WEBVTT - 101: Sweet Baby w/ Shonda Rhimes

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<v Speaker 1>Unpacking the Toolboxes of production of shondol and Audio in

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<v Speaker 1>partnership with our Heart Radio. Yes, Katie, gee, Katie, Oh,

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<v Speaker 1>it's happening. Oh man, we are actually here. We're doing

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<v Speaker 1>the Scandal rewatch podcast, unpacking the toolbox together together. I mean,

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<v Speaker 1>don't get me wrong, I am very excited to rewatch episodes,

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<v Speaker 1>which we have to tell you guys how it's been going.

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<v Speaker 1>And we've been wanting to do a rewatch podcast and

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<v Speaker 1>hang out with our fans. Are gladiators who we have

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<v Speaker 1>missed for far too long. But really, this is just

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<v Speaker 1>my excuse to hang out with my favorite person on

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<v Speaker 1>the planet. Same. We just want to hang out together

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<v Speaker 1>so we could talk shit and reminisce about one of

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<v Speaker 1>the best shows on television. Yes, do you remember when

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<v Speaker 1>the last time you watched like a Scandal episode? Are

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<v Speaker 1>you kidding? Okay, First of all, it has been ten years.

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<v Speaker 1>We just celebrated the tenure anniversary of the pilot area.

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<v Speaker 1>That's crazy. I don't think I have watched like I

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<v Speaker 1>don't think I've watched any episodes of you. I don't

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<v Speaker 1>think so either. You know, there was a moment there

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<v Speaker 1>where they were still playing like on on ABC or

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<v Speaker 1>where I'd be flipping through channels and catch a glimpse,

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<v Speaker 1>but I wouldn't I wouldn't stay. I would be I

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<v Speaker 1>would sort of, you know, smile inside and sort of

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<v Speaker 1>chuckled to myself, but then move on. I woul didn't

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<v Speaker 1>sit there and watch the whole episode. But being able

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<v Speaker 1>to do that for the podcast was like a gift, man.

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<v Speaker 1>I have to say again, like the biggest when I

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<v Speaker 1>was like, we're doing this scandal rewatch podcast. It's called

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<v Speaker 1>Unpacking the Toolbox, which, let's just take a moment. That

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<v Speaker 1>is a freaking great title. It is the best title.

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<v Speaker 1>I love it so much. It's so hucking Quinn. It's

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<v Speaker 1>so Huckleberry Quinn. It's so right for the Gladiators, the

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<v Speaker 1>o G Gladiators. You know about our toolbox, you know

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<v Speaker 1>about Huck and his tools. It's great. Okay, so I'm

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<v Speaker 1>packing the toolbox and there's a toolbox emoji now on

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<v Speaker 1>Instagram there's a toolbox emoji. So Gladiators, suit the fuck up.

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<v Speaker 1>Tell your friends about this fucking podcast, and make sure

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<v Speaker 1>you put the toolbox emoji when you do something. But

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<v Speaker 1>right quick, I was like mostly excited to hang out

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<v Speaker 1>with you. Because I'm obsessed with you and I think

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<v Speaker 1>you're the most special, perfect human and ever born, which

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<v Speaker 1>I think you guys who watched the show know that

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<v Speaker 1>quinnin Huk had a very special connection. But I was

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<v Speaker 1>most freaked out about going back and watching the episodes.

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<v Speaker 1>I was like, I don't know, I was freaked out

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<v Speaker 1>in the low key excited because I was like sometimes

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<v Speaker 1>I'm like, sometimes I do enjoy watching myself, but I

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<v Speaker 1>don't want like somebody will walk in and be like,

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<v Speaker 1>you're watching yourself. So I was like every time Mikey

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<v Speaker 1>would walk in, I'd be like, well, I have to

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<v Speaker 1>do this for work. This is for work. You know,

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<v Speaker 1>I hate watching myself. You couldn't pay me. Well, you

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<v Speaker 1>could pay me a million dollars to do so, but

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<v Speaker 1>I don't really like watching myself. And I was concerned,

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<v Speaker 1>like as ten years too long or too short, Like

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<v Speaker 1>what is the perfect amount to be watching the show.

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<v Speaker 1>And because of this podcast going back and rewatching these episodes,

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<v Speaker 1>because G and I are taking this podcast very seriously.

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<v Speaker 1>We are we are doing our research. We are watching

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<v Speaker 1>the episodes backwards and forwards. We have amazing guests coming

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<v Speaker 1>in to talk about their experiences and their process and

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<v Speaker 1>how this whole thing went down. But I am loving

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<v Speaker 1>the episode. Me too shocked about it, like I don't

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<v Speaker 1>remember ship. I don't remember. I don't remember these episodes.

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<v Speaker 1>I mean I remember moments and and scenes here and there.

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<v Speaker 1>But I'm enjoying it so much. God, I too, and

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<v Speaker 1>I feel like we were so caught up while we

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<v Speaker 1>were shooting it. But now going back and being able

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<v Speaker 1>to watch it without any distractions, it's such a good show.

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<v Speaker 1>It's so good, and I feel like a gladiator with

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<v Speaker 1>a gladiator, I said. Quinn says gladiator in a succi

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<v Speaker 1>wants to be a gladiator in a suit in the pilot.

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<v Speaker 1>But we were so in it when we were making

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<v Speaker 1>the show, and then when we would even watch the episodes.

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<v Speaker 1>Back then, we were so obsessed with tweeting that we

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<v Speaker 1>really didn't focus and give my full attention to watching

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<v Speaker 1>the episodes. And right now going back and watching these episodes,

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<v Speaker 1>I am such a fan. I am such a fan,

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<v Speaker 1>so exciting, I am such an o G gladiator. I

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<v Speaker 1>love everyone's characters, the writing, the way that it was shot,

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<v Speaker 1>the ins and outs. I'm just grateful already. And what's good?

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<v Speaker 1>I want to say real quick to that what's good

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<v Speaker 1>about this podcast is even if you haven't rewatched the show,

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<v Speaker 1>you're still gonna freaking enjoy the podcast because that's how

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<v Speaker 1>fucking nutty and like fun and crazy and cookie me

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<v Speaker 1>and Katie are getting on this podcast. Yeah we have fun, Yes,

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<v Speaker 1>but if you can rewatch Scandal on Hulu, because it

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<v Speaker 1>really is a fa can amazing show like no other,

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<v Speaker 1>it holds up. That's one thing. I mean, I'm sure

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<v Speaker 1>so many actors artists watch stuff they've shot in the

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<v Speaker 1>past and you're like, oh wow, this thing is just

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<v Speaker 1>come and gone and is it doesn't really hold up.

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<v Speaker 1>Scandal one holds up. I am watching all the other

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<v Speaker 1>critically as claim shows right now, and Scandal is just

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<v Speaker 1>as good, if not better. Hew yourself a favor. Listen

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<v Speaker 1>to the podcast, rewatch the episodes, hang out with us.

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<v Speaker 1>Every episode is going to be such a fucking good time.

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<v Speaker 1>It's me and g hanging out shooting the ship. We

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<v Speaker 1>are talking about plot. We have guests that come on

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<v Speaker 1>that talk about their processes. We talked about what we

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<v Speaker 1>ate for lunch. We talked about farts, we talked about crying,

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<v Speaker 1>we talk about sex, We talk about tears Stick. We

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<v Speaker 1>talk about every single amazing actor, guest star, co star,

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<v Speaker 1>and every horror film they've ever been in thanks to

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<v Speaker 1>Germo Diaz. And then we just like hang out, make

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<v Speaker 1>you laugh, have a good time, and feel like the

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<v Speaker 1>Scandal fam is all back together again exactly agains all

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<v Speaker 1>back together. And this is our first freaking show. It's

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<v Speaker 1>the first podcast we've ever done. We are going back

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<v Speaker 1>in time. It's the ten year anniversary since the pilot

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<v Speaker 1>aired and drastically changed all of our lives. Really, and

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<v Speaker 1>Germo and I are wearing our T g I T

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<v Speaker 1>and garmoious. I'm wearing a season two Scandal like baseball

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<v Speaker 1>jersey type situation sands like the undershirt because it's too

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<v Speaker 1>damn tight. Because this is old as hell, so we

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<v Speaker 1>deserve all the applause that we are fitting. We are

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<v Speaker 1>going to be bringing out on this podcast all the

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<v Speaker 1>vintage throwback Scandal things we got. Okay, Gee, take me

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<v Speaker 1>back to where you were in your life before Huck,

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<v Speaker 1>What the heck were you doing? Honestly, I was at

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<v Speaker 1>a point in my life where I was no joke,

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<v Speaker 1>like I need a job, like I really need a job.

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<v Speaker 1>I was doing you know, guest spots, and I I

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<v Speaker 1>was I was still doing Weeds at the time, but

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<v Speaker 1>I was recurring on weeds, so it wasn't a steady gig,

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<v Speaker 1>you know what I mean. I loved being on Weeds,

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<v Speaker 1>but I was at that point in my life where

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<v Speaker 1>I was like, I really need to book something significant

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<v Speaker 1>that That's where I was in my life. So when

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<v Speaker 1>scandal came along, I was like fucking like, oh man,

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<v Speaker 1>thank god, where were you? Do you remember where you

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<v Speaker 1>were at? Like right before Oh my god, I was

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<v Speaker 1>twenty eight. I just got it engaged to Adam Shapiro

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<v Speaker 1>at um sweet sweet Adam. And I was a bag

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<v Speaker 1>be sitter, and you would You've been doing that for years, right,

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<v Speaker 1>like you were a nanny for a long time. I

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<v Speaker 1>was a waitress for a decade, and then I couldn't

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<v Speaker 1>handle the food service industry anymore in Los Angeles because

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<v Speaker 1>I would always wait on people that I was auditioning for. Literally,

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<v Speaker 1>like I would have like screen tests and be auditioning

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<v Speaker 1>and then I would be like asking for their drink

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<v Speaker 1>order and yet exactly, and so I was like, oh,

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<v Speaker 1>I could still babysit and pay my rent that way.

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<v Speaker 1>But at least it's like behind closed doors and not

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<v Speaker 1>as embarrassing. Um. And so I was nannying for a

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<v Speaker 1>very very fancy, high falutin family when the call for

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<v Speaker 1>scandal came in and I remember being like, Oh my god,

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<v Speaker 1>her name is Quinn and my middle name is Quinn,

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<v Speaker 1>and maybe that's a sign from the universe that this

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<v Speaker 1>is my part? Can this please be my part? Can

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<v Speaker 1>this please save me from this? And similar to you,

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<v Speaker 1>like I had been working, but not at the level

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<v Speaker 1>you had been working, but I had been you know,

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<v Speaker 1>I had done a bunch of guest stars. I had

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<v Speaker 1>occurred on a couple of shows. I had booked a

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<v Speaker 1>pilot that didn't go, Like there were some things, but

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<v Speaker 1>it was never ever, ever steady enough where I could

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<v Speaker 1>give up my side hut exactly. Yeah. And I was

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<v Speaker 1>at that place where I was like, am I going

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<v Speaker 1>to have to get aside hustle? Like right before this?

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<v Speaker 1>Oh yeah, yeah, yeah, yeah, yeah, yeah, I don't believe it. Yeah,

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<v Speaker 1>you know how it is for actors. It ebbs and

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<v Speaker 1>flows like the craziest it's feast or famine. Yeah, you

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<v Speaker 1>make good money and then that ship, that job ends

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<v Speaker 1>and you're like, Okay, I have no idea what's next,

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<v Speaker 1>because we just got to go back to the drawing board,

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<v Speaker 1>go back to auditioning. Yeah, do you remember the first

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<v Speaker 1>time you and I met? Katie? I don't remember, do you?

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<v Speaker 1>How dare you? Neither do I remember? I feel like

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<v Speaker 1>you've always like we've always been connected, and you've always

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<v Speaker 1>sort of been in my life since scandal started. So

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<v Speaker 1>I but I don't remember exactly the moment. Was it

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<v Speaker 1>at Prospect Studios where we rehearsed. It had to have been,

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<v Speaker 1>but I don't remember either, whatever, But I feel like

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<v Speaker 1>me and you like gravitated towards each other, like emotionally

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<v Speaker 1>and physically probably as well. We were like I love

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<v Speaker 1>this girl. Like I feel like that happened right away. Yeah,

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<v Speaker 1>we neither one of us may be able to remember

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<v Speaker 1>the exact moment we met, but I do know that

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<v Speaker 1>from the jump it was a love and a soulmate

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<v Speaker 1>connection of like we are going to travel this life together. Yes,

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<v Speaker 1>and then and then we had that tumultual affair. But

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<v Speaker 1>that's not that's neither here nor there. We'll save that

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<v Speaker 1>for the podcast. I love it. Guys. Keep listening. You

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<v Speaker 1>can hear about me and Garmo's affair. Um, I am

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<v Speaker 1>in love with you though, and how could you not be?

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<v Speaker 1>And I also just think we had those scenes in

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<v Speaker 1>the pilot together. I feel like we've tied scene in

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<v Speaker 1>the pilot where we were in the bathroom and you said,

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<v Speaker 1>we don't cry here and you're a stray dog and

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<v Speaker 1>Olivia takes us in. But we also got the best scoop,

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<v Speaker 1>like me and me and you always had the scoop. Remember,

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<v Speaker 1>sometimes we'd be on set talking talking about stuff or

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<v Speaker 1>having telling a story or some like scoop in Spanish

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<v Speaker 1>and then Carry Carry has serious fomo. Oh yeah, she's

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<v Speaker 1>always the last to know. But also Carry would hear

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<v Speaker 1>us and be we'd be so into telling into what

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<v Speaker 1>we were talking about that she would feel that energy

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<v Speaker 1>and walk over and be like, what are you guys

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<v Speaker 1>talking about? Tell me and we'd be like, by the way,

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<v Speaker 1>that would be everybody and you and I we could talk.

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<v Speaker 1>You guys will see as we get into the Scandal

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<v Speaker 1>Rewatch podcast, Garmo and I can talk for a hundred

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<v Speaker 1>thousand hours about absolutely nothing and it's hilarious and we

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<v Speaker 1>love it. But that was how the entire seven years

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<v Speaker 1>of Scandal was, and he and I are always talking,

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<v Speaker 1>having fun, gossiping whatever. And everyone always gravitated towards our

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<v Speaker 1>our energy just like yeah, man, they always entergy and

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<v Speaker 1>so we always have the scoop. We knew what everybody

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<v Speaker 1>was up to without the ado. Let's get this this

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<v Speaker 1>premier red carpet first episode of the Scandal Rewatch podcast,

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<v Speaker 1>Unpacking the toolbox off and running to the races we

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<v Speaker 1>have got. Episode one on one, titled Sweet Baby, It

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<v Speaker 1>aired on April five in two thousand twelve. It was

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<v Speaker 1>written by Shanna Rhymes and it was directed by the

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<v Speaker 1>brilliant Paul McGuigan. Guest starring Wes Brown, is Selly st James, Amy,

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<v Speaker 1>Kay Harmon is Ario Massey, Brian Resmussen is Howie, Alan

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<v Speaker 1>Coleman is Lad and Marek Probosk as O Scott. All

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<v Speaker 1>you gladiators listening know that one of the most important

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<v Speaker 1>key elements of the special sauce that made Scandal scandal

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<v Speaker 1>was the scandal pace at which we told story. So

0:12:47.520 --> 0:12:50.480
<v Speaker 1>let us warm your ears up and your heart's up

0:12:50.800 --> 0:12:54.040
<v Speaker 1>by telling you weekly the synopsis of each episode that

0:12:54.040 --> 0:12:56.240
<v Speaker 1>we're going to dive into, and we're gonna tell you

0:12:56.320 --> 0:12:59.880
<v Speaker 1>the synopsis of that episode in Scandal paste give it

0:13:00.000 --> 0:13:02.800
<v Speaker 1>to him. Let's give it to him. When Quinn Perkins

0:13:02.800 --> 0:13:05.400
<v Speaker 1>starts a new job at crisis Management from Olivia popean associates,

0:13:05.400 --> 0:13:07.240
<v Speaker 1>she must stay on her toes to navigate the tricky

0:13:07.240 --> 0:13:09.680
<v Speaker 1>cases they handle. The latest kind of Opia Selly st

0:13:09.720 --> 0:13:11.679
<v Speaker 1>James stumbles into the office, distraught and covered in the

0:13:11.720 --> 0:13:14.040
<v Speaker 1>blood of his dead girlfriend, adamant that he didn't kill her,

0:13:14.240 --> 0:13:17.080
<v Speaker 1>but tight lipped on the details. Meanwhile, the White House

0:13:17.160 --> 0:13:19.319
<v Speaker 1>is facing a scandal with the President and an aid

0:13:19.440 --> 0:13:21.040
<v Speaker 1>and who else is brought in to fix the problem

0:13:21.080 --> 0:13:25.600
<v Speaker 1>about Olivia Pope. That's what I'm talking about. Guys. It's

0:13:25.600 --> 0:13:26.960
<v Speaker 1>been a while. G and I. We need to do

0:13:26.960 --> 0:13:33.840
<v Speaker 1>our vocal warming. Leather bands his fist against the post.

0:13:34.160 --> 0:13:36.920
<v Speaker 1>He still insists he sees the ghosts. Remember that one,

0:13:37.800 --> 0:13:41.280
<v Speaker 1>But it's amazing. Oh my god, I'm obsessed with it. Okay,

0:13:41.320 --> 0:13:43.920
<v Speaker 1>So we'll jog your memories. Every episode will tell you

0:13:44.160 --> 0:13:47.199
<v Speaker 1>the title, the director, the guest stars, the co stars,

0:13:47.280 --> 0:13:51.200
<v Speaker 1>the synopsis in Scandal Pace and some episodes we're going

0:13:51.280 --> 0:13:54.079
<v Speaker 1>to have guests. Some episodes we ain't gonna have guests.

0:13:54.120 --> 0:13:57.640
<v Speaker 1>But this episode we got to guest, and now we

0:13:57.679 --> 0:14:02.839
<v Speaker 1>need a drumroll. People, I can't wait. We don't even

0:14:02.840 --> 0:14:05.440
<v Speaker 1>need a drum roll. We also need a full on

0:14:05.960 --> 0:14:10.960
<v Speaker 1>Stevie Wonder song, the Franklin Song, or any of the

0:14:11.040 --> 0:14:16.080
<v Speaker 1>amazing songs that Scandal had. Two key up the Queen.

0:14:16.520 --> 0:14:18.880
<v Speaker 1>I'm doing a little shuffle in my seat because I'm

0:14:18.880 --> 0:14:23.520
<v Speaker 1>excited the Queen of Television. For the inaugural episode, we

0:14:23.680 --> 0:14:28.680
<v Speaker 1>pull out the biggie, the big guns, the one, the only,

0:14:29.520 --> 0:14:37.400
<v Speaker 1>the most special. Queen Bee herself shot Ny Hello, and

0:14:37.440 --> 0:14:39.200
<v Speaker 1>we need to take a picture of this. We're drinking

0:14:39.200 --> 0:14:41.360
<v Speaker 1>out of our gladiator wine cups. It's too early in

0:14:41.400 --> 0:14:46.760
<v Speaker 1>the morning to actually be drinking. Who gave us these glasses?

0:14:46.840 --> 0:14:49.360
<v Speaker 1>Did we get him from? Was it production that gifted these?

0:14:49.400 --> 0:14:51.800
<v Speaker 1>I don't even remember, might have come from the network,

0:14:51.880 --> 0:14:54.920
<v Speaker 1>I don't know. Wow. Well, you know what, there's gonna

0:14:54.920 --> 0:14:58.400
<v Speaker 1>be hopefully a real opportunity for merch with this podcast,

0:14:58.440 --> 0:15:02.440
<v Speaker 1>because this is a great wine Shanda, can you tell

0:15:02.560 --> 0:15:05.240
<v Speaker 1>us about where you got this idea? The origin story

0:15:05.240 --> 0:15:08.680
<v Speaker 1>of Scandal meeting Judy Smith writing the pilot. So I

0:15:08.800 --> 0:15:11.720
<v Speaker 1>was busy at the time with Grays and I think

0:15:11.720 --> 0:15:15.440
<v Speaker 1>also private practice and Betsy was like, I met this

0:15:15.480 --> 0:15:18.280
<v Speaker 1>incredible woman. She's got this incredible job. I wanted to

0:15:18.320 --> 0:15:20.040
<v Speaker 1>talk to you about it. And I was like, I

0:15:20.080 --> 0:15:22.080
<v Speaker 1>don't have time for this. You know, I'm just too

0:15:22.080 --> 0:15:24.760
<v Speaker 1>busy and I wasn't thinking about creating another show. No,

0:15:24.960 --> 0:15:27.680
<v Speaker 1>you already had too yeah, too much to do. So

0:15:27.800 --> 0:15:30.000
<v Speaker 1>Betsy said, UM, just sit with her for like a

0:15:30.000 --> 0:15:33.760
<v Speaker 1>half an hour. So Judy Smith came in. She's this amazing,

0:15:33.840 --> 0:15:36.960
<v Speaker 1>formidable woman who basically always wears white, sat down and

0:15:36.960 --> 0:15:38.880
<v Speaker 1>started talking to me about her job. And the more

0:15:38.960 --> 0:15:40.400
<v Speaker 1>she talked to me about the job, the more I

0:15:40.440 --> 0:15:43.480
<v Speaker 1>was like, this is fascinating, this life of a fixer.

0:15:43.480 --> 0:15:46.440
<v Speaker 1>Because Judy had been like the fixer for the White

0:15:46.480 --> 0:15:49.000
<v Speaker 1>House during the Bush era, which too era, and she

0:15:49.080 --> 0:15:52.760
<v Speaker 1>had all these amazing stories and I was sort of

0:15:53.160 --> 0:15:55.440
<v Speaker 1>dazzled by the stories. I thought they were amazing. She'd

0:15:55.440 --> 0:15:58.080
<v Speaker 1>represented Monticawinski, you know, that whole thing, like she's done

0:15:58.080 --> 0:16:00.000
<v Speaker 1>a lot. And we ended up talking not for half

0:16:00.000 --> 0:16:02.200
<v Speaker 1>an hour, but like for four hours or something like that.

0:16:03.320 --> 0:16:05.000
<v Speaker 1>By the time we were done talking, I was like,

0:16:05.080 --> 0:16:07.480
<v Speaker 1>I can see like seventy episodes easy, Like I can

0:16:07.520 --> 0:16:10.360
<v Speaker 1>see exactly what those episodes would be yeah, And then

0:16:10.880 --> 0:16:13.480
<v Speaker 1>did you just go off and write? Was it like

0:16:13.520 --> 0:16:15.720
<v Speaker 1>an easy thing to write? Was it? Did it? Was

0:16:15.760 --> 0:16:18.040
<v Speaker 1>it hard to get it out of your brain? No?

0:16:18.200 --> 0:16:20.160
<v Speaker 1>You know, I think it was pretty easy to write

0:16:20.160 --> 0:16:22.680
<v Speaker 1>because I kind of understood the character I was making.

0:16:22.720 --> 0:16:24.200
<v Speaker 1>Once I let go of the fact that it didn't

0:16:24.200 --> 0:16:26.800
<v Speaker 1>have to be exactly Duty that I could play, I

0:16:26.840 --> 0:16:28.960
<v Speaker 1>felt really good about the character I was making, and

0:16:29.000 --> 0:16:31.680
<v Speaker 1>then all the other characters became really clear to me

0:16:31.720 --> 0:16:37.160
<v Speaker 1>really fast, which was great. God for us, Thank God

0:16:37.160 --> 0:16:40.480
<v Speaker 1>for you. Duty was there to like tell me how

0:16:40.520 --> 0:16:42.120
<v Speaker 1>she did her job, Like I'd call her and ask

0:16:42.160 --> 0:16:44.640
<v Speaker 1>for like like tiny details how she did her job.

0:16:44.920 --> 0:16:47.240
<v Speaker 1>And that's what really made the series I think special,

0:16:47.640 --> 0:16:50.880
<v Speaker 1>is the fact that we had so many real informing us.

0:16:51.560 --> 0:16:53.280
<v Speaker 1>First of all, she gave us all of her business

0:16:53.280 --> 0:16:56.560
<v Speaker 1>cards when we started, and I was like, please, Lord,

0:16:56.640 --> 0:16:58.520
<v Speaker 1>let us never have to use this, like I don't

0:16:58.560 --> 0:17:00.400
<v Speaker 1>want to call it. Didn't she come to like one

0:17:00.440 --> 0:17:03.400
<v Speaker 1>of our first rehearsals at Prospect Studios. I think that

0:17:03.640 --> 0:17:05.359
<v Speaker 1>we were hurt. We rehearsed the show like it was

0:17:05.400 --> 0:17:07.040
<v Speaker 1>a play, and I remember her being there. I think

0:17:07.080 --> 0:17:09.080
<v Speaker 1>that's when she gave us her business cards, and we

0:17:09.080 --> 0:17:11.440
<v Speaker 1>were all like, oh my god, this is d Judy Smith.

0:17:11.480 --> 0:17:13.840
<v Speaker 1>This is who Olivia Pope is loosely based on and

0:17:13.880 --> 0:17:16.399
<v Speaker 1>obviously on the show, Like you know, Olivia Pope has

0:17:16.440 --> 0:17:18.320
<v Speaker 1>an affair with the president. Obviously that didn't happen with

0:17:18.400 --> 0:17:21.399
<v Speaker 1>Judy Smith. This woman has to go around being like

0:17:21.520 --> 0:17:24.040
<v Speaker 1>scandals based on my life. But I did not sleep

0:17:24.080 --> 0:17:27.560
<v Speaker 1>with Bush Senior Junior. Inspired by inspired by my job

0:17:27.640 --> 0:17:30.400
<v Speaker 1>is what I kept telling her to say, yes, yes, yes,

0:17:30.520 --> 0:17:32.719
<v Speaker 1>that's great. Inspired by my job. So when you were

0:17:32.720 --> 0:17:35.000
<v Speaker 1>when you were listening to her story, Shanda, and did

0:17:35.040 --> 0:17:38.320
<v Speaker 1>it just sort of come into your brain that you

0:17:38.720 --> 0:17:40.720
<v Speaker 1>kind of went off and then started thinking, oh, they

0:17:41.240 --> 0:17:43.040
<v Speaker 1>these two characters can have an affair, and it sort

0:17:43.080 --> 0:17:45.480
<v Speaker 1>of grew from there? Where where did that sort of

0:17:45.800 --> 0:17:48.880
<v Speaker 1>come from? When I'm making a show or making writing

0:17:48.880 --> 0:17:50.919
<v Speaker 1>a script, I always think what's the worst thing that

0:17:50.960 --> 0:17:53.879
<v Speaker 1>could happen for these two people? Like what's the worst

0:17:54.160 --> 0:17:57.639
<v Speaker 1>way for things to go so great? Which is you

0:17:57.680 --> 0:18:00.280
<v Speaker 1>know how Huck ended up like a violent kill and

0:18:00.520 --> 0:18:02.000
<v Speaker 1>you know what I mean, But what's the worst way

0:18:02.040 --> 0:18:04.159
<v Speaker 1>to go? And the worst way I could think of

0:18:04.280 --> 0:18:06.119
<v Speaker 1>was if you're representing a girl from the White House

0:18:06.119 --> 0:18:07.520
<v Speaker 1>because it really started with me having like a little

0:18:07.520 --> 0:18:09.600
<v Speaker 1>Monica Lensky story. I was like, the worst thing is

0:18:09.600 --> 0:18:11.240
<v Speaker 1>that that you've been having a secret affair with this

0:18:11.280 --> 0:18:13.280
<v Speaker 1>man and now you discover that this is just how

0:18:13.280 --> 0:18:16.960
<v Speaker 1>he plays. That's not good. But when you wrote the pilot,

0:18:17.000 --> 0:18:21.720
<v Speaker 1>did you have any idea that the fits Olivia phenomenon

0:18:21.840 --> 0:18:24.480
<v Speaker 1>the one minute to the take off your clothes, the

0:18:24.560 --> 0:18:28.359
<v Speaker 1>chemistry beyond epic proportions would be what it was not

0:18:28.520 --> 0:18:30.480
<v Speaker 1>when I wrote it. Not when I wrote it, And

0:18:30.480 --> 0:18:32.639
<v Speaker 1>I remember the studio calling me up on the network,

0:18:32.640 --> 0:18:34.600
<v Speaker 1>calling me up and saying, can you we love it?

0:18:34.640 --> 0:18:36.760
<v Speaker 1>Can you just take out one little part? Like can't

0:18:36.760 --> 0:18:38.560
<v Speaker 1>you just be friends with the president? Could you not

0:18:38.640 --> 0:18:43.479
<v Speaker 1>have the affair? I remember saying, Olivia Pope is going

0:18:43.520 --> 0:18:46.240
<v Speaker 1>to have sex on the White houval office desk in

0:18:46.480 --> 0:18:48.640
<v Speaker 1>the first season of this series, and if you don't

0:18:48.640 --> 0:18:51.800
<v Speaker 1>want that, then I'm not doing this series. I'm obsessed

0:18:51.800 --> 0:18:55.359
<v Speaker 1>with And then when we were shooting it, you know,

0:18:56.000 --> 0:18:59.600
<v Speaker 1>the chemistry with Carrie and Tony was crazy, Like I

0:18:59.680 --> 0:19:02.959
<v Speaker 1>was like that that scene in the Oval office at

0:19:02.960 --> 0:19:05.680
<v Speaker 1>the end, I was not expecting that much amazing chemistry.

0:19:05.680 --> 0:19:08.520
<v Speaker 1>I mean, Tony's so incredible and always scared, but I

0:19:08.600 --> 0:19:11.399
<v Speaker 1>just wasn't expecting it to be that like that fire,

0:19:11.600 --> 0:19:14.159
<v Speaker 1>you know, it was great. I remember showing up that

0:19:14.280 --> 0:19:17.520
<v Speaker 1>night just to watch the shooting of it, which I

0:19:17.640 --> 0:19:19.160
<v Speaker 1>was like, I think, I think we have to talk

0:19:19.160 --> 0:19:21.520
<v Speaker 1>about the whole pilot experience, but I think that scene

0:19:21.520 --> 0:19:23.280
<v Speaker 1>in the Oval where they make out and they're like

0:19:23.720 --> 0:19:26.439
<v Speaker 1>hiding where the cameras can't see them, that was our

0:19:26.520 --> 0:19:28.320
<v Speaker 1>last night of shooting, and I remember being like, I

0:19:28.359 --> 0:19:30.080
<v Speaker 1>just want to go because I just never want this

0:19:30.160 --> 0:19:33.000
<v Speaker 1>to end. And I remember being there behind the monitor

0:19:33.040 --> 0:19:37.280
<v Speaker 1>watching and it was you could hear. I mean, I'm

0:19:37.359 --> 0:19:40.120
<v Speaker 1>hiding like in the curtains, Like it was so intense,

0:19:40.960 --> 0:19:43.520
<v Speaker 1>so on, it was so on. All I wanted to

0:19:43.520 --> 0:19:45.400
<v Speaker 1>say is, how did you cast quinnin huck No, we'll

0:19:45.440 --> 0:19:49.840
<v Speaker 1>get that's good stuff, though, we will be back with

0:19:49.920 --> 0:19:57.199
<v Speaker 1>more after the break. Okay, So how did you cast

0:19:57.800 --> 0:20:00.320
<v Speaker 1>Olivia Pope? Like did a lot of people as for

0:20:00.400 --> 0:20:02.840
<v Speaker 1>that role. Well, let's be clear, and I don't think

0:20:02.840 --> 0:20:04.440
<v Speaker 1>I think I realized how a big of a deal

0:20:04.480 --> 0:20:06.040
<v Speaker 1>this was. But it was the first leading role for

0:20:06.040 --> 0:20:08.280
<v Speaker 1>a woman of color and a drama in like thirty

0:20:08.320 --> 0:20:11.840
<v Speaker 1>seven years or something. So one thing I was very

0:20:11.880 --> 0:20:14.639
<v Speaker 1>clear about was there are so many actresses who have

0:20:14.720 --> 0:20:17.959
<v Speaker 1>never gotten this shot, Like we're not turning anybody away,

0:20:18.119 --> 0:20:19.840
<v Speaker 1>Like if you were of Note, we are not turning

0:20:19.840 --> 0:20:23.000
<v Speaker 1>you away. So it felt like it was this like

0:20:23.200 --> 0:20:26.160
<v Speaker 1>march of like fifty of some of the most incredible

0:20:26.160 --> 0:20:28.760
<v Speaker 1>actresses I've ever seen showing up at our office, and

0:20:28.800 --> 0:20:31.359
<v Speaker 1>it was amazing to watch. It also broke my heart

0:20:31.359 --> 0:20:33.879
<v Speaker 1>because why should it have to be this way? And

0:20:33.880 --> 0:20:36.080
<v Speaker 1>you could only cast of one and I could only

0:20:36.119 --> 0:20:40.480
<v Speaker 1>cast one, and so it came down to Carrie and

0:20:40.560 --> 0:20:44.600
<v Speaker 1>you can only Rose and Jill Scott, three women who

0:20:44.600 --> 0:20:49.560
<v Speaker 1>could out be more different, be more different. Also would

0:20:49.560 --> 0:20:51.120
<v Speaker 1>love to see a show with the three of them.

0:20:52.240 --> 0:20:55.120
<v Speaker 1>But I loved them all and I loved everybody's performance

0:20:55.160 --> 0:20:58.639
<v Speaker 1>as Olivia Pope, I really did. And I just kept thinking,

0:20:58.680 --> 0:21:01.199
<v Speaker 1>like I would show my writing because I'm writing a

0:21:01.240 --> 0:21:02.800
<v Speaker 1>different show for each one of these women. It just

0:21:02.800 --> 0:21:05.199
<v Speaker 1>felt like it was going to fundamentally be different for

0:21:05.240 --> 0:21:08.680
<v Speaker 1>every for every woman. And in the end, I sat

0:21:08.720 --> 0:21:11.560
<v Speaker 1>down with Carrie and I remember thinking like she's too pretty,

0:21:11.680 --> 0:21:15.000
<v Speaker 1>like somebody that's powerful, like doesn't get get away with

0:21:15.080 --> 0:21:17.840
<v Speaker 1>being pretty, and I was, which was so wrong with me?

0:21:18.080 --> 0:21:19.760
<v Speaker 1>And then I sat out with Carrie and she talked

0:21:19.840 --> 0:21:22.879
<v Speaker 1>politics like nobody's business for like an hour, and I

0:21:23.640 --> 0:21:26.560
<v Speaker 1>got it entirely immediately. Yeah, that was the whole and

0:21:26.640 --> 0:21:29.600
<v Speaker 1>I get it. I mean, Carrie Washington is an alien

0:21:29.680 --> 0:21:35.280
<v Speaker 1>of remarkable beauty. It's like, yeah, no one looks like that. No,

0:21:35.280 --> 0:21:38.560
<v Speaker 1>no one looks like that, No one has bone structure

0:21:38.680 --> 0:21:43.639
<v Speaker 1>like that. I mean, she's gorgeous, and she's also incredibly

0:21:43.920 --> 0:21:46.280
<v Speaker 1>politically active and an activist and all these things that

0:21:46.320 --> 0:21:49.560
<v Speaker 1>really lined up for the perfect Olivia Pope. I mean,

0:21:50.840 --> 0:21:54.199
<v Speaker 1>this pilot, the amount of slow mowalking scenes in a

0:21:54.240 --> 0:22:01.480
<v Speaker 1>white coat is is the greatest. It just satisfies every

0:22:01.600 --> 0:22:05.920
<v Speaker 1>part of your being watching it is It's like it's

0:22:06.000 --> 0:22:07.639
<v Speaker 1>it's like the dream life in a way that you

0:22:07.680 --> 0:22:11.199
<v Speaker 1>want to live. Yeah. Hell yeah, Shanda, did the studio

0:22:11.200 --> 0:22:13.760
<v Speaker 1>and network know that Olivia Pope was a black woman

0:22:13.880 --> 0:22:16.159
<v Speaker 1>or no? When you wrote it? So I want to

0:22:16.200 --> 0:22:18.520
<v Speaker 1>be clear. When I went in to pitch this, I

0:22:18.640 --> 0:22:20.960
<v Speaker 1>told Channing, I said, and she's going to be black

0:22:21.000 --> 0:22:24.040
<v Speaker 1>because Judy Smith is black, and Channing just nodded, And

0:22:24.119 --> 0:22:26.600
<v Speaker 1>I don't I think like me, she didn't think his

0:22:26.720 --> 0:22:28.440
<v Speaker 1>channings a woman of color. I don't think she thought

0:22:28.480 --> 0:22:30.800
<v Speaker 1>like I better go warn everybody or anything like this

0:22:30.880 --> 0:22:33.280
<v Speaker 1>is not a problem. And so when they picked up

0:22:33.280 --> 0:22:36.000
<v Speaker 1>the pilot, the head of casting called me and was like,

0:22:36.119 --> 0:22:38.560
<v Speaker 1>Connie Britton would be the perfect choice for this role.

0:22:39.600 --> 0:22:41.879
<v Speaker 1>And I said, I adore Connie Britton and she would

0:22:41.880 --> 0:22:44.840
<v Speaker 1>be except Olivia Pope is black. And it was like

0:22:45.440 --> 0:22:51.199
<v Speaker 1>this long moment of silence. Wow, yeah, I was just

0:22:51.200 --> 0:22:53.360
<v Speaker 1>gonna bring up what you brought up before, like like

0:22:53.400 --> 0:22:56.639
<v Speaker 1>the casting process for the rest of the of the cast.

0:22:56.720 --> 0:22:59.399
<v Speaker 1>I remember for going in for Houck and I remember

0:22:59.440 --> 0:23:03.560
<v Speaker 1>getting this gides and being like super piste off that

0:23:03.600 --> 0:23:06.080
<v Speaker 1>I was even being considered for this because I think

0:23:06.080 --> 0:23:08.800
<v Speaker 1>the character was described as like in his like fifties,

0:23:08.840 --> 0:23:11.040
<v Speaker 1>like mid fifties. I was like, I was like thirty

0:23:11.119 --> 0:23:12.520
<v Speaker 1>nine at the time, and I was like, now I'm

0:23:12.520 --> 0:23:15.879
<v Speaker 1>fifty one, I'm like the new twenty like, but at

0:23:15.920 --> 0:23:18.080
<v Speaker 1>the time, I was like, what the fun they wanted?

0:23:18.200 --> 0:23:20.880
<v Speaker 1>Why you like, how dare you think I'm fifty? Yeah?

0:23:20.880 --> 0:23:22.760
<v Speaker 1>I just felt I wasn't right for I remember going

0:23:22.840 --> 0:23:25.800
<v Speaker 1>into the audition to to read for for you Shawnda

0:23:25.840 --> 0:23:27.840
<v Speaker 1>and for Linda Loewey, and I think there was somebody

0:23:27.840 --> 0:23:30.640
<v Speaker 1>else in the room and just being like gonna do

0:23:30.640 --> 0:23:33.480
<v Speaker 1>do my best, and and you wrote this like brilliant

0:23:33.760 --> 0:23:37.240
<v Speaker 1>monologue and the character was obsessed with like little figurines

0:23:37.320 --> 0:23:38.919
<v Speaker 1>that were all over his desk. I don't know if

0:23:38.920 --> 0:23:41.840
<v Speaker 1>you remember that. Yeah, I had to write something just

0:23:42.000 --> 0:23:44.679
<v Speaker 1>to cast the role because I didn't say much and

0:23:44.720 --> 0:23:47.680
<v Speaker 1>I knew that eventually he would. Yeah, I knew eventually

0:23:47.680 --> 0:23:50.240
<v Speaker 1>he would. So I wrote this monologue. Oh it was

0:23:50.320 --> 0:23:52.760
<v Speaker 1>so good. And then so I did the monologue and

0:23:52.760 --> 0:23:55.480
<v Speaker 1>then we just all kind of sat there in silence

0:23:55.520 --> 0:23:57.680
<v Speaker 1>for a minute, and you looked at me and said,

0:23:57.720 --> 0:24:01.639
<v Speaker 1>you're a very interesting actor. Like I remember that so clearly,

0:24:01.680 --> 0:24:04.720
<v Speaker 1>and I was like thank you, and then I left.

0:24:04.760 --> 0:24:07.199
<v Speaker 1>And then you know, another odd thing that happened with

0:24:07.200 --> 0:24:10.320
<v Speaker 1>casting you was that you you cast I think most

0:24:10.320 --> 0:24:13.120
<v Speaker 1>of us, at least me, after just one audition. There

0:24:13.160 --> 0:24:15.520
<v Speaker 1>wasn't a lot of fanfare. You you know, we didn't

0:24:15.560 --> 0:24:18.560
<v Speaker 1>test for it, but you just knew. And the fact

0:24:18.560 --> 0:24:21.000
<v Speaker 1>that you got this whole cast together that has such

0:24:21.080 --> 0:24:25.119
<v Speaker 1>amazing chemistry and it all just freaking was it was

0:24:25.520 --> 0:24:28.320
<v Speaker 1>so special, Like but I know Kate Katie's stories like

0:24:28.600 --> 0:24:31.439
<v Speaker 1>Katie stories crazy. But didn't you first tell her that

0:24:31.480 --> 0:24:34.120
<v Speaker 1>she didn't get it? So they called me in and

0:24:34.160 --> 0:24:39.480
<v Speaker 1>I think I'm going to test and they say, Shanda says, um,

0:24:39.560 --> 0:24:42.000
<v Speaker 1>you can see this on the behind the scenes DVD

0:24:42.040 --> 0:24:47.800
<v Speaker 1>of season that's right, that's right, see my audition. She

0:24:47.960 --> 0:24:52.359
<v Speaker 1>gave me the part and I cried, real, real, ugly cried,

0:24:52.960 --> 0:24:54.919
<v Speaker 1>and I loved it so much. It was like it

0:24:55.000 --> 0:24:56.840
<v Speaker 1>was like the most fun thing I ever got to

0:24:56.840 --> 0:24:59.280
<v Speaker 1>do is to deliver good news to somebody, you know.

0:24:59.320 --> 0:25:01.080
<v Speaker 1>It was just love. And then I said, what am

0:25:01.080 --> 0:25:03.200
<v Speaker 1>I supposed to do? When you said someone's going to

0:25:03.320 --> 0:25:05.760
<v Speaker 1>call you and there's going to be a wardrobe fitting

0:25:05.760 --> 0:25:07.119
<v Speaker 1>and there's going to be a table read, I was like,

0:25:07.160 --> 0:25:13.119
<v Speaker 1>there's gonna be okay. I didn't first tell her that

0:25:13.160 --> 0:25:15.200
<v Speaker 1>she didn't get it. What I said was she came

0:25:15.240 --> 0:25:17.800
<v Speaker 1>in to do the test, and then we brought her

0:25:17.800 --> 0:25:19.480
<v Speaker 1>in the room and we already had the camera rolling,

0:25:19.960 --> 0:25:21.840
<v Speaker 1>and I said, Kittie, you're you know, I just wanted

0:25:21.840 --> 0:25:23.080
<v Speaker 1>to let you know you're not going to be able

0:25:23.119 --> 0:25:25.600
<v Speaker 1>to test for this part. And she was like just

0:25:25.640 --> 0:25:29.239
<v Speaker 1>so politely, like like trying really hard, and you can

0:25:29.280 --> 0:25:31.359
<v Speaker 1>see her dying a little bit inside, and I was like,

0:25:31.359 --> 0:25:33.159
<v Speaker 1>you Gause, We're just gonna give it to you, and

0:25:33.200 --> 0:25:35.639
<v Speaker 1>she was like she's like went crazy. It was. It

0:25:35.760 --> 0:25:39.760
<v Speaker 1>was so much fun. I've never I mean, that's your

0:25:40.280 --> 0:25:43.680
<v Speaker 1>you know, you've won the lottery, you know you've here's

0:25:43.720 --> 0:25:45.480
<v Speaker 1>your car and your I mean it was insane. It

0:25:45.560 --> 0:25:47.960
<v Speaker 1>was so but even bigger than that because it had

0:25:47.960 --> 0:25:50.000
<v Speaker 1>been something I'd wanted and worked for. I think when

0:25:50.040 --> 0:25:52.640
<v Speaker 1>I was twenty three or something, I said to someone,

0:25:52.680 --> 0:25:55.800
<v Speaker 1>I just want to work with Shonda Rye, Like, oh

0:25:55.840 --> 0:25:57.919
<v Speaker 1>my god, my start. But Shanna, most actors have to

0:25:57.960 --> 0:26:04.600
<v Speaker 1>go through nine like like pre reads, callbacks, producers, tests,

0:26:04.920 --> 0:26:08.200
<v Speaker 1>different sides, different looks, where's something else? Come meet this person?

0:26:08.320 --> 0:26:11.399
<v Speaker 1>It is awful, and then you start to shoot the

0:26:11.400 --> 0:26:13.679
<v Speaker 1>show and there's like not really that much chemistry or

0:26:13.680 --> 0:26:16.640
<v Speaker 1>this show is not that great after all that bs,

0:26:16.760 --> 0:26:18.760
<v Speaker 1>you know what I mean, that's a good point. Yeah,

0:26:18.760 --> 0:26:20.119
<v Speaker 1>you put in all that work and then you're like,

0:26:20.320 --> 0:26:23.479
<v Speaker 1>uh no. For me, it was like I knew, and

0:26:23.680 --> 0:26:26.199
<v Speaker 1>I'm very honest, I knew when I saw you, like

0:26:26.640 --> 0:26:29.040
<v Speaker 1>what I was like, this is perfect, Like this is

0:26:29.080 --> 0:26:31.160
<v Speaker 1>exactly what I was looking for when I said same

0:26:31.240 --> 0:26:33.359
<v Speaker 1>with kat. I knew when I saw her that was

0:26:33.400 --> 0:26:36.960
<v Speaker 1>exactly what we're waiting for. And because she was newer, um,

0:26:36.960 --> 0:26:39.280
<v Speaker 1>the network was like she needs to test. And then

0:26:39.359 --> 0:26:41.080
<v Speaker 1>Linda Lolowe and I went at the network and we're like,

0:26:41.080 --> 0:26:43.000
<v Speaker 1>we're not doing it, Like we're not doing that, Like

0:26:43.119 --> 0:26:46.959
<v Speaker 1>the only person who's getting getting offered this part. I

0:26:47.040 --> 0:26:48.720
<v Speaker 1>used a lot of I'm not making this pilot a

0:26:48.720 --> 0:26:50.960
<v Speaker 1>lot to get what I wanted, which is not very mature.

0:26:51.040 --> 0:26:53.680
<v Speaker 1>I love it, and I talked about this all the time.

0:26:54.000 --> 0:26:57.359
<v Speaker 1>So for you listening, Shanda is usually not on set

0:26:57.400 --> 0:27:01.199
<v Speaker 1>because she's really busy writing. Were a new number of

0:27:01.200 --> 0:27:05.200
<v Speaker 1>other reasons, um, But for our pilot, which I think

0:27:05.240 --> 0:27:08.359
<v Speaker 1>took three two or three weeks to make, Shonda was

0:27:08.440 --> 0:27:13.880
<v Speaker 1>there for every single frame we shot nights, it was cold.

0:27:14.040 --> 0:27:20.000
<v Speaker 1>We were in a really dank, downtown cool place that

0:27:20.080 --> 0:27:23.160
<v Speaker 1>we then built and made into Olivia Pope and associates

0:27:23.200 --> 0:27:25.880
<v Speaker 1>on a stage. Do you have any what are your

0:27:25.880 --> 0:27:29.120
<v Speaker 1>memories from being there? For those I mean we were

0:27:29.200 --> 0:27:34.080
<v Speaker 1>up all night loopy, Yeah, yeah, I remember like one.

0:27:34.400 --> 0:27:37.080
<v Speaker 1>I remember being there to make sure everybody talked fast

0:27:37.200 --> 0:27:40.520
<v Speaker 1>enough you know what I mean. It was really my

0:27:40.560 --> 0:27:42.400
<v Speaker 1>big word is everyone's not going to talk fast enough.

0:27:42.440 --> 0:27:44.600
<v Speaker 1>And part of that talk fast enough was simply that

0:27:44.640 --> 0:27:46.840
<v Speaker 1>I had written a really long pilot. You were like,

0:27:46.880 --> 0:27:49.880
<v Speaker 1>y'all gotta talk quick. We're not cutting this out. Yeah.

0:27:49.920 --> 0:27:52.119
<v Speaker 1>I feel like the pace of this show, like the

0:27:52.119 --> 0:27:54.320
<v Speaker 1>pace of how these people live their lives. You know,

0:27:54.640 --> 0:27:57.560
<v Speaker 1>White House could be slower, but Pulpit Associates was like

0:27:57.600 --> 0:28:01.440
<v Speaker 1>this speeding thing, and I wanted to happen. I mean,

0:28:01.760 --> 0:28:04.120
<v Speaker 1>it was so interesting because I just met Paul mcwigan.

0:28:04.240 --> 0:28:06.760
<v Speaker 1>I didn't know him. I just had loved his pilot

0:28:06.760 --> 0:28:09.680
<v Speaker 1>Sherlock and the work he's done there, and we talked

0:28:09.680 --> 0:28:12.040
<v Speaker 1>for a long time. But I was also there to

0:28:12.080 --> 0:28:14.160
<v Speaker 1>like sort of go like, what what's he doing, what's

0:28:14.160 --> 0:28:16.120
<v Speaker 1>he choosing to do? What's the look going to be?

0:28:16.119 --> 0:28:19.760
<v Speaker 1>Because I really don't Yeah, I don't talk in visuals.

0:28:19.800 --> 0:28:22.359
<v Speaker 1>I really just you know, talking story and what I'm thinking.

0:28:22.560 --> 0:28:25.480
<v Speaker 1>And so to watch him translate that was great, you know,

0:28:25.840 --> 0:28:28.280
<v Speaker 1>it was really great experience. Yeah, I have in my

0:28:28.359 --> 0:28:30.720
<v Speaker 1>notes one of the one of the other characters on

0:28:30.760 --> 0:28:34.640
<v Speaker 1>the show was were these panels that are our DP

0:28:34.840 --> 0:28:37.320
<v Speaker 1>started to incorporate into shooting, do you remember, Katie. Like

0:28:37.320 --> 0:28:40.240
<v Speaker 1>we would do our traditional coverage of the scene and

0:28:40.240 --> 0:28:43.040
<v Speaker 1>then somebody would call out panels, and then they would

0:28:43.040 --> 0:28:46.320
<v Speaker 1>bring out these sort of beveled pieces of thick glass

0:28:46.400 --> 0:28:49.400
<v Speaker 1>and they would stand the characters be behind these glasses,

0:28:49.400 --> 0:28:52.120
<v Speaker 1>and the camera would sort of you know, travel, you know,

0:28:52.240 --> 0:28:54.600
<v Speaker 1>side side to side, and it just gave it this

0:28:54.640 --> 0:29:00.640
<v Speaker 1>like sexy, like sort of dangerous like look, yeah, voyeuristic. Ill, yeah,

0:29:00.680 --> 0:29:03.720
<v Speaker 1>that's so true. And the colors like what they created,

0:29:03.760 --> 0:29:07.000
<v Speaker 1>the dark blues and grays, and like it just seemed

0:29:07.040 --> 0:29:10.800
<v Speaker 1>really not poppy. It didn't seem bright at all. It

0:29:10.840 --> 0:29:13.560
<v Speaker 1>seemed sort of like underground, like all this stuff we

0:29:13.560 --> 0:29:16.239
<v Speaker 1>were going and gore and like you mentioned, Katie, are

0:29:16.280 --> 0:29:18.840
<v Speaker 1>are where we shot the pilot. It was this amazing

0:29:18.880 --> 0:29:22.280
<v Speaker 1>location in downtown l A. And there were these these

0:29:22.600 --> 0:29:27.960
<v Speaker 1>cracked pieces of of windows that which which now looking

0:29:28.000 --> 0:29:30.280
<v Speaker 1>back at the watching the show again, watching it back,

0:29:30.320 --> 0:29:32.920
<v Speaker 1>I was thinking, it's so symbolic of all the cast

0:29:32.960 --> 0:29:36.479
<v Speaker 1>of characters, right, because we're all cracked and broken and leaking.

0:29:36.560 --> 0:29:38.360
<v Speaker 1>Like I remember, we would have to put photos up

0:29:38.360 --> 0:29:40.840
<v Speaker 1>on those pieces of glass, and sometimes it was a

0:29:40.840 --> 0:29:42.920
<v Speaker 1>struggle because it was raining outside and they had to

0:29:42.920 --> 0:29:44.840
<v Speaker 1>figure out a way to get the pictures to stick

0:29:45.080 --> 0:29:47.560
<v Speaker 1>because there were all these cracks. And then they created

0:29:47.600 --> 0:29:51.280
<v Speaker 1>that on the stages. Oh, it was so wonderful. They

0:29:51.280 --> 0:29:53.720
<v Speaker 1>replicated that so beautifully. That freaks me out how well

0:29:53.760 --> 0:29:57.200
<v Speaker 1>they did that. Yes, Oh my god, everybody. And you

0:29:57.240 --> 0:30:01.920
<v Speaker 1>know what's cool. Everyone really stuck with it, like seven years.

0:30:01.960 --> 0:30:03.760
<v Speaker 1>I don't you know, we just really didn't have a

0:30:03.760 --> 0:30:08.800
<v Speaker 1>lot of turnover in terms of like head of wardrobe production,

0:30:09.200 --> 0:30:12.280
<v Speaker 1>Like everyone believed in it. And I don't know how

0:30:12.360 --> 0:30:15.120
<v Speaker 1>you built this team. I know you've talked about this

0:30:15.200 --> 0:30:18.320
<v Speaker 1>like a no asshole policy, but like it really felt

0:30:18.360 --> 0:30:22.640
<v Speaker 1>like the cast and the crew was just a machine.

0:30:22.720 --> 0:30:25.120
<v Speaker 1>Like we were so tight. We still are. I mean

0:30:25.200 --> 0:30:28.320
<v Speaker 1>it's really when I see someone from Scandal, like a

0:30:28.400 --> 0:30:31.800
<v Speaker 1>Mary Howard or Line producing or Tom Erricker producing director

0:30:31.840 --> 0:30:35.520
<v Speaker 1>or someone I'm emotional like I'm it really felt like

0:30:35.560 --> 0:30:38.920
<v Speaker 1>a family early on. How did you do that? One?

0:30:39.160 --> 0:30:41.880
<v Speaker 1>I think Betsy and I did our homework. At least

0:30:41.920 --> 0:30:44.080
<v Speaker 1>two people had to say you weren't an asshole for

0:30:44.160 --> 0:30:47.280
<v Speaker 1>us to hire you. At least to two outside people

0:30:47.320 --> 0:30:49.880
<v Speaker 1>had to vouch for like your personality or who you

0:30:49.920 --> 0:30:52.280
<v Speaker 1>were as a person, because you know, people are always

0:30:52.320 --> 0:30:55.520
<v Speaker 1>lovely to me, but then I find out that they're

0:30:55.600 --> 0:30:58.720
<v Speaker 1>horrible to the p A s or there. You know,

0:30:59.320 --> 0:31:02.000
<v Speaker 1>I'm like, that creates a bad set. And then we

0:31:02.080 --> 0:31:05.239
<v Speaker 1>had Mary Howard, who I've learned, if you want your

0:31:05.280 --> 0:31:07.680
<v Speaker 1>set to run the way you would run your set,

0:31:07.720 --> 0:31:09.600
<v Speaker 1>find somebody who shares the same mindset as you. And

0:31:09.640 --> 0:31:13.200
<v Speaker 1>Mary was all about creating like a family environment and

0:31:13.200 --> 0:31:16.600
<v Speaker 1>a comfortable environment for every working and making everybody feel valued.

0:31:17.280 --> 0:31:19.800
<v Speaker 1>And then we got Lin Paulo to do the costumes,

0:31:19.880 --> 0:31:22.640
<v Speaker 1>and she was already somebody that you know, I had

0:31:22.640 --> 0:31:25.200
<v Speaker 1>been really into and loving her work, and it was

0:31:25.280 --> 0:31:27.240
<v Speaker 1>great to get her too, So it was it was

0:31:27.280 --> 0:31:29.480
<v Speaker 1>just this nice building process. I still work with Lind

0:31:29.520 --> 0:31:31.600
<v Speaker 1>to this day. Everyone told me, because I was sort

0:31:31.640 --> 0:31:35.680
<v Speaker 1>of the baby that like, you know, you really better

0:31:35.800 --> 0:31:37.880
<v Speaker 1>enjoy this because this, you know, the Tony is and

0:31:37.880 --> 0:31:40.520
<v Speaker 1>the Jeff's like, this is this is rare. This is

0:31:40.640 --> 0:31:43.400
<v Speaker 1>lightning in a bottle. Like we've had very long careers

0:31:43.440 --> 0:31:47.120
<v Speaker 1>and we've moved from group to group and cast to cast,

0:31:47.280 --> 0:31:51.240
<v Speaker 1>and this is so magical. We used to get all

0:31:51.280 --> 0:31:52.719
<v Speaker 1>the press used to come up to us and be like,

0:31:52.880 --> 0:31:59.880
<v Speaker 1>come on, like each other, Come on, this cannot be real,

0:32:00.040 --> 0:32:02.120
<v Speaker 1>and I'm like, it is real. I don't know what

0:32:02.240 --> 0:32:03.880
<v Speaker 1>to tell you. We're obsessed with each other. We go

0:32:03.960 --> 0:32:05.360
<v Speaker 1>to events and we only talk to each other. We

0:32:05.360 --> 0:32:09.000
<v Speaker 1>don't even want to talk to anybody else. We also

0:32:09.080 --> 0:32:13.520
<v Speaker 1>had so many amazing moments outside of of shooting the show, Like,

0:32:13.560 --> 0:32:16.880
<v Speaker 1>we went to so many events, and one memory that's

0:32:16.920 --> 0:32:19.400
<v Speaker 1>that's stuck out. I think Katie and I talked about

0:32:19.440 --> 0:32:22.000
<v Speaker 1>this a few days ago, was we went to this

0:32:22.120 --> 0:32:27.520
<v Speaker 1>GLAD Awards event where myself, Katie, and Carrie were presenting

0:32:27.560 --> 0:32:30.160
<v Speaker 1>an award to you. Shanda was a GLAD Award. I

0:32:30.200 --> 0:32:35.120
<v Speaker 1>forget uh. And we had so much fun. And I

0:32:35.240 --> 0:32:37.160
<v Speaker 1>know the thing that sticks out for me is we

0:32:37.160 --> 0:32:40.040
<v Speaker 1>were after the awards. We were on the dance floor

0:32:40.160 --> 0:32:43.760
<v Speaker 1>just dancing it up with you and me and and

0:32:43.960 --> 0:32:47.480
<v Speaker 1>Katie and my boyfriend Mike was there and at one

0:32:47.520 --> 0:32:49.920
<v Speaker 1>point broke. I don't think I ever told you this, Katie,

0:32:50.000 --> 0:32:52.520
<v Speaker 1>or maybe I did, but at one point we're dancing

0:32:52.560 --> 0:32:55.240
<v Speaker 1>Shaunda and this dude sort of shimmy's up and saddles

0:32:55.320 --> 0:32:57.320
<v Speaker 1>up in front of me and starts dancing and he's

0:32:57.360 --> 0:32:59.400
<v Speaker 1>getting a little flirty and you walked up to him

0:32:59.400 --> 0:33:03.320
<v Speaker 1>and you said, he got a man. Do you remember that?

0:33:05.080 --> 0:33:08.600
<v Speaker 1>And I remember at that moment thinking, oh my god,

0:33:08.680 --> 0:33:12.120
<v Speaker 1>this is such a down woman, like she's got my back.

0:33:12.240 --> 0:33:14.680
<v Speaker 1>I loved it so much. But also cut to like

0:33:14.800 --> 0:33:16.160
<v Speaker 1>later on that night, me and Mike you had a

0:33:16.160 --> 0:33:27.800
<v Speaker 1>three something with that guy. Really, yes, yes, but but

0:33:27.880 --> 0:33:30.120
<v Speaker 1>me and Mike still talk about it to this day.

0:33:30.240 --> 0:33:33.120
<v Speaker 1>Mike adores you, and he was like, oh my god,

0:33:33.240 --> 0:33:35.800
<v Speaker 1>I fucking love Shawnda this. She did that and stepped

0:33:35.800 --> 0:33:38.280
<v Speaker 1>in and was like, no, he's got a minute. It

0:33:38.440 --> 0:33:42.040
<v Speaker 1>was so amazing. Um. So we do the pilot and

0:33:42.080 --> 0:33:44.080
<v Speaker 1>then we wait to hear about if we're going to

0:33:44.120 --> 0:33:47.320
<v Speaker 1>get a season one, and we get six episode order.

0:33:47.400 --> 0:33:50.160
<v Speaker 1>How did you feel about that? I was pissed. I mean,

0:33:50.200 --> 0:33:52.920
<v Speaker 1>I will just say that I was pissed. I was like,

0:33:53.360 --> 0:33:55.440
<v Speaker 1>did I not deliver you know, a hundred episodes of

0:33:55.480 --> 0:33:57.160
<v Speaker 1>scandal for I mean, grazing atomy for you? Did I

0:33:57.160 --> 0:33:59.760
<v Speaker 1>not give you a hundred episodes of private practice? Like?

0:33:59.800 --> 0:34:03.280
<v Speaker 1>Why the fuck? And I was mad? I was really mad,

0:34:03.320 --> 0:34:06.360
<v Speaker 1>but I was also like, it's gonna keep going. And

0:34:06.440 --> 0:34:08.840
<v Speaker 1>so we had fun writing it that season because we

0:34:08.920 --> 0:34:10.359
<v Speaker 1>knew that we were like sort of writing the hell

0:34:10.400 --> 0:34:12.120
<v Speaker 1>out of the show for our lives, like get it

0:34:12.160 --> 0:34:14.960
<v Speaker 1>all in there just in case. But I also loved it,

0:34:15.000 --> 0:34:17.160
<v Speaker 1>so I was like, they're gonna, they're gonna pick it up.

0:34:17.440 --> 0:34:19.320
<v Speaker 1>Do you remember when the show was called was it

0:34:19.520 --> 0:34:24.680
<v Speaker 1>when the show was called Damage Control? Remember that it

0:34:24.800 --> 0:34:26.440
<v Speaker 1>wasn't the real name though, that was the name you

0:34:26.440 --> 0:34:31.040
<v Speaker 1>put on spots. You know, I didn't know that either.

0:34:32.280 --> 0:34:34.719
<v Speaker 1>I thought damage Control was the name that just didn't

0:34:34.760 --> 0:34:39.719
<v Speaker 1>get approved by the studio or not. No idea. I

0:34:39.840 --> 0:34:43.759
<v Speaker 1>learned that after you know Gray's that after that that

0:34:44.400 --> 0:34:46.880
<v Speaker 1>we called that the entitled to Rmes project called Practice

0:34:46.880 --> 0:34:49.080
<v Speaker 1>the entitled Tomes Project, And I was like, I need

0:34:49.120 --> 0:34:50.719
<v Speaker 1>a name that doesn't have my name, and you know

0:34:50.719 --> 0:34:52.400
<v Speaker 1>what I mean, Like I wanted to try to build

0:34:52.440 --> 0:34:54.759
<v Speaker 1>it out. I think now all of our shows have

0:34:54.840 --> 0:34:59.160
<v Speaker 1>code names. When I had no idea that it, damage

0:34:59.200 --> 0:35:02.640
<v Speaker 1>Control was just like a placeholder. And I think Quinn

0:35:02.640 --> 0:35:06.120
<v Speaker 1>Perkins was Quinn Riley and Harrison wasn't Harrison, right? It

0:35:06.200 --> 0:35:08.880
<v Speaker 1>was Harrison. Yeah. It was once I got to know

0:35:08.920 --> 0:35:10.680
<v Speaker 1>you guys that I decided where your last names were

0:35:12.719 --> 0:35:15.040
<v Speaker 1>I love it. Can we can we talk about like

0:35:15.160 --> 0:35:18.640
<v Speaker 1>rewatching the show. Me and Katie keep texting each other

0:35:18.680 --> 0:35:20.480
<v Speaker 1>and we're like, oh my god, this show is so

0:35:20.640 --> 0:35:24.000
<v Speaker 1>freaking good. And but one one person that sticks out

0:35:24.040 --> 0:35:27.360
<v Speaker 1>for us is Columbus Short because he is like freaking

0:35:27.719 --> 0:35:31.440
<v Speaker 1>like magic on this show and it's just such a

0:35:31.480 --> 0:35:34.680
<v Speaker 1>thrill to watch him work, right, Katie, He's like genius

0:35:34.719 --> 0:35:38.080
<v Speaker 1>in front of the camera. Like I absolutely loved writing

0:35:38.080 --> 0:35:41.120
<v Speaker 1>for him and watching him work because he was he

0:35:41.200 --> 0:35:43.000
<v Speaker 1>was genius behind the camera. I mean in front of

0:35:43.000 --> 0:35:45.040
<v Speaker 1>the camera. The stuff he would do and it's just

0:35:45.080 --> 0:35:48.920
<v Speaker 1>the little tiny things were so great. Phone making A

0:35:49.000 --> 0:35:51.640
<v Speaker 1>did it like some sound with his Like he was

0:35:51.719 --> 0:35:55.560
<v Speaker 1>so musical and rhythmic, and which worked so well with

0:35:55.640 --> 0:35:59.279
<v Speaker 1>Scandal because you wrote such musical scripts where pace was

0:35:59.320 --> 0:36:02.560
<v Speaker 1>such a had such a musicality that he just leaned

0:36:02.560 --> 0:36:04.360
<v Speaker 1>into that and he had such a talent for that.

0:36:04.880 --> 0:36:08.640
<v Speaker 1>Huntil you were great. I remember watching you two the

0:36:08.640 --> 0:36:11.359
<v Speaker 1>first time doing that scene. It was great. I had

0:36:11.440 --> 0:36:15.880
<v Speaker 1>never been so nervous in my life, but you know,

0:36:16.040 --> 0:36:19.360
<v Speaker 1>he was nervous. He was very nervous. He was putting

0:36:19.360 --> 0:36:21.919
<v Speaker 1>on a front for me of being like I'm cool.

0:36:22.000 --> 0:36:24.440
<v Speaker 1>I'm cool, and I'm like, you are shipping bricks, dude,

0:36:24.440 --> 0:36:26.480
<v Speaker 1>Like this is Shonda Rhymes is sitting over there and

0:36:26.520 --> 0:36:28.440
<v Speaker 1>Betsy Beers is sitting over there, and I think they

0:36:28.440 --> 0:36:30.520
<v Speaker 1>have a stop watch and we need to be cool

0:36:30.560 --> 0:36:35.200
<v Speaker 1>and we need to get this and it was absolutely terrifying.

0:36:35.680 --> 0:36:38.120
<v Speaker 1>Is it true that did you audition Columbus or is

0:36:38.160 --> 0:36:41.080
<v Speaker 1>he like the one actor that did not audition? I

0:36:41.120 --> 0:36:43.520
<v Speaker 1>thought I had heard something about that. I feel like

0:36:43.560 --> 0:36:45.640
<v Speaker 1>he was offered it, but maybe I'm wrong. That's what

0:36:45.680 --> 0:36:47.399
<v Speaker 1>I had heard too. You know, I feel like he

0:36:47.440 --> 0:36:49.440
<v Speaker 1>came in an auditioned, or at least came in and

0:36:49.480 --> 0:36:53.120
<v Speaker 1>met Oh. I think I know that he came in

0:36:53.640 --> 0:36:56.919
<v Speaker 1>and then the like like everybody else, I just knew

0:36:56.920 --> 0:37:00.080
<v Speaker 1>that he was right. Yeah, we thought when we you

0:37:00.120 --> 0:37:02.960
<v Speaker 1>were Now that we're embarking on the Scandal rewatch podcast,

0:37:03.000 --> 0:37:06.239
<v Speaker 1>Unpacking the Toolbox, I'm so excited to hang out with

0:37:06.280 --> 0:37:11.080
<v Speaker 1>our Scandal family is really the point. And honestly, I'm

0:37:11.080 --> 0:37:13.560
<v Speaker 1>going to be real, real, honest right now, I was like,

0:37:14.000 --> 0:37:16.319
<v Speaker 1>the only thing I really don't want to do is

0:37:16.360 --> 0:37:19.000
<v Speaker 1>watch Scandal because I'm scared that I'm haveing to watch

0:37:19.040 --> 0:37:21.160
<v Speaker 1>something and I don't think I'm good or look at

0:37:21.200 --> 0:37:22.759
<v Speaker 1>what I used to look like, or look at it.

0:37:22.880 --> 0:37:25.120
<v Speaker 1>You know, you're just it's all wrapped up in actor

0:37:25.200 --> 0:37:27.440
<v Speaker 1>bull crap and like whatever. And I don't know if

0:37:27.480 --> 0:37:28.880
<v Speaker 1>it's going to be fun for me to do this.

0:37:30.800 --> 0:37:34.799
<v Speaker 1>I could not be more wrong. It's so much fun. Yeah.

0:37:34.920 --> 0:37:37.560
<v Speaker 1>I have experience of feeling like I've never actually seen

0:37:37.680 --> 0:37:41.160
<v Speaker 1>the show that everybody talks about because I was always

0:37:41.239 --> 0:37:43.600
<v Speaker 1>writing in or one episode ahead or editing one episode behind,

0:37:43.680 --> 0:37:46.239
<v Speaker 1>like and it was I was too worried about like

0:37:46.400 --> 0:37:49.239
<v Speaker 1>making everything perfect, so I couldn't really like I could

0:37:49.239 --> 0:37:51.120
<v Speaker 1>watch the show when we were all together and we

0:37:51.120 --> 0:37:55.840
<v Speaker 1>were like, you know, doing our Yeah, but I couldn't

0:37:55.880 --> 0:37:57.520
<v Speaker 1>watch it just like on my own, like it was

0:37:57.560 --> 0:38:00.279
<v Speaker 1>too much. And so when I sat down to watch again,

0:38:00.320 --> 0:38:02.799
<v Speaker 1>which was not that long. I'm probably right a little

0:38:02.800 --> 0:38:05.960
<v Speaker 1>bit before you started watching it again, it was surreal

0:38:06.840 --> 0:38:10.760
<v Speaker 1>because I could actually like see and enjoy the stories

0:38:10.800 --> 0:38:12.439
<v Speaker 1>that were told some of the some of the stories

0:38:12.440 --> 0:38:14.520
<v Speaker 1>have been so funny. I was like, that's what happened.

0:38:14.719 --> 0:38:19.239
<v Speaker 1>Oh my god, right to say when they say like

0:38:19.360 --> 0:38:22.439
<v Speaker 1>thorn Gate and like all these things, I don't even

0:38:22.440 --> 0:38:24.879
<v Speaker 1>think I understood what the hell was going on? Like

0:38:25.719 --> 0:38:29.520
<v Speaker 1>it's really this has been such a gift. This podcast

0:38:29.560 --> 0:38:31.319
<v Speaker 1>is such a gift, and all of you gladiators who

0:38:31.360 --> 0:38:33.960
<v Speaker 1>are listening right now, like, give yourself the gift of

0:38:34.000 --> 0:38:35.879
<v Speaker 1>going back and watching the show, or if you've never

0:38:35.920 --> 0:38:37.759
<v Speaker 1>seen it, tell a friend to watch it, because the

0:38:37.760 --> 0:38:43.040
<v Speaker 1>show holds up. It is better than all the shows.

0:38:44.200 --> 0:38:45.920
<v Speaker 1>And I'm taking myself out of it. I'm saying when

0:38:45.920 --> 0:38:48.880
<v Speaker 1>I just sit and watch like Carrie Washington and Tony

0:38:48.880 --> 0:38:50.719
<v Speaker 1>Goldwin do their thing. I mean, because what's cool about

0:38:50.760 --> 0:38:52.360
<v Speaker 1>the show. There's a white House half and there's an

0:38:52.360 --> 0:38:54.440
<v Speaker 1>opa A half, so I can you know, I'm watching

0:38:54.440 --> 0:38:56.360
<v Speaker 1>the show. I don't really remember the opay stuff. But

0:38:56.360 --> 0:38:57.640
<v Speaker 1>then there's a whole part of the show that I

0:38:57.640 --> 0:39:03.399
<v Speaker 1>have nothing to do with, and it so freaking good.

0:39:03.560 --> 0:39:06.160
<v Speaker 1>Oh my god, I can't believe what you made, Johonna.

0:39:06.280 --> 0:39:09.040
<v Speaker 1>I can't. But also you have to remember that, like

0:39:09.120 --> 0:39:11.839
<v Speaker 1>I had this the writing the writing staff for that

0:39:11.880 --> 0:39:16.239
<v Speaker 1>show was like every best writer I had ever worked with.

0:39:16.880 --> 0:39:19.880
<v Speaker 1>That was really what that was. How did you people

0:39:19.880 --> 0:39:22.560
<v Speaker 1>in johnn stay? They tend to stay because ay, they

0:39:22.640 --> 0:39:24.400
<v Speaker 1>know they're gonna have a job, but be like they

0:39:24.440 --> 0:39:26.600
<v Speaker 1>tend to stay because they I hope that they liked

0:39:26.600 --> 0:39:29.200
<v Speaker 1>it there. But what happened was is we'd have like

0:39:29.719 --> 0:39:31.440
<v Speaker 1>we'd have like Sevy who went to m I T

0:39:31.600 --> 0:39:34.399
<v Speaker 1>and was like telling us all the technical stuff we had.

0:39:34.440 --> 0:39:37.000
<v Speaker 1>We had a journalist Matt had been a journalist, you know,

0:39:37.120 --> 0:39:39.120
<v Speaker 1>on the press pool, and tell us all that stuff

0:39:39.360 --> 0:39:41.600
<v Speaker 1>and the things that that room came up with just

0:39:41.719 --> 0:39:43.680
<v Speaker 1>by themselves. I'd I'd leave and I'd come back to

0:39:43.719 --> 0:39:45.600
<v Speaker 1>the room and I'd be like, holy crap, that's amazing.

0:39:45.920 --> 0:39:48.760
<v Speaker 1>Like they just had a gift for building that show.

0:39:49.160 --> 0:39:53.799
<v Speaker 1>It was brilliant, brilliant minds that were just again sort

0:39:53.840 --> 0:39:55.759
<v Speaker 1>of like the cast, they just really and most of

0:39:55.760 --> 0:39:58.000
<v Speaker 1>them stuck with us. I mean when we when we've

0:39:58.040 --> 0:40:00.279
<v Speaker 1>been doing research on the show. In the series, I mean,

0:40:00.320 --> 0:40:04.640
<v Speaker 1>I'm reading names of writers and directors who you've taken

0:40:04.960 --> 0:40:07.240
<v Speaker 1>from a million episodes of Scandal. But then I worked

0:40:07.239 --> 0:40:09.600
<v Speaker 1>with most of them on inventing Anna, Like you know

0:40:09.640 --> 0:40:14.080
<v Speaker 1>what I mean. It's really um even even guest stars,

0:40:14.120 --> 0:40:16.560
<v Speaker 1>guest stars that came on Scandal. When I would do

0:40:16.600 --> 0:40:19.120
<v Speaker 1>research and google people for for the podcast and be like,

0:40:19.160 --> 0:40:21.360
<v Speaker 1>oh my god, they did a bunch of Grays episodes,

0:40:21.400 --> 0:40:24.600
<v Speaker 1>a bunch of Private Practice episodes like yeah, like you said,

0:40:24.600 --> 0:40:27.400
<v Speaker 1>they keep they you bring them back, it's and they

0:40:27.440 --> 0:40:29.640
<v Speaker 1>want to keep coming back. I like to work with

0:40:29.719 --> 0:40:31.600
<v Speaker 1>people who I like to work with, you know what

0:40:31.680 --> 0:40:33.960
<v Speaker 1>I mean, Like if I've had a great experience with you,

0:40:34.400 --> 0:40:36.879
<v Speaker 1>I mean I work with Jeff Perry like any day

0:40:36.880 --> 0:40:39.359
<v Speaker 1>of the week, every day. Yeah, you know what I mean?

0:40:39.520 --> 0:40:46.080
<v Speaker 1>Like so would all of us? Right, God, Mr Magood

0:40:46.239 --> 0:40:48.359
<v Speaker 1>that he had to play such a different character than

0:40:48.400 --> 0:40:52.080
<v Speaker 1>he played before and was like so amazing. Yes, And

0:40:52.160 --> 0:40:55.000
<v Speaker 1>him at the table reads he has like eight thousand glasses,

0:40:55.360 --> 0:40:57.360
<v Speaker 1>like he's near sighted and far sighted. I don't know

0:40:57.400 --> 0:40:59.480
<v Speaker 1>what's going on, and he has to hold his cell

0:40:59.520 --> 0:41:03.799
<v Speaker 1>phone as script test to be a certain way. But

0:41:03.840 --> 0:41:06.400
<v Speaker 1>the crazy thing is it all looks wild and then

0:41:06.440 --> 0:41:08.200
<v Speaker 1>you sit down for the table read and you're getting

0:41:08.239 --> 0:41:10.640
<v Speaker 1>a three D and fifty dollar ticket front row seed

0:41:10.680 --> 0:41:13.880
<v Speaker 1>to a Broadway show where is even his table read

0:41:13.920 --> 0:41:22.000
<v Speaker 1>acting is epic, epic and just absolutely incredible. I'm gonna

0:41:22.000 --> 0:41:24.480
<v Speaker 1>say this. I remember the episode where he gives that

0:41:24.640 --> 0:41:27.840
<v Speaker 1>long monologue to Fits about what's going to happen to

0:41:27.920 --> 0:41:32.440
<v Speaker 1>him if he lets go check out that pencil that

0:41:32.520 --> 0:41:34.680
<v Speaker 1>your father deaveut and you're gonna shoot yourself like that

0:41:34.760 --> 0:41:38.200
<v Speaker 1>whole thing, And I was I remember the table read

0:41:38.239 --> 0:41:40.680
<v Speaker 1>being like I wrote that, Holy sh it. I never

0:41:40.719 --> 0:41:43.080
<v Speaker 1>thought it was going to be that. Like, never it

0:41:43.120 --> 0:41:44.600
<v Speaker 1>was going to be that. I had a lot of

0:41:44.600 --> 0:41:46.080
<v Speaker 1>that with you guys, though. I had a lot of

0:41:46.120 --> 0:41:48.600
<v Speaker 1>experiences where I was like, they just elevated the material

0:41:48.719 --> 0:41:51.319
<v Speaker 1>in a crazy amazing way. How did you know that

0:41:51.400 --> 0:41:53.200
<v Speaker 1>monologues we're going to work on the show? I mean,

0:41:53.200 --> 0:41:56.239
<v Speaker 1>monologues are very rare. I I don't think I've ever

0:41:56.920 --> 0:41:59.880
<v Speaker 1>seen TV shows with the amount of you know, you

0:42:00.040 --> 0:42:03.760
<v Speaker 1>would have a character talk, single space page for to page,

0:42:03.760 --> 0:42:09.680
<v Speaker 1>you know, but in a lot of ways, because you

0:42:09.760 --> 0:42:12.200
<v Speaker 1>said everything so fast, it didn't make it work, because

0:42:12.200 --> 0:42:15.600
<v Speaker 1>there was none of that like overacting that people accidentally

0:42:15.600 --> 0:42:17.960
<v Speaker 1>do when they have a monologue, or the long pauses

0:42:18.000 --> 0:42:20.600
<v Speaker 1>that they think means something like you guys just threw

0:42:20.640 --> 0:42:24.239
<v Speaker 1>yourselves into it. We're so natural about it totally. Who

0:42:24.320 --> 0:42:28.800
<v Speaker 1>came up with the camera shutter sound, I don't even remember.

0:42:28.880 --> 0:42:31.040
<v Speaker 1>I think mcgwigan came up with it with the editor

0:42:31.120 --> 0:42:34.000
<v Speaker 1>in the editor directors cut. I'm pretty sure because it

0:42:34.000 --> 0:42:36.440
<v Speaker 1>was already there. It was already there when I got it.

0:42:36.480 --> 0:42:39.200
<v Speaker 1>I'm pretty sure you have to ask Scott Collins, who

0:42:39.239 --> 0:42:41.399
<v Speaker 1>does all our post production. He will remember exactly. Oh,

0:42:41.440 --> 0:42:42.719
<v Speaker 1>we have to have him on, we have to have

0:42:42.800 --> 0:42:48.600
<v Speaker 1>him on. But that is so iconic whenever I heard like, yeah, yeah,

0:42:48.800 --> 0:42:53.760
<v Speaker 1>did you know the music was going to be like seventies? Yeah,

0:42:53.800 --> 0:42:55.919
<v Speaker 1>Like it was the music I was listening to while

0:42:55.920 --> 0:42:57.840
<v Speaker 1>writing the pilot. I listened to a lot of Stevie

0:42:57.880 --> 0:42:59.800
<v Speaker 1>Wonder and I listened to a lot of ARMETHA. Franklin

0:43:00.239 --> 0:43:03.759
<v Speaker 1>and I don't know, Like Washington is such a it's

0:43:03.760 --> 0:43:06.080
<v Speaker 1>such a political city, but it's also like a very

0:43:06.120 --> 0:43:08.040
<v Speaker 1>black city, do you know what I mean? Like the

0:43:08.080 --> 0:43:11.000
<v Speaker 1>population of people of color is huge, And it felt

0:43:11.040 --> 0:43:13.080
<v Speaker 1>like there was like that was the soul of Washington

0:43:13.160 --> 0:43:16.040
<v Speaker 1>to me, Like it felt well and it resonated me.

0:43:16.200 --> 0:43:19.200
<v Speaker 1>And I enjoyed using that music. And I love how

0:43:19.200 --> 0:43:22.280
<v Speaker 1>the music sort of plays against what's happening on screen,

0:43:22.320 --> 0:43:24.200
<v Speaker 1>you know what I mean, Because Huck will be Huckey

0:43:24.239 --> 0:43:26.839
<v Speaker 1>Quinn will be torturing someone you're hearing, you know, like

0:43:27.520 --> 0:43:31.520
<v Speaker 1>be like yeah, like the Temptations or whatever. So it

0:43:31.560 --> 0:43:33.719
<v Speaker 1>works so so well no. We would always say when

0:43:33.719 --> 0:43:35.680
<v Speaker 1>we would start to like solve a case at O

0:43:35.840 --> 0:43:42.320
<v Speaker 1>T A, I would always be like at ther or

0:43:42.400 --> 0:43:47.040
<v Speaker 1>like very superstitious, you know, just be like like this

0:43:47.080 --> 0:43:48.840
<v Speaker 1>is what's going to come on right now. And it

0:43:48.920 --> 0:43:52.560
<v Speaker 1>was so iconic. I think I use literally every last

0:43:52.600 --> 0:43:56.279
<v Speaker 1>one of Cebe Wonder songs in the show, and almost

0:43:56.320 --> 0:43:58.680
<v Speaker 1>without without with the exception of like her True like

0:43:58.760 --> 0:44:01.800
<v Speaker 1>gospel Church singing, every last one. I read the Franklin songs,

0:44:02.080 --> 0:44:06.440
<v Speaker 1>are you kidding? I love that? Didn't Stevie Wonder write

0:44:06.520 --> 0:44:10.560
<v Speaker 1>something specifically for Scandal At the very end, he wrote

0:44:10.600 --> 0:44:12.879
<v Speaker 1>the song for the finale. And when you keep talking

0:44:12.880 --> 0:44:17.080
<v Speaker 1>about the finale, I will come back on and tells Wonder,

0:44:17.120 --> 0:44:22.640
<v Speaker 1>which was insanely amazing. I mean, just to do You're

0:44:22.680 --> 0:44:24.560
<v Speaker 1>gonna have to come on and tell us about the

0:44:24.680 --> 0:44:31.040
<v Speaker 1>ending of the show. We'll be right back, guys. Things

0:44:31.080 --> 0:44:32.640
<v Speaker 1>that were in the middle of the seven years get

0:44:32.640 --> 0:44:35.360
<v Speaker 1>a little mushy, and I'm so excited to be watching

0:44:35.360 --> 0:44:37.879
<v Speaker 1>these episodes again to remind myself of what was going on.

0:44:37.960 --> 0:44:40.720
<v Speaker 1>But what stuck so much in my head is the pilot.

0:44:41.440 --> 0:44:45.480
<v Speaker 1>I can it's and then the finale. I just remember

0:44:46.000 --> 0:44:49.480
<v Speaker 1>so much about the beginning and the end of this show,

0:44:49.520 --> 0:44:54.239
<v Speaker 1>and a few episodes I remember really vividly, um, just

0:44:54.360 --> 0:45:02.120
<v Speaker 1>really vividly UM. That episode so dear to me and

0:45:02.200 --> 0:45:04.719
<v Speaker 1>I I was so proud of it and the way

0:45:04.760 --> 0:45:07.120
<v Speaker 1>it came out and the work everybody did. That was

0:45:07.160 --> 0:45:10.279
<v Speaker 1>a big one. Yeah. That was another one that you

0:45:10.320 --> 0:45:13.040
<v Speaker 1>came to set and you sat on set for those

0:45:13.080 --> 0:45:15.759
<v Speaker 1>monologues that every character did to to Huk and I

0:45:15.840 --> 0:45:17.799
<v Speaker 1>remember all of us being like, well, I was like,

0:45:17.840 --> 0:45:19.840
<v Speaker 1>I just got to sit on the ground and keep repeating.

0:45:20.840 --> 0:45:25.200
<v Speaker 1>Y'all got to remember, like you know, f you, I

0:45:25.280 --> 0:45:27.560
<v Speaker 1>got my monologue at six pm the night before and

0:45:27.600 --> 0:45:30.000
<v Speaker 1>I was first up. I used to take hits like

0:45:30.000 --> 0:45:33.000
<v Speaker 1>that all the time. But honestly, I was so I

0:45:33.040 --> 0:45:34.759
<v Speaker 1>was like I can do it. Like I can do it,

0:45:35.360 --> 0:45:37.160
<v Speaker 1>you know. Like they used to call me the closer

0:45:37.200 --> 0:45:38.799
<v Speaker 1>because I was the youngest, and they would give me

0:45:38.840 --> 0:45:42.920
<v Speaker 1>the like eleven pm scene on a Friday night. Didn't

0:45:42.960 --> 0:45:44.879
<v Speaker 1>give that to Jeff, give it to me. I can

0:45:44.920 --> 0:45:47.239
<v Speaker 1>do it. I can do it. But Shaunda, what were

0:45:47.280 --> 0:45:49.719
<v Speaker 1>your other episodes that you that sort of stick out

0:45:49.800 --> 0:45:55.600
<v Speaker 1>the remember Um the trail Um to oh eight Happy birthday, Mr. President,

0:45:55.600 --> 0:45:59.440
<v Speaker 1>where we shot the President. Oh my gosh, that was

0:45:59.480 --> 0:46:02.000
<v Speaker 1>one of my most favorite things that we did, just

0:46:02.080 --> 0:46:05.000
<v Speaker 1>because of what I got to do with the information

0:46:05.040 --> 0:46:07.720
<v Speaker 1>of what happens when the president is shot, and because

0:46:07.840 --> 0:46:10.879
<v Speaker 1>of just the paint it played out for everybody, which

0:46:10.920 --> 0:46:12.600
<v Speaker 1>was so great, and what happened to talk and all

0:46:12.680 --> 0:46:17.120
<v Speaker 1>that stuff. White Hats back on, which was the finale

0:46:17.120 --> 0:46:21.520
<v Speaker 1>of season two where at the end she says, Dad, Dad, Yeah,

0:46:21.960 --> 0:46:25.560
<v Speaker 1>remember that the public reading we did during while the

0:46:25.600 --> 0:46:27.880
<v Speaker 1>finale was airing. We did you guys did a reading

0:46:27.920 --> 0:46:32.080
<v Speaker 1>like in front of an audience. Yeah. Every single person

0:46:32.280 --> 0:46:35.000
<v Speaker 1>that I've talked to that was in the audience that night,

0:46:35.200 --> 0:46:37.720
<v Speaker 1>who was like friends or family or Adam, my husband,

0:46:38.440 --> 0:46:42.799
<v Speaker 1>they remember it as one of the most special and

0:46:42.880 --> 0:46:46.479
<v Speaker 1>out of body like theater experiences they've ever had. When

0:46:46.920 --> 0:46:50.719
<v Speaker 1>we were reading the script, Joe Morton, Olivia Pope says

0:46:50.800 --> 0:46:54.960
<v Speaker 1>dad to pop U Pope and came out of their seats.

0:46:55.360 --> 0:46:58.040
<v Speaker 1>I remember that. I remember Debbie Allen being like, oh

0:46:58.400 --> 0:47:03.160
<v Speaker 1>Dee Allen's up and the audience was screaming, pointing at us.

0:47:03.280 --> 0:47:05.959
<v Speaker 1>We were pointing at them. Everybody was screaming. I lost

0:47:05.960 --> 0:47:08.480
<v Speaker 1>my voice for like a month. It was so great

0:47:09.320 --> 0:47:13.160
<v Speaker 1>and so special. I also remember the abortion episode. Oh,

0:47:13.200 --> 0:47:15.080
<v Speaker 1>that's on my list, that's on my list. That's that

0:47:15.120 --> 0:47:22.000
<v Speaker 1>Christmas episode. Babe, it's cold outside. That was my It

0:47:22.080 --> 0:47:24.880
<v Speaker 1>was but also because of what like it was our

0:47:25.000 --> 0:47:28.520
<v Speaker 1>Christmas episode and we got to watch Mellie filibuster and

0:47:28.760 --> 0:47:30.640
<v Speaker 1>like it just felt like we were already women in

0:47:30.680 --> 0:47:33.799
<v Speaker 1>so many different ways. It was great, And because you know,

0:47:33.840 --> 0:47:38.239
<v Speaker 1>I feel like I write a show where I'm deconstructing

0:47:38.280 --> 0:47:41.279
<v Speaker 1>what love is, like I'm trying to rip the lid

0:47:41.280 --> 0:47:43.319
<v Speaker 1>off the fairy tale. And what's funny is is that

0:47:43.360 --> 0:47:46.040
<v Speaker 1>everybody buys the fairy tale when I tell it every time,

0:47:46.400 --> 0:47:47.880
<v Speaker 1>and then when I ripped the lid off, and they're like,

0:47:48.160 --> 0:47:51.360
<v Speaker 1>what do you mean? He isn't happy? Like did you

0:47:51.440 --> 0:47:54.160
<v Speaker 1>not see the way he treats her? Like stuff? And

0:47:54.200 --> 0:47:57.239
<v Speaker 1>also that's real life, right, Like real life isn't tied

0:47:57.320 --> 0:48:00.320
<v Speaker 1>up in a pretty bow. Yeah. No, they're not fairy tales.

0:48:00.360 --> 0:48:03.720
<v Speaker 1>It's just not fairy tales. Randy read super freaking Julia.

0:48:04.440 --> 0:48:06.960
<v Speaker 1>Do you remember that one that was That was when

0:48:07.000 --> 0:48:09.239
<v Speaker 1>Olivia comes back and you have, first of all, you

0:48:09.280 --> 0:48:15.440
<v Speaker 1>have the Harrison's funeral um hawk is working as like

0:48:15.480 --> 0:48:21.280
<v Speaker 1>an Apple genius or something. That's right. That's right, Katie.

0:48:21.280 --> 0:48:23.319
<v Speaker 1>Your character was the only one trying to like pull

0:48:23.360 --> 0:48:28.480
<v Speaker 1>everybody together. Yes, I remember that you would become like

0:48:28.520 --> 0:48:30.640
<v Speaker 1>a mini Olivia. Pope, you become like a mini Olivia.

0:48:30.719 --> 0:48:34.560
<v Speaker 1>I loved that episode. That made me really happening. I

0:48:34.600 --> 0:48:36.600
<v Speaker 1>can't wait to get to all these episodes. I can't

0:48:36.600 --> 0:48:42.279
<v Speaker 1>even stand it. On chair, run chair and run when

0:48:42.320 --> 0:48:48.280
<v Speaker 1>she gets unapped. That was amazing episode. The guest stars

0:48:48.360 --> 0:48:53.279
<v Speaker 1>and the stories that you tell us a little bit

0:48:53.280 --> 0:48:55.440
<v Speaker 1>about how you always felt, and we always felt like

0:48:55.520 --> 0:48:58.000
<v Speaker 1>you you in the writer's room more ahead of the

0:48:58.040 --> 0:49:01.440
<v Speaker 1>news cycle, like why would you write something? And then

0:49:01.600 --> 0:49:04.759
<v Speaker 1>some ship would happen and we would be like wait what, Well,

0:49:04.920 --> 0:49:06.799
<v Speaker 1>part of that is that, like the people in my

0:49:06.880 --> 0:49:10.440
<v Speaker 1>room were crazy intelligent, and so they would they would

0:49:10.480 --> 0:49:13.359
<v Speaker 1>like extrapolate something to its extreme degree and be like,

0:49:13.640 --> 0:49:15.160
<v Speaker 1>what if there was this thorn Gate thing that was

0:49:15.200 --> 0:49:17.360
<v Speaker 1>spying at everybody through their computers in their phone And

0:49:17.400 --> 0:49:19.480
<v Speaker 1>we were like, that can never happened, and so he

0:49:19.560 --> 0:49:21.560
<v Speaker 1>was like, technically it can, and tell us all why

0:49:21.560 --> 0:49:24.480
<v Speaker 1>I could, and then we'd do it. And then literally

0:49:24.560 --> 0:49:27.960
<v Speaker 1>we'd find out that that's something that actually happened. They

0:49:28.360 --> 0:49:30.640
<v Speaker 1>unveiled that they had done something like that. There were

0:49:30.719 --> 0:49:33.920
<v Speaker 1>so many times that happened, with so many different stories,

0:49:33.960 --> 0:49:36.320
<v Speaker 1>and it was so weird to us because we felt

0:49:36.360 --> 0:49:38.719
<v Speaker 1>like we were making up the crazies stuff we could

0:49:38.719 --> 0:49:42.920
<v Speaker 1>think of, and then it was just yeah, it got

0:49:43.080 --> 0:49:45.360
<v Speaker 1>when we had to. We were making up like crazy

0:49:45.360 --> 0:49:49.080
<v Speaker 1>presidential candidates, and then that stuff happened. But yes, yes,

0:49:49.360 --> 0:49:54.240
<v Speaker 1>Hollis Doyle, it was great. You know, we've we've heard

0:49:54.320 --> 0:49:56.800
<v Speaker 1>some of your most memorable episodes of the series. But

0:49:56.880 --> 0:49:59.600
<v Speaker 1>she and I have some questions that came up from

0:49:59.600 --> 0:50:02.880
<v Speaker 1>watching the pilot. First of all, where does gladiator in

0:50:03.080 --> 0:50:05.880
<v Speaker 1>suit come from? I made that up. I made that up.

0:50:05.920 --> 0:50:07.680
<v Speaker 1>I just love the way it sounded, and one day

0:50:07.680 --> 0:50:09.239
<v Speaker 1>in my head I was like glad and like it

0:50:09.280 --> 0:50:12.399
<v Speaker 1>just sounded good to me. What I loved was how

0:50:12.480 --> 0:50:15.880
<v Speaker 1>we got to like put that information down and that

0:50:15.960 --> 0:50:18.319
<v Speaker 1>we told the story through the eyes of Quinn. What

0:50:18.400 --> 0:50:20.920
<v Speaker 1>was important about that was nobody who was watching the

0:50:20.920 --> 0:50:23.440
<v Speaker 1>show knew anything about this world, you know what I mean.

0:50:23.480 --> 0:50:25.399
<v Speaker 1>They didn't know what a fix, they didn't know how

0:50:25.480 --> 0:50:27.319
<v Speaker 1>any of it worked, and so we had a new

0:50:27.360 --> 0:50:30.600
<v Speaker 1>person there to learn everything for us, which I thought

0:50:30.680 --> 0:50:34.360
<v Speaker 1>was really important. Did Judy Smith say things I trust

0:50:34.480 --> 0:50:36.719
<v Speaker 1>my gut or is this stuff you also made up?

0:50:37.400 --> 0:50:39.279
<v Speaker 1>Judy Smith says, trust your gut. Your gut will tell

0:50:39.280 --> 0:50:41.000
<v Speaker 1>you everything you need to know. That was one of

0:50:41.040 --> 0:50:43.080
<v Speaker 1>the first things I wrote down in my notes from

0:50:43.080 --> 0:50:45.439
<v Speaker 1>my meeting with her. That's the thing she always said.

0:50:45.600 --> 0:50:47.440
<v Speaker 1>She said that, and she said stand in your truth.

0:50:47.760 --> 0:50:50.160
<v Speaker 1>Those are the two that I always held onto. Yeah,

0:50:50.360 --> 0:50:52.520
<v Speaker 1>never like don't lie. It's that same thing, don't lie.

0:50:52.520 --> 0:50:56.400
<v Speaker 1>I never tell a lie. Yeah, And then I loved

0:50:56.520 --> 0:50:58.440
<v Speaker 1>like and it's I don't know if it was aired

0:50:58.440 --> 0:50:59.880
<v Speaker 1>in the broadcast show because it was too long, but

0:51:00.040 --> 0:51:01.520
<v Speaker 1>made them put it in for the DVD. In any

0:51:01.560 --> 0:51:04.640
<v Speaker 1>subsequent errings, Huck basically says to her, you know, we're

0:51:04.680 --> 0:51:07.680
<v Speaker 1>all damaged. You know, like everybody here is damaged to like,

0:51:07.719 --> 0:51:11.080
<v Speaker 1>get used to it, and I've seen that. Yeah, that

0:51:11.160 --> 0:51:12.520
<v Speaker 1>was one of my favorite scenes. And when I loved

0:51:12.560 --> 0:51:15.880
<v Speaker 1>about it wasn't just told you who everyone was like.

0:51:16.160 --> 0:51:19.239
<v Speaker 1>And when I wrote that scene, I was just gonna say,

0:51:19.239 --> 0:51:23.479
<v Speaker 1>he says, we're all stray dogs. That's right. Oh my god.

0:51:23.960 --> 0:51:25.839
<v Speaker 1>What I loved about that was when I wrote it,

0:51:25.960 --> 0:51:28.400
<v Speaker 1>I wasn't thinking as much about that, but the minute

0:51:28.440 --> 0:51:31.000
<v Speaker 1>I wrote that line, I was like, Oh, what are

0:51:31.080 --> 0:51:33.719
<v Speaker 1>what's everybody's problems? Like, how did they come to a living?

0:51:33.760 --> 0:51:38.640
<v Speaker 1>Everyone's from the misfits, everyone's from and boy did you deliver?

0:51:38.760 --> 0:51:43.080
<v Speaker 1>Did you give it to us? And that whole speech

0:51:43.080 --> 0:51:46.640
<v Speaker 1>that Olivia gives to Amanda Tanner. You think she's this

0:51:46.719 --> 0:51:48.840
<v Speaker 1>lovely person and then she just decimates her and you

0:51:48.920 --> 0:51:53.400
<v Speaker 1>see what her job really is. She's the devil. It's horrible.

0:51:53.400 --> 0:51:55.480
<v Speaker 1>She's the one who she needs to make things happen.

0:51:55.560 --> 0:51:58.040
<v Speaker 1>She's the person who handle stuff, so she has to

0:51:58.040 --> 0:52:00.200
<v Speaker 1>handle it whatever way works. And I just remember like

0:52:00.239 --> 0:52:04.360
<v Speaker 1>the devastation on Quinn's face and the way it was shocked. Yeah,

0:52:04.640 --> 0:52:06.880
<v Speaker 1>I had no idea that scene was like that. I

0:52:06.920 --> 0:52:09.279
<v Speaker 1>remember being like, oh, you know, my your line, your line,

0:52:09.280 --> 0:52:11.319
<v Speaker 1>your line, my line. I didn't work that hard on

0:52:11.320 --> 0:52:13.840
<v Speaker 1>that scene because I don't have any lines, which is

0:52:13.880 --> 0:52:18.759
<v Speaker 1>the worst doctor ever. I understand that. I remember standing

0:52:18.800 --> 0:52:22.319
<v Speaker 1>back there and Liza, you know, she's so good at

0:52:22.520 --> 0:52:26.200
<v Speaker 1>being emotional, and she's working on her so upset, and

0:52:26.960 --> 0:52:29.239
<v Speaker 1>you know, Carrie has this this epic monologue that you

0:52:29.280 --> 0:52:31.600
<v Speaker 1>were talking about about, Oh, this is a nice dog.

0:52:31.920 --> 0:52:33.960
<v Speaker 1>And then she goes through like, oh that stint where

0:52:33.960 --> 0:52:38.759
<v Speaker 1>your mom was in the nuthouse and it would be

0:52:38.800 --> 0:52:40.600
<v Speaker 1>easier and better for you if you just got the

0:52:40.600 --> 0:52:42.440
<v Speaker 1>hell out of here type of thing. And then I

0:52:42.440 --> 0:52:44.480
<v Speaker 1>remember Paul coming up to me and being like, this

0:52:44.560 --> 0:52:47.359
<v Speaker 1>is obviously my acting wasn't that great, but he came

0:52:47.440 --> 0:52:50.239
<v Speaker 1>up to me and said like, this is shut out said.

0:52:50.680 --> 0:52:54.840
<v Speaker 1>He basically was like, we are understanding the stakes of

0:52:54.920 --> 0:52:58.120
<v Speaker 1>this scene and how fucked up this is through you

0:52:58.200 --> 0:52:59.759
<v Speaker 1>and your eyes. And I was like, oh, I do

0:53:00.000 --> 0:53:06.080
<v Speaker 1>at her lap. And then Olivia does the SloMo in

0:53:06.120 --> 0:53:09.640
<v Speaker 1>the white jacket from Lynn Palo and gets on the

0:53:09.640 --> 0:53:12.239
<v Speaker 1>phone and she just says it's handled, and then it

0:53:12.280 --> 0:53:14.600
<v Speaker 1>goes to Quinn's face and she just is like I

0:53:14.640 --> 0:53:18.520
<v Speaker 1>can't even believe I'm working for this woman. She's this

0:53:18.600 --> 0:53:21.040
<v Speaker 1>is this is all like that she's kind of the

0:53:21.080 --> 0:53:25.560
<v Speaker 1>devil but also the hero. Which is how the fact

0:53:25.560 --> 0:53:30.480
<v Speaker 1>that was an exterior scene and that everybody, everybody, Bob Woodward,

0:53:30.480 --> 0:53:33.919
<v Speaker 1>everybody was like, when are you in DC shooting the show?

0:53:33.920 --> 0:53:35.960
<v Speaker 1>And I was like, We're never in DC shooting the show.

0:53:36.000 --> 0:53:39.960
<v Speaker 1>That's all fake and how amazing did that department do.

0:53:40.160 --> 0:53:42.200
<v Speaker 1>Like people would come up to us all the time

0:53:42.239 --> 0:53:43.880
<v Speaker 1>and be like, Yo, when are you guys going to

0:53:43.920 --> 0:53:45.839
<v Speaker 1>be in d C again? Why are you here? Don't

0:53:45.880 --> 0:53:47.399
<v Speaker 1>you guys shoot the show in d C? And we'd

0:53:47.400 --> 0:53:50.720
<v Speaker 1>always be like, no, it's all green screen and that

0:53:50.719 --> 0:53:54.200
<v Speaker 1>that team that did that, that work was just stellar.

0:53:54.320 --> 0:53:58.840
<v Speaker 1>I mean, yeah, people really Washingtonians really believe we're shooting

0:53:58.840 --> 0:54:01.880
<v Speaker 1>in d C. And I remember, I mean, my favorite

0:54:01.920 --> 0:54:04.000
<v Speaker 1>thing that we got to do was, Hey, it's awesome

0:54:04.000 --> 0:54:05.279
<v Speaker 1>to have a job where you get to right inter

0:54:05.480 --> 0:54:08.080
<v Speaker 1>your white House and then they build you a white house.

0:54:09.000 --> 0:54:10.920
<v Speaker 1>I literally played in the Oval Office for like a

0:54:10.960 --> 0:54:16.520
<v Speaker 1>billion years. But even better was like writing like the

0:54:16.560 --> 0:54:19.640
<v Speaker 1>interior resident on the White House Residents, and then like

0:54:19.719 --> 0:54:22.840
<v Speaker 1>the Balcony and we got to go to the White

0:54:22.840 --> 0:54:25.440
<v Speaker 1>House and film what it actually looked like from the

0:54:25.440 --> 0:54:31.320
<v Speaker 1>balcony and you've never been done before, which was so cool. Wow.

0:54:32.239 --> 0:54:33.840
<v Speaker 1>I thought we didn't shoot the show in d C

0:54:34.040 --> 0:54:37.760
<v Speaker 1>because when we did go there, it was so cold.

0:54:38.000 --> 0:54:40.080
<v Speaker 1>We would complain about being in Wildcats and it being

0:54:40.120 --> 0:54:43.600
<v Speaker 1>so hot, But honestly, I prefer that to the one

0:54:43.600 --> 0:54:45.959
<v Speaker 1>episode we didn't you see where I was holding gear

0:54:46.040 --> 0:54:48.840
<v Speaker 1>mos ears from become from the Huck's ears from turning

0:54:48.840 --> 0:54:51.919
<v Speaker 1>into icicles. Also, you could have never shot the show

0:54:51.960 --> 0:54:56.080
<v Speaker 1>there Scandal. The cast of Scandal, I could hide, but

0:54:56.640 --> 0:54:59.120
<v Speaker 1>it was like you were a beatle when we got

0:54:59.160 --> 0:55:01.080
<v Speaker 1>when the cast of Ndal got dropped into d C,

0:55:01.280 --> 0:55:03.759
<v Speaker 1>or when Shawanda Rhymes gets dropped into d C and

0:55:03.800 --> 0:55:07.160
<v Speaker 1>you're on a political show. It was crazy watching the

0:55:07.200 --> 0:55:10.240
<v Speaker 1>reactions there. That was amazing. One of the best things

0:55:10.239 --> 0:55:12.600
<v Speaker 1>Form for me was like I was I was all

0:55:12.600 --> 0:55:16.000
<v Speaker 1>about a shooting in l a everything because I had kids,

0:55:16.080 --> 0:55:18.040
<v Speaker 1>People had kids, people, and it's the show went on,

0:55:18.080 --> 0:55:20.000
<v Speaker 1>people had more and more kids, and I just felt

0:55:20.000 --> 0:55:23.400
<v Speaker 1>like people's lifestyle should not be like standing in the

0:55:23.400 --> 0:55:24.800
<v Speaker 1>middle of Washington, d C. In the middle of the

0:55:24.880 --> 0:55:27.480
<v Speaker 1>night hoping you can get home at somebody. And it

0:55:27.560 --> 0:55:30.400
<v Speaker 1>was It wasn't only like fans on the street or

0:55:30.400 --> 0:55:32.680
<v Speaker 1>fans that watched the show. It was it was like

0:55:32.800 --> 0:55:35.480
<v Speaker 1>people in d C. Like when we went and met

0:55:35.560 --> 0:55:38.839
<v Speaker 1>like Obama and the first Lady Michelle Obama, like her

0:55:38.960 --> 0:55:42.000
<v Speaker 1>hearing her tell me and tell all of us. Oh

0:55:42.040 --> 0:55:44.200
<v Speaker 1>my god. I was just watching an episode as they

0:55:44.239 --> 0:55:46.640
<v Speaker 1>were doing my hair and makeup. I was like, what,

0:55:46.800 --> 0:55:49.320
<v Speaker 1>like the people that were in that world we're watching

0:55:49.320 --> 0:55:53.400
<v Speaker 1>our show. It was so surreal to me, so surreal

0:55:53.440 --> 0:55:57.200
<v Speaker 1>that like actual washingtony and people. I mean I remember

0:55:57.320 --> 0:56:02.319
<v Speaker 1>George Bush Jr. Calling up Jatie Smith and saying, you know,

0:56:02.400 --> 0:56:04.520
<v Speaker 1>we didn't really have an affair, right, and like them

0:56:04.600 --> 0:56:07.960
<v Speaker 1>laughing about it. Yeah, I was. My mind was blown.

0:56:08.239 --> 0:56:14.759
<v Speaker 1>My mind was blown that. Oh my god. I think

0:56:14.760 --> 0:56:17.080
<v Speaker 1>it was such a gift that we sort of Also

0:56:17.719 --> 0:56:20.480
<v Speaker 1>that scandal was sort of a slow burn that people

0:56:20.600 --> 0:56:23.400
<v Speaker 1>caught onto the show. I mean, it really wasn't It

0:56:23.520 --> 0:56:26.080
<v Speaker 1>was very helpful. I think we got to a place

0:56:26.120 --> 0:56:29.080
<v Speaker 1>where we weren't this like overnight thing, so we had

0:56:29.120 --> 0:56:31.520
<v Speaker 1>sort of but we were obsessed with the show and

0:56:31.560 --> 0:56:33.759
<v Speaker 1>doing a good job and doing the best we could,

0:56:33.840 --> 0:56:35.919
<v Speaker 1>and we got to really make it in this sort

0:56:35.960 --> 0:56:38.920
<v Speaker 1>of bubble where people weren't looking. And then by the

0:56:38.920 --> 0:56:41.480
<v Speaker 1>time everyone started looking. I can remember being on red

0:56:41.520 --> 0:56:44.320
<v Speaker 1>Carpet and they would say, like, what does it feel

0:56:44.320 --> 0:56:46.960
<v Speaker 1>like to be on a hit show? Like wait are

0:56:47.000 --> 0:56:50.879
<v Speaker 1>we Like? I just was so like, what right? Because

0:56:50.880 --> 0:56:52.640
<v Speaker 1>it was such a slow burn. It was such a

0:56:52.680 --> 0:56:55.960
<v Speaker 1>slow burn. But also, yeah, I feel like Katie, Like

0:56:56.080 --> 0:56:58.359
<v Speaker 1>none of us ever got cocky about it, Like no

0:56:58.400 --> 0:57:01.960
<v Speaker 1>one ever got cocky. Every season we'd be like, oh

0:57:02.000 --> 0:57:03.520
<v Speaker 1>my god, I hope we get picked up. It was

0:57:03.560 --> 0:57:06.800
<v Speaker 1>never like we're we're working in like this is whatever.

0:57:06.920 --> 0:57:10.359
<v Speaker 1>We're a hit, this ship, We're the best we wanted to.

0:57:16.120 --> 0:57:20.680
<v Speaker 1>How do you think, like everyone says the show why

0:57:20.720 --> 0:57:23.680
<v Speaker 1>it was so magical a lot, is that because our

0:57:25.000 --> 0:57:29.000
<v Speaker 1>lead showrunner, Boss Shawnda Rhymes, and our lead actor Carrie

0:57:29.000 --> 0:57:32.200
<v Speaker 1>Washington are number one, the two of you. You know,

0:57:32.240 --> 0:57:36.040
<v Speaker 1>ship rolls downhill and that just never happened on our show.

0:57:36.200 --> 0:57:40.040
<v Speaker 1>How did you and carry make a world where that

0:57:40.160 --> 0:57:42.880
<v Speaker 1>was the case for so long? Because everyone would say

0:57:42.880 --> 0:57:45.320
<v Speaker 1>in the beginning, wait till season four, you're all going

0:57:45.360 --> 0:57:48.680
<v Speaker 1>to funciate each other, Like do you remember on the

0:57:48.680 --> 0:57:50.920
<v Speaker 1>pilot the first day we ever shot the show. On

0:57:50.960 --> 0:57:52.640
<v Speaker 1>the pilot, we're on the Graves anatomy set street in

0:57:52.640 --> 0:57:56.120
<v Speaker 1>the hospital scenes, and you said, or maybe it wasn't

0:57:56.120 --> 0:57:57.520
<v Speaker 1>the pilot, maybe it was episode two. No, I think

0:57:57.520 --> 0:58:03.320
<v Speaker 1>it was pilot. It was the pilot. And yeah, you say,

0:58:03.360 --> 0:58:06.400
<v Speaker 1>I'm never ever going to be like going to not

0:58:06.440 --> 0:58:09.040
<v Speaker 1>be grateful, And I remember pulling out my phone and

0:58:09.040 --> 0:58:10.840
<v Speaker 1>being like, can you say that again into my camera.

0:58:11.320 --> 0:58:15.160
<v Speaker 1>I was so sure that like in four years she

0:58:15.200 --> 0:58:17.960
<v Speaker 1>would be like complaining about her trailer or something. We

0:58:18.200 --> 0:58:21.040
<v Speaker 1>none of us were like that, none of us, I really,

0:58:21.280 --> 0:58:23.880
<v Speaker 1>but yes say it. So I was just gonna say.

0:58:23.920 --> 0:58:26.840
<v Speaker 1>Carry would do stuff like, uh, when we were done

0:58:26.840 --> 0:58:29.440
<v Speaker 1>shooting a scene, she would stop everyone and ask for

0:58:29.480 --> 0:58:33.600
<v Speaker 1>silence and thank all the background, thank our crew. Like

0:58:34.280 --> 0:58:37.000
<v Speaker 1>the stuff that that Carry would do just made the

0:58:37.040 --> 0:58:40.400
<v Speaker 1>sets so special and so inviting and so warm and kind,

0:58:40.520 --> 0:58:44.000
<v Speaker 1>and that's so rare, you know. I think, in my opinion,

0:58:44.120 --> 0:58:46.080
<v Speaker 1>I feel like and I don't remember that Carry actually

0:58:46.080 --> 0:58:47.360
<v Speaker 1>said this to me or not, but this is what

0:58:47.400 --> 0:58:49.160
<v Speaker 1>I assumed that she had been on a lot of

0:58:49.160 --> 0:58:52.360
<v Speaker 1>sets and seeing all kinds of behavior and knew when

0:58:52.400 --> 0:58:53.920
<v Speaker 1>when it was good and when it was bad, Like

0:58:54.080 --> 0:58:56.480
<v Speaker 1>knew the feeling because if you're like just starting out,

0:58:56.520 --> 0:58:59.120
<v Speaker 1>you know what that feels like when something number one

0:58:59.200 --> 0:59:02.080
<v Speaker 1>is horrible and sort of had bowed to never be

0:59:02.360 --> 0:59:04.800
<v Speaker 1>bad number one. And also I think she felt the

0:59:05.120 --> 0:59:07.920
<v Speaker 1>entire weight of the pressure of being like the first

0:59:07.920 --> 0:59:10.360
<v Speaker 1>black lead actress in a drama and not wanting that

0:59:10.440 --> 0:59:12.320
<v Speaker 1>to be like and she was a bit, you know,

0:59:14.680 --> 0:59:19.240
<v Speaker 1>I thought about that. And she was just a lovely

0:59:19.240 --> 0:59:22.480
<v Speaker 1>person to begin with, but she really worked hard to

0:59:22.880 --> 0:59:26.240
<v Speaker 1>remain humble and to keep everybody around her like feeling

0:59:26.240 --> 0:59:27.840
<v Speaker 1>good about what they were doing as well, to make

0:59:27.840 --> 0:59:30.040
<v Speaker 1>sure it felt like a group effort. The fact that

0:59:30.080 --> 0:59:32.600
<v Speaker 1>she never complained about those fucking shoes, I would have

0:59:33.840 --> 0:59:36.760
<v Speaker 1>lost my mind, like for seven years cramming her little

0:59:36.760 --> 0:59:40.880
<v Speaker 1>foot into six in shy heels. I but Shanna, you

0:59:40.920 --> 0:59:44.080
<v Speaker 1>never you were always the same. You and Betsy would

0:59:44.080 --> 0:59:46.000
<v Speaker 1>call these meeting, we would do table reads and then

0:59:46.000 --> 0:59:47.600
<v Speaker 1>you would say, okay, I'd like all the actors to

0:59:47.640 --> 0:59:49.360
<v Speaker 1>stay after for ten minutes, to which we would all

0:59:49.360 --> 0:59:50.600
<v Speaker 1>be like, oh my god, oh my god, we're in trouble.

0:59:50.640 --> 0:59:52.439
<v Speaker 1>Please dont let us be in trouble. But we would

0:59:52.480 --> 0:59:54.600
<v Speaker 1>sit there and you would always say it would be like,

0:59:55.600 --> 0:59:57.320
<v Speaker 1>you know, if anything comes up, or you want to

0:59:57.320 --> 0:59:59.560
<v Speaker 1>talk about anything, or we should be your first call.

0:59:59.680 --> 1:00:02.400
<v Speaker 1>Like I never had somebody look in the middle of

1:00:02.440 --> 1:00:04.160
<v Speaker 1>the night like you need help. Someone gets in next

1:00:04.160 --> 1:00:07.640
<v Speaker 1>and somebody to like, calm us, let us help you.

1:00:07.760 --> 1:00:09.840
<v Speaker 1>We are all in this together. And it was just

1:00:09.960 --> 1:00:14.560
<v Speaker 1>seemed like a very supportive I don't know. I learned

1:00:14.600 --> 1:00:16.760
<v Speaker 1>so much. I think you've sent us all out into

1:00:16.800 --> 1:00:21.320
<v Speaker 1>our other jobs to really expect nothing less than the

1:00:21.400 --> 1:00:24.800
<v Speaker 1>behavior and the vibe that we created for ourselves on

1:00:24.840 --> 1:00:28.520
<v Speaker 1>that show. I feel really lucky because I had the

1:00:28.560 --> 1:00:32.080
<v Speaker 1>experience of never working in TV before writing a show

1:00:32.120 --> 1:00:34.360
<v Speaker 1>and having it be like a crazy out of the

1:00:34.400 --> 1:00:37.320
<v Speaker 1>box hit where all of these actors became famous overnight

1:00:37.320 --> 1:00:40.720
<v Speaker 1>and chased by paparazzi and stuff, and that was great,

1:00:40.800 --> 1:00:42.920
<v Speaker 1>and I didn't I didn't know how to handle any

1:00:42.960 --> 1:00:45.440
<v Speaker 1>of that, you know what I mean. Like, I learned

1:00:45.520 --> 1:00:48.120
<v Speaker 1>that through the process of like working there every day,

1:00:48.400 --> 1:00:49.760
<v Speaker 1>and it was great to be able to bring that

1:00:49.800 --> 1:00:52.320
<v Speaker 1>knowledge to the table, you know, and say this is

1:00:52.320 --> 1:00:54.520
<v Speaker 1>what it is. And that was so much. It just

1:00:54.560 --> 1:00:56.720
<v Speaker 1>made it so much better. I want to also credit

1:00:56.760 --> 1:01:00.400
<v Speaker 1>Mary Howard, because really the line producer really does have

1:01:00.560 --> 1:01:03.680
<v Speaker 1>everything to do with the feel and the atmosphere on

1:01:03.720 --> 1:01:07.400
<v Speaker 1>a set, and I think that she was incredibly valuable

1:01:07.400 --> 1:01:09.880
<v Speaker 1>in that process. Yes, and you were also like, this

1:01:09.920 --> 1:01:12.320
<v Speaker 1>show is so important and your health is so important.

1:01:12.360 --> 1:01:14.360
<v Speaker 1>But you all and Mary Howard were also like, and

1:01:14.440 --> 1:01:17.200
<v Speaker 1>your families are super important. Like it was always like,

1:01:17.840 --> 1:01:20.240
<v Speaker 1>you know, she was working, if someone was going through

1:01:20.280 --> 1:01:24.920
<v Speaker 1>anything at home, or you know, people had things going on.

1:01:25.080 --> 1:01:27.920
<v Speaker 1>She was very much She's a very family oriented. I

1:01:27.960 --> 1:01:30.240
<v Speaker 1>think every press on the show, I think that was

1:01:30.280 --> 1:01:33.040
<v Speaker 1>the thing. Like she was family oriented, we were family oriented.

1:01:33.080 --> 1:01:37.880
<v Speaker 1>It felt normal, it really did. Um is there anything

1:01:37.880 --> 1:01:40.880
<v Speaker 1>in closing? Can you please come back on the Scandal

1:01:40.920 --> 1:01:44.720
<v Speaker 1>Rewatch podcast? Whatever you guys want me to like? I

1:01:44.800 --> 1:01:49.000
<v Speaker 1>love this, I love that you're doing it. I'm well,

1:01:49.040 --> 1:01:50.920
<v Speaker 1>I think it's going to give I think that our

1:01:50.960 --> 1:01:55.000
<v Speaker 1>gladiators who have been just laying dormant for years, looking

1:01:55.120 --> 1:01:57.640
<v Speaker 1>for a place to go and geek out and wear

1:01:57.680 --> 1:02:00.240
<v Speaker 1>their gladiator shirts and drink out of their gladiator ups

1:02:00.240 --> 1:02:02.640
<v Speaker 1>and eat their popcorn and wine and rewatch the shows

1:02:02.680 --> 1:02:05.440
<v Speaker 1>and tell people who haven't seen it to sit their

1:02:05.480 --> 1:02:08.680
<v Speaker 1>asses down and go watch it. And it's been such

1:02:08.720 --> 1:02:10.360
<v Speaker 1>a gift to Gammo and I to go back and

1:02:10.360 --> 1:02:14.000
<v Speaker 1>watch this show beyond I think for I think for

1:02:14.080 --> 1:02:16.280
<v Speaker 1>like Gladiators, I always just want to say, like Gladiators,

1:02:16.320 --> 1:02:18.240
<v Speaker 1>like this is where you're going to get the inside scoop,

1:02:18.840 --> 1:02:21.439
<v Speaker 1>you know, like stuff that was that we've never talked about. Yeah,

1:02:21.920 --> 1:02:23.920
<v Speaker 1>don't you want to know that Garmo Diaz had a

1:02:23.960 --> 1:02:26.920
<v Speaker 1>threesome the night that we've presented Shonda Rhymes with her

1:02:26.960 --> 1:02:36.720
<v Speaker 1>glad Award. That's amazing. Everyone didn't know things we didn't know.

1:02:37.160 --> 1:02:40.440
<v Speaker 1>So since Twitter was such a massive thing for Scandal, Shawonda,

1:02:40.880 --> 1:02:43.280
<v Speaker 1>We're going to finish this episode and do this in

1:02:43.400 --> 1:02:46.680
<v Speaker 1>many episodes by reading some of the best tweets surrounding

1:02:46.680 --> 1:02:51.720
<v Speaker 1>the Scandal momentetet, tweet at the time, tweets at the time, Yeah,

1:02:52.440 --> 1:02:56.480
<v Speaker 1>tweets at the time. On April four, in two thousand twelve, actually,

1:02:56.520 --> 1:03:00.320
<v Speaker 1>Shonda Rhymes tweeted, this is the best ad for scan ever,

1:03:00.440 --> 1:03:03.080
<v Speaker 1>thank you for the Scandal cake. And it's a picture

1:03:03.160 --> 1:03:07.520
<v Speaker 1>of a cake and they actually drew Carrie Washington on

1:03:07.640 --> 1:03:09.520
<v Speaker 1>the cake and it says, my gut tells me everything

1:03:09.560 --> 1:03:12.960
<v Speaker 1>I need to know. Watch Scandal Thursday's ten at ten.

1:03:13.200 --> 1:03:16.680
<v Speaker 1>Who made that cake? Remember, had no idea. It literally

1:03:16.920 --> 1:03:20.040
<v Speaker 1>just appeared in her office as again, shut up, and

1:03:20.040 --> 1:03:23.040
<v Speaker 1>we were so excited by it. And then and then

1:03:23.080 --> 1:03:27.080
<v Speaker 1>you tweeted again, Shawanda. A few minutes later or later

1:03:27.120 --> 1:03:31.040
<v Speaker 1>that day, the Grace Anatomy Scandal writers couldn't take it.

1:03:31.320 --> 1:03:33.120
<v Speaker 1>They had to eat the Scandal cake and it's a

1:03:33.120 --> 1:03:38.120
<v Speaker 1>picture of half of the cake gone. Yeah. I was like,

1:03:38.200 --> 1:03:40.360
<v Speaker 1>let's just preserve it as this beautiful thing, and then

1:03:40.360 --> 1:03:43.400
<v Speaker 1>he just had to eat it and it looks delicious.

1:03:43.800 --> 1:03:45.760
<v Speaker 1>It was quite good. I think everybody thought it was

1:03:45.840 --> 1:03:50.720
<v Speaker 1>quite good. That's hilarious. Then you also tweeted on April twelve,

1:03:50.760 --> 1:03:53.800
<v Speaker 1>Gender Rhymes tweeted, meet at Judy Smith, the woman behind

1:03:53.840 --> 1:03:56.360
<v Speaker 1>at scandal abcs Olivia Pope, and get your copy of

1:03:56.400 --> 1:04:01.360
<v Speaker 1>her new book Good Self, Bad Self at Amazon. Wow.

1:04:01.800 --> 1:04:06.200
<v Speaker 1>When we already had this shirt, Marco, who is a

1:04:06.320 --> 1:04:09.840
<v Speaker 1>who is a key player at Shondalan Mark Marco Esquivel

1:04:10.520 --> 1:04:13.600
<v Speaker 1>already posted a picture of gladiator and sweatshirts and it

1:04:13.640 --> 1:04:15.440
<v Speaker 1>was a sweatshirt picture that says do you want to

1:04:15.480 --> 1:04:17.600
<v Speaker 1>be a gladiator in a suit? We were all ready

1:04:17.840 --> 1:04:21.160
<v Speaker 1>having marches. We were having march from the beginning, which

1:04:21.160 --> 1:04:24.480
<v Speaker 1>is crazy. And can you talk about how they named

1:04:24.560 --> 1:04:29.080
<v Speaker 1>us our fans became our gladiators, right, Like someone on

1:04:29.120 --> 1:04:31.360
<v Speaker 1>Twitter just ran with that and then all of a

1:04:31.440 --> 1:04:35.040
<v Speaker 1>sudden it was like the Gladiators and that's that's that's so.

1:04:35.480 --> 1:04:38.480
<v Speaker 1>That was such a memorable moment, right, and that that

1:04:38.600 --> 1:04:40.920
<v Speaker 1>has stuck around too because people will still come up

1:04:40.960 --> 1:04:42.800
<v Speaker 1>to me on the street now and be like, yeah,

1:04:42.800 --> 1:04:45.680
<v Speaker 1>I'm a Gladiator, I'm a Gladia. Oh yeah, I get

1:04:45.720 --> 1:04:48.960
<v Speaker 1>that all the time. What I loved about that, and

1:04:49.000 --> 1:04:52.560
<v Speaker 1>I thought was so at the time, especially Twitter, was

1:04:52.640 --> 1:04:56.240
<v Speaker 1>about the fans coming together and deciding things like now.

1:04:56.280 --> 1:04:58.160
<v Speaker 1>I think they put out like for other shows, they

1:04:58.240 --> 1:05:01.720
<v Speaker 1>put out like tested hashtag, which I didn't understand, like

1:05:01.840 --> 1:05:07.200
<v Speaker 1>we we don't didn't decide the hashtags. Yeah, they came

1:05:07.280 --> 1:05:10.000
<v Speaker 1>up with Huckleberry Quinn, they came up with yes, got

1:05:10.040 --> 1:05:14.600
<v Speaker 1>our job. No, it's their community. I forget. Was it

1:05:14.800 --> 1:05:17.760
<v Speaker 1>your idea or Carry's idea for all of us to

1:05:17.760 --> 1:05:21.040
<v Speaker 1>be on Twitter? I think that Carry I remember correctly.

1:05:21.080 --> 1:05:23.240
<v Speaker 1>I think Carrie came to me and said it would

1:05:23.240 --> 1:05:25.160
<v Speaker 1>be really cool if we all got on Twitter and

1:05:25.200 --> 1:05:28.680
<v Speaker 1>tweeted the shows. And then I remember then she said

1:05:28.800 --> 1:05:30.720
<v Speaker 1>like that and like backed away, and then I remember

1:05:30.760 --> 1:05:32.120
<v Speaker 1>staying at a table and being like, you're all going

1:05:32.160 --> 1:05:34.760
<v Speaker 1>to get on Twitter. We're gonna help you do something.

1:05:34.920 --> 1:05:36.960
<v Speaker 1>And we did. We were like, we gotta get on Twitter.

1:05:37.240 --> 1:05:40.320
<v Speaker 1>But once again, as usual, Carrie was right. It was right,

1:05:40.400 --> 1:05:43.600
<v Speaker 1>she was right, She was right. Do you remember, do

1:05:43.600 --> 1:05:47.280
<v Speaker 1>you remember us following I started following everybody on Twitter, Katie,

1:05:47.360 --> 1:05:50.160
<v Speaker 1>like even like fans. I was like follow and but

1:05:50.240 --> 1:05:52.480
<v Speaker 1>now you know you can't do that. But but I

1:05:52.600 --> 1:05:55.000
<v Speaker 1>remember fans. We had no idea what we were doing.

1:05:55.440 --> 1:05:59.320
<v Speaker 1>We sent Jeff Perry out onto Teter and I did

1:06:00.160 --> 1:06:04.479
<v Speaker 1>did great, great without I'm like sitting next to Jeff

1:06:04.520 --> 1:06:06.600
<v Speaker 1>being like this is how you do it? Or Joe Morton,

1:06:06.680 --> 1:06:10.320
<v Speaker 1>I mean people, and they came up with their own

1:06:10.320 --> 1:06:13.760
<v Speaker 1>sort of Twitter personalities, like Joe Morton tweeted sort of

1:06:13.760 --> 1:06:20.320
<v Speaker 1>like popa Pope, these like very like cryptic big posts. Um,

1:06:20.360 --> 1:06:23.360
<v Speaker 1>my favorite Twitter thing that ever happened wasn't I don't.

1:06:23.400 --> 1:06:25.520
<v Speaker 1>I don't know that anybody else really knows this, But

1:06:25.600 --> 1:06:28.360
<v Speaker 1>Scott Foley had been playing Jake, this bad guy for

1:06:28.400 --> 1:06:32.160
<v Speaker 1>a while and the audience hated him and he didn't

1:06:32.200 --> 1:06:34.400
<v Speaker 1>complain about it or anything, but like the tweets were

1:06:34.400 --> 1:06:37.600
<v Speaker 1>clearly the audience just wanted him dead. And so I

1:06:37.680 --> 1:06:41.680
<v Speaker 1>wrote this episode where he gets thrown into that the

1:06:41.680 --> 1:06:45.040
<v Speaker 1>basics certain, the whole or whatever, and you know, and

1:06:45.080 --> 1:06:47.520
<v Speaker 1>then Olivia comes in because it's like the president thinks

1:06:47.560 --> 1:06:49.360
<v Speaker 1>that he killed his son, and then Olivia comes in

1:06:49.800 --> 1:06:51.880
<v Speaker 1>and he gives a speech that like he says, it's

1:06:51.880 --> 1:06:54.000
<v Speaker 1>okay if you don't choose me, and then he gives

1:06:54.000 --> 1:06:56.280
<v Speaker 1>her the number of the account that he wants her

1:06:56.320 --> 1:06:58.160
<v Speaker 1>to get the money to his mom and all the stuff.

1:06:58.520 --> 1:07:01.080
<v Speaker 1>And I literally, I'm needs got sick with me. And

1:07:01.120 --> 1:07:02.800
<v Speaker 1>like when the scene came on, I was like, watch

1:07:02.800 --> 1:07:04.880
<v Speaker 1>your Twitter feed, just watch it. Like I was like,

1:07:05.040 --> 1:07:07.680
<v Speaker 1>it's gonna go from I hate this dude to oh

1:07:07.720 --> 1:07:10.720
<v Speaker 1>my god, Jake is amazing. And it literally happened just

1:07:10.800 --> 1:07:14.400
<v Speaker 1>like that. It took three minutes. Twitter to entirely change

1:07:14.440 --> 1:07:16.960
<v Speaker 1>its too, and I was like, Twitter is a powerful,

1:07:17.000 --> 1:07:20.920
<v Speaker 1>powerful force. It was past tense. If your character was

1:07:20.960 --> 1:07:24.760
<v Speaker 1>against Olivia Pope, you were getting Twitter death threats, or

1:07:24.800 --> 1:07:27.240
<v Speaker 1>if your character was coming at all in the middle

1:07:27.240 --> 1:07:30.600
<v Speaker 1>of fits and Olivia you are my god. That was

1:07:30.680 --> 1:07:33.880
<v Speaker 1>so crazy. It was just it was a movement. It

1:07:34.040 --> 1:07:37.240
<v Speaker 1>was just. But then people like Oprah Winfrey and like

1:07:37.400 --> 1:07:41.200
<v Speaker 1>bet Middler's and Rihanna started tweeting also about this show.

1:07:41.520 --> 1:07:44.200
<v Speaker 1>Mariah Carey ya, and we were like, what is happening.

1:07:44.640 --> 1:07:46.840
<v Speaker 1>Prince Once put on a suit and send a picture

1:07:46.880 --> 1:07:49.120
<v Speaker 1>of himself that said gladiator in a suit. You know,

1:07:49.200 --> 1:07:53.080
<v Speaker 1>that didn't, I'm would send it to you because I

1:07:53.120 --> 1:07:57.080
<v Speaker 1>have a because I went, you know, Prince was everything.

1:07:57.160 --> 1:07:58.520
<v Speaker 1>He also sent me a list of songs that would

1:07:58.560 --> 1:08:00.439
<v Speaker 1>be okay for me to use on the show. Did

1:08:00.440 --> 1:08:03.680
<v Speaker 1>you ever use one? Yes? When well, it's so sad

1:08:03.680 --> 1:08:05.560
<v Speaker 1>because when Prince died, I did an episode that was

1:08:05.640 --> 1:08:08.840
<v Speaker 1>all my whole the whole night of television that Thursday

1:08:08.880 --> 1:08:16.800
<v Speaker 1>night was all Princes. Yeah. Man, that is the loveliest thing.

1:08:17.520 --> 1:08:20.400
<v Speaker 1>I mean when that's how we also started to feel like, oh,

1:08:20.439 --> 1:08:22.599
<v Speaker 1>the show is happening when someone would come into work

1:08:22.600 --> 1:08:24.519
<v Speaker 1>and be like, did you see Like Rihanna tweeted that

1:08:24.520 --> 1:08:27.639
<v Speaker 1>she's watching the show. I can remember being it carries

1:08:27.960 --> 1:08:30.439
<v Speaker 1>l women in Hollywood dinner and I was sitting next

1:08:30.439 --> 1:08:32.760
<v Speaker 1>to him mom, and she was like, my husband and

1:08:32.800 --> 1:08:34.559
<v Speaker 1>I sit and we watched the show. I'm like, are

1:08:34.560 --> 1:08:39.280
<v Speaker 1>you talking about David Bowie? David Bowie is sitting and

1:08:39.280 --> 1:08:45.040
<v Speaker 1>watching Scandal. I mean, this is crazy. I freaked out

1:08:45.040 --> 1:08:48.439
<v Speaker 1>when when Mrs Obama and the President were like, like,

1:08:48.520 --> 1:08:49.880
<v Speaker 1>we have some we have some things to tell you

1:08:49.880 --> 1:08:54.040
<v Speaker 1>about the show about the White House, because Mrs Mom

1:08:54.080 --> 1:08:55.439
<v Speaker 1>was like, you're not getting it right. You gotta get

1:08:55.439 --> 1:08:58.040
<v Speaker 1>it right and it was great. She was like, this

1:08:58.080 --> 1:09:00.280
<v Speaker 1>is what the private residents look like. This is where

1:09:00.280 --> 1:09:02.720
<v Speaker 1>the stairs are like, this is like, this is how

1:09:02.720 --> 1:09:04.479
<v Speaker 1>the White House is set up. Show me how we

1:09:04.479 --> 1:09:06.800
<v Speaker 1>were making the door using the doors incorrectly, like doing

1:09:06.840 --> 1:09:08.680
<v Speaker 1>the window panes on the doors incorrectly, and I came

1:09:08.680 --> 1:09:12.519
<v Speaker 1>back to change them. Yeah, oh my god, that is amazing.

1:09:12.600 --> 1:09:16.280
<v Speaker 1>My god, this show man, the things we learned on it,

1:09:16.360 --> 1:09:19.639
<v Speaker 1>that people it brought together. Shanda, thank you for being

1:09:19.680 --> 1:09:24.880
<v Speaker 1>the first guest on the Scandal Rewatch podcast. I will

1:09:24.920 --> 1:09:27.800
<v Speaker 1>show up for you anytime, you know. I love you, guys,

1:09:27.320 --> 1:09:34.639
<v Speaker 1>Scandal fan. So yeah, Scandal, that's right, yea for life

1:09:35.040 --> 1:09:38.719
<v Speaker 1>and we love you. Thank you for writing this show

1:09:38.760 --> 1:09:41.000
<v Speaker 1>that turns out when you watch it all over again,

1:09:41.520 --> 1:09:49.160
<v Speaker 1>it's still great. Yeah, thank you, thank you. Of course,

1:09:49.240 --> 1:09:55.799
<v Speaker 1>it's our pleasure. You kidding. O. God, I'm just so

1:09:56.520 --> 1:10:00.160
<v Speaker 1>we're so filled up that I need to keep going

1:10:00.240 --> 1:10:02.720
<v Speaker 1>with my gladiator. Right, I'm gonna pour some whiskey in

1:10:02.840 --> 1:10:06.160
<v Speaker 1>my Emma. It's only ten fifteen. Is that too early

1:10:06.200 --> 1:10:08.599
<v Speaker 1>to have a shot to move? No, it's also a Thursday.

1:10:08.600 --> 1:10:11.320
<v Speaker 1>I don't know what that means. But here's another sea,

1:10:11.360 --> 1:10:13.560
<v Speaker 1>it's t G I T I'll have you all this

1:10:14.040 --> 1:10:16.240
<v Speaker 1>that the first episode is going to rewatch podcast. I'm

1:10:16.240 --> 1:10:20.439
<v Speaker 1>packing the toolbox with guests Shanna Rhymes. Was recorded on

1:10:20.479 --> 1:10:23.160
<v Speaker 1>a fucking Thursday, and Katie has a shirt that says

1:10:23.200 --> 1:10:26.880
<v Speaker 1>hashtag T G I t oh and we're drinking out

1:10:26.920 --> 1:10:30.200
<v Speaker 1>of our gladiator cups. And I cannot remember for the

1:10:30.320 --> 1:10:33.000
<v Speaker 1>life of me. What was the name of the made

1:10:33.120 --> 1:10:37.360
<v Speaker 1>up wine on Scandal? Oh, I don't know. I knew

1:10:37.479 --> 1:10:40.559
<v Speaker 1>Betsy Beers would know this. See this whole This whole

1:10:40.560 --> 1:10:42.960
<v Speaker 1>podcast is not about me texting people, but it is

1:10:43.000 --> 1:10:44.960
<v Speaker 1>because I want to find out the correct things I wrote.

1:10:45.200 --> 1:10:47.600
<v Speaker 1>Sorry about you so early doing Scandal podcast. What was

1:10:47.640 --> 1:10:49.280
<v Speaker 1>the fake made up name of the wine? Again? Because

1:10:49.280 --> 1:10:50.759
<v Speaker 1>I'm going to pretend to drink it on the podcast.

1:10:51.000 --> 1:10:53.320
<v Speaker 1>It was shot to move to Pop and it was

1:10:53.360 --> 1:10:57.640
<v Speaker 1>called Chateau do Ballet, which is complete bullshit and not

1:10:57.680 --> 1:11:00.320
<v Speaker 1>made up. I love that Betsy. Remember that Bets knew

1:11:00.360 --> 1:11:03.599
<v Speaker 1>that well because she was the person who they went

1:11:03.720 --> 1:11:06.559
<v Speaker 1>She's she's she knows a lot about fancy wine. And

1:11:06.600 --> 1:11:09.120
<v Speaker 1>I think the story goes is like the writer's weom

1:11:09.120 --> 1:11:10.439
<v Speaker 1>reached out to her and was like what would be

1:11:10.479 --> 1:11:13.559
<v Speaker 1>a really fancy, insanely priced bottle of wine that Olivia

1:11:13.600 --> 1:11:19.240
<v Speaker 1>Pope drinking mine this morning is cranberry juice that's old

1:11:19.320 --> 1:11:21.600
<v Speaker 1>as fuck and I found in the back of my

1:11:22.200 --> 1:11:25.479
<v Speaker 1>and Carrie never drank cranberry juice onunset. She drank grape juice,

1:11:25.479 --> 1:11:29.479
<v Speaker 1>really right, I don't know whatever had the less sugar. Yeah,

1:11:29.560 --> 1:11:32.240
<v Speaker 1>I think her fake wine was grape juice, which I

1:11:32.280 --> 1:11:35.400
<v Speaker 1>think she like loved. I remember carry being like this

1:11:35.520 --> 1:11:39.760
<v Speaker 1>crape juice is so delicious. I love this. But Yo,

1:11:39.880 --> 1:11:43.280
<v Speaker 1>this Scandal Rewatch podcast, you guys better to tell your friends,

1:11:43.280 --> 1:11:46.960
<v Speaker 1>because it's fire. We have every single guest, an amazing

1:11:47.040 --> 1:11:49.599
<v Speaker 1>person you could want who start on Scandal or start

1:11:49.680 --> 1:11:53.000
<v Speaker 1>behind the scenes on Scandal, some secret guests coming up

1:11:53.000 --> 1:11:54.400
<v Speaker 1>that you are not going to want to miss. You're

1:11:54.400 --> 1:11:56.639
<v Speaker 1>going to get all the scoop on the scoop from

1:11:56.640 --> 1:12:01.880
<v Speaker 1>behind the scenes at parties and h Gary and I

1:12:01.920 --> 1:12:05.880
<v Speaker 1>are so grateful to have this show and it's been

1:12:05.960 --> 1:12:07.720
<v Speaker 1>such a gift and we're so excited to be on

1:12:07.720 --> 1:12:11.080
<v Speaker 1>this ride with you guys, and we love you and

1:12:11.120 --> 1:12:13.360
<v Speaker 1>we want you guys to get hooked on rewatching the

1:12:13.400 --> 1:12:16.320
<v Speaker 1>show like we are now Oh my gosh. Everyone tune

1:12:16.320 --> 1:12:19.719
<v Speaker 1>in next week to episode one oh two of Scandal,

1:12:20.120 --> 1:12:24.360
<v Speaker 1>Dirty Little Secrets. We all got him, We all got him.

1:12:25.840 --> 1:12:32.240
<v Speaker 1>Better tell somebody. But thank you guys for joining us

1:12:32.280 --> 1:12:36.280
<v Speaker 1>on Unpacking the Toolbox. If you enjoyed the show, please subscribe,

1:12:36.320 --> 1:12:39.080
<v Speaker 1>share with your friends, rate, or leave us a review.

1:12:39.280 --> 1:12:43.160
<v Speaker 1>Scandal is executive produced by Sandy Bailey, Alex Alcha, Lauren Holman,

1:12:43.479 --> 1:12:47.240
<v Speaker 1>Tyler Klang, and Gabrielle Collins. Our producer and editor is

1:12:47.320 --> 1:12:50.880
<v Speaker 1>Vince to Johnny, with music by Chad Fisher. Scandal is

1:12:50.880 --> 1:12:53.840
<v Speaker 1>a production of ABC Signature, and you can follow along

1:12:53.880 --> 1:12:56.840
<v Speaker 1>by rewatching Scandal on Hulu. Unpacking the Toolbox is a

1:12:56.840 --> 1:12:59.599
<v Speaker 1>production of shondalan Audio in partnership with I Heart Radio.

1:13:00.040 --> 1:13:02.960
<v Speaker 1>For more podcasts from shondaland Audio, visit the I Heart

1:13:03.040 --> 1:13:05.679
<v Speaker 1>Radio app or anywhere you subscribe to your favorite shows.

1:13:07.920 --> 1:13:07.960
<v Speaker 1>H