WEBVTT - The Voice of Olivia Hack

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<v Speaker 1>Hey Christy, Hi will Fredell. What's up? How wow? I

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<v Speaker 1>got the full last name today? You did, because you

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<v Speaker 1>know what, I'm really excited. You just shared all this

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<v Speaker 1>amazing news. You did um the pod Meats World Live show,

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<v Speaker 1>and you packed the house. We did. We packed the house.

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<v Speaker 1>It was a ton of fun. And you've moved to

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<v Speaker 1>Speaking of houses, you've moved to another house and you

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<v Speaker 1>are reporting from a new cave. You're watching video. Yeah,

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<v Speaker 1>and everybody's sick. I mean, there's just so much going

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<v Speaker 1>on in the world, right, Is everyone in your family sick?

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<v Speaker 1>Because everyone around here is really I've got one child

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<v Speaker 1>on antibiotics and another one that's you know, healthy on

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<v Speaker 1>the mend, and a third child that you're married to

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<v Speaker 1>that also has a sinus infection and has been gone

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<v Speaker 1>for a week while we were moving in. Everything's good, though,

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<v Speaker 1>like honestly, like I can't complain. You can. You got

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<v Speaker 1>a big microphone in front of you can complain to

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<v Speaker 1>everybody you want to. That's the joy. That's true. I

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<v Speaker 1>guess I could. And it's echo E two it is.

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<v Speaker 1>I noticed you're in kind of a new cave. You

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<v Speaker 1>have to we'll we'll have to de ecify your ecify. Yeah,

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<v Speaker 1>I'm gonna. I'm going with itfy id your your room.

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<v Speaker 1>But I like but in a weird way. I like

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<v Speaker 1>the way that it makes my voice sound more womanly. Really,

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<v Speaker 1>you think makes you sound more womanly? Weirdly, I feel

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<v Speaker 1>like more sexy. Is that what you think? It sounds ephemeral?

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<v Speaker 1>What does that word mean? Even? I feel like I

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<v Speaker 1>know what that word you're asking. Ephemeral. Ephemeral is the

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<v Speaker 1>largest bone in your leg. I broke. I broke my

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<v Speaker 1>ephemeral when I was a kid. I'm kidding. Hold on now,

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<v Speaker 1>I really want to Now you want to know what

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<v Speaker 1>it is? I would tell you, but I'm not going wrong.

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<v Speaker 1>Hold on if I actually got this, yeah, no lasting

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<v Speaker 1>for a very short time. Fashions are ephemeral, ethereal. Then

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<v Speaker 1>that's what I meant. Don't use words you don't know

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<v Speaker 1>what they mean. I do that every now and then.

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<v Speaker 1>I'm just I'm sorry. I'm just looking back as my

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<v Speaker 1>as my career as a lover, and being called ephemeral,

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<v Speaker 1>I realized was not was not the compliment I thought

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<v Speaker 1>it was. I was like, man, was totally aphemeral, And

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<v Speaker 1>she had to tell me quickly um oh no, that's

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<v Speaker 1>so funny. How are you so you're are you not sick?

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<v Speaker 1>You're not sick. I don't know. I'm mom sick, which

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<v Speaker 1>basically means like, especially like our producer can share our

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<v Speaker 1>sentiment as well, Um yeah, I'm mom sick, which means

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<v Speaker 1>you really can't get sick. It's like you're sick, but

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<v Speaker 1>like you laugh at it because you have to keep

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<v Speaker 1>going and pretend like it's not really happening. Yeah. My

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<v Speaker 1>wife Sue says that I'm one of those people where

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<v Speaker 1>I sneeze once and I've got to be in bed

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<v Speaker 1>for a month, or it's like don't don't come here

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<v Speaker 1>of yourself, take care of yourself. That's important, honestly. But no,

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<v Speaker 1>I get that. Like we we've been doing a lot

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<v Speaker 1>of different podcasts, both of us have separately from each other,

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<v Speaker 1>and and obviously we're doing our next con together. We're

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<v Speaker 1>doing is in San Francisco. San Francisco. Yeah, and we're

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<v Speaker 1>doing a live I hear voices at San Francisco Comic Con,

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<v Speaker 1>which is great. Which is I think it's the twenties

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<v Speaker 1>fifth it's right after Thanksgiving, the day after thanks You,

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<v Speaker 1>it's November, putting my pie fork down I'm heading exactly.

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<v Speaker 1>We're actually having Thanksgiving in San Francisco with our with

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<v Speaker 1>my my stepdaughter and new son in law, so it

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<v Speaker 1>will be there. Yeah, that's where they live. So though,

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<v Speaker 1>oh my gosh, that's great time. So they will be

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<v Speaker 1>there for Thanksgiving, the giving of thanks Um and have

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<v Speaker 1>turkey in the city. I haven't had turkey in the

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<v Speaker 1>city and as long as I can remember. And some

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<v Speaker 1>chowder what why would there be chowder? Do they have

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<v Speaker 1>great clam chowder? First of all, you're talking to a

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<v Speaker 1>guy from New England. Don't ever bring up West Coast

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<v Speaker 1>chowder to talking to somebody who you're from. You, by

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<v Speaker 1>the way, are from Connecticut. You should be all about

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<v Speaker 1>New England white real clam chowder. This is what they

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<v Speaker 1>serve though at the wharf Fisherman's work they serve both

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<v Speaker 1>types of chowder. I'm sure. I'm sure they're trying to

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<v Speaker 1>get it just as good as in the New England

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<v Speaker 1>clam chowder, and they don't. My friend canceled, canceled without

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<v Speaker 1>the chowder. Fly your Connecticut flag high. You gotta fly

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<v Speaker 1>your Connectic So I'm very excited about today's guests. Are

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<v Speaker 1>you excited about today's guest. I am because I actually

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<v Speaker 1>know our guest from way back, and we're going to

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<v Speaker 1>be able to reconnect because it's been years. For sure,

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<v Speaker 1>it's been years, and um, I remember seeing her in

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<v Speaker 1>audition rooms and whatnot, and I'm so happy that she's

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<v Speaker 1>doing so well in our little voice over community now

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<v Speaker 1>crazy well, I mean, we're talking about she was on

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<v Speaker 1>Hey Arnold, and she was on Last Airbender, and she

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<v Speaker 1>was on the care Bears, and she's been a Jedi,

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<v Speaker 1>and it's Harry Potter video games and burn the Witch,

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<v Speaker 1>which is a new crunchy role. There's so much to

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<v Speaker 1>talk about that. Frankly, I don't know if we're gonna

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<v Speaker 1>be able to get everything. So I think we should

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<v Speaker 1>just end this podcast here and not even bring her out,

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<v Speaker 1>because I we're just not gonna be able to get

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<v Speaker 1>to all the stuff that we have to get to.

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<v Speaker 1>I can't wait to hear her on our little show,

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<v Speaker 1>a little, our little vignette. Oh when we're going to

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<v Speaker 1>do our across the Garden, which is great. We've got

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<v Speaker 1>a fun fun across the garden today and have fun.

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<v Speaker 1>Um amateur voiceover actor, undiscovered voice over, I don't like

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<v Speaker 1>the word amateur. An undiscovered voiceover actor like that is

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<v Speaker 1>going to join us today, and that will also lead

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<v Speaker 1>us to a wonderful conversation about the best way to

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<v Speaker 1>be discovered, because we're going to help out with that

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<v Speaker 1>with our amazing um contest, which I can never remember

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<v Speaker 1>the name of christ can I don't even ask. I

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<v Speaker 1>can't remember what it's called. What is it? What is

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<v Speaker 1>it again? Dude, you're so good. I'm just curious if

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<v Speaker 1>you can remember what it is, because it's out of

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<v Speaker 1>my head. What's it called again? It's got out of

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<v Speaker 1>my head to you know. Come on, Google, come on,

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<v Speaker 1>it's completely drawing, It's completely Maybe if I keep drinking

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<v Speaker 1>my diet code. There you go. It's the super Awesome

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<v Speaker 1>Contest to become the next voice Actor, Next Big Voice.

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<v Speaker 1>The super Awesome Contest to become the next voice actor

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<v Speaker 1>the Big Voice. Yeah, the next Big Voice. We'll get it.

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<v Speaker 1>We'll get it, we'll get it. I think the first

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<v Speaker 1>thing you're gonna have to do is learn the title

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<v Speaker 1>to win. But oh my god, who do we have today?

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<v Speaker 1>Who's joining us? Christie? We have Miss Olivia Hack. Let's

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<v Speaker 1>get into it. Hey, it's all happening. It's all happening.

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<v Speaker 1>She's here. How you doing? I'm happy, Christie is Olivia

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<v Speaker 1>every single time, every single time a guest comes on,

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<v Speaker 1>Christie is amazed they're actually here. It's so funny. It's

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<v Speaker 1>like whatever. I like, It's like we've been planning this

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<v Speaker 1>for weeks and then the person actually pops up like

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<v Speaker 1>you're here. First of all, yes, because I'm so grateful

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<v Speaker 1>when people come on to our our show, and ours

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<v Speaker 1>has had everyone on those seriously, we continue to well done, Olivia. Dude, Olivia,

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<v Speaker 1>when's the last time I saw you? I don't know,

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<v Speaker 1>fifteen years ago at some club in l A or

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<v Speaker 1>something probably okay, think okay, so club in l A. Sure,

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<v Speaker 1>but I thought we were I thought we were like

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<v Speaker 1>the same, we were agent or CSD. Yes, yes see

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<v Speaker 1>I was right, you know will Okay, I'm still still

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<v Speaker 1>I've been with C E. D. S D for twenty years.

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<v Speaker 1>But I don't want to skip over the club in

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<v Speaker 1>l A story. So I don't, you know, I don't

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<v Speaker 1>know young people in l A. Whatever. Do you guys

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<v Speaker 1>still live in l A? I feel like neither of

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<v Speaker 1>you do. I'm basing that on. I do nothing I

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<v Speaker 1>don't live in l A and I don't go to club.

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<v Speaker 1>It's so sad that I live in l A and

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<v Speaker 1>I've never been to a club in my life. Good choices, yeah,

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<v Speaker 1>because I know, but I'm now I want to get

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<v Speaker 1>to do it. What was the last I don't know.

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<v Speaker 1>He was literally like lood do or some I mean

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<v Speaker 1>like back, Oh my gosh, day. I think Olivia and

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<v Speaker 1>I hung out like all the time that day. I

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<v Speaker 1>think we like. I think yes, and I miss you

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<v Speaker 1>in my life. We are the cup. You're in Austin.

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<v Speaker 1>Oh oh that's right. Yeah, as I moved to Austin, Texas.

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<v Speaker 1>How do you like training here? It's beautiful. I've been

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<v Speaker 1>your two and a half years. I've found a beautiful

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<v Speaker 1>house as well now, um that I just moved to.

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<v Speaker 1>So I'm really comfortable and my girls are really you know,

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<v Speaker 1>I have two kids, Olivia crazy crazy, I have to

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<v Speaker 1>no club time. You don't need to do that. You

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<v Speaker 1>really don't the babysitters club more like it. But yes,

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<v Speaker 1>oh my gosh, this is so cool. I'm so happy

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<v Speaker 1>to see your face, happy to see well, thank you

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<v Speaker 1>for joining us, thanks for having me. Happy to be here.

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<v Speaker 1>Now I have to know. Are you in l a A. Yeah,

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<v Speaker 1>raise if I die Hills, girl, if I die here,

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<v Speaker 1>I'll be really disappointed myself. But you know it's probably

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<v Speaker 1>gonna Did both of you grew up in l a too, No,

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<v Speaker 1>we're actually both from Connecticut randomly, Yeah, but you were

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<v Speaker 1>like kid actors. I feel like you're only a kid actor. Well,

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<v Speaker 1>I guess kids come out for pilot season, then they

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<v Speaker 1>do that whole. That's what we did. So I was

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<v Speaker 1>in the UID in New York and I would take

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<v Speaker 1>the bus down, she would take the train, and then

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<v Speaker 1>when Boy MEA's World started, I moved out here, so

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<v Speaker 1>that I've been here since I was sixteen. Um, so

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<v Speaker 1>I'm essentially have been a California person forever at this point. Well,

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<v Speaker 1>and that makes sense Connecticut but really New York City. Yeah,

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<v Speaker 1>so that's how that happens. Yeah, we were New York

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<v Speaker 1>kids that came west. Yeah, that's kind of our vibe.

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<v Speaker 1>But I'm not a Beverly Hills. It says Beverly Hills

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<v Speaker 1>on my like I AMDB, which is like unchangeable because

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<v Speaker 1>I was like born at I grew up in Hollywood

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<v Speaker 1>and then moved to Burbank and I'm still in Burbank,

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<v Speaker 1>so but it is interesting because you don't meet a

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<v Speaker 1>lot of people that are like from Beverly Hills or

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<v Speaker 1>l A. You know. Um, both my daughters were born

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<v Speaker 1>in One of them was born in Beverly Hills and

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<v Speaker 1>then the other one was born in Newport when we

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<v Speaker 1>moved down to Orange County. But it is it is

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<v Speaker 1>fun to see like somebody who's like from l A.

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<v Speaker 1>What's a different vibe. Like my favorite people are the

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<v Speaker 1>people that grew up here, because it's like, oh, that's

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<v Speaker 1>that's why like you, because you're just relaxed into it,

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<v Speaker 1>you know, because I think you meet a lot of

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<v Speaker 1>people and they come to l A and they try

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<v Speaker 1>and be l A whatever that is in their mind

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<v Speaker 1>that they grew up watching or think that, you know,

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<v Speaker 1>but I don't know that the locals are a little

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<v Speaker 1>bit more you know. Well, and Olivia always you've always

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<v Speaker 1>struck me as and this is funny because this will

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<v Speaker 1>trans this will transition into sort of just the sentiment

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<v Speaker 1>of using your voice and whatnot. But like you have

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<v Speaker 1>like a more East Coast sensibility to you, Like if

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<v Speaker 1>if somebody would be like, hey, look at this actress.

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<v Speaker 1>Where would you cast her being from I think somebody

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<v Speaker 1>would be like, oh yeah, she's kind of like sassy,

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<v Speaker 1>and I feel like she could be more East Coast

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<v Speaker 1>than people have asked me if I'm from New York.

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<v Speaker 1>But it's just it's direct, like I have very male energy,

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<v Speaker 1>which is just kind of I'm just more. I'm just direct.

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<v Speaker 1>I don't know. I don't like, who is time for

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<v Speaker 1>anything else? I like that. I like that. So let

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<v Speaker 1>me ask you a question. Then, how do we talked

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<v Speaker 1>about being child actors? How did you start in the industry?

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<v Speaker 1>I mean I literally it was like three years old.

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<v Speaker 1>Started in commercials like all kid actors do, as as

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<v Speaker 1>you do, you know, and then I started doing TV

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<v Speaker 1>and then movies and all that stuff. Um. And that's

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<v Speaker 1>why it's so funny because fans, you know, I do

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<v Speaker 1>a lot of comic cons, and so the question is

0:11:17.640 --> 0:11:20.280
<v Speaker 1>always like, how did you how did you start, you know,

0:11:20.360 --> 0:11:23.560
<v Speaker 1>voice acting? And the look on their face is just

0:11:23.679 --> 0:11:26.360
<v Speaker 1>so disappointed when I tell my story, because I think

0:11:26.400 --> 0:11:29.280
<v Speaker 1>there's a lot of especially anime actors and things that

0:11:29.360 --> 0:11:31.720
<v Speaker 1>have these like I was just an office assistant and

0:11:31.760 --> 0:11:34.680
<v Speaker 1>then I became a voice actor or whatever. And it's

0:11:34.720 --> 0:11:38.319
<v Speaker 1>like for me, like my first animated series was a

0:11:38.360 --> 0:11:40.679
<v Speaker 1>show called Hey Arnold, and I think I started that

0:11:40.679 --> 0:11:43.839
<v Speaker 1>when I show it. You know, when you do something

0:11:43.880 --> 0:11:45.600
<v Speaker 1>though you don't know, it's like what I have ever

0:11:45.640 --> 0:11:47.360
<v Speaker 1>heard of Hey Arnold? If I wasn't on it, I

0:11:47.400 --> 0:11:49.720
<v Speaker 1>don't know. You know, when you do a project, it's weird,

0:11:49.840 --> 0:11:52.120
<v Speaker 1>but uh, but yeah, I started doing that when I

0:11:52.160 --> 0:11:55.319
<v Speaker 1>was like, I think I had just turned twelve and so,

0:11:55.480 --> 0:11:57.520
<v Speaker 1>and I've done a little bit of voiceover before that,

0:11:57.559 --> 0:12:01.839
<v Speaker 1>and so it's like not this origin story where as

0:12:01.880 --> 0:12:04.960
<v Speaker 1>an adult I just started doing voiceover. So it's always

0:12:05.000 --> 0:12:08.120
<v Speaker 1>a little I feel disappointing two fans that I don't

0:12:08.160 --> 0:12:10.880
<v Speaker 1>have this like you can do it too story because

0:12:10.880 --> 0:12:13.360
<v Speaker 1>I've just been doing it forever. I don't know, but

0:12:13.679 --> 0:12:16.480
<v Speaker 1>there's part of me that thinks that's that, in a way,

0:12:16.559 --> 0:12:18.960
<v Speaker 1>is even a more interesting story because it's more rare.

0:12:19.480 --> 0:12:21.320
<v Speaker 1>The A lot of the people that we're meeting are

0:12:21.360 --> 0:12:24.960
<v Speaker 1>not people. I mean, you meet child actors that started

0:12:25.000 --> 0:12:27.360
<v Speaker 1>on camera exactly the way you're talking about it. We

0:12:27.400 --> 0:12:29.200
<v Speaker 1>all did commercials, so we kind of started or we

0:12:29.200 --> 0:12:31.960
<v Speaker 1>started on stage and then you transition, you know, if

0:12:31.960 --> 0:12:34.040
<v Speaker 1>you're back East, you do a law in order. You know,

0:12:34.120 --> 0:12:37.480
<v Speaker 1>it's every that kind of thing you always exactly so

0:12:37.800 --> 0:12:41.440
<v Speaker 1>everybody does that kind of stuff. And then as you're older,

0:12:41.480 --> 0:12:44.480
<v Speaker 1>you get maybe your first voiceover gig if you're you're

0:12:44.559 --> 0:12:48.240
<v Speaker 1>lucky enough to transition into voiceover. So to meet somebody

0:12:48.280 --> 0:12:51.240
<v Speaker 1>that has been doing voice over since they were young,

0:12:51.840 --> 0:12:53.559
<v Speaker 1>I think is more rare in the industry. I can

0:12:53.640 --> 0:12:55.160
<v Speaker 1>right now the people that have at least been on

0:12:55.160 --> 0:12:56.679
<v Speaker 1>this show. I can think of you. I can think

0:12:56.679 --> 0:13:01.480
<v Speaker 1>of Marsden, Jason Marsden, um, and that's kind of it.

0:13:02.360 --> 0:13:04.079
<v Speaker 1>We were young right when you were doing v O

0:13:04.280 --> 0:13:08.520
<v Speaker 1>or not that we're not all super I mean I

0:13:08.600 --> 0:13:13.920
<v Speaker 1>was like sixteen, so that's um no, no, I'm sorry

0:13:13.920 --> 0:13:15.880
<v Speaker 1>it's seventeen with Kim. But but but I do find

0:13:15.960 --> 0:13:18.720
<v Speaker 1>interesting with Hey Arnold was and then maybe you can

0:13:18.760 --> 0:13:21.120
<v Speaker 1>speak to this experience. But it seems like with Hey Arnold,

0:13:21.120 --> 0:13:25.640
<v Speaker 1>they really want wanted, like real kid voices. Yeah, and

0:13:25.679 --> 0:13:28.360
<v Speaker 1>that's why it's so cool. Like people always say like, oh,

0:13:28.400 --> 0:13:30.839
<v Speaker 1>what's your favorite animated project, and they want me to

0:13:30.880 --> 0:13:34.000
<v Speaker 1>say Avatar because that's so popular and Avatar is great

0:13:34.000 --> 0:13:36.240
<v Speaker 1>and everything. Um, now that I finally watched that show

0:13:36.280 --> 0:13:43.040
<v Speaker 1>after twenty years but another little tiny showy but but hey, Arnold,

0:13:43.200 --> 0:13:45.320
<v Speaker 1>I was a kid doing it and it wasn't all

0:13:45.400 --> 0:13:47.800
<v Speaker 1>kid cast, which was really rare for that time because,

0:13:47.840 --> 0:13:49.640
<v Speaker 1>as you know, they don't want to do kids because

0:13:50.120 --> 0:13:53.800
<v Speaker 1>school and time and spans and all that stuff. Um,

0:13:54.080 --> 0:14:00.360
<v Speaker 1>and you know, and voices change, like we had yeah yeah,

0:14:00.640 --> 0:14:05.840
<v Speaker 1>so you know the girls, Allen and Arnold. Yeah, Philip

0:14:05.920 --> 0:14:11.120
<v Speaker 1>van Dyke was another Arnold, um all these yeah. Well,

0:14:11.160 --> 0:14:13.240
<v Speaker 1>and there's like a real sweet spot I think for

0:14:13.360 --> 0:14:16.600
<v Speaker 1>boys where they have this like they've got this rasp

0:14:17.000 --> 0:14:19.120
<v Speaker 1>and they have this certain I don't know, and then

0:14:19.160 --> 0:14:21.120
<v Speaker 1>it's like twelve years old, and twelve years old is

0:14:21.200 --> 0:14:26.280
<v Speaker 1>right when it you know, flips so flip instantly. I

0:14:26.320 --> 0:14:28.960
<v Speaker 1>had that happened because I sang as a kid. I

0:14:29.000 --> 0:14:30.880
<v Speaker 1>sang and you know, and you know, I got the

0:14:30.960 --> 0:14:33.640
<v Speaker 1>lead and everything in the third grade and fourth grade

0:14:33.720 --> 0:14:35.640
<v Speaker 1>rolls around and then your voice starts to warble and

0:14:35.680 --> 0:14:37.800
<v Speaker 1>that's it. You're like, now you better learn how to

0:14:37.800 --> 0:14:41.520
<v Speaker 1>sing in a lower key, which I didn't. I discovered smoking,

0:14:41.520 --> 0:14:43.320
<v Speaker 1>which I liked way better. Got to be such a

0:14:43.400 --> 0:14:48.760
<v Speaker 1>weird thing like women, it just changes. But again, I

0:14:48.880 --> 0:14:50.400
<v Speaker 1>never thought I was going to be a voice over actor.

0:14:50.440 --> 0:14:52.360
<v Speaker 1>But that's the thing that was so cool about Hey

0:14:52.440 --> 0:14:54.480
<v Speaker 1>Arnold is it was not just a great show, but

0:14:54.520 --> 0:14:58.640
<v Speaker 1>it seemed to kind of be taking the next evolution

0:14:58.760 --> 0:15:02.200
<v Speaker 1>or step from the origin Charlie Brown stuff because that

0:15:02.280 --> 0:15:04.840
<v Speaker 1>was all kids too, and one of the very rare

0:15:04.880 --> 0:15:06.360
<v Speaker 1>things where they said, no, we're just going to use

0:15:06.400 --> 0:15:09.440
<v Speaker 1>all children. So to kind of piggyback on that, Hey

0:15:09.520 --> 0:15:11.000
<v Speaker 1>Arnold said, we're going to do the same thing. It

0:15:11.080 --> 0:15:15.040
<v Speaker 1>might have been one of the last shows all kids

0:15:15.160 --> 0:15:18.080
<v Speaker 1>was Recess because Recess wasn't all kids. I feel like

0:15:18.120 --> 0:15:21.560
<v Speaker 1>they do it stren now it's a little like more

0:15:21.560 --> 0:15:26.160
<v Speaker 1>of a hipper thing to do. Um. But yeah, I

0:15:26.200 --> 0:15:28.880
<v Speaker 1>don't know. I yeah, that show is just really special.

0:15:28.920 --> 0:15:30.600
<v Speaker 1>I think it's really ahead of its time. Like and

0:15:30.680 --> 0:15:32.640
<v Speaker 1>to speak on your point about like the whole Charlie

0:15:32.680 --> 0:15:35.440
<v Speaker 1>Brown thing, like yeah, I mean, if you go back

0:15:35.480 --> 0:15:38.600
<v Speaker 1>and you watch that show, there's like an episode where

0:15:38.640 --> 0:15:41.840
<v Speaker 1>this it's called Chocolate Boy, but he's like addicted chocolate

0:15:41.880 --> 0:15:44.080
<v Speaker 1>and really he's a drug addict and like helda his

0:15:44.200 --> 0:15:46.480
<v Speaker 1>mother through the whole series. If you really are watching it,

0:15:46.560 --> 0:15:48.960
<v Speaker 1>like she's an alcoholic she's always making these smoothies in

0:15:48.960 --> 0:15:51.920
<v Speaker 1>the morning and it's barely awake, and you know, there's

0:15:51.960 --> 0:15:55.000
<v Speaker 1>episodes where like Arnold gets mugged, or their city kids

0:15:55.000 --> 0:15:57.400
<v Speaker 1>and they grew up in the city. And so yeah,

0:15:57.480 --> 0:15:59.520
<v Speaker 1>there's a lot of people come up to me all

0:15:59.520 --> 0:16:02.920
<v Speaker 1>the time and talk about that show because it, I

0:16:02.960 --> 0:16:05.480
<v Speaker 1>don't know, it dealt with like very topical issues as

0:16:05.480 --> 0:16:08.600
<v Speaker 1>opposed to now a lot of animation is very a

0:16:08.680 --> 0:16:11.480
<v Speaker 1>d D and just kind of you know, in your face.

0:16:11.520 --> 0:16:13.320
<v Speaker 1>So there was a little more nuanced with that show

0:16:13.800 --> 0:16:15.760
<v Speaker 1>that I think. Really, Yeah, the eighties and the eighties

0:16:15.760 --> 0:16:18.920
<v Speaker 1>and the nineties did this thing where because we're talking

0:16:18.920 --> 0:16:20.280
<v Speaker 1>about it when we're going back and looking at a

0:16:20.320 --> 0:16:22.360
<v Speaker 1>lot of nineties shows, even the on camera shows, they

0:16:22.360 --> 0:16:27.200
<v Speaker 1>did these things where they were for multiple audiences. So

0:16:27.480 --> 0:16:29.320
<v Speaker 1>you know, a kid would watch Hey Arnold and see

0:16:29.320 --> 0:16:31.200
<v Speaker 1>one thing, an adult would watch Hey Arnold to see

0:16:31.200 --> 0:16:33.600
<v Speaker 1>something else in somebody seventeen would watch Hey Arnold and

0:16:33.680 --> 0:16:36.480
<v Speaker 1>see something else. And the eighties and the nineties really,

0:16:37.320 --> 0:16:40.320
<v Speaker 1>especially the nineties, really had that going where it was

0:16:40.360 --> 0:16:42.880
<v Speaker 1>that kind of again, like you said, the kids and alcohol.

0:16:43.000 --> 0:16:46.000
<v Speaker 1>The mom's an alcoholic, but you're you're eight years old

0:16:46.000 --> 0:16:48.240
<v Speaker 1>watching that. You're never going to pick that up unless

0:16:48.280 --> 0:16:50.320
<v Speaker 1>your mom is also an alcohol and your mom is

0:16:50.400 --> 0:16:53.880
<v Speaker 1>also but exactly, I mean it is. It's one of

0:16:53.880 --> 0:16:55.880
<v Speaker 1>those things where it kind of appealed to a whole

0:16:56.200 --> 0:16:58.800
<v Speaker 1>range of people, which is why Hey Arnold was one

0:16:58.840 --> 0:17:01.520
<v Speaker 1>of those shows you would hear about college kids like, well,

0:17:01.560 --> 0:17:03.720
<v Speaker 1>we'd wake up and we just watched Hey Arnold, and

0:17:03.760 --> 0:17:05.840
<v Speaker 1>they would watch it completely differently than the kids that

0:17:05.840 --> 0:17:07.159
<v Speaker 1>would wake up in the morning and do it. Was

0:17:07.280 --> 0:17:09.560
<v Speaker 1>very Nickelodeon back in the day was doing stuff that

0:17:09.600 --> 0:17:13.199
<v Speaker 1>was very cutting edge in that sense. Nicolodeon, do you

0:17:13.240 --> 0:17:17.200
<v Speaker 1>know what they I got slimmed. So that's how long

0:17:17.240 --> 0:17:21.719
<v Speaker 1>ago I was on Nickelodeon. I've heard different things about

0:17:21.800 --> 0:17:24.560
<v Speaker 1>like is it pudding? Is it like corn start? Like

0:17:24.600 --> 0:17:27.000
<v Speaker 1>did it taste? How did it taste? It was, well

0:17:27.000 --> 0:17:29.280
<v Speaker 1>the thing. So I got slimmed on the set of

0:17:29.320 --> 0:17:32.720
<v Speaker 1>the original. You can't do that on television. Oh no,

0:17:32.840 --> 0:17:37.119
<v Speaker 1>I was, I was nic I was, I was, I

0:17:37.160 --> 0:17:40.120
<v Speaker 1>was on Nickelodeon. I started hosting a show on Nickelodeon

0:17:40.119 --> 0:17:45.480
<v Speaker 1>in nighties seven called what Don't Just Sit There? Oh

0:17:45.480 --> 0:17:47.320
<v Speaker 1>my gosh, best it was the best. It was a

0:17:47.440 --> 0:17:50.360
<v Speaker 1>you were a young Saturday Night Live. There was four

0:17:50.400 --> 0:17:53.000
<v Speaker 1>of us hosting. We had a band, we had special

0:17:53.040 --> 0:17:54.399
<v Speaker 1>kids like we had you know, new kids in the

0:17:54.400 --> 0:17:57.000
<v Speaker 1>Block came on and Freddy Krueger came on and we

0:17:57.000 --> 0:17:59.240
<v Speaker 1>will Wheaton's where I met Wheaton for the first time.

0:17:59.800 --> 0:18:02.879
<v Speaker 1>So we were shooting in New York. And it's so

0:18:02.920 --> 0:18:08.119
<v Speaker 1>funny because I know and well you we just had

0:18:08.160 --> 0:18:09.760
<v Speaker 1>a reunion. We just had a don't just sit the

0:18:09.800 --> 0:18:13.480
<v Speaker 1>reunion for the first time since at my house two

0:18:13.480 --> 0:18:16.800
<v Speaker 1>weeks ago. It was great, it was but it's people

0:18:16.800 --> 0:18:19.960
<v Speaker 1>I hadn't seen since I was twelve. Did they write

0:18:19.960 --> 0:18:23.080
<v Speaker 1>in your bathroom? They did? They did? Actually I have

0:18:23.240 --> 0:18:25.639
<v Speaker 1>I'm sorry that for for the audience listening. I have

0:18:25.720 --> 0:18:28.560
<v Speaker 1>a bathroom that is off a little screening room and

0:18:28.600 --> 0:18:30.880
<v Speaker 1>there's pens everywhere, and you write up your favorite movie

0:18:30.960 --> 0:18:32.640
<v Speaker 1>quote on the wall. So it's just the whole wall

0:18:32.720 --> 0:18:35.400
<v Speaker 1>is just covered with with your favorite movie quotes. Will

0:18:35.440 --> 0:18:37.560
<v Speaker 1>when you sell your house someday, that's going to be

0:18:37.640 --> 0:18:40.400
<v Speaker 1>like valuable, Yeah, well, well we'll see. But that's why

0:18:40.440 --> 0:18:44.000
<v Speaker 1>we're gonna We're gonna triple the price of just that room. Um,

0:18:44.040 --> 0:18:48.240
<v Speaker 1>but if so, they flew me up to the set

0:18:48.320 --> 0:18:50.320
<v Speaker 1>of You Can't Do That on Television to interview all

0:18:50.359 --> 0:18:51.760
<v Speaker 1>them for don't just sit there. And part of the

0:18:51.760 --> 0:18:53.800
<v Speaker 1>thing was I had to actually do one of the

0:18:53.840 --> 0:18:56.800
<v Speaker 1>skits and I got to say I don't know, and

0:18:56.920 --> 0:18:59.320
<v Speaker 1>I grew up obviously, you know, a year or two

0:18:59.400 --> 0:19:01.840
<v Speaker 1>before that, just watching You Can't Do That on television

0:19:01.880 --> 0:19:04.720
<v Speaker 1>the original opening the lockers like, hey Lucy, Hey, alistair,

0:19:04.760 --> 0:19:06.720
<v Speaker 1>it was the coolest thing in the world. And then

0:19:06.760 --> 0:19:08.880
<v Speaker 1>to kind of be there and there's just a guy

0:19:08.960 --> 0:19:12.560
<v Speaker 1>on a ladder smoking a cigarette with a bucket and

0:19:12.760 --> 0:19:15.280
<v Speaker 1>it's the thing that makes it all stringy is is

0:19:15.320 --> 0:19:18.360
<v Speaker 1>baby shampoo. So it's like they're just dumping this like

0:19:18.560 --> 0:19:22.239
<v Speaker 1>slimy oatmeally baby shampoo, and they were teaching me how

0:19:22.240 --> 0:19:24.040
<v Speaker 1>to do it. It's like you're supposed to first get

0:19:24.080 --> 0:19:25.199
<v Speaker 1>hit on the top of the head, and then when

0:19:25.200 --> 0:19:26.720
<v Speaker 1>you feel like it hit, you're supposed to look to

0:19:26.760 --> 0:19:28.600
<v Speaker 1>this guy like I can't believe this is happening, so

0:19:28.600 --> 0:19:31.800
<v Speaker 1>then it covers your whole face. Um, it was a

0:19:31.880 --> 0:19:34.240
<v Speaker 1>whole Yeah, it was a whole thing, but it was

0:19:34.480 --> 0:19:36.720
<v Speaker 1>like old school original, but it was some guy in

0:19:36.760 --> 0:19:39.080
<v Speaker 1>Canada and Ottawa with a cigarette hanging out like Amy,

0:19:39.119 --> 0:19:43.720
<v Speaker 1>We're gonna yeah. So it was, it was. It was interesting,

0:19:43.760 --> 0:19:46.240
<v Speaker 1>but that's that was Nickelodeon back in the day. And

0:19:46.280 --> 0:19:47.760
<v Speaker 1>to get back to what we were talking about, Hey

0:19:47.880 --> 0:19:51.280
<v Speaker 1>Arnold was then the next generation of Nickelodeon, like one

0:19:51.359 --> 0:19:54.080
<v Speaker 1>generation removed from the start where they really started to

0:19:54.160 --> 0:19:58.840
<v Speaker 1>capture I think what kids were about UM because they

0:19:58.840 --> 0:20:02.960
<v Speaker 1>were doing this kind of multi level writing where it

0:20:03.000 --> 0:20:05.600
<v Speaker 1>did it meant something to one generation, something to the next,

0:20:05.600 --> 0:20:07.879
<v Speaker 1>and something to the next. So I'm going through the

0:20:07.920 --> 0:20:11.320
<v Speaker 1>same thing right now with the Nightmare before Christmas UM,

0:20:11.440 --> 0:20:13.640
<v Speaker 1>which which works on those two levels. And my daughter

0:20:13.680 --> 0:20:16.000
<v Speaker 1>is now obsessed with it and she wants it for

0:20:16.040 --> 0:20:19.520
<v Speaker 1>her sixth birthday and it's kind of, you know, kind

0:20:19.520 --> 0:20:21.119
<v Speaker 1>of kept me up last night because I was like,

0:20:21.240 --> 0:20:23.480
<v Speaker 1>is it going to scare her friends? Is it? Or

0:20:23.560 --> 0:20:26.119
<v Speaker 1>is it? Mostly just the tone of it. You can

0:20:26.160 --> 0:20:29.120
<v Speaker 1>be enjoyed by the mayor in that movie Scary when

0:20:29.160 --> 0:20:32.679
<v Speaker 1>I was young, but everything else is kind of I

0:20:32.680 --> 0:20:35.360
<v Speaker 1>don't know, it's whimsical. Yeah, I think so too, Yeah,

0:20:35.400 --> 0:20:47.119
<v Speaker 1>I think so too. All right, all right, so you

0:20:47.200 --> 0:20:49.920
<v Speaker 1>go from Hey Arnold, now I want to jump ahead

0:20:49.920 --> 0:20:52.000
<v Speaker 1>a little bit because I see one word that always

0:20:52.040 --> 0:20:53.840
<v Speaker 1>sticks out to me. I don't care what I'm reading

0:20:53.880 --> 0:20:56.440
<v Speaker 1>or what I'm doing, but when I see the word jedi,

0:20:56.960 --> 0:21:01.400
<v Speaker 1>oh yeah, yeah, just changes everything. So can you tell

0:21:01.400 --> 0:21:03.120
<v Speaker 1>me a little bit about that? Are you? Is there

0:21:03.160 --> 0:21:05.280
<v Speaker 1>a word for real? Quick? Is there a word for

0:21:05.320 --> 0:21:07.720
<v Speaker 1>Star Wars fans like Star Trek fans or Trunk nerd

0:21:07.920 --> 0:21:11.800
<v Speaker 1>or Star Wars fans not like anyone. I guess that's weird,

0:21:11.880 --> 0:21:17.320
<v Speaker 1>okay a nerd? Yeah, that was cool because when you

0:21:17.400 --> 0:21:20.760
<v Speaker 1>do that show, hey, it's just cool, right. And when

0:21:20.840 --> 0:21:23.440
<v Speaker 1>you do that show, you work with this guy, Dave Feloni,

0:21:23.520 --> 0:21:27.520
<v Speaker 1>who's kind of be like, you know, okay, the guru

0:21:27.560 --> 0:21:31.439
<v Speaker 1>of Star Wars. I don't like the next George. Basically

0:21:31.520 --> 0:21:34.760
<v Speaker 1>he's kind of in charge of and he's very hands

0:21:34.800 --> 0:21:38.160
<v Speaker 1>on and so and every Star Wars fan when they

0:21:38.200 --> 0:21:41.119
<v Speaker 1>see his name attached, including to a live action show,

0:21:41.520 --> 0:21:43.560
<v Speaker 1>they know it's going to be awesome because they know

0:21:43.600 --> 0:21:46.840
<v Speaker 1>that he loves the source material. So it's you know,

0:21:46.880 --> 0:21:48.679
<v Speaker 1>you're gonna get It's not going to be some random

0:21:48.720 --> 0:21:50.760
<v Speaker 1>person like I'm going to try a Star Wars project.

0:21:50.760 --> 0:21:52.440
<v Speaker 1>You see Feloni's name and you're like Okay, this is

0:21:52.480 --> 0:21:55.639
<v Speaker 1>gonna be handled well, yeah, it's very cannon and you know,

0:21:56.160 --> 0:21:58.879
<v Speaker 1>and so he was really instrumental now, so he was

0:21:58.920 --> 0:22:01.000
<v Speaker 1>there for all the records, and you know, he's kind

0:22:01.040 --> 0:22:03.240
<v Speaker 1>of like, I'm the direct line to George Lucas. You

0:22:03.240 --> 0:22:06.240
<v Speaker 1>can ask me anything, you know. And I'm sitting there

0:22:06.240 --> 0:22:07.800
<v Speaker 1>with like Greg Sipes. I don't know if you know

0:22:07.920 --> 0:22:13.720
<v Speaker 1>him voice you think, so, do Jedis have sex? And

0:22:13.760 --> 0:22:16.160
<v Speaker 1>he's like, you know, Jedi's actually are allowed to have sex,

0:22:16.200 --> 0:22:18.199
<v Speaker 1>and there's like a whole story about that, you know.

0:22:18.359 --> 0:22:24.679
<v Speaker 1>And of course that and like you know, you'll be

0:22:24.720 --> 0:22:27.000
<v Speaker 1>doing a scene and he's like, now, George for this scene,

0:22:27.040 --> 0:22:29.480
<v Speaker 1>sat me down in the screening room and he showed

0:22:29.520 --> 0:22:32.159
<v Speaker 1>me this movie from nineteen two and the scene is

0:22:32.160 --> 0:22:34.120
<v Speaker 1>going to be like that scene and did a little

0:22:34.320 --> 0:22:37.320
<v Speaker 1>like he's so involved in it, you know. And the

0:22:37.880 --> 0:22:41.760
<v Speaker 1>thing that was like cool and also unfortunate about that

0:22:41.960 --> 0:22:46.040
<v Speaker 1>arc is that it's like a very specific arc because

0:22:46.080 --> 0:22:48.080
<v Speaker 1>it was the first time that they explained like how

0:22:48.200 --> 0:22:51.880
<v Speaker 1>lightsabers are made. Uh oh with the ki crystal, Yeah exactly.

0:22:52.160 --> 0:22:59.800
<v Speaker 1>And Jesus, I'm a total nerd what so many things

0:22:59.800 --> 0:23:04.240
<v Speaker 1>I've it's blue um, you think it's blue. I don't

0:23:04.280 --> 0:23:07.919
<v Speaker 1>know you Yes you do, yes you do. But but

0:23:08.160 --> 0:23:13.080
<v Speaker 1>that whole the reason they gave us such an important storyline,

0:23:13.080 --> 0:23:14.480
<v Speaker 1>if you will, is that was supposed to be a

0:23:14.480 --> 0:23:19.520
<v Speaker 1>whole spinoff series of like Young Jedi's Padderwans or whatever.

0:23:19.640 --> 0:23:22.080
<v Speaker 1>And then right is I mean, it wasn't like production

0:23:22.160 --> 0:23:24.560
<v Speaker 1>and how to budget and stuff. And then right then

0:23:24.760 --> 0:23:28.400
<v Speaker 1>Disney bought Star Wars and their thing was that any

0:23:28.440 --> 0:23:30.480
<v Speaker 1>TV show that was going to get made had to

0:23:30.600 --> 0:23:33.439
<v Speaker 1>fuel the movies and be tied in with that, and

0:23:33.440 --> 0:23:38.880
<v Speaker 1>so they canceled it before it whatever. Uh so, which

0:23:38.920 --> 0:23:43.680
<v Speaker 1>is like basically the story of my career. Um, but

0:23:44.040 --> 0:23:47.719
<v Speaker 1>we know we've all been there. Um. But yeah, so

0:23:47.760 --> 0:23:52.080
<v Speaker 1>it's still a cool it's still a cool arc that people. Um,

0:23:52.119 --> 0:23:54.600
<v Speaker 1>I don't know, it's important to a lot of fandom

0:23:55.000 --> 0:23:59.560
<v Speaker 1>people because just that origin story of crystals now I

0:23:59.600 --> 0:24:02.399
<v Speaker 1>know that, Yeah, the Kiber crystal of course, which is

0:24:02.440 --> 0:24:04.440
<v Speaker 1>also the thing that fueled the death start. We're not

0:24:04.480 --> 0:24:07.639
<v Speaker 1>going to get into this, okay, So, um, I'm sorry,

0:24:07.640 --> 0:24:09.880
<v Speaker 1>but as a total nerd, I go I go through

0:24:09.920 --> 0:24:12.760
<v Speaker 1>your resume, which again, we could talk Avatar, we could

0:24:12.800 --> 0:24:16.960
<v Speaker 1>talk old school, which is new school, old school with

0:24:17.040 --> 0:24:21.680
<v Speaker 1>care bears, care bears um. But I want to get

0:24:21.680 --> 0:24:24.800
<v Speaker 1>into who did you play in the Harry Potter game. Oh,

0:24:24.840 --> 0:24:26.720
<v Speaker 1>it's not even out, well, it is out, but it's

0:24:26.760 --> 0:24:29.719
<v Speaker 1>not out here in America yet. Her name is Lottie

0:24:29.800 --> 0:24:32.560
<v Speaker 1>and she's like this little artist and she's great. I've

0:24:32.560 --> 0:24:34.400
<v Speaker 1>been I've been working on this video game for three

0:24:34.400 --> 0:24:38.640
<v Speaker 1>and a half years and it's still not out domestically

0:24:40.119 --> 0:24:42.720
<v Speaker 1>huge in China. It's like gigantic and China. I don't

0:24:42.720 --> 0:24:45.560
<v Speaker 1>even think they it's so popular in China that I

0:24:45.600 --> 0:24:48.159
<v Speaker 1>don't even think they care, Like it's supposed to come

0:24:48.160 --> 0:24:50.880
<v Speaker 1>out this year. But I'm like, guys, October TikTok um.

0:24:51.720 --> 0:24:54.359
<v Speaker 1>But but I've really been enjoying it. I mean, I

0:24:54.560 --> 0:24:56.520
<v Speaker 1>it's really it's a great It's been a great gig

0:24:56.560 --> 0:24:59.320
<v Speaker 1>in terms of just like consistency and also fun to

0:24:59.400 --> 0:25:05.600
<v Speaker 1>be you know, little little British chick. But yeah, oh

0:25:05.680 --> 0:25:09.159
<v Speaker 1>she's very sweet and she's always just looking for her paintbrush.

0:25:09.520 --> 0:25:12.399
<v Speaker 1>And you know, it's like I think it takes place

0:25:12.760 --> 0:25:15.440
<v Speaker 1>after Harry's graduated or something, so it's a whole new

0:25:15.600 --> 0:25:19.160
<v Speaker 1>cast of characters and the art is beautiful. It's really

0:25:19.200 --> 0:25:23.080
<v Speaker 1>stylistically beautiful. It's very different from other Harry Potter stuff. Um,

0:25:23.160 --> 0:25:26.639
<v Speaker 1>but yeah, what I don't know. I don't know this

0:25:26.800 --> 0:25:29.320
<v Speaker 1>if don't know, it's so funny because the guy who

0:25:29.320 --> 0:25:32.320
<v Speaker 1>directs it, he's like, when I gave the audition, I

0:25:32.359 --> 0:25:36.280
<v Speaker 1>put in all these very like specific Harry Potter lingo

0:25:36.560 --> 0:25:40.119
<v Speaker 1>spells and words, hoping that that would you know, suss

0:25:40.160 --> 0:25:42.840
<v Speaker 1>out that filter out the people that didn't know anything

0:25:42.880 --> 0:25:46.199
<v Speaker 1>about Harry Potter. But this slipped in. I don't know.

0:25:49.200 --> 0:25:51.159
<v Speaker 1>Well wait what what now? I want to know what

0:25:51.200 --> 0:25:53.960
<v Speaker 1>did you put in? You know, I'm a Harry Potter.

0:25:54.040 --> 0:25:58.320
<v Speaker 1>I pronounced everything. Yeah, I don't know, but it's all

0:25:58.359 --> 0:26:02.359
<v Speaker 1>those you know, incanto, phosphorus or whatever. I don't know

0:26:02.440 --> 0:26:08.960
<v Speaker 1>that things are things don't know. Well, I just you

0:26:09.000 --> 0:26:12.160
<v Speaker 1>don't need to just read the lines. But let's talk

0:26:12.200 --> 0:26:15.159
<v Speaker 1>about like how you have this canon and how you

0:26:15.200 --> 0:26:20.200
<v Speaker 1>approach a franchise. Then, um, you know, and still give

0:26:20.240 --> 0:26:22.640
<v Speaker 1>a great performance enough for you to be hired. Because

0:26:22.640 --> 0:26:24.720
<v Speaker 1>a lot of people who are auditioning for things that

0:26:24.760 --> 0:26:27.880
<v Speaker 1>are very much not they're necessarily they're casting or their

0:26:27.920 --> 0:26:30.359
<v Speaker 1>interests or something that they know about. How do you

0:26:30.400 --> 0:26:32.679
<v Speaker 1>find your way into a character that you don't know

0:26:32.720 --> 0:26:36.760
<v Speaker 1>anything about. Well, I mean, at the end of the day,

0:26:37.359 --> 0:26:40.960
<v Speaker 1>like it's acting. And so I mean people same thing

0:26:41.000 --> 0:26:43.119
<v Speaker 1>at cons or whatever. We'll say like, well, how do

0:26:43.160 --> 0:26:47.000
<v Speaker 1>I get into acting? Into voice acting? And and they

0:26:47.040 --> 0:26:49.119
<v Speaker 1>never said that to me when I was doing on

0:26:49.200 --> 0:26:52.280
<v Speaker 1>camera work. There's something I think about voice acting that

0:26:52.359 --> 0:26:56.760
<v Speaker 1>seems more accessible to just random people. But like, at

0:26:56.760 --> 0:26:59.520
<v Speaker 1>the end of the day, it's like little V big a, right, Like,

0:26:59.600 --> 0:27:01.960
<v Speaker 1>so it's all acting and it all comes from that.

0:27:02.040 --> 0:27:03.600
<v Speaker 1>So I always say to people I go take an

0:27:03.600 --> 0:27:07.000
<v Speaker 1>acting class and they go oh, and I'm like, yeah,

0:27:07.000 --> 0:27:08.920
<v Speaker 1>because you could do a million voices. But at the

0:27:09.040 --> 0:27:12.639
<v Speaker 1>end of the day, it's right, yeah, you have to

0:27:12.640 --> 0:27:15.040
<v Speaker 1>be an actor. And so yeah, I don't know. I

0:27:15.119 --> 0:27:17.640
<v Speaker 1>just come at everything from that. And so like with

0:27:17.680 --> 0:27:22.320
<v Speaker 1>her particular arc is like very emotional and whatever. So

0:27:22.400 --> 0:27:24.840
<v Speaker 1>it's just about knowing you know, how to convey all

0:27:24.880 --> 0:27:27.960
<v Speaker 1>that stuff and with your voice and and all that.

0:27:28.000 --> 0:27:30.880
<v Speaker 1>So with the cannon stuff, I mean, you guys, I'm

0:27:30.920 --> 0:27:33.880
<v Speaker 1>the worst. So when I did Avatar, I never read

0:27:33.880 --> 0:27:36.800
<v Speaker 1>the scripts. So because I'm sure I tried to read

0:27:36.840 --> 0:27:40.400
<v Speaker 1>one script that's that's Will's mortal. That's the mortal sin

0:27:40.640 --> 0:27:44.520
<v Speaker 1>of I'm terrible, You're gonna hate, Like I'm actually more

0:27:44.520 --> 0:27:47.119
<v Speaker 1>in your camp. So like like here's the thing, if it,

0:27:47.280 --> 0:27:51.360
<v Speaker 1>if it makes sense, maybe, but like with Avatar, like

0:27:51.600 --> 0:27:53.520
<v Speaker 1>I'm sure I got the first script and I was

0:27:53.560 --> 0:27:59.359
<v Speaker 1>like Fire Nation, Water Tribe something lord like, I don't know,

0:27:59.560 --> 0:28:02.000
<v Speaker 1>I don't know, and I'm sure I went there and

0:28:02.040 --> 0:28:04.680
<v Speaker 1>they said, now this is this, and the four nations

0:28:04.680 --> 0:28:07.600
<v Speaker 1>are fighting and there's one avatar that's going to unite

0:28:07.600 --> 0:28:10.720
<v Speaker 1>everyone and the Chakras and and it just I didn't

0:28:10.720 --> 0:28:14.880
<v Speaker 1>even whatever, right, So I get there and I see

0:28:14.920 --> 0:28:18.480
<v Speaker 1>my character and whatever, and she's pink and she's cute.

0:28:18.480 --> 0:28:20.760
<v Speaker 1>So I just made her pink and cute. I don't know.

0:28:21.320 --> 0:28:24.199
<v Speaker 1>So it wasn't until like eight years later. I was

0:28:24.200 --> 0:28:26.639
<v Speaker 1>at my first comic con ever, this is like ten

0:28:27.000 --> 0:28:29.920
<v Speaker 1>twelve years ago now, and someone said, like, what's it

0:28:29.960 --> 0:28:32.840
<v Speaker 1>like to be a villain? And I said, what do

0:28:32.960 --> 0:28:36.520
<v Speaker 1>you mean? And they said, well, she's a villain. And

0:28:36.600 --> 0:28:39.200
<v Speaker 1>I had no idea, and that's why she's so like

0:28:39.440 --> 0:28:42.680
<v Speaker 1>perky and cute and whatever, because I didn't know. I

0:28:42.800 --> 0:28:45.240
<v Speaker 1>thought she was pink, man. I didn't know. I didn't know,

0:28:45.560 --> 0:28:48.280
<v Speaker 1>so you wait, were you literally not reading the scripts?

0:28:48.320 --> 0:29:00.240
<v Speaker 1>You were just reading your line? Okay? And she you know,

0:29:00.320 --> 0:29:03.680
<v Speaker 1>and she did a great jobs. So funny because we're

0:29:03.680 --> 0:29:08.479
<v Speaker 1>talking just Star Wars' just the Last Airbender, Star Wars.

0:29:09.720 --> 0:29:14.120
<v Speaker 1>I just read some of the biggest in some of

0:29:14.120 --> 0:29:16.880
<v Speaker 1>the biggest franchises. So I take it you are not

0:29:16.960 --> 0:29:19.560
<v Speaker 1>like you don't read fantasy novels. Then the world building

0:29:19.640 --> 0:29:22.880
<v Speaker 1>is not. I like sci fi, but fantasy is the

0:29:22.920 --> 0:29:25.600
<v Speaker 1>one thing that just like doesn't do it for me.

0:29:26.280 --> 0:29:28.720
<v Speaker 1>Like Game of Thrones. All that stuff like just does

0:29:28.800 --> 0:29:33.280
<v Speaker 1>not came of Thrones isn't my favorite either, But that's yeah, interesting.

0:29:34.120 --> 0:29:36.400
<v Speaker 1>I'm more of the Harry Potter and Game of Thrones.

0:29:36.400 --> 0:29:39.080
<v Speaker 1>I'm more of a fantasy I guess are you? Are

0:29:39.120 --> 0:29:41.160
<v Speaker 1>you watching the New House of the Dragon thing? You

0:29:41.280 --> 0:29:43.760
<v Speaker 1>keeping everything? Don't tell me anything. I haven't seen it yet.

0:29:43.800 --> 0:29:45.640
<v Speaker 1>I like to let the entire series come out and

0:29:45.640 --> 0:29:48.080
<v Speaker 1>then I binge it by myself. The kind of waiting

0:29:48.120 --> 0:29:50.640
<v Speaker 1>thing doesn't just alone in a little hole, just in

0:29:50.720 --> 0:29:54.600
<v Speaker 1>a tiny, little darkened room, dressed like a dragon. Perfect

0:29:55.280 --> 0:29:56.840
<v Speaker 1>it's going to be. That's That's what I'm gonna do.

0:29:57.960 --> 0:30:02.480
<v Speaker 1>That we always ask bowl, um, do you because you know,

0:30:02.480 --> 0:30:04.640
<v Speaker 1>one of the other things that you're you're obviously known

0:30:04.680 --> 0:30:08.040
<v Speaker 1>for on camera. You do a lot of on camera work.

0:30:08.040 --> 0:30:11.000
<v Speaker 1>But the Brady Bunch movie sure yeah, um was was

0:30:11.160 --> 0:30:14.960
<v Speaker 1>very big and then the sequels very big too, great films. Uh,

0:30:15.040 --> 0:30:18.360
<v Speaker 1>my question is is there one style you prefer? Do

0:30:18.360 --> 0:30:20.600
<v Speaker 1>you prefer on camera to voiceover? Do you prefer voice

0:30:20.600 --> 0:30:22.160
<v Speaker 1>over to on camera? Do you have one? You know,

0:30:22.320 --> 0:30:26.040
<v Speaker 1>it's like my well, like it wasn't a choice to

0:30:26.080 --> 0:30:29.760
<v Speaker 1>go into voiceover, right, Like my career just went that way,

0:30:29.880 --> 0:30:33.920
<v Speaker 1>and I'm not I resist nothing, So I just kind

0:30:33.920 --> 0:30:37.040
<v Speaker 1>of go with the flow with that stuff. So that's

0:30:37.040 --> 0:30:41.040
<v Speaker 1>a really great mantra. I mean, you know, so it's

0:30:41.080 --> 0:30:45.479
<v Speaker 1>like I like doing on camera, or liked doing on camera,

0:30:45.640 --> 0:30:49.720
<v Speaker 1>but honestly, like I love not memorizing lines. And so

0:30:49.760 --> 0:30:52.600
<v Speaker 1>now every once I really I really don't do on

0:30:52.680 --> 0:30:54.760
<v Speaker 1>camera anymore, but every once in a while I'll get

0:30:55.640 --> 0:31:00.160
<v Speaker 1>an audition and just I when you don't have that

0:31:00.280 --> 0:31:03.800
<v Speaker 1>memory or muscle that you've been using that uh you know,

0:31:04.440 --> 0:31:07.840
<v Speaker 1>muscle memory for performing in line, I mean, it's it's

0:31:07.920 --> 0:31:09.960
<v Speaker 1>just gone. It is gone. I don't know, if you

0:31:09.960 --> 0:31:15.720
<v Speaker 1>guys something truly, but yeah, um so yeah, and also

0:31:15.840 --> 0:31:20.200
<v Speaker 1>too in terms of you want to hear something crazy, Olivia. Yeah, literally,

0:31:20.680 --> 0:31:26.000
<v Speaker 1>when I get auditions, I have a teleprompter, like you

0:31:26.080 --> 0:31:32.520
<v Speaker 1>have your professional teleprompter, but I have a teleprompter. It's

0:31:32.560 --> 0:31:35.520
<v Speaker 1>basically a piece that you can put on your home device,

0:31:35.560 --> 0:31:40.400
<v Speaker 1>your home camera, and you can upload your script and

0:31:40.480 --> 0:31:43.880
<v Speaker 1>you can literally, well will you go. We can't see

0:31:43.880 --> 0:31:46.400
<v Speaker 1>Will is like shaking his head with his head in

0:31:46.480 --> 0:31:53.080
<v Speaker 1>his hands right now. You know why, because I don't

0:31:53.160 --> 0:31:56.640
<v Speaker 1>have the time or the energy either. But look, I

0:31:56.760 --> 0:32:00.120
<v Speaker 1>still watch and I still look at my performance, and

0:32:00.120 --> 0:32:02.720
<v Speaker 1>I still say, I am acting. This is rooted in reality,

0:32:02.760 --> 0:32:05.800
<v Speaker 1>and I look great and I'm not stuttering, and I've

0:32:05.800 --> 0:32:09.240
<v Speaker 1>been acting for so long and the odds are so

0:32:09.480 --> 0:32:12.440
<v Speaker 1>like the odds. It is a very competitive thing. So

0:32:12.480 --> 0:32:15.320
<v Speaker 1>that if you feel strong about your performance, no matter

0:32:15.400 --> 0:32:17.520
<v Speaker 1>what it looks like, as long as you feel like

0:32:17.560 --> 0:32:21.040
<v Speaker 1>it's rooted personally. I think what Olivia is trying to share,

0:32:21.520 --> 0:32:24.680
<v Speaker 1>and I agree with, Okay, is not to sweat the

0:32:24.760 --> 0:32:28.080
<v Speaker 1>small stuff in your performances, like I'm sorry. The learning

0:32:28.280 --> 0:32:34.160
<v Speaker 1>of the dialogue is not small stuff. The reading the

0:32:34.240 --> 0:32:41.040
<v Speaker 1>reading of the material is not small go with me

0:32:41.120 --> 0:32:43.440
<v Speaker 1>on this. Maybe maybe it's just me, but like if

0:32:43.440 --> 0:32:46.080
<v Speaker 1>it's written well, it's a lot easier to memorize than

0:32:46.120 --> 0:32:50.680
<v Speaker 1>if it's just a Most things that you go on

0:32:50.920 --> 0:32:53.920
<v Speaker 1>are terrible, and so you get these things and they

0:32:53.920 --> 0:32:57.680
<v Speaker 1>don't flow or like I do still audition for commercials

0:32:57.680 --> 0:32:59.760
<v Speaker 1>and I had this commercial audition the other day and

0:33:00.520 --> 0:33:03.400
<v Speaker 1>I had to talk about cell phones and five G

0:33:03.680 --> 0:33:06.320
<v Speaker 1>this into and I was just reading. They usually have

0:33:06.360 --> 0:33:08.280
<v Speaker 1>the lines behind the camera and I was reading it,

0:33:08.280 --> 0:33:09.600
<v Speaker 1>and after I did it, he was like, can you

0:33:09.640 --> 0:33:12.280
<v Speaker 1>do it more to camera? He's like, oh, yeah, but

0:33:12.400 --> 0:33:15.240
<v Speaker 1>you know when it gets technical or any of that stuff,

0:33:15.280 --> 0:33:17.840
<v Speaker 1>you know, you know, God, we sound like the laziest

0:33:17.880 --> 0:33:20.560
<v Speaker 1>actors a lot. It's I didn't want to say that,

0:33:20.680 --> 0:33:23.520
<v Speaker 1>but there's a guy on my street he went to Juilliard.

0:33:23.680 --> 0:33:26.680
<v Speaker 1>What's going on? No, it's just there's there's a guy

0:33:26.760 --> 0:33:29.800
<v Speaker 1>on my street who is Australian who is an actor

0:33:30.360 --> 0:33:32.200
<v Speaker 1>and I always see him and he's out walking with

0:33:32.240 --> 0:33:34.760
<v Speaker 1>his wife and his little baby and we always say

0:33:34.800 --> 0:33:37.680
<v Speaker 1>hi to each other. But he's always memorizing his sides

0:33:37.720 --> 0:33:41.200
<v Speaker 1>and his lines. And there's Luke Cook. I don't know,

0:33:42.200 --> 0:33:44.040
<v Speaker 1>Oh is it I don't know who Luke Cook is.

0:33:44.080 --> 0:33:46.440
<v Speaker 1>Maybe you don't know who who this guy. I don't

0:33:46.440 --> 0:33:48.560
<v Speaker 1>know who Luke Cook is. I could be Luke Cook.

0:33:48.640 --> 0:33:52.080
<v Speaker 1>I have no idea who that um. But it's one

0:33:52.120 --> 0:33:54.000
<v Speaker 1>of those things where and then I all people always

0:33:54.000 --> 0:33:57.960
<v Speaker 1>ask like why is everybody that's getting cast British or Australian,

0:33:58.040 --> 0:34:00.640
<v Speaker 1>And it's because they put in the work, that's one

0:34:00.680 --> 0:34:04.680
<v Speaker 1>of the reasons. Probably. So it's we we as Americans

0:34:04.800 --> 0:34:09.480
<v Speaker 1>have have lasified out are acting chops well and also

0:34:09.719 --> 0:34:12.600
<v Speaker 1>like as child actors too. It's like we've been doing

0:34:12.640 --> 0:34:15.640
<v Speaker 1>it so long, Like there is a thing where like

0:34:16.320 --> 0:34:18.719
<v Speaker 1>to our credit, you know, it's that ten thousand hour

0:34:18.880 --> 0:34:20.839
<v Speaker 1>rule or whatever, like once you've been doing something ten

0:34:20.880 --> 0:34:23.080
<v Speaker 1>thousand hours, like you're kind of a professional. And we

0:34:23.160 --> 0:34:26.120
<v Speaker 1>all have and so I don't know what kind of

0:34:26.200 --> 0:34:30.440
<v Speaker 1>rule is that you haven't heard about. That that's the mastery.

0:34:30.520 --> 0:34:32.439
<v Speaker 1>So it doesn't matter what you're doing. If you've done

0:34:32.440 --> 0:34:34.480
<v Speaker 1>it for ten thousand hours, you're kind of an expert. Yeah,

0:34:34.520 --> 0:34:36.239
<v Speaker 1>that's why they say the Beatles were so good because

0:34:36.280 --> 0:34:38.239
<v Speaker 1>they played and played and played and played like way

0:34:38.280 --> 0:34:41.560
<v Speaker 1>before and it's a whole thing. Yeah, I'm Malcolm glad,

0:34:41.560 --> 0:34:43.200
<v Speaker 1>I gotta, I gotta go. I gotta put that on

0:34:43.239 --> 0:34:45.280
<v Speaker 1>my teleprompter so I can read it later. It's called

0:34:45.640 --> 0:34:47.600
<v Speaker 1>what's it called, Christie. I'm never going to live that

0:34:47.600 --> 0:34:49.719
<v Speaker 1>one down. That was an honest share and I thought

0:34:49.719 --> 0:34:52.200
<v Speaker 1>I was in a safe space and again I'm not

0:34:52.320 --> 0:34:55.200
<v Speaker 1>again though, But Olivia is percent right. If you don't

0:34:55.200 --> 0:34:57.279
<v Speaker 1>exercise the muscle, you lose it. So if you get

0:34:57.320 --> 0:34:59.879
<v Speaker 1>one of these jobs and you haven't been memorizing the lines,

0:35:00.160 --> 0:35:03.280
<v Speaker 1>working that muscle, you're gonna have trouble again memorizing your dialogue.

0:35:03.280 --> 0:35:05.960
<v Speaker 1>But here's the here's the real rub. What happens if

0:35:06.000 --> 0:35:08.320
<v Speaker 1>you actually book it. That's what I'm saying, and I

0:35:08.360 --> 0:35:17.400
<v Speaker 1>would actually do the job. Okay, Well, speaking of speaking

0:35:17.440 --> 0:35:21.839
<v Speaker 1>of acting, we've got a wonderful scene we're coming into.

0:35:22.080 --> 0:35:24.359
<v Speaker 1>By the way I read, I also read that once too,

0:35:24.440 --> 0:35:28.400
<v Speaker 1>So let's see how that's fine. As long as you've

0:35:28.400 --> 0:35:30.640
<v Speaker 1>got all your spells down, we're going to be good. Um,

0:35:30.680 --> 0:35:37.000
<v Speaker 1>and you are playing a villain. Safe space. That's what

0:35:37.160 --> 0:35:39.919
<v Speaker 1>most important. Is a safe space. It's absolutely a safe

0:35:42.000 --> 0:35:44.320
<v Speaker 1>but you are That's the other thing is you. Your

0:35:44.920 --> 0:35:47.359
<v Speaker 1>resume is ridiculous. You're talking before you got out here

0:35:47.360 --> 0:35:49.239
<v Speaker 1>where it's like we only have an hour show and

0:35:49.280 --> 0:35:52.400
<v Speaker 1>she's done so much, so very quickly. Then before we

0:35:52.440 --> 0:35:54.359
<v Speaker 1>get into across the garden with our wonderful we don't

0:35:54.400 --> 0:35:57.640
<v Speaker 1>like to say, amateur undiscovered voiceover talent, who's going to

0:35:57.719 --> 0:36:00.440
<v Speaker 1>come and play with us for the day. Um, is

0:36:00.560 --> 0:36:03.520
<v Speaker 1>there anything? I mean, you've got a crunchy role hit

0:36:03.560 --> 0:36:06.239
<v Speaker 1>coming out, You've got the new, um Harry Potter game.

0:36:06.239 --> 0:36:09.600
<v Speaker 1>Is there anything you Potter game? We're doing more Brats.

0:36:09.680 --> 0:36:13.600
<v Speaker 1>They've brought Brats back, another huge branch, another huge thing,

0:36:13.920 --> 0:36:16.799
<v Speaker 1>and so we're doing episodes on that for TikTok and

0:36:16.840 --> 0:36:18.320
<v Speaker 1>then I think they're trying to turn that into a

0:36:18.360 --> 0:36:21.160
<v Speaker 1>series as well, and some video games and whatever. So yeah,

0:36:21.200 --> 0:36:24.640
<v Speaker 1>that's god bless like gen Z or whatever. They're bringing

0:36:24.640 --> 0:36:29.319
<v Speaker 1>all this Y two K stuff. They're making me all

0:36:29.360 --> 0:36:33.799
<v Speaker 1>this Y two K stuff. Love that. That's very very

0:36:33.800 --> 0:36:36.359
<v Speaker 1>all right. So it is hip. It's good think. I'm

0:36:36.400 --> 0:36:38.600
<v Speaker 1>so glad. You know how happy Christie I are that

0:36:38.680 --> 0:36:45.000
<v Speaker 1>the nineties are important again. Jeez, I don't know what

0:36:45.080 --> 0:36:57.160
<v Speaker 1>we do. I don't know what we would do. I

0:36:57.160 --> 0:36:58.960
<v Speaker 1>guess if we want to go ahead and bring in

0:36:59.120 --> 0:37:08.439
<v Speaker 1>our are It's Kyle. How are you good? Are you

0:37:08.920 --> 0:37:12.080
<v Speaker 1>welcome to the show. Thank you for joining us, thank you,

0:37:12.200 --> 0:37:14.400
<v Speaker 1>thank you for having me. I'm Will. That's Christie and

0:37:14.400 --> 0:37:19.440
<v Speaker 1>that's Olivia. Yeah you too, you too? Hi? Where are you?

0:37:20.880 --> 0:37:23.120
<v Speaker 1>Upstate New York? About an hour and a half from

0:37:23.160 --> 0:37:27.959
<v Speaker 1>New York City? Where an upstate can? I ask? Okay?

0:37:27.960 --> 0:37:30.759
<v Speaker 1>I love that. We're all we're East Coast people here?

0:37:30.760 --> 0:37:33.319
<v Speaker 1>Well three are two of us? Are East Coast people here?

0:37:33.840 --> 0:37:37.680
<v Speaker 1>And then Olivia was born and raised in Beverly Hills.

0:37:38.280 --> 0:37:40.120
<v Speaker 1>You can see it on her IMTB Paige. She's in

0:37:40.120 --> 0:37:47.799
<v Speaker 1>a giant mansion too. By the way, is the year

0:37:47.840 --> 0:37:51.799
<v Speaker 1>wrong or right now? It's all unfortunately very correct it is.

0:37:52.480 --> 0:37:55.359
<v Speaker 1>Now do you age differently in giant mansions in Beverly Hills?

0:37:55.400 --> 0:37:58.120
<v Speaker 1>I'm just curious. I mean, clearly, Look, I'm almost forty.

0:37:58.280 --> 0:38:00.760
<v Speaker 1>Look at this, Look at this, Look at this phase?

0:38:01.040 --> 0:38:05.239
<v Speaker 1>Pretty dunk? So Kaylee, what has what has interested you

0:38:05.239 --> 0:38:10.600
<v Speaker 1>in voice overacting? Um? To be honest, the show? Really, Yes,

0:38:11.320 --> 0:38:18.080
<v Speaker 1>you're that's awesome. So I actually, um, I actually went

0:38:18.120 --> 0:38:21.520
<v Speaker 1>to school for theater, live theater, um. And then just

0:38:21.640 --> 0:38:26.800
<v Speaker 1>the kind of roller coaster that is live theater. Um,

0:38:26.840 --> 0:38:30.160
<v Speaker 1>you know how Broadway shows have been closing up down

0:38:30.200 --> 0:38:33.759
<v Speaker 1>left and right, And I actually, um, you know, kind

0:38:33.760 --> 0:38:37.239
<v Speaker 1>of started dipping my feet into this show. And I

0:38:37.560 --> 0:38:40.480
<v Speaker 1>you know, I had always done you know, voices here

0:38:40.480 --> 0:38:42.600
<v Speaker 1>and there, just for fun. But you know, when I

0:38:42.640 --> 0:38:44.839
<v Speaker 1>came across the show, I was like, you know what,

0:38:45.960 --> 0:38:48.000
<v Speaker 1>I think this might be. Uh this, I think this

0:38:48.120 --> 0:38:56.440
<v Speaker 1>might be. That's amazingired somebody, Christie right now? So you

0:38:56.520 --> 0:38:58.080
<v Speaker 1>want to will you will you play with us? Will

0:38:58.120 --> 0:39:00.360
<v Speaker 1>you come and play Across the Guarden with us? Sure?

0:39:00.600 --> 0:39:03.120
<v Speaker 1>So for those of you joining us for the very

0:39:03.120 --> 0:39:05.120
<v Speaker 1>first time ever, we play a fun game called Across

0:39:05.160 --> 0:39:07.080
<v Speaker 1>the Garden where Christy and I came up with two

0:39:07.200 --> 0:39:10.120
<v Speaker 1>very interesting characters right on the fly that we still

0:39:10.160 --> 0:39:11.440
<v Speaker 1>look at each other and go, man, we wish we

0:39:11.600 --> 0:39:14.200
<v Speaker 1>came up with different characters. But we've got our two

0:39:14.200 --> 0:39:16.239
<v Speaker 1>little mice friends, Ricky and Mocha, who are trying to

0:39:16.239 --> 0:39:18.879
<v Speaker 1>make it across the garden so that Mocha can see

0:39:18.880 --> 0:39:21.120
<v Speaker 1>her boyfriend, which is the story. Again we came up

0:39:21.160 --> 0:39:24.440
<v Speaker 1>with on the fly, um, and they've been having trouble

0:39:24.480 --> 0:39:28.759
<v Speaker 1>getting across the garden. So this week Olivia is going

0:39:28.760 --> 0:39:33.040
<v Speaker 1>to be playing Rose and Kayleie, you're gonna be Jack

0:39:33.080 --> 0:39:36.719
<v Speaker 1>if that's all right, All this is great. Christie once

0:39:36.760 --> 0:39:40.080
<v Speaker 1>again will be Mocha and I will be We're just

0:39:40.120 --> 0:39:43.399
<v Speaker 1>reading this like a scene, right, Yeah, just absolutely reading

0:39:43.400 --> 0:39:45.520
<v Speaker 1>it like a scene. And what we're hoping to have

0:39:45.600 --> 0:39:49.080
<v Speaker 1>happen is that because we love people that are trying

0:39:49.080 --> 0:39:52.200
<v Speaker 1>to catch a break in the animation industry, So we're

0:39:52.200 --> 0:39:54.120
<v Speaker 1>going to take all the scenes that we've recorded with

0:39:54.160 --> 0:39:56.359
<v Speaker 1>all of our undiscovered talent, and we're going to have

0:39:56.600 --> 0:40:00.879
<v Speaker 1>amateur um animators animate the hire thing together and we're

0:40:00.880 --> 0:40:02.680
<v Speaker 1>gonna have everybody's gonna get to see themselves in their

0:40:02.680 --> 0:40:06.360
<v Speaker 1>own cartoon, which is going to be really really cool.

0:40:07.520 --> 0:40:09.759
<v Speaker 1>We can't wait. So here we are. I will be

0:40:09.800 --> 0:40:13.000
<v Speaker 1>reading the stage directions and we will go from there.

0:40:13.040 --> 0:40:15.440
<v Speaker 1>So we are fading in exterior woods continuous. We come

0:40:15.520 --> 0:40:17.200
<v Speaker 1>up on Ricky and Mocha standing on the deck of

0:40:17.239 --> 0:40:19.799
<v Speaker 1>a small ocean liner crossing the pond, the wind in

0:40:19.840 --> 0:40:23.440
<v Speaker 1>their hair. This is actually pretty nice. Pan over to

0:40:23.440 --> 0:40:27.560
<v Speaker 1>see Ricky hurling over the side of the boat. Yeah,

0:40:27.600 --> 0:40:31.279
<v Speaker 1>it's magical. Well, I mean, at least we're finally going

0:40:31.320 --> 0:40:34.160
<v Speaker 1>to get to them all it has been a bit

0:40:34.160 --> 0:40:37.120
<v Speaker 1>of a journey. Have you decided how you're actually going

0:40:37.160 --> 0:40:40.360
<v Speaker 1>to dump your boyfriend? I want to see his face

0:40:40.760 --> 0:40:43.200
<v Speaker 1>as I tell him what he's done to me. I

0:40:43.200 --> 0:40:45.880
<v Speaker 1>want to look him in the eye when he knows

0:40:46.080 --> 0:40:50.320
<v Speaker 1>that it's over. Or I'll just text him. As the

0:40:50.360 --> 0:40:53.600
<v Speaker 1>siblings are talking to grasshoppers walk behind in mid discussion.

0:40:53.600 --> 0:40:55.040
<v Speaker 1>One of them is dressed to the nines while the

0:40:55.040 --> 0:40:58.440
<v Speaker 1>other looks a bit lower class. Oh, Jack, this just

0:40:58.680 --> 0:41:01.399
<v Speaker 1>can never work. My family has made me after Lord

0:41:01.520 --> 0:41:04.239
<v Speaker 1>John Hoppington the second, and you won your tickets for

0:41:04.280 --> 0:41:07.000
<v Speaker 1>this maiden voyage on the tot on the to tintic

0:41:07.400 --> 0:41:11.520
<v Speaker 1>on a random game of chance a rose. I know,

0:41:11.600 --> 0:41:15.120
<v Speaker 1>I'm just dependingless artists struggling to make it. But we

0:41:15.120 --> 0:41:17.880
<v Speaker 1>can run away together in fine happiness. It won't work.

0:41:19.400 --> 0:41:27.400
<v Speaker 1>It went shot. It was chant. Oh well, can I

0:41:27.440 --> 0:41:32.200
<v Speaker 1>at least draw? You? Draw me? What draw you? You

0:41:32.239 --> 0:41:38.359
<v Speaker 1>know as an artist draws a model? Do you mean? Yes?

0:41:39.800 --> 0:41:43.640
<v Speaker 1>Naked Rose wheels around on? Jack? Are you crazy? In

0:41:43.719 --> 0:41:45.560
<v Speaker 1>this day and age? Something like that gets in the

0:41:45.600 --> 0:41:49.400
<v Speaker 1>Internet and never disappears. Lord John's family would never accept me.

0:41:49.440 --> 0:41:55.759
<v Speaker 1>Then Jack turns, Wait, you're still going to marry Lord

0:41:55.880 --> 0:41:58.799
<v Speaker 1>John Hoppington, the second yer, watching the scene play out.

0:41:59.600 --> 0:42:02.920
<v Speaker 1>Watch this. Of course I'm still marrying him. His family

0:42:02.920 --> 0:42:07.680
<v Speaker 1>don't half the garden. But come on, man, you're a

0:42:07.760 --> 0:42:09.960
<v Speaker 1>nice guy and all, but you're a fling. You're a

0:42:10.040 --> 0:42:12.160
<v Speaker 1>nice distraction. I can think about in the years to

0:42:12.200 --> 0:42:14.560
<v Speaker 1>come when my mega wealthy husband is working too much

0:42:14.600 --> 0:42:20.279
<v Speaker 1>and the tennis instructor stopped seeing someone else. Oh, I

0:42:20.320 --> 0:42:23.359
<v Speaker 1>thought we really had something. I thought we were in love,

0:42:23.440 --> 0:42:25.200
<v Speaker 1>and I thought you were the bell hop deliver in

0:42:25.239 --> 0:42:29.239
<v Speaker 1>my bags. We all make mistakes, dude, a voice out.

0:42:29.560 --> 0:42:35.640
<v Speaker 1>I spurg dead dead, Thank god. I would rather this

0:42:35.680 --> 0:42:38.040
<v Speaker 1>whole built sinc Than spending out a second with you.

0:42:38.480 --> 0:42:41.120
<v Speaker 1>Back at your chief. I'm gonna go find a lifeboat

0:42:41.120 --> 0:42:43.040
<v Speaker 1>while you hunt down some woman's close so you don't

0:42:43.040 --> 0:42:46.040
<v Speaker 1>have to float on a door or something. She turns

0:42:46.080 --> 0:42:49.720
<v Speaker 1>to leave, Tootles Jack is left in the deck by himself.

0:42:50.880 --> 0:42:54.160
<v Speaker 1>Well that didn't go the way I thought it would.

0:42:54.239 --> 0:42:59.600
<v Speaker 1>Ricky and Moka walk over. That's love, man, it totally sucks. No, No,

0:42:59.640 --> 0:43:02.440
<v Speaker 1>that's not true. Love can be a beautiful thing filled

0:43:02.480 --> 0:43:07.640
<v Speaker 1>with passion and respect. How would you know? At Nicholas

0:43:07.680 --> 0:43:10.160
<v Speaker 1>Barks novels, The gang just looks over in time to

0:43:10.200 --> 0:43:12.360
<v Speaker 1>see a giant floating slushy cup clip the side of

0:43:12.360 --> 0:43:17.320
<v Speaker 1>the boat. It immediately starts to sink. Well, here we go, Rickey,

0:43:17.320 --> 0:43:21.080
<v Speaker 1>make look at each other, swim for it, swim for it.

0:43:21.440 --> 0:43:24.160
<v Speaker 1>Good luck finding love, Jed, They jump off the boat.

0:43:24.680 --> 0:43:32.839
<v Speaker 1>It's jack whatever. Yeah, Kaylee, thank you so much for

0:43:32.960 --> 0:43:37.960
<v Speaker 1>joining us. You were absolutely wonderful. Yeah. She dipped her

0:43:38.080 --> 0:43:40.720
<v Speaker 1>energy up, which I feel like is so important, especially

0:43:40.760 --> 0:43:43.919
<v Speaker 1>on the cold reads. Right, it was incredible. So where

0:43:43.920 --> 0:43:45.920
<v Speaker 1>can people find you if they're looking for you on

0:43:45.960 --> 0:43:50.160
<v Speaker 1>socials and stuff? So I am on Instagram. It's just

0:43:50.239 --> 0:43:55.240
<v Speaker 1>my name, Kaylee Mercado, Kaylee Marcott with two ease, Yes,

0:43:55.400 --> 0:43:58.960
<v Speaker 1>two ease M E R c A d O. And

0:43:59.080 --> 0:44:01.000
<v Speaker 1>is there any of kind of voices you want to do?

0:44:01.000 --> 0:44:03.960
<v Speaker 1>You want to showcase before you go? You don't have

0:44:04.080 --> 0:44:12.440
<v Speaker 1>to ums pressure. Um, what have you been working on

0:44:12.480 --> 0:44:16.759
<v Speaker 1>since you were inspired from the show? Well, I don't

0:44:16.760 --> 0:44:20.080
<v Speaker 1>know if if you guys have seen the Aristocats of course,

0:44:20.440 --> 0:44:26.319
<v Speaker 1>Olivia Dave amazing Arista cats. Yes, yes, I can do,

0:44:26.640 --> 0:44:30.520
<v Speaker 1>I can do Marie, I can do Napoleon do one.

0:44:30.719 --> 0:44:38.240
<v Speaker 1>Let's here what you got, um, ladies, do not stud sights,

0:44:38.360 --> 0:44:46.319
<v Speaker 1>but they can finish them very nice. All right, well,

0:44:46.360 --> 0:44:50.240
<v Speaker 1>thank you so much for joining us. Break your voice

0:44:50.280 --> 0:44:52.920
<v Speaker 1>and keep listening to the show because with the contest

0:44:53.000 --> 0:44:54.840
<v Speaker 1>coming out, you never know what could happen, so hopefully

0:44:54.840 --> 0:44:58.759
<v Speaker 1>you're going to enter. Yes, of course, thank you guys much,

0:44:58.800 --> 0:45:06.160
<v Speaker 1>thank you for joining us. Thank you. That's nice. Guys

0:45:06.239 --> 0:45:09.279
<v Speaker 1>do that. That's so cool. So it's kind of like

0:45:09.520 --> 0:45:12.000
<v Speaker 1>what we offer on our show, you know, because it's

0:45:12.000 --> 0:45:14.279
<v Speaker 1>like our show is is so community based and we

0:45:14.320 --> 0:45:16.080
<v Speaker 1>love our fans so much, and like you said, Olivia,

0:45:16.080 --> 0:45:18.399
<v Speaker 1>like people have come up to us too, all these

0:45:18.440 --> 0:45:20.560
<v Speaker 1>comic cons and have asked us how do I start?

0:45:20.640 --> 0:45:22.480
<v Speaker 1>How do I get into it? I'm so passionate. I

0:45:22.480 --> 0:45:24.840
<v Speaker 1>have all these voices I'm working on. And what I

0:45:24.880 --> 0:45:26.360
<v Speaker 1>love about our show is that it's kind of a

0:45:26.400 --> 0:45:30.240
<v Speaker 1>guidebook episode to episode on how to sort of build

0:45:30.920 --> 0:45:34.200
<v Speaker 1>your you know, your footing in what you want to

0:45:34.239 --> 0:45:36.080
<v Speaker 1>do and what you want to contribute to the voice

0:45:36.120 --> 0:45:39.720
<v Speaker 1>acting world. It feels it's so much more accessible now,

0:45:39.960 --> 0:45:43.120
<v Speaker 1>especially like, yeah, I don't know doing all these cons,

0:45:43.160 --> 0:45:45.239
<v Speaker 1>and it's like it used to be such a small

0:45:45.280 --> 0:45:47.919
<v Speaker 1>click and especially with anime and all that like, it's

0:45:47.960 --> 0:45:52.040
<v Speaker 1>just exploded in terms of accessibility. And then also we're

0:45:52.040 --> 0:45:54.399
<v Speaker 1>all or a lot of us are recording from home

0:45:54.440 --> 0:45:56.960
<v Speaker 1>now too, you know, so it's not like you have

0:45:57.080 --> 0:45:58.440
<v Speaker 1>to be in l Are, you have to be in

0:45:58.480 --> 0:46:00.800
<v Speaker 1>New York and and that sort of it does. It

0:46:00.920 --> 0:46:02.799
<v Speaker 1>makes a big difference. And we love having the the

0:46:02.880 --> 0:46:05.640
<v Speaker 1>undiscovered talent comes on, which which and that leads us

0:46:05.680 --> 0:46:08.920
<v Speaker 1>to our thing we've been talking about now and I

0:46:08.960 --> 0:46:10.960
<v Speaker 1>think we're we're stepping up to the point where we're

0:46:11.000 --> 0:46:14.000
<v Speaker 1>actually going to be uh taking it live in the

0:46:14.000 --> 0:46:16.080
<v Speaker 1>next couple of weeks. So we are doing, of course

0:46:16.120 --> 0:46:18.600
<v Speaker 1>the Super Awesome Contest to become the next Big Voice Actor.

0:46:19.280 --> 0:46:21.959
<v Speaker 1>And we've talked about that before. So somebody out there

0:46:22.080 --> 0:46:27.759
<v Speaker 1>is going to win some incredible prizes, including Voiceover Agent. So, uh,

0:46:28.160 --> 0:46:30.120
<v Speaker 1>you get to sign with the voice Over Agent. And

0:46:30.160 --> 0:46:32.600
<v Speaker 1>we are we we we say, you know, we don't

0:46:32.600 --> 0:46:34.319
<v Speaker 1>get to to throw you into the business. We can't

0:46:34.320 --> 0:46:36.040
<v Speaker 1>give you a career, but we can crack the door.

0:46:36.200 --> 0:46:39.399
<v Speaker 1>So what's what's the contest called again, Christie? I keep,

0:46:39.400 --> 0:46:42.160
<v Speaker 1>I keep forgetting the Super Awesome Contest to become the

0:46:42.160 --> 0:46:45.880
<v Speaker 1>next Big Voice Actor. Yes, you got it, man, finally

0:46:46.160 --> 0:46:53.000
<v Speaker 1>tell that we are getting close to launching the contest exactly.

0:46:53.160 --> 0:46:56.080
<v Speaker 1>That's exactly what I'm doing right now. I love thank you.

0:46:56.680 --> 0:47:00.480
<v Speaker 1>That's very funny, Olivia. Thank you so much for joining us.

0:47:00.520 --> 0:47:03.279
<v Speaker 1>You're so awesome. Thanks for having me. Guys, Like, I

0:47:03.360 --> 0:47:05.319
<v Speaker 1>miss you. I miss you. I feel like I have

0:47:05.360 --> 0:47:07.520
<v Speaker 1>to I'm gonna have to message you. Yeah, oh, please

0:47:07.600 --> 0:47:10.560
<v Speaker 1>to go to the club. And where can nice where

0:47:10.600 --> 0:47:14.719
<v Speaker 1>can people find you if you're looking at the club? Honestly,

0:47:16.000 --> 0:47:18.160
<v Speaker 1>the one club in Beverly Hills near the Giant House.

0:47:18.200 --> 0:47:24.640
<v Speaker 1>I was, oh my god, kill me. Um, I'm on Instagram.

0:47:24.719 --> 0:47:27.480
<v Speaker 1>It's like the Olivia Hack. You can find me there.

0:47:27.520 --> 0:47:30.040
<v Speaker 1>And I'm basically at a comic con every weekend. So

0:47:30.120 --> 0:47:32.759
<v Speaker 1>because I love that's awesome. Yeah, I'm surprised that we

0:47:32.800 --> 0:47:35.759
<v Speaker 1>haven't seen each We're probably crossing pads of thousand you.

0:47:35.880 --> 0:47:38.240
<v Speaker 1>We will see each other next year, I'm sure. Yeah,

0:47:38.480 --> 0:47:41.000
<v Speaker 1>I'm sure. I did like twenty this year and I've

0:47:41.000 --> 0:47:43.040
<v Speaker 1>already got like twenty lined up for next year. So

0:47:43.840 --> 0:47:47.360
<v Speaker 1>nex yeah, I want any chance going? Did you know

0:47:47.480 --> 0:47:50.440
<v Speaker 1>I want to this next year? Okay, you guys go.

0:47:50.719 --> 0:47:53.640
<v Speaker 1>Last year, yeah, nineties con and Hartford was awesome. Yeah,

0:47:53.680 --> 0:47:57.239
<v Speaker 1>she was the host and the cast deploy mean, Okay,

0:47:57.280 --> 0:48:00.600
<v Speaker 1>when's the next nineties con are you doing? I think

0:48:00.600 --> 0:48:03.279
<v Speaker 1>there's one in March and Hartford that we're not doing

0:48:03.280 --> 0:48:04.759
<v Speaker 1>the one in Hartford again, but then I think there's

0:48:04.800 --> 0:48:09.120
<v Speaker 1>another one in Florida that I think we're doing, so yeah,

0:48:09.200 --> 0:48:11.200
<v Speaker 1>so it's it's gonna be cool. But yeah, well we'll

0:48:11.239 --> 0:48:14.319
<v Speaker 1>sure see you and check out Olivia, who I'm sure

0:48:14.440 --> 0:48:16.840
<v Speaker 1>you can find on Instagram, and we'll tell everybody all

0:48:16.880 --> 0:48:19.840
<v Speaker 1>of the convention she's going to so you can go

0:48:19.880 --> 0:48:22.520
<v Speaker 1>out and uh see what it looks like when you

0:48:22.560 --> 0:48:35.880
<v Speaker 1>were raised in Beverly Hills by surrounded by wealth. Um up, awesome,

0:48:35.960 --> 0:48:38.320
<v Speaker 1>Thank you so much for joining us. Check out everything

0:48:38.400 --> 0:48:40.839
<v Speaker 1>she's doing because it's cool. And that Harry Potter game

0:48:40.880 --> 0:48:43.759
<v Speaker 1>sounds amazing, and we're going to find out exactly what

0:48:43.800 --> 0:48:47.600
<v Speaker 1>color that kaibra crystal is, um because that is also

0:48:47.719 --> 0:48:51.200
<v Speaker 1>very important. But thank you everybody for joining us this week.

0:48:51.400 --> 0:48:53.319
<v Speaker 1>And don't forget if you think you have what it

0:48:53.360 --> 0:48:55.759
<v Speaker 1>takes to step up to the microphone, then put your

0:48:55.800 --> 0:48:58.920
<v Speaker 1>voices where your mouth is. Thanks everybody. I hear voices

0:48:58.960 --> 0:49:01.920
<v Speaker 1>as hosted by Wilfred and Christy Carlson Romano. Executive produced

0:49:01.960 --> 0:49:04.920
<v Speaker 1>by Will Ferdell, Brendan Rooney, Amy Sugarman and Vicky Ernst Chang.

0:49:05.080 --> 0:49:07.600
<v Speaker 1>Our executive in charge of production is Danielle Romo, Our

0:49:07.600 --> 0:49:10.400
<v Speaker 1>producer is Lorraine Vera Weez and our editor slash engineer

0:49:10.480 --> 0:49:14.239
<v Speaker 1>is Brian Burton. And that was my announcer voice. Some

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<v Speaker 1>side effects of listening to I Hear Voices are sore

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<v Speaker 1>lime Wire. Hey I'm a napster. Okay, well, let's teach

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<v Speaker 1>you about the Internet. The who