WEBVTT - Introducing Killer Thriller

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<v Speaker 1>Hey there, everybody, Welcome to Amy and TJ Presents. But

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<v Speaker 1>now we have something after the presents TJ Killer.

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<v Speaker 2>Thriller, Killer Thriller. That sounds Is it too dramatic?

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<v Speaker 3>I wondered if no, No, you don't think that Tyler's dramatic.

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<v Speaker 2>You think so.

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<v Speaker 4>Yes, that's what we're talking about, Killer Thriller.

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<v Speaker 1>And yes we have an aunt which is exciting because

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<v Speaker 1>it's not just Amy and TJ Presents Killer Thriller. It's

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<v Speaker 1>Amy and TJ Presents Killer Thriller with Alisa Donovan.

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<v Speaker 3>Oh yes, and a lot of people know that name

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<v Speaker 3>and I don't know that history. But a lot of

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<v Speaker 3>people haven't done what we have now been able to do,

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<v Speaker 3>which is be stuck in LA traffic.

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<v Speaker 2>Which is what we just did all the way here.

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<v Speaker 4>Yes, was that not the best way to get to

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<v Speaker 4>know each other.

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<v Speaker 5>It was not that we wanted to have to do

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<v Speaker 5>it again, but like it kind of was.

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<v Speaker 1>We made the most of La traffic, one of the

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<v Speaker 1>things that La is known for, but we turned it

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<v Speaker 1>into lemonade.

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<v Speaker 5>It's like we had fifteen different conversations and looked out

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<v Speaker 5>the window.

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<v Speaker 4>We were in the same place.

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<v Speaker 1>We really go anywhere out of the car. Anyone who

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<v Speaker 1>lives in La probably has experienced this as well.

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<v Speaker 4>Even in New York.

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<v Speaker 1>We've done this too, Get out of the cab because

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<v Speaker 1>you aren't going anywhere, and we walked it, and we

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<v Speaker 1>are so excited because we're talking about a new true

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<v Speaker 1>crime podcast and you are obviously a well we're of

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<v Speaker 1>a certain age. So the nineties you were everywhere. For

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<v Speaker 1>those who need an introduction to Alisa Donovan. If you

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<v Speaker 1>loved the movie Clueless, who didn't, you might remember her

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<v Speaker 1>as Amber from Clueless. And also we were this was

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<v Speaker 1>so funny Beverly Hills nine o two one zero. I

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<v Speaker 1>was a huge fan and you played I love you

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<v Speaker 1>played like the bad.

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<v Speaker 5>Ginger Leah Monica, who sounds that it's like that, what

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<v Speaker 5>is it when a word sounds like what it is?

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<v Speaker 4>Yes, that's close to that character.

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<v Speaker 2>How close?

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<v Speaker 5>When I did Tory and Jenny's podcast over there rewatching

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<v Speaker 5>it and so they send me the episodes that I

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<v Speaker 5>was like a little I'm a little embarrassed by my behavior.

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<v Speaker 5>Like again, she really has like she had some balls attitude. No,

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<v Speaker 5>I wish I had her confidence. I wish I had

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<v Speaker 5>her confidence. I mean maybe on the inside in the car.

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<v Speaker 2>Ride here, you seem to have that confidence I did.

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<v Speaker 2>Isn't that we got to?

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<v Speaker 3>That is an interesting way in all Seriously, this is

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<v Speaker 3>a true story, folks. The way we have just gotten

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<v Speaker 3>to know is stuck in LA traffic and we literally

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<v Speaker 3>got out and walked down the street with her. This

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<v Speaker 3>is our introduction how we got to It's.

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<v Speaker 4>Kind of amazing, right, Like it's never gonna not be great,

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<v Speaker 4>just know igue we couldn't remain.

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<v Speaker 1>Up all right, So A Lisa, tell us your fascination

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<v Speaker 1>what your connection is to true crime?

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<v Speaker 5>I I mean, I think I am not alone here.

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<v Speaker 5>I have a like a borderline disturbing obsession with it,

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<v Speaker 5>and I'm not quite sure, you know, I've tried to

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<v Speaker 5>figure out what this is, and then I realized, well,

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<v Speaker 5>it's not just me. So I think we have such

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<v Speaker 5>a desire to understand human behavior, and like we human

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<v Speaker 5>beings are are like just we can't explain so much

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<v Speaker 5>about how we behave and I think we find it

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<v Speaker 5>absolutely impossible to believe sometimes that someone could commit some

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<v Speaker 5>of these truly heinous crimes. And then when you kind

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<v Speaker 5>of put all the pieces together and you walk down

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<v Speaker 5>the path.

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<v Speaker 4>You say Oh, oh wow.

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<v Speaker 5>I guess I can sort of imagine. That's how I

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<v Speaker 5>look at it, like, oh, I want to understand how

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<v Speaker 5>someone could get to this place, you know, and so

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<v Speaker 5>often these things like certainly mental illness is one thing,

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<v Speaker 5>but sometimes these things are based in other issues, you know, where.

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<v Speaker 4>It's really about loss or passion or.

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<v Speaker 5>True like really needing to survive.

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<v Speaker 1>You know.

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<v Speaker 5>There are so many different things that we come across

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<v Speaker 5>that cause people to do these things, and so I

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<v Speaker 5>am truly obsessed and I feel like there is you know,

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<v Speaker 5>as an actor, I've never played a real person before

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<v Speaker 5>who has existed in history, and I think you know,

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<v Speaker 5>any kind of prep you're doing as an actor, you're

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<v Speaker 5>always trying to understand who they are, where they come from,

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<v Speaker 5>why they do the things they do.

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<v Speaker 4>And if you're playing.

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<v Speaker 5>A real person, it's just a whole other level, right

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<v Speaker 5>of how do you get inside that person? Yes, how

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<v Speaker 5>do you find the positive things to a person who's

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<v Speaker 5>done catastrophic things? How do you humanize them on all

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<v Speaker 5>of that but also then show them respect? Right, there's

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<v Speaker 5>something And if you're playing the other family members, lawyers,

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<v Speaker 5>people who have this really specific and unique experience with

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<v Speaker 5>these situations. There's like a real amount of of.

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<v Speaker 4>Just respect that you have to show.

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<v Speaker 5>And I'm so interested to talk to the people from

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<v Speaker 5>the creative side of how they approach these characters. Do

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<v Speaker 5>they get to go to the places where these things happen?

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<v Speaker 5>How much real access? How much license do you give

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<v Speaker 5>yourself to say I am playing this real person. But

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<v Speaker 5>I also have to kind of do my own version

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<v Speaker 5>of that. So it's just I'm really excited to go

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<v Speaker 5>down that path. And then also I get to it's

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<v Speaker 5>my job. I have to watch these things. I have to,

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<v Speaker 5>oh my job to.

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<v Speaker 1>Watch True Crime Specialists, which is just so laborious and boring. No,

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<v Speaker 1>that's exciting to get to consume what you love and

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<v Speaker 1>then talk about the process of how you portray this.

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<v Speaker 1>Explain to us or at least to the listeners, what

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<v Speaker 1>this new show format is going to be. How are

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<v Speaker 1>you approaching true crime in this podcast form?

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<v Speaker 5>So we're approaching it from the standpoint of the series

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<v Speaker 5>and the films that are recreating and telling.

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<v Speaker 4>The story of these crimes.

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<v Speaker 1>I e.

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<v Speaker 5>The Murder Murders is one that has recently been right

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<v Speaker 5>been on TV and that series is obviously goes through

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<v Speaker 5>the process of Alec Murda and the murder of his

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<v Speaker 5>wife and his son. And so we will interview one

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<v Speaker 5>of the actors from the SHO show, talk to them

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<v Speaker 5>about their their process, how how involved in the case

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<v Speaker 5>did they did they get how did they sort of

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<v Speaker 5>separate themselves, how did they prepare for this, and how

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<v Speaker 5>did it impact their own lives? You know, because so

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<v Speaker 5>much of this Also when we're watching as viewers, I

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<v Speaker 5>think for myself anyway, you you know, you're you're looking

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<v Speaker 5>at your own life, but you're you're looking at it

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<v Speaker 5>from this standpoint of as I said, kind of you know,

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<v Speaker 5>how do we how can we do these things? Like

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<v Speaker 5>how can human beings be so profoundly beautiful and kind

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<v Speaker 5>and loving and then so profoundly dark? And how do

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<v Speaker 5>we how do we keep existing as human beings? You know,

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<v Speaker 5>we see these things, We have children, we have people

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<v Speaker 5>we care about, Like it's I feel that there was

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<v Speaker 5>really a way to humanize these things that will make

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<v Speaker 5>us less uh sensitized, because that's also something that I

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<v Speaker 5>think about a lot that you know, we can't there

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<v Speaker 5>are terrible things that happen, you know, and it's important

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<v Speaker 5>for us to really understand these things and not become

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<v Speaker 5>desensitized to them. And I feel like if we can

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<v Speaker 5>talk about it, kind of breaking down how you approach

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<v Speaker 5>these people and how because telling these sorts of stories is, uh,

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<v Speaker 5>it's a lot of weight to carry, you know, and

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<v Speaker 5>it's not it's not simple. And so I'm interested in

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<v Speaker 5>that crossing of the creative and the real life because

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<v Speaker 5>I think as artist, certainly myself as an artist, the

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<v Speaker 5>older that I get and the more work that I do,

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<v Speaker 5>it's like you sort of incorporate your life into everything,

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<v Speaker 5>Like my creativity is inherently part of my life and

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<v Speaker 5>vice versa. So it's sort of I'm really interested in,

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<v Speaker 5>you know, talking about those things and merging them.

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<v Speaker 3>Do you think some of the stuff we see a

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<v Speaker 3>lot of the stories we see and we all watch

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<v Speaker 3>a lot of true crime, is it your opinion that

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<v Speaker 3>most of us are capable of some of this stuff

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<v Speaker 3>just were not in those circumstances.

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<v Speaker 2>Or I think a lot of what.

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<v Speaker 3>We're seeing is these people are anomalies, because it doesn't

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<v Speaker 3>feel like that to me necessarily.

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<v Speaker 4>It doesn't feel that way to me either.

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<v Speaker 5>I think that we want, we want to believe that,

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<v Speaker 5>we want to say these are outliers. These these are

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<v Speaker 5>the exceptions to the rule. But is this a part

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<v Speaker 5>This is a part of human nature. It is a

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<v Speaker 5>part of all of us, and it is really it's

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<v Speaker 5>just like I mean, I bring everything.

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<v Speaker 4>Back to Harry Potter, that there is there is a

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<v Speaker 4>good and bad.

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<v Speaker 5>It's a choice, right, and we are all driven by

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<v Speaker 5>the We all have the good and the bad in us.

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<v Speaker 5>And certainly, you know, things are they're extreme ends to

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<v Speaker 5>both of those things. But I don't think it's an anomaly,

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<v Speaker 5>you know, especially when we.

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<v Speaker 4>Life is hard. You know, life is hard.

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<v Speaker 5>Life is really beautiful too, but it's not easy, and

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<v Speaker 5>dependent upon how you respond to those things, how the environment,

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<v Speaker 5>your environment responds to you, the pressure can build. And

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<v Speaker 5>I always feel like, I don't know if it's because

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<v Speaker 5>I'm an actor that you sort of have to be

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<v Speaker 5>able to imagine all these things. But I always feel

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<v Speaker 5>like anyone is capable of anything, great things and small,

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<v Speaker 5>you know, And I think it's shortsighted to say otherwise,

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<v Speaker 5>to sort of put people in buckets, right, they go,

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<v Speaker 5>this is a great person, they only do great things

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<v Speaker 5>that it's terrible person, you know, And part of it

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<v Speaker 5>is like judgment we all have to have good judgment

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<v Speaker 5>right where we try to have good judgment.

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<v Speaker 4>So, but they're that great.

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<v Speaker 5>The middle, the middle bit is really where you know

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<v Speaker 5>most of us are.

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<v Speaker 3>What do you find you're drawn to? What type of

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<v Speaker 3>true crime stories? We We do a thing we call

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<v Speaker 3>murder in the Morning. We just started calling because we

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<v Speaker 3>wake up first thing in the morning, it's two, three,

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<v Speaker 3>four or five in the morning, and we turn the

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<v Speaker 3>TV on and we don't want to watch cartoons or news.

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<v Speaker 3>We turn on something to where a white has killed

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<v Speaker 3>her husband.

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<v Speaker 2>We are weird when the spouse kills.

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<v Speaker 4>So we're hoping I'm interested in that. I'm very interested in.

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<v Speaker 5>Spousal disputes, yes, and family sort of disputes, because.

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<v Speaker 4>I think that's like so ripe.

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<v Speaker 5>I mean, we all know it's all it's so relatable,

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<v Speaker 5>it's so relatable, and then it.

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<v Speaker 4>Just becomes to work.

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<v Speaker 3>Yes, women are always what it's nurses or nurses they

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<v Speaker 3>have a gambling addiction, yes, or credit.

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<v Speaker 2>Card corre and nurses have access to drugs.

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<v Speaker 1>But I feel like, look in that's some prime stories

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<v Speaker 1>that we watch. I feel like women are so sadistic,

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<v Speaker 1>like if a man's going to kill you it's just

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<v Speaker 1>going to be like quick, brutal, but quick women, we

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<v Speaker 1>will torture.

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<v Speaker 4>What you suffer.

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<v Speaker 5>And we've been planning it and planning it for ages and.

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<v Speaker 4>Watching it unfold because we can MULTITASKI.

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<v Speaker 1>Oh my goodness, it is funny that we do love

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<v Speaker 1>some of these true crime stories. In fact, where we're

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<v Speaker 1>staying here in Brentwood, we did notice we were walking

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<v Speaker 1>to go pick up something and we were on Bundy,

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<v Speaker 1>so and of course, obviously o J. We looked it

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<v Speaker 1>up and we couldn't believe how close we were to

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<v Speaker 1>where the murders happened.

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<v Speaker 4>And I'm we're going on a run tomorrow. I was like,

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<v Speaker 4>I might have to run. I have to run by that.

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<v Speaker 4>I mean, I'm telling you.

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<v Speaker 1>I remember in high school my English teacher called it

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<v Speaker 1>fascination with the abomination. I know, I had it from

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<v Speaker 1>the moment I was a kid.

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<v Speaker 5>So don't you think that's partly why you got into journalism,

0:13:09.800 --> 0:13:12.560
<v Speaker 5>I'm sure of course. And then also it's about having

0:13:12.559 --> 0:13:17.880
<v Speaker 5>a real curiosity about humanity and life, right, it's not

0:13:18.240 --> 0:13:20.240
<v Speaker 5>so this is this is the thing, like it doesn't

0:13:20.280 --> 0:13:23.360
<v Speaker 5>have to be exploitative, right in this way, it's actually

0:13:23.400 --> 0:13:27.319
<v Speaker 5>a true fascination that we have. It's like a curiosity.

0:13:27.440 --> 0:13:30.240
<v Speaker 5>If you're paying attention at all, you know, and have

0:13:30.320 --> 0:13:34.680
<v Speaker 5>a pulse, you can't be not affected by these things.

0:13:35.240 --> 0:13:37.760
<v Speaker 1>I was going to ask, do you think people are

0:13:38.559 --> 0:13:39.840
<v Speaker 1>born evil?

0:13:40.800 --> 0:13:42.560
<v Speaker 4>Are inherently evil? Maybe?

0:13:42.559 --> 0:13:46.560
<v Speaker 1>And selfish and you have to learn otherwise. I'm curious

0:13:46.600 --> 0:13:49.760
<v Speaker 1>where you fall on that. Is it a learned thing?

0:13:49.920 --> 0:13:53.520
<v Speaker 1>Are you born with it? Do you choose it?

0:13:53.840 --> 0:13:57.200
<v Speaker 5>This is, you know, one of the age old questions, right,

0:13:57.360 --> 0:14:01.120
<v Speaker 5>the eternal question. I feel like we are It is

0:14:01.160 --> 0:14:04.720
<v Speaker 5>based in the soul. So we come into this life

0:14:05.360 --> 0:14:07.760
<v Speaker 5>with a soul, and the soul's in the body, so

0:14:07.880 --> 0:14:09.880
<v Speaker 5>you're you know, you come with that, everybody you come with,

0:14:10.080 --> 0:14:10.480
<v Speaker 5>but the.

0:14:10.480 --> 0:14:11.480
<v Speaker 4>Soul is really there.

0:14:11.520 --> 0:14:16.480
<v Speaker 5>This is my personal belief and that you're here on

0:14:16.559 --> 0:14:20.800
<v Speaker 5>earth to work through things, and you have to work

0:14:20.800 --> 0:14:24.520
<v Speaker 5>through those things in a human way. So what you're

0:14:24.560 --> 0:14:26.200
<v Speaker 5>working through is going to be different than what I'm

0:14:26.200 --> 0:14:28.960
<v Speaker 5>working through. There might be some crossover, you know, but

0:14:29.240 --> 0:14:32.480
<v Speaker 5>sort of like the big task of being alive is

0:14:32.800 --> 0:14:36.560
<v Speaker 5>individual with all sorts of crossovers. So the good or

0:14:36.600 --> 0:14:38.440
<v Speaker 5>bad thing, you know, and I think about this, you know,

0:14:38.480 --> 0:14:40.680
<v Speaker 5>when you have a child, when I have my daughter.

0:14:41.640 --> 0:14:42.840
<v Speaker 4>I remember thinking.

0:14:42.680 --> 0:14:46.200
<v Speaker 5>Before I was like, oh, you know, I mom and

0:14:46.240 --> 0:14:48.320
<v Speaker 5>I have adore in my mother, but we have a

0:14:48.320 --> 0:14:51.480
<v Speaker 5>complicated relationship, you know. So I was always like, oh,

0:14:51.480 --> 0:14:53.080
<v Speaker 5>I'm gonna have a boy. It's better, I'm gonna have

0:14:53.080 --> 0:14:53.320
<v Speaker 5>a boy.

0:14:53.600 --> 0:14:55.320
<v Speaker 4>I'm definitely having a boy. I was like, he's gonna

0:14:55.320 --> 0:14:56.880
<v Speaker 4>wear bow ties. I was like doing things.

0:14:57.000 --> 0:14:59.760
<v Speaker 5>And then when I was pregnant in the middle of

0:14:59.800 --> 0:15:02.160
<v Speaker 5>like maybe like four or five months, I remember we

0:15:02.160 --> 0:15:04.440
<v Speaker 5>were on this vacation, my cousin and I and I

0:15:04.520 --> 0:15:07.720
<v Speaker 5>was like, oh, I think I'm having a girl. I

0:15:07.720 --> 0:15:10.160
<v Speaker 5>think I'm having a girl. And we hadn't found out yet,

0:15:10.200 --> 0:15:13.920
<v Speaker 5>like at that time she's thirteen. Now you couldn't. It

0:15:13.960 --> 0:15:15.680
<v Speaker 5>was later when you could find out the gender.

0:15:15.800 --> 0:15:17.480
<v Speaker 4>Yes, so at any rate.

0:15:17.960 --> 0:15:19.920
<v Speaker 5>And I was like, I feel like I had this

0:15:20.200 --> 0:15:22.240
<v Speaker 5>and to me, I know you're going to be like

0:15:22.280 --> 0:15:24.480
<v Speaker 5>I'm looney Tunes. I feel like that was like the

0:15:24.560 --> 0:15:27.880
<v Speaker 5>moment where it's like her soul came, chose me, here

0:15:27.920 --> 0:15:30.240
<v Speaker 5>we go, and it like shifted. Now you might have

0:15:30.280 --> 0:15:32.400
<v Speaker 5>always been the case, and my mind was like I'm

0:15:32.440 --> 0:15:34.440
<v Speaker 5>just gonna have a boy because it'll be easier for me.

0:15:34.480 --> 0:15:35.240
<v Speaker 4>It'll be better for me.

0:15:36.720 --> 0:15:40.000
<v Speaker 5>We all have girls, yes, And now, of course I

0:15:40.040 --> 0:15:43.440
<v Speaker 5>wouldn't change this for the world, you know. But so

0:15:43.640 --> 0:15:48.120
<v Speaker 5>my point being that she like, once she came out

0:15:48.160 --> 0:15:52.480
<v Speaker 5>and was here, I fully understood. Oh, I'm like the

0:15:53.000 --> 0:15:57.880
<v Speaker 5>vessel that brought her here. But she is her own thing,

0:15:58.440 --> 0:16:01.680
<v Speaker 5>and we are like here, I'm here to give her

0:16:02.200 --> 0:16:05.440
<v Speaker 5>my moral guidelines and to give her my support and

0:16:05.480 --> 0:16:07.560
<v Speaker 5>show her how, you know, my husband and I how

0:16:07.600 --> 0:16:10.640
<v Speaker 5>we feel about the world now we do things. But

0:16:11.400 --> 0:16:17.360
<v Speaker 5>she is her own person, like one hundred percent her

0:16:17.360 --> 0:16:19.760
<v Speaker 5>own person, and I don't ever want to change that.

0:16:19.840 --> 0:16:22.880
<v Speaker 5>Like I celebrate that, you know. Sometimes that's why we

0:16:22.960 --> 0:16:24.880
<v Speaker 5>butt heads and why we have, you know, sort of

0:16:25.200 --> 0:16:29.080
<v Speaker 5>some trouble. But it's like you just go, oh, we really.

0:16:28.840 --> 0:16:31.800
<v Speaker 4>Are all individuals, you know, we really are.

0:16:31.880 --> 0:16:34.600
<v Speaker 5>So I think it's that was a really long winded answer,

0:16:34.640 --> 0:16:35.760
<v Speaker 5>but that's what I think.

0:16:36.280 --> 0:16:36.480
<v Speaker 1>You know.

0:16:36.600 --> 0:16:40.760
<v Speaker 3>My last question on the podcast and covering true crime

0:16:41.360 --> 0:16:45.280
<v Speaker 3>is I just want to hear your take. And sometimes

0:16:45.320 --> 0:16:49.040
<v Speaker 3>it's a criticism of it's a morbid curiosity, and people

0:16:49.080 --> 0:16:53.880
<v Speaker 3>take it as sometimes you are profiting or using someone's

0:16:53.960 --> 0:16:57.280
<v Speaker 3>pain or painful story as a part of entertainment, and

0:16:57.480 --> 0:16:59.640
<v Speaker 3>I get that to a certain degree. I never feel

0:16:59.680 --> 0:17:02.960
<v Speaker 3>like that and I'm watching true crime. But for folks

0:17:02.960 --> 0:17:06.399
<v Speaker 3>when that's out there, where do you come down in

0:17:06.440 --> 0:17:09.320
<v Speaker 3>that idea that what we're seeing is sometimes more of

0:17:09.359 --> 0:17:12.960
<v Speaker 3>a curiosity, sometimes entertainment. But I see it and it

0:17:12.960 --> 0:17:16.120
<v Speaker 3>sounds like you see it a little differently, And why

0:17:16.200 --> 0:17:19.280
<v Speaker 3>it's important to be telling it because there's so much

0:17:19.320 --> 0:17:22.080
<v Speaker 3>true crime out the stories, I mean, the shows are

0:17:22.119 --> 0:17:23.880
<v Speaker 3>a little ridiculous coming they are out there.

0:17:24.320 --> 0:17:26.679
<v Speaker 2>But take on that idea, I.

0:17:26.680 --> 0:17:27.639
<v Speaker 4>Would say two things.

0:17:28.520 --> 0:17:32.880
<v Speaker 5>One, when people are in pain, and I have known

0:17:32.920 --> 0:17:41.600
<v Speaker 5>people who have gone through just unimaginable, unspeakable pain. They

0:17:41.640 --> 0:17:42.640
<v Speaker 5>don't want to not.

0:17:43.080 --> 0:17:46.320
<v Speaker 4>Talk about it, they actually have to. And the more

0:17:46.359 --> 0:17:49.160
<v Speaker 4>that people ignore it or say like.

0:17:49.080 --> 0:17:50.600
<v Speaker 5>Oh, don't bring it up, don't bring it up, you know, like,

0:17:50.640 --> 0:17:53.679
<v Speaker 5>let's not upset her, it's you're doing them a disservice

0:17:53.920 --> 0:17:55.560
<v Speaker 5>because they're thinking about it all the time.

0:17:56.040 --> 0:17:56.200
<v Speaker 1>Right.

0:17:56.680 --> 0:18:00.000
<v Speaker 5>So if there's a part of this that can be very,

0:18:00.080 --> 0:18:03.320
<v Speaker 5>very healing to people, I think when it's done respectfully

0:18:03.720 --> 0:18:06.920
<v Speaker 5>and well. And then the other part of it is

0:18:07.440 --> 0:18:11.840
<v Speaker 5>as a creative person, it's like it's a it's a

0:18:11.880 --> 0:18:13.879
<v Speaker 5>calling to be a creative person as an actor and

0:18:13.920 --> 0:18:16.440
<v Speaker 5>not to get to like get my violin out here,

0:18:16.480 --> 0:18:21.200
<v Speaker 5>but truly, so we're like doing a service, like it's

0:18:21.240 --> 0:18:25.240
<v Speaker 5>a calling. We're artists, So you really are imbuing this

0:18:25.400 --> 0:18:28.399
<v Speaker 5>with humanity and with truth. And you know, in a

0:18:28.440 --> 0:18:33.399
<v Speaker 5>prit not everything is you know, Shakespeare or oscar Worthy,

0:18:33.600 --> 0:18:37.800
<v Speaker 5>but you know, I think everybody that's the goal is

0:18:37.840 --> 0:18:41.040
<v Speaker 5>to do good work and to show respect for something,

0:18:41.160 --> 0:18:44.879
<v Speaker 5>and I think that it can be revelatory for people

0:18:45.359 --> 0:18:55.840
<v Speaker 5>and you know, even healing at sometimes.

0:18:56.720 --> 0:19:02.400
<v Speaker 1>And to get people excited about this new podcast, Killer Thriller,

0:19:02.840 --> 0:19:06.000
<v Speaker 1>which we're very excited about. Can you give us an

0:19:06.040 --> 0:19:09.560
<v Speaker 1>idea of the stories that you're interested in right now

0:19:09.600 --> 0:19:12.760
<v Speaker 1>that you're hoping to tell. I know you're going to

0:19:12.800 --> 0:19:16.239
<v Speaker 1>focus on some of the actors who portray some of

0:19:16.280 --> 0:19:18.600
<v Speaker 1>the worst people in the world and what that's like

0:19:18.720 --> 0:19:22.360
<v Speaker 1>to walk in those bodies and to try to get

0:19:22.359 --> 0:19:25.280
<v Speaker 1>into those mindsets, which I can't imagine what that's like

0:19:25.320 --> 0:19:27.480
<v Speaker 1>as an actor. But what are the stories that you're

0:19:27.520 --> 0:19:32.720
<v Speaker 1>hoping to share or some of the true crime elements

0:19:32.720 --> 0:19:34.840
<v Speaker 1>that folks can look forward to on this podcast.

0:19:34.880 --> 0:19:38.280
<v Speaker 5>So we're going to do new shows that are very topical,

0:19:38.520 --> 0:19:42.520
<v Speaker 5>like the Murder Murderers, the Menendez Brothers A week don't

0:19:42.560 --> 0:19:44.919
<v Speaker 5>ever seem to want to let them go, but something

0:19:45.000 --> 0:19:50.600
<v Speaker 5>is always shifting in their story, dis fascinating the new ones.

0:19:50.640 --> 0:19:52.440
<v Speaker 5>Who is the one the guy? There are a few

0:19:52.480 --> 0:19:54.120
<v Speaker 5>that I would like to just put it out there

0:19:54.160 --> 0:19:57.600
<v Speaker 5>that I hope they will make soon. I'm sure there's

0:19:57.640 --> 0:20:03.960
<v Speaker 5>going to be an Epstein series of some kind. Diddy

0:20:05.280 --> 0:20:14.360
<v Speaker 5>and uh right, Brian Walsh is we can't stop watching it.

0:20:14.800 --> 0:20:17.399
<v Speaker 4>We have watched it all day every day.

0:20:17.560 --> 0:20:20.080
<v Speaker 5>I hope somebody is writing that right now. I really

0:20:20.119 --> 0:20:20.840
<v Speaker 5>hope that they are.

0:20:21.359 --> 0:20:22.639
<v Speaker 4>And OJ s O J.

0:20:22.800 --> 0:20:26.720
<v Speaker 5>Simpson never goes away, never never, and that those shows

0:20:26.760 --> 0:20:30.119
<v Speaker 5>the versace some of these people like Jason Clark and

0:20:30.359 --> 0:20:35.800
<v Speaker 5>Murder Murders that series. He is like otherworldly. He is

0:20:36.040 --> 0:20:39.400
<v Speaker 5>so phenomenal in this show. Everybody is, the whole cast

0:20:39.480 --> 0:20:42.080
<v Speaker 5>is really quite wonderful, but he is like.

0:20:42.520 --> 0:20:44.119
<v Speaker 4>On another level.

0:20:44.240 --> 0:20:47.159
<v Speaker 5>And the transformation that this guy does from the first

0:20:47.200 --> 0:20:51.240
<v Speaker 5>episode to the end, it's like you it's.

0:20:51.119 --> 0:20:53.200
<v Speaker 4>Like you're watching a mad man. I just it is.

0:20:53.280 --> 0:20:57.679
<v Speaker 5>He's so spectacular and they're all great, Like everybody is wonderful,

0:20:57.720 --> 0:21:00.920
<v Speaker 5>isn't it whisht All that like, it's a terrific cast,

0:21:01.720 --> 0:21:04.800
<v Speaker 5>but he's amazing. And in the the OJ series People

0:21:04.840 --> 0:21:08.440
<v Speaker 5>Versus OJ, Sarah Paulson is like also Marcia Clark, she

0:21:08.720 --> 0:21:12.720
<v Speaker 5>nails credible. She's so good at.

0:21:12.840 --> 0:21:15.120
<v Speaker 3>Lobby for Courtney b Vance to get an oscar for

0:21:15.280 --> 0:21:16.440
<v Speaker 3>a show that was on TV.

0:21:18.040 --> 0:21:19.720
<v Speaker 4>Yes, incredible.

0:21:19.880 --> 0:21:23.720
<v Speaker 5>Yes so, And these are people that really are imbuing

0:21:23.880 --> 0:21:26.520
<v Speaker 5>these people with humanity, you know.

0:21:27.480 --> 0:21:29.320
<v Speaker 1>And I think that's one of the cool parts about

0:21:29.359 --> 0:21:33.840
<v Speaker 1>it because it's not just the killer or the evil doers.

0:21:33.320 --> 0:21:35.360
<v Speaker 4>The people, it's the people around around.

0:21:35.480 --> 0:21:40.679
<v Speaker 5>Yes, these stories and in many ways those people are

0:21:40.800 --> 0:21:44.919
<v Speaker 5>especially particularly in the murder murders in that series, the

0:21:44.960 --> 0:21:52.000
<v Speaker 5>way they show it, the family and the police officers

0:21:52.359 --> 0:21:56.639
<v Speaker 5>and all of those people, like they have such a

0:21:56.760 --> 0:22:00.480
<v Speaker 5>unique importance because many of them were either afraid to

0:22:00.520 --> 0:22:04.240
<v Speaker 5>speak up we're like a party to the whole thing,

0:22:04.840 --> 0:22:09.480
<v Speaker 5>or just really you know, had no resources and had

0:22:09.520 --> 0:22:12.119
<v Speaker 5>no other opportunity, like didn't how to sort of do

0:22:12.160 --> 0:22:14.440
<v Speaker 5>what was in front of them. And that's another piece

0:22:14.480 --> 0:22:18.920
<v Speaker 5>of these things. I think that's really important to see.

0:22:19.040 --> 0:22:21.680
<v Speaker 5>Sometimes people it's like their circumstances.

0:22:22.119 --> 0:22:25.280
<v Speaker 3>No, I always there was a common thread to most

0:22:25.280 --> 0:22:30.000
<v Speaker 3>of the stories we see often times quite frankly, it's poverty, yeah,

0:22:30.080 --> 0:22:33.399
<v Speaker 3>it's upbringing. It's all of these things that play into it.

0:22:33.440 --> 0:22:36.960
<v Speaker 3>That when you see a headline, yep, it's one thing

0:22:37.000 --> 0:22:39.240
<v Speaker 3>you think somebody's monstrous when you see there.

0:22:39.680 --> 0:22:42.840
<v Speaker 4>See the whole story what happened, certainly.

0:22:42.520 --> 0:22:45.720
<v Speaker 3>And I think that is important for us to constantly see.

0:22:45.880 --> 0:22:49.040
<v Speaker 3>We are so excited to partner with you.

0:22:49.280 --> 0:22:51.760
<v Speaker 4>I am so excited to partner with you too.

0:22:52.080 --> 0:22:54.640
<v Speaker 2>I love our heart relationship.

0:22:54.720 --> 0:22:56.400
<v Speaker 3>We didn't know where it was going, is turned into

0:22:56.400 --> 0:22:59.879
<v Speaker 3>this thing that where we are now able to have

0:23:01.040 --> 0:23:04.840
<v Speaker 3>moments we never thought, which included riding in that car

0:23:05.040 --> 0:23:09.360
<v Speaker 3>traffic in LA with you, and walking to get to it.

0:23:09.359 --> 0:23:12.840
<v Speaker 3>It's just really robes And I mean this. I'm saying

0:23:12.840 --> 0:23:15.359
<v Speaker 3>this from a personal standpoint. We have been through a

0:23:15.400 --> 0:23:20.159
<v Speaker 3>lot and we can never have imagined that we'd be

0:23:20.200 --> 0:23:22.560
<v Speaker 3>sitting in this room with you right now. But all

0:23:22.600 --> 0:23:25.680
<v Speaker 3>of that happened for us to get here, and we

0:23:26.240 --> 0:23:28.639
<v Speaker 3>I tell you, at least, we are so happy to

0:23:28.720 --> 0:23:30.880
<v Speaker 3>be where we are right now, which is in.

0:23:30.880 --> 0:23:31.560
<v Speaker 2>A room with you.

0:23:32.040 --> 0:23:36.199
<v Speaker 3>So we are so grateful that is beautiful. We're willing

0:23:36.440 --> 0:23:38.160
<v Speaker 3>to come on and work with us, that we are

0:23:38.200 --> 0:23:40.080
<v Speaker 3>looking forward to what you have to offer.

0:23:40.600 --> 0:23:44.719
<v Speaker 4>I cannot wait. That was beautifully said, and I really

0:23:45.680 --> 0:23:48.560
<v Speaker 4>I'm just so happy for the two of you. It's like,

0:23:49.359 --> 0:23:50.680
<v Speaker 4>you know, it really is.

0:23:51.720 --> 0:23:55.760
<v Speaker 5>Sometimes we got to go through things, yes, but I will.

0:23:55.840 --> 0:23:57.880
<v Speaker 5>I also want to say, it isn't just like going

0:23:57.920 --> 0:24:00.199
<v Speaker 5>through it. Then you have to you have to to

0:24:00.200 --> 0:24:03.240
<v Speaker 5>actually live right, like nobody is going to just provide

0:24:03.320 --> 0:24:05.359
<v Speaker 5>you the happy life that you have.

0:24:05.480 --> 0:24:06.160
<v Speaker 4>You know what I mean?

0:24:06.280 --> 0:24:08.760
<v Speaker 5>And I that's not the prize for going through it.

0:24:08.760 --> 0:24:11.199
<v Speaker 5>It's like you have to actually still contribute to it.

0:24:11.200 --> 0:24:15.040
<v Speaker 5>And you too have made that, you know, Thank you,

0:24:15.280 --> 0:24:15.560
<v Speaker 5>thank you.

0:24:15.600 --> 0:24:18.880
<v Speaker 1>And I do think we've all like part of funny enough.

0:24:19.240 --> 0:24:21.840
<v Speaker 1>What drew us together, part of our bond while we

0:24:21.880 --> 0:24:25.400
<v Speaker 1>were just friends and colleagues, was this fascination probably why

0:24:25.400 --> 0:24:28.199
<v Speaker 1>we got into journalism as well with true crime. What

0:24:28.320 --> 0:24:32.680
<v Speaker 1>makes people take this curiosity into human nature and what

0:24:32.960 --> 0:24:35.680
<v Speaker 1>makes people do what they do and say what they say,

0:24:36.200 --> 0:24:37.960
<v Speaker 1>and to be able to talk about it with people

0:24:38.000 --> 0:24:42.000
<v Speaker 1>who you respect and people who you love, and knowing

0:24:42.040 --> 0:24:45.919
<v Speaker 1>that we're all just looking for better understanding of one another.

0:24:46.160 --> 0:24:48.720
<v Speaker 1>I think that's part of what true crime is it's

0:24:48.760 --> 0:24:51.439
<v Speaker 1>not just about the ooh and the ah and the

0:24:51.480 --> 0:24:54.760
<v Speaker 1>shock value. That's actually about learning and understanding and going deeper.

0:24:54.840 --> 0:24:59.520
<v Speaker 1>So we love how how you're approaching this where you're

0:24:59.560 --> 0:25:02.720
<v Speaker 1>going to take this new podcast, and we're so excited

0:25:02.760 --> 0:25:06.720
<v Speaker 1>to be on this adventure with you and Hope. We

0:25:06.760 --> 0:25:08.920
<v Speaker 1>can't wait to listen to the first episode and then

0:25:08.960 --> 0:25:12.280
<v Speaker 1>we can have these meet and greets and catch up

0:25:12.320 --> 0:25:17.560
<v Speaker 1>sessions to talk about. I love watching what we're fascinated

0:25:17.600 --> 0:25:20.880
<v Speaker 1>by and just to see the creative process that takes

0:25:20.880 --> 0:25:23.560
<v Speaker 1>place to tell these stories for folks, for it to

0:25:23.560 --> 0:25:26.119
<v Speaker 1>come alive for folks, for it to resonate with people.

0:25:26.560 --> 0:25:28.320
<v Speaker 1>I think that's so cool about what you do as

0:25:28.359 --> 0:25:30.560
<v Speaker 1>an actor, and we can't wait to see what you

0:25:30.640 --> 0:25:33.560
<v Speaker 1>have for all of us. We'll be listening to the podcast, yeah,

0:25:33.640 --> 0:25:35.320
<v Speaker 1>every week. So congratulation.

0:25:35.480 --> 0:25:36.360
<v Speaker 4>Thank you so much.

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<v Speaker 1>We're so excited about working with you, Alisa Donovan, Thank you,

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<v Speaker 1>and we have a lot of fun ahead of us.

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<v Speaker 4>All I can't wait. Thank you both so much. It's

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<v Speaker 4>going to be fun.

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<v Speaker 3>Height