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Speaker 1: This room anywhere else, So your brother fright now, Yeah,

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Speaker 1: you get the world's most stagers want to shut up

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Speaker 1: the cameras. I didn't agree. It still isn't listen City

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Speaker 1: South with jan the captain of this speech, the only

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Speaker 1: one who can keep these guys in chat. Solomne God

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Speaker 1: is the breathless. Wake up, wake up. This is your

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Speaker 1: time to get it off your chest with your man

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Speaker 1: or Blas. We want to hear from you on the

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Speaker 1: Breakfas Bove Mike, what's something, mikel what's going on? Man?

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Speaker 1: What's the matter? Man? Give it off your chest? Bro. Man,

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Speaker 1: it's pretty simple. Man. It's just like I don't understand

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Speaker 1: why somebody is red because I do construct operate head

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Speaker 1: and chenery, right, So it just seems like these red

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Speaker 1: knicks always got to try to push buttons because you're

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Speaker 1: smarter than they are trying to get you fired. Man,

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Speaker 1: almost one on somebody yesterday. They say what they say

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Speaker 1: to you. So I get there, like I operate a loader.

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Speaker 1: So got all this pipe that we gotta put in

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Speaker 1: the card, and a lot of them had to be there.

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Speaker 1: Somebody else listened, so because the matter listening over, Hey, listen, man,

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Speaker 1: I need some help. I'm not gonna do all of

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Speaker 1: this bout myself, so start popping off at the mouth.

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Speaker 1: You think you're better or something like that, just talking

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Speaker 1: on super crucial. You did you better than me? Or

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Speaker 1: something like that. Boy, you don't not to hand to

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Speaker 1: all that pipe basically crazy drug like that. I don't

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Speaker 1: want to go to complete about what he said, but

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Speaker 1: he almost gott You don't know how to handle that pipe. Boy,

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Speaker 1: We don't know how to lay that pipe down. Well,

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Speaker 1: I'm glad you didn't knock him out, man, because you

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Speaker 1: need your job. I'm sure you need me to show

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Speaker 1: you how to lay that pipe. Boy, Shut up, Charlom exactly,

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Speaker 1: thank you. I'm glad you finally coming to shut up.

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Speaker 1: We used to lay pipe to your kind of all

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Speaker 1: all the time, boy, but I lay pipe to you. Boy,

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Speaker 1: I break your little buck. Boy. Now if you catch

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Speaker 1: him outside of if you catch him outside of work,

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Speaker 1: can you still get fined? No, of course. Now he

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Speaker 1: gonna get the falls on the jaws. What you're gonna

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Speaker 1: put on my jaw board? What you say you want

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Speaker 1: to do with my jobs? Oh? My god? Falls? Shut up,

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Speaker 1: Charlinge getting like you. Oh I gonna have a going man.

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Speaker 1: You don't take nothing seriously. Hello, who's this? Get her

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Speaker 1: off his chests? Bro, We'm going on man, want to

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Speaker 1: call tell you guys, good morning morning, good morning, Hey

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Speaker 1: angel Hi, okay, and this is my thing. We really

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Speaker 1: need to hear this. Emi. I don't want to push

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Speaker 1: for that. Talk to fair that when you're out. Yeah,

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Speaker 1: DJ envy doing a horrible job doing a rumor report

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Speaker 1: and front page. I agree with you want to do

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Speaker 1: you should be able to do his It's me I

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Speaker 1: don't really like me. E mean, you know, he actually

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Speaker 1: really values his mix. It is very important to him.

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Speaker 1: And truthfully, between me and you got to do a

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Speaker 1: better job. So I know, I know, and we really

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Speaker 1: want to hear. It's a lot of people that I

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Speaker 1: don't want to hear. Why don't you come up in

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Speaker 1: and do a t and why are you get so

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Speaker 1: mad at so mad to come up in and do

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Speaker 1: mix it when I'm not here? MORGANA wow, have we

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Speaker 1: walking out? I just now with dimension that Angela it

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Speaker 1: wants you to suck his next Jesus that damn I

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Speaker 1: can do it. Damn it. Have you ain't got no hated?

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Speaker 1: You ain't popping how you feel about craft services. Look,

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Speaker 1: I just I was gonna tea you didn't. He didn't

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Speaker 1: hold on long enough. Hello, who's this? Hey? This is

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Speaker 1: from South Carolina. A four and three was happening. The

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Speaker 1: little country was happening. What's something? I'm good? Okay, So

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Speaker 1: I just need to get it off my chest. Okay.

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Speaker 1: I just got a new job, so I moved to

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Speaker 1: Green Sollt, South Carolina. There are so many snakes around here,

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Speaker 1: like physical snakes, all like human beings. No physical snakes.

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Speaker 1: I guess somebody has some pets or something and they

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Speaker 1: released them in the wood, so they've been coming out

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Speaker 1: all over the place. And there was this really long one,

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Speaker 1: like the size of like three lands on the interstate.

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Speaker 1: And then white people tried to catch in the head.

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Speaker 1: So now you scared the big ass snakes. Hunh. You

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Speaker 1: know what. The only time I ever didn't snake get

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Speaker 1: killed when my granddaddy went outside and tries the head off,

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Speaker 1: and I was like, your frough, South Carolina. You know,

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Speaker 1: we chopped that head off and didn't hold that snake

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Speaker 1: for everybody to come. Look at Charlemagne ain't talking that

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Speaker 1: type of snake. If he ain't talking about that type

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Speaker 1: of snake. Mama, he talked about the one eyed snake.

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Speaker 1: I'm sure I ain't talking about no one eyed snake.

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Speaker 1: Why are you see what's wrong with you? Why are

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Speaker 1: you thinking about one eyed snakes early this morning? That's

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Speaker 1: what you said. You can't say you never see the

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Speaker 1: state before, Iran say nothing. You are canky. Don't start

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Speaker 1: that this morning. Up man, Oh my god, I'm just

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Speaker 1: gonna chopped that up to everybody being tired this morning.

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Speaker 1: Thank you, Mama. Get it off your chest eight hundred

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Speaker 1: five eight five one on five one. If you need

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Speaker 1: to vent, hit us up now. It's the breakfast Club

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Speaker 1: of the morning. Wake up, wake up. You're trying to

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Speaker 1: get it off your chest because you're mad or blass.

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Speaker 1: We want to hear from you on the breakfast block. Hello,

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Speaker 1: who's this? You know? Doors color phone, South Dakota from Florida.

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Speaker 1: But I'm not a crazy one. Did you just say?

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Speaker 1: You called from South Dakota from Florida? What do you say?

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Speaker 1: But you're not a crazy one. I'm calling from South Dakota,

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Speaker 1: but I'm from Florida. Got you? But I am crazy?

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Speaker 1: All right? Uh? I want to say good morning to

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Speaker 1: all three of y'all. Love y'all, listen to y'all every morning.

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Speaker 1: Thank you for having no take. Uh say to amazons,

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Speaker 1: I want to shut up? They D two D tops

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Speaker 1: dot com. I thought you talked another language, you know. No, no, no,

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Speaker 1: that's all my business. D two D tops dot com.

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Speaker 1: Uh follow me on Instagram. D two D tops underscore

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Speaker 1: s D two D top Score. Yeah. D two D

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Speaker 1: underscore Tops Is that a sex tight nervous Yeah, that's

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Speaker 1: my website. Why did D two D What does that mean?

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Speaker 1: They're determined to demonstrate as in I thought of business.

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Speaker 1: I thought of this business, and now I'm pursuing it.

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Speaker 1: I'm doing it. I thought it was like a D

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Speaker 1: two D the tops dot com. Yeez, can't get this morning? Hello, Hello,

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Speaker 1: getting off your chest. When it comes down to taking

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Speaker 1: their kids, that's it's crazy to me, especially when it's

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Speaker 1: like they're coming here for a better life. I mean

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Speaker 1: my parents, I said, my parents are immigrants. Also, they're

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Speaker 1: not from people in Mexico. But I could just imagine

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Speaker 1: being risked away from my parents just because they're trying

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Speaker 1: to start a better life. Were your parents were your

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Speaker 1: parents undocumented immigrants? Thought, No, that's the difference. That's a different,

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Speaker 1: not enough, that's the difference. Documents. They came here FIRS

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Speaker 1: as a document, right, and then they were able to

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Speaker 1: get their citizenship. They were able to because of Reagan.

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Speaker 1: And I do cliz you were here for Reagan between office.

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Speaker 1: That's your negligence not to get your green cards because

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Speaker 1: he was just giving them away. True indeed, I mean

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Speaker 1: that's why I said, I'm talking about this situation because

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Speaker 1: on one hand, you do have empathy for people escaping

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Speaker 1: to get a better life. Within another hand, they all

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Speaker 1: breaking the law. So it's not like it's not like

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Speaker 1: the people people are like doing anything unjusted him. That

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Speaker 1: ain't up. Get it off your chest, Danny, I'm on

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Speaker 1: the radio right now. Yes you act, Oh my god,

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Speaker 1: Oh yeah. I just want to give a big shout

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Speaker 1: out to my girlfriend Crystal. You know, we're gonna get

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Speaker 1: her ford for three years now and she got herself

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Speaker 1: back into school and she wants to become a nurse though.

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Speaker 1: That's dope. She's gonna be a nurse. Man giving other

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Speaker 1: men's pungebass I love that. It's aller man. I want

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Speaker 1: to give you a big shout out. Man. She you know, honestly,

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Speaker 1: you know, being with her, she's she's gonna last for me.

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Speaker 1: And one of the big things she's done is she

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Speaker 1: buys me books. And she bought me your book, and

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Speaker 1: I've been reading it. When I finish it, I'll try

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Speaker 1: to call back and talk to you about it. But

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Speaker 1: thank you now. I really appreciate your books and Angel

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Speaker 1: League DJ Nvy, everything you guys do, man, everything is amazing.

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Speaker 1: And I just want to tell everybody out there, whoever's hearing,

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Speaker 1: you know, in life you gotta keep moving. You can't stop.

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Speaker 1: If you want to get somewhere in life, you just

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Speaker 1: gotta work hard for it, right, my brother, gotta keep

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Speaker 1: those feet moving. Thank you for calling man, Thank you brother.

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Speaker 1: Get it off your chests. Eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, you

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Speaker 1: can hit this up. Keep it. Lock this to breakfast club,

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Speaker 1: going the breakfast club. John, Hi, So we're gonna do

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Speaker 1: something different today. He's gonna be so mad. I'm not

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Speaker 1: on the show, all right. So what happened to Charlemagne

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Speaker 1: left because he had to be somewhere in the mby

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Speaker 1: was like, I'm not staying and he left too. He

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Speaker 1: just respected me. Like that. I feel bad because I

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Speaker 1: know we always joke around. Yeah, and I just put

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Speaker 1: it all right, what can we do? Um? I mean,

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Speaker 1: I'll do whatever you need now, but I won't be

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Speaker 1: on even locally. I'm sorry. I feel bad. We're just

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Speaker 1: playing with his lip side. I'm not even gonna be

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Speaker 1: a local. What can we do? I was only admitted

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Speaker 1: away from saying following, he just respected morning. Everybody is

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Speaker 1: DJ D Angela Yee, Charlomagne the guy. We are the

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Speaker 1: fast club, and again we got out. Trust off y'all,

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Speaker 1: not the breakfast club, y'all the evil clubs not I'm

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Speaker 1: not even like that now. We wanted to play a

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Speaker 1: little prank on you, but I felt bad. You lift

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Speaker 1: started quick what I've learned to be and my career

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Speaker 1: as a problem solved. We all deal with problems, but

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Speaker 1: how do we do all the problems and we solve them?

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Speaker 1: So when Angela Yee told me that both of y'all

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Speaker 1: had walked out on my interview, of course correct, I

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Speaker 1: was disrespectful. I thought I was disrespected. I wanted to

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Speaker 1: talk about how you never posted to trust light skinned

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Speaker 1: people like that, and I gave you a pass, and

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Speaker 1: I was like, I thought it was serious. I was

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Speaker 1: trying to problem solve it, like how do I be

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Speaker 1: able to do the Breakfast Club interview? And that's when

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Speaker 1: they let me know that y'all play the joke of me,

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Speaker 1: I've got watery. I thought it because look, I know

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Speaker 1: your son, Austin. I saw Austin Austin. I love you, man.

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Speaker 1: I really thought y'all was being disrespectful and it really hurt,

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Speaker 1: really hurt me because me and you talk all the time,

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Speaker 1: and I'm like, this you, I'm like, he didn't give

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Speaker 1: me a heads up or anything. And I was like,

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Speaker 1: I was like, and we waited five minutes, we'd have

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Speaker 1: got all that. Man, Charlie couldn't text me. It was

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Speaker 1: covering every really did by these cheers. Yes, because it's

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Speaker 1: built in for the Kevin Hart size. Yes. Now here's

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Speaker 1: the thing this one. You know, Kevin Hard is upset

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Speaker 1: when we start talking with his fingers. What did you

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Speaker 1: think about all of that? From a comedian og comedian

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Speaker 1: like yourself, I think I first off, I think enough

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Speaker 1: is enough, you know what I'm saying. I've listened to

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Speaker 1: all the interviews and I definitely think it's Unfortunately, because

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Speaker 1: all the people that are in the beef are being

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Speaker 1: are successful. That's the crazy pot I'm saying that. But

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Speaker 1: the thing is sometimes people don't respect everybody's come up. Yeah,

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Speaker 1: and also a thing that it's easy for people to say, well,

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Speaker 1: that's just my opinion, but everybody on the outside wants

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Speaker 1: you have a humble opinion. They want you to be

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Speaker 1: humbled by it. I listened to the Cat on the

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Speaker 1: other on another station, What do you think about that?

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Speaker 1: When he was shooting at Tiffany Haddish and everything. First off,

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Speaker 1: the first thing I thought was crazy was how the

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Speaker 1: host Wanda you know what I'm saying. I thought that,

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Speaker 1: you know, when he said you're not a good interview,

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Speaker 1: I agree with him one hundred percent, you know, saying

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Speaker 1: she was trying to put him in the corner. We

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Speaker 1: all know what the demons that Cat Wims has dealt with,

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Speaker 1: you know what I'm saying, and me traveling and doing

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Speaker 1: more than ready every time after a while you get

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Speaker 1: sick of the same question. And she was trying to

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Speaker 1: put him in that situation where he reacted like that,

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Speaker 1: and he reacted. Now on the comedian side of it,

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Speaker 1: I speak to comedian language. I kind of understood what

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Speaker 1: cat Winms was trying to say. People get to a

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Speaker 1: certain level, certain route. You know what I'm saying. Has

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Speaker 1: Tiffany Hadish been on a hundred city tour? No? Know

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Speaker 1: what I'm saying, Has test Tiffany Hadish been the headlining country,

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Speaker 1: a headlining community across the country. No, but she had

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Speaker 1: a different path. But everybody else was out in the street.

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Speaker 1: Hadish was out. She was auditional. Now that could have

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Speaker 1: been the question, how many auditions you had before you

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Speaker 1: got there? Her path? She's a TV star, and I

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Speaker 1: think when I a movie star TV in the movie

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Speaker 1: started and I started, though, but she started on the stage.

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Speaker 1: But what what cat Wims was trying to compare was

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Speaker 1: she was trying to compare the people that have been

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Speaker 1: on the ground for years and years of years, banging

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Speaker 1: out an hour of comedy every night. You know what

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Speaker 1: I'm saying. For Tiffany, has she blew up? She was

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Speaker 1: in and this is no disrespect. I love her. She

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Speaker 1: was a feature. She was a strong feature headlineage. I

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Speaker 1: remember one time she asked Donnie or can I get

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Speaker 1: some role work? This was like a fear or four

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Speaker 1: years ago. But at the same time, she sacrificed going

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Speaker 1: to the road, to commit to being an actor, to

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Speaker 1: putting stuff in a position. Now, some of the things

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Speaker 1: that kat Winn said, I could have respect him more

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Speaker 1: if he would said, I appreciate her hustle. She started

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Speaker 1: when she was fifteen. She was a foster kid. You

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Speaker 1: know what I'm saying. How many success stories you know

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Speaker 1: of people that came from foster homes that have made it.

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Speaker 1: If he would have knowledge, I would have kind of

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Speaker 1: understood some of the things would say. I think that

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Speaker 1: was throughout that whole interview. I think that was the

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Speaker 1: most unfortunate part about it, because you got to give

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Speaker 1: her a problem. We got more. Went down then Rawlins.

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Speaker 1: When we come back, don't move. It's the breakfast club.

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Speaker 1: Good morning, the breakfast club that morning. Everybody is DJ

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Speaker 1: Envy angela Ye, Charlomagne, the guy we are the breakfast

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Speaker 1: club down down, Rawlins is in the building which you

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Speaker 1: consider Chappella gatekeeper. I wouldn't consider him a gatekeeper. I

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Speaker 1: consider him as a person that can make opportunities. Of course,

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Speaker 1: he can make opportunities, and the thing is a lot

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Speaker 1: of times the reason why people don't want to give

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Speaker 1: another man opportunities because they're afraid that that person going

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Speaker 1: to outshine him. And testament to Dave's character, and I

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Speaker 1: consider myself a beast on stage. Dave will put me

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Speaker 1: on the road. The average head larner is not. And

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Speaker 1: for Dave, when I'm on the show with him, nobody

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Speaker 1: knows that I'm there. They're like DJ Trauma, who's normally

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Speaker 1: the resident DJ DJ Trump. But he'll be like, okay, guys,

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Speaker 1: we can really start the show. We got a special guest.

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Speaker 1: You see him on the wire, you get the class,

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Speaker 1: a couple clups, you see him in Spider manuntil you

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Speaker 1: get a couple of class. But then he'll say, but

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Speaker 1: you fell in love with him, as as she learned

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Speaker 1: from the Chappelle Show, and the room goes ape. The

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Speaker 1: average headline is not gonna want anybody to get that

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Speaker 1: reception before they go on. I'll go up there, I'll

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Speaker 1: do my thing. And then him, being the person he is,

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Speaker 1: he come right behind it. Two different styles. Everything you

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Speaker 1: say it is accurate, except for the crowd going ape no, no, no,

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Speaker 1: no, no no, you must no. They did go crazy for

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Speaker 1: Joe and sound like you know sone and you know

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Speaker 1: what hate it. They always thought like this, I mean,

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Speaker 1: I mean they went, but they don't go. I mean,

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Speaker 1: you know, watching you perform in like the smaller venues,

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Speaker 1: the radio city Music Hall, those big uh venues like that,

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Speaker 1: they're like they're the showcase venues, you know, but you

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Speaker 1: really want to see a test of a true comic,

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Speaker 1: like you say, find him in an intimate environment, find

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Speaker 1: him in the smallest situation was I want downtime and

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Speaker 1: he got to practice. So that was quick story. There's

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Speaker 1: a celebrity chef I won't say that name, celebrity chef

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Speaker 1: and my son. When I was having baby, my baby,

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Speaker 1: my son's baby show, I wanted this celebrity chef to,

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Speaker 1: you know, like come and help me with the food

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Speaker 1: for my son's baby shower. So I reached out to

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Speaker 1: the chef and we were all good, and then at

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Speaker 1: the last minute they pulled away. In the example the

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Speaker 1: game and it was like, I don't know, there's a

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Speaker 1: big time He's like, don hill, I don't do open mics,

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Speaker 1: like they're too big to do. I don't do open

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Speaker 1: micss Caroline, you see, I disrespect for the breakfast. This

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Speaker 1: is so dissy. Did not blow kiss at you. Thank

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Speaker 1: you for joining us. How are you doing? All right? Blue?

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Speaker 1: Kiss at him? All right? Back to your story about

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Speaker 1: what the celebrity tell the story won't tell those stories.

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Speaker 1: Stories ain't gonna be a Carolina. This we did as

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Speaker 1: this story doesn't mean what you deciding to cook because

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Speaker 1: you cannot cut. I want to talk about that. I

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Speaker 1: can't but hear the story. So the celebrity, the celebrity chef,

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Speaker 1: I guess they had got to a point where they

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Speaker 1: was too big for They don't team everything. And it

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Speaker 1: was like, Donnie, I don't do open mics. Do you

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Speaker 1: do open mics to you can team to old Mike?

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Speaker 1: I said, yes, not only I continue to open mics.

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Speaker 1: I had just did a short reader City Music Hall,

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Speaker 1: sixty five hundred people got us days, got in the

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Speaker 1: car and with the Browns wheel and performed for fifteen people. Yea.

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Speaker 1: So at the end of the day, you can't never

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Speaker 1: stop shopping in your toolbox. You can't never stop shopping

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Speaker 1: your stopping the toolbox. But so many people don't put

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Speaker 1: this pressure on inside. Y'all know I'm not gonna reading

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Speaker 1: out loud. Do that used to do radio together? Right?

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Speaker 1: We have reading context contest. You never was in there.

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Speaker 1: You just bet on me. I gotta I got fifty dollars.

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Speaker 1: You can't read this paragraph without setter. Okay, it's about you.

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Speaker 1: Donnad Rawlins is an actor and writer from Washington, DC.

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Speaker 1: He's well known for being a cast member on The

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Speaker 1: Chappelle Show. He made an impact on the show with

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Speaker 1: his character Ashilary and his iconic phrase, I'm rids bit.

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Speaker 1: I threw that in there. Here's a series of sketch

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Speaker 1: comedy kIPS on his don't do that side on this

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Speaker 1: from Ashley Classy album. Rawlins has had multiple successful shows

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Speaker 1: and radios to the musical. An actor, he has made

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Speaker 1: appearances on The Wire spider Man Too. I didn't start

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Speaker 1: on the Wires spider Man Too. He was in the

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Speaker 1: Air Force for four years. Rodins is also a police

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Speaker 1: officer and watching that that's a police officer. I was

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Speaker 1: a police officer in the Air Force, waiting to become

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Speaker 1: a police officer in DC. I went. I used to

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Speaker 1: work for this grocery company. I just be head of

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Speaker 1: security for this grocery company and as a as a

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Speaker 1: form of camaraderie, we would go to the comedy comedy

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Speaker 1: comedy Connection to Green Belt and we would go to

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Speaker 1: go to the club and I would used to heckle

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Speaker 1: the comedians on stage. So we should go every week

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Speaker 1: and I became popular as a heckler. Comedians would come

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Speaker 1: and he's like, yo, could you let me do work

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Speaker 1: out the material? Don't mess with me today. And I

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Speaker 1: became so good at a heckler that the club owner

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Speaker 1: wanted to shut me up. This is how I started.

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Speaker 1: He dared me to go on stage. I wasn't excited

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Speaker 1: about doing it. Then two weeks later I went on

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Speaker 1: stage and the rest was his. So you were a

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Speaker 1: trolling originally? Oh yeah, I was one hundred percent. I was.

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Speaker 1: I started people started coming to see me. Heco you

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Speaker 1: had a gun in the air force. I was the

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Speaker 1: worst cop ever man. I made one stop in four years,

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Speaker 1: and that was just stop. It was this girl And

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Speaker 1: this was before the whole me too things, and she

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Speaker 1: was she was scandally scandally d class yes you know

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Speaker 1: this and uh and I pulled over to get a

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Speaker 1: phone umb and that's the only wrest of evering me.

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Speaker 1: You arrested her, Yeah, arrest of her. She told you, No,

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Speaker 1: I don't I'm not following that. You're not gonna have

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Speaker 1: me on seeing in twenty years later. You trying to

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Speaker 1: get evidence. You asked Kevin questions. I don't know what

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Speaker 1: you're talking about. I don't remember anything wanted. Everybody is

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Speaker 1: DJ Envie Angela Yee, Charlomane, the guy. We are the

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Speaker 1: breakfast club. We got some special guests in the building. Yeah, yeah, yeah,

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Speaker 1: And did you give it? He had this in Kevin Hard?

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Speaker 1: Why are you screaming? Man? I'm happy to see them too.

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Speaker 1: For day energetic. I like to get Kevin here complaining

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Speaker 1: about chance that he bought, saying if the chairs won't go,

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Speaker 1: I'm complaining about the chairs and I bought. I just

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Speaker 1: don't understand. When you guys know I'm coming. You should

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Speaker 1: have my setting ready. You know what about what I bought?

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Speaker 1: Us about what I need? I told you that this

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Speaker 1: is I'm not saying that you gotta make it a

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Speaker 1: public thing, but put a put a pillow on it.

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Speaker 1: That's too late. Yeah, My torso's longer, Yeah, tivity is taller.

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Speaker 1: It's fine. Let's not make a thing out of it.

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Speaker 1: I'm okay. How hogs doing? I don't know. I don't

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Speaker 1: know where to start with y'all. Let's start Night School.

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Speaker 1: Let's start. Let's start a business. Let's start there. Night

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Speaker 1: School hitting theater September twenty eight. Excited. Why, I'll tell

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Speaker 1: you why. Uh first movie you got, damn right, you got.

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Speaker 1: I can segue in the out or whatever the hell

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Speaker 1: I want to talk about smoothly too. Uh. Reason why

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Speaker 1: because it's the first movie underneath my production Umbrella Heartbeat Productions. Uh,

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Speaker 1: taking it a step further, you know, from just being

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Speaker 1: the talent, turning the business the business notch up and enjoying.

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Speaker 1: So I wanted to put myself in a position to win.

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Speaker 1: So I teamed up with my guy Will power Packer again. Uh,

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Speaker 1: this is our seventh movie together. Four number one's, two,

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Speaker 1: number two's. Hopefully we're talking about one more number one

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Speaker 1: and coming off of a number one success, I said, dude,

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Speaker 1: it makes no sense to not have Tiffany Hatters be

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Speaker 1: a part of my first movie, especially understanding her Storian

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Speaker 1: where she's coming from. So we cast to Tiffany in

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Speaker 1: the movie, along within another amazing group of actors and actresses.

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Speaker 1: Uh the list is too long to name. And you know,

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Speaker 1: right now we're talking about something that was built from

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Speaker 1: the ground up. How much money of you and will

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Speaker 1: mean together so far A lot of money, A lot

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Speaker 1: of money. We need to get into numbers. Okay, it's up.

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Speaker 1: Now why night School? Have you? Have you ever been

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Speaker 1: in night school? Either of you? I can tell you

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Speaker 1: the whole story behind night School and uh, and the

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Speaker 1: reason behind it is is something that I think people

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Speaker 1: will be able to relate to. Um. You know, it's

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Speaker 1: a movie about second chances in life. So many people

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Speaker 1: do things the first time around and may or may

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Speaker 1: not get it right, and then doing so, you feel

421
00:20:59,240 --> 00:21:02,800
Speaker 1: like it's over. In this particular case, education is the

422
00:21:02,880 --> 00:21:05,040
Speaker 1: forefront of the story, and so many people that don't

423
00:21:05,040 --> 00:21:08,119
Speaker 1: embrace education properly end up going back to have to

424
00:21:08,200 --> 00:21:09,719
Speaker 1: do it again. And what you find out is when

425
00:21:09,720 --> 00:21:12,000
Speaker 1: you embrace it the second time, you do it correctly,

426
00:21:12,359 --> 00:21:15,040
Speaker 1: and the opportunities in life are still there and it

427
00:21:15,200 --> 00:21:17,440
Speaker 1: may even be more. Uh. This is a movie that

428
00:21:17,520 --> 00:21:20,119
Speaker 1: embraces that. This is a movie that highlights that, and

429
00:21:20,359 --> 00:21:22,440
Speaker 1: we do it from a funny perspective, but that people

430
00:21:22,480 --> 00:21:24,399
Speaker 1: can relate to. I'll prove that I got my diploma

431
00:21:24,440 --> 00:21:27,320
Speaker 1: in night school. I'm so well spoken, and as we

432
00:21:27,440 --> 00:21:29,320
Speaker 1: go on, Yes, So how were you guys? At students

433
00:21:29,359 --> 00:21:32,000
Speaker 1: in school in real life, I was okay, I was

434
00:21:32,080 --> 00:21:34,119
Speaker 1: all right, you know, I did. I did. I had

435
00:21:34,160 --> 00:21:41,400
Speaker 1: a two point five grade average. That's not two. I graduated.

436
00:21:42,000 --> 00:21:44,000
Speaker 1: I graduated. I had a lot of credits because I

437
00:21:44,040 --> 00:21:50,120
Speaker 1: went to summer school every year. No, because I didn't

438
00:21:50,160 --> 00:21:52,560
Speaker 1: want to get in any trouble, and it was boys

439
00:21:52,600 --> 00:21:57,880
Speaker 1: in summer school of education. I celebrated the two point five.

440
00:22:00,520 --> 00:22:03,760
Speaker 1: I'm talking about exactly what I'm talking about. We hate

441
00:22:03,760 --> 00:22:06,800
Speaker 1: these conversations about equal pay in Hollywood and tipping, y'all

442
00:22:06,840 --> 00:22:09,800
Speaker 1: both are on the bill. How does that work out? Uh? Look,

443
00:22:09,840 --> 00:22:14,040
Speaker 1: I know what um you know. Look, I'm all about

444
00:22:14,280 --> 00:22:19,840
Speaker 1: the female, the female growth, especially in entertainment. You know.

445
00:22:19,920 --> 00:22:23,560
Speaker 1: I think that that women and the voices that are

446
00:22:23,560 --> 00:22:26,520
Speaker 1: coming from these women should be heard and the opportunities

447
00:22:26,520 --> 00:22:31,879
Speaker 1: should be given. Money though I don't think so, but

448
00:22:31,960 --> 00:22:34,440
Speaker 1: you know what he's producing on it and what you know,

449
00:22:34,560 --> 00:22:36,840
Speaker 1: but he he we both just got houses. You know.

450
00:22:37,160 --> 00:22:39,639
Speaker 1: His house is in the hills somewhere. We can't find it.

451
00:22:39,800 --> 00:22:44,639
Speaker 1: My houses in South Central. No. Look, I think that

452
00:22:44,800 --> 00:22:47,119
Speaker 1: the conversation is one that needs to be had, and

453
00:22:47,520 --> 00:22:49,800
Speaker 1: now that it's being had, you're going to see more

454
00:22:49,800 --> 00:22:53,320
Speaker 1: opportunities for women to get what they've been requesting and

455
00:22:53,400 --> 00:22:56,200
Speaker 1: what they deserve. Um, I think it's all it's all

456
00:22:56,280 --> 00:22:59,720
Speaker 1: project dependent. It's all about, um the level of stars

457
00:22:59,760 --> 00:23:02,320
Speaker 1: that you're dealing with, and you know you you have

458
00:23:02,440 --> 00:23:04,680
Speaker 1: to understand how do you know what your level is?

459
00:23:04,800 --> 00:23:07,440
Speaker 1: Well within box office draw What people ignore is that

460
00:23:07,760 --> 00:23:10,960
Speaker 1: within a talent, this box office drawing, this box office success,

461
00:23:11,040 --> 00:23:12,440
Speaker 1: this is the biggest start in the movie. So she

462
00:23:12,640 --> 00:23:18,920
Speaker 1: should be You know what, if that's what people personality

463
00:23:19,680 --> 00:23:28,120
Speaker 1: this week, I would system that was the case. I'll

464
00:23:28,119 --> 00:23:29,680
Speaker 1: tell you the difference in old Kay Heart, and I

465
00:23:29,840 --> 00:23:33,040
Speaker 1: use this as a segue. Okay, the difference, the difference

466
00:23:33,080 --> 00:23:36,680
Speaker 1: in me. If that was the case, there is no

467
00:23:36,920 --> 00:23:41,000
Speaker 1: reason to put a dimmer on that light. The reason

468
00:23:41,040 --> 00:23:44,720
Speaker 1: why I say that is because I've been there. I'm there,

469
00:23:44,800 --> 00:23:46,480
Speaker 1: I sit in the chair. I sat in this chair

470
00:23:46,520 --> 00:23:49,320
Speaker 1: for a long time. Naturally, there's other people that will

471
00:23:49,400 --> 00:23:53,119
Speaker 1: come behind and will surpass. Wherever you are in this business,

472
00:23:53,160 --> 00:23:55,720
Speaker 1: when that happens, you support it, especially when you're coming

473
00:23:55,760 --> 00:23:58,880
Speaker 1: from a position where there's been a demand for people

474
00:23:58,920 --> 00:24:01,440
Speaker 1: of color to get a shot. So here's my frustration,

475
00:24:01,520 --> 00:24:02,840
Speaker 1: because I know you're gonna get into it. Let me

476
00:24:02,880 --> 00:24:09,120
Speaker 1: tell you my frustration. People's kind of frustration. Okay, I'm

477
00:24:09,119 --> 00:24:10,639
Speaker 1: gonna tell you it's been on my mind, what's been

478
00:24:10,680 --> 00:24:13,200
Speaker 1: on my heart? Heavy trying. I want to talk about

479
00:24:13,200 --> 00:24:17,200
Speaker 1: the movies is sold. The movie is gonna be sebenty

480
00:24:18,480 --> 00:24:19,760
Speaker 1: check it out, all right? Now, I want to get

481
00:24:19,760 --> 00:24:22,480
Speaker 1: to what's really bothering me. I want to ask black

482
00:24:22,520 --> 00:24:26,760
Speaker 1: people what we want? What do we want? We complain

483
00:24:27,440 --> 00:24:30,520
Speaker 1: that people of color weren't getting opportunities in Hollywood. We

484
00:24:30,640 --> 00:24:33,080
Speaker 1: were getting ignored for the Oscars, for the Emmys, it

485
00:24:33,200 --> 00:24:36,280
Speaker 1: was a big thing. After that big thing, people of

486
00:24:36,400 --> 00:24:39,600
Speaker 1: color got recognized for their hard work, for their efforts

487
00:24:39,640 --> 00:24:43,520
Speaker 1: and run awards. People of color also won Emmy's. People

488
00:24:43,560 --> 00:24:46,879
Speaker 1: of color are now being giving opportunities to start to

489
00:24:47,119 --> 00:24:51,680
Speaker 1: lead in various projects, just the ugly people. This according something, okay,

490
00:24:52,359 --> 00:24:55,520
Speaker 1: when the people of when the people of coloring getting

491
00:24:55,520 --> 00:24:59,000
Speaker 1: these opportunities at all, Why are the people of color

492
00:24:59,400 --> 00:25:01,359
Speaker 1: the ones that tearing the people that are getting the

493
00:25:01,440 --> 00:25:06,360
Speaker 1: opportunities down. My frustration comes from you don't realize when

494
00:25:06,359 --> 00:25:08,920
Speaker 1: I preach about the crabs and the barrel mentality that

495
00:25:09,040 --> 00:25:12,960
Speaker 1: eventually we have to take responsibility for our actions. So

496
00:25:13,119 --> 00:25:15,840
Speaker 1: if I'm looking at people that share my craft, I'm

497
00:25:15,840 --> 00:25:17,600
Speaker 1: going to bring up the people that Kat William's name,

498
00:25:18,000 --> 00:25:23,600
Speaker 1: Little Rel, Gerard Carmichael, Hannibal Birds, myself, Tiffany Hatish correct.

499
00:25:23,880 --> 00:25:26,520
Speaker 1: Little Rel is seeing so much success after doing a

500
00:25:26,600 --> 00:25:28,959
Speaker 1: special relevant, he went on to get out. He now

501
00:25:29,080 --> 00:25:31,240
Speaker 1: has a show that he's producing and starting in on Fox.

502
00:25:31,600 --> 00:25:34,920
Speaker 1: Gerard Carmichael had his own show that he started, wrote, produced.

503
00:25:35,160 --> 00:25:38,520
Speaker 1: Gerard Carmichael was on to a second special. Hannibal Birds

504
00:25:38,560 --> 00:25:41,240
Speaker 1: saw success within comedy specialism is now doing various movies.

505
00:25:41,280 --> 00:25:43,760
Speaker 1: Where's getting the opportunity to have features and to have

506
00:25:43,920 --> 00:25:47,000
Speaker 1: a presence. Me, Kevin Hard, the guy that sits on

507
00:25:47,119 --> 00:25:49,600
Speaker 1: top right now, have taken advantage of all the money

508
00:25:49,640 --> 00:25:52,280
Speaker 1: that I have. I've shot over fifty six specials for

509
00:25:52,359 --> 00:25:54,760
Speaker 1: the upcoming generation of comedy. Why because I'm trying to

510
00:25:54,760 --> 00:25:57,639
Speaker 1: create opportunities for us. Whether complaining about it, I'm fixing it.

511
00:25:57,960 --> 00:26:00,600
Speaker 1: I'm putting my money where mouth is. Also take full

512
00:26:00,680 --> 00:26:03,439
Speaker 1: responsibility for any and everything that I've done in the business,

513
00:26:03,960 --> 00:26:05,800
Speaker 1: good or bad. All right, we have more with Kevin

514
00:26:05,840 --> 00:26:07,960
Speaker 1: Hart and Tiffany Hadis, who don't move it's the Breakfast Club.

515
00:26:08,000 --> 00:26:15,240
Speaker 1: Good morning, the Breakfast Club. Ej Envy, Angela yee, Charlomagne,

516
00:26:15,280 --> 00:26:17,800
Speaker 1: the guy. We are the Breakfast Club. We got special

517
00:26:17,880 --> 00:26:22,280
Speaker 1: guests in the building, Tiffany Haddish and Kevin Hart. Go off, Kevin,

518
00:26:22,400 --> 00:26:25,359
Speaker 1: go off. My frustration with Kat Williams comes from you

519
00:26:25,560 --> 00:26:28,800
Speaker 1: keep pointing at Hollywood, Hollywood, this the white man, this,

520
00:26:29,000 --> 00:26:32,879
Speaker 1: this and this. When do you take responsibility for your actions?

521
00:26:33,280 --> 00:26:37,399
Speaker 1: You had the shot that you were the guy, you

522
00:26:37,480 --> 00:26:39,720
Speaker 1: were set up to be the star. You didn't show

523
00:26:39,840 --> 00:26:43,240
Speaker 1: up to work, You've off promo shoots. You became a

524
00:26:43,400 --> 00:26:45,840
Speaker 1: risk to the studios, which is why the studio stopped

525
00:26:46,080 --> 00:26:49,120
Speaker 1: with you. Why was her risk? He chose drugs. Take

526
00:26:49,200 --> 00:26:52,040
Speaker 1: responsibility for what you chose and say, you know what,

527
00:26:52,240 --> 00:26:54,359
Speaker 1: I gotta fix me and I'm gonna come back, and

528
00:26:54,359 --> 00:26:56,720
Speaker 1: I'm a stand up for comedy. So when you say

529
00:26:56,800 --> 00:27:00,320
Speaker 1: Tiffany Haddish doesn't deserve or isn't really a com median

530
00:27:00,440 --> 00:27:02,560
Speaker 1: and these other women have worked hard, which they have,

531
00:27:03,240 --> 00:27:05,520
Speaker 1: Shouts out to Melanie Camancho, shouts out to lou Now,

532
00:27:05,880 --> 00:27:07,960
Speaker 1: shouts out to Leslie Jones, who were all underneath the

533
00:27:08,040 --> 00:27:11,760
Speaker 1: umbrella of Kat Williams, Cat Williams. Have you ever used

534
00:27:11,800 --> 00:27:15,320
Speaker 1: your platform to bring the people that were under you up?

535
00:27:16,000 --> 00:27:19,720
Speaker 1: You haven't, So because you haven't, don't knows that now

536
00:27:19,880 --> 00:27:24,160
Speaker 1: are I've used my platform and I've brought my guys

537
00:27:24,280 --> 00:27:27,320
Speaker 1: and girls. Uh. The brand of Kevin Hard is a

538
00:27:27,400 --> 00:27:30,320
Speaker 1: brand that's expanded so far far. Whether you like me

539
00:27:30,440 --> 00:27:33,240
Speaker 1: or not, my presence a comedy will forever be felt.

540
00:27:33,480 --> 00:27:35,840
Speaker 1: Because I'm a boss. I sit on the top of

541
00:27:35,840 --> 00:27:37,320
Speaker 1: it and the opportunities that I'm giving all the ones

542
00:27:37,320 --> 00:27:40,840
Speaker 1: that I'm creating. So take responsibility for what you did.

543
00:27:41,440 --> 00:27:45,040
Speaker 1: You've you nobody else did? You don't hear Chris Rock,

544
00:27:45,560 --> 00:27:49,680
Speaker 1: Dave Chappelle, The Kings of Comedy, Seinfeld, You don't hear

545
00:27:49,800 --> 00:27:54,520
Speaker 1: George Lopez, Eddie Griffin. Who else can I go down?

546
00:27:54,960 --> 00:27:58,520
Speaker 1: The road of other comedians? Steve Martin Martin Short, you

547
00:27:58,560 --> 00:28:01,960
Speaker 1: don't hear. Now. Guys that got on top and that

548
00:28:02,160 --> 00:28:05,040
Speaker 1: made it by doing what they love complain about the

549
00:28:05,119 --> 00:28:07,200
Speaker 1: people that are coming under them. The reason why it's

550
00:28:07,200 --> 00:28:10,480
Speaker 1: because they're happy with themselves. Don't blame everybody else for

551
00:28:10,600 --> 00:28:13,920
Speaker 1: your don't show my sister light because you're not happy

552
00:28:13,960 --> 00:28:16,840
Speaker 1: with this has earned It's not given. I don't give

553
00:28:16,840 --> 00:28:20,159
Speaker 1: you Tiffany Hash fan not it's earned. Tiffany hatsh got

554
00:28:20,240 --> 00:28:22,479
Speaker 1: years in the game. It's not an accident that Tiffany

555
00:28:22,520 --> 00:28:24,960
Speaker 1: hash got an opportunity to start in the movie. It's

556
00:28:24,960 --> 00:28:27,320
Speaker 1: not an accident that that character popped in the movie,

557
00:28:27,680 --> 00:28:30,240
Speaker 1: written or not written. A character has to pop it,

558
00:28:30,359 --> 00:28:32,320
Speaker 1: and he even acknowledge the years that you've put in

559
00:28:32,440 --> 00:28:35,199
Speaker 1: before that. Now I want to ask you are very

560
00:28:35,320 --> 00:28:38,120
Speaker 1: classy in your response in social media, because the first

561
00:28:38,120 --> 00:28:41,000
Speaker 1: thing I thought was, that's after, what's Tiffany gonna say?

562
00:28:41,000 --> 00:28:42,680
Speaker 1: Because it has to be a hurt fol when somebody

563
00:28:42,720 --> 00:28:44,840
Speaker 1: says something like that, especially I'm sure you were a

564
00:28:44,880 --> 00:28:47,360
Speaker 1: fan of his, you know at some point. I still

565
00:28:47,360 --> 00:28:49,480
Speaker 1: I'm a fan of his. I think he's hilarious. So

566
00:28:49,600 --> 00:28:52,880
Speaker 1: what did you think when you heard that? Before you respond? Well,

567
00:28:53,040 --> 00:28:54,800
Speaker 1: I thought I was like, damn, what I do to him?

568
00:28:54,840 --> 00:29:00,640
Speaker 1: Did I his? Man? And then I was like, that's

569
00:29:00,680 --> 00:29:04,360
Speaker 1: what I thought it. That's what I always think when

570
00:29:04,400 --> 00:29:06,440
Speaker 1: people say many things. I always think that because I

571
00:29:06,480 --> 00:29:08,240
Speaker 1: figured got to be I must have tell me something

572
00:29:08,320 --> 00:29:10,720
Speaker 1: to me, I must have did something. And then I

573
00:29:10,840 --> 00:29:12,920
Speaker 1: realized I never did nothing to that man. Then and

574
00:29:12,960 --> 00:29:14,880
Speaker 1: then when I started like really listening to it, I

575
00:29:14,960 --> 00:29:17,360
Speaker 1: was like, oh, he got his facts wrong. He's obviously

576
00:29:17,440 --> 00:29:19,400
Speaker 1: not paying attention to me, and somebody must have been

577
00:29:19,440 --> 00:29:22,040
Speaker 1: complaining to him about me or whatever, and maybe he

578
00:29:22,440 --> 00:29:24,080
Speaker 1: felt some type of way. I don't know. I just

579
00:29:24,160 --> 00:29:26,040
Speaker 1: feel like, well, you know, it is what it is.

580
00:29:26,200 --> 00:29:29,240
Speaker 1: I don't I'm not tripping, I'm not mad, I'm not upset.

581
00:29:29,280 --> 00:29:31,000
Speaker 1: But did he apologize because we've seen a picture there.

582
00:29:31,000 --> 00:29:33,720
Speaker 1: It was the first thing he apologized. He said less

583
00:29:33,760 --> 00:29:36,240
Speaker 1: and less and less and let man explain what's going on,

584
00:29:36,640 --> 00:29:39,160
Speaker 1: and then he explained himself. And then I was just like, well,

585
00:29:39,200 --> 00:29:43,000
Speaker 1: you know what did he explaince? I hated. I want

586
00:29:43,040 --> 00:29:46,080
Speaker 1: to step in because I'm left my sister keep it classy. Yeah,

587
00:29:46,480 --> 00:29:48,640
Speaker 1: he's just somebody kicked my sister ball over the fence.

588
00:29:48,720 --> 00:29:51,400
Speaker 1: I want it back. It doesn't matter what he said,

589
00:29:52,000 --> 00:29:54,320
Speaker 1: it doesn't matter what the apology was. So you didn't

590
00:29:54,360 --> 00:29:56,280
Speaker 1: like the Apologie's not about the apology. And I want

591
00:29:56,280 --> 00:29:57,680
Speaker 1: to get this very clear. I want to make it

592
00:29:57,800 --> 00:30:01,200
Speaker 1: very clear. Cat Williams is an amazing, haunted comedian, which

593
00:30:01,240 --> 00:30:04,120
Speaker 1: is why I'm so frustrated. I sit from afar and

594
00:30:04,200 --> 00:30:07,600
Speaker 1: I admired a man's talent. I don't like that you

595
00:30:07,760 --> 00:30:11,640
Speaker 1: said anything negative about a woman of color that's getting

596
00:30:11,680 --> 00:30:15,000
Speaker 1: her shot, saying to me, I'll take it all. Hate me.

597
00:30:15,480 --> 00:30:17,400
Speaker 1: You do seem to be more offendive about listening. I

598
00:30:17,920 --> 00:30:21,840
Speaker 1: have said back, I have ever been the humble guy.

599
00:30:22,480 --> 00:30:25,120
Speaker 1: I have time to not be humble today. I have

600
00:30:25,280 --> 00:30:27,880
Speaker 1: time to fact check everything he said. Because the world

601
00:30:27,960 --> 00:30:30,360
Speaker 1: of Kat Williams is a fictional world. Is he selling?

602
00:30:37,080 --> 00:30:38,960
Speaker 1: I was like, when was she married to a white man?

603
00:30:40,320 --> 00:30:42,720
Speaker 1: I was like, because I I've been proposed to buy

604
00:30:42,760 --> 00:30:44,800
Speaker 1: a white man before, and they found out he was

605
00:30:44,880 --> 00:30:47,080
Speaker 1: really black when we did that DNA test. But it

606
00:30:47,320 --> 00:30:48,880
Speaker 1: is what it is. So you weren't married to a

607
00:30:48,920 --> 00:30:52,960
Speaker 1: white man. No, no, I know that. But two point

608
00:30:53,040 --> 00:30:56,040
Speaker 1: four million tickets on his last tour. That's more than

609
00:30:56,080 --> 00:30:58,200
Speaker 1: beyond saying jay Z. That's more than Justin Bieber and

610
00:30:58,240 --> 00:31:02,520
Speaker 1: Justin timber Lake. That's more than as one Beyonce and

611
00:31:02,600 --> 00:31:06,880
Speaker 1: Justin Timulate combined. You understand how many tickets two point

612
00:31:06,920 --> 00:31:09,600
Speaker 1: four million tickets are right now? You can google it.

613
00:31:09,720 --> 00:31:13,320
Speaker 1: It's all researchable information. I am sitting on one point

614
00:31:13,360 --> 00:31:16,080
Speaker 1: three minion tickets sold. There is nobody close to me

615
00:31:16,520 --> 00:31:20,320
Speaker 1: in ticket sales and comedy, and I am worldwide. I

616
00:31:20,440 --> 00:31:23,840
Speaker 1: am on par with the likes of your Bruno Mars,

617
00:31:23,880 --> 00:31:27,000
Speaker 1: your jay Z and Beyonce. So in comedy it's unheard

618
00:31:27,040 --> 00:31:30,400
Speaker 1: of to get those numbers. Also, to say fifteen consecutive

619
00:31:30,480 --> 00:31:33,680
Speaker 1: one hundred city tours, it's false. Where did you do

620
00:31:33,840 --> 00:31:35,760
Speaker 1: the new stuff? When did you ever work on something?

621
00:31:35,840 --> 00:31:39,080
Speaker 1: Consecutive means in a row where there's a forums list

622
00:31:39,400 --> 00:31:41,640
Speaker 1: every year that comes out, Go back to two thousand

623
00:31:41,640 --> 00:31:43,080
Speaker 1: and seven, go back to two thousand and six. Cat

624
00:31:43,120 --> 00:31:44,960
Speaker 1: Williams has never been on it. Go back to my

625
00:31:45,080 --> 00:31:47,120
Speaker 1: last five years in comedy. I have one year where

626
00:31:47,120 --> 00:31:49,480
Speaker 1: I got number one. This year I'll be number one again.

627
00:31:49,720 --> 00:31:51,200
Speaker 1: I have one year while I was number three. The

628
00:31:51,240 --> 00:31:53,880
Speaker 1: other years i'm number six, I'm number seven. These lists

629
00:31:54,200 --> 00:31:58,400
Speaker 1: are researchable. Another fact, a hard fact. Cat Williams is

630
00:31:58,520 --> 00:32:01,680
Speaker 1: not owned all a special He trashes the white man.

631
00:32:02,120 --> 00:32:07,400
Speaker 1: The white man owns your content? So false? Is this false?

632
00:32:08,440 --> 00:32:12,400
Speaker 1: I am now coming to get my sister's ball that

633
00:32:12,560 --> 00:32:15,520
Speaker 1: was over the fence. Think you got it. I am

634
00:32:15,600 --> 00:32:19,680
Speaker 1: only saying this because of how you attack innocent people. Yes,

635
00:32:19,960 --> 00:32:22,760
Speaker 1: A Tiffany does have an hour stand up special time

636
00:32:22,840 --> 00:32:25,560
Speaker 1: from the Hood to Hollywood. She's got two. Also, Netflix

637
00:32:25,600 --> 00:32:28,360
Speaker 1: specials are not given by what you sell on the road.

638
00:32:28,400 --> 00:32:31,160
Speaker 1: That's the most ridiculous I've heard of my life. Another fact,

639
00:32:31,280 --> 00:32:34,280
Speaker 1: So it's not about tickets. No, not about tickets. It's

640
00:32:34,280 --> 00:32:37,840
Speaker 1: about your brand. It's about your return. If I'm a

641
00:32:37,920 --> 00:32:39,680
Speaker 1: business and I want to invest a high amount of

642
00:32:39,720 --> 00:32:42,160
Speaker 1: money in you, how am I getting my money back?

643
00:32:42,880 --> 00:32:46,400
Speaker 1: Everybody can't demand the money if you can't justify how

644
00:32:46,440 --> 00:32:49,920
Speaker 1: I'm getting my money back. All these announcements came out

645
00:32:49,960 --> 00:32:52,160
Speaker 1: for the specials. I kept minding the raps just because

646
00:32:52,560 --> 00:32:55,560
Speaker 1: Netflix gave me forty million dollars. What wo. This is

647
00:32:55,600 --> 00:33:05,160
Speaker 1: a fact. We need a better chance. Listen. We feel

648
00:33:05,200 --> 00:33:14,760
Speaker 1: like the plot that I'm making is that that's information.

649
00:33:15,280 --> 00:33:17,400
Speaker 1: This is all research for information if you go look

650
00:33:17,440 --> 00:33:19,520
Speaker 1: for it. I just told to keep it to myself

651
00:33:19,520 --> 00:33:22,240
Speaker 1: because I don't care. I'm only saying this now because

652
00:33:22,240 --> 00:33:25,160
Speaker 1: I'm fat checking what was put out as fiction. That's

653
00:33:25,240 --> 00:33:28,560
Speaker 1: not how they do deals with that being said, once again,

654
00:33:29,080 --> 00:33:31,120
Speaker 1: when you look at all the comedians that are up

655
00:33:31,160 --> 00:33:35,080
Speaker 1: and coming, young, old, whatever. As a comedian that's sitting

656
00:33:35,240 --> 00:33:38,520
Speaker 1: in a position of power. If you got any financial growth,

657
00:33:38,720 --> 00:33:41,320
Speaker 1: put your money where your mouth is and you change it.

658
00:33:41,560 --> 00:33:43,480
Speaker 1: So if you got a team of people what he does,

659
00:33:43,800 --> 00:33:46,120
Speaker 1: which are very funny. Once again, shout out to Red

660
00:33:46,160 --> 00:33:49,600
Speaker 1: Grant Mancho lou Now Leslie Jones that was there for

661
00:33:49,640 --> 00:33:51,840
Speaker 1: a minute. I know them all. I love old people,

662
00:33:51,840 --> 00:33:53,760
Speaker 1: but I can't name one of these jokes. It doesn't matter.

663
00:33:53,800 --> 00:33:55,760
Speaker 1: I would never shut on them. At least that I

664
00:33:55,840 --> 00:33:59,080
Speaker 1: would say, take your money and create opportunities for them

665
00:33:59,320 --> 00:34:01,400
Speaker 1: so they can within your brand and make you better.

666
00:34:01,760 --> 00:34:04,240
Speaker 1: All the negativity that I receive when Cat Wiens and

667
00:34:04,280 --> 00:34:07,600
Speaker 1: mic Ups ask yourself, why those two people that themselves

668
00:34:07,640 --> 00:34:12,160
Speaker 1: over the same I don't have time to talk with

669
00:34:12,280 --> 00:34:15,560
Speaker 1: all the today I said. They both got their break

670
00:34:15,600 --> 00:34:17,719
Speaker 1: in the same movie. They both popped on the same

671
00:34:17,800 --> 00:34:19,799
Speaker 1: movie Friday, Friday after next. All right, we have more

672
00:34:19,840 --> 00:34:21,719
Speaker 1: with Kevin Hart and Tiffany Hadis who don't move. It's

673
00:34:21,719 --> 00:34:25,600
Speaker 1: the Breakfast Club. Good morning morning, everybody is DJ Envy

674
00:34:25,760 --> 00:34:28,719
Speaker 1: Angela Yee, Charlomagne. That God, we are the Breakfast Club.

675
00:34:29,040 --> 00:34:32,080
Speaker 1: We got special guests in the building, Tiffany Haddish and

676
00:34:32,320 --> 00:34:34,719
Speaker 1: Kevin Hart. You get along with any of your peers

677
00:34:35,200 --> 00:34:37,400
Speaker 1: with everybody man and you had a little thing but

678
00:34:37,719 --> 00:34:39,960
Speaker 1: Mike Blacks and the fine that was more man Mike

679
00:34:40,080 --> 00:34:43,640
Speaker 1: Blacks and knowing each other for real. You let the

680
00:34:44,200 --> 00:34:47,879
Speaker 1: this fiction take you out of the realm of saying

681
00:34:47,920 --> 00:34:51,279
Speaker 1: you really know me. So at that moment, Mike, I'm like, dude,

682
00:34:51,640 --> 00:34:54,320
Speaker 1: you know me? Like enough is enough. You know that

683
00:34:54,320 --> 00:34:57,120
Speaker 1: at this point when all this is going down, you

684
00:34:57,400 --> 00:35:01,120
Speaker 1: know how serious it is. You know me, like we

685
00:35:01,280 --> 00:35:03,680
Speaker 1: really are friends. I get it from everybody else I've

686
00:35:04,120 --> 00:35:06,239
Speaker 1: but you different. You know me. That's where me and

687
00:35:06,320 --> 00:35:10,120
Speaker 1: Mike came in. But me and Michael Fine, I'm saying negativity.

688
00:35:10,280 --> 00:35:14,200
Speaker 1: I'm saying talk. I'm saying the constant downing of people

689
00:35:14,280 --> 00:35:16,000
Speaker 1: that sit in the position of success, that have worked

690
00:35:16,040 --> 00:35:18,160
Speaker 1: hard for it comes from people that have yet to

691
00:35:18,239 --> 00:35:22,040
Speaker 1: realize their fuck up. This is simply me calling you

692
00:35:22,239 --> 00:35:25,879
Speaker 1: out on your cups. Stop pointing other people. Stop pointing

693
00:35:25,880 --> 00:35:29,480
Speaker 1: to Hollywood for your fuck up. It is changing. It

694
00:35:29,640 --> 00:35:31,719
Speaker 1: is the biggest comedy start in the world right now

695
00:35:31,960 --> 00:35:36,200
Speaker 1: on an international level, box office and goddamn touring. Stop

696
00:35:36,280 --> 00:35:38,000
Speaker 1: talking to me about the opportunities that we're not getting

697
00:35:38,040 --> 00:35:42,319
Speaker 1: because I'm creating them. Your cup take responsible for your cup.

698
00:35:42,719 --> 00:35:46,360
Speaker 1: Don't kick my sister ball over the fence. No more cousin.

699
00:35:50,000 --> 00:35:53,880
Speaker 1: I would never want to get in trouble because I

700
00:35:54,040 --> 00:35:56,120
Speaker 1: know this a girl's story. Y'all. Don't understand where my

701
00:35:56,200 --> 00:36:01,560
Speaker 1: frustration come from. Homeless if the joke of the money

702
00:36:01,600 --> 00:36:03,560
Speaker 1: that I gave her, I'm talking about a real grind

703
00:36:03,840 --> 00:36:07,400
Speaker 1: right homeless, no bid back seat, watching your ass in

704
00:36:07,480 --> 00:36:10,719
Speaker 1: bath through sinks and now you finally get millions for moving.

705
00:36:10,800 --> 00:36:12,600
Speaker 1: Now we want to go. You ain't dising You ain't

706
00:36:12,640 --> 00:36:16,000
Speaker 1: that applauder first, and she seems so grateful all the time.

707
00:36:16,080 --> 00:36:18,279
Speaker 1: And you have nothing bad to say about anybody. I've

708
00:36:18,320 --> 00:36:21,680
Speaker 1: never seen Tiffany Hattish come at anybody being negative. It

709
00:36:21,760 --> 00:36:24,920
Speaker 1: seems like you're always supportive. Yeah, I am supporting the

710
00:36:24,960 --> 00:36:26,520
Speaker 1: fact I got something bad to say about somebody. I

711
00:36:26,640 --> 00:36:28,920
Speaker 1: say it to them and they face first, straight up

712
00:36:35,400 --> 00:36:37,520
Speaker 1: for giving the people who try to discredit you, because

713
00:36:37,560 --> 00:36:40,000
Speaker 1: they obviously are hurting and they need something, they need

714
00:36:40,080 --> 00:36:42,520
Speaker 1: some love. They there's something wrong with them for them

715
00:36:42,560 --> 00:36:44,359
Speaker 1: to even come at me. I never did that to them.

716
00:36:44,800 --> 00:36:46,959
Speaker 1: I never said anything bad about them, So that's something

717
00:36:47,200 --> 00:36:50,640
Speaker 1: that's personal. And obviously they're crying for help. So I'm

718
00:36:50,640 --> 00:36:52,680
Speaker 1: gonna be kind and I'm gonna keep it pushing and

719
00:36:53,000 --> 00:36:54,560
Speaker 1: not of it's work. Whatever they're trying to put out,

720
00:36:54,560 --> 00:36:56,000
Speaker 1: we already reached out to you in the poly ask

721
00:36:56,040 --> 00:37:01,080
Speaker 1: you too, it's that true now where you get that from? No,

722
00:37:01,560 --> 00:37:02,880
Speaker 1: And I want to make this. I want to make

723
00:37:02,920 --> 00:37:05,799
Speaker 1: this perfectly clear. This is not a Kevin Hart versus

724
00:37:05,880 --> 00:37:08,040
Speaker 1: Cat thing. This is not that I don't I don't give.

725
00:37:08,360 --> 00:37:10,080
Speaker 1: I don't give that much of a I don't I

726
00:37:10,120 --> 00:37:12,400
Speaker 1: don't have time to care that much. This is a

727
00:37:12,560 --> 00:37:16,279
Speaker 1: I'm shining a light on what we complain about. We

728
00:37:16,440 --> 00:37:20,000
Speaker 1: complain that we don't have, then we get, and now

729
00:37:20,080 --> 00:37:22,520
Speaker 1: we tear down those that are getting what we said

730
00:37:22,560 --> 00:37:25,160
Speaker 1: we don't have. Make a decision. I'm gonna ride with

731
00:37:25,200 --> 00:37:27,360
Speaker 1: whatever decision we make. Y'all on a platform, help me

732
00:37:27,480 --> 00:37:30,160
Speaker 1: figure out so I know what we're sticking to. Maybe

733
00:37:30,160 --> 00:37:32,040
Speaker 1: I'm wrong, So if I'm wrong, tell me now so

734
00:37:32,120 --> 00:37:33,520
Speaker 1: I can take the money out of my laugh out

735
00:37:33,560 --> 00:37:35,719
Speaker 1: Loud network, so I can stop trying to produce these

736
00:37:35,800 --> 00:37:39,640
Speaker 1: movies and get diversity looks and make a multicultural cast

737
00:37:39,680 --> 00:37:41,680
Speaker 1: pop because I thought that's what we want it. So

738
00:37:41,719 --> 00:37:43,600
Speaker 1: if it's not what we want, tell me, and I'll

739
00:37:43,640 --> 00:37:46,120
Speaker 1: go back and I'll do what was being done that

740
00:37:46,280 --> 00:37:48,520
Speaker 1: we didn't want. So we're going to fix the problem.

741
00:37:48,800 --> 00:37:52,160
Speaker 1: Then help a problem become fixed by being a part

742
00:37:52,200 --> 00:37:54,319
Speaker 1: of the solution and not the problem. When you are

743
00:37:54,440 --> 00:37:57,880
Speaker 1: down and you attack those that are now becoming a

744
00:37:58,000 --> 00:38:01,320
Speaker 1: part of the solution, you're the problem. It's interesting that

745
00:38:01,360 --> 00:38:04,000
Speaker 1: they always say the white man gives people in Hollywood stuff.

746
00:38:04,040 --> 00:38:06,200
Speaker 1: At least we haven't been watching y'all bust y'all ass

747
00:38:06,280 --> 00:38:08,759
Speaker 1: for years. Absolutely, I can say that there has been

748
00:38:09,000 --> 00:38:14,120
Speaker 1: a heavy separation within races and opportunity and the entertainment business.

749
00:38:14,400 --> 00:38:16,200
Speaker 1: I can say all the complaints that have been given

750
00:38:16,640 --> 00:38:21,560
Speaker 1: over the past are not only correct, but worthy of

751
00:38:21,680 --> 00:38:25,040
Speaker 1: the attention that they got. Okay, within all the movements,

752
00:38:25,120 --> 00:38:28,400
Speaker 1: with all the conversation, but then we need more, you

753
00:38:28,560 --> 00:38:31,040
Speaker 1: goddamn right, I get it. I was a person that

754
00:38:31,160 --> 00:38:34,799
Speaker 1: was told movies can't translate overseas with the black lead

755
00:38:34,840 --> 00:38:36,560
Speaker 1: in the comedy. I was told that to my face.

756
00:38:37,080 --> 00:38:39,640
Speaker 1: I bade for those opportunities. I pushed for him. I

757
00:38:39,760 --> 00:38:43,439
Speaker 1: got them. And now you see more movies with people

758
00:38:43,480 --> 00:38:46,680
Speaker 1: of color in the league position getting those opportunities because

759
00:38:46,719 --> 00:38:49,320
Speaker 1: we're pushing forward. They talk about people giving people's stuff.

760
00:38:49,320 --> 00:38:51,759
Speaker 1: You had to fight for an audition for Girls Trip, Yeah,

761
00:38:51,800 --> 00:38:55,200
Speaker 1: I fought for that for I was constantly on my

762
00:38:55,320 --> 00:38:58,840
Speaker 1: agent about getting me that audition, and I got it,

763
00:38:58,960 --> 00:39:01,480
Speaker 1: and then I went in like more times and then

764
00:39:01,960 --> 00:39:04,759
Speaker 1: finally I got the job. But I mean, I was

765
00:39:04,920 --> 00:39:06,759
Speaker 1: just thinking about it, like every person that's ever given

766
00:39:06,800 --> 00:39:08,840
Speaker 1: me an opportunity in this business, or fought for me,

767
00:39:09,040 --> 00:39:11,000
Speaker 1: or fought with me to get a job or put

768
00:39:11,120 --> 00:39:13,880
Speaker 1: me on something has been black. So to me, when

769
00:39:13,960 --> 00:39:16,239
Speaker 1: they say the white man whatever, to me, I don't.

770
00:39:16,320 --> 00:39:18,640
Speaker 1: I don't see it that way. I mean I it's

771
00:39:18,680 --> 00:39:22,959
Speaker 1: been black or Hispanic, uh, Middle Eastern, but mostly black

772
00:39:23,040 --> 00:39:24,920
Speaker 1: people have helped me. And then when it comes to

773
00:39:25,000 --> 00:39:27,640
Speaker 1: stand up, it's it's like everybody I feel like, and

774
00:39:27,760 --> 00:39:29,960
Speaker 1: my job in this business I feel like to me,

775
00:39:30,239 --> 00:39:32,759
Speaker 1: my position I come from bringing joy. And when people like,

776
00:39:32,800 --> 00:39:34,640
Speaker 1: oh she's not funny, you're not funny, I don't care.

777
00:39:34,719 --> 00:39:37,319
Speaker 1: And my comedy not for you. You know, I'm here

778
00:39:37,680 --> 00:39:40,359
Speaker 1: to not make the whole white world laugh. I'm here

779
00:39:40,400 --> 00:39:42,480
Speaker 1: to make the people that buy tickets laugh. That's all

780
00:39:42,520 --> 00:39:45,080
Speaker 1: I care about. And he hods a perfect segue to

781
00:39:45,760 --> 00:39:55,839
Speaker 1: go back. It's our reason for being here. Director. When

782
00:39:55,880 --> 00:39:59,000
Speaker 1: I say perfect segue, I'm saying when I talk about

783
00:39:59,080 --> 00:40:01,960
Speaker 1: second chances, when I talk about the purpose of the movie,

784
00:40:02,000 --> 00:40:04,600
Speaker 1: when I talk about why the movie was created, when

785
00:40:04,640 --> 00:40:07,160
Speaker 1: I talk about the vision behind it, it's to motivate

786
00:40:07,200 --> 00:40:09,440
Speaker 1: and inspire. Yes, you're gonna laugh, But there's a message

787
00:40:09,440 --> 00:40:13,560
Speaker 1: within it, within everything that I'm saying, Yo, second chances

788
00:40:13,560 --> 00:40:17,640
Speaker 1: are valuable. Within everything that I said directed towards Kat

789
00:40:17,719 --> 00:40:20,200
Speaker 1: and what was said, Yo, you got a second chance.

790
00:40:20,520 --> 00:40:22,320
Speaker 1: Your people still ride with you. They still what you

791
00:40:22,360 --> 00:40:25,400
Speaker 1: They always will because you're talented. Acknowledge that, Yo, you

792
00:40:25,440 --> 00:40:27,359
Speaker 1: know what, the first time I may have done something.

793
00:40:27,800 --> 00:40:30,120
Speaker 1: Second time, I'm coming back strong than other people. Watch

794
00:40:30,239 --> 00:40:32,640
Speaker 1: the road back to Kat Williams getting back to the top.

795
00:40:32,880 --> 00:40:35,160
Speaker 1: You mean like with him win an Emmy. Yes, Like

796
00:40:35,280 --> 00:40:37,879
Speaker 1: that's like that's your mom, that's hey man, he didn't

797
00:40:37,920 --> 00:40:39,760
Speaker 1: write that role. By the way, though, I'm just saying, whoever,

798
00:40:42,520 --> 00:40:45,479
Speaker 1: I'm not here to attack that. I'm saying as a fan,

799
00:40:46,160 --> 00:40:49,480
Speaker 1: I would embrace you, acknowledging whatever and going that's a

800
00:40:49,560 --> 00:40:53,399
Speaker 1: second chance. Within my movie, you'll see second chances become

801
00:40:53,520 --> 00:40:56,800
Speaker 1: highlighted you'll see them be celebrated. Night School is bigger

802
00:40:56,800 --> 00:40:58,360
Speaker 1: than the last that you're gonna get. There's a message

803
00:40:58,360 --> 00:41:01,480
Speaker 1: in any content, any content being developed that comes from

804
00:41:01,520 --> 00:41:05,480
Speaker 1: Heartbeat Productions will have an underlying tone that you will

805
00:41:05,480 --> 00:41:07,080
Speaker 1: be able to take with you, because that's what I'm

806
00:41:07,160 --> 00:41:10,560
Speaker 1: trying to do from a production standpoint. So this script

807
00:41:10,640 --> 00:41:13,000
Speaker 1: came to you first, and then your script was developed

808
00:41:13,080 --> 00:41:17,800
Speaker 1: by me. You wrote it, yes, ground up. Harry Ratrick

809
00:41:17,840 --> 00:41:21,400
Speaker 1: shouts out of Harry Ratrick, Joey Wells, Matt Kellard, Glenda Richardson,

810
00:41:22,080 --> 00:41:25,480
Speaker 1: John Hamburg, Nicolas Soler, all amazing talent writers that came

811
00:41:25,520 --> 00:41:27,440
Speaker 1: and had helped in within the development of the script

812
00:41:28,040 --> 00:41:30,480
Speaker 1: done underneath the Heartbeat umbrella. Then after that, taking to

813
00:41:30,600 --> 00:41:32,920
Speaker 1: my guy wool Packer, read it, loved it, took it

814
00:41:33,000 --> 00:41:35,800
Speaker 1: to Universal, sold it. Universal said let's do it. We

815
00:41:36,000 --> 00:41:39,360
Speaker 1: did it, and now we're releasing it. That's the steps

816
00:41:39,400 --> 00:41:41,800
Speaker 1: within the development. But what I love the most is

817
00:41:41,840 --> 00:41:44,719
Speaker 1: that you're seeing something that can be branded and that

818
00:41:44,800 --> 00:41:47,880
Speaker 1: can be underlined as what Kevin Hart content will look like.

819
00:41:48,239 --> 00:41:49,960
Speaker 1: I want to be a partner. I've been a work

820
00:41:50,000 --> 00:41:51,839
Speaker 1: for hire for a long time, so that it's about

821
00:41:51,840 --> 00:41:54,640
Speaker 1: becoming a partner. So when Universal looks at me and

822
00:41:54,680 --> 00:41:57,760
Speaker 1: they say we're developing with Kevin, it's because we're partners.

823
00:41:57,960 --> 00:41:59,520
Speaker 1: The world of being a work for hire was a

824
00:41:59,560 --> 00:42:01,800
Speaker 1: great one, but the business in me won't allow that

825
00:42:01,920 --> 00:42:04,799
Speaker 1: to last. The business is now about pulling other people up,

826
00:42:05,080 --> 00:42:09,239
Speaker 1: embracing the opportunities that can be given, opportunities that can

827
00:42:09,320 --> 00:42:14,040
Speaker 1: be given. The first learned, given earned. Yes, it was

828
00:42:14,120 --> 00:42:17,560
Speaker 1: given because I earned it. I thought you've been doing

829
00:42:17,600 --> 00:42:20,960
Speaker 1: that with your stand up though you are. Yes, really

830
00:42:21,120 --> 00:42:23,040
Speaker 1: really not just for radios, it is not. Once again,

831
00:42:23,080 --> 00:42:25,920
Speaker 1: it's all research but information. Well not the one of

832
00:42:25,960 --> 00:42:28,440
Speaker 1: I just shot. That's Netflix. That's why they cut that

833
00:42:28,520 --> 00:42:32,080
Speaker 1: check so they can that's theirs. And that was one

834
00:42:32,160 --> 00:42:34,960
Speaker 1: special I know I'm doing too, giving them too twenty

835
00:42:34,960 --> 00:42:36,800
Speaker 1: million dollars specials. We don't need to get in scheduled.

836
00:42:37,000 --> 00:42:41,200
Speaker 1: The man is great. I need to get into that.

837
00:42:41,840 --> 00:42:44,480
Speaker 1: It was done along at the same time when Rock

838
00:42:44,640 --> 00:42:48,359
Speaker 1: Chapelle Ellen, when we all we were all figuring it out.

839
00:42:48,520 --> 00:42:51,080
Speaker 1: Eddie Murphy Man, he's up there that that fifty million

840
00:42:51,160 --> 00:42:54,120
Speaker 1: number is a crazy number. Is the highest gross and

841
00:42:54,120 --> 00:42:57,440
Speaker 1: standard special of all time, and you know I shot

842
00:42:57,480 --> 00:43:00,719
Speaker 1: for it. I tried, I gave my all, I made

843
00:43:00,760 --> 00:43:02,279
Speaker 1: the listen. I have three specials on there, but that

844
00:43:02,360 --> 00:43:05,640
Speaker 1: man sets the top for a reason. Highest one is

845
00:43:05,680 --> 00:43:09,080
Speaker 1: thirty six or thirty two, something like that. Thy eight

846
00:43:09,160 --> 00:43:11,600
Speaker 1: thirty eight when you have for twenty three twenty three

847
00:43:12,440 --> 00:43:14,040
Speaker 1: caps on more than you because he did twenty four

848
00:43:14,120 --> 00:43:18,839
Speaker 1: with one of us. All we have more with Kevin

849
00:43:18,880 --> 00:43:20,960
Speaker 1: Hart and Tiffany Hadris who don't move. It's to breakfast club.

850
00:43:21,000 --> 00:43:24,680
Speaker 1: Good morning, DJ, Envy, Angela Yee, Charlemagne, the guy. We

851
00:43:24,800 --> 00:43:28,040
Speaker 1: all the breakfast club. Now. Normally we do rumors here, yes,

852
00:43:28,120 --> 00:43:30,560
Speaker 1: but since Envy and Angela Ye are in Vegas. No,

853
00:43:30,920 --> 00:43:35,680
Speaker 1: since Tiffany has in Vegas. But Tiffany and keV are here.

854
00:43:35,760 --> 00:43:38,640
Speaker 1: But we're all together. Don't worry about it. It's radio magic.

855
00:43:38,920 --> 00:43:41,319
Speaker 1: Don't matter how it's getting done. It's just getting done.

856
00:43:41,360 --> 00:43:43,000
Speaker 1: Don't try to trick or fire me, bro, don't try

857
00:43:43,000 --> 00:43:44,640
Speaker 1: to trick or five me. But let's get back into

858
00:43:44,680 --> 00:43:48,239
Speaker 1: our interview with tiff Doesn't it feel like as the

859
00:43:48,320 --> 00:43:50,759
Speaker 1: success comes and things get bigger for you, it's just

860
00:43:50,840 --> 00:43:53,120
Speaker 1: so much more hate comes with it at times as well,

861
00:43:53,719 --> 00:43:56,000
Speaker 1: especially because they seem like they love you on the

862
00:43:56,040 --> 00:43:57,680
Speaker 1: way up, and then when you get there, it's like

863
00:43:58,120 --> 00:44:00,160
Speaker 1: she ain't funny. Oh she did all she's that. But

864
00:44:00,280 --> 00:44:01,719
Speaker 1: they love you when you're on your well up. Yeah.

865
00:44:01,760 --> 00:44:03,920
Speaker 1: Now all of a sudden, oh she reinforces the negative

866
00:44:03,920 --> 00:44:06,719
Speaker 1: stereotypes of black women. Well I expected. I mean that's

867
00:44:06,760 --> 00:44:09,080
Speaker 1: a part of the process. I've been researching and studying

868
00:44:09,280 --> 00:44:11,319
Speaker 1: in the entertainment business for a long time, and that's

869
00:44:11,400 --> 00:44:13,520
Speaker 1: part of the process. They love you for a minute,

870
00:44:13,560 --> 00:44:15,439
Speaker 1: then they hate on you. Didn't They love you again,

871
00:44:15,480 --> 00:44:17,719
Speaker 1: and they hate on you. It's like a dysfunctional relationship.

872
00:44:19,360 --> 00:44:21,640
Speaker 1: Not really know because my check is getting bigger and bigger,

873
00:44:21,719 --> 00:44:24,799
Speaker 1: so continue to continue to be a publicist for free.

874
00:44:25,680 --> 00:44:27,719
Speaker 1: From my upbringing, I mean, I grew up in foster care,

875
00:44:27,760 --> 00:44:29,560
Speaker 1: one man, and I'm in the most wonderful home. Next thing,

876
00:44:29,600 --> 00:44:31,880
Speaker 1: I'm snatched out to the next thing, thinking nobody, nobody

877
00:44:31,920 --> 00:44:34,239
Speaker 1: there cared about me. So I've been trained and built

878
00:44:34,280 --> 00:44:35,920
Speaker 1: for this. My mamma used to talk mess about me

879
00:44:35,960 --> 00:44:38,279
Speaker 1: and then next second loving kiss on me. So to me,

880
00:44:38,400 --> 00:44:40,440
Speaker 1: this is I was made for this. I'm built for it.

881
00:44:40,520 --> 00:44:42,600
Speaker 1: So y'all can talk all they want to talk. I'm

882
00:44:42,640 --> 00:44:44,279
Speaker 1: still gonna be smiling at you because I know other

883
00:44:44,360 --> 00:44:45,960
Speaker 1: minute you're gonna be like dang. I love what you

884
00:44:46,040 --> 00:44:48,239
Speaker 1: said right there. That made me feel good, so I'm

885
00:44:48,239 --> 00:44:51,040
Speaker 1: gonna keep it pushing. I love how you protecting, you know,

886
00:44:51,120 --> 00:44:53,040
Speaker 1: tipping this situation. But how do you protect you know

887
00:44:53,160 --> 00:44:56,239
Speaker 1: other artists, including her, just in the business period, they

888
00:44:56,239 --> 00:44:57,880
Speaker 1: don't make the same mistake you made. Come and protect

889
00:44:57,920 --> 00:45:00,719
Speaker 1: them by giving them the opportunity. I protect them by

890
00:45:00,800 --> 00:45:03,520
Speaker 1: being an open book and an example. You get to

891
00:45:03,760 --> 00:45:06,200
Speaker 1: see the hard work and effort that was put into

892
00:45:06,280 --> 00:45:09,000
Speaker 1: my craft, and in return, I take it and I say,

893
00:45:09,040 --> 00:45:10,879
Speaker 1: hey man, I can't wait to see the next version

894
00:45:10,960 --> 00:45:13,600
Speaker 1: of what I am, if not bigger, I can't wait

895
00:45:13,680 --> 00:45:16,640
Speaker 1: to see the next version of the next generation that

896
00:45:16,760 --> 00:45:20,640
Speaker 1: surpasses all this amazing that I'm doing and that creates

897
00:45:20,680 --> 00:45:23,520
Speaker 1: other opportunities for others. I got to see a blueprint

898
00:45:23,600 --> 00:45:25,759
Speaker 1: that so many did before me, and I took what

899
00:45:25,840 --> 00:45:27,520
Speaker 1: I saw and I said, how can I be different?

900
00:45:27,800 --> 00:45:30,160
Speaker 1: What impact can I have? So when you say how

901
00:45:30,200 --> 00:45:32,080
Speaker 1: do I change or how do I have an effect

902
00:45:32,160 --> 00:45:34,800
Speaker 1: on them? My effect is by saying, hey man, take this,

903
00:45:35,560 --> 00:45:38,680
Speaker 1: use this for whatever you feel you can. And when

904
00:45:38,760 --> 00:45:40,880
Speaker 1: you get the opportunity that you feel you're going to

905
00:45:41,000 --> 00:45:43,080
Speaker 1: get from this, don't get up. Be better than me,

906
00:45:43,520 --> 00:45:46,920
Speaker 1: the people in our craft of comedy, which is one

907
00:45:46,960 --> 00:45:49,880
Speaker 1: of the hardest goddamn professions to make it in. So

908
00:45:49,960 --> 00:45:52,200
Speaker 1: when you're a person that sits in this chair, that's

909
00:45:52,239 --> 00:45:54,680
Speaker 1: in this field, come on, man, you got no choice

910
00:45:54,719 --> 00:45:57,120
Speaker 1: but to support the ones that made it out that gauntlet.

911
00:45:57,600 --> 00:46:02,759
Speaker 1: How y'all feel man? Everybody? All right? Dude on even

912
00:46:02,760 --> 00:46:04,719
Speaker 1: when people hating, when they can name five or six

913
00:46:04,760 --> 00:46:09,200
Speaker 1: black comedians, that's big, because usually it's only one, huge huge.

914
00:46:09,760 --> 00:46:11,759
Speaker 1: That's why I was so taken back. Like at the

915
00:46:11,800 --> 00:46:15,200
Speaker 1: shot for Rel, I couldn't be prouder of Real. I

916
00:46:15,239 --> 00:46:19,440
Speaker 1: couldn't be more happy. Think that great guy, great guy. Man,

917
00:46:19,800 --> 00:46:23,560
Speaker 1: that man, don't bother nobody. I'm final attractive though. Look man,

918
00:46:23,600 --> 00:46:26,399
Speaker 1: that's that's that's not to me to determine. Okay, look,

919
00:46:26,480 --> 00:46:37,840
Speaker 1: that's all right. He said, Real's got he's got kids, hedy, somebody, somebody,

920
00:46:38,440 --> 00:46:41,600
Speaker 1: somebody was okay, wait, come from you. Don't you don't

921
00:46:41,680 --> 00:46:44,400
Speaker 1: let that happen to something that you feel is disgusting.

922
00:46:45,600 --> 00:46:48,440
Speaker 1: That's a mutual agreement right there, and you helped her

923
00:46:48,480 --> 00:46:50,560
Speaker 1: all out early with his stand up special l I

924
00:46:50,680 --> 00:46:54,160
Speaker 1: was lucky enough for Rel to allow me to help

925
00:46:54,280 --> 00:46:56,359
Speaker 1: him out. I came to Rel as a fan. Dude,

926
00:46:56,400 --> 00:46:58,360
Speaker 1: I'm a fan. I would love to produce your special.

927
00:46:58,600 --> 00:47:00,680
Speaker 1: Me and Rel had a conversation. I said, I want

928
00:47:00,719 --> 00:47:02,279
Speaker 1: you to do it your way. I just want to help.

929
00:47:02,560 --> 00:47:05,520
Speaker 1: I'm a fan. I'm a fan of the craft. I

930
00:47:05,880 --> 00:47:08,360
Speaker 1: love comedy. I love watching the ones that did it

931
00:47:08,400 --> 00:47:11,520
Speaker 1: before me, and I love watching the ones that are

932
00:47:11,560 --> 00:47:13,839
Speaker 1: coming up after me. If you take nothing else from

933
00:47:13,880 --> 00:47:16,800
Speaker 1: this interview, can take the fact that I want to

934
00:47:16,840 --> 00:47:19,800
Speaker 1: see other people winning. I'm not selfish with my position.

935
00:47:20,280 --> 00:47:23,000
Speaker 1: So for all of our black people out there that

936
00:47:23,200 --> 00:47:25,800
Speaker 1: want to see more people of color in a position

937
00:47:25,840 --> 00:47:28,120
Speaker 1: where they're winning, ask yourself if you're a part of

938
00:47:28,120 --> 00:47:31,359
Speaker 1: the solution of the problem. Is that simple? We love

939
00:47:31,440 --> 00:47:32,759
Speaker 1: you for being honest, man. One of the things that

940
00:47:32,800 --> 00:47:35,640
Speaker 1: you're super honest about that's been like intriguing me lately

941
00:47:35,840 --> 00:47:37,279
Speaker 1: is like the fact that you be getting your head

942
00:47:37,360 --> 00:47:39,560
Speaker 1: died and your beard died because I got grace problems

943
00:47:40,000 --> 00:47:46,680
Speaker 1: up there, but he had at no, no, I definitely

944
00:47:46,680 --> 00:47:53,359
Speaker 1: got to die. He h No. But here's the thing, though,

945
00:47:53,520 --> 00:47:55,239
Speaker 1: I think I was using the wrong color for a

946
00:47:55,320 --> 00:47:59,919
Speaker 1: minute because of my no I was going dark brown.

947
00:48:00,000 --> 00:48:03,920
Speaker 1: But when they go back, my turn like a dirty brine, like, yeah,

948
00:48:04,120 --> 00:48:06,480
Speaker 1: what a gad, you're washing your head cheek, your head

949
00:48:06,520 --> 00:48:10,719
Speaker 1: look dirty. I'm talking about it. Didn't nobody, it's my

950
00:48:10,880 --> 00:48:12,839
Speaker 1: natural color. Y'all think about getting something for the bid,

951
00:48:13,120 --> 00:48:16,200
Speaker 1: not the Beijing. I don't I don't do that. I

952
00:48:16,239 --> 00:48:18,440
Speaker 1: don't do that. You got some rich Even when you

953
00:48:18,480 --> 00:48:20,239
Speaker 1: wiped your forehead just now, ain't nothing came out. You

954
00:48:20,320 --> 00:48:22,160
Speaker 1: gotta go a good product. The last thing you want

955
00:48:22,160 --> 00:48:24,880
Speaker 1: to do, especially when you're married, is get up from

956
00:48:24,880 --> 00:48:29,080
Speaker 1: a pillowcase. You gotta hear yourself. I don't know. I

957
00:48:29,200 --> 00:48:36,279
Speaker 1: washed my the Beijing. The Beijing is coming out. He's

958
00:48:36,280 --> 00:48:37,880
Speaker 1: not gonna do that publicly because it's my secret. I

959
00:48:37,960 --> 00:48:41,960
Speaker 1: tell you off here them here. I got a nice product, man.

960
00:48:42,040 --> 00:48:44,640
Speaker 1: And you know, here's the thing. You can't overdo it.

961
00:48:45,200 --> 00:48:48,400
Speaker 1: Do it when it's necessary sometimes, embrace the gray. Let

962
00:48:48,480 --> 00:48:50,800
Speaker 1: that go out and just look like look like Morgan

963
00:48:50,840 --> 00:48:54,120
Speaker 1: Freeman for a good two weeks. Accept it, and then

964
00:48:54,239 --> 00:48:57,359
Speaker 1: and then after that surprising to get everybody with you. Yeah,

965
00:48:58,760 --> 00:49:03,479
Speaker 1: who's trying to go dance? Right? School? Is ever next week.

966
00:49:04,000 --> 00:49:05,239
Speaker 1: Make sure you go check it out and make sure

967
00:49:05,280 --> 00:49:07,840
Speaker 1: you support. So listen, if all these people apologize, it'll

968
00:49:07,840 --> 00:49:11,040
Speaker 1: be all good, right, Listen, I'm not here for drama, brothers. Okay,

969
00:49:11,200 --> 00:49:13,560
Speaker 1: it's not about the apology. It's not about like me

970
00:49:13,640 --> 00:49:15,400
Speaker 1: and Kat, you don't ever have to talk or we

971
00:49:15,400 --> 00:49:17,359
Speaker 1: can't talk. It doesn't it doesn't matter. It's not gonna

972
00:49:17,400 --> 00:49:21,719
Speaker 1: affect me anyway. I am about support. That's it. I'm

973
00:49:21,719 --> 00:49:23,560
Speaker 1: gonna support that man. I'm gonna be a fan forever,

974
00:49:24,000 --> 00:49:25,759
Speaker 1: whether I like even whether we don't like each other,

975
00:49:25,800 --> 00:49:27,440
Speaker 1: I'm a fan. I'm a fan of his talent. It

976
00:49:27,480 --> 00:49:29,000
Speaker 1: has nothing to do with that. I want to make

977
00:49:29,040 --> 00:49:30,759
Speaker 1: that very clear. This has nothing to do with that.

978
00:49:30,840 --> 00:49:32,960
Speaker 1: This is not a beef. This is correcting what you

979
00:49:33,120 --> 00:49:35,600
Speaker 1: said that you know you shouldn't have said. This is

980
00:49:35,600 --> 00:49:40,040
Speaker 1: about you embracing your fails, yours, and you acknowledging what

981
00:49:40,200 --> 00:49:43,120
Speaker 1: you did and stop pointing a finger to everybody else.

982
00:49:43,400 --> 00:49:45,120
Speaker 1: Eventually you got to point it back to you. Well,

983
00:49:45,160 --> 00:49:47,799
Speaker 1: thank you for joining us. I've got two more movies

984
00:49:47,840 --> 00:49:50,279
Speaker 1: coming out this year. Yeah, what the movies tell them?

985
00:49:50,560 --> 00:49:52,560
Speaker 1: I got The Oaths coming out in October, and then

986
00:49:52,600 --> 00:49:54,680
Speaker 1: I got another movie called Nobody's Full coming out in

987
00:49:54,719 --> 00:49:57,279
Speaker 1: no Vamper. Aren't you on TV? Too? Ah? Yeah, I'm

988
00:49:57,280 --> 00:49:59,600
Speaker 1: on TV on the show called The Last Age. And

989
00:50:00,000 --> 00:50:02,080
Speaker 1: I got some more group on commercials come in, and

990
00:50:02,200 --> 00:50:05,600
Speaker 1: I got some seeds and that's saw all of my

991
00:50:05,719 --> 00:50:08,560
Speaker 1: Netflix specials come in. And then I'm also gonna bring

992
00:50:08,680 --> 00:50:11,680
Speaker 1: up six other comics in that special. I'm doing a

993
00:50:11,719 --> 00:50:14,960
Speaker 1: Tiffany Hatas presents my favorite comedians, and it's like comics

994
00:50:15,000 --> 00:50:16,680
Speaker 1: that have been doing comedy for more than ten years

995
00:50:16,719 --> 00:50:18,520
Speaker 1: that deserve a chance to shine. Oh so you mean

996
00:50:18,560 --> 00:50:20,560
Speaker 1: to tell me you gott putting a position of pause

997
00:50:20,600 --> 00:50:22,279
Speaker 1: and now you're putting other people on. Yeah, that's what

998
00:50:22,320 --> 00:50:25,480
Speaker 1: you're supposed to do. That's what my big brother taught me. Wow,

999
00:50:26,400 --> 00:50:28,799
Speaker 1: just transferred down. Man, give me a second. I want

1000
00:50:28,840 --> 00:50:32,560
Speaker 1: to run down stuff I got going on. You guys,

1001
00:50:32,560 --> 00:50:34,000
Speaker 1: got a second just before we get out there. We

1002
00:50:34,040 --> 00:50:36,839
Speaker 1: gotta second, Okay. I just need a good sixty seven

1003
00:50:36,880 --> 00:50:41,080
Speaker 1: seconds in time to get out earlier. Okay, First and foremost,

1004
00:50:41,160 --> 00:50:43,680
Speaker 1: nice school. That's the priority. Guys, Please go out support

1005
00:50:43,760 --> 00:50:45,920
Speaker 1: this movie. September twenty eight Ye. Like I said, it's

1006
00:50:45,960 --> 00:50:48,760
Speaker 1: a big meaning behind it. First movie underneath the production

1007
00:50:48,880 --> 00:50:51,759
Speaker 1: company of mine, Heartbeat Production. So I need you to

1008
00:50:51,800 --> 00:50:54,359
Speaker 1: just support other than that. Got a drama coming out,

1009
00:50:54,719 --> 00:50:57,759
Speaker 1: call the Upside Me Brian Cranton, the Cole Kitman. That's

1010
00:50:57,840 --> 00:51:01,560
Speaker 1: dropping January Love drama. That's this is gonna be. It's

1011
00:51:01,560 --> 00:51:03,279
Speaker 1: a it's a great look. I can't wait for people

1012
00:51:03,320 --> 00:51:05,200
Speaker 1: to sit it. Take your Life of Pets too, Get

1013
00:51:05,280 --> 00:51:07,680
Speaker 1: ready for that one. I'm in that is in that too.

1014
00:51:07,680 --> 00:51:09,040
Speaker 1: That's why I brought it up because you forgot to

1015
00:51:09,080 --> 00:51:11,600
Speaker 1: say I don't know when it's coming, Well I do.

1016
00:51:11,760 --> 00:51:17,000
Speaker 1: That's my twenty nineteen. You'll get hit with that. The tour,

1017
00:51:17,120 --> 00:51:19,480
Speaker 1: Irresponsible tour. I'm on my last three months. We're wrapping

1018
00:51:19,520 --> 00:51:22,200
Speaker 1: that up strong. Uh, big cities coming up. If you

1019
00:51:22,239 --> 00:51:24,319
Speaker 1: don't have your tickets, go get them. Kevinhartnation dot Com

1020
00:51:24,800 --> 00:51:28,920
Speaker 1: also filming Jumanji two. After filming Jumanji two, working on

1021
00:51:28,960 --> 00:51:31,319
Speaker 1: another animation, working on a comedy called Little Kevin. That's

1022
00:51:31,320 --> 00:51:33,920
Speaker 1: gonna be about my life but me being told. I'm

1023
00:51:33,960 --> 00:51:36,320
Speaker 1: telling this life through uh, through the little version of

1024
00:51:36,440 --> 00:51:38,480
Speaker 1: me with an adult voice. It's pretty dope. So it's

1025
00:51:38,520 --> 00:51:41,880
Speaker 1: the same it's you right now pretty much. Yeah, But

1026
00:51:42,120 --> 00:51:44,919
Speaker 1: when you say like that, Yes, exactly what it is said.

1027
00:51:44,920 --> 00:51:47,080
Speaker 1: I got a movie coming out with Melissa McCarthy as well.

1028
00:51:47,880 --> 00:51:50,200
Speaker 1: Oh yeah, that's yeah The Kitchen. Yeah, and that's a

1029
00:51:50,280 --> 00:51:53,680
Speaker 1: gangster movie. Go you. Yeah, I'm learning from you everyone more. Yeah.

1030
00:51:53,840 --> 00:51:55,840
Speaker 1: I also got a cart too coming out on Netflix.

1031
00:51:56,000 --> 00:52:06,200
Speaker 1: I'm Bertie. Yeah. Yeah, I got Rose Barn that's come

1032
00:52:06,239 --> 00:52:10,240
Speaker 1: in twenty nineteen as well. That's the comedy I'm limited partners.

1033
00:52:10,280 --> 00:52:14,239
Speaker 1: I'm producing that too. Did you get more for your

1034
00:52:14,280 --> 00:52:18,040
Speaker 1: netflixpression in Monique don't say that? Thank you guys for

1035
00:52:18,120 --> 00:52:22,239
Speaker 1: the time you guys. Uh, this has been real. You know,

1036
00:52:22,320 --> 00:52:25,640
Speaker 1: this is what it's about. Kevin, Thank you guys, and

1037
00:52:25,760 --> 00:52:28,560
Speaker 1: we got and we do have to say congratulations about you.

1038
00:52:28,600 --> 00:52:30,239
Speaker 1: Guys are both up here. Honestly, I know we're all

1039
00:52:30,280 --> 00:52:31,880
Speaker 1: cool with each other and we joke around a lot.

1040
00:52:31,960 --> 00:52:34,000
Speaker 1: But that's huge that you guys are doing so much,

1041
00:52:34,360 --> 00:52:39,080
Speaker 1: so many big things for Congratulations to Tiffany and inspirational.

1042
00:52:39,280 --> 00:52:42,120
Speaker 1: Thank you, Thank yall, y'all appreciate y'all. It's the breakfast Club.

1043
00:52:42,200 --> 00:52:57,040
Speaker 1: Good morning. Don't date you get junk you are, I'm

1044
00:52:57,040 --> 00:53:00,080
Speaker 1: gonna fat and all that around your this man to

1045
00:53:00,280 --> 00:53:04,560
Speaker 1: Stolton Blowers. Many waited for Charlomagne to make a judgment

1046
00:53:04,960 --> 00:53:06,600
Speaker 1: who was gonna be on the Donkey of the Day.

1047
00:53:06,920 --> 00:53:10,520
Speaker 1: They chose you the Breakfast Club. Bitches, Who's Donkey of

1048
00:53:10,560 --> 00:53:13,279
Speaker 1: the Day to day? All right, listen, man, Charlomagne the

1049
00:53:13,360 --> 00:53:15,200
Speaker 1: God here, I'm on vacation. I don't give a damn

1050
00:53:15,200 --> 00:53:17,520
Speaker 1: what y'all think about that, because I deserve it. Now.

1051
00:53:17,640 --> 00:53:19,560
Speaker 1: The Breakfast Club is in eighty plus markets in one

1052
00:53:19,600 --> 00:53:21,040
Speaker 1: hundred and fifty country, so we have a lot of

1053
00:53:21,080 --> 00:53:23,279
Speaker 1: new listeners who probably don't even know who Charlomagne the

1054
00:53:23,360 --> 00:53:26,120
Speaker 1: God is. So use my time off to catch up

1055
00:53:26,280 --> 00:53:29,000
Speaker 1: on some of my past work. Okay, okay, if you

1056
00:53:29,080 --> 00:53:31,320
Speaker 1: knew here, I do a segment every day called Donkey

1057
00:53:31,360 --> 00:53:33,480
Speaker 1: of the Day donkey as in jackass, and that's when

1058
00:53:33,520 --> 00:53:35,759
Speaker 1: I give someone the credit they deserve for being stupid. So,

1059
00:53:36,040 --> 00:53:37,920
Speaker 1: if you've never heard of it, this is new to you.

1060
00:53:38,040 --> 00:53:39,560
Speaker 1: But if you are a regular listener, then this is

1061
00:53:39,560 --> 00:53:42,120
Speaker 1: an oldiep but goody because it's the best of the

1062
00:53:42,239 --> 00:53:44,080
Speaker 1: Donkey of the Day. Donkey of the Day goes to

1063
00:53:44,160 --> 00:53:46,520
Speaker 1: a queen from Queens named Nicki Minaj. Charp won the

1064
00:53:46,520 --> 00:53:50,480
Speaker 1: clues Bombs from Nicki Minach. Okay, Now, it's rare that

1065
00:53:50,600 --> 00:53:53,200
Speaker 1: you see someone played themselves the way Nicki Minaj played

1066
00:53:53,239 --> 00:53:55,359
Speaker 1: ourself on social media. Now, if you are not aware

1067
00:53:55,400 --> 00:53:57,799
Speaker 1: of what happened, the Billboard shots for this week came

1068
00:53:57,840 --> 00:54:00,759
Speaker 1: out and once again, Travis Scott, regardless of what on

1069
00:54:00,880 --> 00:54:02,840
Speaker 1: Nika says, has the number one album in the country

1070
00:54:02,880 --> 00:54:05,280
Speaker 1: with Astro World dropped on a Clues Bombs with Travis Scott.

1071
00:54:06,520 --> 00:54:09,200
Speaker 1: Travis sold twenty to five thousand units with seventy eight

1072
00:54:09,280 --> 00:54:11,719
Speaker 1: thousand from traditional sales. Nicki Minaj has the number two

1073
00:54:11,760 --> 00:54:13,520
Speaker 1: albums in the country with one hundred and eighty five

1074
00:54:13,560 --> 00:54:16,000
Speaker 1: thousand units and seventy eight thousand of her albums from

1075
00:54:16,040 --> 00:54:19,640
Speaker 1: traditional sales. Dropping the clues bons from nickim Naji again, Okay,

1076
00:54:20,160 --> 00:54:23,000
Speaker 1: because Queen to me is a good body of work,

1077
00:54:23,480 --> 00:54:25,720
Speaker 1: I have slight critique like I probably would have shortened

1078
00:54:25,719 --> 00:54:27,279
Speaker 1: it the just twelve songs. I also would like to

1079
00:54:27,320 --> 00:54:29,520
Speaker 1: hear a little more grow fier Nikki when it comes

1080
00:54:29,560 --> 00:54:31,800
Speaker 1: to her content. But I still think in my opinion

1081
00:54:31,920 --> 00:54:33,600
Speaker 1: that Queen is a good body of work, and it's

1082
00:54:33,600 --> 00:54:36,080
Speaker 1: a good body of work that sold one hundred and

1083
00:54:36,320 --> 00:54:38,920
Speaker 1: eighty five thousand albums in his first week. I think

1084
00:54:39,000 --> 00:54:41,680
Speaker 1: that's more than respectable. I think that's a win. But

1085
00:54:41,880 --> 00:54:45,040
Speaker 1: Nicki minaj ladies and gentlemen. It's a sore winner. And

1086
00:54:45,120 --> 00:54:47,200
Speaker 1: it's very very very read that you come across the

1087
00:54:47,280 --> 00:54:49,880
Speaker 1: sore winner. But Nikki is one of them. Nicki responded

1088
00:54:49,920 --> 00:54:51,520
Speaker 1: to the news of her having a number two album

1089
00:54:51,560 --> 00:54:54,680
Speaker 1: in the country by tweeting, Travis sold over fifty thousand

1090
00:54:54,760 --> 00:54:58,520
Speaker 1: of these. By fifty thousand of these, she means merchandise right,

1091
00:54:58,800 --> 00:55:01,560
Speaker 1: with no requirement of redeeming the album, with no dates

1092
00:55:01,600 --> 00:55:04,040
Speaker 1: for a tour, etc. I spoke to him. He knows

1093
00:55:04,080 --> 00:55:06,120
Speaker 1: he doesn't have the number one album this week. I

1094
00:55:06,280 --> 00:55:09,360
Speaker 1: love my fans for the number one album in America. Now,

1095
00:55:09,480 --> 00:55:11,479
Speaker 1: when she says fifty thousand to be she talking about

1096
00:55:11,520 --> 00:55:14,160
Speaker 1: tour passes merchandise. What is she talking about? Does anybody

1097
00:55:14,200 --> 00:55:16,520
Speaker 1: know merchant? I think it's a merch it's a merchant.

1098
00:55:16,560 --> 00:55:19,520
Speaker 1: I think they if you buy the T shirt or whatever,

1099
00:55:19,600 --> 00:55:20,880
Speaker 1: maybe I think you also get out. I know I

1100
00:55:20,960 --> 00:55:23,000
Speaker 1: got Dan who works up here, loves merchant. He bought

1101
00:55:23,080 --> 00:55:24,600
Speaker 1: some of the Travis Scott merch so I guess it

1102
00:55:24,680 --> 00:55:27,680
Speaker 1: comes with the album. Whatever it was. I'm just here

1103
00:55:27,760 --> 00:55:29,920
Speaker 1: to tell Nikki he know. Travis does not know he

1104
00:55:29,960 --> 00:55:31,879
Speaker 1: doesn't have the number one album in the country, because

1105
00:55:31,920 --> 00:55:34,640
Speaker 1: we're all looking at the same numbers. You are. He

1106
00:55:34,760 --> 00:55:36,600
Speaker 1: has the number one album in the country. Okay, you

1107
00:55:36,719 --> 00:55:39,480
Speaker 1: have the number two album in the country, all right.

1108
00:55:39,520 --> 00:55:41,560
Speaker 1: He's sold two hundred and five thousand. You sold one

1109
00:55:41,640 --> 00:55:44,000
Speaker 1: hundred and eighty five thousand. I don't care what bundles

1110
00:55:44,040 --> 00:55:46,319
Speaker 1: came with the album. So what if Travis Scott sold

1111
00:55:46,400 --> 00:55:48,919
Speaker 1: merch with album with tour passes with his album? Last

1112
00:55:48,960 --> 00:55:51,279
Speaker 1: time I checked, Nikki, you bundle concert tickets with your

1113
00:55:51,320 --> 00:55:53,400
Speaker 1: album too, So really trying to see what is the

1114
00:55:53,520 --> 00:55:56,239
Speaker 1: issue here? Okay, let's look at everyone who Nikki blamed

1115
00:55:56,280 --> 00:55:59,240
Speaker 1: for being numbered two, all right. She blamed Travis Scott

1116
00:55:59,280 --> 00:56:01,680
Speaker 1: for selling merchant along with his album. She blamed Kylie

1117
00:56:01,760 --> 00:56:04,440
Speaker 1: Jennifer tweeting about Travis Scott's album. She blames Stormy for

1118
00:56:04,520 --> 00:56:06,320
Speaker 1: being a cute little baby who daddy happens to be

1119
00:56:06,480 --> 00:56:08,920
Speaker 1: Travis Scott and he made the album. She blamed Spotify

1120
00:56:09,040 --> 00:56:11,600
Speaker 1: for putting Drake on every playlist proclaimed Spotify told her

1121
00:56:11,719 --> 00:56:13,359
Speaker 1: they would have to teach her a lesson for playing

1122
00:56:13,400 --> 00:56:16,440
Speaker 1: her music ten minutes early on Apple Radio, Nicki Minaj,

1123
00:56:16,480 --> 00:56:19,960
Speaker 1: you're blaming everyone like you lost something. You have watched

1124
00:56:20,000 --> 00:56:22,480
Speaker 1: too much Talaget Talladegga Knights because this quote has to

1125
00:56:22,520 --> 00:56:25,600
Speaker 1: be stuck in your brain. First you're laugh but I'm

1126
00:56:25,640 --> 00:56:28,160
Speaker 1: telling you that's not true. Okay, it's okay. You put

1127
00:56:28,200 --> 00:56:29,880
Speaker 1: out a good body of work and you sold one

1128
00:56:29,960 --> 00:56:32,160
Speaker 1: hundred and eighty five thousand records. Why are you being

1129
00:56:32,200 --> 00:56:35,319
Speaker 1: a soul winner? Nothing you're doing is Queen like I mean, Okay,

1130
00:56:35,440 --> 00:56:37,680
Speaker 1: let's just say, you know, let's just say all these

1131
00:56:37,680 --> 00:56:39,839
Speaker 1: people are to blame for you having the number two

1132
00:56:40,160 --> 00:56:42,279
Speaker 1: album in the country. Okay, Well, who's the blame for

1133
00:56:42,360 --> 00:56:46,000
Speaker 1: you having the number two album? In twenty fifteen, Nikki's

1134
00:56:46,080 --> 00:56:48,200
Speaker 1: last album to pick Print debut at number two with

1135
00:56:48,320 --> 00:56:51,200
Speaker 1: two hundred and forty four thousand albums sold. Okay, I

1136
00:56:51,239 --> 00:56:53,600
Speaker 1: don't remember her tripping off being number two then, so

1137
00:56:53,640 --> 00:56:56,319
Speaker 1: what's the problem now? And this album Queen is better

1138
00:56:56,360 --> 00:56:58,080
Speaker 1: than Meet than the Pink Print. So the most important

1139
00:56:58,120 --> 00:56:59,879
Speaker 1: thing is you put out a good body of work.

1140
00:57:00,080 --> 00:57:02,600
Speaker 1: Because nobody was canceling you because they wanted you gone

1141
00:57:02,600 --> 00:57:04,560
Speaker 1: from the game. People were saying they just wasn't feeling

1142
00:57:04,560 --> 00:57:07,520
Speaker 1: you musically anymore, so they hear you back musically. It's

1143
00:57:07,520 --> 00:57:09,400
Speaker 1: all I ever wanted. So for you to have the

1144
00:57:09,520 --> 00:57:12,239
Speaker 1: number two album in the country is cool, Okay. I

1145
00:57:12,360 --> 00:57:14,200
Speaker 1: just want to know why you don't think this is okay.

1146
00:57:14,280 --> 00:57:18,000
Speaker 1: This is your second consecutive number two album. It's the

1147
00:57:18,080 --> 00:57:20,160
Speaker 1: second biggest debut a week from a female rapper in

1148
00:57:20,200 --> 00:57:23,520
Speaker 1: two eighteen, behind Cardi B's invasion of privacy. The meltdown

1149
00:57:23,560 --> 00:57:26,400
Speaker 1: you had on social media wasn't warrantined because you won.

1150
00:57:27,080 --> 00:57:28,560
Speaker 1: And for all the bobs out there who are in

1151
00:57:28,680 --> 00:57:30,560
Speaker 1: my mentions right now ready to slant to me all

1152
00:57:30,680 --> 00:57:33,120
Speaker 1: day for giving Nikki donkey today, how about take that

1153
00:57:33,240 --> 00:57:36,000
Speaker 1: energy to Apple, take it to Title, take it to Spotify,

1154
00:57:36,120 --> 00:57:38,040
Speaker 1: take it to the record store. Instead of putting energy

1155
00:57:38,080 --> 00:57:40,520
Speaker 1: into slandering people who you think hate Nicki Minaj, go

1156
00:57:40,760 --> 00:57:44,160
Speaker 1: support her music. Every time you think about slandering me today,

1157
00:57:44,400 --> 00:57:46,560
Speaker 1: are sending me a nasty tweeter or leaving me an

1158
00:57:46,600 --> 00:57:49,200
Speaker 1: ig caption? Just think to yourself, Damn, I could be

1159
00:57:49,240 --> 00:57:52,680
Speaker 1: screaming Nicky's music right now. I'll purchasing her music, Okay, NICKI,

1160
00:57:52,760 --> 00:57:54,959
Speaker 1: activate your bobs to buy your albums and not slam

1161
00:57:55,040 --> 00:57:57,520
Speaker 1: the people who you have issues with. It's way more productive,

1162
00:57:57,720 --> 00:58:00,600
Speaker 1: all right. I saw Nikki on academics page Saturday when

1163
00:58:00,640 --> 00:58:05,040
Speaker 1: he posted the Billboard numbers and she put this is wrong, Okay,

1164
00:58:05,120 --> 00:58:07,919
Speaker 1: real numbers come on Sunday, and then she put fake news,

1165
00:58:07,960 --> 00:58:10,400
Speaker 1: sounding just like Trump. She was right though, because the

1166
00:58:10,520 --> 00:58:13,200
Speaker 1: numbers on Saturday with Travis Scott seals two undred and

1167
00:58:13,240 --> 00:58:15,120
Speaker 1: twenty five thousand with the number one album, and they

1168
00:58:15,160 --> 00:58:17,200
Speaker 1: had Nikki selling one hundred and ninety thousand but still

1169
00:58:17,240 --> 00:58:21,120
Speaker 1: the number two album. Okay, so she was right, you know,

1170
00:58:21,360 --> 00:58:25,240
Speaker 1: on everything except for the actual record sales. And all

1171
00:58:25,240 --> 00:58:27,080
Speaker 1: I'm saying is you could be number one next week

1172
00:58:27,320 --> 00:58:29,360
Speaker 1: if you get people to focus on the album instead

1173
00:58:29,360 --> 00:58:31,840
Speaker 1: of the antics. Okay, the album is actually good. Put

1174
00:58:31,880 --> 00:58:34,560
Speaker 1: out more singles, do more videos. You're so busy worrying

1175
00:58:34,560 --> 00:58:36,320
Speaker 1: about what you don't have that you're not focusing on

1176
00:58:36,400 --> 00:58:37,920
Speaker 1: what you have. And what you have is a good

1177
00:58:37,960 --> 00:58:40,320
Speaker 1: body of work, a loyal fan base, and the number

1178
00:58:40,400 --> 00:58:43,480
Speaker 1: two standing on the Billboard charts this week. You have

1179
00:58:43,600 --> 00:58:45,480
Speaker 1: a lot to build off, Nikki. Okay, you are a

1180
00:58:45,560 --> 00:58:47,480
Speaker 1: god fearing woman, so you know as well as I

1181
00:58:47,600 --> 00:58:49,760
Speaker 1: do that what we don't appreciate, we risk lose it.

1182
00:58:50,000 --> 00:58:51,920
Speaker 1: If you dropped the number eight on number ten next week,

1183
00:58:51,960 --> 00:58:53,720
Speaker 1: you're gonna wish she was back at number two. So

1184
00:58:53,880 --> 00:58:57,880
Speaker 1: Nikki stopped being a sore winner because you won. You

1185
00:58:58,040 --> 00:59:01,200
Speaker 1: did it on them, all right, let's celebrate you having

1186
00:59:01,240 --> 00:59:03,760
Speaker 1: the number two albums in the country. All the barbs,

1187
00:59:03,800 --> 00:59:08,880
Speaker 1: let's celebrate. Play my joint, please play? What the hell

1188
00:59:09,000 --> 00:59:14,160
Speaker 1: is that? Oh, that's my joint? If you did it

1189
00:59:14,280 --> 00:59:18,360
Speaker 1: on them, baby, she did it on them. Come on now,

1190
00:59:18,960 --> 00:59:21,360
Speaker 1: number two album in the country. Put your number twos

1191
00:59:21,440 --> 00:59:25,240
Speaker 1: in the air. You can get it on them. No

1192
00:59:25,400 --> 00:59:27,520
Speaker 1: play that. Put the I want the number twos in

1193
00:59:27,640 --> 00:59:29,720
Speaker 1: the air because Nikki did it on them. She got

1194
00:59:29,800 --> 00:59:32,400
Speaker 1: the number two album in the country. We're gonna celebrate.

1195
00:59:32,560 --> 00:59:35,800
Speaker 1: I'm tired of her being a star winner. Okay, but

1196
00:59:36,360 --> 00:59:40,520
Speaker 1: come Envy do it. You're from Queens and Angela. You

1197
00:59:40,760 --> 00:59:42,240
Speaker 1: do it if you don't want to come, I'm the

1198
00:59:42,280 --> 00:59:46,120
Speaker 1: only person who only en Queens and if you did

1199
00:59:46,200 --> 00:59:48,680
Speaker 1: it all right, now, come on now, I got my

1200
00:59:48,800 --> 00:59:53,320
Speaker 1: twols up put. It was like a peace sign. Envy, Nikki.

1201
00:59:53,360 --> 00:59:57,000
Speaker 1: What you don't appreciate, you will lose. Please let remy Ma,

1202
00:59:57,360 --> 01:00:02,800
Speaker 1: give Nicki Minaj to be bah you stupid mother? Are

1203
01:00:02,880 --> 01:00:09,160
Speaker 1: you why I used remember everything? You stop it now?

1204
01:00:09,160 --> 01:00:14,640
Speaker 1: Why a y'all gonna do that? Usually is I'm in

1205
01:00:14,720 --> 01:00:17,880
Speaker 1: here trying to give constructive criticism. I'm in here, Bro,

1206
01:00:18,000 --> 01:00:20,000
Speaker 1: I'm in here trying to give me Patty give criticism,

1207
01:00:20,400 --> 01:00:22,720
Speaker 1: Patty y'all telling me to do you Petty, I got

1208
01:00:22,760 --> 01:00:24,720
Speaker 1: my number two is in the air. You Peggy mc

1209
01:00:24,800 --> 01:00:26,840
Speaker 1: na got the number two album in the country, one

1210
01:00:26,920 --> 01:00:29,600
Speaker 1: hundred and eighty five pattles sold. It's a good body

1211
01:00:29,600 --> 01:00:31,880
Speaker 1: of work dropped when the clue's bomb from the human

1212
01:00:31,920 --> 01:00:36,520
Speaker 1: Naj damn it. Okay, but I need the number twos

1213
01:00:36,560 --> 01:00:38,880
Speaker 1: in the air because Nikki did it on Patty bro

1214
01:00:41,600 --> 01:00:44,080
Speaker 1: number two album in the country, You, Petty bro second

1215
01:00:44,120 --> 01:00:48,640
Speaker 1: consecutive number two albums Big Print was number two, Petty

1216
01:00:52,440 --> 01:00:56,200
Speaker 1: Er two in the air, Petty the number twos in

1217
01:00:56,240 --> 01:00:58,240
Speaker 1: the air to celebrate the number two album in the country.

1218
01:00:59,320 --> 01:01:03,080
Speaker 1: She won. No don't get that album, barbed that album?

1219
01:01:03,640 --> 01:01:06,480
Speaker 1: Time today, get that album Barbs. All right, we got

1220
01:01:06,560 --> 01:01:09,680
Speaker 1: more coming up next with a breakfast Club, The Breakfast

1221
01:01:09,760 --> 01:01:16,760
Speaker 1: Club Funning. Everybody is DJ Envy, Angela Yee Charlomagne, the guy.

1222
01:01:16,840 --> 01:01:19,320
Speaker 1: We are the breakfast club. We have a special young

1223
01:01:19,400 --> 01:01:23,360
Speaker 1: lady with us this morning, yes, sir, comedian lou Nell. Yeah. Now,

1224
01:01:23,440 --> 01:01:26,000
Speaker 1: let the record show. Lunell asked me to undress her

1225
01:01:26,040 --> 01:01:27,840
Speaker 1: this morning. No, you did so if it ever comes

1226
01:01:27,880 --> 01:01:30,640
Speaker 1: out later. And she didn't give me consent. No, me too.

1227
01:01:30,800 --> 01:01:33,640
Speaker 1: Over here, I've seen you put her shirt off, she

1228
01:01:33,760 --> 01:01:36,520
Speaker 1: asked me too. Okay, And we always do what we're

1229
01:01:36,560 --> 01:01:41,960
Speaker 1: asked to do, though, Yes, be a good boy, Mommy,

1230
01:01:42,000 --> 01:01:45,840
Speaker 1: don't have to thank you now. I walked outside and

1231
01:01:45,920 --> 01:01:48,680
Speaker 1: I heard Charlemagne say, whack shit nasty, and I heard

1232
01:01:48,720 --> 01:01:52,560
Speaker 1: Lunelle y'allow. I like him nasty, yes, child, Nasties. Good

1233
01:01:53,360 --> 01:01:56,040
Speaker 1: people ain't nasty, No, mom, they can't be. They're get

1234
01:01:56,120 --> 01:01:59,360
Speaker 1: in trouble nowadays, especially you being nasty with your mate,

1235
01:01:59,520 --> 01:02:03,720
Speaker 1: you know, nasty with your with your partner. That's what happens,

1236
01:02:03,840 --> 01:02:06,800
Speaker 1: you get in these relationships. You quit being nasty now

1237
01:02:06,920 --> 01:02:09,360
Speaker 1: that go your man out to go after the next

1238
01:02:09,480 --> 01:02:12,320
Speaker 1: nasty bit. You should have stayed the nasty bit you

1239
01:02:12,480 --> 01:02:14,400
Speaker 1: was when you met you. So you think that's what

1240
01:02:14,480 --> 01:02:15,760
Speaker 1: it did. You think women are just afraid to be

1241
01:02:15,800 --> 01:02:18,320
Speaker 1: freaking outa days. I don't think they're afraid. I just

1242
01:02:18,480 --> 01:02:22,160
Speaker 1: think that well, I think a lot of women are inhibited,

1243
01:02:22,720 --> 01:02:26,080
Speaker 1: especially maybe some of my big sisters out here, because

1244
01:02:26,120 --> 01:02:29,920
Speaker 1: you feel like, oh, you know this ain't tighten, this

1245
01:02:30,160 --> 01:02:33,520
Speaker 1: is rolling and all that, and it is, but you

1246
01:02:33,640 --> 01:02:36,240
Speaker 1: just got there's a whole crewim up out there who

1247
01:02:36,360 --> 01:02:39,280
Speaker 1: loved that. Yeah, I know I got one little it's

1248
01:02:39,280 --> 01:02:41,360
Speaker 1: gonna be skinny for sure. You got you a man

1249
01:02:41,440 --> 01:02:46,040
Speaker 1: that loved what the roles ring. Oh you're married, okay,

1250
01:02:46,080 --> 01:02:49,880
Speaker 1: I've been married for seventeen years on the load. Don't

1251
01:02:49,920 --> 01:02:55,840
Speaker 1: tell the boys that. Yeah, I keep it on a lot.

1252
01:02:55,920 --> 01:02:59,360
Speaker 1: Don't put my husband on social media, no pictures because

1253
01:03:00,160 --> 01:03:03,000
Speaker 1: they do that face recognition and the penitentiary. If where

1254
01:03:03,680 --> 01:03:06,880
Speaker 1: then there he goes back to the yard. If they

1255
01:03:06,920 --> 01:03:09,480
Speaker 1: still enjoyed the comedy, you know, because it seems like

1256
01:03:09,560 --> 01:03:11,840
Speaker 1: comedy has gotten a little tighter now where there's certain

1257
01:03:11,880 --> 01:03:14,480
Speaker 1: things you say, now you get in trouble. I don't

1258
01:03:14,480 --> 01:03:18,120
Speaker 1: get in trouble for saying anything. I'd say absolutely everything

1259
01:03:18,200 --> 01:03:20,080
Speaker 1: that's on my mind. But I've been that way for

1260
01:03:20,240 --> 01:03:23,400
Speaker 1: thirty years. They called me the original bad girl in comedy.

1261
01:03:23,440 --> 01:03:26,080
Speaker 1: I've had a mouth on me since gate. I think

1262
01:03:26,120 --> 01:03:28,000
Speaker 1: it might have helped me. Back then, I was even

1263
01:03:28,080 --> 01:03:29,960
Speaker 1: too dirty to be on Death Jam. If you can

1264
01:03:30,000 --> 01:03:33,960
Speaker 1: believe that, I'm and I'm swallow about that Studio fifty

1265
01:03:34,040 --> 01:03:36,240
Speaker 1: four in death Jam. I never got the experience in

1266
01:03:36,320 --> 01:03:38,560
Speaker 1: New York. I'm dead. They told you that. They was like, yo,

1267
01:03:38,640 --> 01:03:40,480
Speaker 1: you too. Now they didn't tell me, but they just

1268
01:03:40,560 --> 01:03:42,760
Speaker 1: didn't never let me do it. I only fly came

1269
01:03:42,840 --> 01:03:45,240
Speaker 1: through that era that didn't do Death Jam, but I

1270
01:03:45,320 --> 01:03:48,120
Speaker 1: did nine seasons of Comic You, which is way cleaner

1271
01:03:48,280 --> 01:03:50,760
Speaker 1: the Death Cham was. They just was hating Hay, you

1272
01:03:50,800 --> 01:03:54,800
Speaker 1: know me. But I made it despite that. And the

1273
01:03:54,960 --> 01:04:00,520
Speaker 1: times have changed, so now you know, I sort of

1274
01:04:00,600 --> 01:04:04,960
Speaker 1: style of genre is almost missing a really blue female

1275
01:04:05,320 --> 01:04:07,840
Speaker 1: who is what they call guy funny, you know, not

1276
01:04:08,040 --> 01:04:10,320
Speaker 1: just funny to the women, but funny to the dudes too.

1277
01:04:10,680 --> 01:04:12,680
Speaker 1: It makes me very happy to look out there and

1278
01:04:12,760 --> 01:04:15,800
Speaker 1: see men bent over and spending out their drink and

1279
01:04:15,880 --> 01:04:19,439
Speaker 1: stuff like that, because men come not expecting to enjoy

1280
01:04:19,520 --> 01:04:22,640
Speaker 1: a female comic. You come just appuse your god, go

1281
01:04:22,800 --> 01:04:25,919
Speaker 1: see this broad, But when you really kill it, That's

1282
01:04:25,960 --> 01:04:29,200
Speaker 1: why they call me El murder. The ellis Flunell Murders

1283
01:04:29,200 --> 01:04:33,600
Speaker 1: because I'm killing these bitches out here. And so that's

1284
01:04:33,640 --> 01:04:36,000
Speaker 1: why when I when when when guys come in and

1285
01:04:36,120 --> 01:04:38,560
Speaker 1: they see me and I see them having a great time,

1286
01:04:39,200 --> 01:04:41,800
Speaker 1: it's wonderful to answer a question. Yes, I do still

1287
01:04:41,880 --> 01:04:46,440
Speaker 1: enjoy comedy. Not everybody knows that I have a problem

1288
01:04:46,480 --> 01:04:50,200
Speaker 1: with the with the insta fame quote unquote comedians. I wish,

1289
01:04:50,240 --> 01:04:53,160
Speaker 1: just wish there was another name for them besides comic,

1290
01:04:53,240 --> 01:04:55,720
Speaker 1: because you know, I think of comics. I'm thinking of

1291
01:04:56,160 --> 01:05:01,000
Speaker 1: Lenny Bruce, and you know, Rodney Winfield and Robin Harris

1292
01:05:01,120 --> 01:05:05,320
Speaker 1: and Prior and Cosmi and Joan Rivers and mis maybe

1293
01:05:05,440 --> 01:05:08,200
Speaker 1: those are comics to me. But you know, just because

1294
01:05:08,240 --> 01:05:11,400
Speaker 1: you have three hundred and eighty seven thousand likes does

1295
01:05:11,520 --> 01:05:15,200
Speaker 1: not a comic make you haven't done anything that. There's

1296
01:05:15,240 --> 01:05:18,080
Speaker 1: beauty and the struggle. Sure everybody wants to make them

1297
01:05:18,120 --> 01:05:21,560
Speaker 1: fast and quick, you know, but the beauty and the struggle.

1298
01:05:21,640 --> 01:05:24,280
Speaker 1: What stories are you gonna be able to tell? You know?

1299
01:05:24,880 --> 01:05:29,400
Speaker 1: And that led up to your legacy. Not you know,

1300
01:05:29,480 --> 01:05:31,640
Speaker 1: you're not gonna have no stories to tell. Oh, because

1301
01:05:31,680 --> 01:05:33,840
Speaker 1: I got so many likes and they picked me up

1302
01:05:33,880 --> 01:05:36,520
Speaker 1: from YouTube and I got my own show, and that

1303
01:05:36,680 --> 01:05:39,320
Speaker 1: was fifteen years ago. Now nobody knows where the guy

1304
01:05:39,360 --> 01:05:42,400
Speaker 1: am anymore. Isn't it like another form of comedy? Were

1305
01:05:42,400 --> 01:05:44,360
Speaker 1: you gotta stand up? You got it? Is another form

1306
01:05:44,400 --> 01:05:47,320
Speaker 1: of comedy coming some community is funny on TV, summing movies,

1307
01:05:47,400 --> 01:05:51,320
Speaker 1: summing online. Right, Yeah, you know, I mean there is

1308
01:05:51,360 --> 01:05:55,320
Speaker 1: a genre for sure, And you know, I'm just as

1309
01:05:55,400 --> 01:05:59,200
Speaker 1: throne to do a video as anybody else. But I'm

1310
01:05:59,240 --> 01:06:01,880
Speaker 1: not basing it hoping my career of that, you know.

1311
01:06:01,960 --> 01:06:04,440
Speaker 1: But I'm already established. These kids got to get in

1312
01:06:04,840 --> 01:06:06,640
Speaker 1: how they fit in. And I ain't mad at him.

1313
01:06:06,920 --> 01:06:10,200
Speaker 1: It's just that when you have to serve it up,

1314
01:06:10,640 --> 01:06:12,680
Speaker 1: when you have to get off Instagram and go into

1315
01:06:12,760 --> 01:06:15,200
Speaker 1: a club and you got three hundred and fifty people

1316
01:06:15,240 --> 01:06:17,520
Speaker 1: looking at you like what you got, then you need

1317
01:06:17,560 --> 01:06:20,240
Speaker 1: to have something behind that because you know that time's

1318
01:06:20,280 --> 01:06:23,920
Speaker 1: gonna run out, you're gonna look stupid. And a lot

1319
01:06:23,960 --> 01:06:27,520
Speaker 1: of these I guess install comedians or getting people in

1320
01:06:27,600 --> 01:06:30,040
Speaker 1: the building and getting a lot of money, and they're

1321
01:06:30,080 --> 01:06:33,040
Speaker 1: not really funny at times. Yeah, of course it bothers me,

1322
01:06:33,160 --> 01:06:35,360
Speaker 1: and not only me. I'm just one of the people

1323
01:06:35,400 --> 01:06:38,080
Speaker 1: who speak out about this because I'm not a fake bitch.

1324
01:06:38,640 --> 01:06:43,160
Speaker 1: You know, I know it bothers a lot of us

1325
01:06:43,320 --> 01:06:46,760
Speaker 1: ogs because they're getting paid more than us. And it's

1326
01:06:46,840 --> 01:06:48,960
Speaker 1: not even I don't do it for the money, but

1327
01:06:49,040 --> 01:06:51,560
Speaker 1: I certainly would like to get compensated for being one

1328
01:06:51,600 --> 01:06:53,680
Speaker 1: of the bad ones out here, you know what I mean.

1329
01:06:53,960 --> 01:06:55,760
Speaker 1: And you just see people who just do you know,

1330
01:06:55,920 --> 01:06:59,280
Speaker 1: buying houses and and they've been on YouTube for like

1331
01:06:59,480 --> 01:07:02,360
Speaker 1: three years just like this is what. So I'm not

1332
01:07:02,400 --> 01:07:04,640
Speaker 1: gonna lie and say don't bother me. By's a lot

1333
01:07:04,680 --> 01:07:06,120
Speaker 1: of people, but I don't know who's gonna say it,

1334
01:07:06,160 --> 01:07:07,880
Speaker 1: but I will. You know what I hate. I hate

1335
01:07:07,920 --> 01:07:11,000
Speaker 1: that comedians are being so politically correct now idea because

1336
01:07:11,040 --> 01:07:13,480
Speaker 1: y'all don't have to be. I don't, and I'm not.

1337
01:07:14,120 --> 01:07:16,880
Speaker 1: And you know, I was out in Nayack, I wasn't

1338
01:07:17,240 --> 01:07:20,840
Speaker 1: in Brooklyn, and my audiences was like eighty percent white,

1339
01:07:21,080 --> 01:07:24,560
Speaker 1: and I guarantee you I didn't change narray word because

1340
01:07:24,800 --> 01:07:28,200
Speaker 1: I can, you know, I can go entertain the Jewish

1341
01:07:28,440 --> 01:07:31,080
Speaker 1: you know, city Council as well as go to the

1342
01:07:31,320 --> 01:07:33,600
Speaker 1: y m c A and do a show, but I

1343
01:07:33,800 --> 01:07:38,000
Speaker 1: don't change it because my subject matter is mostly child

1344
01:07:38,400 --> 01:07:45,280
Speaker 1: relationship and sex based, which is universal. Anybody white anybody, Latino, anybody,

1345
01:07:45,400 --> 01:07:48,160
Speaker 1: trans anybody anything can come to my show and they're

1346
01:07:48,160 --> 01:07:52,400
Speaker 1: gonna fall outlet And because everything is universal, my audiences

1347
01:07:52,440 --> 01:07:54,400
Speaker 1: are like on a cruise ship, you know what I mean.

1348
01:07:54,720 --> 01:07:56,920
Speaker 1: But you just come to have fun and you're sitting

1349
01:07:56,960 --> 01:07:59,280
Speaker 1: next to Joe bab who's sitting next to Jamal, who's

1350
01:07:59,280 --> 01:08:02,720
Speaker 1: sitting next to Banking, you know, and everybody's all there together.

1351
01:08:02,800 --> 01:08:05,240
Speaker 1: And that's what I like being able to do. All Right,

1352
01:08:05,280 --> 01:08:06,920
Speaker 1: we have more with lou Nelle when we come back.

1353
01:08:07,000 --> 01:08:09,880
Speaker 1: Keep it locked. This to Breakfast Club, Good Morning Morning.

1354
01:08:09,960 --> 01:08:13,840
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1355
01:08:13,920 --> 01:08:16,519
Speaker 1: are the Breakfast Club comedian. Lou Nell's in the building

1356
01:08:16,720 --> 01:08:19,000
Speaker 1: that We had a Monique Uphill a couple of months

1357
01:08:19,000 --> 01:08:21,960
Speaker 1: ago and we were talking about her Netflix specially. What

1358
01:08:22,040 --> 01:08:24,000
Speaker 1: do you think about that? Because you're an og comedian.

1359
01:08:24,200 --> 01:08:26,439
Speaker 1: I saw the picture you posted on Instagram. You said Netflix,

1360
01:08:26,479 --> 01:08:29,439
Speaker 1: I'll take that goddamn money. Yeah, I will take this money.

1361
01:08:29,720 --> 01:08:33,200
Speaker 1: Let's be clear. But first of all, I've said, and

1362
01:08:33,320 --> 01:08:35,519
Speaker 1: I say at the beginning of my shows on stage,

1363
01:08:35,840 --> 01:08:38,640
Speaker 1: no matter what you think about her, no matter what

1364
01:08:38,800 --> 01:08:42,920
Speaker 1: you've heard about her husband, that was all irrelevant. She's right,

1365
01:08:43,160 --> 01:08:47,479
Speaker 1: like we're underpaid. Angela Batt has said the same thing.

1366
01:08:48,320 --> 01:08:51,360
Speaker 1: Viola Davis has spoke on it as well. And you know,

1367
01:08:51,479 --> 01:08:53,400
Speaker 1: every now and then, I like to see somebody who

1368
01:08:53,439 --> 01:08:56,080
Speaker 1: don't give a and they just name name, call people

1369
01:08:56,120 --> 01:08:59,040
Speaker 1: on their and let the chips fall where they met. Now,

1370
01:08:59,080 --> 01:09:01,439
Speaker 1: I wouldn't do it like that, you know, but she's

1371
01:09:02,120 --> 01:09:05,200
Speaker 1: I'm gonna lead that to her. But you know, two

1372
01:09:05,280 --> 01:09:07,880
Speaker 1: years from now, she'll do something else amazing. They'll be

1373
01:09:07,960 --> 01:09:10,360
Speaker 1: all on her again. I've seen this a hundred times,

1374
01:09:10,400 --> 01:09:12,040
Speaker 1: you know what I mean. You go down, you come

1375
01:09:12,120 --> 01:09:14,559
Speaker 1: back up. But somebody had to speak on the issue.

1376
01:09:14,760 --> 01:09:17,120
Speaker 1: At least the issue is being spoken about now, and

1377
01:09:17,240 --> 01:09:19,760
Speaker 1: so I thank her for that. So what happens when

1378
01:09:19,800 --> 01:09:21,920
Speaker 1: the next like what they say, like somebody like a

1379
01:09:22,000 --> 01:09:27,000
Speaker 1: Tiffany hatters when she gets paid from the well she's hutting, yes, yes, well,

1380
01:09:27,120 --> 01:09:29,280
Speaker 1: Tiffany is a friend of mine. I like to think,

1381
01:09:29,439 --> 01:09:33,080
Speaker 1: and I think that she is riding a wave right now.

1382
01:09:33,200 --> 01:09:36,560
Speaker 1: What you gonna do not take the money, you know,

1383
01:09:36,840 --> 01:09:40,760
Speaker 1: and the wave don't always laugh forever, so you better

1384
01:09:40,800 --> 01:09:43,759
Speaker 1: grab her. She's cute, she's young, she's perky, she's quirky.

1385
01:09:44,120 --> 01:09:47,880
Speaker 1: She acts kind of stupid, but she ain't stupid at

1386
01:09:47,920 --> 01:09:50,800
Speaker 1: all at all. And she I really don't think that

1387
01:09:51,360 --> 01:09:53,719
Speaker 1: the Littleminatti gonna be able to come for her without

1388
01:09:53,760 --> 01:09:57,160
Speaker 1: her snitch in their mouth. She's holding, she's holding one

1389
01:09:57,200 --> 01:10:00,240
Speaker 1: of that Beyonce A bite story pretty each other. But

1390
01:10:00,360 --> 01:10:02,600
Speaker 1: I think if the little monattic comming typhicly had it

1391
01:10:02,800 --> 01:10:05,439
Speaker 1: then been for the ram bitch because she gonna but

1392
01:10:05,760 --> 01:10:08,439
Speaker 1: did not even came to me talking to me about

1393
01:10:08,479 --> 01:10:12,360
Speaker 1: that big you know. And I just don't think she's

1394
01:10:12,360 --> 01:10:14,760
Speaker 1: gonna change. I think she's gonna remain the chick that

1395
01:10:14,880 --> 01:10:17,440
Speaker 1: she is. You know, I agree to but just refreshing

1396
01:10:18,320 --> 01:10:19,840
Speaker 1: and plus you older though, so it's not like she

1397
01:10:20,400 --> 01:10:23,320
Speaker 1: she knew you know what I mean? Right? Yeah, she

1398
01:10:23,400 --> 01:10:25,439
Speaker 1: didn't just pop up, but that's what it looks like,

1399
01:10:25,680 --> 01:10:28,240
Speaker 1: you know, she just popped about the sky. No you

1400
01:10:28,479 --> 01:10:37,519
Speaker 1: google her go back and poorly dressed? Yeah for PM

1401
01:10:37,640 --> 01:10:41,720
Speaker 1: house google the picture right now. Let me see what

1402
01:10:41,800 --> 01:10:45,080
Speaker 1: I gotta google. You want to see him black away? No,

1403
01:10:45,200 --> 01:10:46,960
Speaker 1: he want to see it in colors him. So I

1404
01:10:46,960 --> 01:10:50,040
Speaker 1: don't want to see that, Melani. That's not all you want.

1405
01:10:50,640 --> 01:10:54,599
Speaker 1: But decided to post naked well because they said, okay,

1406
01:10:55,600 --> 01:10:58,439
Speaker 1: you know what I'm saying. Yeah, I had already directed

1407
01:10:58,479 --> 01:11:02,479
Speaker 1: the photos shoot four Penhouse. It was a series they

1408
01:11:02,520 --> 01:11:06,680
Speaker 1: had called pop Shots. Stevie J did one, I did one,

1409
01:11:06,800 --> 01:11:10,080
Speaker 1: Dave Navarro did one, and uh, you get to pick

1410
01:11:10,160 --> 01:11:12,360
Speaker 1: the models you want and they give you a mansion

1411
01:11:12,439 --> 01:11:14,760
Speaker 1: and you can be in the pool and the being

1412
01:11:14,880 --> 01:11:16,800
Speaker 1: on the kitchen. Al So we took over the match

1413
01:11:16,880 --> 01:11:19,200
Speaker 1: and then I got everybody I wanted. I wanted a

1414
01:11:19,240 --> 01:11:22,000
Speaker 1: boy who looked like Fabio. We got my boy, Alejandro.

1415
01:11:22,800 --> 01:11:25,439
Speaker 1: I wanted a chocolate so to the light skin benches,

1416
01:11:25,439 --> 01:11:28,679
Speaker 1: get all the shine. So I wanted to darts and sister. Yeah.

1417
01:11:28,800 --> 01:11:31,200
Speaker 1: And then I wanted a red haired white girl, not

1418
01:11:31,280 --> 01:11:33,360
Speaker 1: a blinder brunette. And I got so. Look at that

1419
01:11:33,760 --> 01:11:37,320
Speaker 1: three hours, three hours to do that graffitio on my back.

1420
01:11:38,160 --> 01:11:43,320
Speaker 1: I ain't see them. That's right, they're real. Yeahin't real, fool. No, No,

1421
01:11:43,640 --> 01:11:46,320
Speaker 1: don't be stirred. No, no, if you scared, go to church,

1422
01:11:46,400 --> 01:11:50,880
Speaker 1: Charlot man, because somebody gonna screenshot the picture with just

1423
01:11:50,960 --> 01:11:52,600
Speaker 1: me with my hands on you. I'm gonna your T

1424
01:11:52,720 --> 01:11:58,799
Speaker 1: shirt to say I gave permission. I gave the penhow

1425
01:11:58,880 --> 01:12:04,880
Speaker 1: pie good? Um No, Unfortunately they did not, but the

1426
01:12:05,560 --> 01:12:08,200
Speaker 1: and I thought that c I want that, that picture

1427
01:12:08,240 --> 01:12:10,479
Speaker 1: with the graffitio on my back. I want that to

1428
01:12:10,680 --> 01:12:14,720
Speaker 1: eventually hit the Jumbo Tron and Times Square. You never know, hell,

1429
01:12:14,800 --> 01:12:17,280
Speaker 1: I might host New Year's Eve Rock and Eve one

1430
01:12:17,360 --> 01:12:20,840
Speaker 1: day down there. You never known that everything is possible, right,

1431
01:12:21,040 --> 01:12:24,160
Speaker 1: everything is possible if you believe the Bible will say that.

1432
01:12:24,400 --> 01:12:27,200
Speaker 1: There you go, now you know that? Really bring out

1433
01:12:27,240 --> 01:12:29,679
Speaker 1: the description eventually, I see it even in these pictures

1434
01:12:29,680 --> 01:12:31,760
Speaker 1: and penthouse. You had your cup of yack. Yeah, I

1435
01:12:31,840 --> 01:12:37,120
Speaker 1: did What about it? Deaf comedy jam? You said you

1436
01:12:37,160 --> 01:12:39,280
Speaker 1: never did it right, never did it? So when you

1437
01:12:39,360 --> 01:12:41,679
Speaker 1: heard the allegations about Russell Russell, how did you feel?

1438
01:12:43,160 --> 01:12:49,719
Speaker 1: How do I handle it? Sirs? Take a sit first?

1439
01:12:50,360 --> 01:12:52,960
Speaker 1: There you go, all right? Now ask the question again. Now,

1440
01:12:53,080 --> 01:12:55,280
Speaker 1: so you didn't do death comedy jams. When you heard

1441
01:12:55,320 --> 01:12:57,960
Speaker 1: the allegations about Russell, how did you feel? Well? That

1442
01:12:58,120 --> 01:13:00,400
Speaker 1: had nothing to do with me not doing it after him.

1443
01:13:00,520 --> 01:13:02,400
Speaker 1: That was the work of Bob Sumner who used to

1444
01:13:02,560 --> 01:13:06,360
Speaker 1: cast my god man. Yeah, I used to get weed

1445
01:13:06,439 --> 01:13:08,760
Speaker 1: for Bob when he comes to Oakland. How about that? Bob,

1446
01:13:08,880 --> 01:13:10,519
Speaker 1: but he would never put you on the comedy jam.

1447
01:13:11,520 --> 01:13:15,040
Speaker 1: But that's okay. Um, well, there's things that I know,

1448
01:13:16,439 --> 01:13:20,400
Speaker 1: and there's things that I probably shouldn't say on your

1449
01:13:20,600 --> 01:13:24,840
Speaker 1: very popular radio slash television show. But I'll tell you

1450
01:13:24,960 --> 01:13:27,040
Speaker 1: something in your ear when we get off here, and

1451
01:13:27,200 --> 01:13:30,679
Speaker 1: I just know them allegations, they probably go, God, damn,

1452
01:13:31,520 --> 01:13:32,960
Speaker 1: Jesus Christ. You might as well just say what you

1453
01:13:33,040 --> 01:13:44,360
Speaker 1: know now, Jesus Christ, let me see. Oh, don't apply

1454
01:13:44,640 --> 01:13:49,200
Speaker 1: me with alcohol. Give me something right in here. It's

1455
01:13:49,240 --> 01:13:57,800
Speaker 1: exactly how love. What was the question? Yeah, yeah, yeah,

1456
01:13:57,840 --> 01:14:00,640
Speaker 1: asked me, You're gonna get me murdered. I get about this.

1457
01:14:01,640 --> 01:14:05,280
Speaker 1: What do you think about other comedians critiquing other comedians publicly,

1458
01:14:05,360 --> 01:14:08,000
Speaker 1: like saying ain't not funny and stuff like that. Phase

1459
01:14:08,080 --> 01:14:09,960
Speaker 1: one came up, PA, Sai Dave Chappelle wasn't funny at

1460
01:14:10,000 --> 01:14:12,479
Speaker 1: one time. I think Michael Blackson was, you know, had

1461
01:14:12,520 --> 01:14:15,880
Speaker 1: his little stuff with with Kevin Hard. Well, if I

1462
01:14:16,000 --> 01:14:17,960
Speaker 1: was going to do that, I'd have beef with everybody.

1463
01:14:18,880 --> 01:14:21,400
Speaker 1: So I don't do I don't really. I just only

1464
01:14:21,479 --> 01:14:24,719
Speaker 1: people I ever really talked about as the millennial social

1465
01:14:24,800 --> 01:14:28,040
Speaker 1: media comedians. I said, I don't really hate on on on.

1466
01:14:28,240 --> 01:14:30,559
Speaker 1: My fellow commed, because we're really all in the same game.

1467
01:14:31,080 --> 01:14:33,560
Speaker 1: You know, I think the older commerce dude show some

1468
01:14:33,760 --> 01:14:36,800
Speaker 1: loyalty now Phase you know he's a fat better ass.

1469
01:14:36,960 --> 01:14:38,880
Speaker 1: He don't talk. Came up here and talked about me

1470
01:14:39,000 --> 01:14:41,439
Speaker 1: before her too, But I just let her roll off

1471
01:14:41,520 --> 01:14:44,200
Speaker 1: my back and then our car. Yeah, he said, I

1472
01:14:44,320 --> 01:14:46,599
Speaker 1: think it was It was a year I might run

1473
01:14:46,640 --> 01:14:48,840
Speaker 1: on swash. What do you say? Yeah, I was just

1474
01:14:49,040 --> 01:14:53,439
Speaker 1: something moose stupid, you know, something that totally uh ain't

1475
01:14:53,479 --> 01:14:55,559
Speaker 1: got to do with nothing. I don't pay a phase

1476
01:14:55,600 --> 01:14:57,880
Speaker 1: I know mine. We've been friend lee for years. I

1477
01:14:57,920 --> 01:15:00,280
Speaker 1: don't got from Phase on. So he needs to shut

1478
01:15:01,080 --> 01:15:04,160
Speaker 1: up when it comes to me. And let's just all

1479
01:15:04,240 --> 01:15:06,880
Speaker 1: play nice in the sound boy and be fit and

1480
01:15:07,040 --> 01:15:09,080
Speaker 1: he'll probably watch his head. I've been they never got

1481
01:15:09,200 --> 01:15:11,439
Speaker 1: no from me. Well, you don't think he gets it

1482
01:15:11,560 --> 01:15:19,080
Speaker 1: on his own, do you? No? You are now I'm

1483
01:15:19,120 --> 01:15:26,320
Speaker 1: in trouble. Fine, that fat, funky bit. What else you got, bitch?

1484
01:15:26,400 --> 01:15:29,000
Speaker 1: I'm fat. You ain't got no motive, man, Okay, we

1485
01:15:29,120 --> 01:15:31,559
Speaker 1: have more with lou Neelle Comedian when we come back.

1486
01:15:31,600 --> 01:15:35,080
Speaker 1: Don't move. It's the breakfast Club. Good morning, the breakfast Club,

1487
01:15:37,760 --> 01:15:41,479
Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We are the

1488
01:15:41,560 --> 01:15:44,160
Speaker 1: breakfast club. We have lou Neelle comedian in the building.

1489
01:15:44,320 --> 01:15:47,479
Speaker 1: Show me Tory Hart. She said that she's cool with

1490
01:15:47,600 --> 01:15:49,320
Speaker 1: side checks. Would you be okay with your husband having

1491
01:15:49,400 --> 01:15:54,000
Speaker 1: a side check? Na, Na ask what I'll be okay

1492
01:15:54,040 --> 01:15:56,360
Speaker 1: with me having a side pie? Would you be okay

1493
01:15:56,439 --> 01:16:00,080
Speaker 1: with having a side piece? You know, hey, look the

1494
01:16:00,120 --> 01:16:03,400
Speaker 1: window is he My husband's right out there, but I

1495
01:16:03,520 --> 01:16:05,320
Speaker 1: want to give it to right over there with them

1496
01:16:05,400 --> 01:16:13,080
Speaker 1: tim z one wa wax on, wax leave him now

1497
01:16:15,439 --> 01:16:19,559
Speaker 1: make my top lip much. I didn't make me sweat

1498
01:16:19,600 --> 01:16:22,920
Speaker 1: on my top left. Don't go that, don't do that.

1499
01:16:23,080 --> 01:16:26,000
Speaker 1: See my husband stayed in the lay. I know that

1500
01:16:26,120 --> 01:16:32,600
Speaker 1: he can't hear nowhere. He oh man, Yeah, you know

1501
01:16:32,840 --> 01:16:36,479
Speaker 1: I didn't say that. I didn't say that, but it's

1502
01:16:36,479 --> 01:16:40,240
Speaker 1: absolutely accurate, and you're probably accurate as well. Yeah, she said,

1503
01:16:40,280 --> 01:16:45,240
Speaker 1: she's like, I'm nasty, how nasty? Real nasty? Na told me, so,

1504
01:16:47,200 --> 01:16:54,280
Speaker 1: you don't like, I don't forget it. I got to

1505
01:16:54,479 --> 01:17:00,360
Speaker 1: have that. I got to have it my asses. I've

1506
01:17:00,400 --> 01:17:03,599
Speaker 1: been told I stay very clear. I'm a bath girl.

1507
01:17:04,000 --> 01:17:07,400
Speaker 1: I believe that season booty should go under fucking water,

1508
01:17:08,280 --> 01:17:11,000
Speaker 1: get it. Yeah, but that's but when you washed, if

1509
01:17:11,040 --> 01:17:15,160
Speaker 1: you smelled my ass right now, you go whack smelling

1510
01:17:15,200 --> 01:17:18,040
Speaker 1: and let's see, let me see backing up on him

1511
01:17:18,040 --> 01:17:27,679
Speaker 1: one time? Lu backing up on him one time? Smelling smelling,

1512
01:17:28,320 --> 01:17:37,640
Speaker 1: smelling smelling? Tell me when that day smelling? I've been

1513
01:17:37,760 --> 01:17:46,960
Speaker 1: driving to us all over make a plan? Oh my god, no,

1514
01:17:47,360 --> 01:17:51,240
Speaker 1: thanks wax No, I would give him the business that,

1515
01:17:57,040 --> 01:17:59,880
Speaker 1: don't get it wrong. I love my husband. I love him, like,

1516
01:18:00,400 --> 01:18:03,120
Speaker 1: go get a bit about that mother. But you know

1517
01:18:03,479 --> 01:18:05,560
Speaker 1: you told me I don't want to fast. So have

1518
01:18:05,680 --> 01:18:09,600
Speaker 1: you ever cheated on your oven? Yeah? He knows what

1519
01:18:10,280 --> 01:18:14,400
Speaker 1: like that? Like dub because we were separated for a while. Yeah,

1520
01:18:14,880 --> 01:18:17,720
Speaker 1: you know, like we've been married seventeen years, but all

1521
01:18:17,760 --> 01:18:21,280
Speaker 1: of us wasn't in a row. You know what you

1522
01:18:21,479 --> 01:18:25,280
Speaker 1: had a little summer cs Like, how you clean that up? Yeah?

1523
01:18:25,360 --> 01:18:30,400
Speaker 1: I'm clean? N you? Wendy Wims comedy coach to right,

1524
01:18:30,800 --> 01:18:33,559
Speaker 1: I was there was a comedy coach to what did

1525
01:18:33,600 --> 01:18:36,679
Speaker 1: you do? Well? It was amazing how it even came about,

1526
01:18:36,800 --> 01:18:39,720
Speaker 1: because just the day before I got to call, Chris

1527
01:18:39,880 --> 01:18:42,320
Speaker 1: Rock was on the show and I'm like, she could

1528
01:18:42,360 --> 01:18:46,479
Speaker 1: call anybody in the world that gets him, but she

1529
01:18:46,640 --> 01:18:49,680
Speaker 1: called me. That was a blessing. And see, Wendy did

1530
01:18:49,720 --> 01:18:53,519
Speaker 1: it right. She hired somebody to help. She would do

1531
01:18:54,360 --> 01:18:56,760
Speaker 1: a comedy like in the studio at night, you know,

1532
01:18:56,960 --> 01:19:00,400
Speaker 1: to them to the crew and stuff. And then she

1533
01:19:00,479 --> 01:19:03,800
Speaker 1: would send me tapes and iur critique and send send

1534
01:19:03,920 --> 01:19:07,760
Speaker 1: my my my comments back. And then when she did

1535
01:19:07,840 --> 01:19:11,720
Speaker 1: the show in Vegas Lipstick, then I was there. And

1536
01:19:11,800 --> 01:19:13,760
Speaker 1: then when she did a show in New Jersey and

1537
01:19:13,880 --> 01:19:15,840
Speaker 1: Jay Packton, I was there too, and I was actually

1538
01:19:15,920 --> 01:19:18,840
Speaker 1: on the bill with her. But don't you gotta like

1539
01:19:19,000 --> 01:19:21,519
Speaker 1: get them comedy clubs because if you do a coplen

1540
01:19:21,840 --> 01:19:25,479
Speaker 1: state of the club. See, Wendy don't need that. She

1541
01:19:25,640 --> 01:19:28,720
Speaker 1: got her own built in audience already. Wherever she goes

1542
01:19:28,840 --> 01:19:31,880
Speaker 1: is gonna sell out, so she don't need to the club.

1543
01:19:31,960 --> 01:19:35,000
Speaker 1: Leave the clubs for real comics were working out. She

1544
01:19:35,160 --> 01:19:38,080
Speaker 1: did her in theaters. If you're Wendy, why not do

1545
01:19:38,200 --> 01:19:41,080
Speaker 1: a theater While you're asking the club? Did you consider

1546
01:19:41,120 --> 01:19:43,960
Speaker 1: her friend? Was she not real friend? Lee like that

1547
01:19:44,640 --> 01:19:46,680
Speaker 1: she's friendly, but only to a point. She does. I

1548
01:19:46,800 --> 01:19:50,000
Speaker 1: think that social distance type thing. So um, but I

1549
01:19:50,040 --> 01:19:52,719
Speaker 1: could know a friend I could call the answer the phone,

1550
01:19:53,160 --> 01:19:55,759
Speaker 1: a friend I could call and ask for many Wendy

1551
01:19:55,760 --> 01:19:58,000
Speaker 1: ain't needing one of them. Did you see it when

1552
01:19:58,040 --> 01:20:00,599
Speaker 1: you when she passed out? What you think of that? Well?

1553
01:20:00,600 --> 01:20:03,479
Speaker 1: I thought it was terrible. But I should want to

1554
01:20:03,520 --> 01:20:06,760
Speaker 1: go out like that. I want to drop run on

1555
01:20:06,840 --> 01:20:10,799
Speaker 1: stage in front of everybody to go. I want to bang,

1556
01:20:10,880 --> 01:20:13,920
Speaker 1: go viral, bitch, that's how you want to die? Yeah? No,

1557
01:20:14,080 --> 01:20:17,800
Speaker 1: you don't come on stop? Yeah? Do you know there's

1558
01:20:17,840 --> 01:20:22,080
Speaker 1: a thing on YouTube? You know, stars who died right

1559
01:20:22,160 --> 01:20:25,920
Speaker 1: before the audience's eyes, the whole slew of people I

1560
01:20:25,960 --> 01:20:28,759
Speaker 1: could be on there? Would you rather die on stage?

1561
01:20:28,800 --> 01:20:35,559
Speaker 1: On Wax's face on stage? What where you at this meeting?

1562
01:20:35,560 --> 01:20:39,439
Speaker 1: Where you at coming up? I'm in Denver, No, Dayton,

1563
01:20:39,720 --> 01:20:46,439
Speaker 1: I'm in Dayton, Dayton, Colorado? Where is it? Look? Can

1564
01:20:46,720 --> 01:20:49,200
Speaker 1: me for breakfast? Bit? Let you give them a website

1565
01:20:49,240 --> 01:20:52,840
Speaker 1: or something thought to helu neil dot com, h E

1566
01:20:53,160 --> 01:20:56,439
Speaker 1: y l u e n e l l dot com

1567
01:20:56,960 --> 01:20:59,240
Speaker 1: and then you can find out my schedule. If you

1568
01:20:59,320 --> 01:21:02,439
Speaker 1: want to write me on Instagram or Twitter and say

1569
01:21:02,479 --> 01:21:05,760
Speaker 1: how much you thoroughly enjoyed this broadcast, you can hit

1570
01:21:05,840 --> 01:21:08,439
Speaker 1: me on Instagram or Twitter at luell l u e

1571
01:21:09,000 --> 01:21:11,960
Speaker 1: n e l l any positive words you want to

1572
01:21:12,000 --> 01:21:21,080
Speaker 1: leave us with before now strange, Okay, please please come back.

1573
01:21:21,320 --> 01:21:24,000
Speaker 1: I gotta tell you I'm so excited to be sitting

1574
01:21:24,080 --> 01:21:27,400
Speaker 1: here in dust see where so many asses have sat before,

1575
01:21:27,439 --> 01:21:29,439
Speaker 1: and I always said, God, damn it done. The Breakfast

1576
01:21:29,479 --> 01:21:31,639
Speaker 1: club want to talk to me. I want to talk

1577
01:21:31,720 --> 01:21:33,519
Speaker 1: to them at Loba how I got to send a

1578
01:21:33,560 --> 01:21:36,439
Speaker 1: shout out to my girl Claudia enjoying smooth Coara got

1579
01:21:36,520 --> 01:21:40,040
Speaker 1: the ball Roland as my boy. Eddie F thank you

1580
01:21:40,200 --> 01:21:45,439
Speaker 1: for you know, responding finally to our emails and calling

1581
01:21:45,520 --> 01:21:48,560
Speaker 1: at your girl. So my public says man more, thanks you,

1582
01:21:48,760 --> 01:21:55,960
Speaker 1: my manager William Lee, I thank you the slow email

1583
01:21:56,120 --> 01:21:59,960
Speaker 1: at responding. I scared because you over there, both be scared.

1584
01:22:00,760 --> 01:22:03,919
Speaker 1: I ain't scared. Eddie F Is you that music producer

1585
01:22:04,040 --> 01:22:08,200
Speaker 1: Eddie F guy? Oh you the fake Eddie. He ain't

1586
01:22:08,240 --> 01:22:14,000
Speaker 1: even a little we thought where he was. It's the

1587
01:22:14,120 --> 01:22:21,040
Speaker 1: Breakfast club. Good morning, everybody is DJ Envy Angela Ye,

1588
01:22:21,200 --> 01:22:24,000
Speaker 1: Charlomagne the guy. We are the Breakfast Club. It is Friday.

1589
01:22:24,080 --> 01:22:27,439
Speaker 1: See you know what that means. Freaky freaky, freaky Friday.

1590
01:22:29,520 --> 01:22:31,519
Speaker 1: You can call eight hundred five eight five one oh

1591
01:22:31,560 --> 01:22:34,360
Speaker 1: five US and you can have phone sex with any

1592
01:22:34,479 --> 01:22:36,960
Speaker 1: one of us you want. All right, that's simple. So

1593
01:22:37,080 --> 01:22:39,519
Speaker 1: let's go to the phone lines. Hello, who's this yo?

1594
01:22:39,840 --> 01:22:42,960
Speaker 1: What's up? Man? This CV? Man CV turning bady down? Bro,

1595
01:22:43,240 --> 01:22:45,960
Speaker 1: it's cooler, man. What's the miner? Oh? I thought you're

1596
01:22:45,960 --> 01:22:51,080
Speaker 1: gonna go. Ye. You're busy this weekend, buddy, Yes I am. Oh,

1597
01:22:51,160 --> 01:22:53,320
Speaker 1: you're gonna be really busy, will be? Oh for real?

1598
01:22:54,200 --> 01:22:58,000
Speaker 1: That ball head of yours? Okay, what you like? Charlomagne?

1599
01:22:58,240 --> 01:23:00,439
Speaker 1: Um consent which I haven't given? You talk to me

1600
01:23:00,479 --> 01:23:02,400
Speaker 1: in this way? Shut up ahead? What would you do? CV?

1601
01:23:03,400 --> 01:23:05,439
Speaker 1: It don't matter if you gotta consider that, I'll take

1602
01:23:05,479 --> 01:23:07,720
Speaker 1: it from your baby. Oh yeah, that's exactly why we're

1603
01:23:07,720 --> 01:23:09,560
Speaker 1: having to be two times up movement right now. So

1604
01:23:09,720 --> 01:23:12,040
Speaker 1: CV you in the room. You're in the room with Charlomagne.

1605
01:23:12,080 --> 01:23:13,800
Speaker 1: What what are you doing? CV? Are you ripping his

1606
01:23:13,880 --> 01:23:15,640
Speaker 1: clothes off? You taking it off? Slow? He's rapping his

1607
01:23:15,760 --> 01:23:19,400
Speaker 1: ball head, ripping his clothes off like it rough? I'm

1608
01:23:19,400 --> 01:23:21,559
Speaker 1: gonna give it to a rough. Wow are you are?

1609
01:23:21,600 --> 01:23:25,160
Speaker 1: You're on tapping Charlemagne's un the bottom? Oh? Yeah, you

1610
01:23:25,200 --> 01:23:27,160
Speaker 1: know he's gonna be all the bottom. So now now

1611
01:23:27,280 --> 01:23:29,320
Speaker 1: play for Bill Bill Cobs because you used to sell me,

1612
01:23:29,520 --> 01:23:31,240
Speaker 1: so now pay play the scene now. So now you

1613
01:23:31,320 --> 01:23:32,880
Speaker 1: got him, you on toping? What are you saying to

1614
01:23:33,000 --> 01:23:36,800
Speaker 1: him as you insert? Let me rubbed that head of yours, Charlottamagne,

1615
01:23:37,160 --> 01:23:41,519
Speaker 1: let me slide it. Charlomagne is uncomfortable, are you yeah?

1616
01:23:41,520 --> 01:23:43,240
Speaker 1: Are you gonna Are you gonna use any type of

1617
01:23:43,360 --> 01:23:47,080
Speaker 1: lubricant or is it just dry and rough? Oh? You know,

1618
01:23:47,120 --> 01:23:49,160
Speaker 1: I'm gonna have some lubricant for him. Right? You know

1619
01:23:49,479 --> 01:23:51,599
Speaker 1: that word? That word that you just said, that bleeped,

1620
01:23:51,720 --> 01:23:53,320
Speaker 1: that's what would be all over your penis if you

1621
01:23:53,439 --> 01:23:56,439
Speaker 1: ever tried that. He likes that. You like that? Right?

1622
01:23:56,560 --> 01:23:59,720
Speaker 1: Were nasty on your head? Are you gonna kiss? Charlomagne

1623
01:23:59,760 --> 01:24:03,000
Speaker 1: likes to? I know he looke likes it. No, I don't, No,

1624
01:24:03,120 --> 01:24:05,680
Speaker 1: I don't. Are you gonna kiss him? Sir? Hey you'd

1625
01:24:05,720 --> 01:24:09,840
Speaker 1: like to get your ass man my woman? Okay, not

1626
01:24:10,000 --> 01:24:13,960
Speaker 1: by you when you got damn bid all on my

1627
01:24:14,040 --> 01:24:18,240
Speaker 1: ass cheeks? I don't want that. He let him talk? Goodness, gracious, Kevin,

1628
01:24:18,320 --> 01:24:21,120
Speaker 1: good morning. How would do a club? That's up? Man?

1629
01:24:21,120 --> 01:24:22,960
Speaker 1: You want you want to talk, definitely want to shout

1630
01:24:23,000 --> 01:24:24,840
Speaker 1: the main not at all. I want to talk to

1631
01:24:25,040 --> 01:24:28,000
Speaker 1: miss ye Okay? How you doing? Miss ye? Okay? How

1632
01:24:28,040 --> 01:24:30,559
Speaker 1: are you? I'm good? Thank you. All I would need

1633
01:24:31,200 --> 01:24:35,720
Speaker 1: is the ice. I'll start off. That's okay. I have

1634
01:24:35,840 --> 01:24:38,200
Speaker 1: the heat on in my living room. My ice gonna

1635
01:24:38,200 --> 01:24:42,800
Speaker 1: stay cold. Idiot, I'm already. I'm already there. Once I see,

1636
01:24:43,360 --> 01:24:46,920
Speaker 1: especially for toes is paying the red, I'll already have ice.

1637
01:24:47,160 --> 01:24:50,160
Speaker 1: I've been licking your small in your back. Oh I'm

1638
01:24:50,200 --> 01:24:52,120
Speaker 1: not a salad tosser, so I won't go that well,

1639
01:24:53,000 --> 01:24:55,080
Speaker 1: but I'll definitely be licking you up there. Called me

1640
01:24:55,160 --> 01:24:58,960
Speaker 1: the tornado tongue. You've been watching too Muchado tongue, so

1641
01:24:59,080 --> 01:25:03,000
Speaker 1: you're just looking at back. I'll go to the smaller back.

1642
01:25:03,120 --> 01:25:05,840
Speaker 1: I'll flip you over so quick and give your F

1643
01:25:05,960 --> 01:25:08,240
Speaker 1: five down there and your cancer. Don't you what the

1644
01:25:08,280 --> 01:25:10,519
Speaker 1: hell is the five money? What's the cancer? Don't you

1645
01:25:10,960 --> 01:25:15,960
Speaker 1: call F five is the strongest tornado? I thought that

1646
01:25:16,080 --> 01:25:18,320
Speaker 1: was brock Lessons finishing move. Are you gonna body slammer

1647
01:25:18,320 --> 01:25:20,360
Speaker 1: of vagina? He's not turning me on? Man, you gotta

1648
01:25:20,400 --> 01:25:23,679
Speaker 1: go hello, It's not for you. Vy I'm sorry. Wow

1649
01:25:24,000 --> 01:25:26,880
Speaker 1: oh whoa, whoa we wind that Vy just said? You're

1650
01:25:26,880 --> 01:25:31,479
Speaker 1: not turning me on? Wow you on Friday? Bro okay

1651
01:25:31,600 --> 01:25:34,200
Speaker 1: DJ jealousy, I see you, Jesus Christ, you guy. I

1652
01:25:34,240 --> 01:25:36,840
Speaker 1: want to play flag football right now. If you want

1653
01:25:36,840 --> 01:25:41,000
Speaker 1: me to tie the flag around my penis what? Hello? Hello?

1654
01:25:41,600 --> 01:25:43,640
Speaker 1: You want to go at Charlemagne? Now I want to

1655
01:25:43,680 --> 01:25:47,800
Speaker 1: go to Envy. There you go jump equal opportunity here,

1656
01:25:48,640 --> 01:25:53,200
Speaker 1: you know, like a pope, all yellow. There you go.

1657
01:25:54,920 --> 01:25:57,800
Speaker 1: I have a hoodie on. I have a box of

1658
01:25:57,800 --> 01:26:02,280
Speaker 1: briefs on long John's and jeans. He's very explicit. You

1659
01:26:02,320 --> 01:26:05,040
Speaker 1: got on sweat. I'm trying to buter you down. Then

1660
01:26:05,560 --> 01:26:11,240
Speaker 1: you all up? Is this what you call fluidity? So

1661
01:26:11,400 --> 01:26:13,200
Speaker 1: when you say buttered him, dann, what do you what? What?

1662
01:26:13,439 --> 01:26:17,559
Speaker 1: What is this butter consist of? Oh? He hung up?

1663
01:26:17,720 --> 01:26:23,200
Speaker 1: All right? Phone? You hung up? People, You hung You

1664
01:26:23,240 --> 01:26:25,080
Speaker 1: want to have attention and you got it, and now

1665
01:26:25,160 --> 01:26:26,880
Speaker 1: you can't handle it. I used to I used to.

1666
01:26:27,120 --> 01:26:29,519
Speaker 1: I used to call you a waffle colored negro because

1667
01:26:29,520 --> 01:26:31,360
Speaker 1: you remind me of a waffle from Eye Hob. But

1668
01:26:31,439 --> 01:26:34,400
Speaker 1: Popeye's biscuits, especially when they cook right, that's a little

1669
01:26:34,439 --> 01:26:38,559
Speaker 1: bit more your speed us. All right, Lisa, Yes, who

1670
01:26:38,560 --> 01:26:40,639
Speaker 1: do you want to have phone sex with? I'm gonna

1671
01:26:40,640 --> 01:26:44,599
Speaker 1: have phone sex with Charlomagne and you DJ Envy. Okay,

1672
01:26:44,800 --> 01:26:46,960
Speaker 1: I see it. We're gonna make this a three way.

1673
01:26:47,280 --> 01:26:55,200
Speaker 1: We're married three way. Now you want it too? Come on,

1674
01:26:55,240 --> 01:26:57,640
Speaker 1: a little dirty daddy. I want to know why they

1675
01:26:57,760 --> 01:27:01,120
Speaker 1: call you the god who get over here. Let me

1676
01:27:01,400 --> 01:27:05,840
Speaker 1: rub on that ball head of yours and Envy thanks

1677
01:27:05,920 --> 01:27:09,080
Speaker 1: this big ass. I want you to spank it. I

1678
01:27:09,200 --> 01:27:11,000
Speaker 1: want you to spank it, and I don't want you

1679
01:27:11,080 --> 01:27:14,559
Speaker 1: to make me scream? Can you make me scream? Daddy?

1680
01:27:15,040 --> 01:27:17,840
Speaker 1: I'm trying. If he is a married man, I'm a

1681
01:27:18,000 --> 01:27:20,519
Speaker 1: married man. I'm gonna be honest with you. What makes

1682
01:27:20,520 --> 01:27:23,519
Speaker 1: me the most comfortable this whole situation. It's being neked

1683
01:27:23,560 --> 01:27:25,680
Speaker 1: in the room with DJ Envy. I don't know how

1684
01:27:25,760 --> 01:27:27,320
Speaker 1: that could. I don't know. I don't trust. I don't

1685
01:27:27,320 --> 01:27:29,760
Speaker 1: trust Envy. I'm to be honest with you. I don't

1686
01:27:29,800 --> 01:27:35,000
Speaker 1: trust my bad butt offstiut around me. People love that

1687
01:27:35,080 --> 01:27:39,400
Speaker 1: bar me okay, like she wants to jack meat you

1688
01:27:39,520 --> 01:27:43,080
Speaker 1: like dark hand white meat this morning. That Envy's a biscuit,

1689
01:27:43,720 --> 01:27:46,040
Speaker 1: so so therefore you to have some dark meat and

1690
01:27:46,120 --> 01:27:50,560
Speaker 1: a biscuit. Okay, thank you, Lisa. That but head is

1691
01:27:50,560 --> 01:27:53,720
Speaker 1: getting a lot of attention. Shamagne. Oh my gosh, oh

1692
01:27:53,880 --> 01:27:56,360
Speaker 1: man about to cry. I hate it, how Nvy said,

1693
01:27:56,439 --> 01:28:00,800
Speaker 1: I'm doing trying to laugh? All right, We got more

1694
01:28:00,920 --> 01:28:04,800
Speaker 1: coming up next. We're a breakfast club, ej Envy, Angela yee,

1695
01:28:04,920 --> 01:28:07,479
Speaker 1: Charlemagne the guy. We are the breakfast club. You got

1696
01:28:07,560 --> 01:28:09,640
Speaker 1: a positive note for the people now. The positive note

1697
01:28:09,640 --> 01:28:12,160
Speaker 1: is simply this. You are where you're supposed to be

1698
01:28:12,280 --> 01:28:15,800
Speaker 1: at this very moment. Every experience is part of God's plan.

1699
01:28:16,160 --> 01:28:18,840
Speaker 1: Breakfast Club, you all finish for y'all dumb