WEBVTT - Danny Huston

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<v Speaker 1>Welcome to River Cafe, Table four, a production of iHeartRadio

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<v Speaker 1>and Adami Studios.

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<v Speaker 2>In front of the camera and behind it. Danny Houston

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<v Speaker 2>has spent his life in movies. Danny's son of John Houston,

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<v Speaker 2>grew up watching Russia's traveling to film locations and meeting

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<v Speaker 2>all the great actors, later directing, producing and acting in

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<v Speaker 2>films and television series Mister North, Fade to Black, The

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<v Speaker 2>Constant Gardner Succession, and much more. I knew Danny loved food,

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<v Speaker 2>but nothing could have impressed me more than one of

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<v Speaker 2>all the River Cafe recipes he chose. While basically toast toast,

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<v Speaker 2>or rather, as the Italians call it, brusquetta, was what

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<v Speaker 2>made me want to cook Italian food when I first

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<v Speaker 2>tasted it in Florence in nineteen seventy one. Danny and

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<v Speaker 2>I have much to discuss today as we sit here

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<v Speaker 2>in the River Cafe, food, music, family, cookie, traveling. Then

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<v Speaker 2>we'll go inside across the green and have a piece

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<v Speaker 2>of briskinna.

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<v Speaker 3>I will read the recipe of a brusquit for four people.

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<v Speaker 3>It would be four thick slices of bread from sour

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<v Speaker 3>dough loaf, one garlic clove, very good olive oil, a

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<v Speaker 3>state bottled extra virgin olive oil. You heat the griddle

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<v Speaker 3>pan or you chargrill it until it's very hot, and

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<v Speaker 3>you toast the slices and until they're dark but not

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<v Speaker 3>burnt on both sides. You remove the slices from the

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<v Speaker 3>grill and you rub them lightly with a garlic clove.

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<v Speaker 3>You season with salt, black pepper, and you drizzle it

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<v Speaker 3>very generously with olive oil. And that is it.

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<v Speaker 2>Thank you, so as I was saying, why did you

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<v Speaker 2>choose a piece of brusquette with olive oil?

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<v Speaker 3>It is one of my early memories being in Rome

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<v Speaker 3>as a child. I remember going to a restaurant called

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<v Speaker 3>the Kukuruku by the Tiber. There was always a lot

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<v Speaker 3>of attention Townan's love children. It would be the phone

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<v Speaker 3>books would be brought out so I could sit higher

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<v Speaker 3>in the chair, and the bluskit that would come out,

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<v Speaker 3>usually rather vigorously scratched, really with with with the garlic clove,

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<v Speaker 3>and out it would come. It's one of my early memories,

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<v Speaker 3>as I said, diving into these wonderful kazari show pieces

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<v Speaker 3>of bread and it would just stimulate my appetite as

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<v Speaker 3>it does today.

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<v Speaker 4>And so you were you were actually born in Rome.

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<v Speaker 3>I was born in Rome. My father was making a

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<v Speaker 3>film called The Bible. It was long. It was a

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<v Speaker 3>long pre production and post production, rather well known book.

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<v Speaker 3>Yesk yeah, yeah, but here was that nineteen sixty two.

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<v Speaker 3>My love of food really started right there.

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<v Speaker 4>Did you eat out a lot, a lot of your

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<v Speaker 4>food in restaurants?

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<v Speaker 3>Yes, we ate out a lot beautiful restaurants. And the

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<v Speaker 3>connection towards children, as I said earlier, the phone books

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<v Speaker 3>on the chair and the tension, I mean, the star

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<v Speaker 3>at the table is the kid, and they you know,

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<v Speaker 3>they squeeze your your your cheeks, which you can get

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<v Speaker 3>a little annoying after a while, but the attention is

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<v Speaker 3>on you. What do you what do you? You know, what

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<v Speaker 3>does the kid like? And great joy drive by everybody

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<v Speaker 3>if the child is happy. Yeah, I had I.

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<v Speaker 2>Had some friends who came from New York and they

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<v Speaker 2>rented a house in Tuscany and they had a two

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<v Speaker 2>year old child. One year old child, put her in

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<v Speaker 2>the bed and woke up in the morning she's gone,

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<v Speaker 2>I mean she's gone. And they completely understandably panicked. And

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<v Speaker 2>you know what those days didn't have mobiles and went

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<v Speaker 2>to the neighbor's house to call the police. And they

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<v Speaker 2>walked into the neighbor's house and they're sitting in a

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<v Speaker 2>high chair with their daughter, you know, eating breakfast. Because

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<v Speaker 2>they had seen them arrived the night before. They thought

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<v Speaker 2>the baby might be hungry. The parents would be sleeping,

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<v Speaker 2>so they just came in and took the baby and

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<v Speaker 2>took care of her, you know, and that was you know,

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<v Speaker 2>you know, it's just such a different idea of the

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<v Speaker 2>child as the center of the of the story. Yeah.

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<v Speaker 3>Yeah. And there's an expression at times, the bonnacle bianet,

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<v Speaker 3>which is mean as good as.

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<v Speaker 4>Bread, as good as bread.

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<v Speaker 2>Yeah, so you grew up as good as bread. Tell

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<v Speaker 2>me about your father and food, because I grew up

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<v Speaker 2>with John Houston. I know, the young chef in my

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<v Speaker 2>restaurant is cooking today, also called Danny, when I told

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<v Speaker 2>him you were coming.

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<v Speaker 4>You know, loves your work.

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<v Speaker 2>He knows every movie you've been in, and he knows

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<v Speaker 2>about your grandfather and your father and you and.

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<v Speaker 4>Say, this family. Can you tell us about this family?

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<v Speaker 3>Certainly, certainly my grandfather Walter Houston, marvelous actor, My father

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<v Speaker 3>John Houston, master director and actor. My sister Angelica once again,

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<v Speaker 3>tremendous actress and the best friend and sister that one

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<v Speaker 3>could possibly have. And she's my angel, and we I

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<v Speaker 3>can say with great confidence that we all love food

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<v Speaker 3>and wine. My father designed the label for a Muton Rothschild,

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<v Speaker 3>which was a superb year. He shared that with other

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<v Speaker 3>artists such as as Matisse and Warhole. Yeah. And I

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<v Speaker 3>remember in Spain, let me Danny taste this. It's it's

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<v Speaker 3>called a DESPATCHO.

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<v Speaker 4>Did you know your grandfather?

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<v Speaker 3>I never met my grandfather. I only met him through

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<v Speaker 3>the film. Is that my father would show me. There

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<v Speaker 3>was always a big sort of plava made out of

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<v Speaker 3>bringing the projector out, and sometimes the film would rip

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<v Speaker 3>be spliced back together and and there'd be the sort

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<v Speaker 3>of beam of light that would cut through the cigar smoke.

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<v Speaker 3>And there was my grandfather.

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<v Speaker 4>And treasure and that I remember with the gold shaking,

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<v Speaker 4>shaking memory.

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<v Speaker 3>Yeah, yeah, And I mean I thought he was those characters.

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<v Speaker 3>I thought he was the gold prospector. And then films

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<v Speaker 3>like Dodsworth and and my father did at the u

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<v Speaker 3>beginning of an evening, he'd he'd he'd make the sound addressing.

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<v Speaker 4>He did.

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<v Speaker 3>Yes, absolutely, Yes, see a mustard oil, vinegar and a

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<v Speaker 3>little dash of sugar. Sugar, yeah, which is which is

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<v Speaker 3>something that I've tried to reproduce and I can't quite

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<v Speaker 3>get it right, Not like he not like he did.

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<v Speaker 3>There was some magical thing that he did and I

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<v Speaker 3>can't reproduce.

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<v Speaker 4>What do you cook other food? That?

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<v Speaker 3>That was? That was his his gesture before a meal.

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<v Speaker 4>What about drinks? Did he have a cocktails?

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<v Speaker 3>Well, Martini was a dry lemon twist. But depending on

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<v Speaker 3>where we were, what country were we were, the cocktails

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<v Speaker 3>would would differ. In For instance, I remember in Mexico

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<v Speaker 3>when he was making a film called Under the Volcano

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<v Speaker 3>Malcolm Lowry with Albert Finney. We would watch the daily

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<v Speaker 3>Russia's whatever he shot that the previous day. We'd watch

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<v Speaker 3>it in the evening and I used to make him cocktails.

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<v Speaker 4>You made the cocktail? Yes, an age for you.

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<v Speaker 3>Then Danny very young, and he would I remember him

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<v Speaker 3>in Mexico. He was having kuba libres and I'd make

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<v Speaker 3>him a rum and coke and I handed to him

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<v Speaker 3>and he'd say, no, no, no, the coke should only

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<v Speaker 3>color the rum.

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<v Speaker 4>We have to make a drink for your father. And

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<v Speaker 4>so who cooked in your house?

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<v Speaker 3>My mother cooked.

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<v Speaker 4>She was born in India.

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<v Speaker 3>She was born in Indian luck now yeah, just under

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<v Speaker 3>the Himalayas. Then during the partition they moved to London.

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<v Speaker 2>Did she bring that culture with her or her parents?

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<v Speaker 2>Did your grandparents cook Indian?

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<v Speaker 3>Well?

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<v Speaker 4>Did they come as well?

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<v Speaker 3>Yes? They did? Well, my my my grandmother. It was

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<v Speaker 3>always a spicy doll, was Mati Rice Sogpanier. But I

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<v Speaker 3>also remember digestive biscuits and uh television, you know, Dad's

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<v Speaker 3>are Army and those those kind of programs.

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<v Speaker 2>As you grew up with different cultures Indian, your father

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<v Speaker 2>being American and Italian.

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<v Speaker 4>Yes, and was that all mixed you think in your

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<v Speaker 4>palette of the early years.

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<v Speaker 3>Yeah, yeah. I spent a lot of time in Galway

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<v Speaker 3>in Ireland growing up, and we drive to Kanamara Bay

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<v Speaker 3>and have oysters. I would have a little glass of guinness.

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<v Speaker 4>What age would this be?

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<v Speaker 3>Very young?

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<v Speaker 4>What age?

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<v Speaker 3>Oh? Preteens? But Kannamara Bay you could really taste taste

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<v Speaker 3>the sea in those and in those oysters, the mutinous

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<v Speaker 3>Shannon waves and that wonderful breeze. And I learned to

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<v Speaker 3>swim in Calamara, the very freezing much much much to

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<v Speaker 3>everybody's horror. But but Betty O'Kelly would hold hold my

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<v Speaker 3>my body up with her hand, and that's that's how

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<v Speaker 3>I learned how to swim. Many memories with my father

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<v Speaker 3>and in Saint Clarence and Galway. Uh interesting guests, you know,

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<v Speaker 3>mister Fuller, Robert Mitcham, Lauren Bacall. I remember falling in

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<v Speaker 3>love with with with with Ava Gardener at a restaurant

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<v Speaker 3>at Montpilly Square.

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<v Speaker 4>She did, you know she lived in.

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<v Speaker 3>And lunch with my mother and and Ava. And after

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<v Speaker 3>the lunch I said to my mother, again barely a teenager, Mom,

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<v Speaker 3>I'm I'm in love and she she just clipped me

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<v Speaker 3>in the back of the head and she said, of

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<v Speaker 3>course you.

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<v Speaker 4>Are a gardener, for christ, what's not to love?

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<v Speaker 3>She was. She was dressed so casually. She was wearing

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<v Speaker 3>doctor showls and just sort of you know, she she

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<v Speaker 3>was hardly hardly any makeup. But the combination of her

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<v Speaker 3>and the and the food that made me a little dizzy.

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<v Speaker 3>I was sent to boarding school in England, must have

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<v Speaker 3>been about eleven twelve years old. I mean the boarding

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<v Speaker 3>school I had was quite tame. It was in Somerset,

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<v Speaker 3>compared to other people's experiences. Mine was very, very tame

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<v Speaker 3>and a summer set Millfield, Millfield.

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<v Speaker 4>Yeah, it was.

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<v Speaker 3>Okay, it was a way for me to claim my independence.

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<v Speaker 3>But yes, a stark difference.

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<v Speaker 4>What was the food like? Dot ghastly?

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<v Speaker 3>Yeah. I remember I was sitting next to a girl

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<v Speaker 3>who was from India and her food looked much better

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<v Speaker 3>than mine, and I asked why and they said, she's

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<v Speaker 3>a vegetarian. Okay, well I'll be a veget at school,

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<v Speaker 3>I'll be a vegetarian. So I still don't eat a

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<v Speaker 3>lot of meat. My weak spot is or you know, figs.

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<v Speaker 3>That is a comfort place for me. But I'm not

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<v Speaker 3>a big, big meat teacher. But the moment I I

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<v Speaker 3>finished school and started cooking, my forte was cooking for.

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<v Speaker 2>Two as a method of We've talked a lot about

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<v Speaker 2>seducing a woman with food as a.

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<v Speaker 3>Method of seduction. Sometimes it worked, sometimes it didn't, but yes,

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<v Speaker 3>as as a method of seduction, and it was.

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<v Speaker 2>Very sexy having a mad cook few. I have to say,

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<v Speaker 2>I do think there is something as a woman. This

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<v Speaker 2>just is a scene in Michael came when I talked

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<v Speaker 2>to Michael in an interview and we looked. We talked

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<v Speaker 2>about the ip Crisfild and there's a scene where he

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<v Speaker 2>is a spy and an agent and he's a great

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<v Speaker 2>kind of figure. But there's this very moving scene where

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<v Speaker 2>he actually cooks for the woman and she and he

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<v Speaker 2>does seem more interested in chopping the carrot than even

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<v Speaker 2>you know, the first kiss.

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<v Speaker 3>It's very well, it's a very central thing, isn't it.

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<v Speaker 3>Bibet's feast. Yeah, many films use that as a visual

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<v Speaker 3>language because of course you can't taste the food through

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<v Speaker 3>the screen, but you can only imagine what it tastes like.

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<v Speaker 4>So what would you cook when you were young?

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<v Speaker 3>Man? What I what I what I think is fun

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<v Speaker 3>is is sort of necessity is a mother invention. And

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<v Speaker 3>so you go back home, it's not been premeditated, necessarily,

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<v Speaker 3>and you open the purgency what's there? And you whip

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<v Speaker 3>it up? And this something about the improvisation also searching

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<v Speaker 3>for a pleasant accident. I sort of translate that to

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<v Speaker 3>my work as well to acting. You're you're looking for

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<v Speaker 3>the for the unexpected, and sometimes you whip something up.

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<v Speaker 3>You've got some carrots and chop them up finally and

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<v Speaker 3>you throw them in with the with with with the garlic,

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<v Speaker 3>and uh, and you've discovered another another type of acting.

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<v Speaker 3>Maybe it's it's it's something that wasn't that wasn't written

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<v Speaker 3>and and and and certainly not pre premeditated that you

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<v Speaker 3>discover that gives it a feeling of reality and truth.

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<v Speaker 3>And the person that you're working with also discovers something

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<v Speaker 3>else because of it, and it becomes a wall a dance.

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<v Speaker 4>Do you like to eat when you're filming?

0:14:58.600 --> 0:15:03.080
<v Speaker 3>Yes? And no. I mean food for me is the

0:15:03.120 --> 0:15:08.160
<v Speaker 3>past and the present and and that anticipation right before

0:15:08.200 --> 0:15:12.520
<v Speaker 3>you eat of something, of something unexpected, and in a

0:15:12.560 --> 0:15:16.040
<v Speaker 3>way it takes me away from from my work. To

0:15:16.120 --> 0:15:19.040
<v Speaker 3>combine it with work for me as for me as difficult.

0:15:19.440 --> 0:15:23.400
<v Speaker 3>I remember having lunch with my father and Orson Wells

0:15:24.040 --> 0:15:28.480
<v Speaker 3>in l A and Orson eating a lot, and I

0:15:28.480 --> 0:15:32.120
<v Speaker 3>could see my father looking quite concerned and maybe even

0:15:32.160 --> 0:15:32.800
<v Speaker 3>a little.

0:15:32.680 --> 0:15:36.120
<v Speaker 2>Phobic about what that was going on too long, that

0:15:36.200 --> 0:15:37.920
<v Speaker 2>he was was unhealthy or.

0:15:39.640 --> 0:15:42.040
<v Speaker 3>Just it was it was unlike not onlike today. It

0:15:42.080 --> 0:15:44.640
<v Speaker 3>was a hot day, and he was eating too much,

0:15:44.720 --> 0:15:46.760
<v Speaker 3>and it's just I could see I could see it

0:15:46.880 --> 0:15:51.000
<v Speaker 3>making my father a little a little queasy. He didn't

0:15:51.000 --> 0:15:55.680
<v Speaker 3>particularly like sharing dishes. He didn't like it when his agent,

0:15:55.760 --> 0:16:01.240
<v Speaker 3>Paul Kohner, used to plunge his fork into his whatever

0:16:01.360 --> 0:16:04.200
<v Speaker 3>whatever he was eating. He liked to keep it separate.

0:16:04.520 --> 0:16:10.520
<v Speaker 4>But man was he a big man, tall, big.

0:16:10.880 --> 0:16:18.040
<v Speaker 3>Heart, personality, generous and loved a fine a fine meal,

0:16:18.120 --> 0:16:22.040
<v Speaker 3>and a good restaurant. I remember I remember going to

0:16:22.680 --> 0:16:26.960
<v Speaker 3>Alfredo's with him in Rome and his delight when the

0:16:27.480 --> 0:16:31.920
<v Speaker 3>Golden fourk and Spoon came out. No, he absolutely loved

0:16:32.040 --> 0:16:34.960
<v Speaker 3>loved food, and loved dining, and loved spending time with

0:16:34.760 --> 0:16:39.520
<v Speaker 3>with with people and celebrating. But at times, at times

0:16:39.520 --> 0:16:41.000
<v Speaker 3>he liked his own space.

0:16:51.400 --> 0:16:53.080
<v Speaker 4>Did you spend time growing up in La?

0:16:53.840 --> 0:16:55.720
<v Speaker 3>Not growing up? But I spent time I was in

0:16:55.880 --> 0:16:59.800
<v Speaker 3>La in my twenties. I like the California Palette. It's

0:16:59.840 --> 0:17:03.360
<v Speaker 3>it's it's again, it's freshness, it's those great salads and

0:17:05.760 --> 0:17:09.280
<v Speaker 3>talking about accidents. How the caesar salad came about some

0:17:09.400 --> 0:17:13.720
<v Speaker 3>stale bread and anchovies and a couple of leaves and parmesan. Really,

0:17:14.680 --> 0:17:20.040
<v Speaker 3>it's wonderful when something occurs like that. And I mean,

0:17:20.040 --> 0:17:21.840
<v Speaker 3>I don't know how you came across, how you came

0:17:21.840 --> 0:17:26.680
<v Speaker 3>across this location and how it developed, but maybe possibly

0:17:26.720 --> 0:17:30.640
<v Speaker 3>there were a series of unexpected surprises that came your way.

0:17:30.760 --> 0:17:34.359
<v Speaker 2>Yeah. When we opened here, it was a Duckham's oil refinery.

0:17:34.480 --> 0:17:39.000
<v Speaker 2>My husband and his partners, architectural partners decided because we

0:17:39.000 --> 0:17:41.720
<v Speaker 2>were living in Paris for four years, he did the

0:17:41.800 --> 0:17:44.639
<v Speaker 2>Pomperty Center and we came back and didn't want to

0:17:44.640 --> 0:17:46.600
<v Speaker 2>be in the center of London in office buildings, so

0:17:46.720 --> 0:17:49.879
<v Speaker 2>found this site and tried to create a community. And

0:17:49.960 --> 0:17:52.840
<v Speaker 2>so the community was built on the idea there would

0:17:52.840 --> 0:17:57.240
<v Speaker 2>always be someplace to eat. And we were reviewing different

0:17:57.280 --> 0:18:00.800
<v Speaker 2>ideas for restaurants that wanted to come here, cafes really,

0:18:00.800 --> 0:18:02.000
<v Speaker 2>because there's a tiny space.

0:18:02.600 --> 0:18:04.600
<v Speaker 4>And I said, you know what, maybe I'll do it.

0:18:04.720 --> 0:18:07.399
<v Speaker 4>And that's what happened, you know. And then I did

0:18:07.440 --> 0:18:09.760
<v Speaker 4>it with my friend Rose Gray. And then the rest

0:18:09.840 --> 0:18:14.240
<v Speaker 4>is just like you say, any idea that it is then.

0:18:13.960 --> 0:18:17.200
<v Speaker 2>Or an accident, an accident of birth, an accident a place,

0:18:17.280 --> 0:18:22.160
<v Speaker 2>an accident of creative activity sometimes takes you somewhere else.

0:18:22.520 --> 0:18:24.240
<v Speaker 4>Have you ever worked in a restaurant?

0:18:24.720 --> 0:18:28.399
<v Speaker 3>No, I haven't. I would love to. I to. I

0:18:28.440 --> 0:18:32.400
<v Speaker 3>actually have a sort of a fantasy which I'm sure

0:18:32.440 --> 0:18:35.240
<v Speaker 3>will probably never be fulfilled, but I would love to

0:18:36.160 --> 0:18:39.440
<v Speaker 3>own a restaurant by the beach and catch of the day.

0:18:39.640 --> 0:18:42.560
<v Speaker 3>And yeah, I know that's got to be a lot

0:18:42.600 --> 0:18:49.520
<v Speaker 3>of stress, especially to maintain a certain standard. You can't

0:18:49.560 --> 0:18:52.480
<v Speaker 3>let it go the same way as a film director. Yeah,

0:18:52.560 --> 0:18:56.399
<v Speaker 3>you know, you've got to be probably a little obsessive

0:18:57.160 --> 0:19:02.200
<v Speaker 3>and in charge and seeing every seeing every detail, otherwise

0:19:02.600 --> 0:19:05.760
<v Speaker 3>things could fall apart. But my fantasy is sort of

0:19:05.760 --> 0:19:06.199
<v Speaker 3>some sort of.

0:19:06.280 --> 0:19:08.400
<v Speaker 4>Hammock where what country would that be?

0:19:08.480 --> 0:19:10.440
<v Speaker 3>It would be it would be it would be well,

0:19:10.680 --> 0:19:14.000
<v Speaker 3>you know, the Mediterranean certainly, or Mexico, Mexico.

0:19:14.400 --> 0:19:18.080
<v Speaker 2>I lived in Mexico for four months. That's two years ago.

0:19:18.840 --> 0:19:22.760
<v Speaker 2>I lived in Mexico City and my husband had an accident,

0:19:22.800 --> 0:19:25.960
<v Speaker 2>so we stayed there for four months and I loved it.

0:19:26.119 --> 0:19:29.359
<v Speaker 2>I just as a place that I want to return

0:19:29.440 --> 0:19:34.159
<v Speaker 2>to again and again. Where were you in Mexico? Is

0:19:34.240 --> 0:19:35.040
<v Speaker 2>that with your family?

0:19:35.520 --> 0:19:37.120
<v Speaker 3>Yeah? My father had a house that you can only

0:19:37.119 --> 0:19:38.960
<v Speaker 3>get to my boat. This is when he gave up ireland.

0:19:39.760 --> 0:19:43.800
<v Speaker 3>He became very minimal. He leased some land outside of

0:19:43.840 --> 0:19:46.200
<v Speaker 3>Puerto Arta that you could only get to on a

0:19:46.320 --> 0:19:49.840
<v Speaker 3>on a boat, on a panga. And there he had

0:19:49.880 --> 0:19:51.000
<v Speaker 3>a chef called.

0:19:50.880 --> 0:19:55.160
<v Speaker 4>Archie and very Mexican Mexican.

0:19:55.280 --> 0:19:58.880
<v Speaker 3>No, no, no, Archie. Archie was Filipino, and he now

0:19:58.920 --> 0:20:01.000
<v Speaker 3>has a restaurant in part of art which is which is,

0:20:01.040 --> 0:20:04.879
<v Speaker 3>which is delicious? Actually, sadly he's not with us anymore,

0:20:05.040 --> 0:20:07.840
<v Speaker 3>but his wife, his wife wife runs at Archies restaurant,

0:20:07.840 --> 0:20:12.360
<v Speaker 3>and part of our what was And in a way

0:20:12.440 --> 0:20:20.359
<v Speaker 3>it's my definition of complete luxury, eating fine food and

0:20:20.480 --> 0:20:25.160
<v Speaker 3>drinking delicious wine in the tropics, you know, and the again,

0:20:25.280 --> 0:20:31.480
<v Speaker 3>the freshness, the papayas, the mangoes, the avocados, and the fish.

0:20:31.800 --> 0:20:34.800
<v Speaker 4>Yeah, so that's where you could open your restaurant.

0:20:35.119 --> 0:20:39.320
<v Speaker 2>What's clear in your stories and our lives is that

0:20:39.640 --> 0:20:44.480
<v Speaker 2>you know, food is memory, food is sharing, Food is comfort.

0:20:45.200 --> 0:20:47.800
<v Speaker 4>What would that food be that is a comfort food?

0:20:48.119 --> 0:20:51.160
<v Speaker 3>Well, I have one of my one of my weaknesses

0:20:51.359 --> 0:20:54.480
<v Speaker 3>is waking up in the middle of the night and

0:20:55.440 --> 0:20:59.639
<v Speaker 3>tiptoeing to the kitchen just cutting a piece of bread

0:20:59.680 --> 0:21:05.000
<v Speaker 3>and dunking it into a little saucer of olive oil

0:21:06.200 --> 0:21:12.040
<v Speaker 3>and adding adding some salt and and and secretly literally

0:21:12.440 --> 0:21:17.720
<v Speaker 3>eyes closed, enjoying the combination of tastes. I suppose that

0:21:17.880 --> 0:21:23.520
<v Speaker 3>sort of brings us back to to our brusqueite, where

0:21:23.520 --> 0:21:28.320
<v Speaker 3>it's it's it's. It is so much about those first

0:21:28.359 --> 0:21:31.880
<v Speaker 3>things that you ate when you when you were a child,

0:21:32.400 --> 0:21:36.560
<v Speaker 3>and and and a certain kind of regression, uh, momentary

0:21:36.600 --> 0:21:40.480
<v Speaker 3>regression which which makes you feel cozy and at.

0:21:40.359 --> 0:21:43.920
<v Speaker 4>Home and safe, Yeah, safe and comfort. Thank you, Danny.

0:21:44.320 --> 0:21:47.760
<v Speaker 4>Let's thank you so much.

0:21:55.280 --> 0:21:58.520
<v Speaker 2>To visit the online shop of The River Cafe, go

0:21:58.720 --> 0:22:03.200
<v Speaker 2>to shop the River Cafe dot co dot uk.

0:22:05.119 --> 0:22:09.040
<v Speaker 1>Rivercafe Table four is a production of iHeartRadio and Adamized Studios.

0:22:09.440 --> 0:22:14.320
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:22:14.440 --> 0:22:16.520
<v Speaker 1>or wherever you listen to your favorite shows.