WEBVTT - Listener Mail: The Rhythm is Below Me

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and it's Monday. That's the day of the week. We

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<v Speaker 1>read back messages from the mail bag stuff you have

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<v Speaker 1>sent in to our account, which, if you'd like to

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<v Speaker 1>get in touch, is contact at stuff to Blow your

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<v Speaker 1>Mind dot com. You can write in for any reason,

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<v Speaker 1>if you've got feedback on a recent episode, if you

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<v Speaker 1>want to share something interesting, if you just want to

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<v Speaker 1>say hello, any of that's fair game. Email us at

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<v Speaker 1>contact at stuff to Blow your Mind dot com. Let's

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<v Speaker 1>see here, Rob, would you like to kick us off

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<v Speaker 1>with this message about the Monster Fact? Sure? This one

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<v Speaker 1>comes to us from Tim. Tim says, Hi, Stuff to

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<v Speaker 1>Blow your Mind team. I love the podcast, and I'm

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<v Speaker 1>particularly excited for the Monster Fact episodes featuring Warhammer forty

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<v Speaker 1>thousand or Warhammer forty k I've never been into the games,

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<v Speaker 1>but the lore of that realm is creepy cool and

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<v Speaker 1>fascinatingly weird, so I can't wait to hear more. And

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<v Speaker 1>then Tim goes on and says, when you make multi

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<v Speaker 1>part episodes. I'm always especially keen to listen to them

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<v Speaker 1>because you guys get really deep into the topic. I've

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<v Speaker 1>often heard about the concepts before, so a shorter, shallow

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<v Speaker 1>we're handling would just be rehashing. I let them stack

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<v Speaker 1>before listening to them all though, So if the name

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<v Speaker 1>could include part X of Y or part X slash,

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<v Speaker 1>why that would help my arrangement of listening time so

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<v Speaker 1>I can fully engage with the topic rather than being

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<v Speaker 1>left unsatisfied having jumped into a two parter only to

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<v Speaker 1>find out that there's a third part teasing my brain

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<v Speaker 1>with incompleteness if possible, practical Please and thank you. Keep

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<v Speaker 1>up the great work you make my monotonous hours at

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<v Speaker 1>a lab bench at work far more interesting. Regards Kim,

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<v Speaker 1>Thank you Tim. I'd say if we could do that

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<v Speaker 1>with the episode numbering, we it, but we don't always

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<v Speaker 1>know how many parts we're gonna do when we start

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<v Speaker 1>a series, so sometimes we'll think that it's gonna be

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<v Speaker 1>two parts, but then you know we're recording part two.

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<v Speaker 1>We realized we've got a lot more stuff that we've

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<v Speaker 1>turned up and we'd like to get into, so it

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<v Speaker 1>ends up going to three. Uh So, yeah, but by

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<v Speaker 1>the time we published the first part, we don't always

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<v Speaker 1>know how deep we're gonna go. I guess I could

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<v Speaker 1>go in and add part X of Y to a description,

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<v Speaker 1>if not the title, then certainly the description after the fact,

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<v Speaker 1>like once we've completed a particular journey. Um, I hadn't

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<v Speaker 1>really thought to do that before, but I don't think

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<v Speaker 1>there's any practical reason why I couldn't do that, and

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<v Speaker 1>certainly why we couldn't do that when we re air

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<v Speaker 1>those episodes the following year. So yeah, there might there

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<v Speaker 1>might be some things we can do, but yeah, most

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<v Speaker 1>of the time, we just we do not know that's

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<v Speaker 1>gonna be. Sometimes we think it's gonna be one episode

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<v Speaker 1>and then it becomes three. Hey. Though, on the other hand,

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<v Speaker 1>to bring up something that we mentioned in last week's

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<v Speaker 1>listener mail, UH, tim you you know, you listen to

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<v Speaker 1>the show at your own pace. You listen whenever you

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<v Speaker 1>want to. That's all up to you. But we have

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<v Speaker 1>been told by people here at the company that there

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<v Speaker 1>are some cases where UH listeners may be affected by

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<v Speaker 1>waiting to catch up on episodes. That like some platforms

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<v Speaker 1>such as Apple Podcast may stop downloading episodes of our

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<v Speaker 1>show into your feed, even if you're subscribed, if you

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<v Speaker 1>haven't consumed the most recent x number of episodes, it

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<v Speaker 1>might be like five episodes or something, And so this

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<v Speaker 1>apparently sometimes affects numbers if people are waiting to catch

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<v Speaker 1>up or letting episodes stack up before they binge them. Obviously,

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<v Speaker 1>if that's the way you want to listen, that's fine.

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<v Speaker 1>But if you do want to help the show out

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<v Speaker 1>and make sure that nothing like that happens to you,

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<v Speaker 1>and uh, you know you're you're always getting new shows

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<v Speaker 1>of ours in your feed. It is apparently helpful for

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<v Speaker 1>you to be current on the show. So if you

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<v Speaker 1>want to help us out and help yourself out to

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<v Speaker 1>make sure you're always getting new stuff, that's the thing

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<v Speaker 1>you can do. Absolutely And uh and Tim, thanks for

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<v Speaker 1>the kind words on the Monster Fact episodes. Uh yeah,

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<v Speaker 1>I'm gonna keep I did a three partner on the

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<v Speaker 1>Tyra Aids of Warhammer and uh yeah, I heard some

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<v Speaker 1>nice things from some folks, so I might return to

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<v Speaker 1>the Warhammer World for future Monster episodes after skipping around

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<v Speaker 1>back into mythology and folklore and so forth. All right,

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<v Speaker 1>what's that I hear, Joe? It sounds like sleigh bells.

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<v Speaker 1>Oh yeah, we got a straggler from the holidays that

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<v Speaker 1>this always happens when it's like February and we're still

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<v Speaker 1>getting episodes related to uh, just sort of a Christmas

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<v Speaker 1>time or whatever, which you know, we're always getting feedback

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<v Speaker 1>about stuff that came out a couple of months ago,

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<v Speaker 1>but it's just especially funny when it's Christmas themed. Well,

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<v Speaker 1>this time it has to do with eggnog, and in

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<v Speaker 1>a way it's fitting because, as we discussed in the

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<v Speaker 1>Eggnog episode, egg based alcoholic beverages used to be consumed

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<v Speaker 1>just year round. That's right, yet to protect you from

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<v Speaker 1>the fog drafts while you're walking to work in the

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<v Speaker 1>morning or setting out a long journey from an inn

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<v Speaker 1>in Maryland. So anyway, this is from Bianca. Bianca says, Hi, guys,

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<v Speaker 1>I'm a bit behind my podcast listening. I just listen

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<v Speaker 1>to your eggnog episode and was quite surprised when you

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<v Speaker 1>mentioned that eggnog is considered a drink for everybody in

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<v Speaker 1>the US. I live in Austria, and I would say

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<v Speaker 1>that here it is mostly thought of as an alcoholic drink.

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<v Speaker 1>I've never encountered a non alcoholic version in the stores.

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<v Speaker 1>Although I'm sure it exists, I thought it interesting considering

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<v Speaker 1>you mentioned that in the early days of eggnog, it

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<v Speaker 1>was also thought of as an alcoholic drink first and foremost. Yeah,

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<v Speaker 1>the the earliest references to eggnoga seemed to be exclusively

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<v Speaker 1>references to a hard, boozy drink, not not something that's

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<v Speaker 1>uh sold in cartons and given to children. Bianca says,

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<v Speaker 1>Although I am no expert, I would guess it has

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<v Speaker 1>at least partially to do with the German name for eggnog,

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<v Speaker 1>which is ier liquor. I think that means egg liquor. Uh.

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<v Speaker 1>The liquor part literally translates to liquor in English. The

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<v Speaker 1>alcohol is therefore already in the name, but I suppose

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<v Speaker 1>that's not the whole story. Also, people seem to have

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<v Speaker 1>an ambivalent opinion about eggnog. I do not drink out

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<v Speaker 1>the hall of myself, but I recall many people telling

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<v Speaker 1>me they do not like it, and people seem to

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<v Speaker 1>buy it in heaps when it's Christmas time, so there

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<v Speaker 1>must be something to it. I guess. Keep doing what

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<v Speaker 1>you're doing. Really enjoy listening to your show. Greetings from Austria.

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<v Speaker 1>Bianca well, um, I know, as a as a grown up,

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<v Speaker 1>when you have a glass of eggnog that is also spiked. Um.

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<v Speaker 1>It is often my experience that I will have this

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<v Speaker 1>beverage and I will find it lovely, but afterwards there's

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<v Speaker 1>almost a sense of shame for having consumed it because

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<v Speaker 1>you realize, oh wow, that was that was rich, that

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<v Speaker 1>was a lot, and I probably shouldn't have another glass

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<v Speaker 1>of that this year. It's just a nice, boozy mug

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<v Speaker 1>of melted ice cream. It's great, But I mean maybe

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<v Speaker 1>that has something to do with people being ambivalent about it.

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<v Speaker 1>And then I don't know, you know, it's easy to

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<v Speaker 1>be ambivalent about anything that's tied up. And they just

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<v Speaker 1>the the over celebration of the holidays um in many

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<v Speaker 1>parts of the U. S And the Western world. So uh,

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<v Speaker 1>you know, everyone's going to have their own opinion of

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<v Speaker 1>the matter. Okay, we got a message about our episodes

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<v Speaker 1>on the reptiles of the Galapagos. This is from Sean.

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<v Speaker 1>Sean says, hey, guys, I'm an archaeologist in New York State.

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<v Speaker 1>I just listened to the Galapagos reptile episodes. I was

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<v Speaker 1>struck by the urine intensive nesting I remember this was

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<v Speaker 1>in the section about the nesting habits of the Galapagos tortoises,

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<v Speaker 1>where they would when when one of the females would

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<v Speaker 1>come and lay a clutch of eggs, um, I don't

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<v Speaker 1>know if clutch is the right word, lay late some

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<v Speaker 1>number of eggs in the sand. They would like dig

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<v Speaker 1>out a hole and then lay the eggs and then

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<v Speaker 1>bury it and pe on it and use the urine

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<v Speaker 1>to form a kind of cement there So, Sean says,

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<v Speaker 1>I was struck by the urine intensive nesting. It reminded

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<v Speaker 1>me of the North American pack rat, whose burrows are

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<v Speaker 1>lined with urine to make almost a natural cement fall

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<v Speaker 1>soul burrows are handy for archaeology little time capsules. Maybe

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<v Speaker 1>you've done a show on these guys already, but if not,

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<v Speaker 1>might be interesting. Love the show, Sean, Sean, I think

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<v Speaker 1>that is a fantastic idea. The pack rat is a

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<v Speaker 1>really weird and interesting animal when you look at their middens. Yeah, Rob,

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<v Speaker 1>I don't know how much you've read about these guys.

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<v Speaker 1>With these little rats, so they'll often make nests in

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<v Speaker 1>like caves or crevices. But then I think they can

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<v Speaker 1>also find similar kinds of wedge like spaces in human

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<v Speaker 1>built structures, and they will just fill them up with these,

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<v Speaker 1>uh you know, with just junk, all different kinds of

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<v Speaker 1>things they find from the environment, packing them in and

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<v Speaker 1>then peeing on them to form a kind of cement.

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<v Speaker 1>I think like the sugars and other kind of chemicals

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<v Speaker 1>in the urine helped crystallize all the stuff together. And

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<v Speaker 1>it's like a it's it's like a p made skyscraper

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<v Speaker 1>in like a wedge in a rock. Yeah. I vaguely

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<v Speaker 1>remember researching something about them that I can't rememb number

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<v Speaker 1>if it was for a text based piece or for

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<v Speaker 1>a past episode of the show. At any rate, it's

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<v Speaker 1>it's it's certainly something that would be fun to explore

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<v Speaker 1>or re explore on the podcast. All right, here is

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<v Speaker 1>one that comes to us from Rusty in response to

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<v Speaker 1>our episode or episodes on animals and then ultimately humans

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<v Speaker 1>throwing things, Rusty says Robert and Joe. Thanks for all

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<v Speaker 1>your work on the pod. Wide selection of interesting topics

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<v Speaker 1>is appreciated as a lover of all things to do

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<v Speaker 1>with evolutionary biology. I enjoyed the series on animals throwing

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<v Speaker 1>things as I'm sure many other listeners are also animal lovers.

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<v Speaker 1>I thought i'd share with them my personal favorite example

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<v Speaker 1>of creatures tossing things around. Part of courtship among two

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<v Speaker 1>cans can involve an adorable game of catch. A gift

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<v Speaker 1>of a small barrier nut will be offered, sometimes being

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<v Speaker 1>passed back and forth multiple old times. In some species,

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<v Speaker 1>this can escalate into whipping their enormous beaks around to

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<v Speaker 1>catapult the object toward the potential mate from a distance.

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<v Speaker 1>Presumably the repeated throwing and catching acts as a fitness

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<v Speaker 1>test for eyebeak coordination and fine motor control. Thanks again, Rusty.

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<v Speaker 1>I will point out rob we we usually don't include

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<v Speaker 1>last names when people say them, but this is obviously

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<v Speaker 1>a pseudonym, because this listener wrote in under the name

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<v Speaker 1>Rusty Shackleford, which is the fake name that Dale Gripple

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<v Speaker 1>always gives him King of the Hill. Oh okay, I

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<v Speaker 1>I didn't realize that. I don't think I've ever watched

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<v Speaker 1>too much King of the Hill, so I didn't catch

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<v Speaker 1>the reference. Oh it's great. Dale Gribble is the the

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<v Speaker 1>lovable paranoid sovereign citizen stry and so anytime somebody uh

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<v Speaker 1>in any official capacity asks his name, he gives a

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<v Speaker 1>fake one, and it's usually Rusty Shackleford. Okay, okay, I

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<v Speaker 1>know which character you're talking about. Yeah, well this is

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<v Speaker 1>a great example though involving two cans um too. Ends

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<v Speaker 1>have a lot of personality, so I enjoy watching them

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<v Speaker 1>whenever I have the chance. Usually it's you know, obviously

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<v Speaker 1>a a captive environment, but I have gotten to see

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<v Speaker 1>them in the wild on occasion, and uh yeah, amazing birds.

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<v Speaker 1>I had no idea about this throwing thing. I'm gonna

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<v Speaker 1>have to look this up, so thank you, Rusty. Alright,

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<v Speaker 1>this next message is from Scott. It's about our episodes

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<v Speaker 1>on Horror Vakaway or Fear of the Void. Scott writes,

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<v Speaker 1>at the end of your last episode on Horror Vakaway,

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<v Speaker 1>you mentioned that there are several possible meanings of nothing

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<v Speaker 1>which need to be distinguished, and that confusions might result

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<v Speaker 1>from not doing this. This perked my ears because it's

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<v Speaker 1>a common example of what in philosophy has has become

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<v Speaker 1>known as contextualism, the idea that the meaning of many

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<v Speaker 1>terms depends on their context, though often they can be

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<v Speaker 1>rigorously defined given that context. For example, the box is

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<v Speaker 1>empty may mean one thing if said in a class

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<v Speaker 1>discussing quantum physics, another in a physics lab attaching a

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<v Speaker 1>vacuum hose to the box, a third to a child

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<v Speaker 1>shaking a decorated cube under a Christmas tree. Furthermore, the

0:12:11.080 --> 0:12:15.120
<v Speaker 1>phrase this room is clean may mean one thing, from

0:12:15.240 --> 0:12:18.240
<v Speaker 1>a child to a parent after wiping up some spilled sugar,

0:12:18.720 --> 0:12:21.720
<v Speaker 1>another to a maid speaking to a house owner, and

0:12:21.760 --> 0:12:25.800
<v Speaker 1>a third to a manager of semiconductor factory. It's not

0:12:25.920 --> 0:12:30.000
<v Speaker 1>just that the word has metaphorical meanings which don't apply

0:12:30.160 --> 0:12:33.920
<v Speaker 1>across all contexts, like an FBI agent speaking of a

0:12:33.960 --> 0:12:37.800
<v Speaker 1>filthy bathroom where alas no drugs were found, but that

0:12:37.880 --> 0:12:41.160
<v Speaker 1>the word can in some sense mean the same thing

0:12:41.360 --> 0:12:45.760
<v Speaker 1>in each context devoid of something. But how clean or

0:12:45.800 --> 0:12:49.960
<v Speaker 1>empty it must be depends on the context. Another common

0:12:50.000 --> 0:12:53.840
<v Speaker 1>application is to the word knowledge. I know it is

0:12:53.880 --> 0:12:56.680
<v Speaker 1>safe to do X has one set of standards when

0:12:56.679 --> 0:12:59.440
<v Speaker 1>playing a game or a little as at stake. Another

0:12:59.480 --> 0:13:02.400
<v Speaker 1>wind spoke and in the control room of a nuclear reactor,

0:13:02.760 --> 0:13:05.920
<v Speaker 1>and a third one said in a philosophy class discussing

0:13:06.040 --> 0:13:10.720
<v Speaker 1>Cartesian skepticism. Scott, Yeah, I think that's a great point. Scott, Yeah,

0:13:10.760 --> 0:13:13.800
<v Speaker 1>so I think nothing would be subject to contextualism in

0:13:13.840 --> 0:13:17.640
<v Speaker 1>these different kinds of discussions, Like so a box that

0:13:18.160 --> 0:13:20.200
<v Speaker 1>you know, you might say that there's nothing in a

0:13:20.240 --> 0:13:23.679
<v Speaker 1>box when actually it's just full of atmosphere, or you

0:13:23.760 --> 0:13:26.600
<v Speaker 1>might sort of meaning the same thing, but just applying

0:13:26.600 --> 0:13:28.720
<v Speaker 1>a higher level of rigor, say there's nothing in a

0:13:28.760 --> 0:13:32.800
<v Speaker 1>box when it is fully evacuated of of atmosphere and

0:13:32.920 --> 0:13:35.040
<v Speaker 1>just just a vacuum inside. I mean, assuming that we're

0:13:35.080 --> 0:13:37.959
<v Speaker 1>possible again, when you're talking about a vacuum inside a container,

0:13:37.960 --> 0:13:41.240
<v Speaker 1>it's always just lower and lower gas pressure. But then

0:13:41.480 --> 0:13:44.960
<v Speaker 1>you would also have another level of like there's nothing

0:13:45.000 --> 0:13:47.520
<v Speaker 1>in a box, meaning there's not even space in there.

0:13:47.559 --> 0:13:49.160
<v Speaker 1>And in that case, I don't even know what that

0:13:49.200 --> 0:13:52.360
<v Speaker 1>would mean. Maybe that's an oxymoron or not an oxymoron,

0:13:52.400 --> 0:13:57.000
<v Speaker 1>I don't know, an incoherent claim. But I also think

0:13:57.280 --> 0:14:00.200
<v Speaker 1>this last example you use about knowledge is a right

0:14:00.200 --> 0:14:02.280
<v Speaker 1>one that like you can use the word no to

0:14:02.440 --> 0:14:05.880
<v Speaker 1>mean totally different things in different contexts, even are not

0:14:05.960 --> 0:14:09.040
<v Speaker 1>totally different things, but just having different levels of rigor

0:14:09.160 --> 0:14:13.440
<v Speaker 1>for what counts as knowledge, and people leverage exactly this

0:14:13.520 --> 0:14:18.160
<v Speaker 1>equivocation in arguments and conversations all the time. This is

0:14:18.200 --> 0:14:21.280
<v Speaker 1>a major type of argument by equivocation. Of course, equivocation

0:14:21.400 --> 0:14:24.120
<v Speaker 1>is using the same word two different ways in two

0:14:24.200 --> 0:14:28.360
<v Speaker 1>different steps of your argument. So you can basically try

0:14:28.400 --> 0:14:33.440
<v Speaker 1>to undermine or refute anything anybody believes by just saying like, well,

0:14:33.440 --> 0:14:36.360
<v Speaker 1>do you really know that for sure? And of course

0:14:36.440 --> 0:14:39.160
<v Speaker 1>any reasonable person like if you pride them like that,

0:14:39.760 --> 0:14:42.040
<v Speaker 1>we'll start admitting will like, no, I don't have a

0:14:42.160 --> 0:14:46.000
<v Speaker 1>hundred percent certainty on anything I think I believe, you know,

0:14:46.280 --> 0:14:49.880
<v Speaker 1>that kind of Cartesian skepticism level of certainty, where like

0:14:49.920 --> 0:14:53.800
<v Speaker 1>you can only believe things that are a logical necessity. Uh,

0:14:53.840 --> 0:14:56.360
<v Speaker 1>And then you try to leverage that against them, just

0:14:56.560 --> 0:14:59.480
<v Speaker 1>believing something to be true, believing they have knowledge about

0:14:59.480 --> 0:15:01.520
<v Speaker 1>something the same way we have knowledge about all kinds

0:15:01.560 --> 0:15:05.080
<v Speaker 1>of things in our everyday lives. And that's that's really

0:15:05.080 --> 0:15:08.200
<v Speaker 1>a kind of illicit move because the level of certainty

0:15:08.240 --> 0:15:10.760
<v Speaker 1>that you need for everyday knowledge is a lot lower,

0:15:11.080 --> 0:15:14.040
<v Speaker 1>and yet it still justifies all all the normal knowledge

0:15:14.040 --> 0:15:16.200
<v Speaker 1>beliefs you have. You know, how do you know, like

0:15:16.280 --> 0:15:18.880
<v Speaker 1>anything you see in front of you is actually there?

0:15:18.920 --> 0:15:21.560
<v Speaker 1>I mean, there's no real reason to doubt that unless

0:15:21.600 --> 0:15:25.160
<v Speaker 1>you just put on a VR headset or something. Yeah, Well,

0:15:25.200 --> 0:15:27.840
<v Speaker 1>you know, sometimes you just have a you have a

0:15:27.840 --> 0:15:31.840
<v Speaker 1>bad potato or bad bad stew or something. Right, there's

0:15:31.840 --> 0:15:36.400
<v Speaker 1>something wrong with your gruel. Yeah, what does it? There's

0:15:36.440 --> 0:15:40.440
<v Speaker 1>more gravy than grave about you. Yes, all right. Should

0:15:40.440 --> 0:15:45.120
<v Speaker 1>we do a couple related to Weird House Cinema? Sure? Yes.

0:15:45.320 --> 0:15:53.080
<v Speaker 1>This one comes to us from Andrew. Andrew says, Hi,

0:15:53.200 --> 0:15:56.560
<v Speaker 1>guys love the show, etcetera, etcetera. I was a little

0:15:56.600 --> 0:15:59.479
<v Speaker 1>disappointed in the both of you when you were discussing

0:15:59.520 --> 0:16:04.320
<v Speaker 1>instance is in film of normally populated areas being depopulated

0:16:04.360 --> 0:16:07.680
<v Speaker 1>for effect, and neither of you mentioned the airport in

0:16:07.720 --> 0:16:12.800
<v Speaker 1>the one Solid Gold classic TV mini series The Langoliers.

0:16:13.240 --> 0:16:15.360
<v Speaker 1>You can make it up to me by featuring the

0:16:15.440 --> 0:16:18.600
<v Speaker 1>legal Ears on Weird House Cinema. There's a character whose

0:16:18.600 --> 0:16:22.320
<v Speaker 1>personality is that he's hungry. There are meatballs that eat

0:16:22.480 --> 0:16:25.320
<v Speaker 1>the past. It's a no brainer for Weird House. Please

0:16:25.360 --> 0:16:28.640
<v Speaker 1>and thank you Andrew. There are meatballs that eat the past.

0:16:28.760 --> 0:16:31.720
<v Speaker 1>That is. I think a literal description of the monsters

0:16:31.760 --> 0:16:33.920
<v Speaker 1>and the lango ears is that they are like c

0:16:34.080 --> 0:16:41.280
<v Speaker 1>g I hairy meatballs who fly around eating time. Now,

0:16:41.720 --> 0:16:44.160
<v Speaker 1>the weird thing is, I remember when this came out.

0:16:44.160 --> 0:16:48.320
<v Speaker 1>I was getting out TV mini series, and it has,

0:16:48.400 --> 0:16:50.240
<v Speaker 1>at least looking back on it now, as a pretty

0:16:50.280 --> 0:16:52.880
<v Speaker 1>solid cast. You've got the likes of Frankie Faison and

0:16:53.040 --> 0:16:57.040
<v Speaker 1>Dean Stockwell and it David Morris Um and some others

0:16:57.240 --> 0:17:00.640
<v Speaker 1>of note um. But I never saw it. I read

0:17:00.640 --> 0:17:03.520
<v Speaker 1>the novella though, and I remember loving the novella, and

0:17:03.720 --> 0:17:07.239
<v Speaker 1>it came out one of those King collections of like

0:17:07.280 --> 0:17:09.240
<v Speaker 1>four novellas or something. I figure which one it was,

0:17:09.320 --> 0:17:13.119
<v Speaker 1>but I remember really digging the Langoliers. I totally pictured

0:17:13.119 --> 0:17:16.879
<v Speaker 1>the meatballs as the Critters from the Crits from the

0:17:16.880 --> 0:17:20.440
<v Speaker 1>Critters movies. I I don't think the the the the

0:17:20.560 --> 0:17:23.560
<v Speaker 1>original novella was very shy about this. It seemed like

0:17:23.560 --> 0:17:26.919
<v Speaker 1>they were just basically the crates. But I and I

0:17:26.960 --> 0:17:29.040
<v Speaker 1>remember enjoying it, it being kind of like this fun

0:17:29.240 --> 0:17:33.359
<v Speaker 1>Stephen King Twilight Zone episode sort of story. I don't

0:17:33.359 --> 0:17:35.639
<v Speaker 1>think I realized it was based on a novella, or

0:17:35.640 --> 0:17:37.640
<v Speaker 1>if I ever knew that, I had forgotten, I would

0:17:37.640 --> 0:17:40.280
<v Speaker 1>have assumed it was straight to TV. There was a

0:17:40.280 --> 0:17:43.040
<v Speaker 1>whole thing in the eighties through the nineties of this

0:17:43.240 --> 0:17:46.280
<v Speaker 1>vibe that was the TV adaptation of Stephen King. So

0:17:46.320 --> 0:17:50.560
<v Speaker 1>I'm not talking about Stephen King novels adapted into R

0:17:50.680 --> 0:17:53.760
<v Speaker 1>rated movies to go in the theater. But Stephen King

0:17:53.840 --> 0:17:56.400
<v Speaker 1>novels made as a multi as a like a mini

0:17:56.480 --> 0:17:59.679
<v Speaker 1>series to be on T and T or ABC or something.

0:18:00.240 --> 0:18:02.359
<v Speaker 1>Uh didn't they? They did the Stand I think, and

0:18:02.400 --> 0:18:05.240
<v Speaker 1>they did the Langal Years and wasn't even it wasn't

0:18:05.280 --> 0:18:08.200
<v Speaker 1>the original it movie and made for TV mini series.

0:18:08.480 --> 0:18:11.919
<v Speaker 1>He certainly was. Yeah, there was also Golden Years in

0:18:11.960 --> 0:18:15.320
<v Speaker 1>their Golden Years was like an original screenplay of Memory

0:18:15.440 --> 0:18:19.199
<v Speaker 1>Serves from Stephen King and was not finished. I remember

0:18:19.240 --> 0:18:21.919
<v Speaker 1>thinking it was amazing when it came out because I

0:18:22.000 --> 0:18:24.919
<v Speaker 1>was just really excited for Stephen King TV content, But

0:18:25.040 --> 0:18:27.600
<v Speaker 1>nobody else was excited about this. I don't think they

0:18:27.640 --> 0:18:31.080
<v Speaker 1>did one for Rose Red, uh that I think that

0:18:31.160 --> 0:18:35.000
<v Speaker 1>was into the two thousands. They did Let's see the

0:18:35.119 --> 0:18:38.120
<v Speaker 1>oh oh, the Shining not the one, not the Cooper one,

0:18:38.520 --> 0:18:41.200
<v Speaker 1>but the one that was quote more faithful to the book.

0:18:41.240 --> 0:18:43.080
<v Speaker 1>That was a TV mini series, wasn't it with the

0:18:43.080 --> 0:18:46.159
<v Speaker 1>guy from Wings on it? Yeah? Yeah, that was the

0:18:46.160 --> 0:18:49.080
<v Speaker 1>guy from Wings, not wings Houser. That would have been different.

0:18:49.119 --> 0:18:51.760
<v Speaker 1>Oh my god, you should have had wings Houser as

0:18:51.840 --> 0:18:57.359
<v Speaker 1>Jack Torrence. The acting question is Stephen Webber, who is

0:18:57.400 --> 0:18:59.360
<v Speaker 1>a fine actor. He's he's been in some things I've

0:18:59.359 --> 0:19:01.119
<v Speaker 1>really left. He's an one of my favorite episodes of

0:19:01.160 --> 0:19:05.040
<v Speaker 1>Tales from the Crypt titled Morning Mess or Morning Mess

0:19:05.119 --> 0:19:08.959
<v Speaker 1>about Google's eating people in the cemetery. Um. And I

0:19:09.000 --> 0:19:12.200
<v Speaker 1>think he was maybe kind of a favorite actor of

0:19:12.200 --> 0:19:14.160
<v Speaker 1>of Stephen Kings, or is a favorite actor Stephen Kings

0:19:14.160 --> 0:19:17.080
<v Speaker 1>because I remember Stephen King. Uh. There's a Stephen king

0:19:17.119 --> 0:19:21.720
<v Speaker 1>episode of the nineties Outer Limits series and I think

0:19:22.240 --> 0:19:26.040
<v Speaker 1>he played memory serves on this. He plays the voice

0:19:26.440 --> 0:19:29.440
<v Speaker 1>of and the picture in a picture frame that keeps

0:19:29.480 --> 0:19:31.600
<v Speaker 1>talking to this lady after she gets shot in the head.

0:19:32.359 --> 0:19:37.520
<v Speaker 1>It's a Christmas episode. Wait, no, I'm still thinking even more.

0:19:37.800 --> 0:19:41.640
<v Speaker 1>Wasn't the Toby Hooper Salem's Lot adaptation actually a made

0:19:41.640 --> 0:19:44.520
<v Speaker 1>for TV mini series? I believe it was. Yeah, I

0:19:44.560 --> 0:19:49.119
<v Speaker 1>think that was. That was also not not a theatrical release. Um.

0:19:49.200 --> 0:19:52.399
<v Speaker 1>And Tommy Knocker was another. Oh my god, yes Tommy.

0:19:52.480 --> 0:19:54.920
<v Speaker 1>Now there were so many of them. Yeah, I mean

0:19:55.000 --> 0:19:58.399
<v Speaker 1>part of it's probably these are some some long books,

0:19:58.800 --> 0:20:01.359
<v Speaker 1>so if you can you start adapting them and then

0:20:01.400 --> 0:20:03.800
<v Speaker 1>you quickly realize I don't think this is the film, guys,

0:20:03.800 --> 0:20:05.679
<v Speaker 1>I think this is a mini series, and I'm sure

0:20:05.720 --> 0:20:08.760
<v Speaker 1>we're missing some prime examples as well. Yeah, I just

0:20:08.800 --> 0:20:11.480
<v Speaker 1>think that's so funny that, like a popular author noted

0:20:11.560 --> 0:20:15.320
<v Speaker 1>for very R rated grotesque ory, and the source material

0:20:15.600 --> 0:20:19.119
<v Speaker 1>it was so associated with made for TV content. Yeah. Like,

0:20:19.400 --> 0:20:21.240
<v Speaker 1>coming back to the line leers for example, it's a

0:20:21.280 --> 0:20:24.800
<v Speaker 1>TV mini series. It's two episodes, so, um, again, I

0:20:24.840 --> 0:20:27.640
<v Speaker 1>haven't seen it. I'm not even sure how long each

0:20:27.640 --> 0:20:29.439
<v Speaker 1>episode is. Off the top of my head, i'd have

0:20:29.520 --> 0:20:32.040
<v Speaker 1>to look at the and and I'm not I'm not

0:20:32.080 --> 0:20:33.960
<v Speaker 1>finding Oh here it is. It looks like each episode

0:20:33.960 --> 0:20:35.560
<v Speaker 1>is an hour and thirty minutes. So we're talking a

0:20:35.680 --> 0:20:40.359
<v Speaker 1>three hour movie here, which I guess nowadays especially people

0:20:40.359 --> 0:20:43.119
<v Speaker 1>were like, yeah, aren't all movies three hours? Um? That

0:20:43.520 --> 0:20:45.480
<v Speaker 1>seems like like how how long I spend in the

0:20:45.520 --> 0:20:48.440
<v Speaker 1>movie theater if I go to one, um, not counting

0:20:48.520 --> 0:20:50.760
<v Speaker 1>the commercials in the three and a half hours once

0:20:50.800 --> 0:20:53.600
<v Speaker 1>the trailers are in there. But you know, it's if

0:20:53.600 --> 0:20:55.840
<v Speaker 1>you're gonna tell the whole story, you're either gonna have

0:20:55.880 --> 0:20:57.359
<v Speaker 1>to know you're gonna have to cut it down, or

0:20:57.359 --> 0:20:59.920
<v Speaker 1>you're gonna have to figure out how you're gonna fit it,

0:21:00.680 --> 0:21:02.480
<v Speaker 1>and at the time, maybe they just didn't fit into

0:21:02.480 --> 0:21:04.720
<v Speaker 1>the movie theaters. I don't know. Maybe the argument could

0:21:04.720 --> 0:21:07.280
<v Speaker 1>be maybe the Lango Leaders is not something you want

0:21:07.280 --> 0:21:09.840
<v Speaker 1>to actually have in theaters. Maybe it is more ultimately

0:21:09.920 --> 0:21:14.040
<v Speaker 1>the tv um TV project. And certainly it's very Twilight

0:21:14.160 --> 0:21:18.639
<v Speaker 1>Zones and its styling, so maybe it makes sense. Do

0:21:18.640 --> 0:21:21.119
<v Speaker 1>do we have Peter Jackson to thank for that that?

0:21:21.240 --> 0:21:24.240
<v Speaker 1>Like it's just normal for movies to be three hours long? Now?

0:21:25.560 --> 0:21:29.119
<v Speaker 1>I don't know, Uh, that would be an interesting um

0:21:29.520 --> 0:21:32.920
<v Speaker 1>discussion to look at, you know, long films and especially

0:21:32.920 --> 0:21:35.560
<v Speaker 1>I guess key to what we're talking about here, long

0:21:36.320 --> 0:21:40.480
<v Speaker 1>major US releases as opposed to like long art films

0:21:40.520 --> 0:21:43.480
<v Speaker 1>and so forth. Mhm. So I don't know, open question

0:21:43.560 --> 0:21:51.520
<v Speaker 1>at least for for us. Okay, Rob, I think you've

0:21:51.520 --> 0:21:53.600
<v Speaker 1>got to do this one from Eric because it's on

0:21:53.640 --> 0:21:55.600
<v Speaker 1>the subject that I know is dear to your heart.

0:21:56.160 --> 0:21:57.879
<v Speaker 1>Oh yeah, yeah, this one's from Eric. This is be

0:21:58.000 --> 0:22:01.760
<v Speaker 1>a discord um. So if you want to join the

0:22:01.760 --> 0:22:04.399
<v Speaker 1>stuff to blow your mind discord, just email us. We're

0:22:04.400 --> 0:22:06.040
<v Speaker 1>going to share the email address in a bet and

0:22:06.160 --> 0:22:07.760
<v Speaker 1>we'll send you the link that seems to be the way,

0:22:07.760 --> 0:22:12.000
<v Speaker 1>it works best for folks to join it. But anyway,

0:22:12.119 --> 0:22:15.800
<v Speaker 1>Eric writes and says, I started listening to the last

0:22:15.800 --> 0:22:18.840
<v Speaker 1>Starfighter episode and I have to pay respects to your

0:22:18.960 --> 0:22:23.920
<v Speaker 1>kind words about Underworld three. I feel like I never

0:22:23.960 --> 0:22:27.360
<v Speaker 1>see anyone praising any of those movies. I myself am

0:22:27.400 --> 0:22:30.240
<v Speaker 1>a fan of the first three actually, uh the three

0:22:30.320 --> 0:22:33.199
<v Speaker 1>Underworld films, but I agree with your comments about it

0:22:33.200 --> 0:22:36.560
<v Speaker 1>actually being a good prequel. I usually have a disdain

0:22:36.680 --> 0:22:38.719
<v Speaker 1>for many prequels right out of the gate, since they

0:22:38.760 --> 0:22:41.200
<v Speaker 1>typically seem to exist only to be a cash grab.

0:22:41.600 --> 0:22:44.600
<v Speaker 1>The powers that be need to make another buck, but

0:22:44.760 --> 0:22:47.159
<v Speaker 1>don't know how to push a story forwards, so they

0:22:47.200 --> 0:22:51.520
<v Speaker 1>go backwards. No doubt Underworld three exists for these reasons. However,

0:22:51.680 --> 0:22:53.800
<v Speaker 1>Underworld three, I thought did a really good job at

0:22:53.840 --> 0:22:57.439
<v Speaker 1>making a good prequel, expanding on a little bit of

0:22:57.520 --> 0:23:00.520
<v Speaker 1>info we got in the first film. All so, Michael

0:23:00.560 --> 0:23:04.000
<v Speaker 1>Sheen's Lucien is a great character. Sorry, a little random

0:23:04.040 --> 0:23:07.280
<v Speaker 1>ha ha. I was listening and was like, WHOA someone

0:23:07.320 --> 0:23:11.359
<v Speaker 1>else actually likes an Underworld movie exclamation point. I have

0:23:11.400 --> 0:23:14.760
<v Speaker 1>seen no Underworld movies, but Rob, I I really appreciate

0:23:14.840 --> 0:23:20.159
<v Speaker 1>how you know the the some of the camp movies

0:23:20.240 --> 0:23:22.960
<v Speaker 1>that you champion are not only like the ones that

0:23:23.000 --> 0:23:26.760
<v Speaker 1>have become cult classics that like folks, you should know that.

0:23:26.800 --> 0:23:29.400
<v Speaker 1>I was once invited to Rob's house to watch Chronicles

0:23:29.400 --> 0:23:32.680
<v Speaker 1>of Rittick and we it was a good time. Yeah, yeah,

0:23:32.720 --> 0:23:34.679
<v Speaker 1>I still stand by Chronicles of Rittick, and this I

0:23:34.720 --> 0:23:36.520
<v Speaker 1>think feels this is I would put this into some

0:23:36.640 --> 0:23:39.200
<v Speaker 1>of these films in a similar category. So I still

0:23:39.240 --> 0:23:43.040
<v Speaker 1>need to rewatch Underworld three this decade, so I'm not

0:23:43.119 --> 0:23:45.920
<v Speaker 1>super fresh on it, but I do remember it fondly.

0:23:46.119 --> 0:23:48.879
<v Speaker 1>It has the two best actors from the first Underworld movie,

0:23:49.240 --> 0:23:53.440
<v Speaker 1>Michael Sheen and Bill Knight, who are both marvelous actors

0:23:53.440 --> 0:23:56.560
<v Speaker 1>and and but very versatile. They can both play I

0:23:56.600 --> 0:23:59.240
<v Speaker 1>mean Michael Sheen, for example, we think of him for

0:23:59.280 --> 0:24:03.359
<v Speaker 1>playing more dramatic or certainly even over the top comedic roles,

0:24:04.040 --> 0:24:09.080
<v Speaker 1>but in Underworld three, he's like this ripped action star um.

0:24:09.119 --> 0:24:10.760
<v Speaker 1>And of course Bill Night is the same way. You

0:24:10.760 --> 0:24:14.679
<v Speaker 1>can play a very relatable, compassionate figure. He can be

0:24:14.880 --> 0:24:18.040
<v Speaker 1>uh uh, he can play comedy, and he can also

0:24:18.119 --> 0:24:22.160
<v Speaker 1>play just a vile vampire lord anyway, So those those

0:24:22.200 --> 0:24:24.680
<v Speaker 1>actors get to have a lot of screen time um,

0:24:24.720 --> 0:24:28.320
<v Speaker 1>and I feel like the plot of the movie works

0:24:28.320 --> 0:24:31.440
<v Speaker 1>well with the inherent limitations of a prequel, at least

0:24:31.560 --> 0:24:33.959
<v Speaker 1>in my recollection. I was just thinking about what I

0:24:34.000 --> 0:24:37.119
<v Speaker 1>know Michael Sheen from I realized I think he's read

0:24:37.280 --> 0:24:40.280
<v Speaker 1>at least one audio books that I really enjoyed, but

0:24:40.560 --> 0:24:42.919
<v Speaker 1>I can't remember what it was. I associate him with

0:24:43.000 --> 0:24:45.880
<v Speaker 1>being a good audio book reader. May have to come

0:24:45.920 --> 0:24:48.880
<v Speaker 1>back to that, but I know he's also he's in

0:24:49.000 --> 0:24:52.720
<v Speaker 1>some of those Twilight sequels where he he like, hang,

0:24:52.960 --> 0:24:55.280
<v Speaker 1>isn't he Am I wrong about that? No? No, he is.

0:24:55.440 --> 0:24:58.520
<v Speaker 1>He plays a vampire lord in in those movies, okay,

0:24:59.000 --> 0:25:02.560
<v Speaker 1>but a very like a aristocratic and fancy uh that

0:25:02.600 --> 0:25:05.440
<v Speaker 1>it is regrettable that we must kill you that kind

0:25:05.440 --> 0:25:08.480
<v Speaker 1>of Uh. Yeah. He has some sort of over the

0:25:08.520 --> 0:25:12.560
<v Speaker 1>top character in that that Tron remake Slash sequel that

0:25:12.600 --> 0:25:15.800
<v Speaker 1>they did as well, so he can go, we're very

0:25:15.840 --> 0:25:18.960
<v Speaker 1>broad and his performances, but can also like really, you

0:25:18.960 --> 0:25:22.320
<v Speaker 1>know again, very versatile performer. Uh. He had a fun

0:25:22.440 --> 0:25:25.440
<v Speaker 1>role on thirty Rock playing um a character by the

0:25:25.520 --> 0:25:28.639
<v Speaker 1>name of Wesley Snipes who was a British man that

0:25:28.800 --> 0:25:30.840
<v Speaker 1>Liz Lemon dates and it was it was a fun

0:25:31.160 --> 0:25:34.480
<v Speaker 1>uh fun. I guess lower key kind of comedic performance.

0:25:35.320 --> 0:25:37.040
<v Speaker 1>So I don't know. Maybe maybe maybe we'll come back

0:25:37.040 --> 0:25:39.440
<v Speaker 1>around Underworld. But I couldn't just throw you right into

0:25:39.480 --> 0:25:41.840
<v Speaker 1>Underworld three. If we were to do weird House, you'd,

0:25:41.840 --> 0:25:44.240
<v Speaker 1>I guess you'd have to see Underworld one through two,

0:25:44.840 --> 0:25:47.800
<v Speaker 1>and and then there are additional Underworld I think he

0:25:47.840 --> 0:25:49.920
<v Speaker 1>goes up to five, but I only saw the first three.

0:25:49.960 --> 0:25:51.879
<v Speaker 1>After the third one, I was like, Okay, this is

0:25:52.560 --> 0:25:54.200
<v Speaker 1>this is as good as it's gonna get. So I'm

0:25:54.520 --> 0:25:57.560
<v Speaker 1>done as good as this franchise can get. I need

0:25:57.560 --> 0:26:00.959
<v Speaker 1>to add that caveat. I'm not talking about cinema in general.

0:26:01.160 --> 0:26:03.200
<v Speaker 1>Well wait, this is kind of country. The last time

0:26:03.240 --> 0:26:05.320
<v Speaker 1>you were talking to me about the Underworld movies, you

0:26:05.359 --> 0:26:08.040
<v Speaker 1>said skip one, skip two, and go to three, and

0:26:08.080 --> 0:26:09.399
<v Speaker 1>I was like, hey, this is the same thing you

0:26:09.400 --> 0:26:12.160
<v Speaker 1>should do with the Fast and the Furious movies. Well,

0:26:12.200 --> 0:26:14.600
<v Speaker 1>I guess you could. It is a prequel. But then again,

0:26:15.240 --> 0:26:17.960
<v Speaker 1>I mean I look back and I remember really enjoying

0:26:17.960 --> 0:26:20.719
<v Speaker 1>the first one when it came out, and and a

0:26:20.760 --> 0:26:23.879
<v Speaker 1>lot of people did not enjoy it. Um so, and

0:26:23.920 --> 0:26:25.600
<v Speaker 1>I don't know, I don't know if I would be

0:26:25.680 --> 0:26:27.679
<v Speaker 1>up for rewatching the first one at this point, but

0:26:27.760 --> 0:26:30.159
<v Speaker 1>I remember liking it back in the day. I remember

0:26:30.160 --> 0:26:33.520
<v Speaker 1>the second one was I was less into and found

0:26:33.560 --> 0:26:36.520
<v Speaker 1>it kind of um and I just couldn't immerse myself

0:26:36.520 --> 0:26:38.840
<v Speaker 1>in it. And then I enjoyed three. So yeah, I'm

0:26:38.840 --> 0:26:40.880
<v Speaker 1>not sure. Maybe I'll still I'll still stick with that. Yeah,

0:26:41.040 --> 0:26:43.159
<v Speaker 1>just just skip to three or start with two. I

0:26:43.200 --> 0:26:47.040
<v Speaker 1>don't know you can. You can forge your own path

0:26:47.200 --> 0:26:49.800
<v Speaker 1>through the franchise. Okay, do we need to wrap up

0:26:49.800 --> 0:26:52.440
<v Speaker 1>there for today? Yeah, I think that's probably a good

0:26:52.440 --> 0:26:55.320
<v Speaker 1>place to go ahead and close everything out. But we'll

0:26:55.359 --> 0:26:57.320
<v Speaker 1>be back with more. We have more listener mail that

0:26:57.400 --> 0:26:58.800
<v Speaker 1>we didn't get to do in this episode, and more

0:26:58.800 --> 0:27:01.760
<v Speaker 1>of it we'll keep coming in thanks to you find listeners.

0:27:01.840 --> 0:27:04.600
<v Speaker 1>So yeah, lets let us have it. Keep sending in

0:27:04.640 --> 0:27:07.600
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0:27:07.640 --> 0:27:10.680
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0:27:10.720 --> 0:27:13.399
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