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Speaker 1: Fifty percent right year, fifty percent rat to sit down

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Speaker 1: didn't coming the most prominent form. Wait yo ass up

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Speaker 1: early in the morning, but they tell me it was y'all.

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Speaker 1: I said, oh, hell yeah, I'm getting the Joys morning

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Speaker 1: Ship three people's choice. Actually, unless people. I can't believe

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Speaker 1: you guys are the basket. What we know this breakfast

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Speaker 1: club petitions? Eddie turned me up. Eddie shut up? Good

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Speaker 1: morning Usa, joji yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo Good morning angela Ye. Well well, well

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Speaker 1: ze damn sholom me. The guy inst to the planet

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Speaker 1: is Friday. Yes, it's Friday. I'm excited about that. I

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Speaker 1: hope you guys are too. I thought you were taking

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Speaker 1: off today. I was going too, but I decided to

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Speaker 1: come to work. I didn't have nothing to do. I'm

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Speaker 1: still in Boston. I had a show last night. Why

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Speaker 1: would you take off work being that we got a

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Speaker 1: whole Christmas and New Year's vacation coming up. Well, I

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Speaker 1: was gonna drive back, but I decided not to drive

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Speaker 1: back and just come to work and then fly back

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Speaker 1: after y'all love that drive to Boston while get on

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Speaker 1: a plane plane riders forty minutes from New York City. Well,

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Speaker 1: because he wouldn't have been able to make you back

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Speaker 1: in time after the party he did last night, because

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Speaker 1: there's no flight. You ain't got no private jet. Vy

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Speaker 1: every rapper in America, every comedian, little dude, all, I'm

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Speaker 1: talking to you. All these negroes got private jets and

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Speaker 1: you though I'm a little too cheap for that private jet.

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Speaker 1: I got five kids, bro, No, okay, go yeah, that

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Speaker 1: is a great instance of when a private jet would

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Speaker 1: be pretty handy. Yeah, maybe, but it's too expensive for me, Bro,

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Speaker 1: I got five kids. Really, that private jet thing that

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Speaker 1: was like uber everybody I thought, I'm actually thought about

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Speaker 1: being a membership of that. But the problem is they

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Speaker 1: only go at certain times, Like you can't get a

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Speaker 1: jet at three in the morning. Just sounds so like

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Speaker 1: rich talk, but you can't get it at certain times,

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Speaker 1: so it doesn't make sense. No, hold on, now, you

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Speaker 1: say rich talk, but they say it's like ooh, but

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Speaker 1: I thought it was a four. No, it's still very expensive,

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Speaker 1: but it's cheaper than a private jet. But I think

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Speaker 1: it's like you have to apply for membership. Membership there's

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Speaker 1: like fifteen thousand now let and then you still have

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Speaker 1: to pay after that every time you get one of

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Speaker 1: those flights, and then it's not really good for plate

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Speaker 1: for cities that don't have a lot of traffic, like

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Speaker 1: you know, it's from major cities or major cities for

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Speaker 1: all those regular folks. Don't go chasing private jets. To

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Speaker 1: stick to the Deltas and the jet blues and chie exactly.

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Speaker 1: I say, I've never been on a private jet. Me

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Speaker 1: needs to have lived. Bob Pittman uh invited me to

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Speaker 1: fly out with him one time when we was to

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Speaker 1: Revolt Music conference, but I couldn't because we had something

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Speaker 1: to do that time to do after that. And And then

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Speaker 1: you kind of check it out a little bit. You

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Speaker 1: was like, I don't know, share the proper to check

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Speaker 1: it out, Like nope, that's how people die. Well, Front

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Speaker 1: Page News, we got coming up. What we're talking about? You,

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Speaker 1: I don't know, Okay, she hasn't done any preparation. Normally,

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Speaker 1: when I come in here for Front Page News, there's

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Speaker 1: seven different stories laid out and I pick which two

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Speaker 1: I think are the most important. Who didn't do their job?

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Speaker 1: Let me gave me any stories nobody gave you. I

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Speaker 1: can tell you what I think I would want to do,

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Speaker 1: what you think you want to do, what you think

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Speaker 1: you know. We can talk about Donald Trump, and that's

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Speaker 1: a good. That's good, you're talking Donald Trump. Let me

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Speaker 1: come back. Okay, he's keeping his job as an executive

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Speaker 1: producer of Celebrity Princess even though he's going to be

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Speaker 1: president of the United States and everyone's talking about that. Okay, Okay,

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Speaker 1: we'll get into all that and more hopefully when we

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Speaker 1: come back and shout everybody that came out to kill lowns.

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Speaker 1: Last night in Boston. We had a great time. Boston

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Speaker 1: really ex with us, so we appreciate you, Boston front

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Speaker 1: page News. When we come back, it's the breakfast club.

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Speaker 1: Come on, well, let's get in some front page news now.

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Speaker 1: One Thursday night football, the Kansas City Chiefs beat the

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Speaker 1: Raiders twenty one to thirteen. Right now, this weekend, my

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Speaker 1: giants will be demolishing those Cowboys. I am actually going

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Speaker 1: to the game, so good luck to you cowgirl fans

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Speaker 1: the game as well. I don't believe in luck. I

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Speaker 1: believe in I was having a team. We're eleven year one.

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Speaker 1: The only team that beat us this year with the Giants,

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Speaker 1: and oh you know, we were a totally different team

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Speaker 1: that first gave it the season. We've learned a lot.

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Speaker 1: So it should be a great game on Sunday with

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Speaker 1: the Dallas Cowboys. Well, when I tell you who it

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Speaker 1: first lost, the Cowboy's gonna get this year after this

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Speaker 1: screak is against the Detroit line. That's gonna be Sunday.

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Speaker 1: But anyway, let's talk about Trump now, still in the

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Speaker 1: news stories they gave me. I'm good though, I know

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Speaker 1: what's going on because I watched the news this morning.

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Speaker 1: Here you go, let's talk about Donald Trump. All right.

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Speaker 1: Donald Trump is going to remain as executive producer on

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Speaker 1: Celebrity or Apprentice, even though he's going to be the

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Speaker 1: president of the United States. Close bomb with Donald Trump

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Speaker 1: not given a damn about anything. This is after he

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Speaker 1: had said that he's gonna kind of cut ties with

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Speaker 1: all of his other companies to focus on being the president.

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Speaker 1: Now he has decided that he will stay on as

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Speaker 1: the executive producer. We don't know how much he's making

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Speaker 1: from that. Some people are concerned though, because it's on NBC,

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Speaker 1: so NBC reports news about Donald Trump. How is it

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Speaker 1: going to affect all of that. I'm not the highest

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Speaker 1: grade of weed in the dispensary, but that has to

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Speaker 1: be a game in some type of constitution. It's not

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Speaker 1: actually it's actually illegal. You're a real resident of the

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Speaker 1: United States of America, don't You don't have time to

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Speaker 1: be ep and no TV shows. His name is just

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Speaker 1: gonna be on it. His name is just gonna be

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Speaker 1: on His family is going to run it. I don't

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Speaker 1: know how this is going to work, but can't have

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Speaker 1: that time. Clearly, something like this is unprecedented. And you know,

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Speaker 1: the fact he wants to be is the problem though,

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Speaker 1: because if you're at a president of the idea of

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Speaker 1: the time, you should be saying, I'm going to focus

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Speaker 1: all my energy on running this country. I'm the leader

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Speaker 1: of the free world. Who got time to be epn reality?

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Speaker 1: But he also wants to know who's going to be

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Speaker 1: the next celebrity apprentice on top of all that, and

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Speaker 1: let's be clear, you know he's going to be naming

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Speaker 1: the Secretary of State they believe as early as Monday

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Speaker 1: as well, so be interesting to see who his pick

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Speaker 1: is for that. This is jok. You just got to

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Speaker 1: sit back and uh and enjoy the next four years.

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Speaker 1: Like you got to look at it like a reality show.

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Speaker 1: You now, you watch these reality shows and you tweet

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Speaker 1: about how much you hate them. Right, that's what we

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Speaker 1: have to do with America right now. And most of

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Speaker 1: the people that he's picked for his cabinet so far

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Speaker 1: are all millionaires. So some people are saying, well, do

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Speaker 1: you want to put a bunch of people who haven't

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Speaker 1: been successful to run this country? Or do you want

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Speaker 1: people who have successful businesses and not only that, a

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Speaker 1: bunch of millionaires who have been out of touch with

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Speaker 1: the common man for so long time? So long. Now,

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Speaker 1: let's talk about Hillary Now, what she says, she got

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Speaker 1: beat by fake news. That's the name I haven't heard

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Speaker 1: in weeks weeks, Right, Well, Hillary Clinton was giving her

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Speaker 1: first speech ever since everything has happened, and she was

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Speaker 1: actually talking about why she thinks that she lost the

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Speaker 1: election and how fake media, fake news, it's really hurtful

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Speaker 1: to even the average person. Here's what she had to say,

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Speaker 1: ever done malicious fake news and false propaganda the flood

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Speaker 1: social media over the past year. It's kind of clear

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Speaker 1: that so called fake news and have real world consequences.

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Speaker 1: This isn't about politics or partisanship. Wives are address. It's

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Speaker 1: a danger that must be addressed. It's imperative the leaders

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Speaker 1: in both the private sector and the politic sector step

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Speaker 1: up to protect She's absolutely right, though, here was that

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Speaker 1: whole pizza gate story that was circulating that was fake

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Speaker 1: about her. Yeah, I mean there's a lot of different

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Speaker 1: even when you do your research. You could do your

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Speaker 1: research and it's still be fake. Like Denzel Washington said,

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Speaker 1: if you if you read the paper what he said.

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Speaker 1: He said, if you don't read the paper, you're uninformed.

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Speaker 1: If you read the paper, you're misinformed. I feel like

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Speaker 1: that anytime I watch I watched any news or go

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Speaker 1: online and look at any type of news whatsoever, because

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Speaker 1: you really don't know. I think recently didn't tell me

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Speaker 1: he'll figure out a book. And there was this whole

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Speaker 1: thing where they were saying he didn't want black people

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Speaker 1: wearing his clothes, and he was like, where is this

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Speaker 1: quote from I've never said that that and uh true?

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Speaker 1: I thought those were true? Fat that was that was

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Speaker 1: that was false? And I was he was like, show

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Speaker 1: me where I said that. I was. I was up

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Speaker 1: at Timberland recently and one of the guys that was

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Speaker 1: telling me the same thing, same thing about that story.

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Speaker 1: I didn't want black people wearing shoes, and I know

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Speaker 1: it affected. He'll fake it because we did. Our community

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Speaker 1: stopped wearing. He'll fake it. The whole community. We just

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Speaker 1: like shut it down. So how do you know when

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Speaker 1: something's real? To night if you can actually see a

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Speaker 1: video with the person saying it and quoted an incredible

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Speaker 1: source during an interview, Yeah, that would mean okay, I

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Speaker 1: see the words coming out of his mouth. That's why

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Speaker 1: it's more imperative than ever that we have, like I

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Speaker 1: said earlier this week, and online news network that is

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Speaker 1: controlling our narratives and putting the things out there that

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Speaker 1: are actually true inaccurate, because you have so much lies

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Speaker 1: coming from the conservative right. Right all right, saying my

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Speaker 1: last front page news. Now tell them why you're mad

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Speaker 1: eight hundred five eight five one oh five one. If

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Speaker 1: you're upset, you need to vent call us right now.

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Speaker 1: Maybe had a bad night, a bad morning. Eight hundred

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Speaker 1: five eight five one oh five one. The phone lines

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Speaker 1: or wide open, call us up right now. It's the

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Speaker 1: Breakfast Club, Go morning, the Breakfast Club Hey, y'all, y'all, Hey, y'all.

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Speaker 1: Go lord, I'll tell you why man, tell you why

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Speaker 1: back mad? Because I don't not in the club last

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Speaker 1: night and it was any good girls and then you

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Speaker 1: for men. We don't need any young good girls in

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Speaker 1: the pub. We need loose girls. W didn't drug govid

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Speaker 1: he slappy girls. We didn't go go go away. We

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Speaker 1: don't need any young guys. Goes. It didn't go home,

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Speaker 1: go away? Talk about it? He tell me? Why are

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Speaker 1: you mad? Breakfast club? For real? Hello? Who's this Bryan? Bryan?

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Speaker 1: Tell them where you met? I'm mad? You got to

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Speaker 1: talk about politics? You don't know nothing about all right?

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Speaker 1: Talking to me? Brother? Try thinking million there the trumper

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Speaker 1: thinking don't know anything about the common man? Do you

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Speaker 1: think any of those small fishes though anything about the

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Speaker 1: common person? Especially one sit up and off the twenty years? No? So,

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Speaker 1: why so why are you telling? Why are you saying

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Speaker 1: we wrong? Then? If you, if you, if that's the

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Speaker 1: if you, if you try to make it sound like

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Speaker 1: a current of friends doing a fantastic job representing the

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Speaker 1: common man, and all these liberals are just looking out

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Speaker 1: for your wealth? There are you kidding me? I do

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Speaker 1: think Barack Obama has more had more in touch with

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Speaker 1: the common man than the current administration. What about Hillary Clinton?

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Speaker 1: Do you think she's in touch with the common person

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Speaker 1: and all the million she has? But but she's not

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Speaker 1: the president? Yeah? My second about cabinet members, she's not

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Speaker 1: the president of What are you talking about? Well, what's

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Speaker 1: wrong with the cabinet numbers? For a millionaire? I was

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Speaker 1: just explaining what people had an issue with. They were saying.

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Speaker 1: I said, he's appointed a lot of millionaires to his cabinet.

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Speaker 1: Most of them are millionaires, and there are people who

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Speaker 1: have been successful in business, and he feels like if

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Speaker 1: you haven't been successful in business, then yeah. Let me

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Speaker 1: ask you a question. Do you think that the cabinet

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Speaker 1: he's picking general? I mean something wrong with that they

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Speaker 1: ain't a millionaire. I didn't say all of them, I

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Speaker 1: said most of them. Let me ask you a question.

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Speaker 1: Do you think that most of his cabinet is in

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Speaker 1: touch with the commment? They probably have some amount? Shut up,

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Speaker 1: I say further, you said, when you called they don't

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Speaker 1: is actually connected to the colin version? Probably not? Okay, then,

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Speaker 1: so what you calling? What's the point? So sad? You're

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Speaker 1: agreeing with us? Really more, I think your show is

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Speaker 1: terrible and you're just so why are you listening? You

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Speaker 1: for listening, thank you for calling. Though we appreciate you.

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Speaker 1: Why do you let him get that off his chest?

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Speaker 1: If you don't like the show? Bro let's he said?

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Speaker 1: I appe people who hate us and listen. What does

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Speaker 1: that tell you? When people call in to tell you

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Speaker 1: that they hate your show? Come? You really love this show?

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Speaker 1: Enjoy the love? Hello? Who's this y'all? Yo? Tell them

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Speaker 1: why you're man? We really think that the Giants are

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Speaker 1: gonna be the cowboys talking? Did you say that first

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Speaker 1: week too? What did you say that first week as well?

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Speaker 1: You know I did? And what happened to George? We're

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Speaker 1: gonna win again? There were two yards away from getting

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Speaker 1: the game win the field goal by many, but that

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Speaker 1: doesn't matter. If they didn't win doesn't matter tho. It

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Speaker 1: termsn't matter. But everyone's gotta give cowboys respect. This shows

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Speaker 1: haying and I'm still just because of haters. I'm a

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Speaker 1: Giants fan and you cowgirls are losing. Everybody relaxed. Everybody relaxed.

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Speaker 1: The game is in a couple of days. No need

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Speaker 1: to talk about what's gonna happen. Just just save all

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Speaker 1: that from Monday that exactly, exactly, exactly tell them why

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Speaker 1: you man, eight hundred and five eight five one on

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Speaker 1: five one. It's the Breakfast Club. Good morning, the Breakfast Club. Yes,

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Speaker 1: I like that Ab Soldo. I was listening to the

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Speaker 1: Ab only got the track four track four threat to

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Speaker 1: that Nature. I kept rewinding that record because he's really

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Speaker 1: he's really saying some some some intricate things in that song. Right. Well,

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Speaker 1: that's my guy, as so shout out to everybody at TDE.

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Speaker 1: I don't know when I'm gonna be in a mood

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Speaker 1: to listen to Jacole. I like J Cole too, but

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Speaker 1: I gotta be in a certain mood to listen to

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Speaker 1: J Coole. I'm gonna listen to that later today. I

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Speaker 1: got a lot of running around to do. It's Friday.

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Speaker 1: It's the perfect time to catch up on some music. Yeah.

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Speaker 1: If I was driving to Boston, that's a long playing

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Speaker 1: ride to ball that's a long drive to Boston, a

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Speaker 1: long playing rode to LA music. Absolutely, and that's what

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Speaker 1: I'm gonna be doing today. On my way back, i'mna

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Speaker 1: listening to the whole J Cole all right, now we

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Speaker 1: fall asleep, probably while driving. Well I don't say that.

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Speaker 1: We got rules of the way. Yes, we'll talk about

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Speaker 1: Salonje and why she ended up doing a seat at

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Speaker 1: the table. She talked about the racist conversation that actually

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Speaker 1: helped her and make that album. Also Kobe Bryant, congratulations

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Speaker 1: to him and to Vanessa Briant was tell you what

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Speaker 1: they had welcoming this weekend. Okay, well it's not the

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Speaker 1: weekend this week. All right, we'll get into all that

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Speaker 1: when we come back. Keeping locked this to Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. J Mvy, Angela Yee, Charlomagne,

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Speaker 1: the God, we are the Breakfast Club. It's a Friday. Yeah,

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Speaker 1: it's Friday. Everybody that train happy and excited, excited Friday.

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Speaker 1: It's Friday. O work to do, but at least I

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Speaker 1: don't got to get up at four in the morning tomorrow.

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Speaker 1: There you go. Well, let's get to the rum as

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Speaker 1: we found Kanye. It's about is the rumor report? Angela

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Speaker 1: Yee on the Breakfast Club. Well, Kanye is out and about.

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Speaker 1: He was actually in La yesterday. He was at an

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Speaker 1: art installation at the Pacific Design Center. He has blade

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Speaker 1: here now. So he looks a little bit different than

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Speaker 1: he did before he was hospitalized. Looks a little crazy here,

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Speaker 1: he does. I know what made him do that mentally

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Speaker 1: ill A lot of times when people want to make

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Speaker 1: a change, they change their hair. That is true. And

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Speaker 1: girls will cut their hair ball absolutely, that is a fact,

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Speaker 1: all right. So he's also been working on some music

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Speaker 1: at his home studio now. Findsworth Bentley actually gave some

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Speaker 1: explanation of what happened to Kanye. He said, he never

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Speaker 1: mourned his mother. That's at the root of this. You

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Speaker 1: don't have to be a clinical psychologist to figure that out.

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Speaker 1: That's the core of this. I think a lot of

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Speaker 1: these things are coming up and coming out now, he said.

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Speaker 1: You have to look at it from his perspective. You

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Speaker 1: put out the most amazing album. You're breaking records on

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Speaker 1: merch So what happens is you take that and then

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Speaker 1: your fashion show just demolishes and fails. We all know

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Speaker 1: more than anything that he wants to be successful in fashion.

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Speaker 1: So when editors and everything are beating him up, that happens.

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Speaker 1: You're on stage, your wife gets robbed. He said, that happened.

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Speaker 1: It's not okay, that's not something to question. That really

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Speaker 1: happens when people say things like, you know, he never

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Speaker 1: mourned his mother. You never stop mourning though, Like mourning

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Speaker 1: is not a one time thing, Like that's not something

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Speaker 1: you're just doing. You say, okay, it's out, my sister.

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Speaker 1: But I think maybe he never really sat down and

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Speaker 1: dealt with the emotions of it. Sometimes people just tramsking

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Speaker 1: and they just continue doing what they're doing. I'm going

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Speaker 1: to go back to work. I don't even want to

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Speaker 1: think about it, and they don't properly take the time.

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Speaker 1: You kind of got to in a way, it all right,

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Speaker 1: like the world, right, we really don't know because we

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Speaker 1: both have all three of us have our parents around,

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Speaker 1: so we don't know what that feeling is. People just

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Speaker 1: hide their feelings about you know, not even just mourning

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Speaker 1: your parents, but things in general, and then it comes

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Speaker 1: back later on. I'm sure that is a forever feeling though.

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Speaker 1: I guess your parents, like you're never going to stop mourning,

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Speaker 1: and that's something you have to do it for the

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Speaker 1: rest of your life. All right. Now, let's talk about

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Speaker 1: Will Smith. He talked about filming Collateral Beauty. He was

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Speaker 1: on Ellen Degenerous and he talks about that movie because

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Speaker 1: it's a movie about a father who was devastated by

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Speaker 1: his young daughter's death. But actually, behind the scenes, will

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Speaker 1: Smith was going through his own issues. Here's what he said.

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Speaker 1: What was really interesting is I got the screenplay right

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Speaker 1: when my father was diagnosed, and I'm doing all of

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Speaker 1: this research about a guy who experiences death. You know

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Speaker 1: at the time that you know, my father was given

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Speaker 1: six weeks. But it turned out to be such an

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Speaker 1: amazing thing to have to work through and go through

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Speaker 1: all of this. The performance for me in the movie,

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Speaker 1: for me and the ideas are so deeply personal. This film,

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Speaker 1: for me is the most personal and beautiful journey when

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Speaker 1: art and life comes together in that way and when

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Speaker 1: you you know, you create something that potentially can help

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Speaker 1: people get through difficult time. As dope, you already said

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Speaker 1: some things you just got to work through because life's

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Speaker 1: gonna keep going regardless. Well, he said it was when

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Speaker 1: art and life came together also, so he had to

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Speaker 1: do a movie dealing with the loss, you know, a

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Speaker 1: father dealing with the loss of his daughter at the

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Speaker 1: same time he's trying to cope with the loss of

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Speaker 1: his father. Because therapeutic in away so it was very therapeutic.

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Speaker 1: Emotions are probably really real when you see him acting

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Speaker 1: them out on the screen. So I just thought that

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Speaker 1: was an interesting conversation. Now, congratulations to Kobe. He just

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Speaker 1: had a third daughter. Kobe and Vanessa Bryant, are you

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Speaker 1: trying to get that boy? Girls? Damn, Kobe was a whole.

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Speaker 1: Drop on a clues bomb for Kobe being a whole.

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Speaker 1: That's why I'm so scared I have a third child,

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Speaker 1: because I know it's going to be another girl. When

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Speaker 1: you was a hole in a past life, you are

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Speaker 1: going to get nothing but women. Jesus Christ. Kobe well

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Speaker 1: envy was not so bad because he has two boys. Yeah,

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Speaker 1: that's the true. That's the truth. Something too that there

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Speaker 1: was some balance poor Kobe man, if he had never

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Speaker 1: put his penis in that, that's clerking, all right, all right?

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Speaker 1: And Solange talks about a seat at the table. You know,

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Speaker 1: I love that album. I listened to it all the

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Speaker 1: time when I'm at home. And she talked about a conversation.

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Speaker 1: She says, hearing two white men have a racist chat

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Speaker 1: about R and B in her career is what pushed

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Speaker 1: her to write this album. She was at the Huffington Post,

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Speaker 1: and she said that she heard two white journalists discussed

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Speaker 1: her music, her audience, and how much more considerate and

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Speaker 1: grateful that she should be to white people for filling

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Speaker 1: up venues for her, she said. In twenty thirteen, she

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Speaker 1: got some flak on Twitter. She said white journalists who

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Speaker 1: write about R and B music should know who Brandy is. Right,

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Speaker 1: that's the fact, I think so all right? The New

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Speaker 1: York Times invited her to talk about cultural tourism and

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Speaker 1: music on one of their podcasts, and she said, no,

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Speaker 1: I don't feel they need to have a debate about

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Speaker 1: something I was culturally a part of, and I didn't

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Speaker 1: feel they need to defend that, so she said. The

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Speaker 1: host of the Times podcast, John Kamanica, who's white, talked

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Speaker 1: about what she said on Twitter and also said that

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Speaker 1: I went to Solange's concert, and I know that her

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Speaker 1: audience was. I know to who her audience wasn't. If

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Speaker 1: I were her, I'd be careful of making these statements

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Speaker 1: because I'd be careful not to bite the hand that

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Speaker 1: feeds me. So basically, he's saying that since Solange has

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Speaker 1: white fans, she shouldn't make black music and discuss black

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Speaker 1: issues in her music. Basically what he's saying, or he

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Speaker 1: was saying, basically, don't say anything bad about you know,

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Speaker 1: need to know who Brandy is, and she doesn't have

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Speaker 1: to have a debate. Just don't you know, just calm

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Speaker 1: it down because you want to appeal to these white

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Speaker 1: people that are in your audience. And she felt like,

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Speaker 1: don't try to tell me, you know what I should

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Speaker 1: do about my music or my art. Well, yeah, that's

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Speaker 1: the lesson to learning that story is do what the

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Speaker 1: hell you feel like doing when you feel like doing it,

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Speaker 1: and then you make a great album like you see

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Speaker 1: at the table. Express yourself as long as your intentions

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Speaker 1: are good. Don't be afraid to say it, don't be

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Speaker 1: afraid to do it. You don't have to do anything

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Speaker 1: to anybody but yourself. All right, Well I'm angela Ye

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Speaker 1: and that is your rumor report. All right, thank you,

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Speaker 1: miss Ye. We got front page news up next year.

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Speaker 1: What we're talking about. Are your voice turned so dainty?

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Speaker 1: Just I don't know what you mean? Do you talk

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Speaker 1: so it sounded so dainty? You like it? Look so delicate?

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Speaker 1: Do you like it? Man? Shut up? All right, we

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Speaker 1: got front page it's what we're talking at Donald Trump

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Speaker 1: and him having not just the job of president, but

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Speaker 1: some other side gigs, you know, because you always gotta

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Speaker 1: have some side jobs. Wait till he wait till his

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Speaker 1: side holes come out and he like, I'm not letting

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Speaker 1: him go in either. That's gonna be amazing. My goodness,

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Speaker 1: side we'll get into all that and app so we'll

424
00:19:35,359 --> 00:19:38,040
Speaker 1: be joining us. So don't go anywhere. It's the Breakfast Club,

425
00:19:38,080 --> 00:19:42,600
Speaker 1: gom on it. You want to get everybody is DJ Envy,

426
00:19:42,880 --> 00:19:45,280
Speaker 1: Angela Yee, Charlomagne, the guy. We are to Breakfast Club.

427
00:19:45,320 --> 00:19:50,480
Speaker 1: That's getting some front page news. Now with Thursday night football,

428
00:19:50,480 --> 00:19:53,560
Speaker 1: the Chiefs beat the Raiders twenty one to thirteen, and

429
00:19:53,600 --> 00:19:57,040
Speaker 1: don't worry this Sunday, my giants will be taking on

430
00:19:57,080 --> 00:19:59,040
Speaker 1: the cowgirls and will be beating them. I don't know

431
00:19:59,040 --> 00:20:01,600
Speaker 1: if you're trying to like speak just into existence, just

432
00:20:01,720 --> 00:20:03,760
Speaker 1: in the fruition, but you keep saying this over and

433
00:20:03,800 --> 00:20:06,160
Speaker 1: over and over. All you're doing is making it very

434
00:20:06,240 --> 00:20:08,640
Speaker 1: bad for you on Monday. No, that's all I'm saying.

435
00:20:08,640 --> 00:20:10,399
Speaker 1: You just making it way bad for you on Monday.

436
00:20:10,480 --> 00:20:14,399
Speaker 1: We're absolutely positively winning. After watching that one, all right,

437
00:20:14,680 --> 00:20:16,600
Speaker 1: I'm there. I'm going to the game me and myself.

438
00:20:16,600 --> 00:20:23,120
Speaker 1: You think because you're going they're going every game, Yes, mascot,

439
00:20:23,119 --> 00:20:25,080
Speaker 1: that's gonna wild him to win. What you're gonna gonna

440
00:20:25,119 --> 00:20:28,240
Speaker 1: sad your pants a little bit? Give O'Dell's from extra motivation. Hey,

441
00:20:28,280 --> 00:20:31,760
Speaker 1: you're gonna start talking about Odell because he's not having

442
00:20:31,800 --> 00:20:33,240
Speaker 1: I don't know if y'all saw what he was writing

443
00:20:33,280 --> 00:20:40,439
Speaker 1: on on Twitter yesterday, Noel out you block well, I

444
00:20:40,480 --> 00:20:42,280
Speaker 1: don't know. They were saying he might be talking about

445
00:20:42,320 --> 00:20:46,560
Speaker 1: skip baby. Now let's talk about Donald Trump. Now he's

446
00:20:46,600 --> 00:20:49,760
Speaker 1: still the boss of Celebrity Prentice. What's going on there? Yes,

447
00:20:49,800 --> 00:20:51,960
Speaker 1: Donald Trump is going to still be executive producer for

448
00:20:52,119 --> 00:20:57,120
Speaker 1: Celebrity Apprentice even after taking office. So this is unprecedented

449
00:20:57,280 --> 00:21:01,320
Speaker 1: because never before have we had a president has produced

450
00:21:01,560 --> 00:21:04,440
Speaker 1: reality TV shows. So his name will be listed in

451
00:21:04,440 --> 00:21:06,120
Speaker 1: the credits. We don't know how much he's getting paid

452
00:21:06,200 --> 00:21:08,000
Speaker 1: or whatever. He has a big stake in the show,

453
00:21:08,280 --> 00:21:11,440
Speaker 1: so he clearly wants to stay on drop clues bump

454
00:21:11,440 --> 00:21:13,200
Speaker 1: for Donald Trump down. Some people are wondering what does

455
00:21:13,200 --> 00:21:15,399
Speaker 1: this mean for MBC though, because they do report on

456
00:21:15,520 --> 00:21:18,560
Speaker 1: Donald Trump, you know, and they have news stations and

457
00:21:18,640 --> 00:21:20,639
Speaker 1: news I mean they have news shows and everything. So

458
00:21:20,840 --> 00:21:22,679
Speaker 1: I've never seen anything like this in my life. The

459
00:21:22,720 --> 00:21:25,480
Speaker 1: whole election cycle, and then once he got elected, I

460
00:21:25,600 --> 00:21:29,760
Speaker 1: was saying, the former producer of Executive the former executiveducer

461
00:21:29,760 --> 00:21:32,120
Speaker 1: of Celebrity Apprentices are president. Now I can simply say

462
00:21:32,160 --> 00:21:37,199
Speaker 1: the executive producer of Celebrity Apprentices our president. Yeah, going

463
00:21:37,200 --> 00:21:39,840
Speaker 1: to be a conflict of interest, so we'll see compli

464
00:21:41,400 --> 00:21:44,240
Speaker 1: for the network. Donald Trump's whole life is a complica

465
00:21:44,920 --> 00:21:47,160
Speaker 1: to being the president of the United States of America. Okay,

466
00:21:47,240 --> 00:21:49,880
Speaker 1: I can't wait to Donald Trump's side holes come out

467
00:21:49,960 --> 00:21:51,920
Speaker 1: and he's like, I'm not getting rid of them either. Okay,

468
00:21:52,280 --> 00:21:54,280
Speaker 1: one big happy family in the White House. Well, let's

469
00:21:54,320 --> 00:21:57,439
Speaker 1: talk about Hillary now. Now. She said that fake news

470
00:21:57,600 --> 00:21:59,719
Speaker 1: is what made her lose. Well, she didn't say it's

471
00:21:59,760 --> 00:22:02,000
Speaker 1: made or louse. She was talking about it as an epidemic,

472
00:22:02,080 --> 00:22:05,320
Speaker 1: not even just in politics, but in life in general. Now,

473
00:22:05,359 --> 00:22:07,240
Speaker 1: she said that this was her first piece, by the way,

474
00:22:07,280 --> 00:22:10,240
Speaker 1: since she lost the presidential election, and she addressed this

475
00:22:10,320 --> 00:22:12,520
Speaker 1: during a speech. She was giving a speech at the

476
00:22:12,560 --> 00:22:17,159
Speaker 1: Capitol for the retiring Nevida Senator Harry Reid. And this

477
00:22:17,200 --> 00:22:19,840
Speaker 1: is what she has to say. The epidemic of malicious

478
00:22:19,880 --> 00:22:24,359
Speaker 1: fake news and false propaganda the flood social media over

479
00:22:24,400 --> 00:22:28,480
Speaker 1: the past year. It's not clear that so called fake

480
00:22:28,560 --> 00:22:32,879
Speaker 1: news can have real world consequences. This isn't about politics

481
00:22:33,160 --> 00:22:37,360
Speaker 1: or partisanship. Wives are address. It's a danger that must

482
00:22:37,400 --> 00:22:40,520
Speaker 1: be addressed. It's an imperative the leaders in both the

483
00:22:40,560 --> 00:22:45,520
Speaker 1: private sector and the politics sector step up to protect

484
00:22:45,520 --> 00:22:49,800
Speaker 1: her democracy and innocent lives. She's absolutely right, fake news

485
00:22:49,800 --> 00:22:51,600
Speaker 1: can have real world consequences, and this is why it

486
00:22:51,680 --> 00:22:53,440
Speaker 1: is very important. Like I said earlier this week, and

487
00:22:53,520 --> 00:22:55,120
Speaker 1: I've been saying all week, for us to create an

488
00:22:55,119 --> 00:22:58,080
Speaker 1: online news network, I personally think you should be hosted

489
00:22:58,119 --> 00:23:00,679
Speaker 1: primarily by young women of color and the platform we

490
00:23:00,720 --> 00:23:03,119
Speaker 1: need to put out real news and real narratives about

491
00:23:03,119 --> 00:23:04,800
Speaker 1: all people. And the reason they need to be young

492
00:23:04,840 --> 00:23:06,840
Speaker 1: and women of color because I think all people suffered

493
00:23:06,840 --> 00:23:09,600
Speaker 1: the most from misinformation. Like Denzel Washington said, if you

494
00:23:09,640 --> 00:23:12,040
Speaker 1: don't read the paper, you're uninformed. If you read the paper,

495
00:23:12,119 --> 00:23:15,920
Speaker 1: you're misinformed. So somebody has to get it right, especially

496
00:23:15,920 --> 00:23:19,320
Speaker 1: in this error. All right, well that's front page news.

497
00:23:19,400 --> 00:23:21,720
Speaker 1: Now when we come back, some ladies had a problem

498
00:23:21,720 --> 00:23:25,840
Speaker 1: of Victoria's secret yesterday, Gate yes, this woman said she

499
00:23:26,040 --> 00:23:29,040
Speaker 1: she was actually devastated by what happened in Victoria's secret.

500
00:23:29,320 --> 00:23:32,440
Speaker 1: Musim panties on them from discharging them. Shut up, hope,

501
00:23:32,520 --> 00:23:36,119
Speaker 1: that's disgusting. No, that's not what happened. She talked about

502
00:23:36,160 --> 00:23:38,240
Speaker 1: how she was in their shopping mine, in her business,

503
00:23:38,560 --> 00:23:41,880
Speaker 1: and she was told to leave the store by somebody

504
00:23:41,920 --> 00:23:45,040
Speaker 1: that worked there. Now, she says that what happened was

505
00:23:45,040 --> 00:23:47,960
Speaker 1: there was an African American woman that was allegedly accused

506
00:23:47,960 --> 00:23:50,239
Speaker 1: of shoplifting at the store. It's that time of year.

507
00:23:50,600 --> 00:23:53,280
Speaker 1: The manager told her and another woman they needed to

508
00:23:53,359 --> 00:23:56,919
Speaker 1: leave the store, and she had nothing to do with it.

509
00:23:56,920 --> 00:23:58,679
Speaker 1: She didn't come with the other women. They weren't together.

510
00:23:58,880 --> 00:24:01,280
Speaker 1: She's like, why do I have to leave because somebody

511
00:24:01,280 --> 00:24:03,919
Speaker 1: else did something? All right, here's what she had to say,

512
00:24:04,040 --> 00:24:05,800
Speaker 1: and we'll get more into it. I mean, if Victor

513
00:24:05,840 --> 00:24:08,760
Speaker 1: a secret and in the Oxford Mall, it was another

514
00:24:08,760 --> 00:24:11,919
Speaker 1: black female than here got called stealing. Right, So she

515
00:24:12,080 --> 00:24:15,919
Speaker 1: asks me and another black female to leave because she

516
00:24:15,920 --> 00:24:17,760
Speaker 1: can't tell us one but we kicked out the store.

517
00:24:18,119 --> 00:24:20,119
Speaker 1: Talk about her think in this damn store, I won't too.

518
00:24:20,240 --> 00:24:23,359
Speaker 1: But because another black female gets cast stealing, meet me

519
00:24:23,440 --> 00:24:26,160
Speaker 1: and another black female here. We have to be affiliated,

520
00:24:26,359 --> 00:24:28,719
Speaker 1: so we're all put out. See, we always gotta pay

521
00:24:28,760 --> 00:24:31,399
Speaker 1: for the sins of our people. I think that's awful.

522
00:24:31,440 --> 00:24:34,800
Speaker 1: Everybody else's shopping, minding their business, and I have to

523
00:24:34,880 --> 00:24:37,720
Speaker 1: leave because somebody else got caught shoplifted. Well, if it

524
00:24:37,760 --> 00:24:39,160
Speaker 1: was a white woman who got caught, or the white

525
00:24:39,160 --> 00:24:41,040
Speaker 1: women gotta leave the store, I don't know. I know

526
00:24:41,080 --> 00:24:42,600
Speaker 1: that we always gotta pay for the sins of all people.

527
00:24:42,600 --> 00:24:44,359
Speaker 1: That one of us throwing that great they cast a

528
00:24:44,440 --> 00:24:47,000
Speaker 1: wide netting. I would definitely want to left. I wouldn't

529
00:24:47,000 --> 00:24:50,399
Speaker 1: have gone anywhere that they I want to move. Now,

530
00:24:50,400 --> 00:24:54,600
Speaker 1: you're not gonna be in Victoria's secrets, and like, I'm

531
00:24:54,600 --> 00:24:56,399
Speaker 1: not going nowhere until I bought my panties and my

532
00:24:56,440 --> 00:24:58,480
Speaker 1: bro seats. I'll tell you what she did do when

533
00:24:58,480 --> 00:25:01,360
Speaker 1: we come back as all right, eight hundred five eight

534
00:25:01,440 --> 00:25:05,520
Speaker 1: five one oh five. When I would move, I would

535
00:25:05,600 --> 00:25:08,480
Speaker 1: I would not leave. Nah, I'm not gonna get the police,

536
00:25:08,520 --> 00:25:11,320
Speaker 1: get security, get the arm guard. I ain't going nowhere. Well,

537
00:25:11,359 --> 00:25:12,720
Speaker 1: I like what she did, and I'm gonna tell you

538
00:25:12,800 --> 00:25:14,679
Speaker 1: what she did. But let's hear from you. Yeah, what

539
00:25:14,680 --> 00:25:16,600
Speaker 1: would you do? Eight hundred five eighty five, one oh

540
00:25:16,680 --> 00:25:18,439
Speaker 1: five one. If this was you call us up right now,

541
00:25:18,480 --> 00:25:22,399
Speaker 1: would you freeze? Shut up Envy? That was so carted

542
00:25:22,560 --> 00:25:25,960
Speaker 1: it was terrible. Christ Man Chloe, I mean you thought

543
00:25:25,960 --> 00:25:28,720
Speaker 1: that one through too, My god, would you freeze? Why

544
00:25:28,760 --> 00:25:35,119
Speaker 1: that mannequin challenges frozen? He can't have frozen. It's the

545
00:25:35,119 --> 00:25:45,720
Speaker 1: world most dangerous morning show. The Breakfast Club Girlfriend That

546
00:25:45,880 --> 00:25:48,200
Speaker 1: was Jay Z with Bonnie and Claude Morning. Everybody is

547
00:25:48,280 --> 00:25:51,000
Speaker 1: DJ Envy, angela Ye, Charlemagne the guy. We are to

548
00:25:51,040 --> 00:25:53,520
Speaker 1: Breakfast Club now if you just joined us. We're talking

549
00:25:53,520 --> 00:25:57,240
Speaker 1: about an African American woman who was in Victoria's Secret

550
00:25:57,320 --> 00:25:59,600
Speaker 1: and they tried to play and telling the people they

551
00:25:59,600 --> 00:26:02,880
Speaker 1: did play hair. Actually she was told that she had

552
00:26:02,920 --> 00:26:05,440
Speaker 1: to leave, and she said another woman was in here

553
00:26:05,440 --> 00:26:07,639
Speaker 1: stealing hair is her account and a victor as secret.

554
00:26:07,680 --> 00:26:10,760
Speaker 1: And in the Oxford Mall it was another black female

555
00:26:10,800 --> 00:26:13,960
Speaker 1: than him got caught stealing. Right. So she asks me

556
00:26:14,080 --> 00:26:17,640
Speaker 1: and another black female to leave because she can't tell

557
00:26:17,720 --> 00:26:19,600
Speaker 1: us smart but we kicked out the store. I talk

558
00:26:19,640 --> 00:26:21,480
Speaker 1: about it. Thank in this damn store. I won't too.

559
00:26:21,560 --> 00:26:24,720
Speaker 1: But because another black female gets cast stealing, meet me

560
00:26:24,760 --> 00:26:27,480
Speaker 1: and another black female here. We have to be affiliated,

561
00:26:27,680 --> 00:26:30,639
Speaker 1: so we're all put out now. Kimberly continued this video

562
00:26:30,680 --> 00:26:33,240
Speaker 1: for about eleven minutes, and she actually broke down and

563
00:26:33,280 --> 00:26:35,480
Speaker 1: started crying. Listen to what else she had to say.

564
00:26:35,560 --> 00:26:37,920
Speaker 1: When she was in her car, I already didn't didn't

565
00:26:37,920 --> 00:26:40,280
Speaker 1: need to be spending the money. It didn't need to

566
00:26:40,280 --> 00:26:42,640
Speaker 1: be spending it. But I'm like, you know what, I'm

567
00:26:42,640 --> 00:26:45,480
Speaker 1: gonna treat myself whatever, And I got to come down

568
00:26:45,480 --> 00:26:47,720
Speaker 1: here and deal with this Bee's about anything in that store.

569
00:26:47,760 --> 00:26:50,560
Speaker 1: I won't why I gotta be put out because I

570
00:26:50,640 --> 00:26:52,639
Speaker 1: just happened to be black and Victoria's secret and another

571
00:26:52,640 --> 00:26:55,280
Speaker 1: black girl. But the thing is me and another black girl.

572
00:26:55,320 --> 00:26:58,000
Speaker 1: We didn't even come in the store together. And that's

573
00:26:58,040 --> 00:27:00,600
Speaker 1: all I wears be towards secret. If I'm down to

574
00:27:00,680 --> 00:27:04,280
Speaker 1: my last pair of drawls, I might be free battling.

575
00:27:04,320 --> 00:27:06,600
Speaker 1: If I got to come down here now, I wouldn't

576
00:27:06,600 --> 00:27:08,520
Speaker 1: have left the store. I'm not going nowhere. You're gonna

577
00:27:08,520 --> 00:27:10,520
Speaker 1: have to call the cops. You're gonna have to call security,

578
00:27:10,520 --> 00:27:12,440
Speaker 1: You're gonna have to call my mama. I'm not leaving.

579
00:27:12,480 --> 00:27:14,560
Speaker 1: You have to arrest me. I'm in there shopping. I'm

580
00:27:14,560 --> 00:27:16,639
Speaker 1: paying money, I'm not going nowhere. Well, I actually like

581
00:27:16,720 --> 00:27:19,359
Speaker 1: what she did do, but she did film everything that

582
00:27:19,440 --> 00:27:21,119
Speaker 1: was going on because I love when stories like this

583
00:27:21,200 --> 00:27:24,080
Speaker 1: go viral. Because that employee actually ended up getting fired,

584
00:27:24,320 --> 00:27:27,960
Speaker 1: and Victoria's Secret did release a statement apologizing. They said

585
00:27:27,960 --> 00:27:30,320
Speaker 1: what happened at our stores shouldn't have not happened and

586
00:27:30,359 --> 00:27:32,639
Speaker 1: does not represent who we are or what we stand for.

587
00:27:32,800 --> 00:27:35,119
Speaker 1: The store associate involved in this matter is no longer

588
00:27:35,160 --> 00:27:38,359
Speaker 1: employed with the company. So yeah, this is my thing.

589
00:27:38,760 --> 00:27:41,639
Speaker 1: And she returned with fifty other people to protest. So

590
00:27:42,080 --> 00:27:44,919
Speaker 1: that's dope. I go where I'm celebrated and not tolerated.

591
00:27:45,000 --> 00:27:47,320
Speaker 1: So Data told me I had to leave out to

592
00:27:47,359 --> 00:27:50,880
Speaker 1: just curse everybody out, got it on camera, reported it later,

593
00:27:50,960 --> 00:27:53,280
Speaker 1: and you know, did exactly what she did. The young

594
00:27:53,320 --> 00:27:56,000
Speaker 1: girl got fired, right, she did complain. The corporate come

595
00:27:56,000 --> 00:27:58,639
Speaker 1: back with fifty people complain, and now the story is

596
00:27:58,720 --> 00:28:01,919
Speaker 1: viral and everybody knows it was the Victoria's Secret at

597
00:28:02,000 --> 00:28:05,080
Speaker 1: quintter Mal and we know what happened. Black problem is

598
00:28:05,080 --> 00:28:07,280
Speaker 1: it's convenient, though, you know, if I live close to

599
00:28:07,280 --> 00:28:09,160
Speaker 1: this neighborhood, this is where I shop, I don't want

600
00:28:09,160 --> 00:28:11,080
Speaker 1: to have to travel two three four towns over to

601
00:28:11,080 --> 00:28:15,760
Speaker 1: go to another Victoria. It won't happen again. Yeah, she

602
00:28:15,800 --> 00:28:18,520
Speaker 1: got justice. Now they should have gave her a free credit.

603
00:28:18,560 --> 00:28:22,200
Speaker 1: I'm sure she got a knife rode credit and I'm

604
00:28:22,200 --> 00:28:24,080
Speaker 1: sure she can see it. Seemed like it was very

605
00:28:24,119 --> 00:28:26,679
Speaker 1: dramatic for her. I can't imagine somebody times we have

606
00:28:26,680 --> 00:28:28,919
Speaker 1: to leave because another black person got caught stealing. She

607
00:28:28,920 --> 00:28:31,160
Speaker 1: can buy all the thongs. She won't at least until

608
00:28:31,240 --> 00:28:35,960
Speaker 1: the next summer. He's stupid. Hello, who's this South Carolina?

609
00:28:36,200 --> 00:28:37,920
Speaker 1: Hey Alexis what would you do if they try to

610
00:28:37,960 --> 00:28:40,200
Speaker 1: kick your ass out the store and saying another black

611
00:28:40,200 --> 00:28:42,680
Speaker 1: person stole and they're kicking all the blacks out. I

612
00:28:42,680 --> 00:28:45,160
Speaker 1: will sit my ass right there. I would not go.

613
00:28:45,560 --> 00:28:48,760
Speaker 1: They would have to physically move me because I work

614
00:28:48,800 --> 00:28:51,400
Speaker 1: at a retail store and we can't even like say

615
00:28:51,480 --> 00:28:54,160
Speaker 1: anything about them stealing. We can't even let them know

616
00:28:54,240 --> 00:28:58,000
Speaker 1: that we think they're stealing. Yeah, we have to. We

617
00:28:58,040 --> 00:29:00,520
Speaker 1: have to say something like, oh, I found the key

618
00:29:00,600 --> 00:29:03,200
Speaker 1: shirt that goes with those shorts, unless say they just

619
00:29:03,200 --> 00:29:06,000
Speaker 1: put those shorts in their pants. We can't even say, oh,

620
00:29:06,520 --> 00:29:08,920
Speaker 1: we're stealing, and we have to put you out. So

621
00:29:09,080 --> 00:29:13,080
Speaker 1: when you security. We call security as soon as we know,

622
00:29:13,200 --> 00:29:14,920
Speaker 1: but like we got to keep them in the store

623
00:29:15,000 --> 00:29:17,880
Speaker 1: because once they're going, they're going. So you have to, like,

624
00:29:18,320 --> 00:29:20,440
Speaker 1: you know, kind of play on with the sarcasm thing.

625
00:29:20,760 --> 00:29:22,680
Speaker 1: But still you work out. I'm about to come rack up,

626
00:29:23,120 --> 00:29:25,880
Speaker 1: stop it. I work out forever twenty one. And let

627
00:29:25,880 --> 00:29:28,120
Speaker 1: me ask you a question, though, why do you why

628
00:29:28,120 --> 00:29:31,280
Speaker 1: do y'all care so much care about what when people steal?

629
00:29:31,320 --> 00:29:33,080
Speaker 1: Did they come out of y'all checks or something? Because

630
00:29:33,080 --> 00:29:35,080
Speaker 1: it's not you. No, it doesn't feel but we have

631
00:29:35,200 --> 00:29:37,160
Speaker 1: to make money. If the store doesn't make money, we

632
00:29:37,160 --> 00:29:39,240
Speaker 1: don't get out. Y'all gonna still get paid. Those are

633
00:29:39,240 --> 00:29:41,360
Speaker 1: big corporations because I always think about stuff like that.

634
00:29:41,400 --> 00:29:43,560
Speaker 1: When I see certain people coming there and steal it,

635
00:29:43,600 --> 00:29:46,000
Speaker 1: I'm like, I ain't dying for no panties. I mean,

636
00:29:46,000 --> 00:29:49,320
Speaker 1: he's dying. Well that's because Charlomagne used to do a

637
00:29:49,320 --> 00:29:51,960
Speaker 1: lot of shopliftings. Still, I kind of figured that. I

638
00:29:52,040 --> 00:29:54,360
Speaker 1: kind of figured you to feel it, right. I still

639
00:29:55,160 --> 00:29:58,680
Speaker 1: from time to time everybody keeped out of CBS. But

640
00:29:58,760 --> 00:30:00,440
Speaker 1: now what Charlomagne said, it is right. You look at

641
00:30:00,440 --> 00:30:02,880
Speaker 1: people that will fight a shoplifting. You'd be like, well,

642
00:30:02,920 --> 00:30:06,320
Speaker 1: why don't forgetting? You don't get no extra forget, but

643
00:30:06,080 --> 00:30:08,960
Speaker 1: their security who that is their job to do that.

644
00:30:09,280 --> 00:30:11,240
Speaker 1: And you know what I think with security they also

645
00:30:11,280 --> 00:30:14,240
Speaker 1: get bonuses when they catch people stealing. Really really yeah,

646
00:30:14,320 --> 00:30:19,120
Speaker 1: all right, hello a story that used to happen. Hello, good,

647
00:30:19,320 --> 00:30:22,800
Speaker 1: what's up bros? Your brand Brandon? Now, what would you

648
00:30:22,840 --> 00:30:24,680
Speaker 1: do if you're in that situation. You're trying to buy

649
00:30:24,680 --> 00:30:28,880
Speaker 1: some panties for yourself, maybe a lady, right, and they

650
00:30:29,080 --> 00:30:31,360
Speaker 1: trying to get something for the lady. Okay, just make

651
00:30:31,400 --> 00:30:37,640
Speaker 1: it sure, but a lazy and what happened, Like honestly,

652
00:30:38,000 --> 00:30:40,880
Speaker 1: I wouldn't leave. I wouldn't leave, but I would like

653
00:30:41,000 --> 00:30:45,440
Speaker 1: trying to cause as much attention and then let you know,

654
00:30:45,520 --> 00:30:47,160
Speaker 1: let it be know what happened, and then I ain't

655
00:30:47,160 --> 00:30:49,480
Speaker 1: spending my money there no more. They'll never get another

656
00:30:49,520 --> 00:30:51,720
Speaker 1: penny from me. And then I spread the word and

657
00:30:52,360 --> 00:30:56,200
Speaker 1: hopefully other people will following through. Secret did do the

658
00:30:56,280 --> 00:30:58,280
Speaker 1: right thing in their defense. They did fire the woman

659
00:30:58,360 --> 00:31:02,360
Speaker 1: right away and they apologized. So that what that what

660
00:31:02,600 --> 00:31:05,080
Speaker 1: that was? Sorry? That's it, I mean, I mean that's

661
00:31:05,080 --> 00:31:08,440
Speaker 1: pretty much what it is. It's sorry to app because

662
00:31:08,440 --> 00:31:10,760
Speaker 1: I've never had a pattern of the Victoria's Secret before.

663
00:31:10,880 --> 00:31:13,720
Speaker 1: So you know it could be just one bad employee

664
00:31:13,720 --> 00:31:15,800
Speaker 1: who no longer works there. Yeah, I mean, and one

665
00:31:15,800 --> 00:31:18,520
Speaker 1: employee don't represent the whole situation and wants to start

666
00:31:18,640 --> 00:31:22,400
Speaker 1: mixing like it's just like Charle Maine's head though. When

667
00:31:22,440 --> 00:31:24,480
Speaker 1: we messed up, they cast a wide net on us.

668
00:31:24,600 --> 00:31:27,760
Speaker 1: That is true, one one bad apple with us spoils

669
00:31:27,800 --> 00:31:30,360
Speaker 1: the whole bunch exact. That's the reason. That's the reason

670
00:31:30,480 --> 00:31:33,960
Speaker 1: racial profile and exists exactly. So why can't we do

671
00:31:34,040 --> 00:31:36,080
Speaker 1: the same? All right, Well, thank you for calling, but

672
00:31:36,160 --> 00:31:38,480
Speaker 1: I would definitely so, I would be distraught. I love

673
00:31:38,560 --> 00:31:41,800
Speaker 1: Victoria's Secrets. I'm a little distroct right now. Victoria's Secret,

674
00:31:41,880 --> 00:31:43,600
Speaker 1: they don't really have a lot of matching brows to

675
00:31:43,680 --> 00:31:46,680
Speaker 1: go with the bottoms. A lot of times be mixed matching.

676
00:31:47,520 --> 00:31:50,160
Speaker 1: Um no, I mean you can find it. You just

677
00:31:50,200 --> 00:31:54,800
Speaker 1: got a Hunts he does eight hundred five eight five

678
00:31:54,840 --> 00:31:57,040
Speaker 1: one oh five one. What would you do if you

679
00:31:57,040 --> 00:31:59,719
Speaker 1: went in Victoria's Secret and another black person was stealing

680
00:32:00,040 --> 00:32:02,160
Speaker 1: and they asked all the black people to leave? Would

681
00:32:02,160 --> 00:32:03,760
Speaker 1: you leave? I wouldn't call us up. Now it's the

682
00:32:03,760 --> 00:32:10,760
Speaker 1: breakfast club goal morning you want to fill the people in. Yes,

683
00:32:10,840 --> 00:32:13,360
Speaker 1: a young woman was in the store shopping. Her name

684
00:32:13,400 --> 00:32:17,560
Speaker 1: is Kimberly Hosa Hoosa, and she said she and another

685
00:32:17,560 --> 00:32:19,440
Speaker 1: black woman were told they had to leave the store

686
00:32:19,960 --> 00:32:22,640
Speaker 1: because a third person was in there. A third African

687
00:32:22,680 --> 00:32:26,160
Speaker 1: American woman was accused of shoplifting. But she wasn't even

688
00:32:26,160 --> 00:32:28,600
Speaker 1: with the person. She was there on her own, and

689
00:32:28,760 --> 00:32:30,880
Speaker 1: she was very upset in her and embarrassing, a shame

690
00:32:30,960 --> 00:32:32,920
Speaker 1: that they made her leave the store. So she left

691
00:32:33,360 --> 00:32:36,200
Speaker 1: and she filmed everything, and she actually came back later

692
00:32:36,240 --> 00:32:39,320
Speaker 1: on with fifty protesters, and Victoria's Secret has since issued

693
00:32:39,360 --> 00:32:41,160
Speaker 1: an apology. I wanted to they ketched the girl that

694
00:32:41,240 --> 00:32:45,560
Speaker 1: was actually shoplifting. They had her, Yeah, so I wonder

695
00:32:45,600 --> 00:32:47,680
Speaker 1: why she That's crazy. That's but that goes back to

696
00:32:47,720 --> 00:32:50,520
Speaker 1: what I said, one bad apple for us spoils the

697
00:32:50,560 --> 00:32:52,680
Speaker 1: whole bunch, because I bet you, in their mind they

698
00:32:52,680 --> 00:32:54,920
Speaker 1: saw this one black girl shoplifting and saw three other

699
00:32:54,920 --> 00:32:57,280
Speaker 1: black girls and was like, they come in groups. They

700
00:32:57,320 --> 00:33:00,760
Speaker 1: come in bunchy share here together firing. They haven't looked

701
00:33:00,800 --> 00:33:02,640
Speaker 1: at each other, they haven't spoken with each other. They

702
00:33:02,680 --> 00:33:05,400
Speaker 1: came in individually. But it has to be a conspiracy.

703
00:33:05,440 --> 00:33:07,600
Speaker 1: All three of these black women. So what would you do.

704
00:33:07,640 --> 00:33:09,600
Speaker 1: I wouldn't leave. There's no way I would leave that store.

705
00:33:09,600 --> 00:33:11,360
Speaker 1: They'd have to call the security, they'd have to call

706
00:33:11,400 --> 00:33:14,120
Speaker 1: the news. They call the security because I wouldn't move.

707
00:33:14,160 --> 00:33:15,680
Speaker 1: There's no way you would get me to more. She

708
00:33:15,720 --> 00:33:17,720
Speaker 1: played it the right way. She filmed that she filmed

709
00:33:17,720 --> 00:33:20,920
Speaker 1: with security came and everything, and the security said, look,

710
00:33:20,960 --> 00:33:23,560
Speaker 1: the mall security team, which is following instructions from the

711
00:33:23,600 --> 00:33:26,680
Speaker 1: Victoria's Secret employee. So it wasn't on them. They didn't

712
00:33:26,680 --> 00:33:28,400
Speaker 1: know what was going on. And I'm sure she got

713
00:33:28,400 --> 00:33:31,120
Speaker 1: a nice big credit from Victoria's Secrets, probably about three

714
00:33:31,240 --> 00:33:33,240
Speaker 1: four thousand dollars. She can buy all the little boy

715
00:33:33,280 --> 00:33:35,760
Speaker 1: short she wants. No after credit she gonna get. She

716
00:33:35,800 --> 00:33:37,680
Speaker 1: gonna sue, she can get some money that he don't know.

717
00:33:37,760 --> 00:33:40,320
Speaker 1: She's gonna get some real money. No way, she goes

718
00:33:40,400 --> 00:33:41,880
Speaker 1: some way to shop and they kick her out. You

719
00:33:41,880 --> 00:33:45,480
Speaker 1: would go to the phone line, Hello, who's this Hey,

720
00:33:45,520 --> 00:33:48,920
Speaker 1: this is man from Atlanta going on from Atlanta. Now,

721
00:33:48,960 --> 00:33:51,360
Speaker 1: I'm sure you've been to an Atlanta Victoria's Secret buying

722
00:33:51,400 --> 00:33:54,640
Speaker 1: some panties for yourself, right? You might have been yeah, man,

723
00:33:54,800 --> 00:34:01,160
Speaker 1: but that got as shots in Atlanta. Man, you're showing

724
00:34:01,280 --> 00:34:03,480
Speaker 1: my older sister too, because she was wanting to get

725
00:34:03,520 --> 00:34:08,719
Speaker 1: some some stuff for herself. That's weird. B oh my,

726
00:34:10,600 --> 00:34:13,640
Speaker 1: that's weird. Bro. I tell your sister. I tell your sister.

727
00:34:13,719 --> 00:34:15,560
Speaker 1: I know, pickures of slimming Atlantic because a lot of

728
00:34:15,560 --> 00:34:16,960
Speaker 1: the men are gay. But she all got a date

729
00:34:17,000 --> 00:34:21,000
Speaker 1: a brother. Oh man, come on, I'm doing like, come on, man,

730
00:34:21,280 --> 00:34:24,040
Speaker 1: what would you do? Oh? Like, I mean me being

731
00:34:24,040 --> 00:34:28,000
Speaker 1: an immigrant, I'm actually from Pakistan, so like we're like,

732
00:34:28,280 --> 00:34:32,080
Speaker 1: we don't want our sense of oppression is relatively new

733
00:34:32,160 --> 00:34:36,200
Speaker 1: compared to you guys. So it's just um in that situation,

734
00:34:36,239 --> 00:34:38,680
Speaker 1: I would just leave. Man. I was like, I'm already

735
00:34:38,719 --> 00:34:41,480
Speaker 1: an immigrant, I'm already on the downside, so I don't

736
00:34:41,520 --> 00:34:43,480
Speaker 1: I don't want any trouble. I'm sure you have a

737
00:34:43,520 --> 00:34:46,600
Speaker 1: lot of problems at the airport, right, Uh not really.

738
00:34:46,680 --> 00:34:51,600
Speaker 1: I mean I'm I usually shave and make sure not

739
00:34:51,640 --> 00:34:53,600
Speaker 1: to have a turban and whatnot. So it's just not

740
00:34:53,680 --> 00:34:57,719
Speaker 1: a that's whack though. Man, have to oppress yourself, you

741
00:34:57,800 --> 00:34:59,720
Speaker 1: know what I'm saying. Just to appease people at the airport.

742
00:35:00,160 --> 00:35:02,480
Speaker 1: You should you said you would leave, you would leave.

743
00:35:02,800 --> 00:35:04,120
Speaker 1: I don't know ifbout I don't know if you know

744
00:35:04,120 --> 00:35:08,000
Speaker 1: about Atlanta saying, man, there they are nuts, So I'd

745
00:35:08,080 --> 00:35:10,520
Speaker 1: rather get from point A to B than deal with

746
00:35:10,560 --> 00:35:14,000
Speaker 1: the mess. You would just understand. But damn you said

747
00:35:14,000 --> 00:35:16,080
Speaker 1: you would leave the store and you wouldn't do anything else.

748
00:35:16,120 --> 00:35:18,840
Speaker 1: You would just leave. I would leave, but I would

749
00:35:19,440 --> 00:35:23,480
Speaker 1: uh tell people like the manager like of the mall,

750
00:35:23,640 --> 00:35:26,000
Speaker 1: or I would tell people like that's definitely I would

751
00:35:26,040 --> 00:35:28,480
Speaker 1: take action, but I would take action after I leave

752
00:35:28,520 --> 00:35:31,879
Speaker 1: the store. I wouldn't um make a scene in the store. Yeah,

753
00:35:31,880 --> 00:35:33,560
Speaker 1: but this guy, it's the same guy that's shaving his

754
00:35:33,600 --> 00:35:35,520
Speaker 1: bed and taking his turban off to go to the airport,

755
00:35:35,560 --> 00:35:37,120
Speaker 1: so you know, he don't have no problem with peas

756
00:35:37,160 --> 00:35:42,000
Speaker 1: and people. Yeah, sometimes i'd like to extra black when

757
00:35:42,000 --> 00:35:46,239
Speaker 1: I've sensed anything like that. Okay, yeah, hello, who's this

758
00:35:46,840 --> 00:35:49,719
Speaker 1: good mon? Hey? Now, what would you do in that situation?

759
00:35:49,760 --> 00:35:52,160
Speaker 1: You you're in Victoria's secret buying some bros and panties

760
00:35:52,160 --> 00:35:54,239
Speaker 1: and they tell you to get your ass out? Yeah,

761
00:35:54,280 --> 00:35:56,160
Speaker 1: I wouldn't have left. I'm with you that we would

762
00:35:56,200 --> 00:35:59,120
Speaker 1: have to stay the city. But that wouldn't even happen

763
00:35:59,160 --> 00:36:00,719
Speaker 1: to me because I can't feel nothing in there, but

764
00:36:00,760 --> 00:36:08,279
Speaker 1: they do. You buy your lingerie from booth Lame Brian,

765
00:36:08,520 --> 00:36:17,520
Speaker 1: lame bright, I knew you. Let's say somebody shop lifting.

766
00:36:18,080 --> 00:36:21,040
Speaker 1: Let's say somebody shop lifting in Lane Bryant, right, and

767
00:36:21,160 --> 00:36:23,520
Speaker 1: she gets picked out and they make you panty to

768
00:36:23,560 --> 00:36:25,759
Speaker 1: banty too big and lane Brian. You can't just take

769
00:36:25,800 --> 00:36:27,759
Speaker 1: You can't just stick them in your back. Yeah, you

770
00:36:27,880 --> 00:36:29,600
Speaker 1: can't just put them in your bag and go. But

771
00:36:29,600 --> 00:36:31,520
Speaker 1: I ain't got nothing to do with the next person.

772
00:36:31,600 --> 00:36:33,120
Speaker 1: I don't know. I don't care what she's doing. I'm

773
00:36:33,120 --> 00:36:36,000
Speaker 1: going to buy my big pay you. I don't care

774
00:36:36,040 --> 00:36:38,600
Speaker 1: what you're doing. Wi, I don't care about that. Hey,

775
00:36:38,640 --> 00:36:41,839
Speaker 1: God bless you and your big draws. Girl, gonna big girl,

776
00:36:41,880 --> 00:36:43,799
Speaker 1: what you're doing to gonna be a girl? What you're

777
00:36:43,840 --> 00:36:50,680
Speaker 1: going to do? Thank you mama. Oh my goodness. What's

778
00:36:50,719 --> 00:36:52,720
Speaker 1: the ball of the story. The mother of the story

779
00:36:52,800 --> 00:36:56,279
Speaker 1: is gold. When you're celebrated, not where you're tolerated. And

780
00:36:56,360 --> 00:36:58,759
Speaker 1: if you do go someplace where you're just tolerated and

781
00:36:58,800 --> 00:37:02,200
Speaker 1: they flex on you, flex on their ass back. My goodness.

782
00:37:02,239 --> 00:37:04,719
Speaker 1: All right, we got rumors on the way. Yes, we'll

783
00:37:04,719 --> 00:37:07,319
Speaker 1: talk about a new show that Whoopi Goldberg is going

784
00:37:07,400 --> 00:37:10,920
Speaker 1: to be doing also Shila buff Uh. He has some

785
00:37:11,000 --> 00:37:12,840
Speaker 1: things to say about Soldier Boy and it's nice and

786
00:37:12,880 --> 00:37:16,400
Speaker 1: Sweetie actually said that he thinks that Soldier Boy is

787
00:37:16,440 --> 00:37:19,480
Speaker 1: a sweet kid. Okay, all right, we'll get into all

788
00:37:19,480 --> 00:37:21,320
Speaker 1: that when we come back. Keeping locked this to Breakfast

789
00:37:21,360 --> 00:37:37,520
Speaker 1: clokomon it Yo Summers Morning. Everybody is DJ mvy, Angela, Charlomagne,

790
00:37:37,520 --> 00:37:42,520
Speaker 1: the guy we are the breakfast club is Friday, Eapy Friday. Yes,

791
00:37:42,760 --> 00:37:46,240
Speaker 1: now let's get to the rumors. Let's talk Jaco. Listen

792
00:37:46,920 --> 00:37:55,839
Speaker 1: this just oh gosh, report got Angela alas club. Well,

793
00:37:55,920 --> 00:37:59,760
Speaker 1: Jacole's album For Your Eyes Only is out. Ten tracks

794
00:37:59,840 --> 00:38:01,799
Speaker 1: on that album, I haven't had a chance to listen

795
00:38:01,840 --> 00:38:03,440
Speaker 1: to it yet. I gotta be in a vibe to

796
00:38:03,480 --> 00:38:05,520
Speaker 1: listen to Jaca. I think Jake Coles very dope. He's

797
00:38:05,719 --> 00:38:08,840
Speaker 1: definitely one of the top three of this new generation.

798
00:38:08,920 --> 00:38:10,120
Speaker 1: But I gotta be in a vibe to listen to

799
00:38:10,200 --> 00:38:12,600
Speaker 1: jail Right. It's forty four minutes long and there's no

800
00:38:12,840 --> 00:38:16,560
Speaker 1: guests contributions on this album. Nice playing Ryan music, Damn

801
00:38:16,600 --> 00:38:19,160
Speaker 1: another album with no guests and excited about this and

802
00:38:19,239 --> 00:38:22,200
Speaker 1: the songs that we heard recently. Everybody Dies and false

803
00:38:22,280 --> 00:38:26,400
Speaker 1: Prophets is not on this album now. He also rhymes

804
00:38:26,440 --> 00:38:29,759
Speaker 1: over Bryson Tiller's exchange on the song Deja Vu. Check

805
00:38:29,800 --> 00:38:37,800
Speaker 1: it out small ten, start picking trink listen jumping to

806
00:38:38,040 --> 00:38:40,400
Speaker 1: stop off top, but you don't. We only go to

807
00:38:40,680 --> 00:38:48,440
Speaker 1: ap put your mom up, get the free kick. Let's calls,

808
00:38:48,440 --> 00:38:50,840
Speaker 1: getting a drink, get some balls. Ain't no telling you.

809
00:38:50,880 --> 00:38:54,720
Speaker 1: People see that, and everybody's talking about he just recently

810
00:38:54,760 --> 00:38:57,600
Speaker 1: had a daughter, right because he's married. Shout out to Melissa,

811
00:38:58,040 --> 00:39:00,279
Speaker 1: and he has a song, a couple of songs. They're

812
00:39:00,280 --> 00:39:02,560
Speaker 1: talking about being a dad. She's mine Part two. Check

813
00:39:02,600 --> 00:39:05,000
Speaker 1: out what he said reminis when you came out of

814
00:39:05,000 --> 00:39:08,799
Speaker 1: the roomb tis a joy. I think filled up the room.

815
00:39:10,280 --> 00:39:13,239
Speaker 1: You were now the reason that I fight. I ain't

816
00:39:13,280 --> 00:39:16,480
Speaker 1: never did nothing this right in my whole life. Got

817
00:39:16,560 --> 00:39:19,959
Speaker 1: me thinking and my worthy. Oh yeah, that's definitely playing

818
00:39:20,040 --> 00:39:23,400
Speaker 1: ride music. I gotta listen to that on the plane

819
00:39:23,480 --> 00:39:25,840
Speaker 1: when I'm when I'm reclined, laid back, I ain't got

820
00:39:25,920 --> 00:39:29,080
Speaker 1: to talk to nobody, no distractions in the air. With

821
00:39:29,239 --> 00:39:31,560
Speaker 1: that in my headphone, he's poorting out his feelings. Man, listen,

822
00:39:31,600 --> 00:39:33,359
Speaker 1: can we talk about how much money Ja Cole mus

823
00:39:33,400 --> 00:39:35,879
Speaker 1: be making. He'm be having no features on it, made

824
00:39:35,920 --> 00:39:38,800
Speaker 1: nobody his own production duction. You don't get no heirdcuts.

825
00:39:38,840 --> 00:39:41,040
Speaker 1: He walks around in basketball shorts and T shirts and

826
00:39:41,120 --> 00:39:45,320
Speaker 1: rides city bikes and bombs for probably the most frugal

827
00:39:45,520 --> 00:39:48,160
Speaker 1: rapper we've ever seen in the history of rapp music,

828
00:39:48,320 --> 00:39:52,440
Speaker 1: Jake Cole. He is a true Kendrick though Kendrick two.

829
00:39:52,480 --> 00:39:54,680
Speaker 1: Though Kendrick is the same. He don't spend on money either.

830
00:39:54,719 --> 00:39:56,399
Speaker 1: And you don't look at pous Cole. I'll be honest

831
00:39:56,400 --> 00:40:02,200
Speaker 1: with you. He don't getting that guap. They both are

832
00:40:02,920 --> 00:40:05,040
Speaker 1: for you. Yeah, they both are all at him, moving

833
00:40:05,120 --> 00:40:07,799
Speaker 1: like a rich old white man, dressing like one too.

834
00:40:08,239 --> 00:40:12,480
Speaker 1: All right, now let's talk about Lloyd Banks. Congratulations to him,

835
00:40:12,520 --> 00:40:16,400
Speaker 1: since we're talking about having babies. He had his daughter yesterday.

836
00:40:16,840 --> 00:40:18,880
Speaker 1: Now we only know this because Lloyd Banks has and

837
00:40:18,920 --> 00:40:26,160
Speaker 1: said it's because Tony Yeo the voice Yeah thanks, never talks.

838
00:40:26,360 --> 00:40:28,440
Speaker 1: Tony Yeo went on Instagram and posted a picture of

839
00:40:28,520 --> 00:40:31,000
Speaker 1: him and Lloyd Banks. Congrats my brother at Lloyd brings

840
00:40:31,080 --> 00:40:33,239
Speaker 1: on having his baby girl today the best gift ever

841
00:40:33,320 --> 00:40:36,840
Speaker 1: for Christmas. So congratulations to them. Drop includes baun for

842
00:40:36,920 --> 00:40:40,480
Speaker 1: Lloyd Banks and his new seed. Yeah, he ain't said

843
00:40:40,480 --> 00:40:43,080
Speaker 1: nothing about it yet, but thanks Tony yeo. Now we know,

844
00:40:43,880 --> 00:40:46,480
Speaker 1: all right, Shyla buff he has no hard feelings towards

845
00:40:46,480 --> 00:40:48,320
Speaker 1: Soldier Boy. As a matter of fact, he thinks the

846
00:40:48,400 --> 00:40:51,200
Speaker 1: Soldier boy is really sweet. Check it out. Can you

847
00:40:51,200 --> 00:40:53,840
Speaker 1: say anything about Soldier Boy? Oh he's a sweetar broo

848
00:40:54,000 --> 00:40:56,000
Speaker 1: mean it? You know you're gonna get him. You're gonna

849
00:40:56,000 --> 00:40:57,839
Speaker 1: get him in the films. Oh, I don't know. Man

850
00:40:58,680 --> 00:41:01,240
Speaker 1: can do it on his old problem. Pretty enigmatic character.

851
00:41:02,120 --> 00:41:05,120
Speaker 1: All right. See, so no hard feelings between this whole

852
00:41:05,200 --> 00:41:08,880
Speaker 1: beef with Soldier Boy and I gotta go google enigmatic,

853
00:41:09,520 --> 00:41:16,920
Speaker 1: enigmatic enigmatic. Um, let me google yah see how much

854
00:41:16,960 --> 00:41:20,319
Speaker 1: I can get on scrabble for that one enigmatic? All right. Now,

855
00:41:20,400 --> 00:41:22,920
Speaker 1: Whoopie Goldberg is going to be doing a new project.

856
00:41:23,040 --> 00:41:24,680
Speaker 1: Her contract with The View is over at the end

857
00:41:24,719 --> 00:41:27,040
Speaker 1: of this season, but she is working on a new

858
00:41:27,160 --> 00:41:30,560
Speaker 1: dramatic series for Bravo. Now. This series is going to

859
00:41:30,560 --> 00:41:32,759
Speaker 1: be set in modern times. It's about a Harlem crime

860
00:41:32,840 --> 00:41:35,879
Speaker 1: boss who reunites with her eldest son. Originally she thought

861
00:41:35,920 --> 00:41:37,560
Speaker 1: he was dead, but he returns to New York to

862
00:41:37,680 --> 00:41:39,799
Speaker 1: run from may Or. Her Son was able to pass

863
00:41:39,840 --> 00:41:41,279
Speaker 1: as a white man. He faced his death as a

864
00:41:41,320 --> 00:41:42,960
Speaker 1: teenager and left New York so he could start a

865
00:41:43,000 --> 00:41:45,960
Speaker 1: new life. That movie sounds very enigmatic. It's a series

866
00:41:46,800 --> 00:41:50,400
Speaker 1: that you can't use that word man, very enigmatic. It

867
00:41:50,520 --> 00:41:54,640
Speaker 1: means difficult to interpret or understand. Sea spell e N

868
00:41:54,760 --> 00:41:58,120
Speaker 1: I G M A T I C ing ing ing

869
00:41:58,200 --> 00:42:01,040
Speaker 1: ing ning ning ning ning. You know I'm a spelling champ. Stop.

870
00:42:01,320 --> 00:42:03,600
Speaker 1: Oh boy, all right, I'm angela ye, and that is

871
00:42:03,640 --> 00:42:08,960
Speaker 1: your rumor report. Don't you do it? Charlot man, Let's

872
00:42:08,960 --> 00:42:10,400
Speaker 1: talk about this donkey. You got dog in a day

873
00:42:10,440 --> 00:42:14,040
Speaker 1: coming up? Yes, I am go ahead, shut up? Ye

874
00:42:14,600 --> 00:42:19,120
Speaker 1: always trying to press me, you press me? All right? Okay, yes,

875
00:42:19,239 --> 00:42:21,520
Speaker 1: don't you a day for this? Friday is going to

876
00:42:21,680 --> 00:42:23,920
Speaker 1: young thug talking talking needs to come to front of

877
00:42:23,920 --> 00:42:27,160
Speaker 1: the congregation. Stop like th h U g g A.

878
00:42:27,719 --> 00:42:30,239
Speaker 1: We like to have a word with him. Okay, all right,

879
00:42:30,440 --> 00:42:33,319
Speaker 1: lessen this an opportunity to teach you. All right, Dog

880
00:42:33,360 --> 00:42:38,560
Speaker 1: in the day up, it's locked is the fact. See

881
00:42:38,920 --> 00:42:42,440
Speaker 1: see dope, you see that she's putting out day you

882
00:42:42,520 --> 00:42:46,439
Speaker 1: know you nope? Days up next is the breakfast club

883
00:42:46,480 --> 00:42:53,040
Speaker 1: going on it. Charlot Maine say the gang don't get

884
00:42:53,360 --> 00:43:01,480
Speaker 1: the shape man, you are donkey today. Just not discriminate.

885
00:43:01,840 --> 00:43:03,400
Speaker 1: I might not have the song of today, but I

886
00:43:03,440 --> 00:43:05,520
Speaker 1: got to donkey that. So if you ever feel I

887
00:43:05,600 --> 00:43:07,400
Speaker 1: need to be a Donkey man, hit it with the

888
00:43:09,280 --> 00:43:11,879
Speaker 1: breakfast club bitches. They just don't give to day each today.

889
00:43:14,040 --> 00:43:16,560
Speaker 1: Yeah it's Donkey today for Friday December. Knife goes the

890
00:43:16,680 --> 00:43:19,439
Speaker 1: Young Thug Thuger Thuger. I'd be lying to you all

891
00:43:19,520 --> 00:43:21,759
Speaker 1: and myself if I told you I don't like Young Thug.

892
00:43:21,880 --> 00:43:24,720
Speaker 1: That man is a free spirit and his music is jamming.

893
00:43:25,040 --> 00:43:27,160
Speaker 1: I respect the friend. I respect the fact you don't

894
00:43:27,200 --> 00:43:29,560
Speaker 1: give a damn what people say about the way he dresses.

895
00:43:29,640 --> 00:43:31,800
Speaker 1: He just does him and I salute that. But what

896
00:43:31,920 --> 00:43:34,000
Speaker 1: I saw from Thug this week at the airport in

897
00:43:34,080 --> 00:43:36,719
Speaker 1: Atlanta was completely out of line. If you haven't heard,

898
00:43:36,760 --> 00:43:39,120
Speaker 1: Young Thug was having some issues with TSA workers, and

899
00:43:39,680 --> 00:43:41,680
Speaker 1: in the video I saw, he offered the two young

900
00:43:41,760 --> 00:43:45,160
Speaker 1: ladies fifteen thousand dollars each and one of the ladies

901
00:43:45,200 --> 00:43:46,880
Speaker 1: told him you need to get me off a camera

902
00:43:46,960 --> 00:43:48,799
Speaker 1: and you need to step away from this counter. Did

903
00:43:48,840 --> 00:43:50,960
Speaker 1: I get that right chie. Well, yeah, they he offered

904
00:43:51,040 --> 00:43:53,560
Speaker 1: him them fifty million dollars to quit their I mean

905
00:43:53,600 --> 00:43:56,359
Speaker 1: fifteen thousand dollars to quit their jobs. Okay, Well, young

906
00:43:56,400 --> 00:43:58,440
Speaker 1: thug proceeded to tell these women they were rude, and

907
00:43:58,560 --> 00:44:01,279
Speaker 1: it went all downhill from the let's let's just hear it. Listen,

908
00:44:02,560 --> 00:44:05,080
Speaker 1: y'all don't feel like I'm back. No, not that Jeus

909
00:44:05,120 --> 00:44:08,319
Speaker 1: Christ the rant at the airport, Daddy, God, that's our

910
00:44:08,400 --> 00:44:11,439
Speaker 1: new producer. Eddie's what's up Eddie? He's learning, he's learning

911
00:44:11,520 --> 00:44:14,080
Speaker 1: the place I want the rant at the airport for us. Daddy.

912
00:44:15,640 --> 00:44:25,560
Speaker 1: There we got no Eddie ran, y'all don't ran? Yes,

913
00:44:26,239 --> 00:44:29,480
Speaker 1: sole rule if peasants they saying they manage on the way,

914
00:44:29,640 --> 00:44:31,040
Speaker 1: I don't want to talk to the manage of y'all.

915
00:44:31,080 --> 00:44:35,799
Speaker 1: Ain't you manager peasants? Y'all, ain't I give y'all bone

916
00:44:35,880 --> 00:44:38,960
Speaker 1: the whole fifteen thousands? Put your job. I'm getting you

917
00:44:39,040 --> 00:44:41,040
Speaker 1: bomb one more chance. Look at get their hell sinking

918
00:44:41,160 --> 00:44:44,479
Speaker 1: on the help they have. That's a mother. I'm glad

919
00:44:44,480 --> 00:44:47,759
Speaker 1: you tuk around it. Don't be okay, let's play one

920
00:44:47,800 --> 00:44:49,200
Speaker 1: more time? Just can you play? Can you play one

921
00:44:49,239 --> 00:44:51,360
Speaker 1: more time? The one people to make sure they heard that.

922
00:44:51,640 --> 00:44:55,680
Speaker 1: And as the sole rule. If peasants they saying they

923
00:44:55,760 --> 00:44:57,360
Speaker 1: manage on the way, I don't want to talk to

924
00:44:57,400 --> 00:45:03,200
Speaker 1: the manage of y'all. Ain't your manager, y'all y'all whole

925
00:45:03,280 --> 00:45:06,239
Speaker 1: fifteen fun to put your job. I'm getting you bomb

926
00:45:06,320 --> 00:45:08,200
Speaker 1: one more chain. Look at get their help sinking on

927
00:45:08,280 --> 00:45:11,560
Speaker 1: the help they have. That's a mother. I'm glad you

928
00:45:11,680 --> 00:45:15,759
Speaker 1: turn around looking don't be Jesus Christ thoughts. Come on,

929
00:45:16,920 --> 00:45:19,800
Speaker 1: why are you talking down on the women at the airport?

930
00:45:19,920 --> 00:45:21,960
Speaker 1: I understand you was angry, my brother, but you can't

931
00:45:22,000 --> 00:45:24,040
Speaker 1: move off emotion. You have to move off strategy. You

932
00:45:24,160 --> 00:45:27,319
Speaker 1: flexing on TSA workers. Money's not power, brother, because if

933
00:45:27,360 --> 00:45:30,120
Speaker 1: money was power in that situation, you would have shown

934
00:45:30,200 --> 00:45:32,279
Speaker 1: more restraint because you got all the power. True power

935
00:45:32,440 --> 00:45:35,440
Speaker 1: is sitting back and observing everything with logic. True power

936
00:45:35,560 --> 00:45:38,200
Speaker 1: is restraint. You will always suffer if you have an

937
00:45:38,239 --> 00:45:41,719
Speaker 1: emotional reaction to everything. Uh, you know what you said

938
00:45:41,760 --> 00:45:45,719
Speaker 1: to them TSA workers. You know that wasn't That wasn't power, Okay,

939
00:45:45,760 --> 00:45:47,440
Speaker 1: that was just pure emotion. And now they got you

940
00:45:47,560 --> 00:45:50,920
Speaker 1: looking crazy. I saw you on academics Instagram yesterday attempting

941
00:45:50,960 --> 00:45:53,399
Speaker 1: to clarify the situation, Let's hear some of the things

942
00:45:53,480 --> 00:45:56,360
Speaker 1: Young Thug had to say about everybody attacking him for

943
00:45:56,440 --> 00:46:02,759
Speaker 1: what he said about the young ladies. Don't mane when

944
00:46:02,760 --> 00:46:08,000
Speaker 1: that apologize to Seattle because I just choose not to

945
00:46:08,080 --> 00:46:10,120
Speaker 1: get into that because I know me, I'm the type

946
00:46:10,160 --> 00:46:12,120
Speaker 1: of person that's gonna be like if we ain't gonna

947
00:46:12,120 --> 00:46:15,240
Speaker 1: got them, stand up fier culture and killed and goddamn

948
00:46:15,560 --> 00:46:18,000
Speaker 1: give this together. It ain't no use to me even

949
00:46:18,080 --> 00:46:20,520
Speaker 1: speaking on it. I don't respect to say black lives

950
00:46:20,600 --> 00:46:23,080
Speaker 1: matter and don't do nothing to help black lives. Don't

951
00:46:23,160 --> 00:46:26,760
Speaker 1: take a situation about me walking with the two black says,

952
00:46:27,280 --> 00:46:29,560
Speaker 1: making me miss my money and try to mix mix

953
00:46:29,680 --> 00:46:32,080
Speaker 1: everybody black into it. Let's rid the paying two which

954
00:46:32,400 --> 00:46:34,600
Speaker 1: let's pay on. Let's do let's not kept for them that.

955
00:46:34,760 --> 00:46:36,160
Speaker 1: Let's go pay me two which is supposed to people

956
00:46:36,160 --> 00:46:37,800
Speaker 1: who really need them for real. Let's do it. My

957
00:46:37,960 --> 00:46:41,200
Speaker 1: mom got eleven kids. How about everybody housing cars, y'all

958
00:46:41,360 --> 00:46:43,520
Speaker 1: just talking to tweeting, capping. We're in the same boat.

959
00:46:43,520 --> 00:46:45,600
Speaker 1: I'm sell your sup so I know you capt I

960
00:46:45,680 --> 00:46:47,279
Speaker 1: know you're not gonna pay for nothing. Y'all. You don't

961
00:46:47,280 --> 00:46:49,200
Speaker 1: give a damn about nobody. I forgot to say. I

962
00:46:49,280 --> 00:46:51,239
Speaker 1: meant I sent my money to hate it? Who sent

963
00:46:51,320 --> 00:46:55,359
Speaker 1: some money to hate it? They're repped? I hear creets. Okay,

964
00:46:55,400 --> 00:46:57,640
Speaker 1: See this is what young thug don't understand. I told me.

965
00:46:57,719 --> 00:47:01,080
Speaker 1: Understand people being upset at the nappy heads. I understand

966
00:47:01,120 --> 00:47:04,040
Speaker 1: people being upset that they look like Africans. That was

967
00:47:04,080 --> 00:47:05,680
Speaker 1: in there too, But we don't have that part. But

968
00:47:06,280 --> 00:47:09,680
Speaker 1: the pats calling them peasants aunts. You know, we can

969
00:47:09,760 --> 00:47:12,279
Speaker 1: take all of that out of this situation and it's

970
00:47:12,320 --> 00:47:15,439
Speaker 1: still dead wrong. You simply just don't treat people like that. Okay.

971
00:47:15,480 --> 00:47:18,040
Speaker 1: I respect him for taking cares family and friends, but

972
00:47:18,160 --> 00:47:20,040
Speaker 1: what do I always say, when you want to see

973
00:47:20,080 --> 00:47:22,319
Speaker 1: the true character of a person, watch how they treat

974
00:47:22,360 --> 00:47:25,359
Speaker 1: people who can't do anything for them. You call these

975
00:47:25,440 --> 00:47:29,319
Speaker 1: people aunts peasants like you wasn't probably broken Paul living

976
00:47:29,320 --> 00:47:31,160
Speaker 1: in the hoods of Atlanta a few years ago, the

977
00:47:31,280 --> 00:47:33,640
Speaker 1: majority of your life, your majority of your life, probably

978
00:47:33,800 --> 00:47:35,600
Speaker 1: one of your big homies and your ogs needs to

979
00:47:35,600 --> 00:47:38,040
Speaker 1: simply tell your young brother, don't forget where you came from,

980
00:47:38,080 --> 00:47:40,560
Speaker 1: because you could easily go back the same people you

981
00:47:40,640 --> 00:47:42,600
Speaker 1: meet when you up you will meet when you down,

982
00:47:42,800 --> 00:47:44,960
Speaker 1: and they're not gonna remember anything but how you made

983
00:47:45,040 --> 00:47:47,479
Speaker 1: them feel. You don't talk to people like that. Once again,

984
00:47:47,560 --> 00:47:49,359
Speaker 1: if you want to see the real character of a person,

985
00:47:49,520 --> 00:47:52,000
Speaker 1: watch how they treat people who can't do anything for them. Yeah,

986
00:47:52,040 --> 00:47:54,359
Speaker 1: you got more money than them, Then you got more

987
00:47:54,400 --> 00:47:57,040
Speaker 1: money than them now, but so what. Okay, money don't

988
00:47:57,080 --> 00:47:59,480
Speaker 1: make you better than nobody. You may be more financially

989
00:47:59,520 --> 00:48:01,440
Speaker 1: well off than others, but you're not better. You ever

990
00:48:01,520 --> 00:48:03,719
Speaker 1: heard the saying some people are so poor all they

991
00:48:03,800 --> 00:48:05,960
Speaker 1: have his money. That's how you look in this situation

992
00:48:06,080 --> 00:48:08,000
Speaker 1: right now. I don't care how much money you got.

993
00:48:08,160 --> 00:48:10,759
Speaker 1: I don't care how expensive your dress is, young thug,

994
00:48:10,960 --> 00:48:14,040
Speaker 1: If you got poor character, you're a poor person. Always

995
00:48:14,160 --> 00:48:17,200
Speaker 1: remember your money don't make you better than people your

996
00:48:17,280 --> 00:48:20,040
Speaker 1: behavior does. Please give young thug some of the smooth

997
00:48:20,080 --> 00:48:27,840
Speaker 1: sounds in the handletones. You got those the donkey, the

998
00:48:28,400 --> 00:48:42,680
Speaker 1: d you the donkey, and he could have offered more

999
00:48:42,719 --> 00:48:45,960
Speaker 1: than fifteen thousand for them to quit their jobs. Fifteen

1000
00:48:46,000 --> 00:48:48,680
Speaker 1: thousands a lot of money. What he should do is

1001
00:48:48,719 --> 00:48:51,200
Speaker 1: he should apologize to those women and go down to

1002
00:48:51,320 --> 00:48:54,440
Speaker 1: that airport and personally give those women a nice Christmas

1003
00:48:54,560 --> 00:48:59,400
Speaker 1: present with fifteen grand in the Christmas box. Okay, sometimes

1004
00:48:59,440 --> 00:49:01,360
Speaker 1: when you just wrong, the only thing you can do

1005
00:49:01,640 --> 00:49:06,640
Speaker 1: is try to apologize and admit that you're wrong and said,

1006
00:49:06,640 --> 00:49:09,440
Speaker 1: by your way up, fix that bad calma you created

1007
00:49:09,680 --> 00:49:12,080
Speaker 1: created for yourself by talking to those women in that

1008
00:49:12,239 --> 00:49:16,080
Speaker 1: manner and then filming it and putting it online. All right,

1009
00:49:16,120 --> 00:49:19,399
Speaker 1: and I want to close bombs for Eddie please. Eddie

1010
00:49:19,440 --> 00:49:23,759
Speaker 1: got one tweet this morning this morning and somebody said, hey,

1011
00:49:23,840 --> 00:49:29,920
Speaker 1: your producer's on point, and Eddie goes, don't you do that?

1012
00:49:30,040 --> 00:49:32,640
Speaker 1: Audio was all over the place. All right. When we

1013
00:49:32,719 --> 00:49:35,160
Speaker 1: come back, app So will be joining us. Of course,

1014
00:49:36,160 --> 00:49:37,960
Speaker 1: his albums out today, so we're gonna kick it with

1015
00:49:38,040 --> 00:49:41,160
Speaker 1: him when we come back. To the song yesterday also

1016
00:49:41,760 --> 00:49:44,600
Speaker 1: that we talk about in this interview. Kay, when we'll

1017
00:49:44,600 --> 00:49:46,120
Speaker 1: get into it when we come back. Keeping lock this

1018
00:49:46,160 --> 00:49:53,480
Speaker 1: to Breakfast Club, Go Morning his Beyonce that was notorious

1019
00:49:53,560 --> 00:49:57,879
Speaker 1: big with Juicy Morning. Everybody is DJ mvy Angela Yee,

1020
00:49:57,960 --> 00:50:00,239
Speaker 1: Charlomagne the guy we are to Breakfast Club. We got

1021
00:50:00,280 --> 00:50:02,600
Speaker 1: a special guest in the building fresh off the plane

1022
00:50:04,640 --> 00:50:06,520
Speaker 1: with the album out, which we had to get you

1023
00:50:06,640 --> 00:50:08,160
Speaker 1: up here. We didn't know this was happening for the

1024
00:50:08,200 --> 00:50:11,560
Speaker 1: first time I ever. Tde sent the album beforehand, before

1025
00:50:11,600 --> 00:50:16,239
Speaker 1: the artist came that the album, but they bought. They

1026
00:50:16,280 --> 00:50:18,239
Speaker 1: sent it to us, which was a big deal because

1027
00:50:18,280 --> 00:50:20,040
Speaker 1: it is an album that nobody knew was coming out,

1028
00:50:20,080 --> 00:50:21,680
Speaker 1: so we got our hands on it early. As you

1029
00:50:21,719 --> 00:50:24,640
Speaker 1: get to busting down the album, Um, it's really really

1030
00:50:25,239 --> 00:50:28,440
Speaker 1: like a woman appreciation album. Yeah, that's that. I was

1031
00:50:28,480 --> 00:50:30,920
Speaker 1: going to ask you words, So I just kind of

1032
00:50:30,960 --> 00:50:33,160
Speaker 1: wanted to do it in a way. Um, I wanted

1033
00:50:33,200 --> 00:50:35,080
Speaker 1: to kick it to the women, like how we kick it.

1034
00:50:35,200 --> 00:50:37,520
Speaker 1: I wanted to talk to him like homies versus like

1035
00:50:39,800 --> 00:50:42,440
Speaker 1: which you did it differently on Dark Beats? Right, you

1036
00:50:42,480 --> 00:50:44,080
Speaker 1: know what I'm saying, Right, not all of them. No,

1037
00:50:44,440 --> 00:50:47,719
Speaker 1: I mean, you know was a nice I like that one.

1038
00:50:47,920 --> 00:50:50,239
Speaker 1: It's the it's the gray area. This album is the

1039
00:50:50,320 --> 00:50:51,960
Speaker 1: gray area. You know what I'm saying. It's like, you know,

1040
00:50:52,440 --> 00:50:55,560
Speaker 1: it's the it's the silver lining. I get the feeling

1041
00:50:55,600 --> 00:50:58,239
Speaker 1: you think God could possibly be a woman. Yeah, that's

1042
00:50:58,320 --> 00:51:00,959
Speaker 1: that's that's the kind the chicken and came before the egg.

1043
00:51:01,120 --> 00:51:04,960
Speaker 1: Yeahs what made you come to that conclusion? I feel

1044
00:51:05,080 --> 00:51:08,759
Speaker 1: like we're reaching this level of spirituality even like, you know,

1045
00:51:08,800 --> 00:51:10,759
Speaker 1: I went to the Strip Club. I don't go to

1046
00:51:10,840 --> 00:51:12,840
Speaker 1: the Script Club. I went to the Strip Club and

1047
00:51:12,880 --> 00:51:16,920
Speaker 1: shot one of my joints off of the album I'm

1048
00:51:16,920 --> 00:51:18,879
Speaker 1: on there. You know, I'm talking about like Neffer TD

1049
00:51:19,120 --> 00:51:22,200
Speaker 1: and Aphrodite and stuff, And so I got these half

1050
00:51:22,320 --> 00:51:24,959
Speaker 1: naked women coming up to me thanking me like thank

1051
00:51:25,040 --> 00:51:27,400
Speaker 1: you for like, you know, speaking. You know, I've never

1052
00:51:27,480 --> 00:51:31,719
Speaker 1: been able to dance to Aphrodite and nefer TD, like

1053
00:51:31,840 --> 00:51:33,440
Speaker 1: you know what I'm saying, Like, you know, it's all

1054
00:51:33,520 --> 00:51:36,120
Speaker 1: been so half naked at that. You know what I'm

1055
00:51:36,160 --> 00:51:38,239
Speaker 1: saying with those women approve it the scripts though, you

1056
00:51:38,320 --> 00:51:40,880
Speaker 1: follow when I'm saying. So it's kind of like I

1057
00:51:41,000 --> 00:51:43,239
Speaker 1: feel like they want to get into that. You know

1058
00:51:43,280 --> 00:51:44,800
Speaker 1: what I'm saying. They gotta do what they gotta do,

1059
00:51:45,360 --> 00:51:47,920
Speaker 1: you know what I'm saying. Actually respect that, but they

1060
00:51:48,040 --> 00:51:50,759
Speaker 1: want to get into those conversations. That's what I feel like.

1061
00:51:50,840 --> 00:51:52,840
Speaker 1: So I just kind of wanted to with this album.

1062
00:51:53,560 --> 00:51:56,359
Speaker 1: You know, you know, I'm conceptual. I'd like to get

1063
00:51:56,400 --> 00:51:59,080
Speaker 1: a concept and stick to it. But that's what really

1064
00:51:59,160 --> 00:52:00,880
Speaker 1: kind of turned me on about the const I took

1065
00:52:00,920 --> 00:52:03,680
Speaker 1: a Bible in the Script Club once in Columbia side Carolina.

1066
00:52:04,239 --> 00:52:06,040
Speaker 1: I took the Bible in the script club and was

1067
00:52:06,120 --> 00:52:08,400
Speaker 1: holding the Bible up at all the scripts, making them

1068
00:52:08,440 --> 00:52:11,800
Speaker 1: touch it. Some of them was running in it was Christmas.

1069
00:52:11,840 --> 00:52:13,239
Speaker 1: I was like, I don't want you to forget the

1070
00:52:13,280 --> 00:52:15,320
Speaker 1: reason for the season is the same. You're making the

1071
00:52:15,360 --> 00:52:17,359
Speaker 1: money back up off the floor. That's ill though, because

1072
00:52:17,400 --> 00:52:21,200
Speaker 1: you know it's like us, I keep mine on me, now, yeah,

1073
00:52:21,440 --> 00:52:24,319
Speaker 1: I keep mine on me. Come on, that's call them

1074
00:52:24,360 --> 00:52:29,160
Speaker 1: the Good Church. Are you still with your woman? Yeah? Okay, good?

1075
00:52:29,440 --> 00:52:31,080
Speaker 1: So I'm sort of that affects you too when you're

1076
00:52:31,120 --> 00:52:34,000
Speaker 1: doing Yeah, you know, you guys have been together for

1077
00:52:34,040 --> 00:52:35,960
Speaker 1: a minute. We've been together for a while. So you

1078
00:52:36,120 --> 00:52:38,879
Speaker 1: changed her by the way, I mean, she evolved a lot,

1079
00:52:39,560 --> 00:52:45,640
Speaker 1: you know, And I'll let you tell it. Yeah, but

1080
00:52:46,160 --> 00:52:48,359
Speaker 1: you know, I feel like she you know what I'm saying.

1081
00:52:48,360 --> 00:52:49,840
Speaker 1: I feel like she helped me out a lot of

1082
00:52:50,640 --> 00:52:54,200
Speaker 1: what you're supposed to exchange your power, you know, relationships,

1083
00:52:54,440 --> 00:52:57,319
Speaker 1: exchange it and exchange your power, you know what I'm saying.

1084
00:52:57,320 --> 00:52:59,279
Speaker 1: So I feel like we you know, me being from

1085
00:52:59,320 --> 00:53:02,320
Speaker 1: the West of being, she's Spanish, I'm I'm you know

1086
00:53:02,320 --> 00:53:04,560
Speaker 1: what I'm saying now, I gotta talk about the first

1087
00:53:04,600 --> 00:53:08,480
Speaker 1: song raw because you addressed some beef that you said

1088
00:53:08,600 --> 00:53:10,759
Speaker 1: Kendrick can't get his hands dirty, so he was gonna

1089
00:53:10,760 --> 00:53:13,319
Speaker 1: do it. Yeah, and you talked about Jay Electronic Huh, yeah,

1090
00:53:13,520 --> 00:53:16,960
Speaker 1: he's got Was it a conscious decision for Kendrick to

1091
00:53:17,000 --> 00:53:19,000
Speaker 1: say he's not going to address this, and then that

1092
00:53:19,080 --> 00:53:21,640
Speaker 1: was a conscious decision for me to tell Kendrick not

1093
00:53:21,760 --> 00:53:25,040
Speaker 1: to address I felt like I had a spiritual relationship

1094
00:53:25,080 --> 00:53:27,040
Speaker 1: with Jay Electronica. I never really got to meet him

1095
00:53:27,040 --> 00:53:29,640
Speaker 1: in the flesh, but we had a lot of great conversations,

1096
00:53:29,800 --> 00:53:32,000
Speaker 1: like via text. He gave me a lot of good

1097
00:53:32,040 --> 00:53:34,200
Speaker 1: game that I you know, I'll keep between us or whatever,

1098
00:53:34,280 --> 00:53:36,680
Speaker 1: you know, and we really I looked at you know,

1099
00:53:37,160 --> 00:53:39,840
Speaker 1: that's the asiatic black guy to what I'm saying. So

1100
00:53:40,120 --> 00:53:42,719
Speaker 1: for him, you know when I seen that little periscope

1101
00:53:42,760 --> 00:53:46,000
Speaker 1: thing and you know, Dot was going up for the Grammys,

1102
00:53:46,080 --> 00:53:48,719
Speaker 1: and I just really didn't like that. And you know,

1103
00:53:48,840 --> 00:53:51,000
Speaker 1: we were really brothers, Like you know what I'm saying,

1104
00:53:51,040 --> 00:53:55,560
Speaker 1: We're really brothers. And Kendrick's album it wasn't even about that.

1105
00:53:56,600 --> 00:54:00,600
Speaker 1: His album was about like positive album thinking on the

1106
00:54:00,680 --> 00:54:04,720
Speaker 1: issues that I feel Jay would want us to speak

1107
00:54:04,760 --> 00:54:07,279
Speaker 1: them right. So for him to do that, you know,

1108
00:54:07,400 --> 00:54:09,560
Speaker 1: in the fashion that he did, I just had to,

1109
00:54:10,400 --> 00:54:11,759
Speaker 1: you know what I'm saying. I had to step in

1110
00:54:11,880 --> 00:54:13,640
Speaker 1: and say something, you know what I'm saying. And now

1111
00:54:13,840 --> 00:54:17,680
Speaker 1: he's apologized. Since then, I'm gonna just say, you know,

1112
00:54:17,760 --> 00:54:19,400
Speaker 1: I did it for the same reason he did it.

1113
00:54:19,600 --> 00:54:21,560
Speaker 1: We had a lot of discussions about the Pepper Butterfly,

1114
00:54:21,719 --> 00:54:23,759
Speaker 1: Like I love the idea of the album. I don't

1115
00:54:23,800 --> 00:54:26,080
Speaker 1: know if I like the sound, like a certain records

1116
00:54:26,120 --> 00:54:27,680
Speaker 1: I like more thanother, like I love We're Gonna Be Out.

1117
00:54:27,719 --> 00:54:30,080
Speaker 1: I love Black of a Barry, But right to me,

1118
00:54:30,200 --> 00:54:32,680
Speaker 1: it's very uplifting though, Like there's certain times when I

1119
00:54:32,760 --> 00:54:34,520
Speaker 1: listened to it, like if I'm in the car, it

1120
00:54:34,600 --> 00:54:36,399
Speaker 1: makes me feel a certain kind of way that other

1121
00:54:36,560 --> 00:54:39,759
Speaker 1: music doesn't. I don't like it. I was talking to

1122
00:54:39,800 --> 00:54:43,160
Speaker 1: Punch about it, and it's a hard listen for you know,

1123
00:54:43,320 --> 00:54:45,439
Speaker 1: maybe like the urban generation, you know what I'm saying,

1124
00:54:45,440 --> 00:54:47,320
Speaker 1: if you don't really come from like that era of

1125
00:54:47,440 --> 00:54:50,080
Speaker 1: those samples and like now if you're the previous album,

1126
00:54:50,080 --> 00:54:52,320
Speaker 1: because I think people were expecting something else in the

1127
00:54:52,480 --> 00:54:56,319
Speaker 1: YEA and it hadn't really too people expect something like that, right,

1128
00:54:56,360 --> 00:54:59,040
Speaker 1: you know what I'm saying, Because we'd like to challenge ourselves, right,

1129
00:54:59,080 --> 00:55:01,520
Speaker 1: you know you got to you you know, whether you

1130
00:55:01,600 --> 00:55:03,279
Speaker 1: know whether you hit or miss. You know what I'm saying.

1131
00:55:03,600 --> 00:55:06,719
Speaker 1: I respect a great challenge all the time. So I

1132
00:55:06,880 --> 00:55:09,279
Speaker 1: was very inspired by him doing that, and like the

1133
00:55:09,400 --> 00:55:11,560
Speaker 1: science of it, you know, him running it through analog

1134
00:55:11,760 --> 00:55:14,000
Speaker 1: the old school way, like the work that they put in,

1135
00:55:14,640 --> 00:55:17,320
Speaker 1: the science behind it. I respect that and that's what

1136
00:55:17,400 --> 00:55:20,560
Speaker 1: I really wanted to do this time around. And so

1137
00:55:20,760 --> 00:55:22,200
Speaker 1: like my thing about you know, I grew up in

1138
00:55:22,239 --> 00:55:24,520
Speaker 1: a record show, so I'm familiar with a lot of

1139
00:55:24,560 --> 00:55:26,320
Speaker 1: the samples that he used. I sold him, you know

1140
00:55:26,320 --> 00:55:28,480
Speaker 1: what I'm saying. So I came up on a lot

1141
00:55:28,520 --> 00:55:30,239
Speaker 1: of that music, So I know he was trying to

1142
00:55:31,160 --> 00:55:35,160
Speaker 1: make an album that his mom and his dad would appreciate.

1143
00:55:35,520 --> 00:55:42,600
Speaker 1: He grew up in a records had a claim, I

1144
00:55:42,719 --> 00:55:45,160
Speaker 1: was working the night. I was working a single section, Okay,

1145
00:55:45,719 --> 00:55:48,600
Speaker 1: I was selling I was selling whole MAXI singles okay

1146
00:55:49,000 --> 00:55:51,920
Speaker 1: for four Dallas. What you think about artists like not

1147
00:55:52,080 --> 00:55:56,120
Speaker 1: really knowing their history with music and biggest issue, it's

1148
00:55:56,200 --> 00:55:59,560
Speaker 1: my biggest issues because you know, hip hop is intelligence movement.

1149
00:56:00,040 --> 00:56:01,759
Speaker 1: You know what I'm saying. I got to enforce that

1150
00:56:02,960 --> 00:56:06,240
Speaker 1: to be hippis to be intelligent, the hippist the movement.

1151
00:56:06,640 --> 00:56:08,600
Speaker 1: I feel like, you know, shout out to k Arrest.

1152
00:56:08,640 --> 00:56:12,439
Speaker 1: One large part of my intellect, you know what I'm saying.

1153
00:56:12,800 --> 00:56:18,160
Speaker 1: My vocabulary in general comes from hip ho hop, listening

1154
00:56:18,200 --> 00:56:20,720
Speaker 1: to hip hop music and listening in the nas, listening

1155
00:56:20,760 --> 00:56:23,920
Speaker 1: to Jay z M. But you do a lot of orders,

1156
00:56:23,920 --> 00:56:27,120
Speaker 1: see there, but they always stop at they started kerass

1157
00:56:27,280 --> 00:56:31,120
Speaker 1: nas and Jay. Yeah, there was a whole You don't

1158
00:56:31,160 --> 00:56:33,440
Speaker 1: hear the young and talking like that. I like to

1159
00:56:33,480 --> 00:56:35,439
Speaker 1: hear that, right, That's when you had an adventage growing

1160
00:56:35,480 --> 00:56:37,759
Speaker 1: up in a record shop too. Once I really got

1161
00:56:37,840 --> 00:56:40,200
Speaker 1: into hip hop, I had to go back and do

1162
00:56:40,400 --> 00:56:42,600
Speaker 1: the research. They're doing a movie on the sugar Hill Gang.

1163
00:56:42,640 --> 00:56:44,600
Speaker 1: They're doing a movie on Roxanne Shine Say. I think

1164
00:56:44,640 --> 00:56:46,840
Speaker 1: things like that help exactly for people to listen to

1165
00:56:47,000 --> 00:56:49,200
Speaker 1: the music and go back and research. And I think

1166
00:56:49,239 --> 00:56:52,480
Speaker 1: the kids need to know this history. I think it's

1167
00:56:52,560 --> 00:56:55,640
Speaker 1: important to know your roots or whatever. You know, the

1168
00:56:56,120 --> 00:56:58,880
Speaker 1: roots of music. I mean, you know, even in my

1169
00:56:59,160 --> 00:57:01,359
Speaker 1: even in my of them now you know a lot

1170
00:57:01,400 --> 00:57:04,920
Speaker 1: of the concepts are rock and roll. I tried to

1171
00:57:05,000 --> 00:57:07,600
Speaker 1: dig deep into the origin of music, you know what,

1172
00:57:07,640 --> 00:57:11,000
Speaker 1: I and the influences of music. But me being a

1173
00:57:11,120 --> 00:57:13,360
Speaker 1: hip hop artist, I gotta make sure I keep that

1174
00:57:13,840 --> 00:57:16,560
Speaker 1: intelligent movement going. I think that's a large part of

1175
00:57:16,680 --> 00:57:19,520
Speaker 1: high powers about. We got more with Apps. So when

1176
00:57:19,520 --> 00:57:21,760
Speaker 1: we come back keeping locked as the Breakfast Club, good morning.

1177
00:57:22,000 --> 00:57:24,960
Speaker 1: That was re re wneeded me morning everybody as DJ

1178
00:57:25,320 --> 00:57:28,439
Speaker 1: mvy Angela Yee Charlomagne the guy we are to Breakfast Club.

1179
00:57:29,000 --> 00:57:31,400
Speaker 1: We have a special guest in the building, the Homie Apps.

1180
00:57:31,440 --> 00:57:33,520
Speaker 1: So his album is out right. Now, let's talk about

1181
00:57:33,520 --> 00:57:35,080
Speaker 1: some of them bars. Like you said, we don't speak

1182
00:57:35,120 --> 00:57:37,360
Speaker 1: on sexism as much as we should. We really should.

1183
00:57:37,640 --> 00:57:40,600
Speaker 1: You think that's why Hillary didn't win the election? Oh man,

1184
00:57:41,760 --> 00:57:45,439
Speaker 1: sure you want to have this, That's what I'm saying.

1185
00:57:45,480 --> 00:57:49,000
Speaker 1: See you let that go back to Electronica. Okay, gave

1186
00:57:49,040 --> 00:57:51,120
Speaker 1: me some good game about speaking up on these issues.

1187
00:57:51,160 --> 00:57:53,320
Speaker 1: You know what I'm talking about. You feel he told

1188
00:57:53,320 --> 00:57:54,960
Speaker 1: you don't speak about it. See, I don't like that

1189
00:57:55,080 --> 00:57:58,160
Speaker 1: though this. I feel like hip hop was always rebellious,

1190
00:57:58,200 --> 00:58:01,800
Speaker 1: but it's always focused on We got too much surveillance now,

1191
00:58:01,920 --> 00:58:05,120
Speaker 1: so why I mean Hey, but look at on y'all

1192
00:58:05,160 --> 00:58:08,320
Speaker 1: lot you should fit church church. But so I'm gonna

1193
00:58:08,360 --> 00:58:10,520
Speaker 1: kicking to you. I honestly feel like, you know, that

1194
00:58:10,720 --> 00:58:12,840
Speaker 1: was just you know, my whole thing with the presidency

1195
00:58:12,960 --> 00:58:14,960
Speaker 1: is just the Electorial College. I mean, you know, you

1196
00:58:14,960 --> 00:58:16,720
Speaker 1: could do your own research on that. I feel like

1197
00:58:16,800 --> 00:58:20,960
Speaker 1: kind of powers that be got lined up rigged basically.

1198
00:58:21,000 --> 00:58:24,160
Speaker 1: I mean that's just how fast taking back their votes too. Yeah,

1199
00:58:24,280 --> 00:58:26,960
Speaker 1: and like to be honest too, like I honestly thought

1200
00:58:27,000 --> 00:58:29,160
Speaker 1: it was gonna be uh like wild. I thought like

1201
00:58:29,280 --> 00:58:33,080
Speaker 1: Hillary was gonna get like popular vote, like the people's vote,

1202
00:58:33,160 --> 00:58:35,640
Speaker 1: by a grip, and then the Electorial College would wipe

1203
00:58:35,680 --> 00:58:38,000
Speaker 1: her route. Everybody would go chaotic. But it was a

1204
00:58:38,080 --> 00:58:40,320
Speaker 1: fair faith. It was it was she, only it was

1205
00:58:40,400 --> 00:58:43,280
Speaker 1: up by like two two point five. Do you think

1206
00:58:43,320 --> 00:58:44,880
Speaker 1: it was too much of a threat to white male

1207
00:58:44,920 --> 00:58:47,360
Speaker 1: authority to have eight years of a black president and

1208
00:58:47,480 --> 00:58:49,520
Speaker 1: four of a woman. I mean, that's that's that's a

1209
00:58:49,560 --> 00:58:52,520
Speaker 1: conversation we could have, you know what I'm saying, like like, look,

1210
00:58:52,520 --> 00:58:56,400
Speaker 1: I'm trying to sell some records, but look, I gotta

1211
00:58:56,440 --> 00:58:58,880
Speaker 1: be politically correct with speaking about these things because it's like,

1212
00:58:59,040 --> 00:59:01,520
Speaker 1: you know, me, I want to just make sure that

1213
00:59:03,000 --> 00:59:04,960
Speaker 1: don't take my word. You don't have to be politically

1214
00:59:04,960 --> 00:59:09,040
Speaker 1: correct because you're not a politician kind of kind of

1215
00:59:09,080 --> 00:59:10,640
Speaker 1: a politician kind of you know what I'm saying. The

1216
00:59:10,680 --> 00:59:13,400
Speaker 1: politics is real here, Listen, this is my thing. Right,

1217
00:59:13,560 --> 00:59:15,400
Speaker 1: you say you want to be politically correct, But you

1218
00:59:15,480 --> 00:59:18,280
Speaker 1: got a line that says the American flag was designed

1219
00:59:18,400 --> 00:59:30,200
Speaker 1: by and I'm quoting that a disrespect I think that politically,

1220
00:59:30,240 --> 00:59:40,360
Speaker 1: don't they take that words all disrespect? I think so

1221
00:59:40,480 --> 00:59:42,960
Speaker 1: it was purposely meant to offend. So how did you

1222
00:59:42,960 --> 00:59:45,040
Speaker 1: come to that conclusion? Like what's gay about the Regican flag?

1223
00:59:47,600 --> 00:59:54,560
Speaker 1: Because we went from picking cotton for men in wigs

1224
00:59:54,600 --> 00:59:59,400
Speaker 1: and stockings to liberation and renaissances got you. So I'm saying,

1225
00:59:59,440 --> 01:00:02,040
Speaker 1: like the found the fathers of this country dressed like women.

1226
01:00:03,320 --> 01:00:05,200
Speaker 1: I feel like they like knew the power of the

1227
01:00:05,360 --> 01:00:08,400
Speaker 1: beauty and the woman like they were like capris and

1228
01:00:08,520 --> 01:00:10,440
Speaker 1: stockings with nice cat you know what I'm saying. With

1229
01:00:10,520 --> 01:00:16,400
Speaker 1: the we had a whole discussion about this, had a

1230
01:00:16,400 --> 01:00:18,520
Speaker 1: whole discussion about Mike Epps, like not taking a picture

1231
01:00:18,640 --> 01:00:21,160
Speaker 1: with somebody who was openly gay, and you know, they

1232
01:00:21,200 --> 01:00:23,520
Speaker 1: said that he was being harassed by this person throughout

1233
01:00:23,520 --> 01:00:25,920
Speaker 1: the show and they were posing all crazy. But does

1234
01:00:25,960 --> 01:00:27,480
Speaker 1: it matter to you? Like it's somebody because I'm to

1235
01:00:27,520 --> 01:00:31,120
Speaker 1: you there transgender, I'm not homophobic at all. Do your

1236
01:00:31,120 --> 01:00:34,280
Speaker 1: own thing. And but I was just that reference when

1237
01:00:34,320 --> 01:00:37,560
Speaker 1: I say, like when I used the term instead of

1238
01:00:37,760 --> 01:00:51,680
Speaker 1: homo secution, No, that's trying to get dressed like women.

1239
01:00:51,760 --> 01:00:54,080
Speaker 1: And I mean it's the tighter and guys are wearing

1240
01:00:54,160 --> 01:00:57,280
Speaker 1: women's clothes. I'm saying like, you know, you know, what

1241
01:00:57,440 --> 01:00:59,800
Speaker 1: goes around comes back around. Think you know that's a

1242
01:01:00,080 --> 01:01:02,720
Speaker 1: large part of this concept. I think we're coming around

1243
01:01:02,840 --> 01:01:05,000
Speaker 1: to you know, a lot of guys are kind of

1244
01:01:05,080 --> 01:01:08,040
Speaker 1: feeling the power at the woman time of the divine feminine?

1245
01:01:08,080 --> 01:01:10,120
Speaker 1: Ain't that Mac Mac album? Yeah, I don't want to

1246
01:01:10,160 --> 01:01:11,760
Speaker 1: be one of us. I love women and I don't

1247
01:01:11,800 --> 01:01:13,400
Speaker 1: want to be right. So what I'm saying like, we

1248
01:01:13,520 --> 01:01:15,440
Speaker 1: gotta find the medium. That's why I didn't want to

1249
01:01:15,800 --> 01:01:18,400
Speaker 1: I didn't want to serenade the women with this album.

1250
01:01:18,520 --> 01:01:20,560
Speaker 1: I wanted to talk to him, like how would talk

1251
01:01:20,640 --> 01:01:23,320
Speaker 1: to the homies? You following what I'm saying versus like

1252
01:01:23,480 --> 01:01:25,480
Speaker 1: you know, singing to him and like you know, oh

1253
01:01:25,640 --> 01:01:28,520
Speaker 1: he cares about us. I wanted to talk to him

1254
01:01:28,600 --> 01:01:30,560
Speaker 1: like I would talk to you know, one of the

1255
01:01:30,600 --> 01:01:32,680
Speaker 1: homies about it. You know what I'm saying. By the way,

1256
01:01:32,720 --> 01:01:35,000
Speaker 1: that's very very rare for artists from the West Coast

1257
01:01:35,000 --> 01:01:38,120
Speaker 1: because I said, I always had this conversation. The West

1258
01:01:38,200 --> 01:01:40,640
Speaker 1: Coast is what warped all of our minds when it

1259
01:01:40,720 --> 01:01:44,800
Speaker 1: comes to how we treat our women. You know, the

1260
01:01:44,920 --> 01:01:48,120
Speaker 1: need something, you know what I mean. So that's very

1261
01:01:48,920 --> 01:01:50,680
Speaker 1: for artists from the West Coast to say I want

1262
01:01:50,680 --> 01:01:53,120
Speaker 1: to empower women, is like, but you ask you actually

1263
01:01:53,240 --> 01:01:54,720
Speaker 1: say that on the album so people don't get it

1264
01:01:54,800 --> 01:01:56,720
Speaker 1: misconstrued because you want to let them know I am

1265
01:01:56,800 --> 01:01:59,000
Speaker 1: not trying to put down women. I want to empower,

1266
01:01:59,560 --> 01:02:02,120
Speaker 1: empower And for you know, they got to take a

1267
01:02:02,160 --> 01:02:08,520
Speaker 1: few on the chin too, you know, not even the

1268
01:02:08,560 --> 01:02:10,880
Speaker 1: old West Coast videos, like they'd ripped the girl's top off.

1269
01:02:12,560 --> 01:02:18,880
Speaker 1: It was crazy, but these were the highlights of the videos.

1270
01:02:19,040 --> 01:02:21,880
Speaker 1: That's what you remember. Beautiful. Yeah, I want to see

1271
01:02:21,920 --> 01:02:24,440
Speaker 1: it with the top off. What you wanted to see that? Like,

1272
01:02:24,920 --> 01:02:27,440
Speaker 1: we can't undermine that at all, So you know, I

1273
01:02:27,520 --> 01:02:29,120
Speaker 1: just I just wanted to That was you know, the

1274
01:02:29,480 --> 01:02:32,200
Speaker 1: main focal point of the album. But you decide to

1275
01:02:32,280 --> 01:02:34,640
Speaker 1: reveal your eyes on the cover of this album because

1276
01:02:34,640 --> 01:02:36,480
Speaker 1: you all got the shades you got, well, you know,

1277
01:02:37,160 --> 01:02:39,280
Speaker 1: I can't handle the flash, so you know that that's

1278
01:02:39,320 --> 01:02:42,080
Speaker 1: the biggest thing. So we took like hours trying to

1279
01:02:42,320 --> 01:02:45,680
Speaker 1: trying to get them open. It was crazy. If you

1280
01:02:45,840 --> 01:02:48,120
Speaker 1: type in my name on Google, if you're type in

1281
01:02:48,120 --> 01:02:50,680
Speaker 1: an app, So one of the searches gonna be eyes.

1282
01:02:51,240 --> 01:02:52,800
Speaker 1: Is that part of the marketing planing, Like you listen,

1283
01:02:52,840 --> 01:02:54,439
Speaker 1: we need you to be more politically correct and show

1284
01:02:54,480 --> 01:03:01,000
Speaker 1: your eyes. Hey, hey, more of yourself. Hey you feel me?

1285
01:03:01,320 --> 01:03:04,200
Speaker 1: You know, ladies think it's sexy what I mean? So

1286
01:03:04,280 --> 01:03:07,720
Speaker 1: it worked out. So you're the fifth album that's out

1287
01:03:07,800 --> 01:03:10,680
Speaker 1: on TDE this year, and it's supposed to be six.

1288
01:03:11,240 --> 01:03:14,600
Speaker 1: So we assume that after your album Scissors album is coming. Absolutely,

1289
01:03:14,880 --> 01:03:16,320
Speaker 1: can you go ahead up with Jay Coole? You can

1290
01:03:16,360 --> 01:03:19,640
Speaker 1: about stuff like album says, Oh yeah, no, I don't

1291
01:03:19,640 --> 01:03:21,480
Speaker 1: care what the type of still cold, my man, you

1292
01:03:21,520 --> 01:03:23,960
Speaker 1: know what I'm saying. I'm glad we kind of met up.

1293
01:03:24,320 --> 01:03:26,000
Speaker 1: You know, it's gonna be a good day for music. Yeah,

1294
01:03:26,000 --> 01:03:27,920
Speaker 1: seeing they also has an album, so I like when

1295
01:03:28,240 --> 01:03:29,920
Speaker 1: a lot of great albums come out on the same

1296
01:03:30,040 --> 01:03:31,440
Speaker 1: day because it gives you a lot to do over

1297
01:03:31,520 --> 01:03:34,320
Speaker 1: the weekend exactly. I like the albums come out on Fridays. Now, Yeah,

1298
01:03:34,880 --> 01:03:36,919
Speaker 1: that gives you the weekend to like the holiday season,

1299
01:03:36,920 --> 01:03:38,600
Speaker 1: because I'm all, if I can listen to music, right,

1300
01:03:39,240 --> 01:03:42,360
Speaker 1: you gotta feature on the Kendrick Cole album. Uh, I

1301
01:03:42,440 --> 01:03:46,200
Speaker 1: can't speak on that. I wish I could. What you

1302
01:03:46,280 --> 01:03:49,600
Speaker 1: think you think that's gonna come anytime? You know, I'm saying,

1303
01:03:49,640 --> 01:03:52,280
Speaker 1: these guys, man, you know, they moved like mob man.

1304
01:03:52,440 --> 01:03:54,080
Speaker 1: You know, you never know what these guys. How many

1305
01:03:54,120 --> 01:03:56,400
Speaker 1: songs they got in? I don't. I don't know too

1306
01:03:56,480 --> 01:04:00,720
Speaker 1: much about He's really my verse. They just need to

1307
01:04:00,840 --> 01:04:04,200
Speaker 1: use my verse. But there is a drick out they

1308
01:04:04,240 --> 01:04:06,440
Speaker 1: got it. Wow. I want to see that happen, you

1309
01:04:06,480 --> 01:04:08,320
Speaker 1: know what I mean. But I just didn't stop it.

1310
01:04:08,800 --> 01:04:12,120
Speaker 1: I'm saying, but these guys, bro, they'll have something today

1311
01:04:12,560 --> 01:04:14,560
Speaker 1: and come back next week. And they got you know

1312
01:04:14,600 --> 01:04:17,240
Speaker 1: what I'm saying, it didn't bought Cardo got wings in

1313
01:04:17,400 --> 01:04:21,480
Speaker 1: here and die here And I'm just like, what happened

1314
01:04:21,480 --> 01:04:24,160
Speaker 1: to it? Sound wave? What's up? So you know, I

1315
01:04:24,280 --> 01:04:26,360
Speaker 1: just you know, I'm just you know, I just sit

1316
01:04:26,440 --> 01:04:28,840
Speaker 1: back and just you know, just observed what thou wilt

1317
01:04:28,960 --> 01:04:31,480
Speaker 1: do what thou wilt. And we appreciate you joining us.

1318
01:04:33,480 --> 01:04:37,720
Speaker 1: Thank you for coming and stepping through. Breakfast Club Solo,

1319
01:04:38,360 --> 01:04:48,920
Speaker 1: the breakfast club that was Tory Lane's morning. Everybody is

1320
01:04:49,000 --> 01:04:51,760
Speaker 1: DJ m VY, Angela Yee, Charlomagne, the guy, we are

1321
01:04:51,840 --> 01:04:54,160
Speaker 1: the Breakfast Club. Now. I just want to say this,

1322
01:04:54,560 --> 01:04:57,640
Speaker 1: h go giants. Okay, bro, why do you keep doing that?

1323
01:04:57,720 --> 01:04:59,720
Speaker 1: You're just making it bad for yourself on Monday. I'm

1324
01:04:59,760 --> 01:05:01,480
Speaker 1: telling you, are you making it really bad for yourself

1325
01:05:01,560 --> 01:05:04,360
Speaker 1: on Monday? With my cowboys, bust your giant's ass. You

1326
01:05:04,400 --> 01:05:06,800
Speaker 1: know we're gonna bust your ass. So you're telling them, Odell,

1327
01:05:07,080 --> 01:05:09,720
Speaker 1: shout the Odell, We're gonna bust your ass. Shout the

1328
01:05:09,800 --> 01:05:13,400
Speaker 1: fifty CRUs We're busting your ass. All cowboys asses. Okay,

1329
01:05:13,480 --> 01:05:14,920
Speaker 1: so you and Odell gonna get all up in the

1330
01:05:14,960 --> 01:05:17,480
Speaker 1: cowboys asses. What Odell ain't having this right now? I

1331
01:05:17,560 --> 01:05:20,240
Speaker 1: didn't say that. I didn't say gonna bust your ass. Okay,

1332
01:05:20,680 --> 01:05:23,160
Speaker 1: all right, well, let's get to the rumors. We found Kanye.

1333
01:05:23,520 --> 01:05:35,360
Speaker 1: We found Kanye. This is the rumor report with Angela Ye. Well,

1334
01:05:35,480 --> 01:05:38,920
Speaker 1: Kanye is back. That's right. He surfaced yesterday in la

1335
01:05:39,320 --> 01:05:41,960
Speaker 1: He was at an art installation at the Pacific Design Center,

1336
01:05:42,080 --> 01:05:44,320
Speaker 1: and he has blonde here now. So I don't know

1337
01:05:44,320 --> 01:05:45,880
Speaker 1: if you guys had a chance to see these pictures.

1338
01:05:46,040 --> 01:05:48,760
Speaker 1: Look a little crazy? Yeah, I don't know about the

1339
01:05:48,800 --> 01:05:51,040
Speaker 1: blonde here. Isn't that the thing though? When you first

1340
01:05:51,080 --> 01:05:52,600
Speaker 1: saw a picture of Kanye, you're looking at it and

1341
01:05:52,680 --> 01:05:55,520
Speaker 1: examined it to try to see signs of crazy, and

1342
01:05:55,680 --> 01:05:57,600
Speaker 1: you see the blonde Head's like, why is he blind?

1343
01:05:58,840 --> 01:06:01,320
Speaker 1: He looks like an older Chris Brown now or something?

1344
01:06:02,800 --> 01:06:07,560
Speaker 1: Well remember that old movie Demolition Man, Hey Chips before

1345
01:06:07,600 --> 01:06:11,120
Speaker 1: your time? But google it all right? Well finds with Bentley,

1346
01:06:11,160 --> 01:06:13,400
Speaker 1: who was close friends with Kanye, said he never mourned

1347
01:06:13,440 --> 01:06:15,560
Speaker 1: his mother, and that's at the root of this breakdown,

1348
01:06:15,640 --> 01:06:17,560
Speaker 1: this meltdown that he had. He said, you don't have

1349
01:06:17,640 --> 01:06:20,320
Speaker 1: to be a clinical psycho psychologist to figure that out.

1350
01:06:20,760 --> 01:06:22,200
Speaker 1: He also said, you have to look at it from

1351
01:06:22,280 --> 01:06:24,400
Speaker 1: his perspective. You put out the most amazing album, You're

1352
01:06:24,400 --> 01:06:26,880
Speaker 1: breaking records on merch so then you take that your

1353
01:06:26,920 --> 01:06:29,560
Speaker 1: fashion show demolishes and fails. We all know more than

1354
01:06:29,640 --> 01:06:31,640
Speaker 1: anything that he wants to be successful. In fashion, So

1355
01:06:31,760 --> 01:06:34,320
Speaker 1: when editors and everything are beating him up, that happens,

1356
01:06:34,320 --> 01:06:36,200
Speaker 1: and then you're on stage, your wife gets robbed and

1357
01:06:36,320 --> 01:06:39,360
Speaker 1: it's you know, it's not okay. So I agree with

1358
01:06:39,440 --> 01:06:41,280
Speaker 1: all of that, But you know, the thing is, you'll

1359
01:06:41,440 --> 01:06:45,400
Speaker 1: never stop mourning a parent or a child and anybody

1360
01:06:45,400 --> 01:06:46,840
Speaker 1: that you love and that you're close to, Like you

1361
01:06:46,960 --> 01:06:48,720
Speaker 1: never stopped mourning you more. But I think maybe he

1362
01:06:48,760 --> 01:06:50,880
Speaker 1: just didn't deal with the emotions from that, and it's

1363
01:06:50,880 --> 01:06:53,360
Speaker 1: probably like some hidden, deep down things when you just

1364
01:06:53,520 --> 01:06:55,720
Speaker 1: kind of push it to the side and don't deal

1365
01:06:55,800 --> 01:06:58,480
Speaker 1: with it anymore. What it is. This young lady tweeted

1366
01:06:58,520 --> 01:07:01,360
Speaker 1: me earlier when we were talking about it, and she said,

1367
01:07:01,800 --> 01:07:03,600
Speaker 1: that's very true. I've never stopped one of my mother.

1368
01:07:03,680 --> 01:07:05,520
Speaker 1: She said. Little things set me off, like having to

1369
01:07:05,640 --> 01:07:10,360
Speaker 1: fill out my emergency contact on an application. Damn right.

1370
01:07:10,400 --> 01:07:13,120
Speaker 1: And Will Smith actually did an interview on Ellen Degenerous.

1371
01:07:13,160 --> 01:07:16,080
Speaker 1: He talks about being casted in Collateral Beauty. That movie

1372
01:07:16,200 --> 01:07:18,800
Speaker 1: is about a father who's devastated by his young daughter's death.

1373
01:07:19,160 --> 01:07:20,840
Speaker 1: Now he said he was dealing with the loss of

1374
01:07:20,920 --> 01:07:23,080
Speaker 1: his own father behind the scenes, who had passed away

1375
01:07:23,240 --> 01:07:26,480
Speaker 1: from cancer. Here's what he said, What was really interesting

1376
01:07:26,600 --> 01:07:30,320
Speaker 1: is I got the screenplay right when my father was diagnosed.

1377
01:07:30,440 --> 01:07:32,520
Speaker 1: Now I'm doing all of this research about a guy

1378
01:07:32,840 --> 01:07:35,800
Speaker 1: who experiences death. You know at the time that you know,

1379
01:07:35,920 --> 01:07:38,600
Speaker 1: my father was given six weeks. But it turned out

1380
01:07:38,680 --> 01:07:42,840
Speaker 1: to be such an amazing thing to have to work

1381
01:07:42,880 --> 01:07:45,040
Speaker 1: through and go through all of this. The performance for

1382
01:07:45,120 --> 01:07:47,360
Speaker 1: me in the movie, for me and the ideas are

1383
01:07:47,600 --> 01:07:51,000
Speaker 1: so deeply personal. This film, for me, is the most

1384
01:07:51,240 --> 01:07:55,360
Speaker 1: personal and beautiful journey when art and life comes together

1385
01:07:55,440 --> 01:07:57,360
Speaker 1: in that way and when you you know, you create

1386
01:07:57,520 --> 01:08:02,120
Speaker 1: something that potentially can help people get through difficult time.

1387
01:08:02,400 --> 01:08:04,720
Speaker 1: So he really got a chance to deal with those emotions,

1388
01:08:04,760 --> 01:08:07,760
Speaker 1: he said while filming this movie, because you know, he's

1389
01:08:07,800 --> 01:08:10,000
Speaker 1: dealing with the death of somebody very close to him,

1390
01:08:10,080 --> 01:08:12,720
Speaker 1: and he said, it was beautiful to have the opportunity

1391
01:08:12,840 --> 01:08:15,000
Speaker 1: to share this and not hide from it. When art

1392
01:08:15,040 --> 01:08:17,360
Speaker 1: in life come together in that way and you create

1393
01:08:17,439 --> 01:08:20,040
Speaker 1: something that could potentially help people get through difficult times,

1394
01:08:20,320 --> 01:08:23,560
Speaker 1: he said, it's fantastic. Absolutely. It's funny though, because I

1395
01:08:23,720 --> 01:08:25,680
Speaker 1: just feel like the world gonna keep moving, so you

1396
01:08:25,800 --> 01:08:27,080
Speaker 1: might as well keep moving with it, and you just

1397
01:08:27,160 --> 01:08:30,120
Speaker 1: got to deal with those emotions when they come right. Yeah,

1398
01:08:30,320 --> 01:08:32,200
Speaker 1: but sometimes it's really hard for people and they just

1399
01:08:32,320 --> 01:08:35,120
Speaker 1: don't like to cope. All right, And congratulations to Gail King.

1400
01:08:35,320 --> 01:08:38,760
Speaker 1: She is renoying her contract with CBS This Morning. Now

1401
01:08:38,880 --> 01:08:42,000
Speaker 1: he has just signed a sixteen point five million dollars

1402
01:08:42,120 --> 01:08:45,080
Speaker 1: deal to remain co host of CBS This Morning for

1403
01:08:45,160 --> 01:08:49,400
Speaker 1: the next three years. That's very congratulations to Gail. That's

1404
01:08:49,520 --> 01:08:51,720
Speaker 1: very dope, that's very decent. But let's not forget the

1405
01:08:51,800 --> 01:08:55,320
Speaker 1: greatest contract Gail ever signed was the non It was

1406
01:08:55,360 --> 01:08:57,760
Speaker 1: the confidentiality agreement between her and her best friend Opal

1407
01:08:57,760 --> 01:09:00,679
Speaker 1: win Free Okay, okay, because that made him friends for life.

1408
01:09:01,120 --> 01:09:04,040
Speaker 1: All right. That's the best deal to ever have a

1409
01:09:04,200 --> 01:09:08,160
Speaker 1: lifetime friendship with. It's never going anywhere. Yep, I'm angela. Yeah.

1410
01:09:08,160 --> 01:09:11,360
Speaker 1: And that's your rumor report, all right, miss ye. Now,

1411
01:09:12,520 --> 01:09:15,519
Speaker 1: jay Z last Sunday was his birthday. I was kind

1412
01:09:15,520 --> 01:09:17,240
Speaker 1: of upset I couldn't do a mix because you were

1413
01:09:17,360 --> 01:09:20,760
Speaker 1: a whole week later You're about to de ride on

1414
01:09:21,800 --> 01:09:24,800
Speaker 1: Z mix again. What's wrong with that all the time?

1415
01:09:24,920 --> 01:09:26,920
Speaker 1: Why couldn't you do that on Monday? Bro? Bro? I

1416
01:09:27,040 --> 01:09:28,680
Speaker 1: figured I want to do it on Friday. I mean,

1417
01:09:28,720 --> 01:09:30,320
Speaker 1: this is the perfect week and let's set up to

1418
01:09:30,360 --> 01:09:32,439
Speaker 1: the set the tone for the city. The giants are

1419
01:09:32,439 --> 01:09:36,240
Speaker 1: gonna whoop the Cowboys ass. You know I respect jay

1420
01:09:36,320 --> 01:09:39,400
Speaker 1: Z even though he is a Cowboys fan. I could

1421
01:09:39,400 --> 01:09:41,320
Speaker 1: do a ye mix. No, I change my mind. I'm

1422
01:09:41,320 --> 01:09:43,560
Speaker 1: gonna do it from him. Can I do one next week? No,

1423
01:09:43,640 --> 01:09:45,320
Speaker 1: I'm gonna be here next week. But why can't I

1424
01:09:45,439 --> 01:09:47,679
Speaker 1: just do one? No? I don't want to do your rumors.

1425
01:09:47,920 --> 01:09:50,960
Speaker 1: There's a God bless jay Z, God bless hole. Salute

1426
01:09:51,000 --> 01:09:53,439
Speaker 1: that man. He's an inspiration to a whole generation. He is.

1427
01:09:53,560 --> 01:09:57,479
Speaker 1: But you d ride in a week late, bro, I couldn't.

1428
01:09:57,479 --> 01:09:59,240
Speaker 1: I couldn't de ride there on his birthday, So I'm

1429
01:09:59,240 --> 01:10:01,160
Speaker 1: gonna de ride the day. You're right. You're right. His

1430
01:10:01,240 --> 01:10:03,559
Speaker 1: wife probably was on it on his birthday, so it's cool.

1431
01:10:03,680 --> 01:10:07,160
Speaker 1: I get it. Disgusting animal, you are shut up and

1432
01:10:07,320 --> 01:10:12,439
Speaker 1: shout to my giants, all my giants fans. Man, why why? Why?

1433
01:10:13,520 --> 01:10:16,360
Speaker 1: You know why Jesus? All right, well, let's get into

1434
01:10:16,400 --> 01:10:19,000
Speaker 1: the mix. Shout to revote. We'll see you guys on Monday.

1435
01:10:19,080 --> 01:10:20,439
Speaker 1: It's the Breakfast Club. Good morning,