1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,720 --> 00:00:11,959 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,600 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,600 --> 00:00:32,920 Speaker 1: a little thing we like to call the after party. 6 00:00:32,960 --> 00:00:34,920 Speaker 1: This is the show after the show, the party after 7 00:00:34,960 --> 00:00:36,800 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,840 --> 00:00:39,480 Speaker 1: episode or Disgraceland to the other, the backyard, to dig 9 00:00:39,560 --> 00:00:42,600 Speaker 1: into the dirt, our mission to uncover the truth and 10 00:00:42,640 --> 00:00:44,920 Speaker 1: to confront the myth and to reclaim the story. On 11 00:00:44,960 --> 00:00:49,479 Speaker 1: this bonus episode, Sonic Youth The Definition of Punk, a 12 00:00:49,520 --> 00:00:53,559 Speaker 1: Weezer episode preview, and an update on our Made Madness 13 00:00:53,600 --> 00:00:58,680 Speaker 1: sitcom music Slugfest, plus your voicemails, texts, emails, comments, dms, 14 00:00:58,960 --> 00:01:01,880 Speaker 1: and as always, a whole lot of Rosie. This is 15 00:01:01,880 --> 00:01:04,600 Speaker 1: the podcast for the musically obsessed, the outsiders, the independent 16 00:01:04,640 --> 00:01:07,279 Speaker 1: thinkers who know that the best history is the history 17 00:01:07,280 --> 00:01:10,440 Speaker 1: that gets buried. Disgraceland is where I tell the stories 18 00:01:10,440 --> 00:01:12,640 Speaker 1: they didn't want told, the kind you'll end up telling 19 00:01:12,680 --> 00:01:16,600 Speaker 1: someone else. All right, disc goes, let's get into it. 20 00:01:29,360 --> 00:01:32,120 Speaker 1: So I'm writing about Kim Gordon and Thurston Moore from 21 00:01:32,160 --> 00:01:36,360 Speaker 1: Sonic Youth this week. It's for an upcoming episode, obviously, 22 00:01:36,800 --> 00:01:41,160 Speaker 1: and the episode is less about one of the coolest 23 00:01:41,440 --> 00:01:43,840 Speaker 1: rock and roll couples to ever take the stage together, 24 00:01:44,360 --> 00:01:48,000 Speaker 1: though it's partly about their relationship, but it's more about 25 00:01:48,320 --> 00:01:51,120 Speaker 1: the true crime at the heart of the Sonic Youth 26 00:01:51,200 --> 00:01:55,480 Speaker 1: album cover for Go, one of the coolest album covers 27 00:01:55,720 --> 00:02:00,200 Speaker 1: of all time, and cool. The concept of cool. It 28 00:02:00,560 --> 00:02:02,560 Speaker 1: came up over and over again in the Sonic Youth 29 00:02:02,640 --> 00:02:06,400 Speaker 1: research and in the research for the crime photo depicted 30 00:02:06,640 --> 00:02:10,840 Speaker 1: in the album's art. Cool as in cool sound, cool look, 31 00:02:11,000 --> 00:02:14,800 Speaker 1: cool attitude, cool as in cool way of living your life, 32 00:02:14,919 --> 00:02:17,520 Speaker 1: cool as it being cool to each other, to your fans, 33 00:02:17,560 --> 00:02:21,600 Speaker 1: to your wife, cool thing, all of that. Okay, Sonic 34 00:02:21,600 --> 00:02:25,760 Speaker 1: Youth were the coolest, and then they weren't thirst and 35 00:02:25,840 --> 00:02:30,560 Speaker 1: more lost his cool. But you can't take away from 36 00:02:30,600 --> 00:02:33,240 Speaker 1: what that band was, from what they created, from the 37 00:02:33,400 --> 00:02:37,360 Speaker 1: impact that they had. I did a podcast interview last 38 00:02:37,360 --> 00:02:38,959 Speaker 1: week on a show with some friends of mine, show 39 00:02:38,960 --> 00:02:40,840 Speaker 1: called Stuff they Don't Want you to Know. It's not 40 00:02:40,880 --> 00:02:43,120 Speaker 1: out yet, but it'll be out soon, and they asked 41 00:02:43,120 --> 00:02:45,680 Speaker 1: me to describe Sonic Youth, and I said, that the 42 00:02:45,720 --> 00:02:48,560 Speaker 1: band was a mix of East Coast no wave and 43 00:02:48,720 --> 00:02:53,200 Speaker 1: West Coast hardcore. And I suppose that that's just the 44 00:02:53,320 --> 00:02:58,640 Speaker 1: music historians half cute way of describing their music. In 45 00:02:58,880 --> 00:03:04,160 Speaker 1: describing Raymond Petibon, the artist who created the artwork for 46 00:03:04,240 --> 00:03:10,040 Speaker 1: Sonic Youth, Goo Greg Ginn from Black Flag's brother, Petibon, 47 00:03:10,200 --> 00:03:13,840 Speaker 1: the dude who created all those great Black Flag album 48 00:03:13,880 --> 00:03:19,200 Speaker 1: covers SSD Flyers, you recognize this stuff. I describe Petibon 49 00:03:19,480 --> 00:03:22,119 Speaker 1: in the following way. This is when I was writing 50 00:03:22,160 --> 00:03:24,080 Speaker 1: about the episode yesterday, by the way, not in the 51 00:03:24,240 --> 00:03:26,800 Speaker 1: podcast interview, but I wrote the following. In a word, 52 00:03:27,000 --> 00:03:31,480 Speaker 1: Petabond's work is punk. Here are some other words. Petabond's 53 00:03:31,600 --> 00:03:37,560 Speaker 1: art is subversive, It's dangerous, larcenus and again totally unique 54 00:03:37,840 --> 00:03:42,680 Speaker 1: like real punk, no matter the context seventies eighties East coast, 55 00:03:42,880 --> 00:03:46,640 Speaker 1: West Coast UK US. You know it when you hear it. 56 00:03:47,320 --> 00:03:50,000 Speaker 1: With Petabond's art, you know it when you see it. 57 00:03:50,680 --> 00:03:53,960 Speaker 1: Now about Sonic Youth, I wrote, when Sonic Youth began 58 00:03:54,080 --> 00:03:57,600 Speaker 1: back in nineteen eighty one, they weren't punk. Punk was dead. 59 00:03:57,920 --> 00:04:00,840 Speaker 1: They weren't new wave, they were no wave. They weren't 60 00:04:00,880 --> 00:04:04,200 Speaker 1: just loud they were noise, and they weren't your typical 61 00:04:04,280 --> 00:04:06,640 Speaker 1: rock and roll band set up. There was a girl 62 00:04:06,640 --> 00:04:09,720 Speaker 1: in the band and her name was Kim Kim Gordon, 63 00:04:10,000 --> 00:04:13,320 Speaker 1: and she was a badass, not some cutesy ornament, not 64 00:04:13,400 --> 00:04:18,279 Speaker 1: some sultry front woman. She was gorgeous, sure, but beyond stereotyping. 65 00:04:18,680 --> 00:04:22,040 Speaker 1: Her beauty seemed to spring from her strength, not polish. 66 00:04:22,360 --> 00:04:26,200 Speaker 1: So in trying to describe the coolness of this band, 67 00:04:26,839 --> 00:04:31,000 Speaker 1: the coolness of the artist, Raymond Peedimond, that they collaborated 68 00:04:31,040 --> 00:04:34,599 Speaker 1: with the coolness of the Goo album cover, I kept 69 00:04:34,680 --> 00:04:37,919 Speaker 1: coming up against the word punk, and Sonic Youth was 70 00:04:37,960 --> 00:04:42,120 Speaker 1: heavily influenced by seventies punk rock. Thurstay Moore was there 71 00:04:42,160 --> 00:04:46,039 Speaker 1: at nearly every important late seventies early eighties New York 72 00:04:46,080 --> 00:04:49,840 Speaker 1: City punk moment. Yet Sonic Youth they're not really thought 73 00:04:49,839 --> 00:04:52,880 Speaker 1: of as a punk band. They're thought of as something else, 74 00:04:53,000 --> 00:04:55,760 Speaker 1: and that's fine. I don't really care, only so much 75 00:04:55,800 --> 00:04:59,839 Speaker 1: as a matter of my own intellectual curiosity, how do 76 00:04:59,880 --> 00:05:02,839 Speaker 1: we categorize this band, or any band from the eighties 77 00:05:02,920 --> 00:05:06,919 Speaker 1: or nineties who came out of the influence of punk. Again, 78 00:05:06,960 --> 00:05:08,839 Speaker 1: back to what I said, like real punk, No matter 79 00:05:08,920 --> 00:05:13,320 Speaker 1: the context seventies eighties, East Coast, West Coast, UK, US. 80 00:05:13,520 --> 00:05:16,479 Speaker 1: You know it when you hear it. Now? Have you 81 00:05:16,560 --> 00:05:19,920 Speaker 1: ever heard Jerry Lee Lewis's Live at the Star Club 82 00:05:19,960 --> 00:05:23,320 Speaker 1: album from nineteen sixty four. If that is not punk rock, 83 00:05:23,920 --> 00:05:26,920 Speaker 1: I don't know what it is. How about the Sonics album? 84 00:05:27,000 --> 00:05:30,920 Speaker 1: Here are the Sonics from nineteen sixty five, also way punk. 85 00:05:31,839 --> 00:05:36,159 Speaker 1: These albums are punk in sound, if not attitude. But 86 00:05:36,200 --> 00:05:38,960 Speaker 1: what about Miles Davis is on the Corner that record 87 00:05:39,000 --> 00:05:41,560 Speaker 1: from nineteen seventy two, or John Lennon's Sometime in New 88 00:05:41,640 --> 00:05:45,240 Speaker 1: York City, also from seventy two. The attitudes expressed by 89 00:05:45,279 --> 00:05:48,880 Speaker 1: these artists on these albums, they're about as subversive as 90 00:05:48,880 --> 00:05:51,880 Speaker 1: you'll find on anything by the Ramones or the Clash. 91 00:05:52,400 --> 00:05:54,880 Speaker 1: But punk rock as a musical term, it didn't come 92 00:05:54,880 --> 00:05:58,200 Speaker 1: into play until after Jerry Lee Lewis and the Sonics 93 00:05:58,240 --> 00:06:00,280 Speaker 1: and Miles and John. It didn't come into play until 94 00:06:00,320 --> 00:06:03,480 Speaker 1: nineteen seventy two, when Lenny Ky used the phrase punk 95 00:06:03,560 --> 00:06:06,640 Speaker 1: rock in his liner notes to his Excellent Nuggets compilation. 96 00:06:07,000 --> 00:06:12,320 Speaker 1: Now Miriam Webster The Dictionary defines punk rock as rock 97 00:06:12,440 --> 00:06:17,800 Speaker 1: music marked by extreme and often deliberately offensive expressions. Of 98 00:06:18,080 --> 00:06:23,920 Speaker 1: alienation and social discontent. So by that definition, all of 99 00:06:23,960 --> 00:06:28,400 Speaker 1: the albums I mentioned, Jerry Lee Lewis's Star Club, the Sonics, 100 00:06:28,440 --> 00:06:31,719 Speaker 1: here are the Sonics, the John Lennon Sometime in New 101 00:06:31,839 --> 00:06:34,799 Speaker 1: York City album, even Miles Davis is on the Corner. 102 00:06:35,360 --> 00:06:38,000 Speaker 1: All of these, by that definition, could be considered punk rock, 103 00:06:38,920 --> 00:06:41,919 Speaker 1: but they're not. And I kind of get it again 104 00:06:41,960 --> 00:06:45,120 Speaker 1: to me, the first punk rock album is the Ramones album, 105 00:06:45,360 --> 00:06:49,440 Speaker 1: the self titled album from nineteen seventy six. All these 106 00:06:49,480 --> 00:06:52,520 Speaker 1: albums came before, and there's a whole host of other 107 00:06:52,560 --> 00:06:57,400 Speaker 1: albums that are punk in attitude and in sound but 108 00:06:57,480 --> 00:07:02,159 Speaker 1: aren't considered punk. So what are they? What albums by 109 00:07:02,200 --> 00:07:05,720 Speaker 1: which artists are punkin attitude, even in sound, but are 110 00:07:05,720 --> 00:07:09,920 Speaker 1: not considered punk rock. Johnny Cash at San Quentin, LCD 111 00:07:10,080 --> 00:07:14,160 Speaker 1: Sound Systems, Dance Yourself Clean, Peaches, The Teaches of Peaches, 112 00:07:14,480 --> 00:07:20,120 Speaker 1: Paul McCartney's ram Tori Amos's Strange Little Girls, Zappa Massive Attack, 113 00:07:20,280 --> 00:07:24,760 Speaker 1: Beef Heart. What albums by which artists are punkin attitude 114 00:07:24,920 --> 00:07:28,800 Speaker 1: by your estimation, even in sound, but are not considered 115 00:07:28,800 --> 00:07:30,960 Speaker 1: punk rock? What do you got? Let me know? Six 116 00:07:31,040 --> 00:07:34,360 Speaker 1: one seven nine oh six six six three eight voicemail 117 00:07:34,440 --> 00:07:38,119 Speaker 1: and text. This is a fascinating question that I'm hoping 118 00:07:38,120 --> 00:07:41,200 Speaker 1: we can dissect and debate here in the after Party 119 00:07:41,280 --> 00:07:44,480 Speaker 1: over the coming weeks and coming episodes again six one 120 00:07:44,560 --> 00:07:47,360 Speaker 1: seven nine oh six sixty six three eight let me 121 00:07:47,400 --> 00:07:50,840 Speaker 1: know which albums are not considered to be punk rock 122 00:07:51,000 --> 00:07:55,320 Speaker 1: but that are now None of the albums or artists 123 00:07:55,400 --> 00:07:58,160 Speaker 1: that I just mentioned are listed on the new Rolling 124 00:07:58,240 --> 00:08:00,960 Speaker 1: Stone list of one hundred Great punk Rock Albums of 125 00:08:00,960 --> 00:08:06,840 Speaker 1: All time. This list, I refuse to get upset about it. 126 00:08:07,200 --> 00:08:09,720 Speaker 1: I can no longer emotionally attach myself to the monsters 127 00:08:09,760 --> 00:08:13,760 Speaker 1: at Rolling Stone Magazine who who create these god forsaken lists. 128 00:08:13,800 --> 00:08:18,720 Speaker 1: This one, released two days ago, has been called, among 129 00:08:18,760 --> 00:08:22,520 Speaker 1: other things, absolute chaos. And you know that's for those 130 00:08:22,560 --> 00:08:25,640 Speaker 1: of us who are you know, less emotionally centered than 131 00:08:25,680 --> 00:08:29,200 Speaker 1: I am, I guess, and less susceptible to complete and 132 00:08:29,280 --> 00:08:33,679 Speaker 1: total rage bait, which which God damn this list, the 133 00:08:33,720 --> 00:08:38,199 Speaker 1: fall Over Circle, Jerks, Turnstile above, Johnny Thunders, Green Day above, 134 00:08:38,240 --> 00:08:40,560 Speaker 1: Minor Threat, just listill driving nuts. But I'm not gonna 135 00:08:40,600 --> 00:08:43,079 Speaker 1: let it drive me nuts. I'm not now Zeth and 136 00:08:43,120 --> 00:08:44,400 Speaker 1: I are going to get into this list, and we're 137 00:08:44,400 --> 00:08:48,160 Speaker 1: going to We're going to discuss the insane thinking around 138 00:08:48,240 --> 00:08:52,000 Speaker 1: punk rock over at Rolling Stone in the exclusive section 139 00:08:52,040 --> 00:08:54,720 Speaker 1: of this after party, and we're also going to get 140 00:08:54,720 --> 00:08:57,160 Speaker 1: into the mechanics a little bit to the end of 141 00:08:57,200 --> 00:09:00,760 Speaker 1: the mechanics behind these lists, how they're put together. We 142 00:09:00,840 --> 00:09:03,240 Speaker 1: talked about that that great New York Times list a 143 00:09:03,320 --> 00:09:07,160 Speaker 1: couple of weeks ago about the greatest living American songwriters, 144 00:09:07,160 --> 00:09:09,680 Speaker 1: and we have some information about how that list came 145 00:09:09,720 --> 00:09:11,599 Speaker 1: to be, some behind the scenes action. We're going to 146 00:09:11,679 --> 00:09:14,320 Speaker 1: talk about that all coming up. Like I said in 147 00:09:14,360 --> 00:09:16,720 Speaker 1: the exclusive section of the after Party, go to disgrace 148 00:09:16,720 --> 00:09:18,400 Speaker 1: slampod dot com to sign up to become an all 149 00:09:18,440 --> 00:09:22,280 Speaker 1: access member and unlock exclusive content like this plus ad 150 00:09:22,320 --> 00:09:25,840 Speaker 1: free content now in the feed this week, our new 151 00:09:25,920 --> 00:09:31,120 Speaker 1: episode on Christina Grimmy from the Voice and the terribly 152 00:09:31,200 --> 00:09:35,839 Speaker 1: sad and inexplicable murder and what happened to her. It's 153 00:09:35,960 --> 00:09:39,600 Speaker 1: just it's just awful, but it's an episode worth listening to, 154 00:09:39,720 --> 00:09:41,960 Speaker 1: so check that out. We're going to hit up on 155 00:09:41,960 --> 00:09:43,880 Speaker 1: that a little bit later in the after Party here. 156 00:09:44,080 --> 00:09:47,520 Speaker 1: Coming up this weekend in the rewind slot, our classic 157 00:09:47,679 --> 00:09:52,199 Speaker 1: episode on Anthony bourdein Okay, speaking of punks who weren't punk. 158 00:09:53,080 --> 00:09:56,000 Speaker 1: Bourdain wasn't a musician either, but he was a rock star. 159 00:09:56,120 --> 00:09:58,520 Speaker 1: So I had to tell this story. And I can't 160 00:09:58,600 --> 00:10:00,880 Speaker 1: wait for you guys to hear the episode if you 161 00:10:00,880 --> 00:10:03,800 Speaker 1: have not already. It's more of a tribute than it 162 00:10:03,840 --> 00:10:06,200 Speaker 1: is an expose. But trust me, you're gonna find it revelatory. 163 00:10:06,240 --> 00:10:08,760 Speaker 1: You're gonna find it revealing in ways that you won't believe, 164 00:10:08,840 --> 00:10:12,240 Speaker 1: even if you've seen every No Reservations episode or if 165 00:10:12,240 --> 00:10:14,840 Speaker 1: you've read all of Bourdein's books. There's a lot of 166 00:10:14,880 --> 00:10:17,600 Speaker 1: meat on this bone, pun intended. Now that's coming up 167 00:10:17,640 --> 00:10:20,920 Speaker 1: on Sunday, all right, you can listen while you're getting 168 00:10:20,960 --> 00:10:25,360 Speaker 1: Sunday dinner together. Okay, you know it seems seemed to apt, right, 169 00:10:25,800 --> 00:10:28,760 Speaker 1: cook listen to the Boordain Disgrace that episode. Sunday is 170 00:10:28,760 --> 00:10:30,520 Speaker 1: my day to cook, by the way, and to listen 171 00:10:30,559 --> 00:10:33,160 Speaker 1: to stuff. I find it to be very relaxing. But 172 00:10:33,160 --> 00:10:36,320 Speaker 1: I'm getting off topic. Listen next week in our next 173 00:10:36,360 --> 00:10:40,319 Speaker 1: new episode. This one is gonna be on Weezer. That's right, Weezer. 174 00:10:40,720 --> 00:10:43,200 Speaker 1: Now what true crime is there possibly to tell about Weezer? 175 00:10:43,240 --> 00:10:45,600 Speaker 1: That's what you're asking yourself, right, now, is it Rivers 176 00:10:45,679 --> 00:10:50,760 Speaker 1: Como's belief in the algorithm? Is it his complicated relationship 177 00:10:50,760 --> 00:10:53,559 Speaker 1: with massage Parlors? What about a bass player who lived 178 00:10:53,559 --> 00:10:56,600 Speaker 1: at debauchrous rock and roll lifestyle a little too fully 179 00:10:57,559 --> 00:11:00,880 Speaker 1: all the way to an early grave. Yeah, that happened. 180 00:11:01,880 --> 00:11:05,080 Speaker 1: Or perhaps it's about a shootout with the cops. How 181 00:11:05,120 --> 00:11:07,439 Speaker 1: about it's about all of this and more. This is 182 00:11:07,480 --> 00:11:09,760 Speaker 1: the Weezer story like you've never heard it before. So 183 00:11:09,880 --> 00:11:13,200 Speaker 1: do not sleep on this upcoming new episode of Disgraceland 184 00:11:13,200 --> 00:11:16,280 Speaker 1: on Tuesday. My favorite Weezer album, by the way, is Pinkerton, 185 00:11:16,400 --> 00:11:18,640 Speaker 1: and not just because it was recorded right down the 186 00:11:18,640 --> 00:11:20,480 Speaker 1: street from the apartment I was living in at the time, 187 00:11:20,480 --> 00:11:25,920 Speaker 1: but because it is heavy, h eavy. But it was 188 00:11:25,960 --> 00:11:28,840 Speaker 1: a flop as well. Commercially it flopped, and it's probably 189 00:11:28,920 --> 00:11:33,640 Speaker 1: Rivers Cuomo's least favorite Weezer album anyway you look at it. 190 00:11:33,679 --> 00:11:36,200 Speaker 1: Pinkerton is a departure from what we've come to know 191 00:11:36,360 --> 00:11:39,800 Speaker 1: and expect Weezer to sound like. So when you're listening 192 00:11:39,800 --> 00:11:42,120 Speaker 1: to the Weezer episode of Disgraceland next week, be thinking 193 00:11:42,120 --> 00:11:45,480 Speaker 1: about what your favorite album is by a band that 194 00:11:45,800 --> 00:11:48,440 Speaker 1: is a total outlier of an album, okay, that is 195 00:11:48,520 --> 00:11:52,480 Speaker 1: totally different from anything else in their catalog albums like 196 00:11:52,520 --> 00:11:56,080 Speaker 1: Pink Floyd's Metal or Neil Young's Shocking Pinks or Paul 197 00:11:56,120 --> 00:11:59,400 Speaker 1: McCartney's Run Devil Run, Metallica's Lulu Even Let Me Know 198 00:12:00,040 --> 00:12:02,160 Speaker 1: six one seven nine oh six six six three eight. 199 00:12:02,400 --> 00:12:04,280 Speaker 1: That's going to be the question of the week for 200 00:12:04,360 --> 00:12:08,320 Speaker 1: next week. Voicemail and text at Disgrace Lampod on the 201 00:12:08,360 --> 00:12:10,800 Speaker 1: socials Disgrace Lampod at gmail dot com. You want to 202 00:12:10,800 --> 00:12:13,320 Speaker 1: email me, I'll be back right after this to hear 203 00:12:13,360 --> 00:12:16,160 Speaker 1: from you guys, to hear from you on text, your voicemail, 204 00:12:16,400 --> 00:12:16,920 Speaker 1: et cetera. 205 00:12:17,679 --> 00:12:38,480 Speaker 2: Back in the flash. 206 00:12:38,559 --> 00:12:42,760 Speaker 1: So I'm doing this thing where I'm doing this intermittent 207 00:12:42,880 --> 00:12:45,559 Speaker 1: fasting thing. Every day, I stop eating at like eight 208 00:12:45,559 --> 00:12:49,320 Speaker 1: o'clock at night, and I don't eat again until noon 209 00:12:49,920 --> 00:12:55,400 Speaker 1: the next day. It's now as I record this, eight 210 00:12:55,480 --> 00:12:59,480 Speaker 1: minutes to noon, it's eleven fifty two. And what happens 211 00:12:59,559 --> 00:13:05,240 Speaker 1: is typically come eleven am, I'm I'm ready to just 212 00:13:05,679 --> 00:13:10,080 Speaker 1: kill somebody. I'm so angry because I'm so hungry. But then, 213 00:13:10,240 --> 00:13:12,040 Speaker 1: you know, and then I'm gonna eat at twelve that's 214 00:13:12,080 --> 00:13:15,880 Speaker 1: the plan. But then twelve comes and my hunger goes away. 215 00:13:16,679 --> 00:13:21,000 Speaker 1: It's crazy, crazy, and I'm hitting that phase right now, 216 00:13:21,120 --> 00:13:23,520 Speaker 1: right now as we're talking. I don't know why I 217 00:13:23,520 --> 00:13:26,000 Speaker 1: thought you'd find this interesting, but I did. Anyhow, there 218 00:13:26,040 --> 00:13:27,760 Speaker 1: you have it. I'm back. I'm in the phone booth. 219 00:13:27,800 --> 00:13:29,960 Speaker 1: It's the one across the hall. You know what I'm doing, 220 00:13:30,040 --> 00:13:32,320 Speaker 1: even though I'm hungry, or maybe I'm not hungry anymore. 221 00:13:32,320 --> 00:13:34,920 Speaker 1: I can't tell. I'm hanging on the telephone. Let's hear 222 00:13:34,960 --> 00:13:38,920 Speaker 1: from you guys, All right, let's hear from D in 223 00:13:39,040 --> 00:13:41,839 Speaker 1: the two one four on You guys don't want to 224 00:13:41,880 --> 00:13:43,160 Speaker 1: talk about this, and that's fine. You want to keep 225 00:13:43,160 --> 00:13:46,120 Speaker 1: talking about the Mount Rushmore of Gone Too Soon artists. 226 00:13:46,120 --> 00:13:47,560 Speaker 1: I'm here for it. This is D's take. 227 00:13:48,240 --> 00:13:52,679 Speaker 3: Hey Jake, it's D from Dallas, and I'm getting in 228 00:13:52,880 --> 00:13:59,280 Speaker 3: with my Gone Too Soon Mount Rushmore and that is 229 00:13:59,800 --> 00:14:06,480 Speaker 3: a new winehouse. Chris Cornell, Chester Bennington and of course 230 00:14:06,800 --> 00:14:12,000 Speaker 3: Kurt Cobain. Also, have you ever done an episode on 231 00:14:12,080 --> 00:14:19,040 Speaker 3: the conspiracy theory behind the Chris Cornell and Chester Bennington 232 00:14:20,960 --> 00:14:22,800 Speaker 3: air quote suicide? 233 00:14:23,880 --> 00:14:24,600 Speaker 4: Maybe you should? 234 00:14:26,320 --> 00:14:26,920 Speaker 5: Bye? 235 00:14:28,280 --> 00:14:29,680 Speaker 1: All right? Thank you? Do you think for checking in? 236 00:14:29,720 --> 00:14:32,200 Speaker 1: Thanks for giving us your list. I haven't done anything 237 00:14:32,200 --> 00:14:35,640 Speaker 1: on the air quote end of life stuff there with 238 00:14:35,720 --> 00:14:39,320 Speaker 1: Chris Cornell and Chester Bennington. I have looked into it. 239 00:14:39,880 --> 00:14:44,120 Speaker 1: I can't find anything credible that supports the conspiracy theory. 240 00:14:44,480 --> 00:14:47,640 Speaker 1: And I know that it is kind of sort of 241 00:14:48,000 --> 00:14:52,960 Speaker 1: somewhat in a roundabout way connected to Anthony Bourdain. So 242 00:14:53,920 --> 00:14:55,880 Speaker 1: and like I said, that episode is coming up in 243 00:14:55,920 --> 00:14:58,640 Speaker 1: the rewind slot in a couple of days, and again 244 00:14:59,480 --> 00:15:03,880 Speaker 1: I looked in do it. Didn't find anything credible. If 245 00:15:03,920 --> 00:15:07,520 Speaker 1: you found anything credible, keyword credible by all means, send 246 00:15:07,560 --> 00:15:09,600 Speaker 1: it to me and I'll look at it with fresh eyes. 247 00:15:10,080 --> 00:15:12,840 Speaker 1: Thanks t all Right, let's see what Rick's doing in 248 00:15:12,880 --> 00:15:13,560 Speaker 1: three one seven. 249 00:15:13,880 --> 00:15:17,120 Speaker 6: Hey Jake, it's Rick three one seven. Love your show. 250 00:15:17,160 --> 00:15:20,840 Speaker 6: It's awesome listening to it for years. Yeah. Usually what 251 00:15:20,920 --> 00:15:23,160 Speaker 6: I'm doing is just having a cocktail and sitting back 252 00:15:23,200 --> 00:15:26,440 Speaker 6: and being informed. But keep doing what you're doing. 253 00:15:27,040 --> 00:15:28,480 Speaker 5: I was gonna ask you were going to do a 254 00:15:28,560 --> 00:15:32,800 Speaker 5: show maybe on a well larned conspiracy with John McVay, 255 00:15:32,960 --> 00:15:37,480 Speaker 5: who had ties in with Monster Magnet, ties in with 256 00:15:37,920 --> 00:15:41,080 Speaker 5: queensland Stone Age. So I don't know how much debauchery's 257 00:15:41,080 --> 00:15:44,880 Speaker 5: going on that, but uh, with those names you've got 258 00:15:44,880 --> 00:15:47,240 Speaker 5: to be souping right. All right, man, you take it easy, 259 00:15:47,640 --> 00:15:48,120 Speaker 5: Robert roll. 260 00:15:48,560 --> 00:15:52,960 Speaker 1: All right, Let's check out Scott in d five one six. 261 00:15:53,720 --> 00:15:56,360 Speaker 4: Hey, Jake, my name is Scott. I listened to every 262 00:15:56,400 --> 00:16:00,240 Speaker 4: one of year episodes. I am a quadriplegic that goes 263 00:16:00,280 --> 00:16:02,440 Speaker 4: to the Jim daily and I always just know all 264 00:16:02,480 --> 00:16:05,600 Speaker 4: your episodes. You speak so fast it took me a 265 00:16:05,600 --> 00:16:08,400 Speaker 4: while to write down your number to be typing into 266 00:16:08,440 --> 00:16:10,880 Speaker 4: my phone. I'm just saying i'd like to tell you. 267 00:16:11,760 --> 00:16:14,280 Speaker 4: One of the greatest tights films I've ever seen, and 268 00:16:14,280 --> 00:16:17,040 Speaker 4: I'm sure you've seen it, is The Italian Jump. I 269 00:16:17,040 --> 00:16:18,600 Speaker 4: wrote you a text on I want to know what 270 00:16:18,640 --> 00:16:21,280 Speaker 4: you think about it again. My name is Scott n 271 00:16:21,400 --> 00:16:24,400 Speaker 4: call him from Staten Island, New York five one six 272 00:16:24,520 --> 00:16:27,800 Speaker 4: area code. You can use my name and I can't 273 00:16:27,840 --> 00:16:31,080 Speaker 4: wait to hear the next one you drop and Gretish 274 00:16:31,120 --> 00:16:35,160 Speaker 4: caw trace movie The Blues Brothers No Doubt About It 275 00:16:35,720 --> 00:16:36,480 Speaker 4: by Jake. 276 00:16:37,120 --> 00:16:40,320 Speaker 1: Scott in the five one six Appreciate you man, good job. 277 00:16:40,360 --> 00:16:43,480 Speaker 1: I'm going to the gym every day. Jealous. I don't 278 00:16:43,520 --> 00:16:49,320 Speaker 1: have that kind of dedication, Okay, Scott, I'm sorry, dude. 279 00:16:50,040 --> 00:16:52,880 Speaker 1: I haven't seen the Italian Job. I have not seen 280 00:16:52,920 --> 00:16:55,960 Speaker 1: the original, nor have I seen the remake for the 281 00:16:56,000 --> 00:16:58,640 Speaker 1: early two thousands. Which one are you referring to? 282 00:16:58,720 --> 00:16:58,920 Speaker 2: Though? 283 00:16:58,960 --> 00:17:03,960 Speaker 1: The original? Right, guys? Scott's referencing a conversation that Zeth 284 00:17:03,960 --> 00:17:07,040 Speaker 1: and I have over in the Hollywood Land feed on. 285 00:17:07,280 --> 00:17:10,760 Speaker 1: He's talking about greatest heist movies we're recommending. We're recommending 286 00:17:10,800 --> 00:17:15,080 Speaker 1: songs that are that were heist songs. You can check 287 00:17:15,119 --> 00:17:18,240 Speaker 1: that out if you're subscribed to Hollywood Land. Sorry to 288 00:17:18,320 --> 00:17:20,320 Speaker 1: let you down here, Scott, but thank you because now 289 00:17:20,359 --> 00:17:23,080 Speaker 1: you're prompting me to watch this. Who stars in the original? 290 00:17:24,280 --> 00:17:25,920 Speaker 2: Who is it? 291 00:17:25,960 --> 00:17:31,080 Speaker 1: Is it? Uh? My guy there, Michael Kaine? I think 292 00:17:31,080 --> 00:17:32,840 Speaker 1: it is? Or am I thinking of something else? I 293 00:17:32,840 --> 00:17:34,479 Speaker 1: should look it up. I'm not going I'm gonna keep 294 00:17:34,560 --> 00:17:37,440 Speaker 1: rolling through here. Let's do some texts. We had our 295 00:17:37,600 --> 00:17:39,960 Speaker 1: Diddy episodes in the rewind slot a couple of weeks ago. 296 00:17:40,000 --> 00:17:42,040 Speaker 1: This text comes from the five to three to oh 297 00:17:42,160 --> 00:17:44,800 Speaker 1: do I believe did he did it? My logical mind says, 298 00:17:45,000 --> 00:17:47,840 Speaker 1: how could I not? I still haven't seen any evidence 299 00:17:47,880 --> 00:17:51,399 Speaker 1: that proves he didn't. He didn't proves that he didn't 300 00:17:51,400 --> 00:17:53,760 Speaker 1: do it. She hasn't seen any evidence that proves any other. 301 00:17:53,880 --> 00:17:54,960 Speaker 2: Okay, she was not to say. 302 00:17:55,240 --> 00:17:57,280 Speaker 1: All we see and hear about is the overwhelming, damning 303 00:17:57,320 --> 00:18:00,919 Speaker 1: evidence against him. So yeah, he did it. His mammoth 304 00:18:00,960 --> 00:18:03,760 Speaker 1: sized ego couldn't shut up about it. Ha ha, what 305 00:18:03,840 --> 00:18:06,720 Speaker 1: a douche. Keep up the good work, Jake. Love your podcast, 306 00:18:06,800 --> 00:18:09,360 Speaker 1: Danny C. I tend to agree with you. Last week 307 00:18:09,400 --> 00:18:13,600 Speaker 1: we were talking about this David story that's developing out 308 00:18:13,760 --> 00:18:17,480 Speaker 1: or the court cases developing out in Los Angeles, D 309 00:18:17,720 --> 00:18:20,600 Speaker 1: four VD and the seven to one to three writes 310 00:18:20,640 --> 00:18:24,359 Speaker 1: in the David episode bonus. I read the indictment and 311 00:18:24,400 --> 00:18:28,560 Speaker 1: then looked up cadaver bags on Amazon thirteen ninety nine, 312 00:18:28,880 --> 00:18:31,000 Speaker 1: and I was worried I would be on a list. 313 00:18:31,400 --> 00:18:34,679 Speaker 1: Why can you buy this without a special license? I 314 00:18:34,680 --> 00:18:37,880 Speaker 1: don't know. I don't have an answer for you there 315 00:18:38,680 --> 00:18:40,439 Speaker 1: seven one to three, but I appreciate it, and I 316 00:18:40,440 --> 00:18:42,280 Speaker 1: can't wait to tell this story. I can't wait to 317 00:18:42,359 --> 00:18:45,480 Speaker 1: this court case wraps five four to one rights in 318 00:18:45,640 --> 00:18:47,680 Speaker 1: Jake Tom from the five to four to one Here, 319 00:18:47,720 --> 00:18:50,600 Speaker 1: what do I do while listening to your podcasts? Farming, 320 00:18:51,080 --> 00:18:54,080 Speaker 1: growing vegetables and flower seeds and fresh produce for the 321 00:18:54,119 --> 00:18:57,160 Speaker 1: people here in the lovely Mountains of Southern Oregon love 322 00:18:57,240 --> 00:19:02,240 Speaker 1: the show. Rock on peace, Tom Tom, That's exciting. 323 00:19:03,520 --> 00:19:03,679 Speaker 2: You know. 324 00:19:03,720 --> 00:19:08,359 Speaker 1: I can't think of anything more heavenly than farming or gardening. 325 00:19:08,960 --> 00:19:12,919 Speaker 1: It just seems to be. It's like a fantasy of 326 00:19:12,960 --> 00:19:14,639 Speaker 1: mine to be able to do that every day, to 327 00:19:14,680 --> 00:19:19,600 Speaker 1: be completely disconnected from the technological modern aspects of life 328 00:19:19,640 --> 00:19:23,280 Speaker 1: that have their fucking talents in me twenty four to seven, 329 00:19:23,320 --> 00:19:25,280 Speaker 1: and it seems, Hey, I'm going off track here four 330 00:19:25,440 --> 00:19:27,560 Speaker 1: h five text in Hey, Disgraceland, I know I'm late. 331 00:19:27,960 --> 00:19:31,520 Speaker 1: How could you leave Randy Rhodes off the list? He 332 00:19:31,680 --> 00:19:34,160 Speaker 1: was a trained classical guitarist who was about to leave 333 00:19:34,160 --> 00:19:39,880 Speaker 1: Ozzie to pursue a career dedicated to that style of play. Yeah, 334 00:19:40,160 --> 00:19:42,119 Speaker 1: you know, And if I'm being honest, I made my 335 00:19:42,240 --> 00:19:46,760 Speaker 1: list of great Mount Rushmore guitarists pretty subjective. And Randy 336 00:19:46,840 --> 00:19:51,960 Speaker 1: Rhoads gripped me as a young child when that tribute 337 00:19:52,000 --> 00:19:55,080 Speaker 1: to Randy came out, incredible. I get in a lot 338 00:19:55,080 --> 00:19:57,320 Speaker 1: of trouble because of that album. I don't know if 339 00:19:57,359 --> 00:19:59,119 Speaker 1: I want to tell it here on this podcast, because 340 00:19:59,280 --> 00:20:02,200 Speaker 1: my kids might someday listen to this. When they're still kids, 341 00:20:02,760 --> 00:20:05,240 Speaker 1: and I don't want to hear this story, So you know, 342 00:20:05,600 --> 00:20:08,479 Speaker 1: I don't know six one seven nine oh six six 343 00:20:08,560 --> 00:20:10,280 Speaker 1: six three eight. Hit me up on text. Maybe I'll 344 00:20:10,280 --> 00:20:12,960 Speaker 1: tell you over Text. Can also leave me a voicemail. 345 00:20:13,040 --> 00:20:15,919 Speaker 1: We might play it here on the after party Disgrace 346 00:20:16,000 --> 00:20:18,760 Speaker 1: Lampod at gmail dot com. You want to send me 347 00:20:18,760 --> 00:20:23,199 Speaker 1: an email at Disgrace Lampod on the socials. Gotta let 348 00:20:23,200 --> 00:20:25,160 Speaker 1: you guys know something real quick. Zeth and I are 349 00:20:25,160 --> 00:20:29,240 Speaker 1: getting ready to film a new episode of our video podcast. 350 00:20:29,520 --> 00:20:33,399 Speaker 1: This film should be played bad and in this episode. 351 00:20:33,920 --> 00:20:36,600 Speaker 1: This EPs going to be all about Wes Anderson's film 352 00:20:37,000 --> 00:20:40,480 Speaker 1: The Royal Tenebaumbs and the music, the incredible soundtrack. That 353 00:20:40,520 --> 00:20:44,840 Speaker 1: episode's gonna drop next Wednesday over in the Disgraceland All 354 00:20:44,880 --> 00:20:48,280 Speaker 1: Access feed on Patreon. Now, if you're not an all 355 00:20:48,320 --> 00:20:51,480 Speaker 1: Access member, now is a good time to sign up 356 00:20:52,400 --> 00:20:56,640 Speaker 1: our monthly in annual memberships for the Sound and Fury tier. 357 00:20:56,880 --> 00:20:59,080 Speaker 1: That's the tier where you get the video. That's the 358 00:20:59,080 --> 00:21:01,359 Speaker 1: tier where you get this film should be played loud. 359 00:21:01,440 --> 00:21:04,679 Speaker 1: Royal Tenenbaum's episode and our other episodes on Goodfellas and 360 00:21:04,720 --> 00:21:08,840 Speaker 1: Boogie Nights and High Fidelity You're gonna get twenty percent 361 00:21:09,000 --> 00:21:12,440 Speaker 1: off through next weekend May thirty. First. If you sign 362 00:21:12,560 --> 00:21:15,560 Speaker 1: up now, go head over to disgracelandpod dot com. You're 363 00:21:15,560 --> 00:21:18,399 Speaker 1: gonna see information right there on our homepage along with 364 00:21:18,440 --> 00:21:20,160 Speaker 1: the link to get you signed up so you can 365 00:21:20,200 --> 00:21:23,879 Speaker 1: start watching episodes of this film should be played loud. 366 00:21:24,520 --> 00:21:28,800 Speaker 1: Our video podcasts all about the soundtracks, great soundtracks from 367 00:21:28,840 --> 00:21:32,640 Speaker 1: the great movies that we love, Big Lebowski, Boogie Nights, etcetera. 368 00:21:32,880 --> 00:21:35,960 Speaker 1: Get in there, disgrace landpod dot com. Get twenty percent off. 369 00:21:37,440 --> 00:21:40,439 Speaker 1: You're disgrace Land all access membership. All right, letna take 370 00:21:40,440 --> 00:21:40,920 Speaker 1: a quick break. 371 00:21:40,960 --> 00:21:41,760 Speaker 2: I'll be back after this. 372 00:21:54,440 --> 00:21:57,000 Speaker 1: All right, We're back, and I'm not gonna delay anymore. 373 00:21:57,119 --> 00:22:00,480 Speaker 1: I know why we're all here. We are here with 374 00:22:00,600 --> 00:22:06,159 Speaker 1: baited breath, waiting for our sitcom theme music may a Palooza, 375 00:22:06,720 --> 00:22:09,159 Speaker 1: May Madness, whatever the hell we're talking about this. The 376 00:22:09,680 --> 00:22:12,480 Speaker 1: sitcom Tronic two thousand is helping it. What I can't 377 00:22:12,520 --> 00:22:15,600 Speaker 1: remember what Matt calls this thing. Matt, get in here, 378 00:22:15,920 --> 00:22:16,880 Speaker 1: give us the update. 379 00:22:17,119 --> 00:22:21,840 Speaker 7: Yeah, Jake, you're talking about the May Madness sitcom theme 380 00:22:22,000 --> 00:22:24,359 Speaker 7: tournament that we've got going on. And you're talking about 381 00:22:24,400 --> 00:22:29,720 Speaker 7: the sitcom Atron two thousand, which is this advanced technology 382 00:22:29,760 --> 00:22:32,920 Speaker 7: that we have to help us run this tournament. As 383 00:22:32,960 --> 00:22:36,320 Speaker 7: of today, we've narrowed the field down to the Elite eight. 384 00:22:36,880 --> 00:22:41,280 Speaker 7: If you go on to patreon dot com slash Disgraceland, 385 00:22:41,640 --> 00:22:43,040 Speaker 7: you can see the matchups for the. 386 00:22:42,960 --> 00:22:46,080 Speaker 1: Elite eight round and you'll. 387 00:22:45,760 --> 00:22:49,159 Speaker 7: Also see where to go to vote to see who's 388 00:22:49,200 --> 00:22:52,359 Speaker 7: going to go through into the final four. Voting for 389 00:22:52,359 --> 00:22:57,120 Speaker 7: the Elite eight closes on Monday at eleven fifty nine 390 00:22:57,480 --> 00:23:00,679 Speaker 7: pm Eastern time, So you want to get in and 391 00:23:00,720 --> 00:23:04,159 Speaker 7: cast your vote, go ahead right now, Patreon dot com 392 00:23:04,240 --> 00:23:05,600 Speaker 7: slash disgrace Land. 393 00:23:06,240 --> 00:23:09,000 Speaker 1: Make your voice heard, all right, Matt, thank you as 394 00:23:09,040 --> 00:23:12,800 Speaker 1: always for this very important update. We appreciate it. Guys, 395 00:23:12,960 --> 00:23:15,399 Speaker 1: get order to disgrace lampod dot com, sign up for 396 00:23:15,440 --> 00:23:17,080 Speaker 1: our Patreon, get in and vote. You don't even have 397 00:23:17,119 --> 00:23:18,639 Speaker 1: to be a paid member to get in here and 398 00:23:18,800 --> 00:23:22,920 Speaker 1: access all this hot nostalgic sitcom action. All right now. 399 00:23:23,359 --> 00:23:26,840 Speaker 1: I mentioned earlier the conversation that Zeth and I were 400 00:23:26,880 --> 00:23:31,040 Speaker 1: having about musical hes over in the Hollywood Land Feed. 401 00:23:31,280 --> 00:23:36,760 Speaker 1: This week we got into perhaps an even more interesting 402 00:23:36,880 --> 00:23:40,320 Speaker 1: musical conversation over in the Wrap Party in hollywood Land 403 00:23:40,440 --> 00:23:44,439 Speaker 1: this week when we were talking about great car music, 404 00:23:44,600 --> 00:23:46,880 Speaker 1: and that's because we get Steve McQueen happening in Hollywood 405 00:23:46,920 --> 00:23:50,800 Speaker 1: Land this week. And man, I could have talked about 406 00:23:50,840 --> 00:23:55,520 Speaker 1: this for I mean, we're supposed to come with three recommendations, 407 00:23:55,560 --> 00:23:59,920 Speaker 1: three song recommendations. I had I think seven written down, 408 00:24:00,040 --> 00:24:01,880 Speaker 1: and I could have gone. I could have kept going 409 00:24:03,160 --> 00:24:06,080 Speaker 1: something about cars and rock and roll, and a lot 410 00:24:06,080 --> 00:24:08,119 Speaker 1: of you probably don't know this. I wouldn't say I'm 411 00:24:08,160 --> 00:24:11,199 Speaker 1: a car guy, but I love cars and I love 412 00:24:11,280 --> 00:24:13,920 Speaker 1: car culture. I'm not part of a car club or 413 00:24:13,960 --> 00:24:15,359 Speaker 1: anything like that, but I was kind of part of 414 00:24:15,400 --> 00:24:18,879 Speaker 1: an unofficial one in high school with my buddies. So 415 00:24:18,960 --> 00:24:22,520 Speaker 1: this stuff is in my DNA. And any excuse I 416 00:24:22,520 --> 00:24:26,320 Speaker 1: get to talk about Jeff Tweety and Wilco's passenger Side 417 00:24:26,440 --> 00:24:28,560 Speaker 1: is a good one, Matt. Give the people a little 418 00:24:28,600 --> 00:24:31,280 Speaker 1: taste of what they might be missing if they're not 419 00:24:31,560 --> 00:24:33,560 Speaker 1: subscribed over in the Hollywood Land feed. 420 00:24:34,240 --> 00:24:37,000 Speaker 7: Paint a picture here, what's Jake Brennan teenage Jake Brennan 421 00:24:37,080 --> 00:24:37,879 Speaker 7: driving around. 422 00:24:37,600 --> 00:24:43,800 Speaker 1: In nineteen sixty eight Plymouth Barracuda straight six engine, white 423 00:24:44,320 --> 00:24:47,960 Speaker 1: red top that I bought for eight hundred bucks off, 424 00:24:48,000 --> 00:24:51,520 Speaker 1: my friend Dutch, who drove, who bought I'm sorry, who 425 00:24:51,600 --> 00:24:54,359 Speaker 1: sold me the Barracuda so that he could buy his 426 00:24:54,520 --> 00:24:56,760 Speaker 1: sixty four Dodge Dart. 427 00:24:57,000 --> 00:24:58,040 Speaker 2: We had cool. 428 00:24:57,840 --> 00:25:01,000 Speaker 1: Fucking cars, and some of it was some of it 429 00:25:01,040 --> 00:25:03,000 Speaker 1: was our own taste, and some of it was like 430 00:25:03,000 --> 00:25:05,600 Speaker 1: our dad's not mine. Well, my dad, but that was 431 00:25:05,680 --> 00:25:08,040 Speaker 1: why I had my car. Some of my friends, like 432 00:25:08,080 --> 00:25:09,720 Speaker 1: my friend Billy, his dad were at a gas station, 433 00:25:09,880 --> 00:25:13,480 Speaker 1: so he was gifted a Cherry red sixty seven Camaro 434 00:25:13,520 --> 00:25:16,120 Speaker 1: when he got his license. Bastard. We had to pay 435 00:25:16,119 --> 00:25:19,520 Speaker 1: for ours, but we had cool freaking muscle cars, and 436 00:25:19,560 --> 00:25:22,879 Speaker 1: car culture was part of our world in this small 437 00:25:22,920 --> 00:25:25,480 Speaker 1: town that we grew up in. And this song in particular, 438 00:25:25,520 --> 00:25:29,399 Speaker 1: when Ministry released Jesus Built My hot Rod, it was 439 00:25:29,440 --> 00:25:33,440 Speaker 1: like our minds exploded because it was everything. It was everything. 440 00:25:33,440 --> 00:25:36,480 Speaker 1: And I didn't know until today that that was Gibby 441 00:25:36,520 --> 00:25:40,040 Speaker 1: Haying singing that song from Butthole Surfers. Did you know that? No? 442 00:25:40,080 --> 00:25:42,280 Speaker 1: I didn't know that. I didn't know that either. Man, 443 00:25:42,720 --> 00:25:44,760 Speaker 1: I did not know that, and I thought that was 444 00:25:44,800 --> 00:25:47,480 Speaker 1: like some old movie sample at the beginning that I 445 00:25:47,560 --> 00:25:50,159 Speaker 1: just read to you. That soon I discovered that this 446 00:25:50,359 --> 00:25:53,399 Speaker 1: rock thing was true, Jerry Lewis was the devil, and 447 00:25:53,520 --> 00:25:56,640 Speaker 1: Jesus was an architect prior to his career as a prophet. 448 00:25:56,920 --> 00:25:59,679 Speaker 1: All of a sudden, I found myself in love with 449 00:25:59,720 --> 00:26:02,679 Speaker 1: the word. I think you can put that on my headstone, dude, 450 00:26:02,760 --> 00:26:05,600 Speaker 1: and it would be like perfect. This sums up everything 451 00:26:05,640 --> 00:26:08,040 Speaker 1: about me. All right, that's a Hollywoodland feed. Make sure 452 00:26:08,080 --> 00:26:11,080 Speaker 1: you're subscribed to Hollywood Land on Apple podcasts or the 453 00:26:11,119 --> 00:26:14,520 Speaker 1: iHeartRadio app or wherever you get your podcasts six one 454 00:26:14,640 --> 00:26:16,359 Speaker 1: seven nine six six six three eight. You want to 455 00:26:16,400 --> 00:26:19,240 Speaker 1: hit me up on voicemail or text Disgrace Sampod at 456 00:26:19,359 --> 00:26:21,840 Speaker 1: gmail dot com if you want to send me an 457 00:26:21,880 --> 00:26:24,520 Speaker 1: email on any of these topics that we've been discussing. 458 00:26:24,960 --> 00:26:28,280 Speaker 1: Dan Simpson writes, Hey, I think the death of Dave 459 00:26:28,680 --> 00:26:33,240 Speaker 1: Brocky of Gwar would make for a good episode. Dan, 460 00:26:34,200 --> 00:26:37,920 Speaker 1: I don't know anything about this. Nothing I know of Gwar. 461 00:26:38,040 --> 00:26:40,560 Speaker 1: Of course, I almost want to see them a couple 462 00:26:40,640 --> 00:26:42,760 Speaker 1: times with my friends, but I didn't for whatever reason. 463 00:26:44,119 --> 00:26:46,800 Speaker 1: And yeah, you're absolutely right, that would make for a 464 00:26:46,800 --> 00:26:51,600 Speaker 1: great episode. Tom g emails us what appears to be 465 00:26:52,160 --> 00:26:56,639 Speaker 1: video from inside Alistair Crowley's home is that what this 466 00:26:56,800 --> 00:27:00,560 Speaker 1: is only one of your three videos will open my 467 00:27:00,640 --> 00:27:04,240 Speaker 1: man and uh, I'm trying to put some context to this. 468 00:27:04,320 --> 00:27:09,679 Speaker 1: Hit me back, Tom, trying to piece this together. This 469 00:27:09,760 --> 00:27:13,439 Speaker 1: one comes from Peter Googer. I hope I'm pronouncing that correctly, 470 00:27:13,480 --> 00:27:17,640 Speaker 1: Peter writes in Hi, z and Jay, that's Zeth and Jake. Firstly, 471 00:27:17,760 --> 00:27:21,000 Speaker 1: thanks Zeth for the heads up on Quantum Criminals. I 472 00:27:21,000 --> 00:27:22,720 Speaker 1: didn't know about the book, so it goes without saying 473 00:27:22,760 --> 00:27:24,920 Speaker 1: that it's now on order. I also checked out John 474 00:27:25,000 --> 00:27:28,760 Speaker 1: LeMay's online store. Thanks for giving me the Albert King 475 00:27:28,840 --> 00:27:30,560 Speaker 1: rabbit hole to go down, Jake, I knew a little 476 00:27:30,600 --> 00:27:34,600 Speaker 1: about this somewhat mysterious character and self purported half brother 477 00:27:34,680 --> 00:27:36,760 Speaker 1: of BB King. I especially love the chat between you 478 00:27:36,800 --> 00:27:40,040 Speaker 1: guys on The Hunter and the appropriations the song has 479 00:27:40,080 --> 00:27:43,359 Speaker 1: been subject to led zeppein One is the album of 480 00:27:43,400 --> 00:27:45,800 Speaker 1: theirs that I've listened to the least. So I was 481 00:27:45,880 --> 00:27:50,040 Speaker 1: unaware of the directly ripped section of that Hunter song 482 00:27:50,200 --> 00:27:53,720 Speaker 1: in how many more times? If I was, I would 483 00:27:53,760 --> 00:27:57,280 Speaker 1: have recognized it immediately as Pacific Gas and Electrics version 484 00:27:57,359 --> 00:27:59,600 Speaker 1: of The Hunter. It was a minor hit here in 485 00:27:59,680 --> 00:28:03,320 Speaker 1: Austin Australia, back in nineteen sixty nine. I don't even 486 00:28:03,359 --> 00:28:06,840 Speaker 1: know about Pacific gas and electric. All right, anyways, Peter 487 00:28:06,960 --> 00:28:09,000 Speaker 1: goes on, I can actually remember listening to it on 488 00:28:09,040 --> 00:28:11,920 Speaker 1: my friend's mother's car radio. I was only tenth time, 489 00:28:12,200 --> 00:28:14,440 Speaker 1: so I didn't know about Albert King's original and certainly 490 00:28:14,440 --> 00:28:19,280 Speaker 1: wouldn't have known what a lovegun was. And then he 491 00:28:19,359 --> 00:28:22,000 Speaker 1: includes an article here on Pacific gas and electric. Peter, 492 00:28:22,080 --> 00:28:24,480 Speaker 1: thanks so much, Disgrace Lampod at gmail dot com. I 493 00:28:24,480 --> 00:28:28,359 Speaker 1: don't know anything about this version of The Hunter. I don't, 494 00:28:28,440 --> 00:28:31,040 Speaker 1: like I said, know anything about Pacific gas and electric. 495 00:28:31,119 --> 00:28:34,760 Speaker 1: But I'm excited to dig into this. Looks like they 496 00:28:34,760 --> 00:28:39,240 Speaker 1: were a inspiration on both Jimi Hendrix and Jimmy Page. 497 00:28:39,840 --> 00:28:42,640 Speaker 1: All from Peter's email. Thank you, Peter, Disgrace Lampod at 498 00:28:42,640 --> 00:28:44,960 Speaker 1: gmail dot com. You guys want to email me about anything, 499 00:28:45,000 --> 00:28:49,000 Speaker 1: get at me, Disgracelampod at gmail dot com. Six one 500 00:28:49,120 --> 00:28:51,360 Speaker 1: seven nine oh sixty six six three eight voicemail and 501 00:28:51,480 --> 00:28:55,480 Speaker 1: text Disgrace Lampod at Gmail at Disgrace Lampod on the socials. 502 00:28:55,680 --> 00:28:58,360 Speaker 1: All right, guys, As promised, Zeth and I are about 503 00:28:58,360 --> 00:29:02,920 Speaker 1: to get into our conversation on punk rock and Rolling 504 00:29:02,960 --> 00:29:05,760 Speaker 1: Stones list of the one hundred greatest punk albums of 505 00:29:05,760 --> 00:29:10,440 Speaker 1: all Time, but more importantly, the mechanations behind the making 506 00:29:10,480 --> 00:29:13,120 Speaker 1: of these lists by Rolling Stone, by The New York Times, 507 00:29:13,120 --> 00:29:15,320 Speaker 1: et cetera. These lists. We've been discussing a lot here. 508 00:29:16,200 --> 00:29:18,719 Speaker 1: Pretty interesting conversation. You're not gonna want to miss it. 509 00:29:18,840 --> 00:29:21,320 Speaker 1: Go to disgrace sampod dot com to sign up if 510 00:29:21,320 --> 00:29:38,000 Speaker 1: you're not already an All Access member. All right, let's recap, 511 00:29:38,040 --> 00:29:40,360 Speaker 1: shall we. We talked a lot about a bunch of 512 00:29:40,400 --> 00:29:45,320 Speaker 1: punk bands in this episode, The Clash sex Pistoles. We 513 00:29:45,440 --> 00:29:47,560 Speaker 1: have two episodes on the Sex Pistols in our archive, 514 00:29:48,000 --> 00:29:51,000 Speaker 1: another on the Clash, and we've got a great John 515 00:29:51,080 --> 00:29:55,200 Speaker 1: Lennon episode from the time that he made sometime in 516 00:29:55,280 --> 00:29:58,400 Speaker 1: New York City. Matt will have the episode information in 517 00:29:58,440 --> 00:29:59,880 Speaker 1: the show notes of this page so that you guys 518 00:29:59,880 --> 00:30:03,800 Speaker 1: can navigate through our archive to find those stories. Should 519 00:30:03,800 --> 00:30:07,160 Speaker 1: you be inclined. All right, listen number one this week 520 00:30:07,240 --> 00:30:10,040 Speaker 1: our new episode on Christina Grimy that is available for 521 00:30:10,080 --> 00:30:12,600 Speaker 1: you right now. Number two are rewind episode coming up 522 00:30:12,640 --> 00:30:16,640 Speaker 1: this Sunday on Anthony Bourdain that'll be there for you. 523 00:30:16,680 --> 00:30:18,800 Speaker 1: Don't miss that. Number three next week brand new episode 524 00:30:18,800 --> 00:30:21,800 Speaker 1: on Wheezer Zess giving you all those Hollywood and crime 525 00:30:21,880 --> 00:30:23,720 Speaker 1: vibes and the Hollywood land feeds. So make sure that 526 00:30:23,720 --> 00:30:27,800 Speaker 1: you are subscribed. Our next this film should be played loud. 527 00:30:27,800 --> 00:30:30,880 Speaker 1: That's coming next week on the Royal Tenant Bombs And 528 00:30:30,920 --> 00:30:33,560 Speaker 1: now is your time to get twenty percent off becoming 529 00:30:33,560 --> 00:30:36,160 Speaker 1: an All Access member. Go to Disgrace sampod dot com 530 00:30:36,160 --> 00:30:38,440 Speaker 1: to sign up. Number six six one seven nine oh 531 00:30:38,440 --> 00:30:40,680 Speaker 1: six six six three eight. Your voice keeps us diticking 532 00:30:40,680 --> 00:30:42,920 Speaker 1: into the dark corners of music history, So keep calling, 533 00:30:43,040 --> 00:30:45,720 Speaker 1: keep texting, giving us your answers to this week's question 534 00:30:45,760 --> 00:30:47,160 Speaker 1: of the week, or with whatever else you want to 535 00:30:47,200 --> 00:30:49,080 Speaker 1: talk about. Number seven, do not forget this goes. This 536 00:30:49,120 --> 00:30:51,880 Speaker 1: isn't just content. It's a community, a community of the obsessed, 537 00:30:51,920 --> 00:30:54,040 Speaker 1: and no one cares about music, books, records in the 538 00:30:54,040 --> 00:30:56,520 Speaker 1: crime and grime. It ties them all together like you do. 539 00:30:56,640 --> 00:31:01,080 Speaker 1: And well that's a disgrace. Back on June tenth, twenty sixteen, 540 00:31:01,440 --> 00:31:04,760 Speaker 1: singer in the Voice Contesting Christina Grimmy was shot down 541 00:31:04,880 --> 00:31:08,360 Speaker 1: and murdered, and this was what America was listening to 542 00:31:08,480 --> 00:31:13,920 Speaker 1: on that day. Number one, love yourself, justin Bieber. Number 543 00:31:13,920 --> 00:31:21,280 Speaker 1: two Sorry Justin Bieber number three one Dance Drake featuring 544 00:31:21,360 --> 00:31:27,080 Speaker 1: whiz Kid and Kyla Number four, Works Rihanna featuring Drake, 545 00:31:27,760 --> 00:31:32,600 Speaker 1: number five, Number Stressed Out twenty one, Pilots number six, 546 00:31:33,280 --> 00:31:40,800 Speaker 1: Panda Designer number seven, Hello, Can't Dell number eight, Don't 547 00:31:40,840 --> 00:31:45,440 Speaker 1: let Me Down the Chain Smokers number nine, Can't Stop 548 00:31:45,520 --> 00:31:50,880 Speaker 1: the Feeling Justin Timberlake number ten, Close Out of Chance 549 00:31:50,880 --> 00:32:05,840 Speaker 1: Smokers number eleven. Quit talking and start mixing.