WEBVTT - Wheels Up! (S.1 E.9) 0:00:01.800 --> 0:00:05.240 And That's what you really missed with Jenna and Kevin 0:00:05.559 --> 0:00:10.400 and I Heart Radio Podcast. Welcome to and That's what 0:00:10.480 --> 0:00:14.920 you really missed. I'm Kevin and I'm Jenna, and this 0:00:15.000 --> 0:00:22.120 week we are recapping the one the Only Wheels Wheels 0:00:22.160 --> 0:00:25.599 the best episode there ever once. But before we get 0:00:25.640 --> 0:00:28.920 into the episode, we have to talk about Ryan Murphy 0:00:29.040 --> 0:00:32.600 getting the Carol Burnett on her UM at the Golden Clothes. 0:00:32.640 --> 0:00:34.760 It was great and UM, I will say it was 0:00:34.760 --> 0:00:37.400 particularly great because there were a couple of shots of Tardi. 0:00:38.320 --> 0:00:41.879 We had a really nice when we're tapping together. It 0:00:41.920 --> 0:00:44.600 was it was sweet. Jenna. I was happy that you 0:00:44.680 --> 0:00:47.680 and I got our own little, you know, two seconds 0:00:47.760 --> 0:00:50.720 little clip together. We were there, We were there, we 0:00:50.720 --> 0:00:54.639 were there in spirit. And then Ryan gave a beautiful 0:00:54.680 --> 0:00:59.160 speech and highlighted UM some of the incredible talent that 0:00:59.200 --> 0:01:01.920 he has worked with UM and it was just it 0:01:01.960 --> 0:01:03.640 was really really nice. I was happy to see him 0:01:03.640 --> 0:01:06.560 get that award. I talked to him over the holiday 0:01:06.560 --> 0:01:09.160 break and he was like, I think I'm a little 0:01:09.200 --> 0:01:11.320 young to be getting it, but I was like, just 0:01:11.360 --> 0:01:14.280 take it, Ryan, Yes, and He's like, yeah, I'm gonna 0:01:14.319 --> 0:01:16.920 take He is really young to get it. But he's 0:01:16.959 --> 0:01:19.360 done such a body of a massive body of working 0:01:19.440 --> 0:01:21.560 such a short amount of time that like, I don't 0:01:21.560 --> 0:01:24.240 think any use questioning it. And he's changed, you know, 0:01:24.319 --> 0:01:27.000 the landscape of television in a lot of ways and 0:01:27.040 --> 0:01:30.520 made a lot of people massive stars. Yes, and made 0:01:30.520 --> 0:01:35.080 a lot of studios very very happy. Um well, congrats 0:01:35.120 --> 0:01:39.320 to Ryan and for Glee and Ryan, it's okay that 0:01:39.360 --> 0:01:41.480 you didn't talk about me for five minutes straight like 0:01:41.520 --> 0:01:47.760 I requested, I forgive you. Yeah, Um well, congrats. Ran 0:01:49.000 --> 0:01:51.800 back to the best episode there ever was of Glee. 0:01:51.960 --> 0:01:55.000 Take it away, Jenna, Okay, I love this episode. I 0:01:55.000 --> 0:01:58.200 have a lot of nostalgia for doing shooting this episode 0:01:58.440 --> 0:02:02.200 but then rewatching the stops. O gosh, what a good episode. 0:02:02.240 --> 0:02:06.080 This was so solid and um so we had the 0:02:06.120 --> 0:02:09.480 director of this episode, Paris Barclay, on last episode. If 0:02:09.520 --> 0:02:10.880 you haven't listened to it, go listen to it because 0:02:10.880 --> 0:02:14.880 it's wonderful. And we talked about how we're coming off 0:02:15.080 --> 0:02:20.239 sort of the um pure chaos that was previous few 0:02:20.240 --> 0:02:23.320 episodes and this sort of gets us back down to 0:02:23.440 --> 0:02:29.000 brass tacks of um Glee and the serious storylines and 0:02:29.680 --> 0:02:35.200 um monumental moments for a lot of these characters, yes, Um. 0:02:35.240 --> 0:02:37.920 And then we are also really in the thick of 0:02:38.000 --> 0:02:40.919 the feeling of like this being the beginning of the phenomenon. 0:02:41.440 --> 0:02:44.280 In the middle of this episode, we fly to New 0:02:44.360 --> 0:02:52.000 York to um dance for advertisers, to um show them 0:02:52.080 --> 0:02:54.720 that Glee is on Fox, to buy ad space and 0:02:54.720 --> 0:02:59.359 commercial space and look at our hit. We perform Somebody 0:02:59.400 --> 0:03:03.480 to Love Love five, which was the whole thing, um, 0:03:03.560 --> 0:03:06.720 which you just you don't perform for these acat show. 0:03:06.840 --> 0:03:11.920 This was special. And then in Glean News the the 0:03:12.040 --> 0:03:17.400 music Volume one was had come out the previous week, 0:03:17.440 --> 0:03:20.760 So this episode aired on November eleven, thousand nine, and 0:03:20.800 --> 0:03:27.160 the soundtrack came out November, remember November two, okay, And 0:03:27.200 --> 0:03:29.760 then he went to number one on the charts in Ireland, 0:03:29.880 --> 0:03:33.680 the UK, peaked at number three in Australia and number 0:03:33.680 --> 0:03:36.960 four in Canada and the United States, and Volume one 0:03:36.960 --> 0:03:41.560 has been certified platinum in all of those countries. Crazy, 0:03:41.640 --> 0:03:47.240 absolutely crazy, And this was so the Wheels episode because 0:03:47.280 --> 0:03:50.080 of the subject matter we also and because it was 0:03:50.280 --> 0:03:53.880 more of a serious episode. I think the network it 0:03:54.000 --> 0:03:57.520 was two things because it spoke to um a lot 0:03:57.560 --> 0:04:03.200 of different communities, like um down syndrome and people wheelchairs. 0:04:03.240 --> 0:04:07.720 They wanted to show this episode off in a way 0:04:08.040 --> 0:04:09.880 UM and show how it was going to impact people. 0:04:09.880 --> 0:04:12.640 And then also it was sort of like an Awards season, 0:04:13.880 --> 0:04:16.840 they don't forget about us next year. And we had 0:04:16.880 --> 0:04:19.560 screenings that there's a big there's a big movie theater 0:04:19.640 --> 0:04:21.720 chain r I p Arc Light here in l A. 0:04:22.240 --> 0:04:24.039 It was so good and I remember we had a 0:04:24.080 --> 0:04:27.280 gigantic screening there just for this episode. It was very 0:04:27.920 --> 0:04:31.960 and Chris were there, went for that. It was very Yeah, 0:04:32.040 --> 0:04:34.000 it was a lot. There was a lot going on 0:04:34.040 --> 0:04:38.200 outside of the Glue bubble as well as inside UM. 0:04:38.240 --> 0:04:41.760 But it was exciting. Shall we get into this incredible 0:04:41.800 --> 0:04:46.799 episode featuring us. Yes, so most importantly in this episode, 0:04:47.160 --> 0:04:50.280 Already needs to get two sectionals and we learned that 0:04:50.360 --> 0:04:52.720 he needs a bus in order for Already to ride 0:04:52.720 --> 0:04:55.159 with us. Yes, we need a bus with an elevator 0:04:55.160 --> 0:04:58.040 with a lift to get the wheelchair in and that 0:04:58.360 --> 0:05:02.400 is expensive of in that for for the Glee club. 0:05:02.960 --> 0:05:07.400 So Mr Shooe comes up with the idea that because 0:05:07.480 --> 0:05:14.279 these kids are all very unempathetic, is that that a word? Unempathetic? Apathetic? Jenna, 0:05:14.560 --> 0:05:19.440 thank you Okay, so they're apathetic education show. Thank you. 0:05:19.839 --> 0:05:25.880 They were apathetic um too already being in a wheelchair. Um, 0:05:25.920 --> 0:05:29.040 they're like whatever, already can just get his own ride. Uh. 0:05:29.160 --> 0:05:31.039 He decides that everybody is going to have to spend 0:05:31.120 --> 0:05:35.360 some time in a wheelchair. That's right, And we're gonna 0:05:35.360 --> 0:05:37.800 have a bake sale, yes, to raise funds to get 0:05:37.800 --> 0:05:42.039 the bus that we need to get all of us together. 0:05:42.800 --> 0:05:47.960 Two sectionals. So let's talk about the wheelchairs for a second, 0:05:49.200 --> 0:05:52.880 because we started the rehearsals for Proud Mary pretty early 0:05:52.920 --> 0:05:56.640 on in this episode. If I'm if my memory starves me, right, yeah, 0:05:56.760 --> 0:06:00.880 I mean we started I the episode before, right, like 0:06:00.880 --> 0:06:03.359 while we're filming the other episode. I think we started 0:06:03.440 --> 0:06:06.200 rehearsing for this because this was going to take some 0:06:06.320 --> 0:06:09.520 extra rehearsal time. Normally we rehearsed, as you've heard at 0:06:09.560 --> 0:06:11.760 this point, was in our dance studio called the Tin Shed, 0:06:12.360 --> 0:06:16.960 but they had to build this gigantic ramp contraption, and 0:06:17.040 --> 0:06:20.680 so we started using the stage one of the sound 0:06:20.720 --> 0:06:23.520 stages next door. Yes, that's right in the wheel in 0:06:23.560 --> 0:06:25.440 the wheelchairs, yes, and all that was on. There was 0:06:25.560 --> 0:06:29.760 this sort of mock up of this unfinished version of 0:06:29.839 --> 0:06:31.680 what we ended up shooting with. It was just would 0:06:31.760 --> 0:06:35.000 like plywood. Yeah, it wasn't pretty. So we were in 0:06:35.040 --> 0:06:40.240 the wheelchairs and one day we're rehearsing prad Mary, we're 0:06:40.279 --> 0:06:42.680 also shooting, you know, in the wheelchairs as well, the 0:06:42.720 --> 0:06:47.159 scenes that you see us and Diana and Corey decided 0:06:47.160 --> 0:06:49.560 to take the wheelchairs throughout a lot like for the 0:06:49.560 --> 0:06:52.960 whole day. And they came back and we're all sweaty 0:06:53.120 --> 0:06:55.760 and because on the sound stage because people always ask 0:06:55.839 --> 0:06:58.320 me like, oh, did you get like muscles from doing 0:06:58.320 --> 0:07:02.960 I'm like no, I'm on a flat, smooth surface all day. 0:07:03.080 --> 0:07:05.440 I'm not really having to exert much energy, to be honest. 0:07:05.960 --> 0:07:09.359 And the lot you know, has some ups and downs 0:07:09.400 --> 0:07:12.880 and the road is not always perfect. And so they 0:07:12.920 --> 0:07:15.760 came back and I remember we're all sweaty and gross 0:07:15.840 --> 0:07:18.120 and had to have like their hair and makeup redone 0:07:20.480 --> 0:07:23.200 like that was funny. I remember that. I also just 0:07:23.240 --> 0:07:28.760 remember the wheelchairs did not everyone was struggling, so some 0:07:28.840 --> 0:07:31.280 more than others. But I just remember at some point 0:07:31.640 --> 0:07:35.520 people would disappear and just need like fifteen minutes to recover. 0:07:35.680 --> 0:07:39.840 Because at first, like Paris said, it was the ramps 0:07:39.880 --> 0:07:42.000 were too high at first as well. They had to 0:07:42.000 --> 0:07:45.920 make were like flying down those things, and people were 0:07:45.920 --> 0:07:49.320 falling on their sides on their back, like shooting backwards. 0:07:49.360 --> 0:07:52.040 Remember Lee's wheelchair didn't have the brakes on it for 0:07:52.080 --> 0:07:55.240 a while and she went straight back. So mine, if 0:07:55.240 --> 0:07:57.520 you see close up, mine had these sort of like 0:07:57.560 --> 0:08:00.440 stoppers on the back of them, and you could like 0:08:00.440 --> 0:08:03.080 pop a wheelie basically and sit there. It was like 0:08:03.120 --> 0:08:05.520 training wheels, although they looked like training wheels on a tricycle. 0:08:06.080 --> 0:08:08.960 But some of like half the chairs didn't have those, 0:08:09.480 --> 0:08:12.920 so some people thought they did assume there's like mine did, 0:08:13.120 --> 0:08:15.800 and they went to go back and kept going back 0:08:16.320 --> 0:08:21.440 and ended up on their backs. Yea, um, But I 0:08:22.240 --> 0:08:24.520 loved that everyone had to be in a wheelchair. They 0:08:24.520 --> 0:08:27.200 got to experience it for a little bit in real life. Yeah, 0:08:27.200 --> 0:08:28.800 I was going to ask you how you thought about 0:08:29.200 --> 0:08:31.920 I was really excited. I was really and it was 0:08:31.960 --> 0:08:36.320 also my first solo and yeah, let's talk about it. 0:08:36.400 --> 0:08:40.000 That was a big deal for me. And so tell me, 0:08:40.400 --> 0:08:44.160 tell me what the So if you listen to Paris's episode, 0:08:44.200 --> 0:08:50.040 Kevin tells us that he recorded this twice. Shouldn't normally happen. Yeah, no, 0:08:50.360 --> 0:08:53.400 and you re recorded it? So what was the first version? 0:08:53.480 --> 0:08:56.520 Because I vaguely remember this, but what what did it 0:08:56.559 --> 0:09:00.200 sound like? So the full story? Before I recorded it, 0:09:00.880 --> 0:09:03.480 I didn't know that the next episode is going to 0:09:03.480 --> 0:09:05.880 be about us, and did not know I was going 0:09:05.960 --> 0:09:07.559 to get you know, I don't know if we were 0:09:07.760 --> 0:09:10.000 on the shooting the episode before this or two episodes 0:09:10.000 --> 0:09:11.800 before this. But Ryan walks up to me when we're 0:09:11.800 --> 0:09:14.880 in the auditorium and he's like, you should listen to 0:09:15.679 --> 0:09:21.400 Dancing with Myself covered by Novelle Vague and learn it. 0:09:21.559 --> 0:09:23.319 Something very exciting is coming for you. And would walk 0:09:23.320 --> 0:09:27.000 away like what? And I do that? Yeah? And I 0:09:27.040 --> 0:09:31.600 pull up this song and it's like the sweet little 0:09:31.640 --> 0:09:35.080 acoustic thing, something style I had never sung in before, 0:09:35.880 --> 0:09:39.840 and I was like what. I was not super I 0:09:39.920 --> 0:09:43.600 was really excited about having a solo, but I was like, 0:09:43.640 --> 0:09:46.200 this is the solo. I wanted something more flashy and 0:09:46.520 --> 0:09:48.920 but little did I know this sort of set me up. 0:09:49.120 --> 0:09:51.760 These are the types of songs already saying throughout the 0:09:51.840 --> 0:09:55.000 entire series, which I really liked. And you know, just 0:09:55.760 --> 0:09:58.520 we all got pushed vocally and outside of our comfort 0:09:58.600 --> 0:10:02.600 zones and this was not within my comfort zone mm hmmm, 0:10:03.679 --> 0:10:06.320 and I really appreciated that. But when it came to 0:10:06.360 --> 0:10:09.240 recording it, I went in for several hours and had 0:10:09.240 --> 0:10:13.080 a normal recording session and with Adamander's and we put 0:10:13.120 --> 0:10:15.640 together the song just like we did with any other 0:10:15.679 --> 0:10:19.840 thing up to that point. And then I get scheduled 0:10:19.880 --> 0:10:23.200 to go back into record, and I'm like, you guys, 0:10:23.200 --> 0:10:25.600 ever recorded this? I thought there was a mess up, 0:10:26.360 --> 0:10:29.200 so I whoever was scheduling it, I was like, I 0:10:29.200 --> 0:10:31.880 already did this. I don't think I think you know, 0:10:31.880 --> 0:10:34.720 I don't think I need to go back. And they're like, no, 0:10:34.960 --> 0:10:41.320 there was no from Ryan. Ryan thinks you sound too sexy. 0:10:39.000 --> 0:10:45.559 That's right, funny because this version is very sexy as well. Well, 0:10:46.280 --> 0:10:50.080 I don't know what. So I was very confused, and 0:10:50.120 --> 0:10:53.000 I was like, I've never been called I remember this. 0:10:53.040 --> 0:10:55.040 You were very breathy in the first one. I was, 0:10:55.120 --> 0:10:57.080 and I was really proud of it. I loved it. 0:10:57.160 --> 0:11:00.040 I should try to find it. I haven't. Please find it. 0:11:00.120 --> 0:11:05.360 It's not that different, it's just it is a little more. Well, 0:11:05.400 --> 0:11:07.640 you don't sound already, you sound like probably like more 0:11:07.679 --> 0:11:09.959 like Kevin because I was singing everything up to that 0:11:10.000 --> 0:11:13.839 point was very much in character. And then I went 0:11:13.880 --> 0:11:17.719 in and we sort of Adam managers like, I don't know. 0:11:18.080 --> 0:11:20.760 I thought that version was great because he and I 0:11:20.800 --> 0:11:23.040 were big fans of the other version. And he's like, 0:11:23.160 --> 0:11:24.920 just saying it through a couple of times, do whatever 0:11:24.920 --> 0:11:29.520 you want, which never happened. Everything was very intentional, and 0:11:29.559 --> 0:11:31.560 so I went in and saying it, I think two 0:11:31.640 --> 0:11:33.760 or three times all the way through. He's like, Okay, 0:11:33.800 --> 0:11:35.679 are you happy with that? I'm like yeah. And that 0:11:35.760 --> 0:11:38.280 was it. So that that version is a little rougher. 0:11:38.679 --> 0:11:43.320 It's not as good, but it's so good though. Thanks. 0:11:43.880 --> 0:11:45.719 I didn't love it as much, but I was very 0:11:45.720 --> 0:11:48.960 happy to I also when you're watching that, so the 0:11:49.000 --> 0:11:53.760 filming of that as well, my mustaches started to grow back. Well, 0:11:53.760 --> 0:11:56.640 you also look so tiny with that guitar sitting on 0:11:56.679 --> 0:12:00.800 your lips. You look so tiny. It's all I remember 0:12:00.880 --> 0:12:03.280 is like, I have to fake this guitar again. You 0:12:03.320 --> 0:12:04.839 have to learn it again. The last shot of the 0:12:04.920 --> 0:12:08.320 day on that stage, my mustache, the doubble has grown back. 0:12:10.200 --> 0:12:16.160 I'm a harry sixteen year old and um shout out 0:12:16.280 --> 0:12:19.720 to Aaron who was the stunt double fathering him because 0:12:20.600 --> 0:12:24.640 he is actually in a wheelchair is incredible and if 0:12:24.679 --> 0:12:27.320 you look closely, you'll see it whenever down that hallway 0:12:27.400 --> 0:12:30.320 doing the tricks. He doesn't have, you know, the safeties 0:12:30.360 --> 0:12:33.840 on like I do. They go magically, they magically disappear. 0:12:34.559 --> 0:12:38.040 But um, he's someone that he goes, you know, to 0:12:38.120 --> 0:12:40.840 the skate parks and do flips and tricks and he 0:12:40.840 --> 0:12:45.040 he was runner up last year, and um, and America's 0:12:45.080 --> 0:12:49.319 got talent. Extreme, he's and if you go watch videos 0:12:49.320 --> 0:12:52.640 of him, he's absolutely insane. I don't know how he 0:12:52.679 --> 0:12:55.719 does these things, but we were so lucky to get him, 0:12:55.840 --> 0:12:58.640 and he came in and did all those incredible tricks 0:12:58.640 --> 0:13:10.200 that I would never be able to do. So dancing 0:13:10.240 --> 0:13:13.160 with myself was a big, you know, a big moment 0:13:13.679 --> 0:13:16.720 for me and for Artie. It felt like a big deal. 0:13:17.360 --> 0:13:18.840 And I got to do that slow mo for the 0:13:18.840 --> 0:13:24.200 first time, like we talked about with Paris, which was 0:13:24.280 --> 0:13:28.240 really fun and I looked crazy, but I remember Paris 0:13:28.280 --> 0:13:31.560 telling me just flip your hair and laugh really loud, 0:13:31.640 --> 0:13:33.960 and I remember Amber being on the other side of 0:13:34.040 --> 0:13:36.880 the table and making laughing at me, and we were 0:13:36.960 --> 0:13:39.760 we were actually then ended up laughing a lot because 0:13:41.040 --> 0:13:43.000 it's you know, when you have two fake laugh you 0:13:43.120 --> 0:13:45.880 end up laughing because it's a stupid anyway, so you 0:13:46.000 --> 0:13:48.920 just like laugh anyway. Um, this isn't about me, but 0:13:49.120 --> 0:13:52.880 I think it is. But that was that was crazy 0:13:52.920 --> 0:13:55.600 to see you shoot that because you had to do 0:13:55.640 --> 0:13:58.200 it at warp speed. I don't know how you actually 0:13:58.600 --> 0:14:04.559 it looks like very correct, your your mouth moving, um, 0:14:04.559 --> 0:14:07.560 saying the proper words, because like I feel like doing 0:14:07.600 --> 0:14:09.800 it at warp speed, You're like your brain is like, okay, 0:14:09.800 --> 0:14:12.520 just say gibberish. I mean I had done it before 0:14:13.760 --> 0:14:17.120 because of the boy band days where we did some 0:14:17.200 --> 0:14:21.200 SloMo on a train track, and I think I I 0:14:21.240 --> 0:14:24.760 had to do that before, So yeah, I and I 0:14:24.800 --> 0:14:30.000 liked the challenge of it because it is insane. Um, 0:14:30.040 --> 0:14:31.240 and I did it with p I T I did 0:14:31.240 --> 0:14:34.800 for a bunch of numbers. Going forward, Okay, so everyone 0:14:34.840 --> 0:14:37.200 gets into wheelchairs, we start to have a bake sale. 0:14:37.800 --> 0:14:39.600 Oh my god, wait a second, I have to talk 0:14:39.600 --> 0:14:43.400 about Naya here. This was a special thing she did 0:14:43.720 --> 0:14:49.160 for us because I sort of because she was fully 0:14:49.200 --> 0:14:52.360 doing it as a joke for us, and then the 0:14:52.400 --> 0:14:54.760 one they actually I remember her screaming when she saw 0:14:54.840 --> 0:14:56.840 the final version of it, like, oh my god, they 0:14:56.920 --> 0:15:00.360 used to take but it's so good. One time did it? 0:15:00.400 --> 0:15:04.800 That way is the one they used her her stuff 0:15:04.840 --> 0:15:09.920 in Proud Mary and and in this are golden nuggets. Yes, 0:15:09.960 --> 0:15:15.080 I couldn't take my eyes off of her golden nuggets. Um. Okay. 0:15:15.080 --> 0:15:20.320 So we have the big sale where uh Frankentine we 0:15:20.440 --> 0:15:25.840 get to see him probably improvised, kicking this wheelchair so 0:15:26.080 --> 0:15:30.800 large to this wheelchair. Um. And we have the big sale. Right. 0:15:32.440 --> 0:15:34.320 This is also where we meet Becky for the first time. 0:15:34.880 --> 0:15:39.240 That's right, Becky and Brittany are together, and by the 0:15:39.320 --> 0:15:43.280 very talented Lauren Potter, who goes on to be in 0:15:43.280 --> 0:15:46.920 the rest of this series. Oh yes, oh yes. She 0:15:47.000 --> 0:15:50.720 starts off in like Sue Sylvester's kind of storyline her sister, 0:15:51.440 --> 0:15:54.040 and then she really takes a turn and you know, 0:15:54.200 --> 0:15:56.400 we work with Lauren throughout the entire series, which was 0:15:56.440 --> 0:16:02.560 really fun to have her. And this the bake Sales 0:16:02.600 --> 0:16:05.200 where we're kind of get into the other storyline about 0:16:05.640 --> 0:16:10.200 Quinn and Finn. Finn having to get a job because 0:16:10.280 --> 0:16:13.360 Quinn has all of these bills to pay for her 0:16:13.440 --> 0:16:15.920 for the baby that she is raising. Just choosing to 0:16:16.000 --> 0:16:17.960 raise with him, and she's like, tell me, I chose 0:16:18.000 --> 0:16:24.280 the right man, Um messy, we'll get into all. Yeah, 0:16:24.560 --> 0:16:28.640 so everybody has to be in these wheelchairs, right, And 0:16:29.760 --> 0:16:33.840 that one of my favorite lines, which I think is 0:16:33.840 --> 0:16:39.040 a contender for Ardi Takes, is when Already admits like 0:16:39.120 --> 0:16:42.120 he his feelings are hurt because everybody has been very 0:16:42.200 --> 0:16:45.200 insensitive and Rachel says, we didn't think you would take 0:16:45.200 --> 0:16:47.920 your personally, and Already says, well, you're you're chaining most 0:16:47.920 --> 0:16:49.480 of the time, but don't take that personally. And your 0:16:49.520 --> 0:16:55.600 delivery was very good, um excellent, excellent, and it's very funny. 0:16:56.360 --> 0:16:58.920 I thought it was very funny. I enjoyed watching Leah's 0:16:59.160 --> 0:17:03.600 um performance in these first couple choir room scenes because 0:17:04.760 --> 0:17:09.159 she is doing something that I thought was very smart 0:17:09.560 --> 0:17:12.399 where she's still playing you know what happened in the 0:17:12.480 --> 0:17:16.320 last episode, in the episode before that, and carrying it 0:17:16.359 --> 0:17:20.480 through of she's trying to not speak up, you know, 0:17:20.480 --> 0:17:23.040 when the whole defined gravity thing comes up, like she's 0:17:23.080 --> 0:17:25.560 trying and then she doesn't really the thing that she 0:17:25.640 --> 0:17:29.400 doesn't really talk bad about the whole already bus situation 0:17:29.440 --> 0:17:31.920 in that first choreroom scene. No, she doesn't. But then 0:17:32.000 --> 0:17:41.560 arties like, no, well already likes to just tell it 0:17:41.600 --> 0:17:45.600 like it is. So then everybody gets in these wheelchairs 0:17:45.640 --> 0:17:47.760 and we have this montage of people figuring out how 0:17:47.800 --> 0:17:53.879 to use the wheelchairs. And if Beef stroken off on 0:17:54.520 --> 0:17:58.080 Lea was absolutely she really gets it. Um between the 0:17:58.080 --> 0:18:03.200 slushies and that I was like so gnarly, but it's 0:18:03.280 --> 0:18:06.880 pretty Yeah, everybody in the wheel stress is very funny. Um. 0:18:08.160 --> 0:18:12.760 And Tina, Tina's you know, playing the game, and she 0:18:12.800 --> 0:18:14.639 talks to Already and says, you know, I just didn't 0:18:14.840 --> 0:18:16.000 I have a lot of respect for you. Now, I 0:18:16.040 --> 0:18:19.320 didn't realize how hard this was. And um, I don't 0:18:19.320 --> 0:18:21.520 think that Tina really had to justify she wasn't really 0:18:21.520 --> 0:18:25.280 the one who was, you know, being insensitive towards him anyway. 0:18:25.359 --> 0:18:31.159 But I digress. Um. And you share about your car 0:18:31.200 --> 0:18:37.280 accident and yeah, I'd say that it was um car 0:18:37.320 --> 0:18:43.000 accident with my mother. Um. And people have pointed out 0:18:43.040 --> 0:18:47.439 that the age doesn't match up, like how old I 0:18:47.480 --> 0:18:51.160 am and how old I was at the time, and 0:18:52.240 --> 0:18:59.640 that doesn't really matter. Conne afterwards, Oh boy, um, already, 0:18:59.640 --> 0:19:02.320 what did you say? Kevin M But I want to 0:19:02.320 --> 0:19:04.640 be very clear. I still have the use of my penis, 0:19:05.119 --> 0:19:07.800 which is important. Yeah, I wanted her to know. You know, 0:19:07.840 --> 0:19:11.920 when you're a teenager and he's presumably getting his first 0:19:11.920 --> 0:19:18.679 crush on the super hot Tina that he you know 0:19:18.840 --> 0:19:20.919 what matters at that age. It's like you want to 0:19:21.640 --> 0:19:23.960 feel competitive with all the other guys that you could 0:19:23.960 --> 0:19:29.720 be dating or hooking up with, and way to break 0:19:29.760 --> 0:19:32.679 the the mood. It got a little serious, you know, 0:19:33.040 --> 0:19:37.000 just al that's already having no game but already actually 0:19:37.000 --> 0:19:39.840 has a lot of game. I think, well, yeah, that 0:19:39.920 --> 0:19:43.640 was the creating a monster here, because then already goes 0:19:43.760 --> 0:19:51.280 on to just crush um. So we get, all right, 0:19:51.560 --> 0:19:53.320 how do we how do we break this down? There's 0:19:53.320 --> 0:19:56.000 a lot that comes up. So what's going on here 0:19:56.040 --> 0:20:00.560 as well? So we've met Becky at the bakes. The 0:20:00.560 --> 0:20:03.640 other storyline sort of within this, within this as well, 0:20:04.280 --> 0:20:09.840 is while Shoe is trying to get Figgins to you know, 0:20:10.080 --> 0:20:13.119 give him more money for for the for the bus, 0:20:13.160 --> 0:20:16.600 for the bus, for handicapped ramps around the school. Whilst 0:20:16.760 --> 0:20:21.160 rams around the school, um, he brings in um sue 0:20:21.480 --> 0:20:27.160 because he's inspired. Figgins is inspired because it's free. UM. 0:20:27.280 --> 0:20:32.560 By this inclusion of everyone. So Figgins then forces Sue 0:20:32.640 --> 0:20:36.320 to hold auditions and she has to pick somebody who 0:20:36.359 --> 0:20:42.560 she wouldn't normally and so through these incredible bring it 0:20:42.600 --> 0:20:46.600 on like auditions, I was gonna say, yeah, can we 0:20:46.720 --> 0:20:48.760 do that all the time? Can they just do a 0:20:48.840 --> 0:20:51.560 show like that where we can just watch auditions happen? 0:20:51.640 --> 0:20:54.760 Because this was my favorite. We also this is this 0:20:54.840 --> 0:20:59.640 is the second shot. Now we see of Um with 0:20:59.640 --> 0:21:05.919 Fink fastly think by Um Kurt as the wrestler, and 0:21:05.960 --> 0:21:08.400 then she she's now auditioning here, but she comes back 0:21:08.440 --> 0:21:11.399 in for you astute glee fans to come back to 0:21:11.400 --> 0:21:14.320 be part of the glee club. Later on Lawrence, I 0:21:14.440 --> 0:21:18.760 sees Um brought in. Okay, So so the tryouts with 0:21:18.800 --> 0:21:27.480 the cheerios, Um, it's funny, they're funny Ambers auditions, Hey, Mike, 0:21:27.520 --> 0:21:30.840 you only Chris is UM this. I think the baton 0:21:31.040 --> 0:21:35.520 twirling was a thing inspired by Chris's size swords that 0:21:35.600 --> 0:21:38.720 he twirls all the time, and he's been doing it 0:21:38.720 --> 0:21:40.959 for years and he's very good at it. It's very scary. 0:21:41.119 --> 0:21:46.480 It's like small swords. UM. And and then that very 0:21:46.680 --> 0:21:53.879 lanky man who did that very weird CONTORTIONISTUM audition again, 0:21:54.560 --> 0:21:57.560 I like to call it an audition, not to try out. Uh. 0:21:57.600 --> 0:22:02.320 And then we have Becky Jackson and well we don't 0:22:02.359 --> 0:22:06.880 know is that obviously Sue has a sister who has 0:22:06.880 --> 0:22:10.439 Down syndrome as well, and Shoe thinks that she's up 0:22:10.480 --> 0:22:14.320 to something when she um says that Becky Jackson has 0:22:14.359 --> 0:22:17.720 made the team and was married. I mean, and and 0:22:17.840 --> 0:22:23.199 Schuster is worried and we're missing something I thought. I 0:22:23.200 --> 0:22:27.960 thought the storyline was so good, um and done so well. 0:22:28.040 --> 0:22:32.560 And Jane was absolutely absolutely incredible. And for people who 0:22:32.640 --> 0:22:36.080 are used to seeing Jane as Sylvester or if you 0:22:36.119 --> 0:22:38.960 watch her and anything else, she's like Mazel where she 0:22:39.080 --> 0:22:42.880 plays the sort of tough character. The real Jane Lynch 0:22:43.359 --> 0:22:47.600 is Sue that walks into the room to see her sister. 0:22:48.480 --> 0:22:51.120 That is how she greets you in real life. That 0:22:51.240 --> 0:22:57.360 is is calm, calm, inviting, so happy to see you. UM. 0:22:57.400 --> 0:23:01.520 And that scene is so beautiful and um, they are 0:23:01.600 --> 0:23:05.679 both so so good in that. I know, and Robin 0:23:06.080 --> 0:23:12.639 who um has passed away sadly, UM, but you know 0:23:12.760 --> 0:23:16.960 she will. She will make appearances in multiple other episodes 0:23:17.000 --> 0:23:20.560 with Jane as well. And every time it's just um, 0:23:20.640 --> 0:23:24.480 just so beautifully done and shot and performed so and 0:23:24.480 --> 0:23:27.160 in a really nice addition, well this is and this 0:23:27.240 --> 0:23:29.080 is the first time that we actually get to see 0:23:29.160 --> 0:23:33.639 exactly this is like we're humanizing the villain, which at 0:23:33.720 --> 0:23:35.320 this point you kind of had to do a little bit. 0:23:35.359 --> 0:23:37.320 We did. We saw a little bit with rod you know, 0:23:37.320 --> 0:23:41.280 Remington where she was trying and now we see like 0:23:41.359 --> 0:23:44.120 this kind of more very very human side of hers. 0:23:44.160 --> 0:23:46.399 And I think it's nice to see it was it 0:23:46.480 --> 0:23:49.760 was done so well, and I love that, you know, 0:23:49.760 --> 0:23:52.160 it'sn't something that's brought up once and never mentioned again. 0:23:52.320 --> 0:23:55.520 It's something that is recurring through the entire show and 0:23:56.800 --> 0:23:59.920 um and I think it impacted people in real life 0:24:00.040 --> 0:24:03.119 a lot, and it was nice to get you know, 0:24:03.200 --> 0:24:06.280 in one episode two people with um down syndrome who 0:24:06.280 --> 0:24:12.600 were incredible actors and um yeah yeah, I just I 0:24:12.640 --> 0:24:14.920 again had to like look away so I didn't start 0:24:14.960 --> 0:24:22.199 crying during its um alright, So so within that, like 0:24:22.280 --> 0:24:25.560 that's the other storyline, within the bigger storyline. But we 0:24:25.680 --> 0:24:29.840 go back to the Big Sale, right, and they have 0:24:29.960 --> 0:24:33.240 the Big Sale, and we obviously know that Puck is 0:24:33.280 --> 0:24:36.520 the father and he he wants Quinn and he wants 0:24:36.560 --> 0:24:42.720 to show up, so he's going to do something bad 0:24:43.119 --> 0:24:49.679 and he goes to Sandy Royerson and um he gets 0:24:49.800 --> 0:24:55.800 his uh the chronic the chronic lady, the chronic lady, 0:24:56.080 --> 0:24:59.879 and he bakes them into the cupcakes. Because this is 0:25:00.160 --> 0:25:04.560 this goes into the the love triangle sort of of 0:25:05.119 --> 0:25:10.040 the Quinn, Finn and Puck, where they're both Finn and 0:25:10.080 --> 0:25:14.760