35:41,640
Speaker 2: like that is? It's awesome? I leave it alone.

874
00:35:42,239 --> 00:35:46,960
Speaker 16: Well, I've come to understand that once the fans become

875
00:35:47,160 --> 00:35:50,279
Speaker 16: familiar with something, they don't want that to change. If

876
00:35:50,320 --> 00:35:53,840
Speaker 16: you go back in and re record an original or whatever, like,

877
00:35:53,920 --> 00:35:56,840
Speaker 16: they pick up on that real quick. And for me,

878
00:35:57,800 --> 00:36:03,279
Speaker 16: I can hear the youth and the inexperience in my

879
00:36:03,560 --> 00:36:05,920
Speaker 16: voice because I was still coming out of a vocal

880
00:36:06,000 --> 00:36:09,640
Speaker 16: injury back then, and I was still young, and I

881
00:36:09,920 --> 00:36:12,600
Speaker 16: wasn't thirty five, because I had been told and taught that,

882
00:36:12,920 --> 00:36:15,439
Speaker 16: you know, a male's voice doesn't fully mature until they're

883
00:36:15,480 --> 00:36:19,480
Speaker 16: thirty five. But I've also learned that once you get

884
00:36:19,640 --> 00:36:21,320
Speaker 16: past thirty five and you do what I do for

885
00:36:21,400 --> 00:36:24,360
Speaker 16: a living, it continues to develop and grow, you know,

886
00:36:24,920 --> 00:36:27,960
Speaker 16: and just develop textures. So there's times where I hear

887
00:36:28,200 --> 00:36:30,960
Speaker 16: long Black Train or Your Man or any of those

888
00:36:31,000 --> 00:36:33,040
Speaker 16: early songs, I'm like, man, I wonder what it would

889
00:36:33,080 --> 00:36:34,000
Speaker 16: sound like if I sing it?

890
00:36:34,080 --> 00:36:34,200
Speaker 6: Now?

891
00:36:35,920 --> 00:36:37,799
Speaker 2: People hear that on the road, so you can hear

892
00:36:37,840 --> 00:36:39,200
Speaker 2: the kid and you can hear the young.

893
00:36:39,120 --> 00:36:42,520
Speaker 16: Oh yeah, but there's something there's something cool about that

894
00:36:42,680 --> 00:36:45,440
Speaker 16: though it sometimes it feels like a whole other lifetime.

895
00:36:45,800 --> 00:36:47,600
Speaker 2: Whenever you hear why don't we just dance? What does

896
00:36:47,640 --> 00:36:50,520
Speaker 2: that remind you of? At that time when that song

897
00:36:50,680 --> 00:36:51,359
Speaker 2: was doing its thing?

898
00:36:52,120 --> 00:36:56,839
Speaker 16: So before that song had even come to light, really,

899
00:36:57,400 --> 00:36:59,520
Speaker 16: I was on the road. I don't remember where we were,

900
00:36:59,600 --> 00:37:02,040
Speaker 16: but I just remember exactly what the venue look like.

901
00:37:02,239 --> 00:37:05,399
Speaker 16: And we started playing that song and people just right

902
00:37:05,440 --> 00:37:08,160
Speaker 16: off the bat just started getting in the aisles and

903
00:37:08,320 --> 00:37:12,040
Speaker 16: dancing and cheering and rushing the stage. And it's still

904
00:37:12,160 --> 00:37:14,000
Speaker 16: like that. It's crazy. It just sends a jolt of

905
00:37:14,040 --> 00:37:18,640
Speaker 16: electricity through the crowd. And what's interesting about that is

906
00:37:19,280 --> 00:37:23,279
Speaker 16: I wasn't ready to make a record, and that song

907
00:37:23,360 --> 00:37:25,719
Speaker 16: had gotten pitched to me. I loved it, put it

908
00:37:25,800 --> 00:37:30,239
Speaker 16: on hold, and then Jay DeMarcus reaches out and says, hey,

909
00:37:30,480 --> 00:37:33,200
Speaker 16: you know fromscal Flights. Yeah, we'd love to record that.

910
00:37:33,600 --> 00:37:35,200
Speaker 16: And he said, but I know you got it on hold.

911
00:37:35,239 --> 00:37:36,800
Speaker 16: He said, would you be willing to go in and

912
00:37:36,880 --> 00:37:39,000
Speaker 16: record it? To see if you're willing to keep it

913
00:37:39,120 --> 00:37:42,000
Speaker 16: or want to keep it. I was like, that's pretty reasonable.

914
00:37:42,040 --> 00:37:44,560
Speaker 16: So Wow went in and rest is history.

915
00:37:44,600 --> 00:37:46,799
Speaker 2: Because Rascal Flats thought it was also a great song.

916
00:37:47,200 --> 00:37:48,759
Speaker 2: You went and recorded it to see how it felt,

917
00:37:48,800 --> 00:37:50,279
Speaker 2: and you loved it. Then you had to call him

918
00:37:50,280 --> 00:37:51,640
Speaker 2: back and be like, sorry, sucker.

919
00:37:51,920 --> 00:37:54,960
Speaker 16: Four week number one most played song of twenty ten, like.

920
00:37:55,000 --> 00:37:58,520
Speaker 2: Sing that song about Mayberry, Sucker, We got this. That's

921
00:37:58,560 --> 00:38:01,320
Speaker 2: a fun fact. I never know what about? Would you

922
00:38:01,400 --> 00:38:02,600
Speaker 2: go with me? What does that make you think about?

923
00:38:04,440 --> 00:38:07,919
Speaker 16: The pitch meeting over at Sony Tree, my producer Frank

924
00:38:08,000 --> 00:38:10,200
Speaker 16: Rogers and I went in and once again, you know,

925
00:38:10,280 --> 00:38:12,560
Speaker 16: I was looking for songs for my second record, so

926
00:38:12,600 --> 00:38:16,880
Speaker 16: I was still green and heard the song. It was

927
00:38:17,160 --> 00:38:21,040
Speaker 16: four verses and a big long like instrumental break. There

928
00:38:21,200 --> 00:38:24,080
Speaker 16: was no chorus, and so I'm sitting there thinking, man,

929
00:38:24,120 --> 00:38:26,120
Speaker 16: it sounds really cool, but like it just feels like

930
00:38:26,160 --> 00:38:29,920
Speaker 16: it's missing something. And Frank spoke up and said, like,

931
00:38:30,040 --> 00:38:33,080
Speaker 16: there's probably seven or eight pluggers in this meeting, and

932
00:38:33,200 --> 00:38:35,319
Speaker 16: he said, tell the writers to go back and write

933
00:38:35,320 --> 00:38:37,880
Speaker 16: a hit chorus and we'll take it. And they were

934
00:38:37,960 --> 00:38:40,160
Speaker 16: like okay, And so they went and told Sean Camp

935
00:38:40,239 --> 00:38:42,800
Speaker 16: and John Scott, Sheryl and they came.

936
00:38:42,719 --> 00:38:44,839
Speaker 2: Back with the hit chorus, How long until you got

937
00:38:44,880 --> 00:38:45,160
Speaker 2: it back?

938
00:38:45,760 --> 00:38:46,160
Speaker 16: Not long?

939
00:38:46,760 --> 00:38:48,799
Speaker 2: Yeah, I imagine you work pretty quick. If somebody says, hey,

940
00:38:48,800 --> 00:38:50,800
Speaker 2: if you can fix this, you like it? Yep, because

941
00:38:50,800 --> 00:38:52,600
Speaker 2: you know there are ten thousand songs coming at you

942
00:38:52,760 --> 00:38:53,879
Speaker 2: ten thousand times a day.

943
00:38:54,400 --> 00:38:54,600
Speaker 11: Wow.

944
00:38:54,680 --> 00:38:57,960
Speaker 2: Congratulations on the new record. Josh is all over Josh

945
00:38:58,000 --> 00:39:00,200
Speaker 2: Turner dot com. He's doing his Greatest Hits tour and

946
00:39:00,440 --> 00:39:03,000
Speaker 2: now all the way until November. I mean, you're at it. Huh.

947
00:39:03,360 --> 00:39:05,600
Speaker 2: How do you like not being here in Nashville?

948
00:39:06,560 --> 00:39:07,720
Speaker 16: It's a good change of scenery.

949
00:39:08,120 --> 00:39:10,440
Speaker 2: Can you be a dad and human more when you're

950
00:39:10,480 --> 00:39:10,759
Speaker 2: not here?

951
00:39:11,040 --> 00:39:13,279
Speaker 16: Yeah? I think so. I feel like I can.

952
00:39:14,480 --> 00:39:14,520
Speaker 1: So.

953
00:39:14,880 --> 00:39:18,239
Speaker 16: Yeah, it's a it's good. I'm closer actually, my wife

954
00:39:18,239 --> 00:39:20,960
Speaker 16: and I both are closer to family, and it's a

955
00:39:21,400 --> 00:39:25,120
Speaker 16: closer to closer to our favorite sports teams and which

956
00:39:25,160 --> 00:39:27,120
Speaker 16: is a big deal all that, but and I'm still

957
00:39:27,160 --> 00:39:28,240
Speaker 16: not too far from Nashville.

958
00:39:28,280 --> 00:39:30,520
Speaker 2: So well, really good to see it. Congrats on the record,

959
00:39:30,680 --> 00:39:33,080
Speaker 2: and you know, looking forward to seeing you know, all

960
00:39:33,120 --> 00:39:36,799
Speaker 2: the success of it, and congratulations. Do Christmas albums count

961
00:39:36,800 --> 00:39:37,600
Speaker 2: of the record? An album?

962
00:39:37,640 --> 00:39:37,719
Speaker 11: Oh?

963
00:39:37,800 --> 00:39:38,240
Speaker 16: Absolutely?

964
00:39:38,320 --> 00:39:40,239
Speaker 2: Okay, Yeah, just trying to figure out what work I

965
00:39:40,320 --> 00:39:40,759
Speaker 2: put into it.

966
00:39:40,880 --> 00:39:44,279
Speaker 16: Absolutely Christmas.

967
00:39:46,360 --> 00:39:50,440
Speaker 2: Studio, but not live. Don't count as that when I

968
00:39:50,480 --> 00:39:54,560
Speaker 2: say ten albums, eleven albums. Yeah, okay, just making sure.

969
00:39:55,239 --> 00:39:57,200
Speaker 2: I'm just trying to learn this man, Josh brings in

970
00:39:57,239 --> 00:39:59,080
Speaker 2: a new language here. Man, I don't know what's going on.

971
00:39:59,320 --> 00:40:00,560
Speaker 16: Then you've got comp relations.

972
00:40:00,600 --> 00:40:02,680
Speaker 2: Oh god, I don't even start. My heads about to explode. Yeah,

973
00:40:03,760 --> 00:40:05,719
Speaker 2: all right, there is Josh Turner. Josh, thanks man, good

974
00:40:05,719 --> 00:40:07,399
Speaker 2: to see you. All right, Joshner. Everybody, good job.

975
00:40:09,800 --> 00:40:12,960
Speaker 7: It's the best bits of the week with Morgan.

976
00:40:13,080 --> 00:40:13,480
Speaker 12: Number two.

977
00:40:19,520 --> 00:40:21,320
Speaker 3: Eddie has been out for the last few weeks for

978
00:40:21,440 --> 00:40:23,400
Speaker 3: some family stuff going on, but he's been back in

979
00:40:23,400 --> 00:40:26,000
Speaker 3: the studio this week and wanted to share a story

980
00:40:26,040 --> 00:40:29,160
Speaker 3: of something that he had actually prepped before he left,

981
00:40:30,120 --> 00:40:31,920
Speaker 3: not knowing any of this stuff was going to happen,

982
00:40:32,080 --> 00:40:34,320
Speaker 3: and then came back and is now like, was this

983
00:40:34,560 --> 00:40:38,200
Speaker 3: this crazy sign? This is really strange. So listen and

984
00:40:38,400 --> 00:40:39,280
Speaker 3: let us know your thoughts.

985
00:40:39,960 --> 00:40:43,040
Speaker 2: Number two, So the day before Eddie left, and so

986
00:40:43,239 --> 00:40:46,400
Speaker 2: Eddie left because his brother had some crazy health issues.

987
00:40:46,440 --> 00:40:48,200
Speaker 2: The brother had a stroke. You said that, I'd say

988
00:40:48,239 --> 00:40:51,359
Speaker 2: that his dad freak accident and his dad passed away,

989
00:40:52,120 --> 00:40:54,080
Speaker 2: and so all this happens, and Eddie calls me the

990
00:40:54,200 --> 00:40:56,560
Speaker 2: night before, like ten, He's like, hey, can you talk.

991
00:40:57,280 --> 00:40:58,680
Speaker 2: We were going to head off to Florida the next

992
00:40:58,760 --> 00:41:00,440
Speaker 2: day and go do some too much acts with the

993
00:41:00,520 --> 00:41:02,560
Speaker 2: dolphins and the bucks. And I'm like, yeah, sure's ten o'clock.

994
00:41:02,560 --> 00:41:04,320
Speaker 2: I'm like, what's up? He goes blah blah blah. But

995
00:41:05,080 --> 00:41:07,120
Speaker 2: all this happened, we didn't know yet how bad it got.

996
00:41:08,000 --> 00:41:10,360
Speaker 2: That next show, Eddie was coming in with a segment

997
00:41:10,440 --> 00:41:13,279
Speaker 2: because people everywhere Eddie went, multiple times people were telling

998
00:41:13,360 --> 00:41:16,160
Speaker 2: Eddie how you need to be careful, like weird, like

999
00:41:17,320 --> 00:41:20,319
Speaker 2: multiple people. This was a segment Eddie had said, Hey,

1000
00:41:20,360 --> 00:41:23,839
Speaker 2: we should talk about this for some reason. Three four

1001
00:41:23,920 --> 00:41:27,400
Speaker 2: people have told me to be careful and this never happens.

1002
00:41:27,560 --> 00:41:29,879
Speaker 17: You know how people like when you say bye, they're

1003
00:41:29,960 --> 00:41:32,560
Speaker 17: just like I see you later. But people recently have

1004
00:41:32,640 --> 00:41:36,440
Speaker 17: been just saying like, I be careful, Like okay, I

1005
00:41:36,480 --> 00:41:38,600
Speaker 17: didn't think much about it, but after five times of

1006
00:41:39,080 --> 00:41:41,200
Speaker 17: leaving like the grocery store, like thank you getting your change,

1007
00:41:41,239 --> 00:41:41,480
Speaker 17: thank you?

1008
00:41:41,520 --> 00:41:41,799
Speaker 11: All right?

1009
00:41:41,800 --> 00:41:44,200
Speaker 17: I see you later, be careful? Why is everyone telling

1010
00:41:44,239 --> 00:41:46,160
Speaker 17: me to be careful? What did that mean?

1011
00:41:46,520 --> 00:41:48,520
Speaker 2: So that normally does not happen when people say that

1012
00:41:48,560 --> 00:41:50,959
Speaker 2: to you, right, No, And all of a sudden, he said,

1013
00:41:50,960 --> 00:41:54,000
Speaker 2: it happened so much. And the day that we were

1014
00:41:54,040 --> 00:41:55,840
Speaker 2: going to talk about that because it was weird, was

1015
00:41:55,880 --> 00:41:58,600
Speaker 2: the day all that happened. Yeah, the dad and his brother.

1016
00:41:58,960 --> 00:42:02,080
Speaker 2: Now are we just looking to tie these together, looking

1017
00:42:02,160 --> 00:42:06,680
Speaker 2: for a sign a sign? But what would the sign be?

1018
00:42:07,040 --> 00:42:09,600
Speaker 1: That then being telling you to be careful, like you're

1019
00:42:09,640 --> 00:42:12,040
Speaker 1: tying it together sort of like amy letters fall from

1020
00:42:12,120 --> 00:42:14,239
Speaker 1: a thing, and she's like, oh, so that's telling me

1021
00:42:14,320 --> 00:42:14,759
Speaker 1: something else?

1022
00:42:14,800 --> 00:42:15,520
Speaker 2: What was the sign?

1023
00:42:16,160 --> 00:42:20,120
Speaker 1: The sign is hey, careful? Yeah, like he starts thinking

1024
00:42:20,120 --> 00:42:22,040
Speaker 1: about that because this happens.

1025
00:42:22,280 --> 00:42:24,239
Speaker 2: Well, no, he already sent that in. I mean he

1026
00:42:24,239 --> 00:42:25,680
Speaker 2: already said to me, I want to talk about this.

1027
00:42:25,760 --> 00:42:28,200
Speaker 2: Something is going on, which is weird. And then that

1028
00:42:28,280 --> 00:42:30,320
Speaker 2: happened afterward. That's like a wild coincidence.

1029
00:42:30,920 --> 00:42:32,600
Speaker 6: Yeah, I didn't even think about that because I did

1030
00:42:32,719 --> 00:42:33,920
Speaker 6: send you that note, and then.

1031
00:42:33,840 --> 00:42:35,440
Speaker 2: We saved it as soon as it happened, Mike and

1032
00:42:35,480 --> 00:42:37,120
Speaker 2: I because Mike and I will take all the notes,

1033
00:42:37,160 --> 00:42:38,719
Speaker 2: and I was like, we need to talk about this

1034
00:42:38,800 --> 00:42:42,399
Speaker 2: anything when he gets back. Because that next morning, Eddiot said,

1035
00:42:42,400 --> 00:42:44,400
Speaker 2: everybody keeps telling me to be careful. This never happens.

1036
00:42:45,800 --> 00:42:49,400
Speaker 2: So was that a sign to.

1037
00:42:49,520 --> 00:42:51,719
Speaker 6: Tell me to be careful? I don't know.

1038
00:42:52,400 --> 00:42:52,800
Speaker 11: I don't know.

1039
00:42:53,960 --> 00:42:55,560
Speaker 2: It is very creepy. Do you think they had anything

1040
00:42:55,600 --> 00:42:56,239
Speaker 2: to do with each other.

1041
00:42:56,880 --> 00:42:59,279
Speaker 17: I do believe in signs, like I do believe in

1042
00:43:00,000 --> 00:43:03,200
Speaker 17: messages and God speaking to you in different ways. I mean,

1043
00:43:03,800 --> 00:43:05,560
Speaker 17: I don't know what I could have done differently though,

1044
00:43:05,600 --> 00:43:09,000
Speaker 17: to be careful. Like I would have told, you know,

1045
00:43:09,080 --> 00:43:10,960
Speaker 17: my brother and my dad to be careful, but that

1046
00:43:11,280 --> 00:43:13,560
Speaker 17: they weren't telling them. They were telling me to be careful.

1047
00:43:13,640 --> 00:43:15,160
Speaker 17: So what was I to be careful about.

1048
00:43:15,800 --> 00:43:21,080
Speaker 2: Maybe everybody's saying be careful actually kept you from doing anyway.

1049
00:43:21,120 --> 00:43:21,560
Speaker 16: It was weird.

1050
00:43:21,880 --> 00:43:24,040
Speaker 2: It's very strange, and I kept a note to talk

1051
00:43:24,040 --> 00:43:25,880
Speaker 2: about that when you got back. Do people tell you

1052
00:43:25,960 --> 00:43:26,880
Speaker 2: guys be careful ever?

1053
00:43:27,880 --> 00:43:30,160
Speaker 12: Right? Like they just say see you later. My wife,

1054
00:43:30,160 --> 00:43:32,120
Speaker 12: whenever I go for a run, she tells me, don't die.

1055
00:43:32,760 --> 00:43:35,200
Speaker 2: Oh, well you do run on the street.

1056
00:43:35,280 --> 00:43:36,200
Speaker 12: Yeah, I run on the street.

1057
00:43:36,800 --> 00:43:39,600
Speaker 2: The thing Leuchbox doesn't wear headphone so he can hear cars. Yep,

1058
00:43:40,440 --> 00:43:42,600
Speaker 2: so I think, but yeah, I don't die. It's a

1059
00:43:42,600 --> 00:43:42,960
Speaker 2: good one.

1060
00:43:44,080 --> 00:43:45,560
Speaker 6: Colleag I don't know, man.

1061
00:43:47,440 --> 00:43:51,160
Speaker 7: It's the best bits of the week with Morgan. Number two,

1062
00:43:52,560 --> 00:43:52,959
Speaker 7: we had.

1063
00:43:52,880 --> 00:43:55,520
Speaker 3: Another fantasy draft this week. This time we drafted the

1064
00:43:55,760 --> 00:43:59,319
Speaker 3: best movies of the nineties, which is all relative because

1065
00:43:59,320 --> 00:44:01,719
Speaker 3: everybody has their favorites. But I do feel like some

1066
00:44:01,880 --> 00:44:04,000
Speaker 3: of the teams here are super strong. There's one in

1067
00:44:04,080 --> 00:44:07,480
Speaker 3: particular about a lot of us questioned, but nonetheless, everybody

1068
00:44:07,520 --> 00:44:09,480
Speaker 3: has their favorites from the nineties. So listen.

1069
00:44:09,880 --> 00:44:10,799
Speaker 7: You can still go vote.

1070
00:44:10,800 --> 00:44:13,120
Speaker 3: We haven't announced any winner or loser yet, so Bobby

1071
00:44:13,120 --> 00:44:14,799
Speaker 3: bumps dot com after you listen.

1072
00:44:15,320 --> 00:44:18,920
Speaker 2: Number one, we drafting best movies from the nineties. I'm

1073
00:44:18,960 --> 00:44:21,160
Speaker 2: wearing the championship belt because I'm the champion. I won

1074
00:44:21,200 --> 00:44:26,200
Speaker 2: the replacement curse words draft. Morgan won the dice rollbackstage.

1075
00:44:26,520 --> 00:44:28,600
Speaker 2: You'll go first, best movie from the nineties.

1076
00:44:28,960 --> 00:44:30,680
Speaker 3: You guys made me watch this one, and I gave

1077
00:44:30,719 --> 00:44:32,680
Speaker 3: it a five out of five, even though I hadn't.

1078
00:44:32,400 --> 00:44:33,799
Speaker 14: Seen it for my whole life.

1079
00:44:33,840 --> 00:44:35,960
Speaker 3: But it's Shashank Redemption A.

1080
00:44:36,120 --> 00:44:40,719
Speaker 2: Plus, okay, A plus Raymundo. I gotta go with one.

1081
00:44:40,760 --> 00:44:43,200
Speaker 10: People are actually gonna watch when I say these, I'm

1082
00:44:43,200 --> 00:44:44,840
Speaker 10: telling you drop what you're doing and see it.

1083
00:44:45,840 --> 00:44:46,920
Speaker 2: Varsity Blues.

1084
00:44:47,440 --> 00:44:48,279
Speaker 11: Yes, ye.

1085
00:44:49,719 --> 00:44:50,680
Speaker 12: Are you guys idiots?

1086
00:44:50,719 --> 00:44:53,160
Speaker 2: I got my first overall pick Forrest Gump. I got

1087
00:44:53,280 --> 00:44:53,839
Speaker 2: Forrest Gump.

1088
00:44:53,960 --> 00:44:58,680
Speaker 12: That's crazy, no big, yes, Okay.

1089
00:44:59,120 --> 00:44:59,200
Speaker 13: So.

1090
00:45:01,040 --> 00:45:05,160
Speaker 2: Morgan, Shawshank, Raymondo, Varsity Blues both wonderful. Shaw Shank is

1091
00:45:05,160 --> 00:45:07,520
Speaker 2: a plus. You can't argue that one. But I wanted

1092
00:45:07,600 --> 00:45:09,040
Speaker 2: forth Gump, I got forth Gump.

1093
00:45:09,400 --> 00:45:11,719
Speaker 14: Let's go Amy Titanic.

1094
00:45:12,120 --> 00:45:12,359
Speaker 2: Great.

1095
00:45:12,400 --> 00:45:13,200
Speaker 6: Well, that's good.

1096
00:45:14,560 --> 00:45:16,600
Speaker 2: That's a great one. Lunchboxes out.

1097
00:45:16,719 --> 00:45:17,520
Speaker 12: That's bull crap.

1098
00:45:18,280 --> 00:45:21,120
Speaker 2: You finished last you finished last time. I know I

1099
00:45:21,239 --> 00:45:24,520
Speaker 2: was using one of those replacement words, Eddie.

1100
00:45:25,239 --> 00:45:29,040
Speaker 6: You like apples? I got a number? How about them? Apples?

1101
00:45:29,120 --> 00:45:31,160
Speaker 6: Give me good Will Hunting.

1102
00:45:32,360 --> 00:45:34,040
Speaker 2: I'd only ever watched that like a year ago.

1103
00:45:34,200 --> 00:45:35,479
Speaker 12: What great?

1104
00:45:35,760 --> 00:45:38,680
Speaker 17: Oh dude, that's I've watched that movie probably two hundred times.

1105
00:45:38,960 --> 00:45:44,120
Speaker 2: That's not true. Hundred times. Yeah, you've barely than one

1106
00:45:44,160 --> 00:45:47,399
Speaker 2: hundred radio shows, much less hundred times watching the movie. Okay,

1107
00:45:47,440 --> 00:45:53,320
Speaker 2: that's a good one though. Okay, Eddie, now we go backwards,

1108
00:45:53,760 --> 00:45:55,560
Speaker 2: so you'll go first. So you have good Will Hunting.

1109
00:45:55,600 --> 00:45:59,279
Speaker 2: You're drafting best movies from the nineties. Who else is

1110
00:45:59,320 --> 00:45:59,799
Speaker 2: on your team?

1111
00:46:00,120 --> 00:46:04,200
Speaker 17: Let's go with a military movie, a war movie, saving

1112
00:46:04,719 --> 00:46:07,120
Speaker 17: private Ryan God, so good.

1113
00:46:07,200 --> 00:46:10,279
Speaker 2: That is good her name? You have Titanic. What are

1114
00:46:10,280 --> 00:46:11,000
Speaker 2: you adding to your team?

1115
00:46:12,960 --> 00:46:13,960
Speaker 16: Solid good?

1116
00:46:16,160 --> 00:46:24,960
Speaker 2: Oh it's me Now you're up. Okay. See, there are

1117
00:46:25,040 --> 00:46:27,239
Speaker 2: my favorite movies and I can't pick them though, I

1118
00:46:27,360 --> 00:46:31,960
Speaker 2: have to pander. I guess I'm just gonna have to pander,

1119
00:46:32,280 --> 00:46:37,800
Speaker 2: and I'm gonna go with I feel like there's a

1120
00:46:37,840 --> 00:46:40,040
Speaker 2: big drop right now, Like right now is where it drops.

1121
00:46:40,120 --> 00:46:41,480
Speaker 6: Bose, do whatever you want. Do you don't have to

1122
00:46:41,520 --> 00:46:42,520
Speaker 6: pander whatever you want.

1123
00:46:43,680 --> 00:46:45,920
Speaker 13: Yeah, I went with my heart I'm pretty woman, but

1124
00:46:46,040 --> 00:46:48,279
Speaker 13: that's a really that's a big, super strong one.

1125
00:46:50,840 --> 00:47:00,520
Speaker 2: Okay, I'm gonna go with I'm a dumber.

1126
00:47:01,200 --> 00:47:02,719
Speaker 7: Oh really good.

1127
00:47:03,560 --> 00:47:05,520
Speaker 2: It's just like I feel like that's where the gap

1128
00:47:05,680 --> 00:47:06,200
Speaker 2: is right there.

1129
00:47:06,360 --> 00:47:09,560
Speaker 10: All right, Raymundo, if you want to feel really warm

1130
00:47:09,640 --> 00:47:12,560
Speaker 10: and fuzzy inside, see you in Adam Sandler movie.

1131
00:47:12,920 --> 00:47:15,560
Speaker 2: Big Daddy's not.

1132
00:47:15,600 --> 00:47:16,399
Speaker 16: The one I would have picked.

1133
00:47:17,080 --> 00:47:19,520
Speaker 2: I mean, I have some Adam Tandler, not that one.

1134
00:47:19,719 --> 00:47:20,000
Speaker 16: Lunch.

1135
00:47:20,120 --> 00:47:22,759
Speaker 2: Thanks for the free coaching. Appreciate it.

1136
00:47:25,960 --> 00:47:27,920
Speaker 12: Edie said the same thing. I just I thought you

1137
00:47:28,000 --> 00:47:31,360
Speaker 12: were going with a different and you're up. Okay.

1138
00:47:32,400 --> 00:47:34,640
Speaker 3: I think I think this one is I don't know

1139
00:47:34,719 --> 00:47:36,560
Speaker 3: how I made it to second round, but I'm gonna

1140
00:47:36,600 --> 00:47:37,520
Speaker 3: go with the Sandlot.

1141
00:47:38,160 --> 00:47:40,280
Speaker 2: Oh that's a good one. He put that on my legs.

1142
00:47:42,360 --> 00:47:46,439
Speaker 2: That is such a good one. Didn't even make my list.

1143
00:47:46,480 --> 00:47:50,960
Speaker 2: I'm such an idiot. Okay, best nineties movies. You'll vote

1144
00:47:51,000 --> 00:47:51,960
Speaker 2: to Bobbybones dot com.

1145
00:47:52,160 --> 00:47:54,440
Speaker 6: Wait wait, wait, I'm the last pick?

1146
00:47:54,560 --> 00:47:54,680
Speaker 2: Right?

1147
00:47:54,840 --> 00:47:54,880
Speaker 6: No?

1148
00:47:55,400 --> 00:47:57,120
Speaker 2: No, did I already pick? You went first?

1149
00:47:57,200 --> 00:47:58,120
Speaker 6: That I picked my three?

1150
00:47:58,360 --> 00:48:00,680
Speaker 2: No, you picked two or only two? In guy comes

1151
00:48:00,680 --> 00:48:02,759
Speaker 2: back for one show. He's on fire over here, So.

1152
00:48:02,840 --> 00:48:03,799
Speaker 6: I'm the last one again?

1153
00:48:03,880 --> 00:48:04,040
Speaker 11: Yes?

1154
00:48:04,160 --> 00:48:09,600
Speaker 2: No, man, So Morgan, you have Shawshank and the Sandlot.

1155
00:48:09,680 --> 00:48:11,439
Speaker 2: What are you adding? You'll go first this time?

1156
00:48:11,640 --> 00:48:11,839
Speaker 8: Yeah.

1157
00:48:11,840 --> 00:48:15,520
Speaker 3: I think we're missing a really big gap of movies here,

1158
00:48:15,640 --> 00:48:17,080
Speaker 3: and I'm gonna go with Toy Story.

1159
00:48:17,680 --> 00:48:18,520
Speaker 16: Yeah, it's a good one.

1160
00:48:20,160 --> 00:48:22,719
Speaker 2: I didn't want to pick a cartoon round two. I

1161
00:48:22,719 --> 00:48:25,279
Speaker 2: would have picked around three that though. Raymond, you have

1162
00:48:25,400 --> 00:48:28,359
Speaker 2: Varsity Blues and Big Daddy. For sure you're out next week,

1163
00:48:28,400 --> 00:48:28,920
Speaker 2: but go ahead.

1164
00:48:29,600 --> 00:48:32,480
Speaker 10: Yeah, I'm gonna go off of the Olympics. Everybody's still

1165
00:48:32,520 --> 00:48:34,840
Speaker 10: on that high cool runnings.

1166
00:48:34,960 --> 00:48:37,560
Speaker 2: Yeah, yeah, love it. Jamaica, we got a Bob second,

1167
00:48:37,640 --> 00:48:40,280
Speaker 2: but you should you should just retire, right, Today, Today, Today.

1168
00:48:42,480 --> 00:48:43,680
Speaker 6: It's a good movie, though it is.

1169
00:48:43,719 --> 00:48:48,200
Speaker 7: A good run John Candy, Okay, over to me.

1170
00:48:48,440 --> 00:48:51,520
Speaker 2: For my third pick, I'm gonna go with Missus doubt

1171
00:48:51,560 --> 00:48:52,480
Speaker 2: Fire good one.

1172
00:48:53,239 --> 00:48:53,439
Speaker 4: Huh.

1173
00:48:53,800 --> 00:48:58,600
Speaker 2: I just went with solid Amy good one.

1174
00:48:58,680 --> 00:48:58,799
Speaker 3: Oh.

1175
00:48:58,880 --> 00:48:59,959
Speaker 6: I forgot about Home Alone.

1176
00:49:00,040 --> 00:49:00,719
Speaker 11: Oh and good ones.

1177
00:49:03,120 --> 00:49:04,880
Speaker 2: By the way, I have Forrest Gump, Dumb and Dumber,

1178
00:49:04,920 --> 00:49:08,600
Speaker 2: and Missus doubt Fire. Amy has Titanic Pretty Woman Home Alone.

1179
00:49:08,840 --> 00:49:12,120
Speaker 2: You have a really strong team over there, Amy, Eddie,

1180
00:49:12,120 --> 00:49:14,160
Speaker 2: you have Goodwill hunting and saving Private Ryan.

1181
00:49:15,560 --> 00:49:16,719
Speaker 6: Okay, that's my last pick.

1182
00:49:17,360 --> 00:49:19,000
Speaker 17: I think I'm gonna do this one for Lunchbox because

1183
00:49:19,000 --> 00:49:20,600
Speaker 17: I feel like if Lunchbox were playing, he would have

1184
00:49:20,640 --> 00:49:21,160
Speaker 17: picked this one.

1185
00:49:21,120 --> 00:49:24,720
Speaker 6: First, and he would go American Pie.

1186
00:49:24,920 --> 00:49:25,080
Speaker 10: Oh.

1187
00:49:25,360 --> 00:49:27,200
Speaker 14: I thought he was gonna be like, they can take

1188
00:49:27,239 --> 00:49:28,040
Speaker 14: our lives.

1189
00:49:27,840 --> 00:49:32,440
Speaker 12: But the guys Brave Heart didn't take days and confused.

1190
00:49:33,040 --> 00:49:34,920
Speaker 2: It wasn't gonna take days use But I did have

1191
00:49:35,000 --> 00:49:35,879
Speaker 2: Braveheart on my list.

1192
00:49:35,920 --> 00:49:37,560
Speaker 6: Would you have picked American Pie Lunchbox?

1193
00:49:38,000 --> 00:49:38,680
Speaker 12: I don't know about.

1194
00:49:38,719 --> 00:49:41,239
Speaker 1: It's one of the top ones, so it's probably the

1195
00:49:41,280 --> 00:49:42,440
Speaker 1: best comedy of the nineties.

1196
00:49:43,560 --> 00:49:48,279
Speaker 2: What is American Pie better than Missus Doubtfire? Oh yeah,

1197
00:49:48,360 --> 00:49:50,840
Speaker 2: oh yeah, you guys are out of your mind, Gilmore,

1198
00:49:51,360 --> 00:49:53,400
Speaker 2: I know, oh yeah? Or Billy Madison right?

1199
00:49:54,000 --> 00:49:58,319
Speaker 1: How many follow ups did Missus Doubtfire? American Pie had

1200
00:49:58,320 --> 00:50:00,680
Speaker 1: American Bye two and three because.

1201
00:50:00,360 --> 00:50:05,239
Speaker 2: It had how big it was because they had because

1202
00:50:05,239 --> 00:50:07,400
Speaker 2: they had actors that weren't big enough to have to

1203
00:50:07,440 --> 00:50:13,800
Speaker 2: go to other movies. Pretty big, okay, Morgan, I shall Shank, Redemption,

1204
00:50:13,880 --> 00:50:19,920
Speaker 2: The Sandloton Toy Story, Raymundo, I don't even know, Varsity Blues,

1205
00:50:19,960 --> 00:50:23,400
Speaker 2: Big Daddy, and Cool Runnings, all those are solid you.

1206
00:50:24,880 --> 00:50:26,520
Speaker 2: I don't feel like you have an A on your

1207
00:50:26,560 --> 00:50:28,000
Speaker 2: team though. Do you guys feel like he has like

1208
00:50:28,040 --> 00:50:30,959
Speaker 2: an A plus on his team at all? Forrest Gump,

1209
00:50:31,040 --> 00:50:34,160
Speaker 2: Dumb and Dumber, Missus Doubtfire, Amy has Titanic, Pretty Woman

1210
00:50:34,239 --> 00:50:36,360
Speaker 2: and Home Alone, and Eddie has a good one Hunting

1211
00:50:36,400 --> 00:50:39,520
Speaker 2: Saving Private Ryan and American Pie. Some other movies I

1212
00:50:39,560 --> 00:50:40,799
Speaker 2: had from the nineties. Tell me if you guys had

1213
00:50:40,840 --> 00:50:42,800
Speaker 2: him on your list. I had The Matrix, which I loved,

1214
00:50:42,840 --> 00:50:44,440
Speaker 2: I just felt like it was a little too nerdy.

1215
00:50:45,400 --> 00:50:49,640
Speaker 2: I had Speed, That's the best one, Keanu Reeves, That's awesome,

1216
00:50:50,640 --> 00:50:56,400
Speaker 2: Jumanji A League of their Own that see, And then

1217
00:50:56,440 --> 00:50:58,400
Speaker 2: I had very selfish ones like Office Space, which is

1218
00:50:58,440 --> 00:50:59,920
Speaker 2: one of my favorite movies ever. I had that one

1219
00:51:00,160 --> 00:51:02,040
Speaker 2: Man on the Moon, which is my favorite movie ever,

1220
00:51:02,760 --> 00:51:06,040
Speaker 2: which is about it's Jim Carrey being Andy Coffin had

1221
00:51:06,080 --> 00:51:09,080
Speaker 2: The Truman Show, which is one of my favorite movies ever. Twister.

1222
00:51:11,239 --> 00:51:13,560
Speaker 2: That's why I didn't pick them, Okayquo judging me, I

1223
00:51:13,640 --> 00:51:16,440
Speaker 2: did have the Lion King Space Jam I had, Yeah,

1224
00:51:17,800 --> 00:51:19,640
Speaker 2: Man and Black I had that on here too.

1225
00:51:20,200 --> 00:51:21,560
Speaker 14: Jarey Maguire, Oh.

1226
00:51:21,480 --> 00:51:22,560
Speaker 2: I didn't have. That's a good one though.

1227
00:51:22,600 --> 00:51:24,719
Speaker 6: Do you guys have Independence Day or like Armageddon?

1228
00:51:25,440 --> 00:51:25,600
Speaker 13: Oh?

1229
00:51:25,840 --> 00:51:26,320
Speaker 3: Armageddon?

1230
00:51:26,800 --> 00:51:28,239
Speaker 2: No, I don't have either one of those. They were

1231
00:51:28,360 --> 00:51:31,480
Speaker 2: Oh I did have Independence Day? Yeah, Rudy, Oh it's

1232
00:51:31,520 --> 00:51:34,080
Speaker 2: a good hit that way. I didn't put that one.

1233
00:51:34,320 --> 00:51:34,560
Speaker 12: Amy.

1234
00:51:34,640 --> 00:51:39,839
Speaker 1: So Pretty Woman is bigger than Dirty Dancing Dirk.

1235
00:51:39,840 --> 00:51:41,520
Speaker 14: It's like eighty nine and nineties.

1236
00:51:43,400 --> 00:51:49,400
Speaker 2: Great teams everybody except right. It's the best bits of

1237
00:51:49,520 --> 00:51:53,839
Speaker 2: the week with Morgan number two. All right, y'all, that's

1238
00:51:53,880 --> 00:51:54,640
Speaker 2: it for me this weekend.

1239
00:51:54,719 --> 00:51:56,600
Speaker 3: Thanks for joining me. I hope you're having a fun

1240
00:51:56,719 --> 00:51:57,680
Speaker 3: and safe weekend.

1241
00:51:58,239 --> 00:52:00,279
Speaker 12: It's been great hanging out with you here.

1242
00:52:00,320 --> 00:52:01,960
Speaker 3: If you want to keep hanging out with me some more,

1243
00:52:02,520 --> 00:52:04,520
Speaker 3: listen to that part one in part three this weekend

1244
00:52:04,560 --> 00:52:06,760
Speaker 3: with Mike d or you can catch my new podcast

1245
00:52:06,960 --> 00:52:09,920
Speaker 3: Take This Personally. I hope you guys are enjoying that

1246
00:52:10,000 --> 00:52:12,480
Speaker 3: if you've already given it a listen. The whole purpose

1247
00:52:12,520 --> 00:52:14,560
Speaker 3: of that podcast for me was to help people feel

1248
00:52:14,680 --> 00:52:16,520
Speaker 3: less alone in some of their hardest struggles.

1249
00:52:16,600 --> 00:52:19,279
Speaker 7: So I hope you check it out if you haven't it,

1250
00:52:20,040 --> 00:52:21,440
Speaker 7: and otherwise, thanks for being here.

1251
00:52:21,560 --> 00:52:22,600
Speaker 3: I'll see you guys next time.

1252
00:52:22,719 --> 00:52:22,959
Speaker 2: Bye.

1253
00:52:23,719 --> 00:52:26,520
Speaker 7: That's the best bits of the week with Morgan. Thanks

1254
00:52:26,600 --> 00:52:28,600
Speaker 7: for listening. Be sure to check out the other two

1255
00:52:28,680 --> 00:52:31,920
Speaker 7: parts this weekend. Go follow the show on all social platforms.

1256
00:52:32,040 --> 00:52:34,680
Speaker 14: On my show and follow ed web Girl Morgan

1257
00:52:34,880 --> 00:52:37,280
Speaker 7: To submit your listener questions for next week's episode.