1 00:00:01,800 --> 00:00:05,240 Speaker 1: And That's what you really missed with Jenna and Kevin 2 00:00:05,559 --> 00:00:10,400 Speaker 1: and I Heart Radio Podcast. Welcome to and That's what 3 00:00:10,480 --> 00:00:14,920 Speaker 1: you really missed. I'm Kevin and I'm Jenna, and this 4 00:00:15,000 --> 00:00:22,120 Speaker 1: week we are recapping the one the Only Wheels Wheels 5 00:00:22,160 --> 00:00:25,599 Speaker 1: the best episode there ever once. But before we get 6 00:00:25,640 --> 00:00:28,920 Speaker 1: into the episode, we have to talk about Ryan Murphy 7 00:00:29,040 --> 00:00:32,600 Speaker 1: getting the Carol Burnett on her UM at the Golden Clothes. 8 00:00:32,640 --> 00:00:34,760 Speaker 1: It was great and UM, I will say it was 9 00:00:34,760 --> 00:00:37,400 Speaker 1: particularly great because there were a couple of shots of Tardi. 10 00:00:38,320 --> 00:00:41,879 Speaker 1: We had a really nice when we're tapping together. It 11 00:00:41,920 --> 00:00:44,600 Speaker 1: was it was sweet. Jenna. I was happy that you 12 00:00:44,680 --> 00:00:47,680 Speaker 1: and I got our own little, you know, two seconds 13 00:00:47,760 --> 00:00:50,720 Speaker 1: little clip together. We were there, We were there, we 14 00:00:50,720 --> 00:00:54,639 Speaker 1: were there in spirit. And then Ryan gave a beautiful 15 00:00:54,680 --> 00:00:59,160 Speaker 1: speech and highlighted UM some of the incredible talent that 16 00:00:59,200 --> 00:01:01,920 Speaker 1: he has worked with UM and it was just it 17 00:01:01,960 --> 00:01:03,640 Speaker 1: was really really nice. I was happy to see him 18 00:01:03,640 --> 00:01:06,560 Speaker 1: get that award. I talked to him over the holiday 19 00:01:06,560 --> 00:01:09,160 Speaker 1: break and he was like, I think I'm a little 20 00:01:09,200 --> 00:01:11,320 Speaker 1: young to be getting it, but I was like, just 21 00:01:11,360 --> 00:01:14,280 Speaker 1: take it, Ryan, Yes, and He's like, yeah, I'm gonna 22 00:01:14,319 --> 00:01:16,920 Speaker 1: take He is really young to get it. But he's 23 00:01:16,959 --> 00:01:19,360 Speaker 1: done such a body of a massive body of working 24 00:01:19,440 --> 00:01:21,560 Speaker 1: such a short amount of time that like, I don't 25 00:01:21,560 --> 00:01:24,240 Speaker 1: think any use questioning it. And he's changed, you know, 26 00:01:24,319 --> 00:01:27,000 Speaker 1: the landscape of television in a lot of ways and 27 00:01:27,040 --> 00:01:30,520 Speaker 1: made a lot of people massive stars. Yes, and made 28 00:01:30,520 --> 00:01:35,080 Speaker 1: a lot of studios very very happy. Um well, congrats 29 00:01:35,120 --> 00:01:39,320 Speaker 1: to Ryan and for Glee and Ryan, it's okay that 30 00:01:39,360 --> 00:01:41,480 Speaker 1: you didn't talk about me for five minutes straight like 31 00:01:41,520 --> 00:01:47,760 Speaker 1: I requested, I forgive you. Yeah, Um well, congrats. Ran 32 00:01:49,000 --> 00:01:51,800 Speaker 1: back to the best episode there ever was of Glee. 33 00:01:51,960 --> 00:01:55,000 Speaker 1: Take it away, Jenna, Okay, I love this episode. I 34 00:01:55,000 --> 00:01:58,200 Speaker 1: have a lot of nostalgia for doing shooting this episode 35 00:01:58,440 --> 00:02:02,200 Speaker 1: but then rewatching the stops. O gosh, what a good episode. 36 00:02:02,240 --> 00:02:06,080 Speaker 1: This was so solid and um so we had the 37 00:02:06,120 --> 00:02:09,480 Speaker 1: director of this episode, Paris Barclay, on last episode. If 38 00:02:09,520 --> 00:02:10,880 Speaker 1: you haven't listened to it, go listen to it because 39 00:02:10,880 --> 00:02:14,880 Speaker 1: it's wonderful. And we talked about how we're coming off 40 00:02:15,080 --> 00:02:20,239 Speaker 1: sort of the um pure chaos that was previous few 41 00:02:20,240 --> 00:02:23,320 Speaker 1: episodes and this sort of gets us back down to 42 00:02:23,440 --> 00:02:29,000 Speaker 1: brass tacks of um Glee and the serious storylines and 43 00:02:29,680 --> 00:02:35,200 Speaker 1: um monumental moments for a lot of these characters, yes, Um. 44 00:02:35,240 --> 00:02:37,920 Speaker 1: And then we are also really in the thick of 45 00:02:38,000 --> 00:02:40,919 Speaker 1: the feeling of like this being the beginning of the phenomenon. 46 00:02:41,440 --> 00:02:44,280 Speaker 1: In the middle of this episode, we fly to New 47 00:02:44,360 --> 00:02:52,000 Speaker 1: York to um dance for advertisers, to um show them 48 00:02:52,080 --> 00:02:54,720 Speaker 1: that Glee is on Fox, to buy ad space and 49 00:02:54,720 --> 00:02:59,359 Speaker 1: commercial space and look at our hit. We perform Somebody 50 00:02:59,400 --> 00:03:03,480 Speaker 1: to Love Love five, which was the whole thing, um, 51 00:03:03,560 --> 00:03:06,720 Speaker 1: which you just you don't perform for these acat show. 52 00:03:06,840 --> 00:03:11,920 Speaker 1: This was special. And then in Glean News the the 53 00:03:12,040 --> 00:03:17,400 Speaker 1: music Volume one was had come out the previous week, 54 00:03:17,440 --> 00:03:20,760 Speaker 1: So this episode aired on November eleven, thousand nine, and 55 00:03:20,800 --> 00:03:27,160 Speaker 1: the soundtrack came out November, remember November two, okay, And 56 00:03:27,200 --> 00:03:29,760 Speaker 1: then he went to number one on the charts in Ireland, 57 00:03:29,880 --> 00:03:33,680 Speaker 1: the UK, peaked at number three in Australia and number 58 00:03:33,680 --> 00:03:36,960 Speaker 1: four in Canada and the United States, and Volume one 59 00:03:36,960 --> 00:03:41,560 Speaker 1: has been certified platinum in all of those countries. Crazy, 60 00:03:41,640 --> 00:03:47,240 Speaker 1: absolutely crazy, And this was so the Wheels episode because 61 00:03:47,280 --> 00:03:50,080 Speaker 1: of the subject matter we also and because it was 62 00:03:50,280 --> 00:03:53,880 Speaker 1: more of a serious episode. I think the network it 63 00:03:54,000 --> 00:03:57,520 Speaker 1: was two things because it spoke to um a lot 64 00:03:57,560 --> 00:04:03,200 Speaker 1: of different communities, like um down syndrome and people wheelchairs. 65 00:04:03,240 --> 00:04:07,720 Speaker 1: They wanted to show this episode off in a way 66 00:04:08,040 --> 00:04:09,880 Speaker 1: UM and show how it was going to impact people. 67 00:04:09,880 --> 00:04:12,640 Speaker 1: And then also it was sort of like an Awards season, 68 00:04:13,880 --> 00:04:16,840 Speaker 1: they don't forget about us next year. And we had 69 00:04:16,880 --> 00:04:19,560 Speaker 1: screenings that there's a big there's a big movie theater 70 00:04:19,640 --> 00:04:21,720 Speaker 1: chain r I p Arc Light here in l A. 71 00:04:22,240 --> 00:04:24,039 Speaker 1: It was so good and I remember we had a 72 00:04:24,080 --> 00:04:27,280 Speaker 1: gigantic screening there just for this episode. It was very 73 00:04:27,920 --> 00:04:31,960 Speaker 1: and Chris were there, went for that. It was very Yeah, 74 00:04:32,040 --> 00:04:34,000 Speaker 1: it was a lot. There was a lot going on 75 00:04:34,040 --> 00:04:38,200 Speaker 1: outside of the Glue bubble as well as inside UM. 76 00:04:38,240 --> 00:04:41,760 Speaker 1: But it was exciting. Shall we get into this incredible 77 00:04:41,800 --> 00:04:46,799 Speaker 1: episode featuring us. Yes, so most importantly in this episode, 78 00:04:47,160 --> 00:04:50,280 Speaker 1: Already needs to get two sectionals and we learned that 79 00:04:50,360 --> 00:04:52,720 Speaker 1: he needs a bus in order for Already to ride 80 00:04:52,720 --> 00:04:55,159 Speaker 1: with us. Yes, we need a bus with an elevator 81 00:04:55,160 --> 00:04:58,040 Speaker 1: with a lift to get the wheelchair in and that 82 00:04:58,360 --> 00:05:02,400 Speaker 1: is expensive of in that for for the Glee club. 83 00:05:02,960 --> 00:05:07,400 Speaker 1: So Mr Shooe comes up with the idea that because 84 00:05:07,480 --> 00:05:14,279 Speaker 1: these kids are all very unempathetic, is that that a word? Unempathetic? Apathetic? Jenna, 85 00:05:14,560 --> 00:05:19,440 Speaker 1: thank you Okay, so they're apathetic education show. Thank you. 86 00:05:19,839 --> 00:05:25,880 Speaker 1: They were apathetic um too already being in a wheelchair. Um, 87 00:05:25,920 --> 00:05:29,040 Speaker 1: they're like whatever, already can just get his own ride. Uh. 88 00:05:29,160 --> 00:05:31,039 Speaker 1: He decides that everybody is going to have to spend 89 00:05:31,120 --> 00:05:35,360 Speaker 1: some time in a wheelchair. That's right, And we're gonna 90 00:05:35,360 --> 00:05:37,800 Speaker 1: have a bake sale, yes, to raise funds to get 91 00:05:37,800 --> 00:05:42,039 Speaker 1: the bus that we need to get all of us together. 92 00:05:42,800 --> 00:05:47,960 Speaker 1: Two sectionals. So let's talk about the wheelchairs for a second, 93 00:05:49,200 --> 00:05:52,880 Speaker 1: because we started the rehearsals for Proud Mary pretty early 94 00:05:52,920 --> 00:05:56,640 Speaker 1: on in this episode. If I'm if my memory starves me, right, yeah, 95 00:05:56,760 --> 00:06:00,880 Speaker 1: I mean we started I the episode before, right, like 96 00:06:00,880 --> 00:06:03,359 Speaker 1: while we're filming the other episode. I think we started 97 00:06:03,440 --> 00:06:06,200 Speaker 1: rehearsing for this because this was going to take some 98 00:06:06,320 --> 00:06:09,520 Speaker 1: extra rehearsal time. Normally we rehearsed, as you've heard at 99 00:06:09,560 --> 00:06:11,760 Speaker 1: this point, was in our dance studio called the Tin Shed, 100 00:06:12,360 --> 00:06:16,960 Speaker 1: but they had to build this gigantic ramp contraption, and 101 00:06:17,040 --> 00:06:20,680 Speaker 1: so we started using the stage one of the sound 102 00:06:20,720 --> 00:06:23,520 Speaker 1: stages next door. Yes, that's right in the wheel in 103 00:06:23,560 --> 00:06:25,440 Speaker 1: the wheelchairs, yes, and all that was on. There was 104 00:06:25,560 --> 00:06:29,760 Speaker 1: this sort of mock up of this unfinished version of 105 00:06:29,839 --> 00:06:31,680 Speaker 1: what we ended up shooting with. It was just would 106 00:06:31,760 --> 00:06:35,000 Speaker 1: like plywood. Yeah, it wasn't pretty. So we were in 107 00:06:35,040 --> 00:06:40,240 Speaker 1: the wheelchairs and one day we're rehearsing prad Mary, we're 108 00:06:40,279 --> 00:06:42,680 Speaker 1: also shooting, you know, in the wheelchairs as well, the 109 00:06:42,720 --> 00:06:47,159 Speaker 1: scenes that you see us and Diana and Corey decided 110 00:06:47,160 --> 00:06:49,560 Speaker 1: to take the wheelchairs throughout a lot like for the 111 00:06:49,560 --> 00:06:52,960 Speaker 1: whole day. And they came back and we're all sweaty 112 00:06:53,120 --> 00:06:55,760 Speaker 1: and because on the sound stage because people always ask 113 00:06:55,839 --> 00:06:58,320 Speaker 1: me like, oh, did you get like muscles from doing 114 00:06:58,320 --> 00:07:02,960 Speaker 1: I'm like no, I'm on a flat, smooth surface all day. 115 00:07:03,080 --> 00:07:05,440 Speaker 1: I'm not really having to exert much energy, to be honest. 116 00:07:05,960 --> 00:07:09,359 Speaker 1: And the lot you know, has some ups and downs 117 00:07:09,400 --> 00:07:12,880 Speaker 1: and the road is not always perfect. And so they 118 00:07:12,920 --> 00:07:15,760 Speaker 1: came back and I remember we're all sweaty and gross 119 00:07:15,840 --> 00:07:18,120 Speaker 1: and had to have like their hair and makeup redone 120 00:07:20,480 --> 00:07:23,200 Speaker 1: like that was funny. I remember that. I also just 121 00:07:23,240 --> 00:07:28,760 Speaker 1: remember the wheelchairs did not everyone was struggling, so some 122 00:07:28,840 --> 00:07:31,280 Speaker 1: more than others. But I just remember at some point 123 00:07:31,640 --> 00:07:35,520 Speaker 1: people would disappear and just need like fifteen minutes to recover. 124 00:07:35,680 --> 00:07:39,840 Speaker 1: Because at first, like Paris said, it was the ramps 125 00:07:39,880 --> 00:07:42,000 Speaker 1: were too high at first as well. They had to 126 00:07:42,000 --> 00:07:45,920 Speaker 1: make were like flying down those things, and people were 127 00:07:45,920 --> 00:07:49,320 Speaker 1: falling on their sides on their back, like shooting backwards. 128 00:07:49,360 --> 00:07:52,040 Speaker 1: Remember Lee's wheelchair didn't have the brakes on it for 129 00:07:52,080 --> 00:07:55,240 Speaker 1: a while and she went straight back. So mine, if 130 00:07:55,240 --> 00:07:57,520 Speaker 1: you see close up, mine had these sort of like 131 00:07:57,560 --> 00:08:00,440 Speaker 1: stoppers on the back of them, and you could like 132 00:08:00,440 --> 00:08:03,080 Speaker 1: pop a wheelie basically and sit there. It was like 133 00:08:03,120 --> 00:08:05,520 Speaker 1: training wheels, although they looked like training wheels on a tricycle. 134 00:08:06,080 --> 00:08:08,960 Speaker 1: But some of like half the chairs didn't have those, 135 00:08:09,480 --> 00:08:12,920 Speaker 1: so some people thought they did assume there's like mine did, 136 00:08:13,120 --> 00:08:15,800 Speaker 1: and they went to go back and kept going back 137 00:08:16,320 --> 00:08:21,440 Speaker 1: and ended up on their backs. Yea, um, But I 138 00:08:22,240 --> 00:08:24,520 Speaker 1: loved that everyone had to be in a wheelchair. They 139 00:08:24,520 --> 00:08:27,200 Speaker 1: got to experience it for a little bit in real life. Yeah, 140 00:08:27,200 --> 00:08:28,800 Speaker 1: I was going to ask you how you thought about 141 00:08:29,200 --> 00:08:31,920 Speaker 1: I was really excited. I was really and it was 142 00:08:31,960 --> 00:08:36,320 Speaker 1: also my first solo and yeah, let's talk about it. 143 00:08:36,400 --> 00:08:40,000 Speaker 1: That was a big deal for me. And so tell me, 144 00:08:40,400 --> 00:08:44,160 Speaker 1: tell me what the So if you listen to Paris's episode, 145 00:08:44,200 --> 00:08:50,040 Speaker 1: Kevin tells us that he recorded this twice. Shouldn't normally happen. Yeah, no, 146 00:08:50,360 --> 00:08:53,400 Speaker 1: and you re recorded it? So what was the first version? 147 00:08:53,480 --> 00:08:56,520 Speaker 1: Because I vaguely remember this, but what what did it 148 00:08:56,559 --> 00:09:00,200 Speaker 1: sound like? So the full story? Before I recorded it, 149 00:09:00,880 --> 00:09:03,480 Speaker 1: I didn't know that the next episode is going to 150 00:09:03,480 --> 00:09:05,880 Speaker 1: be about us, and did not know I was going 151 00:09:05,960 --> 00:09:07,559 Speaker 1: to get you know, I don't know if we were 152 00:09:07,760 --> 00:09:10,000 Speaker 1: on the shooting the episode before this or two episodes 153 00:09:10,000 --> 00:09:11,800 Speaker 1: before this. But Ryan walks up to me when we're 154 00:09:11,800 --> 00:09:14,880 Speaker 1: in the auditorium and he's like, you should listen to 155 00:09:15,679 --> 00:09:21,400 Speaker 1: Dancing with Myself covered by Novelle Vague and learn it. 156 00:09:21,559 --> 00:09:23,319 Speaker 1: Something very exciting is coming for you. And would walk 157 00:09:23,320 --> 00:09:27,000 Speaker 1: away like what? And I do that? Yeah? And I 158 00:09:27,040 --> 00:09:31,600 Speaker 1: pull up this song and it's like the sweet little 159 00:09:31,640 --> 00:09:35,080 Speaker 1: acoustic thing, something style I had never sung in before, 160 00:09:35,880 --> 00:09:39,840 Speaker 1: and I was like what. I was not super I 161 00:09:39,920 --> 00:09:43,600 Speaker 1: was really excited about having a solo, but I was like, 162 00:09:43,640 --> 00:09:46,200 Speaker 1: this is the solo. I wanted something more flashy and 163 00:09:46,520 --> 00:09:48,920 Speaker 1: but little did I know this sort of set me up. 164 00:09:49,120 --> 00:09:51,760 Speaker 1: These are the types of songs already saying throughout the 165 00:09:51,840 --> 00:09:55,000 Speaker 1: entire series, which I really liked. And you know, just 166 00:09:55,760 --> 00:09:58,520 Speaker 1: we all got pushed vocally and outside of our comfort 167 00:09:58,600 --> 00:10:02,600 Speaker 1: zones and this was not within my comfort zone mm hmmm, 168 00:10:03,679 --> 00:10:06,320 Speaker 1: and I really appreciated that. But when it came to 169 00:10:06,360 --> 00:10:09,240 Speaker 1: recording it, I went in for several hours and had 170 00:10:09,240 --> 00:10:13,080 Speaker 1: a normal recording session and with Adamander's and we put 171 00:10:13,120 --> 00:10:15,640 Speaker 1: together the song just like we did with any other 172 00:10:15,679 --> 00:10:19,840 Speaker 1: thing up to that point. And then I get scheduled 173 00:10:19,880 --> 00:10:23,200 Speaker 1: to go back into record, and I'm like, you guys, 174 00:10:23,200 --> 00:10:25,600 Speaker 1: ever recorded this? I thought there was a mess up, 175 00:10:26,360 --> 00:10:29,200 Speaker 1: so I whoever was scheduling it, I was like, I 176 00:10:29,200 --> 00:10:31,880 Speaker 1: already did this. I don't think I think you know, 177 00:10:31,880 --> 00:10:34,720 Speaker 1: I don't think I need to go back. And they're like, no, 178 00:10:34,960 --> 00:10:41,320 Speaker 1: there was no from Ryan. Ryan thinks you sound too sexy. 179 00:10:39,000 --> 00:10:45,559 Speaker 1: That's right, funny because this version is very sexy as well. Well, 180 00:10:46,280 --> 00:10:50,080 Speaker 1: I don't know what. So I was very confused, and 181 00:10:50,120 --> 00:10:53,000 Speaker 1: I was like, I've never been called I remember this. 182 00:10:53,040 --> 00:10:55,040 Speaker 1: You were very breathy in the first one. I was, 183 00:10:55,120 --> 00:10:57,080 Speaker 1: and I was really proud of it. I loved it. 184 00:10:57,160 --> 00:11:00,040 Speaker 1: I should try to find it. I haven't. Please find it. 185 00:11:00,120 --> 00:11:05,360 Speaker 1: It's not that different, it's just it is a little more. Well, 186 00:11:05,400 --> 00:11:07,640 Speaker 1: you don't sound already, you sound like probably like more 187 00:11:07,679 --> 00:11:09,959 Speaker 1: like Kevin because I was singing everything up to that 188 00:11:10,000 --> 00:11:13,839 Speaker 1: point was very much in character. And then I went 189 00:11:13,880 --> 00:11:17,719 Speaker 1: in and we sort of Adam managers like, I don't know. 190 00:11:18,080 --> 00:11:20,760 Speaker 1: I thought that version was great because he and I 191 00:11:20,800 --> 00:11:23,040 Speaker 1: were big fans of the other version. And he's like, 192 00:11:23,160 --> 00:11:24,920 Speaker 1: just saying it through a couple of times, do whatever 193 00:11:24,920 --> 00:11:29,520 Speaker 1: you want, which never happened. Everything was very intentional, and 194 00:11:29,559 --> 00:11:31,560 Speaker 1: so I went in and saying it, I think two 195 00:11:31,640 --> 00:11:33,760 Speaker 1: or three times all the way through. He's like, Okay, 196 00:11:33,800 --> 00:11:35,679 Speaker 1: are you happy with that? I'm like yeah. And that 197 00:11:35,760 --> 00:11:38,280 Speaker 1: was it. So that that version is a little rougher. 198 00:11:38,679 --> 00:11:43,320 Speaker 1: It's not as good, but it's so good though. Thanks. 199 00:11:43,880 --> 00:11:45,719 Speaker 1: I didn't love it as much, but I was very 200 00:11:45,720 --> 00:11:48,960 Speaker 1: happy to I also when you're watching that, so the 201 00:11:49,000 --> 00:11:53,760 Speaker 1: filming of that as well, my mustaches started to grow back. Well, 202 00:11:53,760 --> 00:11:56,640 Speaker 1: you also look so tiny with that guitar sitting on 203 00:11:56,679 --> 00:12:00,800 Speaker 1: your lips. You look so tiny. It's all I remember 204 00:12:00,880 --> 00:12:03,280 Speaker 1: is like, I have to fake this guitar again. You 205 00:12:03,320 --> 00:12:04,839 Speaker 1: have to learn it again. The last shot of the 206 00:12:04,920 --> 00:12:08,320 Speaker 1: day on that stage, my mustache, the doubble has grown back. 207 00:12:10,200 --> 00:12:16,160 Speaker 1: I'm a harry sixteen year old and um shout out 208 00:12:16,280 --> 00:12:19,720 Speaker 1: to Aaron who was the stunt double fathering him because 209 00:12:20,600 --> 00:12:24,640 Speaker 1: he is actually in a wheelchair is incredible and if 210 00:12:24,679 --> 00:12:27,320 Speaker 1: you look closely, you'll see it whenever down that hallway 211 00:12:27,400 --> 00:12:30,320 Speaker 1: doing the tricks. He doesn't have, you know, the safeties 212 00:12:30,360 --> 00:12:33,840 Speaker 1: on like I do. They go magically, they magically disappear. 213 00:12:34,559 --> 00:12:38,040 Speaker 1: But um, he's someone that he goes, you know, to 214 00:12:38,120 --> 00:12:40,840 Speaker 1: the skate parks and do flips and tricks and he 215 00:12:40,840 --> 00:12:45,040 Speaker 1: he was runner up last year, and um, and America's 216 00:12:45,080 --> 00:12:49,319 Speaker 1: got talent. Extreme, he's and if you go watch videos 217 00:12:49,320 --> 00:12:52,640 Speaker 1: of him, he's absolutely insane. I don't know how he 218 00:12:52,679 --> 00:12:55,719 Speaker 1: does these things, but we were so lucky to get him, 219 00:12:55,840 --> 00:12:58,640 Speaker 1: and he came in and did all those incredible tricks 220 00:12:58,640 --> 00:13:10,200 Speaker 1: that I would never be able to do. So dancing 221 00:13:10,240 --> 00:13:13,160 Speaker 1: with myself was a big, you know, a big moment 222 00:13:13,679 --> 00:13:16,720 Speaker 1: for me and for Artie. It felt like a big deal. 223 00:13:17,360 --> 00:13:18,840 Speaker 1: And I got to do that slow mo for the 224 00:13:18,840 --> 00:13:24,200 Speaker 1: first time, like we talked about with Paris, which was 225 00:13:24,280 --> 00:13:28,240 Speaker 1: really fun and I looked crazy, but I remember Paris 226 00:13:28,280 --> 00:13:31,560 Speaker 1: telling me just flip your hair and laugh really loud, 227 00:13:31,640 --> 00:13:33,960 Speaker 1: and I remember Amber being on the other side of 228 00:13:34,040 --> 00:13:36,880 Speaker 1: the table and making laughing at me, and we were 229 00:13:36,960 --> 00:13:39,760 Speaker 1: we were actually then ended up laughing a lot because 230 00:13:41,040 --> 00:13:43,000 Speaker 1: it's you know, when you have two fake laugh you 231 00:13:43,120 --> 00:13:45,880 Speaker 1: end up laughing because it's a stupid anyway, so you 232 00:13:46,000 --> 00:13:48,920 Speaker 1: just like laugh anyway. Um, this isn't about me, but 233 00:13:49,120 --> 00:13:52,880 Speaker 1: I think it is. But that was that was crazy 234 00:13:52,920 --> 00:13:55,600 Speaker 1: to see you shoot that because you had to do 235 00:13:55,640 --> 00:13:58,200 Speaker 1: it at warp speed. I don't know how you actually 236 00:13:58,600 --> 00:14:04,559 Speaker 1: it looks like very correct, your your mouth moving, um, 237 00:14:04,559 --> 00:14:07,560 Speaker 1: saying the proper words, because like I feel like doing 238 00:14:07,600 --> 00:14:09,800 Speaker 1: it at warp speed, You're like your brain is like, okay, 239 00:14:09,800 --> 00:14:12,520 Speaker 1: just say gibberish. I mean I had done it before 240 00:14:13,760 --> 00:14:17,120 Speaker 1: because of the boy band days where we did some 241 00:14:17,200 --> 00:14:21,200 Speaker 1: SloMo on a train track, and I think I I 242 00:14:21,240 --> 00:14:24,760 Speaker 1: had to do that before, So yeah, I and I 243 00:14:24,800 --> 00:14:30,000 Speaker 1: liked the challenge of it because it is insane. Um, 244 00:14:30,040 --> 00:14:31,240 Speaker 1: and I did it with p I T I did 245 00:14:31,240 --> 00:14:34,800 Speaker 1: for a bunch of numbers. Going forward, Okay, so everyone 246 00:14:34,840 --> 00:14:37,200 Speaker 1: gets into wheelchairs, we start to have a bake sale. 247 00:14:37,800 --> 00:14:39,600 Speaker 1: Oh my god, wait a second, I have to talk 248 00:14:39,600 --> 00:14:43,400 Speaker 1: about Naya here. This was a special thing she did 249 00:14:43,720 --> 00:14:49,160 Speaker 1: for us because I sort of because she was fully 250 00:14:49,200 --> 00:14:52,360 Speaker 1: doing it as a joke for us, and then the 251 00:14:52,400 --> 00:14:54,760 Speaker 1: one they actually I remember her screaming when she saw 252 00:14:54,840 --> 00:14:56,840 Speaker 1: the final version of it, like, oh my god, they 253 00:14:56,920 --> 00:15:00,360 Speaker 1: used to take but it's so good. One time did it? 254 00:15:00,400 --> 00:15:04,800 Speaker 1: That way is the one they used her her stuff 255 00:15:04,840 --> 00:15:09,920 Speaker 1: in Proud Mary and and in this are golden nuggets. Yes, 256 00:15:09,960 --> 00:15:15,080 Speaker 1: I couldn't take my eyes off of her golden nuggets. Um. Okay. 257 00:15:15,080 --> 00:15:20,320 Speaker 1: So we have the big sale where uh Frankentine we 258 00:15:20,440 --> 00:15:25,840 Speaker 1: get to see him probably improvised, kicking this wheelchair so 259 00:15:26,080 --> 00:15:30,800 Speaker 1: large to this wheelchair. Um. And we have the big sale. Right. 260 00:15:32,440 --> 00:15:34,320 Speaker 1: This is also where we meet Becky for the first time. 261 00:15:34,880 --> 00:15:39,240 Speaker 1: That's right, Becky and Brittany are together, and by the 262 00:15:39,320 --> 00:15:43,280 Speaker 1: very talented Lauren Potter, who goes on to be in 263 00:15:43,280 --> 00:15:46,920 Speaker 1: the rest of this series. Oh yes, oh yes. She 264 00:15:47,000 --> 00:15:50,720 Speaker 1: starts off in like Sue Sylvester's kind of storyline her sister, 265 00:15:51,440 --> 00:15:54,040 Speaker 1: and then she really takes a turn and you know, 266 00:15:54,200 --> 00:15:56,400 Speaker 1: we work with Lauren throughout the entire series, which was 267 00:15:56,440 --> 00:16:02,560 Speaker 1: really fun to have her. And this the bake Sales 268 00:16:02,600 --> 00:16:05,200 Speaker 1: where we're kind of get into the other storyline about 269 00:16:05,640 --> 00:16:10,200 Speaker 1: Quinn and Finn. Finn having to get a job because 270 00:16:10,280 --> 00:16:13,360 Speaker 1: Quinn has all of these bills to pay for her 271 00:16:13,440 --> 00:16:15,920 Speaker 1: for the baby that she is raising. Just choosing to 272 00:16:16,000 --> 00:16:17,960 Speaker 1: raise with him, and she's like, tell me, I chose 273 00:16:18,000 --> 00:16:24,280 Speaker 1: the right man, Um messy, we'll get into all. Yeah, 274 00:16:24,560 --> 00:16:28,640 Speaker 1: so everybody has to be in these wheelchairs, right, And 275 00:16:29,760 --> 00:16:33,840 Speaker 1: that one of my favorite lines, which I think is 276 00:16:33,840 --> 00:16:39,040 Speaker 1: a contender for Ardi Takes, is when Already admits like 277 00:16:39,120 --> 00:16:42,120 Speaker 1: he his feelings are hurt because everybody has been very 278 00:16:42,200 --> 00:16:45,200 Speaker 1: insensitive and Rachel says, we didn't think you would take 279 00:16:45,200 --> 00:16:47,920 Speaker 1: your personally, and Already says, well, you're you're chaining most 280 00:16:47,920 --> 00:16:49,480 Speaker 1: of the time, but don't take that personally. And your 281 00:16:49,520 --> 00:16:55,600 Speaker 1: delivery was very good, um excellent, excellent, and it's very funny. 282 00:16:56,360 --> 00:16:58,920 Speaker 1: I thought it was very funny. I enjoyed watching Leah's 283 00:16:59,160 --> 00:17:03,600 Speaker 1: um performance in these first couple choir room scenes because 284 00:17:04,760 --> 00:17:09,159 Speaker 1: she is doing something that I thought was very smart 285 00:17:09,560 --> 00:17:12,399 Speaker 1: where she's still playing you know what happened in the 286 00:17:12,480 --> 00:17:16,320 Speaker 1: last episode, in the episode before that, and carrying it 287 00:17:16,359 --> 00:17:20,480 Speaker 1: through of she's trying to not speak up, you know, 288 00:17:20,480 --> 00:17:23,040 Speaker 1: when the whole defined gravity thing comes up, like she's 289 00:17:23,080 --> 00:17:25,560 Speaker 1: trying and then she doesn't really the thing that she 290 00:17:25,640 --> 00:17:29,400 Speaker 1: doesn't really talk bad about the whole already bus situation 291 00:17:29,440 --> 00:17:31,920 Speaker 1: in that first choreroom scene. No, she doesn't. But then 292 00:17:32,000 --> 00:17:41,560 Speaker 1: arties like, no, well already likes to just tell it 293 00:17:41,600 --> 00:17:45,600 Speaker 1: like it is. So then everybody gets in these wheelchairs 294 00:17:45,640 --> 00:17:47,760 Speaker 1: and we have this montage of people figuring out how 295 00:17:47,800 --> 00:17:53,879 Speaker 1: to use the wheelchairs. And if Beef stroken off on 296 00:17:54,520 --> 00:17:58,080 Speaker 1: Lea was absolutely she really gets it. Um between the 297 00:17:58,080 --> 00:18:03,200 Speaker 1: slushies and that I was like so gnarly, but it's 298 00:18:03,280 --> 00:18:06,880 Speaker 1: pretty Yeah, everybody in the wheel stress is very funny. Um. 299 00:18:08,160 --> 00:18:12,760 Speaker 1: And Tina, Tina's you know, playing the game, and she 300 00:18:12,800 --> 00:18:14,639 Speaker 1: talks to Already and says, you know, I just didn't 301 00:18:14,840 --> 00:18:16,000 Speaker 1: I have a lot of respect for you. Now, I 302 00:18:16,040 --> 00:18:19,320 Speaker 1: didn't realize how hard this was. And um, I don't 303 00:18:19,320 --> 00:18:21,520 Speaker 1: think that Tina really had to justify she wasn't really 304 00:18:21,520 --> 00:18:25,280 Speaker 1: the one who was, you know, being insensitive towards him anyway. 305 00:18:25,359 --> 00:18:31,159 Speaker 1: But I digress. Um. And you share about your car 306 00:18:31,200 --> 00:18:37,280 Speaker 1: accident and yeah, I'd say that it was um car 307 00:18:37,320 --> 00:18:43,000 Speaker 1: accident with my mother. Um. And people have pointed out 308 00:18:43,040 --> 00:18:47,439 Speaker 1: that the age doesn't match up, like how old I 309 00:18:47,480 --> 00:18:51,160 Speaker 1: am and how old I was at the time, and 310 00:18:52,240 --> 00:18:59,640 Speaker 1: that doesn't really matter. Conne afterwards, Oh boy, um, already, 311 00:18:59,640 --> 00:19:02,320 Speaker 1: what did you say? Kevin M But I want to 312 00:19:02,320 --> 00:19:04,640 Speaker 1: be very clear. I still have the use of my penis, 313 00:19:05,119 --> 00:19:07,800 Speaker 1: which is important. Yeah, I wanted her to know. You know, 314 00:19:07,840 --> 00:19:11,920 Speaker 1: when you're a teenager and he's presumably getting his first 315 00:19:11,920 --> 00:19:18,679 Speaker 1: crush on the super hot Tina that he you know 316 00:19:18,840 --> 00:19:20,919 Speaker 1: what matters at that age. It's like you want to 317 00:19:21,640 --> 00:19:23,960 Speaker 1: feel competitive with all the other guys that you could 318 00:19:23,960 --> 00:19:29,720 Speaker 1: be dating or hooking up with, and way to break 319 00:19:29,760 --> 00:19:32,679 Speaker 1: the the mood. It got a little serious, you know, 320 00:19:33,040 --> 00:19:37,000 Speaker 1: just al that's already having no game but already actually 321 00:19:37,000 --> 00:19:39,840 Speaker 1: has a lot of game. I think, well, yeah, that 322 00:19:39,920 --> 00:19:43,640 Speaker 1: was the creating a monster here, because then already goes 323 00:19:43,760 --> 00:19:51,280 Speaker 1: on to just crush um. So we get, all right, 324 00:19:51,560 --> 00:19:53,320 Speaker 1: how do we how do we break this down? There's 325 00:19:53,320 --> 00:19:56,000 Speaker 1: a lot that comes up. So what's going on here 326 00:19:56,040 --> 00:20:00,560 Speaker 1: as well? So we've met Becky at the bakes. The 327 00:20:00,560 --> 00:20:03,640 Speaker 1: other storyline sort of within this, within this as well, 328 00:20:04,280 --> 00:20:09,840 Speaker 1: is while Shoe is trying to get Figgins to you know, 329 00:20:10,080 --> 00:20:13,119 Speaker 1: give him more money for for the for the bus, 330 00:20:13,160 --> 00:20:16,600 Speaker 1: for the bus, for handicapped ramps around the school. Whilst 331 00:20:16,760 --> 00:20:21,160 Speaker 1: rams around the school, um, he brings in um sue 332 00:20:21,480 --> 00:20:27,160 Speaker 1: because he's inspired. Figgins is inspired because it's free. UM. 333 00:20:27,280 --> 00:20:32,560 Speaker 1: By this inclusion of everyone. So Figgins then forces Sue 334 00:20:32,640 --> 00:20:36,320 Speaker 1: to hold auditions and she has to pick somebody who 335 00:20:36,359 --> 00:20:42,560 Speaker 1: she wouldn't normally and so through these incredible bring it 336 00:20:42,600 --> 00:20:46,600 Speaker 1: on like auditions, I was gonna say, yeah, can we 337 00:20:46,720 --> 00:20:48,760 Speaker 1: do that all the time? Can they just do a 338 00:20:48,840 --> 00:20:51,560 Speaker 1: show like that where we can just watch auditions happen? 339 00:20:51,640 --> 00:20:54,760 Speaker 1: Because this was my favorite. We also this is this 340 00:20:54,840 --> 00:20:59,640 Speaker 1: is the second shot. Now we see of Um with 341 00:20:59,640 --> 00:21:05,919 Speaker 1: Fink fastly think by Um Kurt as the wrestler, and 342 00:21:05,960 --> 00:21:08,400 Speaker 1: then she she's now auditioning here, but she comes back 343 00:21:08,440 --> 00:21:11,399 Speaker 1: in for you astute glee fans to come back to 344 00:21:11,400 --> 00:21:14,320 Speaker 1: be part of the glee club. Later on Lawrence, I 345 00:21:14,440 --> 00:21:18,760 Speaker 1: sees Um brought in. Okay, So so the tryouts with 346 00:21:18,800 --> 00:21:27,480 Speaker 1: the cheerios, Um, it's funny, they're funny Ambers auditions, Hey, Mike, 347 00:21:27,520 --> 00:21:30,840 Speaker 1: you only Chris is UM this. I think the baton 348 00:21:31,040 --> 00:21:35,520 Speaker 1: twirling was a thing inspired by Chris's size swords that 349 00:21:35,600 --> 00:21:38,720 Speaker 1: he twirls all the time, and he's been doing it 350 00:21:38,720 --> 00:21:40,959 Speaker 1: for years and he's very good at it. It's very scary. 351 00:21:41,119 --> 00:21:46,480 Speaker 1: It's like small swords. UM. And and then that very 352 00:21:46,680 --> 00:21:53,879 Speaker 1: lanky man who did that very weird CONTORTIONISTUM audition again, 353 00:21:54,560 --> 00:21:57,560 Speaker 1: I like to call it an audition, not to try out. Uh. 354 00:21:57,600 --> 00:22:02,320 Speaker 1: And then we have Becky Jackson and well we don't 355 00:22:02,359 --> 00:22:06,880 Speaker 1: know is that obviously Sue has a sister who has 356 00:22:06,880 --> 00:22:10,439 Speaker 1: Down syndrome as well, and Shoe thinks that she's up 357 00:22:10,480 --> 00:22:14,320 Speaker 1: to something when she um says that Becky Jackson has 358 00:22:14,359 --> 00:22:17,720 Speaker 1: made the team and was married. I mean, and and 359 00:22:17,840 --> 00:22:23,199 Speaker 1: Schuster is worried and we're missing something I thought. I 360 00:22:23,200 --> 00:22:27,960 Speaker 1: thought the storyline was so good, um and done so well. 361 00:22:28,040 --> 00:22:32,560 Speaker 1: And Jane was absolutely absolutely incredible. And for people who 362 00:22:32,640 --> 00:22:36,080 Speaker 1: are used to seeing Jane as Sylvester or if you 363 00:22:36,119 --> 00:22:38,960 Speaker 1: watch her and anything else, she's like Mazel where she 364 00:22:39,080 --> 00:22:42,880 Speaker 1: plays the sort of tough character. The real Jane Lynch 365 00:22:43,359 --> 00:22:47,600 Speaker 1: is Sue that walks into the room to see her sister. 366 00:22:48,480 --> 00:22:51,120 Speaker 1: That is how she greets you in real life. That 367 00:22:51,240 --> 00:22:57,360 Speaker 1: is is calm, calm, inviting, so happy to see you. UM. 368 00:22:57,400 --> 00:23:01,520 Speaker 1: And that scene is so beautiful and um, they are 369 00:23:01,600 --> 00:23:05,679 Speaker 1: both so so good in that. I know, and Robin 370 00:23:06,080 --> 00:23:12,639 Speaker 1: who um has passed away sadly, UM, but you know 371 00:23:12,760 --> 00:23:16,960 Speaker 1: she will. She will make appearances in multiple other episodes 372 00:23:17,000 --> 00:23:20,560 Speaker 1: with Jane as well. And every time it's just um, 373 00:23:20,640 --> 00:23:24,480 Speaker 1: just so beautifully done and shot and performed so and 374 00:23:24,480 --> 00:23:27,160 Speaker 1: in a really nice addition, well this is and this 375 00:23:27,240 --> 00:23:29,080 Speaker 1: is the first time that we actually get to see 376 00:23:29,160 --> 00:23:33,639 Speaker 1: exactly this is like we're humanizing the villain, which at 377 00:23:33,720 --> 00:23:35,320 Speaker 1: this point you kind of had to do a little bit. 378 00:23:35,359 --> 00:23:37,320 Speaker 1: We did. We saw a little bit with rod you know, 379 00:23:37,320 --> 00:23:41,280 Speaker 1: Remington where she was trying and now we see like 380 00:23:41,359 --> 00:23:44,120 Speaker 1: this kind of more very very human side of hers. 381 00:23:44,160 --> 00:23:46,399 Speaker 1: And I think it's nice to see it was it 382 00:23:46,480 --> 00:23:49,760 Speaker 1: was done so well, and I love that, you know, 383 00:23:49,760 --> 00:23:52,160 Speaker 1: it'sn't something that's brought up once and never mentioned again. 384 00:23:52,320 --> 00:23:55,520 Speaker 1: It's something that is recurring through the entire show and 385 00:23:56,800 --> 00:23:59,920 Speaker 1: um and I think it impacted people in real life 386 00:24:00,040 --> 00:24:03,119 Speaker 1: a lot, and it was nice to get you know, 387 00:24:03,200 --> 00:24:06,280 Speaker 1: in one episode two people with um down syndrome who 388 00:24:06,280 --> 00:24:12,600 Speaker 1: were incredible actors and um yeah yeah, I just I 389 00:24:12,640 --> 00:24:14,920 Speaker 1: again had to like look away so I didn't start 390 00:24:14,960 --> 00:24:22,199 Speaker 1: crying during its um alright, So so within that, like 391 00:24:22,280 --> 00:24:25,560 Speaker 1: that's the other storyline, within the bigger storyline. But we 392 00:24:25,680 --> 00:24:29,840 Speaker 1: go back to the Big Sale, right, and they have 393 00:24:29,960 --> 00:24:33,240 Speaker 1: the Big Sale, and we obviously know that Puck is 394 00:24:33,280 --> 00:24:36,520 Speaker 1: the father and he he wants Quinn and he wants 395 00:24:36,560 --> 00:24:42,720 Speaker 1: to show up, so he's going to do something bad 396 00:24:43,119 --> 00:24:49,679 Speaker 1: and he goes to Sandy Royerson and um he gets 397 00:24:49,800 --> 00:24:55,800 Speaker 1: his uh the chronic the chronic lady, the chronic lady, 398 00:24:56,080 --> 00:24:59,879 Speaker 1: and he bakes them into the cupcakes. Because this is 399 00:25:00,160 --> 00:25:04,560 Speaker 1: this goes into the the love triangle sort of of 400 00:25:05,119 --> 00:25:10,040 Speaker 1: the Quinn, Finn and Puck, where they're both Finn and 401 00:25:10,080 --> 00:25:14,760 Speaker 1: Puck are both vying for the attention of Quinn, trying 402 00:25:14,760 --> 00:25:17,600 Speaker 1: to show that they can step up and be fathers 403 00:25:17,680 --> 00:25:22,399 Speaker 1: to this unborn baby, and we're Finn is failing at 404 00:25:22,480 --> 00:25:24,680 Speaker 1: a comical level. He can't get hired as a bus 405 00:25:24,680 --> 00:25:31,760 Speaker 1: boy because he's too tall. Um um uh yeah, what 406 00:25:31,800 --> 00:25:35,360 Speaker 1: he knows how to do. And he ends up raising 407 00:25:36,240 --> 00:25:40,600 Speaker 1: a lot of twelve in the big sale um and 408 00:25:41,040 --> 00:25:44,560 Speaker 1: takes some of it and gives it to Quinn and 409 00:25:44,600 --> 00:25:48,640 Speaker 1: she refuses it. But at that same time Finn shows 410 00:25:48,760 --> 00:25:52,879 Speaker 1: up and it's like, I got a job. This also 411 00:25:52,920 --> 00:25:56,120 Speaker 1: a contention for charity takes of things at an age 412 00:25:56,119 --> 00:26:01,960 Speaker 1: well of of Finn and Rachel going in say he's 413 00:26:01,960 --> 00:26:05,399 Speaker 1: in a wheelchair to get a job, and he had 414 00:26:05,480 --> 00:26:07,439 Speaker 1: staying the saying the wheelchair the whole time. He has 415 00:26:07,440 --> 00:26:11,680 Speaker 1: the job, but you know, you know, also part of 416 00:26:11,680 --> 00:26:14,840 Speaker 1: the storyline is this incredible fight sequence in the hallway, 417 00:26:15,400 --> 00:26:18,080 Speaker 1: but with their we have more stunt doubles this time. 418 00:26:18,280 --> 00:26:21,119 Speaker 1: I remember watching this being shot. Why did we were 419 00:26:21,119 --> 00:26:23,080 Speaker 1: all there for this? We were I think we were 420 00:26:23,119 --> 00:26:27,160 Speaker 1: rehearsing for Proud Mary happened to be during this. We 421 00:26:27,160 --> 00:26:29,879 Speaker 1: were all in the stage right next door to the 422 00:26:29,920 --> 00:26:32,520 Speaker 1: mcchems set, and I remember I had to go shoot 423 00:26:32,720 --> 00:26:36,200 Speaker 1: dancing with myself in the hallway. Were there? I think 424 00:26:36,200 --> 00:26:40,360 Speaker 1: we were there for rehearsals and were running out and yeah, yeah, 425 00:26:40,440 --> 00:26:43,359 Speaker 1: they had. I thought it was a really well executed 426 00:26:43,440 --> 00:26:45,280 Speaker 1: fight sequence because you don't really you can't tell it's 427 00:26:45,320 --> 00:26:51,560 Speaker 1: the stunt doubles. He just wasn't the mohawk fake. And 428 00:26:51,920 --> 00:26:56,120 Speaker 1: also after this incredible Paris tells this incredible story about 429 00:26:57,040 --> 00:27:01,119 Speaker 1: UM the flower in the air from the sort of 430 00:27:01,240 --> 00:27:07,760 Speaker 1: cute food fight baking fight between UM where that scene 431 00:27:07,800 --> 00:27:11,000 Speaker 1: got shut down for a while because there was a 432 00:27:11,200 --> 00:27:18,360 Speaker 1: potential fire hazard risk discrepancy and because the fire yeah yeah, 433 00:27:18,480 --> 00:27:22,000 Speaker 1: yeah yeah, um so so okay, So Puck raises the 434 00:27:23,680 --> 00:27:29,399 Speaker 1: UM thanks to the munchies, and then we present that 435 00:27:29,480 --> 00:27:32,359 Speaker 1: money with two already for the bus so he can 436 00:27:32,440 --> 00:27:35,880 Speaker 1: ride with us the sectionals, and you decide that you're 437 00:27:35,880 --> 00:27:40,879 Speaker 1: going to do the bigger the bigger issue at hand 438 00:27:41,000 --> 00:27:44,119 Speaker 1: is the ramps at school, and you're going to donate 439 00:27:44,160 --> 00:27:47,760 Speaker 1: this money so that other kids can also benefit from 440 00:27:47,840 --> 00:27:50,440 Speaker 1: um from the ramps who are in wheelchairs as well. 441 00:27:50,520 --> 00:27:54,120 Speaker 1: So those very kind of you already, and and then 442 00:27:54,320 --> 00:27:59,840 Speaker 1: you you make Tina with that that very generous move in, 443 00:28:00,200 --> 00:28:05,600 Speaker 1: and you make Tina fall in love with you, just 444 00:28:05,640 --> 00:28:10,359 Speaker 1: like real life Jenna, Yeah, exactly. And so Tina and 445 00:28:10,400 --> 00:28:13,879 Speaker 1: already now go on their date together, and we're in 446 00:28:13,920 --> 00:28:17,240 Speaker 1: the hallway, in the very dark hallway again. I don't 447 00:28:17,240 --> 00:28:19,800 Speaker 1: know what we're doing there that late at night, but 448 00:28:20,000 --> 00:28:23,439 Speaker 1: here we are. And the first scene we shot for 449 00:28:23,520 --> 00:28:27,200 Speaker 1: this episode, I feel like it was very early on, yes, 450 00:28:27,359 --> 00:28:29,520 Speaker 1: and I remember being nervous about it because it was 451 00:28:29,600 --> 00:28:31,720 Speaker 1: so early into the opposite. I think it was the 452 00:28:31,720 --> 00:28:35,200 Speaker 1: first scene we shot of our storyline, and I remember 453 00:28:35,240 --> 00:28:38,560 Speaker 1: you and I walking to stage working on our lines, 454 00:28:38,720 --> 00:28:42,480 Speaker 1: working on our lines. We were both very nervous. And also, 455 00:28:43,320 --> 00:28:46,240 Speaker 1: you know, when it's a an intimate scene like this, 456 00:28:46,280 --> 00:28:49,120 Speaker 1: there's two people, it's very quiet. You have all that 457 00:28:49,200 --> 00:28:53,880 Speaker 1: crew who probably aren't paying attention to you because they're 458 00:28:54,040 --> 00:28:56,280 Speaker 1: staring as it feels like there's a hundred people just 459 00:28:56,400 --> 00:29:01,080 Speaker 1: watching you. And Paris is very intimidating. And I also 460 00:29:01,560 --> 00:29:05,160 Speaker 1: this very shortly. I mean, I think this was when 461 00:29:05,160 --> 00:29:08,080 Speaker 1: I found out, like the night before, this is when 462 00:29:08,080 --> 00:29:11,280 Speaker 1: I found out that the stutter was fake. So up 463 00:29:11,360 --> 00:29:15,800 Speaker 1: until this point, I thought the stutter was real. And 464 00:29:15,920 --> 00:29:20,760 Speaker 1: so this changed my whole I was like, oh my god, 465 00:29:21,000 --> 00:29:23,800 Speaker 1: like and and there were pros and cons to it, 466 00:29:23,960 --> 00:29:27,680 Speaker 1: right because it at one point. I never never wanted 467 00:29:27,720 --> 00:29:30,840 Speaker 1: it to feel like I was making fun of a 468 00:29:30,920 --> 00:29:33,520 Speaker 1: person with the who you know has a stutter or 469 00:29:33,720 --> 00:29:37,640 Speaker 1: experienced a stutter. And um, I really took it seriously. 470 00:29:37,720 --> 00:29:41,040 Speaker 1: I did research. I um because Tina actually had tourettes 471 00:29:41,240 --> 00:29:43,480 Speaker 1: to start with, and then they cut that from her 472 00:29:43,560 --> 00:29:45,960 Speaker 1: character and just made it a stutter. And Ian Brennan 473 00:29:46,040 --> 00:29:49,520 Speaker 1: was super excited to tell me about this because, UM, 474 00:29:49,600 --> 00:29:52,240 Speaker 1: he thought I would be excited. I think to have 475 00:29:52,360 --> 00:29:56,200 Speaker 1: this like new layer, UM revealed that we all have 476 00:29:56,320 --> 00:29:59,160 Speaker 1: these like secrets now right, you get to see like 477 00:29:59,240 --> 00:30:01,920 Speaker 1: a deeper layer of Tina and why she did what 478 00:30:02,080 --> 00:30:04,360 Speaker 1: she did. Um, And this is when I kind of 479 00:30:04,360 --> 00:30:07,400 Speaker 1: came up with the the notion of Tina being an 480 00:30:07,480 --> 00:30:09,600 Speaker 1: onion because we didn't see a lot of her and 481 00:30:09,720 --> 00:30:12,400 Speaker 1: to begin with, and so now we're like, we're pulling 482 00:30:12,440 --> 00:30:15,640 Speaker 1: back each layer of her and as we get deeper 483 00:30:15,680 --> 00:30:17,680 Speaker 1: into the season's obviously she comes out with like a 484 00:30:17,680 --> 00:30:21,840 Speaker 1: lot of crazy but earlier and now we get we 485 00:30:21,920 --> 00:30:26,360 Speaker 1: get to see more of her storyline, backstory and who 486 00:30:26,400 --> 00:30:31,320 Speaker 1: she is. So I mean it was also really interesting too. 487 00:30:31,880 --> 00:30:33,480 Speaker 1: All of a sudden, it's like, oh, here's someone that 488 00:30:33,520 --> 00:30:36,360 Speaker 1: we thought we knew, and here's someone you thought you 489 00:30:36,400 --> 00:30:38,920 Speaker 1: knew that you've been playing right, And then it also 490 00:30:38,960 --> 00:30:42,480 Speaker 1: gave you know, Alreadie and Tina conflict and agency to 491 00:30:42,600 --> 00:30:45,600 Speaker 1: be like I thought it was very valid. The way 492 00:30:45,600 --> 00:30:48,280 Speaker 1: I already felt about it, it was like no bitch, 493 00:30:49,320 --> 00:30:51,920 Speaker 1: I was. I was also like, no, give her a chance. 494 00:30:53,840 --> 00:30:56,000 Speaker 1: I know. I was like, this was so short lived, 495 00:30:56,440 --> 00:30:59,800 Speaker 1: so short lived. Anyway, Um, then we kiss, you know, 496 00:31:00,160 --> 00:31:04,800 Speaker 1: kids important thing. It felt like, I mean, it's like 497 00:31:04,880 --> 00:31:08,240 Speaker 1: everybody's watching, but at the same time, like it didn't 498 00:31:08,320 --> 00:31:11,520 Speaker 1: feel like anything because we didn't have to make out right, 499 00:31:11,680 --> 00:31:14,520 Speaker 1: it was like a sweet little and that'd be real. 500 00:31:14,560 --> 00:31:18,000 Speaker 1: It wasn't the first time. Really was this not the 501 00:31:18,000 --> 00:31:21,480 Speaker 1: first time? There's no way, Jenna alright, fine, I thought 502 00:31:21,520 --> 00:31:25,120 Speaker 1: that was later, but okay, right, Um, I just assume 503 00:31:25,240 --> 00:31:29,240 Speaker 1: like there's no way maybe. And what I mean is 504 00:31:29,480 --> 00:31:37,680 Speaker 1: Jenna and I, I mean, nobody needs to know. This 505 00:31:37,840 --> 00:31:40,280 Speaker 1: is what I mean is like we would all kiss 506 00:31:40,320 --> 00:31:43,440 Speaker 1: each other as friends. Yeah, yeah, it's it's Jenna and 507 00:31:43,440 --> 00:31:46,760 Speaker 1: I weren't having some steamy affair. That's not what I mean. 508 00:31:46,840 --> 00:31:50,440 Speaker 1: Like we would, you know what, those partying days, we'd 509 00:31:50,440 --> 00:31:54,720 Speaker 1: all just like kiss each other kissed. He also was innocent, Um, 510 00:31:55,240 --> 00:31:56,960 Speaker 1: but no, yeah, you're right, it probably wasn't the first 511 00:31:56,960 --> 00:32:01,040 Speaker 1: time kissed. And uh, it was just weird that everybody 512 00:32:01,080 --> 00:32:02,680 Speaker 1: was watching any new millions of people were going to 513 00:32:02,720 --> 00:32:04,840 Speaker 1: watch That is very strange to think about because at 514 00:32:04,880 --> 00:32:06,600 Speaker 1: that point to you like, you know, how many millions 515 00:32:06,640 --> 00:32:08,560 Speaker 1: of people are going to be watching it? Mm hmm. 516 00:32:08,640 --> 00:32:10,880 Speaker 1: And it's such a short scene to feel like I was, 517 00:32:10,920 --> 00:32:14,080 Speaker 1: so we were so nervous about it. But it was 518 00:32:14,120 --> 00:32:18,360 Speaker 1: the first like grounded scene that we had ever done. Yea, 519 00:32:19,280 --> 00:32:20,920 Speaker 1: and you get to see more of both of us, 520 00:32:21,160 --> 00:32:24,560 Speaker 1: both of our characters, so it was nice. Um. And 521 00:32:24,600 --> 00:32:28,560 Speaker 1: then the end of this storyline is Obviously everybody is 522 00:32:29,720 --> 00:32:36,360 Speaker 1: more empathetic towards Artie. We are celebrating you, um, and 523 00:32:37,200 --> 00:32:40,760 Speaker 1: we do pred Mary and proud Mary was. I was 524 00:32:40,760 --> 00:32:44,240 Speaker 1: watching this number with such joy last night. I think 525 00:32:44,240 --> 00:32:48,200 Speaker 1: I cried like four times watching this number. Um from 526 00:32:48,600 --> 00:32:51,880 Speaker 1: laughter from remembering people falling all over the place. Our 527 00:32:52,000 --> 00:32:57,720 Speaker 1: arms were so sore the next day, and also um 528 00:32:57,760 --> 00:33:00,719 Speaker 1: remembering having having to do all these background vocals and 529 00:33:00,800 --> 00:33:04,760 Speaker 1: like lip sync them correctly, and it was it was 530 00:33:04,800 --> 00:33:07,480 Speaker 1: a lot. It was a lot. I remember the recording 531 00:33:07,520 --> 00:33:10,280 Speaker 1: of it a lot. Yes, I wasn't originally supposed to 532 00:33:10,320 --> 00:33:14,920 Speaker 1: do that good job. Remember this, and I think you're like, oh, 533 00:33:14,960 --> 00:33:17,120 Speaker 1: I have to do that. I think was supposed to 534 00:33:17,160 --> 00:33:20,080 Speaker 1: do it, but it was too low or something like that, 535 00:33:20,160 --> 00:33:22,920 Speaker 1: and so then they had also like storyline wise, it 536 00:33:23,000 --> 00:33:24,920 Speaker 1: made sense for you to do it. Yeah, So I 537 00:33:25,000 --> 00:33:26,320 Speaker 1: think it worked out. I think it was just sort 538 00:33:26,320 --> 00:33:28,040 Speaker 1: of one of those things that they had an idea 539 00:33:28,200 --> 00:33:32,160 Speaker 1: and then didn't pan out. But Zach did an incredible job. 540 00:33:34,880 --> 00:33:36,680 Speaker 1: We all were like I can't do that, I can't 541 00:33:36,680 --> 00:33:39,400 Speaker 1: do that move, and he would be like, okay, guys, 542 00:33:39,720 --> 00:33:43,400 Speaker 1: let's do this instead. And the shaky um thing was 543 00:33:43,440 --> 00:33:46,480 Speaker 1: our favorite. That was our favorite move to do because 544 00:33:46,480 --> 00:33:49,239 Speaker 1: it was the easiest. I loved getting to record this 545 00:33:49,320 --> 00:33:51,959 Speaker 1: with you and Amber. Do you remember when we were 546 00:33:52,040 --> 00:33:54,600 Speaker 1: all sitting in the recording studio and Adam was like, 547 00:33:54,920 --> 00:33:58,920 Speaker 1: m okay, let's just try this. We don't really know 548 00:33:59,000 --> 00:34:02,080 Speaker 1: because remember we did get a demo. That's one of 549 00:34:02,080 --> 00:34:03,760 Speaker 1: the only songs we can get a demo for, And 550 00:34:03,840 --> 00:34:06,960 Speaker 1: so I didn't know what the version was going to be, 551 00:34:07,000 --> 00:34:09,680 Speaker 1: and like, how am I going to sing? Can I 552 00:34:09,680 --> 00:34:15,120 Speaker 1: sing that low? We're just kind of throwing things against 553 00:34:16,160 --> 00:34:18,200 Speaker 1: and that number really goes down in history as one 554 00:34:18,200 --> 00:34:25,160 Speaker 1: of my favorite numbers to do. Watch and remember. Um okay. So, 555 00:34:25,160 --> 00:34:28,080 Speaker 1: so we're missing a big storyline here so far that 556 00:34:28,120 --> 00:34:31,360 Speaker 1: we have not talked about, and it is the defying 557 00:34:31,400 --> 00:34:35,240 Speaker 1: gravity of it, the diva which we get to see. 558 00:34:36,239 --> 00:34:39,240 Speaker 1: I mean, this storyline is really Curt and Burt right again, 559 00:34:39,360 --> 00:34:41,840 Speaker 1: we get to see more of the amazing Michael Maalley 560 00:34:41,960 --> 00:34:45,560 Speaker 1: and curtain Burt's relationship really blossom and bloom. You understand 561 00:34:46,160 --> 00:34:49,040 Speaker 1: the two of them, and it's um a lot of 562 00:34:49,360 --> 00:34:52,920 Speaker 1: effing heart. Um again, this is like the heart of 563 00:34:52,960 --> 00:35:01,879 Speaker 1: the show. But h Kurt tells his dad that Um, well, 564 00:35:02,040 --> 00:35:04,040 Speaker 1: Mr Shoo picks the song to find gravity and obviously 565 00:35:04,040 --> 00:35:07,160 Speaker 1: it's going to Rachel, right, but Kurt thought it was 566 00:35:07,160 --> 00:35:09,799 Speaker 1: going to him, and he's upset. Mr She doesn't learn. 567 00:35:10,120 --> 00:35:12,960 Speaker 1: Mr She was just like, I'm not gonna here's here's 568 00:35:12,960 --> 00:35:14,400 Speaker 1: the song, and this is who's doing it, and it's 569 00:35:14,480 --> 00:35:17,880 Speaker 1: Rachel again. And Mercedes isn't happy because she's like what 570 00:35:18,000 --> 00:35:21,200 Speaker 1: the hell? And Kurt is sitting there sort of pensive. 571 00:35:23,280 --> 00:35:27,000 Speaker 1: So he tells Bert in the in his tire store 572 00:35:27,160 --> 00:35:34,440 Speaker 1: or tire shop, which I also was like, oh wheels, Jenna, Jenna. Um, 573 00:35:36,160 --> 00:35:39,840 Speaker 1: I really it took till two for me to figure 574 00:35:39,880 --> 00:35:43,920 Speaker 1: that out. Um. Kurt tells Bert that he wanted the 575 00:35:43,960 --> 00:35:48,040 Speaker 1: solo but he's not considered because it's, you know, performed 576 00:35:48,200 --> 00:35:51,440 Speaker 1: by a woman. And Bert says, well, you sing like 577 00:35:51,440 --> 00:35:54,600 Speaker 1: a girl, you know, in a good way. Um. But 578 00:35:54,719 --> 00:35:57,920 Speaker 1: Mr Hamwill gets really upset. Bert goes to Mr. Principal 579 00:35:57,960 --> 00:36:02,400 Speaker 1: Figgins and Mr. She was like, look, I can't give 580 00:36:02,520 --> 00:36:07,680 Speaker 1: him the part, but we could do a stay off 581 00:36:08,239 --> 00:36:10,879 Speaker 1: or a tryout, right, we let an audition for it. 582 00:36:11,840 --> 00:36:18,200 Speaker 1: This montage of Kurt doing the warm up um, and 583 00:36:18,239 --> 00:36:25,879 Speaker 1: then the phone call is brilliant and heartbreaking and one 584 00:36:25,920 --> 00:36:30,440 Speaker 1: of my favorite of the most tragic moments of the show, 585 00:36:30,800 --> 00:36:37,360 Speaker 1: Like I was, it hits so hard and it really 586 00:36:37,560 --> 00:36:39,960 Speaker 1: it brought again it like brought it back down to 587 00:36:40,000 --> 00:36:42,800 Speaker 1: the ground nous of like what Paris is talking about, 588 00:36:43,000 --> 00:36:45,920 Speaker 1: like bringing into the social issues and the truth in 589 00:36:46,120 --> 00:36:49,239 Speaker 1: the show. And he gets an anonymous phone call saying 590 00:36:49,239 --> 00:36:52,680 Speaker 1: that his son is fact, which is horrible, and like 591 00:36:52,760 --> 00:36:57,200 Speaker 1: what a balance of writing and music, like the scoring 592 00:36:57,320 --> 00:37:01,400 Speaker 1: and the directing of these storylines are all quite different 593 00:37:01,880 --> 00:37:05,719 Speaker 1: and are all boiling at different emotions, and you get 594 00:37:05,719 --> 00:37:07,160 Speaker 1: to that phone call and all of a sudden, this 595 00:37:07,400 --> 00:37:11,360 Speaker 1: feels eerie and dark and troubling, and like in the 596 00:37:11,440 --> 00:37:13,800 Speaker 1: middle of Glee episode where it doesn't you don't normally 597 00:37:14,560 --> 00:37:20,200 Speaker 1: feel that. And Michael Malley, who played Bert, is just 598 00:37:20,480 --> 00:37:25,560 Speaker 1: so so good and he and Chris are both very 599 00:37:25,640 --> 00:37:29,959 Speaker 1: serious actors and take it very seriously and are trying 600 00:37:30,000 --> 00:37:31,839 Speaker 1: to understand where the characters are coming from. And it's 601 00:37:31,840 --> 00:37:34,920 Speaker 1: like every time Bert opens his mouth, you know the 602 00:37:34,960 --> 00:37:37,520 Speaker 1: amount of work and thought that went into that. Yes, 603 00:37:37,640 --> 00:37:40,600 Speaker 1: you would like see Michael Malley every very few like 604 00:37:40,680 --> 00:37:42,360 Speaker 1: the few amount of times that we actually got to 605 00:37:42,400 --> 00:37:44,759 Speaker 1: work with Mike you' always see him in rehearsal, like 606 00:37:44,840 --> 00:37:49,759 Speaker 1: working through it still, like really digging deep into like 607 00:37:49,840 --> 00:37:53,239 Speaker 1: why he's there and what he's doing. And um, and 608 00:37:53,760 --> 00:37:56,399 Speaker 1: I believe that they made each other better actors as well, 609 00:37:56,480 --> 00:38:02,680 Speaker 1: because they're both so excellent at the top of their game. Um. So, uh, 610 00:38:02,880 --> 00:38:05,880 Speaker 1: we have the first Diva off. We have our first 611 00:38:06,320 --> 00:38:10,239 Speaker 1: Diva off and it's a Divine Gravity. Which have you 612 00:38:10,239 --> 00:38:12,680 Speaker 1: heard the song before? Kevin? No, I hadn't heard the 613 00:38:12,719 --> 00:38:18,800 Speaker 1: song before dinner. God. Yeah, I hadn't heard the actual 614 00:38:19,000 --> 00:38:23,240 Speaker 1: version of this song until we did it, maybe after 615 00:38:23,440 --> 00:38:26,960 Speaker 1: years ago. So we okay. So the only version of 616 00:38:27,040 --> 00:38:29,880 Speaker 1: behind Gravity you knew was Kurt was Leah and and 617 00:38:29,960 --> 00:38:35,000 Speaker 1: Chris and then Amber as well. I only pop version, 618 00:38:35,840 --> 00:38:38,400 Speaker 1: that's really I didn't know. And then I went and 619 00:38:38,440 --> 00:38:45,920 Speaker 1: saw Wicked on Broadway, uh, with Jackie and Jeff and 620 00:38:46,200 --> 00:38:52,799 Speaker 1: friend Jackie and jack and I. The song happens, you know, 621 00:38:52,840 --> 00:38:56,759 Speaker 1: in the actual stage musical, and I hadn't realized. I 622 00:38:56,800 --> 00:38:58,200 Speaker 1: was on the edge of my feet, I mean on 623 00:38:58,239 --> 00:39:01,919 Speaker 1: the edge of my feet, mouth open, tears down my face. 624 00:39:01,960 --> 00:39:08,080 Speaker 1: I was like, oh, now I get it. I gotta 625 00:39:08,080 --> 00:39:12,440 Speaker 1: listen to Wicked today. Now it's so excited, magical theater 626 00:39:12,520 --> 00:39:16,240 Speaker 1: experience I've ever had. And I looked over and Austin 627 00:39:16,640 --> 00:39:20,000 Speaker 1: was just staring at me, smiling, crying. He's like, I 628 00:39:20,080 --> 00:39:24,320 Speaker 1: was waiting for this moment, proud moment. I had no idea. Yeah, 629 00:39:24,640 --> 00:39:27,799 Speaker 1: so I'm well, I'm glad you you've made your way 630 00:39:27,800 --> 00:39:33,440 Speaker 1: around to the Broadway. It couldn't be happier. Um, Kurt 631 00:39:33,680 --> 00:39:37,120 Speaker 1: makes everybody promise. He says, we all know I'm more 632 00:39:37,160 --> 00:39:40,000 Speaker 1: popular than Rachel and I dress better than her, which 633 00:39:40,040 --> 00:39:41,960 Speaker 1: is true. But I want you all to promise me 634 00:39:42,000 --> 00:39:44,360 Speaker 1: that you're going to vote for whoever sings the song better. 635 00:39:45,280 --> 00:39:50,440 Speaker 1: And then he does the unthinkable. He throws it. He 636 00:39:50,480 --> 00:39:54,120 Speaker 1: throws it on this beautifully shot number where we talked 637 00:39:54,160 --> 00:39:59,200 Speaker 1: with Paris about moving, going behind the back road the transitions. Um, yeah, 638 00:39:59,239 --> 00:40:03,040 Speaker 1: he intends, really bombs on the high note. And because 639 00:40:03,320 --> 00:40:10,799 Speaker 1: has this really really beautiful moment with Bert, and he said, UM, like, 640 00:40:10,880 --> 00:40:12,600 Speaker 1: I'm not saying I'm going to hiden the closet. I'm 641 00:40:12,600 --> 00:40:14,200 Speaker 1: proud of who him. I'm just saying that I love 642 00:40:14,239 --> 00:40:17,160 Speaker 1: you more than I love being a star. Because he's 643 00:40:17,239 --> 00:40:23,200 Speaker 1: used to the insults, but Bert isn't. And so he's 644 00:40:24,000 --> 00:40:27,640 Speaker 1: taking the time for them both to grow together into 645 00:40:28,239 --> 00:40:31,319 Speaker 1: you know, Kurt as an out gay man. I don't 646 00:40:31,320 --> 00:40:33,600 Speaker 1: think I ever asked you this, Kevin, did you were 647 00:40:33,640 --> 00:40:36,839 Speaker 1: you like, I know, you were so close to it, 648 00:40:36,920 --> 00:40:39,239 Speaker 1: so maybe it's too close for comfort, But like, were 649 00:40:39,239 --> 00:40:42,960 Speaker 1: you affected by these storylines like as a gay man, 650 00:40:43,160 --> 00:40:46,120 Speaker 1: or like was it just to kind of like in 651 00:40:46,160 --> 00:40:48,799 Speaker 1: the world, like intermixed in the world for you? Um, 652 00:40:50,560 --> 00:40:56,200 Speaker 1: I had a very hard time removing myself like from 653 00:40:56,239 --> 00:41:01,160 Speaker 1: so I appreciated it from the standpoint of I watched 654 00:41:01,200 --> 00:41:05,080 Speaker 1: a lot of gay media. There wasn't very much of 655 00:41:05,080 --> 00:41:07,319 Speaker 1: it at the time. I was always desperate for it, 656 00:41:07,360 --> 00:41:11,640 Speaker 1: So I I loved watching them act together. I love 657 00:41:11,719 --> 00:41:13,960 Speaker 1: that these were the scenes that were being seen on 658 00:41:14,000 --> 00:41:18,200 Speaker 1: network television. I understood the importance of that. I didn't 659 00:41:18,200 --> 00:41:25,120 Speaker 1: necessarily relate to Kurt as a person, um, but I 660 00:41:25,200 --> 00:41:30,279 Speaker 1: absolutely adored and was obsessed with these scenes and the storyline. 661 00:41:30,920 --> 00:41:34,719 Speaker 1: UM because this this didn't we were doing a lot 662 00:41:34,719 --> 00:41:38,440 Speaker 1: of things that didn't happen on network television. And I 663 00:41:38,520 --> 00:41:40,880 Speaker 1: was excited because I knew like the work I had 664 00:41:40,920 --> 00:41:43,319 Speaker 1: to do to try to find shows that had gay storylines, 665 00:41:43,880 --> 00:41:47,880 Speaker 1: and my parents will see this, you know, parents of kids, 666 00:41:47,960 --> 00:41:50,360 Speaker 1: gay kids. It was more like the you were feeling 667 00:41:50,400 --> 00:41:53,560 Speaker 1: like I'm a part of the impact of like what. 668 00:41:53,760 --> 00:41:56,960 Speaker 1: I was happy to be associated with a show that 669 00:41:57,040 --> 00:42:09,080 Speaker 1: was doing things like this. That makes sense, That makes sense. Um, 670 00:42:09,120 --> 00:42:12,000 Speaker 1: all right, so's the time for Tardy Takes. Yeah, that's 671 00:42:12,080 --> 00:42:15,680 Speaker 1: that's that's the episode. That's what else. I again, one 672 00:42:15,680 --> 00:42:18,839 Speaker 1: of our favorites, and obviously should be yours because obviously 673 00:42:18,920 --> 00:42:21,080 Speaker 1: there's only two songs in it. It's there's a lot 674 00:42:21,120 --> 00:42:24,239 Speaker 1: that happens in it though, and um, you get to 675 00:42:24,280 --> 00:42:26,839 Speaker 1: see a lot of everyone. It's yeah, you do, It's nice, 676 00:42:26,920 --> 00:42:30,600 Speaker 1: it's nice Tardy Takes. All right. So the cringe moment 677 00:42:30,719 --> 00:42:34,839 Speaker 1: ak we're calling them ou cheese now, thanks Paris. These 678 00:42:34,840 --> 00:42:40,480 Speaker 1: are the auchies and things that are cringe e Um, 679 00:42:40,520 --> 00:42:44,080 Speaker 1: I think I have to steal paris Is one about 680 00:42:45,600 --> 00:42:48,880 Speaker 1: Mr shooting Mercedes. Don't worry, We'll find something for you 681 00:42:48,960 --> 00:42:52,440 Speaker 1: to dip in chocolate. Yeah that there's no just doesn't 682 00:42:52,520 --> 00:42:59,240 Speaker 1: there's no coming back, no, no, we should just yeah. Okay, um, jail, 683 00:42:59,640 --> 00:43:05,839 Speaker 1: So the worst dance move was unseen. I think this 684 00:43:05,920 --> 00:43:11,800 Speaker 1: is okay. Imagine the ramp and imagine Amber coming around 685 00:43:11,800 --> 00:43:17,680 Speaker 1: the corner, so clipping the side. So picture of the ramps, 686 00:43:17,800 --> 00:43:20,960 Speaker 1: the stage ramp thing weren't two sizes right, there was 687 00:43:21,000 --> 00:43:23,239 Speaker 1: the upper level. Did you come down to like a 688 00:43:23,280 --> 00:43:26,279 Speaker 1: middle level and then you go down to the actual stage. 689 00:43:26,800 --> 00:43:30,160 Speaker 1: Amber was on the middle level trying to make a 690 00:43:30,239 --> 00:43:34,480 Speaker 1: turn from the side down to the main ramp. She 691 00:43:34,560 --> 00:43:37,480 Speaker 1: didn't make it. She clipped it the side at the 692 00:43:37,480 --> 00:43:44,400 Speaker 1: corner and she went flat sideways and she fell wheel. 693 00:43:45,200 --> 00:43:50,239 Speaker 1: Her side wheel is turning still. It was. It wasn't 694 00:43:50,280 --> 00:43:54,000 Speaker 1: funny because she was so upset, but he was. It 695 00:43:54,120 --> 00:44:00,360 Speaker 1: was also just like it was slow because none of 696 00:44:00,400 --> 00:44:04,320 Speaker 1: us were moving quickly in those wheelchairs on those ramps. Exactly. 697 00:44:05,000 --> 00:44:07,440 Speaker 1: Oh god, too many people felt okay, so that was 698 00:44:08,320 --> 00:44:11,040 Speaker 1: Leah had a Leah took a tumble as well. I 699 00:44:11,120 --> 00:44:13,840 Speaker 1: think on the actual I think it was in the 700 00:44:13,840 --> 00:44:20,240 Speaker 1: actual day of film that she just felt she went down, Um, 701 00:44:20,440 --> 00:44:24,240 Speaker 1: the best song I have to vote dancing with myself, 702 00:44:26,160 --> 00:44:28,919 Speaker 1: I would I think I would say Brad Mary Wow, 703 00:44:29,160 --> 00:44:31,840 Speaker 1: I just loved that so much. Yeah, and also you 704 00:44:31,840 --> 00:44:36,840 Speaker 1: wouldn't pick your own song so well, okay, but that 705 00:44:36,880 --> 00:44:39,080 Speaker 1: was all sound great together. We did, we did, we 706 00:44:39,120 --> 00:44:43,799 Speaker 1: sounded good. Best performance by a prop obviously the wheelchairs 707 00:44:46,239 --> 00:44:52,480 Speaker 1: or maybe the flower uh. And then things that h 708 00:44:52,560 --> 00:44:55,480 Speaker 1: well and didn't edge well. Um. So there's a line 709 00:44:55,600 --> 00:44:59,799 Speaker 1: Kevin where Quinn says, they're not going to buy you know, 710 00:45:00,440 --> 00:45:03,319 Speaker 1: bake goods from losers were in a wheelchair and we're 711 00:45:03,320 --> 00:45:08,800 Speaker 1: in Cleveland, and I was like, oh gosh, okay, alright, 712 00:45:10,320 --> 00:45:13,320 Speaker 1: they had some of those some of you glee club 713 00:45:13,440 --> 00:45:17,200 Speaker 1: folk had some words about the wheelchairs that were simply 714 00:45:17,239 --> 00:45:21,800 Speaker 1: not okay, not great. Um. And then the best line, 715 00:45:21,880 --> 00:45:25,200 Speaker 1: what do you think? Oh man, I think there's a lot. 716 00:45:25,719 --> 00:45:28,560 Speaker 1: I do like the line of already talking to Rachel, 717 00:45:28,880 --> 00:45:30,640 Speaker 1: I do take your irritating was the time we don't 718 00:45:30,680 --> 00:45:35,600 Speaker 1: take that personally? Um, but I sort of. There's also 719 00:45:35,680 --> 00:45:38,919 Speaker 1: the incredible line I don't want to give all them away. 720 00:45:38,960 --> 00:45:40,839 Speaker 1: So I don't know what yours is, but I think 721 00:45:40,920 --> 00:45:46,839 Speaker 1: mine was the burnt line of you seem like a girl, 722 00:45:47,160 --> 00:45:49,440 Speaker 1: you know, in a good way. Look, I don't know 723 00:45:49,440 --> 00:45:52,000 Speaker 1: how this music stuff works. I'm pretty exclusively committed to 724 00:45:52,040 --> 00:45:55,239 Speaker 1: my Melochamp collection. But isn't there more crossover nowadays? You know, 725 00:45:55,320 --> 00:45:58,200 Speaker 1: chicks doing construction, guys wearing dress shoes and no socks, 726 00:45:59,560 --> 00:46:02,759 Speaker 1: I think that's my and Chris's reaction to that was 727 00:46:02,800 --> 00:46:08,279 Speaker 1: also yes, really good. Um, okay, what do you got 728 00:46:08,320 --> 00:46:10,560 Speaker 1: for me, Kevin? This is ship we found on TikTok 729 00:46:10,600 --> 00:46:16,520 Speaker 1: this week. Um, this one is hilarious and very random. 730 00:46:16,560 --> 00:46:22,319 Speaker 1: So Alive Raves on TikTok Um has Yeah, Jenn, are 731 00:46:22,320 --> 00:46:25,040 Speaker 1: you watching it now? A theory that Harry Styles was 732 00:46:25,120 --> 00:46:31,680 Speaker 1: mimicking the one and only Finn Hudson dance moves the 733 00:46:31,719 --> 00:46:34,719 Speaker 1: stomp and like the shoulder move. You see Harry doing 734 00:46:34,760 --> 00:46:40,600 Speaker 1: that and it looks very familiar. I don't know if 735 00:46:40,640 --> 00:46:45,040 Speaker 1: there's a world in which it's related. That's really funny, 736 00:46:45,280 --> 00:46:48,839 Speaker 1: but it's fun to think like a little sixteen year 737 00:46:48,840 --> 00:46:52,160 Speaker 1: old Harry Styles just stomping very you know, very much 738 00:46:52,200 --> 00:46:58,560 Speaker 1: like Corey would do very good. Maybe Harry was a fan. 739 00:46:58,680 --> 00:47:02,240 Speaker 1: Apparently he came up, you know, with the name One Direction. 740 00:47:02,880 --> 00:47:06,279 Speaker 1: Sounds like New Directions. I don't know though, But do 741 00:47:06,320 --> 00:47:12,080 Speaker 1: you remember Simon cal being a big Glee fan because 742 00:47:12,239 --> 00:47:15,160 Speaker 1: we so. I sort of knew Simon because I would 743 00:47:15,200 --> 00:47:18,000 Speaker 1: go see American Idol tapings and talk to him with 744 00:47:18,120 --> 00:47:24,040 Speaker 1: Rob Stringer, who was the he's the chairman of Sony Records. Um, 745 00:47:24,080 --> 00:47:27,080 Speaker 1: in Columbia who we were signed with the Glee and 746 00:47:27,800 --> 00:47:30,400 Speaker 1: he would talk about how much he loved Glee and 747 00:47:30,440 --> 00:47:33,440 Speaker 1: how um impactful he thought it was and how important 748 00:47:33,440 --> 00:47:37,400 Speaker 1: he thought it wasn't what how important the work was doing, 749 00:47:38,080 --> 00:47:41,319 Speaker 1: you know, showing these songs to new audiences and demographics. 750 00:47:41,719 --> 00:47:43,920 Speaker 1: And so then we performed on X Factor in the 751 00:47:44,000 --> 00:47:48,319 Speaker 1: UK and he'll see there's pictures of us meeting one 752 00:47:48,320 --> 00:47:52,840 Speaker 1: direction back when they were on it, And I remember 753 00:47:54,000 --> 00:47:57,200 Speaker 1: Rob Stringer coming back and being like, and Ryan Dreg 754 00:47:57,280 --> 00:48:02,799 Speaker 1: why not Ryan Dante being like, why this Simon? Why 755 00:48:02,840 --> 00:48:05,520 Speaker 1: is Simon obsessed with you? It's like, he's not obsessed 756 00:48:05,520 --> 00:48:08,000 Speaker 1: with me. I know he's obsessed with Artie because he thinks, 757 00:48:08,440 --> 00:48:11,239 Speaker 1: you know, showing a kid who was in a wheelchair, um, 758 00:48:12,440 --> 00:48:15,359 Speaker 1: given the power of the music and the Glee Club 759 00:48:15,360 --> 00:48:19,200 Speaker 1: of being supported like that, that to him encapsulated what 760 00:48:19,480 --> 00:48:22,359 Speaker 1: was important about Glee, of showing the underdogs of people 761 00:48:22,360 --> 00:48:25,920 Speaker 1: who normally wouldn't get to be on network television and 762 00:48:26,000 --> 00:48:28,200 Speaker 1: seen by millions of people, and those stories being seen. 763 00:48:28,360 --> 00:48:30,280 Speaker 1: And so I really thought he was he was always 764 00:48:30,360 --> 00:48:34,200 Speaker 1: very supportive of the show. He was and I don't know, 765 00:48:34,480 --> 00:48:37,880 Speaker 1: maybe Harry Styles was a fan and he was poppy. 766 00:48:37,960 --> 00:48:46,080 Speaker 1: Finn Hudson's moves named after new directions. Who knows funny. Um, 767 00:48:46,200 --> 00:48:49,839 Speaker 1: well that's all we got for you. That's it. That's it, 768 00:48:51,120 --> 00:48:53,120 Speaker 1: that's the rest of the show. That's it. We're done 769 00:48:53,160 --> 00:48:56,400 Speaker 1: and I'm kidding. Thank you for joining us and listening 770 00:48:56,440 --> 00:48:58,960 Speaker 1: to We love that so we hope you enjoyed it 771 00:48:59,000 --> 00:49:02,080 Speaker 1: as well, and bously check out Paris's episode if you haven't. 772 00:49:02,680 --> 00:49:08,640 Speaker 1: Next week is Ballade valid. Also, by the way, um, 773 00:49:08,680 --> 00:49:11,440 Speaker 1: over the holidays, we kept turning out episodes, so if 774 00:49:11,440 --> 00:49:14,080 Speaker 1: you have not gone back to listen to get back there, 775 00:49:14,400 --> 00:49:18,600 Speaker 1: get back there and next miss recording. There's Kent Hammered, 776 00:49:18,600 --> 00:49:23,520 Speaker 1: Howard bambook he joined us. There's some Darren Chris as well, 777 00:49:24,000 --> 00:49:27,400 Speaker 1: so go back listen to those. Jenna, it was great fun. 778 00:49:28,000 --> 00:49:30,360 Speaker 1: It's been fun. It's been real. See you next week 779 00:49:30,480 --> 00:49:33,560 Speaker 1: and that's what you really missed. Thanks for listening and 780 00:49:33,680 --> 00:49:36,319 Speaker 1: follow us on Instagram at and that's what you really 781 00:49:36,320 --> 00:49:38,520 Speaker 1: miss pod. Make sure to write us a review and 782 00:49:38,600 --> 00:49:40,520 Speaker 1: leave us five stars. See you next time.