WEBVTT - Another Surprise Call-In Show!

0:00:20.560 --> 0:00:23.000
<v Speaker 1>Hi everyone, This is George with a very quick message

0:00:23.040 --> 0:00:25.000
<v Speaker 1>to say that if you are listening to this episode

0:00:25.000 --> 0:00:28.440
<v Speaker 1>on Tuesday, April first, that means my comedy special taping

0:00:28.480 --> 0:00:31.600
<v Speaker 1>in New York is to night. I repeat tonight. The

0:00:31.640 --> 0:00:34.680
<v Speaker 1>early show is sold out, but we just added some

0:00:34.880 --> 0:00:37.440
<v Speaker 1>last minute ten dollars tickets for the late show. There

0:00:37.440 --> 0:00:40.080
<v Speaker 1>are only ten dollars. You can find those at slipperroom

0:00:40.120 --> 0:00:42.880
<v Speaker 1>dot com or at the link in my Instagram bio.

0:00:43.240 --> 0:00:44.880
<v Speaker 1>This will be the last time I do this hour

0:00:45.040 --> 0:00:48.440
<v Speaker 1>until the special comes out, so you have been warned.

0:00:48.479 --> 0:00:50.919
<v Speaker 1>And last but not least, there are still some tickets

0:00:51.000 --> 0:00:54.920
<v Speaker 1>to Stradio Lab Live at the Bellhouse on April sixteenth.

0:00:55.080 --> 0:00:57.360
<v Speaker 1>It's our first New York show in a while, featuring

0:00:57.400 --> 0:01:00.800
<v Speaker 1>Sydney Washington, Natalie Rodger Lateman, and Andrea Laung Chew some

0:01:00.960 --> 0:01:02.920
<v Speaker 1>Straight or Lab All Stars if you ask me, and

0:01:02.960 --> 0:01:05.560
<v Speaker 1>you can find tickets to that on the Bellhouse website

0:01:05.680 --> 0:01:09.120
<v Speaker 1>or at the link in our Instagram bio. So come

0:01:09.160 --> 0:01:11.679
<v Speaker 1>to my special dating tonight, Come to Stradio Lab Live

0:01:11.800 --> 0:01:17.080
<v Speaker 1>aka Lesbian Lab on April sixteenth and enjoy this amazing

0:01:17.360 --> 0:01:19.400
<v Speaker 1>call in show. Thank you for your calls. You can

0:01:19.440 --> 0:01:22.600
<v Speaker 1>always call us. The three eight five Gay Guys Lavea.

0:01:23.640 --> 0:01:27.520
<v Speaker 2>Podcast starts now. Hello all and welcome to Stradio Lab.

0:01:28.880 --> 0:01:33.360
<v Speaker 2>We are coming at you bikosally per Huge and it's

0:01:33.520 --> 0:01:37.280
<v Speaker 2>just me and George today, just us. What's up.

0:01:37.760 --> 0:01:39.560
<v Speaker 1>You know, we're doing a call in show, which we

0:01:39.600 --> 0:01:43.160
<v Speaker 1>normally do for Patreon, and so in my mind, I'm

0:01:43.200 --> 0:01:46.399
<v Speaker 1>ready to spill all the tea. I'm ready to talk

0:01:46.440 --> 0:01:48.720
<v Speaker 1>to the Patreoni stays like they are my family. I'm

0:01:48.720 --> 0:01:51.120
<v Speaker 1>ready to be like, do you know what happened.

0:01:50.840 --> 0:01:53.800
<v Speaker 2>The other day? Do you know that she was being

0:01:53.960 --> 0:01:55.160
<v Speaker 2>so weird to me?

0:01:55.880 --> 0:01:57.400
<v Speaker 1>But I have to remember that, you know, I have

0:01:57.440 --> 0:02:01.200
<v Speaker 1>to put up my professional my profile, my professional mask.

0:02:02.080 --> 0:02:04.080
<v Speaker 1>I have to take off my gesterre mask that I

0:02:04.080 --> 0:02:06.520
<v Speaker 1>work for Patreon, put on my professional mask, my blazer,

0:02:06.600 --> 0:02:11.120
<v Speaker 1>my tie, my Brooks Brother's crisp non iron white shirt

0:02:11.320 --> 0:02:13.400
<v Speaker 1>that I got it's three for you know, three for

0:02:13.960 --> 0:02:17.120
<v Speaker 1>three seventy five, and I have to get into the office.

0:02:17.120 --> 0:02:19.519
<v Speaker 1>I'm on the subway. I'm getting off at Penn station.

0:02:20.000 --> 0:02:22.920
<v Speaker 1>I'm crossing the street almost getting hit by a taxi

0:02:22.960 --> 0:02:25.720
<v Speaker 1>cab Allah opening montage of Delaware's products so I can

0:02:25.760 --> 0:02:28.800
<v Speaker 1>get into the studio and report the news.

0:02:28.919 --> 0:02:32.639
<v Speaker 2>Quite frankly, when I'm doing a regular episode, I feel

0:02:32.680 --> 0:02:34.839
<v Speaker 2>like I'm the President of the United States giving a price,

0:02:35.040 --> 0:02:38.160
<v Speaker 2>feel like I'm giving a press conference. Everyone's going to

0:02:38.160 --> 0:02:40.160
<v Speaker 2>be picking apart every single word. There's going to be

0:02:40.240 --> 0:02:43.560
<v Speaker 2>multiple debates about like what I really meant by certain phrases,

0:02:44.160 --> 0:02:46.799
<v Speaker 2>and the pressure is on in a huge way.

0:02:46.919 --> 0:02:50.200
<v Speaker 1>Whereas when we're recording Patreon, it is Madonna in the

0:02:50.240 --> 0:02:54.919
<v Speaker 1>Truth or Dare documentary simulating a blowjob with a water bottle.

0:02:55.200 --> 0:02:59.560
<v Speaker 1>That is what that is what Patreon episodes are. And listen,

0:02:59.680 --> 0:03:00.359
<v Speaker 1>if you know, you.

0:03:00.360 --> 0:03:03.079
<v Speaker 2>Know, if you know you know, can we talk about

0:03:03.120 --> 0:03:05.480
<v Speaker 2>how Madonna's like whole thing is like I'm going to

0:03:05.520 --> 0:03:08.760
<v Speaker 2>simulate sex, Like she found out out one time and

0:03:08.800 --> 0:03:11.520
<v Speaker 2>she was like, I'm never gonna stop simulating sex. I'm

0:03:11.520 --> 0:03:12.919
<v Speaker 2>fucking crazy. I'm Madonna.

0:03:13.440 --> 0:03:15.680
<v Speaker 1>I'm never gonna stop simulating sex. I'm never gonna stop

0:03:15.800 --> 0:03:20.160
<v Speaker 1>referencing Catholicism.

0:03:20.320 --> 0:03:23.160
<v Speaker 2>Okay, all right, this is an interesting timing episode.

0:03:22.800 --> 0:03:26.560
<v Speaker 1>Interesting timing, Sam, How are you feeling.

0:03:26.760 --> 0:03:30.280
<v Speaker 2>I'm feeling mixed. So we found out this week that

0:03:30.360 --> 0:03:33.800
<v Speaker 2>the show I write for After Midnight on CBS is

0:03:34.400 --> 0:03:38.880
<v Speaker 2>being canceled. So it was a weird week, a very

0:03:38.920 --> 0:03:42.960
<v Speaker 2>weird week, and it's mostly a bummer. It's hard to

0:03:43.000 --> 0:03:47.960
<v Speaker 2>talk about, but it's a big bummer because, like I

0:03:48.040 --> 0:03:51.840
<v Speaker 2>do feel like the show, the group of writers was

0:03:51.880 --> 0:03:57.520
<v Speaker 2>so fun and like to get a space to actually

0:03:57.720 --> 0:04:02.040
<v Speaker 2>do like fun, silly, weird alt comedy and have it

0:04:02.080 --> 0:04:05.400
<v Speaker 2>be like through the CBS lens was like kind of crazy.

0:04:06.120 --> 0:04:09.840
<v Speaker 2>And I'm like feeling a little bit like damn, is

0:04:09.880 --> 0:04:13.800
<v Speaker 2>this ever gonna happen again? I even feel like I

0:04:13.800 --> 0:04:18.479
<v Speaker 2>don't know, like the working for head regular Joe Firestone

0:04:18.920 --> 0:04:21.440
<v Speaker 2>is the privilege of a lifetime, and it is like

0:04:22.800 --> 0:04:25.840
<v Speaker 2>it's a bummer because I'm like, what's yeah, no one

0:04:25.880 --> 0:04:28.520
<v Speaker 2>knows what's next. It's it's just a bummer. And like

0:04:28.520 --> 0:04:30.920
<v Speaker 2>they're not even like they're just getting rid of the

0:04:30.960 --> 0:04:33.000
<v Speaker 2>time slot now, like they're not even going to put

0:04:33.000 --> 0:04:33.800
<v Speaker 2>a new show in.

0:04:33.880 --> 0:04:36.320
<v Speaker 1>Like, oh they aren't. I didn't know if that was excited.

0:04:36.800 --> 0:04:38.479
<v Speaker 1>So does that mean there's going to be like a

0:04:38.480 --> 0:04:39.360
<v Speaker 1>rerun of something.

0:04:39.960 --> 0:04:43.960
<v Speaker 2>There's gonna be like infomercials, like what yeah, okay, I'm

0:04:44.040 --> 0:04:49.800
<v Speaker 2>logging in and buying a treadmille. It's like fully like

0:04:49.960 --> 0:04:53.920
<v Speaker 2>local affiliates and whoa, it's they're just getting rid of

0:04:54.000 --> 0:04:55.400
<v Speaker 2>that the twelve thirty slot.

0:04:55.600 --> 0:04:58.359
<v Speaker 1>Well, I just want to say everyone involved in that

0:04:58.440 --> 0:05:02.960
<v Speaker 1>show truly did the impossible, which is take a late

0:05:03.080 --> 0:05:07.159
<v Speaker 1>night show on network television that is a reboot of

0:05:07.600 --> 0:05:11.919
<v Speaker 1>a previous show that was very of its time.

0:05:12.160 --> 0:05:14.080
<v Speaker 2>Let's face very of its time.

0:05:14.080 --> 0:05:16.160
<v Speaker 1>It's very difficult to reboot something like that and make

0:05:16.200 --> 0:05:19.560
<v Speaker 1>it relevant. And launched a new show in the midst

0:05:19.800 --> 0:05:24.640
<v Speaker 1>of sort of like an uninspiring late night you know, ecosystem,

0:05:25.320 --> 0:05:30.280
<v Speaker 1>and did it without like huge big name a list celebrities,

0:05:30.720 --> 0:05:36.360
<v Speaker 1>without you know, gimmicks where Sidney Sweeney is lip syncing

0:05:36.560 --> 0:05:41.640
<v Speaker 1>to Chapel Roone and really like in a very kind

0:05:41.680 --> 0:05:46.240
<v Speaker 1>of like throwback way, and listed real comedians and the

0:05:46.320 --> 0:05:50.960
<v Speaker 1>mix of up and comers and big names and actually

0:05:51.000 --> 0:05:53.320
<v Speaker 1>like made a funny show that was funny from the beginning.

0:05:53.720 --> 0:05:57.200
<v Speaker 2>Yeah, it's such a there's just like not outlets for

0:05:57.400 --> 0:05:59.720
<v Speaker 2>comedians to do this type of thing.

0:06:00.560 --> 0:06:04.600
<v Speaker 1>So I was saying before we started recording that this episode,

0:06:04.640 --> 0:06:08.640
<v Speaker 1>this conversation is giving me such intense deja vus of

0:06:08.720 --> 0:06:13.400
<v Speaker 1>when we recorded our Patreon app after Gawker shut down.

0:06:13.600 --> 0:06:14.560
<v Speaker 2>So for anyone.

0:06:14.680 --> 0:06:16.279
<v Speaker 1>I can't remember how much of this was talked about

0:06:16.320 --> 0:06:20.039
<v Speaker 1>on a main episode versus Patreon, but from like twenty

0:06:20.080 --> 0:06:24.760
<v Speaker 1>twenty one to twenty twenty three, I guess I was

0:06:24.800 --> 0:06:30.279
<v Speaker 1>an editor at the reboot of Gawker that relaunched under

0:06:30.360 --> 0:06:34.120
<v Speaker 1>new ownership, and then it was shut down two years later.

0:06:34.160 --> 0:06:37.440
<v Speaker 1>And it's occurring to me think of the parallels the

0:06:37.520 --> 0:06:40.839
<v Speaker 1>time frame the reboot, like the time frame exact, same

0:06:40.880 --> 0:06:44.440
<v Speaker 1>time frame exacts. It was a reboot of something that

0:06:44.520 --> 0:06:47.719
<v Speaker 1>was popular in like the twentyds and early twenty tens.

0:06:48.200 --> 0:06:50.520
<v Speaker 1>It was a job that was unlike any other job

0:06:50.560 --> 0:06:52.960
<v Speaker 1>that existed in that industry. It's like, there's no other

0:06:53.160 --> 0:06:56.479
<v Speaker 1>late night show that does what the sort of like

0:06:56.560 --> 0:06:59.120
<v Speaker 1>old comedy thing that After Midnight did, and there's no

0:06:59.320 --> 0:07:03.160
<v Speaker 1>other like website that had the like sort of like

0:07:03.480 --> 0:07:06.960
<v Speaker 1>funky sensibility that that Cocker did. It's not like either

0:07:07.000 --> 0:07:09.480
<v Speaker 1>of us could then be like, Okay, great, so I'll

0:07:09.560 --> 0:07:13.040
<v Speaker 1>just I'll just go to this other, you know, similar

0:07:13.040 --> 0:07:18.800
<v Speaker 1>place both you know, sort of like women boss head

0:07:18.840 --> 0:07:24.480
<v Speaker 1>writers that we became good friends with, like various sort

0:07:24.520 --> 0:07:26.480
<v Speaker 1>of like tight knit group of co workers.

0:07:26.800 --> 0:07:28.560
<v Speaker 2>Yeah, there are a lot of similarities.

0:07:28.640 --> 0:07:32.160
<v Speaker 1>Probably similar size staff like it's and especially the timeframe too,

0:07:32.200 --> 0:07:34.960
<v Speaker 1>It's like it was basically like between a year and

0:07:35.000 --> 0:07:37.800
<v Speaker 1>a half and two years for both of them. Yeah,

0:07:38.240 --> 0:07:42.120
<v Speaker 1>industries that are in crisis, to say the least, like

0:07:42.160 --> 0:07:47.280
<v Speaker 1>this sort of halfway point between. I mean not not

0:07:47.400 --> 0:07:49.920
<v Speaker 1>to invoke the word journalism, but I just mean, like

0:07:49.960 --> 0:07:52.360
<v Speaker 1>there's it's it's like funny news commentary.

0:07:52.880 --> 0:07:55.400
<v Speaker 2>Yeah, it's funny news commentary.

0:07:55.160 --> 0:07:58.160
<v Speaker 1>Of the type that you know more and more is

0:07:58.320 --> 0:08:04.160
<v Speaker 1>being replaced by talk and by influencers and whatever else,

0:08:04.200 --> 0:08:06.600
<v Speaker 1>and listen, the world goes on. I'm not saying that

0:08:07.200 --> 0:08:11.160
<v Speaker 1>I think we should freeze the state of culture in

0:08:11.240 --> 0:08:16.840
<v Speaker 1>twenty thirteen and not allow people to innovate. But it's

0:08:16.920 --> 0:08:17.840
<v Speaker 1>just a bygone era.

0:08:18.080 --> 0:08:22.280
<v Speaker 2>It's a bygone era. And even like it's so I

0:08:22.280 --> 0:08:25.760
<v Speaker 2>don't know, like even little stuff like like just like

0:08:25.880 --> 0:08:28.280
<v Speaker 2>going to the paramount law is like, well this is

0:08:28.440 --> 0:08:32.280
<v Speaker 2>fun kind of totally totally like what do you mean,

0:08:32.320 --> 0:08:34.160
<v Speaker 2>I'm not allowed to come here anymore.

0:08:34.280 --> 0:08:36.840
<v Speaker 1>Something people don't talk about is how when a job ends,

0:08:37.080 --> 0:08:40.800
<v Speaker 1>you stop being a human person in the eyes of

0:08:40.800 --> 0:08:43.680
<v Speaker 1>the entity that once gave you that job, Like it's

0:08:43.720 --> 0:08:46.640
<v Speaker 1>really interest is your badge stops working, and you no

0:08:46.679 --> 0:08:49.360
<v Speaker 1>longer if you actually and if you like, you know,

0:08:49.559 --> 0:08:51.680
<v Speaker 1>open the door and go in, you will be arrested.

0:08:52.240 --> 0:08:54.600
<v Speaker 2>Like you are no.

0:08:54.480 --> 0:08:56.280
<v Speaker 1>Longer seen as a person in the eyes of the

0:08:56.320 --> 0:08:57.040
<v Speaker 1>Paramount law.

0:08:58.400 --> 0:09:01.760
<v Speaker 2>It's so weird to the weird. This is weird because

0:09:01.840 --> 0:09:03.920
<v Speaker 2>we know now the show is not coming back, and

0:09:04.000 --> 0:09:07.520
<v Speaker 2>yet the show is going till mid June, and so

0:09:07.640 --> 0:09:10.160
<v Speaker 2>it's like, what is the vibe going to be? Like

0:09:10.600 --> 0:09:11.760
<v Speaker 2>I sort of think.

0:09:11.480 --> 0:09:14.440
<v Speaker 1>That it'll be fun, Like there's gonna be this sort

0:09:14.520 --> 0:09:19.080
<v Speaker 1>of you know, we're all it's gonna be over soon anyway,

0:09:19.160 --> 0:09:20.560
<v Speaker 1>So why not like take risks?

0:09:20.600 --> 0:09:24.200
<v Speaker 2>Why not throw stuff at the wall? That's the hope.

0:09:24.520 --> 0:09:28.000
<v Speaker 2>I mean the classic is the Conan like last week

0:09:28.080 --> 0:09:29.520
<v Speaker 2>or whatever, when he was just like spent as much

0:09:29.559 --> 0:09:34.199
<v Speaker 2>money as he possibly could. There's like something too, to

0:09:34.280 --> 0:09:38.439
<v Speaker 2>go in Wild, to go in Buck Wild, And I'm

0:09:38.480 --> 0:09:41.920
<v Speaker 2>gonna miss the Paramount Lot. Jim. It's frozen in nineteen

0:09:42.000 --> 0:09:44.679
<v Speaker 2>ninety five in a way that you it literally should be.

0:09:44.600 --> 0:09:46.600
<v Speaker 1>A historic So I didn't know you went to the

0:09:46.679 --> 0:09:48.319
<v Speaker 1>gym in the Paramount Lot.

0:09:48.240 --> 0:09:55.720
<v Speaker 2>Oh of course, Well well yes, and me and Jason Ridder.

0:09:55.640 --> 0:09:57.480
<v Speaker 1>Oh my god, you know I mean, we've talked about

0:09:57.559 --> 0:09:59.440
<v Speaker 1>Jason ridd but you know, I once saw him at

0:09:59.480 --> 0:10:03.360
<v Speaker 1>a bar and Los Angeles, at where Rachel Pegrim hosts

0:10:03.400 --> 0:10:04.600
<v Speaker 1>her show what's that place called?

0:10:04.679 --> 0:10:11.360
<v Speaker 2>Oh covell Well he that man handsome, handsome, handsome, handsome,

0:10:11.720 --> 0:10:14.760
<v Speaker 2>handsome and sweet. Now that is a cutie right there,

0:10:14.920 --> 0:10:18.320
<v Speaker 2>cutie pie, sweetie pie kind I got it all.

0:10:18.720 --> 0:10:25.720
<v Speaker 1>Oh perfect, sorry body, boyish face, boyish face, gorgeous, smart,

0:10:25.840 --> 0:10:30.760
<v Speaker 1>talented wife. Yes, beautiful marriage is able to sort of

0:10:30.800 --> 0:10:35.079
<v Speaker 1>like be publicly romantic in a way that isn't cringey.

0:10:36.080 --> 0:10:37.800
<v Speaker 2>Man of the people goes to the Paramount Lodge.

0:10:38.000 --> 0:10:40.199
<v Speaker 1>Man of the people goes to the Paramount Lodge.

0:10:40.080 --> 0:10:41.920
<v Speaker 2>Him when he could go to Equinox. Oh, I just

0:10:42.160 --> 0:10:47.880
<v Speaker 2>know his as voted for Bernie Sanders. If you doubted

0:10:47.880 --> 0:10:53.000
<v Speaker 2>that for even one second, fool, Yeah, no, I'm addicted

0:10:53.040 --> 0:10:55.360
<v Speaker 2>to him. I'm trying to think. Oh yeah. The other

0:10:55.360 --> 0:10:57.720
<v Speaker 2>thing about losing the job now is that, like the

0:10:57.880 --> 0:11:01.760
<v Speaker 2>one big difference between the where the parallel stop is

0:11:01.760 --> 0:11:04.200
<v Speaker 2>that I moved to La for it. That's true, And

0:11:04.240 --> 0:11:09.200
<v Speaker 2>I'm sort of like, wait, what, Like I'm like having

0:11:09.200 --> 0:11:13.559
<v Speaker 2>to reckon with like do I stay here? Do I leave,

0:11:13.920 --> 0:11:17.040
<v Speaker 2>Like what's I'm like so confused.

0:11:17.120 --> 0:11:19.560
<v Speaker 1>People keep texting me art is Sam moving back, and

0:11:19.600 --> 0:11:22.240
<v Speaker 1>I'm like, I'm giving him three days And then I'm

0:11:22.280 --> 0:11:26.439
<v Speaker 1>asking I very intentionally have not asked you, Like when

0:11:26.520 --> 0:11:28.559
<v Speaker 1>you told me that this was happening, I didn't immediately

0:11:28.600 --> 0:11:29.880
<v Speaker 1>respond like sorry an act.

0:11:30.920 --> 0:11:33.560
<v Speaker 2>It's really a confusing thing because there's so much of

0:11:33.679 --> 0:11:35.920
<v Speaker 2>LA that I feel like, like, one, it was like

0:11:36.040 --> 0:11:39.000
<v Speaker 2>a lot of work to get settled here and to

0:11:39.200 --> 0:11:42.880
<v Speaker 2>like figure everything out. Yeah, and now I'm like there

0:11:43.000 --> 0:11:47.360
<v Speaker 2>is more to glean from this town. But also like

0:11:47.480 --> 0:11:51.959
<v Speaker 2>I love New York, but there's it's it's really complicated.

0:11:52.200 --> 0:11:55.120
<v Speaker 1>I mean, there's also something about moving to LA. And

0:11:55.160 --> 0:11:56.840
<v Speaker 1>by the way, for people who don't listen to the Patron,

0:11:57.280 --> 0:11:59.280
<v Speaker 1>a good seventy percent of it is New York versus La.

0:11:59.360 --> 0:12:02.559
<v Speaker 2>So buckle in, bitch, bitch, I mean, this whole podcast

0:12:02.600 --> 0:12:04.199
<v Speaker 2>is that's what it's about. That's what it's about.

0:12:04.240 --> 0:12:07.880
<v Speaker 1>So there is something about moving to LA that feels

0:12:08.000 --> 0:12:11.720
<v Speaker 1>like graduating, Like New York is college and La is

0:12:12.120 --> 0:12:15.720
<v Speaker 1>your first job totally. And so it's a very common

0:12:15.720 --> 0:12:18.160
<v Speaker 1>story that you know, someone in our circle moves to

0:12:18.320 --> 0:12:20.640
<v Speaker 1>LA for a job and then the job inevitably ends

0:12:20.679 --> 0:12:25.240
<v Speaker 1>and they stay there. Yeah, and so I would understand

0:12:25.240 --> 0:12:29.360
<v Speaker 1>if you wanted to stay. It's complicated because I mean,

0:12:29.400 --> 0:12:31.840
<v Speaker 1>we'll talk about LA a little bit in a bit,

0:12:31.840 --> 0:12:35.600
<v Speaker 1>because there's a question about, you know, the sort of

0:12:35.679 --> 0:12:39.800
<v Speaker 1>dreamscape of Los Angeles, California at this particular moment, but

0:12:40.559 --> 0:12:45.040
<v Speaker 1>it is in such a weird place. The vibes are

0:12:45.400 --> 0:12:47.559
<v Speaker 1>off in such a way that I can imagine it

0:12:47.640 --> 0:12:53.240
<v Speaker 1>would be especially uh not enjoyable to be unemployed there,

0:12:53.280 --> 0:12:54.800
<v Speaker 1>even if it was for a short amount of time.

0:12:55.040 --> 0:12:57.079
<v Speaker 1>Like there's something about being aimless in LA that is

0:12:57.160 --> 0:12:58.920
<v Speaker 1>less romantic than being aimless in York.

0:12:59.400 --> 0:13:03.360
<v Speaker 2>Yeah, I'm like curious to see how that feels. To

0:13:03.400 --> 0:13:07.080
<v Speaker 2>be honest, I've because even when we have hiatuses, I'm

0:13:07.120 --> 0:13:09.760
<v Speaker 2>like either flying to New York or doing it's like

0:13:09.880 --> 0:13:13.360
<v Speaker 2>feels busy. So I'm like, I'm like, I want to

0:13:13.400 --> 0:13:15.880
<v Speaker 2>know that that darkness I felt in New York when

0:13:15.880 --> 0:13:18.240
<v Speaker 2>I'm like, Okay, it's Tuesday and I haven't had a

0:13:18.320 --> 0:13:21.320
<v Speaker 2>job in three months, Like what am I doing today?

0:13:23.800 --> 0:13:26.800
<v Speaker 2>That's what I'm I'm I'm like wondering if it feels

0:13:27.040 --> 0:13:32.559
<v Speaker 2>more hopeless or more hopeful here but my lease is

0:13:32.600 --> 0:13:35.640
<v Speaker 2>still August. I think the end of August, so at

0:13:35.679 --> 0:13:37.600
<v Speaker 2>least i'll have Yeah, you'll definitely be there.

0:13:37.880 --> 0:13:45.679
<v Speaker 1>I'm to reflect, well, poor one out if you're listening

0:13:45.760 --> 0:13:48.360
<v Speaker 1>to this, even if it's nine am, poor one out

0:13:48.480 --> 0:13:51.640
<v Speaker 1>for after midnight. And I just want to say thank

0:13:51.679 --> 0:13:56.440
<v Speaker 1>you to CBS for giving all comedians opportunities, even if

0:13:56.480 --> 0:14:00.480
<v Speaker 1>it was and even if you couldn't find want to

0:14:00.520 --> 0:14:03.679
<v Speaker 1>take over the show out of the various people that

0:14:03.760 --> 0:14:07.920
<v Speaker 1>could potentially do it anyway, should we take our first call?

0:14:08.000 --> 0:14:11.240
<v Speaker 2>Okay, let's say our first call. Okay, all right.

0:14:11.440 --> 0:14:16.840
<v Speaker 3>Hi, George and Sam. I'm calling because I am currently

0:14:16.840 --> 0:14:22.880
<v Speaker 3>attending library school in Los Angeles, California, and I have

0:14:23.040 --> 0:14:27.840
<v Speaker 3>converted several other members of my cohort into stradio lab listeners.

0:14:28.000 --> 0:14:28.320
<v Speaker 2>Thank you.

0:14:28.560 --> 0:14:33.000
<v Speaker 4>And we were wondering, we're all queer women. We were wondering,

0:14:33.640 --> 0:14:38.240
<v Speaker 4>we're on the range of gata strait. The different types

0:14:38.280 --> 0:14:44.640
<v Speaker 4>of librarian information sciences people lie. So that's public librarians,

0:14:44.880 --> 0:14:50.120
<v Speaker 4>academic librarians, archivists, media archivists, because it's kind of different.

0:14:51.920 --> 0:14:53.120
<v Speaker 5>Oh, in rare books people.

0:14:53.720 --> 0:14:55.560
<v Speaker 3>Yeah, Okay, thanks love you guys.

0:14:56.040 --> 0:14:58.560
<v Speaker 1>Okay, literally perfect call. So I'm just going to listen

0:14:58.560 --> 0:15:04.440
<v Speaker 1>them again. Thank you librarian, academic, librarian, archivist, media archivist,

0:15:04.680 --> 0:15:05.520
<v Speaker 1>rare books people.

0:15:06.200 --> 0:15:09.160
<v Speaker 2>Damn, this is hard. First of all, I want to say,

0:15:10.080 --> 0:15:15.200
<v Speaker 2>it's funny to attend library school. I understand.

0:15:15.520 --> 0:15:17.600
<v Speaker 1>First of all, I love one of my favorite phrases

0:15:18.000 --> 0:15:19.800
<v Speaker 1>the information sciences.

0:15:19.840 --> 0:15:25.240
<v Speaker 2>Information science is library school. That's very doctor hospital. I

0:15:25.280 --> 0:15:26.320
<v Speaker 2>go to library school.

0:15:26.880 --> 0:15:28.440
<v Speaker 1>One of the most iconic things you can do is

0:15:28.480 --> 0:15:30.800
<v Speaker 1>go to library school. I'm always so obsessed with people

0:15:30.840 --> 0:15:35.480
<v Speaker 1>that have a master's in information science and the idea

0:15:35.520 --> 0:15:37.520
<v Speaker 1>that there is a group of queer women all in

0:15:37.640 --> 0:15:40.280
<v Speaker 1>library school that listen to Stradio Lab and potentially have

0:15:40.320 --> 0:15:42.320
<v Speaker 1>a group chat about it where they're like what they

0:15:42.320 --> 0:15:45.560
<v Speaker 1>said is so rare books coded. It fills my heart

0:15:45.600 --> 0:15:47.720
<v Speaker 1>with so much joy. And I just want to tell

0:15:47.760 --> 0:15:51.080
<v Speaker 1>you on this Friday, March twenty eighth, when we're recording this,

0:15:51.560 --> 0:15:52.920
<v Speaker 1>that you are a star.

0:15:53.080 --> 0:15:55.760
<v Speaker 2>You are a star. We appreciate you, and you fill

0:15:55.840 --> 0:15:59.320
<v Speaker 2>my mind with wonder. You know what you forget that

0:15:59.320 --> 0:16:01.800
<v Speaker 2>people can go to library school and be a group

0:16:01.800 --> 0:16:04.000
<v Speaker 2>of queer women in library school. I feel like when

0:16:04.000 --> 0:16:05.600
<v Speaker 2>you say that, I feel like I'm like literally reading

0:16:05.600 --> 0:16:08.800
<v Speaker 2>Harry Potter like, I'm like, there's magic in the world.

0:16:08.960 --> 0:16:09.840
<v Speaker 5>No, it is.

0:16:10.200 --> 0:16:13.800
<v Speaker 1>I'm so, it's literally it actually brings me hope that

0:16:13.840 --> 0:16:16.840
<v Speaker 1>there is as I'm doing whatever I'm doing here and

0:16:16.880 --> 0:16:19.480
<v Speaker 1>having my protein bar and a seltzer. You know, there

0:16:19.560 --> 0:16:22.360
<v Speaker 1>is an alternate universe where there is literally a group

0:16:22.440 --> 0:16:24.960
<v Speaker 1>of queer women that are learning so much every day

0:16:25.000 --> 0:16:29.560
<v Speaker 1>about information science, about rare books, about media archiving, and

0:16:30.960 --> 0:16:32.600
<v Speaker 1>at least at the end of the day we have that.

0:16:32.760 --> 0:16:34.840
<v Speaker 2>Damn. I bet their clothing swap goes crazy.

0:16:34.960 --> 0:16:43.040
<v Speaker 1>Oh my god, all right, public librarian, academic librarian, archivist,

0:16:43.120 --> 0:16:47.280
<v Speaker 1>media archivist, rare book. Okay, off the bat media archivist

0:16:47.400 --> 0:16:48.200
<v Speaker 1>is the gayest one.

0:16:48.480 --> 0:16:51.960
<v Speaker 2>Really. No, well, I'm tell me your reasoning. I was

0:16:52.000 --> 0:16:54.479
<v Speaker 2>thinking public librarian.

0:16:54.760 --> 0:16:58.840
<v Speaker 1>Oh, you're right, Okay, maybe, well, okay, here's the thing though,

0:17:00.240 --> 0:17:05.800
<v Speaker 1>lepers in society, public librarian obviously is the most kind

0:17:05.800 --> 0:17:09.480
<v Speaker 1>of politically radical, you know if yes, obviously, However, think

0:17:09.520 --> 0:17:13.679
<v Speaker 1>about the archetype of a public librarian. It is, you know,

0:17:14.359 --> 0:17:21.360
<v Speaker 1>kind of like older lady, long skirt, funky wood based jewelry,

0:17:22.880 --> 0:17:25.199
<v Speaker 1>like a little vest that has an apple with a

0:17:25.240 --> 0:17:28.280
<v Speaker 1>worm coming out of it, and as much as to

0:17:28.359 --> 0:17:29.560
<v Speaker 1>be clear, I would die for her.

0:17:30.080 --> 0:17:33.720
<v Speaker 2>She is straight rather than gay. That's true. If I

0:17:33.760 --> 0:17:35.800
<v Speaker 2>were in the library and I were looking for a

0:17:35.920 --> 0:17:39.719
<v Speaker 2>gay book, I would I would sort of be like like,

0:17:39.720 --> 0:17:42.680
<v Speaker 2>I would almost be like, well, it's for school exactly.

0:17:42.800 --> 0:17:46.040
<v Speaker 1>Yeah, And I think it's like there's also something about

0:17:46.040 --> 0:17:50.359
<v Speaker 1>the public librarian being the archetypal librarian, aka the default,

0:17:50.840 --> 0:17:54.960
<v Speaker 1>which makes it inherently in the framework of gay versus

0:17:55.000 --> 0:17:56.000
<v Speaker 1>straight that is the norm.

0:17:56.119 --> 0:18:00.800
<v Speaker 2>Doesn't mean she's bad. I'm sure she has a amazing

0:18:01.119 --> 0:18:04.959
<v Speaker 2>center left politics. Totally damn Okay, I like that. So

0:18:05.000 --> 0:18:05.879
<v Speaker 2>she's the straightest.

0:18:06.160 --> 0:18:10.640
<v Speaker 1>I almost think she's the straightest. Yeah, I almost think

0:18:10.680 --> 0:18:11.800
<v Speaker 1>she's the straightest.

0:18:12.720 --> 0:18:16.520
<v Speaker 2>I think the librarian scale is hard because it starts

0:18:16.560 --> 0:18:17.720
<v Speaker 2>at such a queer place.

0:18:17.960 --> 0:18:20.680
<v Speaker 1>I know, I know, And I'm now actually thinking maybe

0:18:20.840 --> 0:18:23.840
<v Speaker 1>Rare Books is the most queer. I mean, come on, rare.

0:18:24.359 --> 0:18:29.920
<v Speaker 2>Well, it's pretentious, pretentious. It's also like knowing the B sides.

0:18:30.400 --> 0:18:33.760
<v Speaker 2>It's also like putting value in something like you're like

0:18:33.840 --> 0:18:37.400
<v Speaker 2>creating a you're creating like wealth within something that shouldn't

0:18:37.440 --> 0:18:37.800
<v Speaker 2>have it.

0:18:37.880 --> 0:18:40.720
<v Speaker 1>Totally okay, So here's my Okay, here's my right ranking

0:18:41.160 --> 0:18:47.320
<v Speaker 1>from GATA Straight rare books, media archivist, academic librarian, archivist

0:18:47.720 --> 0:18:50.479
<v Speaker 1>public because I'm like, if there's media archivist, then if

0:18:50.480 --> 0:18:54.240
<v Speaker 1>you're an archivist, you're being exclusionary. There is the option

0:18:54.320 --> 0:18:56.800
<v Speaker 1>for media archivists, and you're just an archivist.

0:18:56.800 --> 0:19:02.680
<v Speaker 2>Are you kidding me? Wait? Okay wait, rare books, rare

0:19:02.720 --> 0:19:07.080
<v Speaker 2>books is gayest. Yes, media archivist. Media archivist's next gayist.

0:19:06.840 --> 0:19:09.399
<v Speaker 1>Because media archivist is literally you have an Instagram account.

0:19:09.800 --> 0:19:12.520
<v Speaker 1>Media archivist is you have an Instagram account dedicated to

0:19:12.560 --> 0:19:15.520
<v Speaker 1>like Issimiaki fashion photo shoots from the nineties.

0:19:15.880 --> 0:19:17.880
<v Speaker 2>You're literally showing Julia Roberts and you like, she tore

0:19:17.960 --> 0:19:19.119
<v Speaker 2>with this exactly.

0:19:20.800 --> 0:19:22.960
<v Speaker 1>Then we have academic librarian because to me, it's like

0:19:23.960 --> 0:19:26.159
<v Speaker 1>which is right down the middle, and to me that

0:19:26.280 --> 0:19:30.080
<v Speaker 1>is so bisexual and academic librarian you know she's into

0:19:30.160 --> 0:19:34.320
<v Speaker 1>Hookoh I'm seeing like the frame glasses, like I'm seeing

0:19:34.320 --> 0:19:37.800
<v Speaker 1>the little frames or even like a woman with spiked hair.

0:19:38.320 --> 0:19:42.760
<v Speaker 2>Yeah, totally. And then I have archivist. Archivist is just

0:19:42.800 --> 0:19:46.159
<v Speaker 2>like put away your clothes. Yeah, it's kind of thing

0:19:46.200 --> 0:19:47.000
<v Speaker 2>about archivist's.

0:19:47.240 --> 0:19:51.040
<v Speaker 1>Yeah, it's very like being interested in history in a

0:19:51.119 --> 0:19:53.560
<v Speaker 1>really earnest way without wink.

0:19:54.320 --> 0:19:56.720
<v Speaker 2>Yeah, I'm an archivist, and then I.

0:19:56.600 --> 0:19:58.879
<v Speaker 1>Think last, and then I think straightest is public librariy,

0:19:58.880 --> 0:20:01.560
<v Speaker 1>and just because again that's the archetype of librarian.

0:20:01.720 --> 0:20:04.080
<v Speaker 2>I think. I think that's so genius. I think you

0:20:04.119 --> 0:20:06.760
<v Speaker 2>really nailed that. Thank you. And I don't disagree with

0:20:06.800 --> 0:20:09.360
<v Speaker 2>any of them, and I'm glad we had a discussion

0:20:09.400 --> 0:20:11.920
<v Speaker 2>because at first I needed some convincing. But you're totally right,

0:20:12.240 --> 0:20:15.199
<v Speaker 2>God to be a librarian. I literally like, there's so

0:20:15.240 --> 0:20:22.000
<v Speaker 2>many jobs. No, that's team. There's so many jobs where

0:20:22.000 --> 0:20:26.159
<v Speaker 2>you're like, damn, like you can really just do that. Okay,

0:20:26.680 --> 0:20:27.880
<v Speaker 2>next call.

0:20:32.119 --> 0:20:34.960
<v Speaker 6>And I'm calling back. It's the girl who wants to

0:20:34.960 --> 0:20:36.160
<v Speaker 6>talk about sexless LA.

0:20:36.680 --> 0:20:37.840
<v Speaker 7>Sorry, I'll wrap it up.

0:20:38.800 --> 0:20:41.720
<v Speaker 6>I just wanted to you guys to expand on that

0:20:41.920 --> 0:20:45.320
<v Speaker 6>if you found it intriguing to do so, on the

0:20:45.359 --> 0:20:50.040
<v Speaker 6>sexist nature of LA and one, I just find it interesting.

0:20:50.080 --> 0:20:52.639
<v Speaker 6>And two, I literally have not wanted to have sex since.

0:20:52.520 --> 0:20:56.280
<v Speaker 7>The day I got here five years ago. And I

0:20:56.359 --> 0:20:57.880
<v Speaker 7>was in a relationship.

0:20:57.320 --> 0:21:00.440
<v Speaker 6>When I got here, so that was a problem. And

0:21:00.960 --> 0:21:03.360
<v Speaker 6>now I'm newly single and have no I.

0:21:03.320 --> 0:21:07.639
<v Speaker 8>Am not inspired to go out there and pursue so

0:21:08.280 --> 0:21:13.240
<v Speaker 8>uh yeah, looking to jump start and just want to

0:21:13.240 --> 0:21:14.440
<v Speaker 8>know what your thoughts are.

0:21:15.960 --> 0:21:18.719
<v Speaker 6>Overall, Okay, thanks.

0:21:18.280 --> 0:21:20.760
<v Speaker 1>I do just want to say this is the second

0:21:20.760 --> 0:21:24.040
<v Speaker 1>part of this caller's call, but the first part is

0:21:24.880 --> 0:21:27.080
<v Speaker 1>there's no way around it three minutes long. So I

0:21:27.400 --> 0:21:30.240
<v Speaker 1>it and so I just I'm playing this as a

0:21:30.359 --> 0:21:34.760
<v Speaker 1>tribute to her, and the main gist of it is

0:21:34.800 --> 0:21:36.919
<v Speaker 1>that she wants us to talk a little bit more

0:21:36.960 --> 0:21:40.640
<v Speaker 1>about how La is sexless and Sam, you had a

0:21:40.720 --> 0:21:41.680
<v Speaker 1>something you wanted to share.

0:21:42.200 --> 0:21:43.639
<v Speaker 2>I had something I wanted to share, which I'm not

0:21:43.680 --> 0:21:45.960
<v Speaker 2>sure if I said. If I have said this before,

0:21:46.240 --> 0:21:48.800
<v Speaker 2>you're allowed to punch me in the face if you

0:21:48.840 --> 0:21:49.480
<v Speaker 2>see me. Yeahs.

0:21:49.480 --> 0:21:51.680
<v Speaker 1>If he hasn't been through enough this week, folks.

0:21:51.640 --> 0:21:52.400
<v Speaker 2>Lose his job.

0:21:52.480 --> 0:21:52.640
<v Speaker 9>Now.

0:21:52.720 --> 0:21:54.960
<v Speaker 1>Listeners are going to be chasing him trying to punch

0:21:55.040 --> 0:21:55.560
<v Speaker 1>him in the face.

0:21:57.840 --> 0:22:01.679
<v Speaker 2>I there's a I in trying to like La. I

0:22:01.720 --> 0:22:05.639
<v Speaker 2>was reading Joan Didion's The White Album and there's an

0:22:05.760 --> 0:22:08.359
<v Speaker 2>essay in it about La that you know was written

0:22:08.359 --> 0:22:13.000
<v Speaker 2>in like the seventies, and she's talking about how one

0:22:13.080 --> 0:22:15.359
<v Speaker 2>there's all this stuff that feels very relevant where it's

0:22:15.359 --> 0:22:19.680
<v Speaker 2>about like the town like it. The industry is failing.

0:22:19.840 --> 0:22:21.919
<v Speaker 2>The industry is failing, the industry as we know it

0:22:22.000 --> 0:22:25.040
<v Speaker 2>is gone. And it's funny because that's like nineteen seventy

0:22:25.080 --> 0:22:27.119
<v Speaker 2>three that she's saying this, that everyone in town is

0:22:27.119 --> 0:22:30.480
<v Speaker 2>saying it, so it's just sort of an always that feeling,

0:22:30.480 --> 0:22:32.720
<v Speaker 2>always always there. But then she talks about how it's

0:22:33.280 --> 0:22:36.399
<v Speaker 2>at its core a gambling town where you're always like

0:22:36.480 --> 0:22:40.560
<v Speaker 2>gambling on ideas and trying to get rich quick, and

0:22:40.640 --> 0:22:43.960
<v Speaker 2>because like all gambling towns, it is sexless, and it's

0:22:44.080 --> 0:22:46.800
<v Speaker 2>like due to its gambling nature that people are not

0:22:46.920 --> 0:22:50.080
<v Speaker 2>horny for sex, they're horny for like money and success,

0:22:51.040 --> 0:22:53.679
<v Speaker 2>which I thought was cool. It really put it in

0:22:53.680 --> 0:22:54.480
<v Speaker 2>perspective for me.

0:22:54.720 --> 0:22:59.240
<v Speaker 1>I wonder if the gambling thing also erodes a sense

0:22:59.280 --> 0:23:03.119
<v Speaker 1>of trust, almost like there's just a general suspicion that

0:23:03.160 --> 0:23:03.960
<v Speaker 1>exists in the air.

0:23:04.600 --> 0:23:06.679
<v Speaker 2>I think there's a suspicion. I think there's like a

0:23:07.520 --> 0:23:10.679
<v Speaker 2>you're always sort of plotting. You're like, well, when's my

0:23:10.720 --> 0:23:13.679
<v Speaker 2>next paycheck? Like, well, how what will this get me

0:23:13.680 --> 0:23:15.679
<v Speaker 2>in the long run? In a way that's like you

0:23:15.680 --> 0:23:17.600
<v Speaker 2>don't you shouldn't be thinking like that. You should be

0:23:17.960 --> 0:23:20.600
<v Speaker 2>thinking about people's beautiful bodies totally.

0:23:20.640 --> 0:23:23.760
<v Speaker 1>Yeah, you need a baseline of comfort so that you

0:23:23.840 --> 0:23:25.840
<v Speaker 1>can wake up and be horny.

0:23:26.320 --> 0:23:29.840
<v Speaker 2>Yeah, And I even think you would think that you

0:23:29.880 --> 0:23:31.679
<v Speaker 2>would that people would be like, well, I'll sleep my

0:23:31.720 --> 0:23:33.520
<v Speaker 2>way to the top or something like that, but it's

0:23:33.560 --> 0:23:37.080
<v Speaker 2>like doesn't work. People have learned that it's better to

0:23:37.400 --> 0:23:40.760
<v Speaker 2>withhold and make people want you than to like give

0:23:40.800 --> 0:23:49.080
<v Speaker 2>it up, which is so disgusting I find. For me,

0:23:49.160 --> 0:23:52.520
<v Speaker 2>a big part of the sexlessness also is the car,

0:23:53.040 --> 0:23:56.760
<v Speaker 2>because you in New York, you walk around, you see people,

0:23:56.880 --> 0:23:59.920
<v Speaker 2>and you just inherently are like as a person, You're

0:23:59.920 --> 0:24:03.080
<v Speaker 2>like that's hot, that person's hot, or like that person's

0:24:03.119 --> 0:24:05.679
<v Speaker 2>serving or that. Like there's like a sexuality of just

0:24:06.080 --> 0:24:10.080
<v Speaker 2>seeing people all day, and when you are in a car,

0:24:10.200 --> 0:24:12.919
<v Speaker 2>you're like you are literally just like less turned on.

0:24:13.040 --> 0:24:16.919
<v Speaker 2>You just like aren't seeing people in the same capacity. Yeah, no,

0:24:16.960 --> 0:24:17.760
<v Speaker 2>it's really true.

0:24:18.000 --> 0:24:22.159
<v Speaker 1>There's also okay I'm trying to say this without misspeaking,

0:24:22.200 --> 0:24:25.159
<v Speaker 1>but it's like the depictions of sex within like the

0:24:25.200 --> 0:24:28.520
<v Speaker 1>idea of the casting couch. Is there anything less erotic

0:24:28.600 --> 0:24:31.280
<v Speaker 1>than that? Like you are literally taking imagine the most

0:24:31.400 --> 0:24:33.960
<v Speaker 1>kind of like dumpy room you've ever seen.

0:24:34.119 --> 0:24:34.640
<v Speaker 2>It's like a.

0:24:36.200 --> 0:24:39.080
<v Speaker 1>Like a conference room with overhead lighting basically, and then

0:24:39.160 --> 0:24:44.479
<v Speaker 1>someone is attempting to infuse sex into that. It's like

0:24:45.840 --> 0:24:50.320
<v Speaker 1>there's in New York and an appropriate sexual relationship is

0:24:50.359 --> 0:24:54.040
<v Speaker 1>like you're in the boardroom and everyone is in blazers

0:24:54.400 --> 0:24:57.560
<v Speaker 1>and both people are powerful and they're just like so

0:24:57.840 --> 0:24:59.520
<v Speaker 1>powerful that they have to fuck.

0:24:59.760 --> 0:25:01.399
<v Speaker 2>Yeah, and they're like, what's this going to do to

0:25:01.440 --> 0:25:03.280
<v Speaker 2>the firm? And it's like, who fuck the firm?

0:25:03.359 --> 0:25:03.800
<v Speaker 10>The firm?

0:25:04.040 --> 0:25:09.480
<v Speaker 2>Yeah, And I feel like, yeah, there is. Sex is

0:25:09.520 --> 0:25:13.960
<v Speaker 2>so entwined with like power here that it's not fun

0:25:14.000 --> 0:25:17.440
<v Speaker 2>because you're always thinking like is this Because even if

0:25:17.440 --> 0:25:20.080
<v Speaker 2>you're not coworkers, you're like, well, I could be, like

0:25:20.480 --> 0:25:22.480
<v Speaker 2>I could be co workers with essentially anyone on the

0:25:22.480 --> 0:25:25.320
<v Speaker 2>street right now, and so it's like, well, I can't

0:25:25.320 --> 0:25:29.600
<v Speaker 2>fuck them because I will effuct my coworker. It's very weird.

0:25:30.040 --> 0:25:35.280
<v Speaker 1>Yeah, it's also it's interesting the way sex is by

0:25:35.320 --> 0:25:39.959
<v Speaker 1>default commodified in Los Angeles and Hollywood inherently deuroticizes it.

0:25:40.440 --> 0:25:42.040
<v Speaker 2>Yeah, it's like, oh.

0:25:41.920 --> 0:25:44.720
<v Speaker 1>So you're looking at a naked man or woman or

0:25:44.720 --> 0:25:49.440
<v Speaker 1>a person that's not sexy. That's a billboard, that's a

0:25:49.480 --> 0:25:50.600
<v Speaker 1>movie trailer, that's.

0:25:50.440 --> 0:25:52.960
<v Speaker 2>A movie trailer. You're looking at Chris Pratt. Yeah, and

0:25:53.000 --> 0:25:54.119
<v Speaker 2>you're trying to be turned on.

0:25:54.320 --> 0:25:57.040
<v Speaker 1>Yeah, no, that's not what this is about. This is

0:25:57.040 --> 0:25:58.160
<v Speaker 1>about dollar signs.

0:25:58.840 --> 0:26:04.040
<v Speaker 2>Malma. I feel, yeah, I can feel it happening to me. Really,

0:26:04.240 --> 0:26:08.119
<v Speaker 2>I can feel myself being less horny. Yeah. Yeah, And

0:26:08.160 --> 0:26:10.560
<v Speaker 2>in a way that's like I almost have to remind myself, like,

0:26:11.119 --> 0:26:15.639
<v Speaker 2>don't forget who you are. You're the guy that sexualizes

0:26:15.640 --> 0:26:17.560
<v Speaker 2>everything totally. You're the guy that thinks everything so hot.

0:26:17.640 --> 0:26:19.879
<v Speaker 1>That's like how that happened to me after I got married,

0:26:19.880 --> 0:26:22.040
<v Speaker 1>where I only wanted to have sex with my husband,

0:26:22.040 --> 0:26:24.760
<v Speaker 1>and I had to remind myself, you're gay. Get out

0:26:24.760 --> 0:26:26.080
<v Speaker 1>there and find other men.

0:26:27.520 --> 0:26:32.159
<v Speaker 2>You stupid. All right, call next.

0:26:31.880 --> 0:26:33.520
<v Speaker 11>Call Hey, George and Sam.

0:26:33.600 --> 0:26:37.520
<v Speaker 2>This is Isle in Brooklyn and I'm calling.

0:26:38.119 --> 0:26:40.720
<v Speaker 9>Someone asked me this question a few months ago, and

0:26:40.760 --> 0:26:42.800
<v Speaker 9>I think about it all the time, so I wanted

0:26:42.840 --> 0:26:45.000
<v Speaker 9>to see what your take on.

0:26:45.080 --> 0:26:47.120
<v Speaker 10>It was pretty simple question.

0:26:47.400 --> 0:26:52.760
<v Speaker 9>What is the most expensive emotion and what is the cheapest?

0:26:53.359 --> 0:26:54.520
<v Speaker 3>All right? Bye?

0:26:54.880 --> 0:26:55.879
<v Speaker 2>Love that past guest.

0:26:55.920 --> 0:26:59.560
<v Speaker 1>Isle shout out to Ale, what do you think?

0:27:01.040 --> 0:27:03.880
<v Speaker 2>So we talked briefly about this. First thing that came

0:27:03.880 --> 0:27:06.760
<v Speaker 2>to mind is that love is the most expensive, horny

0:27:06.800 --> 0:27:07.440
<v Speaker 2>is the cheapest.

0:27:07.680 --> 0:27:10.640
<v Speaker 1>Yeah, I mean, we both independently came up with love

0:27:10.720 --> 0:27:14.879
<v Speaker 1>is the most expensive. It is, you know, potentially obvious answer.

0:27:14.920 --> 0:27:18.919
<v Speaker 1>But of course love makes you act in irrational ways.

0:27:19.480 --> 0:27:22.720
<v Speaker 1>Love makes you sacrifice things you would not otherwise sacrifice.

0:27:23.320 --> 0:27:28.200
<v Speaker 1>Love is not transactional. Love can be unconditional. All these

0:27:28.240 --> 0:27:33.480
<v Speaker 1>things are gonna absolutely rob you of your money, dignity,

0:27:34.200 --> 0:27:36.440
<v Speaker 1>and integrity on a day to day basis.

0:27:36.480 --> 0:27:43.159
<v Speaker 2>So watch out and I would know. Yeah, I hear. Okay,

0:27:43.240 --> 0:27:45.479
<v Speaker 2>Love is the album and Horney is the single.

0:27:45.960 --> 0:27:52.040
<v Speaker 1>Yeah, here's another expensive emotion. Yeah, I think maybe like

0:27:52.520 --> 0:27:57.639
<v Speaker 1>resentment gnaws at you so much. You know what resentment is.

0:27:57.680 --> 0:28:00.840
<v Speaker 1>It's like you think it's fast fashion, Like you think

0:28:00.880 --> 0:28:03.480
<v Speaker 1>it's an easy thing, but then it's actually full of

0:28:03.520 --> 0:28:05.240
<v Speaker 1>microplastics and it's slowly killing you.

0:28:05.920 --> 0:28:06.080
<v Speaker 11>Wow.

0:28:06.160 --> 0:28:08.840
<v Speaker 2>In the enviral, I actually really like that. I like

0:28:08.920 --> 0:28:11.439
<v Speaker 2>that you're I think you're taking this question in a

0:28:11.440 --> 0:28:13.240
<v Speaker 2>different direction than I did, but in a way that

0:28:13.280 --> 0:28:16.800
<v Speaker 2>I really enjoy. Like you're thinking literally like the cost

0:28:17.040 --> 0:28:18.400
<v Speaker 2>of having this emotion.

0:28:18.320 --> 0:28:22.000
<v Speaker 1>Yeah, whereas you're thinking love is so I think it's

0:28:22.000 --> 0:28:24.760
<v Speaker 1>like rich, unreachable, that it would take so much to

0:28:25.440 --> 0:28:28.040
<v Speaker 1>get to love. Yeah, I see it, Yeah, exactly. Whereas

0:28:28.040 --> 0:28:30.200
<v Speaker 1>horny is more simple. Yeah, I think that makes sense.

0:28:30.600 --> 0:28:32.719
<v Speaker 1>I'm trying to think of other cheap emotions.

0:28:33.119 --> 0:28:35.639
<v Speaker 2>I had a cheap one that I go back and

0:28:35.640 --> 0:28:41.120
<v Speaker 2>forth on. Okay, yeah, okay, nostalgia. I think you're so

0:28:41.400 --> 0:28:43.000
<v Speaker 2>you get like a burst of nostalgia. I think that's

0:28:43.120 --> 0:28:49.440
<v Speaker 2>a cheap, cheap emotion. But okay, when it's nostalgia from

0:28:49.840 --> 0:28:53.080
<v Speaker 2>smell or taste, I think that's rich. I think that's expensive.

0:28:53.800 --> 0:28:56.960
<v Speaker 2>Oh interesting, when you like smell something and you're like whoa,

0:28:57.240 --> 0:28:59.880
<v Speaker 2>and you're like taken back, that's that can be kind

0:28:59.920 --> 0:29:03.360
<v Speaker 2>of crazy because that's like time travel. But when you're

0:29:03.400 --> 0:29:05.600
<v Speaker 2>just like, god, I love the nineties, like let's watch

0:29:06.120 --> 0:29:10.320
<v Speaker 2>you know, the Simpsons, then it's a little like okay, stop. Yeah.

0:29:10.360 --> 0:29:14.520
<v Speaker 1>Maybe it's the more personal to you, Yeah, Like, the

0:29:14.560 --> 0:29:18.320
<v Speaker 1>more personal to you it is, the more sophisticated it is,

0:29:18.840 --> 0:29:21.320
<v Speaker 1>and the more relatable words that are, like never forget

0:29:21.400 --> 0:29:21.880
<v Speaker 1>nine to eleven.

0:29:21.920 --> 0:29:25.240
<v Speaker 2>It's like, yeah, we know, honey, you wouldn't let me

0:29:25.240 --> 0:29:26.040
<v Speaker 2>forget it if I tried.

0:29:26.160 --> 0:29:29.240
<v Speaker 1>Yeah I didn't. Yeah, I know one's gonna try. Don't worry,

0:29:29.480 --> 0:29:31.600
<v Speaker 1>we remember, we remember.

0:29:31.760 --> 0:29:32.800
<v Speaker 2>I'm you know.

0:29:32.840 --> 0:29:36.000
<v Speaker 1>Of course, the to me a big open question here

0:29:36.200 --> 0:29:41.640
<v Speaker 1>is where does hate fit into it? And to expand

0:29:41.680 --> 0:29:46.520
<v Speaker 1>on that different forms of hate, like you know, sort

0:29:46.520 --> 0:29:50.360
<v Speaker 1>of like low level snark or criticism. I mean criticism

0:29:50.400 --> 0:29:52.440
<v Speaker 1>is not an emotion, but like you know, sort of

0:29:52.440 --> 0:29:55.440
<v Speaker 1>like disgusted. Like, where do those kinds of like toxic

0:29:55.480 --> 0:29:58.400
<v Speaker 1>negative emotions fit into it? Because on the one hand,

0:29:58.960 --> 0:30:03.520
<v Speaker 1>they are easy to go to as a default. It's

0:30:03.600 --> 0:30:06.080
<v Speaker 1>it's you know, you see something you don't like, immediately

0:30:06.080 --> 0:30:08.320
<v Speaker 1>you recoil. On the other hand, of course, if you

0:30:08.320 --> 0:30:10.200
<v Speaker 1>are filled with hate, that's going to take a toll.

0:30:10.880 --> 0:30:13.880
<v Speaker 2>Well that's what I thought. Your resentment thing was very smart.

0:30:13.880 --> 0:30:15.800
<v Speaker 2>Where I do think hate is similar where it's like

0:30:16.880 --> 0:30:19.800
<v Speaker 2>it actually does cost the most, like m hmm, Like

0:30:19.840 --> 0:30:22.360
<v Speaker 2>I think hate maybe is even more expensive than love

0:30:22.440 --> 0:30:24.040
<v Speaker 2>because it like could ruin you.

0:30:24.200 --> 0:30:27.040
<v Speaker 1>Right, and maybe discussed is more cheap because it's just

0:30:27.080 --> 0:30:29.680
<v Speaker 1>like eh and then you know you move on.

0:30:30.160 --> 0:30:34.560
<v Speaker 2>Yeah, okay. You ever see people that get like really

0:30:34.600 --> 0:30:37.480
<v Speaker 2>lost in resentment and you're like, yeah, oh god.

0:30:37.560 --> 0:30:40.080
<v Speaker 1>Well, this is something I've been thinking a lot about

0:30:40.080 --> 0:30:44.360
<v Speaker 1>because there is I think the thirties are the resentment decade. Well,

0:30:44.360 --> 0:30:46.560
<v Speaker 1>I guess what it is is resentment builds in your thirties.

0:30:47.200 --> 0:30:50.360
<v Speaker 1>Either it solidifies into you just being a miserable person,

0:30:50.680 --> 0:30:53.120
<v Speaker 1>or you battle it and come out of the other

0:30:53.200 --> 0:30:58.280
<v Speaker 1>side and you are satisfied and comfortable with who you are.

0:30:58.720 --> 0:31:01.200
<v Speaker 2>Yeah, and you put that live love poster up and

0:31:01.240 --> 0:31:03.320
<v Speaker 2>you say sey lovey exactly.

0:31:03.760 --> 0:31:05.280
<v Speaker 1>And by the way, this has nothing to do with

0:31:05.480 --> 0:31:09.040
<v Speaker 1>your level of success, your attractiveness. People can be the

0:31:09.080 --> 0:31:11.520
<v Speaker 1>President of the United States and be filled with resentment,

0:31:11.520 --> 0:31:12.200
<v Speaker 1>and people can.

0:31:12.120 --> 0:31:14.720
<v Speaker 2>Be you know, a random person.

0:31:15.920 --> 0:31:19.880
<v Speaker 1>Who is you know, does customer service at Sigma, and

0:31:19.920 --> 0:31:20.880
<v Speaker 1>they can be full of love.

0:31:24.200 --> 0:31:26.040
<v Speaker 2>I loved watching that because I was like, Where's how's

0:31:26.040 --> 0:31:29.160
<v Speaker 2>he going to land this? I was like, what what

0:31:29.240 --> 0:31:33.480
<v Speaker 2>is the appropriate random person? And you really? You really

0:31:33.600 --> 0:31:35.240
<v Speaker 2>nailed that. I think I nailed it.

0:31:35.360 --> 0:31:40.120
<v Speaker 1>Yeah, So, but I do think yeah, and maybe it's

0:31:40.120 --> 0:31:42.920
<v Speaker 1>even like more thirty, you know, thirty five to forty

0:31:42.920 --> 0:31:43.480
<v Speaker 1>five or something.

0:31:43.560 --> 0:31:45.400
<v Speaker 2>It's not exactly thirties, But do you know what I mean,

0:31:45.520 --> 0:31:48.200
<v Speaker 2>it's I do. It's a time when you just slightly

0:31:49.000 --> 0:31:51.480
<v Speaker 2>only because I don't want to poke holes in your theory.

0:31:51.520 --> 0:31:53.760
<v Speaker 2>I mostly like it. And this podcast is about agreeing,

0:31:53.920 --> 0:31:57.040
<v Speaker 2>of course, but I'm just from personal experience. I feel

0:31:57.040 --> 0:31:59.440
<v Speaker 2>like in I knew people that were so much more

0:31:59.440 --> 0:32:03.160
<v Speaker 2>resentful in their twenties, really because maybe because they were

0:32:03.200 --> 0:32:05.720
<v Speaker 2>like it was like stand up, and it was like

0:32:06.000 --> 0:32:08.360
<v Speaker 2>everyone had this idea of like trying to make it

0:32:08.400 --> 0:32:12.680
<v Speaker 2>before thirty or something, which is a false premise obviously,

0:32:14.120 --> 0:32:16.160
<v Speaker 2>and you kind of have to be turn thirty to

0:32:16.200 --> 0:32:20.960
<v Speaker 2>realize that. But a lot of people I could feel

0:32:21.000 --> 0:32:23.800
<v Speaker 2>like in late twenties people get like clawing and being

0:32:23.880 --> 0:32:27.320
<v Speaker 2>so upset and so jealous and so angry, and then

0:32:27.640 --> 0:32:29.840
<v Speaker 2>in your thirties it's almost like the last scene in

0:32:29.920 --> 0:32:31.800
<v Speaker 2>Mean Girls where all the girls are like, actually we

0:32:31.960 --> 0:32:33.560
<v Speaker 2>like each other and we don't really care that much.

0:32:34.120 --> 0:32:36.840
<v Speaker 2>So I think it depends either way. Resentment.

0:32:37.040 --> 0:32:40.960
<v Speaker 1>It's like, you got to move past it. If you're

0:32:41.000 --> 0:32:42.440
<v Speaker 1>feeling resentful.

0:32:42.560 --> 0:32:43.800
<v Speaker 2>This is a wake up call.

0:32:44.800 --> 0:32:48.480
<v Speaker 1>Literally, it's not like it's not good, it's not sustainable.

0:32:48.760 --> 0:32:51.200
<v Speaker 1>It will not give you anything you are looking for.

0:32:51.360 --> 0:32:52.520
<v Speaker 1>You have to move past it.

0:32:52.720 --> 0:32:54.200
<v Speaker 2>You have to move past it, and you can still

0:32:54.200 --> 0:32:56.520
<v Speaker 2>be critical. Yeah, oh my god, George and I are

0:32:56.520 --> 0:33:01.719
<v Speaker 2>such haters. Oh my god, we hate everything, but we

0:33:01.920 --> 0:33:04.800
<v Speaker 2>hate everything with love. That's okay.

0:33:04.920 --> 0:33:08.840
<v Speaker 7>Next high sam on George, It's Heidi. This is actually

0:33:08.920 --> 0:33:11.760
<v Speaker 7>my second time calling fun exciting.

0:33:11.640 --> 0:33:12.000
<v Speaker 10>Love it.

0:33:12.720 --> 0:33:16.280
<v Speaker 7>I have two questions. I'll just do the first one

0:33:16.360 --> 0:33:19.120
<v Speaker 7>super super quick because I thought it would be fun

0:33:19.600 --> 0:33:22.360
<v Speaker 7>and it's more so for George. So my family and

0:33:22.440 --> 0:33:26.000
<v Speaker 7>I are going on a super awesome spring break vacation

0:33:27.360 --> 0:33:30.640
<v Speaker 7>to greet which I'm so pumped about. And I was like, Oh,

0:33:30.640 --> 0:33:35.120
<v Speaker 7>that's fun. It's George's old stumping grounds. So I was like, George,

0:33:36.240 --> 0:33:39.760
<v Speaker 7>do you have any you know, recommendations, If you will,

0:33:40.280 --> 0:33:43.200
<v Speaker 7>we're going to creat and appen, so pretty touristy but

0:33:44.360 --> 0:33:44.920
<v Speaker 7>very exciting.

0:33:45.040 --> 0:33:45.240
<v Speaker 8>Yeah.

0:33:45.320 --> 0:33:49.160
<v Speaker 7>So that's the first question. Thanks George, and seconds for

0:33:49.240 --> 0:33:52.560
<v Speaker 7>both of you, this is the most important one. So

0:33:53.240 --> 0:33:57.320
<v Speaker 7>me and my two long distance bessies love this pod.

0:33:58.040 --> 0:34:00.280
<v Speaker 7>We talked about it quite frequently.

0:34:00.080 --> 0:34:02.719
<v Speaker 11>And we just really like when you guys are friends,

0:34:03.320 --> 0:34:06.080
<v Speaker 11>and we like when other people are friends, you know,

0:34:06.200 --> 0:34:09.800
<v Speaker 11>just like cast members of TV shows.

0:34:10.080 --> 0:34:13.080
<v Speaker 7>You were big into Broadway, so like Broadway cast, just

0:34:13.080 --> 0:34:15.719
<v Speaker 7>like we like when other people hang out and we

0:34:15.960 --> 0:34:19.319
<v Speaker 7>enjoy it and it's fun. So we wanted to know,

0:34:19.520 --> 0:34:25.160
<v Speaker 7>since you guys are not only podcasts coworkers but also friends,

0:34:25.400 --> 0:34:28.759
<v Speaker 7>what do you guys like to do together outside of

0:34:28.800 --> 0:34:31.560
<v Speaker 7>the pod that feels like different or you know, when

0:34:31.560 --> 0:34:35.719
<v Speaker 7>you just hang out, what what do you like to do? Yeah,

0:34:35.920 --> 0:34:39.279
<v Speaker 7>keep doing what you're doing. We love the pod and

0:34:39.320 --> 0:34:40.800
<v Speaker 7>by me I mean me and my friends.

0:34:40.920 --> 0:34:42.520
<v Speaker 5>Okay, anyway, love you.

0:34:42.640 --> 0:34:43.000
<v Speaker 10>Bye.

0:34:43.200 --> 0:34:46.120
<v Speaker 2>Shout out, shout out. That was sweet. That was very sweet.

0:34:46.160 --> 0:34:49.400
<v Speaker 1>I'm gonna do a very very quick round of like

0:34:50.160 --> 0:34:51.399
<v Speaker 1>things off the top of my head that I did

0:34:51.400 --> 0:34:52.879
<v Speaker 1>in Athens last time I was there.

0:34:52.960 --> 0:34:53.880
<v Speaker 2>That might be helpful.

0:34:55.440 --> 0:34:58.040
<v Speaker 1>So Athens is I think I've talked about this before,

0:34:58.040 --> 0:35:01.799
<v Speaker 1>but it has been undergoing this like depending on your

0:35:01.800 --> 0:35:05.120
<v Speaker 1>point of view, renaissance or gentrification nightmare for the last

0:35:05.200 --> 0:35:08.279
<v Speaker 1>like five to six years. There was a moment during

0:35:08.360 --> 0:35:12.680
<v Speaker 1>the financial collapse when you know, it was you know,

0:35:13.000 --> 0:35:16.080
<v Speaker 1>the prevailing idea was that the city was in crisis

0:35:16.120 --> 0:35:19.520
<v Speaker 1>and it needed to and like new businesses weren't opening

0:35:19.760 --> 0:35:22.920
<v Speaker 1>and the obviously the economy wasn't going well whatever, and

0:35:22.960 --> 0:35:26.759
<v Speaker 1>then it became sort of like berlinified. Like I've told

0:35:26.760 --> 0:35:28.880
<v Speaker 1>you about how my grandmother's neighborhood, which was like a

0:35:28.920 --> 0:35:31.399
<v Speaker 1>middle class neighborhood she has a one bedroom apartment, has

0:35:31.440 --> 0:35:33.840
<v Speaker 1>now become like the Bushwick of Athens, and she leaves

0:35:33.840 --> 0:35:36.719
<v Speaker 1>her apartment, and it's literally all like expats, people on

0:35:36.760 --> 0:35:39.160
<v Speaker 1>their laptops, like people wearing sort of like head to

0:35:39.280 --> 0:35:40.480
<v Speaker 1>toe kind of.

0:35:40.440 --> 0:35:41.240
<v Speaker 2>Like club club.

0:35:42.160 --> 0:35:44.520
<v Speaker 1>She's just sort of like okay, like going to the

0:35:44.520 --> 0:35:49.799
<v Speaker 1>farmer's market, and so it is. Honestly, people ask me

0:35:49.800 --> 0:35:53.200
<v Speaker 1>all the time for Athens recommendations, and I don't know

0:35:53.280 --> 0:35:55.319
<v Speaker 1>what to say because it is such a different place

0:35:55.360 --> 0:35:57.680
<v Speaker 1>than it was when I lived there, when I was

0:35:57.719 --> 0:36:01.120
<v Speaker 1>also like a teenager. So this latest time, I really

0:36:01.160 --> 0:36:04.040
<v Speaker 1>tried to get a bunch of recommendations for people because

0:36:04.040 --> 0:36:06.040
<v Speaker 1>I wanted to know, like, which of these new businesses

0:36:06.040 --> 0:36:09.239
<v Speaker 1>are worth it. The answer is not all of them,

0:36:09.360 --> 0:36:11.359
<v Speaker 1>but I did want to shout out that this one

0:36:11.400 --> 0:36:14.640
<v Speaker 1>restaurant called Pharaoh, like a like an Egyptian pharaoh.

0:36:14.880 --> 0:36:16.759
<v Speaker 2>I went to. It was so good.

0:36:17.080 --> 0:36:19.279
<v Speaker 1>It's just like updated Greek classics. But you got to

0:36:19.320 --> 0:36:22.239
<v Speaker 1>make a reservation ahead of time. Sam, when you visit

0:36:22.280 --> 0:36:25.200
<v Speaker 1>will go together. I had the absolute time of my life,

0:36:25.239 --> 0:36:29.239
<v Speaker 1>great wine lists, really good you know, sort of like

0:36:29.320 --> 0:36:34.040
<v Speaker 1>shareable small plates. I was in absolute heaven that entire neighborhood.

0:36:34.360 --> 0:36:37.520
<v Speaker 1>He has become very like Williamsburg ified in a way

0:36:37.560 --> 0:36:39.200
<v Speaker 1>that is honestly pretty alarming because when I was in

0:36:39.280 --> 0:36:41.560
<v Speaker 1>high school, that's literally where the anarchists would hang out

0:36:41.920 --> 0:36:45.120
<v Speaker 1>and it would be like, that's all the protests where

0:36:45.120 --> 0:36:47.719
<v Speaker 1>that's where a lot of the like sort of like

0:36:47.800 --> 0:36:52.200
<v Speaker 1>memorable news stories of protesters clashing with the police happened there.

0:36:52.239 --> 0:36:54.720
<v Speaker 1>And now you go and it's literally like a record

0:36:54.840 --> 0:36:58.000
<v Speaker 1>store that's run by like a chill guy with the mohawk,

0:36:58.640 --> 0:37:00.960
<v Speaker 1>and then the people in it are like Italian tourists.

0:37:01.160 --> 0:37:01.960
<v Speaker 2>It's very strange.

0:37:02.080 --> 0:37:02.279
<v Speaker 6>Wo.

0:37:03.000 --> 0:37:05.520
<v Speaker 1>So, but that restaurant, I have to say, if you

0:37:05.560 --> 0:37:08.040
<v Speaker 1>want to go somewhere that's not a traditional tavarana, which

0:37:08.040 --> 0:37:09.879
<v Speaker 1>you should also go to, and it's something a little

0:37:09.880 --> 0:37:15.520
<v Speaker 1>more contemporary, I would recommend. Another place I had a

0:37:15.560 --> 0:37:18.680
<v Speaker 1>store I went to is this store called It's a

0:37:18.800 --> 0:37:22.480
<v Speaker 1>Shirt and they sell shirts and it's this like really

0:37:22.520 --> 0:37:26.440
<v Speaker 1>cool gal whose dad worked in the garment industry in Greece.

0:37:26.800 --> 0:37:30.200
<v Speaker 1>So then she is like taking sort of like fabrics

0:37:30.360 --> 0:37:34.000
<v Speaker 1>that because she, you know, fabrics that her father would

0:37:34.080 --> 0:37:39.360
<v Speaker 1>use potentially and making these like super cool like Japanese

0:37:39.400 --> 0:37:41.279
<v Speaker 1>cut like cool shirts.

0:37:41.440 --> 0:37:42.160
<v Speaker 2>Wow.

0:37:42.480 --> 0:37:45.160
<v Speaker 1>And they are much cheaper than the equivalent thing would

0:37:45.160 --> 0:37:47.400
<v Speaker 1>be if you went to like Hopenhagen or something.

0:37:47.400 --> 0:37:49.960
<v Speaker 2>It's a shirt. It's a shirt. Shout out to it's

0:37:49.960 --> 0:37:50.239
<v Speaker 2>a shirt.

0:37:50.239 --> 0:37:52.319
<v Speaker 1>And the final thing I will say is people don't

0:37:52.360 --> 0:37:53.759
<v Speaker 1>know this, but one of the best things you can

0:37:53.800 --> 0:37:55.520
<v Speaker 1>do in Athens and in Greece in general over the

0:37:55.520 --> 0:37:58.440
<v Speaker 1>summer is go to an open air cinema. So they

0:37:58.520 --> 0:38:01.400
<v Speaker 1>have these open air cinemas. Imagine like a giant screen

0:38:01.480 --> 0:38:07.920
<v Speaker 1>with just like you know, chairs and the little bar

0:38:07.960 --> 0:38:10.800
<v Speaker 1>and stuff, and the ones in the center of Athens.

0:38:10.800 --> 0:38:13.560
<v Speaker 1>You can literally look at the Parthenon behind the screen

0:38:13.600 --> 0:38:14.720
<v Speaker 1>of the movie that you're seeing.

0:38:15.000 --> 0:38:16.520
<v Speaker 2>So you can go and watch.

0:38:16.360 --> 0:38:18.840
<v Speaker 1>Like they'll do like a Hitchcock retrospective or something, and

0:38:18.840 --> 0:38:20.839
<v Speaker 1>you can go watch like a classic movie and then

0:38:20.960 --> 0:38:26.120
<v Speaker 1>the Parthenon is right behind that. And oftentimes people people

0:38:26.120 --> 0:38:28.120
<v Speaker 1>will go to Greece and people I think would be

0:38:28.120 --> 0:38:29.480
<v Speaker 1>in the know about these kinds of things, and they

0:38:29.480 --> 0:38:30.600
<v Speaker 1>don't know that that's an option.

0:38:30.719 --> 0:38:34.520
<v Speaker 2>So that is my big recommendation. Beautiful recommendations, George.

0:38:34.600 --> 0:38:39.200
<v Speaker 1>Those are my three, Thank you. And the second question

0:38:39.440 --> 0:38:40.640
<v Speaker 1>was what do we do as friends?

0:38:42.760 --> 0:38:47.520
<v Speaker 2>We party bitch, bitch, We party bitch. We're out on

0:38:47.560 --> 0:38:48.000
<v Speaker 2>the town.

0:38:49.440 --> 0:38:53.600
<v Speaker 1>What I mean, we like, we go to Maxwitter's house, We.

0:38:53.400 --> 0:38:55.480
<v Speaker 2>Go we go to people's houses, or we go to

0:38:55.520 --> 0:38:59.480
<v Speaker 2>dinner and we get drinks and potentially if George isn't tired,

0:38:59.520 --> 0:39:00.560
<v Speaker 2>we go out. That's right.

0:39:03.200 --> 0:39:07.120
<v Speaker 1>Yeah, And you know what, I you know what I

0:39:07.200 --> 0:39:10.799
<v Speaker 1>think in my own life has been a change since

0:39:10.880 --> 0:39:11.480
<v Speaker 1>the pandemic.

0:39:12.440 --> 0:39:15.240
<v Speaker 2>I used to do more like weekend friend trips. Oh

0:39:15.360 --> 0:39:16.160
<v Speaker 2>yeah for you.

0:39:16.200 --> 0:39:19.120
<v Speaker 1>Twenty twenty, I was I was getting like an Airbnb

0:39:19.280 --> 0:39:23.120
<v Speaker 1>upstate with four chicas. That was not an like a

0:39:23.560 --> 0:39:25.120
<v Speaker 1>something that was out of the ordinary for me.

0:39:25.520 --> 0:39:28.200
<v Speaker 2>Really, I didn't start really getting into that lifestyle till

0:39:28.480 --> 0:39:29.560
<v Speaker 2>till after pandemic.

0:39:29.880 --> 0:39:32.879
<v Speaker 1>Interesting, I don't know what it is now. I think

0:39:32.880 --> 0:39:36.560
<v Speaker 1>it's a mix. Obviously, everyone's busier, but also everyone's like

0:39:36.680 --> 0:39:38.959
<v Speaker 1>taste level has gone up, and suddenly it's not enough

0:39:38.960 --> 0:39:41.120
<v Speaker 1>to just like go to airbnb dot com and click

0:39:41.160 --> 0:39:42.840
<v Speaker 1>the first one and just be like, yeah, we'll figure

0:39:42.840 --> 0:39:45.399
<v Speaker 1>it out. Everyone suddenly wants to make reservations. Everyone wants

0:39:45.440 --> 0:39:48.560
<v Speaker 1>to have like a specific hike planned, which I get,

0:39:48.640 --> 0:39:51.399
<v Speaker 1>but it is it makes things more difficult than when

0:39:51.440 --> 0:39:53.080
<v Speaker 1>you are, you know, twenty five years old and are

0:39:53.120 --> 0:39:54.880
<v Speaker 1>just like excited to be out of the city.

0:39:55.920 --> 0:39:59.280
<v Speaker 2>I that was such a scary there's so many moments

0:39:59.280 --> 0:40:02.200
<v Speaker 2>in one's life when you realize like there's been grown

0:40:02.360 --> 0:40:06.680
<v Speaker 2>growing up and I always always am like the last

0:40:06.680 --> 0:40:09.279
<v Speaker 2>one to know. And that was a real one when

0:40:09.280 --> 0:40:11.239
<v Speaker 2>people were like, well, no, I want the I want

0:40:11.280 --> 0:40:13.320
<v Speaker 2>a nice house. Yeah, like I want a chic house.

0:40:13.600 --> 0:40:16.040
<v Speaker 2>And I was like, but we're just like sleeping there

0:40:16.040 --> 0:40:19.080
<v Speaker 2>and listening to music and like having drinks, Like why

0:40:19.160 --> 0:40:19.800
<v Speaker 2>does it matter?

0:40:20.360 --> 0:40:23.680
<v Speaker 1>Yeah, but you know that if you if something was

0:40:23.760 --> 0:40:27.680
<v Speaker 1>below your standards, you would also speak out.

0:40:29.040 --> 0:40:31.920
<v Speaker 2>Yeah, my standards were pretty low though, but don't you

0:40:31.960 --> 0:40:34.560
<v Speaker 2>think they're higher now? Yeah? I think they're higher now.

0:40:34.719 --> 0:40:37.799
<v Speaker 2>They are. I'm learning, but I feel like I'm I'm

0:40:37.840 --> 0:40:41.120
<v Speaker 2>like sad that I'm learning total where I'm like, of course,

0:40:41.360 --> 0:40:41.800
<v Speaker 2>like there.

0:40:41.680 --> 0:40:44.040
<v Speaker 1>Was a freedom of not caring in the threshold to

0:40:44.040 --> 0:40:45.120
<v Speaker 1>be satisfied as higher.

0:40:45.160 --> 0:40:45.960
<v Speaker 2>That sucks.

0:40:46.040 --> 0:40:47.960
<v Speaker 1>Yeah, you wake up every day in the default is

0:40:47.960 --> 0:40:50.719
<v Speaker 1>you're like, Okay, someone better impressed me.

0:40:50.680 --> 0:40:54.520
<v Speaker 2>Today, even like caring about one's apartment, Like no, as

0:40:54.520 --> 0:40:55.960
<v Speaker 2>soon as there was like a moment when it was

0:40:56.040 --> 0:41:00.640
<v Speaker 2>like suddenly we care about our apartments and I like fun,

0:41:00.680 --> 0:41:02.960
<v Speaker 2>I know, like it happened all of a sudden, and

0:41:03.239 --> 0:41:04.880
<v Speaker 2>it used to just be like, no, it's amazing, I

0:41:04.880 --> 0:41:07.840
<v Speaker 2>can pay rent, and now it's like, no, you have

0:41:07.880 --> 0:41:09.480
<v Speaker 2>to have a place that's nice.

0:41:09.560 --> 0:41:09.759
<v Speaker 11>I know.

0:41:09.800 --> 0:41:11.080
<v Speaker 1>And then you wake up one day and you're like, wait,

0:41:11.120 --> 0:41:16.360
<v Speaker 1>so you've been collecting artisanal knickknacks from your travels since

0:41:16.400 --> 0:41:20.040
<v Speaker 1>you were twenty two. Yeah, you're not just sort of

0:41:20.200 --> 0:41:22.359
<v Speaker 1>going to West Elm.

0:41:22.880 --> 0:41:28.360
<v Speaker 2>It's interesting. It's it's interesting, and I'm like, it's fun.

0:41:28.480 --> 0:41:32.440
<v Speaker 2>I think there's a certain level of like competition can

0:41:32.560 --> 0:41:35.080
<v Speaker 2>and can be helpful and motivating, but it's also a

0:41:35.120 --> 0:41:37.120
<v Speaker 2>little scary. It was the moment was scary when I

0:41:37.160 --> 0:41:39.480
<v Speaker 2>was like, oh, fuck, I have to catch up. I know.

0:41:39.560 --> 0:41:44.160
<v Speaker 1>It's interesting to grow up consuming media about the urban,

0:41:44.320 --> 0:41:48.319
<v Speaker 1>petite bourgeoisi a. La Woody, Allen, et cetera, and have

0:41:48.400 --> 0:41:50.759
<v Speaker 1>it be so foreign and then suddenly, whether you like

0:41:50.800 --> 0:41:52.560
<v Speaker 1>it or not, And honestly, no matter your income level,

0:41:52.560 --> 0:41:54.680
<v Speaker 1>you're sort of just agento having those values.

0:41:54.960 --> 0:41:57.319
<v Speaker 2>You best start believing in love with deep BOUGEOISI.

0:41:57.560 --> 0:41:57.880
<v Speaker 8>You're in.

0:42:02.080 --> 0:42:04.480
<v Speaker 2>Okay, next call.

0:42:04.280 --> 0:42:06.400
<v Speaker 9>Hey, they're calling in for the second time from my

0:42:06.520 --> 0:42:07.600
<v Speaker 9>northern New Jersey number.

0:42:07.719 --> 0:42:08.279
<v Speaker 10>Shout out.

0:42:08.920 --> 0:42:11.960
<v Speaker 9>I have a really important question. Do you think that

0:42:12.320 --> 0:42:15.400
<v Speaker 9>with Chapel and all of us knowing what her personality

0:42:15.520 --> 0:42:17.960
<v Speaker 9>is now, I wanted to see what your thoughts are

0:42:18.040 --> 0:42:20.439
<v Speaker 9>and the revisitation of the Lizzo's past of it all,

0:42:20.880 --> 0:42:22.560
<v Speaker 9>like is she cool?

0:42:22.880 --> 0:42:23.319
<v Speaker 2>Is she not?

0:42:23.840 --> 0:42:24.600
<v Speaker 10>How do we feel?

0:42:24.920 --> 0:42:28.800
<v Speaker 2>Thanks? First of all, shout out to northern New Jersey

0:42:29.239 --> 0:42:31.440
<v Speaker 2>phone number. I don't know why, but.

0:42:31.320 --> 0:42:35.560
<v Speaker 1>Because it's the same. I commented that this caller has

0:42:35.560 --> 0:42:37.720
<v Speaker 1>the same area code that my house did in New Jersey.

0:42:38.040 --> 0:42:41.000
<v Speaker 2>Oh okay, fun, I want to say thank you for

0:42:41.040 --> 0:42:44.359
<v Speaker 2>bringing back Lizo's Pass. I've been thinking about it a lot.

0:42:44.480 --> 0:42:47.080
<v Speaker 2>It was recently mentioned on an episode of Keep It,

0:42:47.480 --> 0:42:52.239
<v Speaker 2>which I was really excited about by Louis Ertell Yeah. So,

0:42:52.280 --> 0:42:54.520
<v Speaker 2>for those who don't know, Lizo's Pass is the moment

0:42:54.560 --> 0:42:58.719
<v Speaker 2>when a rising pop star gets so big it has

0:42:58.760 --> 0:43:01.680
<v Speaker 2>to decide which way to go. In Litzo's pass, do

0:43:01.719 --> 0:43:04.239
<v Speaker 2>you go towards Pitchfork and stay cool forever or do

0:43:04.280 --> 0:43:08.640
<v Speaker 2>you go towards Target and make songs for commercials? And

0:43:09.200 --> 0:43:12.440
<v Speaker 2>I find I think Chapel is still at Lisso's pass.

0:43:12.560 --> 0:43:16.399
<v Speaker 2>I think she is delaying her decision by releasing singles only.

0:43:17.000 --> 0:43:19.160
<v Speaker 2>I think we won't know because I think good luck

0:43:19.200 --> 0:43:22.680
<v Speaker 2>Babe was very okay, she's gonna be Pitchfork. She's like cool, Yeah,

0:43:22.719 --> 0:43:24.920
<v Speaker 2>like this is cool. And then the new one, the

0:43:24.960 --> 0:43:27.239
<v Speaker 2>giver is like good, I like it, but I'm like,

0:43:27.360 --> 0:43:30.640
<v Speaker 2>but it could go either way, and I'm like a

0:43:30.680 --> 0:43:32.879
<v Speaker 2>little bit and it's like, yeah, I think it's cool.

0:43:32.960 --> 0:43:37.200
<v Speaker 2>It's like about like, you know, giving an orgasm. That's

0:43:37.200 --> 0:43:41.319
<v Speaker 2>like fun, but it's still like I don't know. So

0:43:41.360 --> 0:43:44.799
<v Speaker 2>I think the album is really gonna we can't call.

0:43:44.880 --> 0:43:47.240
<v Speaker 2>It's too early to call. We need a full album

0:43:47.280 --> 0:43:48.240
<v Speaker 2>before we can say.

0:43:48.440 --> 0:43:51.440
<v Speaker 1>Do you think going country is a way to delay

0:43:51.480 --> 0:43:52.560
<v Speaker 1>Lozzo's pass.

0:43:52.880 --> 0:43:56.040
<v Speaker 2>One hundred percent because you can't both say anything about it?

0:43:56.160 --> 0:44:01.520
<v Speaker 1>Yeah, country is for the Pitchfork crowd. Country is alternative

0:44:01.680 --> 0:44:04.800
<v Speaker 1>in its own way, and then for the target crowd.

0:44:05.480 --> 0:44:12.080
<v Speaker 1>Country like it's for the target crowd. Country is like comforting,

0:44:12.400 --> 0:44:16.400
<v Speaker 1>but also to be country and alt is scary.

0:44:16.880 --> 0:44:17.879
<v Speaker 2>Yeah, you can.

0:44:17.960 --> 0:44:19.640
<v Speaker 1>You basically are having your cake and eating it too.

0:44:19.760 --> 0:44:21.320
<v Speaker 1>It's called the Casey bus Graves effect.

0:44:23.840 --> 0:44:27.960
<v Speaker 2>I'm like, I'm very curious because at this point she's

0:44:28.000 --> 0:44:31.000
<v Speaker 2>like trying on all these new sounds and styles where

0:44:31.040 --> 0:44:34.360
<v Speaker 2>I'm sort of like, okay, what is your sound? In style,

0:44:34.520 --> 0:44:37.160
<v Speaker 2>like it's it almost feels like look over here, look

0:44:37.160 --> 0:44:39.640
<v Speaker 2>over your look over here, and I'm like, wait, I'm

0:44:39.760 --> 0:44:42.600
<v Speaker 2>I'm like, I'm I'm surrounded by smoke. I can't tell

0:44:42.600 --> 0:44:44.760
<v Speaker 2>where you are or what your deal is. Yeah.

0:44:45.200 --> 0:44:47.319
<v Speaker 1>Do you think Pink was ever at Lozzo's Pass or.

0:44:47.280 --> 0:44:50.960
<v Speaker 2>She just started out Target? I think she started out Target.

0:44:51.160 --> 0:44:54.040
<v Speaker 1>So you think even her early R and B hip

0:44:54.080 --> 0:44:56.640
<v Speaker 1>hop phase was just destined for Target.

0:44:57.520 --> 0:44:59.000
<v Speaker 2>It was still on the radio and it was still

0:44:59.040 --> 0:45:01.520
<v Speaker 2>in the commercials. Yeah, I mean, one thing that is

0:45:01.840 --> 0:45:04.640
<v Speaker 2>I think one thing that's happening to Chapel is that

0:45:05.040 --> 0:45:07.800
<v Speaker 2>she's at Lizo's Pass, but the wind is blowing really

0:45:07.840 --> 0:45:11.359
<v Speaker 2>hard and it's like snowing, and it's like forcing her

0:45:11.480 --> 0:45:15.279
<v Speaker 2>to put like it's trying to make her go towards Target. Really,

0:45:15.520 --> 0:45:19.080
<v Speaker 2>because I really believe because every song, I'm like more

0:45:19.120 --> 0:45:20.719
<v Speaker 2>passionate about this than I've ever been about anything my

0:45:20.760 --> 0:45:24.439
<v Speaker 2>whole life, because she every song is in a commercial now.

0:45:24.520 --> 0:45:26.279
<v Speaker 2>And I know it's because the brands are like, she's

0:45:26.320 --> 0:45:28.359
<v Speaker 2>cool enough but popular enough that we can look cool

0:45:28.560 --> 0:45:31.320
<v Speaker 2>and in on it. But it's every commercial has a

0:45:31.360 --> 0:45:34.680
<v Speaker 2>Chapel song. So the wind and the snow. She's going,

0:45:34.760 --> 0:45:37.719
<v Speaker 2>I want to go towards Pitchfork, and she's like, but

0:45:37.760 --> 0:45:40.320
<v Speaker 2>the snow is too high. I have to go towards Target.

0:45:40.920 --> 0:45:43.239
<v Speaker 2>It's so I think the odds are against her, but

0:45:43.280 --> 0:45:47.640
<v Speaker 2>I hope that she can survive Lizo's pass. Yeah, she also.

0:45:47.480 --> 0:45:51.160
<v Speaker 1>Hasn't been claimed by either party because I think at

0:45:51.160 --> 0:45:56.399
<v Speaker 1>this point the Pitchfork, the Pitchfork eistas are skeptical of her,

0:45:56.600 --> 0:46:01.000
<v Speaker 1>and certainly the Target Mom's candlebuyers are skeptical of her.

0:46:01.880 --> 0:46:03.319
<v Speaker 2>And so she is.

0:46:03.960 --> 0:46:07.440
<v Speaker 1>It's like she's on top of the charts, but while

0:46:07.840 --> 0:46:11.200
<v Speaker 1>balancing on a tiny needle, like if one thing goes wrong,

0:46:11.280 --> 0:46:12.240
<v Speaker 1>she could be done forever.

0:46:12.560 --> 0:46:15.120
<v Speaker 2>And I also think that's why she's doing the singles thing,

0:46:15.239 --> 0:46:19.400
<v Speaker 2>to be like like sort of soft change the narrative

0:46:19.440 --> 0:46:21.840
<v Speaker 2>and like let people be like, Okay, I'm calm about

0:46:21.840 --> 0:46:23.960
<v Speaker 2>her now. Now she can really sny album.

0:46:24.120 --> 0:46:25.920
<v Speaker 1>She was on call her Daddy another way that you

0:46:25.960 --> 0:46:27.640
<v Speaker 1>can delay Lizzo's pass.

0:46:32.520 --> 0:46:35.600
<v Speaker 2>What is called her Daddy's like space in the culture

0:46:35.680 --> 0:46:41.200
<v Speaker 2>right now, no one knows. I'm so deeply confused and

0:46:41.239 --> 0:46:43.880
<v Speaker 2>I'm like trying to figure out. Even watching the clips

0:46:43.880 --> 0:46:49.839
<v Speaker 2>of that, I was like am I insane, Like it's

0:46:49.920 --> 0:46:54.080
<v Speaker 2>so bizarre. So that's how I feel about it all. Okay,

0:46:54.280 --> 0:46:56.160
<v Speaker 2>how do you how do you feel about Chapel at

0:46:56.200 --> 0:46:56.640
<v Speaker 2>this stage?

0:46:56.880 --> 0:46:59.400
<v Speaker 1>No, I think you are absolutely right that she's delaying

0:46:59.440 --> 0:47:03.520
<v Speaker 1>Lizzo's pass. I have to say, I'm I'm pro Chapel,

0:47:03.800 --> 0:47:05.640
<v Speaker 1>like I'm just sort of like it. But it took

0:47:05.719 --> 0:47:08.520
<v Speaker 1>me longer than you to get there in the beginning.

0:47:08.760 --> 0:47:10.520
<v Speaker 1>I think because the first song of hers I heard,

0:47:10.560 --> 0:47:12.319
<v Speaker 1>I played, I press played the album and the first

0:47:12.320 --> 0:47:17.080
<v Speaker 1>song was phenomenomenomenon, and honestly, I was like, get this

0:47:17.400 --> 0:47:18.360
<v Speaker 1>off my screen.

0:47:19.160 --> 0:47:20.560
<v Speaker 2>I was so upset.

0:47:20.920 --> 0:47:23.319
<v Speaker 1>People had been telling me to check out Chapel roone

0:47:23.320 --> 0:47:25.880
<v Speaker 1>for so long. I press play that song and I

0:47:25.920 --> 0:47:27.799
<v Speaker 1>and I was wrong. I just want to admit I

0:47:27.840 --> 0:47:30.120
<v Speaker 1>was wrong, But there was something about it that felt

0:47:30.200 --> 0:47:32.759
<v Speaker 1>so rue Paul that then I had to come back

0:47:32.760 --> 0:47:35.200
<v Speaker 1>to it a few months later and realize, actually, this

0:47:35.239 --> 0:47:39.200
<v Speaker 1>is an incredible album which everyone agrees with. And since then,

0:47:39.320 --> 0:47:41.680
<v Speaker 1>I've loved her performances. I think she's fun. I think

0:47:41.680 --> 0:47:46.719
<v Speaker 1>she's a fun figure. I like that she's provocative and controversial.

0:47:46.760 --> 0:47:49.239
<v Speaker 1>I like that sometimes she's a little embarrassing. She's young.

0:47:49.600 --> 0:47:51.960
<v Speaker 1>I like that she's speaking her mind. Everyone is so

0:47:52.640 --> 0:47:56.120
<v Speaker 1>you know, poll tested these days that I say go.

0:47:56.160 --> 0:47:58.839
<v Speaker 2>Off, I say go off, I say go off.

0:47:59.000 --> 0:48:01.680
<v Speaker 1>I'm trying to think of other people who are at

0:48:01.760 --> 0:48:06.040
<v Speaker 1>Lizzo's pass right now. I mean, do you think Twiggs

0:48:06.280 --> 0:48:10.640
<v Speaker 1>has I do think Twigs chose Pitchfork and and that's

0:48:09.480 --> 0:48:12.000
<v Speaker 1>Twigs chose Pitchfork.

0:48:12.120 --> 0:48:15.640
<v Speaker 2>I think Sabrina Carpenter is all started. Is target is

0:48:15.640 --> 0:48:19.880
<v Speaker 2>target yea, yeah, she's targeted. Tate McCrae is targed at

0:48:19.880 --> 0:48:21.200
<v Speaker 2>Lizzo's past, but she's targeted.

0:48:21.360 --> 0:48:23.480
<v Speaker 1>She was never Pitchfork to begin with. Ever, no one,

0:48:23.600 --> 0:48:27.759
<v Speaker 1>no Pitchfork person was on her side. Yeah you know

0:48:27.800 --> 0:48:30.080
<v Speaker 1>what I noticed? Actually what? And it pains me to

0:48:30.120 --> 0:48:33.080
<v Speaker 1>say this because my dream is for Lucy Dacas to

0:48:33.120 --> 0:48:35.000
<v Speaker 1>be the special guest at Lesbian Lab.

0:48:35.120 --> 0:48:36.520
<v Speaker 2>Oh my god, I haven't even told you this.

0:48:36.680 --> 0:48:38.440
<v Speaker 1>I don't have a I don't have a contact or anything,

0:48:38.440 --> 0:48:41.160
<v Speaker 1>but I I just have this dream that will do

0:48:41.440 --> 0:48:44.399
<v Speaker 1>Lesbio Lab. And then at the end she comes out

0:48:44.440 --> 0:48:47.280
<v Speaker 1>and performs I Kissed a Girl.

0:48:49.440 --> 0:48:53.880
<v Speaker 2>Lucy. If you if you hear this Bellhouse.

0:48:53.480 --> 0:48:56.080
<v Speaker 1>On April sixteen, sixteen, and I just want to let

0:48:56.120 --> 0:48:58.960
<v Speaker 1>you know, Lucy, I got and this is a true story.

0:48:59.040 --> 0:49:02.400
<v Speaker 1>I got my husband concert tickets to your show for

0:49:02.440 --> 0:49:03.080
<v Speaker 1>his birthday.

0:49:03.400 --> 0:49:04.279
<v Speaker 2>He's a huge fan.

0:49:04.920 --> 0:49:07.239
<v Speaker 1>We can't wait to see you at Radio City and

0:49:07.280 --> 0:49:09.480
<v Speaker 1>hopefully we'll see you at the Bell House. But what

0:49:09.560 --> 0:49:12.080
<v Speaker 1>I wanted to say is that Lucy Dacas and the

0:49:12.080 --> 0:49:16.600
<v Speaker 1>Boy Genius girls were definitely at Lizzo's pass. Yeah, and

0:49:16.640 --> 0:49:19.200
<v Speaker 1>I think Phoebe Bridges. It's sort of like the jury's out.

0:49:19.280 --> 0:49:23.279
<v Speaker 1>But something I noticed today is that Pitchfork herself gave

0:49:23.360 --> 0:49:26.200
<v Speaker 1>Lucy Dacas a six point one on her new album.

0:49:26.320 --> 0:49:30.920
<v Speaker 2>Which, in a sense is choosing to go Pitchfork totally,

0:49:34.520 --> 0:49:37.399
<v Speaker 2>Like there's something about that where it's like, Okay, you're

0:49:37.440 --> 0:49:38.240
<v Speaker 2>staying small.

0:49:38.320 --> 0:49:41.520
<v Speaker 1>On the other hand, so Lindsey and Bobby pointed this

0:49:41.520 --> 0:49:44.640
<v Speaker 1>out on Hoo Weekly. There was literally a People magazine

0:49:44.680 --> 0:49:47.600
<v Speaker 1>exclusive about Lucy Dacas, and I'm like, hold on, a

0:49:47.600 --> 0:49:50.479
<v Speaker 1>few years ago, we weren't getting People magazine exclusives about

0:49:50.520 --> 0:49:53.759
<v Speaker 1>members of Boy Genius, So Lucy, I think at any point,

0:49:53.760 --> 0:49:56.680
<v Speaker 1>and her tour tickets, I gotta say, shout out to

0:49:56.760 --> 0:49:59.160
<v Speaker 1>Live Nation. Much more expensive than I thought they would be.

0:49:59.480 --> 0:50:01.840
<v Speaker 2>Really, I thought I could.

0:50:01.719 --> 0:50:04.200
<v Speaker 1>Potentially add a few more elements to my birthday gift.

0:50:05.680 --> 0:50:07.320
<v Speaker 2>So I do think.

0:50:08.760 --> 0:50:11.279
<v Speaker 1>That there's been a breakthrough with with Boy Genius, and

0:50:11.280 --> 0:50:13.200
<v Speaker 1>I think they're much more mainstream than we think. That

0:50:13.280 --> 0:50:14.600
<v Speaker 1>album did really really well.

0:50:14.640 --> 0:50:15.760
<v Speaker 2>That's true. That's true.

0:50:16.080 --> 0:50:20.200
<v Speaker 1>So I think if Lucy are you saying, I'm saying Lucy,

0:50:20.400 --> 0:50:22.799
<v Speaker 1>I definitely think she's still at the pass, but I

0:50:22.840 --> 0:50:26.000
<v Speaker 1>think she could snap her damn fingers and go target

0:50:26.200 --> 0:50:26.799
<v Speaker 1>at any point.

0:50:26.960 --> 0:50:27.560
<v Speaker 2>Interesting.

0:50:27.840 --> 0:50:30.640
<v Speaker 1>Interesting, interesting because she is relatable in this way. She's

0:50:30.680 --> 0:50:34.440
<v Speaker 1>fun on videos, she's very millennial, she's very like, you know,

0:50:35.080 --> 0:50:38.080
<v Speaker 1>does a video for Conde Nast Digital and talks about

0:50:38.080 --> 0:50:38.840
<v Speaker 1>going to therapy.

0:50:39.280 --> 0:50:44.239
<v Speaker 2>M What do you think about heim? I, oh god,

0:50:44.280 --> 0:50:47.279
<v Speaker 2>that is a really good question. I kind of think

0:50:47.400 --> 0:50:51.239
<v Speaker 2>it tastefully as tastefully as like very successfully. They've still

0:50:51.320 --> 0:50:52.240
<v Speaker 2>chosen Pitchfork.

0:50:52.280 --> 0:50:55.600
<v Speaker 1>I agree, they've definitely still chosen Pitchfork, and that's cool.

0:50:56.040 --> 0:50:57.640
<v Speaker 1>They're almost they're a twenty four.

0:50:57.719 --> 0:51:00.280
<v Speaker 2>Basically, they're a twenty FeH. That's literally what they are.

0:51:01.200 --> 0:51:08.040
<v Speaker 2>Fuck Okay, okay, all.

0:51:08.080 --> 0:51:17.640
<v Speaker 5>Right, Hi Sama, George random, but I'm on a big

0:51:17.719 --> 0:51:18.840
<v Speaker 5>George Michael kick.

0:51:20.400 --> 0:51:21.359
<v Speaker 10>So that's huge for.

0:51:21.400 --> 0:51:21.960
<v Speaker 3>Me right now.

0:51:22.040 --> 0:51:25.240
<v Speaker 5>And I just had to know, for you George as

0:51:25.800 --> 0:51:29.200
<v Speaker 5>a gay man of Greek experience, and for you Sam

0:51:29.280 --> 0:51:31.759
<v Speaker 5>as a gay man of not Greek experience.

0:51:32.680 --> 0:51:33.879
<v Speaker 10>What does George Michael.

0:51:33.600 --> 0:51:34.040
<v Speaker 11>Mean to you?

0:51:34.719 --> 0:51:39.359
<v Speaker 5>What are your favorite songs? Yeah, anything George Michael related love.

0:51:39.440 --> 0:51:40.960
<v Speaker 2>Yeah, he means everything to me.

0:51:41.360 --> 0:51:41.560
<v Speaker 10>Yeah.

0:51:41.560 --> 0:51:43.799
<v Speaker 2>I used to die for George. You go first, I

0:51:43.840 --> 0:51:48.319
<v Speaker 2>mean you, he was your post post nuptial song in

0:51:48.360 --> 0:51:50.479
<v Speaker 2>a fun way, in an amazing way. I had this.

0:51:50.440 --> 0:51:54.320
<v Speaker 1>Idea that I wanted the song when we walked on

0:51:54.400 --> 0:51:56.440
<v Speaker 1>the islet, the song was going to be earnest, but

0:51:56.520 --> 0:51:58.800
<v Speaker 1>then at the end, when we kissed, the song was

0:51:58.840 --> 0:52:01.800
<v Speaker 1>going to be like fun and poppy, and my initial

0:52:02.640 --> 0:52:05.120
<v Speaker 1>my initial idea, of course, was Madonna's Ray of Light,

0:52:05.680 --> 0:52:08.319
<v Speaker 1>which would be iconic, Which would have been iconic, but

0:52:08.400 --> 0:52:11.879
<v Speaker 1>we ended up going with uh with.

0:52:12.040 --> 0:52:13.200
<v Speaker 2>George Michael's Freedom.

0:52:13.400 --> 0:52:17.080
<v Speaker 1>Not the most original choice, but it was like so fun,

0:52:17.239 --> 0:52:18.279
<v Speaker 1>everyone got into it.

0:52:18.400 --> 0:52:20.200
<v Speaker 2>I would say it's pretty original, to be honest.

0:52:20.280 --> 0:52:21.719
<v Speaker 1>I mean, it's just like I just mean in terms

0:52:21.760 --> 0:52:23.440
<v Speaker 1>of his in terms of his uber it's like one

0:52:23.440 --> 0:52:23.719
<v Speaker 1>of his.

0:52:23.760 --> 0:52:25.560
<v Speaker 2>Oh top three songs.

0:52:26.400 --> 0:52:29.560
<v Speaker 1>But that and I'll tell you why, And I think

0:52:29.560 --> 0:52:31.799
<v Speaker 1>I've maybe even said the story on the podcast. I

0:52:31.920 --> 0:52:35.799
<v Speaker 1>was at this big Pride party last summer. It was

0:52:35.920 --> 0:52:41.880
<v Speaker 1>all you know, electronic, uh, sort of house music okay,

0:52:42.719 --> 0:52:47.719
<v Speaker 1>and no lyrics, no references to any pop music. And

0:52:47.719 --> 0:52:51.680
<v Speaker 1>then at some point, at like two am, the beat

0:52:51.960 --> 0:52:56.279
<v Speaker 1>breaks into the chorus of Freedom and it was this

0:52:56.400 --> 0:53:00.439
<v Speaker 1>like incredible moment where everyone was so it was though,

0:53:01.320 --> 0:53:04.160
<v Speaker 1>you know, we had all like taken mushrooms at the

0:53:04.160 --> 0:53:06.320
<v Speaker 1>same time or something. It was just like and every

0:53:06.400 --> 0:53:09.319
<v Speaker 1>it was almost like the results of an election had

0:53:09.360 --> 0:53:14.520
<v Speaker 1>just come in and they were positive. I cannot, you know,

0:53:14.760 --> 0:53:17.040
<v Speaker 1>and so I am That really inspired me. I was

0:53:17.080 --> 0:53:20.000
<v Speaker 1>just like, this song has a power that is unlike

0:53:20.040 --> 0:53:20.960
<v Speaker 1>other pop music.

0:53:21.400 --> 0:53:22.560
<v Speaker 2>Wow, that's amazing.

0:53:22.960 --> 0:53:24.279
<v Speaker 1>Of course, it means a lot to me that he's

0:53:24.280 --> 0:53:29.600
<v Speaker 1>gang Greek, he's so hot, he's such a sex symbol.

0:53:30.239 --> 0:53:32.239
<v Speaker 2>It it's important to remember that.

0:53:33.800 --> 0:53:36.759
<v Speaker 1>In terms of like our sexual politics and in terms

0:53:36.800 --> 0:53:40.160
<v Speaker 1>of queer stuff, we're not moving in a straight line.

0:53:40.200 --> 0:53:43.280
<v Speaker 1>Like to me, George Michael was so much more cool

0:53:43.440 --> 0:53:46.600
<v Speaker 1>and like fun than so many of the things that

0:53:46.600 --> 0:53:48.040
<v Speaker 1>are that are happening now.

0:53:48.239 --> 0:53:50.879
<v Speaker 2>I really I think about the thing all the time

0:53:50.920 --> 0:53:53.440
<v Speaker 2>where he was when he was arrested for cruising yeah,

0:53:53.480 --> 0:53:55.360
<v Speaker 2>and he was like, not ashamed at all. And he's like,

0:53:55.360 --> 0:53:57.560
<v Speaker 2>what is my culture is like the quote he said,

0:53:57.600 --> 0:54:00.799
<v Speaker 2>and I was like, that's true. Like I'm actually it's

0:54:00.840 --> 0:54:04.439
<v Speaker 2>so funny the way that I like, when I was younger,

0:54:04.480 --> 0:54:06.719
<v Speaker 2>I did not understand that, And now I'm like, no,

0:54:06.760 --> 0:54:09.520
<v Speaker 2>it should be illegal for guys to get arrested for cruising.

0:54:09.840 --> 0:54:14.799
<v Speaker 2>That's literally what we do. That's like, it's a time

0:54:14.840 --> 0:54:17.160
<v Speaker 2>honor tradition. That's sort of our thanksgiving.

0:54:17.200 --> 0:54:20.040
<v Speaker 1>If you will, I will say, I as much as

0:54:20.080 --> 0:54:21.839
<v Speaker 1>I love George Michael, I really only know the hits.

0:54:21.880 --> 0:54:25.880
<v Speaker 1>I'm I'm not a sort of completist. I'm not listening

0:54:25.880 --> 0:54:30.279
<v Speaker 1>to album's top to bottom, you know, I like everyone else,

0:54:30.320 --> 0:54:33.680
<v Speaker 1>I rediscovered Father Figure because a baby girl. I love

0:54:33.719 --> 0:54:36.480
<v Speaker 1>adding some George Michael to a party playlist, But I'm not,

0:54:37.360 --> 0:54:39.440
<v Speaker 1>you know, I'm not listening to B sides. Do you

0:54:39.480 --> 0:54:41.319
<v Speaker 1>have favorite songs that are sort of out of the

0:54:41.680 --> 0:54:42.439
<v Speaker 1>off the beaten path?

0:54:42.760 --> 0:54:45.560
<v Speaker 2>Not really, I mean the hits are hits for a reason.

0:54:45.719 --> 0:54:48.880
<v Speaker 2>I have listened to, like what is the one with

0:54:48.920 --> 0:54:51.560
<v Speaker 2>Father Figure on it? What's it called Faith?

0:54:51.920 --> 0:54:54.479
<v Speaker 1>That was Faith, which also has the famous song Faith,

0:54:54.600 --> 0:54:55.200
<v Speaker 1>but it has.

0:54:55.040 --> 0:54:57.840
<v Speaker 2>Faith on it. I have that one on vinyl and

0:54:57.880 --> 0:55:02.279
<v Speaker 2>I've listened to it a good amount and it's I mean,

0:55:02.280 --> 0:55:04.799
<v Speaker 2>there's a lot of like weird shit on there, like

0:55:05.320 --> 0:55:07.360
<v Speaker 2>which is a fun thing about listening to an album

0:55:07.400 --> 0:55:11.759
<v Speaker 2>like that. But it's like it's fun. But yeah, the

0:55:11.840 --> 0:55:13.960
<v Speaker 2>hits are the hits are the hits, like you just

0:55:14.160 --> 0:55:14.680
<v Speaker 2>you feel it?

0:55:14.920 --> 0:55:19.239
<v Speaker 1>Yeah, I mean, he has he has it, he has it.

0:55:19.400 --> 0:55:23.839
<v Speaker 1>I was George Michael for Halloween, some may recall. Many

0:55:23.880 --> 0:55:29.320
<v Speaker 1>are talking about that. So that's our relationship with George Michael. Yeah, okay,

0:55:29.600 --> 0:55:30.640
<v Speaker 1>all right, final call.

0:55:31.000 --> 0:55:34.480
<v Speaker 2>Oh and what perfect timing. Such a well timed episode. Meanwhile,

0:55:34.520 --> 0:55:36.640
<v Speaker 2>I've never received more texts in my life. Everyone needs

0:55:36.640 --> 0:55:37.480
<v Speaker 2>a call now.

0:55:37.640 --> 0:55:41.720
<v Speaker 10>Hi, Simon, George. I'm calling in with an advice question.

0:55:42.160 --> 0:55:46.160
<v Speaker 10>I'm going to a straight wedding in a couple of months.

0:55:46.200 --> 0:55:48.880
<v Speaker 10>There are going to be very few gay people there,

0:55:49.239 --> 0:55:53.879
<v Speaker 10>maybe in the single digits, and it's a pretty conservative

0:55:53.920 --> 0:55:57.480
<v Speaker 10>religious wedding and it's going to be in the wedding party.

0:55:58.440 --> 0:56:02.080
<v Speaker 10>So my question is, what are the gayest things I

0:56:02.160 --> 0:56:06.160
<v Speaker 10>should do without getting myself kicked out of the family?

0:56:06.719 --> 0:56:09.440
<v Speaker 10>All right, love y'all thinks bye?

0:56:09.880 --> 0:56:12.640
<v Speaker 2>Well, this is a perfect call. Of course. Of course,

0:56:13.320 --> 0:56:17.120
<v Speaker 2>I think this is such a you know, time on

0:56:17.239 --> 0:56:20.880
<v Speaker 2>or tradition of being the gay guy at a traditional

0:56:20.920 --> 0:56:24.680
<v Speaker 2>straight wedding, And it's sort of like traveling to like

0:56:24.680 --> 0:56:28.360
<v Speaker 2>a small town where you know, yes, you are literally

0:56:28.440 --> 0:56:30.000
<v Speaker 2>not going to see as many gay people, but it's

0:56:30.040 --> 0:56:34.000
<v Speaker 2>like with but it's also kind of fun because you

0:56:34.040 --> 0:56:37.080
<v Speaker 2>get to like open up any app you want and

0:56:37.160 --> 0:56:40.120
<v Speaker 2>see the most random guys on earth. I think I

0:56:40.160 --> 0:56:43.920
<v Speaker 2>have no greater pleasure than like being in like, you know,

0:56:44.080 --> 0:56:49.080
<v Speaker 2>random parts of Minnesota and opening up the apps because

0:56:49.120 --> 0:56:51.040
<v Speaker 2>it's sort of like a time machine. Like you see

0:56:51.080 --> 0:56:53.080
<v Speaker 2>people that are like, I'm literally married to a woman,

0:56:53.160 --> 0:56:56.680
<v Speaker 2>and you're like that is really amazing. Yeah, that is

0:56:57.040 --> 0:57:01.680
<v Speaker 2>so cool, and I'm like, I didn't know we still

0:57:01.719 --> 0:57:02.040
<v Speaker 2>had you.

0:57:02.680 --> 0:57:06.240
<v Speaker 1>I also am like, take a little take a little

0:57:06.280 --> 0:57:10.520
<v Speaker 1>thirst trap with your suit in the bathroom. Unbutton literally

0:57:11.520 --> 0:57:14.799
<v Speaker 1>unbutton your fly. Get a little pub in there, get

0:57:14.800 --> 0:57:17.520
<v Speaker 1>a little pub in there, take a photo. We're talking

0:57:17.640 --> 0:57:22.040
<v Speaker 1>close friends, directly to close friends. Maybe a little a

0:57:22.040 --> 0:57:24.560
<v Speaker 1>little comment that's like at a religious wedding.

0:57:24.640 --> 0:57:26.000
<v Speaker 2>Lol, some nudes.

0:57:26.360 --> 0:57:29.280
<v Speaker 1>The fire emojis are gonna start coming.

0:57:29.280 --> 0:57:30.280
<v Speaker 2>At you fast.

0:57:30.680 --> 0:57:33.360
<v Speaker 1>There is something about being actually far away from the

0:57:33.400 --> 0:57:37.520
<v Speaker 1>people you are courting or making horny or flirting with.

0:57:37.680 --> 0:57:40.040
<v Speaker 1>That makes it so much more erotic than actually having

0:57:40.080 --> 0:57:41.720
<v Speaker 1>the opportunity to meet them in person.

0:57:42.080 --> 0:57:44.640
<v Speaker 2>This is so true. What a smart thing to say,

0:57:45.040 --> 0:57:47.680
<v Speaker 2>because you literally there's no risk. It can just be

0:57:47.720 --> 0:57:50.840
<v Speaker 2>flirty without any follow through. That's genius.

0:57:50.920 --> 0:57:52.480
<v Speaker 1>Actually, one of the worst things that could happen to

0:57:52.520 --> 0:57:54.360
<v Speaker 1>someone is when you think that's what's happening and then

0:57:54.360 --> 0:57:57.400
<v Speaker 1>the other person's like, want to come over, and it's like, no,

0:57:58.440 --> 0:58:00.800
<v Speaker 1>I know, I am doing something very very specific here,

0:58:00.880 --> 0:58:03.320
<v Speaker 1>and if you can't tell, like, that's on you.

0:58:03.800 --> 0:58:05.680
<v Speaker 2>But I am such a I'm such a I'll be

0:58:05.760 --> 0:58:08.720
<v Speaker 2>right there type bitch. Oh really, I am like, I'm

0:58:08.760 --> 0:58:11.920
<v Speaker 2>like the I'm ordering the car right now. It is.

0:58:12.520 --> 0:58:13.880
<v Speaker 1>It takes a lot to get me out of the

0:58:13.880 --> 0:58:16.320
<v Speaker 1>house if I don't think that's what's happening with that night.

0:58:16.400 --> 0:58:19.120
<v Speaker 2>Well, no, horniness is a disease. No, it is a disease,

0:58:19.160 --> 0:58:19.840
<v Speaker 2>I will say.

0:58:20.520 --> 0:58:22.760
<v Speaker 1>On the other side of things, if I'm out, it's

0:58:22.840 --> 0:58:25.760
<v Speaker 1>very easy for someone to convince me to stay out.

0:58:26.000 --> 0:58:28.880
<v Speaker 1>Like I had an experience recently where I was like,

0:58:29.320 --> 0:58:32.320
<v Speaker 1>I'm leaving and ended up going to three other locations

0:58:32.640 --> 0:58:33.400
<v Speaker 1>on a weekday.

0:58:35.160 --> 0:58:40.600
<v Speaker 2>Wow, that's awesome, I think. Also, I mean I think

0:58:40.640 --> 0:58:43.320
<v Speaker 2>you may be surprised. And I think if there are

0:58:43.360 --> 0:58:45.600
<v Speaker 2>any other gay people there, I think it could be

0:58:45.680 --> 0:58:50.520
<v Speaker 2>really really fun to flirt and even have something happen,

0:58:50.960 --> 0:58:54.080
<v Speaker 2>because it'll feel so secretive, it'll feel so illegal, and

0:58:54.120 --> 0:58:56.080
<v Speaker 2>even if they're like not your normal type or whatever,

0:58:56.160 --> 0:58:59.720
<v Speaker 2>it's like, this is awesome. There's something evil about it.

0:58:59.800 --> 0:59:01.160
<v Speaker 2>And also, here's one.

0:59:01.040 --> 0:59:02.600
<v Speaker 1>Of the gayest things you can do at this wedding.

0:59:03.600 --> 0:59:07.560
<v Speaker 1>Show up looking absolutely snatched as hell, get a martini,

0:59:07.880 --> 0:59:10.760
<v Speaker 1>sit in a corner by yourself, watching everyone kind of

0:59:10.840 --> 0:59:16.160
<v Speaker 1>judgmentally drinking the martini. If I like, you are gonna

0:59:16.160 --> 0:59:18.400
<v Speaker 1>be the talk of the town. People are gonna be like,

0:59:18.480 --> 0:59:19.920
<v Speaker 1>is that Truman Capoti.

0:59:19.840 --> 0:59:21.840
<v Speaker 2>Literally and complain about the food.

0:59:21.880 --> 0:59:24.160
<v Speaker 1>Oh yeah, definitely complain about the First of all, when

0:59:24.200 --> 0:59:26.680
<v Speaker 1>I say order a martini, send it back immediately.

0:59:27.760 --> 0:59:29.600
<v Speaker 2>Say I asked for a dry, as.

0:59:29.600 --> 0:59:31.800
<v Speaker 1>For a dry and this glass is not cold. Can

0:59:31.840 --> 0:59:34.840
<v Speaker 1>you please chill the glass? This is my number, text

0:59:34.840 --> 0:59:39.160
<v Speaker 1>me when it's ready. That, I would say, more so

0:59:39.280 --> 0:59:41.840
<v Speaker 1>than hooking up with someone. While of course that also

0:59:41.840 --> 0:59:43.960
<v Speaker 1>sounds like a lovely thing to do. I would say

0:59:44.040 --> 0:59:46.000
<v Speaker 1>that is the gayest thing you can do at a

0:59:46.080 --> 0:59:48.000
<v Speaker 1>really straight religious space.

0:59:48.240 --> 0:59:51.800
<v Speaker 2>I have to agree. I have to have to have

0:59:51.840 --> 0:59:53.760
<v Speaker 2>to agree. I'm trying to think if there's anything else

0:59:53.840 --> 0:59:56.680
<v Speaker 2>that's like, you know, it's it's like if you can

0:59:56.720 --> 1:00:00.000
<v Speaker 2>like squeeze in like sort of a half sex story

1:00:00.200 --> 1:00:03.520
<v Speaker 2>to like someone's grandma, that could be huge too. Ooh

1:00:03.760 --> 1:00:08.240
<v Speaker 2>that's good. Yeah, yeah, Like even like some innuendo, like

1:00:08.480 --> 1:00:10.720
<v Speaker 2>if you can be like no bottoming, No, that's something

1:00:10.760 --> 1:00:12.360
<v Speaker 2>you endo if you can fully be like no bottoming

1:00:12.360 --> 1:00:16.000
<v Speaker 2>for me tonight, like Grandma, Like, guess.

1:00:15.720 --> 1:00:17.760
<v Speaker 1>What, no bottoming for me tonight? Because of this dry

1:00:17.760 --> 1:00:19.920
<v Speaker 1>ass salmon that was served at this stupid ass wedding.

1:00:22.360 --> 1:00:26.120
<v Speaker 1>The hell where is this ship from some landlocked country

1:00:26.120 --> 1:00:27.280
<v Speaker 1>that doesn't grow its own salmon?

1:00:28.400 --> 1:00:30.360
<v Speaker 2>Yeah, that's a great idea.

1:00:30.640 --> 1:00:33.640
<v Speaker 1>Kill two birds with one snown you you tell your ornie,

1:00:33.760 --> 1:00:36.840
<v Speaker 1>you alienate grandma and you and you insult the food.

1:00:39.320 --> 1:00:41.640
<v Speaker 2>That's what being LGBTQ plus is all about.

1:00:41.840 --> 1:00:43.880
<v Speaker 1>Oh yeah, no, I think you're gonna And also I

1:00:43.920 --> 1:00:46.240
<v Speaker 1>just want to say, you know, there's a temptation when

1:00:46.280 --> 1:00:47.520
<v Speaker 1>you're in a straight space to be like, I'm not

1:00:47.520 --> 1:00:49.240
<v Speaker 1>gonna care about my parents. I'm just gonna show up

1:00:49.280 --> 1:00:52.440
<v Speaker 1>and fit in. Resist that temptation is tempt This is.

1:00:52.360 --> 1:00:53.360
<v Speaker 2>When you want to try to look.

1:00:53.680 --> 1:00:56.200
<v Speaker 1>You want to show these people what their lives are missing.

1:00:56.600 --> 1:01:02.520
<v Speaker 2>Yeah, and really really yeah, really you need to serve,

1:01:02.560 --> 1:01:03.720
<v Speaker 2>You need to serve. Folks.

1:01:04.560 --> 1:01:06.640
<v Speaker 1>You've been calling, You've been I'm deploying you.

1:01:06.960 --> 1:01:14.720
<v Speaker 2>We're deploying you. Yeah, well that's pretty fun. Yeah, those

1:01:14.720 --> 1:01:17.120
<v Speaker 2>were some fun calls. Those are some fun calls. Thanks

1:01:17.160 --> 1:01:19.520
<v Speaker 2>everyone for calling. Sorry, if we didn't get to your call.

1:01:19.440 --> 1:01:21.080
<v Speaker 1>You can always call us at three eight five.

1:01:21.160 --> 1:01:21.720
<v Speaker 2>Gay guys.

1:01:22.080 --> 1:01:24.560
<v Speaker 1>Uh, we should mention this is, in fact the second

1:01:24.560 --> 1:01:27.680
<v Speaker 1>part of a two part call in show. The first

1:01:27.720 --> 1:01:30.600
<v Speaker 1>part was on patrenal Name. It's already happened, and honestly,

1:01:30.640 --> 1:01:33.080
<v Speaker 1>there was a very juicy call on it that I

1:01:33.120 --> 1:01:35.680
<v Speaker 1>think I would personally pay five dollars a month to

1:01:35.720 --> 1:01:36.080
<v Speaker 1>listen to.

1:01:37.800 --> 1:01:40.200
<v Speaker 2>And I think we're gonna you know, we're sort of

1:01:40.240 --> 1:01:43.200
<v Speaker 2>doing call in shows intermittently and at random. Yeah, whenever

1:01:43.240 --> 1:01:46.120
<v Speaker 2>we feel like it, which I think is so cool.

1:01:46.240 --> 1:01:48.560
<v Speaker 2>I agree. I'm glad we're not scheduled.

1:01:48.600 --> 1:01:53.560
<v Speaker 1>I'm also like, are we officially breaking the earnestness, non

1:01:53.600 --> 1:01:57.040
<v Speaker 1>earnestness binary. I think, so we're being half earnest, half

1:01:57.080 --> 1:01:59.440
<v Speaker 1>not earnest at any given point, I could, you know,

1:01:59.560 --> 1:02:02.600
<v Speaker 1>sling a joke that would be worthy of Anthony Jesselnick.

1:02:02.920 --> 1:02:06.640
<v Speaker 1>But I could also retreat into a more kind of introverted,

1:02:06.720 --> 1:02:08.800
<v Speaker 1>vulnerable state and talk about my mother.

1:02:09.200 --> 1:02:12.280
<v Speaker 2>I think, I think get you a podcast host who

1:02:12.280 --> 1:02:15.680
<v Speaker 2>can do both. We are we contain moltitudes now, that's right,

1:02:15.760 --> 1:02:19.440
<v Speaker 2>outwardly and inwardley now more than ever, what with everything

1:02:19.480 --> 1:02:19.880
<v Speaker 2>going on.

1:02:20.040 --> 1:02:23.200
<v Speaker 1>So, whether you're in library school or celibate in Los

1:02:23.240 --> 1:02:28.600
<v Speaker 1>Angeles or at a straight wedding offending a grandmother by

1:02:28.800 --> 1:02:31.880
<v Speaker 1>talking about how you got fisted at the big party.

1:02:32.160 --> 1:02:33.080
<v Speaker 2>We love you.

1:02:33.080 --> 1:02:35.520
<v Speaker 1>You are always welcome in the lab and come to

1:02:35.600 --> 1:02:37.520
<v Speaker 1>Lesbio Lab on April sixteenth.

1:02:37.200 --> 1:02:39.800
<v Speaker 2>At the Bellhouse. Come to Lesbian Lab on April sixteenth

1:02:40.320 --> 1:02:44.840
<v Speaker 2>and LRP after midnight. That's right, Bye.

1:02:44.560 --> 1:02:49.760
<v Speaker 12>Bye podcast and now want more, Subscribe to our Patreon

1:02:49.880 --> 1:02:53.320
<v Speaker 12>for two extra episodes a month, discord access and more

1:02:53.560 --> 1:02:57.080
<v Speaker 12>by heading to patreon dot com slash Stradio Lab.

1:02:57.040 --> 1:02:59.600
<v Speaker 2>And for all our visual earners, free full length video

1:02:59.640 --> 1:03:02.760
<v Speaker 2>episodes are available on our YouTube. Now get Back to Work.

1:03:03.000 --> 1:03:05.400
<v Speaker 2>Stradia Lab is a production by Will Ferrell's Big Money

1:03:05.400 --> 1:03:07.240
<v Speaker 2>Players Network and iHeart Podcasts.

1:03:07.280 --> 1:03:10.200
<v Speaker 1>Created and hosted by George Severies and Sam Taggart.

1:03:10.240 --> 1:03:13.800
<v Speaker 2>Executive produced by Will Ferrell, Han Soni and Olivia Aguilar,

1:03:13.920 --> 1:03:17.360
<v Speaker 2>co produced by Bei Wang, edited and engineered by Adam Avalos.

1:03:17.720 --> 1:03:20.680
<v Speaker 2>Artwork by Michael Failes and Matt Grugg. Theme music by

1:03:20.680 --> 1:03:21.160
<v Speaker 2>Ben Kling.