WEBVTT - Flash Back to Kevin Hart and Tiffany Haddish Interview and More

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<v Speaker 1>This room anywhere else, So your brother fright now, Yeah,

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<v Speaker 1>you get the world's most stagers want to shut up

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<v Speaker 1>the cameras. I didn't agree. It still isn't listen City

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<v Speaker 1>South with jan the captain of this speech, the only

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<v Speaker 1>one who can keep these guys in chat. Solomne God

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<v Speaker 1>is the breathless. Wake up, wake up. This is your

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<v Speaker 1>time to get it off your chest with your man

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<v Speaker 1>or Blas. We want to hear from you on the

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<v Speaker 1>Breakfas Bove Mike, what's something, mikel what's going on? Man?

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<v Speaker 1>What's the matter? Man? Give it off your chest? Bro. Man,

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<v Speaker 1>it's pretty simple. Man. It's just like I don't understand

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<v Speaker 1>why somebody is red because I do construct operate head

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<v Speaker 1>and chenery, right, So it just seems like these red

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<v Speaker 1>knicks always got to try to push buttons because you're

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<v Speaker 1>smarter than they are trying to get you fired. Man,

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<v Speaker 1>almost one on somebody yesterday. They say what they say

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<v Speaker 1>to you. So I get there, like I operate a loader.

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<v Speaker 1>So got all this pipe that we gotta put in

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<v Speaker 1>the card, and a lot of them had to be there.

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<v Speaker 1>Somebody else listened, so because the matter listening over, Hey, listen, man,

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<v Speaker 1>I need some help. I'm not gonna do all of

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<v Speaker 1>this bout myself, so start popping off at the mouth.

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<v Speaker 1>You think you're better or something like that, just talking

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<v Speaker 1>on super crucial. You did you better than me? Or

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<v Speaker 1>something like that. Boy, you don't not to hand to

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<v Speaker 1>all that pipe basically crazy drug like that. I don't

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<v Speaker 1>want to go to complete about what he said, but

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<v Speaker 1>he almost gott You don't know how to handle that pipe. Boy,

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<v Speaker 1>We don't know how to lay that pipe down. Well,

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<v Speaker 1>I'm glad you didn't knock him out, man, because you

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<v Speaker 1>need your job. I'm sure you need me to show

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<v Speaker 1>you how to lay that pipe. Boy, Shut up, Charlom exactly,

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<v Speaker 1>thank you. I'm glad you finally coming to shut up.

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<v Speaker 1>We used to lay pipe to your kind of all

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<v Speaker 1>all the time, boy, but I lay pipe to you. Boy,

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<v Speaker 1>I break your little buck. Boy. Now if you catch

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<v Speaker 1>him outside of if you catch him outside of work,

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<v Speaker 1>can you still get fined? No, of course. Now he

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<v Speaker 1>gonna get the falls on the jaws. What you're gonna

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<v Speaker 1>put on my jaw board? What you say you want

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<v Speaker 1>to do with my jobs? Oh? My god? Falls? Shut up,

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<v Speaker 1>Charlinge getting like you. Oh I gonna have a going man.

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<v Speaker 1>You don't take nothing seriously. Hello, who's this? Get her

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<v Speaker 1>off his chests? Bro, We'm going on man, want to

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<v Speaker 1>call tell you guys, good morning morning, good morning, Hey

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<v Speaker 1>angel Hi, okay, and this is my thing. We really

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<v Speaker 1>need to hear this. Emi. I don't want to push

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<v Speaker 1>for that. Talk to fair that when you're out. Yeah,

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<v Speaker 1>DJ envy doing a horrible job doing a rumor report

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<v Speaker 1>and front page. I agree with you want to do

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<v Speaker 1>you should be able to do his It's me I

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<v Speaker 1>don't really like me. E mean, you know, he actually

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<v Speaker 1>really values his mix. It is very important to him.

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<v Speaker 1>And truthfully, between me and you got to do a

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<v Speaker 1>better job. So I know, I know, and we really

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<v Speaker 1>want to hear. It's a lot of people that I

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<v Speaker 1>don't want to hear. Why don't you come up in

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<v Speaker 1>and do a t and why are you get so

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<v Speaker 1>mad at so mad to come up in and do

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<v Speaker 1>mix it when I'm not here? MORGANA wow, have we

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<v Speaker 1>walking out? I just now with dimension that Angela it

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<v Speaker 1>wants you to suck his next Jesus that damn I

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<v Speaker 1>can do it. Damn it. Have you ain't got no hated?

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<v Speaker 1>You ain't popping how you feel about craft services. Look,

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<v Speaker 1>I just I was gonna tea you didn't. He didn't

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<v Speaker 1>hold on long enough. Hello, who's this? Hey? This is

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<v Speaker 1>from South Carolina. A four and three was happening. The

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<v Speaker 1>little country was happening. What's something? I'm good? Okay, So

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<v Speaker 1>I just need to get it off my chest. Okay.

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<v Speaker 1>I just got a new job, so I moved to

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<v Speaker 1>Green Sollt, South Carolina. There are so many snakes around here,

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<v Speaker 1>like physical snakes, all like human beings. No physical snakes.

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<v Speaker 1>I guess somebody has some pets or something and they

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<v Speaker 1>released them in the wood, so they've been coming out

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<v Speaker 1>all over the place. And there was this really long one,

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<v Speaker 1>like the size of like three lands on the interstate.

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<v Speaker 1>And then white people tried to catch in the head.

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<v Speaker 1>So now you scared the big ass snakes. Hunh. You

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<v Speaker 1>know what. The only time I ever didn't snake get

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<v Speaker 1>killed when my granddaddy went outside and tries the head off,

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<v Speaker 1>and I was like, your frough, South Carolina. You know,

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<v Speaker 1>we chopped that head off and didn't hold that snake

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<v Speaker 1>for everybody to come. Look at Charlemagne ain't talking that

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<v Speaker 1>type of snake. If he ain't talking about that type

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<v Speaker 1>of snake. Mama, he talked about the one eyed snake.

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<v Speaker 1>I'm sure I ain't talking about no one eyed snake.

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<v Speaker 1>Why are you see what's wrong with you? Why are

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<v Speaker 1>you thinking about one eyed snakes early this morning? That's

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<v Speaker 1>what you said. You can't say you never see the

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<v Speaker 1>state before, Iran say nothing. You are canky. Don't start

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<v Speaker 1>that this morning. Up man, Oh my god, I'm just

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<v Speaker 1>gonna chopped that up to everybody being tired this morning.

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<v Speaker 1>Thank you, Mama. Get it off your chest eight hundred

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<v Speaker 1>five eight five one on five one. If you need

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<v Speaker 1>to vent, hit us up now. It's the breakfast Club

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<v Speaker 1>of the morning. Wake up, wake up. You're trying to

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<v Speaker 1>get it off your chest because you're mad or blass.

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<v Speaker 1>We want to hear from you on the breakfast block. Hello,

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<v Speaker 1>who's this? You know? Doors color phone, South Dakota from Florida.

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<v Speaker 1>But I'm not a crazy one. Did you just say?

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<v Speaker 1>You called from South Dakota from Florida? What do you say?

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<v Speaker 1>But you're not a crazy one. I'm calling from South Dakota,

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<v Speaker 1>but I'm from Florida. Got you? But I am crazy?

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<v Speaker 1>All right? Uh? I want to say good morning to

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<v Speaker 1>all three of y'all. Love y'all, listen to y'all every morning.

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<v Speaker 1>Thank you for having no take. Uh say to amazons,

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<v Speaker 1>I want to shut up? They D two D tops

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<v Speaker 1>dot com. I thought you talked another language, you know. No, no, no,

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<v Speaker 1>that's all my business. D two D tops dot com.

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<v Speaker 1>Uh follow me on Instagram. D two D tops underscore

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<v Speaker 1>s D two D top Score. Yeah. D two D

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<v Speaker 1>underscore Tops Is that a sex tight nervous Yeah, that's

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<v Speaker 1>my website. Why did D two D What does that mean?

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<v Speaker 1>They're determined to demonstrate as in I thought of business.

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<v Speaker 1>I thought of this business, and now I'm pursuing it.

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<v Speaker 1>I'm doing it. I thought it was like a D

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<v Speaker 1>two D the tops dot com. Yeez, can't get this morning? Hello, Hello,

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<v Speaker 1>getting off your chest. When it comes down to taking

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<v Speaker 1>their kids, that's it's crazy to me, especially when it's

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<v Speaker 1>like they're coming here for a better life. I mean

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<v Speaker 1>my parents, I said, my parents are immigrants. Also, they're

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<v Speaker 1>not from people in Mexico. But I could just imagine

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<v Speaker 1>being risked away from my parents just because they're trying

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<v Speaker 1>to start a better life. Were your parents were your

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<v Speaker 1>parents undocumented immigrants? Thought, No, that's the difference. That's a different,

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<v Speaker 1>not enough, that's the difference. Documents. They came here FIRS

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<v Speaker 1>as a document, right, and then they were able to

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<v Speaker 1>get their citizenship. They were able to because of Reagan.

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<v Speaker 1>And I do cliz you were here for Reagan between office.

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<v Speaker 1>That's your negligence not to get your green cards because

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<v Speaker 1>he was just giving them away. True indeed, I mean

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<v Speaker 1>that's why I said, I'm talking about this situation because

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<v Speaker 1>on one hand, you do have empathy for people escaping

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<v Speaker 1>to get a better life. Within another hand, they all

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<v Speaker 1>breaking the law. So it's not like it's not like

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<v Speaker 1>the people people are like doing anything unjusted him. That

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<v Speaker 1>ain't up. Get it off your chest, Danny, I'm on

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<v Speaker 1>the radio right now. Yes you act, Oh my god,

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<v Speaker 1>Oh yeah. I just want to give a big shout

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<v Speaker 1>out to my girlfriend Crystal. You know, we're gonna get

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<v Speaker 1>her ford for three years now and she got herself

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<v Speaker 1>back into school and she wants to become a nurse though.

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<v Speaker 1>That's dope. She's gonna be a nurse. Man giving other

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<v Speaker 1>men's pungebass I love that. It's aller man. I want

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<v Speaker 1>to give you a big shout out. Man. She you know, honestly,

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<v Speaker 1>you know, being with her, she's she's gonna last for me.

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<v Speaker 1>And one of the big things she's done is she

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<v Speaker 1>buys me books. And she bought me your book, and

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<v Speaker 1>I've been reading it. When I finish it, I'll try

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<v Speaker 1>to call back and talk to you about it. But

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<v Speaker 1>thank you now. I really appreciate your books and Angel

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<v Speaker 1>League DJ Nvy, everything you guys do, man, everything is amazing.

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<v Speaker 1>And I just want to tell everybody out there, whoever's hearing,

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<v Speaker 1>you know, in life you gotta keep moving. You can't stop.

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<v Speaker 1>If you want to get somewhere in life, you just

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<v Speaker 1>gotta work hard for it, right, my brother, gotta keep

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<v Speaker 1>those feet moving. Thank you for calling man, Thank you brother.

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<v Speaker 1>Get it off your chests. Eight hundred five eight five

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<v Speaker 1>one oh five one. If you need to vent, you

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<v Speaker 1>can hit this up. Keep it. Lock this to breakfast club,

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<v Speaker 1>going the breakfast club. John, Hi, So we're gonna do

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<v Speaker 1>something different today. He's gonna be so mad. I'm not

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<v Speaker 1>on the show, all right. So what happened to Charlemagne

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<v Speaker 1>left because he had to be somewhere in the mby

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<v Speaker 1>was like, I'm not staying and he left too. He

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<v Speaker 1>just respected me. Like that. I feel bad because I

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<v Speaker 1>know we always joke around. Yeah, and I just put

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<v Speaker 1>it all right, what can we do? Um? I mean,

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<v Speaker 1>I'll do whatever you need now, but I won't be

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<v Speaker 1>on even locally. I'm sorry. I feel bad. We're just

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<v Speaker 1>playing with his lip side. I'm not even gonna be

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<v Speaker 1>a local. What can we do? I was only admitted

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<v Speaker 1>away from saying following, he just respected morning. Everybody is

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<v Speaker 1>DJ D Angela Yee, Charlomagne the guy. We are the

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<v Speaker 1>fast club, and again we got out. Trust off y'all,

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<v Speaker 1>not the breakfast club, y'all the evil clubs not I'm

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<v Speaker 1>not even like that now. We wanted to play a

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<v Speaker 1>little prank on you, but I felt bad. You lift

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<v Speaker 1>started quick what I've learned to be and my career

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<v Speaker 1>as a problem solved. We all deal with problems, but

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<v Speaker 1>how do we do all the problems and we solve them?

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<v Speaker 1>So when Angela Yee told me that both of y'all

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<v Speaker 1>had walked out on my interview, of course correct, I

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<v Speaker 1>was disrespectful. I thought I was disrespected. I wanted to

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<v Speaker 1>talk about how you never posted to trust light skinned

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<v Speaker 1>people like that, and I gave you a pass, and

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<v Speaker 1>I was like, I thought it was serious. I was

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<v Speaker 1>trying to problem solve it, like how do I be

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<v Speaker 1>able to do the Breakfast Club interview? And that's when

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<v Speaker 1>they let me know that y'all play the joke of me,

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<v Speaker 1>I've got watery. I thought it because look, I know

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<v Speaker 1>your son, Austin. I saw Austin Austin. I love you, man.

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<v Speaker 1>I really thought y'all was being disrespectful and it really hurt,

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<v Speaker 1>really hurt me because me and you talk all the time,

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<v Speaker 1>and I'm like, this you, I'm like, he didn't give

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<v Speaker 1>me a heads up or anything. And I was like,

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<v Speaker 1>I was like, and we waited five minutes, we'd have

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<v Speaker 1>got all that. Man, Charlie couldn't text me. It was

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<v Speaker 1>covering every really did by these cheers. Yes, because it's

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<v Speaker 1>built in for the Kevin Hart size. Yes. Now here's

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<v Speaker 1>the thing this one. You know, Kevin Hard is upset

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<v Speaker 1>when we start talking with his fingers. What did you

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<v Speaker 1>think about all of that? From a comedian og comedian

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<v Speaker 1>like yourself, I think I first off, I think enough

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<v Speaker 1>is enough, you know what I'm saying. I've listened to

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<v Speaker 1>all the interviews and I definitely think it's Unfortunately, because

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<v Speaker 1>all the people that are in the beef are being

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<v Speaker 1>are successful. That's the crazy pot I'm saying that. But

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<v Speaker 1>the thing is sometimes people don't respect everybody's come up. Yeah,

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<v Speaker 1>and also a thing that it's easy for people to say, well,

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<v Speaker 1>that's just my opinion, but everybody on the outside wants

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<v Speaker 1>you have a humble opinion. They want you to be

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<v Speaker 1>humbled by it. I listened to the Cat on the

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<v Speaker 1>other on another station, What do you think about that?

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<v Speaker 1>When he was shooting at Tiffany Haddish and everything. First off,

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<v Speaker 1>the first thing I thought was crazy was how the

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<v Speaker 1>host Wanda you know what I'm saying. I thought that,

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<v Speaker 1>you know, when he said you're not a good interview,

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<v Speaker 1>I agree with him one hundred percent, you know, saying

0:11:00.520 --> 0:11:02.040
<v Speaker 1>she was trying to put him in the corner. We

0:11:02.080 --> 0:11:05.319
<v Speaker 1>all know what the demons that Cat Wims has dealt with,

0:11:05.400 --> 0:11:07.400
<v Speaker 1>you know what I'm saying, and me traveling and doing

0:11:07.480 --> 0:11:09.160
<v Speaker 1>more than ready every time after a while you get

0:11:09.240 --> 0:11:11.360
<v Speaker 1>sick of the same question. And she was trying to

0:11:11.360 --> 0:11:13.439
<v Speaker 1>put him in that situation where he reacted like that,

0:11:13.520 --> 0:11:16.120
<v Speaker 1>and he reacted. Now on the comedian side of it,

0:11:16.480 --> 0:11:19.400
<v Speaker 1>I speak to comedian language. I kind of understood what

0:11:19.520 --> 0:11:21.920
<v Speaker 1>cat Winms was trying to say. People get to a

0:11:21.920 --> 0:11:24.360
<v Speaker 1>certain level, certain route. You know what I'm saying. Has

0:11:24.400 --> 0:11:27.679
<v Speaker 1>Tiffany Hadish been on a hundred city tour? No? Know

0:11:27.679 --> 0:11:31.000
<v Speaker 1>what I'm saying, Has test Tiffany Hadish been the headlining country,

0:11:31.080 --> 0:11:33.560
<v Speaker 1>a headlining community across the country. No, but she had

0:11:33.559 --> 0:11:35.800
<v Speaker 1>a different path. But everybody else was out in the street.

0:11:36.320 --> 0:11:39.320
<v Speaker 1>Hadish was out. She was auditional. Now that could have

0:11:39.320 --> 0:11:41.080
<v Speaker 1>been the question, how many auditions you had before you

0:11:41.120 --> 0:11:43.880
<v Speaker 1>got there? Her path? She's a TV star, and I

0:11:44.000 --> 0:11:46.600
<v Speaker 1>think when I a movie star TV in the movie

0:11:46.640 --> 0:11:49.520
<v Speaker 1>started and I started, though, but she started on the stage.

0:11:49.520 --> 0:11:51.920
<v Speaker 1>But what what cat Wims was trying to compare was

0:11:52.559 --> 0:11:54.520
<v Speaker 1>she was trying to compare the people that have been

0:11:54.600 --> 0:11:56.800
<v Speaker 1>on the ground for years and years of years, banging

0:11:56.800 --> 0:11:59.079
<v Speaker 1>out an hour of comedy every night. You know what

0:11:59.120 --> 0:12:01.720
<v Speaker 1>I'm saying. For Tiffany, has she blew up? She was

0:12:02.120 --> 0:12:04.120
<v Speaker 1>in and this is no disrespect. I love her. She

0:12:04.240 --> 0:12:06.800
<v Speaker 1>was a feature. She was a strong feature headlineage. I

0:12:06.800 --> 0:12:08.520
<v Speaker 1>remember one time she asked Donnie or can I get

0:12:08.520 --> 0:12:10.120
<v Speaker 1>some role work? This was like a fear or four

0:12:10.200 --> 0:12:13.320
<v Speaker 1>years ago. But at the same time, she sacrificed going

0:12:13.360 --> 0:12:15.640
<v Speaker 1>to the road, to commit to being an actor, to

0:12:15.720 --> 0:12:18.240
<v Speaker 1>putting stuff in a position. Now, some of the things

0:12:18.240 --> 0:12:20.560
<v Speaker 1>that kat Winn said, I could have respect him more

0:12:20.720 --> 0:12:23.240
<v Speaker 1>if he would said, I appreciate her hustle. She started

0:12:23.240 --> 0:12:25.720
<v Speaker 1>when she was fifteen. She was a foster kid. You

0:12:25.720 --> 0:12:27.760
<v Speaker 1>know what I'm saying. How many success stories you know

0:12:28.080 --> 0:12:30.960
<v Speaker 1>of people that came from foster homes that have made it.

0:12:31.120 --> 0:12:32.680
<v Speaker 1>If he would have knowledge, I would have kind of

0:12:32.720 --> 0:12:34.440
<v Speaker 1>understood some of the things would say. I think that

0:12:34.520 --> 0:12:37.280
<v Speaker 1>was throughout that whole interview. I think that was the

0:12:37.320 --> 0:12:39.880
<v Speaker 1>most unfortunate part about it, because you got to give

0:12:39.880 --> 0:12:41.760
<v Speaker 1>her a problem. We got more. Went down then Rawlins.

0:12:41.760 --> 0:12:43.600
<v Speaker 1>When we come back, don't move. It's the breakfast club.

0:12:43.600 --> 0:12:49.920
<v Speaker 1>Good morning, the breakfast club that morning. Everybody is DJ

0:12:50.400 --> 0:12:53.400
<v Speaker 1>Envy angela Ye, Charlomagne, the guy we are the breakfast

0:12:53.400 --> 0:12:55.400
<v Speaker 1>club down down, Rawlins is in the building which you

0:12:55.400 --> 0:12:59.400
<v Speaker 1>consider Chappella gatekeeper. I wouldn't consider him a gatekeeper. I

0:12:59.440 --> 0:13:02.320
<v Speaker 1>consider him as a person that can make opportunities. Of course,

0:13:02.320 --> 0:13:04.679
<v Speaker 1>he can make opportunities, and the thing is a lot

0:13:04.720 --> 0:13:07.000
<v Speaker 1>of times the reason why people don't want to give

0:13:07.040 --> 0:13:09.800
<v Speaker 1>another man opportunities because they're afraid that that person going

0:13:09.880 --> 0:13:14.520
<v Speaker 1>to outshine him. And testament to Dave's character, and I

0:13:14.600 --> 0:13:17.560
<v Speaker 1>consider myself a beast on stage. Dave will put me

0:13:17.600 --> 0:13:20.520
<v Speaker 1>on the road. The average head larner is not. And

0:13:20.600 --> 0:13:22.880
<v Speaker 1>for Dave, when I'm on the show with him, nobody

0:13:22.920 --> 0:13:25.720
<v Speaker 1>knows that I'm there. They're like DJ Trauma, who's normally

0:13:25.760 --> 0:13:30.320
<v Speaker 1>the resident DJ DJ Trump. But he'll be like, okay, guys,

0:13:30.360 --> 0:13:32.120
<v Speaker 1>we can really start the show. We got a special guest.

0:13:32.320 --> 0:13:34.120
<v Speaker 1>You see him on the wire, you get the class,

0:13:34.160 --> 0:13:35.679
<v Speaker 1>a couple clups, you see him in Spider manuntil you

0:13:35.720 --> 0:13:37.480
<v Speaker 1>get a couple of class. But then he'll say, but

0:13:37.559 --> 0:13:39.800
<v Speaker 1>you fell in love with him, as as she learned

0:13:39.800 --> 0:13:42.840
<v Speaker 1>from the Chappelle Show, and the room goes ape. The

0:13:42.920 --> 0:13:45.840
<v Speaker 1>average headline is not gonna want anybody to get that

0:13:45.880 --> 0:13:48.280
<v Speaker 1>reception before they go on. I'll go up there, I'll

0:13:48.320 --> 0:13:50.480
<v Speaker 1>do my thing. And then him, being the person he is,

0:13:50.480 --> 0:13:53.080
<v Speaker 1>he come right behind it. Two different styles. Everything you

0:13:53.120 --> 0:13:56.160
<v Speaker 1>say it is accurate, except for the crowd going ape no, no, no,

0:13:56.160 --> 0:13:58.599
<v Speaker 1>no, no no, you must no. They did go crazy for

0:13:58.679 --> 0:14:03.000
<v Speaker 1>Joe and sound like you know sone and you know

0:14:03.040 --> 0:14:05.400
<v Speaker 1>what hate it. They always thought like this, I mean,

0:14:06.960 --> 0:14:10.520
<v Speaker 1>I mean they went, but they don't go. I mean,

0:14:11.400 --> 0:14:14.480
<v Speaker 1>you know, watching you perform in like the smaller venues,

0:14:14.520 --> 0:14:17.640
<v Speaker 1>the radio city Music Hall, those big uh venues like that,

0:14:17.679 --> 0:14:20.280
<v Speaker 1>they're like they're the showcase venues, you know, but you

0:14:20.320 --> 0:14:21.920
<v Speaker 1>really want to see a test of a true comic,

0:14:22.000 --> 0:14:24.520
<v Speaker 1>like you say, find him in an intimate environment, find

0:14:24.560 --> 0:14:29.160
<v Speaker 1>him in the smallest situation was I want downtime and

0:14:29.280 --> 0:14:35.520
<v Speaker 1>he got to practice. So that was quick story. There's

0:14:35.880 --> 0:14:38.200
<v Speaker 1>a celebrity chef I won't say that name, celebrity chef

0:14:38.240 --> 0:14:39.920
<v Speaker 1>and my son. When I was having baby, my baby,

0:14:39.920 --> 0:14:42.640
<v Speaker 1>my son's baby show, I wanted this celebrity chef to,

0:14:42.880 --> 0:14:44.520
<v Speaker 1>you know, like come and help me with the food

0:14:44.520 --> 0:14:46.600
<v Speaker 1>for my son's baby shower. So I reached out to

0:14:46.640 --> 0:14:48.800
<v Speaker 1>the chef and we were all good, and then at

0:14:48.800 --> 0:14:51.480
<v Speaker 1>the last minute they pulled away. In the example the

0:14:51.560 --> 0:14:53.160
<v Speaker 1>game and it was like, I don't know, there's a

0:14:53.160 --> 0:14:57.600
<v Speaker 1>big time He's like, don hill, I don't do open mics,

0:14:57.640 --> 0:15:00.640
<v Speaker 1>like they're too big to do. I don't do open

0:15:00.680 --> 0:15:16.200
<v Speaker 1>micss Caroline, you see, I disrespect for the breakfast. This

0:15:16.280 --> 0:15:19.760
<v Speaker 1>is so dissy. Did not blow kiss at you. Thank

0:15:19.760 --> 0:15:23.640
<v Speaker 1>you for joining us. How are you doing? All right? Blue?

0:15:23.760 --> 0:15:29.680
<v Speaker 1>Kiss at him? All right? Back to your story about

0:15:29.680 --> 0:15:33.080
<v Speaker 1>what the celebrity tell the story won't tell those stories.

0:15:33.840 --> 0:15:37.240
<v Speaker 1>Stories ain't gonna be a Carolina. This we did as

0:15:37.240 --> 0:15:39.760
<v Speaker 1>this story doesn't mean what you deciding to cook because

0:15:39.800 --> 0:15:41.520
<v Speaker 1>you cannot cut. I want to talk about that. I

0:15:41.520 --> 0:15:44.360
<v Speaker 1>can't but hear the story. So the celebrity, the celebrity chef,

0:15:44.400 --> 0:15:45.680
<v Speaker 1>I guess they had got to a point where they

0:15:45.680 --> 0:15:47.920
<v Speaker 1>was too big for They don't team everything. And it

0:15:47.960 --> 0:15:51.000
<v Speaker 1>was like, Donnie, I don't do open mics. Do you

0:15:51.120 --> 0:15:52.920
<v Speaker 1>do open mics to you can team to old Mike?

0:15:53.000 --> 0:15:55.120
<v Speaker 1>I said, yes, not only I continue to open mics.

0:15:55.400 --> 0:15:57.640
<v Speaker 1>I had just did a short reader City Music Hall,

0:15:57.880 --> 0:16:00.680
<v Speaker 1>sixty five hundred people got us days, got in the

0:16:00.720 --> 0:16:04.160
<v Speaker 1>car and with the Browns wheel and performed for fifteen people. Yea.

0:16:04.520 --> 0:16:06.760
<v Speaker 1>So at the end of the day, you can't never

0:16:07.120 --> 0:16:10.120
<v Speaker 1>stop shopping in your toolbox. You can't never stop shopping

0:16:10.120 --> 0:16:20.160
<v Speaker 1>your stopping the toolbox. But so many people don't put

0:16:20.200 --> 0:16:22.880
<v Speaker 1>this pressure on inside. Y'all know I'm not gonna reading

0:16:22.920 --> 0:16:27.640
<v Speaker 1>out loud. Do that used to do radio together? Right?

0:16:27.640 --> 0:16:31.040
<v Speaker 1>We have reading context contest. You never was in there.

0:16:31.080 --> 0:16:33.640
<v Speaker 1>You just bet on me. I gotta I got fifty dollars.

0:16:33.720 --> 0:16:37.320
<v Speaker 1>You can't read this paragraph without setter. Okay, it's about you.

0:16:38.320 --> 0:16:40.840
<v Speaker 1>Donnad Rawlins is an actor and writer from Washington, DC.

0:16:41.320 --> 0:16:43.360
<v Speaker 1>He's well known for being a cast member on The

0:16:43.440 --> 0:16:45.640
<v Speaker 1>Chappelle Show. He made an impact on the show with

0:16:45.800 --> 0:16:49.280
<v Speaker 1>his character Ashilary and his iconic phrase, I'm rids bit.

0:16:49.760 --> 0:16:52.080
<v Speaker 1>I threw that in there. Here's a series of sketch

0:16:52.160 --> 0:16:56.400
<v Speaker 1>comedy kIPS on his don't do that side on this

0:16:56.560 --> 0:16:59.840
<v Speaker 1>from Ashley Classy album. Rawlins has had multiple successful shows

0:16:59.880 --> 0:17:03.280
<v Speaker 1>and radios to the musical. An actor, he has made

0:17:03.320 --> 0:17:09.400
<v Speaker 1>appearances on The Wire spider Man Too. I didn't start

0:17:10.680 --> 0:17:13.080
<v Speaker 1>on the Wires spider Man Too. He was in the

0:17:13.200 --> 0:17:15.639
<v Speaker 1>Air Force for four years. Rodins is also a police

0:17:15.680 --> 0:17:22.600
<v Speaker 1>officer and watching that that's a police officer. I was

0:17:22.640 --> 0:17:24.960
<v Speaker 1>a police officer in the Air Force, waiting to become

0:17:25.000 --> 0:17:28.200
<v Speaker 1>a police officer in DC. I went. I used to

0:17:28.280 --> 0:17:30.480
<v Speaker 1>work for this grocery company. I just be head of

0:17:30.520 --> 0:17:32.760
<v Speaker 1>security for this grocery company and as a as a

0:17:33.440 --> 0:17:36.320
<v Speaker 1>form of camaraderie, we would go to the comedy comedy

0:17:36.359 --> 0:17:37.920
<v Speaker 1>comedy Connection to Green Belt and we would go to

0:17:38.119 --> 0:17:39.960
<v Speaker 1>go to the club and I would used to heckle

0:17:40.040 --> 0:17:42.400
<v Speaker 1>the comedians on stage. So we should go every week

0:17:42.440 --> 0:17:45.239
<v Speaker 1>and I became popular as a heckler. Comedians would come

0:17:45.280 --> 0:17:46.560
<v Speaker 1>and he's like, yo, could you let me do work

0:17:46.600 --> 0:17:49.000
<v Speaker 1>out the material? Don't mess with me today. And I

0:17:49.119 --> 0:17:52.440
<v Speaker 1>became so good at a heckler that the club owner

0:17:52.840 --> 0:17:55.240
<v Speaker 1>wanted to shut me up. This is how I started.

0:17:55.440 --> 0:17:57.280
<v Speaker 1>He dared me to go on stage. I wasn't excited

0:17:57.280 --> 0:17:59.399
<v Speaker 1>about doing it. Then two weeks later I went on

0:17:59.520 --> 0:18:01.480
<v Speaker 1>stage and the rest was his. So you were a

0:18:01.560 --> 0:18:04.240
<v Speaker 1>trolling originally? Oh yeah, I was one hundred percent. I was.

0:18:04.600 --> 0:18:06.600
<v Speaker 1>I started people started coming to see me. Heco you

0:18:06.680 --> 0:18:08.399
<v Speaker 1>had a gun in the air force. I was the

0:18:08.480 --> 0:18:10.720
<v Speaker 1>worst cop ever man. I made one stop in four years,

0:18:11.600 --> 0:18:13.399
<v Speaker 1>and that was just stop. It was this girl And

0:18:13.480 --> 0:18:15.280
<v Speaker 1>this was before the whole me too things, and she

0:18:15.400 --> 0:18:19.399
<v Speaker 1>was she was scandally scandally d class yes you know

0:18:19.560 --> 0:18:22.760
<v Speaker 1>this and uh and I pulled over to get a

0:18:22.800 --> 0:18:24.280
<v Speaker 1>phone umb and that's the only wrest of evering me.

0:18:24.440 --> 0:18:27.200
<v Speaker 1>You arrested her, Yeah, arrest of her. She told you, No,

0:18:27.800 --> 0:18:29.359
<v Speaker 1>I don't I'm not following that. You're not gonna have

0:18:29.400 --> 0:18:32.720
<v Speaker 1>me on seeing in twenty years later. You trying to

0:18:32.760 --> 0:18:36.760
<v Speaker 1>get evidence. You asked Kevin questions. I don't know what

0:18:36.880 --> 0:18:40.280
<v Speaker 1>you're talking about. I don't remember anything wanted. Everybody is

0:18:40.359 --> 0:18:43.840
<v Speaker 1>DJ Envie Angela Yee, Charlomane, the guy. We are the

0:18:43.920 --> 0:18:47.360
<v Speaker 1>breakfast club. We got some special guests in the building. Yeah, yeah, yeah,

0:18:47.560 --> 0:18:49.480
<v Speaker 1>And did you give it? He had this in Kevin Hard?

0:18:50.880 --> 0:18:55.239
<v Speaker 1>Why are you screaming? Man? I'm happy to see them too.

0:18:55.280 --> 0:18:58.800
<v Speaker 1>For day energetic. I like to get Kevin here complaining

0:18:58.800 --> 0:19:01.000
<v Speaker 1>about chance that he bought, saying if the chairs won't go,

0:19:01.560 --> 0:19:03.200
<v Speaker 1>I'm complaining about the chairs and I bought. I just

0:19:03.200 --> 0:19:05.680
<v Speaker 1>don't understand. When you guys know I'm coming. You should

0:19:05.720 --> 0:19:09.680
<v Speaker 1>have my setting ready. You know what about what I bought?

0:19:09.760 --> 0:19:11.920
<v Speaker 1>Us about what I need? I told you that this

0:19:12.080 --> 0:19:14.000
<v Speaker 1>is I'm not saying that you gotta make it a

0:19:14.040 --> 0:19:16.119
<v Speaker 1>public thing, but put a put a pillow on it.

0:19:17.760 --> 0:19:21.960
<v Speaker 1>That's too late. Yeah, My torso's longer, Yeah, tivity is taller.

0:19:22.320 --> 0:19:23.960
<v Speaker 1>It's fine. Let's not make a thing out of it.

0:19:24.000 --> 0:19:27.400
<v Speaker 1>I'm okay. How hogs doing? I don't know. I don't

0:19:27.440 --> 0:19:30.320
<v Speaker 1>know where to start with y'all. Let's start Night School.

0:19:30.440 --> 0:19:33.560
<v Speaker 1>Let's start. Let's start a business. Let's start there. Night

0:19:33.600 --> 0:19:37.280
<v Speaker 1>School hitting theater September twenty eight. Excited. Why, I'll tell

0:19:37.320 --> 0:19:41.680
<v Speaker 1>you why. Uh first movie you got, damn right, you got.

0:19:44.720 --> 0:19:46.320
<v Speaker 1>I can segue in the out or whatever the hell

0:19:46.359 --> 0:19:49.239
<v Speaker 1>I want to talk about smoothly too. Uh. Reason why

0:19:49.320 --> 0:19:53.479
<v Speaker 1>because it's the first movie underneath my production Umbrella Heartbeat Productions. Uh,

0:19:53.720 --> 0:19:56.240
<v Speaker 1>taking it a step further, you know, from just being

0:19:56.320 --> 0:19:59.760
<v Speaker 1>the talent, turning the business the business notch up and enjoying.

0:20:00.000 --> 0:20:02.560
<v Speaker 1>So I wanted to put myself in a position to win.

0:20:02.680 --> 0:20:05.680
<v Speaker 1>So I teamed up with my guy Will power Packer again. Uh,

0:20:05.920 --> 0:20:08.159
<v Speaker 1>this is our seventh movie together. Four number one's, two,

0:20:08.280 --> 0:20:10.800
<v Speaker 1>number two's. Hopefully we're talking about one more number one

0:20:11.240 --> 0:20:14.320
<v Speaker 1>and coming off of a number one success, I said, dude,

0:20:14.359 --> 0:20:17.040
<v Speaker 1>it makes no sense to not have Tiffany Hatters be

0:20:17.080 --> 0:20:20.320
<v Speaker 1>a part of my first movie, especially understanding her Storian

0:20:20.359 --> 0:20:22.320
<v Speaker 1>where she's coming from. So we cast to Tiffany in

0:20:22.359 --> 0:20:27.000
<v Speaker 1>the movie, along within another amazing group of actors and actresses.

0:20:27.240 --> 0:20:29.879
<v Speaker 1>Uh the list is too long to name. And you know,

0:20:30.040 --> 0:20:31.879
<v Speaker 1>right now we're talking about something that was built from

0:20:31.880 --> 0:20:33.480
<v Speaker 1>the ground up. How much money of you and will

0:20:33.560 --> 0:20:36.320
<v Speaker 1>mean together so far A lot of money, A lot

0:20:36.359 --> 0:20:39.520
<v Speaker 1>of money. We need to get into numbers. Okay, it's up.

0:20:39.760 --> 0:20:41.119
<v Speaker 1>Now why night School? Have you? Have you ever been

0:20:41.160 --> 0:20:42.800
<v Speaker 1>in night school? Either of you? I can tell you

0:20:42.880 --> 0:20:46.760
<v Speaker 1>the whole story behind night School and uh, and the

0:20:46.840 --> 0:20:48.720
<v Speaker 1>reason behind it is is something that I think people

0:20:48.720 --> 0:20:51.240
<v Speaker 1>will be able to relate to. Um. You know, it's

0:20:51.240 --> 0:20:53.720
<v Speaker 1>a movie about second chances in life. So many people

0:20:54.080 --> 0:20:56.879
<v Speaker 1>do things the first time around and may or may

0:20:57.000 --> 0:20:59.160
<v Speaker 1>not get it right, and then doing so, you feel

0:20:59.240 --> 0:21:02.800
<v Speaker 1>like it's over. In this particular case, education is the

0:21:02.880 --> 0:21:05.040
<v Speaker 1>forefront of the story, and so many people that don't

0:21:05.040 --> 0:21:08.119
<v Speaker 1>embrace education properly end up going back to have to

0:21:08.200 --> 0:21:09.719
<v Speaker 1>do it again. And what you find out is when

0:21:09.720 --> 0:21:12.000
<v Speaker 1>you embrace it the second time, you do it correctly,

0:21:12.359 --> 0:21:15.040
<v Speaker 1>and the opportunities in life are still there and it

0:21:15.200 --> 0:21:17.440
<v Speaker 1>may even be more. Uh. This is a movie that

0:21:17.520 --> 0:21:20.119
<v Speaker 1>embraces that. This is a movie that highlights that, and

0:21:20.359 --> 0:21:22.440
<v Speaker 1>we do it from a funny perspective, but that people

0:21:22.480 --> 0:21:24.399
<v Speaker 1>can relate to. I'll prove that I got my diploma

0:21:24.440 --> 0:21:27.320
<v Speaker 1>in night school. I'm so well spoken, and as we

0:21:27.440 --> 0:21:29.320
<v Speaker 1>go on, Yes, So how were you guys? At students

0:21:29.359 --> 0:21:32.000
<v Speaker 1>in school in real life, I was okay, I was

0:21:32.080 --> 0:21:34.119
<v Speaker 1>all right, you know, I did. I did. I had

0:21:34.160 --> 0:21:41.400
<v Speaker 1>a two point five grade average. That's not two. I graduated.

0:21:42.000 --> 0:21:44.000
<v Speaker 1>I graduated. I had a lot of credits because I

0:21:44.040 --> 0:21:50.120
<v Speaker 1>went to summer school every year. No, because I didn't

0:21:50.160 --> 0:21:52.560
<v Speaker 1>want to get in any trouble, and it was boys

0:21:52.600 --> 0:21:57.880
<v Speaker 1>in summer school of education. I celebrated the two point five.

0:22:00.520 --> 0:22:03.760
<v Speaker 1>I'm talking about exactly what I'm talking about. We hate

0:22:03.760 --> 0:22:06.800
<v Speaker 1>these conversations about equal pay in Hollywood and tipping, y'all

0:22:06.840 --> 0:22:09.800
<v Speaker 1>both are on the bill. How does that work out? Uh? Look,

0:22:09.840 --> 0:22:14.040
<v Speaker 1>I know what um you know. Look, I'm all about

0:22:14.280 --> 0:22:19.840
<v Speaker 1>the female, the female growth, especially in entertainment. You know.

0:22:19.920 --> 0:22:23.560
<v Speaker 1>I think that that women and the voices that are

0:22:23.560 --> 0:22:26.520
<v Speaker 1>coming from these women should be heard and the opportunities

0:22:26.520 --> 0:22:31.879
<v Speaker 1>should be given. Money though I don't think so, but

0:22:31.960 --> 0:22:34.440
<v Speaker 1>you know what he's producing on it and what you know,

0:22:34.560 --> 0:22:36.840
<v Speaker 1>but he he we both just got houses. You know.

0:22:37.160 --> 0:22:39.639
<v Speaker 1>His house is in the hills somewhere. We can't find it.

0:22:39.800 --> 0:22:44.639
<v Speaker 1>My houses in South Central. No. Look, I think that

0:22:44.800 --> 0:22:47.119
<v Speaker 1>the conversation is one that needs to be had, and

0:22:47.520 --> 0:22:49.800
<v Speaker 1>now that it's being had, you're going to see more

0:22:49.800 --> 0:22:53.320
<v Speaker 1>opportunities for women to get what they've been requesting and

0:22:53.400 --> 0:22:56.200
<v Speaker 1>what they deserve. Um, I think it's all it's all

0:22:56.280 --> 0:22:59.720
<v Speaker 1>project dependent. It's all about, um the level of stars

0:22:59.760 --> 0:23:02.320
<v Speaker 1>that you're dealing with, and you know you you have

0:23:02.440 --> 0:23:04.680
<v Speaker 1>to understand how do you know what your level is?

0:23:04.800 --> 0:23:07.440
<v Speaker 1>Well within box office draw What people ignore is that

0:23:07.760 --> 0:23:10.960
<v Speaker 1>within a talent, this box office drawing, this box office success,

0:23:11.040 --> 0:23:12.440
<v Speaker 1>this is the biggest start in the movie. So she

0:23:12.640 --> 0:23:18.920
<v Speaker 1>should be You know what, if that's what people personality

0:23:19.680 --> 0:23:28.120
<v Speaker 1>this week, I would system that was the case. I'll

0:23:28.119 --> 0:23:29.680
<v Speaker 1>tell you the difference in old Kay Heart, and I

0:23:29.840 --> 0:23:33.040
<v Speaker 1>use this as a segue. Okay, the difference, the difference

0:23:33.080 --> 0:23:36.680
<v Speaker 1>in me. If that was the case, there is no

0:23:36.920 --> 0:23:41.000
<v Speaker 1>reason to put a dimmer on that light. The reason

0:23:41.040 --> 0:23:44.720
<v Speaker 1>why I say that is because I've been there. I'm there,

0:23:44.800 --> 0:23:46.480
<v Speaker 1>I sit in the chair. I sat in this chair

0:23:46.520 --> 0:23:49.320
<v Speaker 1>for a long time. Naturally, there's other people that will

0:23:49.400 --> 0:23:53.119
<v Speaker 1>come behind and will surpass. Wherever you are in this business,

0:23:53.160 --> 0:23:55.720
<v Speaker 1>when that happens, you support it, especially when you're coming

0:23:55.760 --> 0:23:58.880
<v Speaker 1>from a position where there's been a demand for people

0:23:58.920 --> 0:24:01.440
<v Speaker 1>of color to get a shot. So here's my frustration,

0:24:01.520 --> 0:24:02.840
<v Speaker 1>because I know you're gonna get into it. Let me

0:24:02.880 --> 0:24:09.120
<v Speaker 1>tell you my frustration. People's kind of frustration. Okay, I'm

0:24:09.119 --> 0:24:10.639
<v Speaker 1>gonna tell you it's been on my mind, what's been

0:24:10.680 --> 0:24:13.200
<v Speaker 1>on my heart? Heavy trying. I want to talk about

0:24:13.200 --> 0:24:17.200
<v Speaker 1>the movies is sold. The movie is gonna be sebenty

0:24:18.480 --> 0:24:19.760
<v Speaker 1>check it out, all right? Now, I want to get

0:24:19.760 --> 0:24:22.480
<v Speaker 1>to what's really bothering me. I want to ask black

0:24:22.520 --> 0:24:26.760
<v Speaker 1>people what we want? What do we want? We complain

0:24:27.440 --> 0:24:30.520
<v Speaker 1>that people of color weren't getting opportunities in Hollywood. We

0:24:30.640 --> 0:24:33.080
<v Speaker 1>were getting ignored for the Oscars, for the Emmys, it

0:24:33.200 --> 0:24:36.280
<v Speaker 1>was a big thing. After that big thing, people of

0:24:36.400 --> 0:24:39.600
<v Speaker 1>color got recognized for their hard work, for their efforts

0:24:39.640 --> 0:24:43.520
<v Speaker 1>and run awards. People of color also won Emmy's. People

0:24:43.560 --> 0:24:46.879
<v Speaker 1>of color are now being giving opportunities to start to

0:24:47.119 --> 0:24:51.680
<v Speaker 1>lead in various projects, just the ugly people. This according something, okay,

0:24:52.359 --> 0:24:55.520
<v Speaker 1>when the people of when the people of coloring getting

0:24:55.520 --> 0:24:59.000
<v Speaker 1>these opportunities at all, Why are the people of color

0:24:59.400 --> 0:25:01.359
<v Speaker 1>the ones that tearing the people that are getting the

0:25:01.440 --> 0:25:06.360
<v Speaker 1>opportunities down. My frustration comes from you don't realize when

0:25:06.359 --> 0:25:08.920
<v Speaker 1>I preach about the crabs and the barrel mentality that

0:25:09.040 --> 0:25:12.960
<v Speaker 1>eventually we have to take responsibility for our actions. So

0:25:13.119 --> 0:25:15.840
<v Speaker 1>if I'm looking at people that share my craft, I'm

0:25:15.840 --> 0:25:17.600
<v Speaker 1>going to bring up the people that Kat William's name,

0:25:18.000 --> 0:25:23.600
<v Speaker 1>Little Rel, Gerard Carmichael, Hannibal Birds, myself, Tiffany Hatish correct.

0:25:23.880 --> 0:25:26.520
<v Speaker 1>Little Rel is seeing so much success after doing a

0:25:26.600 --> 0:25:28.959
<v Speaker 1>special relevant, he went on to get out. He now

0:25:29.080 --> 0:25:31.240
<v Speaker 1>has a show that he's producing and starting in on Fox.

0:25:31.600 --> 0:25:34.920
<v Speaker 1>Gerard Carmichael had his own show that he started, wrote, produced.

0:25:35.160 --> 0:25:38.520
<v Speaker 1>Gerard Carmichael was on to a second special. Hannibal Birds

0:25:38.560 --> 0:25:41.240
<v Speaker 1>saw success within comedy specialism is now doing various movies.

0:25:41.280 --> 0:25:43.760
<v Speaker 1>Where's getting the opportunity to have features and to have

0:25:43.920 --> 0:25:47.000
<v Speaker 1>a presence. Me, Kevin Hard, the guy that sits on

0:25:47.119 --> 0:25:49.600
<v Speaker 1>top right now, have taken advantage of all the money

0:25:49.640 --> 0:25:52.280
<v Speaker 1>that I have. I've shot over fifty six specials for

0:25:52.359 --> 0:25:54.760
<v Speaker 1>the upcoming generation of comedy. Why because I'm trying to

0:25:54.760 --> 0:25:57.639
<v Speaker 1>create opportunities for us. Whether complaining about it, I'm fixing it.

0:25:57.960 --> 0:26:00.600
<v Speaker 1>I'm putting my money where mouth is. Also take full

0:26:00.680 --> 0:26:03.439
<v Speaker 1>responsibility for any and everything that I've done in the business,

0:26:03.960 --> 0:26:05.800
<v Speaker 1>good or bad. All right, we have more with Kevin

0:26:05.840 --> 0:26:07.960
<v Speaker 1>Hart and Tiffany Hadis, who don't move it's the Breakfast Club.

0:26:08.000 --> 0:26:15.240
<v Speaker 1>Good morning, the Breakfast Club. Ej Envy, Angela yee, Charlomagne,

0:26:15.280 --> 0:26:17.800
<v Speaker 1>the guy. We are the Breakfast Club. We got special

0:26:17.880 --> 0:26:22.280
<v Speaker 1>guests in the building, Tiffany Haddish and Kevin Hart. Go off, Kevin,

0:26:22.400 --> 0:26:25.359
<v Speaker 1>go off. My frustration with Kat Williams comes from you

0:26:25.560 --> 0:26:28.800
<v Speaker 1>keep pointing at Hollywood, Hollywood, this the white man, this,

0:26:29.000 --> 0:26:32.879
<v Speaker 1>this and this. When do you take responsibility for your actions?

0:26:33.280 --> 0:26:37.399
<v Speaker 1>You had the shot that you were the guy, you

0:26:37.480 --> 0:26:39.720
<v Speaker 1>were set up to be the star. You didn't show

0:26:39.840 --> 0:26:43.240
<v Speaker 1>up to work, You've off promo shoots. You became a

0:26:43.400 --> 0:26:45.840
<v Speaker 1>risk to the studios, which is why the studio stopped

0:26:46.080 --> 0:26:49.120
<v Speaker 1>with you. Why was her risk? He chose drugs. Take

0:26:49.200 --> 0:26:52.040
<v Speaker 1>responsibility for what you chose and say, you know what,

0:26:52.240 --> 0:26:54.359
<v Speaker 1>I gotta fix me and I'm gonna come back, and

0:26:54.359 --> 0:26:56.720
<v Speaker 1>I'm a stand up for comedy. So when you say

0:26:56.800 --> 0:27:00.320
<v Speaker 1>Tiffany Haddish doesn't deserve or isn't really a com median

0:27:00.440 --> 0:27:02.560
<v Speaker 1>and these other women have worked hard, which they have,

0:27:03.240 --> 0:27:05.520
<v Speaker 1>Shouts out to Melanie Camancho, shouts out to lou Now,

0:27:05.880 --> 0:27:07.960
<v Speaker 1>shouts out to Leslie Jones, who were all underneath the

0:27:08.040 --> 0:27:11.760
<v Speaker 1>umbrella of Kat Williams, Cat Williams. Have you ever used

0:27:11.800 --> 0:27:15.320
<v Speaker 1>your platform to bring the people that were under you up?

0:27:16.000 --> 0:27:19.720
<v Speaker 1>You haven't, So because you haven't, don't knows that now

0:27:19.880 --> 0:27:24.160
<v Speaker 1>are I've used my platform and I've brought my guys

0:27:24.280 --> 0:27:27.320
<v Speaker 1>and girls. Uh. The brand of Kevin Hard is a

0:27:27.400 --> 0:27:30.320
<v Speaker 1>brand that's expanded so far far. Whether you like me

0:27:30.440 --> 0:27:33.240
<v Speaker 1>or not, my presence a comedy will forever be felt.

0:27:33.480 --> 0:27:35.840
<v Speaker 1>Because I'm a boss. I sit on the top of

0:27:35.840 --> 0:27:37.320
<v Speaker 1>it and the opportunities that I'm giving all the ones

0:27:37.320 --> 0:27:40.840
<v Speaker 1>that I'm creating. So take responsibility for what you did.

0:27:41.440 --> 0:27:45.040
<v Speaker 1>You've you nobody else did? You don't hear Chris Rock,

0:27:45.560 --> 0:27:49.680
<v Speaker 1>Dave Chappelle, The Kings of Comedy, Seinfeld, You don't hear

0:27:49.800 --> 0:27:54.520
<v Speaker 1>George Lopez, Eddie Griffin. Who else can I go down?

0:27:54.960 --> 0:27:58.520
<v Speaker 1>The road of other comedians? Steve Martin Martin Short, you

0:27:58.560 --> 0:28:01.960
<v Speaker 1>don't hear. Now. Guys that got on top and that

0:28:02.160 --> 0:28:05.040
<v Speaker 1>made it by doing what they love complain about the

0:28:05.119 --> 0:28:07.200
<v Speaker 1>people that are coming under them. The reason why it's

0:28:07.200 --> 0:28:10.480
<v Speaker 1>because they're happy with themselves. Don't blame everybody else for

0:28:10.600 --> 0:28:13.920
<v Speaker 1>your don't show my sister light because you're not happy

0:28:13.960 --> 0:28:16.840
<v Speaker 1>with this has earned It's not given. I don't give

0:28:16.840 --> 0:28:20.159
<v Speaker 1>you Tiffany Hash fan not it's earned. Tiffany hatsh got

0:28:20.240 --> 0:28:22.479
<v Speaker 1>years in the game. It's not an accident that Tiffany

0:28:22.520 --> 0:28:24.960
<v Speaker 1>hash got an opportunity to start in the movie. It's

0:28:24.960 --> 0:28:27.320
<v Speaker 1>not an accident that that character popped in the movie,

0:28:27.680 --> 0:28:30.240
<v Speaker 1>written or not written. A character has to pop it,

0:28:30.359 --> 0:28:32.320
<v Speaker 1>and he even acknowledge the years that you've put in

0:28:32.440 --> 0:28:35.199
<v Speaker 1>before that. Now I want to ask you are very

0:28:35.320 --> 0:28:38.120
<v Speaker 1>classy in your response in social media, because the first

0:28:38.120 --> 0:28:41.000
<v Speaker 1>thing I thought was, that's after, what's Tiffany gonna say?

0:28:41.000 --> 0:28:42.680
<v Speaker 1>Because it has to be a hurt fol when somebody

0:28:42.720 --> 0:28:44.840
<v Speaker 1>says something like that, especially I'm sure you were a

0:28:44.880 --> 0:28:47.360
<v Speaker 1>fan of his, you know at some point. I still

0:28:47.360 --> 0:28:49.480
<v Speaker 1>I'm a fan of his. I think he's hilarious. So

0:28:49.600 --> 0:28:52.880
<v Speaker 1>what did you think when you heard that? Before you respond? Well,

0:28:53.040 --> 0:28:54.800
<v Speaker 1>I thought I was like, damn, what I do to him?

0:28:54.840 --> 0:29:00.640
<v Speaker 1>Did I his? Man? And then I was like, that's

0:29:00.680 --> 0:29:04.360
<v Speaker 1>what I thought it. That's what I always think when

0:29:04.400 --> 0:29:06.440
<v Speaker 1>people say many things. I always think that because I

0:29:06.480 --> 0:29:08.240
<v Speaker 1>figured got to be I must have tell me something

0:29:08.320 --> 0:29:10.720
<v Speaker 1>to me, I must have did something. And then I

0:29:10.840 --> 0:29:12.920
<v Speaker 1>realized I never did nothing to that man. Then and

0:29:12.960 --> 0:29:14.880
<v Speaker 1>then when I started like really listening to it, I

0:29:14.960 --> 0:29:17.360
<v Speaker 1>was like, oh, he got his facts wrong. He's obviously

0:29:17.440 --> 0:29:19.400
<v Speaker 1>not paying attention to me, and somebody must have been

0:29:19.440 --> 0:29:22.040
<v Speaker 1>complaining to him about me or whatever, and maybe he

0:29:22.440 --> 0:29:24.080
<v Speaker 1>felt some type of way. I don't know. I just

0:29:24.160 --> 0:29:26.040
<v Speaker 1>feel like, well, you know, it is what it is.

0:29:26.200 --> 0:29:29.240
<v Speaker 1>I don't I'm not tripping, I'm not mad, I'm not upset.

0:29:29.280 --> 0:29:31.000
<v Speaker 1>But did he apologize because we've seen a picture there.

0:29:31.000 --> 0:29:33.720
<v Speaker 1>It was the first thing he apologized. He said less

0:29:33.760 --> 0:29:36.240
<v Speaker 1>and less and less and let man explain what's going on,

0:29:36.640 --> 0:29:39.160
<v Speaker 1>and then he explained himself. And then I was just like, well,

0:29:39.200 --> 0:29:43.000
<v Speaker 1>you know what did he explaince? I hated. I want

0:29:43.040 --> 0:29:46.080
<v Speaker 1>to step in because I'm left my sister keep it classy. Yeah,

0:29:46.480 --> 0:29:48.640
<v Speaker 1>he's just somebody kicked my sister ball over the fence.

0:29:48.720 --> 0:29:51.400
<v Speaker 1>I want it back. It doesn't matter what he said,

0:29:52.000 --> 0:29:54.320
<v Speaker 1>it doesn't matter what the apology was. So you didn't

0:29:54.360 --> 0:29:56.280
<v Speaker 1>like the Apologie's not about the apology. And I want

0:29:56.280 --> 0:29:57.680
<v Speaker 1>to get this very clear. I want to make it

0:29:57.800 --> 0:30:01.200
<v Speaker 1>very clear. Cat Williams is an amazing, haunted comedian, which

0:30:01.240 --> 0:30:04.120
<v Speaker 1>is why I'm so frustrated. I sit from afar and

0:30:04.200 --> 0:30:07.600
<v Speaker 1>I admired a man's talent. I don't like that you

0:30:07.760 --> 0:30:11.640
<v Speaker 1>said anything negative about a woman of color that's getting

0:30:11.680 --> 0:30:15.000
<v Speaker 1>her shot, saying to me, I'll take it all. Hate me.

0:30:15.480 --> 0:30:17.400
<v Speaker 1>You do seem to be more offendive about listening. I

0:30:17.920 --> 0:30:21.840
<v Speaker 1>have said back, I have ever been the humble guy.

0:30:22.480 --> 0:30:25.120
<v Speaker 1>I have time to not be humble today. I have

0:30:25.280 --> 0:30:27.880
<v Speaker 1>time to fact check everything he said. Because the world

0:30:27.960 --> 0:30:30.360
<v Speaker 1>of Kat Williams is a fictional world. Is he selling?

0:30:37.080 --> 0:30:38.960
<v Speaker 1>I was like, when was she married to a white man?

0:30:40.320 --> 0:30:42.720
<v Speaker 1>I was like, because I I've been proposed to buy

0:30:42.760 --> 0:30:44.800
<v Speaker 1>a white man before, and they found out he was

0:30:44.880 --> 0:30:47.080
<v Speaker 1>really black when we did that DNA test. But it

0:30:47.320 --> 0:30:48.880
<v Speaker 1>is what it is. So you weren't married to a

0:30:48.920 --> 0:30:52.960
<v Speaker 1>white man. No, no, I know that. But two point

0:30:53.040 --> 0:30:56.040
<v Speaker 1>four million tickets on his last tour. That's more than

0:30:56.080 --> 0:30:58.200
<v Speaker 1>beyond saying jay Z. That's more than Justin Bieber and

0:30:58.240 --> 0:31:02.520
<v Speaker 1>Justin timber Lake. That's more than as one Beyonce and

0:31:02.600 --> 0:31:06.880
<v Speaker 1>Justin Timulate combined. You understand how many tickets two point

0:31:06.920 --> 0:31:09.600
<v Speaker 1>four million tickets are right now? You can google it.

0:31:09.720 --> 0:31:13.320
<v Speaker 1>It's all researchable information. I am sitting on one point

0:31:13.360 --> 0:31:16.080
<v Speaker 1>three minion tickets sold. There is nobody close to me

0:31:16.520 --> 0:31:20.320
<v Speaker 1>in ticket sales and comedy, and I am worldwide. I

0:31:20.440 --> 0:31:23.840
<v Speaker 1>am on par with the likes of your Bruno Mars,

0:31:23.880 --> 0:31:27.000
<v Speaker 1>your jay Z and Beyonce. So in comedy it's unheard

0:31:27.040 --> 0:31:30.400
<v Speaker 1>of to get those numbers. Also, to say fifteen consecutive

0:31:30.480 --> 0:31:33.680
<v Speaker 1>one hundred city tours, it's false. Where did you do

0:31:33.840 --> 0:31:35.760
<v Speaker 1>the new stuff? When did you ever work on something?

0:31:35.840 --> 0:31:39.080
<v Speaker 1>Consecutive means in a row where there's a forums list

0:31:39.400 --> 0:31:41.640
<v Speaker 1>every year that comes out, Go back to two thousand

0:31:41.640 --> 0:31:43.080
<v Speaker 1>and seven, go back to two thousand and six. Cat

0:31:43.120 --> 0:31:44.960
<v Speaker 1>Williams has never been on it. Go back to my

0:31:45.080 --> 0:31:47.120
<v Speaker 1>last five years in comedy. I have one year where

0:31:47.120 --> 0:31:49.480
<v Speaker 1>I got number one. This year I'll be number one again.

0:31:49.720 --> 0:31:51.200
<v Speaker 1>I have one year while I was number three. The

0:31:51.240 --> 0:31:53.880
<v Speaker 1>other years i'm number six, I'm number seven. These lists

0:31:54.200 --> 0:31:58.400
<v Speaker 1>are researchable. Another fact, a hard fact. Cat Williams is

0:31:58.520 --> 0:32:01.680
<v Speaker 1>not owned all a special He trashes the white man.

0:32:02.120 --> 0:32:07.400
<v Speaker 1>The white man owns your content? So false? Is this false?

0:32:08.440 --> 0:32:12.400
<v Speaker 1>I am now coming to get my sister's ball that

0:32:12.560 --> 0:32:15.520
<v Speaker 1>was over the fence. Think you got it. I am

0:32:15.600 --> 0:32:19.680
<v Speaker 1>only saying this because of how you attack innocent people. Yes,

0:32:19.960 --> 0:32:22.760
<v Speaker 1>A Tiffany does have an hour stand up special time

0:32:22.840 --> 0:32:25.560
<v Speaker 1>from the Hood to Hollywood. She's got two. Also, Netflix

0:32:25.600 --> 0:32:28.360
<v Speaker 1>specials are not given by what you sell on the road.

0:32:28.400 --> 0:32:31.160
<v Speaker 1>That's the most ridiculous I've heard of my life. Another fact,

0:32:31.280 --> 0:32:34.280
<v Speaker 1>So it's not about tickets. No, not about tickets. It's

0:32:34.280 --> 0:32:37.840
<v Speaker 1>about your brand. It's about your return. If I'm a

0:32:37.920 --> 0:32:39.680
<v Speaker 1>business and I want to invest a high amount of

0:32:39.720 --> 0:32:42.160
<v Speaker 1>money in you, how am I getting my money back?

0:32:42.880 --> 0:32:46.400
<v Speaker 1>Everybody can't demand the money if you can't justify how

0:32:46.440 --> 0:32:49.920
<v Speaker 1>I'm getting my money back. All these announcements came out

0:32:49.960 --> 0:32:52.160
<v Speaker 1>for the specials. I kept minding the raps just because

0:32:52.560 --> 0:32:55.560
<v Speaker 1>Netflix gave me forty million dollars. What wo. This is

0:32:55.600 --> 0:33:05.160
<v Speaker 1>a fact. We need a better chance. Listen. We feel

0:33:05.200 --> 0:33:14.760
<v Speaker 1>like the plot that I'm making is that that's information.

0:33:15.280 --> 0:33:17.400
<v Speaker 1>This is all research for information if you go look

0:33:17.440 --> 0:33:19.520
<v Speaker 1>for it. I just told to keep it to myself

0:33:19.520 --> 0:33:22.240
<v Speaker 1>because I don't care. I'm only saying this now because

0:33:22.240 --> 0:33:25.160
<v Speaker 1>I'm fat checking what was put out as fiction. That's

0:33:25.240 --> 0:33:28.560
<v Speaker 1>not how they do deals with that being said, once again,

0:33:29.080 --> 0:33:31.120
<v Speaker 1>when you look at all the comedians that are up

0:33:31.160 --> 0:33:35.080
<v Speaker 1>and coming, young, old, whatever. As a comedian that's sitting

0:33:35.240 --> 0:33:38.520
<v Speaker 1>in a position of power. If you got any financial growth,

0:33:38.720 --> 0:33:41.320
<v Speaker 1>put your money where your mouth is and you change it.

0:33:41.560 --> 0:33:43.480
<v Speaker 1>So if you got a team of people what he does,

0:33:43.800 --> 0:33:46.120
<v Speaker 1>which are very funny. Once again, shout out to Red

0:33:46.160 --> 0:33:49.600
<v Speaker 1>Grant Mancho lou Now Leslie Jones that was there for

0:33:49.640 --> 0:33:51.840
<v Speaker 1>a minute. I know them all. I love old people,

0:33:51.840 --> 0:33:53.760
<v Speaker 1>but I can't name one of these jokes. It doesn't matter.

0:33:53.800 --> 0:33:55.760
<v Speaker 1>I would never shut on them. At least that I

0:33:55.840 --> 0:33:59.080
<v Speaker 1>would say, take your money and create opportunities for them

0:33:59.320 --> 0:34:01.400
<v Speaker 1>so they can within your brand and make you better.

0:34:01.760 --> 0:34:04.240
<v Speaker 1>All the negativity that I receive when Cat Wiens and

0:34:04.280 --> 0:34:07.600
<v Speaker 1>mic Ups ask yourself, why those two people that themselves

0:34:07.640 --> 0:34:12.160
<v Speaker 1>over the same I don't have time to talk with

0:34:12.280 --> 0:34:15.560
<v Speaker 1>all the today I said. They both got their break

0:34:15.600 --> 0:34:17.719
<v Speaker 1>in the same movie. They both popped on the same

0:34:17.800 --> 0:34:19.799
<v Speaker 1>movie Friday, Friday after next. All right, we have more

0:34:19.840 --> 0:34:21.719
<v Speaker 1>with Kevin Hart and Tiffany Hadis who don't move. It's

0:34:21.719 --> 0:34:25.600
<v Speaker 1>the Breakfast Club. Good morning morning, everybody is DJ Envy

0:34:25.760 --> 0:34:28.719
<v Speaker 1>Angela Yee, Charlomagne. That God, we are the Breakfast Club.

0:34:29.040 --> 0:34:32.080
<v Speaker 1>We got special guests in the building, Tiffany Haddish and

0:34:32.320 --> 0:34:34.719
<v Speaker 1>Kevin Hart. You get along with any of your peers

0:34:35.200 --> 0:34:37.400
<v Speaker 1>with everybody man and you had a little thing but

0:34:37.719 --> 0:34:39.960
<v Speaker 1>Mike Blacks and the fine that was more man Mike

0:34:40.080 --> 0:34:43.640
<v Speaker 1>Blacks and knowing each other for real. You let the

0:34:44.200 --> 0:34:47.879
<v Speaker 1>this fiction take you out of the realm of saying

0:34:47.920 --> 0:34:51.279
<v Speaker 1>you really know me. So at that moment, Mike, I'm like, dude,

0:34:51.640 --> 0:34:54.320
<v Speaker 1>you know me? Like enough is enough. You know that

0:34:54.320 --> 0:34:57.120
<v Speaker 1>at this point when all this is going down, you

0:34:57.400 --> 0:35:01.120
<v Speaker 1>know how serious it is. You know me, like we

0:35:01.280 --> 0:35:03.680
<v Speaker 1>really are friends. I get it from everybody else I've

0:35:04.120 --> 0:35:06.239
<v Speaker 1>but you different. You know me. That's where me and

0:35:06.320 --> 0:35:10.120
<v Speaker 1>Mike came in. But me and Michael Fine, I'm saying negativity.

0:35:10.280 --> 0:35:14.200
<v Speaker 1>I'm saying talk. I'm saying the constant downing of people

0:35:14.280 --> 0:35:16.000
<v Speaker 1>that sit in the position of success, that have worked

0:35:16.040 --> 0:35:18.160
<v Speaker 1>hard for it comes from people that have yet to

0:35:18.239 --> 0:35:22.040
<v Speaker 1>realize their fuck up. This is simply me calling you

0:35:22.239 --> 0:35:25.879
<v Speaker 1>out on your cups. Stop pointing other people. Stop pointing

0:35:25.880 --> 0:35:29.480
<v Speaker 1>to Hollywood for your fuck up. It is changing. It

0:35:29.640 --> 0:35:31.719
<v Speaker 1>is the biggest comedy start in the world right now

0:35:31.960 --> 0:35:36.200
<v Speaker 1>on an international level, box office and goddamn touring. Stop

0:35:36.280 --> 0:35:38.000
<v Speaker 1>talking to me about the opportunities that we're not getting

0:35:38.040 --> 0:35:42.319
<v Speaker 1>because I'm creating them. Your cup take responsible for your cup.

0:35:42.719 --> 0:35:46.360
<v Speaker 1>Don't kick my sister ball over the fence. No more cousin.

0:35:50.000 --> 0:35:53.880
<v Speaker 1>I would never want to get in trouble because I

0:35:54.040 --> 0:35:56.120
<v Speaker 1>know this a girl's story. Y'all. Don't understand where my

0:35:56.200 --> 0:36:01.560
<v Speaker 1>frustration come from. Homeless if the joke of the money

0:36:01.600 --> 0:36:03.560
<v Speaker 1>that I gave her, I'm talking about a real grind

0:36:03.840 --> 0:36:07.400
<v Speaker 1>right homeless, no bid back seat, watching your ass in

0:36:07.480 --> 0:36:10.719
<v Speaker 1>bath through sinks and now you finally get millions for moving.

0:36:10.800 --> 0:36:12.600
<v Speaker 1>Now we want to go. You ain't dising You ain't

0:36:12.640 --> 0:36:16.000
<v Speaker 1>that applauder first, and she seems so grateful all the time.

0:36:16.080 --> 0:36:18.279
<v Speaker 1>And you have nothing bad to say about anybody. I've

0:36:18.320 --> 0:36:21.680
<v Speaker 1>never seen Tiffany Hattish come at anybody being negative. It

0:36:21.760 --> 0:36:24.920
<v Speaker 1>seems like you're always supportive. Yeah, I am supporting the

0:36:24.960 --> 0:36:26.520
<v Speaker 1>fact I got something bad to say about somebody. I

0:36:26.640 --> 0:36:28.920
<v Speaker 1>say it to them and they face first, straight up

0:36:35.400 --> 0:36:37.520
<v Speaker 1>for giving the people who try to discredit you, because

0:36:37.560 --> 0:36:40.000
<v Speaker 1>they obviously are hurting and they need something, they need

0:36:40.080 --> 0:36:42.520
<v Speaker 1>some love. They there's something wrong with them for them

0:36:42.560 --> 0:36:44.359
<v Speaker 1>to even come at me. I never did that to them.

0:36:44.800 --> 0:36:46.959
<v Speaker 1>I never said anything bad about them, So that's something

0:36:47.200 --> 0:36:50.640
<v Speaker 1>that's personal. And obviously they're crying for help. So I'm

0:36:50.640 --> 0:36:52.680
<v Speaker 1>gonna be kind and I'm gonna keep it pushing and

0:36:53.000 --> 0:36:54.560
<v Speaker 1>not of it's work. Whatever they're trying to put out,

0:36:54.560 --> 0:36:56.000
<v Speaker 1>we already reached out to you in the poly ask

0:36:56.040 --> 0:37:01.080
<v Speaker 1>you too, it's that true now where you get that from? No,

0:37:01.560 --> 0:37:02.880
<v Speaker 1>And I want to make this. I want to make

0:37:02.920 --> 0:37:05.799
<v Speaker 1>this perfectly clear. This is not a Kevin Hart versus

0:37:05.880 --> 0:37:08.040
<v Speaker 1>Cat thing. This is not that I don't I don't give.

0:37:08.360 --> 0:37:10.080
<v Speaker 1>I don't give that much of a I don't I

0:37:10.120 --> 0:37:12.400
<v Speaker 1>don't have time to care that much. This is a

0:37:12.560 --> 0:37:16.279
<v Speaker 1>I'm shining a light on what we complain about. We

0:37:16.440 --> 0:37:20.000
<v Speaker 1>complain that we don't have, then we get, and now

0:37:20.080 --> 0:37:22.520
<v Speaker 1>we tear down those that are getting what we said

0:37:22.560 --> 0:37:25.160
<v Speaker 1>we don't have. Make a decision. I'm gonna ride with

0:37:25.200 --> 0:37:27.360
<v Speaker 1>whatever decision we make. Y'all on a platform, help me

0:37:27.480 --> 0:37:30.160
<v Speaker 1>figure out so I know what we're sticking to. Maybe

0:37:30.160 --> 0:37:32.040
<v Speaker 1>I'm wrong, So if I'm wrong, tell me now so

0:37:32.120 --> 0:37:33.520
<v Speaker 1>I can take the money out of my laugh out

0:37:33.560 --> 0:37:35.719
<v Speaker 1>Loud network, so I can stop trying to produce these

0:37:35.800 --> 0:37:39.640
<v Speaker 1>movies and get diversity looks and make a multicultural cast

0:37:39.680 --> 0:37:41.680
<v Speaker 1>pop because I thought that's what we want it. So

0:37:41.719 --> 0:37:43.600
<v Speaker 1>if it's not what we want, tell me, and I'll

0:37:43.640 --> 0:37:46.120
<v Speaker 1>go back and I'll do what was being done that

0:37:46.280 --> 0:37:48.520
<v Speaker 1>we didn't want. So we're going to fix the problem.

0:37:48.800 --> 0:37:52.160
<v Speaker 1>Then help a problem become fixed by being a part

0:37:52.200 --> 0:37:54.319
<v Speaker 1>of the solution and not the problem. When you are

0:37:54.440 --> 0:37:57.880
<v Speaker 1>down and you attack those that are now becoming a

0:37:58.000 --> 0:38:01.320
<v Speaker 1>part of the solution, you're the problem. It's interesting that

0:38:01.360 --> 0:38:04.000
<v Speaker 1>they always say the white man gives people in Hollywood stuff.

0:38:04.040 --> 0:38:06.200
<v Speaker 1>At least we haven't been watching y'all bust y'all ass

0:38:06.280 --> 0:38:08.759
<v Speaker 1>for years. Absolutely, I can say that there has been

0:38:09.000 --> 0:38:14.120
<v Speaker 1>a heavy separation within races and opportunity and the entertainment business.

0:38:14.400 --> 0:38:16.200
<v Speaker 1>I can say all the complaints that have been given

0:38:16.640 --> 0:38:21.560
<v Speaker 1>over the past are not only correct, but worthy of

0:38:21.680 --> 0:38:25.040
<v Speaker 1>the attention that they got. Okay, within all the movements,

0:38:25.120 --> 0:38:28.400
<v Speaker 1>with all the conversation, but then we need more, you

0:38:28.560 --> 0:38:31.040
<v Speaker 1>goddamn right, I get it. I was a person that

0:38:31.160 --> 0:38:34.799
<v Speaker 1>was told movies can't translate overseas with the black lead

0:38:34.840 --> 0:38:36.560
<v Speaker 1>in the comedy. I was told that to my face.

0:38:37.080 --> 0:38:39.640
<v Speaker 1>I bade for those opportunities. I pushed for him. I

0:38:39.760 --> 0:38:43.439
<v Speaker 1>got them. And now you see more movies with people

0:38:43.480 --> 0:38:46.680
<v Speaker 1>of color in the league position getting those opportunities because

0:38:46.719 --> 0:38:49.320
<v Speaker 1>we're pushing forward. They talk about people giving people's stuff.

0:38:49.320 --> 0:38:51.759
<v Speaker 1>You had to fight for an audition for Girls Trip, Yeah,

0:38:51.800 --> 0:38:55.200
<v Speaker 1>I fought for that for I was constantly on my

0:38:55.320 --> 0:38:58.840
<v Speaker 1>agent about getting me that audition, and I got it,

0:38:58.960 --> 0:39:01.480
<v Speaker 1>and then I went in like more times and then

0:39:01.960 --> 0:39:04.759
<v Speaker 1>finally I got the job. But I mean, I was

0:39:04.920 --> 0:39:06.759
<v Speaker 1>just thinking about it, like every person that's ever given

0:39:06.800 --> 0:39:08.840
<v Speaker 1>me an opportunity in this business, or fought for me,

0:39:09.040 --> 0:39:11.000
<v Speaker 1>or fought with me to get a job or put

0:39:11.120 --> 0:39:13.880
<v Speaker 1>me on something has been black. So to me, when

0:39:13.960 --> 0:39:16.239
<v Speaker 1>they say the white man whatever, to me, I don't.

0:39:16.320 --> 0:39:18.640
<v Speaker 1>I don't see it that way. I mean I it's

0:39:18.680 --> 0:39:22.959
<v Speaker 1>been black or Hispanic, uh, Middle Eastern, but mostly black

0:39:23.040 --> 0:39:24.920
<v Speaker 1>people have helped me. And then when it comes to

0:39:25.000 --> 0:39:27.640
<v Speaker 1>stand up, it's it's like everybody I feel like, and

0:39:27.760 --> 0:39:29.960
<v Speaker 1>my job in this business I feel like to me,

0:39:30.239 --> 0:39:32.759
<v Speaker 1>my position I come from bringing joy. And when people like,

0:39:32.800 --> 0:39:34.640
<v Speaker 1>oh she's not funny, you're not funny, I don't care.

0:39:34.719 --> 0:39:37.319
<v Speaker 1>And my comedy not for you. You know, I'm here

0:39:37.680 --> 0:39:40.359
<v Speaker 1>to not make the whole white world laugh. I'm here

0:39:40.400 --> 0:39:42.480
<v Speaker 1>to make the people that buy tickets laugh. That's all

0:39:42.520 --> 0:39:45.080
<v Speaker 1>I care about. And he hods a perfect segue to

0:39:45.760 --> 0:39:55.839
<v Speaker 1>go back. It's our reason for being here. Director. When

0:39:55.880 --> 0:39:59.000
<v Speaker 1>I say perfect segue, I'm saying when I talk about

0:39:59.080 --> 0:40:01.960
<v Speaker 1>second chances, when I talk about the purpose of the movie,

0:40:02.000 --> 0:40:04.600
<v Speaker 1>when I talk about why the movie was created, when

0:40:04.640 --> 0:40:07.160
<v Speaker 1>I talk about the vision behind it, it's to motivate

0:40:07.200 --> 0:40:09.440
<v Speaker 1>and inspire. Yes, you're gonna laugh, But there's a message

0:40:09.440 --> 0:40:13.560
<v Speaker 1>within it, within everything that I'm saying, Yo, second chances

0:40:13.560 --> 0:40:17.640
<v Speaker 1>are valuable. Within everything that I said directed towards Kat

0:40:17.719 --> 0:40:20.200
<v Speaker 1>and what was said, Yo, you got a second chance.

0:40:20.520 --> 0:40:22.320
<v Speaker 1>Your people still ride with you. They still what you

0:40:22.360 --> 0:40:25.400
<v Speaker 1>They always will because you're talented. Acknowledge that, Yo, you

0:40:25.440 --> 0:40:27.359
<v Speaker 1>know what, the first time I may have done something.

0:40:27.800 --> 0:40:30.120
<v Speaker 1>Second time, I'm coming back strong than other people. Watch

0:40:30.239 --> 0:40:32.640
<v Speaker 1>the road back to Kat Williams getting back to the top.

0:40:32.880 --> 0:40:35.160
<v Speaker 1>You mean like with him win an Emmy. Yes, Like

0:40:35.280 --> 0:40:37.879
<v Speaker 1>that's like that's your mom, that's hey man, he didn't

0:40:37.920 --> 0:40:39.760
<v Speaker 1>write that role. By the way, though, I'm just saying, whoever,

0:40:42.520 --> 0:40:45.479
<v Speaker 1>I'm not here to attack that. I'm saying as a fan,

0:40:46.160 --> 0:40:49.480
<v Speaker 1>I would embrace you, acknowledging whatever and going that's a

0:40:49.560 --> 0:40:53.399
<v Speaker 1>second chance. Within my movie, you'll see second chances become

0:40:53.520 --> 0:40:56.800
<v Speaker 1>highlighted you'll see them be celebrated. Night School is bigger

0:40:56.800 --> 0:40:58.360
<v Speaker 1>than the last that you're gonna get. There's a message

0:40:58.360 --> 0:41:01.480
<v Speaker 1>in any content, any content being developed that comes from

0:41:01.520 --> 0:41:05.480
<v Speaker 1>Heartbeat Productions will have an underlying tone that you will

0:41:05.480 --> 0:41:07.080
<v Speaker 1>be able to take with you, because that's what I'm

0:41:07.160 --> 0:41:10.560
<v Speaker 1>trying to do from a production standpoint. So this script

0:41:10.640 --> 0:41:13.000
<v Speaker 1>came to you first, and then your script was developed

0:41:13.080 --> 0:41:17.800
<v Speaker 1>by me. You wrote it, yes, ground up. Harry Ratrick

0:41:17.840 --> 0:41:21.400
<v Speaker 1>shouts out of Harry Ratrick, Joey Wells, Matt Kellard, Glenda Richardson,

0:41:22.080 --> 0:41:25.480
<v Speaker 1>John Hamburg, Nicolas Soler, all amazing talent writers that came

0:41:25.520 --> 0:41:27.440
<v Speaker 1>and had helped in within the development of the script

0:41:28.040 --> 0:41:30.480
<v Speaker 1>done underneath the Heartbeat umbrella. Then after that, taking to

0:41:30.600 --> 0:41:32.920
<v Speaker 1>my guy wool Packer, read it, loved it, took it

0:41:33.000 --> 0:41:35.800
<v Speaker 1>to Universal, sold it. Universal said let's do it. We

0:41:36.000 --> 0:41:39.360
<v Speaker 1>did it, and now we're releasing it. That's the steps

0:41:39.400 --> 0:41:41.800
<v Speaker 1>within the development. But what I love the most is

0:41:41.840 --> 0:41:44.719
<v Speaker 1>that you're seeing something that can be branded and that

0:41:44.800 --> 0:41:47.880
<v Speaker 1>can be underlined as what Kevin Hart content will look like.

0:41:48.239 --> 0:41:49.960
<v Speaker 1>I want to be a partner. I've been a work

0:41:50.000 --> 0:41:51.839
<v Speaker 1>for hire for a long time, so that it's about

0:41:51.840 --> 0:41:54.640
<v Speaker 1>becoming a partner. So when Universal looks at me and

0:41:54.680 --> 0:41:57.760
<v Speaker 1>they say we're developing with Kevin, it's because we're partners.

0:41:57.960 --> 0:41:59.520
<v Speaker 1>The world of being a work for hire was a

0:41:59.560 --> 0:42:01.800
<v Speaker 1>great one, but the business in me won't allow that

0:42:01.920 --> 0:42:04.799
<v Speaker 1>to last. The business is now about pulling other people up,

0:42:05.080 --> 0:42:09.239
<v Speaker 1>embracing the opportunities that can be given, opportunities that can

0:42:09.320 --> 0:42:14.040
<v Speaker 1>be given. The first learned, given earned. Yes, it was

0:42:14.120 --> 0:42:17.560
<v Speaker 1>given because I earned it. I thought you've been doing

0:42:17.600 --> 0:42:20.960
<v Speaker 1>that with your stand up though you are. Yes, really

0:42:21.120 --> 0:42:23.040
<v Speaker 1>really not just for radios, it is not. Once again,

0:42:23.080 --> 0:42:25.920
<v Speaker 1>it's all research but information. Well not the one of

0:42:25.960 --> 0:42:28.440
<v Speaker 1>I just shot. That's Netflix. That's why they cut that

0:42:28.520 --> 0:42:32.080
<v Speaker 1>check so they can that's theirs. And that was one

0:42:32.160 --> 0:42:34.960
<v Speaker 1>special I know I'm doing too, giving them too twenty

0:42:34.960 --> 0:42:36.800
<v Speaker 1>million dollars specials. We don't need to get in scheduled.

0:42:37.000 --> 0:42:41.200
<v Speaker 1>The man is great. I need to get into that.

0:42:41.840 --> 0:42:44.480
<v Speaker 1>It was done along at the same time when Rock

0:42:44.640 --> 0:42:48.359
<v Speaker 1>Chapelle Ellen, when we all we were all figuring it out.

0:42:48.520 --> 0:42:51.080
<v Speaker 1>Eddie Murphy Man, he's up there that that fifty million

0:42:51.160 --> 0:42:54.120
<v Speaker 1>number is a crazy number. Is the highest gross and

0:42:54.120 --> 0:42:57.440
<v Speaker 1>standard special of all time, and you know I shot

0:42:57.480 --> 0:43:00.719
<v Speaker 1>for it. I tried, I gave my all, I made

0:43:00.760 --> 0:43:02.279
<v Speaker 1>the listen. I have three specials on there, but that

0:43:02.360 --> 0:43:05.640
<v Speaker 1>man sets the top for a reason. Highest one is

0:43:05.680 --> 0:43:09.080
<v Speaker 1>thirty six or thirty two, something like that. Thy eight

0:43:09.160 --> 0:43:11.600
<v Speaker 1>thirty eight when you have for twenty three twenty three

0:43:12.440 --> 0:43:14.040
<v Speaker 1>caps on more than you because he did twenty four

0:43:14.120 --> 0:43:18.839
<v Speaker 1>with one of us. All we have more with Kevin

0:43:18.880 --> 0:43:20.960
<v Speaker 1>Hart and Tiffany Hadris who don't move. It's to breakfast club.

0:43:21.000 --> 0:43:24.680
<v Speaker 1>Good morning, DJ, Envy, Angela Yee, Charlemagne, the guy. We

0:43:24.800 --> 0:43:28.040
<v Speaker 1>all the breakfast club. Now. Normally we do rumors here, yes,

0:43:28.120 --> 0:43:30.560
<v Speaker 1>but since Envy and Angela Ye are in Vegas. No,

0:43:30.920 --> 0:43:35.680
<v Speaker 1>since Tiffany has in Vegas. But Tiffany and keV are here.

0:43:35.760 --> 0:43:38.640
<v Speaker 1>But we're all together. Don't worry about it. It's radio magic.

0:43:38.920 --> 0:43:41.319
<v Speaker 1>Don't matter how it's getting done. It's just getting done.

0:43:41.360 --> 0:43:43.000
<v Speaker 1>Don't try to trick or fire me, bro, don't try

0:43:43.000 --> 0:43:44.640
<v Speaker 1>to trick or five me. But let's get back into

0:43:44.680 --> 0:43:48.239
<v Speaker 1>our interview with tiff Doesn't it feel like as the

0:43:48.320 --> 0:43:50.759
<v Speaker 1>success comes and things get bigger for you, it's just

0:43:50.840 --> 0:43:53.120
<v Speaker 1>so much more hate comes with it at times as well,

0:43:53.719 --> 0:43:56.000
<v Speaker 1>especially because they seem like they love you on the

0:43:56.040 --> 0:43:57.680
<v Speaker 1>way up, and then when you get there, it's like

0:43:58.120 --> 0:44:00.160
<v Speaker 1>she ain't funny. Oh she did all she's that. But

0:44:00.280 --> 0:44:01.719
<v Speaker 1>they love you when you're on your well up. Yeah.

0:44:01.760 --> 0:44:03.920
<v Speaker 1>Now all of a sudden, oh she reinforces the negative

0:44:03.920 --> 0:44:06.719
<v Speaker 1>stereotypes of black women. Well I expected. I mean that's

0:44:06.760 --> 0:44:09.080
<v Speaker 1>a part of the process. I've been researching and studying

0:44:09.280 --> 0:44:11.319
<v Speaker 1>in the entertainment business for a long time, and that's

0:44:11.400 --> 0:44:13.520
<v Speaker 1>part of the process. They love you for a minute,

0:44:13.560 --> 0:44:15.439
<v Speaker 1>then they hate on you. Didn't They love you again,

0:44:15.480 --> 0:44:17.719
<v Speaker 1>and they hate on you. It's like a dysfunctional relationship.

0:44:19.360 --> 0:44:21.640
<v Speaker 1>Not really know because my check is getting bigger and bigger,

0:44:21.719 --> 0:44:24.799
<v Speaker 1>so continue to continue to be a publicist for free.

0:44:25.680 --> 0:44:27.719
<v Speaker 1>From my upbringing, I mean, I grew up in foster care,

0:44:27.760 --> 0:44:29.560
<v Speaker 1>one man, and I'm in the most wonderful home. Next thing,

0:44:29.600 --> 0:44:31.880
<v Speaker 1>I'm snatched out to the next thing, thinking nobody, nobody

0:44:31.920 --> 0:44:34.239
<v Speaker 1>there cared about me. So I've been trained and built

0:44:34.280 --> 0:44:35.920
<v Speaker 1>for this. My mamma used to talk mess about me

0:44:35.960 --> 0:44:38.279
<v Speaker 1>and then next second loving kiss on me. So to me,

0:44:38.400 --> 0:44:40.440
<v Speaker 1>this is I was made for this. I'm built for it.

0:44:40.520 --> 0:44:42.600
<v Speaker 1>So y'all can talk all they want to talk. I'm

0:44:42.640 --> 0:44:44.279
<v Speaker 1>still gonna be smiling at you because I know other

0:44:44.360 --> 0:44:45.960
<v Speaker 1>minute you're gonna be like dang. I love what you

0:44:46.040 --> 0:44:48.239
<v Speaker 1>said right there. That made me feel good, so I'm

0:44:48.239 --> 0:44:51.040
<v Speaker 1>gonna keep it pushing. I love how you protecting, you know,

0:44:51.120 --> 0:44:53.040
<v Speaker 1>tipping this situation. But how do you protect you know

0:44:53.160 --> 0:44:56.239
<v Speaker 1>other artists, including her, just in the business period, they

0:44:56.239 --> 0:44:57.880
<v Speaker 1>don't make the same mistake you made. Come and protect

0:44:57.920 --> 0:45:00.719
<v Speaker 1>them by giving them the opportunity. I protect them by

0:45:00.800 --> 0:45:03.520
<v Speaker 1>being an open book and an example. You get to

0:45:03.760 --> 0:45:06.200
<v Speaker 1>see the hard work and effort that was put into

0:45:06.280 --> 0:45:09.000
<v Speaker 1>my craft, and in return, I take it and I say,

0:45:09.040 --> 0:45:10.879
<v Speaker 1>hey man, I can't wait to see the next version

0:45:10.960 --> 0:45:13.600
<v Speaker 1>of what I am, if not bigger, I can't wait

0:45:13.680 --> 0:45:16.640
<v Speaker 1>to see the next version of the next generation that

0:45:16.760 --> 0:45:20.640
<v Speaker 1>surpasses all this amazing that I'm doing and that creates

0:45:20.680 --> 0:45:23.520
<v Speaker 1>other opportunities for others. I got to see a blueprint

0:45:23.600 --> 0:45:25.759
<v Speaker 1>that so many did before me, and I took what

0:45:25.840 --> 0:45:27.520
<v Speaker 1>I saw and I said, how can I be different?

0:45:27.800 --> 0:45:30.160
<v Speaker 1>What impact can I have? So when you say how

0:45:30.200 --> 0:45:32.080
<v Speaker 1>do I change or how do I have an effect

0:45:32.160 --> 0:45:34.800
<v Speaker 1>on them? My effect is by saying, hey man, take this,

0:45:35.560 --> 0:45:38.680
<v Speaker 1>use this for whatever you feel you can. And when

0:45:38.760 --> 0:45:40.880
<v Speaker 1>you get the opportunity that you feel you're going to

0:45:41.000 --> 0:45:43.080
<v Speaker 1>get from this, don't get up. Be better than me,

0:45:43.520 --> 0:45:46.920
<v Speaker 1>the people in our craft of comedy, which is one

0:45:46.960 --> 0:45:49.880
<v Speaker 1>of the hardest goddamn professions to make it in. So

0:45:49.960 --> 0:45:52.200
<v Speaker 1>when you're a person that sits in this chair, that's

0:45:52.239 --> 0:45:54.680
<v Speaker 1>in this field, come on, man, you got no choice

0:45:54.719 --> 0:45:57.120
<v Speaker 1>but to support the ones that made it out that gauntlet.

0:45:57.600 --> 0:46:02.759
<v Speaker 1>How y'all feel man? Everybody? All right? Dude on even

0:46:02.760 --> 0:46:04.719
<v Speaker 1>when people hating, when they can name five or six

0:46:04.760 --> 0:46:09.200
<v Speaker 1>black comedians, that's big, because usually it's only one, huge huge.

0:46:09.760 --> 0:46:11.759
<v Speaker 1>That's why I was so taken back. Like at the

0:46:11.800 --> 0:46:15.200
<v Speaker 1>shot for Rel, I couldn't be prouder of Real. I

0:46:15.239 --> 0:46:19.440
<v Speaker 1>couldn't be more happy. Think that great guy, great guy. Man,

0:46:19.800 --> 0:46:23.560
<v Speaker 1>that man, don't bother nobody. I'm final attractive though. Look man,

0:46:23.600 --> 0:46:26.399
<v Speaker 1>that's that's that's not to me to determine. Okay, look,

0:46:26.480 --> 0:46:37.840
<v Speaker 1>that's all right. He said, Real's got he's got kids, hedy, somebody, somebody,

0:46:38.440 --> 0:46:41.600
<v Speaker 1>somebody was okay, wait, come from you. Don't you don't

0:46:41.680 --> 0:46:44.400
<v Speaker 1>let that happen to something that you feel is disgusting.

0:46:45.600 --> 0:46:48.440
<v Speaker 1>That's a mutual agreement right there, and you helped her

0:46:48.480 --> 0:46:50.560
<v Speaker 1>all out early with his stand up special l I

0:46:50.680 --> 0:46:54.160
<v Speaker 1>was lucky enough for Rel to allow me to help

0:46:54.280 --> 0:46:56.359
<v Speaker 1>him out. I came to Rel as a fan. Dude,

0:46:56.400 --> 0:46:58.360
<v Speaker 1>I'm a fan. I would love to produce your special.

0:46:58.600 --> 0:47:00.680
<v Speaker 1>Me and Rel had a conversation. I said, I want

0:47:00.719 --> 0:47:02.279
<v Speaker 1>you to do it your way. I just want to help.

0:47:02.560 --> 0:47:05.520
<v Speaker 1>I'm a fan. I'm a fan of the craft. I

0:47:05.880 --> 0:47:08.360
<v Speaker 1>love comedy. I love watching the ones that did it

0:47:08.400 --> 0:47:11.520
<v Speaker 1>before me, and I love watching the ones that are

0:47:11.560 --> 0:47:13.839
<v Speaker 1>coming up after me. If you take nothing else from

0:47:13.880 --> 0:47:16.800
<v Speaker 1>this interview, can take the fact that I want to

0:47:16.840 --> 0:47:19.800
<v Speaker 1>see other people winning. I'm not selfish with my position.

0:47:20.280 --> 0:47:23.000
<v Speaker 1>So for all of our black people out there that

0:47:23.200 --> 0:47:25.800
<v Speaker 1>want to see more people of color in a position

0:47:25.840 --> 0:47:28.120
<v Speaker 1>where they're winning, ask yourself if you're a part of

0:47:28.120 --> 0:47:31.359
<v Speaker 1>the solution of the problem. Is that simple? We love

0:47:31.440 --> 0:47:32.759
<v Speaker 1>you for being honest, man. One of the things that

0:47:32.800 --> 0:47:35.640
<v Speaker 1>you're super honest about that's been like intriguing me lately

0:47:35.840 --> 0:47:37.279
<v Speaker 1>is like the fact that you be getting your head

0:47:37.360 --> 0:47:39.560
<v Speaker 1>died and your beard died because I got grace problems

0:47:40.000 --> 0:47:46.680
<v Speaker 1>up there, but he had at no, no, I definitely

0:47:46.680 --> 0:47:53.359
<v Speaker 1>got to die. He h No. But here's the thing, though,

0:47:53.520 --> 0:47:55.239
<v Speaker 1>I think I was using the wrong color for a

0:47:55.320 --> 0:47:59.919
<v Speaker 1>minute because of my no I was going dark brown.

0:48:00.000 --> 0:48:03.920
<v Speaker 1>But when they go back, my turn like a dirty brine, like, yeah,

0:48:04.120 --> 0:48:06.480
<v Speaker 1>what a gad, you're washing your head cheek, your head

0:48:06.520 --> 0:48:10.719
<v Speaker 1>look dirty. I'm talking about it. Didn't nobody, it's my

0:48:10.880 --> 0:48:12.839
<v Speaker 1>natural color. Y'all think about getting something for the bid,

0:48:13.120 --> 0:48:16.200
<v Speaker 1>not the Beijing. I don't I don't do that. I

0:48:16.239 --> 0:48:18.440
<v Speaker 1>don't do that. You got some rich Even when you

0:48:18.480 --> 0:48:20.239
<v Speaker 1>wiped your forehead just now, ain't nothing came out. You

0:48:20.320 --> 0:48:22.160
<v Speaker 1>gotta go a good product. The last thing you want

0:48:22.160 --> 0:48:24.880
<v Speaker 1>to do, especially when you're married, is get up from

0:48:24.880 --> 0:48:29.080
<v Speaker 1>a pillowcase. You gotta hear yourself. I don't know. I

0:48:29.200 --> 0:48:36.279
<v Speaker 1>washed my the Beijing. The Beijing is coming out. He's

0:48:36.280 --> 0:48:37.880
<v Speaker 1>not gonna do that publicly because it's my secret. I

0:48:37.960 --> 0:48:41.960
<v Speaker 1>tell you off here them here. I got a nice product, man.

0:48:42.040 --> 0:48:44.640
<v Speaker 1>And you know, here's the thing. You can't overdo it.

0:48:45.200 --> 0:48:48.400
<v Speaker 1>Do it when it's necessary sometimes, embrace the gray. Let

0:48:48.480 --> 0:48:50.800
<v Speaker 1>that go out and just look like look like Morgan

0:48:50.840 --> 0:48:54.120
<v Speaker 1>Freeman for a good two weeks. Accept it, and then

0:48:54.239 --> 0:48:57.359
<v Speaker 1>and then after that surprising to get everybody with you. Yeah,

0:48:58.760 --> 0:49:03.479
<v Speaker 1>who's trying to go dance? Right? School? Is ever next week.

0:49:04.000 --> 0:49:05.239
<v Speaker 1>Make sure you go check it out and make sure

0:49:05.280 --> 0:49:07.840
<v Speaker 1>you support. So listen, if all these people apologize, it'll

0:49:07.840 --> 0:49:11.040
<v Speaker 1>be all good, right, Listen, I'm not here for drama, brothers. Okay,

0:49:11.200 --> 0:49:13.560
<v Speaker 1>it's not about the apology. It's not about like me

0:49:13.640 --> 0:49:15.400
<v Speaker 1>and Kat, you don't ever have to talk or we

0:49:15.400 --> 0:49:17.359
<v Speaker 1>can't talk. It doesn't it doesn't matter. It's not gonna

0:49:17.400 --> 0:49:21.719
<v Speaker 1>affect me anyway. I am about support. That's it. I'm

0:49:21.719 --> 0:49:23.560
<v Speaker 1>gonna support that man. I'm gonna be a fan forever,

0:49:24.000 --> 0:49:25.759
<v Speaker 1>whether I like even whether we don't like each other,

0:49:25.800 --> 0:49:27.440
<v Speaker 1>I'm a fan. I'm a fan of his talent. It

0:49:27.480 --> 0:49:29.000
<v Speaker 1>has nothing to do with that. I want to make

0:49:29.040 --> 0:49:30.759
<v Speaker 1>that very clear. This has nothing to do with that.

0:49:30.840 --> 0:49:32.960
<v Speaker 1>This is not a beef. This is correcting what you

0:49:33.120 --> 0:49:35.600
<v Speaker 1>said that you know you shouldn't have said. This is

0:49:35.600 --> 0:49:40.040
<v Speaker 1>about you embracing your fails, yours, and you acknowledging what

0:49:40.200 --> 0:49:43.120
<v Speaker 1>you did and stop pointing a finger to everybody else.

0:49:43.400 --> 0:49:45.120
<v Speaker 1>Eventually you got to point it back to you. Well,

0:49:45.160 --> 0:49:47.799
<v Speaker 1>thank you for joining us. I've got two more movies

0:49:47.840 --> 0:49:50.279
<v Speaker 1>coming out this year. Yeah, what the movies tell them?

0:49:50.560 --> 0:49:52.560
<v Speaker 1>I got The Oaths coming out in October, and then

0:49:52.600 --> 0:49:54.680
<v Speaker 1>I got another movie called Nobody's Full coming out in

0:49:54.719 --> 0:49:57.279
<v Speaker 1>no Vamper. Aren't you on TV? Too? Ah? Yeah, I'm

0:49:57.280 --> 0:49:59.600
<v Speaker 1>on TV on the show called The Last Age. And

0:50:00.000 --> 0:50:02.080
<v Speaker 1>I got some more group on commercials come in, and

0:50:02.200 --> 0:50:05.600
<v Speaker 1>I got some seeds and that's saw all of my

0:50:05.719 --> 0:50:08.560
<v Speaker 1>Netflix specials come in. And then I'm also gonna bring

0:50:08.680 --> 0:50:11.680
<v Speaker 1>up six other comics in that special. I'm doing a

0:50:11.719 --> 0:50:14.960
<v Speaker 1>Tiffany Hatas presents my favorite comedians, and it's like comics

0:50:15.000 --> 0:50:16.680
<v Speaker 1>that have been doing comedy for more than ten years

0:50:16.719 --> 0:50:18.520
<v Speaker 1>that deserve a chance to shine. Oh so you mean

0:50:18.560 --> 0:50:20.560
<v Speaker 1>to tell me you gott putting a position of pause

0:50:20.600 --> 0:50:22.279
<v Speaker 1>and now you're putting other people on. Yeah, that's what

0:50:22.320 --> 0:50:25.480
<v Speaker 1>you're supposed to do. That's what my big brother taught me. Wow,

0:50:26.400 --> 0:50:28.799
<v Speaker 1>just transferred down. Man, give me a second. I want

0:50:28.840 --> 0:50:32.560
<v Speaker 1>to run down stuff I got going on. You guys,

0:50:32.560 --> 0:50:34.000
<v Speaker 1>got a second just before we get out there. We

0:50:34.040 --> 0:50:36.839
<v Speaker 1>gotta second, Okay. I just need a good sixty seven

0:50:36.880 --> 0:50:41.080
<v Speaker 1>seconds in time to get out earlier. Okay, First and foremost,

0:50:41.160 --> 0:50:43.680
<v Speaker 1>nice school. That's the priority. Guys, Please go out support

0:50:43.760 --> 0:50:45.920
<v Speaker 1>this movie. September twenty eight Ye. Like I said, it's

0:50:45.960 --> 0:50:48.760
<v Speaker 1>a big meaning behind it. First movie underneath the production

0:50:48.880 --> 0:50:51.759
<v Speaker 1>company of mine, Heartbeat Production. So I need you to

0:50:51.800 --> 0:50:54.359
<v Speaker 1>just support other than that. Got a drama coming out,

0:50:54.719 --> 0:50:57.759
<v Speaker 1>call the Upside Me Brian Cranton, the Cole Kitman. That's

0:50:57.840 --> 0:51:01.560
<v Speaker 1>dropping January Love drama. That's this is gonna be. It's

0:51:01.560 --> 0:51:03.279
<v Speaker 1>a it's a great look. I can't wait for people

0:51:03.320 --> 0:51:05.200
<v Speaker 1>to sit it. Take your Life of Pets too, Get

0:51:05.280 --> 0:51:07.680
<v Speaker 1>ready for that one. I'm in that is in that too.

0:51:07.680 --> 0:51:09.040
<v Speaker 1>That's why I brought it up because you forgot to

0:51:09.080 --> 0:51:11.600
<v Speaker 1>say I don't know when it's coming, Well I do.

0:51:11.760 --> 0:51:17.000
<v Speaker 1>That's my twenty nineteen. You'll get hit with that. The tour,

0:51:17.120 --> 0:51:19.480
<v Speaker 1>Irresponsible tour. I'm on my last three months. We're wrapping

0:51:19.520 --> 0:51:22.200
<v Speaker 1>that up strong. Uh, big cities coming up. If you

0:51:22.239 --> 0:51:24.319
<v Speaker 1>don't have your tickets, go get them. Kevinhartnation dot Com

0:51:24.800 --> 0:51:28.920
<v Speaker 1>also filming Jumanji two. After filming Jumanji two, working on

0:51:28.960 --> 0:51:31.319
<v Speaker 1>another animation, working on a comedy called Little Kevin. That's

0:51:31.320 --> 0:51:33.920
<v Speaker 1>gonna be about my life but me being told. I'm

0:51:33.960 --> 0:51:36.320
<v Speaker 1>telling this life through uh, through the little version of

0:51:36.440 --> 0:51:38.480
<v Speaker 1>me with an adult voice. It's pretty dope. So it's

0:51:38.520 --> 0:51:41.880
<v Speaker 1>the same it's you right now pretty much. Yeah, But

0:51:42.120 --> 0:51:44.919
<v Speaker 1>when you say like that, Yes, exactly what it is said.

0:51:44.920 --> 0:51:47.080
<v Speaker 1>I got a movie coming out with Melissa McCarthy as well.

0:51:47.880 --> 0:51:50.200
<v Speaker 1>Oh yeah, that's yeah The Kitchen. Yeah, and that's a

0:51:50.280 --> 0:51:53.680
<v Speaker 1>gangster movie. Go you. Yeah, I'm learning from you everyone more. Yeah.

0:51:53.840 --> 0:51:55.840
<v Speaker 1>I also got a cart too coming out on Netflix.

0:51:56.000 --> 0:52:06.200
<v Speaker 1>I'm Bertie. Yeah. Yeah, I got Rose Barn that's come

0:52:06.239 --> 0:52:10.240
<v Speaker 1>in twenty nineteen as well. That's the comedy I'm limited partners.

0:52:10.280 --> 0:52:14.239
<v Speaker 1>I'm producing that too. Did you get more for your

0:52:14.280 --> 0:52:18.040
<v Speaker 1>netflixpression in Monique don't say that? Thank you guys for

0:52:18.120 --> 0:52:22.239
<v Speaker 1>the time you guys. Uh, this has been real. You know,

0:52:22.320 --> 0:52:25.640
<v Speaker 1>this is what it's about. Kevin, Thank you guys, and

0:52:25.760 --> 0:52:28.560
<v Speaker 1>we got and we do have to say congratulations about you.

0:52:28.600 --> 0:52:30.239
<v Speaker 1>Guys are both up here. Honestly, I know we're all

0:52:30.280 --> 0:52:31.880
<v Speaker 1>cool with each other and we joke around a lot.

0:52:31.960 --> 0:52:34.000
<v Speaker 1>But that's huge that you guys are doing so much,

0:52:34.360 --> 0:52:39.080
<v Speaker 1>so many big things for Congratulations to Tiffany and inspirational.

0:52:39.280 --> 0:52:42.120
<v Speaker 1>Thank you, Thank yall, y'all appreciate y'all. It's the breakfast Club.

0:52:42.200 --> 0:52:57.040
<v Speaker 1>Good morning. Don't date you get junk you are, I'm

0:52:57.040 --> 0:53:00.080
<v Speaker 1>gonna fat and all that around your this man to

0:53:00.280 --> 0:53:04.560
<v Speaker 1>Stolton Blowers. Many waited for Charlomagne to make a judgment

0:53:04.960 --> 0:53:06.600
<v Speaker 1>who was gonna be on the Donkey of the Day.

0:53:06.920 --> 0:53:10.520
<v Speaker 1>They chose you the Breakfast Club. Bitches, Who's Donkey of

0:53:10.560 --> 0:53:13.279
<v Speaker 1>the Day to day? All right, listen, man, Charlomagne the

0:53:13.360 --> 0:53:15.200
<v Speaker 1>God here, I'm on vacation. I don't give a damn

0:53:15.200 --> 0:53:17.520
<v Speaker 1>what y'all think about that, because I deserve it. Now.

0:53:17.640 --> 0:53:19.560
<v Speaker 1>The Breakfast Club is in eighty plus markets in one

0:53:19.600 --> 0:53:21.040
<v Speaker 1>hundred and fifty country, so we have a lot of

0:53:21.080 --> 0:53:23.279
<v Speaker 1>new listeners who probably don't even know who Charlomagne the

0:53:23.360 --> 0:53:26.120
<v Speaker 1>God is. So use my time off to catch up

0:53:26.280 --> 0:53:29.000
<v Speaker 1>on some of my past work. Okay, okay, if you

0:53:29.080 --> 0:53:31.320
<v Speaker 1>knew here, I do a segment every day called Donkey

0:53:31.360 --> 0:53:33.480
<v Speaker 1>of the Day donkey as in jackass, and that's when

0:53:33.520 --> 0:53:35.759
<v Speaker 1>I give someone the credit they deserve for being stupid. So,

0:53:36.040 --> 0:53:37.920
<v Speaker 1>if you've never heard of it, this is new to you.

0:53:38.040 --> 0:53:39.560
<v Speaker 1>But if you are a regular listener, then this is

0:53:39.560 --> 0:53:42.120
<v Speaker 1>an oldiep but goody because it's the best of the

0:53:42.239 --> 0:53:44.080
<v Speaker 1>Donkey of the Day. Donkey of the Day goes to

0:53:44.160 --> 0:53:46.520
<v Speaker 1>a queen from Queens named Nicki Minaj. Charp won the

0:53:46.520 --> 0:53:50.480
<v Speaker 1>clues Bombs from Nicki Minach. Okay, Now, it's rare that

0:53:50.600 --> 0:53:53.200
<v Speaker 1>you see someone played themselves the way Nicki Minaj played

0:53:53.239 --> 0:53:55.359
<v Speaker 1>ourself on social media. Now, if you are not aware

0:53:55.400 --> 0:53:57.799
<v Speaker 1>of what happened, the Billboard shots for this week came

0:53:57.840 --> 0:54:00.759
<v Speaker 1>out and once again, Travis Scott, regardless of what on

0:54:00.880 --> 0:54:02.840
<v Speaker 1>Nika says, has the number one album in the country

0:54:02.880 --> 0:54:05.280
<v Speaker 1>with Astro World dropped on a Clues Bombs with Travis Scott.

0:54:06.520 --> 0:54:09.200
<v Speaker 1>Travis sold twenty to five thousand units with seventy eight

0:54:09.280 --> 0:54:11.719
<v Speaker 1>thousand from traditional sales. Nicki Minaj has the number two

0:54:11.760 --> 0:54:13.520
<v Speaker 1>albums in the country with one hundred and eighty five

0:54:13.560 --> 0:54:16.000
<v Speaker 1>thousand units and seventy eight thousand of her albums from

0:54:16.040 --> 0:54:19.640
<v Speaker 1>traditional sales. Dropping the clues bons from nickim Naji again, Okay,

0:54:20.160 --> 0:54:23.000
<v Speaker 1>because Queen to me is a good body of work,

0:54:23.480 --> 0:54:25.720
<v Speaker 1>I have slight critique like I probably would have shortened

0:54:25.719 --> 0:54:27.279
<v Speaker 1>it the just twelve songs. I also would like to

0:54:27.320 --> 0:54:29.520
<v Speaker 1>hear a little more grow fier Nikki when it comes

0:54:29.560 --> 0:54:31.800
<v Speaker 1>to her content. But I still think in my opinion

0:54:31.920 --> 0:54:33.600
<v Speaker 1>that Queen is a good body of work, and it's

0:54:33.600 --> 0:54:36.080
<v Speaker 1>a good body of work that sold one hundred and

0:54:36.320 --> 0:54:38.920
<v Speaker 1>eighty five thousand albums in his first week. I think

0:54:39.000 --> 0:54:41.680
<v Speaker 1>that's more than respectable. I think that's a win. But

0:54:41.880 --> 0:54:45.040
<v Speaker 1>Nicki minaj ladies and gentlemen. It's a sore winner. And

0:54:45.120 --> 0:54:47.200
<v Speaker 1>it's very very very read that you come across the

0:54:47.280 --> 0:54:49.880
<v Speaker 1>sore winner. But Nikki is one of them. Nicki responded

0:54:49.920 --> 0:54:51.520
<v Speaker 1>to the news of her having a number two album

0:54:51.560 --> 0:54:54.680
<v Speaker 1>in the country by tweeting, Travis sold over fifty thousand

0:54:54.760 --> 0:54:58.520
<v Speaker 1>of these. By fifty thousand of these, she means merchandise right,

0:54:58.800 --> 0:55:01.560
<v Speaker 1>with no requirement of redeeming the album, with no dates

0:55:01.600 --> 0:55:04.040
<v Speaker 1>for a tour, etc. I spoke to him. He knows

0:55:04.080 --> 0:55:06.120
<v Speaker 1>he doesn't have the number one album this week. I

0:55:06.280 --> 0:55:09.360
<v Speaker 1>love my fans for the number one album in America. Now,

0:55:09.480 --> 0:55:11.479
<v Speaker 1>when she says fifty thousand to be she talking about

0:55:11.520 --> 0:55:14.160
<v Speaker 1>tour passes merchandise. What is she talking about? Does anybody

0:55:14.200 --> 0:55:16.520
<v Speaker 1>know merchant? I think it's a merch it's a merchant.

0:55:16.560 --> 0:55:19.520
<v Speaker 1>I think they if you buy the T shirt or whatever,

0:55:19.600 --> 0:55:20.880
<v Speaker 1>maybe I think you also get out. I know I

0:55:20.960 --> 0:55:23.000
<v Speaker 1>got Dan who works up here, loves merchant. He bought

0:55:23.080 --> 0:55:24.600
<v Speaker 1>some of the Travis Scott merch so I guess it

0:55:24.680 --> 0:55:27.680
<v Speaker 1>comes with the album. Whatever it was. I'm just here

0:55:27.760 --> 0:55:29.920
<v Speaker 1>to tell Nikki he know. Travis does not know he

0:55:29.960 --> 0:55:31.879
<v Speaker 1>doesn't have the number one album in the country, because

0:55:31.920 --> 0:55:34.640
<v Speaker 1>we're all looking at the same numbers. You are. He

0:55:34.760 --> 0:55:36.600
<v Speaker 1>has the number one album in the country. Okay, you

0:55:36.719 --> 0:55:39.480
<v Speaker 1>have the number two album in the country, all right.

0:55:39.520 --> 0:55:41.560
<v Speaker 1>He's sold two hundred and five thousand. You sold one

0:55:41.640 --> 0:55:44.000
<v Speaker 1>hundred and eighty five thousand. I don't care what bundles

0:55:44.040 --> 0:55:46.319
<v Speaker 1>came with the album. So what if Travis Scott sold

0:55:46.400 --> 0:55:48.919
<v Speaker 1>merch with album with tour passes with his album? Last

0:55:48.960 --> 0:55:51.279
<v Speaker 1>time I checked, Nikki, you bundle concert tickets with your

0:55:51.320 --> 0:55:53.400
<v Speaker 1>album too, So really trying to see what is the

0:55:53.520 --> 0:55:56.239
<v Speaker 1>issue here? Okay, let's look at everyone who Nikki blamed

0:55:56.280 --> 0:55:59.240
<v Speaker 1>for being numbered two, all right. She blamed Travis Scott

0:55:59.280 --> 0:56:01.680
<v Speaker 1>for selling merchant along with his album. She blamed Kylie

0:56:01.760 --> 0:56:04.440
<v Speaker 1>Jennifer tweeting about Travis Scott's album. She blames Stormy for

0:56:04.520 --> 0:56:06.320
<v Speaker 1>being a cute little baby who daddy happens to be

0:56:06.480 --> 0:56:08.920
<v Speaker 1>Travis Scott and he made the album. She blamed Spotify

0:56:09.040 --> 0:56:11.600
<v Speaker 1>for putting Drake on every playlist proclaimed Spotify told her

0:56:11.719 --> 0:56:13.359
<v Speaker 1>they would have to teach her a lesson for playing

0:56:13.400 --> 0:56:16.440
<v Speaker 1>her music ten minutes early on Apple Radio, Nicki Minaj,

0:56:16.480 --> 0:56:19.960
<v Speaker 1>you're blaming everyone like you lost something. You have watched

0:56:20.000 --> 0:56:22.480
<v Speaker 1>too much Talaget Talladegga Knights because this quote has to

0:56:22.520 --> 0:56:25.600
<v Speaker 1>be stuck in your brain. First you're laugh but I'm

0:56:25.640 --> 0:56:28.160
<v Speaker 1>telling you that's not true. Okay, it's okay. You put

0:56:28.200 --> 0:56:29.880
<v Speaker 1>out a good body of work and you sold one

0:56:29.960 --> 0:56:32.160
<v Speaker 1>hundred and eighty five thousand records. Why are you being

0:56:32.200 --> 0:56:35.319
<v Speaker 1>a soul winner? Nothing you're doing is Queen like I mean, Okay,

0:56:35.440 --> 0:56:37.680
<v Speaker 1>let's just say, you know, let's just say all these

0:56:37.680 --> 0:56:39.839
<v Speaker 1>people are to blame for you having the number two

0:56:40.160 --> 0:56:42.279
<v Speaker 1>album in the country. Okay, Well, who's the blame for

0:56:42.360 --> 0:56:46.000
<v Speaker 1>you having the number two album? In twenty fifteen, Nikki's

0:56:46.080 --> 0:56:48.200
<v Speaker 1>last album to pick Print debut at number two with

0:56:48.320 --> 0:56:51.200
<v Speaker 1>two hundred and forty four thousand albums sold. Okay, I

0:56:51.239 --> 0:56:53.600
<v Speaker 1>don't remember her tripping off being number two then, so

0:56:53.640 --> 0:56:56.319
<v Speaker 1>what's the problem now? And this album Queen is better

0:56:56.360 --> 0:56:58.080
<v Speaker 1>than Meet than the Pink Print. So the most important

0:56:58.120 --> 0:56:59.879
<v Speaker 1>thing is you put out a good body of work.

0:57:00.080 --> 0:57:02.600
<v Speaker 1>Because nobody was canceling you because they wanted you gone

0:57:02.600 --> 0:57:04.560
<v Speaker 1>from the game. People were saying they just wasn't feeling

0:57:04.560 --> 0:57:07.520
<v Speaker 1>you musically anymore, so they hear you back musically. It's

0:57:07.520 --> 0:57:09.400
<v Speaker 1>all I ever wanted. So for you to have the

0:57:09.520 --> 0:57:12.239
<v Speaker 1>number two album in the country is cool, Okay. I

0:57:12.360 --> 0:57:14.200
<v Speaker 1>just want to know why you don't think this is okay.

0:57:14.280 --> 0:57:18.000
<v Speaker 1>This is your second consecutive number two album. It's the

0:57:18.080 --> 0:57:20.160
<v Speaker 1>second biggest debut a week from a female rapper in

0:57:20.200 --> 0:57:23.520
<v Speaker 1>two eighteen, behind Cardi B's invasion of privacy. The meltdown

0:57:23.560 --> 0:57:26.400
<v Speaker 1>you had on social media wasn't warrantined because you won.

0:57:27.080 --> 0:57:28.560
<v Speaker 1>And for all the bobs out there who are in

0:57:28.680 --> 0:57:30.560
<v Speaker 1>my mentions right now ready to slant to me all

0:57:30.680 --> 0:57:33.120
<v Speaker 1>day for giving Nikki donkey today, how about take that

0:57:33.240 --> 0:57:36.000
<v Speaker 1>energy to Apple, take it to Title, take it to Spotify,

0:57:36.120 --> 0:57:38.040
<v Speaker 1>take it to the record store. Instead of putting energy

0:57:38.080 --> 0:57:40.520
<v Speaker 1>into slandering people who you think hate Nicki Minaj, go

0:57:40.760 --> 0:57:44.160
<v Speaker 1>support her music. Every time you think about slandering me today,

0:57:44.400 --> 0:57:46.560
<v Speaker 1>are sending me a nasty tweeter or leaving me an

0:57:46.600 --> 0:57:49.200
<v Speaker 1>ig caption? Just think to yourself, Damn, I could be

0:57:49.240 --> 0:57:52.680
<v Speaker 1>screaming Nicky's music right now. I'll purchasing her music, Okay, NICKI,

0:57:52.760 --> 0:57:54.959
<v Speaker 1>activate your bobs to buy your albums and not slam

0:57:55.040 --> 0:57:57.520
<v Speaker 1>the people who you have issues with. It's way more productive,

0:57:57.720 --> 0:58:00.600
<v Speaker 1>all right. I saw Nikki on academics page Saturday when

0:58:00.640 --> 0:58:05.040
<v Speaker 1>he posted the Billboard numbers and she put this is wrong, Okay,

0:58:05.120 --> 0:58:07.919
<v Speaker 1>real numbers come on Sunday, and then she put fake news,

0:58:07.960 --> 0:58:10.400
<v Speaker 1>sounding just like Trump. She was right though, because the

0:58:10.520 --> 0:58:13.200
<v Speaker 1>numbers on Saturday with Travis Scott seals two undred and

0:58:13.240 --> 0:58:15.120
<v Speaker 1>twenty five thousand with the number one album, and they

0:58:15.160 --> 0:58:17.200
<v Speaker 1>had Nikki selling one hundred and ninety thousand but still

0:58:17.240 --> 0:58:21.120
<v Speaker 1>the number two album. Okay, so she was right, you know,

0:58:21.360 --> 0:58:25.240
<v Speaker 1>on everything except for the actual record sales. And all

0:58:25.240 --> 0:58:27.080
<v Speaker 1>I'm saying is you could be number one next week

0:58:27.320 --> 0:58:29.360
<v Speaker 1>if you get people to focus on the album instead

0:58:29.360 --> 0:58:31.840
<v Speaker 1>of the antics. Okay, the album is actually good. Put

0:58:31.880 --> 0:58:34.560
<v Speaker 1>out more singles, do more videos. You're so busy worrying

0:58:34.560 --> 0:58:36.320
<v Speaker 1>about what you don't have that you're not focusing on

0:58:36.400 --> 0:58:37.920
<v Speaker 1>what you have. And what you have is a good

0:58:37.960 --> 0:58:40.320
<v Speaker 1>body of work, a loyal fan base, and the number

0:58:40.400 --> 0:58:43.480
<v Speaker 1>two standing on the Billboard charts this week. You have

0:58:43.600 --> 0:58:45.480
<v Speaker 1>a lot to build off, Nikki. Okay, you are a

0:58:45.560 --> 0:58:47.480
<v Speaker 1>god fearing woman, so you know as well as I

0:58:47.600 --> 0:58:49.760
<v Speaker 1>do that what we don't appreciate, we risk lose it.

0:58:50.000 --> 0:58:51.920
<v Speaker 1>If you dropped the number eight on number ten next week,

0:58:51.960 --> 0:58:53.720
<v Speaker 1>you're gonna wish she was back at number two. So

0:58:53.880 --> 0:58:57.880
<v Speaker 1>Nikki stopped being a sore winner because you won. You

0:58:58.040 --> 0:59:01.200
<v Speaker 1>did it on them, all right, let's celebrate you having

0:59:01.240 --> 0:59:03.760
<v Speaker 1>the number two albums in the country. All the barbs,

0:59:03.800 --> 0:59:08.880
<v Speaker 1>let's celebrate. Play my joint, please play? What the hell

0:59:09.000 --> 0:59:14.160
<v Speaker 1>is that? Oh, that's my joint? If you did it

0:59:14.280 --> 0:59:18.360
<v Speaker 1>on them, baby, she did it on them. Come on now,

0:59:18.960 --> 0:59:21.360
<v Speaker 1>number two album in the country. Put your number twos

0:59:21.440 --> 0:59:25.240
<v Speaker 1>in the air. You can get it on them. No

0:59:25.400 --> 0:59:27.520
<v Speaker 1>play that. Put the I want the number twos in

0:59:27.640 --> 0:59:29.720
<v Speaker 1>the air because Nikki did it on them. She got

0:59:29.800 --> 0:59:32.400
<v Speaker 1>the number two album in the country. We're gonna celebrate.

0:59:32.560 --> 0:59:35.800
<v Speaker 1>I'm tired of her being a star winner. Okay, but

0:59:36.360 --> 0:59:40.520
<v Speaker 1>come Envy do it. You're from Queens and Angela. You

0:59:40.760 --> 0:59:42.240
<v Speaker 1>do it if you don't want to come, I'm the

0:59:42.280 --> 0:59:46.120
<v Speaker 1>only person who only en Queens and if you did

0:59:46.200 --> 0:59:48.680
<v Speaker 1>it all right, now, come on now, I got my

0:59:48.800 --> 0:59:53.320
<v Speaker 1>twols up put. It was like a peace sign. Envy, Nikki.

0:59:53.360 --> 0:59:57.000
<v Speaker 1>What you don't appreciate, you will lose. Please let remy Ma,

0:59:57.360 --> 1:00:02.800
<v Speaker 1>give Nicki Minaj to be bah you stupid mother? Are

1:00:02.880 --> 1:00:09.160
<v Speaker 1>you why I used remember everything? You stop it now?

1:00:09.160 --> 1:00:14.640
<v Speaker 1>Why a y'all gonna do that? Usually is I'm in

1:00:14.720 --> 1:00:17.880
<v Speaker 1>here trying to give constructive criticism. I'm in here, Bro,

1:00:18.000 --> 1:00:20.000
<v Speaker 1>I'm in here trying to give me Patty give criticism,

1:00:20.400 --> 1:00:22.720
<v Speaker 1>Patty y'all telling me to do you Petty, I got

1:00:22.760 --> 1:00:24.720
<v Speaker 1>my number two is in the air. You Peggy mc

1:00:24.800 --> 1:00:26.840
<v Speaker 1>na got the number two album in the country, one

1:00:26.920 --> 1:00:29.600
<v Speaker 1>hundred and eighty five pattles sold. It's a good body

1:00:29.600 --> 1:00:31.880
<v Speaker 1>of work dropped when the clue's bomb from the human

1:00:31.920 --> 1:00:36.520
<v Speaker 1>Naj damn it. Okay, but I need the number twos

1:00:36.560 --> 1:00:38.880
<v Speaker 1>in the air because Nikki did it on Patty bro

1:00:41.600 --> 1:00:44.080
<v Speaker 1>number two album in the country, You, Petty bro second

1:00:44.120 --> 1:00:48.640
<v Speaker 1>consecutive number two albums Big Print was number two, Petty

1:00:52.440 --> 1:00:56.200
<v Speaker 1>Er two in the air, Petty the number twos in

1:00:56.240 --> 1:00:58.240
<v Speaker 1>the air to celebrate the number two album in the country.

1:00:59.320 --> 1:01:03.080
<v Speaker 1>She won. No don't get that album, barbed that album?

1:01:03.640 --> 1:01:06.480
<v Speaker 1>Time today, get that album Barbs. All right, we got

1:01:06.560 --> 1:01:09.680
<v Speaker 1>more coming up next with a breakfast Club, The Breakfast

1:01:09.760 --> 1:01:16.760
<v Speaker 1>Club Funning. Everybody is DJ Envy, Angela Yee Charlomagne, the guy.

1:01:16.840 --> 1:01:19.320
<v Speaker 1>We are the breakfast club. We have a special young

1:01:19.400 --> 1:01:23.360
<v Speaker 1>lady with us this morning, yes, sir, comedian lou Nell. Yeah. Now,

1:01:23.440 --> 1:01:26.000
<v Speaker 1>let the record show. Lunell asked me to undress her

1:01:26.040 --> 1:01:27.840
<v Speaker 1>this morning. No, you did so if it ever comes

1:01:27.880 --> 1:01:30.640
<v Speaker 1>out later. And she didn't give me consent. No, me too.

1:01:30.800 --> 1:01:33.640
<v Speaker 1>Over here, I've seen you put her shirt off, she

1:01:33.760 --> 1:01:36.520
<v Speaker 1>asked me too. Okay, And we always do what we're

1:01:36.560 --> 1:01:41.960
<v Speaker 1>asked to do, though, Yes, be a good boy, Mommy,

1:01:42.000 --> 1:01:45.840
<v Speaker 1>don't have to thank you now. I walked outside and

1:01:45.920 --> 1:01:48.680
<v Speaker 1>I heard Charlemagne say, whack shit nasty, and I heard

1:01:48.720 --> 1:01:52.560
<v Speaker 1>Lunelle y'allow. I like him nasty, yes, child, Nasties. Good

1:01:53.360 --> 1:01:56.040
<v Speaker 1>people ain't nasty, No, mom, they can't be. They're get

1:01:56.120 --> 1:01:59.360
<v Speaker 1>in trouble nowadays, especially you being nasty with your mate,

1:01:59.520 --> 1:02:03.720
<v Speaker 1>you know, nasty with your with your partner. That's what happens,

1:02:03.840 --> 1:02:06.800
<v Speaker 1>you get in these relationships. You quit being nasty now

1:02:06.920 --> 1:02:09.360
<v Speaker 1>that go your man out to go after the next

1:02:09.480 --> 1:02:12.320
<v Speaker 1>nasty bit. You should have stayed the nasty bit you

1:02:12.480 --> 1:02:14.400
<v Speaker 1>was when you met you. So you think that's what

1:02:14.480 --> 1:02:15.760
<v Speaker 1>it did. You think women are just afraid to be

1:02:15.800 --> 1:02:18.320
<v Speaker 1>freaking outa days. I don't think they're afraid. I just

1:02:18.480 --> 1:02:22.160
<v Speaker 1>think that well, I think a lot of women are inhibited,

1:02:22.720 --> 1:02:26.080
<v Speaker 1>especially maybe some of my big sisters out here, because

1:02:26.120 --> 1:02:29.920
<v Speaker 1>you feel like, oh, you know this ain't tighten, this

1:02:30.160 --> 1:02:33.520
<v Speaker 1>is rolling and all that, and it is, but you

1:02:33.640 --> 1:02:36.240
<v Speaker 1>just got there's a whole crewim up out there who

1:02:36.360 --> 1:02:39.280
<v Speaker 1>loved that. Yeah, I know I got one little it's

1:02:39.280 --> 1:02:41.360
<v Speaker 1>gonna be skinny for sure. You got you a man

1:02:41.440 --> 1:02:46.040
<v Speaker 1>that loved what the roles ring. Oh you're married, okay,

1:02:46.080 --> 1:02:49.880
<v Speaker 1>I've been married for seventeen years on the load. Don't

1:02:49.920 --> 1:02:55.840
<v Speaker 1>tell the boys that. Yeah, I keep it on a lot.

1:02:55.920 --> 1:02:59.360
<v Speaker 1>Don't put my husband on social media, no pictures because

1:03:00.160 --> 1:03:03.000
<v Speaker 1>they do that face recognition and the penitentiary. If where

1:03:03.680 --> 1:03:06.880
<v Speaker 1>then there he goes back to the yard. If they

1:03:06.920 --> 1:03:09.480
<v Speaker 1>still enjoyed the comedy, you know, because it seems like

1:03:09.560 --> 1:03:11.840
<v Speaker 1>comedy has gotten a little tighter now where there's certain

1:03:11.880 --> 1:03:14.480
<v Speaker 1>things you say, now you get in trouble. I don't

1:03:14.480 --> 1:03:18.120
<v Speaker 1>get in trouble for saying anything. I'd say absolutely everything

1:03:18.200 --> 1:03:20.080
<v Speaker 1>that's on my mind. But I've been that way for

1:03:20.240 --> 1:03:23.400
<v Speaker 1>thirty years. They called me the original bad girl in comedy.

1:03:23.440 --> 1:03:26.080
<v Speaker 1>I've had a mouth on me since gate. I think

1:03:26.120 --> 1:03:28.000
<v Speaker 1>it might have helped me. Back then, I was even

1:03:28.080 --> 1:03:29.960
<v Speaker 1>too dirty to be on Death Jam. If you can

1:03:30.000 --> 1:03:33.960
<v Speaker 1>believe that, I'm and I'm swallow about that Studio fifty

1:03:34.040 --> 1:03:36.240
<v Speaker 1>four in death Jam. I never got the experience in

1:03:36.320 --> 1:03:38.560
<v Speaker 1>New York. I'm dead. They told you that. They was like, yo,

1:03:38.640 --> 1:03:40.480
<v Speaker 1>you too. Now they didn't tell me, but they just

1:03:40.560 --> 1:03:42.760
<v Speaker 1>didn't never let me do it. I only fly came

1:03:42.840 --> 1:03:45.240
<v Speaker 1>through that era that didn't do Death Jam, but I

1:03:45.320 --> 1:03:48.120
<v Speaker 1>did nine seasons of Comic You, which is way cleaner

1:03:48.280 --> 1:03:50.760
<v Speaker 1>the Death Cham was. They just was hating Hay, you

1:03:50.800 --> 1:03:54.800
<v Speaker 1>know me. But I made it despite that. And the

1:03:54.960 --> 1:04:00.520
<v Speaker 1>times have changed, so now you know, I sort of

1:04:00.600 --> 1:04:04.960
<v Speaker 1>style of genre is almost missing a really blue female

1:04:05.320 --> 1:04:07.840
<v Speaker 1>who is what they call guy funny, you know, not

1:04:08.040 --> 1:04:10.320
<v Speaker 1>just funny to the women, but funny to the dudes too.

1:04:10.680 --> 1:04:12.680
<v Speaker 1>It makes me very happy to look out there and

1:04:12.760 --> 1:04:15.800
<v Speaker 1>see men bent over and spending out their drink and

1:04:15.880 --> 1:04:19.439
<v Speaker 1>stuff like that, because men come not expecting to enjoy

1:04:19.520 --> 1:04:22.640
<v Speaker 1>a female comic. You come just appuse your god, go

1:04:22.800 --> 1:04:25.919
<v Speaker 1>see this broad, But when you really kill it, That's

1:04:25.960 --> 1:04:29.200
<v Speaker 1>why they call me El murder. The ellis Flunell Murders

1:04:29.200 --> 1:04:33.600
<v Speaker 1>because I'm killing these bitches out here. And so that's

1:04:33.640 --> 1:04:36.000
<v Speaker 1>why when I when when when guys come in and

1:04:36.120 --> 1:04:38.560
<v Speaker 1>they see me and I see them having a great time,

1:04:39.200 --> 1:04:41.800
<v Speaker 1>it's wonderful to answer a question. Yes, I do still

1:04:41.880 --> 1:04:46.440
<v Speaker 1>enjoy comedy. Not everybody knows that I have a problem

1:04:46.480 --> 1:04:50.200
<v Speaker 1>with the with the insta fame quote unquote comedians. I wish,

1:04:50.240 --> 1:04:53.160
<v Speaker 1>just wish there was another name for them besides comic,

1:04:53.240 --> 1:04:55.720
<v Speaker 1>because you know, I think of comics. I'm thinking of

1:04:56.160 --> 1:05:01.000
<v Speaker 1>Lenny Bruce, and you know, Rodney Winfield and Robin Harris

1:05:01.120 --> 1:05:05.320
<v Speaker 1>and Prior and Cosmi and Joan Rivers and mis maybe

1:05:05.440 --> 1:05:08.200
<v Speaker 1>those are comics to me. But you know, just because

1:05:08.240 --> 1:05:11.400
<v Speaker 1>you have three hundred and eighty seven thousand likes does

1:05:11.520 --> 1:05:15.200
<v Speaker 1>not a comic make you haven't done anything that. There's

1:05:15.240 --> 1:05:18.080
<v Speaker 1>beauty and the struggle. Sure everybody wants to make them

1:05:18.120 --> 1:05:21.560
<v Speaker 1>fast and quick, you know, but the beauty and the struggle.

1:05:21.640 --> 1:05:24.280
<v Speaker 1>What stories are you gonna be able to tell? You know?

1:05:24.880 --> 1:05:29.400
<v Speaker 1>And that led up to your legacy. Not you know,

1:05:29.480 --> 1:05:31.640
<v Speaker 1>you're not gonna have no stories to tell. Oh, because

1:05:31.680 --> 1:05:33.840
<v Speaker 1>I got so many likes and they picked me up

1:05:33.880 --> 1:05:36.520
<v Speaker 1>from YouTube and I got my own show, and that

1:05:36.680 --> 1:05:39.320
<v Speaker 1>was fifteen years ago. Now nobody knows where the guy

1:05:39.360 --> 1:05:42.400
<v Speaker 1>am anymore. Isn't it like another form of comedy? Were

1:05:42.400 --> 1:05:44.360
<v Speaker 1>you gotta stand up? You got it? Is another form

1:05:44.400 --> 1:05:47.320
<v Speaker 1>of comedy coming some community is funny on TV, summing movies,

1:05:47.400 --> 1:05:51.320
<v Speaker 1>summing online. Right, Yeah, you know, I mean there is

1:05:51.360 --> 1:05:55.320
<v Speaker 1>a genre for sure, And you know, I'm just as

1:05:55.400 --> 1:05:59.200
<v Speaker 1>throne to do a video as anybody else. But I'm

1:05:59.240 --> 1:06:01.880
<v Speaker 1>not basing it hoping my career of that, you know.

1:06:01.960 --> 1:06:04.440
<v Speaker 1>But I'm already established. These kids got to get in

1:06:04.840 --> 1:06:06.640
<v Speaker 1>how they fit in. And I ain't mad at him.

1:06:06.920 --> 1:06:10.200
<v Speaker 1>It's just that when you have to serve it up,

1:06:10.640 --> 1:06:12.680
<v Speaker 1>when you have to get off Instagram and go into

1:06:12.760 --> 1:06:15.200
<v Speaker 1>a club and you got three hundred and fifty people

1:06:15.240 --> 1:06:17.520
<v Speaker 1>looking at you like what you got, then you need

1:06:17.560 --> 1:06:20.240
<v Speaker 1>to have something behind that because you know that time's

1:06:20.280 --> 1:06:23.920
<v Speaker 1>gonna run out, you're gonna look stupid. And a lot

1:06:23.960 --> 1:06:27.520
<v Speaker 1>of these I guess install comedians or getting people in

1:06:27.600 --> 1:06:30.040
<v Speaker 1>the building and getting a lot of money, and they're

1:06:30.080 --> 1:06:33.040
<v Speaker 1>not really funny at times. Yeah, of course it bothers me,

1:06:33.160 --> 1:06:35.360
<v Speaker 1>and not only me. I'm just one of the people

1:06:35.400 --> 1:06:38.080
<v Speaker 1>who speak out about this because I'm not a fake bitch.

1:06:38.640 --> 1:06:43.160
<v Speaker 1>You know, I know it bothers a lot of us

1:06:43.320 --> 1:06:46.760
<v Speaker 1>ogs because they're getting paid more than us. And it's

1:06:46.840 --> 1:06:48.960
<v Speaker 1>not even I don't do it for the money, but

1:06:49.040 --> 1:06:51.560
<v Speaker 1>I certainly would like to get compensated for being one

1:06:51.600 --> 1:06:53.680
<v Speaker 1>of the bad ones out here, you know what I mean.

1:06:53.960 --> 1:06:55.760
<v Speaker 1>And you just see people who just do you know,

1:06:55.920 --> 1:06:59.280
<v Speaker 1>buying houses and and they've been on YouTube for like

1:06:59.480 --> 1:07:02.360
<v Speaker 1>three years just like this is what. So I'm not

1:07:02.400 --> 1:07:04.640
<v Speaker 1>gonna lie and say don't bother me. By's a lot

1:07:04.680 --> 1:07:06.120
<v Speaker 1>of people, but I don't know who's gonna say it,

1:07:06.160 --> 1:07:07.880
<v Speaker 1>but I will. You know what I hate. I hate

1:07:07.920 --> 1:07:11.000
<v Speaker 1>that comedians are being so politically correct now idea because

1:07:11.040 --> 1:07:13.480
<v Speaker 1>y'all don't have to be. I don't, and I'm not.

1:07:14.120 --> 1:07:16.880
<v Speaker 1>And you know, I was out in Nayack, I wasn't

1:07:17.240 --> 1:07:20.840
<v Speaker 1>in Brooklyn, and my audiences was like eighty percent white,

1:07:21.080 --> 1:07:24.560
<v Speaker 1>and I guarantee you I didn't change narray word because

1:07:24.800 --> 1:07:28.200
<v Speaker 1>I can, you know, I can go entertain the Jewish

1:07:28.440 --> 1:07:31.080
<v Speaker 1>you know, city Council as well as go to the

1:07:31.320 --> 1:07:33.600
<v Speaker 1>y m c A and do a show, but I

1:07:33.800 --> 1:07:38.000
<v Speaker 1>don't change it because my subject matter is mostly child

1:07:38.400 --> 1:07:45.280
<v Speaker 1>relationship and sex based, which is universal. Anybody white anybody, Latino, anybody,

1:07:45.400 --> 1:07:48.160
<v Speaker 1>trans anybody anything can come to my show and they're

1:07:48.160 --> 1:07:52.400
<v Speaker 1>gonna fall outlet And because everything is universal, my audiences

1:07:52.440 --> 1:07:54.400
<v Speaker 1>are like on a cruise ship, you know what I mean.

1:07:54.720 --> 1:07:56.920
<v Speaker 1>But you just come to have fun and you're sitting

1:07:56.960 --> 1:07:59.280
<v Speaker 1>next to Joe bab who's sitting next to Jamal, who's

1:07:59.280 --> 1:08:02.720
<v Speaker 1>sitting next to Banking, you know, and everybody's all there together.

1:08:02.800 --> 1:08:05.240
<v Speaker 1>And that's what I like being able to do. All Right,

1:08:05.280 --> 1:08:06.920
<v Speaker 1>we have more with lou Nelle when we come back.

1:08:07.000 --> 1:08:09.880
<v Speaker 1>Keep it locked. This to Breakfast Club, Good Morning Morning.

1:08:09.960 --> 1:08:13.840
<v Speaker 1>Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1:08:13.920 --> 1:08:16.519
<v Speaker 1>are the Breakfast Club comedian. Lou Nell's in the building

1:08:16.720 --> 1:08:19.000
<v Speaker 1>that We had a Monique Uphill a couple of months

1:08:19.000 --> 1:08:21.960
<v Speaker 1>ago and we were talking about her Netflix specially. What

1:08:22.040 --> 1:08:24.000
<v Speaker 1>do you think about that? Because you're an og comedian.

1:08:24.200 --> 1:08:26.439
<v Speaker 1>I saw the picture you posted on Instagram. You said Netflix,

1:08:26.479 --> 1:08:29.439
<v Speaker 1>I'll take that goddamn money. Yeah, I will take this money.

1:08:29.720 --> 1:08:33.200
<v Speaker 1>Let's be clear. But first of all, I've said, and

1:08:33.320 --> 1:08:35.519
<v Speaker 1>I say at the beginning of my shows on stage,

1:08:35.840 --> 1:08:38.640
<v Speaker 1>no matter what you think about her, no matter what

1:08:38.800 --> 1:08:42.920
<v Speaker 1>you've heard about her husband, that was all irrelevant. She's right,

1:08:43.160 --> 1:08:47.479
<v Speaker 1>like we're underpaid. Angela Batt has said the same thing.

1:08:48.320 --> 1:08:51.360
<v Speaker 1>Viola Davis has spoke on it as well. And you know,

1:08:51.479 --> 1:08:53.400
<v Speaker 1>every now and then, I like to see somebody who

1:08:53.439 --> 1:08:56.080
<v Speaker 1>don't give a and they just name name, call people

1:08:56.120 --> 1:08:59.040
<v Speaker 1>on their and let the chips fall where they met. Now,

1:08:59.080 --> 1:09:01.439
<v Speaker 1>I wouldn't do it like that, you know, but she's

1:09:02.120 --> 1:09:05.200
<v Speaker 1>I'm gonna lead that to her. But you know, two

1:09:05.280 --> 1:09:07.880
<v Speaker 1>years from now, she'll do something else amazing. They'll be

1:09:07.960 --> 1:09:10.360
<v Speaker 1>all on her again. I've seen this a hundred times,

1:09:10.400 --> 1:09:12.040
<v Speaker 1>you know what I mean. You go down, you come

1:09:12.120 --> 1:09:14.559
<v Speaker 1>back up. But somebody had to speak on the issue.

1:09:14.760 --> 1:09:17.120
<v Speaker 1>At least the issue is being spoken about now, and

1:09:17.240 --> 1:09:19.760
<v Speaker 1>so I thank her for that. So what happens when

1:09:19.800 --> 1:09:21.920
<v Speaker 1>the next like what they say, like somebody like a

1:09:22.000 --> 1:09:27.000
<v Speaker 1>Tiffany hatters when she gets paid from the well she's hutting, yes, yes, well,

1:09:27.120 --> 1:09:29.280
<v Speaker 1>Tiffany is a friend of mine. I like to think,

1:09:29.439 --> 1:09:33.080
<v Speaker 1>and I think that she is riding a wave right now.

1:09:33.200 --> 1:09:36.560
<v Speaker 1>What you gonna do not take the money, you know,

1:09:36.840 --> 1:09:40.760
<v Speaker 1>and the wave don't always laugh forever, so you better

1:09:40.800 --> 1:09:43.759
<v Speaker 1>grab her. She's cute, she's young, she's perky, she's quirky.

1:09:44.120 --> 1:09:47.880
<v Speaker 1>She acts kind of stupid, but she ain't stupid at

1:09:47.920 --> 1:09:50.800
<v Speaker 1>all at all. And she I really don't think that

1:09:51.360 --> 1:09:53.719
<v Speaker 1>the Littleminatti gonna be able to come for her without

1:09:53.760 --> 1:09:57.160
<v Speaker 1>her snitch in their mouth. She's holding, she's holding one

1:09:57.200 --> 1:10:00.240
<v Speaker 1>of that Beyonce A bite story pretty each other. But

1:10:00.360 --> 1:10:02.600
<v Speaker 1>I think if the little monattic comming typhicly had it

1:10:02.800 --> 1:10:05.439
<v Speaker 1>then been for the ram bitch because she gonna but

1:10:05.760 --> 1:10:08.439
<v Speaker 1>did not even came to me talking to me about

1:10:08.479 --> 1:10:12.360
<v Speaker 1>that big you know. And I just don't think she's

1:10:12.360 --> 1:10:14.760
<v Speaker 1>gonna change. I think she's gonna remain the chick that

1:10:14.880 --> 1:10:17.440
<v Speaker 1>she is. You know, I agree to but just refreshing

1:10:18.320 --> 1:10:19.840
<v Speaker 1>and plus you older though, so it's not like she

1:10:20.400 --> 1:10:23.320
<v Speaker 1>she knew you know what I mean? Right? Yeah, she

1:10:23.400 --> 1:10:25.439
<v Speaker 1>didn't just pop up, but that's what it looks like,

1:10:25.680 --> 1:10:28.240
<v Speaker 1>you know, she just popped about the sky. No you

1:10:28.479 --> 1:10:37.519
<v Speaker 1>google her go back and poorly dressed? Yeah for PM

1:10:37.640 --> 1:10:41.720
<v Speaker 1>house google the picture right now. Let me see what

1:10:41.800 --> 1:10:45.080
<v Speaker 1>I gotta google. You want to see him black away? No,

1:10:45.200 --> 1:10:46.960
<v Speaker 1>he want to see it in colors him. So I

1:10:46.960 --> 1:10:50.040
<v Speaker 1>don't want to see that, Melani. That's not all you want.

1:10:50.640 --> 1:10:54.599
<v Speaker 1>But decided to post naked well because they said, okay,

1:10:55.600 --> 1:10:58.439
<v Speaker 1>you know what I'm saying. Yeah, I had already directed

1:10:58.479 --> 1:11:02.479
<v Speaker 1>the photos shoot four Penhouse. It was a series they

1:11:02.520 --> 1:11:06.680
<v Speaker 1>had called pop Shots. Stevie J did one, I did one,

1:11:06.800 --> 1:11:10.080
<v Speaker 1>Dave Navarro did one, and uh, you get to pick

1:11:10.160 --> 1:11:12.360
<v Speaker 1>the models you want and they give you a mansion

1:11:12.439 --> 1:11:14.760
<v Speaker 1>and you can be in the pool and the being

1:11:14.880 --> 1:11:16.800
<v Speaker 1>on the kitchen. Al So we took over the match

1:11:16.880 --> 1:11:19.200
<v Speaker 1>and then I got everybody I wanted. I wanted a

1:11:19.240 --> 1:11:22.000
<v Speaker 1>boy who looked like Fabio. We got my boy, Alejandro.

1:11:22.800 --> 1:11:25.439
<v Speaker 1>I wanted a chocolate so to the light skin benches,

1:11:25.439 --> 1:11:28.679
<v Speaker 1>get all the shine. So I wanted to darts and sister. Yeah.

1:11:28.800 --> 1:11:31.200
<v Speaker 1>And then I wanted a red haired white girl, not

1:11:31.280 --> 1:11:33.360
<v Speaker 1>a blinder brunette. And I got so. Look at that

1:11:33.760 --> 1:11:37.320
<v Speaker 1>three hours, three hours to do that graffitio on my back.

1:11:38.160 --> 1:11:43.320
<v Speaker 1>I ain't see them. That's right, they're real. Yeahin't real, fool. No, No,

1:11:43.640 --> 1:11:46.320
<v Speaker 1>don't be stirred. No, no, if you scared, go to church,

1:11:46.400 --> 1:11:50.880
<v Speaker 1>Charlot man, because somebody gonna screenshot the picture with just

1:11:50.960 --> 1:11:52.600
<v Speaker 1>me with my hands on you. I'm gonna your T

1:11:52.720 --> 1:11:58.799
<v Speaker 1>shirt to say I gave permission. I gave the penhow

1:11:58.880 --> 1:12:04.880
<v Speaker 1>pie good? Um No, Unfortunately they did not, but the

1:12:05.560 --> 1:12:08.200
<v Speaker 1>and I thought that c I want that, that picture

1:12:08.240 --> 1:12:10.479
<v Speaker 1>with the graffitio on my back. I want that to

1:12:10.680 --> 1:12:14.720
<v Speaker 1>eventually hit the Jumbo Tron and Times Square. You never know, hell,

1:12:14.800 --> 1:12:17.280
<v Speaker 1>I might host New Year's Eve Rock and Eve one

1:12:17.360 --> 1:12:20.840
<v Speaker 1>day down there. You never known that everything is possible, right,

1:12:21.040 --> 1:12:24.160
<v Speaker 1>everything is possible if you believe the Bible will say that.

1:12:24.400 --> 1:12:27.200
<v Speaker 1>There you go, now you know that? Really bring out

1:12:27.240 --> 1:12:29.679
<v Speaker 1>the description eventually, I see it even in these pictures

1:12:29.680 --> 1:12:31.760
<v Speaker 1>and penthouse. You had your cup of yack. Yeah, I

1:12:31.840 --> 1:12:37.120
<v Speaker 1>did What about it? Deaf comedy jam? You said you

1:12:37.160 --> 1:12:39.280
<v Speaker 1>never did it right, never did it? So when you

1:12:39.360 --> 1:12:41.679
<v Speaker 1>heard the allegations about Russell Russell, how did you feel?

1:12:43.160 --> 1:12:49.719
<v Speaker 1>How do I handle it? Sirs? Take a sit first?

1:12:50.360 --> 1:12:52.960
<v Speaker 1>There you go, all right? Now ask the question again. Now,

1:12:53.080 --> 1:12:55.280
<v Speaker 1>so you didn't do death comedy jams. When you heard

1:12:55.320 --> 1:12:57.960
<v Speaker 1>the allegations about Russell, how did you feel? Well? That

1:12:58.120 --> 1:13:00.400
<v Speaker 1>had nothing to do with me not doing it after him.

1:13:00.520 --> 1:13:02.400
<v Speaker 1>That was the work of Bob Sumner who used to

1:13:02.560 --> 1:13:06.360
<v Speaker 1>cast my god man. Yeah, I used to get weed

1:13:06.439 --> 1:13:08.760
<v Speaker 1>for Bob when he comes to Oakland. How about that? Bob,

1:13:08.880 --> 1:13:10.519
<v Speaker 1>but he would never put you on the comedy jam.

1:13:11.520 --> 1:13:15.040
<v Speaker 1>But that's okay. Um, well, there's things that I know,

1:13:16.439 --> 1:13:20.400
<v Speaker 1>and there's things that I probably shouldn't say on your

1:13:20.600 --> 1:13:24.840
<v Speaker 1>very popular radio slash television show. But I'll tell you

1:13:24.960 --> 1:13:27.040
<v Speaker 1>something in your ear when we get off here, and

1:13:27.200 --> 1:13:30.679
<v Speaker 1>I just know them allegations, they probably go, God, damn,

1:13:31.520 --> 1:13:32.960
<v Speaker 1>Jesus Christ. You might as well just say what you

1:13:33.040 --> 1:13:44.360
<v Speaker 1>know now, Jesus Christ, let me see. Oh, don't apply

1:13:44.640 --> 1:13:49.200
<v Speaker 1>me with alcohol. Give me something right in here. It's

1:13:49.240 --> 1:13:57.800
<v Speaker 1>exactly how love. What was the question? Yeah, yeah, yeah,

1:13:57.840 --> 1:14:00.640
<v Speaker 1>asked me, You're gonna get me murdered. I get about this.

1:14:01.640 --> 1:14:05.280
<v Speaker 1>What do you think about other comedians critiquing other comedians publicly,

1:14:05.360 --> 1:14:08.000
<v Speaker 1>like saying ain't not funny and stuff like that. Phase

1:14:08.080 --> 1:14:09.960
<v Speaker 1>one came up, PA, Sai Dave Chappelle wasn't funny at

1:14:10.000 --> 1:14:12.479
<v Speaker 1>one time. I think Michael Blackson was, you know, had

1:14:12.520 --> 1:14:15.880
<v Speaker 1>his little stuff with with Kevin Hard. Well, if I

1:14:16.000 --> 1:14:17.960
<v Speaker 1>was going to do that, I'd have beef with everybody.

1:14:18.880 --> 1:14:21.400
<v Speaker 1>So I don't do I don't really. I just only

1:14:21.479 --> 1:14:24.719
<v Speaker 1>people I ever really talked about as the millennial social

1:14:24.800 --> 1:14:28.040
<v Speaker 1>media comedians. I said, I don't really hate on on on.

1:14:28.240 --> 1:14:30.559
<v Speaker 1>My fellow commed, because we're really all in the same game.

1:14:31.080 --> 1:14:33.560
<v Speaker 1>You know, I think the older commerce dude show some

1:14:33.760 --> 1:14:36.800
<v Speaker 1>loyalty now Phase you know he's a fat better ass.

1:14:36.960 --> 1:14:38.880
<v Speaker 1>He don't talk. Came up here and talked about me

1:14:39.000 --> 1:14:41.439
<v Speaker 1>before her too, But I just let her roll off

1:14:41.520 --> 1:14:44.200
<v Speaker 1>my back and then our car. Yeah, he said, I

1:14:44.320 --> 1:14:46.599
<v Speaker 1>think it was It was a year I might run

1:14:46.640 --> 1:14:48.840
<v Speaker 1>on swash. What do you say? Yeah, I was just

1:14:49.040 --> 1:14:53.439
<v Speaker 1>something moose stupid, you know, something that totally uh ain't

1:14:53.479 --> 1:14:55.559
<v Speaker 1>got to do with nothing. I don't pay a phase

1:14:55.600 --> 1:14:57.880
<v Speaker 1>I know mine. We've been friend lee for years. I

1:14:57.920 --> 1:15:00.280
<v Speaker 1>don't got from Phase on. So he needs to shut

1:15:01.080 --> 1:15:04.160
<v Speaker 1>up when it comes to me. And let's just all

1:15:04.240 --> 1:15:06.880
<v Speaker 1>play nice in the sound boy and be fit and

1:15:07.040 --> 1:15:09.080
<v Speaker 1>he'll probably watch his head. I've been they never got

1:15:09.200 --> 1:15:11.439
<v Speaker 1>no from me. Well, you don't think he gets it

1:15:11.560 --> 1:15:19.080
<v Speaker 1>on his own, do you? No? You are now I'm

1:15:19.120 --> 1:15:26.320
<v Speaker 1>in trouble. Fine, that fat, funky bit. What else you got, bitch?

1:15:26.400 --> 1:15:29.000
<v Speaker 1>I'm fat. You ain't got no motive, man, Okay, we

1:15:29.120 --> 1:15:31.559
<v Speaker 1>have more with lou Neelle Comedian when we come back.

1:15:31.600 --> 1:15:35.080
<v Speaker 1>Don't move. It's the breakfast Club. Good morning, the breakfast Club,

1:15:37.760 --> 1:15:41.479
<v Speaker 1>DJ Envy, Angela Yee, Charlomagne the guy. We are the

1:15:41.560 --> 1:15:44.160
<v Speaker 1>breakfast club. We have lou Neelle comedian in the building.

1:15:44.320 --> 1:15:47.479
<v Speaker 1>Show me Tory Hart. She said that she's cool with

1:15:47.600 --> 1:15:49.320
<v Speaker 1>side checks. Would you be okay with your husband having

1:15:49.400 --> 1:15:54.000
<v Speaker 1>a side check? Na, Na ask what I'll be okay

1:15:54.040 --> 1:15:56.360
<v Speaker 1>with me having a side pie? Would you be okay

1:15:56.439 --> 1:16:00.080
<v Speaker 1>with having a side piece? You know, hey, look the

1:16:00.120 --> 1:16:03.400
<v Speaker 1>window is he My husband's right out there, but I

1:16:03.520 --> 1:16:05.320
<v Speaker 1>want to give it to right over there with them

1:16:05.400 --> 1:16:13.080
<v Speaker 1>tim z one wa wax on, wax leave him now

1:16:15.439 --> 1:16:19.559
<v Speaker 1>make my top lip much. I didn't make me sweat

1:16:19.600 --> 1:16:22.920
<v Speaker 1>on my top left. Don't go that, don't do that.

1:16:23.080 --> 1:16:26.000
<v Speaker 1>See my husband stayed in the lay. I know that

1:16:26.120 --> 1:16:32.600
<v Speaker 1>he can't hear nowhere. He oh man, Yeah, you know

1:16:32.840 --> 1:16:36.479
<v Speaker 1>I didn't say that. I didn't say that, but it's

1:16:36.479 --> 1:16:40.240
<v Speaker 1>absolutely accurate, and you're probably accurate as well. Yeah, she said,

1:16:40.280 --> 1:16:45.240
<v Speaker 1>she's like, I'm nasty, how nasty? Real nasty? Na told me, so,

1:16:47.200 --> 1:16:54.280
<v Speaker 1>you don't like, I don't forget it. I got to

1:16:54.479 --> 1:17:00.360
<v Speaker 1>have that. I got to have it my asses. I've

1:17:00.400 --> 1:17:03.599
<v Speaker 1>been told I stay very clear. I'm a bath girl.

1:17:04.000 --> 1:17:07.400
<v Speaker 1>I believe that season booty should go under fucking water,

1:17:08.280 --> 1:17:11.000
<v Speaker 1>get it. Yeah, but that's but when you washed, if

1:17:11.040 --> 1:17:15.160
<v Speaker 1>you smelled my ass right now, you go whack smelling

1:17:15.200 --> 1:17:18.040
<v Speaker 1>and let's see, let me see backing up on him

1:17:18.040 --> 1:17:27.679
<v Speaker 1>one time? Lu backing up on him one time? Smelling smelling,

1:17:28.320 --> 1:17:37.640
<v Speaker 1>smelling smelling? Tell me when that day smelling? I've been

1:17:37.760 --> 1:17:46.960
<v Speaker 1>driving to us all over make a plan? Oh my god, no,

1:17:47.360 --> 1:17:51.240
<v Speaker 1>thanks wax No, I would give him the business that,

1:17:57.040 --> 1:17:59.880
<v Speaker 1>don't get it wrong. I love my husband. I love him, like,

1:18:00.400 --> 1:18:03.120
<v Speaker 1>go get a bit about that mother. But you know

1:18:03.479 --> 1:18:05.560
<v Speaker 1>you told me I don't want to fast. So have

1:18:05.680 --> 1:18:09.600
<v Speaker 1>you ever cheated on your oven? Yeah? He knows what

1:18:10.280 --> 1:18:14.400
<v Speaker 1>like that? Like dub because we were separated for a while. Yeah,

1:18:14.880 --> 1:18:17.720
<v Speaker 1>you know, like we've been married seventeen years, but all

1:18:17.760 --> 1:18:21.280
<v Speaker 1>of us wasn't in a row. You know what you

1:18:21.479 --> 1:18:25.280
<v Speaker 1>had a little summer cs Like, how you clean that up? Yeah?

1:18:25.360 --> 1:18:30.400
<v Speaker 1>I'm clean? N you? Wendy Wims comedy coach to right,

1:18:30.800 --> 1:18:33.559
<v Speaker 1>I was there was a comedy coach to what did

1:18:33.600 --> 1:18:36.679
<v Speaker 1>you do? Well? It was amazing how it even came about,

1:18:36.800 --> 1:18:39.720
<v Speaker 1>because just the day before I got to call, Chris

1:18:39.880 --> 1:18:42.320
<v Speaker 1>Rock was on the show and I'm like, she could

1:18:42.360 --> 1:18:46.479
<v Speaker 1>call anybody in the world that gets him, but she

1:18:46.640 --> 1:18:49.680
<v Speaker 1>called me. That was a blessing. And see, Wendy did

1:18:49.720 --> 1:18:53.519
<v Speaker 1>it right. She hired somebody to help. She would do

1:18:54.360 --> 1:18:56.760
<v Speaker 1>a comedy like in the studio at night, you know,

1:18:56.960 --> 1:19:00.400
<v Speaker 1>to them to the crew and stuff. And then she

1:19:00.479 --> 1:19:03.800
<v Speaker 1>would send me tapes and iur critique and send send

1:19:03.920 --> 1:19:07.760
<v Speaker 1>my my my comments back. And then when she did

1:19:07.840 --> 1:19:11.720
<v Speaker 1>the show in Vegas Lipstick, then I was there. And

1:19:11.800 --> 1:19:13.760
<v Speaker 1>then when she did a show in New Jersey and

1:19:13.880 --> 1:19:15.840
<v Speaker 1>Jay Packton, I was there too, and I was actually

1:19:15.920 --> 1:19:18.840
<v Speaker 1>on the bill with her. But don't you gotta like

1:19:19.000 --> 1:19:21.519
<v Speaker 1>get them comedy clubs because if you do a coplen

1:19:21.840 --> 1:19:25.479
<v Speaker 1>state of the club. See, Wendy don't need that. She

1:19:25.640 --> 1:19:28.720
<v Speaker 1>got her own built in audience already. Wherever she goes

1:19:28.840 --> 1:19:31.880
<v Speaker 1>is gonna sell out, so she don't need to the club.

1:19:31.960 --> 1:19:35.000
<v Speaker 1>Leave the clubs for real comics were working out. She

1:19:35.160 --> 1:19:38.080
<v Speaker 1>did her in theaters. If you're Wendy, why not do

1:19:38.200 --> 1:19:41.080
<v Speaker 1>a theater While you're asking the club? Did you consider

1:19:41.120 --> 1:19:43.960
<v Speaker 1>her friend? Was she not real friend? Lee like that

1:19:44.640 --> 1:19:46.680
<v Speaker 1>she's friendly, but only to a point. She does. I

1:19:46.800 --> 1:19:50.000
<v Speaker 1>think that social distance type thing. So um, but I

1:19:50.040 --> 1:19:52.719
<v Speaker 1>could know a friend I could call the answer the phone,

1:19:53.160 --> 1:19:55.759
<v Speaker 1>a friend I could call and ask for many Wendy

1:19:55.760 --> 1:19:58.000
<v Speaker 1>ain't needing one of them. Did you see it when

1:19:58.040 --> 1:20:00.599
<v Speaker 1>you when she passed out? What you think of that? Well?

1:20:00.600 --> 1:20:03.479
<v Speaker 1>I thought it was terrible. But I should want to

1:20:03.520 --> 1:20:06.760
<v Speaker 1>go out like that. I want to drop run on

1:20:06.840 --> 1:20:10.799
<v Speaker 1>stage in front of everybody to go. I want to bang,

1:20:10.880 --> 1:20:13.920
<v Speaker 1>go viral, bitch, that's how you want to die? Yeah? No,

1:20:14.080 --> 1:20:17.800
<v Speaker 1>you don't come on stop? Yeah? Do you know there's

1:20:17.840 --> 1:20:22.080
<v Speaker 1>a thing on YouTube? You know, stars who died right

1:20:22.160 --> 1:20:25.920
<v Speaker 1>before the audience's eyes, the whole slew of people I

1:20:25.960 --> 1:20:28.759
<v Speaker 1>could be on there? Would you rather die on stage?

1:20:28.800 --> 1:20:35.559
<v Speaker 1>On Wax's face on stage? What where you at this meeting?

1:20:35.560 --> 1:20:39.439
<v Speaker 1>Where you at coming up? I'm in Denver, No, Dayton,

1:20:39.720 --> 1:20:46.439
<v Speaker 1>I'm in Dayton, Dayton, Colorado? Where is it? Look? Can

1:20:46.720 --> 1:20:49.200
<v Speaker 1>me for breakfast? Bit? Let you give them a website

1:20:49.240 --> 1:20:52.840
<v Speaker 1>or something thought to helu neil dot com, h E

1:20:53.160 --> 1:20:56.439
<v Speaker 1>y l u e n e l l dot com

1:20:56.960 --> 1:20:59.240
<v Speaker 1>and then you can find out my schedule. If you

1:20:59.320 --> 1:21:02.439
<v Speaker 1>want to write me on Instagram or Twitter and say

1:21:02.479 --> 1:21:05.760
<v Speaker 1>how much you thoroughly enjoyed this broadcast, you can hit

1:21:05.840 --> 1:21:08.439
<v Speaker 1>me on Instagram or Twitter at luell l u e

1:21:09.000 --> 1:21:11.960
<v Speaker 1>n e l l any positive words you want to

1:21:12.000 --> 1:21:21.080
<v Speaker 1>leave us with before now strange, Okay, please please come back.

1:21:21.320 --> 1:21:24.000
<v Speaker 1>I gotta tell you I'm so excited to be sitting

1:21:24.080 --> 1:21:27.400
<v Speaker 1>here in dust see where so many asses have sat before,

1:21:27.439 --> 1:21:29.439
<v Speaker 1>and I always said, God, damn it done. The Breakfast

1:21:29.479 --> 1:21:31.639
<v Speaker 1>club want to talk to me. I want to talk

1:21:31.720 --> 1:21:33.519
<v Speaker 1>to them at Loba how I got to send a

1:21:33.560 --> 1:21:36.439
<v Speaker 1>shout out to my girl Claudia enjoying smooth Coara got

1:21:36.520 --> 1:21:40.040
<v Speaker 1>the ball Roland as my boy. Eddie F thank you

1:21:40.200 --> 1:21:45.439
<v Speaker 1>for you know, responding finally to our emails and calling

1:21:45.520 --> 1:21:48.560
<v Speaker 1>at your girl. So my public says man more, thanks you,

1:21:48.760 --> 1:21:55.960
<v Speaker 1>my manager William Lee, I thank you the slow email

1:21:56.120 --> 1:21:59.960
<v Speaker 1>at responding. I scared because you over there, both be scared.

1:22:00.760 --> 1:22:03.919
<v Speaker 1>I ain't scared. Eddie F Is you that music producer

1:22:04.040 --> 1:22:08.200
<v Speaker 1>Eddie F guy? Oh you the fake Eddie. He ain't

1:22:08.240 --> 1:22:14.000
<v Speaker 1>even a little we thought where he was. It's the

1:22:14.120 --> 1:22:21.040
<v Speaker 1>Breakfast club. Good morning, everybody is DJ Envy Angela Ye,

1:22:21.200 --> 1:22:24.000
<v Speaker 1>Charlomagne the guy. We are the Breakfast Club. It is Friday.

1:22:24.080 --> 1:22:27.439
<v Speaker 1>See you know what that means. Freaky freaky, freaky Friday.

1:22:29.520 --> 1:22:31.519
<v Speaker 1>You can call eight hundred five eight five one oh

1:22:31.560 --> 1:22:34.360
<v Speaker 1>five US and you can have phone sex with any

1:22:34.479 --> 1:22:36.960
<v Speaker 1>one of us you want. All right, that's simple. So

1:22:37.080 --> 1:22:39.519
<v Speaker 1>let's go to the phone lines. Hello, who's this yo?

1:22:39.840 --> 1:22:42.960
<v Speaker 1>What's up? Man? This CV? Man CV turning bady down? Bro,

1:22:43.240 --> 1:22:45.960
<v Speaker 1>it's cooler, man. What's the miner? Oh? I thought you're

1:22:45.960 --> 1:22:51.080
<v Speaker 1>gonna go. Ye. You're busy this weekend, buddy, Yes I am. Oh,

1:22:51.160 --> 1:22:53.320
<v Speaker 1>you're gonna be really busy, will be? Oh for real?

1:22:54.200 --> 1:22:58.000
<v Speaker 1>That ball head of yours? Okay, what you like? Charlomagne?

1:22:58.240 --> 1:23:00.439
<v Speaker 1>Um consent which I haven't given? You talk to me

1:23:00.479 --> 1:23:02.400
<v Speaker 1>in this way? Shut up ahead? What would you do? CV?

1:23:03.400 --> 1:23:05.439
<v Speaker 1>It don't matter if you gotta consider that, I'll take

1:23:05.479 --> 1:23:07.720
<v Speaker 1>it from your baby. Oh yeah, that's exactly why we're

1:23:07.720 --> 1:23:09.560
<v Speaker 1>having to be two times up movement right now. So

1:23:09.720 --> 1:23:12.040
<v Speaker 1>CV you in the room. You're in the room with Charlomagne.

1:23:12.080 --> 1:23:13.800
<v Speaker 1>What what are you doing? CV? Are you ripping his

1:23:13.880 --> 1:23:15.640
<v Speaker 1>clothes off? You taking it off? Slow? He's rapping his

1:23:15.760 --> 1:23:19.400
<v Speaker 1>ball head, ripping his clothes off like it rough? I'm

1:23:19.400 --> 1:23:21.559
<v Speaker 1>gonna give it to a rough. Wow are you are?

1:23:21.600 --> 1:23:25.160
<v Speaker 1>You're on tapping Charlemagne's un the bottom? Oh? Yeah, you

1:23:25.200 --> 1:23:27.160
<v Speaker 1>know he's gonna be all the bottom. So now now

1:23:27.280 --> 1:23:29.320
<v Speaker 1>play for Bill Bill Cobs because you used to sell me,

1:23:29.520 --> 1:23:31.240
<v Speaker 1>so now pay play the scene now. So now you

1:23:31.320 --> 1:23:32.880
<v Speaker 1>got him, you on toping? What are you saying to

1:23:33.000 --> 1:23:36.800
<v Speaker 1>him as you insert? Let me rubbed that head of yours, Charlottamagne,

1:23:37.160 --> 1:23:41.519
<v Speaker 1>let me slide it. Charlomagne is uncomfortable, are you yeah?

1:23:41.520 --> 1:23:43.240
<v Speaker 1>Are you gonna Are you gonna use any type of

1:23:43.360 --> 1:23:47.080
<v Speaker 1>lubricant or is it just dry and rough? Oh? You know,

1:23:47.120 --> 1:23:49.160
<v Speaker 1>I'm gonna have some lubricant for him. Right? You know

1:23:49.479 --> 1:23:51.599
<v Speaker 1>that word? That word that you just said, that bleeped,

1:23:51.720 --> 1:23:53.320
<v Speaker 1>that's what would be all over your penis if you

1:23:53.439 --> 1:23:56.439
<v Speaker 1>ever tried that. He likes that. You like that? Right?

1:23:56.560 --> 1:23:59.720
<v Speaker 1>Were nasty on your head? Are you gonna kiss? Charlomagne

1:23:59.760 --> 1:24:03.000
<v Speaker 1>likes to? I know he looke likes it. No, I don't, No,

1:24:03.120 --> 1:24:05.680
<v Speaker 1>I don't. Are you gonna kiss him? Sir? Hey you'd

1:24:05.720 --> 1:24:09.840
<v Speaker 1>like to get your ass man my woman? Okay, not

1:24:10.000 --> 1:24:13.960
<v Speaker 1>by you when you got damn bid all on my

1:24:14.040 --> 1:24:18.240
<v Speaker 1>ass cheeks? I don't want that. He let him talk? Goodness, gracious, Kevin,

1:24:18.320 --> 1:24:21.120
<v Speaker 1>good morning. How would do a club? That's up? Man?

1:24:21.120 --> 1:24:22.960
<v Speaker 1>You want you want to talk, definitely want to shout

1:24:23.000 --> 1:24:24.840
<v Speaker 1>the main not at all. I want to talk to

1:24:25.040 --> 1:24:28.000
<v Speaker 1>miss ye Okay? How you doing? Miss ye? Okay? How

1:24:28.040 --> 1:24:30.559
<v Speaker 1>are you? I'm good? Thank you. All I would need

1:24:31.200 --> 1:24:35.720
<v Speaker 1>is the ice. I'll start off. That's okay. I have

1:24:35.840 --> 1:24:38.200
<v Speaker 1>the heat on in my living room. My ice gonna

1:24:38.200 --> 1:24:42.800
<v Speaker 1>stay cold. Idiot, I'm already. I'm already there. Once I see,

1:24:43.360 --> 1:24:46.920
<v Speaker 1>especially for toes is paying the red, I'll already have ice.

1:24:47.160 --> 1:24:50.160
<v Speaker 1>I've been licking your small in your back. Oh I'm

1:24:50.200 --> 1:24:52.120
<v Speaker 1>not a salad tosser, so I won't go that well,

1:24:53.000 --> 1:24:55.080
<v Speaker 1>but I'll definitely be licking you up there. Called me

1:24:55.160 --> 1:24:58.960
<v Speaker 1>the tornado tongue. You've been watching too Muchado tongue, so

1:24:59.080 --> 1:25:03.000
<v Speaker 1>you're just looking at back. I'll go to the smaller back.

1:25:03.120 --> 1:25:05.840
<v Speaker 1>I'll flip you over so quick and give your F

1:25:05.960 --> 1:25:08.240
<v Speaker 1>five down there and your cancer. Don't you what the

1:25:08.280 --> 1:25:10.519
<v Speaker 1>hell is the five money? What's the cancer? Don't you

1:25:10.960 --> 1:25:15.960
<v Speaker 1>call F five is the strongest tornado? I thought that

1:25:16.080 --> 1:25:18.320
<v Speaker 1>was brock Lessons finishing move. Are you gonna body slammer

1:25:18.320 --> 1:25:20.360
<v Speaker 1>of vagina? He's not turning me on? Man, you gotta

1:25:20.400 --> 1:25:23.679
<v Speaker 1>go hello, It's not for you. Vy I'm sorry. Wow

1:25:24.000 --> 1:25:26.880
<v Speaker 1>oh whoa, whoa we wind that Vy just said? You're

1:25:26.880 --> 1:25:31.479
<v Speaker 1>not turning me on? Wow you on Friday? Bro okay

1:25:31.600 --> 1:25:34.200
<v Speaker 1>DJ jealousy, I see you, Jesus Christ, you guy. I

1:25:34.240 --> 1:25:36.840
<v Speaker 1>want to play flag football right now. If you want

1:25:36.840 --> 1:25:41.000
<v Speaker 1>me to tie the flag around my penis what? Hello? Hello?

1:25:41.600 --> 1:25:43.640
<v Speaker 1>You want to go at Charlemagne? Now I want to

1:25:43.680 --> 1:25:47.800
<v Speaker 1>go to Envy. There you go jump equal opportunity here,

1:25:48.640 --> 1:25:53.200
<v Speaker 1>you know, like a pope, all yellow. There you go.

1:25:54.920 --> 1:25:57.800
<v Speaker 1>I have a hoodie on. I have a box of

1:25:57.800 --> 1:26:02.280
<v Speaker 1>briefs on long John's and jeans. He's very explicit. You

1:26:02.320 --> 1:26:05.040
<v Speaker 1>got on sweat. I'm trying to buter you down. Then

1:26:05.560 --> 1:26:11.240
<v Speaker 1>you all up? Is this what you call fluidity? So

1:26:11.400 --> 1:26:13.200
<v Speaker 1>when you say buttered him, dann, what do you what? What?

1:26:13.439 --> 1:26:17.559
<v Speaker 1>What is this butter consist of? Oh? He hung up?

1:26:17.720 --> 1:26:23.200
<v Speaker 1>All right? Phone? You hung up? People, You hung You

1:26:23.240 --> 1:26:25.080
<v Speaker 1>want to have attention and you got it, and now

1:26:25.160 --> 1:26:26.880
<v Speaker 1>you can't handle it. I used to I used to.

1:26:27.120 --> 1:26:29.519
<v Speaker 1>I used to call you a waffle colored negro because

1:26:29.520 --> 1:26:31.360
<v Speaker 1>you remind me of a waffle from Eye Hob. But

1:26:31.439 --> 1:26:34.400
<v Speaker 1>Popeye's biscuits, especially when they cook right, that's a little

1:26:34.439 --> 1:26:38.559
<v Speaker 1>bit more your speed us. All right, Lisa, Yes, who

1:26:38.560 --> 1:26:40.639
<v Speaker 1>do you want to have phone sex with? I'm gonna

1:26:40.640 --> 1:26:44.599
<v Speaker 1>have phone sex with Charlomagne and you DJ Envy. Okay,

1:26:44.800 --> 1:26:46.960
<v Speaker 1>I see it. We're gonna make this a three way.

1:26:47.280 --> 1:26:55.200
<v Speaker 1>We're married three way. Now you want it too? Come on,

1:26:55.240 --> 1:26:57.640
<v Speaker 1>a little dirty daddy. I want to know why they

1:26:57.760 --> 1:27:01.120
<v Speaker 1>call you the god who get over here. Let me

1:27:01.400 --> 1:27:05.840
<v Speaker 1>rub on that ball head of yours and Envy thanks

1:27:05.920 --> 1:27:09.080
<v Speaker 1>this big ass. I want you to spank it. I

1:27:09.200 --> 1:27:11.000
<v Speaker 1>want you to spank it, and I don't want you

1:27:11.080 --> 1:27:14.559
<v Speaker 1>to make me scream? Can you make me scream? Daddy?

1:27:15.040 --> 1:27:17.840
<v Speaker 1>I'm trying. If he is a married man, I'm a

1:27:18.000 --> 1:27:20.519
<v Speaker 1>married man. I'm gonna be honest with you. What makes

1:27:20.520 --> 1:27:23.519
<v Speaker 1>me the most comfortable this whole situation. It's being neked

1:27:23.560 --> 1:27:25.680
<v Speaker 1>in the room with DJ Envy. I don't know how

1:27:25.760 --> 1:27:27.320
<v Speaker 1>that could. I don't know. I don't trust. I don't

1:27:27.320 --> 1:27:29.760
<v Speaker 1>trust Envy. I'm to be honest with you. I don't

1:27:29.800 --> 1:27:35.000
<v Speaker 1>trust my bad butt offstiut around me. People love that

1:27:35.080 --> 1:27:39.400
<v Speaker 1>bar me okay, like she wants to jack meat you

1:27:39.520 --> 1:27:43.080
<v Speaker 1>like dark hand white meat this morning. That Envy's a biscuit,

1:27:43.720 --> 1:27:46.040
<v Speaker 1>so so therefore you to have some dark meat and

1:27:46.120 --> 1:27:50.560
<v Speaker 1>a biscuit. Okay, thank you, Lisa. That but head is

1:27:50.560 --> 1:27:53.720
<v Speaker 1>getting a lot of attention. Shamagne. Oh my gosh, oh

1:27:53.880 --> 1:27:56.360
<v Speaker 1>man about to cry. I hate it, how Nvy said,

1:27:56.439 --> 1:28:00.800
<v Speaker 1>I'm doing trying to laugh? All right, We got more

1:28:00.920 --> 1:28:04.800
<v Speaker 1>coming up next. We're a breakfast club, ej Envy, Angela yee,

1:28:04.920 --> 1:28:07.479
<v Speaker 1>Charlemagne the guy. We are the breakfast club. You got

1:28:07.560 --> 1:28:09.640
<v Speaker 1>a positive note for the people now. The positive note

1:28:09.640 --> 1:28:12.160
<v Speaker 1>is simply this. You are where you're supposed to be

1:28:12.280 --> 1:28:15.800
<v Speaker 1>at this very moment. Every experience is part of God's plan.

1:28:16.160 --> 1:28:18.840
<v Speaker 1>Breakfast Club, you all finish for y'all dumb