1 00:00:00,080 --> 00:00:03,440 Speaker 1: Hey Christy, Hi will Fredell. What's up? How wow? I 2 00:00:03,440 --> 00:00:06,440 Speaker 1: got the full last name today? You did, because you 3 00:00:06,480 --> 00:00:08,280 Speaker 1: know what, I'm really excited. You just shared all this 4 00:00:08,360 --> 00:00:12,840 Speaker 1: amazing news. You did um the pod Meats World Live show, 5 00:00:13,000 --> 00:00:14,880 Speaker 1: and you packed the house. We did. We packed the house. 6 00:00:14,880 --> 00:00:16,439 Speaker 1: It was a ton of fun. And you've moved to 7 00:00:16,440 --> 00:00:19,160 Speaker 1: Speaking of houses, you've moved to another house and you 8 00:00:19,200 --> 00:00:22,799 Speaker 1: are reporting from a new cave. You're watching video. Yeah, 9 00:00:23,120 --> 00:00:25,320 Speaker 1: and everybody's sick. I mean, there's just so much going 10 00:00:25,320 --> 00:00:27,320 Speaker 1: on in the world, right, Is everyone in your family sick? 11 00:00:27,320 --> 00:00:30,320 Speaker 1: Because everyone around here is really I've got one child 12 00:00:30,480 --> 00:00:34,159 Speaker 1: on antibiotics and another one that's you know, healthy on 13 00:00:34,200 --> 00:00:36,040 Speaker 1: the mend, and a third child that you're married to 14 00:00:36,120 --> 00:00:38,800 Speaker 1: that also has a sinus infection and has been gone 15 00:00:38,840 --> 00:00:42,640 Speaker 1: for a week while we were moving in. Everything's good, though, 16 00:00:42,760 --> 00:00:45,559 Speaker 1: like honestly, like I can't complain. You can. You got 17 00:00:45,560 --> 00:00:47,239 Speaker 1: a big microphone in front of you can complain to 18 00:00:47,280 --> 00:00:50,240 Speaker 1: everybody you want to. That's the joy. That's true. I 19 00:00:50,240 --> 00:00:52,239 Speaker 1: guess I could. And it's echo E two it is. 20 00:00:52,280 --> 00:00:53,960 Speaker 1: I noticed you're in kind of a new cave. You 21 00:00:54,000 --> 00:00:57,160 Speaker 1: have to we'll we'll have to de ecify your ecify. Yeah, 22 00:00:57,200 --> 00:01:01,200 Speaker 1: I'm gonna. I'm going with itfy id your your room. 23 00:01:01,280 --> 00:01:02,920 Speaker 1: But I like but in a weird way. I like 24 00:01:02,960 --> 00:01:06,920 Speaker 1: the way that it makes my voice sound more womanly. Really, 25 00:01:06,959 --> 00:01:11,640 Speaker 1: you think makes you sound more womanly? Weirdly, I feel 26 00:01:12,480 --> 00:01:16,240 Speaker 1: like more sexy. Is that what you think? It sounds ephemeral? 27 00:01:16,319 --> 00:01:18,160 Speaker 1: What does that word mean? Even? I feel like I 28 00:01:18,240 --> 00:01:24,679 Speaker 1: know what that word you're asking. Ephemeral. Ephemeral is the 29 00:01:24,800 --> 00:01:27,920 Speaker 1: largest bone in your leg. I broke. I broke my 30 00:01:27,959 --> 00:01:32,240 Speaker 1: ephemeral when I was a kid. I'm kidding. Hold on now, 31 00:01:32,280 --> 00:01:33,600 Speaker 1: I really want to Now you want to know what 32 00:01:33,640 --> 00:01:35,960 Speaker 1: it is? I would tell you, but I'm not going wrong. 33 00:01:36,640 --> 00:01:48,000 Speaker 1: Hold on if I actually got this, yeah, no lasting 34 00:01:48,160 --> 00:01:54,160 Speaker 1: for a very short time. Fashions are ephemeral, ethereal. Then 35 00:01:54,560 --> 00:01:58,640 Speaker 1: that's what I meant. Don't use words you don't know 36 00:01:58,680 --> 00:02:00,720 Speaker 1: what they mean. I do that every now and then. 37 00:02:00,880 --> 00:02:02,600 Speaker 1: I'm just I'm sorry. I'm just looking back as my 38 00:02:02,800 --> 00:02:06,000 Speaker 1: as my career as a lover, and being called ephemeral, 39 00:02:06,040 --> 00:02:10,560 Speaker 1: I realized was not was not the compliment I thought 40 00:02:10,560 --> 00:02:15,240 Speaker 1: it was. I was like, man, was totally aphemeral, And 41 00:02:15,280 --> 00:02:19,079 Speaker 1: she had to tell me quickly um oh no, that's 42 00:02:19,160 --> 00:02:23,160 Speaker 1: so funny. How are you so you're are you not sick? 43 00:02:23,280 --> 00:02:26,639 Speaker 1: You're not sick. I don't know. I'm mom sick, which 44 00:02:26,680 --> 00:02:29,400 Speaker 1: basically means like, especially like our producer can share our 45 00:02:29,480 --> 00:02:33,239 Speaker 1: sentiment as well, Um yeah, I'm mom sick, which means 46 00:02:33,240 --> 00:02:35,680 Speaker 1: you really can't get sick. It's like you're sick, but 47 00:02:35,840 --> 00:02:38,000 Speaker 1: like you laugh at it because you have to keep 48 00:02:38,000 --> 00:02:40,720 Speaker 1: going and pretend like it's not really happening. Yeah. My 49 00:02:40,760 --> 00:02:42,920 Speaker 1: wife Sue says that I'm one of those people where 50 00:02:42,919 --> 00:02:45,040 Speaker 1: I sneeze once and I've got to be in bed 51 00:02:45,040 --> 00:02:47,720 Speaker 1: for a month, or it's like don't don't come here 52 00:02:47,919 --> 00:02:51,960 Speaker 1: of yourself, take care of yourself. That's important, honestly. But no, 53 00:02:52,040 --> 00:02:53,799 Speaker 1: I get that. Like we we've been doing a lot 54 00:02:53,800 --> 00:02:56,560 Speaker 1: of different podcasts, both of us have separately from each other, 55 00:02:56,600 --> 00:02:59,840 Speaker 1: and and obviously we're doing our next con together. We're 56 00:02:59,840 --> 00:03:02,200 Speaker 1: doing is in San Francisco. San Francisco. Yeah, and we're 57 00:03:02,200 --> 00:03:05,160 Speaker 1: doing a live I hear voices at San Francisco Comic Con, 58 00:03:05,200 --> 00:03:06,959 Speaker 1: which is great. Which is I think it's the twenties 59 00:03:08,240 --> 00:03:11,840 Speaker 1: fifth it's right after Thanksgiving, the day after thanks You, 60 00:03:12,040 --> 00:03:16,000 Speaker 1: it's November, putting my pie fork down I'm heading exactly. 61 00:03:16,280 --> 00:03:19,760 Speaker 1: We're actually having Thanksgiving in San Francisco with our with 62 00:03:19,919 --> 00:03:23,760 Speaker 1: my my stepdaughter and new son in law, so it 63 00:03:24,040 --> 00:03:25,959 Speaker 1: will be there. Yeah, that's where they live. So though, 64 00:03:26,000 --> 00:03:28,360 Speaker 1: oh my gosh, that's great time. So they will be 65 00:03:28,440 --> 00:03:32,160 Speaker 1: there for Thanksgiving, the giving of thanks Um and have 66 00:03:32,240 --> 00:03:34,320 Speaker 1: turkey in the city. I haven't had turkey in the 67 00:03:34,360 --> 00:03:36,800 Speaker 1: city and as long as I can remember. And some 68 00:03:36,880 --> 00:03:39,440 Speaker 1: chowder what why would there be chowder? Do they have 69 00:03:39,600 --> 00:03:43,400 Speaker 1: great clam chowder? First of all, you're talking to a 70 00:03:43,440 --> 00:03:46,320 Speaker 1: guy from New England. Don't ever bring up West Coast 71 00:03:46,400 --> 00:03:50,120 Speaker 1: chowder to talking to somebody who you're from. You, by 72 00:03:50,160 --> 00:03:52,480 Speaker 1: the way, are from Connecticut. You should be all about 73 00:03:52,600 --> 00:03:56,280 Speaker 1: New England white real clam chowder. This is what they 74 00:03:56,320 --> 00:04:00,320 Speaker 1: serve though at the wharf Fisherman's work they serve both 75 00:04:00,360 --> 00:04:03,200 Speaker 1: types of chowder. I'm sure. I'm sure they're trying to 76 00:04:03,240 --> 00:04:05,240 Speaker 1: get it just as good as in the New England 77 00:04:05,240 --> 00:04:11,520 Speaker 1: clam chowder, and they don't. My friend canceled, canceled without 78 00:04:11,600 --> 00:04:14,920 Speaker 1: the chowder. Fly your Connecticut flag high. You gotta fly 79 00:04:15,000 --> 00:04:17,839 Speaker 1: your Connectic So I'm very excited about today's guests. Are 80 00:04:17,920 --> 00:04:21,040 Speaker 1: you excited about today's guest. I am because I actually 81 00:04:21,080 --> 00:04:23,440 Speaker 1: know our guest from way back, and we're going to 82 00:04:23,520 --> 00:04:25,520 Speaker 1: be able to reconnect because it's been years. For sure, 83 00:04:25,560 --> 00:04:28,600 Speaker 1: it's been years, and um, I remember seeing her in 84 00:04:28,720 --> 00:04:31,360 Speaker 1: audition rooms and whatnot, and I'm so happy that she's 85 00:04:31,400 --> 00:04:34,360 Speaker 1: doing so well in our little voice over community now 86 00:04:34,440 --> 00:04:37,240 Speaker 1: crazy well, I mean, we're talking about she was on 87 00:04:37,440 --> 00:04:41,240 Speaker 1: Hey Arnold, and she was on Last Airbender, and she 88 00:04:41,440 --> 00:04:44,040 Speaker 1: was on the care Bears, and she's been a Jedi, 89 00:04:44,360 --> 00:04:48,040 Speaker 1: and it's Harry Potter video games and burn the Witch, 90 00:04:48,040 --> 00:04:49,880 Speaker 1: which is a new crunchy role. There's so much to 91 00:04:49,920 --> 00:04:51,800 Speaker 1: talk about that. Frankly, I don't know if we're gonna 92 00:04:51,800 --> 00:04:53,479 Speaker 1: be able to get everything. So I think we should 93 00:04:53,480 --> 00:04:55,320 Speaker 1: just end this podcast here and not even bring her out, 94 00:04:55,360 --> 00:04:56,800 Speaker 1: because I we're just not gonna be able to get 95 00:04:56,800 --> 00:04:57,880 Speaker 1: to all the stuff that we have to get to. 96 00:04:57,960 --> 00:05:00,760 Speaker 1: I can't wait to hear her on our little show, 97 00:05:00,960 --> 00:05:02,920 Speaker 1: a little, our little vignette. Oh when we're going to 98 00:05:03,000 --> 00:05:04,840 Speaker 1: do our across the Garden, which is great. We've got 99 00:05:04,839 --> 00:05:07,120 Speaker 1: a fun fun across the garden today and have fun. 100 00:05:07,200 --> 00:05:11,440 Speaker 1: Um amateur voiceover actor, undiscovered voice over, I don't like 101 00:05:11,440 --> 00:05:14,760 Speaker 1: the word amateur. An undiscovered voiceover actor like that is 102 00:05:14,800 --> 00:05:17,120 Speaker 1: going to join us today, and that will also lead 103 00:05:17,160 --> 00:05:19,279 Speaker 1: us to a wonderful conversation about the best way to 104 00:05:19,400 --> 00:05:21,479 Speaker 1: be discovered, because we're going to help out with that 105 00:05:21,600 --> 00:05:25,880 Speaker 1: with our amazing um contest, which I can never remember 106 00:05:25,880 --> 00:05:30,839 Speaker 1: the name of christ can I don't even ask. I 107 00:05:30,880 --> 00:05:33,039 Speaker 1: can't remember what it's called. What is it? What is 108 00:05:33,040 --> 00:05:36,440 Speaker 1: it again? Dude, you're so good. I'm just curious if 109 00:05:36,440 --> 00:05:38,440 Speaker 1: you can remember what it is, because it's out of 110 00:05:38,440 --> 00:05:40,400 Speaker 1: my head. What's it called again? It's got out of 111 00:05:40,440 --> 00:05:43,320 Speaker 1: my head to you know. Come on, Google, come on, 112 00:05:47,680 --> 00:05:51,479 Speaker 1: it's completely drawing, It's completely Maybe if I keep drinking 113 00:05:51,480 --> 00:05:53,880 Speaker 1: my diet code. There you go. It's the super Awesome 114 00:05:53,920 --> 00:05:56,600 Speaker 1: Contest to become the next voice Actor, Next Big Voice. 115 00:05:56,680 --> 00:05:59,919 Speaker 1: The super Awesome Contest to become the next voice actor 116 00:06:00,120 --> 00:06:02,480 Speaker 1: the Big Voice. Yeah, the next Big Voice. We'll get it. 117 00:06:02,520 --> 00:06:04,880 Speaker 1: We'll get it, we'll get it. I think the first 118 00:06:04,920 --> 00:06:06,760 Speaker 1: thing you're gonna have to do is learn the title 119 00:06:06,839 --> 00:06:09,680 Speaker 1: to win. But oh my god, who do we have today? 120 00:06:09,680 --> 00:06:13,599 Speaker 1: Who's joining us? Christie? We have Miss Olivia Hack. Let's 121 00:06:13,640 --> 00:06:19,520 Speaker 1: get into it. Hey, it's all happening. It's all happening. 122 00:06:19,839 --> 00:06:26,520 Speaker 1: She's here. How you doing? I'm happy, Christie is Olivia 123 00:06:26,560 --> 00:06:29,680 Speaker 1: every single time, every single time a guest comes on, 124 00:06:29,800 --> 00:06:33,280 Speaker 1: Christie is amazed they're actually here. It's so funny. It's 125 00:06:33,279 --> 00:06:35,600 Speaker 1: like whatever. I like, It's like we've been planning this 126 00:06:35,640 --> 00:06:37,719 Speaker 1: for weeks and then the person actually pops up like 127 00:06:37,800 --> 00:06:42,160 Speaker 1: you're here. First of all, yes, because I'm so grateful 128 00:06:42,160 --> 00:06:44,880 Speaker 1: when people come on to our our show, and ours 129 00:06:44,920 --> 00:06:54,359 Speaker 1: has had everyone on those seriously, we continue to well done, Olivia. Dude, Olivia, 130 00:06:54,360 --> 00:06:56,400 Speaker 1: when's the last time I saw you? I don't know, 131 00:06:56,560 --> 00:06:58,560 Speaker 1: fifteen years ago at some club in l A or 132 00:06:58,640 --> 00:07:02,760 Speaker 1: something probably okay, think okay, so club in l A. Sure, 133 00:07:02,839 --> 00:07:04,760 Speaker 1: but I thought we were I thought we were like 134 00:07:04,880 --> 00:07:09,200 Speaker 1: the same, we were agent or CSD. Yes, yes see 135 00:07:09,360 --> 00:07:13,640 Speaker 1: I was right, you know will Okay, I'm still still 136 00:07:13,800 --> 00:07:15,480 Speaker 1: I've been with C E. D. S D for twenty years. 137 00:07:15,480 --> 00:07:17,560 Speaker 1: But I don't want to skip over the club in 138 00:07:17,680 --> 00:07:19,760 Speaker 1: l A story. So I don't, you know, I don't 139 00:07:19,800 --> 00:07:22,480 Speaker 1: know young people in l A. Whatever. Do you guys 140 00:07:22,480 --> 00:07:23,920 Speaker 1: still live in l A? I feel like neither of 141 00:07:23,920 --> 00:07:26,560 Speaker 1: you do. I'm basing that on. I do nothing I 142 00:07:26,600 --> 00:07:28,440 Speaker 1: don't live in l A and I don't go to club. 143 00:07:29,000 --> 00:07:32,440 Speaker 1: It's so sad that I live in l A and 144 00:07:32,480 --> 00:07:37,120 Speaker 1: I've never been to a club in my life. Good choices, yeah, 145 00:07:37,280 --> 00:07:39,040 Speaker 1: because I know, but I'm now I want to get 146 00:07:39,040 --> 00:07:40,560 Speaker 1: to do it. What was the last I don't know. 147 00:07:40,640 --> 00:07:43,000 Speaker 1: He was literally like lood do or some I mean 148 00:07:43,040 --> 00:07:46,680 Speaker 1: like back, Oh my gosh, day. I think Olivia and 149 00:07:46,680 --> 00:07:48,680 Speaker 1: I hung out like all the time that day. I 150 00:07:48,720 --> 00:07:51,880 Speaker 1: think we like. I think yes, and I miss you 151 00:07:51,960 --> 00:07:57,800 Speaker 1: in my life. We are the cup. You're in Austin. 152 00:07:57,880 --> 00:08:01,680 Speaker 1: Oh oh that's right. Yeah, as I moved to Austin, Texas. 153 00:08:01,800 --> 00:08:05,440 Speaker 1: How do you like training here? It's beautiful. I've been 154 00:08:05,480 --> 00:08:08,000 Speaker 1: your two and a half years. I've found a beautiful 155 00:08:08,000 --> 00:08:10,880 Speaker 1: house as well now, um that I just moved to. 156 00:08:11,040 --> 00:08:14,080 Speaker 1: So I'm really comfortable and my girls are really you know, 157 00:08:14,240 --> 00:08:17,880 Speaker 1: I have two kids, Olivia crazy crazy, I have to 158 00:08:19,240 --> 00:08:23,280 Speaker 1: no club time. You don't need to do that. You 159 00:08:23,360 --> 00:08:26,040 Speaker 1: really don't the babysitters club more like it. But yes, 160 00:08:27,360 --> 00:08:30,000 Speaker 1: oh my gosh, this is so cool. I'm so happy 161 00:08:30,000 --> 00:08:31,680 Speaker 1: to see your face, happy to see well, thank you 162 00:08:31,720 --> 00:08:34,360 Speaker 1: for joining us, thanks for having me. Happy to be here. 163 00:08:34,360 --> 00:08:37,520 Speaker 1: Now I have to know. Are you in l a A. Yeah, 164 00:08:38,520 --> 00:08:42,040 Speaker 1: raise if I die Hills, girl, if I die here, 165 00:08:42,080 --> 00:08:45,200 Speaker 1: I'll be really disappointed myself. But you know it's probably 166 00:08:45,280 --> 00:08:48,160 Speaker 1: gonna Did both of you grew up in l a too, No, 167 00:08:48,320 --> 00:08:52,200 Speaker 1: we're actually both from Connecticut randomly, Yeah, but you were 168 00:08:52,280 --> 00:08:55,200 Speaker 1: like kid actors. I feel like you're only a kid actor. Well, 169 00:08:55,240 --> 00:08:57,400 Speaker 1: I guess kids come out for pilot season, then they 170 00:08:57,440 --> 00:08:59,240 Speaker 1: do that whole. That's what we did. So I was 171 00:08:59,280 --> 00:09:01,480 Speaker 1: in the UID in New York and I would take 172 00:09:01,480 --> 00:09:03,319 Speaker 1: the bus down, she would take the train, and then 173 00:09:03,360 --> 00:09:05,120 Speaker 1: when Boy MEA's World started, I moved out here, so 174 00:09:05,160 --> 00:09:08,000 Speaker 1: that I've been here since I was sixteen. Um, so 175 00:09:08,040 --> 00:09:12,559 Speaker 1: I'm essentially have been a California person forever at this point. Well, 176 00:09:12,600 --> 00:09:16,080 Speaker 1: and that makes sense Connecticut but really New York City. Yeah, 177 00:09:16,160 --> 00:09:18,880 Speaker 1: so that's how that happens. Yeah, we were New York 178 00:09:18,960 --> 00:09:21,840 Speaker 1: kids that came west. Yeah, that's kind of our vibe. 179 00:09:21,880 --> 00:09:26,280 Speaker 1: But I'm not a Beverly Hills. It says Beverly Hills 180 00:09:26,440 --> 00:09:29,880 Speaker 1: on my like I AMDB, which is like unchangeable because 181 00:09:29,920 --> 00:09:33,480 Speaker 1: I was like born at I grew up in Hollywood 182 00:09:33,520 --> 00:09:36,280 Speaker 1: and then moved to Burbank and I'm still in Burbank, 183 00:09:36,480 --> 00:09:38,480 Speaker 1: so but it is interesting because you don't meet a 184 00:09:38,520 --> 00:09:40,960 Speaker 1: lot of people that are like from Beverly Hills or 185 00:09:41,160 --> 00:09:44,360 Speaker 1: l A. You know. Um, both my daughters were born 186 00:09:44,760 --> 00:09:46,880 Speaker 1: in One of them was born in Beverly Hills and 187 00:09:46,920 --> 00:09:48,440 Speaker 1: then the other one was born in Newport when we 188 00:09:48,440 --> 00:09:50,520 Speaker 1: moved down to Orange County. But it is it is 189 00:09:50,559 --> 00:09:53,280 Speaker 1: fun to see like somebody who's like from l A. 190 00:09:53,679 --> 00:09:56,480 Speaker 1: What's a different vibe. Like my favorite people are the 191 00:09:56,520 --> 00:09:59,320 Speaker 1: people that grew up here, because it's like, oh, that's 192 00:09:59,360 --> 00:10:02,040 Speaker 1: that's why like you, because you're just relaxed into it, 193 00:10:02,120 --> 00:10:03,960 Speaker 1: you know, because I think you meet a lot of 194 00:10:03,960 --> 00:10:07,040 Speaker 1: people and they come to l A and they try 195 00:10:07,040 --> 00:10:09,319 Speaker 1: and be l A whatever that is in their mind 196 00:10:09,440 --> 00:10:11,560 Speaker 1: that they grew up watching or think that, you know, 197 00:10:11,640 --> 00:10:13,400 Speaker 1: but I don't know that the locals are a little 198 00:10:13,440 --> 00:10:17,720 Speaker 1: bit more you know. Well, and Olivia always you've always 199 00:10:17,760 --> 00:10:19,680 Speaker 1: struck me as and this is funny because this will 200 00:10:19,720 --> 00:10:23,840 Speaker 1: trans this will transition into sort of just the sentiment 201 00:10:23,880 --> 00:10:27,679 Speaker 1: of using your voice and whatnot. But like you have 202 00:10:27,800 --> 00:10:30,520 Speaker 1: like a more East Coast sensibility to you, Like if 203 00:10:30,559 --> 00:10:33,640 Speaker 1: if somebody would be like, hey, look at this actress. 204 00:10:33,920 --> 00:10:36,319 Speaker 1: Where would you cast her being from I think somebody 205 00:10:36,320 --> 00:10:38,800 Speaker 1: would be like, oh yeah, she's kind of like sassy, 206 00:10:38,920 --> 00:10:40,680 Speaker 1: and I feel like she could be more East Coast 207 00:10:40,679 --> 00:10:42,439 Speaker 1: than people have asked me if I'm from New York. 208 00:10:42,440 --> 00:10:45,080 Speaker 1: But it's just it's direct, like I have very male energy, 209 00:10:45,200 --> 00:10:48,440 Speaker 1: which is just kind of I'm just more. I'm just direct. 210 00:10:48,480 --> 00:10:49,959 Speaker 1: I don't know. I don't like, who is time for 211 00:10:50,000 --> 00:10:54,160 Speaker 1: anything else? I like that. I like that. So let 212 00:10:54,200 --> 00:10:55,800 Speaker 1: me ask you a question. Then, how do we talked 213 00:10:55,800 --> 00:10:58,840 Speaker 1: about being child actors? How did you start in the industry? 214 00:10:59,040 --> 00:11:01,319 Speaker 1: I mean I literally it was like three years old. 215 00:11:02,000 --> 00:11:05,480 Speaker 1: Started in commercials like all kid actors do, as as 216 00:11:05,520 --> 00:11:08,880 Speaker 1: you do, you know, and then I started doing TV 217 00:11:09,200 --> 00:11:12,200 Speaker 1: and then movies and all that stuff. Um. And that's 218 00:11:12,200 --> 00:11:15,560 Speaker 1: why it's so funny because fans, you know, I do 219 00:11:15,600 --> 00:11:17,640 Speaker 1: a lot of comic cons, and so the question is 220 00:11:17,640 --> 00:11:20,280 Speaker 1: always like, how did you how did you start, you know, 221 00:11:20,360 --> 00:11:23,560 Speaker 1: voice acting? And the look on their face is just 222 00:11:23,679 --> 00:11:26,360 Speaker 1: so disappointed when I tell my story, because I think 223 00:11:26,400 --> 00:11:29,280 Speaker 1: there's a lot of especially anime actors and things that 224 00:11:29,360 --> 00:11:31,720 Speaker 1: have these like I was just an office assistant and 225 00:11:31,760 --> 00:11:34,680 Speaker 1: then I became a voice actor or whatever. And it's 226 00:11:34,720 --> 00:11:38,319 Speaker 1: like for me, like my first animated series was a 227 00:11:38,360 --> 00:11:40,679 Speaker 1: show called Hey Arnold, and I think I started that 228 00:11:40,679 --> 00:11:43,839 Speaker 1: when I show it. You know, when you do something 229 00:11:43,880 --> 00:11:45,600 Speaker 1: though you don't know, it's like what I have ever 230 00:11:45,640 --> 00:11:47,360 Speaker 1: heard of Hey Arnold? If I wasn't on it, I 231 00:11:47,400 --> 00:11:49,720 Speaker 1: don't know. You know, when you do a project, it's weird, 232 00:11:49,840 --> 00:11:52,120 Speaker 1: but uh, but yeah, I started doing that when I 233 00:11:52,160 --> 00:11:55,319 Speaker 1: was like, I think I had just turned twelve and so, 234 00:11:55,480 --> 00:11:57,520 Speaker 1: and I've done a little bit of voiceover before that, 235 00:11:57,559 --> 00:12:01,839 Speaker 1: and so it's like not this origin story where as 236 00:12:01,880 --> 00:12:04,960 Speaker 1: an adult I just started doing voiceover. So it's always 237 00:12:05,000 --> 00:12:08,120 Speaker 1: a little I feel disappointing two fans that I don't 238 00:12:08,160 --> 00:12:10,880 Speaker 1: have this like you can do it too story because 239 00:12:10,880 --> 00:12:13,360 Speaker 1: I've just been doing it forever. I don't know, but 240 00:12:13,679 --> 00:12:16,480 Speaker 1: there's part of me that thinks that's that, in a way, 241 00:12:16,559 --> 00:12:18,960 Speaker 1: is even a more interesting story because it's more rare. 242 00:12:19,480 --> 00:12:21,320 Speaker 1: The A lot of the people that we're meeting are 243 00:12:21,360 --> 00:12:24,960 Speaker 1: not people. I mean, you meet child actors that started 244 00:12:25,000 --> 00:12:27,360 Speaker 1: on camera exactly the way you're talking about it. We 245 00:12:27,400 --> 00:12:29,200 Speaker 1: all did commercials, so we kind of started or we 246 00:12:29,200 --> 00:12:31,960 Speaker 1: started on stage and then you transition, you know, if 247 00:12:31,960 --> 00:12:34,040 Speaker 1: you're back East, you do a law in order. You know, 248 00:12:34,120 --> 00:12:37,480 Speaker 1: it's every that kind of thing you always exactly so 249 00:12:37,800 --> 00:12:41,440 Speaker 1: everybody does that kind of stuff. And then as you're older, 250 00:12:41,480 --> 00:12:44,480 Speaker 1: you get maybe your first voiceover gig if you're you're 251 00:12:44,559 --> 00:12:48,240 Speaker 1: lucky enough to transition into voiceover. So to meet somebody 252 00:12:48,280 --> 00:12:51,240 Speaker 1: that has been doing voice over since they were young, 253 00:12:51,840 --> 00:12:53,559 Speaker 1: I think is more rare in the industry. I can 254 00:12:53,640 --> 00:12:55,160 Speaker 1: right now the people that have at least been on 255 00:12:55,160 --> 00:12:56,679 Speaker 1: this show. I can think of you. I can think 256 00:12:56,679 --> 00:13:01,480 Speaker 1: of Marsden, Jason Marsden, um, and that's kind of it. 257 00:13:02,360 --> 00:13:04,079 Speaker 1: We were young right when you were doing v O 258 00:13:04,280 --> 00:13:08,520 Speaker 1: or not that we're not all super I mean I 259 00:13:08,600 --> 00:13:13,920 Speaker 1: was like sixteen, so that's um no, no, I'm sorry 260 00:13:13,920 --> 00:13:15,880 Speaker 1: it's seventeen with Kim. But but but I do find 261 00:13:15,960 --> 00:13:18,720 Speaker 1: interesting with Hey Arnold was and then maybe you can 262 00:13:18,760 --> 00:13:21,120 Speaker 1: speak to this experience. But it seems like with Hey Arnold, 263 00:13:21,120 --> 00:13:25,640 Speaker 1: they really want wanted, like real kid voices. Yeah, and 264 00:13:25,679 --> 00:13:28,360 Speaker 1: that's why it's so cool. Like people always say like, oh, 265 00:13:28,400 --> 00:13:30,839 Speaker 1: what's your favorite animated project, and they want me to 266 00:13:30,880 --> 00:13:34,000 Speaker 1: say Avatar because that's so popular and Avatar is great 267 00:13:34,000 --> 00:13:36,240 Speaker 1: and everything. Um, now that I finally watched that show 268 00:13:36,280 --> 00:13:43,040 Speaker 1: after twenty years but another little tiny showy but but hey, Arnold, 269 00:13:43,200 --> 00:13:45,320 Speaker 1: I was a kid doing it and it wasn't all 270 00:13:45,400 --> 00:13:47,800 Speaker 1: kid cast, which was really rare for that time because, 271 00:13:47,840 --> 00:13:49,640 Speaker 1: as you know, they don't want to do kids because 272 00:13:50,120 --> 00:13:53,800 Speaker 1: school and time and spans and all that stuff. Um, 273 00:13:54,080 --> 00:14:00,360 Speaker 1: and you know, and voices change, like we had yeah yeah, 274 00:14:00,640 --> 00:14:05,840 Speaker 1: so you know the girls, Allen and Arnold. Yeah, Philip 275 00:14:05,920 --> 00:14:11,120 Speaker 1: van Dyke was another Arnold, um all these yeah. Well, 276 00:14:11,160 --> 00:14:13,240 Speaker 1: and there's like a real sweet spot I think for 277 00:14:13,360 --> 00:14:16,600 Speaker 1: boys where they have this like they've got this rasp 278 00:14:17,000 --> 00:14:19,120 Speaker 1: and they have this certain I don't know, and then 279 00:14:19,160 --> 00:14:21,120 Speaker 1: it's like twelve years old, and twelve years old is 280 00:14:21,200 --> 00:14:26,280 Speaker 1: right when it you know, flips so flip instantly. I 281 00:14:26,320 --> 00:14:28,960 Speaker 1: had that happened because I sang as a kid. I 282 00:14:29,000 --> 00:14:30,880 Speaker 1: sang and you know, and you know, I got the 283 00:14:30,960 --> 00:14:33,640 Speaker 1: lead and everything in the third grade and fourth grade 284 00:14:33,720 --> 00:14:35,640 Speaker 1: rolls around and then your voice starts to warble and 285 00:14:35,680 --> 00:14:37,800 Speaker 1: that's it. You're like, now you better learn how to 286 00:14:37,800 --> 00:14:41,520 Speaker 1: sing in a lower key, which I didn't. I discovered smoking, 287 00:14:41,520 --> 00:14:43,320 Speaker 1: which I liked way better. Got to be such a 288 00:14:43,400 --> 00:14:48,760 Speaker 1: weird thing like women, it just changes. But again, I 289 00:14:48,880 --> 00:14:50,400 Speaker 1: never thought I was going to be a voice over actor. 290 00:14:50,440 --> 00:14:52,360 Speaker 1: But that's the thing that was so cool about Hey 291 00:14:52,440 --> 00:14:54,480 Speaker 1: Arnold is it was not just a great show, but 292 00:14:54,520 --> 00:14:58,640 Speaker 1: it seemed to kind of be taking the next evolution 293 00:14:58,760 --> 00:15:02,200 Speaker 1: or step from the origin Charlie Brown stuff because that 294 00:15:02,280 --> 00:15:04,840 Speaker 1: was all kids too, and one of the very rare 295 00:15:04,880 --> 00:15:06,360 Speaker 1: things where they said, no, we're just going to use 296 00:15:06,400 --> 00:15:09,440 Speaker 1: all children. So to kind of piggyback on that, Hey 297 00:15:09,520 --> 00:15:11,000 Speaker 1: Arnold said, we're going to do the same thing. It 298 00:15:11,080 --> 00:15:15,040 Speaker 1: might have been one of the last shows all kids 299 00:15:15,160 --> 00:15:18,080 Speaker 1: was Recess because Recess wasn't all kids. I feel like 300 00:15:18,120 --> 00:15:21,560 Speaker 1: they do it stren now it's a little like more 301 00:15:21,560 --> 00:15:26,160 Speaker 1: of a hipper thing to do. Um. But yeah, I 302 00:15:26,200 --> 00:15:28,880 Speaker 1: don't know. I yeah, that show is just really special. 303 00:15:28,920 --> 00:15:30,600 Speaker 1: I think it's really ahead of its time. Like and 304 00:15:30,680 --> 00:15:32,640 Speaker 1: to speak on your point about like the whole Charlie 305 00:15:32,680 --> 00:15:35,440 Speaker 1: Brown thing, like yeah, I mean, if you go back 306 00:15:35,480 --> 00:15:38,600 Speaker 1: and you watch that show, there's like an episode where 307 00:15:38,640 --> 00:15:41,840 Speaker 1: this it's called Chocolate Boy, but he's like addicted chocolate 308 00:15:41,880 --> 00:15:44,080 Speaker 1: and really he's a drug addict and like helda his 309 00:15:44,200 --> 00:15:46,480 Speaker 1: mother through the whole series. If you really are watching it, 310 00:15:46,560 --> 00:15:48,960 Speaker 1: like she's an alcoholic she's always making these smoothies in 311 00:15:48,960 --> 00:15:51,920 Speaker 1: the morning and it's barely awake, and you know, there's 312 00:15:51,960 --> 00:15:55,000 Speaker 1: episodes where like Arnold gets mugged, or their city kids 313 00:15:55,000 --> 00:15:57,400 Speaker 1: and they grew up in the city. And so yeah, 314 00:15:57,480 --> 00:15:59,520 Speaker 1: there's a lot of people come up to me all 315 00:15:59,520 --> 00:16:02,920 Speaker 1: the time and talk about that show because it, I 316 00:16:02,960 --> 00:16:05,480 Speaker 1: don't know, it dealt with like very topical issues as 317 00:16:05,480 --> 00:16:08,600 Speaker 1: opposed to now a lot of animation is very a 318 00:16:08,680 --> 00:16:11,480 Speaker 1: d D and just kind of you know, in your face. 319 00:16:11,520 --> 00:16:13,320 Speaker 1: So there was a little more nuanced with that show 320 00:16:13,800 --> 00:16:15,760 Speaker 1: that I think. Really, Yeah, the eighties and the eighties 321 00:16:15,760 --> 00:16:18,920 Speaker 1: and the nineties did this thing where because we're talking 322 00:16:18,920 --> 00:16:20,280 Speaker 1: about it when we're going back and looking at a 323 00:16:20,320 --> 00:16:22,360 Speaker 1: lot of nineties shows, even the on camera shows, they 324 00:16:22,360 --> 00:16:27,200 Speaker 1: did these things where they were for multiple audiences. So 325 00:16:27,480 --> 00:16:29,320 Speaker 1: you know, a kid would watch Hey Arnold and see 326 00:16:29,320 --> 00:16:31,200 Speaker 1: one thing, an adult would watch Hey Arnold to see 327 00:16:31,200 --> 00:16:33,600 Speaker 1: something else in somebody seventeen would watch Hey Arnold and 328 00:16:33,680 --> 00:16:36,480 Speaker 1: see something else. And the eighties and the nineties really, 329 00:16:37,320 --> 00:16:40,320 Speaker 1: especially the nineties, really had that going where it was 330 00:16:40,360 --> 00:16:42,880 Speaker 1: that kind of again, like you said, the kids and alcohol. 331 00:16:43,000 --> 00:16:46,000 Speaker 1: The mom's an alcoholic, but you're you're eight years old 332 00:16:46,000 --> 00:16:48,240 Speaker 1: watching that. You're never going to pick that up unless 333 00:16:48,280 --> 00:16:50,320 Speaker 1: your mom is also an alcohol and your mom is 334 00:16:50,400 --> 00:16:53,880 Speaker 1: also but exactly, I mean it is. It's one of 335 00:16:53,880 --> 00:16:55,880 Speaker 1: those things where it kind of appealed to a whole 336 00:16:56,200 --> 00:16:58,800 Speaker 1: range of people, which is why Hey Arnold was one 337 00:16:58,840 --> 00:17:01,520 Speaker 1: of those shows you would hear about college kids like, well, 338 00:17:01,560 --> 00:17:03,720 Speaker 1: we'd wake up and we just watched Hey Arnold, and 339 00:17:03,760 --> 00:17:05,840 Speaker 1: they would watch it completely differently than the kids that 340 00:17:05,840 --> 00:17:07,159 Speaker 1: would wake up in the morning and do it. Was 341 00:17:07,280 --> 00:17:09,560 Speaker 1: very Nickelodeon back in the day was doing stuff that 342 00:17:09,600 --> 00:17:13,199 Speaker 1: was very cutting edge in that sense. Nicolodeon, do you 343 00:17:13,240 --> 00:17:17,200 Speaker 1: know what they I got slimmed. So that's how long 344 00:17:17,240 --> 00:17:21,719 Speaker 1: ago I was on Nickelodeon. I've heard different things about 345 00:17:21,800 --> 00:17:24,560 Speaker 1: like is it pudding? Is it like corn start? Like 346 00:17:24,600 --> 00:17:27,000 Speaker 1: did it taste? How did it taste? It was, well 347 00:17:27,000 --> 00:17:29,280 Speaker 1: the thing. So I got slimmed on the set of 348 00:17:29,320 --> 00:17:32,720 Speaker 1: the original. You can't do that on television. Oh no, 349 00:17:32,840 --> 00:17:37,119 Speaker 1: I was, I was nic I was, I was, I 350 00:17:37,160 --> 00:17:40,120 Speaker 1: was on Nickelodeon. I started hosting a show on Nickelodeon 351 00:17:40,119 --> 00:17:45,480 Speaker 1: in nighties seven called what Don't Just Sit There? Oh 352 00:17:45,480 --> 00:17:47,320 Speaker 1: my gosh, best it was the best. It was a 353 00:17:47,440 --> 00:17:50,360 Speaker 1: you were a young Saturday Night Live. There was four 354 00:17:50,400 --> 00:17:53,000 Speaker 1: of us hosting. We had a band, we had special 355 00:17:53,040 --> 00:17:54,399 Speaker 1: kids like we had you know, new kids in the 356 00:17:54,400 --> 00:17:57,000 Speaker 1: Block came on and Freddy Krueger came on and we 357 00:17:57,000 --> 00:17:59,240 Speaker 1: will Wheaton's where I met Wheaton for the first time. 358 00:17:59,800 --> 00:18:02,879 Speaker 1: So we were shooting in New York. And it's so 359 00:18:02,920 --> 00:18:08,119 Speaker 1: funny because I know and well you we just had 360 00:18:08,160 --> 00:18:09,760 Speaker 1: a reunion. We just had a don't just sit the 361 00:18:09,800 --> 00:18:13,480 Speaker 1: reunion for the first time since at my house two 362 00:18:13,480 --> 00:18:16,800 Speaker 1: weeks ago. It was great, it was but it's people 363 00:18:16,800 --> 00:18:19,960 Speaker 1: I hadn't seen since I was twelve. Did they write 364 00:18:19,960 --> 00:18:23,080 Speaker 1: in your bathroom? They did? They did? Actually I have 365 00:18:23,240 --> 00:18:25,639 Speaker 1: I'm sorry that for for the audience listening. I have 366 00:18:25,720 --> 00:18:28,560 Speaker 1: a bathroom that is off a little screening room and 367 00:18:28,600 --> 00:18:30,880 Speaker 1: there's pens everywhere, and you write up your favorite movie 368 00:18:30,960 --> 00:18:32,640 Speaker 1: quote on the wall. So it's just the whole wall 369 00:18:32,720 --> 00:18:35,400 Speaker 1: is just covered with with your favorite movie quotes. Will 370 00:18:35,440 --> 00:18:37,560 Speaker 1: when you sell your house someday, that's going to be 371 00:18:37,640 --> 00:18:40,400 Speaker 1: like valuable, Yeah, well, well we'll see. But that's why 372 00:18:40,440 --> 00:18:44,000 Speaker 1: we're gonna We're gonna triple the price of just that room. Um, 373 00:18:44,040 --> 00:18:48,240 Speaker 1: but if so, they flew me up to the set 374 00:18:48,320 --> 00:18:50,320 Speaker 1: of You Can't Do That on Television to interview all 375 00:18:50,359 --> 00:18:51,760 Speaker 1: them for don't just sit there. And part of the 376 00:18:51,760 --> 00:18:53,800 Speaker 1: thing was I had to actually do one of the 377 00:18:53,840 --> 00:18:56,800 Speaker 1: skits and I got to say I don't know, and 378 00:18:56,920 --> 00:18:59,320 Speaker 1: I grew up obviously, you know, a year or two 379 00:18:59,400 --> 00:19:01,840 Speaker 1: before that, just watching You Can't Do That on television 380 00:19:01,880 --> 00:19:04,720 Speaker 1: the original opening the lockers like, hey Lucy, Hey, alistair, 381 00:19:04,760 --> 00:19:06,720 Speaker 1: it was the coolest thing in the world. And then 382 00:19:06,760 --> 00:19:08,880 Speaker 1: to kind of be there and there's just a guy 383 00:19:08,960 --> 00:19:12,560 Speaker 1: on a ladder smoking a cigarette with a bucket and 384 00:19:12,760 --> 00:19:15,280 Speaker 1: it's the thing that makes it all stringy is is 385 00:19:15,320 --> 00:19:18,360 Speaker 1: baby shampoo. So it's like they're just dumping this like 386 00:19:18,560 --> 00:19:22,239 Speaker 1: slimy oatmeally baby shampoo, and they were teaching me how 387 00:19:22,240 --> 00:19:24,040 Speaker 1: to do it. It's like you're supposed to first get 388 00:19:24,080 --> 00:19:25,199 Speaker 1: hit on the top of the head, and then when 389 00:19:25,200 --> 00:19:26,720 Speaker 1: you feel like it hit, you're supposed to look to 390 00:19:26,760 --> 00:19:28,600 Speaker 1: this guy like I can't believe this is happening, so 391 00:19:28,600 --> 00:19:31,800 Speaker 1: then it covers your whole face. Um, it was a 392 00:19:31,880 --> 00:19:34,240 Speaker 1: whole Yeah, it was a whole thing, but it was 393 00:19:34,480 --> 00:19:36,720 Speaker 1: like old school original, but it was some guy in 394 00:19:36,760 --> 00:19:39,080 Speaker 1: Canada and Ottawa with a cigarette hanging out like Amy, 395 00:19:39,119 --> 00:19:43,720 Speaker 1: We're gonna yeah. So it was, it was. It was interesting, 396 00:19:43,760 --> 00:19:46,240 Speaker 1: but that's that was Nickelodeon back in the day. And 397 00:19:46,280 --> 00:19:47,760 Speaker 1: to get back to what we were talking about, Hey 398 00:19:47,880 --> 00:19:51,280 Speaker 1: Arnold was then the next generation of Nickelodeon, like one 399 00:19:51,359 --> 00:19:54,080 Speaker 1: generation removed from the start where they really started to 400 00:19:54,160 --> 00:19:58,840 Speaker 1: capture I think what kids were about UM because they 401 00:19:58,840 --> 00:20:02,960 Speaker 1: were doing this kind of multi level writing where it 402 00:20:03,000 --> 00:20:05,600 Speaker 1: did it meant something to one generation, something to the next, 403 00:20:05,600 --> 00:20:07,879 Speaker 1: and something to the next. So I'm going through the 404 00:20:07,920 --> 00:20:11,320 Speaker 1: same thing right now with the Nightmare before Christmas UM, 405 00:20:11,440 --> 00:20:13,640 Speaker 1: which which works on those two levels. And my daughter 406 00:20:13,680 --> 00:20:16,000 Speaker 1: is now obsessed with it and she wants it for 407 00:20:16,040 --> 00:20:19,520 Speaker 1: her sixth birthday and it's kind of, you know, kind 408 00:20:19,520 --> 00:20:21,119 Speaker 1: of kept me up last night because I was like, 409 00:20:21,240 --> 00:20:23,480 Speaker 1: is it going to scare her friends? Is it? Or 410 00:20:23,560 --> 00:20:26,119 Speaker 1: is it? Mostly just the tone of it. You can 411 00:20:26,160 --> 00:20:29,120 Speaker 1: be enjoyed by the mayor in that movie Scary when 412 00:20:29,160 --> 00:20:32,679 Speaker 1: I was young, but everything else is kind of I 413 00:20:32,680 --> 00:20:35,360 Speaker 1: don't know, it's whimsical. Yeah, I think so too, Yeah, 414 00:20:35,400 --> 00:20:47,119 Speaker 1: I think so too. All right, all right, so you 415 00:20:47,200 --> 00:20:49,920 Speaker 1: go from Hey Arnold, now I want to jump ahead 416 00:20:49,920 --> 00:20:52,000 Speaker 1: a little bit because I see one word that always 417 00:20:52,040 --> 00:20:53,840 Speaker 1: sticks out to me. I don't care what I'm reading 418 00:20:53,880 --> 00:20:56,440 Speaker 1: or what I'm doing, but when I see the word jedi, 419 00:20:56,960 --> 00:21:01,400 Speaker 1: oh yeah, yeah, just changes everything. So can you tell 420 00:21:01,400 --> 00:21:03,120 Speaker 1: me a little bit about that? Are you? Is there 421 00:21:03,160 --> 00:21:05,280 Speaker 1: a word for real? Quick? Is there a word for 422 00:21:05,320 --> 00:21:07,720 Speaker 1: Star Wars fans like Star Trek fans or Trunk nerd 423 00:21:07,920 --> 00:21:11,800 Speaker 1: or Star Wars fans not like anyone. I guess that's weird, 424 00:21:11,880 --> 00:21:17,320 Speaker 1: okay a nerd? Yeah, that was cool because when you 425 00:21:17,400 --> 00:21:20,760 Speaker 1: do that show, hey, it's just cool, right. And when 426 00:21:20,840 --> 00:21:23,440 Speaker 1: you do that show, you work with this guy, Dave Feloni, 427 00:21:23,520 --> 00:21:27,520 Speaker 1: who's kind of be like, you know, okay, the guru 428 00:21:27,560 --> 00:21:31,439 Speaker 1: of Star Wars. I don't like the next George. Basically 429 00:21:31,520 --> 00:21:34,760 Speaker 1: he's kind of in charge of and he's very hands 430 00:21:34,800 --> 00:21:38,160 Speaker 1: on and so and every Star Wars fan when they 431 00:21:38,200 --> 00:21:41,119 Speaker 1: see his name attached, including to a live action show, 432 00:21:41,520 --> 00:21:43,560 Speaker 1: they know it's going to be awesome because they know 433 00:21:43,600 --> 00:21:46,840 Speaker 1: that he loves the source material. So it's you know, 434 00:21:46,880 --> 00:21:48,679 Speaker 1: you're gonna get It's not going to be some random 435 00:21:48,720 --> 00:21:50,760 Speaker 1: person like I'm going to try a Star Wars project. 436 00:21:50,760 --> 00:21:52,440 Speaker 1: You see Feloni's name and you're like Okay, this is 437 00:21:52,480 --> 00:21:55,639 Speaker 1: gonna be handled well, yeah, it's very cannon and you know, 438 00:21:56,160 --> 00:21:58,879 Speaker 1: and so he was really instrumental now, so he was 439 00:21:58,920 --> 00:22:01,000 Speaker 1: there for all the records, and you know, he's kind 440 00:22:01,040 --> 00:22:03,240 Speaker 1: of like, I'm the direct line to George Lucas. You 441 00:22:03,240 --> 00:22:06,240 Speaker 1: can ask me anything, you know. And I'm sitting there 442 00:22:06,240 --> 00:22:07,800 Speaker 1: with like Greg Sipes. I don't know if you know 443 00:22:07,920 --> 00:22:13,720 Speaker 1: him voice you think, so, do Jedis have sex? And 444 00:22:13,760 --> 00:22:16,160 Speaker 1: he's like, you know, Jedi's actually are allowed to have sex, 445 00:22:16,200 --> 00:22:18,199 Speaker 1: and there's like a whole story about that, you know. 446 00:22:18,359 --> 00:22:24,679 Speaker 1: And of course that and like you know, you'll be 447 00:22:24,720 --> 00:22:27,000 Speaker 1: doing a scene and he's like, now, George for this scene, 448 00:22:27,040 --> 00:22:29,480 Speaker 1: sat me down in the screening room and he showed 449 00:22:29,520 --> 00:22:32,159 Speaker 1: me this movie from nineteen two and the scene is 450 00:22:32,160 --> 00:22:34,120 Speaker 1: going to be like that scene and did a little 451 00:22:34,320 --> 00:22:37,320 Speaker 1: like he's so involved in it, you know. And the 452 00:22:37,880 --> 00:22:41,760 Speaker 1: thing that was like cool and also unfortunate about that 453 00:22:41,960 --> 00:22:46,040 Speaker 1: arc is that it's like a very specific arc because 454 00:22:46,080 --> 00:22:48,080 Speaker 1: it was the first time that they explained like how 455 00:22:48,200 --> 00:22:51,880 Speaker 1: lightsabers are made. Uh oh with the ki crystal, Yeah exactly. 456 00:22:52,160 --> 00:22:59,800 Speaker 1: And Jesus, I'm a total nerd what so many things 457 00:22:59,800 --> 00:23:04,240 Speaker 1: I've it's blue um, you think it's blue. I don't 458 00:23:04,280 --> 00:23:07,919 Speaker 1: know you Yes you do, yes you do. But but 459 00:23:08,160 --> 00:23:13,080 Speaker 1: that whole the reason they gave us such an important storyline, 460 00:23:13,080 --> 00:23:14,480 Speaker 1: if you will, is that was supposed to be a 461 00:23:14,480 --> 00:23:19,520 Speaker 1: whole spinoff series of like Young Jedi's Padderwans or whatever. 462 00:23:19,640 --> 00:23:22,080 Speaker 1: And then right is I mean, it wasn't like production 463 00:23:22,160 --> 00:23:24,560 Speaker 1: and how to budget and stuff. And then right then 464 00:23:24,760 --> 00:23:28,400 Speaker 1: Disney bought Star Wars and their thing was that any 465 00:23:28,440 --> 00:23:30,480 Speaker 1: TV show that was going to get made had to 466 00:23:30,600 --> 00:23:33,439 Speaker 1: fuel the movies and be tied in with that, and 467 00:23:33,440 --> 00:23:38,880 Speaker 1: so they canceled it before it whatever. Uh so, which 468 00:23:38,920 --> 00:23:43,680 Speaker 1: is like basically the story of my career. Um, but 469 00:23:44,040 --> 00:23:47,719 Speaker 1: we know we've all been there. Um. But yeah, so 470 00:23:47,760 --> 00:23:52,080 Speaker 1: it's still a cool it's still a cool arc that people. Um, 471 00:23:52,119 --> 00:23:54,600 Speaker 1: I don't know, it's important to a lot of fandom 472 00:23:55,000 --> 00:23:59,560 Speaker 1: people because just that origin story of crystals now I 473 00:23:59,600 --> 00:24:02,399 Speaker 1: know that, Yeah, the Kiber crystal of course, which is 474 00:24:02,440 --> 00:24:04,440 Speaker 1: also the thing that fueled the death start. We're not 475 00:24:04,480 --> 00:24:07,639 Speaker 1: going to get into this, okay, So, um, I'm sorry, 476 00:24:07,640 --> 00:24:09,880 Speaker 1: but as a total nerd, I go I go through 477 00:24:09,920 --> 00:24:12,760 Speaker 1: your resume, which again, we could talk Avatar, we could 478 00:24:12,800 --> 00:24:16,960 Speaker 1: talk old school, which is new school, old school with 479 00:24:17,040 --> 00:24:21,680 Speaker 1: care bears, care bears um. But I want to get 480 00:24:21,680 --> 00:24:24,800 Speaker 1: into who did you play in the Harry Potter game. Oh, 481 00:24:24,840 --> 00:24:26,720 Speaker 1: it's not even out, well, it is out, but it's 482 00:24:26,760 --> 00:24:29,719 Speaker 1: not out here in America yet. Her name is Lottie 483 00:24:29,800 --> 00:24:32,560 Speaker 1: and she's like this little artist and she's great. I've 484 00:24:32,560 --> 00:24:34,400 Speaker 1: been I've been working on this video game for three 485 00:24:34,400 --> 00:24:38,640 Speaker 1: and a half years and it's still not out domestically 486 00:24:40,119 --> 00:24:42,720 Speaker 1: huge in China. It's like gigantic and China. I don't 487 00:24:42,720 --> 00:24:45,560 Speaker 1: even think they it's so popular in China that I 488 00:24:45,600 --> 00:24:48,159 Speaker 1: don't even think they care, Like it's supposed to come 489 00:24:48,160 --> 00:24:50,880 Speaker 1: out this year. But I'm like, guys, October TikTok um. 490 00:24:51,720 --> 00:24:54,359 Speaker 1: But but I've really been enjoying it. I mean, I 491 00:24:54,560 --> 00:24:56,520 Speaker 1: it's really it's a great It's been a great gig 492 00:24:56,560 --> 00:24:59,320 Speaker 1: in terms of just like consistency and also fun to 493 00:24:59,400 --> 00:25:05,600 Speaker 1: be you know, little little British chick. But yeah, oh 494 00:25:05,680 --> 00:25:09,159 Speaker 1: she's very sweet and she's always just looking for her paintbrush. 495 00:25:09,520 --> 00:25:12,399 Speaker 1: And you know, it's like I think it takes place 496 00:25:12,760 --> 00:25:15,440 Speaker 1: after Harry's graduated or something, so it's a whole new 497 00:25:15,600 --> 00:25:19,160 Speaker 1: cast of characters and the art is beautiful. It's really 498 00:25:19,200 --> 00:25:23,080 Speaker 1: stylistically beautiful. It's very different from other Harry Potter stuff. Um, 499 00:25:23,160 --> 00:25:26,639 Speaker 1: but yeah, what I don't know. I don't know this 500 00:25:26,800 --> 00:25:29,320 Speaker 1: if don't know, it's so funny because the guy who 501 00:25:29,320 --> 00:25:32,320 Speaker 1: directs it, he's like, when I gave the audition, I 502 00:25:32,359 --> 00:25:36,280 Speaker 1: put in all these very like specific Harry Potter lingo 503 00:25:36,560 --> 00:25:40,119 Speaker 1: spells and words, hoping that that would you know, suss 504 00:25:40,160 --> 00:25:42,840 Speaker 1: out that filter out the people that didn't know anything 505 00:25:42,880 --> 00:25:46,199 Speaker 1: about Harry Potter. But this slipped in. I don't know. 506 00:25:49,200 --> 00:25:51,159 Speaker 1: Well wait what what now? I want to know what 507 00:25:51,200 --> 00:25:53,960 Speaker 1: did you put in? You know, I'm a Harry Potter. 508 00:25:54,040 --> 00:25:58,320 Speaker 1: I pronounced everything. Yeah, I don't know, but it's all 509 00:25:58,359 --> 00:26:02,359 Speaker 1: those you know, incanto, phosphorus or whatever. I don't know 510 00:26:02,440 --> 00:26:08,960 Speaker 1: that things are things don't know. Well, I just you 511 00:26:09,000 --> 00:26:12,160 Speaker 1: don't need to just read the lines. But let's talk 512 00:26:12,200 --> 00:26:15,159 Speaker 1: about like how you have this canon and how you 513 00:26:15,200 --> 00:26:20,200 Speaker 1: approach a franchise. Then, um, you know, and still give 514 00:26:20,240 --> 00:26:22,640 Speaker 1: a great performance enough for you to be hired. Because 515 00:26:22,640 --> 00:26:24,720 Speaker 1: a lot of people who are auditioning for things that 516 00:26:24,760 --> 00:26:27,880 Speaker 1: are very much not they're necessarily they're casting or their 517 00:26:27,920 --> 00:26:30,359 Speaker 1: interests or something that they know about. How do you 518 00:26:30,400 --> 00:26:32,679 Speaker 1: find your way into a character that you don't know 519 00:26:32,720 --> 00:26:36,760 Speaker 1: anything about. Well, I mean, at the end of the day, 520 00:26:37,359 --> 00:26:40,960 Speaker 1: like it's acting. And so I mean people same thing 521 00:26:41,000 --> 00:26:43,119 Speaker 1: at cons or whatever. We'll say like, well, how do 522 00:26:43,160 --> 00:26:47,000 Speaker 1: I get into acting? Into voice acting? And and they 523 00:26:47,040 --> 00:26:49,119 Speaker 1: never said that to me when I was doing on 524 00:26:49,200 --> 00:26:52,280 Speaker 1: camera work. There's something I think about voice acting that 525 00:26:52,359 --> 00:26:56,760 Speaker 1: seems more accessible to just random people. But like, at 526 00:26:56,760 --> 00:26:59,520 Speaker 1: the end of the day, it's like little V big a, right, Like, 527 00:26:59,600 --> 00:27:01,960 Speaker 1: so it's all acting and it all comes from that. 528 00:27:02,040 --> 00:27:03,600 Speaker 1: So I always say to people I go take an 529 00:27:03,600 --> 00:27:07,000 Speaker 1: acting class and they go oh, and I'm like, yeah, 530 00:27:07,000 --> 00:27:08,920 Speaker 1: because you could do a million voices. But at the 531 00:27:09,040 --> 00:27:12,639 Speaker 1: end of the day, it's right, yeah, you have to 532 00:27:12,640 --> 00:27:15,040 Speaker 1: be an actor. And so yeah, I don't know. I 533 00:27:15,119 --> 00:27:17,640 Speaker 1: just come at everything from that. And so like with 534 00:27:17,680 --> 00:27:22,320 Speaker 1: her particular arc is like very emotional and whatever. So 535 00:27:22,400 --> 00:27:24,840 Speaker 1: it's just about knowing you know, how to convey all 536 00:27:24,880 --> 00:27:27,960 Speaker 1: that stuff and with your voice and and all that. 537 00:27:28,000 --> 00:27:30,880 Speaker 1: So with the cannon stuff, I mean, you guys, I'm 538 00:27:30,920 --> 00:27:33,880 Speaker 1: the worst. So when I did Avatar, I never read 539 00:27:33,880 --> 00:27:36,800 Speaker 1: the scripts. So because I'm sure I tried to read 540 00:27:36,840 --> 00:27:40,400 Speaker 1: one script that's that's Will's mortal. That's the mortal sin 541 00:27:40,640 --> 00:27:44,520 Speaker 1: of I'm terrible, You're gonna hate, Like I'm actually more 542 00:27:44,520 --> 00:27:47,119 Speaker 1: in your camp. So like like here's the thing, if it, 543 00:27:47,280 --> 00:27:51,360 Speaker 1: if it makes sense, maybe, but like with Avatar, like 544 00:27:51,600 --> 00:27:53,520 Speaker 1: I'm sure I got the first script and I was 545 00:27:53,560 --> 00:27:59,359 Speaker 1: like Fire Nation, Water Tribe something lord like, I don't know, 546 00:27:59,560 --> 00:28:02,000 Speaker 1: I don't know, and I'm sure I went there and 547 00:28:02,040 --> 00:28:04,680 Speaker 1: they said, now this is this, and the four nations 548 00:28:04,680 --> 00:28:07,600 Speaker 1: are fighting and there's one avatar that's going to unite 549 00:28:07,600 --> 00:28:10,720 Speaker 1: everyone and the Chakras and and it just I didn't 550 00:28:10,720 --> 00:28:14,880 Speaker 1: even whatever, right, So I get there and I see 551 00:28:14,920 --> 00:28:18,480 Speaker 1: my character and whatever, and she's pink and she's cute. 552 00:28:18,480 --> 00:28:20,760 Speaker 1: So I just made her pink and cute. I don't know. 553 00:28:21,320 --> 00:28:24,199 Speaker 1: So it wasn't until like eight years later. I was 554 00:28:24,200 --> 00:28:26,639 Speaker 1: at my first comic con ever, this is like ten 555 00:28:27,000 --> 00:28:29,920 Speaker 1: twelve years ago now, and someone said, like, what's it 556 00:28:29,960 --> 00:28:32,840 Speaker 1: like to be a villain? And I said, what do 557 00:28:32,960 --> 00:28:36,520 Speaker 1: you mean? And they said, well, she's a villain. And 558 00:28:36,600 --> 00:28:39,200 Speaker 1: I had no idea, and that's why she's so like 559 00:28:39,440 --> 00:28:42,680 Speaker 1: perky and cute and whatever, because I didn't know. I 560 00:28:42,800 --> 00:28:45,240 Speaker 1: thought she was pink, man. I didn't know. I didn't know, 561 00:28:45,560 --> 00:28:48,280 Speaker 1: so you wait, were you literally not reading the scripts? 562 00:28:48,320 --> 00:29:00,240 Speaker 1: You were just reading your line? Okay? And she you know, 563 00:29:00,320 --> 00:29:03,680 Speaker 1: and she did a great jobs. So funny because we're 564 00:29:03,680 --> 00:29:08,479 Speaker 1: talking just Star Wars' just the Last Airbender, Star Wars. 565 00:29:09,720 --> 00:29:14,120 Speaker 1: I just read some of the biggest in some of 566 00:29:14,120 --> 00:29:16,880 Speaker 1: the biggest franchises. So I take it you are not 567 00:29:16,960 --> 00:29:19,560 Speaker 1: like you don't read fantasy novels. Then the world building 568 00:29:19,640 --> 00:29:22,880 Speaker 1: is not. I like sci fi, but fantasy is the 569 00:29:22,920 --> 00:29:25,600 Speaker 1: one thing that just like doesn't do it for me. 570 00:29:26,280 --> 00:29:28,720 Speaker 1: Like Game of Thrones. All that stuff like just does 571 00:29:28,800 --> 00:29:33,280 Speaker 1: not came of Thrones isn't my favorite either, But that's yeah, interesting. 572 00:29:34,120 --> 00:29:36,400 Speaker 1: I'm more of the Harry Potter and Game of Thrones. 573 00:29:36,400 --> 00:29:39,080 Speaker 1: I'm more of a fantasy I guess are you? Are 574 00:29:39,120 --> 00:29:41,160 Speaker 1: you watching the New House of the Dragon thing? You 575 00:29:41,280 --> 00:29:43,760 Speaker 1: keeping everything? Don't tell me anything. I haven't seen it yet. 576 00:29:43,800 --> 00:29:45,640 Speaker 1: I like to let the entire series come out and 577 00:29:45,640 --> 00:29:48,080 Speaker 1: then I binge it by myself. The kind of waiting 578 00:29:48,120 --> 00:29:50,640 Speaker 1: thing doesn't just alone in a little hole, just in 579 00:29:50,720 --> 00:29:54,600 Speaker 1: a tiny, little darkened room, dressed like a dragon. Perfect 580 00:29:55,280 --> 00:29:56,840 Speaker 1: it's going to be. That's That's what I'm gonna do. 581 00:29:57,960 --> 00:30:02,480 Speaker 1: That we always ask bowl, um, do you because you know, 582 00:30:02,480 --> 00:30:04,640 Speaker 1: one of the other things that you're you're obviously known 583 00:30:04,680 --> 00:30:08,040 Speaker 1: for on camera. You do a lot of on camera work. 584 00:30:08,040 --> 00:30:11,000 Speaker 1: But the Brady Bunch movie sure yeah, um was was 585 00:30:11,160 --> 00:30:14,960 Speaker 1: very big and then the sequels very big too, great films. Uh, 586 00:30:15,040 --> 00:30:18,360 Speaker 1: my question is is there one style you prefer? Do 587 00:30:18,360 --> 00:30:20,600 Speaker 1: you prefer on camera to voiceover? Do you prefer voice 588 00:30:20,600 --> 00:30:22,160 Speaker 1: over to on camera? Do you have one? You know, 589 00:30:22,320 --> 00:30:26,040 Speaker 1: it's like my well, like it wasn't a choice to 590 00:30:26,080 --> 00:30:29,760 Speaker 1: go into voiceover, right, Like my career just went that way, 591 00:30:29,880 --> 00:30:33,920 Speaker 1: and I'm not I resist nothing, So I just kind 592 00:30:33,920 --> 00:30:37,040 Speaker 1: of go with the flow with that stuff. So that's 593 00:30:37,040 --> 00:30:41,040 Speaker 1: a really great mantra. I mean, you know, so it's 594 00:30:41,080 --> 00:30:45,479 Speaker 1: like I like doing on camera, or liked doing on camera, 595 00:30:45,640 --> 00:30:49,720 Speaker 1: but honestly, like I love not memorizing lines. And so 596 00:30:49,760 --> 00:30:52,600 Speaker 1: now every once I really I really don't do on 597 00:30:52,680 --> 00:30:54,760 Speaker 1: camera anymore, but every once in a while I'll get 598 00:30:55,640 --> 00:31:00,160 Speaker 1: an audition and just I when you don't have that 599 00:31:00,280 --> 00:31:03,800 Speaker 1: memory or muscle that you've been using that uh you know, 600 00:31:04,440 --> 00:31:07,840 Speaker 1: muscle memory for performing in line, I mean, it's it's 601 00:31:07,920 --> 00:31:09,960 Speaker 1: just gone. It is gone. I don't know, if you 602 00:31:09,960 --> 00:31:15,720 Speaker 1: guys something truly, but yeah, um so yeah, and also 603 00:31:15,840 --> 00:31:20,200 Speaker 1: too in terms of you want to hear something crazy, Olivia. Yeah, literally, 604 00:31:20,680 --> 00:31:26,000 Speaker 1: when I get auditions, I have a teleprompter, like you 605 00:31:26,080 --> 00:31:32,520 Speaker 1: have your professional teleprompter, but I have a teleprompter. It's 606 00:31:32,560 --> 00:31:35,520 Speaker 1: basically a piece that you can put on your home device, 607 00:31:35,560 --> 00:31:40,400 Speaker 1: your home camera, and you can upload your script and 608 00:31:40,480 --> 00:31:43,880 Speaker 1: you can literally, well will you go. We can't see 609 00:31:43,880 --> 00:31:46,400 Speaker 1: Will is like shaking his head with his head in 610 00:31:46,480 --> 00:31:53,080 Speaker 1: his hands right now. You know why, because I don't 611 00:31:53,160 --> 00:31:56,640 Speaker 1: have the time or the energy either. But look, I 612 00:31:56,760 --> 00:32:00,120 Speaker 1: still watch and I still look at my performance, and 613 00:32:00,120 --> 00:32:02,720 Speaker 1: I still say, I am acting. This is rooted in reality, 614 00:32:02,760 --> 00:32:05,800 Speaker 1: and I look great and I'm not stuttering, and I've 615 00:32:05,800 --> 00:32:09,240 Speaker 1: been acting for so long and the odds are so 616 00:32:09,480 --> 00:32:12,440 Speaker 1: like the odds. It is a very competitive thing. So 617 00:32:12,480 --> 00:32:15,320 Speaker 1: that if you feel strong about your performance, no matter 618 00:32:15,400 --> 00:32:17,520 Speaker 1: what it looks like, as long as you feel like 619 00:32:17,560 --> 00:32:21,040 Speaker 1: it's rooted personally. I think what Olivia is trying to share, 620 00:32:21,520 --> 00:32:24,680 Speaker 1: and I agree with, Okay, is not to sweat the 621 00:32:24,760 --> 00:32:28,080 Speaker 1: small stuff in your performances, like I'm sorry. The learning 622 00:32:28,280 --> 00:32:34,160 Speaker 1: of the dialogue is not small stuff. The reading the 623 00:32:34,240 --> 00:32:41,040 Speaker 1: reading of the material is not small go with me 624 00:32:41,120 --> 00:32:43,440 Speaker 1: on this. Maybe maybe it's just me, but like if 625 00:32:43,440 --> 00:32:46,080 Speaker 1: it's written well, it's a lot easier to memorize than 626 00:32:46,120 --> 00:32:50,680 Speaker 1: if it's just a Most things that you go on 627 00:32:50,920 --> 00:32:53,920 Speaker 1: are terrible, and so you get these things and they 628 00:32:53,920 --> 00:32:57,680 Speaker 1: don't flow or like I do still audition for commercials 629 00:32:57,680 --> 00:32:59,760 Speaker 1: and I had this commercial audition the other day and 630 00:33:00,520 --> 00:33:03,400 Speaker 1: I had to talk about cell phones and five G 631 00:33:03,680 --> 00:33:06,320 Speaker 1: this into and I was just reading. They usually have 632 00:33:06,360 --> 00:33:08,280 Speaker 1: the lines behind the camera and I was reading it, 633 00:33:08,280 --> 00:33:09,600 Speaker 1: and after I did it, he was like, can you 634 00:33:09,640 --> 00:33:12,280 Speaker 1: do it more to camera? He's like, oh, yeah, but 635 00:33:12,400 --> 00:33:15,240 Speaker 1: you know when it gets technical or any of that stuff, 636 00:33:15,280 --> 00:33:17,840 Speaker 1: you know, you know, God, we sound like the laziest 637 00:33:17,880 --> 00:33:20,560 Speaker 1: actors a lot. It's I didn't want to say that, 638 00:33:20,680 --> 00:33:23,520 Speaker 1: but there's a guy on my street he went to Juilliard. 639 00:33:23,680 --> 00:33:26,680 Speaker 1: What's going on? No, it's just there's there's a guy 640 00:33:26,760 --> 00:33:29,800 Speaker 1: on my street who is Australian who is an actor 641 00:33:30,360 --> 00:33:32,200 Speaker 1: and I always see him and he's out walking with 642 00:33:32,240 --> 00:33:34,760 Speaker 1: his wife and his little baby and we always say 643 00:33:34,800 --> 00:33:37,680 Speaker 1: hi to each other. But he's always memorizing his sides 644 00:33:37,720 --> 00:33:41,200 Speaker 1: and his lines. And there's Luke Cook. I don't know, 645 00:33:42,200 --> 00:33:44,040 Speaker 1: Oh is it I don't know who Luke Cook is. 646 00:33:44,080 --> 00:33:46,440 Speaker 1: Maybe you don't know who who this guy. I don't 647 00:33:46,440 --> 00:33:48,560 Speaker 1: know who Luke Cook is. I could be Luke Cook. 648 00:33:48,640 --> 00:33:52,080 Speaker 1: I have no idea who that um. But it's one 649 00:33:52,120 --> 00:33:54,000 Speaker 1: of those things where and then I all people always 650 00:33:54,000 --> 00:33:57,960 Speaker 1: ask like why is everybody that's getting cast British or Australian, 651 00:33:58,040 --> 00:34:00,640 Speaker 1: And it's because they put in the work, that's one 652 00:34:00,680 --> 00:34:04,680 Speaker 1: of the reasons. Probably. So it's we we as Americans 653 00:34:04,800 --> 00:34:09,480 Speaker 1: have have lasified out are acting chops well and also 654 00:34:09,719 --> 00:34:12,600 Speaker 1: like as child actors too. It's like we've been doing 655 00:34:12,640 --> 00:34:15,640 Speaker 1: it so long, Like there is a thing where like 656 00:34:16,320 --> 00:34:18,719 Speaker 1: to our credit, you know, it's that ten thousand hour 657 00:34:18,880 --> 00:34:20,839 Speaker 1: rule or whatever, like once you've been doing something ten 658 00:34:20,880 --> 00:34:23,080 Speaker 1: thousand hours, like you're kind of a professional. And we 659 00:34:23,160 --> 00:34:26,120 Speaker 1: all have and so I don't know what kind of 660 00:34:26,200 --> 00:34:30,440 Speaker 1: rule is that you haven't heard about. That that's the mastery. 661 00:34:30,520 --> 00:34:32,439 Speaker 1: So it doesn't matter what you're doing. If you've done 662 00:34:32,440 --> 00:34:34,480 Speaker 1: it for ten thousand hours, you're kind of an expert. Yeah, 663 00:34:34,520 --> 00:34:36,239 Speaker 1: that's why they say the Beatles were so good because 664 00:34:36,280 --> 00:34:38,239 Speaker 1: they played and played and played and played like way 665 00:34:38,280 --> 00:34:41,560 Speaker 1: before and it's a whole thing. Yeah, I'm Malcolm glad, 666 00:34:41,560 --> 00:34:43,200 Speaker 1: I gotta, I gotta go. I gotta put that on 667 00:34:43,239 --> 00:34:45,280 Speaker 1: my teleprompter so I can read it later. It's called 668 00:34:45,640 --> 00:34:47,600 Speaker 1: what's it called, Christie. I'm never going to live that 669 00:34:47,600 --> 00:34:49,719 Speaker 1: one down. That was an honest share and I thought 670 00:34:49,719 --> 00:34:52,200 Speaker 1: I was in a safe space and again I'm not 671 00:34:52,320 --> 00:34:55,200 Speaker 1: again though, But Olivia is percent right. If you don't 672 00:34:55,200 --> 00:34:57,279 Speaker 1: exercise the muscle, you lose it. So if you get 673 00:34:57,320 --> 00:34:59,879 Speaker 1: one of these jobs and you haven't been memorizing the lines, 674 00:35:00,160 --> 00:35:03,280 Speaker 1: working that muscle, you're gonna have trouble again memorizing your dialogue. 675 00:35:03,280 --> 00:35:05,960 Speaker 1: But here's the here's the real rub. What happens if 676 00:35:06,000 --> 00:35:08,320 Speaker 1: you actually book it. That's what I'm saying, and I 677 00:35:08,360 --> 00:35:17,400 Speaker 1: would actually do the job. Okay, Well, speaking of speaking 678 00:35:17,440 --> 00:35:21,839 Speaker 1: of acting, we've got a wonderful scene we're coming into. 679 00:35:22,080 --> 00:35:24,359 Speaker 1: By the way I read, I also read that once too, 680 00:35:24,440 --> 00:35:28,400 Speaker 1: So let's see how that's fine. As long as you've 681 00:35:28,400 --> 00:35:30,640 Speaker 1: got all your spells down, we're going to be good. Um, 682 00:35:30,680 --> 00:35:37,000 Speaker 1: and you are playing a villain. Safe space. That's what 683 00:35:37,160 --> 00:35:39,919 Speaker 1: most important. Is a safe space. It's absolutely a safe 684 00:35:42,000 --> 00:35:44,320 Speaker 1: but you are That's the other thing is you. Your 685 00:35:44,920 --> 00:35:47,359 Speaker 1: resume is ridiculous. You're talking before you got out here 686 00:35:47,360 --> 00:35:49,239 Speaker 1: where it's like we only have an hour show and 687 00:35:49,280 --> 00:35:52,400 Speaker 1: she's done so much, so very quickly. Then before we 688 00:35:52,440 --> 00:35:54,359 Speaker 1: get into across the garden with our wonderful we don't 689 00:35:54,400 --> 00:35:57,640 Speaker 1: like to say, amateur undiscovered voiceover talent, who's going to 690 00:35:57,719 --> 00:36:00,440 Speaker 1: come and play with us for the day. Um, is 691 00:36:00,560 --> 00:36:03,520 Speaker 1: there anything? I mean, you've got a crunchy role hit 692 00:36:03,560 --> 00:36:06,239 Speaker 1: coming out, You've got the new, um Harry Potter game. 693 00:36:06,239 --> 00:36:09,600 Speaker 1: Is there anything you Potter game? We're doing more Brats. 694 00:36:09,680 --> 00:36:13,600 Speaker 1: They've brought Brats back, another huge branch, another huge thing, 695 00:36:13,920 --> 00:36:16,799 Speaker 1: and so we're doing episodes on that for TikTok and 696 00:36:16,840 --> 00:36:18,320 Speaker 1: then I think they're trying to turn that into a 697 00:36:18,360 --> 00:36:21,160 Speaker 1: series as well, and some video games and whatever. So yeah, 698 00:36:21,200 --> 00:36:24,640 Speaker 1: that's god bless like gen Z or whatever. They're bringing 699 00:36:24,640 --> 00:36:29,319 Speaker 1: all this Y two K stuff. They're making me all 700 00:36:29,360 --> 00:36:33,799 Speaker 1: this Y two K stuff. Love that. That's very very 701 00:36:33,800 --> 00:36:36,359 Speaker 1: all right. So it is hip. It's good think. I'm 702 00:36:36,400 --> 00:36:38,600 Speaker 1: so glad. You know how happy Christie I are that 703 00:36:38,680 --> 00:36:45,000 Speaker 1: the nineties are important again. Jeez, I don't know what 704 00:36:45,080 --> 00:36:57,160 Speaker 1: we do. I don't know what we would do. I 705 00:36:57,160 --> 00:36:58,960 Speaker 1: guess if we want to go ahead and bring in 706 00:36:59,120 --> 00:37:08,439 Speaker 1: our are It's Kyle. How are you good? Are you 707 00:37:08,920 --> 00:37:12,080 Speaker 1: welcome to the show. Thank you for joining us, thank you, 708 00:37:12,200 --> 00:37:14,400 Speaker 1: thank you for having me. I'm Will. That's Christie and 709 00:37:14,400 --> 00:37:19,440 Speaker 1: that's Olivia. Yeah you too, you too? Hi? Where are you? 710 00:37:20,880 --> 00:37:23,120 Speaker 1: Upstate New York? About an hour and a half from 711 00:37:23,160 --> 00:37:27,959 Speaker 1: New York City? Where an upstate can? I ask? Okay? 712 00:37:27,960 --> 00:37:30,759 Speaker 1: I love that. We're all we're East Coast people here? 713 00:37:30,760 --> 00:37:33,319 Speaker 1: Well three are two of us? Are East Coast people here? 714 00:37:33,840 --> 00:37:37,680 Speaker 1: And then Olivia was born and raised in Beverly Hills. 715 00:37:38,280 --> 00:37:40,120 Speaker 1: You can see it on her IMTB Paige. She's in 716 00:37:40,120 --> 00:37:47,799 Speaker 1: a giant mansion too. By the way, is the year 717 00:37:47,840 --> 00:37:51,799 Speaker 1: wrong or right now? It's all unfortunately very correct it is. 718 00:37:52,480 --> 00:37:55,359 Speaker 1: Now do you age differently in giant mansions in Beverly Hills? 719 00:37:55,400 --> 00:37:58,120 Speaker 1: I'm just curious. I mean, clearly, Look, I'm almost forty. 720 00:37:58,280 --> 00:38:00,760 Speaker 1: Look at this, Look at this, Look at this phase? 721 00:38:01,040 --> 00:38:05,239 Speaker 1: Pretty dunk? So Kaylee, what has what has interested you 722 00:38:05,239 --> 00:38:10,600 Speaker 1: in voice overacting? Um? To be honest, the show? Really, Yes, 723 00:38:11,320 --> 00:38:18,080 Speaker 1: you're that's awesome. So I actually, um, I actually went 724 00:38:18,120 --> 00:38:21,520 Speaker 1: to school for theater, live theater, um. And then just 725 00:38:21,640 --> 00:38:26,800 Speaker 1: the kind of roller coaster that is live theater. Um, 726 00:38:26,840 --> 00:38:30,160 Speaker 1: you know how Broadway shows have been closing up down 727 00:38:30,200 --> 00:38:33,759 Speaker 1: left and right, And I actually, um, you know, kind 728 00:38:33,760 --> 00:38:37,239 Speaker 1: of started dipping my feet into this show. And I 729 00:38:37,560 --> 00:38:40,480 Speaker 1: you know, I had always done you know, voices here 730 00:38:40,480 --> 00:38:42,600 Speaker 1: and there, just for fun. But you know, when I 731 00:38:42,640 --> 00:38:44,839 Speaker 1: came across the show, I was like, you know what, 732 00:38:45,960 --> 00:38:48,000 Speaker 1: I think this might be. Uh this, I think this 733 00:38:48,120 --> 00:38:56,440 Speaker 1: might be. That's amazingired somebody, Christie right now? So you 734 00:38:56,520 --> 00:38:58,080 Speaker 1: want to will you will you play with us? Will 735 00:38:58,120 --> 00:39:00,360 Speaker 1: you come and play Across the Guarden with us? Sure? 736 00:39:00,600 --> 00:39:03,120 Speaker 1: So for those of you joining us for the very 737 00:39:03,120 --> 00:39:05,120 Speaker 1: first time ever, we play a fun game called Across 738 00:39:05,160 --> 00:39:07,080 Speaker 1: the Garden where Christy and I came up with two 739 00:39:07,200 --> 00:39:10,120 Speaker 1: very interesting characters right on the fly that we still 740 00:39:10,160 --> 00:39:11,440 Speaker 1: look at each other and go, man, we wish we 741 00:39:11,600 --> 00:39:14,200 Speaker 1: came up with different characters. But we've got our two 742 00:39:14,200 --> 00:39:16,239 Speaker 1: little mice friends, Ricky and Mocha, who are trying to 743 00:39:16,239 --> 00:39:18,879 Speaker 1: make it across the garden so that Mocha can see 744 00:39:18,880 --> 00:39:21,120 Speaker 1: her boyfriend, which is the story. Again we came up 745 00:39:21,160 --> 00:39:24,440 Speaker 1: with on the fly, um, and they've been having trouble 746 00:39:24,480 --> 00:39:28,759 Speaker 1: getting across the garden. So this week Olivia is going 747 00:39:28,760 --> 00:39:33,040 Speaker 1: to be playing Rose and Kayleie, you're gonna be Jack 748 00:39:33,080 --> 00:39:36,719 Speaker 1: if that's all right, All this is great. Christie once 749 00:39:36,760 --> 00:39:40,080 Speaker 1: again will be Mocha and I will be We're just 750 00:39:40,120 --> 00:39:43,399 Speaker 1: reading this like a scene, right, Yeah, just absolutely reading 751 00:39:43,400 --> 00:39:45,520 Speaker 1: it like a scene. And what we're hoping to have 752 00:39:45,600 --> 00:39:49,080 Speaker 1: happen is that because we love people that are trying 753 00:39:49,080 --> 00:39:52,200 Speaker 1: to catch a break in the animation industry, So we're 754 00:39:52,200 --> 00:39:54,120 Speaker 1: going to take all the scenes that we've recorded with 755 00:39:54,160 --> 00:39:56,359 Speaker 1: all of our undiscovered talent, and we're going to have 756 00:39:56,600 --> 00:40:00,879 Speaker 1: amateur um animators animate the hire thing together and we're 757 00:40:00,880 --> 00:40:02,680 Speaker 1: gonna have everybody's gonna get to see themselves in their 758 00:40:02,680 --> 00:40:06,360 Speaker 1: own cartoon, which is going to be really really cool. 759 00:40:07,520 --> 00:40:09,759 Speaker 1: We can't wait. So here we are. I will be 760 00:40:09,800 --> 00:40:13,000 Speaker 1: reading the stage directions and we will go from there. 761 00:40:13,040 --> 00:40:15,440 Speaker 1: So we are fading in exterior woods continuous. We come 762 00:40:15,520 --> 00:40:17,200 Speaker 1: up on Ricky and Mocha standing on the deck of 763 00:40:17,239 --> 00:40:19,799 Speaker 1: a small ocean liner crossing the pond, the wind in 764 00:40:19,840 --> 00:40:23,440 Speaker 1: their hair. This is actually pretty nice. Pan over to 765 00:40:23,440 --> 00:40:27,560 Speaker 1: see Ricky hurling over the side of the boat. Yeah, 766 00:40:27,600 --> 00:40:31,279 Speaker 1: it's magical. Well, I mean, at least we're finally going 767 00:40:31,320 --> 00:40:34,160 Speaker 1: to get to them all it has been a bit 768 00:40:34,160 --> 00:40:37,120 Speaker 1: of a journey. Have you decided how you're actually going 769 00:40:37,160 --> 00:40:40,360 Speaker 1: to dump your boyfriend? I want to see his face 770 00:40:40,760 --> 00:40:43,200 Speaker 1: as I tell him what he's done to me. I 771 00:40:43,200 --> 00:40:45,880 Speaker 1: want to look him in the eye when he knows 772 00:40:46,080 --> 00:40:50,320 Speaker 1: that it's over. Or I'll just text him. As the 773 00:40:50,360 --> 00:40:53,600 Speaker 1: siblings are talking to grasshoppers walk behind in mid discussion. 774 00:40:53,600 --> 00:40:55,040 Speaker 1: One of them is dressed to the nines while the 775 00:40:55,040 --> 00:40:58,440 Speaker 1: other looks a bit lower class. Oh, Jack, this just 776 00:40:58,680 --> 00:41:01,399 Speaker 1: can never work. My family has made me after Lord 777 00:41:01,520 --> 00:41:04,239 Speaker 1: John Hoppington the second, and you won your tickets for 778 00:41:04,280 --> 00:41:07,000 Speaker 1: this maiden voyage on the tot on the to tintic 779 00:41:07,400 --> 00:41:11,520 Speaker 1: on a random game of chance a rose. I know, 780 00:41:11,600 --> 00:41:15,120 Speaker 1: I'm just dependingless artists struggling to make it. But we 781 00:41:15,120 --> 00:41:17,880 Speaker 1: can run away together in fine happiness. It won't work. 782 00:41:19,400 --> 00:41:27,400 Speaker 1: It went shot. It was chant. Oh well, can I 783 00:41:27,440 --> 00:41:32,200 Speaker 1: at least draw? You? Draw me? What draw you? You 784 00:41:32,239 --> 00:41:38,359 Speaker 1: know as an artist draws a model? Do you mean? Yes? 785 00:41:39,800 --> 00:41:43,640 Speaker 1: Naked Rose wheels around on? Jack? Are you crazy? In 786 00:41:43,719 --> 00:41:45,560 Speaker 1: this day and age? Something like that gets in the 787 00:41:45,600 --> 00:41:49,400 Speaker 1: Internet and never disappears. Lord John's family would never accept me. 788 00:41:49,440 --> 00:41:55,759 Speaker 1: Then Jack turns, Wait, you're still going to marry Lord 789 00:41:55,880 --> 00:41:58,799 Speaker 1: John Hoppington, the second yer, watching the scene play out. 790 00:41:59,600 --> 00:42:02,920 Speaker 1: Watch this. Of course I'm still marrying him. His family 791 00:42:02,920 --> 00:42:07,680 Speaker 1: don't half the garden. But come on, man, you're a 792 00:42:07,760 --> 00:42:09,960 Speaker 1: nice guy and all, but you're a fling. You're a 793 00:42:10,040 --> 00:42:12,160 Speaker 1: nice distraction. I can think about in the years to 794 00:42:12,200 --> 00:42:14,560 Speaker 1: come when my mega wealthy husband is working too much 795 00:42:14,600 --> 00:42:20,279 Speaker 1: and the tennis instructor stopped seeing someone else. Oh, I 796 00:42:20,320 --> 00:42:23,359 Speaker 1: thought we really had something. I thought we were in love, 797 00:42:23,440 --> 00:42:25,200 Speaker 1: and I thought you were the bell hop deliver in 798 00:42:25,239 --> 00:42:29,239 Speaker 1: my bags. We all make mistakes, dude, a voice out. 799 00:42:29,560 --> 00:42:35,640 Speaker 1: I spurg dead dead, Thank god. I would rather this 800 00:42:35,680 --> 00:42:38,040 Speaker 1: whole built sinc Than spending out a second with you. 801 00:42:38,480 --> 00:42:41,120 Speaker 1: Back at your chief. I'm gonna go find a lifeboat 802 00:42:41,120 --> 00:42:43,040 Speaker 1: while you hunt down some woman's close so you don't 803 00:42:43,040 --> 00:42:46,040 Speaker 1: have to float on a door or something. She turns 804 00:42:46,080 --> 00:42:49,720 Speaker 1: to leave, Tootles Jack is left in the deck by himself. 805 00:42:50,880 --> 00:42:54,160 Speaker 1: Well that didn't go the way I thought it would. 806 00:42:54,239 --> 00:42:59,600 Speaker 1: Ricky and Moka walk over. That's love, man, it totally sucks. No, No, 807 00:42:59,640 --> 00:43:02,440 Speaker 1: that's not true. Love can be a beautiful thing filled 808 00:43:02,480 --> 00:43:07,640 Speaker 1: with passion and respect. How would you know? At Nicholas 809 00:43:07,680 --> 00:43:10,160 Speaker 1: Barks novels, The gang just looks over in time to 810 00:43:10,200 --> 00:43:12,360 Speaker 1: see a giant floating slushy cup clip the side of 811 00:43:12,360 --> 00:43:17,320 Speaker 1: the boat. It immediately starts to sink. Well, here we go, Rickey, 812 00:43:17,320 --> 00:43:21,080 Speaker 1: make look at each other, swim for it, swim for it. 813 00:43:21,440 --> 00:43:24,160 Speaker 1: Good luck finding love, Jed, They jump off the boat. 814 00:43:24,680 --> 00:43:32,839 Speaker 1: It's jack whatever. Yeah, Kaylee, thank you so much for 815 00:43:32,960 --> 00:43:37,960 Speaker 1: joining us. You were absolutely wonderful. Yeah. She dipped her 816 00:43:38,080 --> 00:43:40,720 Speaker 1: energy up, which I feel like is so important, especially 817 00:43:40,760 --> 00:43:43,919 Speaker 1: on the cold reads. Right, it was incredible. So where 818 00:43:43,920 --> 00:43:45,920 Speaker 1: can people find you if they're looking for you on 819 00:43:45,960 --> 00:43:50,160 Speaker 1: socials and stuff? So I am on Instagram. It's just 820 00:43:50,239 --> 00:43:55,240 Speaker 1: my name, Kaylee Mercado, Kaylee Marcott with two ease, Yes, 821 00:43:55,400 --> 00:43:58,960 Speaker 1: two ease M E R c A d O. And 822 00:43:59,080 --> 00:44:01,000 Speaker 1: is there any of kind of voices you want to do? 823 00:44:01,000 --> 00:44:03,960 Speaker 1: You want to showcase before you go? You don't have 824 00:44:04,080 --> 00:44:12,440 Speaker 1: to ums pressure. Um, what have you been working on 825 00:44:12,480 --> 00:44:16,759 Speaker 1: since you were inspired from the show? Well, I don't 826 00:44:16,760 --> 00:44:20,080 Speaker 1: know if if you guys have seen the Aristocats of course, 827 00:44:20,440 --> 00:44:26,319 Speaker 1: Olivia Dave amazing Arista cats. Yes, yes, I can do, 828 00:44:26,640 --> 00:44:30,520 Speaker 1: I can do Marie, I can do Napoleon do one. 829 00:44:30,719 --> 00:44:38,240 Speaker 1: Let's here what you got, um, ladies, do not stud sights, 830 00:44:38,360 --> 00:44:46,319 Speaker 1: but they can finish them very nice. All right, well, 831 00:44:46,360 --> 00:44:50,240 Speaker 1: thank you so much for joining us. Break your voice 832 00:44:50,280 --> 00:44:52,920 Speaker 1: and keep listening to the show because with the contest 833 00:44:53,000 --> 00:44:54,840 Speaker 1: coming out, you never know what could happen, so hopefully 834 00:44:54,840 --> 00:44:58,759 Speaker 1: you're going to enter. Yes, of course, thank you guys much, 835 00:44:58,800 --> 00:45:06,160 Speaker 1: thank you for joining us. Thank you. That's nice. Guys 836 00:45:06,239 --> 00:45:09,279 Speaker 1: do that. That's so cool. So it's kind of like 837 00:45:09,520 --> 00:45:12,000 Speaker 1: what we offer on our show, you know, because it's 838 00:45:12,000 --> 00:45:14,279 Speaker 1: like our show is is so community based and we 839 00:45:14,320 --> 00:45:16,080 Speaker 1: love our fans so much, and like you said, Olivia, 840 00:45:16,080 --> 00:45:18,399 Speaker 1: like people have come up to us too, all these 841 00:45:18,440 --> 00:45:20,560 Speaker 1: comic cons and have asked us how do I start? 842 00:45:20,640 --> 00:45:22,480 Speaker 1: How do I get into it? I'm so passionate. I 843 00:45:22,480 --> 00:45:24,840 Speaker 1: have all these voices I'm working on. And what I 844 00:45:24,880 --> 00:45:26,360 Speaker 1: love about our show is that it's kind of a 845 00:45:26,400 --> 00:45:30,240 Speaker 1: guidebook episode to episode on how to sort of build 846 00:45:30,920 --> 00:45:34,200 Speaker 1: your you know, your footing in what you want to 847 00:45:34,239 --> 00:45:36,080 Speaker 1: do and what you want to contribute to the voice 848 00:45:36,120 --> 00:45:39,720 Speaker 1: acting world. It feels it's so much more accessible now, 849 00:45:39,960 --> 00:45:43,120 Speaker 1: especially like, yeah, I don't know doing all these cons, 850 00:45:43,160 --> 00:45:45,239 Speaker 1: and it's like it used to be such a small 851 00:45:45,280 --> 00:45:47,919 Speaker 1: click and especially with anime and all that like, it's 852 00:45:47,960 --> 00:45:52,040 Speaker 1: just exploded in terms of accessibility. And then also we're 853 00:45:52,040 --> 00:45:54,399 Speaker 1: all or a lot of us are recording from home 854 00:45:54,440 --> 00:45:56,960 Speaker 1: now too, you know, so it's not like you have 855 00:45:57,080 --> 00:45:58,440 Speaker 1: to be in l Are, you have to be in 856 00:45:58,480 --> 00:46:00,800 Speaker 1: New York and and that sort of it does. It 857 00:46:00,920 --> 00:46:02,799 Speaker 1: makes a big difference. And we love having the the 858 00:46:02,880 --> 00:46:05,640 Speaker 1: undiscovered talent comes on, which which and that leads us 859 00:46:05,680 --> 00:46:08,920 Speaker 1: to our thing we've been talking about now and I 860 00:46:08,960 --> 00:46:10,960 Speaker 1: think we're we're stepping up to the point where we're 861 00:46:11,000 --> 00:46:14,000 Speaker 1: actually going to be uh taking it live in the 862 00:46:14,000 --> 00:46:16,080 Speaker 1: next couple of weeks. So we are doing, of course 863 00:46:16,120 --> 00:46:18,600 Speaker 1: the Super Awesome Contest to become the next Big Voice Actor. 864 00:46:19,280 --> 00:46:21,959 Speaker 1: And we've talked about that before. So somebody out there 865 00:46:22,080 --> 00:46:27,759 Speaker 1: is going to win some incredible prizes, including Voiceover Agent. So, uh, 866 00:46:28,160 --> 00:46:30,120 Speaker 1: you get to sign with the voice Over Agent. And 867 00:46:30,160 --> 00:46:32,600 Speaker 1: we are we we we say, you know, we don't 868 00:46:32,600 --> 00:46:34,319 Speaker 1: get to to throw you into the business. We can't 869 00:46:34,320 --> 00:46:36,040 Speaker 1: give you a career, but we can crack the door. 870 00:46:36,200 --> 00:46:39,399 Speaker 1: So what's what's the contest called again, Christie? I keep, 871 00:46:39,400 --> 00:46:42,160 Speaker 1: I keep forgetting the Super Awesome Contest to become the 872 00:46:42,160 --> 00:46:45,880 Speaker 1: next Big Voice Actor. Yes, you got it, man, finally 873 00:46:46,160 --> 00:46:53,000 Speaker 1: tell that we are getting close to launching the contest exactly. 874 00:46:53,160 --> 00:46:56,080 Speaker 1: That's exactly what I'm doing right now. I love thank you. 875 00:46:56,680 --> 00:47:00,480 Speaker 1: That's very funny, Olivia. Thank you so much for joining us. 876 00:47:00,520 --> 00:47:03,279 Speaker 1: You're so awesome. Thanks for having me. Guys, Like, I 877 00:47:03,360 --> 00:47:05,319 Speaker 1: miss you. I miss you. I feel like I have 878 00:47:05,360 --> 00:47:07,520 Speaker 1: to I'm gonna have to message you. Yeah, oh, please 879 00:47:07,600 --> 00:47:10,560 Speaker 1: to go to the club. And where can nice where 880 00:47:10,600 --> 00:47:14,719 Speaker 1: can people find you if you're looking at the club? Honestly, 881 00:47:16,000 --> 00:47:18,160 Speaker 1: the one club in Beverly Hills near the Giant House. 882 00:47:18,200 --> 00:47:24,640 Speaker 1: I was, oh my god, kill me. Um, I'm on Instagram. 883 00:47:24,719 --> 00:47:27,480 Speaker 1: It's like the Olivia Hack. You can find me there. 884 00:47:27,520 --> 00:47:30,040 Speaker 1: And I'm basically at a comic con every weekend. So 885 00:47:30,120 --> 00:47:32,759 Speaker 1: because I love that's awesome. Yeah, I'm surprised that we 886 00:47:32,800 --> 00:47:35,759 Speaker 1: haven't seen each We're probably crossing pads of thousand you. 887 00:47:35,880 --> 00:47:38,240 Speaker 1: We will see each other next year, I'm sure. Yeah, 888 00:47:38,480 --> 00:47:41,000 Speaker 1: I'm sure. I did like twenty this year and I've 889 00:47:41,000 --> 00:47:43,040 Speaker 1: already got like twenty lined up for next year. So 890 00:47:43,840 --> 00:47:47,360 Speaker 1: nex yeah, I want any chance going? Did you know 891 00:47:47,480 --> 00:47:50,440 Speaker 1: I want to this next year? Okay, you guys go. 892 00:47:50,719 --> 00:47:53,640 Speaker 1: Last year, yeah, nineties con and Hartford was awesome. Yeah, 893 00:47:53,680 --> 00:47:57,239 Speaker 1: she was the host and the cast deploy mean, Okay, 894 00:47:57,280 --> 00:48:00,600 Speaker 1: when's the next nineties con are you doing? I think 895 00:48:00,600 --> 00:48:03,279 Speaker 1: there's one in March and Hartford that we're not doing 896 00:48:03,280 --> 00:48:04,759 Speaker 1: the one in Hartford again, but then I think there's 897 00:48:04,800 --> 00:48:09,120 Speaker 1: another one in Florida that I think we're doing, so yeah, 898 00:48:09,200 --> 00:48:11,200 Speaker 1: so it's it's gonna be cool. But yeah, well we'll 899 00:48:11,239 --> 00:48:14,319 Speaker 1: sure see you and check out Olivia, who I'm sure 900 00:48:14,440 --> 00:48:16,840 Speaker 1: you can find on Instagram, and we'll tell everybody all 901 00:48:16,880 --> 00:48:19,840 Speaker 1: of the convention she's going to so you can go 902 00:48:19,880 --> 00:48:22,520 Speaker 1: out and uh see what it looks like when you 903 00:48:22,560 --> 00:48:35,880 Speaker 1: were raised in Beverly Hills by surrounded by wealth. Um up, awesome, 904 00:48:35,960 --> 00:48:38,320 Speaker 1: Thank you so much for joining us. Check out everything 905 00:48:38,400 --> 00:48:40,839 Speaker 1: she's doing because it's cool. And that Harry Potter game 906 00:48:40,880 --> 00:48:43,759 Speaker 1: sounds amazing, and we're going to find out exactly what 907 00:48:43,800 --> 00:48:47,600 Speaker 1: color that kaibra crystal is, um because that is also 908 00:48:47,719 --> 00:48:51,200 Speaker 1: very important. But thank you everybody for joining us this week. 909 00:48:51,400 --> 00:48:53,319 Speaker 1: And don't forget if you think you have what it 910 00:48:53,360 --> 00:48:55,759 Speaker 1: takes to step up to the microphone, then put your 911 00:48:55,800 --> 00:48:58,920 Speaker 1: voices where your mouth is. Thanks everybody. I hear voices 912 00:48:58,960 --> 00:49:01,920 Speaker 1: as hosted by Wilfred and Christy Carlson Romano. Executive produced 913 00:49:01,960 --> 00:49:04,920 Speaker 1: by Will Ferdell, Brendan Rooney, Amy Sugarman and Vicky Ernst Chang. 914 00:49:05,080 --> 00:49:07,600 Speaker 1: Our executive in charge of production is Danielle Romo, Our 915 00:49:07,600 --> 00:49:10,400 Speaker 1: producer is Lorraine Vera Weez and our editor slash engineer 916 00:49:10,480 --> 00:49:14,239 Speaker 1: is Brian Burton. And that was my announcer voice. Some 917 00:49:14,280 --> 00:49:16,359 Speaker 1: side effects of listening to I Hear Voices are sore 918 00:49:16,360 --> 00:49:19,120 Speaker 1: abs from hilarity falling down the Coco melon rabbit hole, 919 00:49:19,239 --> 00:49:22,080 Speaker 1: sneezing due to mass nostalgia, and hugs. Follow I Hear 920 00:49:22,160 --> 00:49:24,080 Speaker 1: Voices wherever you listen to podcasts so you don't miss 921 00:49:24,080 --> 00:49:26,359 Speaker 1: any of the amazing voices. Be sure to follow us 922 00:49:26,360 --> 00:49:29,120 Speaker 1: on Instagram and TikTok at I Hear Voices podcast. To 923 00:49:29,160 --> 00:49:31,600 Speaker 1: see the video stream, subscribe to my YouTube channel. You 924 00:49:31,600 --> 00:49:34,000 Speaker 1: can also check us out on my space, omegal Vine, 925 00:49:34,080 --> 00:49:36,640 Speaker 1: lime Wire. Hey I'm a napster. Okay, well, let's teach 926 00:49:36,640 --> 00:49:37,960 Speaker 1: you about the Internet. The who