1 00:00:00,160 --> 00:00:08,560 Speaker 1: Um Alright. The I Am Rappaport Tour is going down 2 00:00:08,800 --> 00:00:13,960 Speaker 1: Thursday July in Toronto, Canada, Saturday August four in New 3 00:00:14,040 --> 00:00:19,560 Speaker 1: York City, Saturday August eighth in Houston, Texas, Wednesday August 4 00:00:19,560 --> 00:00:28,560 Speaker 1: twenty two in Philadelphia, Pennsylvania at Union Transfer Saturday August Boston, Massachusetts. 5 00:00:28,600 --> 00:00:33,479 Speaker 1: Tickets are on sale now. I Am Rappaport toward dot com. 6 00:00:33,479 --> 00:00:36,639 Speaker 1: Me and G Moody last name rhymes The Duty Special 7 00:00:36,680 --> 00:00:44,960 Speaker 1: guests live I Am Rappaport Tour dot com. What's up? 8 00:00:45,000 --> 00:00:46,720 Speaker 1: This is Michael Rapport. You are now listening to the 9 00:00:46,960 --> 00:00:51,400 Speaker 1: I Am Rappaport Stereo Podcast on a brand new Iron 10 00:00:51,479 --> 00:00:55,720 Speaker 1: Rapp Reports Stereo podcast. Today, we are discussing why the 11 00:00:55,880 --> 00:01:00,440 Speaker 1: do the Shiggy Dance is in Illuminati Dance. It's heavy 12 00:01:00,480 --> 00:01:03,880 Speaker 1: swamp ass season across the United States. We are doing 13 00:01:03,960 --> 00:01:10,440 Speaker 1: some soft, some soft preseason fantasy football discussion and reps 14 00:01:11,120 --> 00:01:15,840 Speaker 1: Ty Low and Luke Walton had coffee to discuss coaching 15 00:01:15,959 --> 00:01:18,959 Speaker 1: Lebron James, what the funk is going on? And we 16 00:01:19,040 --> 00:01:22,759 Speaker 1: are breaking down last night's episode of the Bachelorette, which 17 00:01:22,800 --> 00:01:27,000 Speaker 1: I am obsessed with with former contestant Diggie Moreland all 18 00:01:27,080 --> 00:01:30,920 Speaker 1: that and more on a smash Mouth brand new I 19 00:01:31,000 --> 00:01:35,959 Speaker 1: Am Rappaport stereo podcast. Miles Jordan's let me get some heat. 20 00:01:47,360 --> 00:01:49,520 Speaker 1: I know what I'm gonna do after this podcast. After 21 00:01:49,560 --> 00:01:53,920 Speaker 1: this podcast, I'm gonna wind down with a nice glass 22 00:01:54,200 --> 00:01:59,480 Speaker 1: of red wine. Okay, after I burned the Golden Iron 23 00:01:59,560 --> 00:02:04,080 Speaker 1: rappap Stereo podcast Mike's I like to unwind with a 24 00:02:04,120 --> 00:02:08,520 Speaker 1: bottle of wine with my Wink Wine Club membership. This 25 00:02:08,560 --> 00:02:11,600 Speaker 1: is the official wine club of the I Am rapp 26 00:02:11,600 --> 00:02:15,920 Speaker 1: Reports stereo podcast and our new long term partner. I 27 00:02:16,000 --> 00:02:19,079 Speaker 1: love my rad I love my Rose. I also get 28 00:02:19,080 --> 00:02:23,040 Speaker 1: my cider from Wink. Visit Wink and take the twenty 29 00:02:23,200 --> 00:02:27,519 Speaker 1: second It takes twenty seconds to take an official palette 30 00:02:27,520 --> 00:02:32,040 Speaker 1: profile quiz and get instant recommendations based on your taste. 31 00:02:32,240 --> 00:02:35,840 Speaker 1: Wink is offering our audience members who are over twenty one, 32 00:02:35,880 --> 00:02:38,120 Speaker 1: of course, and who live in the United States, a 33 00:02:38,240 --> 00:02:41,840 Speaker 1: twenty two dollar credit plus complimentary shipping on your first 34 00:02:41,960 --> 00:02:45,440 Speaker 1: order of four bottles of wine. That's what you get 35 00:02:45,480 --> 00:02:49,800 Speaker 1: as a new member of the Wink Wine Club. The 36 00:02:49,880 --> 00:02:52,280 Speaker 1: wine is delicious and it comes right to my door, 37 00:02:52,400 --> 00:02:54,720 Speaker 1: so when I want it, it's there. Go to try 38 00:02:55,080 --> 00:03:00,799 Speaker 1: wink dot com forward slash dingle. That's try t r 39 00:03:01,040 --> 00:03:04,639 Speaker 1: y w i n C dot com Forward slash dingo. 40 00:03:05,520 --> 00:03:09,519 Speaker 1: Wine makes everything taste and feel better. Go to triwink 41 00:03:09,800 --> 00:03:23,320 Speaker 1: dot com forward slash dingo. All right, you're not rocket 42 00:03:23,360 --> 00:03:28,120 Speaker 1: with the best. This is the I Am Rappaport Stereo podcast. 43 00:03:29,919 --> 00:03:35,040 Speaker 1: I'm back in Los Angeles and it is heavy duty 44 00:03:35,680 --> 00:03:43,920 Speaker 1: swamp ass season. Sometimes in different states, different islands, they 45 00:03:43,960 --> 00:03:51,560 Speaker 1: call it hurricane season. Sometimes it is blizzard season. Well 46 00:03:51,680 --> 00:03:56,440 Speaker 1: right now, in many places across the United States, it 47 00:03:56,600 --> 00:04:02,880 Speaker 1: is officially swamp ass season. The other day in Los Angeles, California, 48 00:04:03,560 --> 00:04:06,040 Speaker 1: and certain parts of the Valley. If you don't know La, 49 00:04:06,200 --> 00:04:08,760 Speaker 1: the valley is like the valley. I don't know. It 50 00:04:08,800 --> 00:04:10,840 Speaker 1: sounds like the valley, like, oh, you're in the Valley 51 00:04:10,840 --> 00:04:13,520 Speaker 1: of Death. It's just a certain part they call the valley. 52 00:04:13,520 --> 00:04:15,240 Speaker 1: I don't even know why they actually call it the valley. 53 00:04:15,280 --> 00:04:17,200 Speaker 1: I know there's mountains around it, but it's not like 54 00:04:17,240 --> 00:04:19,320 Speaker 1: a valley like you're walking through the church. It's not 55 00:04:19,360 --> 00:04:22,000 Speaker 1: like a desert, but it feels like a fucking desert. 56 00:04:22,080 --> 00:04:25,840 Speaker 1: So maybe it is actually a valley. But it was 57 00:04:25,880 --> 00:04:29,719 Speaker 1: a hundred and eighteen degrees, about thirty minutes from where 58 00:04:29,720 --> 00:04:34,760 Speaker 1: I live. It was a hundred eight degrees exactly where 59 00:04:35,200 --> 00:04:39,200 Speaker 1: I live. Last week when we were in Chicago for 60 00:04:39,240 --> 00:04:46,040 Speaker 1: the Big Three, it was crazy. Apparently in Miami it's ridiculous. 61 00:04:46,040 --> 00:04:47,960 Speaker 1: The only reason why I'm paying attention to Miami is 62 00:04:48,000 --> 00:04:51,240 Speaker 1: because I am heading there with the Big Three. In 63 00:04:51,320 --> 00:04:54,640 Speaker 1: Houston in Texas is supposed to be crazy, but it 64 00:04:54,720 --> 00:04:59,960 Speaker 1: was a hundred and four just yesterday. Here in Los Angeles, California, 65 00:05:00,000 --> 00:05:01,919 Speaker 1: I've been doing a lot of flying. I was in Oakland, 66 00:05:03,560 --> 00:05:08,239 Speaker 1: mon planes every single weekend. Knock on wood. I'm actually 67 00:05:08,279 --> 00:05:13,839 Speaker 1: knocking on wood for the Big Three. Uh this week, 68 00:05:14,000 --> 00:05:21,919 Speaker 1: this Friday, July, we are in Detroit. We are in 69 00:05:21,960 --> 00:05:27,039 Speaker 1: the d. If you're in Detroit and you rock with 70 00:05:27,080 --> 00:05:30,880 Speaker 1: the Iron Wrap Reports stereo podcast, come out, come see me. 71 00:05:32,240 --> 00:05:36,040 Speaker 1: I'm trying to do some reporting, some sideline reporting from 72 00:05:36,040 --> 00:05:39,720 Speaker 1: the actual fans point of view in the stands, and 73 00:05:39,760 --> 00:05:43,840 Speaker 1: I'll go all the way up to the cheap seats. Okay, um, 74 00:05:43,960 --> 00:05:46,640 Speaker 1: So if you listen to the Iron Rapports Stereo podcast, 75 00:05:47,680 --> 00:05:50,200 Speaker 1: you're a fan of the Iron Rapports Stereo podcast. Here 76 00:05:50,240 --> 00:05:59,520 Speaker 1: in Detroit, the Detroit area this Friday ship July fucking Friday. 77 00:06:01,080 --> 00:06:07,400 Speaker 1: Just realize that Detroit Friday, I'm going to be there. Shit, Luckily, 78 00:06:07,440 --> 00:06:09,520 Speaker 1: I'm flying to Detroit the day before. You don't want 79 00:06:09,520 --> 00:06:13,920 Speaker 1: to be flying and swamp past season on Friday the thirteenth. 80 00:06:14,200 --> 00:06:16,240 Speaker 1: But the point is, if you're in Detroit on Friday, 81 00:06:16,240 --> 00:06:18,119 Speaker 1: the third thing, I will be there for the Big 82 00:06:18,160 --> 00:06:21,680 Speaker 1: Three Oakland, all the fans that came out, all the 83 00:06:21,720 --> 00:06:23,920 Speaker 1: fans that were screaming at me, yelling at me. I 84 00:06:23,960 --> 00:06:25,880 Speaker 1: hope I got to see everybody that was there. I 85 00:06:25,920 --> 00:06:29,040 Speaker 1: tried my best to do it. Motherfucker's screaming and heckling 86 00:06:29,080 --> 00:06:32,520 Speaker 1: at me. I'm actually working. I am actually working. I 87 00:06:32,520 --> 00:06:34,240 Speaker 1: know it looks like I'm having a ball, and I 88 00:06:34,279 --> 00:06:37,520 Speaker 1: am having a ball, but I am actually working the 89 00:06:37,600 --> 00:06:41,640 Speaker 1: sidelines of the Big Three. I'm thinking, I'm putting together 90 00:06:41,720 --> 00:06:46,200 Speaker 1: my thoughts, I have questions on live TV. Okay, it's 91 00:06:46,200 --> 00:06:49,400 Speaker 1: not all funny games with the greno man dingo. Okay, 92 00:06:49,440 --> 00:06:54,240 Speaker 1: I am actually working. UM But if you're in Detroit, 93 00:06:54,279 --> 00:06:57,599 Speaker 1: come see me. The week after that, we're going to 94 00:06:58,000 --> 00:07:01,960 Speaker 1: UM Miami, which is going be dope and so on 95 00:07:02,000 --> 00:07:07,719 Speaker 1: and so forth. So what else I've gotten hit up 96 00:07:07,720 --> 00:07:11,560 Speaker 1: a lot, A lot. I've gotten hit up a lot 97 00:07:12,480 --> 00:07:16,120 Speaker 1: on whether or not the engagement Justin Bieber, friend of 98 00:07:16,120 --> 00:07:18,840 Speaker 1: the Iron Rappaport, Stereo pot. Because he's a nice guy. 99 00:07:19,600 --> 00:07:21,840 Speaker 1: He's a nice fucking kid. I want to see him 100 00:07:21,880 --> 00:07:24,480 Speaker 1: do good. I want to see him continue to be 101 00:07:24,600 --> 00:07:29,160 Speaker 1: successful and find his way. Okay, he had a very 102 00:07:29,200 --> 00:07:34,239 Speaker 1: strange upbringing, Okay, to become that famous, that young. Statistically, 103 00:07:34,280 --> 00:07:38,120 Speaker 1: if you look at the statistics, whether it's the Jackson 104 00:07:38,200 --> 00:07:42,559 Speaker 1: five New edition, these young child actors, it never works 105 00:07:42,600 --> 00:07:45,640 Speaker 1: out good for these kids. And then when something bad happens, 106 00:07:45,760 --> 00:07:49,040 Speaker 1: we're like, oh, I want to see him do good 107 00:07:49,080 --> 00:07:52,800 Speaker 1: now before the oh, all right, I've met him, did 108 00:07:52,800 --> 00:07:54,800 Speaker 1: a little video with him, fun with him. I just 109 00:07:54,800 --> 00:07:56,800 Speaker 1: saw him a running canyon. I talked about it a 110 00:07:56,800 --> 00:08:00,560 Speaker 1: couple of weeks ago. So Justin Bieber running canyon where 111 00:08:00,560 --> 00:08:04,000 Speaker 1: I do my hiking by himself. He had no goons 112 00:08:04,040 --> 00:08:12,960 Speaker 1: with him, didn't have any friends with him, he had nothing, nothing. So, uh, 113 00:08:12,120 --> 00:08:14,559 Speaker 1: I want to see him do good. But the question 114 00:08:14,600 --> 00:08:22,840 Speaker 1: they've been asking should he be considered a stickman? Is 115 00:08:22,920 --> 00:08:25,040 Speaker 1: this the end of an era for one of our 116 00:08:25,200 --> 00:08:31,440 Speaker 1: great young stickman's Justin Bieber announce his engagement to Hallie Baldwin, 117 00:08:32,320 --> 00:08:38,199 Speaker 1: who is not Alec Baldwin's daughter. She's uh, Stephen Baldwin's daughter. 118 00:08:38,880 --> 00:08:42,320 Speaker 1: I think I know she's not Alan Alec Baldwin's daughter. 119 00:08:42,559 --> 00:08:46,120 Speaker 1: She's Stephen Baldwin's daughter. He's an actor. I think his 120 00:08:46,240 --> 00:08:50,600 Speaker 1: best role was probably in The Fund. Is the name 121 00:08:50,600 --> 00:08:54,400 Speaker 1: of that movie with Benicio Del Toro and Kevin Spacey. God, 122 00:08:54,520 --> 00:08:57,640 Speaker 1: damn it, it's coming to me. Listen Sion wrappor stereo podcast. 123 00:08:57,800 --> 00:09:01,679 Speaker 1: There's no fact checking here. Fuck, what is the name 124 00:09:01,679 --> 00:09:07,400 Speaker 1: of that movie? Fuck? Alec Ballwin, Benicio del Toro, Gabriel 125 00:09:07,480 --> 00:09:11,720 Speaker 1: Byrne Kaiser. So say, Puck, I know a lot of 126 00:09:11,720 --> 00:09:14,319 Speaker 1: people are home saying it's saying it's saying it. I'm 127 00:09:14,320 --> 00:09:17,440 Speaker 1: gonna move on to prove to you that there's no 128 00:09:17,480 --> 00:09:21,040 Speaker 1: fact checking during the Iron Wrapp Reports Stereo podcast. If 129 00:09:21,080 --> 00:09:24,920 Speaker 1: it comes to me, comes to me. Damn it. I 130 00:09:24,920 --> 00:09:27,760 Speaker 1: can't remember the name of that movie. I spoofed it 131 00:09:28,679 --> 00:09:30,480 Speaker 1: and the jay Z video that I was in. I 132 00:09:30,520 --> 00:09:35,480 Speaker 1: was in a jay Z video You Belong to the City. 133 00:09:35,520 --> 00:09:38,240 Speaker 1: I believe it was the second album. The only jay 134 00:09:38,320 --> 00:09:40,280 Speaker 1: Z song in the last thirty years that wasn't a 135 00:09:40,360 --> 00:09:43,120 Speaker 1: huge hit. Fuck, what is the name of that movie? 136 00:09:43,200 --> 00:09:49,280 Speaker 1: It's not The Untouchables, it's the something where others. Motherfucker. Well, 137 00:09:50,400 --> 00:09:53,400 Speaker 1: it'll come to me or not. But Stephen Ball was 138 00:09:53,440 --> 00:09:56,760 Speaker 1: in that movie that I can't remember the name of. Fuck. 139 00:09:57,040 --> 00:10:00,560 Speaker 1: This is gonna drive me fucking nuts. Anyway, that's not 140 00:10:00,600 --> 00:10:05,760 Speaker 1: the point. The point is the question that was raised 141 00:10:06,480 --> 00:10:11,000 Speaker 1: his dad was Justin Bieber if he does actually marry 142 00:10:11,120 --> 00:10:14,080 Speaker 1: Hayley Baldwin, who I think is an actress and a model. 143 00:10:14,920 --> 00:10:18,080 Speaker 1: It's a very beautiful young woman. Uh well, at the 144 00:10:18,200 --> 00:10:21,800 Speaker 1: end of venera and I have to say yes, Yes. 145 00:10:23,000 --> 00:10:26,439 Speaker 1: On the low and on the high. Justin Bieber ha 146 00:10:26,520 --> 00:10:32,080 Speaker 1: been knocking him down left, right and center, knocking him 147 00:10:32,080 --> 00:10:35,520 Speaker 1: down left, right and center. He's been an international stickman 148 00:10:36,440 --> 00:10:39,160 Speaker 1: since the young age of eighteen. He's like the Kobe 149 00:10:39,160 --> 00:10:41,720 Speaker 1: Bryant of stickman. He came right out of high school 150 00:10:42,000 --> 00:10:46,360 Speaker 1: and went to the fucking pros. Justin Bieber came right 151 00:10:46,600 --> 00:10:49,800 Speaker 1: out of high school and went to the pro level 152 00:10:50,679 --> 00:10:56,120 Speaker 1: of stick men. And he's been doing it with eloquence, 153 00:10:57,200 --> 00:11:01,640 Speaker 1: eloquence and class. It's cars. I know. I told you 154 00:11:01,679 --> 00:11:03,120 Speaker 1: I like him. I've med him to spend a little 155 00:11:03,160 --> 00:11:05,800 Speaker 1: time with him. Good fucking kid just wants to be, 156 00:11:06,520 --> 00:11:08,800 Speaker 1: just wants to do his thing, And I just want 157 00:11:08,800 --> 00:11:11,120 Speaker 1: to see him make it out of the craziness that 158 00:11:11,240 --> 00:11:17,000 Speaker 1: is being a childhood mega superstar with all his faculties intact. 159 00:11:18,400 --> 00:11:21,480 Speaker 1: You know, the two Corries, all these they get all 160 00:11:21,559 --> 00:11:23,880 Speaker 1: fucking whacked out. That that kid on the two and 161 00:11:23,880 --> 00:11:26,319 Speaker 1: a half Men, the little fucker on two and a 162 00:11:26,360 --> 00:11:28,280 Speaker 1: half Men. Remember that show Two and a half Men 163 00:11:28,360 --> 00:11:31,439 Speaker 1: with Charlie Sheen, that little fun Remember when we start 164 00:11:31,520 --> 00:11:35,600 Speaker 1: talking greasy about the show and this that they didn't 165 00:11:35,600 --> 00:11:38,079 Speaker 1: they don't make it out. It's a very worry weird upbringing. 166 00:11:38,120 --> 00:11:40,720 Speaker 1: Look at look at Dean Collins, the young shooter, friend 167 00:11:40,720 --> 00:11:45,480 Speaker 1: of the Iron Wrap Ports stereo podcast, sometimes filling uh 168 00:11:45,679 --> 00:11:48,920 Speaker 1: co host when when g Moody can't be here, I'm 169 00:11:48,960 --> 00:11:53,440 Speaker 1: doing it solo today. Dean Collins, young actors, fucking nuts, 170 00:11:54,800 --> 00:11:58,199 Speaker 1: fucking crazy, Logan Lerman, friend of the Iron Rap Pors 171 00:11:58,200 --> 00:12:00,920 Speaker 1: Stereo Pockets. I mean, these they're functioning, but they're out 172 00:12:00,920 --> 00:12:04,599 Speaker 1: of their fucking trees. Man. So the point is I 173 00:12:04,640 --> 00:12:07,400 Speaker 1: want to see Justin Bieber do well. And yes, it 174 00:12:07,520 --> 00:12:10,320 Speaker 1: is the end of an era. For a fantastic coxman. Listen, 175 00:12:10,320 --> 00:12:13,800 Speaker 1: he's not Leonardo DiCaprio level. He had a short career, 176 00:12:14,160 --> 00:12:19,880 Speaker 1: but he was paying to three broads at night, worldwide, worldwide, 177 00:12:21,240 --> 00:12:24,160 Speaker 1: and you'd be hard pressed to have one of these 178 00:12:24,160 --> 00:12:28,520 Speaker 1: women having something bad to say about the Beebes. So 179 00:12:28,640 --> 00:12:31,720 Speaker 1: good luck with your marriage, Justin Bieber, if you're listening 180 00:12:31,720 --> 00:12:35,920 Speaker 1: to this, listen to me. You're gonna get a lot 181 00:12:35,920 --> 00:12:39,559 Speaker 1: of hate. You're gonna get hate. I might flip on you, 182 00:12:39,559 --> 00:12:42,320 Speaker 1: you fuck you. I might flip one if you do 183 00:12:42,400 --> 00:12:47,080 Speaker 1: some outrageous crazy ship. Okay, but people are gonna be jealous. 184 00:12:47,120 --> 00:12:50,080 Speaker 1: They say you're a douche, they say you're untalented. Fuck 185 00:12:50,120 --> 00:12:53,920 Speaker 1: them all, Fuck them all. You're getting married. That's what 186 00:12:54,000 --> 00:12:59,240 Speaker 1: you wanna do. You've tested the waters. That's you you 187 00:12:59,600 --> 00:13:06,840 Speaker 1: think is best. Congratulations, fucking haters, fuck them, fuck them, 188 00:13:06,880 --> 00:13:10,760 Speaker 1: good luck. Marriage isn't easy for anybody, let alone someone 189 00:13:10,920 --> 00:13:14,680 Speaker 1: is famous as you. They're gonna throwing that beautiful young 190 00:13:15,120 --> 00:13:19,440 Speaker 1: snapper over eighteen. Of course, they're gonna be throwing that 191 00:13:19,520 --> 00:13:23,800 Speaker 1: young snapper at you until you're sixty. You're gonna have 192 00:13:24,000 --> 00:13:26,600 Speaker 1: and even then, the girls that grew up as your 193 00:13:26,600 --> 00:13:28,760 Speaker 1: fans now they are gonna be older too. You're gonna 194 00:13:28,800 --> 00:13:31,520 Speaker 1: be a sixty year old piece of ship, and your 195 00:13:31,559 --> 00:13:35,240 Speaker 1: fans that are fifty, they're gonna be old pieces of ship. 196 00:13:35,280 --> 00:13:38,760 Speaker 1: To no disrespect to anybody at that age. I'm creeping 197 00:13:38,840 --> 00:13:42,720 Speaker 1: on that number myself, so I'm including myself. But when 198 00:13:42,760 --> 00:13:45,360 Speaker 1: you're sixty year old piece of ship, there's still gonna 199 00:13:45,360 --> 00:13:49,960 Speaker 1: be girls throwing themselves at you. There's still Paul McCartney. 200 00:13:50,920 --> 00:13:54,360 Speaker 1: They still like girls, women growing, fucking women that are 201 00:13:54,400 --> 00:13:58,160 Speaker 1: in their seventy. My mom, my mom, if she saw 202 00:13:58,280 --> 00:14:01,680 Speaker 1: Paul McCartney loser fun and ship, I'm not saying she 203 00:14:02,400 --> 00:14:04,200 Speaker 1: suck him off. I didn't say my mother was gonna 204 00:14:04,200 --> 00:14:05,960 Speaker 1: suck off Paul McCart I think she was a John 205 00:14:06,040 --> 00:14:08,959 Speaker 1: Lenning guy. But what I'm saying, you'll get what I'm saying. 206 00:14:09,280 --> 00:14:12,120 Speaker 1: That fandom, that love, it never goes anywhere. So good luck. 207 00:14:12,320 --> 00:14:15,800 Speaker 1: I gonna take no ship from nobody. Get married. Listen, 208 00:14:16,920 --> 00:14:21,280 Speaker 1: it's not easy. It's not easy. Okay, take it from me. Okay, 209 00:14:21,560 --> 00:14:24,280 Speaker 1: take it from me. It ain't an easy fucking racket, 210 00:14:25,200 --> 00:14:29,560 Speaker 1: right and sign a prenup. This Hayley Baldwin, she's a model, 211 00:14:29,640 --> 00:14:34,280 Speaker 1: she's nice pretty sign a prenup. Okay, because because to 212 00:14:34,320 --> 00:14:38,760 Speaker 1: be honest, getting married so young, the odds are against you, 213 00:14:38,880 --> 00:14:42,440 Speaker 1: beabs and I'm wishing you all the fucking luck in 214 00:14:42,480 --> 00:14:44,880 Speaker 1: the world. But to answer the question, yes, he was 215 00:14:44,920 --> 00:14:50,440 Speaker 1: a fantastic coxman. Yes he did his thing, and I 216 00:14:50,480 --> 00:14:56,600 Speaker 1: wish him nothing but luck going forward. So as I 217 00:14:56,680 --> 00:15:02,600 Speaker 1: told you, I, uh I, I've been flying a lot, okay, 218 00:15:02,640 --> 00:15:07,880 Speaker 1: every weekend, flying safe. First of all, I wanna, I wanna. 219 00:15:07,960 --> 00:15:10,720 Speaker 1: There's some haters out there that said that, uh I 220 00:15:10,800 --> 00:15:16,640 Speaker 1: am milking this plain hero thing for everything it's worth. 221 00:15:17,600 --> 00:15:21,720 Speaker 1: It's time for me to move on. I have moved on. Okay, 222 00:15:22,160 --> 00:15:26,440 Speaker 1: I have moved on. Okay, it's not like I'm talking 223 00:15:26,480 --> 00:15:29,560 Speaker 1: about the fact that I'm an international hero every fucking 224 00:15:29,680 --> 00:15:31,760 Speaker 1: day when it comes up. Yes, I'll talk about it. 225 00:15:31,800 --> 00:15:35,960 Speaker 1: People are still interested in the story, Okay, trust me, 226 00:15:36,240 --> 00:15:40,520 Speaker 1: I could have fucking squeezed literally every ounce of hero 227 00:15:40,760 --> 00:15:44,160 Speaker 1: juice out. I get hit up all the fucking time 228 00:15:45,240 --> 00:15:48,280 Speaker 1: since it happened. Come tell us the story. Come tell 229 00:15:48,360 --> 00:15:54,360 Speaker 1: us your story. Will you share your story with us? Okay, 230 00:15:54,640 --> 00:15:57,560 Speaker 1: let me ask you a question, you hating motherfuckers, you 231 00:15:57,600 --> 00:16:01,400 Speaker 1: said I'm milking this plane thing, this hero thing. I 232 00:16:01,480 --> 00:16:05,760 Speaker 1: saved a fucking plane. I saved a fucking plane. What 233 00:16:05,840 --> 00:16:09,800 Speaker 1: would you do if you saved the fucking plane? Okay? 234 00:16:09,920 --> 00:16:13,600 Speaker 1: Have you ever known me? Michael Rappaport, the Gringo man Dingle, 235 00:16:13,680 --> 00:16:17,960 Speaker 1: the push a Tea of podcasting, the Rodney danger Field 236 00:16:18,000 --> 00:16:22,760 Speaker 1: of podcasting, the Jake La Matta of podcasting, to be 237 00:16:22,960 --> 00:16:30,360 Speaker 1: shy and coy about anything. If I have to take 238 00:16:30,360 --> 00:16:33,640 Speaker 1: a ship on the four h five freeway, I'm gonna 239 00:16:33,720 --> 00:16:38,560 Speaker 1: milt that I save a plane. Of course, I'm gonna 240 00:16:38,600 --> 00:16:41,400 Speaker 1: milk it. I'm giving myself a full year to milk it. 241 00:16:42,960 --> 00:16:47,400 Speaker 1: When you get cold. I didn't declare myself a hero 242 00:16:47,800 --> 00:16:53,840 Speaker 1: when you get cold and international hero. Okay, when you 243 00:16:54,000 --> 00:16:58,480 Speaker 1: walk through the airport and security people check out, people 244 00:16:58,600 --> 00:17:02,800 Speaker 1: salute you, you see how you're gonna react, breaking my bowlder? 245 00:17:03,240 --> 00:17:07,080 Speaker 1: What I'm milking. I'm milking the ship. Not only am 246 00:17:07,080 --> 00:17:10,320 Speaker 1: I milking, And I'm telling you I'm gonna milk it. 247 00:17:10,320 --> 00:17:12,320 Speaker 1: Give me a hard time. But I was on a 248 00:17:12,400 --> 00:17:14,520 Speaker 1: flight back from Oakland the other day. This is a 249 00:17:14,560 --> 00:17:17,879 Speaker 1: true fucking story. And if you follow my Instagram and 250 00:17:18,000 --> 00:17:22,679 Speaker 1: my Twitter, which absolutely should, if you listen to this podcast. 251 00:17:23,040 --> 00:17:26,480 Speaker 1: You absolutely I need to get some Miles Jordan's. We 252 00:17:26,560 --> 00:17:29,240 Speaker 1: need to get some sort of graph, some direct line 253 00:17:29,240 --> 00:17:33,840 Speaker 1: of communication. We need Miles Jordan. We need a fucking 254 00:17:34,280 --> 00:17:37,080 Speaker 1: we need we we need a letter. We need a newsletter, 255 00:17:37,080 --> 00:17:40,920 Speaker 1: and I am Rapports Stereo podcast newsletter. We can't take 256 00:17:40,960 --> 00:17:42,880 Speaker 1: every phone call. I can't give my not as much 257 00:17:42,880 --> 00:17:46,160 Speaker 1: as I would like to give my number out toll 258 00:17:46,240 --> 00:17:49,760 Speaker 1: the fans and have direct communication. I have a feeling 259 00:17:49,760 --> 00:17:53,439 Speaker 1: it with backfire on me and you. It wouldn't just 260 00:17:53,480 --> 00:17:57,440 Speaker 1: backfire on me, it would backfire on you, the fans. Okay, 261 00:17:57,560 --> 00:17:59,760 Speaker 1: because at some point you probably like, why is wrapp 262 00:17:59,840 --> 00:18:01,639 Speaker 1: up or texting me at four thirty in the morning 263 00:18:01,640 --> 00:18:04,320 Speaker 1: to ask me a question? I know myself, if I 264 00:18:04,359 --> 00:18:08,000 Speaker 1: have direct communication with the hundreds of thousands of fans, 265 00:18:09,720 --> 00:18:13,679 Speaker 1: it'll backfire. It'll go wrong somehow, some way, and I 266 00:18:13,840 --> 00:18:16,600 Speaker 1: will be responsible for it, back friend, just as much 267 00:18:16,600 --> 00:18:18,960 Speaker 1: as you guys will be responsible with Miles Jordan's. We 268 00:18:19,000 --> 00:18:23,760 Speaker 1: need a fucking newsletter, okay, because I need to know 269 00:18:23,920 --> 00:18:27,080 Speaker 1: who's listening, how they're listening, what they like, what they 270 00:18:27,080 --> 00:18:31,919 Speaker 1: don't like, what they're into, what they're not into, what 271 00:18:32,080 --> 00:18:33,560 Speaker 1: you want to hear more of what you want to hear, 272 00:18:33,640 --> 00:18:35,439 Speaker 1: less of what you liked, what you didn't like, what 273 00:18:35,560 --> 00:18:41,840 Speaker 1: you everything. Instagram d m s they're not enough. That's 274 00:18:41,840 --> 00:18:46,960 Speaker 1: like a job into itself. Hundreds of them, hundreds of 275 00:18:47,040 --> 00:18:51,320 Speaker 1: them a day. Most of them were good. Ever since 276 00:18:51,359 --> 00:18:53,479 Speaker 1: we started the Shame Game, me and the young shooter 277 00:18:53,560 --> 00:18:57,040 Speaker 1: Dean cowns the the the the people. Don't they don't 278 00:18:57,040 --> 00:18:59,720 Speaker 1: criticize me in the d M s. Now, that doesn't 279 00:18:59,720 --> 00:19:03,439 Speaker 1: mean I'm looking for any criticism. You sick fox, you 280 00:19:03,560 --> 00:19:05,920 Speaker 1: sick fuck you think, Oh, I'm not asking for it. 281 00:19:06,680 --> 00:19:08,520 Speaker 1: I'm not asking to be criticis. Don't come in the 282 00:19:08,640 --> 00:19:10,879 Speaker 1: d m s talking greasy, because I'll put your fucking 283 00:19:10,920 --> 00:19:13,959 Speaker 1: ass on the Shame Game. We have not had an 284 00:19:14,000 --> 00:19:16,960 Speaker 1: episode of the Shame Game in a while. Don't inspire 285 00:19:17,000 --> 00:19:20,640 Speaker 1: the next one. You don't want it. You don't want 286 00:19:20,680 --> 00:19:23,359 Speaker 1: that ship, duke. But the point is is that I 287 00:19:23,440 --> 00:19:26,240 Speaker 1: was on my flight back from Oakland. This is God 288 00:19:26,320 --> 00:19:30,200 Speaker 1: is my witness, and listen, knock on wood, safe flight, 289 00:19:30,840 --> 00:19:38,000 Speaker 1: safe fucking flight. Knock on wood. I fly first class. Okay, 290 00:19:38,600 --> 00:19:44,199 Speaker 1: I coughed too much, I snort too much. I have 291 00:19:44,359 --> 00:19:48,040 Speaker 1: too many problems to have to subject to anybody to 292 00:19:48,119 --> 00:19:53,119 Speaker 1: sitting next to me and coach, and I've I've afforded 293 00:19:53,119 --> 00:19:56,400 Speaker 1: the luxury of being able to fly first class. That's 294 00:19:56,480 --> 00:20:00,119 Speaker 1: that's how I get down. Okay, you don't see me 295 00:20:00,160 --> 00:20:02,439 Speaker 1: on the PJ. If you'll see me on you want 296 00:20:02,440 --> 00:20:05,560 Speaker 1: to talk about milk and something. A couple of times 297 00:20:05,600 --> 00:20:08,880 Speaker 1: since we've done the Iron Rapports Stereo podcast, I believe 298 00:20:09,880 --> 00:20:12,600 Speaker 1: I've been on the fucking PJ. And it might even 299 00:20:12,880 --> 00:20:16,120 Speaker 1: even been before uh the Instagram and all that. Now, 300 00:20:16,160 --> 00:20:18,000 Speaker 1: the next time I'm on that fucking PJ, you want 301 00:20:18,000 --> 00:20:21,000 Speaker 1: to talk about milking something, You'll see me milk something. 302 00:20:21,080 --> 00:20:23,240 Speaker 1: Next time on a fucking private jet. You, I'll show 303 00:20:23,280 --> 00:20:27,720 Speaker 1: you milking. You want to see gaudian and obnoxious, get 304 00:20:27,760 --> 00:20:30,080 Speaker 1: me on a fucking private jet. Okay, but I fly 305 00:20:30,160 --> 00:20:35,280 Speaker 1: first class. Okay, you don't see me with any fucking 306 00:20:35,680 --> 00:20:38,600 Speaker 1: fancy cars or this is what I do. I fly 307 00:20:38,720 --> 00:20:41,520 Speaker 1: first class. And like I said, nobody should have to 308 00:20:41,520 --> 00:20:44,359 Speaker 1: sit next to me on a plane. I was in 309 00:20:44,400 --> 00:20:46,119 Speaker 1: the movies the other day. I'm gonna get to that. 310 00:20:46,160 --> 00:20:50,280 Speaker 1: I went to go see Sorry to bother you. No 311 00:20:50,359 --> 00:20:52,520 Speaker 1: one should be subjected to sitting next to me in 312 00:20:52,520 --> 00:20:56,800 Speaker 1: a movie theaters, packed house, a little fucking little snotty 313 00:20:57,000 --> 00:20:59,040 Speaker 1: hipster fox or sitting next to me. We're gonna get 314 00:20:59,040 --> 00:21:02,560 Speaker 1: to that my review of that film later on, maybe 315 00:21:02,560 --> 00:21:07,719 Speaker 1: after this. Who knows. We're free flowing right here. We 316 00:21:07,800 --> 00:21:11,040 Speaker 1: are free flowing right here. But got on my flight, 317 00:21:11,560 --> 00:21:15,840 Speaker 1: had a beautiful trip. Stayed in Berkeley. Maybe want to 318 00:21:15,880 --> 00:21:20,920 Speaker 1: read the newspaper and have coffee breath, very intellectual town, Berkeley. 319 00:21:21,280 --> 00:21:23,680 Speaker 1: Stay to the nice hotels, bunker down with a lot 320 00:21:23,680 --> 00:21:26,760 Speaker 1: of the Big three guys. Had some wine with Charles Oakley, 321 00:21:27,200 --> 00:21:32,920 Speaker 1: chit chatting with Dr fucking j chit chatting with him. 322 00:21:33,240 --> 00:21:38,200 Speaker 1: I'm gonna I'm gonna tell your story, Dr j Uh 323 00:21:38,240 --> 00:21:41,240 Speaker 1: and his I believe it is his wife or his 324 00:21:41,280 --> 00:21:44,719 Speaker 1: girlfriend with him all the time. I nothing but respect 325 00:21:44,760 --> 00:21:49,600 Speaker 1: for Dr j his companions wife. I don't know. I 326 00:21:49,600 --> 00:21:51,600 Speaker 1: don't know. I don't ask questions. I can't even barely 327 00:21:51,640 --> 00:21:53,800 Speaker 1: look the man in the face. Talk about not being 328 00:21:53,840 --> 00:21:56,520 Speaker 1: able to make eye contact with Prince. Hang around Dr 329 00:21:56,600 --> 00:21:58,240 Speaker 1: J and see how long you can make eye contact 330 00:21:58,280 --> 00:22:02,320 Speaker 1: with him. I love that fucking guy. Okay, but Dr 331 00:22:02,440 --> 00:22:05,840 Speaker 1: Jay's dog tried to fucking bite me here A little 332 00:22:05,840 --> 00:22:07,840 Speaker 1: fucking little dog, you know, like a kind of dog 333 00:22:07,880 --> 00:22:10,200 Speaker 1: you could bring around in the hotel. I went to 334 00:22:10,280 --> 00:22:14,639 Speaker 1: pet the little fucker. Don't disrespect Julius. That little fucker 335 00:22:14,720 --> 00:22:17,600 Speaker 1: tried to bite my fucking finger off, and then it 336 00:22:17,680 --> 00:22:20,240 Speaker 1: took me a day. But later on I said to 337 00:22:20,320 --> 00:22:25,320 Speaker 1: him as I was leaving the hotel, I said, Julius, Uh, 338 00:22:25,359 --> 00:22:27,960 Speaker 1: I didn't get your dog's name, But is it Larry Bird? 339 00:22:33,960 --> 00:22:36,600 Speaker 1: You get it because it's Dr J. Larry Bird. They 340 00:22:36,600 --> 00:22:41,119 Speaker 1: fight maybe whatever they had to fight, whatever, it's Dr J. 341 00:22:41,240 --> 00:22:44,160 Speaker 1: I'm trying to make him laugh every every which way. 342 00:22:44,640 --> 00:22:47,159 Speaker 1: It doesn't matter. I don't mean know how we got 343 00:22:47,240 --> 00:22:52,600 Speaker 1: on die Oh Berkeley, the newspaper and the coffee breath. Yeah, 344 00:22:52,600 --> 00:22:56,240 Speaker 1: so night with Charles Oakley was staying in the Beautiful 345 00:22:56,359 --> 00:23:00,720 Speaker 1: too nice sitting there with oak drinking red wine, talking 346 00:23:00,720 --> 00:23:06,880 Speaker 1: ship to Katino Mobili Point is day after the Big Three, 347 00:23:06,920 --> 00:23:11,679 Speaker 1: Saturday morning the other Saturday, flying from Oakland back to 348 00:23:11,720 --> 00:23:15,840 Speaker 1: Los Angeles, back into the fucking heat wave. Oakland Airport, 349 00:23:15,920 --> 00:23:19,960 Speaker 1: by the way, is a very small airport, and God 350 00:23:20,080 --> 00:23:22,560 Speaker 1: is my witnesses. Anybody who's been in the Oakland Airport 351 00:23:22,600 --> 00:23:29,439 Speaker 1: will tell you there's two Starbucks. Two Starbucks inside the 352 00:23:29,480 --> 00:23:34,919 Speaker 1: Oakland Airport within two hundred feet of each other. I 353 00:23:34,920 --> 00:23:38,440 Speaker 1: couldn't believe it. To fucking Starbucks in a tiny little 354 00:23:39,200 --> 00:23:43,320 Speaker 1: It's nice, it's quaint, quaint being a very Berkeley type 355 00:23:43,320 --> 00:23:45,159 Speaker 1: of word. You don't hear me using the word quaint. 356 00:23:45,680 --> 00:23:48,720 Speaker 1: It's not a ship hole because it's because it's it's 357 00:23:48,800 --> 00:23:52,080 Speaker 1: up to date, but it's quaint. It's a small airport 358 00:23:52,119 --> 00:23:55,320 Speaker 1: to fucking Starbucks. I don't have a problem with it. 359 00:23:56,320 --> 00:23:59,080 Speaker 1: I don't have a problem with it. Okay. If I 360 00:23:59,119 --> 00:24:02,080 Speaker 1: can't have my mush coffee and I'm in the airport, 361 00:24:03,560 --> 00:24:07,800 Speaker 1: I'll get my Starbucks. Okay. I don't know how I 362 00:24:07,840 --> 00:24:09,840 Speaker 1: got on the Starbucks. Oh yeah, because there was two 363 00:24:09,840 --> 00:24:12,240 Speaker 1: Starbucks in there. The point is is that I get 364 00:24:12,280 --> 00:24:15,280 Speaker 1: on the plane in first class. It's a small plane 365 00:24:15,280 --> 00:24:19,120 Speaker 1: because a short flight, small plane. Short flight talked about 366 00:24:19,119 --> 00:24:23,240 Speaker 1: this endlessly. Gotta be careful on these short flights. That 367 00:24:23,400 --> 00:24:25,679 Speaker 1: is when you see all the stuff that goes viral. 368 00:24:26,280 --> 00:24:28,920 Speaker 1: That's when my incident happened. That's when you see people 369 00:24:28,960 --> 00:24:34,800 Speaker 1: acting crazy. It's the Chicago to Dallas, it's those Philadelphia 370 00:24:35,320 --> 00:24:40,280 Speaker 1: to Iowa flights. It's Sacramento to Vegas, those of the 371 00:24:40,320 --> 00:24:44,240 Speaker 1: flights where ship jumps off. I don't know why. It 372 00:24:44,359 --> 00:24:47,800 Speaker 1: just is what it is. So it's a smaller first 373 00:24:47,840 --> 00:24:53,000 Speaker 1: class section. I'm sitting in the front. That's where I 374 00:24:53,040 --> 00:24:55,840 Speaker 1: sit in first class. That's where you put air Marshal Mike. 375 00:24:56,560 --> 00:25:00,880 Speaker 1: That's where you put Michael rappaport authority up there. I'm 376 00:25:00,920 --> 00:25:03,240 Speaker 1: the last line of defense if anybody you have to 377 00:25:03,280 --> 00:25:06,320 Speaker 1: come through me. And I'm gonna be totally honest. I 378 00:25:06,320 --> 00:25:08,520 Speaker 1: have not slept on a flight since that ship happened. 379 00:25:08,520 --> 00:25:12,800 Speaker 1: I can't sleep on there now, Okay, m there's a 380 00:25:12,840 --> 00:25:14,720 Speaker 1: short fights an hour and a half at the most 381 00:25:14,760 --> 00:25:21,280 Speaker 1: Oakland l a nonetheless early morning. Got my earphones in, 382 00:25:22,359 --> 00:25:24,760 Speaker 1: I lost my sweatshirt. I had to steal a towel 383 00:25:24,800 --> 00:25:30,280 Speaker 1: from the hotel. I gotta wrapped around my neck. Lady 384 00:25:30,320 --> 00:25:34,119 Speaker 1: comes over to me, flight attendant. I can't call him 385 00:25:34,160 --> 00:25:36,560 Speaker 1: stewardess is these days, I don't know when the funk 386 00:25:36,600 --> 00:25:42,520 Speaker 1: that changed, Stewart, stewardess whatever. The flight attendant walks over 387 00:25:42,600 --> 00:25:49,199 Speaker 1: to me, motherfucking air marshall Mike. Because I'm sitting in 388 00:25:49,200 --> 00:25:52,000 Speaker 1: the front near the emergency exit of a smaller plane. 389 00:25:52,040 --> 00:25:55,520 Speaker 1: It's one to one to one two in first class. 390 00:25:55,560 --> 00:25:59,840 Speaker 1: I believe there's three rows one too, one seat, two 391 00:26:00,119 --> 00:26:02,359 Speaker 1: two seats, one seats, I think three or four. I'm 392 00:26:02,400 --> 00:26:05,160 Speaker 1: in the front. I'm in the front. One fucking lady 393 00:26:05,200 --> 00:26:08,240 Speaker 1: says to me, with a straight face, Hello, Mr Rappaport. 394 00:26:08,560 --> 00:26:10,320 Speaker 1: You know, because they have your name in first class 395 00:26:10,600 --> 00:26:11,880 Speaker 1: and I'm not trying to rub it in, then I'm 396 00:26:11,880 --> 00:26:15,960 Speaker 1: first guys, I'm humble when I'm in first class. Okay, 397 00:26:16,080 --> 00:26:18,120 Speaker 1: I'm not one of those people who sits in first 398 00:26:18,119 --> 00:26:20,760 Speaker 1: class and who doesn't make eye contact with the fox 399 00:26:20,840 --> 00:26:23,240 Speaker 1: that have to go in the coach. I know what 400 00:26:23,280 --> 00:26:25,160 Speaker 1: it's like to be in coach. I see the people 401 00:26:25,200 --> 00:26:28,359 Speaker 1: walking past. I give me a head not I'm not 402 00:26:28,440 --> 00:26:30,920 Speaker 1: up there acting like big ship drinking my uh you know, 403 00:26:31,160 --> 00:26:34,199 Speaker 1: uh my orange juice in the morning, mumble about it. 404 00:26:34,359 --> 00:26:36,720 Speaker 1: But I am in first class, she says, Mr Rappaport. 405 00:26:37,320 --> 00:26:39,359 Speaker 1: She knows my name because, like I said, it's all 406 00:26:39,400 --> 00:26:42,680 Speaker 1: written down, Mica Rapport. Set one A. You know Joe 407 00:26:42,720 --> 00:26:48,359 Speaker 1: blow C two B Joe blow x C two C. Yeah. Yeah, 408 00:26:48,960 --> 00:26:52,720 Speaker 1: uh I have to ask if now I'm thinking, she says, 409 00:26:52,800 --> 00:26:54,639 Speaker 1: Mr Rapport, I have to ask. I think, Oh, I'm 410 00:26:54,640 --> 00:26:56,440 Speaker 1: gonna have to tell her the story. You know, she's 411 00:26:56,480 --> 00:26:59,439 Speaker 1: a fan. She heard about my prowess on a plane. 412 00:26:59,800 --> 00:27:02,560 Speaker 1: You know, my Wesley Snipe ship passenger fifty eight, the 413 00:27:02,560 --> 00:27:04,879 Speaker 1: White Wesley Snipe. That's me. That's who you're listening to 414 00:27:04,920 --> 00:27:06,879 Speaker 1: on the Iron rap coor stereo podcast right now, the 415 00:27:06,880 --> 00:27:11,919 Speaker 1: White Wesley Snipes the funk they call me. That's what 416 00:27:11,960 --> 00:27:16,520 Speaker 1: they call me, the White Wesley Snipes passenger. She comes 417 00:27:16,600 --> 00:27:21,159 Speaker 1: up to me, international hero. She says, Mr Rappaport, I 418 00:27:21,200 --> 00:27:22,960 Speaker 1: have to ask because of where you're sitting. You're sitting 419 00:27:22,960 --> 00:27:26,120 Speaker 1: in the emergency. In case of emergency, are you prepared 420 00:27:26,720 --> 00:27:30,000 Speaker 1: to assist? That's what she says. Whatever the thing they 421 00:27:30,040 --> 00:27:32,120 Speaker 1: ask is, I believe it's are you prepared to assist? 422 00:27:34,280 --> 00:27:36,840 Speaker 1: I'm thinking there's gonna be a punch line like she's 423 00:27:36,840 --> 00:27:39,199 Speaker 1: gonna say, are you prepared to assist? Of course, you're 424 00:27:39,240 --> 00:27:41,639 Speaker 1: prepared to assist. We're glad to have you on the plane. 425 00:27:41,640 --> 00:27:43,679 Speaker 1: We feel safe for already with you on the plane. 426 00:27:44,520 --> 00:27:48,200 Speaker 1: She's waiting for a response. This lady got the fucking 427 00:27:48,920 --> 00:27:53,639 Speaker 1: she's got the fucking bulls to ask me the most 428 00:27:53,680 --> 00:28:00,520 Speaker 1: braggadocious international hero that you'll ever ever find. I am 429 00:28:00,600 --> 00:28:03,280 Speaker 1: bragging about saving a place. She's I'm all over the 430 00:28:03,280 --> 00:28:06,800 Speaker 1: fucking news. I've made every news. I was like outlet, 431 00:28:06,880 --> 00:28:09,120 Speaker 1: and I earned it. I did it the fucking hardware. 432 00:28:09,119 --> 00:28:11,760 Speaker 1: I earned it. I saved a fucking plane, That's what 433 00:28:11,880 --> 00:28:16,520 Speaker 1: I did. She's asking me, Am, I prepared to assist 434 00:28:16,600 --> 00:28:20,160 Speaker 1: the case of emergency. I wanted to say, Pitch, please, 435 00:28:22,520 --> 00:28:26,560 Speaker 1: are you prepared to assist in case of emergency? Because 436 00:28:26,600 --> 00:28:32,320 Speaker 1: you know how I get down Google me. I'm offended. 437 00:28:32,440 --> 00:28:40,400 Speaker 1: I'm disrespected that you're asking me this ship two weeks 438 00:28:40,440 --> 00:28:42,880 Speaker 1: since the incident. It's not like it was two years 439 00:28:42,880 --> 00:28:46,800 Speaker 1: since the incident. I believe it was American Airlines Flight 440 00:28:46,920 --> 00:28:50,960 Speaker 1: fifteen sixty three. She get that ship tattooed on my 441 00:28:51,040 --> 00:28:57,240 Speaker 1: motherfucking on my biceps, American Airlines flight fifteen sixty three. 442 00:28:59,320 --> 00:29:00,960 Speaker 1: She's got the nerves have to ask me, am, I 443 00:29:01,000 --> 00:29:07,800 Speaker 1: ready to to assist? That should offended me. At Least 444 00:29:07,800 --> 00:29:10,360 Speaker 1: make a joke. At least say we're happy to have 445 00:29:10,440 --> 00:29:12,840 Speaker 1: you on the plane. At least say I'm just kidding. 446 00:29:13,000 --> 00:29:15,239 Speaker 1: I know you're ready to get to assist. I know 447 00:29:15,320 --> 00:29:20,200 Speaker 1: how he gets down. Air Marshall Mike dates for flying 448 00:29:20,200 --> 00:29:23,160 Speaker 1: in the friendly skies with us. I feel better about 449 00:29:23,200 --> 00:29:30,120 Speaker 1: having you on the plane. None of that ship, nothing distracted, 450 00:29:30,480 --> 00:29:38,680 Speaker 1: disrespected an American hero, excuse me, an international hero. It's 451 00:29:38,680 --> 00:29:42,840 Speaker 1: World Cup time. The World Cup is down to the 452 00:29:42,960 --> 00:29:46,920 Speaker 1: final four. Belgium versus France. That's going down on Tuesday, 453 00:29:47,360 --> 00:29:53,280 Speaker 1: England first Croatia on Wednesday. I'm betting on Belgium and England. Okay, 454 00:29:53,880 --> 00:29:58,040 Speaker 1: I am betting on Belgium and England. Okay at my 455 00:29:58,200 --> 00:30:02,320 Speaker 1: bookie dot a g. You wanna bet me, you wanna 456 00:30:02,360 --> 00:30:05,800 Speaker 1: bet against me? 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That gives you a 467 00:30:41,360 --> 00:30:46,200 Speaker 1: hundred bonus on your first Big three deposit. Go to 468 00:30:46,920 --> 00:30:50,360 Speaker 1: my bookie dot ag. Let's get a shaken at my 469 00:30:50,440 --> 00:30:54,240 Speaker 1: bookie dot a G. So, yeah, I told you I 470 00:30:54,280 --> 00:30:59,600 Speaker 1: saw this movie Sorry to Bother You, which has fent 471 00:31:00,840 --> 00:31:03,920 Speaker 1: on Rotten Tomatoes, and I funk with rotten Tomatoes. You 472 00:31:03,920 --> 00:31:07,760 Speaker 1: know the Tomato meter, which it compiles all of the 473 00:31:07,800 --> 00:31:14,520 Speaker 1: reviewers reviews and gives it a percentage like the Tribe 474 00:31:14,520 --> 00:31:16,880 Speaker 1: Call Quest movie beat Tribes in Life, the Travels of 475 00:31:16,920 --> 00:31:21,800 Speaker 1: a Tribe call Quest, which just uh, I think it 476 00:31:21,840 --> 00:31:26,240 Speaker 1: was fun Man two thousand eleven. I don't know, but 477 00:31:26,280 --> 00:31:28,000 Speaker 1: somebody showed me that it was. Like the other day 478 00:31:28,080 --> 00:31:30,560 Speaker 1: was the day it came out six years ago or 479 00:31:30,600 --> 00:31:32,600 Speaker 1: eight years ago. I don't even fact check my own ship. 480 00:31:33,400 --> 00:31:35,560 Speaker 1: That just goes to prove that I don't fact check anyway. 481 00:31:36,640 --> 00:31:38,800 Speaker 1: When I'm trying to get a sense of a movies 482 00:31:39,280 --> 00:31:42,400 Speaker 1: well reviewed or well liked, or not well reviewed or 483 00:31:42,400 --> 00:31:45,000 Speaker 1: not well liked, I will look at rotten Tomatoes. Now 484 00:31:45,040 --> 00:31:47,080 Speaker 1: that won't dig dictate whether or not I see the 485 00:31:47,120 --> 00:31:49,920 Speaker 1: movie or not. But if I'm on the fence and 486 00:31:50,000 --> 00:31:52,480 Speaker 1: it's like yo, it's just getting shot on by fans 487 00:31:52,520 --> 00:31:56,200 Speaker 1: and shadow on by the reviewers, it can dictate it. 488 00:31:56,640 --> 00:31:59,280 Speaker 1: Um so it's a credible source of like it's like 489 00:31:59,320 --> 00:32:02,640 Speaker 1: an average, like batting average or a points per game average, 490 00:32:03,320 --> 00:32:09,120 Speaker 1: and it's you know, people like it anyway. The kid 491 00:32:09,160 --> 00:32:12,480 Speaker 1: from Atlanta is in it, uh l Keith Stanfield who 492 00:32:12,520 --> 00:32:16,120 Speaker 1: plays what the fund is his name Childish Gambino. Call 493 00:32:16,160 --> 00:32:21,640 Speaker 1: him Childish Gambino like Donald Glover. He plays his uh 494 00:32:22,120 --> 00:32:24,080 Speaker 1: best friend and one of his best friends on that show, 495 00:32:24,080 --> 00:32:26,400 Speaker 1: one of his friends. He's the star of It's got 496 00:32:26,440 --> 00:32:29,280 Speaker 1: a lot of hype, a lot of excitement. This rapper 497 00:32:29,360 --> 00:32:31,520 Speaker 1: dude named Boots Riley, who was in that group called 498 00:32:31,520 --> 00:32:35,719 Speaker 1: the Coupe bay Area Dudes. You know they were okay, 499 00:32:35,760 --> 00:32:39,479 Speaker 1: but you know they's very provocative, smart, political, you know, 500 00:32:39,760 --> 00:32:45,800 Speaker 1: Bay Area group. He directed it, never directed a film before. UM. 501 00:32:45,840 --> 00:32:50,360 Speaker 1: I went into it, super duper hype. Jam pack theater, 502 00:32:52,000 --> 00:32:55,720 Speaker 1: hot ass Saturday afternoon. Let me get the funk out, 503 00:32:56,320 --> 00:32:59,920 Speaker 1: Get out of the heat, go into the theater, packed pack, pack, pack, pack, 504 00:33:00,120 --> 00:33:08,280 Speaker 1: packed on rotten tomatoes, filled with all white people. Now 505 00:33:08,280 --> 00:33:10,720 Speaker 1: I'm only pointing that out because the movie talks about 506 00:33:10,760 --> 00:33:16,720 Speaker 1: talking white, talking black, sounding white, acting black, acting white, 507 00:33:16,760 --> 00:33:19,680 Speaker 1: all that stuff, and the first half hour first forty 508 00:33:19,720 --> 00:33:21,960 Speaker 1: five minutes of the movie, I thought, this is great, 509 00:33:22,000 --> 00:33:25,360 Speaker 1: it's funny, it's unique, it's original, and then it took 510 00:33:25,360 --> 00:33:29,400 Speaker 1: a left turn for me. Now, I recommend going to 511 00:33:29,440 --> 00:33:33,880 Speaker 1: see this movie, but I didn't like it. Again, I 512 00:33:34,000 --> 00:33:37,600 Speaker 1: recommend going to see this movie. See it for yourself. 513 00:33:38,360 --> 00:33:44,040 Speaker 1: It's very smart, very high saluting. The director is extremely talented, 514 00:33:44,040 --> 00:33:50,480 Speaker 1: the kid La Keith Stanfield, very talented, smart. The actress 515 00:33:50,480 --> 00:33:54,360 Speaker 1: Tessa Thompson, who, by the way, for some reason, just 516 00:33:54,480 --> 00:33:58,880 Speaker 1: came out and uh as as bisexual. I have no 517 00:33:59,040 --> 00:34:04,200 Speaker 1: fucking clue why she came out as bisexual. I believe 518 00:34:04,320 --> 00:34:10,520 Speaker 1: she's dating. Is her name singer? She's really good man. 519 00:34:12,280 --> 00:34:14,560 Speaker 1: I can't remember her name. I can't remember the name 520 00:34:14,560 --> 00:34:20,480 Speaker 1: of that Benicio del Toro Gabriel burn movie either. Gabriel 521 00:34:21,800 --> 00:34:26,040 Speaker 1: fuck but I'm gonna skip that. I'm gonna skip that. 522 00:34:26,239 --> 00:34:29,160 Speaker 1: I can't remember it. Army hammers in it. Good actors, 523 00:34:29,200 --> 00:34:32,640 Speaker 1: been in a lot of ship Like I said, the 524 00:34:32,719 --> 00:34:35,960 Speaker 1: studio is that the production you Anna Purna. They put 525 00:34:35,960 --> 00:34:38,880 Speaker 1: out a bunch of ship always oscar stuff, smart stuff, 526 00:34:39,760 --> 00:34:43,480 Speaker 1: you know, risky stuff, ballsy, not mainstream stuff. Like I said, 527 00:34:43,560 --> 00:34:45,920 Speaker 1: This movie has gotten crazy hype ball that went to 528 00:34:46,000 --> 00:34:48,720 Speaker 1: the theater went to go see it. So the trailer 529 00:34:48,880 --> 00:34:50,799 Speaker 1: in the theater because I only saw it last time 530 00:34:51,000 --> 00:34:54,200 Speaker 1: on my iPhone. In the theater for Creed Too, I 531 00:34:54,400 --> 00:34:56,719 Speaker 1: was hyped. I was like, Yeah, we're seeing dope trailers. 532 00:34:58,640 --> 00:35:03,120 Speaker 1: We're about to see a dope move be packed pack theater. 533 00:35:03,280 --> 00:35:05,400 Speaker 1: Like I said, I was sitting right in the middle 534 00:35:05,400 --> 00:35:07,520 Speaker 1: of the in the back row of a small theater, 535 00:35:07,560 --> 00:35:08,920 Speaker 1: so it was right where I wanted to sit. I 536 00:35:08,920 --> 00:35:12,080 Speaker 1: didn't know it's gonna be that crowding. God bless my wife, 537 00:35:12,120 --> 00:35:15,120 Speaker 1: and God bless the kids and the women that were 538 00:35:15,160 --> 00:35:16,640 Speaker 1: sitting next to me. I say kids, they were like 539 00:35:16,680 --> 00:35:21,320 Speaker 1: Tony something, fuck coughing my lungs out. No one should 540 00:35:21,320 --> 00:35:26,680 Speaker 1: have to sit next to me in a movie theater. Nobody, 541 00:35:27,160 --> 00:35:30,600 Speaker 1: nobody said you should be subjected to the possible farting, 542 00:35:31,480 --> 00:35:34,759 Speaker 1: possible possible charting that goes on with me when I 543 00:35:34,800 --> 00:35:38,400 Speaker 1: sit down for two hours NonStop. Anyway, this movie is 544 00:35:38,440 --> 00:35:43,160 Speaker 1: considered a science fiction fantasy comedy. Listen, it's every single 545 00:35:43,320 --> 00:35:46,680 Speaker 1: fucking thing but the kitchen sink. Like I said, I 546 00:35:46,719 --> 00:35:49,279 Speaker 1: would love to have this dude. Boots Riley on the 547 00:35:49,320 --> 00:35:52,200 Speaker 1: podcast to explain it to me. It was way the 548 00:35:52,280 --> 00:35:55,759 Speaker 1: fuck way out there. It was like a Spike Jones movie. 549 00:35:55,840 --> 00:35:58,520 Speaker 1: Kind of reminded me of being John Malkovic, another film 550 00:35:58,520 --> 00:36:03,120 Speaker 1: which I didn't like. It was also like they um 551 00:36:04,040 --> 00:36:10,279 Speaker 1: that Jim Carrey movie. Mother fuck, I can't remember anything, okay. 552 00:36:10,800 --> 00:36:12,920 Speaker 1: I did not like this movie. At one point I 553 00:36:12,920 --> 00:36:17,120 Speaker 1: wanted to walk the funk out. It's like a social 554 00:36:17,200 --> 00:36:22,400 Speaker 1: political commentary about anti government, anti establishment and all sorts 555 00:36:22,440 --> 00:36:24,359 Speaker 1: of other things, and I was just like, I don't 556 00:36:24,360 --> 00:36:28,560 Speaker 1: know what the funk is going on. I thought it 557 00:36:28,600 --> 00:36:31,600 Speaker 1: was a fucking mess after the first forty five minutes. 558 00:36:31,600 --> 00:36:34,399 Speaker 1: In my opinion, I am in the minority. And I'm 559 00:36:34,440 --> 00:36:38,680 Speaker 1: saying this with true all due blue respect. But even 560 00:36:38,719 --> 00:36:40,759 Speaker 1: when I read reviews, because when I got home, my 561 00:36:40,800 --> 00:36:42,640 Speaker 1: wife was like, well maybe we're rolled, like, go fuck 562 00:36:42,719 --> 00:36:46,480 Speaker 1: that fuck that. I don't care if you're seventy five 563 00:36:46,560 --> 00:36:51,240 Speaker 1: years old, nineteen years old or whatever. Good is good, 564 00:36:51,680 --> 00:36:54,960 Speaker 1: good is not good, okay. And then these people were applauding. 565 00:36:54,960 --> 00:36:57,720 Speaker 1: They were like, oh, I was unbelievable. I was great. 566 00:36:58,960 --> 00:37:00,600 Speaker 1: Now the theater I went to go see it with 567 00:37:02,120 --> 00:37:05,080 Speaker 1: white people. They fucking were they were fucking head over 568 00:37:05,120 --> 00:37:07,640 Speaker 1: heels like clapping afterwards is I always think of stupid. 569 00:37:07,680 --> 00:37:10,000 Speaker 1: You're clapping at a screen. It's not Broadway, you fuck? 570 00:37:10,400 --> 00:37:15,680 Speaker 1: Why are you clapping at the fucking screen? Tessa Thompson 571 00:37:15,760 --> 00:37:20,960 Speaker 1: McKeith stand. They can't fucking hear you. You're gonna tweet 572 00:37:21,000 --> 00:37:24,880 Speaker 1: about it anyway. Don't clap in a movie theater screen, 573 00:37:25,120 --> 00:37:28,239 Speaker 1: dumb fuck you. But I read all these reviews and 574 00:37:28,320 --> 00:37:31,400 Speaker 1: the words that they used to review it or even confusing, 575 00:37:31,400 --> 00:37:37,800 Speaker 1: they're over my head. Satic absurdest. These are some of 576 00:37:37,840 --> 00:37:43,799 Speaker 1: the words I I jotted them down, satic absurdness. One 577 00:37:43,840 --> 00:37:46,279 Speaker 1: reviewer said, sci fi whacking iss. I go, I don't 578 00:37:46,280 --> 00:37:48,160 Speaker 1: know how the funk I mean, I guess there's one 579 00:37:48,200 --> 00:37:51,640 Speaker 1: thing in the movie that has to do with horse 580 00:37:51,680 --> 00:37:56,479 Speaker 1: cocks that you could call it sci fi, but it ain't. 581 00:37:56,520 --> 00:38:01,120 Speaker 1: It ain't like et there's no aliens or an I mean, listen, 582 00:38:02,480 --> 00:38:04,719 Speaker 1: you gotta see it yourself. I recommend it, but I 583 00:38:04,760 --> 00:38:06,840 Speaker 1: did not like it. I never want to see it again. 584 00:38:07,080 --> 00:38:10,520 Speaker 1: I think that's a fair review. I think that is 585 00:38:10,560 --> 00:38:13,040 Speaker 1: a very fair review for me to say that I 586 00:38:13,080 --> 00:38:16,959 Speaker 1: recommend it but didn't like it, and I would never 587 00:38:17,440 --> 00:38:22,919 Speaker 1: watch it again. Unrestrained capitalism's natural end point. I mean 588 00:38:23,280 --> 00:38:26,520 Speaker 1: what this is. This is a review like I don't 589 00:38:26,520 --> 00:38:28,400 Speaker 1: want to watch a movie that should come with an 590 00:38:28,400 --> 00:38:31,200 Speaker 1: instruction manual. I don't want to watch a movie that 591 00:38:31,280 --> 00:38:33,520 Speaker 1: when you're watching it, you should be allowed to have 592 00:38:33,640 --> 00:38:35,799 Speaker 1: Google with you to google all the ship that they're 593 00:38:35,840 --> 00:38:38,359 Speaker 1: talking about, because it got way the funk out there. 594 00:38:38,960 --> 00:38:43,399 Speaker 1: So that is my respectable review of the film. This 595 00:38:43,480 --> 00:38:45,480 Speaker 1: is why we need an I Am Wrapped Parts Stereo 596 00:38:45,560 --> 00:38:50,840 Speaker 1: podcast newsletter. Miles Jordan's please call into the if you 597 00:38:52,120 --> 00:38:53,919 Speaker 1: if you have Premium map and you saw this movie, 598 00:38:54,040 --> 00:38:57,560 Speaker 1: please call in and tell me what you think on 599 00:38:57,640 --> 00:38:59,640 Speaker 1: the next night. I Am wrap Forts Stereo Podcast. If 600 00:38:59,680 --> 00:39:02,760 Speaker 1: you so are sorry to bother you, please either email 601 00:39:02,800 --> 00:39:04,560 Speaker 1: me DM me let me know what you think. I 602 00:39:04,600 --> 00:39:07,759 Speaker 1: want to hear good bannering different about this film. But 603 00:39:07,840 --> 00:39:10,880 Speaker 1: that is my review. If I was on Rotten Tomatoes, unfortunately, 604 00:39:10,880 --> 00:39:15,280 Speaker 1: you'd be getting a fucking rotten tomato. That being said, 605 00:39:16,080 --> 00:39:18,400 Speaker 1: I said what I said. I recommend seeing it and 606 00:39:18,440 --> 00:39:20,920 Speaker 1: making two cents of it on your own. It went 607 00:39:21,000 --> 00:39:25,720 Speaker 1: way to funk over my dumbass head. So fucking Tyler 608 00:39:27,400 --> 00:39:31,839 Speaker 1: Coach of the Cleveland Cavaliers. I saw him. I saw 609 00:39:31,880 --> 00:39:36,160 Speaker 1: this fucking guy with my guy, Rick Kamela, friend of 610 00:39:36,160 --> 00:39:39,480 Speaker 1: the Iron Wrap Ports Stereo podcast, NBA guy does the 611 00:39:39,600 --> 00:39:42,960 Speaker 1: NBA TV. He's in summer league, Tyler. First of all, 612 00:39:42,960 --> 00:39:46,719 Speaker 1: why are you at summer league, Duke? Why aren't you 613 00:39:47,680 --> 00:39:55,120 Speaker 1: resting your head in Acapulco or Jamaica or Tahiti or 614 00:39:55,280 --> 00:39:58,600 Speaker 1: on island somewhere and like you know, off off the coast. 615 00:39:59,600 --> 00:40:05,400 Speaker 1: You've been through enough. But he told Rick Kamela on 616 00:40:05,440 --> 00:40:08,200 Speaker 1: an interview in Summer League in Vegas, Vegas is too 617 00:40:08,239 --> 00:40:14,040 Speaker 1: hot for you, Tyler, Vegas is too hot for you. 618 00:40:14,160 --> 00:40:16,800 Speaker 1: Had a health scare which I'll never make light of. 619 00:40:18,640 --> 00:40:22,040 Speaker 1: The best player to ever play basketball, Lebron James, left 620 00:40:22,040 --> 00:40:26,399 Speaker 1: you cold and fucking lonely, and you're in Vegas at 621 00:40:26,440 --> 00:40:31,920 Speaker 1: summer League. Go to the Dominican Republican get your fucking 622 00:40:31,960 --> 00:40:34,719 Speaker 1: head right. You deserve it, You've earned it, You've been 623 00:40:34,760 --> 00:40:37,319 Speaker 1: through fucking hell. I don't care that you won a championship. 624 00:40:37,600 --> 00:40:41,399 Speaker 1: You deserve a fucking vacation. Send your assistance and executives 625 00:40:41,520 --> 00:40:46,400 Speaker 1: to Vegas for summer league. Rest your fucking head. Wrap 626 00:40:46,480 --> 00:40:49,799 Speaker 1: that ship up in some beeswax. And some honey and 627 00:40:49,920 --> 00:40:52,719 Speaker 1: some some some cooling oils. Wrap your fucking head up 628 00:40:52,760 --> 00:40:56,480 Speaker 1: and chill out all summer Vegas and to prove that 629 00:40:56,520 --> 00:41:03,040 Speaker 1: he has no business in Vegas. Tylu during his first 630 00:41:03,080 --> 00:41:10,080 Speaker 1: interview since losing the finals, this fucking guy says to 631 00:41:10,160 --> 00:41:13,920 Speaker 1: my guy, Rick Cammel and you could see Rick cammeler 632 00:41:13,920 --> 00:41:16,640 Speaker 1: wanted to say, what the funk are you talking about? Tyler? 633 00:41:19,800 --> 00:41:23,880 Speaker 1: You sound fucking nuts. What are you talking about? He 634 00:41:23,960 --> 00:41:27,799 Speaker 1: says to Tyler, and I quote he said, I was 635 00:41:27,920 --> 00:41:35,800 Speaker 1: shocked and a little hurt when Lebron James left Cleveland. 636 00:41:35,960 --> 00:41:41,280 Speaker 1: He was shocked. You were shocked, Tyler. The entire world, 637 00:41:42,600 --> 00:41:45,800 Speaker 1: whether you followed basketball or not, knew this motherfucker was 638 00:41:45,920 --> 00:41:49,600 Speaker 1: leaving Cleveland, and you, a guy who's with him every 639 00:41:49,600 --> 00:41:55,000 Speaker 1: single day, is still talking about being shocked. Miles Jordan 640 00:41:55,080 --> 00:41:57,520 Speaker 1: played the clip of this guy saying this to Rick 641 00:41:57,640 --> 00:42:01,160 Speaker 1: Kamela clean it up too, because a lot of background noise, 642 00:42:01,239 --> 00:42:02,680 Speaker 1: and I saw it. You know, I was shocked, and 643 00:42:03,040 --> 00:42:04,960 Speaker 1: you know, heard a little bit about about the decision. 644 00:42:05,000 --> 00:42:07,040 Speaker 1: But like I said, you know, we talked and he 645 00:42:07,080 --> 00:42:09,960 Speaker 1: said that you know, I'm his favorite guy. Um he 646 00:42:10,400 --> 00:42:12,560 Speaker 1: being closed by me, do you have it. That's Tyler 647 00:42:13,480 --> 00:42:19,680 Speaker 1: two days ago saying he was shocked sad that Lebron 648 00:42:19,800 --> 00:42:24,759 Speaker 1: James left, but he also was happy because Lebron said 649 00:42:25,000 --> 00:42:30,920 Speaker 1: he was his favorite. Bitch. Please, he was just my man, Tyler. Honestly, 650 00:42:30,960 --> 00:42:33,440 Speaker 1: I'm worried about you, and I'm I'm reaching out to 651 00:42:33,440 --> 00:42:37,440 Speaker 1: you with love and compassion. I'm worried about you. Yo. 652 00:42:37,840 --> 00:42:40,880 Speaker 1: You're not his girlfriend, my man, You're not his favorite. 653 00:42:40,880 --> 00:42:45,840 Speaker 1: He left you. You're not his favorite. Okay, why the 654 00:42:45,880 --> 00:42:49,640 Speaker 1: fund are you shocked that he left? You shouldn't be 655 00:42:49,680 --> 00:42:51,719 Speaker 1: talking about yo. I don't care if they ask you, 656 00:42:51,719 --> 00:42:53,920 Speaker 1: but'd be like, YO, he left. It was what it was. 657 00:42:54,120 --> 00:42:57,360 Speaker 1: I won a championship and now we're moving on here. 658 00:42:57,440 --> 00:43:01,520 Speaker 1: He told you you were his favorite. He liked being 659 00:43:01,520 --> 00:43:03,799 Speaker 1: coached by you best. He's of course he's gonna tell 660 00:43:03,840 --> 00:43:06,919 Speaker 1: that to your jump off. Tyler. You're a jump off. 661 00:43:07,040 --> 00:43:11,879 Speaker 1: You're a side piece. You're a side piece. He hit 662 00:43:11,960 --> 00:43:15,239 Speaker 1: it and then quit it, just like he hit and 663 00:43:15,320 --> 00:43:18,440 Speaker 1: quit Mike Brown, and he hit and quit David Blatt. 664 00:43:18,640 --> 00:43:22,160 Speaker 1: He don't love them, Hose and then jose't loyal. He 665 00:43:22,160 --> 00:43:28,359 Speaker 1: don't go funk about you, tylu Ship play the clip again, Miles, God, 666 00:43:28,440 --> 00:43:30,480 Speaker 1: damn it and clean it up. Miles Davis is a 667 00:43:30,560 --> 00:43:34,279 Speaker 1: sound engineer. Focus on just what he's sang. And I 668 00:43:34,360 --> 00:43:36,120 Speaker 1: saw it. You know, I was shock, and you know, 669 00:43:36,200 --> 00:43:38,480 Speaker 1: heard a little bit about about the decision. But like 670 00:43:38,520 --> 00:43:40,239 Speaker 1: I said, you know, we talked and he said that, 671 00:43:40,520 --> 00:43:43,440 Speaker 1: you know, I'm his favorite guy. Um, he up being 672 00:43:43,440 --> 00:43:50,040 Speaker 1: coached by me. Damn Tyler, Damn If I'm Tyl Lou, 673 00:43:50,239 --> 00:43:53,560 Speaker 1: I would register to be considered a rookie coach next year. 674 00:43:53,600 --> 00:43:56,759 Speaker 1: So if his team exceeds expectations, he could be up 675 00:43:56,760 --> 00:44:00,279 Speaker 1: for Coach of the year. If the Cleveland have a 676 00:44:00,400 --> 00:44:06,600 Speaker 1: liers somehow, some way can exceed Eastern Conference expectations. Pick 677 00:44:06,719 --> 00:44:09,080 Speaker 1: up a good trade, Kevin Love stays healthy and kick 678 00:44:09,120 --> 00:44:14,560 Speaker 1: sass all season, pick up a free agent, and Tyler 679 00:44:14,680 --> 00:44:17,120 Speaker 1: proves that he's some sort of formidable coach. And let's 680 00:44:17,120 --> 00:44:20,200 Speaker 1: say they even come in ninth or tenth place, He's 681 00:44:20,239 --> 00:44:25,279 Speaker 1: coach of the fucking year. But based on what you're 682 00:44:25,360 --> 00:44:28,760 Speaker 1: saying to my man, Rick the stick Camelra, you sound 683 00:44:28,800 --> 00:44:35,960 Speaker 1: fucking nuts, Tyler, you sound crazy. And then Luke Walton 684 00:44:37,640 --> 00:44:40,320 Speaker 1: and Tyler, former teammates when they played for the Lakers, 685 00:44:40,520 --> 00:44:43,440 Speaker 1: had coffee because Luke Walton wanted to know what it 686 00:44:43,480 --> 00:44:47,799 Speaker 1: was like and get some tips on coaching Lebron James. Now, 687 00:44:47,840 --> 00:44:50,920 Speaker 1: this is funny and all that, but I think this 688 00:44:51,040 --> 00:44:56,120 Speaker 1: is actually fake fucking NBA news from fake fucking NBA sources. 689 00:44:58,239 --> 00:45:00,759 Speaker 1: These guys are in Vegas. Vegas sucks. I don't care 690 00:45:00,840 --> 00:45:04,320 Speaker 1: for there, for the summer league or not. Tyler obviously 691 00:45:04,320 --> 00:45:08,359 Speaker 1: out of his fucking tree right now, Gon. But these 692 00:45:08,360 --> 00:45:10,960 Speaker 1: old friends, old teammates and now coaches in the NBA. 693 00:45:11,040 --> 00:45:12,919 Speaker 1: Of course they're gonna meet and talk and hang out. 694 00:45:13,760 --> 00:45:19,360 Speaker 1: But how would anybody know what Tyler and Luke Walton 695 00:45:19,400 --> 00:45:25,239 Speaker 1: were actually discussing. We read so much fake sports news. 696 00:45:25,320 --> 00:45:29,000 Speaker 1: Talk about fake news. There's so much fake sports news 697 00:45:29,520 --> 00:45:32,960 Speaker 1: sources have said this. The only motherfucker who actually has 698 00:45:32,800 --> 00:45:37,680 Speaker 1: reliable sources who I'll never dis about saying sources is 699 00:45:37,719 --> 00:45:42,239 Speaker 1: my man, Chris Boussark. He's got sources, you see. He 700 00:45:42,280 --> 00:45:46,600 Speaker 1: doesn't say it anymore unless he actually has sources. But 701 00:45:46,719 --> 00:45:52,600 Speaker 1: all this rumor has it, I'm in good standing to 702 00:45:52,719 --> 00:45:56,440 Speaker 1: say that possibly this possibly that Stephen A. Smith. The 703 00:45:56,480 --> 00:46:00,479 Speaker 1: other day, said Dane Dollar, friend of the Iron Wrapp 704 00:46:00,480 --> 00:46:03,400 Speaker 1: Reports Stereo podcast might be traded to the Knicks of 705 00:46:03,440 --> 00:46:05,560 Speaker 1: the Lakers. If he's not traded to the Knicks of 706 00:46:05,560 --> 00:46:08,880 Speaker 1: the Lakers, it makes no difference. Stephen A. Smith, the 707 00:46:08,880 --> 00:46:11,919 Speaker 1: Great Stephen, he doesn't lose any sleep. Ernie fucking hair 708 00:46:12,440 --> 00:46:14,800 Speaker 1: and that hairline is going backwards. But it's not because 709 00:46:14,800 --> 00:46:18,279 Speaker 1: of this, Stephen A. Smith. It's time to shave that 710 00:46:18,440 --> 00:46:21,760 Speaker 1: fucking thing off. It starts at the top of your dome. 711 00:46:21,920 --> 00:46:24,200 Speaker 1: And I say, with respect and love, funk with you 712 00:46:24,280 --> 00:46:27,799 Speaker 1: hard saying, with respect and love, Stephen A. Smith, get 713 00:46:27,800 --> 00:46:31,400 Speaker 1: a boldy. Okay, it can't look any worse than the 714 00:46:31,440 --> 00:46:33,360 Speaker 1: ship you got right now. First of all, is that 715 00:46:33,480 --> 00:46:35,960 Speaker 1: a wig, Stephen A. Smith. I feel like you got 716 00:46:36,080 --> 00:46:38,520 Speaker 1: a Steve Harvey wig. Remember when Steve Harvey was on 717 00:46:38,920 --> 00:46:41,600 Speaker 1: uh and evening at the Apollo, that was a fucking wig. 718 00:46:41,719 --> 00:46:47,480 Speaker 1: He admitted it. Now I got the boldy too, took 719 00:46:47,520 --> 00:46:49,879 Speaker 1: the audience about six months again, used to will get 720 00:46:49,960 --> 00:46:52,160 Speaker 1: used to it. If that's a fucking wig and you're 721 00:46:52,160 --> 00:46:55,000 Speaker 1: gluing it on every night, Stephen A. Smith, do the 722 00:46:55,080 --> 00:47:00,120 Speaker 1: fans do yourself a favor. You already get up early 723 00:47:00,239 --> 00:47:02,000 Speaker 1: enough to do your show. This will save you about 724 00:47:02,040 --> 00:47:06,960 Speaker 1: forty five minutes and money. Okay, you don't have to 725 00:47:06,960 --> 00:47:10,400 Speaker 1: fucking travel with a wig. Get the glue and the 726 00:47:10,480 --> 00:47:13,160 Speaker 1: duct tape that you're using to hold that puppy down. 727 00:47:13,320 --> 00:47:15,560 Speaker 1: But the point is this fake ship. We don't know 728 00:47:15,600 --> 00:47:19,319 Speaker 1: what Tyler and Luke Walton were meeting about. And if 729 00:47:19,320 --> 00:47:22,560 Speaker 1: they met and they discussed Lebron James, that's probably amongst 730 00:47:22,640 --> 00:47:24,279 Speaker 1: all the other things, and the fact that they have 731 00:47:24,320 --> 00:47:29,000 Speaker 1: a long standing relationship fake sports news. The Knicks have 732 00:47:29,040 --> 00:47:31,560 Speaker 1: traded or he didn't sign, he was a free agent. 733 00:47:31,600 --> 00:47:35,560 Speaker 1: I don't care. I met him. He was nice, Kylo Quinn. 734 00:47:37,280 --> 00:47:39,479 Speaker 1: People say, why are you bringing that up? Fucking stay 735 00:47:39,520 --> 00:47:44,879 Speaker 1: with me. Kylo Quinn, after leaving New York said, I'm 736 00:47:44,920 --> 00:47:47,799 Speaker 1: looking forward to a chance to play for something other 737 00:47:47,840 --> 00:47:52,279 Speaker 1: than a good draft pick. You fuck you. You're from 738 00:47:52,320 --> 00:47:54,680 Speaker 1: New York and that's what you say. You're parting words. 739 00:47:54,680 --> 00:47:57,000 Speaker 1: You fuck you. You're lucky you're not in the fucking 740 00:47:57,080 --> 00:48:01,960 Speaker 1: G League, kylo Quinn. You're lucky you're not playing. How 741 00:48:01,960 --> 00:48:03,480 Speaker 1: do you know you're not gonna be playing for a 742 00:48:03,600 --> 00:48:07,279 Speaker 1: G League championship? When you get cut from Indiana and 743 00:48:07,320 --> 00:48:10,319 Speaker 1: sent down to the fucking G League, that's you're You're 744 00:48:10,360 --> 00:48:13,040 Speaker 1: from Queens and you're dissing the New York Knicks and 745 00:48:13,120 --> 00:48:16,680 Speaker 1: David Fizdale like that. You ain't really all at Duke. 746 00:48:19,200 --> 00:48:20,840 Speaker 1: There's a reason why you were able to get so 747 00:48:20,960 --> 00:48:23,959 Speaker 1: much burned with the New York Knicks. Damn days are over, Duke. 748 00:48:26,120 --> 00:48:29,720 Speaker 1: The Indiana Pacers pushed Lebron and them to the seventh game. 749 00:48:30,640 --> 00:48:32,839 Speaker 1: You ain't gonna be part of the main rotation, Duke, 750 00:48:32,880 --> 00:48:36,479 Speaker 1: and you're shipping on the New York Knicks, you better 751 00:48:36,600 --> 00:48:41,000 Speaker 1: hope you're not playing for a G League championship. I 752 00:48:41,080 --> 00:48:44,720 Speaker 1: saw these, uh different people commenting on what he said 753 00:48:44,760 --> 00:48:47,239 Speaker 1: when he left Kylo Quinn and then one one guy 754 00:48:47,320 --> 00:48:51,760 Speaker 1: when one parent NBA insider state, oh, he's a great 755 00:48:52,000 --> 00:48:56,759 Speaker 1: locker room guy. I heard different. Me, Michael Report, I 756 00:48:56,800 --> 00:49:00,000 Speaker 1: heard different, and I don't talk out of my ass 757 00:49:00,000 --> 00:49:01,920 Speaker 1: when it comes to sports. I heard he wasn't a 758 00:49:01,920 --> 00:49:04,560 Speaker 1: great locker room guy. That's what my sources told me, 759 00:49:05,360 --> 00:49:07,520 Speaker 1: and my sources are legit. I heard he wasn't a 760 00:49:07,520 --> 00:49:10,640 Speaker 1: great locker room guy. Say whatever the funk you want, 761 00:49:10,680 --> 00:49:12,920 Speaker 1: you can. I think the guy who said he was 762 00:49:12,960 --> 00:49:15,000 Speaker 1: a great locker room guys making it up. But I'm 763 00:49:15,040 --> 00:49:20,040 Speaker 1: not making up when I said disrespectful Kyle O'Quinn, Good 764 00:49:20,120 --> 00:49:25,200 Speaker 1: fucking luck next year with the Indiana Pacers. Fucking ankle taper, eleventh, 765 00:49:25,320 --> 00:49:27,759 Speaker 1: twelfth man on the fucking bench. You're gonna miss playing 766 00:49:27,840 --> 00:49:31,959 Speaker 1: for the New York Knicks. Kevin Knox, our first round 767 00:49:31,960 --> 00:49:35,560 Speaker 1: pick is the standout thus far. It is the summer 768 00:49:35,600 --> 00:49:39,080 Speaker 1: League means absolutely nothing, but he's the fucking standout. He's 769 00:49:39,120 --> 00:49:41,600 Speaker 1: the most impressive player. And I don't say that with biases. 770 00:49:41,880 --> 00:49:44,120 Speaker 1: I know what we've been through as a Knicks man. 771 00:49:44,120 --> 00:49:48,880 Speaker 1: We've been through ship Kevin Knox, in my opinion, and 772 00:49:48,960 --> 00:49:53,000 Speaker 1: actually Colin Coward said the same thing. Is the most 773 00:49:53,000 --> 00:49:56,560 Speaker 1: impressive NBA ready guy right now out of all the 774 00:49:56,640 --> 00:50:06,840 Speaker 1: draft picks, act like you know, h m hm, sipping 775 00:50:06,840 --> 00:50:11,160 Speaker 1: a little water Saturday night. Our guy, the Black Beast, 776 00:50:11,200 --> 00:50:17,600 Speaker 1: Derrick Lewis, had a shitty fight against Nagano. That motherfucker 777 00:50:17,680 --> 00:50:21,759 Speaker 1: needs to retire. Listen, Black Beast in the corner of 778 00:50:21,760 --> 00:50:23,719 Speaker 1: the first round. He said his back was hurting. He's 779 00:50:23,760 --> 00:50:27,640 Speaker 1: a counterpuncher, but you can't CounterPunch a fucking ghost. The 780 00:50:27,640 --> 00:50:30,520 Speaker 1: guy was fighting was a fucking ghost, but he wanted 781 00:50:30,760 --> 00:50:33,880 Speaker 1: bullshit decision. He knows it was a bullshit decision. I 782 00:50:33,920 --> 00:50:36,840 Speaker 1: hope he could get his back together and make a 783 00:50:36,920 --> 00:50:39,359 Speaker 1: comeback and have a better showing, because I know he 784 00:50:39,400 --> 00:50:43,600 Speaker 1: feels bad that he got booed. Black Beast friend of 785 00:50:43,600 --> 00:50:46,160 Speaker 1: the Iron Rapports Stereo podcast. He said he would sit 786 00:50:46,280 --> 00:50:48,040 Speaker 1: in the back of the car when me and Dean 787 00:50:48,160 --> 00:50:53,840 Speaker 1: could through the next episode of the shame Game. Excuse 788 00:50:53,840 --> 00:50:58,320 Speaker 1: me keep that purpen in Miles Rocking and Rolling. Daniel 789 00:50:58,360 --> 00:51:04,760 Speaker 1: Cormier d C knock the motherfucker out with a short 790 00:51:04,880 --> 00:51:09,200 Speaker 1: right hand in his fight, and afterwards he challenged brock 791 00:51:09,360 --> 00:51:12,799 Speaker 1: Lessner to come into the ring. Brock Lessner is the 792 00:51:12,960 --> 00:51:17,200 Speaker 1: former football player. He's a failed football player. I failed 793 00:51:17,360 --> 00:51:20,959 Speaker 1: m m A guy, a failed w w E wrestling guy. 794 00:51:21,920 --> 00:51:24,919 Speaker 1: Went back to being an m m A guy got 795 00:51:24,960 --> 00:51:29,000 Speaker 1: caught on that juice. That Barry Bonds, that Ben Johnson, 796 00:51:30,080 --> 00:51:32,480 Speaker 1: that Lance Armstrong got kicked out of the m m A. 797 00:51:32,960 --> 00:51:37,279 Speaker 1: The UFC went back to wrestling. He fought a guy 798 00:51:37,280 --> 00:51:40,120 Speaker 1: on juice. This guy's like a looks like a fucking beast. 799 00:51:40,160 --> 00:51:43,520 Speaker 1: He's like two pounds. He's a fake mountain man, real 800 00:51:43,640 --> 00:51:49,480 Speaker 1: mountain man. Don't do fucking steroids. Duke brock Lessner, fake 801 00:51:49,520 --> 00:51:51,480 Speaker 1: mountain man, he's a go I trained the mountains and 802 00:51:51,520 --> 00:51:55,200 Speaker 1: all that ship. I tweeted about that. Somebody said, why 803 00:51:55,200 --> 00:51:58,200 Speaker 1: don't you out at brock Lesner. That motherfucker. You think 804 00:51:58,239 --> 00:52:02,600 Speaker 1: he knows how to tweet? He can't fucking read. Talk 805 00:52:02,640 --> 00:52:06,480 Speaker 1: about a gorilla. Brock Lesnar is the fucking simon. So 806 00:52:06,560 --> 00:52:10,040 Speaker 1: brock Lesner came in the ring. It was so w 807 00:52:10,040 --> 00:52:11,879 Speaker 1: w he looked like he was juiced up that night. 808 00:52:12,239 --> 00:52:14,680 Speaker 1: You just got kicked out of the UFC for being 809 00:52:14,680 --> 00:52:17,839 Speaker 1: on juice, and then you come back to hype up 810 00:52:17,840 --> 00:52:19,839 Speaker 1: a fight with Daniel Cormier and you look like you're 811 00:52:19,840 --> 00:52:22,760 Speaker 1: on juice again, and you're behaving like you're on juice. 812 00:52:22,880 --> 00:52:26,480 Speaker 1: Are you on the juice? Are you on that? Ben Johnson? 813 00:52:26,480 --> 00:52:28,600 Speaker 1: Brock Lesner, are you on the brock Lesa? Are you 814 00:52:28,680 --> 00:52:31,680 Speaker 1: on that Ben Johnson? Right fucking now, that's what I 815 00:52:31,760 --> 00:52:35,240 Speaker 1: want to know. Anyway, that's supposed to be the next 816 00:52:35,719 --> 00:52:40,160 Speaker 1: heavyweight fight our guy black beasts super heavyweight or double heavyweight. 817 00:52:40,280 --> 00:52:42,840 Speaker 1: I'm not fact checking anything, Okay, I can't remember the 818 00:52:42,880 --> 00:52:49,239 Speaker 1: name of movies actors going solo on that ass. Freestyle 819 00:52:49,280 --> 00:52:55,040 Speaker 1: and free Flowing fifteen rounds of podcasting. I am the 820 00:52:55,080 --> 00:53:01,440 Speaker 1: push of to your podcasting. Very very upsetting situation happened 821 00:53:01,480 --> 00:53:05,720 Speaker 1: to me this morning. Actually, I took my dog Wheezy 822 00:53:06,040 --> 00:53:09,320 Speaker 1: looking right at you. Easy, I'm sucking eyeballing you, talking 823 00:53:09,360 --> 00:53:13,200 Speaker 1: about you my dogs looking I'm looking right at you. 824 00:53:13,520 --> 00:53:16,040 Speaker 1: For those listeners of the Iron Rapper Stereo podcast. My 825 00:53:16,120 --> 00:53:20,360 Speaker 1: dog Wheezy's name is Wheezy, not for the Jeffersons. I 826 00:53:20,400 --> 00:53:24,000 Speaker 1: got him out of a pound in Louisiana, hence the 827 00:53:24,080 --> 00:53:25,920 Speaker 1: name Wheezy, fell in love with him, fell in love 828 00:53:25,960 --> 00:53:28,960 Speaker 1: with me. He thinks I'm his fucking father, man's best friend, 829 00:53:30,280 --> 00:53:36,719 Speaker 1: man's best friend until you see your best friend eating shit, 830 00:53:39,320 --> 00:53:45,440 Speaker 1: when you see your dog eating ship, your quote unquote 831 00:53:45,480 --> 00:53:49,960 Speaker 1: best friend. Because I will say to Wheezy in times 832 00:53:49,960 --> 00:53:51,720 Speaker 1: just me and him, I'll say, you're my best friend. 833 00:53:52,239 --> 00:53:54,200 Speaker 1: Just like that, You're my best friend, Wheezy. I do 834 00:53:54,320 --> 00:53:56,720 Speaker 1: baby talk with him. I feel like he's my best friend. 835 00:53:56,960 --> 00:53:59,560 Speaker 1: He knows my feelings, he can read my emotions. If 836 00:53:59,560 --> 00:54:04,440 Speaker 1: I'm happy, be said crying, yelling, I'm talking about you 837 00:54:04,560 --> 00:54:10,080 Speaker 1: right now is looking I'm talking about you. But when 838 00:54:10,120 --> 00:54:12,759 Speaker 1: your best friend looks you in the face while they're 839 00:54:12,800 --> 00:54:16,200 Speaker 1: eating dogship off the ground. I no longer look at 840 00:54:16,239 --> 00:54:18,440 Speaker 1: you as my best friend, Wheezy. I look at you 841 00:54:19,480 --> 00:54:23,600 Speaker 1: as a ship eating dog. My best friends don't eat 842 00:54:23,640 --> 00:54:27,640 Speaker 1: ship with a smirk on their face and look me 843 00:54:27,680 --> 00:54:32,359 Speaker 1: in the eyes. My worst friends don't do that. My 844 00:54:32,520 --> 00:54:38,520 Speaker 1: worst friends don't eat ship in front of me and 845 00:54:38,600 --> 00:54:40,960 Speaker 1: rush to eat it while I'm going over there to say, Wheezy, 846 00:54:41,080 --> 00:54:46,359 Speaker 1: what the fuck are you doing? If I catch my 847 00:54:46,440 --> 00:54:48,400 Speaker 1: dog wheezy, and I know this is for other dogs. 848 00:54:48,560 --> 00:54:50,879 Speaker 1: If you catch your dog eating ship and you go, well, 849 00:54:50,920 --> 00:54:55,400 Speaker 1: what are you doing? No, don't do that. They don't stop. 850 00:54:55,960 --> 00:54:58,600 Speaker 1: They eat as much ship as they possibly can before 851 00:54:58,600 --> 00:55:01,520 Speaker 1: you get over to them. And that's what my dog 852 00:55:01,560 --> 00:55:04,759 Speaker 1: did this morning and adorned on me. We're not we're 853 00:55:04,840 --> 00:55:09,520 Speaker 1: not best friends. We're not best friends because best friends 854 00:55:09,600 --> 00:55:14,480 Speaker 1: don't eat ship while looking at their best friend in 855 00:55:14,520 --> 00:55:16,480 Speaker 1: the face. Wheezy, and you did that to me today 856 00:55:16,600 --> 00:55:19,520 Speaker 1: and it really hurt my heart. Like I said, my 857 00:55:19,600 --> 00:55:23,280 Speaker 1: worst friends, my biggest enemies don't do that. My ex wife, 858 00:55:24,920 --> 00:55:27,080 Speaker 1: I wish she ate dog ship and looked me in 859 00:55:27,120 --> 00:55:30,200 Speaker 1: the face. Even she won't do that, And she's shitty. 860 00:55:30,560 --> 00:55:34,520 Speaker 1: That's right, that's fucking right. She won't even eat dogs 861 00:55:34,520 --> 00:55:43,760 Speaker 1: shit in front of me. Shame on you, Wheezy. Listen July, Okay, July, 862 00:55:45,239 --> 00:55:51,040 Speaker 1: heading into the second week of July, fantasy football is 863 00:55:51,480 --> 00:55:56,560 Speaker 1: right around the corner. You know that I am a 864 00:55:56,719 --> 00:56:03,239 Speaker 1: senior fantasy football analysts. Okay, you know that I take 865 00:56:03,320 --> 00:56:06,040 Speaker 1: this ship seriously, and I know that a lot of 866 00:56:06,080 --> 00:56:10,080 Speaker 1: you out there take your fantasy football just as if 867 00:56:10,120 --> 00:56:16,759 Speaker 1: not more seriously than I do. Okay, it's early, but 868 00:56:16,920 --> 00:56:22,000 Speaker 1: you need to keep your mother fucking fantasy football sword sharp. 869 00:56:22,800 --> 00:56:26,720 Speaker 1: Keep it fucking sharp. Okay, because in the next two 870 00:56:26,800 --> 00:56:31,560 Speaker 1: weeks the NFL players are going to camp. Then we 871 00:56:31,600 --> 00:56:36,200 Speaker 1: start mock drafting. Then we start what you got it, 872 00:56:36,400 --> 00:56:42,000 Speaker 1: duress mock drafting. Okay, then we start doing high level 873 00:56:42,160 --> 00:56:44,640 Speaker 1: duress mock drafting, and then the next thing you know, 874 00:56:44,719 --> 00:56:47,360 Speaker 1: you got your fucking draft. So it ain't too early 875 00:56:47,719 --> 00:56:49,959 Speaker 1: to do what we're gonna do right now, Right now, 876 00:56:50,640 --> 00:56:55,200 Speaker 1: we're gonna walk through the names. Just some names, quick, quick, 877 00:56:55,280 --> 00:56:59,800 Speaker 1: just some names. Get that fucking sword sharp. Fantasy football 878 00:56:59,880 --> 00:57:06,600 Speaker 1: is just around the fucking corner. Okay, don't complain to 879 00:57:06,640 --> 00:57:08,640 Speaker 1: me and start hitting me up and d M and me. 880 00:57:09,080 --> 00:57:13,880 Speaker 1: Oh this Oh that I didn't. I didn't know. Fuck. Remember, 881 00:57:13,920 --> 00:57:16,680 Speaker 1: I'm telling you right now, get that sword sharp. Right now. 882 00:57:16,720 --> 00:57:20,600 Speaker 1: I am going to give you senior fantasy football analyst, 883 00:57:20,640 --> 00:57:24,720 Speaker 1: the Gringo, man Dingo, the jew Ru. I am going 884 00:57:24,800 --> 00:57:30,160 Speaker 1: to give you top five positional players quarterback, running back, receiver, 885 00:57:30,480 --> 00:57:33,440 Speaker 1: tight ends, and one sleeper. One one to watch. Okay, 886 00:57:33,600 --> 00:57:35,000 Speaker 1: that's it. I'm just gonna give you that, just to 887 00:57:35,000 --> 00:57:37,480 Speaker 1: put the names in your get you thinking, get your 888 00:57:37,480 --> 00:57:43,200 Speaker 1: fucking mind working. Quarterbacks. Top five Aaron Rodgers, Tom Brady, 889 00:57:43,400 --> 00:57:48,200 Speaker 1: DeShawn Watson, Carson Wentz, Drew Brees. One to watch. There 890 00:57:48,240 --> 00:57:51,120 Speaker 1: ain't no preferential treatment at the Iron Rap Coors Stereo Podcast, 891 00:57:51,200 --> 00:57:52,640 Speaker 1: but he is a friend of the Iron Rap Coors 892 00:57:52,640 --> 00:57:55,880 Speaker 1: Stereo Podcast. The quarterback to watch. He was kicking ass 893 00:57:55,960 --> 00:57:58,520 Speaker 1: last year. I expect him to kick ass this year. 894 00:57:58,560 --> 00:58:02,080 Speaker 1: The one to watch, the order back, the lucky number six. 895 00:58:02,400 --> 00:58:06,760 Speaker 1: Jared Goff. Running Backs Todd Gurley. It's also why you 896 00:58:06,760 --> 00:58:09,439 Speaker 1: should watch Jared Goff. You got a great running back, 897 00:58:09,600 --> 00:58:11,520 Speaker 1: opens it up for the quarterback. You know the deal. 898 00:58:12,480 --> 00:58:18,000 Speaker 1: Running Backs Todd Gurley, Levian Bell, Alvin Cannara, sa Kwan Barkley, 899 00:58:18,240 --> 00:58:22,480 Speaker 1: Leonard for net. Those are the five. Do not forget 900 00:58:22,600 --> 00:58:25,520 Speaker 1: David Johnson. He would be healthy. He didn't have a 901 00:58:25,560 --> 00:58:27,640 Speaker 1: knee injury, didn't have an ankle injury. He broke his 902 00:58:27,760 --> 00:58:32,000 Speaker 1: fucking wrist. It sucks, but he didn't have a knee injury. 903 00:58:32,000 --> 00:58:34,240 Speaker 1: He didn't have a leg injury, didn't have a hamstring injury. 904 00:58:34,280 --> 00:58:38,400 Speaker 1: He broke his hand. Do not forget David Johnson and 905 00:58:38,520 --> 00:58:43,440 Speaker 1: Dalvin Cook. Want to watch rookie Rashad Penny in Seattle? 906 00:58:43,640 --> 00:58:46,600 Speaker 1: Moving forward, this is just as sharp and you're a 907 00:58:46,640 --> 00:58:53,920 Speaker 1: fantasy football sword wide receiver, Antonio Brown, Odell Beckham, Michael Thomas, 908 00:58:54,080 --> 00:58:59,400 Speaker 1: DeAndre Hopkins, Big Mike Evans, A J. Green, Julio Jones, 909 00:58:59,400 --> 00:59:04,920 Speaker 1: those who are who guard wide receivers, sleeper one to watch, 910 00:59:05,360 --> 00:59:09,280 Speaker 1: Stefon Diggs. It's got Kirk Cousins. You like that, You 911 00:59:09,400 --> 00:59:13,680 Speaker 1: like that now in Minnesota. And Brandon Cooks he is 912 00:59:13,800 --> 00:59:17,560 Speaker 1: now with Jared Goff. He's out of fucking New England 913 00:59:18,640 --> 00:59:21,720 Speaker 1: in l a tight ends. You know the names, you 914 00:59:21,720 --> 00:59:25,200 Speaker 1: know the places, you know the faces on Kowski, Travis Kels, 915 00:59:25,600 --> 00:59:28,720 Speaker 1: zach Ertz, Kyle Rudolph, the one to watch, Friend of 916 00:59:28,720 --> 00:59:31,200 Speaker 1: the Iron Rapp Reports Stereo Podcast I know you. Listen, 917 00:59:31,240 --> 00:59:36,880 Speaker 1: you fuck you. It's got Garoppolo, Georgie Kittle, and San Francisco. Listen. 918 00:59:37,920 --> 00:59:39,840 Speaker 1: That's it. We're not gonna get crazy. It's too early 919 00:59:39,840 --> 00:59:43,520 Speaker 1: to get crazy. Sharpen your sword, start doing your fantasy 920 00:59:43,520 --> 00:59:47,680 Speaker 1: football push ups, sit ups, and burpies. It's just around 921 00:59:47,960 --> 00:59:53,120 Speaker 1: the corner, all right. Listen. Coming up next on the 922 00:59:53,160 --> 00:59:59,280 Speaker 1: Iron Rapports Stereo podcast, I am shamelessly obsessed with The 923 00:59:59,320 --> 01:00:06,640 Speaker 1: Bachelor rat I don't understand how this show is not 924 01:00:06,840 --> 01:00:10,840 Speaker 1: offensive to men and women. I don't get it. I've 925 01:00:10,840 --> 01:00:15,000 Speaker 1: been watching it, Okay. The reason why I don't talk 926 01:00:15,000 --> 01:00:17,040 Speaker 1: about it a lot on the Iron wrap por Stereo 927 01:00:17,120 --> 01:00:21,440 Speaker 1: podcast is because I sometimes feel like nobody cares. Nobody 928 01:00:21,480 --> 01:00:23,800 Speaker 1: does care, but I care, and I know peep. The 929 01:00:23,800 --> 01:00:26,680 Speaker 1: show has been on the air for twenty nine years, okay, 930 01:00:26,720 --> 01:00:29,480 Speaker 1: and the show comes on at eight and then into ten. 931 01:00:29,600 --> 01:00:31,160 Speaker 1: That's another reason why I don't talk about it on 932 01:00:31,160 --> 01:00:35,360 Speaker 1: the podcast. But today we're breaking the fucking rules. Okay, 933 01:00:35,720 --> 01:00:41,480 Speaker 1: right now we are doing a real time post game 934 01:00:41,800 --> 01:00:46,480 Speaker 1: episode discussion of The Bachelorette, like a fucking like a 935 01:00:46,520 --> 01:00:51,160 Speaker 1: Super Bowl game. This is the post game former Bachelorette 936 01:00:51,200 --> 01:00:54,440 Speaker 1: contestant Diggie Moreland and me are going to break down 937 01:00:54,520 --> 01:00:57,880 Speaker 1: what we just saw. We just saw the Bachelorette. I 938 01:00:57,880 --> 01:01:00,280 Speaker 1: want to know what the fuck really goes on there? 939 01:01:00,320 --> 01:01:03,800 Speaker 1: Is it a fest? Is it a fun fest? Dude? 940 01:01:03,800 --> 01:01:07,080 Speaker 1: People come on there with bad intentions? All that and 941 01:01:07,120 --> 01:01:12,120 Speaker 1: more with Dicky Moreland, Okay, discussing the most recent episode 942 01:01:12,240 --> 01:01:17,600 Speaker 1: of the bat Thrette Coming up next Yo the butter 943 01:01:17,720 --> 01:01:21,280 Speaker 1: Soft I am Wrappports Stereo podcast T shirts are only 944 01:01:21,400 --> 01:01:25,080 Speaker 1: available district lines dot com. Forward Slash I am Rappaport. 945 01:01:25,200 --> 01:01:28,080 Speaker 1: Lebron James is officially signed to l A so Al 946 01:01:28,200 --> 01:01:31,200 Speaker 1: waste Land t shirts are now fifty percent off. Get 947 01:01:31,240 --> 01:01:34,439 Speaker 1: yours before They're gone forever at district lines dot com. 948 01:01:34,640 --> 01:01:39,480 Speaker 1: Forward Slash I am Rappaport scoop up Stickman thirty three 949 01:01:39,560 --> 01:01:44,280 Speaker 1: and Georgetown Blue, the Stickman forty and Sonics Green and yellow, 950 01:01:44,400 --> 01:01:46,680 Speaker 1: the Oakley T shirt, the Air Moody T shirt, the 951 01:01:46,720 --> 01:01:50,000 Speaker 1: Sucker Shit T shirt and black white, and the Beautiful 952 01:01:50,080 --> 01:01:53,320 Speaker 1: Camouflage Sucker Shitt T shirt. The whole collection is available 953 01:01:53,320 --> 01:01:57,440 Speaker 1: at district lines dot com. Forward Slash I am Rappaport. 954 01:01:57,520 --> 01:02:01,640 Speaker 1: That's district lines dot com for war slash. I am Rappaport. 955 01:02:03,200 --> 01:02:06,880 Speaker 1: All right, I am Rapports stereo podcast my Man Bachelor 956 01:02:07,840 --> 01:02:14,000 Speaker 1: veteran Diggie moore Land. We're doing a breakdown of what 957 01:02:14,360 --> 01:02:20,280 Speaker 1: just went down on The Bachelor the Bachelorette. Let's get 958 01:02:20,280 --> 01:02:22,840 Speaker 1: to first remind the people of of of who you 959 01:02:22,880 --> 01:02:26,120 Speaker 1: are and what season you were on before I asked questions. 960 01:02:26,120 --> 01:02:28,080 Speaker 1: I got a lot of questions. Is it was? It 961 01:02:28,440 --> 01:02:30,439 Speaker 1: was a crazy episode. This is when the ship gets 962 01:02:30,440 --> 01:02:32,680 Speaker 1: really good. So remind everybody before we even get into 963 01:02:32,680 --> 01:02:35,760 Speaker 1: that what season you were on and how far you 964 01:02:35,800 --> 01:02:39,040 Speaker 1: made it. So so we got two different shows. So 965 01:02:39,160 --> 01:02:43,120 Speaker 1: the first one the Beschlorette, uh season thirteen Rachel Lindsay 966 01:02:43,280 --> 01:02:46,520 Speaker 1: was the people we do girl. We were trying to 967 01:02:46,560 --> 01:02:49,680 Speaker 1: all get that final rose from. So that was season thirteen, 968 01:02:49,800 --> 01:02:53,640 Speaker 1: and then made it to Bachelor in Paradise. That's a 969 01:02:53,640 --> 01:02:56,520 Speaker 1: whole another show. And I was I was in Mexico 970 01:02:56,600 --> 01:03:00,440 Speaker 1: for a whole month. Okay, and how far? How far 971 01:03:00,480 --> 01:03:02,800 Speaker 1: did you go with Tracy? Because she she's cool, she 972 01:03:02,880 --> 01:03:08,680 Speaker 1: was a very popular bachelorette. Rachel. Sorry, yeah, he made 973 01:03:08,720 --> 01:03:12,240 Speaker 1: it uh halfway with Rachel, So I was like top 974 01:03:12,800 --> 01:03:17,080 Speaker 1: about top twelve alright, So tonight on the Bachelrette, the 975 01:03:17,120 --> 01:03:19,640 Speaker 1: thing that everybody's gonna be talking about is my man 976 01:03:19,800 --> 01:03:26,160 Speaker 1: Colton a k. The White Blake Griffin. This dude, Now, 977 01:03:26,680 --> 01:03:30,160 Speaker 1: this is a handsome dude. She's falling over how handsome. 978 01:03:30,440 --> 01:03:33,960 Speaker 1: He's obviously a handsome dude. He dated one of the 979 01:03:34,000 --> 01:03:38,680 Speaker 1: other chicks earlier. And then he drops a mega bomb. 980 01:03:38,880 --> 01:03:42,120 Speaker 1: Twenty six year old handsome football player played some level 981 01:03:42,160 --> 01:03:46,240 Speaker 1: of professional football player, drops a mega bomb saying he's 982 01:03:46,280 --> 01:03:50,840 Speaker 1: a virgin. Rebecca, is this is this real? Like? The 983 01:03:50,920 --> 01:03:53,040 Speaker 1: thing that bugs me out about this show? Digg? He 984 01:03:53,160 --> 01:03:56,400 Speaker 1: is that? I'm like, is this ship real? Like? What 985 01:03:56,440 --> 01:03:59,680 Speaker 1: the funk is going on behind the scenes? Like, what 986 01:03:59,800 --> 01:04:02,280 Speaker 1: what is what is up with this show? Because I 987 01:04:02,360 --> 01:04:04,400 Speaker 1: trip out off this show? I'm like, is this a 988 01:04:04,480 --> 01:04:08,000 Speaker 1: fun fest? These dudes are crying? My man Leo has 989 01:04:08,080 --> 01:04:10,480 Speaker 1: his hair and a man bun? Like, what is going 990 01:04:10,520 --> 01:04:13,560 Speaker 1: on with the show in general? And is Colton? If 991 01:04:13,560 --> 01:04:16,640 Speaker 1: you say something like how much fact checking and background 992 01:04:16,680 --> 01:04:18,640 Speaker 1: checking do the people do? So I know that's like 993 01:04:18,760 --> 01:04:20,280 Speaker 1: a question that I throw a bunch of stuff that 994 01:04:20,320 --> 01:04:22,800 Speaker 1: you had, but like, try to answer the best the 995 01:04:22,840 --> 01:04:26,240 Speaker 1: best you can with that, all right, So I think 996 01:04:26,280 --> 01:04:29,640 Speaker 1: the first thing that people need to realize is there's 997 01:04:29,880 --> 01:04:32,600 Speaker 1: tons and tons of people that apply to me on 998 01:04:32,640 --> 01:04:36,080 Speaker 1: the shows, and you gotta realize there's we go through it. 999 01:04:36,400 --> 01:04:39,480 Speaker 1: May at the end of the day, the producers have 1000 01:04:39,560 --> 01:04:42,720 Speaker 1: a job to put on something that's interesting enough for 1001 01:04:42,880 --> 01:04:47,800 Speaker 1: America to see. If America went and saw thirty perfect dudes, 1002 01:04:48,400 --> 01:04:51,680 Speaker 1: and you know, it ends up where everybody just you know, 1003 01:04:51,800 --> 01:04:53,520 Speaker 1: one person falls in love and they ride off for 1004 01:04:53,560 --> 01:04:57,120 Speaker 1: the sunset, it'd be boring. So you need the guy 1005 01:04:57,200 --> 01:04:59,520 Speaker 1: that looks weird, like maybe like Leo does with the 1006 01:04:59,560 --> 01:05:02,400 Speaker 1: long hair there, and then you need this this beautiful 1007 01:05:02,840 --> 01:05:06,520 Speaker 1: coaching that's you know, American sons, you know, sweetheart, and 1008 01:05:06,560 --> 01:05:08,520 Speaker 1: then all of a sudden you find out, okay, this 1009 01:05:08,640 --> 01:05:12,280 Speaker 1: gott everybody thinks is a ten is a virgin. Now 1010 01:05:12,360 --> 01:05:14,880 Speaker 1: you now you've got people debating is he a really 1011 01:05:14,920 --> 01:05:17,320 Speaker 1: a virgin? Is he not? Is he some Tim Tebow ship? 1012 01:05:17,880 --> 01:05:23,280 Speaker 1: Like there's perfect perfect type stuff. So they cast everybody 1013 01:05:23,640 --> 01:05:26,640 Speaker 1: for a reason. There's there's normally not two of those 1014 01:05:26,680 --> 01:05:30,360 Speaker 1: original thirty thirty dudes that are like the same, and 1015 01:05:30,400 --> 01:05:33,520 Speaker 1: so it's real. I mean, but you got to realize 1016 01:05:33,560 --> 01:05:35,640 Speaker 1: when you're in the house. They start from the mansion 1017 01:05:35,640 --> 01:05:38,000 Speaker 1: and they go all these destinations. You're in the house 1018 01:05:38,040 --> 01:05:42,120 Speaker 1: and you have no phone, no no laptop, no no TV, 1019 01:05:42,320 --> 01:05:45,480 Speaker 1: and you're literally they're just talking about your feelings and 1020 01:05:45,680 --> 01:05:50,000 Speaker 1: just you think about Becca in this scenario non stop. 1021 01:05:50,080 --> 01:05:52,600 Speaker 1: So that's why you got dudes crying and having all 1022 01:05:52,600 --> 01:05:54,600 Speaker 1: these discussions because it's literally all you have to talk 1023 01:05:54,640 --> 01:05:58,560 Speaker 1: about is your relationship with people. The lead in this case. 1024 01:05:58,560 --> 01:06:01,560 Speaker 1: It's so when you are filming the show, there's no phones, 1025 01:06:01,640 --> 01:06:04,240 Speaker 1: there's no there's no there's no contact with the outside 1026 01:06:04,240 --> 01:06:08,080 Speaker 1: world tech technology wise. Dude. No, I remember when I 1027 01:06:08,120 --> 01:06:09,720 Speaker 1: was in there, and that was this is last year 1028 01:06:09,760 --> 01:06:14,360 Speaker 1: for me. We went and started filming right before the 1029 01:06:14,400 --> 01:06:17,760 Speaker 1: tournament started, and so soon as soon as you land 1030 01:06:17,800 --> 01:06:20,160 Speaker 1: in l A where you started to match it, they 1031 01:06:20,200 --> 01:06:23,000 Speaker 1: take your phone, no Apple wise, no iPad, none of that. 1032 01:06:23,280 --> 01:06:25,800 Speaker 1: And so I'm I'm thinking, like, man, the tournament's going on. 1033 01:06:26,200 --> 01:06:28,360 Speaker 1: I don't know what's going on right now, and it's 1034 01:06:28,400 --> 01:06:30,520 Speaker 1: just like you don't know who's winning, who got eliminated, 1035 01:06:30,560 --> 01:06:32,920 Speaker 1: all this stuff, So you don't know anything that's going 1036 01:06:33,000 --> 01:06:36,120 Speaker 1: on outside of the house. So all they want you 1037 01:06:36,200 --> 01:06:39,800 Speaker 1: fully emotion in the experience, and that tends to what 1038 01:06:39,920 --> 01:06:44,200 Speaker 1: gives like the best TV now obviously, um, you know, 1039 01:06:44,280 --> 01:06:47,360 Speaker 1: you guys will shoot for hours, you know, whether it's 1040 01:06:47,440 --> 01:06:50,360 Speaker 1: you know, playing football or whether it's you know what, 1041 01:06:50,520 --> 01:06:54,040 Speaker 1: whatever the activities are, the dates or the hangouts or 1042 01:06:54,120 --> 01:06:57,600 Speaker 1: these cocktail parties, and then they cut it down when 1043 01:06:57,680 --> 01:07:00,480 Speaker 1: when you were doing the show, was there stuff that 1044 01:07:00,520 --> 01:07:03,320 Speaker 1: you would have thought if it had been presented on 1045 01:07:03,400 --> 01:07:06,560 Speaker 1: TV it would have uh skewed you different, or stuff 1046 01:07:06,560 --> 01:07:08,120 Speaker 1: that you thought would have made it on that got 1047 01:07:08,120 --> 01:07:10,080 Speaker 1: cut out? Like how how hard was it when you 1048 01:07:10,080 --> 01:07:13,960 Speaker 1: finally watched the final edit? It's it's it's very different 1049 01:07:13,960 --> 01:07:16,520 Speaker 1: because a lot of times, obviously we're the only ones 1050 01:07:16,560 --> 01:07:19,560 Speaker 1: that know how, you know, how it actually happened, and 1051 01:07:19,600 --> 01:07:22,680 Speaker 1: things like that. Like I remember that first night, like 1052 01:07:23,040 --> 01:07:25,560 Speaker 1: I'm very I never really watched the show prior to 1053 01:07:25,560 --> 01:07:28,000 Speaker 1: going on it, but I didn't want to go on 1054 01:07:28,040 --> 01:07:30,960 Speaker 1: there and just like kind of get portrayed in a 1055 01:07:31,000 --> 01:07:33,320 Speaker 1: certain way. And I know, my biggest concern about going 1056 01:07:33,360 --> 01:07:36,880 Speaker 1: on the show was I didn't want something to happen 1057 01:07:36,920 --> 01:07:39,400 Speaker 1: and then you know, they edited to make me look 1058 01:07:39,400 --> 01:07:43,040 Speaker 1: a different way or whatever. So my very first contole party, 1059 01:07:43,040 --> 01:07:46,680 Speaker 1: I was like very like silent, and I didn't say 1060 01:07:46,680 --> 01:07:48,560 Speaker 1: a lot because I didn't want to give them material 1061 01:07:49,320 --> 01:07:52,880 Speaker 1: to you know, portrayed me in a different way. And 1062 01:07:52,960 --> 01:07:55,040 Speaker 1: so once I kind of sat back in the cut, 1063 01:07:55,360 --> 01:07:58,160 Speaker 1: kind of saw exactly how things were working whatever, and 1064 01:07:58,200 --> 01:08:01,160 Speaker 1: then then kind of started to make my move, um, 1065 01:08:01,200 --> 01:08:03,640 Speaker 1: because I didn't want to give them the ammunition. But 1066 01:08:04,680 --> 01:08:07,760 Speaker 1: it's very different. It's just like and then they tell 1067 01:08:07,800 --> 01:08:11,000 Speaker 1: you if you don't say it, they can't edit it 1068 01:08:11,040 --> 01:08:17,280 Speaker 1: that way. It's it's a very different, unique experience. But 1069 01:08:17,439 --> 01:08:19,839 Speaker 1: you you're miked up. If you're not in the shower 1070 01:08:20,000 --> 01:08:21,880 Speaker 1: or the bathroom, you got a mic on you, and 1071 01:08:21,960 --> 01:08:25,160 Speaker 1: that you never know. And there's so many damn cameras 1072 01:08:25,160 --> 01:08:27,840 Speaker 1: in the house, like especially as the house wherever we go, 1073 01:08:28,000 --> 01:08:29,720 Speaker 1: Like you could have one room like the living room 1074 01:08:30,000 --> 01:08:32,360 Speaker 1: that I have like twenty different cameras in there, and 1075 01:08:32,360 --> 01:08:34,840 Speaker 1: then you have all these angles. A lot of times 1076 01:08:34,840 --> 01:08:37,320 Speaker 1: you'll be whispering something to somebody else and you think, oh, 1077 01:08:37,360 --> 01:08:40,160 Speaker 1: I'm whispering, but you forget, dude, You're wearing a mic, 1078 01:08:40,680 --> 01:08:43,479 Speaker 1: like anybody can hear you, and that could be you know, 1079 01:08:43,800 --> 01:08:46,360 Speaker 1: and all of a sudden, like three cameras just show 1080 01:08:46,439 --> 01:08:48,439 Speaker 1: up right next to you. You're like, where do these 1081 01:08:48,479 --> 01:08:51,519 Speaker 1: cameras come on? And you realize some producer hurt you 1082 01:08:51,760 --> 01:08:53,720 Speaker 1: and they're like, yo, go make diggies over there in 1083 01:08:53,760 --> 01:08:56,160 Speaker 1: the corner whispering. But we get some good ship. Make 1084 01:08:56,200 --> 01:08:57,840 Speaker 1: sure we go over there and listen to what they're saying. 1085 01:08:57,880 --> 01:08:59,519 Speaker 1: And all of a sudden, you know, like I said, 1086 01:08:59,520 --> 01:09:01,000 Speaker 1: the's three came the shore and posts to like that. 1087 01:09:01,080 --> 01:09:04,040 Speaker 1: So that's kind of how it works. Now. Another question 1088 01:09:04,080 --> 01:09:07,200 Speaker 1: I have when you travel because one thing you we 1089 01:09:07,200 --> 01:09:09,760 Speaker 1: we don't see or I haven't seen it, or if 1090 01:09:09,800 --> 01:09:11,800 Speaker 1: it's been if it's been on there, I've missed it. 1091 01:09:12,160 --> 01:09:15,400 Speaker 1: When you guys travel from l A to wherever palm 1092 01:09:15,479 --> 01:09:18,000 Speaker 1: springs or Palm Springs to Mexico and you get on 1093 01:09:18,120 --> 01:09:20,720 Speaker 1: planes and all this, what is that like traveling? Are 1094 01:09:20,760 --> 01:09:23,800 Speaker 1: all the guys traveling together? Do you have any contact 1095 01:09:23,840 --> 01:09:28,200 Speaker 1: with the bachelorette? Like? What is that like? Because if 1096 01:09:28,200 --> 01:09:31,360 Speaker 1: you're vying for attention, you're trying to charmer and and 1097 01:09:31,400 --> 01:09:35,280 Speaker 1: woo and wow, w'ere how much stuff um is there 1098 01:09:35,280 --> 01:09:38,479 Speaker 1: where there are no cameras when you're around or do 1099 01:09:38,520 --> 01:09:43,000 Speaker 1: you only really see her when there's cameras are around, Okay, 1100 01:09:43,120 --> 01:09:45,200 Speaker 1: So I can answer this based on what I know 1101 01:09:45,400 --> 01:09:50,000 Speaker 1: because in my season with with Rachel, I got eliminated 1102 01:09:50,400 --> 01:09:53,679 Speaker 1: the night before they travel, so I didn't travel with them. 1103 01:09:53,720 --> 01:09:58,240 Speaker 1: But I do know, Um, we don't have like open 1104 01:09:58,280 --> 01:10:01,080 Speaker 1: access like oh I'm gonna go Hiller the Rachel or 1105 01:10:01,160 --> 01:10:05,880 Speaker 1: Becca or whatever. It's more so like she's there during 1106 01:10:05,880 --> 01:10:08,439 Speaker 1: the cocktail parties or whatever. You don't have free rain 1107 01:10:08,560 --> 01:10:10,880 Speaker 1: just to walk up to her room or whatever. Um, 1108 01:10:10,920 --> 01:10:13,320 Speaker 1: if you're not at like on a date or at 1109 01:10:13,320 --> 01:10:18,040 Speaker 1: a cocktail party, then you don't have contact with the league. 1110 01:10:18,200 --> 01:10:20,760 Speaker 1: So with Rachel or with Becca in the scenario, but 1111 01:10:20,880 --> 01:10:24,840 Speaker 1: you're always with the guys. So we don't travel like 1112 01:10:25,560 --> 01:10:28,400 Speaker 1: obviously when they go to different different destinations, there's not 1113 01:10:28,439 --> 01:10:31,000 Speaker 1: like fifteen or twenty of us traveling. It would be 1114 01:10:31,040 --> 01:10:34,360 Speaker 1: like maybe four of us traveling on one plane, maybe 1115 01:10:34,479 --> 01:10:36,600 Speaker 1: another you know, or they'll have like different seats on 1116 01:10:36,640 --> 01:10:40,320 Speaker 1: the plane whatever. Because as you may not know yet, 1117 01:10:40,360 --> 01:10:43,880 Speaker 1: but like the fans are like fans, and I remember 1118 01:10:43,920 --> 01:10:47,080 Speaker 1: they know like before the ABC even releases the cast, 1119 01:10:47,640 --> 01:10:50,880 Speaker 1: like they do their homework whatever. So if you see 1120 01:10:51,360 --> 01:10:55,479 Speaker 1: twenty guys hopping on the plane and then we're not 1121 01:10:55,520 --> 01:10:58,000 Speaker 1: all like six six or whatever. They know okay, they're 1122 01:10:58,000 --> 01:11:00,280 Speaker 1: not in a sports team or whatever, but they pool 1123 01:11:00,560 --> 01:11:03,000 Speaker 1: that are actually fans of the show. Like, yo, that's 1124 01:11:03,040 --> 01:11:06,519 Speaker 1: Diggy from Chicago. This must be the other guys that 1125 01:11:06,560 --> 01:11:09,799 Speaker 1: are on the show or whatever. So they the fans 1126 01:11:09,840 --> 01:11:12,840 Speaker 1: are like super super fans. What makes it really fun. 1127 01:11:13,400 --> 01:11:17,000 Speaker 1: But they know any and everything about you, which is 1128 01:11:17,080 --> 01:11:19,760 Speaker 1: kind of kind of cool and crazy at the same time. Now, 1129 01:11:19,840 --> 01:11:22,200 Speaker 1: I know you only made it so far, but you know, 1130 01:11:22,280 --> 01:11:25,160 Speaker 1: you you you speak to some of these guys, uh 1131 01:11:25,200 --> 01:11:27,400 Speaker 1: that are like deeper in the show. You've spoken to 1132 01:11:27,400 --> 01:11:29,639 Speaker 1: some other guys. The thing that's crazy to me, Let's 1133 01:11:29,680 --> 01:11:32,960 Speaker 1: let's say let's say Becca for instance, in this show, 1134 01:11:33,439 --> 01:11:38,320 Speaker 1: like the episode that we watched tonight, she's kissing on 1135 01:11:38,400 --> 01:11:43,600 Speaker 1: all these dudes, all these dudes, and then like obviously 1136 01:11:43,800 --> 01:11:48,679 Speaker 1: you know, like whoever it is knows, you know, like there, 1137 01:11:48,840 --> 01:11:50,800 Speaker 1: you know, it's a lot of it's in secret because 1138 01:11:50,800 --> 01:11:53,000 Speaker 1: it's pre taped and all that stuff. You're sitting there 1139 01:11:53,000 --> 01:11:55,880 Speaker 1: in a new relationship and everybody's watching the show and 1140 01:11:55,880 --> 01:11:58,599 Speaker 1: they're like, Yo, she's kissing this dude, She's kissing that dude. 1141 01:11:58,640 --> 01:12:02,200 Speaker 1: She's because I mean, no early relationship should have to 1142 01:12:02,280 --> 01:12:04,760 Speaker 1: deal with that. Like if I'm sitting at home, like 1143 01:12:04,760 --> 01:12:07,320 Speaker 1: like my wife, I've never seen her kiss on any dude. 1144 01:12:07,520 --> 01:12:10,000 Speaker 1: If I have to watch videotape of not only I've 1145 01:12:10,040 --> 01:12:11,720 Speaker 1: never even seen a picture of her, Like you know, 1146 01:12:11,760 --> 01:12:13,919 Speaker 1: you're like opposing with a picture of an old boyfriend 1147 01:12:14,160 --> 01:12:19,840 Speaker 1: of her kissing. But if you're watching like video in color, makeup, hair, 1148 01:12:20,200 --> 01:12:23,800 Speaker 1: the lighting, sexy beat ship and she's kissing on this dude, 1149 01:12:23,880 --> 01:12:26,640 Speaker 1: that dude, this dude, This can't be a way to 1150 01:12:26,680 --> 01:12:29,320 Speaker 1: start a relationship without some like turmoil. Do you know 1151 01:12:29,320 --> 01:12:33,080 Speaker 1: what I'm saying. I get you, I get it, but 1152 01:12:33,920 --> 01:12:37,200 Speaker 1: we all know, we all knew exactly what we signed 1153 01:12:37,240 --> 01:12:39,160 Speaker 1: up for. Yeah, but then when you see it though, 1154 01:12:39,200 --> 01:12:40,960 Speaker 1: it's like, yeah, what the funk? When you oh, he 1155 01:12:41,040 --> 01:12:44,040 Speaker 1: slipped your tongue, you slipped him back tongue. You didn't 1156 01:12:44,040 --> 01:12:47,960 Speaker 1: slip me tongue until you know, I mean, this is crazy. 1157 01:12:48,120 --> 01:12:50,960 Speaker 1: I mean yeah, I mean some some people have connections 1158 01:12:50,960 --> 01:12:54,400 Speaker 1: that are stronger than others. And I mean and that's 1159 01:12:54,439 --> 01:12:57,439 Speaker 1: how it is. Like it's weird because when you see 1160 01:12:57,439 --> 01:12:59,599 Speaker 1: the play back, we don't see it in advance, like 1161 01:13:00,040 --> 01:13:02,320 Speaker 1: these guys the guys are on the season right now. 1162 01:13:02,840 --> 01:13:06,960 Speaker 1: They are watching tonight's episode for the first time. They 1163 01:13:06,960 --> 01:13:11,800 Speaker 1: didn't see it before. So like tonight, Leo and you know, 1164 01:13:12,080 --> 01:13:15,080 Speaker 1: and Wills and then Colton and whatever, like the guys 1165 01:13:15,160 --> 01:13:17,200 Speaker 1: when Colton came back from the date and the guys 1166 01:13:17,240 --> 01:13:19,240 Speaker 1: really said, they don't give a funk what happened on 1167 01:13:19,280 --> 01:13:23,160 Speaker 1: your date. They tonight are seeing it for the first time, like, Okay, 1168 01:13:23,280 --> 01:13:25,920 Speaker 1: that's what happened on this date. Like that, so they 1169 01:13:26,080 --> 01:13:28,080 Speaker 1: we really don't talk about it unless you know, you're 1170 01:13:28,160 --> 01:13:29,840 Speaker 1: kind of cool with some of the guys, but once 1171 01:13:29,880 --> 01:13:32,080 Speaker 1: you get to like where they are tonight, I mean, 1172 01:13:32,080 --> 01:13:36,120 Speaker 1: there was only four or five guys left. They started 1173 01:13:36,120 --> 01:13:38,080 Speaker 1: at six and then there's four guys at the end. 1174 01:13:38,080 --> 01:13:40,800 Speaker 1: They let my man Leo, the stunt man with the 1175 01:13:40,840 --> 01:13:43,519 Speaker 1: man bun home, and then Wills, who seems like he's 1176 01:13:43,600 --> 01:13:46,240 Speaker 1: high as funck half the time, because half the half 1177 01:13:46,280 --> 01:13:48,720 Speaker 1: the time his eyes are like like he's stone out 1178 01:13:48,760 --> 01:13:51,040 Speaker 1: of his mind, and the other half he looks totally sober. 1179 01:13:51,040 --> 01:13:52,880 Speaker 1: So I don't know what his story is. Maybe he 1180 01:13:52,920 --> 01:13:55,599 Speaker 1: needs some glasses or some eye drops. But but if 1181 01:13:55,600 --> 01:13:57,280 Speaker 1: you look at me, if just to me, I'm like Yo, 1182 01:13:57,360 --> 01:13:59,519 Speaker 1: you look like you're like you smoke some of that. Man, 1183 01:13:59,600 --> 01:14:03,000 Speaker 1: We wow, But anyway, go ahead. Now that's that's exactly 1184 01:14:03,000 --> 01:14:05,200 Speaker 1: how it is. But you at that point, when you 1185 01:14:05,240 --> 01:14:07,439 Speaker 1: get to like six guys left, you've been there for 1186 01:14:07,479 --> 01:14:11,680 Speaker 1: a minute, you're really hyper focused on me and my 1187 01:14:11,760 --> 01:14:14,960 Speaker 1: relationship with Becca. You're not really worried about You're like, fuck, 1188 01:14:15,240 --> 01:14:18,040 Speaker 1: you know funck colden, fuzz leo what they got up? 1189 01:14:18,040 --> 01:14:21,200 Speaker 1: They literally are like, Yo, I'm worried about me and 1190 01:14:21,360 --> 01:14:23,519 Speaker 1: you and ain't nobody else can't get in the way 1191 01:14:23,520 --> 01:14:25,240 Speaker 1: of that. So that's when you get that one on 1192 01:14:25,320 --> 01:14:28,120 Speaker 1: one time you're trying to slip her that tongue, trying 1193 01:14:28,120 --> 01:14:30,720 Speaker 1: to make sure she's not she's not worried about that. 1194 01:14:31,120 --> 01:14:34,679 Speaker 1: So that's when you that's when it becomes really serious 1195 01:14:34,720 --> 01:14:37,320 Speaker 1: and you see these guys crying, and you see these 1196 01:14:37,360 --> 01:14:40,760 Speaker 1: guys like getting all emotional and ship like that in 1197 01:14:40,800 --> 01:14:44,160 Speaker 1: the car over like because people ask like, yo, were 1198 01:14:44,200 --> 01:14:46,880 Speaker 1: you really crying? Like fun Yeah, I was crying, like 1199 01:14:47,040 --> 01:14:50,200 Speaker 1: she was emotional, Like I cried when I left. Partly 1200 01:14:50,280 --> 01:14:53,400 Speaker 1: because you know, those guys in the house who were 1201 01:14:53,439 --> 01:14:55,840 Speaker 1: like some of my homies, and then partly because it's 1202 01:14:55,880 --> 01:14:59,000 Speaker 1: three in the morning, and I'm drunk and I'm about 1203 01:14:59,040 --> 01:15:00,960 Speaker 1: to go to fuck home and people here asking me 1204 01:15:01,000 --> 01:15:03,240 Speaker 1: about my feelings, like fun, just give me a bed, 1205 01:15:03,479 --> 01:15:05,680 Speaker 1: That's all I really care about at this point. And 1206 01:15:05,720 --> 01:15:08,599 Speaker 1: the pressure. So it's like the emotions and the pressure 1207 01:15:08,640 --> 01:15:11,439 Speaker 1: and like the intensity of the situation that that adds 1208 01:15:11,479 --> 01:15:14,519 Speaker 1: to it, right, Yeah, it's it's all of that, you get. 1209 01:15:14,920 --> 01:15:18,360 Speaker 1: I mean, you've been drinking for four hours, five hours. 1210 01:15:18,760 --> 01:15:21,400 Speaker 1: You just got dumped. You got dumped on what you 1211 01:15:21,439 --> 01:15:24,320 Speaker 1: know is gonna be on National TV the whole World season. 1212 01:15:24,320 --> 01:15:27,360 Speaker 1: You get dumped the whole World season. You get like, 1213 01:15:27,760 --> 01:15:30,320 Speaker 1: for me, I was one of the people like like 1214 01:15:30,960 --> 01:15:33,720 Speaker 1: that people actually rock with. People liked, you know me 1215 01:15:33,920 --> 01:15:36,240 Speaker 1: because you know, I was innocent and I came out 1216 01:15:36,280 --> 01:15:38,800 Speaker 1: really sincere or am sincere and stuff like that, and 1217 01:15:38,800 --> 01:15:40,960 Speaker 1: so people like, oh, why did you get home? Kind 1218 01:15:40,960 --> 01:15:43,000 Speaker 1: of like how Wills went home tonight? Because I know 1219 01:15:43,400 --> 01:15:48,200 Speaker 1: Will's dams right now are probably popping with with girls 1220 01:15:48,240 --> 01:15:51,120 Speaker 1: just like literally, yo, like Will's I'm down whatever, So 1221 01:15:51,240 --> 01:15:53,759 Speaker 1: I know Wills is not in a bad state tonight. 1222 01:15:54,160 --> 01:15:56,439 Speaker 1: But you get to that point you just you you 1223 01:15:56,560 --> 01:15:59,120 Speaker 1: kind of just like, yo, I've been I went through 1224 01:15:59,120 --> 01:16:01,639 Speaker 1: the situation, like I said, four or five in the morning, 1225 01:16:01,640 --> 01:16:04,439 Speaker 1: because those control parties and whatever. You go late and 1226 01:16:04,479 --> 01:16:06,360 Speaker 1: you just drunk, you're tired, you're ready to go to sleep, 1227 01:16:07,360 --> 01:16:09,320 Speaker 1: and and what about this, Like I know you didn't 1228 01:16:09,360 --> 01:16:11,360 Speaker 1: make it that deep into the show, but you speak 1229 01:16:11,360 --> 01:16:13,880 Speaker 1: to some of these guys and you have experienced, you know, 1230 01:16:13,920 --> 01:16:17,439 Speaker 1: like with guys that you know on the The Bachelor 1231 01:16:17,439 --> 01:16:20,840 Speaker 1: in Paradise and the Batchelotte Bachelotte and Paradise. You know 1232 01:16:21,240 --> 01:16:24,479 Speaker 1: these fantasy suitees like I call them the fox sweets. 1233 01:16:24,560 --> 01:16:27,040 Speaker 1: Like this is like straight, like well, like what you 1234 01:16:27,120 --> 01:16:29,720 Speaker 1: if you go to the fantasy suite, like, as can 1235 01:16:29,760 --> 01:16:32,680 Speaker 1: we assume that they're freaking off in there? Is that 1236 01:16:32,680 --> 01:16:34,160 Speaker 1: what's going on? Like? Does that what it mean? If 1237 01:16:34,160 --> 01:16:36,559 Speaker 1: someone says, will you come with me in the fantasy suite? 1238 01:16:36,720 --> 01:16:40,160 Speaker 1: Can we pretty much assume that they're freaking off if 1239 01:16:40,200 --> 01:16:43,280 Speaker 1: you go into fantasy suite. I think it's safe to 1240 01:16:43,320 --> 01:16:46,240 Speaker 1: assume that they're freaking all because if you look at 1241 01:16:46,280 --> 01:16:49,519 Speaker 1: the glow that somebody's chicks be having the next morning, 1242 01:16:50,040 --> 01:16:52,840 Speaker 1: you gotta assume that there was only one thing that 1243 01:16:52,920 --> 01:16:55,640 Speaker 1: was happening down and that was somebody was down for 1244 01:16:55,680 --> 01:16:59,519 Speaker 1: the rug burn. Damn, that's exactly what was happening. I mean, 1245 01:17:00,000 --> 01:17:02,680 Speaker 1: in no way. And I guess unless you're colden and 1246 01:17:02,800 --> 01:17:04,879 Speaker 1: you're gonna put me in a nice because these sweets 1247 01:17:04,920 --> 01:17:07,320 Speaker 1: are dope as funk, right, So you you you put 1248 01:17:07,360 --> 01:17:09,880 Speaker 1: me in a nice sweet with a chick that I've 1249 01:17:09,880 --> 01:17:12,840 Speaker 1: been feeling Jason for, like chasing for like the last 1250 01:17:12,880 --> 01:17:15,800 Speaker 1: two or three months, and I'm supposed to just you're 1251 01:17:15,800 --> 01:17:19,880 Speaker 1: gonna cuddle, Like, No, that ain't happening, dude, that in it. Yeah, 1252 01:17:19,960 --> 01:17:23,400 Speaker 1: it's uh, it's going down. Yeah, I would imagine because 1253 01:17:23,520 --> 01:17:25,960 Speaker 1: they have them like in the Baltic Sea or out 1254 01:17:25,960 --> 01:17:29,320 Speaker 1: there in Sweden or Iceland, like it's the it's the 1255 01:17:29,400 --> 01:17:32,439 Speaker 1: it's the nicest location, Like something's gotta pop off here. 1256 01:17:32,760 --> 01:17:36,519 Speaker 1: So so this guy Colton, the White Blake, Griffin the Virgin. 1257 01:17:37,040 --> 01:17:40,000 Speaker 1: So like, listen, you're a fan, you're watching it. You 1258 01:17:40,160 --> 01:17:43,880 Speaker 1: you don't have any behind the scenes knowledge. I'm assuming 1259 01:17:43,920 --> 01:17:46,679 Speaker 1: that so based on the four that we have now, 1260 01:17:46,720 --> 01:17:50,960 Speaker 1: we have uh, Garrett the fake Goofball. We have my 1261 01:17:51,000 --> 01:17:54,720 Speaker 1: man slick Hair from from Buffalo. We have Blake the 1262 01:17:54,760 --> 01:17:58,240 Speaker 1: fucking boar, I call him, call him boring Blake. And Colton, 1263 01:17:59,080 --> 01:18:01,679 Speaker 1: so we got four. She sent my man Will's home 1264 01:18:02,200 --> 01:18:05,439 Speaker 1: and and she sent uh the stunt man home. What 1265 01:18:05,479 --> 01:18:07,880 Speaker 1: do you predict is gonna happen? Because do you know 1266 01:18:07,920 --> 01:18:10,519 Speaker 1: the way she walked away from a man, Blake Griffin, 1267 01:18:11,360 --> 01:18:13,800 Speaker 1: when he told her he was a virgin. If this 1268 01:18:13,840 --> 01:18:16,240 Speaker 1: had been a dude, the internet would have broken, Like 1269 01:18:16,280 --> 01:18:18,120 Speaker 1: if if a guy, if it had been like The 1270 01:18:18,200 --> 01:18:21,680 Speaker 1: Bachelor and a girl and and in the shoes were 1271 01:18:21,720 --> 01:18:23,400 Speaker 1: on the other foot and a guy walked away from 1272 01:18:23,400 --> 01:18:25,400 Speaker 1: a girl pouring her heart out saying she was she 1273 01:18:25,520 --> 01:18:27,680 Speaker 1: was a virgin, they would have been like, you know, 1274 01:18:27,760 --> 01:18:30,760 Speaker 1: that's so rude. Why did she do that? I felt 1275 01:18:30,800 --> 01:18:34,400 Speaker 1: like if if he really is a virgin, you know, 1276 01:18:34,600 --> 01:18:37,120 Speaker 1: for her to walk away like you know, I mean 1277 01:18:37,160 --> 01:18:39,439 Speaker 1: she came actually apologize. Maybe it just threw her for 1278 01:18:39,479 --> 01:18:41,920 Speaker 1: a loop, but she needed to to to, uh, you know, 1279 01:18:42,000 --> 01:18:45,439 Speaker 1: get a breath. But based on what what is your prediction? 1280 01:18:45,560 --> 01:18:47,880 Speaker 1: And and is there vagus odds on the Bachelor? Rent 1281 01:18:47,960 --> 01:18:50,920 Speaker 1: like can you bet on this ship? You might actually 1282 01:18:51,000 --> 01:18:53,080 Speaker 1: be able to bet on this. I wouldn't be surprised. 1283 01:18:53,080 --> 01:18:55,519 Speaker 1: If there's a market for everything, so there's gotta be 1284 01:18:55,960 --> 01:18:58,760 Speaker 1: somebody some way to bet on this, but uh, if 1285 01:18:58,760 --> 01:19:01,160 Speaker 1: I got a bet, I mean, because the things you 1286 01:19:01,240 --> 01:19:03,040 Speaker 1: gotta realize. You can watch it from the beginning. For 1287 01:19:03,080 --> 01:19:06,760 Speaker 1: this season, Colton has made it through like a lot, 1288 01:19:06,840 --> 01:19:10,479 Speaker 1: like initially who he was dating or what had a 1289 01:19:10,560 --> 01:19:13,480 Speaker 1: weekend with Tia which was on you know, The Bachelor 1290 01:19:13,520 --> 01:19:16,799 Speaker 1: with you know, with Becca, and so I think Becca 1291 01:19:16,840 --> 01:19:19,760 Speaker 1: and to you we're friends. So obviously you know, she's 1292 01:19:19,760 --> 01:19:22,280 Speaker 1: still kept quoting around and then now you've got this 1293 01:19:22,360 --> 01:19:25,439 Speaker 1: other obstacle as far as like now he's a virgin 1294 01:19:25,600 --> 01:19:27,920 Speaker 1: and does she really care about that that she really 1295 01:19:28,320 --> 01:19:30,960 Speaker 1: you know, want a man that's you know, I think 1296 01:19:31,000 --> 01:19:34,960 Speaker 1: he's like that's a virgin or whatever. Um. So I 1297 01:19:34,960 --> 01:19:38,680 Speaker 1: honestly think she can't shape Colton for some reason. I 1298 01:19:38,680 --> 01:19:41,000 Speaker 1: don't know what it is, but she can't shake him. 1299 01:19:41,000 --> 01:19:43,720 Speaker 1: And she's like today, I mean, you saw she said 1300 01:19:43,840 --> 01:19:47,160 Speaker 1: she feels like all safe with him and super hot 1301 01:19:47,160 --> 01:19:49,720 Speaker 1: with him and all this stuff like that. So I 1302 01:19:49,760 --> 01:19:52,200 Speaker 1: honestly think Colton makes it through for a little bit, 1303 01:19:52,960 --> 01:19:56,720 Speaker 1: uh Blake, I mean, I don't know what we got there, 1304 01:19:57,000 --> 01:20:00,400 Speaker 1: do looks you know, there's some about him that really 1305 01:20:00,439 --> 01:20:04,000 Speaker 1: likes I don't trust him. I don't trust him. I 1306 01:20:04,000 --> 01:20:07,439 Speaker 1: don't trust him slick hair. I mean, I get just 1307 01:20:07,640 --> 01:20:11,160 Speaker 1: like old school, like Saved by the Bell type vibe 1308 01:20:11,320 --> 01:20:13,360 Speaker 1: from this dude, and I don't know what it is, 1309 01:20:13,880 --> 01:20:16,720 Speaker 1: but he just flying over the radar and hasn't like 1310 01:20:18,439 --> 01:20:21,559 Speaker 1: like Davidson back when Stephan was playing, You're like, who 1311 01:20:21,560 --> 01:20:24,800 Speaker 1: the fuck is this? Where? Then is where the fund is? 1312 01:20:24,880 --> 01:20:28,800 Speaker 1: David like? But I mean they're exciting to watch. So 1313 01:20:28,880 --> 01:20:33,360 Speaker 1: America's in love with Jason and then you got the 1314 01:20:33,400 --> 01:20:35,680 Speaker 1: Garrett is the other dude. I think a lot of 1315 01:20:35,680 --> 01:20:39,320 Speaker 1: people rock with Garrett, So I don't know that's that's 1316 01:20:39,400 --> 01:20:41,599 Speaker 1: kind of what we got left. I feel like cold 1317 01:20:41,720 --> 01:20:43,519 Speaker 1: Man make it to the front of three. I just 1318 01:20:43,520 --> 01:20:45,720 Speaker 1: don't know if Blake's going to be the one to 1319 01:20:45,720 --> 01:20:48,920 Speaker 1: go home or Garrett or not. But that's kind of 1320 01:20:48,920 --> 01:20:53,120 Speaker 1: what I say. Alright, alright, that's good analyzation. I love 1321 01:20:53,160 --> 01:20:57,720 Speaker 1: the Steph Curry and david'son UH reference and I appreciate 1322 01:20:57,760 --> 01:21:00,920 Speaker 1: this inside. Hopefully we could do this again as the 1323 01:21:01,280 --> 01:21:03,680 Speaker 1: season unfold, because I'm hyped about it. I love it. 1324 01:21:03,800 --> 01:21:07,200 Speaker 1: Last week with the UH with the the zoo lander dude, 1325 01:21:07,560 --> 01:21:10,240 Speaker 1: you know, getting on his MM. Yeah, what's wrong with 1326 01:21:10,280 --> 01:21:16,680 Speaker 1: this guy man zu Lander with Gwen crazy Land. Hey, 1327 01:21:17,400 --> 01:21:19,920 Speaker 1: do the thing is I like about zoo Lander. Zoo 1328 01:21:20,000 --> 01:21:24,280 Speaker 1: Lander gets zero bucks. He doesn't have a filter. He 1329 01:21:24,360 --> 01:21:27,320 Speaker 1: says what's on his mind. And the funny thing was 1330 01:21:27,560 --> 01:21:30,160 Speaker 1: he went after what he wants, right. He's like, yo, 1331 01:21:30,360 --> 01:21:32,880 Speaker 1: I'm here for Becca, I'm not here for anybody else. 1332 01:21:33,240 --> 01:21:35,160 Speaker 1: And he's like, I got enough God friends, I don't 1333 01:21:35,160 --> 01:21:36,840 Speaker 1: need any more God friends. And he went up to 1334 01:21:36,880 --> 01:21:39,040 Speaker 1: my man Wills was like, yo, let me get a minute. 1335 01:21:39,160 --> 01:21:42,800 Speaker 1: And Wills was like, nah for that whatever. But zoo 1336 01:21:42,880 --> 01:21:47,400 Speaker 1: Lander spoke his mind. Beco Banko wasn't really rocking with it. 1337 01:21:47,520 --> 01:21:50,240 Speaker 1: And then when she cut him loose, she was like, nah, all, 1338 01:21:50,400 --> 01:21:52,040 Speaker 1: all right, we're done. I don't need a hug, and 1339 01:21:52,080 --> 01:21:55,960 Speaker 1: then he bounced. So ze Lander spoke his mind. I 1340 01:21:56,000 --> 01:21:58,200 Speaker 1: can't fall from for that. Do you do you think 1341 01:21:58,240 --> 01:22:02,439 Speaker 1: when zu Lander um got kicked off the show the 1342 01:22:02,439 --> 01:22:05,160 Speaker 1: way he got kicked off the show, Like you said, Wills, 1343 01:22:05,360 --> 01:22:07,960 Speaker 1: dms are probably filled up. Do you think there there's 1344 01:22:08,080 --> 01:22:10,559 Speaker 1: there's a pack of society that we're like, y'all want 1345 01:22:10,560 --> 01:22:12,919 Speaker 1: to get with Zoolander even though he's a crazy stalker. 1346 01:22:14,760 --> 01:22:16,600 Speaker 1: The one thing you do got to realize when you 1347 01:22:16,720 --> 01:22:20,640 Speaker 1: go on the show like this, there's somebody for everybody. 1348 01:22:21,160 --> 01:22:24,040 Speaker 1: So you got you got people out there that are like, yo, 1349 01:22:25,439 --> 01:22:29,559 Speaker 1: Zoo Lander was on here. He's crazy, he's crazy. You know, 1350 01:22:30,120 --> 01:22:32,360 Speaker 1: he doesn't make any sense. And you probably got girls 1351 01:22:32,400 --> 01:22:35,160 Speaker 1: up there they're like, I like that, and that's exactly 1352 01:22:35,240 --> 01:22:37,599 Speaker 1: what they want. So I mean, and at the end 1353 01:22:37,600 --> 01:22:39,240 Speaker 1: of the day, you still got the group. He's are like, 1354 01:22:39,600 --> 01:22:41,120 Speaker 1: I still want to funk with somebody that was on 1355 01:22:41,200 --> 01:22:43,880 Speaker 1: National TV. So at the very at the very least, 1356 01:22:43,960 --> 01:22:47,160 Speaker 1: you still got that. But you know, I mean, I 1357 01:22:47,160 --> 01:22:52,400 Speaker 1: wouldn't be surprised if if Zoo Landers a Chris Um 1358 01:22:52,760 --> 01:22:55,040 Speaker 1: dms were popping for that night. I will say that 1359 01:22:55,120 --> 01:22:58,040 Speaker 1: night you get kicked off National and television d ms 1360 01:22:58,080 --> 01:23:00,880 Speaker 1: are definitely popping. Ship. Well, you out to embrace it, 1361 01:23:01,320 --> 01:23:04,479 Speaker 1: all right, Diggy Moreland. I'm so glad we got to 1362 01:23:04,479 --> 01:23:05,960 Speaker 1: do this finally. I wish we got to do with 1363 01:23:06,040 --> 01:23:08,560 Speaker 1: face to face, but this is just the beginning. I 1364 01:23:08,560 --> 01:23:12,960 Speaker 1: I appreciate it, and uh, I appreciate your insight, your expertise, 1365 01:23:13,400 --> 01:23:15,240 Speaker 1: and and hopefully we can we could do it again 1366 01:23:15,280 --> 01:23:19,120 Speaker 1: as a season unfold of the Bachelorette man, keep it. 1367 01:23:19,240 --> 01:23:22,559 Speaker 1: Uh yeah, thrill. I'm glad you enjoy it. I'll definitely 1368 01:23:22,560 --> 01:23:24,320 Speaker 1: be on l A sometimes so we can definitely talk 1369 01:23:24,360 --> 01:23:27,519 Speaker 1: to all right, cool man, I'll talk to you soon, alright, beast, 1370 01:23:27,560 --> 01:23:32,720 Speaker 1: all Right shows nuts. The Bachelorette's nuts. I think the 1371 01:23:32,760 --> 01:23:35,880 Speaker 1: bachelotte herself is wacky and all the people on the 1372 01:23:35,920 --> 01:23:39,400 Speaker 1: show are wacky. Shout out to my man Diggie for 1373 01:23:39,560 --> 01:23:41,559 Speaker 1: helping me get some insight. What really goes on with 1374 01:23:41,600 --> 01:23:47,479 Speaker 1: the Bachelorette? Um? What can I say? It's smash mouth podcasting. Okay, fifty, 1375 01:23:47,520 --> 01:23:49,360 Speaker 1: I told you I was taking into the deep rounds. 1376 01:23:49,600 --> 01:23:51,920 Speaker 1: I'm telling you. Please hit me up on the d 1377 01:23:52,080 --> 01:23:56,719 Speaker 1: M s email me, email us. I am Rappaford Podcast 1378 01:23:56,720 --> 01:23:59,639 Speaker 1: at gmail dot com. If you have premium call in 1379 01:24:00,520 --> 01:24:03,439 Speaker 1: questions the movie Sorry to Bother you, what you thought 1380 01:24:03,520 --> 01:24:05,840 Speaker 1: of it? Anything? The batcherette? Who you like? Who you 1381 01:24:05,840 --> 01:24:08,360 Speaker 1: don't like? Do you like the white Blake Griffin? Is 1382 01:24:08,360 --> 01:24:11,040 Speaker 1: he gonna win? Is he really a Virgin? I don't 1383 01:24:11,080 --> 01:24:13,960 Speaker 1: fucking believe it, dude, I think you're full of ship. 1384 01:24:15,040 --> 01:24:18,879 Speaker 1: You never skated? Come on, man, I am reports Stereo podcast. 1385 01:24:18,960 --> 01:24:23,240 Speaker 1: Miles Jordan, take us out of here. Something nice, something mean, 1386 01:24:24,360 --> 01:24:26,160 Speaker 1: something real, proper out