WEBVTT - 105: Crash and Burn

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<v Speaker 1>Unpacking the Toolboxes, a production of Shondoland Audio in partnership

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<v Speaker 1>with iHeartRadio. Yes, I am so full and I'm so sorry.

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<v Speaker 1>Oh no, I love it. My son's school this morning

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<v Speaker 1>has something called the Feast, where every single parent brings

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<v Speaker 1>in a dish, right, and then the kids all sit

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<v Speaker 1>at long tables and basically we go around and serve

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<v Speaker 1>the children and they practice saying like yes please or

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<v Speaker 1>no thank you? Oh nice? Okay. So the food is

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<v Speaker 1>like all for the kids, and I was like, whatever,

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<v Speaker 1>it's like eleven am I fucking made a plate? Cranberry stuffing,

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<v Speaker 1>sweet potato pie, whipped cream, corn souflay, green bean sou flay.

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<v Speaker 1>Is it a souflay corn? No? No? And one of

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<v Speaker 1>the kids thought it would be delicious if the corn

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<v Speaker 1>bread souflay thing had colored sprinkles off. Oh yeah, yeah,

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<v Speaker 1>I'll lead that too. I mean, what am I thinking?

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<v Speaker 1>It is a Friday, We've got work to do, We've

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<v Speaker 1>got a podcast to record. And I was like, well,

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<v Speaker 1>I got that on lock. It was not bad, but

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<v Speaker 1>I definitely feel very tight in my pants. What did

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<v Speaker 1>you make? What did you make for the kids? I

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<v Speaker 1>lied to everybody. You picked that shit up at Bristol Farms.

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<v Speaker 1>Its way too expensive. I ordered. I signed up. Well,

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<v Speaker 1>first everyone just thinks we're gonna bring shabby pretzels. Yeah,

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<v Speaker 1>and we did that last year. And Adam was like,

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<v Speaker 1>I'm not bringing shabby pretzels. That's like hundreds and hundreds

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<v Speaker 1>of dollars, Like, we're not doing that. And so I

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<v Speaker 1>ordered all those Caesar My son loves Caesar salads, and

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<v Speaker 1>no one had signed her salads. Ca salads so dumb.

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<v Speaker 1>But I picked up. I just literally got caesar salad

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<v Speaker 1>mixing bags, dumped it into both. But then I we're like,

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<v Speaker 1>I made a sesar, what did you make? And I

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<v Speaker 1>was like, well, I made the caesar salad, but I

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<v Speaker 1>made the dressing from scratch and I grew the lettuce

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<v Speaker 1>in my yard. You're such a liar. Oh my god.

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<v Speaker 1>You know, they're a bunch of Scandal fans and they're

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<v Speaker 1>gonna be like that bitch actually be like, oh my god,

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<v Speaker 1>that's the mom who has it all. She's got the

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<v Speaker 1>Scandal Rewatch podcast, she's got Katie's crib, she's an acting career,

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<v Speaker 1>and she fucking grows lettuce and looks amazing. And I

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<v Speaker 1>was like, and don't you fucking forget it? Oh my god.

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<v Speaker 1>But when they hear this podcast again that I'm gonna

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<v Speaker 1>come over my auser replate and they're gonna be like,

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<v Speaker 1>where are you're raised farmer's boxes in your yard or

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<v Speaker 1>cultivate a full garden? And I'm like, I don't. I

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<v Speaker 1>don't know how to make a goddamn thing. Speaking of which,

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<v Speaker 1>can we just talk about and then we should we'll

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<v Speaker 1>do an indro, But can you tell all of our

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<v Speaker 1>listeners what lunch you packed every day at Scandal for

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<v Speaker 1>like a lot of time? Yeah, yeah, yeah, I think

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<v Speaker 1>we mentioned it a little bit in one of the

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<v Speaker 1>one of the episodes. It was I'm obsessed with canned beats,

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<v Speaker 1>canned beats and green beans, and I would put I mean,

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<v Speaker 1>I put like a can of each in you know

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<v Speaker 1>a type of ware thing, and then put oil and vinegar.

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<v Speaker 1>And that's like I was having beats earlier today, Like

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<v Speaker 1>this morning, I had breakfast and I had it. Is

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<v Speaker 1>your poop just like red No, because our toilets are black,

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<v Speaker 1>you know, you can't see what's going on. I can.

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<v Speaker 1>So part of me is like, am I dying? Like

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<v Speaker 1>the bood in my school? Is the blood in my

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<v Speaker 1>I know, I can't. We got black toilets, like I mean,

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<v Speaker 1>it's see like a black toilet is fucking I get it.

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<v Speaker 1>A black toilet is there's something that feels naughty and

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<v Speaker 1>sexy about it. I like it. But I also take

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<v Speaker 1>I take a big responsibility in like taking a poop

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<v Speaker 1>and then looking at it to see how I'm doing,

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<v Speaker 1>Like have I had enough greens like you're supposed to

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<v Speaker 1>us to be. In the olden days, there was like

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<v Speaker 1>poopa mater, Yes, kings and shit In England, there was

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<v Speaker 1>someone's job who the king would take a dunch in

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<v Speaker 1>the bidet next in their royal apartment or whatever, and

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<v Speaker 1>then someone a doctor would check the duty and make

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<v Speaker 1>sure that their digestion was like, yeah, it was well.

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<v Speaker 1>I bet they didn't have black toilets back then. They

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<v Speaker 1>didn't have both. They didn't have anything that holes in

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<v Speaker 1>the ground. Right, you were the king. I think you

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<v Speaker 1>were pooping in like um like a like a rolling throne.

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<v Speaker 1>So weird, I really think so a throne thing like

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<v Speaker 1>a wooden throne. I can't believe you've never eating beats

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<v Speaker 1>and pooped in a toilet to see, Yeah, my toilet

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<v Speaker 1>paper is in black. So that's you know, I'm still guys,

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<v Speaker 1>this is the greatest podcast episode anyone has ever been

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<v Speaker 1>interested in. It all started with beats. Germo used to

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<v Speaker 1>bring his salads and also talking about me not growing

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<v Speaker 1>shit and not being great in the kitchen. Darby would

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<v Speaker 1>make the most incredible salads. Yes, at Scandal with shit.

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<v Speaker 1>She actually grew with kumpquats. Was the first time that

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<v Speaker 1>I was like, oh, you could put umpquats in salad,

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<v Speaker 1>and now I'm obsessed with kumbquats. But she grew all

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<v Speaker 1>that stuff. Yeah, she grew kumquats. She was unbelievable. And

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<v Speaker 1>she would have like half a lemon in one of

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<v Speaker 1>those lemon baggies that when you squeeze it it catches

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<v Speaker 1>the sea. Yeah yeah. And then she would have like

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<v Speaker 1>some cut up tofu and just like deliciousness. And I'm like,

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<v Speaker 1>if I had Darby like cooking for me, I would

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<v Speaker 1>eat like that all the time. Oh hell yeah. And

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<v Speaker 1>she loves it too. She's so good at its stuff

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<v Speaker 1>good at it which is funny because I think we

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<v Speaker 1>haven't gotten there yet. But when we get into the

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<v Speaker 1>flashback episodes, when Abby you see her in the past,

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<v Speaker 1>when she was sort of like a Susie homemaker, like

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<v Speaker 1>baking and stuff like that. Darby actually has a quality

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<v Speaker 1>of that. Oh. Absolutely, she's a very good cook. She's

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<v Speaker 1>a very good baker. She's very comfortable in a kitchen

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<v Speaker 1>like I would be. That is not my thing. During

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<v Speaker 1>the pandemic, she did a bunch of videos of her

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<v Speaker 1>teaching how to cut grapefruits up, like in different different ways,

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<v Speaker 1>different creative ways to cut grapefruit. And it was the

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<v Speaker 1>most mesmerizing thing I'd ever seen. I was like mesmerizing

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<v Speaker 1>and her laugh breakdown. Yes, yes, videos, she's the most infectious.

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<v Speaker 1>I love her. Like when she's laughing and having like

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<v Speaker 1>a mental breakdown thinking something so funny, I'm I, Oh,

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<v Speaker 1>it's the best. I think it's because she's just so pretty.

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<v Speaker 1>She's so beautiful. That's that's part of it. But yeah,

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<v Speaker 1>she's it's just so fun to watch her. Yes, she's

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<v Speaker 1>so magical. She's also redhead that has the most like

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<v Speaker 1>she just looks like a unicorn talking about like people

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<v Speaker 1>who we g and I have talked about on the podcast,

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<v Speaker 1>like you can't hide from anywhere. I'm fine. I can't

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<v Speaker 1>imagine walking through life as Darby with that fire engine. Yeah,

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<v Speaker 1>she's read. Yeah, she's so good about going incognito though,

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<v Speaker 1>you know what I mean, because she also want to

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<v Speaker 1>hat like, Yeah, she's so good about it. So that

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<v Speaker 1>some very cool trench coat. Yeah. Today's episode of the

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<v Speaker 1>Scandal Rewatch podcast. We're talking about episode one oh five,

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<v Speaker 1>called Crash and Burn, which aired on April twenty six

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<v Speaker 1>and twenty and twelve. It was written by Mark Wilding

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<v Speaker 1>and directed by Steve Robin. It was guest starring Brendan

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<v Speaker 1>Hines as Gidy and Wallace Bellamy Young his first lady,

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<v Speaker 1>Mellie Grant, Joshua Molina as David Rosen, Ram Beckel as

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<v Speaker 1>Hank Tanner, and Darren Petty as Andrew Mackelson. Yes up,

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<v Speaker 1>we got to this place again. Are you going to

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<v Speaker 1>do the synopsis or shoulmiji, let's see. Let's see what

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<v Speaker 1>goes down. Let me hear you do that. Okay, let's

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<v Speaker 1>see synopsis. Olivia and her team helped defend the pilot

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<v Speaker 1>of a commercial plane that crashed, killing all on board.

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<v Speaker 1>When a Mandatanner goes missing, Hawk must call upon his

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<v Speaker 1>pass to help find her. Fits ask the vice president

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<v Speaker 1>for help. Very nice, yo, can I just say how

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<v Speaker 1>special this episode is. I mean, there were so many emotions.

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<v Speaker 1>I cried like a bunch of times watching this episode,

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<v Speaker 1>and not only because it, you know, because of the

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<v Speaker 1>tragic stuff that happens in the episode and the things

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<v Speaker 1>that the characters are going through and there's you know,

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<v Speaker 1>the plane crash, and yes, but it was I was

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<v Speaker 1>super emotional about it because it made me. It made

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<v Speaker 1>me miss doing the show, It made me miss the cast,

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<v Speaker 1>It made me miss hug really like, I was like,

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<v Speaker 1>oh my god, this was such a special time, especially

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<v Speaker 1>that opening scene when we're all in in Olivia's apartment

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<v Speaker 1>trying to figure out what happened to Amandatanner. Yeah, we

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<v Speaker 1>were all just like on point and just going back

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<v Speaker 1>and forth and just brought me back to those days

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<v Speaker 1>where we'd all be shooting together, right and we would

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<v Speaker 1>have an ensemble. Those that scene that opens this episode

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<v Speaker 1>where we're all in Olivia's apartment and Amnitana has been taken,

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<v Speaker 1>and every single one of us it's like music, Like

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<v Speaker 1>you had said before on this podcast, like everyone's interjecting

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<v Speaker 1>lines and we're all holding this ball up and keeping

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<v Speaker 1>the scene going and like working together as a team

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<v Speaker 1>and you say, there's a guy watching you. Her trash

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<v Speaker 1>was taken out, and then Olivia says, how do you know?

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<v Speaker 1>And you say, because that's how i'd do it. That's

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<v Speaker 1>how I would do it. Yeah. I love hearing that. Ge,

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<v Speaker 1>Like you watch these episodes and you're like, I mean,

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<v Speaker 1>Huck has so much in this episode and we'll get

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<v Speaker 1>into that, but like I could see why you miss

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<v Speaker 1>playing him, Yeah, like he was so special. Yeah, and

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<v Speaker 1>you know oftentime, like you work on a project and

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<v Speaker 1>you're like, fuck, I wish in the moment. I wish

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<v Speaker 1>I was more in the moment and really enjoyed it

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<v Speaker 1>we were doing because it was such a special like

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<v Speaker 1>what did I say, lightning in a bottle? Like are

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<v Speaker 1>to have this experience? But for Scandal, I miss it

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<v Speaker 1>and I missed the people and I missed the show.

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<v Speaker 1>But I don't feel that because I feel like we

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<v Speaker 1>really really enjoyed the experience and being around each other

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<v Speaker 1>and knowing how special it was and and not taking

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<v Speaker 1>it for granted and just relishing in it and you

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<v Speaker 1>know what I mean. Yeah, I felt like we had

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<v Speaker 1>such a gift, like also knowing when it was the

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<v Speaker 1>you know, Sean to let us know way in advance

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<v Speaker 1>that it was ending, and I just feel like we

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<v Speaker 1>all really got to like therapeutically like process. I felt

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<v Speaker 1>like when it was over, we like, like you said,

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<v Speaker 1>we just laid our head in the pillow and know

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<v Speaker 1>that we all made the most end of this experience

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<v Speaker 1>and didn't take it for granted. And I didn't regret anything.

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<v Speaker 1>I didn't regret not, you know, not enjoying it or not. Yeah,

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<v Speaker 1>my god, me either. Yeah, yeah, yeah, yeah, it was

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<v Speaker 1>the fucking best. Yeah. So we know that she's gone missing.

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<v Speaker 1>You know what's funny? Wow, I have a I feel

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<v Speaker 1>like Roxanne Dawson was around in this episode. I remember her.

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<v Speaker 1>I feel like, well, we'll talk about it. But in

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<v Speaker 1>the diner scene with Huck and Charlie, I remember rocks

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<v Speaker 1>An directing us in that scene. I don't remember Steve Robin.

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<v Speaker 1>But then I remember Steve Robin directing me when I'm

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<v Speaker 1>torturing Charlie weird, which is weird. I wonder if he

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<v Speaker 1>wasn't a that which would happen sometimes. Well, she was

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<v Speaker 1>our producing director this season, so I don't know, but

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<v Speaker 1>I remember coming on the plane crash, Harrison and Quinn

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<v Speaker 1>are like walking down this like hill. We were at

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<v Speaker 1>the Disney Ranch that day, like in Santa Clarita again,

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<v Speaker 1>wearing fucking fall clothes, sweating ball sacks, and we come

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<v Speaker 1>upon the set, which is so impressive. Like that's when

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<v Speaker 1>I remember being like, my god, like this show has

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<v Speaker 1>like a budget. Like I came upon this field where

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<v Speaker 1>there's like a blown up plane and there's like fake

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<v Speaker 1>body parts everywhere and all of these flags, and I

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<v Speaker 1>couldn't I couldn't remember Katie was that plane? Actually there

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<v Speaker 1>was scgid in I couldn't remember. Actually, yes, wow, I

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<v Speaker 1>think in my memory it is right, right, I think correct.

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<v Speaker 1>I could be wrong, but like maybe at the Disney

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<v Speaker 1>Ranch that's like in stock there. Oh yeah yeah yeah yeah,

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<v Speaker 1>kind of like at Universal Studios. Yeah, like I think

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<v Speaker 1>that might be like sets that are there. I have

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<v Speaker 1>no idea. I have a memory of Roxanne saying to me,

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<v Speaker 1>and me being so upset, don't have your mouth a

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<v Speaker 1>gape like that again when you come when you come

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<v Speaker 1>upon the plane crash, because Quinn just does that all

0:12:38.360 --> 0:12:41.440
<v Speaker 1>the time. I love you when you had your mouth agape.

0:12:41.720 --> 0:12:44.240
<v Speaker 1>Thanks gee. Now I look back and I'm like, fuck,

0:12:44.320 --> 0:12:46.079
<v Speaker 1>she was right. I should have taken that note. Quinn

0:12:46.120 --> 0:12:51.120
<v Speaker 1>does that way too much and I need to grow up, Like, yeah,

0:12:51.160 --> 0:12:54.240
<v Speaker 1>but that's her too, you know what I mean. Yeah,

0:12:54.240 --> 0:12:56.200
<v Speaker 1>I shouldn't have been doing it. I should have taken

0:12:56.200 --> 0:12:58.040
<v Speaker 1>the note and I didn't, And I remember her giving

0:12:58.040 --> 0:13:00.199
<v Speaker 1>me the note and me being like kind of upset

0:13:00.240 --> 0:13:02.640
<v Speaker 1>and for once thinking like, first of all, I'd never

0:13:02.640 --> 0:13:04.200
<v Speaker 1>been in a series regular on the show before, so

0:13:04.240 --> 0:13:06.079
<v Speaker 1>it had never occurred to me like, oh, like you

0:13:06.120 --> 0:13:08.720
<v Speaker 1>should think about your character in relation to like all

0:13:08.760 --> 0:13:11.800
<v Speaker 1>the other episodes and like the character you're building. I didn't.

0:13:11.840 --> 0:13:13.920
<v Speaker 1>I was like from the Guest Star World like the same.

0:13:14.080 --> 0:13:16.360
<v Speaker 1>I was like, oh, I just was treating each story

0:13:16.520 --> 0:13:18.839
<v Speaker 1>like in it of itself, like I wasn't. Really I

0:13:18.840 --> 0:13:20.960
<v Speaker 1>would never be like, oh, well, in the last episode,

0:13:21.000 --> 0:13:23.400
<v Speaker 1>I had my mouth agape at Amanda Tanner's door, and

0:13:23.440 --> 0:13:25.640
<v Speaker 1>then the first episode, I had my mouth agape when

0:13:25.640 --> 0:13:29.000
<v Speaker 1>I when Quinn was when Olivia was berating her on

0:13:29.040 --> 0:13:34.880
<v Speaker 1>the shit, I had my mouth. I gave way too much.

0:13:36.800 --> 0:13:38.600
<v Speaker 1>But also like, as an actor, you don't want to

0:13:38.679 --> 0:13:40.160
<v Speaker 1>think about you know what I mean. You're in the

0:13:40.240 --> 0:13:42.719
<v Speaker 1>in the moment of the scene, so you're not you

0:13:43.440 --> 0:13:46.000
<v Speaker 1>can't remember you're not I'm not thinking like, oh, I

0:13:46.040 --> 0:13:48.280
<v Speaker 1>did this with my eyes and this scene, so I

0:13:48.280 --> 0:13:50.240
<v Speaker 1>shouldn't do it in this one. And you know you

0:13:50.240 --> 0:13:52.760
<v Speaker 1>shouldn't be thinking about that too much. But right, listen,

0:13:52.920 --> 0:13:55.120
<v Speaker 1>you you felt like it was a thing. But watching

0:13:55.160 --> 0:13:58.400
<v Speaker 1>the episode your mouth, you were like, that's the fourth

0:13:58.440 --> 0:14:02.000
<v Speaker 1>time Quinn has had a mouth. The gate was very

0:14:02.040 --> 0:14:04.559
<v Speaker 1>appropriate for me. Well, thank you, since you are the

0:14:04.600 --> 0:14:08.040
<v Speaker 1>best acting ever, I'll take that. Then I wrote in

0:14:08.120 --> 0:14:13.199
<v Speaker 1>my notes, we fucking meet Charlie. Oh, yes, this is

0:14:13.240 --> 0:14:16.960
<v Speaker 1>the introduction to Charlie. Yeah, like you see, Yes, you're

0:14:17.000 --> 0:14:20.280
<v Speaker 1>eating the sandwich, which, by the way, do you remember that? Listen, bitch,

0:14:20.360 --> 0:14:23.720
<v Speaker 1>let me tell you something. I wrote a whole page

0:14:23.800 --> 0:14:28.680
<v Speaker 1>on eating moments. It literally says eating moments, Katie. I'm

0:14:28.760 --> 0:14:32.680
<v Speaker 1>not even kidding. I wrote my first question. My first

0:14:32.720 --> 0:14:37.080
<v Speaker 1>question is why huck Finn? Second question? What sandwich were

0:14:37.120 --> 0:14:40.440
<v Speaker 1>you eating when you saw Charlie? Don't get me started.

0:14:40.560 --> 0:14:44.560
<v Speaker 1>Do you remember what it was? Yes, of course I do. Okay,

0:14:44.600 --> 0:14:47.080
<v Speaker 1>tell me about eating moments. It was on Holy Toast

0:14:47.080 --> 0:14:49.080
<v Speaker 1>and it was lettuce, tomato, and mustard, and it was

0:14:49.120 --> 0:14:51.880
<v Speaker 1>a turkey sandwich. I'm pretty sure there was Swiss cheese

0:14:51.920 --> 0:14:54.080
<v Speaker 1>on it as well. But the great thing about our

0:14:54.120 --> 0:14:57.240
<v Speaker 1>props team was Jeff Props and George. I mean, we

0:14:57.320 --> 0:14:59.000
<v Speaker 1>love them so much the best, but they when you

0:14:59.000 --> 0:15:01.120
<v Speaker 1>would have an eating scene, they would go up to

0:15:01.160 --> 0:15:04.600
<v Speaker 1>you the day before, or usually the day before a

0:15:04.600 --> 0:15:06.760
<v Speaker 1>couple of days before that. They knew that scene was

0:15:06.760 --> 0:15:08.320
<v Speaker 1>coming up, and they'd be like, what do you want

0:15:08.360 --> 0:15:09.960
<v Speaker 1>to eat? If it was in the script that it

0:15:10.000 --> 0:15:11.840
<v Speaker 1>was a sandwich, they'd be like, what kind of sandwich

0:15:11.840 --> 0:15:13.960
<v Speaker 1>do you want? Once I had to eat a fucking

0:15:14.080 --> 0:15:16.920
<v Speaker 1>cheeseburger when I had a scene with Joe Morton, and

0:15:17.080 --> 0:15:19.240
<v Speaker 1>all I could think about was shooting that scene and

0:15:19.280 --> 0:15:23.280
<v Speaker 1>getting to eat that cheeseburger. And then I'm not even

0:15:23.320 --> 0:15:25.520
<v Speaker 1>look how excited I am. This is crazy. But the

0:15:25.560 --> 0:15:28.000
<v Speaker 1>thing about shooting a show like this is they make

0:15:28.120 --> 0:15:31.960
<v Speaker 1>several several of the sandwiches or the burgers, or they

0:15:32.000 --> 0:15:35.280
<v Speaker 1>buy them because you know you have to do several takes.

0:15:35.520 --> 0:15:37.440
<v Speaker 1>So all I would think in my head was I'm

0:15:37.440 --> 0:15:39.120
<v Speaker 1>going to get to take the rest of them home,

0:15:39.640 --> 0:15:41.440
<v Speaker 1>or I would get pissed if somebody else was like

0:15:41.520 --> 0:15:45.320
<v Speaker 1>can I get that? I was like, excuse me, Giermo,

0:15:45.600 --> 0:15:50.280
<v Speaker 1>you are it looked delicious. And then for the Half

0:15:50.280 --> 0:15:52.160
<v Speaker 1>Baked fans, I don't know if you can tell a

0:15:52.160 --> 0:15:55.680
<v Speaker 1>little salute to Half Baked. They put Funnians on my plate,

0:15:56.040 --> 0:15:58.200
<v Speaker 1>and Funnians is a big thing on Half Baked. When

0:15:58.280 --> 0:16:00.760
<v Speaker 1>Kenny is you know, going through the list of things

0:16:00.800 --> 0:16:02.960
<v Speaker 1>and at the end someone says funnyans. Don't forget the

0:16:02.960 --> 0:16:05.720
<v Speaker 1>Funnians or something like that. Did you on purpose pick

0:16:05.880 --> 0:16:08.640
<v Speaker 1>Funnians or did they just happen to put the Funnians

0:16:08.640 --> 0:16:11.880
<v Speaker 1>on there. I remember us talking about it and saying

0:16:11.880 --> 0:16:14.520
<v Speaker 1>how funny it would be if we put Funnians on

0:16:14.560 --> 0:16:16.760
<v Speaker 1>the plate because it was a little sort of wink

0:16:16.880 --> 0:16:21.600
<v Speaker 1>to Half Baked. Was George props or Jeff Props? Did

0:16:21.600 --> 0:16:23.960
<v Speaker 1>they were they like half Baked fans to know that

0:16:24.360 --> 0:16:28.000
<v Speaker 1>Jeff was Yeah Jeff, Jeff for sure, Yeah, yeah, yeah,

0:16:28.040 --> 0:16:31.840
<v Speaker 1>he's the best. But yes, and so eating is always

0:16:32.040 --> 0:16:35.200
<v Speaker 1>you know, I think that certain actors are super scared

0:16:35.320 --> 0:16:37.160
<v Speaker 1>or they're nervous when they have to eat in a

0:16:37.200 --> 0:16:38.960
<v Speaker 1>scene because you know, people don't want to eat and

0:16:39.040 --> 0:16:42.600
<v Speaker 1>getting fat. But um Well or Tony and Scott, I'm sure,

0:16:42.600 --> 0:16:44.280
<v Speaker 1>but they never eat on the show. The only thing

0:16:44.320 --> 0:16:50.000
<v Speaker 1>they ate was Olivia, sorry out, No, keep it in, honey,

0:16:50.400 --> 0:16:53.960
<v Speaker 1>keep it in. But anyway, eating. But then there are

0:16:54.000 --> 0:16:57.720
<v Speaker 1>some actors who swear by it and think that it

0:16:57.800 --> 0:16:59.920
<v Speaker 1>makes you the best actor ever. Like, yeah, I think

0:17:00.080 --> 0:17:02.680
<v Speaker 1>that I've heard for years that, like, if you go

0:17:02.760 --> 0:17:06.680
<v Speaker 1>back into like all of Brad Pitt's performances, he's almost

0:17:07.440 --> 0:17:10.800
<v Speaker 1>never doing an entrance without eating something. Really, he eats

0:17:10.800 --> 0:17:13.600
<v Speaker 1>in most his scenes. Yeah, because there are very few

0:17:13.640 --> 0:17:17.080
<v Speaker 1>things that you can do as an actor where you

0:17:17.119 --> 0:17:20.199
<v Speaker 1>can't fake it. You cannot fake eating eat you have

0:17:20.280 --> 0:17:22.399
<v Speaker 1>to act. People do it, but actors do it, and

0:17:22.520 --> 0:17:24.680
<v Speaker 1>bad eating on in a film or on a TV

0:17:24.760 --> 0:17:27.560
<v Speaker 1>show is the worst Gilmore Girls, I love the show

0:17:28.000 --> 0:17:31.280
<v Speaker 1>The worst fucking eaters in the world. To go back

0:17:31.320 --> 0:17:39.480
<v Speaker 1>and in their coffee cups are like you know, oh no, no,

0:17:39.600 --> 0:17:42.040
<v Speaker 1>like there's nothing in them, Like it's the worst. They

0:17:42.080 --> 0:17:45.160
<v Speaker 1>never take a bite. If they do, it's like, oh,

0:17:45.200 --> 0:17:48.280
<v Speaker 1>it's so. Any actor is listening to this podcast if

0:17:48.320 --> 0:17:51.600
<v Speaker 1>you want to consider yourself legit, Yeah, you gotta fucking

0:17:51.600 --> 0:17:54.680
<v Speaker 1>eat in the sit because it also does make you

0:17:54.720 --> 0:17:57.160
<v Speaker 1>a better actor. You can't fake well, you can't fake eating,

0:17:57.160 --> 0:18:02.760
<v Speaker 1>but you shouldn't smoking cigarettes. Ye can't feed, so like

0:18:02.880 --> 0:18:06.000
<v Speaker 1>those are the moments where they're kind of like actor gifts. Also,

0:18:06.119 --> 0:18:10.600
<v Speaker 1>like acting with a baby, like you can't really like

0:18:10.760 --> 0:18:13.119
<v Speaker 1>you have to actually like be there because it truly

0:18:13.160 --> 0:18:14.919
<v Speaker 1>is like you don't know what's gonna happen. Yeah. Um,

0:18:15.359 --> 0:18:19.080
<v Speaker 1>I remember my first like major family eating scene with

0:18:19.640 --> 0:18:21.960
<v Speaker 1>on this other show. I was on my first series

0:18:22.000 --> 0:18:24.119
<v Speaker 1>regular run. I was twenty five. Lorie metcalf, who's like

0:18:24.600 --> 0:18:28.440
<v Speaker 1>everyone thinks she's an incredible actress, myself included. We had

0:18:28.480 --> 0:18:31.520
<v Speaker 1>these family like Sunday night dinner scenes that would take forever,

0:18:31.560 --> 0:18:33.000
<v Speaker 1>and they would go around and around and around and

0:18:33.000 --> 0:18:35.280
<v Speaker 1>shoot everybody's point of view and everyone was eating and

0:18:35.359 --> 0:18:38.080
<v Speaker 1>Lorie meccalf would eat the shit out of her food

0:18:38.320 --> 0:18:41.440
<v Speaker 1>really and I would be like, this woman's good. Yeah,

0:18:41.520 --> 0:18:44.120
<v Speaker 1>she's a great ash. She's on Big Bank. Hey, she's

0:18:44.119 --> 0:18:46.080
<v Speaker 1>a great eater. They're always eating on that show. And

0:18:46.160 --> 0:18:49.320
<v Speaker 1>she's eat an eater and she's talking while she's eating,

0:18:49.440 --> 0:18:51.560
<v Speaker 1>which is what Brad Pitt does too. He's talking with

0:18:51.600 --> 0:18:54.720
<v Speaker 1>the full mouth, he's talking with like wiping his mouth

0:18:54.760 --> 0:18:57.480
<v Speaker 1>with the napkin. He's talking while he's taking SIPs of

0:18:57.760 --> 0:19:00.920
<v Speaker 1>whatever drink is being served, and like that makes you good,

0:19:00.960 --> 0:19:04.280
<v Speaker 1>I think, Yeah, I agree, I agree. Okay, so then

0:19:04.320 --> 0:19:10.960
<v Speaker 1>you see Charlie, who was cast crazily when we see

0:19:11.119 --> 0:19:13.399
<v Speaker 1>him for a blip while you're hacking to see that

0:19:13.440 --> 0:19:16.199
<v Speaker 1>he was caught on a traffic cam. Yeah, it's the

0:19:16.200 --> 0:19:18.959
<v Speaker 1>first time we're seeing this character, Charlie, who's played by

0:19:19.000 --> 0:19:23.680
<v Speaker 1>fucking George Newburn, who's the dad from Father of the Bride. Yeah, wait,

0:19:23.760 --> 0:19:26.200
<v Speaker 1>he's the dad. He's the dad, or he's the groom.

0:19:26.600 --> 0:19:30.719
<v Speaker 1>He's the groom, right, yeah, yeah, yeah, Now he's a dad.

0:19:30.800 --> 0:19:33.240
<v Speaker 1>He's a dad. Now, he's a dad. He Now he

0:19:33.240 --> 0:19:35.280
<v Speaker 1>would get cast as the dad now, but at the

0:19:35.320 --> 0:19:37.800
<v Speaker 1>time he was the groom, George, and he was also

0:19:37.840 --> 0:19:42.720
<v Speaker 1>the boyfriend in Adventures in Babysit. Yes, yes, And George

0:19:42.760 --> 0:19:44.600
<v Speaker 1>told me a story once I bet you were there

0:19:44.640 --> 0:19:47.679
<v Speaker 1>that he was super close to getting the role of

0:19:47.720 --> 0:19:51.360
<v Speaker 1>Marty McFly in Back to the Future, screen tested against

0:19:51.400 --> 0:19:55.520
<v Speaker 1>Michael fucking Jay. They flew him out. He was going

0:19:55.560 --> 0:19:58.080
<v Speaker 1>to Northwestern at the time. He was a drama major.

0:19:58.800 --> 0:20:01.199
<v Speaker 1>He was auditioning and the he flew him in and

0:20:01.240 --> 0:20:05.160
<v Speaker 1>he screen tested against Michael J. Fox. How amazing is that?

0:20:05.280 --> 0:20:09.199
<v Speaker 1>Can you imagine that? Yeah? I mean anyway, I just

0:20:09.240 --> 0:20:12.000
<v Speaker 1>think the casting choice on that oh so good. And

0:20:12.160 --> 0:20:15.159
<v Speaker 1>he did not know none of us knew, the writers

0:20:15.840 --> 0:20:19.480
<v Speaker 1>know that that Charlie would be what Charlie became. But

0:20:19.520 --> 0:20:22.439
<v Speaker 1>I love that they cast against type, you know what

0:20:22.480 --> 0:20:25.399
<v Speaker 1>I mean. They didn't cast like some sort of goon

0:20:25.600 --> 0:20:27.760
<v Speaker 1>looking guy that you're like, oh, he's a bad guy.

0:20:27.960 --> 0:20:34.560
<v Speaker 1>Bad guy looks like the loveliest, like kindest just yeah, yeah, yeah, yeah,

0:20:34.640 --> 0:20:38.359
<v Speaker 1>ead sitcom dad you've ever seen in your life nineties Like,

0:20:38.400 --> 0:20:43.440
<v Speaker 1>he's just so like I mean, he's from Arkansas. Go

0:20:43.520 --> 0:20:48.320
<v Speaker 1>get a snack and we'll be right back. Can I

0:20:48.359 --> 0:20:51.199
<v Speaker 1>just say really quickly? I love in this scene is

0:20:51.240 --> 0:20:53.840
<v Speaker 1>one of the first times, maybe it's this second or

0:20:53.920 --> 0:20:55.720
<v Speaker 1>third time that we've seen it on on in the

0:20:55.760 --> 0:20:59.560
<v Speaker 1>first season, but that that Mike Huck's computer becomes the camera.

0:21:00.119 --> 0:21:02.840
<v Speaker 1>So they would take away my computer, like this is

0:21:02.880 --> 0:21:04.600
<v Speaker 1>us on set getting ready to shoot the scene, and

0:21:04.640 --> 0:21:07.840
<v Speaker 1>they would put a camera right in dead in my face,

0:21:08.240 --> 0:21:10.679
<v Speaker 1>and I would have to look into the camera and

0:21:10.760 --> 0:21:14.320
<v Speaker 1>pretend I was typing, and that was so much fun.

0:21:14.400 --> 0:21:17.520
<v Speaker 1>I love doing that. They would call it Huck Cam.

0:21:17.720 --> 0:21:20.680
<v Speaker 1>It was called cam yeah, yeah, yeah yeah. So then

0:21:20.800 --> 0:21:24.560
<v Speaker 1>later on in post they would superimpose like the green

0:21:25.119 --> 0:21:30.080
<v Speaker 1>like numbers and like computer typing letters going over Guarmo's face.

0:21:30.720 --> 0:21:32.040
<v Speaker 1>But I had to be in Huck cam all the

0:21:32.040 --> 0:21:34.440
<v Speaker 1>time too, like just kind of crouched down next to you,

0:21:34.600 --> 0:21:37.200
<v Speaker 1>and we're both looking like dead into the camera as

0:21:37.200 --> 0:21:40.520
<v Speaker 1>you're like fatly pretending to hit keys and Huck's I

0:21:41.119 --> 0:21:43.320
<v Speaker 1>feel like we all loved being in Huck's office. It

0:21:43.400 --> 0:21:46.680
<v Speaker 1>was such a special set, right, it was so unique

0:21:46.720 --> 0:21:50.280
<v Speaker 1>and industrial and and just a lot of wires and

0:21:50.359 --> 0:21:55.119
<v Speaker 1>growing things. Was he had a fucking grow a grow house,

0:21:55.160 --> 0:21:57.199
<v Speaker 1>a little grow house in the back. Yeah. Towards like

0:21:57.240 --> 0:22:00.199
<v Speaker 1>season three or four or something, they added that, like

0:22:00.200 --> 0:22:01.719
<v Speaker 1>did they ever know? I mean, I felt like there

0:22:01.720 --> 0:22:04.760
<v Speaker 1>were all these fucking plants hanging where you were just

0:22:04.800 --> 0:22:06.840
<v Speaker 1>like I know they weren't weed, but I used to

0:22:06.840 --> 0:22:12.119
<v Speaker 1>be like, this is on track, right, yes, Hucks little

0:22:12.280 --> 0:22:17.160
<v Speaker 1>dark hydroponic is that the word? I think? So? Yeah?

0:22:18.520 --> 0:22:24.399
<v Speaker 1>Right then we see Harrison is everyone's trying to listen

0:22:24.440 --> 0:22:27.520
<v Speaker 1>to this black box recording from the plane crash to

0:22:27.600 --> 0:22:31.360
<v Speaker 1>figure out who is truly at fault for the plane crashing?

0:22:31.480 --> 0:22:35.280
<v Speaker 1>Is it the pilot? You know? Darren Petty, who played

0:22:35.440 --> 0:22:39.120
<v Speaker 1>the husband of the pilot so well, hires Olivia Pope

0:22:39.160 --> 0:22:41.520
<v Speaker 1>to sort of represent the pilot of the plane that

0:22:41.560 --> 0:22:44.760
<v Speaker 1>she was not at fault. And everyone's listening to the

0:22:45.040 --> 0:22:48.320
<v Speaker 1>black Box and we see Harrison doing like the most

0:22:48.359 --> 0:22:52.280
<v Speaker 1>amazing like that. He's so musical and he's like obsessively

0:22:52.359 --> 0:22:55.480
<v Speaker 1>listening to the box. It's in this episode where I'm

0:22:55.480 --> 0:22:58.160
<v Speaker 1>like this, fuck, I love that there are three degrees

0:22:58.160 --> 0:23:03.480
<v Speaker 1>of Britney Spears on Yahndall you were in a Britney

0:23:03.520 --> 0:23:10.200
<v Speaker 1>Spears music video. Yeah, Shanda wrote Crossroads, that's yes, Crossroads yep,

0:23:10.760 --> 0:23:17.840
<v Speaker 1>and Columbus choreographed one of her one of her tours. Yeah, yeah,

0:23:17.960 --> 0:23:20.560
<v Speaker 1>like that's so crazy. Yeah, why did she never visit?

0:23:20.600 --> 0:23:24.320
<v Speaker 1>Set right between the whole thing of like listening to

0:23:24.359 --> 0:23:26.080
<v Speaker 1>the black Box over and over again, figuring it out,

0:23:26.119 --> 0:23:28.399
<v Speaker 1>and then doesn't Harrison look at us. We're at the

0:23:28.440 --> 0:23:32.719
<v Speaker 1>coffee station and he shouts like, it wasn't the plane,

0:23:32.760 --> 0:23:34.359
<v Speaker 1>it wasn't it, And his eyes are all red and

0:23:34.359 --> 0:23:36.840
<v Speaker 1>you could tell, you know, I feel like Harrison had

0:23:36.920 --> 0:23:39.359
<v Speaker 1>read makeup put on his eyes. Plus his eyes looked insane.

0:23:39.359 --> 0:23:42.639
<v Speaker 1>It was like, yeah, hey hadn't slept because he's just

0:23:42.680 --> 0:23:45.080
<v Speaker 1>like listening and listening and listening and trying to decode

0:23:45.119 --> 0:23:47.560
<v Speaker 1>what's in this and then he yells at them and

0:23:47.640 --> 0:23:54.280
<v Speaker 1>says something like, I don't remember when we learned that

0:23:55.240 --> 0:24:00.280
<v Speaker 1>Laurie wasn't drinking right again, all these guest stars, coast stars,

0:24:00.280 --> 0:24:04.240
<v Speaker 1>their performances, they're fucking ridiculous. So good, dirtess that was

0:24:04.240 --> 0:24:06.080
<v Speaker 1>too drunk on her birthday and stand in and then

0:24:06.200 --> 0:24:08.040
<v Speaker 1>she goes and visits her in the hotel room and

0:24:08.080 --> 0:24:10.359
<v Speaker 1>she's like, doesn't even know that everyone had gone down?

0:24:11.200 --> 0:24:13.840
<v Speaker 1>So good? So good? The yeah, yeah, the one that

0:24:13.880 --> 0:24:17.080
<v Speaker 1>was hung over. Yes, it was so good. She played

0:24:17.160 --> 0:24:20.359
<v Speaker 1>Carly Reston and her name her, her actually actress's name

0:24:20.400 --> 0:24:25.280
<v Speaker 1>is Amanda Fuller, and fucking Google, I sure did, Katie,

0:24:25.280 --> 0:24:27.480
<v Speaker 1>because because of what you were just saying, she's so

0:24:27.600 --> 0:24:30.320
<v Speaker 1>good that I was like, we have to give this

0:24:30.359 --> 0:24:33.680
<v Speaker 1>actor a shout out. Her name is Amanda Fuller, and

0:24:33.760 --> 0:24:35.639
<v Speaker 1>she's yeah, she's been in a ton of stuff. She

0:24:35.680 --> 0:24:39.760
<v Speaker 1>was in a Graze episode. She played Brittany Murphy in

0:24:39.800 --> 0:24:44.119
<v Speaker 1>a TV movie about Brittany Murphy. Remember the amazing Brittany Murphy.

0:24:44.240 --> 0:24:48.719
<v Speaker 1>She fucking killed that. But that this actress fucking just

0:24:48.800 --> 0:24:51.920
<v Speaker 1>brought it. No, she was unbelievable. She's hysterical crying, she's

0:24:52.000 --> 0:24:54.240
<v Speaker 1>funny at the top, just opened the door and be

0:24:54.280 --> 0:24:56.480
<v Speaker 1>like what And then she has to go into this

0:24:56.520 --> 0:25:00.320
<v Speaker 1>whole thing where she realized she just missed death. Darby

0:25:00.480 --> 0:25:02.200
<v Speaker 1>is so good in this scene too, because you could

0:25:02.200 --> 0:25:04.520
<v Speaker 1>see how cold she is and she's like, she doesn't

0:25:04.560 --> 0:25:07.080
<v Speaker 1>know how to deal with someone being emotional. So she

0:25:07.119 --> 0:25:09.720
<v Speaker 1>pushes the tissue box forward. Yes, and then she keeps crying.

0:25:09.720 --> 0:25:12.000
<v Speaker 1>Then she pushes it forward again, like, oh my god,

0:25:12.119 --> 0:25:16.600
<v Speaker 1>that's so class. She's not comforting at all. Yeah. Was

0:25:16.640 --> 0:25:19.800
<v Speaker 1>that written in the stage directions or is that Darby

0:25:19.960 --> 0:25:22.520
<v Speaker 1>just making genius acting choices. I want to say it

0:25:22.520 --> 0:25:24.720
<v Speaker 1>was Darby making genius acting choices. I want to say

0:25:24.760 --> 0:25:27.600
<v Speaker 1>that too, so so good, Like she did not know

0:25:27.680 --> 0:25:30.400
<v Speaker 1>how to comfort this what the character did not know

0:25:30.480 --> 0:25:33.320
<v Speaker 1>how to comfort someone that's breaking down like that. It

0:25:33.400 --> 0:25:35.560
<v Speaker 1>was just so fun to watch to watch her work.

0:25:35.720 --> 0:25:39.600
<v Speaker 1>We're back in the OPA office, comes in and says

0:25:39.600 --> 0:25:46.159
<v Speaker 1>and screams, Amanda Tanner is dead. Oh yeah, god, I

0:25:46.240 --> 0:25:49.919
<v Speaker 1>remember getting chills doing that scene. Oh that was one

0:25:49.960 --> 0:25:51.879
<v Speaker 1>of my favorite. You know how you have scenes that

0:25:52.440 --> 0:25:55.520
<v Speaker 1>it just feels so good to do and they stick

0:25:55.560 --> 0:25:58.520
<v Speaker 1>with you. I just remember that moment. What were our

0:25:58.560 --> 0:26:00.600
<v Speaker 1>lines leading up to it? We were all like, I

0:26:00.640 --> 0:26:04.400
<v Speaker 1>just remember, We're running around in a fury and Olivia's

0:26:04.480 --> 0:26:06.320
<v Speaker 1>giving up fucking orders like you go this, and you

0:26:06.359 --> 0:26:08.200
<v Speaker 1>go this, and you go this, and and then you're

0:26:08.240 --> 0:26:12.280
<v Speaker 1>just like you yell, which Huck never does. Yeah, everyone's

0:26:12.320 --> 0:26:14.240
<v Speaker 1>caught up because I don't know if we mentioned it,

0:26:14.280 --> 0:26:17.080
<v Speaker 1>but a plane and a plane crashes in the episode

0:26:17.080 --> 0:26:19.280
<v Speaker 1>and it kills one hundred and twenty people, and then

0:26:19.280 --> 0:26:23.000
<v Speaker 1>Olivia now represents the pilots union, right, and she expects

0:26:23.040 --> 0:26:26.520
<v Speaker 1>the airline is going to blame Lorie the pilot, which

0:26:26.520 --> 0:26:29.639
<v Speaker 1>they do. I thought we were all like running around

0:26:29.720 --> 0:26:33.439
<v Speaker 1>talking about like how to find Amanda or something, and

0:26:33.440 --> 0:26:36.680
<v Speaker 1>then you just come Amanda Tanner's dead. Yeah, yeah, yeah,

0:26:36.720 --> 0:26:39.600
<v Speaker 1>it was. It was. It was something like that, Yeah,

0:26:39.680 --> 0:26:43.560
<v Speaker 1>you record stop the whole scene and Olivia looks at

0:26:43.560 --> 0:26:46.520
<v Speaker 1>you and she's like, are you sure. I just shake

0:26:46.600 --> 0:26:49.200
<v Speaker 1>my head yes, and then she oh, and then that's

0:26:49.280 --> 0:26:55.679
<v Speaker 1>my favorite fucking Carrie Washington moment. Acting. Yeah, I have

0:26:55.720 --> 0:26:58.160
<v Speaker 1>the same taste. When she marches out to the street

0:26:58.200 --> 0:26:59.920
<v Speaker 1>to the black Dan that's been fucking watching it, and

0:27:00.080 --> 0:27:04.880
<v Speaker 1>she's like, roll down your fucking window on the windfield.

0:27:05.920 --> 0:27:10.160
<v Speaker 1>Tell your guy that I know, I know, yeah, talking

0:27:10.200 --> 0:27:12.480
<v Speaker 1>to your little microphoning your brands and you tell him

0:27:12.480 --> 0:27:16.040
<v Speaker 1>that I know. Yeah. When I see her do that scene,

0:27:16.520 --> 0:27:21.480
<v Speaker 1>I feel like she is summoning her bronx, her like roots,

0:27:21.520 --> 0:27:23.800
<v Speaker 1>like her bronx, Like this is how I talk to

0:27:23.880 --> 0:27:26.600
<v Speaker 1>someone when I am like in my most power and

0:27:26.680 --> 0:27:32.080
<v Speaker 1>I'm so pissed and I've been so wrong. Absolutely it's remarkable.

0:27:32.840 --> 0:27:35.200
<v Speaker 1>And then she turns away from screaming at the two

0:27:35.280 --> 0:27:37.440
<v Speaker 1>dudes and the sus Dan, and the whole shot goes

0:27:37.480 --> 0:27:41.080
<v Speaker 1>into slow mo and she she like rubs her arms yes,

0:27:41.480 --> 0:27:46.359
<v Speaker 1>which is so just that little moment, Oh god, oh

0:27:46.400 --> 0:27:50.879
<v Speaker 1>my god, it's unfucking believable. So we know she's dead,

0:27:51.000 --> 0:27:55.920
<v Speaker 1>which is horrible and stupid ass. Quinn Fergus Yeah, makes

0:27:55.920 --> 0:27:59.720
<v Speaker 1>a promise, finds Amanda Tanner's dad, brings him to the

0:27:59.720 --> 0:28:03.120
<v Speaker 1>office and said everything's going to be okay, I promise,

0:28:04.960 --> 0:28:08.760
<v Speaker 1>to which Olivia is like, Quinn, can I speak to

0:28:08.760 --> 0:28:11.879
<v Speaker 1>you for a minute at the coffee station? And then

0:28:11.920 --> 0:28:16.240
<v Speaker 1>I'm like yeah, what and She's like we don't make promises.

0:28:16.720 --> 0:28:19.280
<v Speaker 1>Yeah ever, and I'm like, what are you talking about?

0:28:19.440 --> 0:28:22.320
<v Speaker 1>And she's like, Amanda Tanner is dead and I was

0:28:22.359 --> 0:28:27.720
<v Speaker 1>like what I was not mouth agape there, I gave

0:28:27.760 --> 0:28:32.160
<v Speaker 1>you other options. Nope, just real quickly. In this scene,

0:28:31.920 --> 0:28:35.720
<v Speaker 1>we are introduced to uh to Hank tan Or Hank

0:28:35.760 --> 0:28:38.440
<v Speaker 1>tan Or, who is Amanda Tanner's dad, and it's played

0:28:38.480 --> 0:28:41.800
<v Speaker 1>by Graham Beckel. Now let me tell you something. I

0:28:41.840 --> 0:28:45.320
<v Speaker 1>went down a rabbit hole googling Homeboy because I was like,

0:28:46.000 --> 0:28:48.040
<v Speaker 1>I do that with all the co stars because it's

0:28:48.040 --> 0:28:50.840
<v Speaker 1>so fun to see what they've been in. So Graham

0:28:50.920 --> 0:28:55.440
<v Speaker 1>Beckel was in fucking Broke Back Mountain. He plays Anne

0:28:55.520 --> 0:28:59.600
<v Speaker 1>Hathaway's dad in that fucking amazing scene when they're having

0:28:59.600 --> 0:29:03.920
<v Speaker 1>thanks Giving dinner and Hathaway and Jake Jillenhall they have

0:29:04.040 --> 0:29:06.440
<v Speaker 1>the TV playing and their little son is like watching

0:29:06.480 --> 0:29:09.120
<v Speaker 1>the TV and the mother's like, um, you eat your food,

0:29:09.120 --> 0:29:11.600
<v Speaker 1>stop watching TV. And Jake Jillenhall goes and turns off

0:29:11.600 --> 0:29:13.360
<v Speaker 1>the TV and the dad gets up and he's like,

0:29:13.560 --> 0:29:15.640
<v Speaker 1>turns it back on. Anyway. It's a back and forth,

0:29:15.680 --> 0:29:19.520
<v Speaker 1>but it's such a powerful scene and this man played

0:29:19.720 --> 0:29:24.760
<v Speaker 1>and Hathaway's dad. Wow, I would have never known that.

0:29:25.240 --> 0:29:29.680
<v Speaker 1>How great is he in this episode? Like he's he's

0:29:30.120 --> 0:29:35.160
<v Speaker 1>that's heartbreaking, heartbreaking and what a hard yes, like let's

0:29:35.200 --> 0:29:38.120
<v Speaker 1>come in, let's meet you, and let's have you be

0:29:38.240 --> 0:29:42.880
<v Speaker 1>here on the worst day of your character's life, like yes,

0:29:43.080 --> 0:29:47.560
<v Speaker 1>seeing your daughter's fucking body like this guy is. He's

0:29:47.600 --> 0:29:52.320
<v Speaker 1>just so vulnerable in this episode and he's so sad

0:29:52.320 --> 0:29:55.600
<v Speaker 1>and to see this like grown masculine ass man like

0:29:55.680 --> 0:29:59.280
<v Speaker 1>breaking down. He's he was again perfect fucking casting. We'll

0:29:59.320 --> 0:30:02.200
<v Speaker 1>get and we Katie. I was wondering, we'll get to it,

0:30:02.360 --> 0:30:05.040
<v Speaker 1>but this episode, like you, I don't even have to

0:30:05.080 --> 0:30:12.600
<v Speaker 1>say it, right, Oh, I remember it forever forever you

0:30:12.680 --> 0:30:15.400
<v Speaker 1>and I I have goose. Yeah. I think that's why

0:30:15.440 --> 0:30:17.760
<v Speaker 1>I cried so much watching the episode, because I was

0:30:17.800 --> 0:30:20.680
<v Speaker 1>remembering that and oh it was just such a yeah,

0:30:20.720 --> 0:30:23.520
<v Speaker 1>but we'll get to it. Oh my god, Garmo and I,

0:30:23.720 --> 0:30:25.040
<v Speaker 1>well you have to get there. We're gonna get to

0:30:25.080 --> 0:30:28.240
<v Speaker 1>that scene really soon. Yeah, Okay, okay, okay. Olivia calls

0:30:28.280 --> 0:30:33.360
<v Speaker 1>fits he didn't know, he didn't know that she's dead. Yes,

0:30:33.880 --> 0:30:36.920
<v Speaker 1>they do like a split screen down the center with

0:30:37.000 --> 0:30:39.120
<v Speaker 1>like you know where they split the screen in two

0:30:39.160 --> 0:30:41.520
<v Speaker 1>and there's like a black bar between their phone call,

0:30:41.600 --> 0:30:43.480
<v Speaker 1>and Olivia is the first person to tell Fits that

0:30:43.520 --> 0:30:45.680
<v Speaker 1>Amanda Tanner's dead, and he's like, come, look me in

0:30:45.720 --> 0:30:47.280
<v Speaker 1>the eye. You know I'm telling the truth. It's not

0:30:47.320 --> 0:30:51.440
<v Speaker 1>something I would ever fucking do. And she says, yeah,

0:30:51.480 --> 0:30:54.719
<v Speaker 1>but you let Cyrus off his leash. You know, if

0:30:54.720 --> 0:30:57.840
<v Speaker 1>a dog mall is a baby, it's the owner's fault,

0:30:58.120 --> 0:31:00.720
<v Speaker 1>and you know that's on you. Yeah, she said, he's

0:31:00.720 --> 0:31:02.640
<v Speaker 1>a he's a pit bull. You let your you let

0:31:02.680 --> 0:31:05.080
<v Speaker 1>your dog off the leash. Yeah. Oh, it's such a

0:31:05.120 --> 0:31:07.880
<v Speaker 1>great scene. Yeah, it is such a fucking great scene.

0:31:08.080 --> 0:31:10.880
<v Speaker 1>I wrote, I wrote come off split screen in my notes,

0:31:12.440 --> 0:31:14.600
<v Speaker 1>and then I wrote very Brian to Palma, because Brian

0:31:14.640 --> 0:31:16.400
<v Speaker 1>to Palma does add a lot in his movies. He

0:31:16.480 --> 0:31:20.600
<v Speaker 1>does split screen. Yeah, oh, such a powerful scene. Yeah.

0:31:20.680 --> 0:31:22.720
<v Speaker 1>Then I wrote, they do right by the pilot and

0:31:22.760 --> 0:31:25.800
<v Speaker 1>they have an alibi that she wasn't drinking. Then we

0:31:25.880 --> 0:31:30.280
<v Speaker 1>go into Olivia asks, oh, this was my title whoa

0:31:30.800 --> 0:31:36.800
<v Speaker 1>g acting? Oh man, which is basically for the scene

0:31:36.800 --> 0:31:40.280
<v Speaker 1>where Olivia comes into your office and says, I need

0:31:40.320 --> 0:31:42.680
<v Speaker 1>you to help me find the body. Yeah, and if

0:31:42.760 --> 0:31:46.800
<v Speaker 1>you need me to come get you, you know, just

0:31:47.000 --> 0:31:50.239
<v Speaker 1>call or something like that, and we're like, what what

0:31:50.440 --> 0:31:54.440
<v Speaker 1>is this? What is happening? These scenes with a Huck

0:31:54.520 --> 0:31:57.840
<v Speaker 1>and Olivia were always so so special because there was

0:31:57.920 --> 0:32:01.600
<v Speaker 1>just that unspoken like action with those two, right. The

0:32:01.720 --> 0:32:06.240
<v Speaker 1>room was so full of emotions and like just stuff

0:32:06.280 --> 0:32:08.440
<v Speaker 1>when we would do those scenes, and it was so

0:32:08.480 --> 0:32:12.040
<v Speaker 1>easy to play, but it was exhilarating to play these

0:32:12.040 --> 0:32:14.480
<v Speaker 1>scenes with carry. It was so much fun. And in

0:32:14.520 --> 0:32:16.040
<v Speaker 1>this episode, I think it's the first time and it's

0:32:16.040 --> 0:32:18.800
<v Speaker 1>the first time you see Huck torture someone, but it's

0:32:18.840 --> 0:32:21.600
<v Speaker 1>the first time that I thought, oh my god, this

0:32:21.680 --> 0:32:24.400
<v Speaker 1>is this is going to a really dark place with

0:32:24.440 --> 0:32:26.800
<v Speaker 1>my character, you know, and I freaking loved it. I

0:32:26.840 --> 0:32:29.719
<v Speaker 1>was like, this is the thing that's ever happened to

0:32:29.720 --> 0:32:32.720
<v Speaker 1>me in my life as an actor. Oh it was.

0:32:33.040 --> 0:32:35.720
<v Speaker 1>I felt so so it was so great. But it's true.

0:32:35.800 --> 0:32:39.400
<v Speaker 1>It's they asked of you. Like what they asked of

0:32:39.480 --> 0:32:44.840
<v Speaker 1>you was so fucking wild, and you went there so beautifully.

0:32:45.120 --> 0:32:50.280
<v Speaker 1>And I wrote, I wrote, um, whoa gez acting whoa

0:32:50.480 --> 0:32:54.200
<v Speaker 1>in that scene? Um, Not to get too deep, but

0:32:55.040 --> 0:32:57.960
<v Speaker 1>a person, like a person that's been through a lot

0:32:58.000 --> 0:32:59.640
<v Speaker 1>of shit. I mean, we've all been through a lot

0:32:59.680 --> 0:33:02.840
<v Speaker 1>of know, but this is like a gift to be

0:33:02.920 --> 0:33:06.480
<v Speaker 1>able to to you know, slice yourself. I just Sally

0:33:06.520 --> 0:33:08.240
<v Speaker 1>Field said this once in an interview. They were like,

0:33:08.240 --> 0:33:10.320
<v Speaker 1>how do you prepare for those emotional scenes? And she said,

0:33:10.600 --> 0:33:15.040
<v Speaker 1>I start symbolically sort of slicing myself open emotionally and

0:33:15.120 --> 0:33:18.200
<v Speaker 1>opening up all those old wounds and scars and shit

0:33:18.320 --> 0:33:21.160
<v Speaker 1>that happened to you. And I'm super like, if somebody

0:33:21.200 --> 0:33:22.640
<v Speaker 1>walks in the room and they're going through a really

0:33:22.720 --> 0:33:25.200
<v Speaker 1>hard time, my eye goes right to them and my

0:33:25.280 --> 0:33:27.680
<v Speaker 1>heart opens up, and I'm like, I can't like settle

0:33:27.680 --> 0:33:29.160
<v Speaker 1>and I can't really have a good time if I

0:33:29.200 --> 0:33:33.400
<v Speaker 1>see someone that's going through something. Yes, yes, an EmPATH anyway,

0:33:33.440 --> 0:33:34.960
<v Speaker 1>So it was a gift to be able to play

0:33:34.960 --> 0:33:37.760
<v Speaker 1>this this character and I just use that shit, you

0:33:37.800 --> 0:33:40.479
<v Speaker 1>know what I mean. You can like go there and

0:33:40.600 --> 0:33:43.640
<v Speaker 1>you feel like you're not allowed to do that in

0:33:43.680 --> 0:33:46.320
<v Speaker 1>your day to day life. So to like get to

0:33:46.360 --> 0:33:49.120
<v Speaker 1>be able, you know, some people would like scream at

0:33:49.160 --> 0:33:52.560
<v Speaker 1>a steering wheel or like sob cry in a shower. Yeah,

0:33:52.560 --> 0:33:55.640
<v Speaker 1>and most people probably don't even let themselves do that.

0:33:55.760 --> 0:33:57.720
<v Speaker 1>And then it's so awesome when you're an actor that

0:33:57.760 --> 0:34:00.720
<v Speaker 1>you get to just like do this stuff, yeah yourself,

0:34:00.760 --> 0:34:03.040
<v Speaker 1>go like go to a really dark place, go to

0:34:03.080 --> 0:34:07.920
<v Speaker 1>like a really scary emotional place, and it's okay because

0:34:07.920 --> 0:34:12.080
<v Speaker 1>you were in a safe environment. It was also exciting

0:34:12.280 --> 0:34:15.799
<v Speaker 1>and not knowing what was going to happen when I

0:34:15.880 --> 0:34:18.400
<v Speaker 1>was doing the scene, like emotionally, do you know what

0:34:18.440 --> 0:34:20.439
<v Speaker 1>I mean? That was so exciting to be like, this

0:34:20.480 --> 0:34:23.000
<v Speaker 1>is so fucked up. I don't know exactly what's going

0:34:23.080 --> 0:34:25.880
<v Speaker 1>to happen, if I'm gonna cry or whatever, what I'm

0:34:25.920 --> 0:34:30.000
<v Speaker 1>gonna feel and do anyway, Okay, Then I wrote, oh

0:34:30.040 --> 0:34:35.720
<v Speaker 1>my god, he has Charlie on the tarp, red tool

0:34:36.080 --> 0:34:40.680
<v Speaker 1>Huck gets his red toolbox about eight thousand exclamation points,

0:34:40.719 --> 0:34:43.640
<v Speaker 1>and I wrote red toolbox multiple times. This is this

0:34:43.719 --> 0:34:46.040
<v Speaker 1>is the first time we see the toolbox, which is

0:34:46.040 --> 0:34:50.160
<v Speaker 1>so funny because our podcast is called Unpacking the Toolbox. Yes,

0:34:50.280 --> 0:34:52.759
<v Speaker 1>I'm packing the toolbox. Baby. Did you ever know that

0:34:52.800 --> 0:34:58.040
<v Speaker 1>this was going to be his thing? No? Not at all,

0:34:58.400 --> 0:35:00.799
<v Speaker 1>Not at all. I knew when we you know, when

0:35:00.840 --> 0:35:02.759
<v Speaker 1>we got the episode at the table read or the

0:35:02.840 --> 0:35:05.520
<v Speaker 1>day before whatever, But before that, no, I had I

0:35:05.520 --> 0:35:08.080
<v Speaker 1>had no idea but again, I freaking loved it. I

0:35:08.160 --> 0:35:11.799
<v Speaker 1>was like, God, he's gonna fucking torture someone with all

0:35:11.800 --> 0:35:16.320
<v Speaker 1>these tools in his toolbox. How did you make George

0:35:16.360 --> 0:35:19.319
<v Speaker 1>Newburn feel safe? Because I didn't know him very well,

0:35:19.320 --> 0:35:21.200
<v Speaker 1>but I remember him being like, I can't believe I'm

0:35:21.239 --> 0:35:25.960
<v Speaker 1>doing this job. I have one scene, you know where

0:35:26.040 --> 0:35:31.160
<v Speaker 1>I have like talking with Gamo Diaz in a diner

0:35:31.360 --> 0:35:33.920
<v Speaker 1>and then I'm like naked. He was like in a

0:35:34.040 --> 0:35:37.840
<v Speaker 1>duct tape underwear on a tarp where I just have

0:35:37.920 --> 0:35:41.080
<v Speaker 1>to scream a lot. And I was like, yeah, like

0:35:41.160 --> 0:35:43.520
<v Speaker 1>I don't know for like an older dude who has

0:35:43.560 --> 0:35:46.000
<v Speaker 1>a very successful career, like I don't know, Yeah, you

0:35:46.000 --> 0:35:48.319
<v Speaker 1>would think of that job. What was it like on

0:35:48.400 --> 0:35:51.279
<v Speaker 1>the day? Were you very collaborative? Were you nervous? Was

0:35:51.360 --> 0:35:54.160
<v Speaker 1>he nervous? I think we were both nervous. I was

0:35:54.200 --> 0:35:57.200
<v Speaker 1>super nervous, but an excited nervous, you know what I mean,

0:35:57.280 --> 0:35:59.879
<v Speaker 1>because because the scene was so good. But I think

0:36:00.000 --> 0:36:02.520
<v Speaker 1>the thing with me and George, we as people and

0:36:02.719 --> 0:36:06.600
<v Speaker 1>as the characters, we clicked right away, like it felt right.

0:36:06.680 --> 0:36:08.440
<v Speaker 1>You know how Sometimes that happens on a movie or

0:36:08.440 --> 0:36:10.560
<v Speaker 1>a TV show where you're like, oh, this just and

0:36:10.800 --> 0:36:13.320
<v Speaker 1>and I think that was the case with all the

0:36:13.880 --> 0:36:18.200
<v Speaker 1>regulars on Scandal. Something about this cast just it was

0:36:18.360 --> 0:36:21.319
<v Speaker 1>just right. It just made sense, you know what I mean.

0:36:21.840 --> 0:36:25.000
<v Speaker 1>And when Charlie came into picture, it made sense. And

0:36:25.080 --> 0:36:27.920
<v Speaker 1>how can Charlie it just click with him? It was

0:36:28.040 --> 0:36:30.719
<v Speaker 1>it was so easy to do these scenes with him

0:36:30.719 --> 0:36:33.680
<v Speaker 1>because it just it just felt right. And I and

0:36:33.719 --> 0:36:35.719
<v Speaker 1>also me and George I crack up a lot. We

0:36:35.840 --> 0:36:38.160
<v Speaker 1>love to laugh, as you know, because you love to

0:36:38.200 --> 0:36:41.160
<v Speaker 1>laugh with us two. You well, the three of us

0:36:41.200 --> 0:36:44.560
<v Speaker 1>two were together a lot over the seven years. Yeah.

0:36:44.640 --> 0:36:47.319
<v Speaker 1>And you what's so funny about you two seeing you

0:36:47.400 --> 0:36:50.759
<v Speaker 1>do these scenes with him? You're both two of the

0:36:50.800 --> 0:36:55.560
<v Speaker 1>funniest dudes, I know, two of the most sweetest in

0:36:55.640 --> 0:36:59.239
<v Speaker 1>your hearts like people, I know, like like really genuinely

0:36:59.239 --> 0:37:02.440
<v Speaker 1>like want good things for people. And then to just

0:37:02.600 --> 0:37:05.719
<v Speaker 1>watch this episode and see him fucking screaming his head

0:37:05.760 --> 0:37:09.239
<v Speaker 1>off while you're doing yea horribuying fucking things to him,

0:37:09.280 --> 0:37:13.320
<v Speaker 1>Like I get, he's drilling holes into him. Yeah, it's horrible.

0:37:13.480 --> 0:37:16.800
<v Speaker 1>Is that what you were doing? It was drilling holes? Yeah, yeah,

0:37:16.800 --> 0:37:20.720
<v Speaker 1>he's he's drilling holes in his body. Yeah, Oh my god,

0:37:20.960 --> 0:37:24.880
<v Speaker 1>are you fucking kidding me. That's disgusting all because he

0:37:24.960 --> 0:37:27.160
<v Speaker 1>won't tell you where the Amanitata body. Yeah, I'm just

0:37:27.200 --> 0:37:29.080
<v Speaker 1>asking where her body is and he won't tell me.

0:37:29.120 --> 0:37:32.480
<v Speaker 1>But look in my notes, I wrote, um to film

0:37:32.560 --> 0:37:39.200
<v Speaker 1>this was frightening, exhilarating, anxiety inducing. I also wrote it

0:37:39.360 --> 0:37:42.480
<v Speaker 1>felt like it felt like an orgasm. I was in

0:37:42.520 --> 0:37:46.920
<v Speaker 1>a trance doing doing this scene. Holy shit. And and

0:37:46.960 --> 0:37:49.200
<v Speaker 1>then I wrote if if it's like chanting, you know

0:37:49.280 --> 0:37:51.640
<v Speaker 1>when you chant and you just get in a sort

0:37:51.680 --> 0:37:55.960
<v Speaker 1>of trance. Saying the words that Shanda wrote and that

0:37:56.000 --> 0:37:59.479
<v Speaker 1>the Scandal writers wrote, feels like chanting because it's again,

0:37:59.520 --> 0:38:02.000
<v Speaker 1>we've talked about this before. It it's so well written,

0:38:02.000 --> 0:38:04.280
<v Speaker 1>and it just flows out of your mouth so well.

0:38:04.360 --> 0:38:06.600
<v Speaker 1>I felt like that happened a lot doing a huck

0:38:06.640 --> 0:38:08.799
<v Speaker 1>scenes because I felt like I would go in a

0:38:08.840 --> 0:38:11.680
<v Speaker 1>trance because sometimes, you know, you get caught up like fuck,

0:38:11.719 --> 0:38:13.600
<v Speaker 1>am I going to remember the lines? And then I'm

0:38:13.640 --> 0:38:15.640
<v Speaker 1>sure you do this too, or you thought about this,

0:38:15.719 --> 0:38:17.400
<v Speaker 1>but it gets to the point where they're rolling and

0:38:17.440 --> 0:38:20.520
<v Speaker 1>they're like, all right, action you In my head, I think,

0:38:20.560 --> 0:38:22.560
<v Speaker 1>all right, let me see if I remember my lines

0:38:22.600 --> 0:38:25.680
<v Speaker 1>and just let the words come out and you're and

0:38:25.880 --> 0:38:29.600
<v Speaker 1>you have to say them super fast, so part of

0:38:29.640 --> 0:38:33.000
<v Speaker 1>you just has to like relinquish control and just whatever

0:38:33.080 --> 0:38:36.520
<v Speaker 1>happens happens or whatever comes out comes out when all

0:38:36.560 --> 0:38:39.279
<v Speaker 1>the words come out. Right, Oh, it's just it's it's

0:38:39.400 --> 0:38:44.680
<v Speaker 1>it's best feeling. Yeah, that aha moment or whatever. That

0:38:44.760 --> 0:38:47.440
<v Speaker 1>like you're in the flow, Like you're in that human

0:38:48.000 --> 0:38:51.960
<v Speaker 1>heightened high vibrational flow where you're like, so, yes, there

0:38:52.040 --> 0:38:55.839
<v Speaker 1>is no time, there is no then or future. You're

0:38:55.920 --> 0:39:00.839
<v Speaker 1>just like really heightened connective tissue right then and there.

0:39:00.840 --> 0:39:02.200
<v Speaker 1>But I think that makes a lot of sense to

0:39:02.200 --> 0:39:05.959
<v Speaker 1>the transpart because I do think sometimes Huck, the way

0:39:06.040 --> 0:39:08.600
<v Speaker 1>you'll you sound when you're like doing some of those

0:39:08.600 --> 0:39:12.280
<v Speaker 1>scenes as you're like it almost sounds like you're chanting.

0:39:12.880 --> 0:39:15.080
<v Speaker 1>I've never even thought about that until this moment, but

0:39:15.120 --> 0:39:18.480
<v Speaker 1>it's sort of oh my god that I could barely

0:39:18.480 --> 0:39:22.480
<v Speaker 1>watch it. I was like completely terrified. Yeah, okay, then

0:39:22.960 --> 0:39:25.640
<v Speaker 1>we have I put a shitload of exclamation points for

0:39:25.719 --> 0:39:30.600
<v Speaker 1>Sally Langston. First, yes, yes, all in the White House.

0:39:30.640 --> 0:39:33.440
<v Speaker 1>He's trying to pass the Dream Act, which is similar

0:39:33.480 --> 0:39:37.600
<v Speaker 1>to like DACA, isn't it yes, yes, yes, yes, yeah, yeah,

0:39:37.719 --> 0:39:40.040
<v Speaker 1>fits wants and knows that this is the right thing

0:39:40.080 --> 0:39:42.720
<v Speaker 1>to do to be passed. And Sally Langston is holding

0:39:42.800 --> 0:39:46.239
<v Speaker 1>up all the votes and not letting it happen, and

0:39:46.320 --> 0:39:50.320
<v Speaker 1>fits has the most like amazing monologue to her about

0:39:50.320 --> 0:39:52.719
<v Speaker 1>like ha ha, yeah, yeah, fuck you, you're gonna put

0:39:52.719 --> 0:39:56.240
<v Speaker 1>the dream act through. Yes, And Sally Langston is so

0:39:56.320 --> 0:39:59.640
<v Speaker 1>wonderful And fans must have gone so crazy because that's

0:39:59.719 --> 0:40:03.440
<v Speaker 1>Merit Gray's mom from Grey's Anatomy. Yes, kay, well, listen,

0:40:03.480 --> 0:40:08.120
<v Speaker 1>can we talk about Kate Burton. What a fucking dope

0:40:08.280 --> 0:40:12.320
<v Speaker 1>person she is. She is like, oh so lovely, so kind,

0:40:12.480 --> 0:40:16.640
<v Speaker 1>so loving, the nicest freaking person. And I love seeing

0:40:16.840 --> 0:40:23.200
<v Speaker 1>really find like nice, genuinely happy people play these asshole characters.

0:40:23.200 --> 0:40:27.520
<v Speaker 1>She does it so so well. Also, Kate Burton, which

0:40:27.680 --> 0:40:29.439
<v Speaker 1>again I went on a googling thing and I knew

0:40:29.480 --> 0:40:32.520
<v Speaker 1>this already, but Kate Burton is the daughter of Richard Burton,

0:40:32.800 --> 0:40:35.359
<v Speaker 1>who used to be married to Elizabeth Taylor Is. She's

0:40:35.360 --> 0:40:37.960
<v Speaker 1>a daughter Richard Burton and Sybil Williams, who was a

0:40:37.960 --> 0:40:41.279
<v Speaker 1>Welsh actress. And I just think it was amazing that

0:40:41.320 --> 0:40:46.120
<v Speaker 1>on Scandal we had our president and vice president were

0:40:46.160 --> 0:40:49.839
<v Speaker 1>Hollywood royalty, because we had Tony Goldwyn of Goldwyn Metro

0:40:50.120 --> 0:40:54.759
<v Speaker 1>Mayer and his whole dynasty of like MGM. And then

0:40:54.800 --> 0:40:57.480
<v Speaker 1>we had Sally Langston played by Kate Burton, who is

0:40:57.600 --> 0:41:03.200
<v Speaker 1>Richard Burton's daughter. Like we had like two Hollywood lineage

0:41:03.480 --> 0:41:06.480
<v Speaker 1>of like I mean, they have debt, their their their

0:41:06.480 --> 0:41:09.680
<v Speaker 1>Hollywood royalty. It's been their blood, yea, their blood. It's

0:41:09.680 --> 0:41:11.920
<v Speaker 1>why they can walk around and sort of be like

0:41:12.520 --> 0:41:15.239
<v Speaker 1>I'm the president and I'm vice president or whatever. But

0:41:15.480 --> 0:41:19.560
<v Speaker 1>my god, Sally Langston again, in this episode, you get

0:41:19.600 --> 0:41:21.480
<v Speaker 1>your first glimpse at Sally Lankson. You get your first

0:41:21.480 --> 0:41:24.200
<v Speaker 1>glimpse at Charlie. Two people who were with us till

0:41:24.239 --> 0:41:28.200
<v Speaker 1>the end and who were in countless eight billion episodes

0:41:28.200 --> 0:41:32.960
<v Speaker 1>and we're such geniuses on the show. Yes, and then

0:41:33.560 --> 0:41:36.279
<v Speaker 1>we pull I remember this like it was yesterday. We

0:41:36.400 --> 0:41:39.960
<v Speaker 1>pull Amanda Tanner out of the Potomac. Yes. We shot

0:41:39.960 --> 0:41:42.120
<v Speaker 1>it in Long Beach? Do you remember that? Wasn't it

0:41:42.239 --> 0:41:44.200
<v Speaker 1>Long Beach? We shot it in Long Beach? And I

0:41:44.239 --> 0:41:48.600
<v Speaker 1>was so nervous because Scandal ABC or something was like

0:41:48.840 --> 0:41:51.880
<v Speaker 1>making me go around at the same time and like

0:41:52.000 --> 0:41:55.239
<v Speaker 1>interviewing you people, do you remember that? And we were

0:41:55.320 --> 0:41:57.680
<v Speaker 1>pissed you were kind of pissed because it's such an emotional,

0:41:58.400 --> 0:42:01.359
<v Speaker 1>you know scene, and like, yeah, I was like, oh

0:42:01.400 --> 0:42:03.560
<v Speaker 1>my god, I'm watching a mandatanner being pulled out of

0:42:03.560 --> 0:42:05.719
<v Speaker 1>the Potomac and instead I'm going around They've asked me

0:42:05.760 --> 0:42:06.960
<v Speaker 1>to go around with my cell phone and being like,

0:42:07.040 --> 0:42:10.040
<v Speaker 1>what do you like about scanned them? Like, obviously that

0:42:10.080 --> 0:42:12.719
<v Speaker 1>shit is important because the show was in no way

0:42:12.719 --> 0:42:15.120
<v Speaker 1>shape form a hit in season one, and we were

0:42:15.160 --> 0:42:18.920
<v Speaker 1>doing whatever we could on the social media fucking channels

0:42:18.960 --> 0:42:21.080
<v Speaker 1>to get anyone to watch our show. I feel like

0:42:21.120 --> 0:42:23.440
<v Speaker 1>that was the hardest thing on the show, was navigating

0:42:23.920 --> 0:42:28.200
<v Speaker 1>doing press stuff and being able to stay focused on

0:42:28.280 --> 0:42:30.000
<v Speaker 1>our work on the show, you know what I mean,

0:42:30.040 --> 0:42:32.240
<v Speaker 1>because that would get thrown at us all the time,

0:42:32.640 --> 0:42:34.040
<v Speaker 1>where it was like they would come on set and

0:42:34.080 --> 0:42:37.040
<v Speaker 1>we have to do epks, which is a electronic press

0:42:37.120 --> 0:42:39.200
<v Speaker 1>kit and you do all these interviews and but that

0:42:39.200 --> 0:42:42.120
<v Speaker 1>would happen all the time. But navigating that my first day,

0:42:42.239 --> 0:42:44.319
<v Speaker 1>I remember it like, oh my god, Manatanna is being

0:42:44.320 --> 0:42:47.880
<v Speaker 1>pulled out. We're all so upset. We didn't even know

0:42:48.000 --> 0:42:50.560
<v Speaker 1>death was like a thing on the show. Really yeah,

0:42:50.560 --> 0:42:52.759
<v Speaker 1>And I'm going around being like, can you tell us

0:42:52.800 --> 0:42:55.760
<v Speaker 1>what you think about scales all And I'm like, oh

0:42:55.800 --> 0:42:59.439
<v Speaker 1>my god, this is I actually have the video still

0:42:59.480 --> 0:43:01.800
<v Speaker 1>in my phone and when we put out this episode,

0:43:02.080 --> 0:43:04.120
<v Speaker 1>I'm going to put that on so everyone can know

0:43:04.160 --> 0:43:08.319
<v Speaker 1>what I'm talking about. Oh hell yeah. And then we

0:43:08.440 --> 0:43:14.000
<v Speaker 1>go to the morgue. Oh man, Katie and that is

0:43:14.080 --> 0:43:17.840
<v Speaker 1>me and Garmo were like best friends for life. After

0:43:17.920 --> 0:43:20.680
<v Speaker 1>that we bonded. I feel like that was our first

0:43:20.760 --> 0:43:24.400
<v Speaker 1>like bonding moment where we truly bonded as as you know,

0:43:24.440 --> 0:43:27.200
<v Speaker 1>as Katie and Giarmo. Like, I don't know what the

0:43:27.239 --> 0:43:29.839
<v Speaker 1>fuck happened. Maybe it was because we were shooting the

0:43:29.880 --> 0:43:32.720
<v Speaker 1>scene where you know, Amanda's dad is at the Morgan

0:43:32.760 --> 0:43:35.480
<v Speaker 1>he has to identify her body, and it was already

0:43:35.520 --> 0:43:39.520
<v Speaker 1>a super emotional, like somber ominous sort of feeling on

0:43:39.600 --> 0:43:43.080
<v Speaker 1>said and and somehow like what do you what do

0:43:43.120 --> 0:43:46.600
<v Speaker 1>you remember? We talked about this on previous episodes, where

0:43:46.640 --> 0:43:49.799
<v Speaker 1>like sometimes the tears are there and sometimes they're not,

0:43:50.560 --> 0:43:53.240
<v Speaker 1>And this was one of these days where for some reason,

0:43:53.440 --> 0:43:56.719
<v Speaker 1>like in the universe, Giermo and I were just like

0:43:57.000 --> 0:44:03.879
<v Speaker 1>a well of emotion and tears and feelings and we

0:44:03.880 --> 0:44:08.239
<v Speaker 1>were standing at that window looking into the morguet a

0:44:08.239 --> 0:44:12.560
<v Speaker 1>Manda's body, and I couldn't stop crying, and I just

0:44:12.719 --> 0:44:17.400
<v Speaker 1>feeling the feelings of the show. And I had lost

0:44:17.520 --> 0:44:19.839
<v Speaker 1>I was kept you know, things kept coming into my head.

0:44:19.920 --> 0:44:23.600
<v Speaker 1>And I had lost a friend who had died of

0:44:23.719 --> 0:44:27.520
<v Speaker 1>lung cancer right when I auditioned for the part, and she,

0:44:27.760 --> 0:44:29.920
<v Speaker 1>for some reason was just like her spirit was like

0:44:30.080 --> 0:44:32.200
<v Speaker 1>very present in the room for me. I remember you

0:44:32.280 --> 0:44:35.400
<v Speaker 1>telling me that story. Yeah, instead of running away from it,

0:44:35.440 --> 0:44:38.520
<v Speaker 1>I was really singing into it, and I was really emotional,

0:44:38.600 --> 0:44:39.840
<v Speaker 1>and it was one of these days where it's like

0:44:39.880 --> 0:44:42.960
<v Speaker 1>we had the opportunity to really just like feel it

0:44:43.000 --> 0:44:46.920
<v Speaker 1>and gear right there with me. Yeah. I remember me

0:44:47.000 --> 0:44:49.960
<v Speaker 1>and you stepping like away from everyone. We were in

0:44:50.000 --> 0:44:52.040
<v Speaker 1>the back of the set and we were talking about

0:44:52.080 --> 0:44:55.440
<v Speaker 1>all this stuff and we couldn't stop crying. And I

0:44:55.480 --> 0:44:57.680
<v Speaker 1>remember you telling me now that you guys all, I

0:44:57.719 --> 0:44:59.000
<v Speaker 1>don't know if you still do it go on a

0:44:59.120 --> 0:45:01.680
<v Speaker 1>high every year every year on her death. Yeah, every

0:45:01.760 --> 0:45:04.759
<v Speaker 1>year on her death. That day sticks so strongly in

0:45:04.840 --> 0:45:08.480
<v Speaker 1>my memory, and it's so special. I do like I've

0:45:08.600 --> 0:45:12.080
<v Speaker 1>never had an experience like that with with someone. It

0:45:12.160 --> 0:45:15.319
<v Speaker 1>was so special, It was so oh Katie and I

0:45:15.360 --> 0:45:19.560
<v Speaker 1>wrote down no tears stick here. We talked about we

0:45:19.560 --> 0:45:22.200
<v Speaker 1>didn't need that sea. Yeah, sometimes you need that tears,

0:45:22.200 --> 0:45:25.160
<v Speaker 1>so we didn't need that mental blood. Oh no, we

0:45:25.200 --> 0:45:28.799
<v Speaker 1>didn't need it. We had tears for fucking days. We'll

0:45:28.840 --> 0:45:37.880
<v Speaker 1>be back soon, guys. Oh, this part really quick. Olivia

0:45:37.960 --> 0:45:40.600
<v Speaker 1>goes to touch Hawk at that same scene, and you

0:45:40.640 --> 0:45:44.600
<v Speaker 1>like quickly jerk yourself away, and we realize that recoil. Yeah,

0:45:44.680 --> 0:45:47.400
<v Speaker 1>that it has taken a toll. It has you. You

0:45:47.760 --> 0:45:51.440
<v Speaker 1>getting Charlie on the tarp took its toll. Yeah, um,

0:45:51.760 --> 0:45:54.239
<v Speaker 1>I wrote, Amanda dead. We're crying. We were crying so

0:45:54.320 --> 0:45:58.160
<v Speaker 1>much when we shot that. Do you remember Giarmo, I wrote,

0:45:58.160 --> 0:46:02.719
<v Speaker 1>do you remember Katie? Oh my god, look, I said,

0:46:02.920 --> 0:46:07.440
<v Speaker 1>I wrote, look Katie, exclamation point. Remember our special emotional

0:46:07.480 --> 0:46:11.720
<v Speaker 1>time while filming at the Coroners. We couldn't stop crying.

0:46:11.760 --> 0:46:15.279
<v Speaker 1>We truly bonded in this episode. No tears stick here,

0:46:16.080 --> 0:46:22.719
<v Speaker 1>Oh my god, are okay? Then Darren Petty crying for

0:46:22.800 --> 0:46:26.680
<v Speaker 1>his wife. Finally they get to the bottom of it

0:46:26.760 --> 0:46:32.200
<v Speaker 1>that like it was this horror fucking ladies fault about

0:46:32.200 --> 0:46:36.399
<v Speaker 1>the plane. She made it to her daughter's recital and

0:46:36.480 --> 0:46:42.160
<v Speaker 1>she decided to just duplicate right for when the plane

0:46:42.280 --> 0:46:44.279
<v Speaker 1>was broken and she sends it up the ladder end.

0:46:44.320 --> 0:46:46.160
<v Speaker 1>The plane was broken, but it was her fault for

0:46:46.280 --> 0:46:50.600
<v Speaker 1>not filing it correctly. And yes, she's they're they're underpaid

0:46:50.640 --> 0:46:52.960
<v Speaker 1>and overworked and normally her job used to be two

0:46:53.000 --> 0:46:58.279
<v Speaker 1>people's jobs. And she's amazing in that scene. Can we

0:46:58.360 --> 0:47:00.920
<v Speaker 1>just give a shout out to Leonore May is the

0:47:00.960 --> 0:47:05.799
<v Speaker 1>actress who played that role. My God, Yes, yes, I

0:47:05.880 --> 0:47:13.080
<v Speaker 1>am going to make out with you again, okay. Cast

0:47:13.239 --> 0:47:18.640
<v Speaker 1>be known as the Scandal rewatch podcast where every fucking

0:47:18.680 --> 0:47:25.799
<v Speaker 1>actor gets their fucking, fucking Yes, Leonora May amazing in

0:47:25.800 --> 0:47:29.840
<v Speaker 1>this role in their respect. Lenora May was in and

0:47:30.200 --> 0:47:33.160
<v Speaker 1>she was in an episode of Little House on the Prairie,

0:47:33.200 --> 0:47:36.320
<v Speaker 1>which is one of my favorite shows ever that Brad

0:47:36.440 --> 0:47:40.680
<v Speaker 1>Ucobean freaking worked on. Did you know this? I didn't

0:47:40.680 --> 0:47:43.800
<v Speaker 1>know Brad Brad, who was one of our producers of Scandal,

0:47:43.920 --> 0:47:46.960
<v Speaker 1>was one of the producers on Little House on a Prairie. Yes, yes,

0:47:47.120 --> 0:47:50.360
<v Speaker 1>he worked on Little House yep. But she did an episode,

0:47:50.360 --> 0:47:53.919
<v Speaker 1>she did an episode of Gray's Um. Lenora May, she's

0:47:54.320 --> 0:47:57.600
<v Speaker 1>a very accomplished actor and she was just wonderful in

0:47:57.640 --> 0:48:01.480
<v Speaker 1>this fucking scene. Yeah, she fucking demolished. And also Harrison's

0:48:02.000 --> 0:48:06.000
<v Speaker 1>Columbus's reaction to her it was so great, so good,

0:48:06.080 --> 0:48:09.839
<v Speaker 1>so real, so h so organic, oh so so good.

0:48:10.120 --> 0:48:12.279
<v Speaker 1>It was so good. So we find that out and

0:48:12.480 --> 0:48:15.919
<v Speaker 1>Olivia is like, you know, lets the record be known

0:48:15.960 --> 0:48:18.040
<v Speaker 1>that she was not drunk. She was an amazing pilot.

0:48:18.120 --> 0:48:21.759
<v Speaker 1>The airplane says that they're at fall. Darren Petty, the

0:48:21.840 --> 0:48:25.439
<v Speaker 1>actor who plays Andrew Mackelson, gets you know, his sort

0:48:25.480 --> 0:48:29.359
<v Speaker 1>of due of like wiping his wife's name clean. Yes,

0:48:30.960 --> 0:48:32.960
<v Speaker 1>And then the quick wrap up of the end of

0:48:33.000 --> 0:48:37.160
<v Speaker 1>the episode is Tony calls in Hall and Tom so

0:48:37.200 --> 0:48:42.920
<v Speaker 1>good to fucking amazing secret Service agents and he's like,

0:48:42.960 --> 0:48:44.319
<v Speaker 1>what do I need to do to get out of here?

0:48:44.560 --> 0:48:46.759
<v Speaker 1>They list this ridiculous shit. He's like, I'll do it

0:48:46.760 --> 0:48:48.799
<v Speaker 1>for this, and it's a hilarious joke line because they're like,

0:48:48.800 --> 0:48:52.080
<v Speaker 1>he's just like forty three, yes, yes, whoa is he

0:48:52.160 --> 0:48:55.520
<v Speaker 1>like George Bush? Yes? Oh no, forty three is George

0:48:55.520 --> 0:48:58.560
<v Speaker 1>Bush Jr? Excuse me, I'm an idiot, George h No.

0:48:58.719 --> 0:49:00.600
<v Speaker 1>I looked it up yesterday. I was like, which one

0:49:00.680 --> 0:49:04.480
<v Speaker 1>is forty three? Um? Then it cuts to Quinn goes

0:49:04.520 --> 0:49:07.320
<v Speaker 1>to Gideon's apartment. He opens up the door, She's crying

0:49:07.320 --> 0:49:13.000
<v Speaker 1>in his arms, and where is Tony going to Olivia's apartment? Right,

0:49:13.080 --> 0:49:15.560
<v Speaker 1>Olivia's apartment and she's on the phone with Stephen as

0:49:15.600 --> 0:49:19.080
<v Speaker 1>she opens the door. And he did fuck the lady

0:49:19.120 --> 0:49:24.680
<v Speaker 1>in the morgue and did cheat on whatever her name, Georgia, Georgia, yeah, Georgia.

0:49:25.120 --> 0:49:28.480
<v Speaker 1>And he says it's Amanda was pregnant, but it was

0:49:28.680 --> 0:49:31.759
<v Speaker 1>not fits his baby. And right there, Olivia opens the

0:49:31.760 --> 0:49:36.319
<v Speaker 1>door and Tony's standing right there. So good. It's so good.

0:49:36.480 --> 0:49:39.879
<v Speaker 1>I mean, the episode is a banger, but this talk

0:49:39.920 --> 0:49:42.160
<v Speaker 1>really quickly. The moment with you and Gideon at the door,

0:49:42.239 --> 0:49:45.600
<v Speaker 1>and that was such a beautiful scene, Katie. Oh you're

0:49:45.800 --> 0:49:48.520
<v Speaker 1>so so good, Like all those emotions that you had

0:49:48.520 --> 0:49:51.799
<v Speaker 1>throughout the episode that the audience has, like it was

0:49:51.840 --> 0:49:55.080
<v Speaker 1>released through you in that scene and it was so

0:49:58.080 --> 0:50:01.439
<v Speaker 1>I got it today. I actually I don't remember if

0:50:01.440 --> 0:50:03.120
<v Speaker 1>I used a tear stick for that scene or not.

0:50:03.280 --> 0:50:06.400
<v Speaker 1>I can't remember. It doesn't matter because it was so

0:50:06.480 --> 0:50:09.320
<v Speaker 1>good and Gideon was so good. He was really good,

0:50:09.520 --> 0:50:11.480
<v Speaker 1>and I, you know, all I was thinking about was like,

0:50:11.520 --> 0:50:15.000
<v Speaker 1>oh fuck, here's where we go into the grilled cheese

0:50:15.000 --> 0:50:17.520
<v Speaker 1>sex scene, which we're good to get you in next

0:50:17.560 --> 0:50:21.719
<v Speaker 1>of the episode, Katie, I'm feeling like we should get

0:50:21.760 --> 0:50:30.040
<v Speaker 1>into tee te tweet tweet tweet tree tweet. Is there

0:50:30.080 --> 0:50:32.759
<v Speaker 1>any Scandal tweets of the time that we should read

0:50:32.880 --> 0:50:35.960
<v Speaker 1>that we feel like are hilarious and need to be mentioned?

0:50:36.160 --> 0:50:39.080
<v Speaker 1>This is great. Tiffany Carter at tiff d car Tom

0:50:39.080 --> 0:50:43.120
<v Speaker 1>on April twenty eight, twenty twelve, wrote fact Kerry Washington

0:50:43.200 --> 0:50:46.120
<v Speaker 1>first African American lead actress and network show since sixties.

0:50:46.480 --> 0:50:52.800
<v Speaker 1>Wow major true ps hashtag major fashion on Scandal ABC. Yeah, guys,

0:50:52.840 --> 0:50:55.880
<v Speaker 1>that shit was true. She at the time, Kerry was

0:50:55.920 --> 0:51:00.400
<v Speaker 1>the first African American leading lady of a network drama

0:51:00.440 --> 0:51:04.520
<v Speaker 1>in thirty seven years. Wow. The last drama was in

0:51:04.640 --> 0:51:09.640
<v Speaker 1>nineteen sixty eight and it was Julia played by Diane Carroll.

0:51:10.040 --> 0:51:12.640
<v Speaker 1>But like since Diane Carroll that there had not been

0:51:12.680 --> 0:51:15.600
<v Speaker 1>an African American leading lady of a drama in thirty

0:51:15.600 --> 0:51:20.239
<v Speaker 1>seven years? How insane is that? And that it was

0:51:20.440 --> 0:51:23.359
<v Speaker 1>successful and that this show lasted so long. You know,

0:51:23.440 --> 0:51:26.520
<v Speaker 1>it's such a such a wonderful thing. It had to

0:51:26.560 --> 0:51:30.960
<v Speaker 1>be successful. I mean the problem because sliding doors. Had

0:51:31.000 --> 0:51:34.440
<v Speaker 1>Scandal not been successful, there would have never been another

0:51:34.480 --> 0:51:37.160
<v Speaker 1>black leading lady again, like for a long time, you

0:51:37.200 --> 0:51:38.600
<v Speaker 1>know what I mean. They would have been like, well,

0:51:38.680 --> 0:51:40.680
<v Speaker 1>clearly that didn't work, so we're not going to take

0:51:40.680 --> 0:51:44.200
<v Speaker 1>that risk again. Whoever the they is Yea, but thank

0:51:44.280 --> 0:51:48.720
<v Speaker 1>god everyone is amazing and watch the show because then

0:51:48.880 --> 0:51:52.600
<v Speaker 1>after Carrie, it was like it opened up so many

0:51:52.680 --> 0:51:56.480
<v Speaker 1>doors to like, yeah, they're being all different looking types

0:51:56.520 --> 0:52:02.000
<v Speaker 1>of people as leads of network shows. Yeah, okay. Matt Midovich,

0:52:02.040 --> 0:52:05.480
<v Speaker 1>who was a very huge supporter of Scandal for so

0:52:05.560 --> 0:52:09.160
<v Speaker 1>long at Matt Minovich on April twenty six tweeted reminder,

0:52:09.200 --> 0:52:12.920
<v Speaker 1>tonight at about nine fifty five is when Scandal's scandalousness

0:52:12.960 --> 0:52:17.839
<v Speaker 1>spikes for consecutive weeks straight through to the finale. So yes,

0:52:18.040 --> 0:52:20.920
<v Speaker 1>I guess we were like gaining some traction. I guess

0:52:20.960 --> 0:52:25.080
<v Speaker 1>like four people were watching the show, right, Jersey fam

0:52:25.080 --> 0:52:28.640
<v Speaker 1>that's it, she says, Oh my god, Scandal ABC was

0:52:29.360 --> 0:52:33.479
<v Speaker 1>straight crazy. Kerry Washington, you better act, you better act

0:52:33.520 --> 0:52:37.839
<v Speaker 1>boo hashtag scandal U. Heck yeah, Lego, what the hell

0:52:37.920 --> 0:52:41.920
<v Speaker 1>is that mean? Franklin? Oh, Lego, I'm an idiot, But

0:52:41.960 --> 0:52:43.960
<v Speaker 1>you learned something new every day. I think I think

0:52:43.960 --> 0:52:45.880
<v Speaker 1>it's like that, right, I think it's like let's go

0:52:46.400 --> 0:52:49.399
<v Speaker 1>or something like that. Yeah, they wrote sp Franklin wrote

0:52:49.400 --> 0:52:53.320
<v Speaker 1>at Scandal ABC, heck, yeah, let go. I'm ready to

0:52:53.360 --> 0:52:58.160
<v Speaker 1>gladiate or whatever, which was Quinn's line. Hashtag Scandal quotes. L.

0:52:59.680 --> 0:53:04.560
<v Speaker 1>Dave Nett wrote, replying to Josh Melina, Josh Malina, you, sir,

0:53:04.760 --> 0:53:09.319
<v Speaker 1>or the glue that holds Scandal ABC together. Also, you've

0:53:09.400 --> 0:53:13.640
<v Speaker 1>left sticky fingerprints all over my TV. Please stop? Yeah

0:53:14.040 --> 0:53:16.319
<v Speaker 1>the person are they friends? I don't know like what

0:53:16.560 --> 0:53:18.400
<v Speaker 1>you mean. Like when he put peanut butter on on

0:53:18.960 --> 0:53:24.319
<v Speaker 1>Porschrossi's like car handle. He put fucking whip cream and

0:53:24.400 --> 0:53:27.160
<v Speaker 1>shaving cream all over my trailer doors, all over my

0:53:27.280 --> 0:53:30.680
<v Speaker 1>car door handles. Oh yeah, he put that shit over

0:53:30.719 --> 0:53:32.880
<v Speaker 1>my card handles. We have to do a whole episode

0:53:32.880 --> 0:53:36.319
<v Speaker 1>of the ship that Josh pulled. He called me, Yeah

0:53:36.360 --> 0:53:39.000
<v Speaker 1>he did. What do you say? Well, he called me,

0:53:39.320 --> 0:53:41.080
<v Speaker 1>changed his voice and left me a message on my

0:53:41.160 --> 0:53:44.120
<v Speaker 1>voicemail saying he was a New York City police detective

0:53:44.440 --> 0:53:47.200
<v Speaker 1>and that I was in big trouble and Katie that

0:53:47.280 --> 0:53:51.120
<v Speaker 1>whole day, me being so anxious. I was unemotional mask

0:53:51.160 --> 0:53:53.520
<v Speaker 1>because I was like, oh my god, what have I done?

0:53:53.920 --> 0:53:57.799
<v Speaker 1>Malina got a voice changer app on his phone that

0:53:57.800 --> 0:53:59.719
<v Speaker 1>he could leave voicemails, and it didn't sound like him.

0:53:59.760 --> 0:54:03.680
<v Speaker 1>He a voicemail that said, we've got your phone number

0:54:03.719 --> 0:54:07.680
<v Speaker 1>and we heard some scoop on Scandal about someone's behavior.

0:54:07.800 --> 0:54:10.799
<v Speaker 1>You need to call immediately. And I was shitting bricks

0:54:10.800 --> 0:54:13.560
<v Speaker 1>because how did a reporter get my cell phone number? Like,

0:54:13.600 --> 0:54:15.480
<v Speaker 1>and I've never been on a show that's successful, and

0:54:15.520 --> 0:54:16.880
<v Speaker 1>I don't know what to say, and am I supposed

0:54:16.880 --> 0:54:18.680
<v Speaker 1>to call my back? And I don't even have a publicist.

0:54:19.160 --> 0:54:21.239
<v Speaker 1>We're gonna do when we have josh On, We're gonna

0:54:21.239 --> 0:54:24.680
<v Speaker 1>go real hard. We're gonna talk about all this stuff.

0:54:24.680 --> 0:54:27.040
<v Speaker 1>How yeah pranking he did? Those are some tweets at

0:54:27.040 --> 0:54:30.160
<v Speaker 1>the time. This has been such an amazing episode of

0:54:30.200 --> 0:54:34.440
<v Speaker 1>Scandal rewatch us because it ended up with tears and

0:54:34.560 --> 0:54:38.960
<v Speaker 1>praise and Garmo Diez just doing the most incredible dramaturgical

0:54:39.160 --> 0:54:43.040
<v Speaker 1>researcher work on every guest star on this Scandal show,

0:54:43.080 --> 0:54:45.480
<v Speaker 1>and they are so appreciative, and I am so appreciative

0:54:45.480 --> 0:54:48.320
<v Speaker 1>of the work you've done. Oh please Oh my god,

0:54:48.520 --> 0:54:51.239
<v Speaker 1>this is again. I can't I can't imagine doing this

0:54:51.480 --> 0:54:54.360
<v Speaker 1>with anyone else but you, like, it's truly a gift

0:54:54.520 --> 0:54:57.759
<v Speaker 1>that we get to do this. You guys, please tell

0:54:57.800 --> 0:55:00.759
<v Speaker 1>your friends that this is a fucking laugh. You feel

0:55:00.800 --> 0:55:03.560
<v Speaker 1>all the feelings, all the gladiators. You have a place

0:55:03.600 --> 0:55:06.279
<v Speaker 1>to come now, Like Gladiators, where have you been? Have

0:55:06.280 --> 0:55:08.160
<v Speaker 1>you've been up to? Listen to this podcast? Tell all

0:55:08.200 --> 0:55:12.080
<v Speaker 1>your gladiator friends rewatch the show. Next week we are

0:55:12.080 --> 0:55:14.920
<v Speaker 1>going to be talking about episode one oh six, the Trail,

0:55:15.719 --> 0:55:19.040
<v Speaker 1>which is literally one of the most famous Scandal episodes

0:55:19.080 --> 0:55:24.120
<v Speaker 1>of all time. So good, so so good. Make sure

0:55:24.160 --> 0:55:26.759
<v Speaker 1>you subscribe. Tell your friends episode one or six The

0:55:26.800 --> 0:55:30.320
<v Speaker 1>Trail is coming. And thank you so much for listening.

0:55:30.760 --> 0:55:34.400
<v Speaker 1>Yeah to the Scan we Watch podcast. Thank you Gladiators.

0:55:34.440 --> 0:55:36.799
<v Speaker 1>We love you guys. We love you guys so much.

0:55:38.840 --> 0:55:42.200
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:55:42.480 --> 0:55:46.120
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:55:46.239 --> 0:55:48.759
<v Speaker 1>or leave us a review. Scandal is executive produced by

0:55:48.760 --> 0:55:53.720
<v Speaker 1>Sandy Bailey, alex Alcha, Lauren Homan, Tyler Klang, and Gabrielle Collins.

0:55:54.160 --> 0:55:57.200
<v Speaker 1>Our producer and editor is Vince de Johnny with music

0:55:57.320 --> 0:56:00.080
<v Speaker 1>by Chad Fisher. Scandal is a production of eight you

0:56:00.080 --> 0:56:03.040
<v Speaker 1>See signature, and you can follow along by rewatching Scandal

0:56:03.080 --> 0:56:05.880
<v Speaker 1>on Hulu. Unpacking the Toolbox is a production of Shondaland

0:56:05.880 --> 0:56:10.120
<v Speaker 1>Audio in partnership with iHeartRadio. For more podcasts from Shondaland Audio,

0:56:10.440 --> 0:56:13.040
<v Speaker 1>visit the iHeartRadio app or anywhere you subscribe to your

0:56:13.080 --> 0:56:13.840
<v Speaker 1>favorite shows.