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Speaker 1: They are beating the breaks off a jelly Rolle turned rounds.

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Speaker 1: I'm sorry, Joe, I can't fight no more. I can't

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Speaker 1: make I tried, Joe, it's right next to me, he said.

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Speaker 1: They definitely not gonna believe.

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Speaker 2: Yo. Yeah, man, you know what it is, Joe and

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Speaker 2: Jayden man hip hop ship for the for the culture.

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Speaker 2: I was scrolling yesterday I seen BT is canceling the

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Speaker 2: BT hip Hop Awards in the Soul Train Awards.

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Speaker 1: Now, we don't know people the BT the hip Hop Awards,

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Speaker 1: so they started switching it. I think they let you.

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Speaker 2: They let you host it three year Kevin Hart do

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Speaker 2: the last one, so they put a little bit of

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Speaker 2: fluidity back in to it. But it was a time

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Speaker 2: when it got like the Ratchet Awards.

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Speaker 1: And nobody was really going and this and that.

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Speaker 2: Then I guess with the passion of Don Cornelius, whoever

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Speaker 2: was in charge of the Soul Train, I guess I

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Speaker 2: don't know slip and it didn't have the same fluid

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Speaker 2: that he has had of the years, you know, prior

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Speaker 2: to before he passed.

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Speaker 1: So now they just canceling it. That's like a loss

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Speaker 1: for the culture. Would you say you want me to say,

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Speaker 1: you just displayed what it would you to say. I

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Speaker 1: just get I got a different I got a different approach, man,

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Speaker 1: And my approach is factual. BT. This is a form

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Speaker 1: of gentrification. What's going on right now? So I don't

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Speaker 1: know if y'all really want to ask me about this

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Speaker 1: ship right here right So BT came up as a

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Speaker 1: community station for black people right urban culture, and I'm man,

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Speaker 1: what is Bob Johnson took the check. He sold it

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Speaker 1: first black billionaire or whatever the case may be, he

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Speaker 1: sold it. He sold it to Viacom and Paramount MTV

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Speaker 1: and them v H one of them. Little by little

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Speaker 1: over the years, quietly they've been firing a lot of

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Speaker 1: people behind the scenes in BT, and everybody who asked

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Speaker 1: something to say, they've been firing them and this and

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Speaker 1: this and that. And I know because I've been working

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Speaker 1: on on on the Beat Hip Hop Awards for three years.

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Speaker 1: Shit was like the budget not for me, but the

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Speaker 1: budget just kept getting just getting chopped and chopped and chopped.

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Speaker 1: And last year I debuted my single with Cali in

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Speaker 1: the VMAs and Kedy Katy Perry still flying through the

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Speaker 1: what through the air in the in the VMAs, they

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Speaker 1: still blowing out of the cannons, They still flying in

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Speaker 1: the air, They still got all the tricks, they still

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Speaker 1: got the budgets, they got the ship, you know, And

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Speaker 1: so I think in the entertainment world, this I don't think.

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Speaker 1: I know, this was like a form of gentrification. They

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Speaker 1: kept underfunding them, underfunding them, underfunding them, and you ain't

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Speaker 1: got no money to be creative. That's why you was

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Speaker 1: watching the Ratchet Awards and all that. They ain't had

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Speaker 1: no bread last year. We shot the last year, and

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Speaker 1: I am show what they want to have bread. I'm

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Speaker 1: so I'm so honored for the opportunity Connie Orlando and

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Speaker 1: the whole crew that let me host. That was one

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Speaker 1: of the biggest things I ever wanted to do in

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Speaker 1: my life. You know, I look up if I never

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Speaker 1: told you, I look up to Steve Harvey. So Steve

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Speaker 1: Harvey's my guy at media that I want to be like.

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Speaker 1: And so you know, that made me feel like I

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Speaker 1: was Steve Harvey a hip hop and trying to keep

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Speaker 1: it consistent. But I saw what they did to him.

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Speaker 1: They just stopped the budgets. They started arrest firing. I said,

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Speaker 1: almost said arrested. They started firing a bunch of people

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Speaker 1: who brought a lot to the table, and now we're

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Speaker 1: left with guess what. This ain't working but nothing without

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Speaker 1: no money, no promotions, no staff, no nothing works. It

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Speaker 1: just don't work. You might as well have called it

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Speaker 1: the Independent Awards. And so no Soul Train, no BT awards.

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Speaker 1: But guess what we got? The VMAs knows it for us, Well,

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Speaker 1: you got you know, I'm just I'm being honest with you.

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Speaker 1: I love the VMAs. I love the VMAs too, But

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Speaker 1: the point is that's your answer. In a nutshell, that's

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Speaker 1: that's what happened. The left. So they left us with

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Speaker 1: one award. Yeah, but they got that.

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Speaker 2: I think the main BT awards, the the VT Regular

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Speaker 2: Awards is still there. Yeah, that's still little topsy tur No,

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Speaker 2: that's a little that's.

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Speaker 1: The second away. The writings on the wards, you see

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Speaker 1: everything else falling down as a domino. One little fumble

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Speaker 1: by Kevin Hart, one little joke too many, that ship

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Speaker 1: over too and so that's that's that's what it is.

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Speaker 1: You know, sometimes uh, you know, and I got a

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Speaker 1: lot of friends at VAM A's and and MTV and

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Speaker 1: I love you guys, but you know, sometimes the goal

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Speaker 1: is to buy your project to suppress you. You know

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Speaker 1: what I'm saying. So the goal is, y'all, some big

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Speaker 1: company might come and be like, Yo, we want to

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Speaker 1: buy rewind to ten through what's the billy, and then

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Speaker 1: like shut it down? Like Yo, this ship got the goal.

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Speaker 1: We got to keep this thing moving. Who knows. That's

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Speaker 1: just how I take on Joe and Jada.

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Speaker 2: Save hip hop, save hip save the awards. Let's go

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Speaker 2: save your money.

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Speaker 1: Yeah, yeah, what up? Y'all's your boy, Joe? Crack your boy, Jada?

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Speaker 1: You know what it is?

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Speaker 2: Did Joe and Jada show another episode of greatness ladies

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Speaker 2: and gentlemen.

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Speaker 1: Brought to you by the culture, preferably the streets, and

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Speaker 1: were the realist in the game. Yo? Check this shit?

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Speaker 1: Yeah say that? Yo? What you been out to? Jada? Uh?

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Speaker 2: Crazy weekend once again? Shout out the cash money, Shout

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Speaker 2: out the jewelry, Jewy, Shout at us out Jewy. Been

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Speaker 2: ripping the paint off the fucking buildings. So you know

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Speaker 2: they got lost roight too. We only cash money toy. Yeah,

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Speaker 2: we did Chicago and then we did the Detroit show.

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Speaker 2: Shout out to Detroit. They were super fucking live crowd

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Speaker 2: was crazy. Oh after that, I asked some in caravanner

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Speaker 2: and Toronto drove up there. My driver in the sprint

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Speaker 2: of my man Nick over there, forget your knife right there.

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Speaker 2: He forgets a knife in the sprinder. Now he's thinking

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Speaker 2: in the bronx where he yo, my fault. Man, I

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Speaker 2: just forgot this.

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Speaker 1: They started saying weapons. It's turned into weapons. All of that.

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Speaker 1: They fucking sacked the state.

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Speaker 2: Everything out of the bags, all of that. Come sit

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Speaker 2: down now now they's like, empty your pockets. I got

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Speaker 2: over ten thousand on me. You didn't declare it non

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Speaker 2: They take my bread track we shitt in there. It

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Speaker 2: left me with thirty seven cents. I had one of

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Speaker 2: my man's that's super squeaky clean. With me shut out

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Speaker 2: to my nigga sticks. He start calling lawyers and calling

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Speaker 2: the promotors and all that. Well, I know, they came out,

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Speaker 2: gave me all the bread back to passports.

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Speaker 1: It was God. It was like caliding the Jacuz. God

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Speaker 1: is the greatest, God is the greatest. God is great.

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Speaker 1: He brought me everything back and said you can go.

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Speaker 1: It was like, oh, one of the toughest places to

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Speaker 1: get into anywhere on the earth. Is facts. I tell

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Speaker 1: anybody's mother. Canada they on, they don't play. You know

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Speaker 1: how many times we was on tour and we went

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Speaker 1: in the tour bus and guys had to stay and

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Speaker 1: like off Buffalo, get a gas, Canada is serious? I went, Uh,

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Speaker 1: I had a show where in uh, California, Ventura, California.

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Speaker 1: Beautiful crowd. It was amazing out there. Uh. And then

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Speaker 1: I flew back to come out with my African brother,

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Speaker 1: dovey dope over there and uh and and he had

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Speaker 1: that ship on till in Barkings right, so he was like, yo, Joe,

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Speaker 1: could you come out? So I rushed back to do

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Speaker 1: that with him. Caught a nice body in there, you

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Speaker 1: know the Barcleys. They always let you catch your body

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Speaker 1: in there, right.

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Speaker 2: Especially when it's one of them kind of artists and

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Speaker 2: they needs you to come for some light or derbs

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Speaker 2: for him.

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Speaker 1: And that ship turned to the main aunt you cruise

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Speaker 1: or is like they was like I needed this show,

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Speaker 1: no crazy, So the crowd shout out the crowd. You know,

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Speaker 1: every now and then you need one of those reminders

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Speaker 1: where they be like y'all shut out to that kiss

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Speaker 1: cat fae bro. I've been drinking that got me fucking wire.

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Speaker 2: You know what I mean, kiss cat, fake coffee, dot

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Speaker 2: com man or the order up, get your mugs, your

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Speaker 2: whole beans, ground your kiss cups a K the pods.

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Speaker 1: You also got to rewind the time you know what

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Speaker 1: I'm saying, waiting for my deal man? You know they

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Speaker 1: went crazy. Anybody you ain't offen me it? Did you

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Speaker 1: already in the deal man. That's the point. We can't

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Speaker 1: give you everything. You got everything, Yo, rewinded CBS stopping

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Speaker 1: shop whatever it's available. What a beautiful thing. Man. I

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Speaker 1: keep telling these guys I go to every show. At

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Speaker 1: the end of the show, I'll be like, Yo, if

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Speaker 1: you got great head, your wife, she wanted to keep

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Speaker 1: you off the market. Hy be fifty four you could

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Speaker 1: be forty three. Hy be forty two when you could

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Speaker 1: be thirty one. I mean, they love that shit, that talk.

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Speaker 1: He's legend. Let me tell you something. I think it's

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Speaker 1: four years since the all the locks Dip said three

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Speaker 1: three years real? Four? Five? Five?

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Speaker 2: No?

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Speaker 1: Hell no? No, no, it's four. Hell no. If it's five,

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Speaker 1: I need my AARP car. Three it's four. I'm getting

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Speaker 1: up there. Ye, I don't know who hate? Do you hate?

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Speaker 1: Getting no. It hasn't hit you yet, right, I hate

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Speaker 1: getting no. Yeah, I hate it too. I don't like

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Speaker 1: getting no? What not getting no? Oh? Yes? Four years?

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Speaker 1: Oh yes, oh yes, like I really don't like my surroundings. Man,

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Speaker 1: I don't. I'm looking at everybody. You know, I could

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Speaker 1: tell I'm getting old, because you know, I'm a big

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Speaker 1: news head. So I watch eyewitness news all the time.

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Speaker 1: Time or you can't watch that, No, no, I watch it, right,

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Speaker 1: I digest that from the beginning of time. But when

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Speaker 1: the announcers start looking man old, the people I've been

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Speaker 1: watching for twenty years and all that, they just start

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Speaker 1: looking man, Oh, that means we getting old, right, because

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Speaker 1: we was watching them when they was younger, we was young.

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Speaker 1: All of a sudden they looking prehistoric. His ship out

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Speaker 1: of control. No, I'm telling you. I mean you ever

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Speaker 1: see somebody dead alive, stuck in the face, Nah, stuck

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Speaker 1: in the face different? No, No, like when you ever

191
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Speaker 1: seen somebody oh shit, she dead or not. Like I've

192
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Speaker 1: been in airports wherever, when you look at them and

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Speaker 1: you be like, damn it, he looked dead, but he alive.

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Speaker 1: They're about to go. I guess that's how you could

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Speaker 1: tell they're about to go, right, because it's like you

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Speaker 1: see that I ain't dead. People like this a lot

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Speaker 1: that's alive. Then you look at them and you're like, oh,

198
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Speaker 1: he about to go she about the go color ain't right.

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Speaker 1: A couple of rappers that look dead. That's a lot,

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Speaker 1: a couple of rappers. Yeah, algorithm is off you. No, no, no,

201
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Speaker 1: ain't looking at niggas. Yo. Let me yo, Let me

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Speaker 1: tell you something. We got a lot of sill to

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Speaker 1: talk about. But I want to ask you because I

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Speaker 1: was thinking about it the other day. Cracking the eighties.

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Speaker 1: That's a little kid in the eighties, really, but you're

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Speaker 1: seeing what it did. Yeah, yeah, yeah. Disrupted households is

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Speaker 1: just it was everywhere. You couldn't escape. It was in

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Speaker 1: your family, it was outside your crib, It was on

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Speaker 1: the way to school, it was in the school. It

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Speaker 1: was the teachers, was on the friends, family, family members,

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Speaker 1: It was crazy. It was everywhere. It was an epidemic

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Speaker 1: for real, I believe. And by the way, I've never

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Speaker 1: seen cracked in the eighties. Bro We we we of

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Speaker 1: a certain age that we could we could explain to

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Speaker 1: the youth what it was like so they don't fall

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Speaker 1: for the okie dope now opioids. Now correct, it's opioids,

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Speaker 1: but it's still the same effect. Listen to what I'm saying.

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Speaker 1: Because crack in the eighties, it first caught the fly

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Speaker 1: guys and they start smoking wouolers in the club free

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Speaker 1: base with the weed boom the fly guy like in

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Speaker 1: other words, being you if it came out now, we

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Speaker 1: ain't know, No, I'm just sure. Let's the fun that

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Speaker 1: you're talking about this. This is why I'm trying to you.

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Speaker 1: I ain't hitting that man made. Let me explain something

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Speaker 1: to you. The way they did it to the hood

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Speaker 1: was it attacked the fly guys first, husts to stick

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Speaker 1: up kids, guys robbing banks. This that they it was flying.

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Speaker 1: Crack was flying you. You spend a little fifty dollars

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Speaker 1: and you thought, imagine this is where our age difference.

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Speaker 1: I don't know.

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Speaker 2: I'm missing after I missed winningly this is what I

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Speaker 2: wasn't there for when it was bringing it up.

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Speaker 1: I'm missing it. I'm a student of this. Why I

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Speaker 1: bring it up. I went on vacation with Nori and Nor.

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Speaker 1: We cracked open some weed. There was one hundred dollars

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Speaker 1: a joint some crazy ship. To me, that's crazy. If

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Speaker 1: I was about that for a guy like me, a

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Speaker 1: virgin and weed, that's crazy. One joint, one hundred dollars.

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Speaker 1: That's like the Japanese whiskey got the shouts. And so

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Speaker 1: my point is at that time, all the guys that

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Speaker 1: have money was flying. You know, they have records like

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Speaker 1: Base Doom, maybe the biggest rappers at the time was

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Speaker 1: singing about the shit. So they thought they was fly,

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Speaker 1: but they didn't know that they was getting hit with

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Speaker 1: that addiction. It's so unbelievable, right, So crack actually was

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Speaker 1: so addictive. It was almost like AI. Man, we can't

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Speaker 1: even believe AI. When you see AI and they be

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Speaker 1: on Instagram. These girls ain't even girls the AI. They

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Speaker 1: selling you drugs, pharmacy, everything on Instagram and on social media. AI.

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Speaker 1: That's how cracks addiction was. They've never seen it before.

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Speaker 1: So you can't even really blame the first guys and

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Speaker 1: girls who got hooked on crack. Now, if you talked

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Speaker 1: about your era ten years later you smoke crack, you know,

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Speaker 1: fucked everybody up. They selling their TVs. You played yourself.

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Speaker 1: That's what I saw. TV's Sike awak. I saw that too.

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Speaker 1: I see, I seen, I seen yo. I had a

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Speaker 1: woman in my building that I promise you if I

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Speaker 1: do the knowledge, she was at least if she wasn't

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Speaker 1: a wife, she was the side check to an NBA player,

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Speaker 1: for sure. She was that bad in my buildings. She

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Speaker 1: had three kids. The kids were beautiful. It's a respectable woman.

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Speaker 1: And she turned into a crackhead. And everybody who dreamed

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Speaker 1: about smashing wind up smashing for a couple of joints. Cracks.

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Speaker 1: It was that horrible, you know, and so much of

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Speaker 1: an addiction. You know. I don't use drugs, never have

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Speaker 1: used drugs in any way, right, dian pepcy yo, that's

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Speaker 1: my choice of drop. You know how many of my

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Speaker 1: friends I see gamble and they be like, they bet

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Speaker 1: that the guy scores fourteen. Mayor is here he bet

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Speaker 1: ten thousand. The guys scored fourteen, They took him out

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Speaker 1: the game with twelve. That's a drug. Yeah, huh, talk

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Speaker 1: to me that drug. Some people smoke crack, some people

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Speaker 1: smoke sniff coke. Some people got the toucy Thu sy me,

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Speaker 1: the pink coke, nigg the epioids and this this I

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Speaker 1: drink dia pepsy. That's the least drug of choice. Right.

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Speaker 1: But my point is something that bugs me out, even

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Speaker 1: a guy like me who I don't see me being

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Speaker 1: in any effort any type of loop, who knows of

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Speaker 1: me ever becoming drug addicted. Right, But ain't it scary

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Speaker 1: if you think about this, a normal human out there,

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Speaker 1: that there's something out there that's so addictive that it

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Speaker 1: could fuck your whole world up, your whole life up.

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Speaker 1: You just gotta try it. Scott Storch ninety million and

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Speaker 1: one year he spent ninety million dollars And he told

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Speaker 1: me when he tried that for the first time coke

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Speaker 1: now crack, that it was like, it's something so addictive

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Speaker 1: in this world that if it hits you, you're done.

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Speaker 1: That's not scared you ever thought about that? No, I'm

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Speaker 1: fucking crazy because I'm the only motherfucker they think about

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Speaker 1: some shit like this. No, I'm scared. I'm telling you,

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Speaker 1: I'm scared when you see Fat Joe never high and all,

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Speaker 1: that I might like this shit. That's why I don't

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Speaker 1: do it. You guys don't do it because I know

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Speaker 1: people who have tried it one time in their life

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Speaker 1: and it fucked their whole life up. Same shit with

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Speaker 1: one of them guys was Alec Baldwin's brother. What's my man?

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Speaker 1: Stephen Baldwin said, Madonna gave the shit to him. He

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Speaker 1: was having a minag same thing with Scott Storch. They

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Speaker 1: was having a minaj and the girl said, yeah, let's

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Speaker 1: do it, do the shit, and Stephen Balwen said the

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Speaker 1: same shit. He took one sniff and was like, you know,

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Speaker 1: the addiction ain't for everybody, Different people, different way. Fuck

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Speaker 1: this whole life up. Some mean albums out there. Oh

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Speaker 1: you going album mode? Oh I can talk about life dad,

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Speaker 1: Ray Kwan's album, Corner Chef, Freddy Gibbs album with Albem

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Speaker 1: crack Man. That's crazy. Freddy Gibbs Alchemist's album is really

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Speaker 1: really crazy. Ray Kwan. I love what NASA is doing

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Speaker 1: throwing out those clacks. You heard that new ghost face

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Speaker 1: crazy he dumbed doubt my favorite Wan? Who's your favorite

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Speaker 1: War Tang member? You don't want to ask, Huh, you

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00:19:36,000 --> 00:19:39,359
Speaker 1: gotta have a favorite all of them. You ain't got

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Speaker 1: a favorite all of them. My favorite War Tang member

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Speaker 1: is Raykrana Chef. I just love his delivery. I love

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Speaker 1: everything he's staying for the shit he was talking about.

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Speaker 1: He was like the drug dealer, Wu tang member, you

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Speaker 1: know what I'm saying. And me you know, you know,

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Speaker 1: always been in that street, that paraphernalia, you know what

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Speaker 1: I'm saying. So I could always relate to Ray more

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Speaker 1: than everybody, And everybody else's phenale. Some people say expected that,

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Speaker 1: some people say you god, some people say all of

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Speaker 1: them pa. So we're gonna say that Freddy Gibs Alchemists

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Speaker 1: album is phenale. Alchemist hit me up and said, thank

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Speaker 1: us for bigging them up when we all picked them

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Speaker 1: as one of our top beats that we ever rapped to. Well,

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Speaker 1: that's my brother, yeah me yeah, let me tell yourself.

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Speaker 1: Yeah yeah mind the new man deep attlem was finished

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Speaker 1: to shout out the hand. You ever noticed the new

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Speaker 1: TV's the same songs and shit like that that they

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Speaker 1: force you to watch the wack TV. It ain't realty, right,

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Speaker 1: This shit always in like uh a cooking channel or

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Speaker 1: some shit this ship. You gotta fight the TV to

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Speaker 1: watch real TV.

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Speaker 2: Now it comes on on that bullshit on the hull

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Speaker 2: bullshit fucking channel.

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Speaker 1: Man, Why is that smart? Like? Are they forcing people

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Speaker 1: to watch whack TV. The other day. I get in

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Speaker 1: the hotel, I'm like, it's the warfed office story in

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Speaker 1: fucking La. I'm trying to watch CNN. I can't watch

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00:21:29,440 --> 00:21:32,800
Speaker 1: it because they got the bullshit channels on the Samsung bullshit.

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00:21:32,920 --> 00:21:36,840
Speaker 1: I'm like, not the walved Off with this bullshit over here,

341
00:21:37,000 --> 00:21:40,520
Speaker 1: like the bullshit channel, y'all listen. The bottom line is

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Speaker 1: no one should trust no one, Like, how do you

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Speaker 1: know if you you can't trust a new will you

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Speaker 1: trust a new person? I don't need no new people

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Speaker 1: in my life at this point, I agree, But can

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Speaker 1: you trust in it? Like everybody around me been with

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Speaker 1: me thirty years? Okay, shit like that, because if you

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Speaker 1: look at regular people, right, just regular people, they don't trust.

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Speaker 1: So if you ever notice you be on the plane,

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Speaker 1: because you're in the plane, I could land the fucking

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Speaker 1: plane pretty much Like I'm so scared of the fucking

352
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Speaker 1: plane that I know everything the short on landing Street.

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Speaker 1: I know, I know, I know everything about the plane.

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Speaker 1: I'm so terrified. I've studied everything. Do you notice that

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Speaker 1: when the pilot comes out to use the bathroom, the

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Speaker 1: airlines don't even trust the pilot to be alone in

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Speaker 1: the plane. They get the fucking stewardess to put the

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Speaker 1: car to go in there. Put the car, but go

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00:22:40,040 --> 00:22:42,840
Speaker 1: in there. Somebody goes in there while he used the bathroom.

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Speaker 1: The lady or the guy goes inside to sit with

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Speaker 1: the other pilot because they scared this guy might play

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Speaker 1: suicide and kill everybody. The fucking government, the plane people.

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Speaker 1: They don't trust nobody. You never noticed that, right, They

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Speaker 1: don't trust that somebody gonna go in there with a

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Speaker 1: fucking weapon and no talking about They don't even want

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Speaker 1: the pilot alone. There was a pilot that there was

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Speaker 1: an airplane to just crash India seven sixty seven. That's

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Speaker 1: the biggest plane in the world, most safest. Did the

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Speaker 1: pilot The last thing he said was, Yoe, why you

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Speaker 1: cut off the fuel? He asked the other pilot, Yo,

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Speaker 1: why you cut off the fuel? That's the only way

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Speaker 1: that plane's gonna crash. So it's man want to commit

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Speaker 1: suicide with three four hundred people. That's the point is,

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Speaker 1: we can't trust nobody. So one of them jeopardese. They

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Speaker 1: put what's the address to Cedric Avenue fifteen fifteen. Your

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Speaker 1: normal person, your normal moms, your normal school teacher or

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Speaker 1: somebody like that, they wouldn't really technically know that was

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Speaker 1: the birthplace of hip hop. So that's justified, you know

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Speaker 1: what I'm saying. But it's up to us to explain that. Right,

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Speaker 1: there's one of the biggest birthplaces in hip hop. Who

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Speaker 1: worked through the parties there and it became a legendary.

382
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Speaker 1: But you know, hip hop started in three different areas,

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Speaker 1: so it started there, It started in Bronx River, then

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Speaker 1: it started in my hood too. So at three at three, yeah,

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Speaker 1: I'm not yo, kiss. What do you want me to

386
00:24:12,040 --> 00:24:14,360
Speaker 1: say to you? You want me tell you? I mean

387
00:24:15,040 --> 00:24:17,800
Speaker 1: shot Rock. The first female MC is from my block,

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Speaker 1: Liwdle Rodney C. Ruby D. The first Latino MC is

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Speaker 1: from my block. Melon mails from my block. Love Buck

390
00:24:24,600 --> 00:24:28,080
Speaker 1: starts He's from my block. Oh. Grand Master Flash used

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Speaker 1: to play twenty three Park like I'm from the Mecca

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Speaker 1: to say, there's no So you know, whenever anybody tries

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Speaker 1: to start some hip hop shit, they just can't. I'm

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Speaker 1: from there. It's I'm sorry for you, or is it

395
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Speaker 1: your block? No? No, no, three. It started in three

396
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Speaker 1: different places. Cedric is where Cool Hurt is from, and

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Speaker 1: we acknowledge that as a birthplace of hip hop. But

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00:24:52,480 --> 00:24:57,119
Speaker 1: it started three differ It's band Bought, It's Flash, and

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00:24:57,520 --> 00:25:00,399
Speaker 1: it's Cool Hurt. Those are the three found things. Father's

400
00:25:00,440 --> 00:25:03,200
Speaker 1: a hip hop and it started out in them three

401
00:25:03,320 --> 00:25:05,560
Speaker 1: areas in the Bronx. I happened to be from one

402
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Speaker 1: of the areas where the biggest guys ever did it,

403
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Speaker 1: grand Master Flash in the Furious Five. You know, one

404
00:25:12,160 --> 00:25:15,439
Speaker 1: day I'm watching Melly Mel playing basketball in my across

405
00:25:15,480 --> 00:25:18,880
Speaker 1: the street from my house, and the next day he's

406
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Speaker 1: doing Chaka Khan, Chaka Khan at the Grammys beat. You know,

407
00:25:23,640 --> 00:25:26,320
Speaker 1: I've seen them when they all got the whole Furious

408
00:25:26,400 --> 00:25:28,879
Speaker 1: Five got they first, they got their first white one

409
00:25:29,040 --> 00:25:32,280
Speaker 1: ninety benches and they pulled up to my block back

410
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Speaker 1: to back on them ships like this, and I'm watching

411
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Speaker 1: it as a little kid, like you know, I'm really

412
00:25:37,320 --> 00:25:39,359
Speaker 1: from that. That's not even what you made me go

413
00:25:39,520 --> 00:25:41,960
Speaker 1: there because you put the cat face. It's not cat.

414
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Speaker 1: There's nothing I can do. I'm sorry. I was born

415
00:25:44,880 --> 00:25:52,120
Speaker 1: there the Mecca, but sedate, that's Melly Mel saying Shaka Khan,

416
00:25:52,880 --> 00:25:55,320
Speaker 1: Chukar Khan. I wanted to get your Chaka Khan one

417
00:25:55,320 --> 00:26:02,840
Speaker 1: of the that's Melly Mel. Huh, fifteen twenty Cedric Avenue. Okay,

418
00:26:02,960 --> 00:26:06,920
Speaker 1: I'm five, I'm five paces off. But the thing is

419
00:26:07,000 --> 00:26:10,040
Speaker 1: that's across the street from River Park Towers. That's one

420
00:26:10,080 --> 00:26:13,640
Speaker 1: way in, one way out. They thought, I'm fucking refrigerators

421
00:26:13,760 --> 00:26:17,240
Speaker 1: at you off the roof and the river Park Towners

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00:26:18,440 --> 00:26:20,720
Speaker 1: that shit be lucky to go in and come out.

423
00:26:21,960 --> 00:26:24,880
Speaker 1: That's not Don't go see some girl at river Park Towns.

424
00:26:25,359 --> 00:26:28,679
Speaker 1: You ain't coming out. That's a different type of thing.

425
00:26:28,800 --> 00:26:33,680
Speaker 1: But y'all, Jada man where I am says that black

426
00:26:33,760 --> 00:26:36,639
Speaker 1: thought is a trillion times this hip hop. We gotta

427
00:26:36,720 --> 00:26:42,159
Speaker 1: discuss this, Jada, he's one trillion times better than jay Z.

428
00:26:43,520 --> 00:26:47,560
Speaker 1: That's how he feels. You want me to elaborate on

429
00:26:47,800 --> 00:26:51,160
Speaker 1: how that man feels. So that's it. You just say

430
00:26:51,240 --> 00:26:52,440
Speaker 1: that's how he feels. That's that.

431
00:26:53,000 --> 00:26:56,359
Speaker 2: Yeah, I can't from where your money in business. What

432
00:26:56,400 --> 00:26:59,679
Speaker 2: I'm saying, I was taught to my business me personally.

433
00:27:00,600 --> 00:27:02,680
Speaker 1: I let the facts be the facts, and I let

434
00:27:03,119 --> 00:27:10,440
Speaker 1: h the history determine itself. You had your shot to

435
00:27:10,560 --> 00:27:14,840
Speaker 1: make hits, to be the biggest in the game. She

436
00:27:15,080 --> 00:27:18,080
Speaker 1: was a model for a year and a half. I

437
00:27:18,240 --> 00:27:21,240
Speaker 1: had my shot. We all had our shot at who's

438
00:27:21,280 --> 00:27:23,560
Speaker 1: the best rapper, who's the biggest rap in the game.

439
00:27:25,080 --> 00:27:29,680
Speaker 1: The roots played and are still playing an integral part

440
00:27:30,600 --> 00:27:35,280
Speaker 1: of hip hop, right, they also crossed up. They're like

441
00:27:35,440 --> 00:27:38,720
Speaker 1: JB Smooth, you know, they hooked up with the Jewish

442
00:27:38,800 --> 00:27:41,760
Speaker 1: white guy and they got they got the lick. They

443
00:27:41,920 --> 00:27:45,240
Speaker 1: in like they could do ball mixers.

444
00:27:44,840 --> 00:27:47,760
Speaker 2: And all the light, George is, You're never gonna hear

445
00:27:48,320 --> 00:27:52,440
Speaker 2: a rappers say fucking Cold plays a million times better

446
00:27:52,560 --> 00:27:57,280
Speaker 2: than Black Eye peeps. They put that out there, and

447
00:27:57,440 --> 00:27:59,800
Speaker 2: that's the reason that hip hop is hanging on a

448
00:27:59,840 --> 00:28:03,440
Speaker 2: string is they're fucking making everybody go against each other

449
00:28:03,640 --> 00:28:07,040
Speaker 2: for no reason, just for small talk and clicks and

450
00:28:07,840 --> 00:28:10,880
Speaker 2: get the most traffic to your day. And that's how

451
00:28:10,920 --> 00:28:13,639
Speaker 2: he feels. Fucking that's how it feels. But you know,

452
00:28:14,400 --> 00:28:19,320
Speaker 2: there's nowhere on Google you can google Chat, GBT whatever,

453
00:28:19,440 --> 00:28:20,680
Speaker 2: whoever the fuck you want.

454
00:28:21,000 --> 00:28:23,680
Speaker 1: You're not gonna find oh.

455
00:28:25,000 --> 00:28:29,440
Speaker 2: Or Black Thought nowhere saying the Backstreet Boys is a

456
00:28:29,520 --> 00:28:31,400
Speaker 2: trillion times better than Inn Sync.

457
00:28:32,359 --> 00:28:34,120
Speaker 1: Leave our fucking culture alone.

458
00:28:35,240 --> 00:28:38,520
Speaker 2: That's my opinion too, because you're starting off some ship

459
00:28:38,720 --> 00:28:41,120
Speaker 2: and then he's gonna go be in a state of

460
00:28:41,160 --> 00:28:43,719
Speaker 2: the art tails somewhere making cars in them.

461
00:28:44,400 --> 00:28:46,600
Speaker 1: Just don't do that which called for them.

462
00:28:47,000 --> 00:28:49,720
Speaker 2: If you feel like that, that's fine, but no, no,

463
00:28:50,240 --> 00:28:53,240
Speaker 2: we need no more new clear bombs set off.

464
00:28:53,160 --> 00:28:57,080
Speaker 1: In hip hop unless just call for a billion.

465
00:28:57,240 --> 00:29:00,840
Speaker 2: This guy's a rich tech he makes cars. You gonna

466
00:29:00,880 --> 00:29:03,400
Speaker 2: go on an interview and just say, I mean, that's

467
00:29:03,440 --> 00:29:08,040
Speaker 2: his thoughts. Cool, but you don't need it. Thinkable find

468
00:29:08,120 --> 00:29:12,000
Speaker 2: me somewhere where a prolific rapid went somewhere and said,

469
00:29:14,360 --> 00:29:16,920
Speaker 2: this guy's better than where I am a trillion times.

470
00:29:17,040 --> 00:29:19,760
Speaker 1: Well, if I say it right, if you say it,

471
00:29:20,160 --> 00:29:22,680
Speaker 1: you can't say it yourself anywhere because even the time

472
00:29:23,640 --> 00:29:27,160
Speaker 1: all who Jay's invented goat, it's one of the goats.

473
00:29:27,360 --> 00:29:29,760
Speaker 1: But when he said I'm better than everybody, or he

474
00:29:29,880 --> 00:29:32,320
Speaker 1: said some statement like I'm.

475
00:29:32,200 --> 00:29:35,920
Speaker 2: The greatest, if somebody says it about themself is different

476
00:29:36,040 --> 00:29:37,479
Speaker 2: than somebody.

477
00:29:37,880 --> 00:29:41,080
Speaker 1: For one, that ain't the type of music you do,

478
00:29:41,200 --> 00:29:43,480
Speaker 1: ain't even our type of music. To just go out

479
00:29:43,520 --> 00:29:47,240
Speaker 1: there and just put two people won't get into you

480
00:29:47,320 --> 00:29:50,360
Speaker 1: almost lined up black thought, huh, like if you lined

481
00:29:50,480 --> 00:29:52,840
Speaker 1: up everything? Because what the fuck do that got to

482
00:29:52,960 --> 00:29:56,800
Speaker 1: do with it? Even if that's his thoughts, save it

483
00:29:56,880 --> 00:30:01,360
Speaker 1: to your fuck itself. I'm gonna move on from there

484
00:30:01,360 --> 00:30:05,720
Speaker 1: because he might have stopped stopped the bombshell a nuclear

485
00:30:05,880 --> 00:30:08,920
Speaker 1: whatever the case may be. Yeah, thank you for us.

486
00:30:09,760 --> 00:30:12,280
Speaker 1: The more we put lighter flowing on it, the more

487
00:30:12,360 --> 00:30:17,920
Speaker 1: it's goals. Let that shit go down. They're both great.

488
00:30:19,160 --> 00:30:24,320
Speaker 1: There's the difference between fucking up and being fucked up? Huh, definitely.

489
00:30:25,560 --> 00:30:27,560
Speaker 1: You know, I sit with my sisters. I sat the

490
00:30:27,600 --> 00:30:30,720
Speaker 1: other day, had dinner with I was just a Mary,

491
00:30:30,880 --> 00:30:35,280
Speaker 1: J J and all of them. And you know, I

492
00:30:35,360 --> 00:30:38,240
Speaker 1: don't think I bothered them when I was just hungry.

493
00:30:38,480 --> 00:30:40,800
Speaker 1: So I was like, Yo, where y'all at? They were like, yo, here,

494
00:30:40,800 --> 00:30:43,840
Speaker 1: I pulled up. I gotta eat some shit, right. But

495
00:30:44,000 --> 00:30:46,560
Speaker 1: when I had these conversations with the women, you know,

496
00:30:47,160 --> 00:30:50,640
Speaker 1: beautiful conversations. But she said, there's a difference between fucking

497
00:30:50,760 --> 00:30:54,760
Speaker 1: up and being fucked up. You could fuck up, That

498
00:30:54,800 --> 00:30:55,959
Speaker 1: don't mean you fucked up.

499
00:30:57,200 --> 00:31:00,640
Speaker 2: Which one you rather than be man fuck up or

500
00:31:00,680 --> 00:31:04,120
Speaker 2: you rather be fucked up? It depends on what level

501
00:31:04,280 --> 00:31:07,680
Speaker 2: of rather fuck up? You ratherance to fix that?

502
00:31:08,000 --> 00:31:11,960
Speaker 1: And being fucked up is no good, no no we

503
00:31:12,080 --> 00:31:14,120
Speaker 1: in the world of is it just me or we?

504
00:31:14,320 --> 00:31:18,560
Speaker 1: In a weird time in life? Right? Like I feel

505
00:31:18,640 --> 00:31:22,440
Speaker 1: like everybody's doing bad financially. You've seen the jobs report

506
00:31:22,520 --> 00:31:26,320
Speaker 1: the other day, was like fourteen thousand jobs in a month.

507
00:31:27,240 --> 00:31:29,400
Speaker 1: You know. If Biden did less than a half a

508
00:31:29,480 --> 00:31:32,040
Speaker 1: million a month, they was like, it's the end of earth.

509
00:31:32,800 --> 00:31:37,520
Speaker 1: Motherfucker got seven thousand a month fourteen seventeen. I mean,

510
00:31:37,800 --> 00:31:41,720
Speaker 1: if the numbers are correct, people doing fucked up out here.

511
00:31:42,280 --> 00:31:44,360
Speaker 1: I got my mom's his dad of condo today. I

512
00:31:44,520 --> 00:31:47,640
Speaker 1: sure that man, that was man. You know, that was

513
00:31:47,720 --> 00:31:49,840
Speaker 1: the best thing I ever did for my mother and father.

514
00:31:50,680 --> 00:31:52,400
Speaker 1: I brought to my house. And I remember when I

515
00:31:52,440 --> 00:31:54,560
Speaker 1: went through the tax thing and I realized that my

516
00:31:54,680 --> 00:31:58,520
Speaker 1: accountant wasn't paying mortgages. When I first heard it, I

517
00:31:58,680 --> 00:32:01,040
Speaker 1: was more worried about my mother than father's house. That

518
00:32:01,120 --> 00:32:04,120
Speaker 1: I wasn't even mine. I was like, Yo, they could

519
00:32:04,160 --> 00:32:06,880
Speaker 1: come take my mother's house, my father's house. So it

520
00:32:07,000 --> 00:32:10,560
Speaker 1: must be a beautiful feeling. Purchase something for mom and

521
00:32:10,680 --> 00:32:14,520
Speaker 1: Dad's beautiful. It's a blessing, you know what I mean,

522
00:32:14,640 --> 00:32:17,920
Speaker 1: mean that we can't take for granted. It's something you

523
00:32:18,640 --> 00:32:20,760
Speaker 1: as a little kid, that's something you wish you could

524
00:32:20,800 --> 00:32:23,960
Speaker 1: always do. You know, I love that, you know, Denzel

525
00:32:24,160 --> 00:32:27,440
Speaker 1: Washington I can't quote him, but he was saying, sometimes

526
00:32:27,600 --> 00:32:32,040
Speaker 1: families don't understand. Your own family don't understand when you're

527
00:32:32,080 --> 00:32:36,920
Speaker 1: trying to win and overcome a generational curse, you know

528
00:32:36,960 --> 00:32:40,360
Speaker 1: what I'm saying. And your own family won't understand that

529
00:32:40,440 --> 00:32:46,840
Speaker 1: you're trying to get to the promised land, you know, financially, general, generationally,

530
00:32:47,800 --> 00:32:50,680
Speaker 1: because I think that's the game we play. We're trying

531
00:32:50,680 --> 00:32:54,200
Speaker 1: to lay it down. So whoever's come behind us, it's good.

532
00:32:54,440 --> 00:32:58,479
Speaker 1: Got a better plan for you. They could afford college,

533
00:32:58,520 --> 00:33:00,240
Speaker 1: they can afford whatever they want. They ain't got to

534
00:33:00,240 --> 00:33:03,920
Speaker 1: live in the projects. No more Fat and me growing

535
00:33:04,040 --> 00:33:08,040
Speaker 1: up in the projects. Such a big family, like I

536
00:33:08,160 --> 00:33:12,000
Speaker 1: can't do something for everybody. I actually think I have

537
00:33:12,320 --> 00:33:16,920
Speaker 1: done something for everybody in my family different times. But

538
00:33:18,040 --> 00:33:20,520
Speaker 1: there's a cousin of mine that's probably a third cousin

539
00:33:21,120 --> 00:33:23,280
Speaker 1: that lives in the projects in the Lower East Side

540
00:33:23,320 --> 00:33:25,840
Speaker 1: that I barely even know. I might know. They moms

541
00:33:26,320 --> 00:33:28,800
Speaker 1: that people are telling them, yo, you Fat Joe's cousin,

542
00:33:29,360 --> 00:33:33,000
Speaker 1: You're supposed to be in the big house. They do

543
00:33:33,120 --> 00:33:36,560
Speaker 1: it to our friends. They'll do it to your friends.

544
00:33:36,720 --> 00:33:40,480
Speaker 1: Your friends wives or girlfriends are telling them, Yo, why

545
00:33:40,520 --> 00:33:45,400
Speaker 1: you ain't got that. Some boys got it. That's your man,

546
00:33:45,560 --> 00:33:50,800
Speaker 1: you know him. And that's the difference of how far

547
00:33:50,920 --> 00:33:56,080
Speaker 1: does that go to survivors guilt or the success rest

548
00:33:56,120 --> 00:33:58,720
Speaker 1: the piece to hit man Howie Tea. And you know,

549
00:34:00,400 --> 00:34:05,360
Speaker 1: I never man Howie Tea without always respected his contributions

550
00:34:05,440 --> 00:34:11,600
Speaker 1: to hip hop. Howie Teao. I've always been jealous of

551
00:34:11,760 --> 00:34:15,440
Speaker 1: people with their own theme song. So tom I'm telling you,

552
00:34:16,040 --> 00:34:21,120
Speaker 1: Tommy Mottola just asked me to do his documentary and

553
00:34:21,200 --> 00:34:23,120
Speaker 1: they were asking me, yo, what about And I was like, Yo,

554
00:34:23,560 --> 00:34:29,520
Speaker 1: Tommy Motola lives on the road. Like imagine they made

555
00:34:29,520 --> 00:34:32,759
Speaker 1: a hit rocket about you that they're playing all over

556
00:34:32,800 --> 00:34:34,120
Speaker 1: the world, Like how We Tea?

557
00:34:35,520 --> 00:34:38,200
Speaker 3: When I tell you that ship was wavy? When he

558
00:34:38,320 --> 00:34:47,240
Speaker 3: had the Howie Teao, Who Howie Tea? That ship was crazy.

559
00:34:48,360 --> 00:34:53,000
Speaker 3: Some of the groups changed special ad Schuble Rock. He

560
00:34:53,080 --> 00:34:56,120
Speaker 3: did Salt and Pepper is probably his biggest group. For

561
00:34:56,280 --> 00:34:59,279
Speaker 3: Color Me Bad. That was like the White Queen heard

562
00:34:59,360 --> 00:35:03,759
Speaker 3: me her, I was herb and Salt Pepper. Howie Tea

563
00:35:03,880 --> 00:35:07,520
Speaker 3: did Sweet Tea. He did sweet Tea, just sweet tea.

564
00:35:08,800 --> 00:35:14,480
Speaker 3: But Howie Tea living legend. He should get all the flowers.

565
00:35:14,520 --> 00:35:18,160
Speaker 1: He definitely rest in peace, and Chris notices to his family.

566
00:35:19,160 --> 00:35:21,880
Speaker 1: You know, I always get surprised when somebody passes away

567
00:35:22,440 --> 00:35:27,000
Speaker 1: in the hip hop that I never met, because me too.

568
00:35:27,040 --> 00:35:31,959
Speaker 1: Because you met everybody, I bet everybody is. I feel

569
00:35:32,040 --> 00:35:34,399
Speaker 1: weird when I ain't meet him. You know who else

570
00:35:34,480 --> 00:35:39,040
Speaker 1: met everybody? Buster the Rods then shout out the Buster,

571
00:35:39,160 --> 00:35:40,920
Speaker 1: you got a star on the Walk of Fiend Man.

572
00:35:41,800 --> 00:35:42,520
Speaker 1: He deserved that.

573
00:35:43,239 --> 00:35:45,440
Speaker 2: I've seen the picture in the LL that was Fight

574
00:35:45,840 --> 00:35:48,960
Speaker 2: Beyond It, one of the last two me ll is

575
00:35:49,000 --> 00:35:53,600
Speaker 2: the first. However, that's left Buster.

576
00:35:54,040 --> 00:35:57,279
Speaker 1: We did something. Then you a couple of right behind him,

577
00:35:58,239 --> 00:36:02,439
Speaker 1: come behind? Am I coming with Euro? I'm covering with him. Yeah,

578
00:36:03,120 --> 00:36:12,880
Speaker 1: it got to get a new name for your step Yeah. No, no,

579
00:36:12,960 --> 00:36:16,920
Speaker 1: I like that one. But ah, you know, bust. Some

580
00:36:17,000 --> 00:36:21,720
Speaker 1: moms leaders in the New School shout out to Long Island.

581
00:36:21,760 --> 00:36:24,440
Speaker 1: They claim him too. I know. He says he's from Brooklyn.

582
00:36:24,520 --> 00:36:26,520
Speaker 1: He grew up in Brooklyn, went to school with Biggie

583
00:36:26,600 --> 00:36:31,960
Speaker 1: and uh jay Z. But Long Island claims him and

584
00:36:32,080 --> 00:36:35,440
Speaker 1: Keith Mary. I missed the big one, Keith Mary and

585
00:36:35,520 --> 00:36:39,759
Speaker 1: the Long Island's kid. Keith Mary's not just an incredible rapper,

586
00:36:39,840 --> 00:36:43,200
Speaker 1: He's one of my brothers. So I'm sorry if I

587
00:36:43,560 --> 00:36:47,360
Speaker 1: messed up and I missed missed out with Keith Marry.

588
00:36:47,440 --> 00:36:51,000
Speaker 1: People were saying them that doom A lot of people,

589
00:36:51,200 --> 00:36:54,879
Speaker 1: you know, it's just was amazing their contribution. Let's talk

590
00:36:54,920 --> 00:37:01,120
Speaker 1: about Jersey now, some unsung hero Jersey, y'all got a stop.

591
00:37:01,200 --> 00:37:01,879
Speaker 1: I think we got.

592
00:37:03,280 --> 00:37:06,800
Speaker 2: Jersey Man, Redman, Queen La t for Naughty by Nature

593
00:37:07,400 --> 00:37:12,800
Speaker 2: Lords and then Underground one by Artifacts, Why Cliff Roger,

594
00:37:13,480 --> 00:37:20,120
Speaker 2: Sugar Hell, Fetny Wow, Joe Budden's Ransom Chill, Rob g

595
00:37:20,840 --> 00:37:25,719
Speaker 2: Rod Digger, outside of outside of Hurricane g.

596
00:37:27,320 --> 00:37:32,000
Speaker 1: Apatche Wow. I want to get Red Head kingpin Man,

597
00:37:32,239 --> 00:37:34,920
Speaker 1: keep it more Man leaving niggas out, Man, don't leave

598
00:37:35,000 --> 00:37:42,640
Speaker 1: niggas out Club Zan's the ball Lords and Man Poor

599
00:37:42,760 --> 00:37:48,960
Speaker 1: Righteous Teachers. Hey from the Shack, Yes, Shock Poor Righteous,

600
00:37:49,320 --> 00:37:55,640
Speaker 1: that's cool Old Jerseys Loop, Naughty by Nature, Trench Tretches

601
00:37:56,480 --> 00:38:00,480
Speaker 1: Hero he said, yeah, he said, let's how to break

602
00:38:00,560 --> 00:38:02,239
Speaker 1: it down though, you just want to run through the

603
00:38:02,280 --> 00:38:06,879
Speaker 1: most Let's I think Red Man League. I think Red

604
00:38:06,960 --> 00:38:09,719
Speaker 1: Man is the most underrated MC ever lived in the

605
00:38:09,800 --> 00:38:13,480
Speaker 1: hip hop game. Hell, I think it's knowing about Red

606
00:38:13,560 --> 00:38:16,720
Speaker 1: Men would be crazy yeah, but they don't know about

607
00:38:16,760 --> 00:38:19,560
Speaker 1: red Man the way they don't about but maybe they

608
00:38:19,719 --> 00:38:23,960
Speaker 1: know about the So you think a random commercialized and

609
00:38:24,120 --> 00:38:26,879
Speaker 1: they know about red they know about know about hip hop,

610
00:38:27,040 --> 00:38:33,920
Speaker 1: and they don't give him his props. It's impossible. Redmond

611
00:38:34,120 --> 00:38:37,440
Speaker 1: was so good as they I'm talking about they, I

612
00:38:37,560 --> 00:38:41,040
Speaker 1: don't know they. They don't want us to win, they

613
00:38:41,080 --> 00:38:46,200
Speaker 1: don't want us stay. They pathetically speaking Reggie, is that

614
00:38:46,400 --> 00:38:51,080
Speaker 1: neg I agree? So I'm just trying to say, stages

615
00:38:51,160 --> 00:38:54,160
Speaker 1: of Blue. He is one of the greatest mcs of

616
00:38:54,320 --> 00:38:59,280
Speaker 1: all time. It's just my point is his name should

617
00:38:59,280 --> 00:39:03,560
Speaker 1: be up there with everybody's top ten, top five, whatever

618
00:39:03,640 --> 00:39:09,000
Speaker 1: they want to do. He's that good, right, Queen latifa

619
00:39:10,719 --> 00:39:15,440
Speaker 1: Q legendary. There's nothing we could do about that legendary.

620
00:39:16,000 --> 00:39:18,440
Speaker 2: Just put it up there, and just put it on

621
00:39:19,160 --> 00:39:21,840
Speaker 2: a lot of Rushmars of all type of s, different

622
00:39:21,960 --> 00:39:23,239
Speaker 2: umbrothers and rushmoars.

623
00:39:23,640 --> 00:39:27,880
Speaker 1: Know they by nature they had the game in a frenzy.

624
00:39:29,920 --> 00:39:35,239
Speaker 1: Vinny kg KG went on to produce a lot of aname,

625
00:39:37,680 --> 00:39:43,799
Speaker 1: but she had all them dudes rocking. Next Next Next

626
00:39:43,920 --> 00:39:47,560
Speaker 1: is one of my favorite groups. Right, shout out to

627
00:39:47,800 --> 00:39:53,200
Speaker 1: r L the Outsiders. I put him into the equation

628
00:39:53,280 --> 00:39:56,040
Speaker 1: because they're the first people ever seen bring Eminem out

629
00:39:57,800 --> 00:40:02,560
Speaker 1: fatal scene, Rest in peace, Jersey. That was crazy to me.

630
00:40:02,719 --> 00:40:04,600
Speaker 1: Right one day we got an interview move to our

631
00:40:04,640 --> 00:40:09,960
Speaker 1: bell on here from the Outsiders and explain how did

632
00:40:10,040 --> 00:40:15,040
Speaker 1: the tupot were the cousins or something? Because he's la

633
00:40:15,320 --> 00:40:19,879
Speaker 1: outside the outlaws fade who sing? That was my man?

634
00:40:20,440 --> 00:40:23,640
Speaker 1: What I'm saying is when they beef from the East coast,

635
00:40:23,680 --> 00:40:27,200
Speaker 1: West coast, it's crazy that the guys who was on

636
00:40:27,320 --> 00:40:31,920
Speaker 1: all the ill records with pockets from Jersey? How did

637
00:40:32,000 --> 00:40:35,920
Speaker 1: that happen? Did they meet him in La did they

638
00:40:36,160 --> 00:40:37,239
Speaker 1: how did that go down?

639
00:40:38,800 --> 00:40:38,840
Speaker 2: Like?

640
00:40:39,560 --> 00:40:42,520
Speaker 1: This is the East coast West coast beef and these

641
00:40:42,560 --> 00:40:46,040
Speaker 1: guys was from right here under the nose of New York, Jersey,

642
00:40:47,200 --> 00:40:50,239
Speaker 1: and so uh who else we got on that nest

643
00:40:50,360 --> 00:40:54,560
Speaker 1: for Jersey? We said, all right, this teaching was was incredible.

644
00:40:54,600 --> 00:41:02,719
Speaker 1: Fedya FEddi wat sugar Gang. Why cleft Lauren Brian Hill

645
00:41:02,840 --> 00:41:07,800
Speaker 1: greatest female of all time? What you say? You know

646
00:41:08,120 --> 00:41:13,240
Speaker 1: sometimes people get mad because you know they certain artists

647
00:41:14,600 --> 00:41:19,040
Speaker 1: are put in a level of it. Ain't even artists

648
00:41:19,480 --> 00:41:21,880
Speaker 1: like people say who's your top five? You bring up Lauren.

649
00:41:21,960 --> 00:41:24,480
Speaker 1: They might be like, y'o, she don't even count, but

650
00:41:24,600 --> 00:41:27,800
Speaker 1: she does count, right, I made a mistake out, But

651
00:41:28,080 --> 00:41:31,520
Speaker 1: why wouldn't she count. She's the greatest of all time.

652
00:41:32,280 --> 00:41:35,520
Speaker 1: Some people she don't count. They got to get out

653
00:41:35,560 --> 00:41:40,799
Speaker 1: of here and she counts. She's the cheat code, She's

654
00:41:40,840 --> 00:41:44,680
Speaker 1: the AI. So what I'm saying is, the other day

655
00:41:44,760 --> 00:41:50,759
Speaker 1: I took I take the top five DJs, top five DJs,

656
00:41:51,600 --> 00:41:55,719
Speaker 1: and with cale it, I threw them in that. I

657
00:41:55,840 --> 00:41:57,759
Speaker 1: threw them in that category. Y'all was like, y'all call

658
00:41:57,840 --> 00:42:00,319
Speaker 1: it too big. They even call them a DJ. Kick

659
00:42:00,320 --> 00:42:02,920
Speaker 1: can pre off with that because he wanted a big

660
00:42:03,080 --> 00:42:05,120
Speaker 1: up cal I don't even know what he's pisted off

661
00:42:05,160 --> 00:42:08,239
Speaker 1: about it. I put him first on the list. I'm

662
00:42:08,239 --> 00:42:11,960
Speaker 1: gonna stop bigging niggas up. No, it's like two or

663
00:42:12,000 --> 00:42:15,600
Speaker 1: three guys that I bigged up and they wind up

664
00:42:15,680 --> 00:42:18,640
Speaker 1: dissing me, and I'm like sitting here like yo, like

665
00:42:19,600 --> 00:42:24,160
Speaker 1: I'm bigging you up. But Charla definitely would have been

666
00:42:24,200 --> 00:42:27,000
Speaker 1: on my top five DJ list. You know. But when

667
00:42:27,040 --> 00:42:28,880
Speaker 1: I look at Calin, I always look at him as

668
00:42:29,080 --> 00:42:36,880
Speaker 1: his catalog. It's so big the man DJ called his catalog.

669
00:42:37,480 --> 00:42:39,880
Speaker 1: It's so big. I feel like it's so much bigger

670
00:42:40,560 --> 00:42:43,560
Speaker 1: than just DJ. When you're a DJ and you got

671
00:42:43,680 --> 00:42:47,560
Speaker 1: a DJ, shout out to DJ Nasty from Orlando. When

672
00:42:47,640 --> 00:42:50,080
Speaker 1: cale it doesn't show he got a DJ, you don't DJ.

673
00:42:51,040 --> 00:42:54,239
Speaker 1: He has a DJ, so were you? When you're in

674
00:42:54,360 --> 00:43:00,680
Speaker 1: DJ with a DJ, Hello, let's go DJ, Let's go DJ.

675
00:43:01,960 --> 00:43:05,840
Speaker 1: But there's certain people on that list. A Chill rob G,

676
00:43:06,840 --> 00:43:09,800
Speaker 1: that's one of the most class it's getting, it's getting,

677
00:43:09,960 --> 00:43:11,120
Speaker 1: it's getting kind of hectic.

678
00:43:11,800 --> 00:43:14,000
Speaker 2: And so as people putting me on the Chill rob

679
00:43:14,080 --> 00:43:17,560
Speaker 2: G in high schools as P used to love chill rock,

680
00:43:18,480 --> 00:43:18,960
Speaker 2: put me on.

681
00:43:20,040 --> 00:43:23,360
Speaker 1: He was nice, it's nice, it was dope, and he

682
00:43:23,440 --> 00:43:27,480
Speaker 1: had a big commercial hit. I got the ball it

683
00:43:27,600 --> 00:43:30,080
Speaker 1: was too Chill rob G? Who else? Somebody? They had

684
00:43:30,160 --> 00:43:33,520
Speaker 1: two versions? How did they have? Imagine you did all?

685
00:43:34,520 --> 00:43:37,759
Speaker 1: Why Jada wanted this into that and somebody else got

686
00:43:37,800 --> 00:43:41,840
Speaker 1: the same song, same beat? How did that happen? It

687
00:43:42,000 --> 00:43:44,440
Speaker 1: was two I got the powers at the same time

688
00:43:44,600 --> 00:43:47,000
Speaker 1: video music, but I play both of them. How did

689
00:43:47,040 --> 00:43:47,520
Speaker 1: that happen?

690
00:43:48,200 --> 00:43:50,719
Speaker 2: One Chill rob G and one one? I think it

691
00:43:50,800 --> 00:43:56,360
Speaker 2: was snatched and music factors both hits at the same

692
00:43:56,600 --> 00:44:00,759
Speaker 2: fucking time. Same beat, same song.

693
00:44:00,920 --> 00:44:03,120
Speaker 1: I Got the power? How did they pull that ship off?

694
00:44:03,200 --> 00:44:07,200
Speaker 1: That must have been before clearing samples. Huh, sports talk

695
00:44:07,280 --> 00:44:10,600
Speaker 1: man Gilbert Ireen has got arrested. What the fuck is

696
00:44:10,760 --> 00:44:19,719
Speaker 1: going on? Oh right, yo, what the fuck is going

697
00:44:19,880 --> 00:44:24,799
Speaker 1: on with these ballplayers? What's my man? Bridges? He's still

698
00:44:24,840 --> 00:44:31,279
Speaker 1: in the fucking NBA. The two twins Morris Morris, he

699
00:44:31,400 --> 00:44:32,120
Speaker 1: got locked up.

700
00:44:32,520 --> 00:44:36,040
Speaker 2: Was a mistake, but huh, I think gil ship wasn't

701
00:44:36,360 --> 00:44:38,520
Speaker 2: as big as they. You know, what I'm thinking was

702
00:44:39,040 --> 00:44:39,920
Speaker 2: what he got.

703
00:44:39,800 --> 00:44:43,160
Speaker 1: Locked up by the Feds, But he also got out.

704
00:44:44,120 --> 00:44:46,719
Speaker 1: And I think when I think twins, that was a

705
00:44:46,840 --> 00:44:49,480
Speaker 1: mistake too, Like, I think that's a mistake. He got

706
00:44:49,520 --> 00:44:53,279
Speaker 1: the money. It don't make some maybe right, he got them.

707
00:44:53,360 --> 00:44:55,960
Speaker 2: So that was my im mediate reaction of like things

708
00:44:56,040 --> 00:44:59,160
Speaker 2: like that happened in the casino and then because you're black,

709
00:44:59,239 --> 00:45:00,600
Speaker 2: they big, they they get bigger.

710
00:45:00,960 --> 00:45:03,800
Speaker 1: Let me explaink centing you, I hate to burst your bubble.

711
00:45:04,560 --> 00:45:07,480
Speaker 1: They're gonna burst my bum You go, oh, nobody nothing, Yeah,

712
00:45:09,080 --> 00:45:12,520
Speaker 1: I hate to burst your bubble. And God Willing, I'm born,

713
00:45:13,760 --> 00:45:18,400
Speaker 1: but I've seen this playout. He's uh illegal gambling spots

714
00:45:18,480 --> 00:45:22,400
Speaker 1: and somebody who's famous is involved and all that they

715
00:45:22,560 --> 00:45:25,239
Speaker 1: usually get a year in the day, they could do it.

716
00:45:25,320 --> 00:45:29,279
Speaker 1: Yeah in the day. Okay, by that ain't gonna When

717
00:45:29,320 --> 00:45:32,680
Speaker 1: I see them stories, I know how that shit play out.

718
00:45:33,840 --> 00:45:38,080
Speaker 1: And if they came and got you, you know, nine

719
00:45:38,120 --> 00:45:42,480
Speaker 1: out of ninety nine out of one hundred times, when

720
00:45:42,520 --> 00:45:45,759
Speaker 1: the alphabet let us come to that front door, your

721
00:45:45,800 --> 00:45:48,800
Speaker 1: best choice is saying, okay, let's see what's the least

722
00:45:48,920 --> 00:45:52,640
Speaker 1: time we're gonna get. Unfortunately, it's like that now. If

723
00:45:52,680 --> 00:45:54,560
Speaker 1: you want to be Robin Hood and think you could

724
00:45:54,560 --> 00:45:57,319
Speaker 1: take them on and beat them and you're lucky enough

725
00:45:57,440 --> 00:46:05,279
Speaker 1: or whatever, but these are terrible. Uh. I just don't

726
00:46:05,320 --> 00:46:07,520
Speaker 1: wish that for him. I wish it never happened. Whatever

727
00:46:07,520 --> 00:46:09,560
Speaker 1: it is, I hope it's a mistake, like you say,

728
00:46:10,239 --> 00:46:13,160
Speaker 1: because it's crazy. Not the fed with a twin And

729
00:46:13,320 --> 00:46:18,000
Speaker 1: Gil said he's snitching. He said he's snitching his jokes.

730
00:46:17,719 --> 00:46:20,600
Speaker 2: Man, he'd be all right, you're rich. How you feeling

731
00:46:20,600 --> 00:46:24,680
Speaker 2: about Jerry Jones? Don't want to pay Michael Parsons what you.

732
00:46:24,719 --> 00:46:28,759
Speaker 1: Think, rich, mister Dallas cowboy, how you feel about that?

733
00:46:28,920 --> 00:46:31,560
Speaker 1: It's not astray. He's down there on the staff for

734
00:46:31,719 --> 00:46:35,120
Speaker 1: Dallas we got definitely they paid your man with the

735
00:46:35,280 --> 00:46:40,880
Speaker 1: with the real stinky leg. What's your man, Dak Prescott?

736
00:46:41,440 --> 00:46:44,840
Speaker 1: You know that one? What his ship is like hyper

737
00:46:45,040 --> 00:46:50,840
Speaker 1: glazy ship? I put up a picture one time I

738
00:46:50,960 --> 00:46:56,160
Speaker 1: was about to get canceled. What that boy broke his

739
00:46:56,280 --> 00:46:59,800
Speaker 1: leg one time? His ship was like hoppercraft and be

740
00:47:00,719 --> 00:47:03,320
Speaker 1: like at it could maybe look like a like a

741
00:47:03,400 --> 00:47:08,520
Speaker 1: perfect leg his ship, perfect leg, his ship. I posted it.

742
00:47:09,120 --> 00:47:11,560
Speaker 1: When I tell you that death threats I got, like yo,

743
00:47:12,520 --> 00:47:15,640
Speaker 1: you know this ship was like so with part of

744
00:47:15,719 --> 00:47:20,120
Speaker 1: this he's a fraud. Dak Prescott is a fraud and

745
00:47:20,239 --> 00:47:26,759
Speaker 1: he's only there to sell candless huh, Campbell's know, I'm

746
00:47:26,800 --> 00:47:31,560
Speaker 1: saying candles and fragrances. Your man is lollipop records. He's

747
00:47:31,640 --> 00:47:39,719
Speaker 1: not gonna win no chip the sad part, but you

748
00:47:39,800 --> 00:47:43,560
Speaker 1: know he's a handsome guy. They market him stoney. They

749
00:47:43,600 --> 00:47:48,719
Speaker 1: don't want to win games, not with him. And then

750
00:47:49,560 --> 00:47:54,200
Speaker 1: Pawson's who's worth the money? They giving them a hard time.

751
00:47:55,200 --> 00:47:56,840
Speaker 1: You know what you gotta understand is this this is

752
00:47:56,840 --> 00:48:01,520
Speaker 1: almost like the government. Right, there's people. This government does

753
00:48:01,600 --> 00:48:06,160
Speaker 1: some things that although we're proud Americans and we vote,

754
00:48:06,280 --> 00:48:09,560
Speaker 1: we packed taxpayers and all that we don't agree with,

755
00:48:09,719 --> 00:48:13,360
Speaker 1: but we can't change it. They're the government. It's the

756
00:48:13,400 --> 00:48:17,960
Speaker 1: same thing with the owners of franchises. Jerry Jones. Anybody

757
00:48:18,080 --> 00:48:21,640
Speaker 1: in their right mind who's a fucking Dallas cowboy fan

758
00:48:21,800 --> 00:48:25,600
Speaker 1: knows pay that man. Stop playing with him, cause you

759
00:48:25,640 --> 00:48:29,319
Speaker 1: don't want to lose him. Right, Well, a little quest

760
00:48:29,320 --> 00:48:32,840
Speaker 1: since his love big got Big shot out the West.

761
00:48:32,920 --> 00:48:44,480
Speaker 1: We love you, baby. Oh, I went, I went, I

762
00:48:44,600 --> 00:48:51,520
Speaker 1: went Yo yo, I gotta yo yo yo for you yo.

763
00:48:51,680 --> 00:48:55,120
Speaker 1: I went to SummerSlam. What's the guy that works for uh,

764
00:48:56,480 --> 00:48:59,600
Speaker 1: Michael Rubin sitting next to me, the redhead guy, Michael,

765
00:49:00,239 --> 00:49:02,839
Speaker 1: look up his name. He's the president of a Fanatics.

766
00:49:02,960 --> 00:49:06,920
Speaker 1: He's sitting next to me because I got a witness. Okay,

767
00:49:07,040 --> 00:49:10,360
Speaker 1: so I go Summer Slam. I'm trying to tell you,

768
00:49:10,440 --> 00:49:12,759
Speaker 1: I'm about to tell your story that's gonna ring off

769
00:49:12,840 --> 00:49:15,479
Speaker 1: cap main the They're gonna be like, it's not true,

770
00:49:16,120 --> 00:49:20,719
Speaker 1: but it's a million percent. So I go to SummerSlam, right,

771
00:49:21,719 --> 00:49:25,120
Speaker 1: And I went because a good friend of mine, Jelly Rod,

772
00:49:25,840 --> 00:49:29,280
Speaker 1: was wrestling, right, so I know he trained four months.

773
00:49:29,719 --> 00:49:31,919
Speaker 1: I know jelly Row, but you know he's a big boy.

774
00:49:32,080 --> 00:49:37,000
Speaker 1: You know, I stick with the big boys. Pause, whoa, whoa, whoa, whoa, whoa.

775
00:49:38,320 --> 00:49:40,759
Speaker 1: I told you already that that ain't even the part

776
00:49:40,800 --> 00:49:41,440
Speaker 1: of his story.

777
00:49:42,680 --> 00:49:49,879
Speaker 4: Still, Guys, I'm in the corner, right, so I go, Huh,

778
00:49:51,000 --> 00:49:53,480
Speaker 4: Mike Herman is Mike whoever knows Mike Herman?

779
00:49:54,160 --> 00:49:56,680
Speaker 1: He's the president for that. He's sitting right next the point.

780
00:49:56,840 --> 00:50:00,600
Speaker 1: Is CARDI b sitting there too? He get to the

781
00:50:00,719 --> 00:50:06,239
Speaker 1: jelly row, this jelly Roll against Logan Paul and uh,

782
00:50:07,520 --> 00:50:10,520
Speaker 1: jelly wro't come up with this guy? What's that rest

783
00:50:10,520 --> 00:50:15,400
Speaker 1: of jelly Roll had with him? Yo? Kiss None of us.

784
00:50:16,239 --> 00:50:18,439
Speaker 1: None of us want the fair one. We don't even

785
00:50:18,480 --> 00:50:21,000
Speaker 1: want the ten on one. We don't even want to

786
00:50:21,040 --> 00:50:23,279
Speaker 1: be able to have a knife to fight this guy.

787
00:50:23,760 --> 00:50:29,320
Speaker 1: What Randy, And even if he gave you weapons, you

788
00:50:29,360 --> 00:50:32,960
Speaker 1: don't want to fight this guy. This guy is so big,

789
00:50:33,160 --> 00:50:36,759
Speaker 1: bro like, he's unreal. Anybody go google him if you

790
00:50:36,800 --> 00:50:40,799
Speaker 1: don't know wrestling. This guy's the prototype, like he might

791
00:50:40,920 --> 00:50:44,440
Speaker 1: be the first human AI guy. Right, I'm looking at

792
00:50:44,480 --> 00:50:47,600
Speaker 1: the dude. Logan Paul is incredible, right, but I'm looking

793
00:50:47,680 --> 00:50:50,200
Speaker 1: at the He's unreal. It's what I'm saying as a

794
00:50:50,320 --> 00:50:53,160
Speaker 1: human being. It's like, this guy is a problem, right,

795
00:50:53,719 --> 00:50:57,440
Speaker 1: So I go, I'm looking, I'm cheering jelly Roll up.

796
00:50:58,640 --> 00:51:04,399
Speaker 1: They are beating the breaks off of Jelly Roll. They

797
00:51:04,480 --> 00:51:10,040
Speaker 1: are double suplexing up. They doing my man so filthy. Now,

798
00:51:10,160 --> 00:51:13,960
Speaker 1: I'm a fat guy, so I know every bone. I

799
00:51:14,040 --> 00:51:18,960
Speaker 1: know what I know everybody. I'm a fat guy who

800
00:51:19,080 --> 00:51:22,520
Speaker 1: lost way to so I know when he falls. I said, yes,

801
00:51:23,560 --> 00:51:27,400
Speaker 1: that's two months out of the Country Awards. He is

802
00:51:27,560 --> 00:51:30,040
Speaker 1: not going to the Country Awards, not after this ship.

803
00:51:30,400 --> 00:51:33,359
Speaker 1: This was a childhood dream. I salute you, jelly Roll.

804
00:51:33,480 --> 00:51:37,120
Speaker 1: In fact, I've never seen a celebrity because you know,

805
00:51:37,200 --> 00:51:40,200
Speaker 1: you had Donald Trump in there. You had a bunch

806
00:51:40,239 --> 00:51:44,239
Speaker 1: of celebrities that went up in there but didn't really

807
00:51:44,360 --> 00:51:48,160
Speaker 1: do snoop. Jelly Jelly Roll was on top of the ropes,

808
00:51:48,239 --> 00:51:51,880
Speaker 1: getting supplex getting hit with chas over the dead like

809
00:51:52,040 --> 00:51:55,360
Speaker 1: he was all in. They beat up brakes out of

810
00:51:55,440 --> 00:52:00,759
Speaker 1: this guy Joe, and I'm there for Jelly Roll, so

811
00:52:00,840 --> 00:52:03,759
Speaker 1: I'm filming the shit. He's like, they put him on

812
00:52:03,920 --> 00:52:08,719
Speaker 1: the table, right, I got it on my story. I'm

813
00:52:08,800 --> 00:52:13,800
Speaker 1: front rope. They put him on the table and Logan

814
00:52:13,920 --> 00:52:16,680
Speaker 1: palls up on the top rope. He's outside on the

815
00:52:16,760 --> 00:52:20,759
Speaker 1: table in front of the things. The man jumps and

816
00:52:21,040 --> 00:52:25,719
Speaker 1: crashes on jelly Bro. I immediately was like, all right,

817
00:52:25,840 --> 00:52:28,160
Speaker 1: there he goes out four months, there's no where, but

818
00:52:28,360 --> 00:52:33,160
Speaker 1: like they, I mean, they suckered me in. So Jelly

819
00:52:33,239 --> 00:52:36,360
Speaker 1: rows acting like he's hurt. So there's about a I

820
00:52:36,480 --> 00:52:38,480
Speaker 1: was about to say a hundred. Let me just keep

821
00:52:38,520 --> 00:52:42,840
Speaker 1: it off the cap circuit. Ten guys ran over in girls.

822
00:52:42,960 --> 00:52:45,960
Speaker 1: Ten guys and girls ran over. Oh my god, are

823
00:52:45,960 --> 00:52:48,520
Speaker 1: you okay? I'm thinking he's hurt because I'm a fat guy.

824
00:52:49,200 --> 00:52:53,640
Speaker 1: I know what just happened. I know the vertebrate. I

825
00:52:53,800 --> 00:52:57,120
Speaker 1: know his shit is fucked up, So I'm thinking he's

826
00:52:57,200 --> 00:53:00,080
Speaker 1: really hurt. I'm like, yo, come on, Jelly go, but

827
00:53:00,160 --> 00:53:02,960
Speaker 1: I'm really concerned. I'm gonna be honest with you. Joseph

828
00:53:03,080 --> 00:53:07,560
Speaker 1: Antonio Cardahina is concerned about jelly Bo. They beat the

829
00:53:07,760 --> 00:53:13,319
Speaker 1: ship out this dude so bad fucking seven foot ship.

830
00:53:13,719 --> 00:53:19,640
Speaker 1: They double yo, what they did? The double water? I said,

831
00:53:19,800 --> 00:53:23,600
Speaker 1: come mar not just I can't do it. No amount

832
00:53:23,600 --> 00:53:26,360
Speaker 1: of money, No amount of money could they double supplex me.

833
00:53:26,480 --> 00:53:28,320
Speaker 1: I'll be dad, I'm gonna be honest with you. I

834
00:53:28,400 --> 00:53:31,120
Speaker 1: break my whole shit. I don't know what the fuck

835
00:53:31,239 --> 00:53:34,360
Speaker 1: Jelly Row did to and do it, but anyway, they

836
00:53:34,400 --> 00:53:38,360
Speaker 1: got him on the floor. I'm believing it. Okay, Cardi

837
00:53:38,440 --> 00:53:41,560
Speaker 1: B's right next to me, Get up, get up. She's

838
00:53:41,640 --> 00:53:45,360
Speaker 1: all in right. So I'm sitting there, I'm like, Jelly,

839
00:53:46,080 --> 00:53:49,759
Speaker 1: I'm really all jokes aside, word to my mother. I'm

840
00:53:49,800 --> 00:53:53,120
Speaker 1: thinking he's really hurt. They ran over like they didn't

841
00:53:53,160 --> 00:53:55,480
Speaker 1: do this the whole time. They ran over like ten

842
00:53:55,600 --> 00:53:58,080
Speaker 1: of them, Yo, Jelly, and they talking to him. I'm thinking,

843
00:53:58,239 --> 00:54:03,239
Speaker 1: this guy gets up and help him up. Took like

844
00:54:03,360 --> 00:54:07,000
Speaker 1: ten minutes. They fucking this man up. Over there, his

845
00:54:07,239 --> 00:54:10,600
Speaker 1: tag team partner. They beating the break, They jumping him

846
00:54:10,640 --> 00:54:14,440
Speaker 1: to death. Over there, he's getting his ass, the big guy.

847
00:54:15,280 --> 00:54:18,359
Speaker 1: They beat the brace off this stool. Watch Jelly Roll

848
00:54:18,480 --> 00:54:22,080
Speaker 1: was like, you know, jelly Row gets up. He turns

849
00:54:22,120 --> 00:54:27,800
Speaker 1: aroundswers I'm sorry, Joe. I can't fight no more. I

850
00:54:27,880 --> 00:54:32,759
Speaker 1: can't make I tried, Joe. Thank you for supporting me. Joe.

851
00:54:33,800 --> 00:54:37,640
Speaker 1: It's a million people in this fucking arena. This is

852
00:54:37,800 --> 00:54:41,520
Speaker 1: Jelly Row out of anybody. I swear to God, he

853
00:54:41,640 --> 00:54:45,200
Speaker 1: looked at me. I'm sorry, Joe, a kid, Joe, I'll

854
00:54:45,280 --> 00:54:48,520
Speaker 1: let you down Joe Michael wats his name, it's right

855
00:54:48,640 --> 00:54:50,800
Speaker 1: next to me. He said, they definitely ain't not gonna

856
00:54:50,800 --> 00:54:54,239
Speaker 1: believe you. The guy from all fanatics, he said, they're

857
00:54:54,320 --> 00:54:58,000
Speaker 1: not gonna believe this shit. Jelly Roll was telling me,

858
00:54:58,760 --> 00:55:03,480
Speaker 1: I'm sorry, Joe, I can't finish. I can't. I'm like,

859
00:55:03,600 --> 00:55:07,360
Speaker 1: but Jelly, I'm patting him on his back. Yo. Jelly's like,

860
00:55:07,480 --> 00:55:11,000
Speaker 1: I'm sorry, Joe, I know you supported me this, this, that,

861
00:55:11,800 --> 00:55:15,120
Speaker 1: and he's walking. I'm like, damn, they fucked Jelly Row up.

862
00:55:16,480 --> 00:55:20,520
Speaker 1: But in truth WWE fashion, he gets to the tip

863
00:55:21,080 --> 00:55:23,520
Speaker 1: and he turns around. He starts looking and they're like Joe,

864
00:55:23,760 --> 00:55:28,040
Speaker 1: Lee Jelly, and all of a sudden, the motherfucker I

865
00:55:28,239 --> 00:55:32,720
Speaker 1: got the power came back. He came back and started

866
00:55:32,840 --> 00:55:36,280
Speaker 1: clothes line and dudes fucking him up. I got sucked

867
00:55:37,520 --> 00:55:40,239
Speaker 1: for the wrestling. I felt like a whole maniac. I

868
00:55:40,320 --> 00:55:43,120
Speaker 1: felt like back in the day. I'm looking at Jelly Row,

869
00:55:43,320 --> 00:55:48,359
Speaker 1: Jela Jela screaming with the crowd, Jeda jhla, and let

870
00:55:48,400 --> 00:55:51,600
Speaker 1: me tell you something. They still lost, but I got

871
00:55:51,680 --> 00:55:55,680
Speaker 1: a salute Jelly Roll for y'all. I could. I cannot.

872
00:55:56,360 --> 00:55:58,399
Speaker 1: Maybe I'm too old. Maybe he's a little bit jelly

873
00:55:58,480 --> 00:56:02,000
Speaker 1: row might be younger than me, right, I personally know

874
00:56:02,400 --> 00:56:05,959
Speaker 1: I can't take that for sure, for sure, I can't

875
00:56:06,000 --> 00:56:09,360
Speaker 1: take it. Man, he's way younger than me. I get it.

876
00:56:09,440 --> 00:56:11,959
Speaker 1: Forty years old, maybe thirty nine, forty out of tried

877
00:56:12,040 --> 00:56:16,120
Speaker 1: it right about now with these amphibious legs.

878
00:56:17,400 --> 00:56:21,800
Speaker 2: That ship off NBA. Luca got the new muscles, the

879
00:56:21,920 --> 00:56:25,880
Speaker 2: new contract. Luca came up the dykeman and was shooting

880
00:56:25,960 --> 00:56:30,080
Speaker 2: from the water joints. He was going crazy and thank

881
00:56:30,160 --> 00:56:33,120
Speaker 2: me for the guard. W NBA, they'd been throwing joint

882
00:56:33,160 --> 00:56:34,040
Speaker 2: skis on the court.

883
00:56:34,920 --> 00:56:40,239
Speaker 1: You seen that. No, it was jorn joints. They went

884
00:56:40,280 --> 00:56:41,600
Speaker 1: to Dynasty COMMODI.

885
00:56:42,280 --> 00:56:47,239
Speaker 2: No, not joint skis. Joint skis. They throwing dildos on

886
00:56:47,320 --> 00:56:49,000
Speaker 2: the court in the w NBA.

887
00:56:49,960 --> 00:56:53,479
Speaker 1: That's a dildo's are joint sky? I mean, I didn't

888
00:56:53,480 --> 00:56:56,239
Speaker 1: want to try to keep him for letic legarec yo.

889
00:56:56,320 --> 00:56:58,279
Speaker 1: What let me tell you something, man, this shit out

890
00:56:58,320 --> 00:57:03,480
Speaker 1: of control, like yo America gone wow, and.

891
00:57:03,560 --> 00:57:08,960
Speaker 2: They keep throwing lying greenwood. They caught the less somebody

892
00:57:09,080 --> 00:57:11,640
Speaker 2: just got arrested. Somebody try to keep it going and

893
00:57:11,719 --> 00:57:12,040
Speaker 2: knocked me.

894
00:57:12,200 --> 00:57:14,360
Speaker 1: I went to the NBA the w n b A

895
00:57:14,520 --> 00:57:17,200
Speaker 1: with Remy and she pull up in my house and

896
00:57:17,320 --> 00:57:22,280
Speaker 1: she got not just the short shorts, short short, the short.

897
00:57:22,600 --> 00:57:24,680
Speaker 1: So I'm looking at her. I'm like your sister, like

898
00:57:24,840 --> 00:57:29,160
Speaker 1: you're gonna wear that ship in the game. Well, are

899
00:57:29,160 --> 00:57:35,680
Speaker 1: you talking about Broston yo? My man? Yo? Yo, I

900
00:57:35,800 --> 00:57:37,600
Speaker 1: mean talking about look at the bench. They doing this

901
00:57:37,760 --> 00:57:43,040
Speaker 1: to Remy hot ship Florus as soon as the game

902
00:57:43,120 --> 00:57:45,720
Speaker 1: and that they ran over Remy. I was like, yo,

903
00:57:46,200 --> 00:57:53,760
Speaker 1: you looking for the ship. You came to the Florentity. No,

904
00:57:53,960 --> 00:57:56,840
Speaker 1: ain't lying, and we love him. I'm a big fan

905
00:57:56,920 --> 00:57:59,120
Speaker 1: of the w n b A. I got no problems,

906
00:57:59,280 --> 00:58:04,680
Speaker 1: but I want premeditated house with THEMB ships. I said, Yo, listen,

907
00:58:04,760 --> 00:58:07,400
Speaker 1: this is gonna be an issue. She don't want. I said,

908
00:58:07,440 --> 00:58:10,400
Speaker 1: all right, every time I look over my shoulder, they're

909
00:58:10,400 --> 00:58:14,440
Speaker 1: going sending the hearts and ship that rand. I said, Yom,

910
00:58:14,640 --> 00:58:19,240
Speaker 1: you came to the bong. You can't to the them motherfuckers.

911
00:58:19,280 --> 00:58:21,040
Speaker 1: They ran over at the end of the game. Hey,

912
00:58:21,240 --> 00:58:24,040
Speaker 1: Raan love you this, this, that. But they throwing joint

913
00:58:24,120 --> 00:58:28,920
Speaker 1: skis at the game. That's violation. But it gotta be Nah.

914
00:58:28,920 --> 00:58:30,560
Speaker 1: I ain't even jamming myself up.

915
00:58:30,560 --> 00:58:36,520
Speaker 2: Like that don't please please do please don't because don

916
00:58:38,240 --> 00:58:41,280
Speaker 2: rich flag, don't do pre flag.

917
00:58:41,920 --> 00:58:46,600
Speaker 1: Yo. Let me tell you something, jadakids congratulations in the algorithm. Yo,

918
00:58:46,720 --> 00:58:48,760
Speaker 1: this man. It didn't take long for this man to

919
00:58:48,840 --> 00:58:51,640
Speaker 1: get in the system. The joint skis on the court,

920
00:58:52,160 --> 00:58:54,080
Speaker 1: that's the funniest ship I ever heard of my life.

921
00:58:54,080 --> 00:58:56,520
Speaker 1: I thought you meant like they had dykemen throwing joints

922
00:58:57,760 --> 00:59:01,200
Speaker 1: at Luca. I'm I don't know, like joints like.

923
00:59:01,360 --> 00:59:07,000
Speaker 2: Like Barrol Rondo's not three rolls and three rolling skeets

924
00:59:07,080 --> 00:59:09,640
Speaker 2: on the court lime green joints skeis.

925
00:59:10,400 --> 00:59:12,240
Speaker 1: Why they lying green? I don't know where.

926
00:59:12,520 --> 00:59:14,400
Speaker 2: I don't know where they get the I don't know

927
00:59:14,480 --> 00:59:18,680
Speaker 2: what they got the color away from. I just know

928
00:59:18,920 --> 00:59:22,680
Speaker 2: he's throwing joint skis. Man, we gotta stop this. They

929
00:59:22,960 --> 00:59:25,919
Speaker 2: pay them ladies with you owe them. You know you're

930
00:59:25,960 --> 00:59:27,560
Speaker 2: throwing them joint skis on the court.

931
00:59:27,680 --> 00:59:30,440
Speaker 1: Man. Yeah, somebody lost one of the mayor bets. They

932
00:59:30,520 --> 00:59:33,400
Speaker 1: needed somebody to have two more points. They took him out.

933
00:59:33,520 --> 00:59:37,120
Speaker 1: Joint skill through the y'all all that's might be happening.

934
00:59:37,760 --> 00:59:40,360
Speaker 1: Joe may is over there like this guy got twelve?

935
00:59:40,400 --> 00:59:43,320
Speaker 1: Who was it you spent ten thousand you had on

936
00:59:43,440 --> 00:59:46,240
Speaker 1: that game? You tell her that was the guy? What

937
00:59:46,480 --> 00:59:50,960
Speaker 1: was the guy? Scored twelve? Obram Bro they pulled about twelve.

938
00:59:51,120 --> 00:59:52,840
Speaker 1: I was like, yo, for sure. It was like seven

939
00:59:52,880 --> 00:59:53,439
Speaker 1: minutes left.

940
00:59:54,360 --> 00:59:57,880
Speaker 2: I'm like, for sure, she spent nine thousand, Ladies and gentlemen,

941
00:59:58,920 --> 01:00:01,040
Speaker 2: Mays spent nine thousand, nine thousand.

942
01:00:01,280 --> 01:00:05,000
Speaker 1: That was a nine thousand dollars bet. That's a Canadian

943
01:00:05,120 --> 01:00:11,080
Speaker 1: border conversation there. Let me tell you something. Nobody bigger

944
01:00:11,120 --> 01:00:18,800
Speaker 1: than the program. Nobody is bigger than the program. And

945
01:00:18,920 --> 01:00:23,640
Speaker 1: when people start thinking they bigger than the program, that's

946
01:00:23,680 --> 01:00:28,840
Speaker 1: when they disappear, you know. And even I me, I've

947
01:00:28,880 --> 01:00:31,080
Speaker 1: had the conversation because people look at me like I'm

948
01:00:31,120 --> 01:00:34,000
Speaker 1: the leader of my crew. But I've had the conversation

949
01:00:34,760 --> 01:00:38,440
Speaker 1: with guys in my crew where I say, nobody's bigger

950
01:00:38,480 --> 01:00:42,880
Speaker 1: than the program. Even Fat Joe is accessible. If I

951
01:00:43,200 --> 01:00:46,840
Speaker 1: for some reason I'm out of here, you know, the

952
01:00:46,920 --> 01:00:50,320
Speaker 1: show goes on. I ain't just talking about rap, I'm

953
01:00:50,360 --> 01:00:53,200
Speaker 1: just talking about in life. And so people get confused

954
01:00:54,160 --> 01:00:58,000
Speaker 1: thinking they bigger than the program. Like, yeah, your contributions

955
01:00:58,120 --> 01:01:02,160
Speaker 1: is incredible, Yeah, we appreciate what you do. I mean,

956
01:01:02,240 --> 01:01:04,640
Speaker 1: if you want to be tough. We got thirty tough guys.

957
01:01:05,240 --> 01:01:08,960
Speaker 1: What you feel about people when they start thinking they

958
01:01:09,120 --> 01:01:13,560
Speaker 1: bigger than the program? Karma deal with them. But God

959
01:01:13,680 --> 01:01:17,320
Speaker 1: sort of though, kill them and didn't let go. I

960
01:01:17,480 --> 01:01:19,960
Speaker 1: love that. Let me get let me, let me get

961
01:01:20,000 --> 01:01:22,680
Speaker 1: these questions in here. Jada's on one today. Boy, let

962
01:01:22,760 --> 01:01:29,479
Speaker 1: me tell yourself. Yo. By the way, if yesterday's the third,

963
01:01:29,640 --> 01:01:35,240
Speaker 1: the fourth anniversary of our the versus locks of dip Set,

964
01:01:35,760 --> 01:01:50,640
Speaker 1: then today's the anniversary of yesterday's price full. We didn't

965
01:01:50,640 --> 01:01:58,000
Speaker 1: even gotta do no questions that it question ended with that, man,

966
01:01:59,000 --> 01:02:03,800
Speaker 1: I gotta say shout out recipes to Chubby Baby Stiff

967
01:02:03,920 --> 01:02:06,120
Speaker 1: said that moved down to Atlanta because he threw the

968
01:02:06,200 --> 01:02:09,120
Speaker 1: battery in my back. I went to my store the

969
01:02:09,240 --> 01:02:11,400
Speaker 1: next day. He was, you know, he was dip set.

970
01:02:12,280 --> 01:02:14,480
Speaker 1: So we started talking about this shit. I say, you

971
01:02:14,560 --> 01:02:18,600
Speaker 1: know what, let me crack this ig, open pause and

972
01:02:18,800 --> 01:02:22,120
Speaker 1: talk about my experience in this because he was so

973
01:02:22,400 --> 01:02:25,880
Speaker 1: passionate about it that we was going back and forth

974
01:02:25,960 --> 01:02:27,960
Speaker 1: so much to see you maybe somebody want to hear

975
01:02:28,000 --> 01:02:30,600
Speaker 1: about the shit and the numbers because I used to

976
01:02:30,680 --> 01:02:33,360
Speaker 1: do the ig. The numbers was I don't even know

977
01:02:33,480 --> 01:02:35,760
Speaker 1: how many we had hundreds of thousands of people on

978
01:02:35,880 --> 01:02:38,240
Speaker 1: the live at one time. I never did that before.

979
01:02:39,200 --> 01:02:42,520
Speaker 1: And while I'm talking to my shit, i'll talk about you,

980
01:02:42,680 --> 01:02:46,080
Speaker 1: and I just say yo. And he produced any promoted

981
01:02:47,040 --> 01:02:51,720
Speaker 1: that was negotiating with Jada Kisses team last week and

982
01:02:51,880 --> 01:02:56,840
Speaker 1: didn't book them. Just know that yesterday's price is not

983
01:02:57,160 --> 01:03:06,840
Speaker 1: today's price. Yesterday today's price, it's not today's price and superviral.

984
01:03:07,360 --> 01:03:09,600
Speaker 1: Did I cash in on it? I don't know. I

985
01:03:09,640 --> 01:03:11,600
Speaker 1: don't think I did much of it, but I didn't

986
01:03:11,600 --> 01:03:14,240
Speaker 1: get merged. I didn't, you know, I thought I could

987
01:03:14,240 --> 01:03:16,840
Speaker 1: sue somebody. They at a bank company with a dude

988
01:03:16,960 --> 01:03:19,600
Speaker 1: was dance. Yesterday's price is not saying it. Like me,

989
01:03:20,280 --> 01:03:23,720
Speaker 1: I try, yo, I sue him. He was like, it's

990
01:03:23,760 --> 01:03:26,320
Speaker 1: like you don't own this ship. It's like damn. I

991
01:03:26,360 --> 01:03:28,800
Speaker 1: thought we had them. Like, I'm not gonna suit somebody

992
01:03:29,560 --> 01:03:32,240
Speaker 1: of our nature, but you got a bank white dude

993
01:03:32,320 --> 01:03:35,560
Speaker 1: with an umbrella. Yesterday's price is not saying it. I said, Oh,

994
01:03:35,640 --> 01:03:38,200
Speaker 1: I got him. I was like, no, you can't sue,

995
01:03:39,000 --> 01:03:42,800
Speaker 1: you know, but it's fun time. Thank you. Let's get

996
01:03:42,880 --> 01:03:50,320
Speaker 1: these questions. James. Yesterday's price, it's not today's price. That

997
01:03:50,480 --> 01:03:53,000
Speaker 1: phrase right there changed my life. Let me tell you

998
01:03:53,160 --> 01:03:57,360
Speaker 1: something and shout out to push your tea. Kanye Kanye

999
01:03:57,520 --> 01:04:01,919
Speaker 1: sampled that started that Yesterday's right. That crack crack crack

1000
01:04:02,000 --> 01:04:05,320
Speaker 1: on diet coke. If I would have told him, it

1001
01:04:05,320 --> 01:04:08,120
Speaker 1: would have been a diapet even though I look like

1002
01:04:08,200 --> 01:04:11,560
Speaker 1: a human diet coke today. You know what I'm saying,

1003
01:04:12,480 --> 01:04:14,880
Speaker 1: Get the questions. Let's go, yo.

1004
01:04:15,080 --> 01:04:18,960
Speaker 5: This is Brad Register from wild Wood, Florida, now resigning

1005
01:04:18,960 --> 01:04:20,120
Speaker 5: in Newport News, Virginia.

1006
01:04:20,240 --> 01:04:22,320
Speaker 1: I like what you guys doing, man, I love y'all show.

1007
01:04:23,520 --> 01:04:26,440
Speaker 5: My question is you know when your guys were coming

1008
01:04:26,520 --> 01:04:29,520
Speaker 5: up through hip hop, Like what was your favorite show

1009
01:04:29,920 --> 01:04:34,040
Speaker 5: out of your MTV Raps or Rap City? And also,

1010
01:04:34,680 --> 01:04:37,600
Speaker 5: could you guys try to get Fab five Freddy on

1011
01:04:37,760 --> 01:04:40,160
Speaker 5: the show because I know you guys like hearing stories

1012
01:04:40,200 --> 01:04:43,240
Speaker 5: and stuff like that, and he's like been around hip

1013
01:04:43,240 --> 01:04:45,120
Speaker 5: hop for a long time, so I know he got

1014
01:04:45,200 --> 01:04:46,360
Speaker 5: crazy stories.

1015
01:04:47,240 --> 01:04:52,040
Speaker 1: Yo on TV raps or Rap rap City Yo in

1016
01:04:52,160 --> 01:04:55,160
Speaker 1: TV rap I'm gonna disrespect the whole ship and say

1017
01:04:55,280 --> 01:04:56,640
Speaker 1: video music Box.

1018
01:04:56,720 --> 01:04:58,920
Speaker 2: Really he didn't get with he didn't get us that

1019
01:04:59,680 --> 01:05:02,160
Speaker 2: from my he liked the video music Box more than

1020
01:05:02,240 --> 01:05:02,680
Speaker 2: both of them.

1021
01:05:04,040 --> 01:05:07,520
Speaker 1: Now, Fab five Freddy we need him on this from graffiti.

1022
01:05:07,640 --> 01:05:10,760
Speaker 1: We need Fab five Freddie. He's real hip hop. Fab

1023
01:05:10,840 --> 01:05:13,400
Speaker 1: five Freddy. I think he did the first collapse because

1024
01:05:13,440 --> 01:05:16,040
Speaker 1: when I was looking into like, I can't explain it

1025
01:05:16,120 --> 01:05:18,520
Speaker 1: to you any other way. The Bronx was a war zone,

1026
01:05:19,600 --> 01:05:23,280
Speaker 1: like people live in abandoned buildings. The biggest gang wasn't

1027
01:05:23,280 --> 01:05:26,520
Speaker 1: the bloods and crips, it was the stray Dogs. So

1028
01:05:27,240 --> 01:05:30,440
Speaker 1: when I think about the beginning of hip hop, I

1029
01:05:30,560 --> 01:05:34,240
Speaker 1: can't believe a white girl Fab five Freddy's from the Bronx. No,

1030
01:05:34,320 --> 01:05:37,320
Speaker 1: I'm not saying that the lord it started in the Bronx.

1031
01:05:38,960 --> 01:05:41,720
Speaker 1: Russell Simmons came to the Bronx. They all came to

1032
01:05:41,840 --> 01:05:44,919
Speaker 1: the Bronx. The fever of the first night club playing

1033
01:05:45,000 --> 01:05:47,200
Speaker 1: hip hops in the Bronx all I be Tello. What

1034
01:05:47,360 --> 01:05:51,640
Speaker 1: I'm trying to say is I never understood the first

1035
01:05:51,840 --> 01:05:56,360
Speaker 1: major collaboration was Blondie right up in the I never

1036
01:05:56,520 --> 01:06:00,800
Speaker 1: understood how did this white girl had the hard to

1037
01:06:01,000 --> 01:06:06,760
Speaker 1: either go seduate Bronx River on my hood and make

1038
01:06:06,840 --> 01:06:10,200
Speaker 1: this song and have rappers on it. And then when

1039
01:06:10,240 --> 01:06:13,320
Speaker 1: I went down to like trying to figure out how

1040
01:06:13,360 --> 01:06:18,000
Speaker 1: it happened. Fab five Freddy made that happen. You know

1041
01:06:18,120 --> 01:06:20,080
Speaker 1: how early he had to be in the game of

1042
01:06:20,240 --> 01:06:26,400
Speaker 1: hip hop to make that song possible to Blondie, rightcha,

1043
01:06:28,080 --> 01:06:30,920
Speaker 1: let's be getting the hip hop. So I agree with

1044
01:06:31,040 --> 01:06:33,400
Speaker 1: this brother right here. We need Fat five Freddy on

1045
01:06:33,480 --> 01:06:35,840
Speaker 1: this show just to keep it. I mean, that's what

1046
01:06:35,960 --> 01:06:43,120
Speaker 1: I think we're doing, preserving the culture. Next question, please, yo, Jada,

1047
01:06:43,240 --> 01:06:43,520
Speaker 1: this is.

1048
01:06:43,640 --> 01:06:48,040
Speaker 6: Not a question. Do you remember walking into TGI Fridays

1049
01:06:48,120 --> 01:06:52,040
Speaker 6: and Yonkers at Cross County and buying a girl a

1050
01:06:52,200 --> 01:06:55,840
Speaker 6: Hennessy shot after leaving the hospital. You had a hospital band.

1051
01:06:56,960 --> 01:07:00,280
Speaker 6: That's my newborn baby. That was the coolest thing you've

1052
01:07:00,320 --> 01:07:02,880
Speaker 6: ever done. I was an absolute shock. I said nothing,

1053
01:07:03,000 --> 01:07:04,760
Speaker 6: You said nothing, brought me a shot, out had the

1054
01:07:04,800 --> 01:07:07,120
Speaker 6: scene and walked out. I love you one of my

1055
01:07:07,240 --> 01:07:09,560
Speaker 6: favorite rappers. I just have to share that memory with

1056
01:07:09,680 --> 01:07:11,320
Speaker 6: you in case you don't remember that.

1057
01:07:12,600 --> 01:07:17,040
Speaker 1: No recollect I was off in the stage. He got

1058
01:07:17,120 --> 01:07:20,680
Speaker 1: super love for you and shout out to St. Lens

1059
01:07:20,760 --> 01:07:22,760
Speaker 1: and Yonk. This man they came out for that song.

1060
01:07:22,920 --> 01:07:25,640
Speaker 1: He sat a rum Puerto Rican rum. They came out

1061
01:07:25,640 --> 01:07:28,480
Speaker 1: by the hundred. You knew it, right, you told me

1062
01:07:28,560 --> 01:07:32,800
Speaker 1: it was gonna be lit Stu Lennis Yonki, what's up y'all?

1063
01:07:33,640 --> 01:07:36,000
Speaker 1: Yo Joe, Yo Jada? What it up? Man? Your boy

1064
01:07:36,120 --> 01:07:38,120
Speaker 1: ran a million from the Bronx and all that.

1065
01:07:38,640 --> 01:07:42,680
Speaker 7: I just want to ask, why are DJs and like

1066
01:07:43,040 --> 01:07:47,520
Speaker 7: mainstream artists not discovering or breaking new artists no more?

1067
01:07:47,520 --> 01:07:49,480
Speaker 7: They leaving it all to the new artists to like

1068
01:07:50,280 --> 01:07:52,720
Speaker 7: do it by themselves, and then they want to help

1069
01:07:52,880 --> 01:07:56,840
Speaker 7: once the up and coming artists already did with they

1070
01:07:56,920 --> 01:07:57,600
Speaker 7: needed to help with.

1071
01:07:58,440 --> 01:08:01,160
Speaker 1: I think that's on the individual. I mean, some people

1072
01:08:01,200 --> 01:08:03,280
Speaker 1: don't know how to ask fail. Some people don't know

1073
01:08:03,360 --> 01:08:05,640
Speaker 1: how to all help. Some people don't know how to

1074
01:08:05,760 --> 01:08:09,000
Speaker 1: do you want me? I gave up on helping artists

1075
01:08:09,080 --> 01:08:11,800
Speaker 1: at a lot of famous I'm a lot of taking

1076
01:08:11,960 --> 01:08:17,080
Speaker 1: every relationship I ever had and signing you and introducing

1077
01:08:17,200 --> 01:08:20,400
Speaker 1: you to all my important people, and then paying for

1078
01:08:20,479 --> 01:08:24,479
Speaker 1: your videos, buying your clothes, putting you in the studio,

1079
01:08:24,720 --> 01:08:26,800
Speaker 1: helping you make their hands, and then as soon as

1080
01:08:26,840 --> 01:08:29,439
Speaker 1: you pop, you tell me I ain't shit, I'm not

1081
01:08:29,560 --> 01:08:33,519
Speaker 1: doing that no more. I'm firm on it. In fact,

1082
01:08:33,600 --> 01:08:36,479
Speaker 1: I heard the artists and I'm gonna shout you out

1083
01:08:36,520 --> 01:08:39,560
Speaker 1: don't know what your name is. But I went to

1084
01:08:39,680 --> 01:08:43,920
Speaker 1: this thing pretty little be doing this DJ turntable thing

1085
01:08:44,080 --> 01:08:46,280
Speaker 1: battle thing, and everybody was in there. And I went

1086
01:08:46,320 --> 01:08:50,639
Speaker 1: to Jersey and I went down there and some dude

1087
01:08:50,760 --> 01:08:54,519
Speaker 1: wrapped who normally I would have signed him in one second.

1088
01:08:55,479 --> 01:09:00,400
Speaker 1: This guy was so nice lyric fluidly. Every word he

1089
01:09:00,560 --> 01:09:03,800
Speaker 1: said came Crystal clare and after he performed me came

1090
01:09:03,880 --> 01:09:05,800
Speaker 1: around me. All I could do is say, yo, bro,

1091
01:09:07,040 --> 01:09:11,920
Speaker 1: congratulations was up with you? And Chris Chris said, yo, Joe,

1092
01:09:12,680 --> 01:09:16,000
Speaker 1: this guy is. I said, yeah, but he's gonna tell

1093
01:09:16,040 --> 01:09:18,799
Speaker 1: me suck his dick. And you know, he was the biggest,

1094
01:09:19,400 --> 01:09:21,519
Speaker 1: he was the biggest in the game before he met me.

1095
01:09:21,680 --> 01:09:25,040
Speaker 1: He's the live is. He's he knows everything. He's like,

1096
01:09:25,120 --> 01:09:27,719
Speaker 1: I'm like, I'm not doing that. Like I just can't

1097
01:09:27,840 --> 01:09:31,639
Speaker 1: help you no more. I've been burnt too many times. Sports.

1098
01:09:32,640 --> 01:09:35,800
Speaker 1: Next question, Hey, Hey, what's up, y'all? Man?

1099
01:09:35,880 --> 01:09:38,439
Speaker 8: This djin' nasty Nate Collin straight out of South Florida

1100
01:09:38,520 --> 01:09:42,679
Speaker 8: man for four miles. Hey, my question is, man, y'all long,

1101
01:09:42,920 --> 01:09:45,639
Speaker 8: been doing it so long, but was the one thing

1102
01:09:45,760 --> 01:09:47,160
Speaker 8: that you wish you would have never did?

1103
01:09:47,960 --> 01:09:49,840
Speaker 1: One thing? I wish I never did is gave so

1104
01:09:49,960 --> 01:09:53,320
Speaker 1: many people my phone number. M hm, you got the

1105
01:09:53,360 --> 01:09:56,960
Speaker 1: same number for like twenty years and all that recent

1106
01:09:57,200 --> 01:10:02,599
Speaker 1: I used to change my ship. What was the question again, James,

1107
01:10:03,200 --> 01:10:05,240
Speaker 1: What's one of the things you wish you never did?

1108
01:10:06,280 --> 01:10:11,639
Speaker 1: Beat so many people up? Certain ones should have talked

1109
01:10:11,680 --> 01:10:16,000
Speaker 1: it out. Yeah, yeah, a few times. There was certain

1110
01:10:16,040 --> 01:10:18,160
Speaker 1: ones that when I look back, I just say, it

1111
01:10:18,400 --> 01:10:23,840
Speaker 1: just didn't make sense and keeping in the buck. It

1112
01:10:23,880 --> 01:10:27,960
Speaker 1: didn't make sense that when I look back at it now, like, yo,

1113
01:10:28,080 --> 01:10:30,599
Speaker 1: you know why because sometimes you beat the guy up

1114
01:10:30,760 --> 01:10:35,160
Speaker 1: and they become martyrs and people you know, look at

1115
01:10:35,200 --> 01:10:38,519
Speaker 1: them like you know, they wasn't even authorized to get

1116
01:10:38,560 --> 01:10:42,920
Speaker 1: beat up. These guys didn't even deserve it, you know.

1117
01:10:43,000 --> 01:10:44,760
Speaker 1: But now they're the guys that Fat Joe and the

1118
01:10:44,840 --> 01:10:48,400
Speaker 1: Terror Squad beat up. They running around like yo, that's homie,

1119
01:10:48,600 --> 01:10:50,479
Speaker 1: you know, Fat Joe and have beat them up like

1120
01:10:51,479 --> 01:10:53,920
Speaker 1: too much fluidity for these guys in the hood. They

1121
01:10:53,960 --> 01:10:57,720
Speaker 1: didn't even deserve it. You know what I'm saying, Yo,

1122
01:10:57,760 --> 01:11:02,200
Speaker 1: I'm Joe Krack, your boy. It's the Joe and Jadab

1123
01:11:03,240 --> 01:11:06,400
Speaker 1: another legendary episode. Ladies and gentlemen, we

1124
01:11:06,520 --> 01:11:11,840
Speaker 2: Appreciate you like, share, subscribe, word of mouth ha