WEBVTT - Chance The Rapper Interview

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<v Speaker 1>I'm real people, real celebrity joined the breakfast What up y'all?

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<v Speaker 1>Is DJ m vy Angela Yee Charlomagne the guy we

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<v Speaker 1>are the Breakfast Club got a special guest with us

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<v Speaker 1>in the building, Champs the rapper Who Chance trump Everybody?

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<v Speaker 1>You said breakfast club with Donnie? I'm like, who the

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<v Speaker 1>hell on the show's named Donnie? Donnie Trumpet? What's up? Everybody?

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<v Speaker 1>Let's start back? Who is Chance? Because I'm familiar with you,

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<v Speaker 1>I've never really heard a song, never heard of verse.

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<v Speaker 1>So for someone like me who's not up on a

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<v Speaker 1>Chance the rapper? Who are you? All right? I'm the rapper.

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<v Speaker 1>I'm from Chicago twenty one? Yeah, yeah, yeah, I'm done rapper.

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<v Speaker 1>But I'm I'm an artist of shorts and uh from

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<v Speaker 1>Chicago and for the people. And I got two mixtapes

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<v Speaker 1>up lasted rappers, one out a couple of years ago.

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<v Speaker 1>That would be the one that you know, Yeah he

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<v Speaker 1>went before that. Guess ten Day. You might know it,

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<v Speaker 1>you might not know it. Explain the concert, but ten

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<v Speaker 1>Day ten Day was recorded while I was on ten

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<v Speaker 1>day suspension from high school. What you do well you

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<v Speaker 1>get suspended? I have, Yeah, I have marijuana. I don't

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<v Speaker 1>know what the rules are for. I had not really

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<v Speaker 1>a lot of weed, but like on school property, I guess,

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<v Speaker 1>or like a half of zip zip No, like like

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<v Speaker 1>a like a maybe maybe a quarter maybe a quarter

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<v Speaker 1>selling a smoking. I was smoking. But they were trying

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<v Speaker 1>to say I hadn't tend to sell, but I didn't.

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<v Speaker 1>I had it in one bag. It was for me.

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<v Speaker 1>It doesn't matter. I wasn't really trying to say nothing.

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<v Speaker 1>I didn't know what was incriminating, what was not. I

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<v Speaker 1>was chilling, but they gave me the suspension. Somebody telling

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<v Speaker 1>you because Lenna tell you something. When I was in

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<v Speaker 1>high school, and I shoul probably shouldn't a long time.

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<v Speaker 1>But when I was in high school, we used to

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<v Speaker 1>get money when we used to tell on people for

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<v Speaker 1>having We like lame dude, like lame dude, not know

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<v Speaker 1>like what he what is he doing with weed? I

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<v Speaker 1>would go tell on him. I go to the printool

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<v Speaker 1>like you've always been like because cool and be like, yo,

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<v Speaker 1>look I got weed. I got a gun. So we

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<v Speaker 1>tell on him and get money. Well said you got gun?

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<v Speaker 1>Chat just for people and everything. I hope not. That'd

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<v Speaker 1>be crazy if I found out somebody told on me.

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<v Speaker 1>I think it was just the school was into like

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<v Speaker 1>what I was on and stuff, so like they kind

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<v Speaker 1>of followed me around. The police officer that was issued

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<v Speaker 1>to the school, we'll kind of like randomly checked my

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<v Speaker 1>locker and all types of stuff. And he was actually

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<v Speaker 1>one of them family. I was a little bit actually,

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<v Speaker 1>like a couple of blocks away from school because I

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<v Speaker 1>went to school downtown, so like I was like in

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<v Speaker 1>an alley somewhere, and dude just walked up on me

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<v Speaker 1>and grabbed me, took me back to the school, made

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<v Speaker 1>sure they kicked me out of school, and then then

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<v Speaker 1>took me to the station off ten days and you

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<v Speaker 1>did a mixtape in the library? Yeah, yeah, equipment library,

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<v Speaker 1>they didn't. So there's this thing called You Media and Chicago,

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<v Speaker 1>which is, uh, it's through Chicago public libraries, and they

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<v Speaker 1>basically give the space for young kids to learn how

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<v Speaker 1>to use media, whether it be like you know, using

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<v Speaker 1>the Internet and different programs for making you know, work stuff,

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<v Speaker 1>or also like instruments and production software and a recording

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<v Speaker 1>studio and music theory classes. Me and Donnie both grew

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<v Speaker 1>up in it, and they're like kind of expanding it now.

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<v Speaker 1>So I'm working really closely with them. But you didn't

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<v Speaker 1>pass the weed to Donnie Man. Donnie, do you carry

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<v Speaker 1>a weed? Now? What is the role? No? Definitely not

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<v Speaker 1>I have I have my own personal weed carriers on

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<v Speaker 1>all ten days suspensions. I don't want any of that trouble.

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<v Speaker 1>Your mom was going to the library to study and

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<v Speaker 1>you was actually making a mixtape. Yeah, I mean I

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<v Speaker 1>think my mom was glad that I was at the

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<v Speaker 1>library regardless. I didn't have to really expound on what

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<v Speaker 1>I was doing that. I was just like, yeah, I'm

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<v Speaker 1>going to the library. But it was like yeah, it

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<v Speaker 1>was like all that stuff. And then there was also

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<v Speaker 1>an open mic program through that called Lyricists, and like um,

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<v Speaker 1>it was led by a guy named Brother Mike rest

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<v Speaker 1>in Peace. But he was my mentor growing up, and

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<v Speaker 1>he would just have all these kids from the city,

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<v Speaker 1>you know what I'm saying, all sides of the city

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<v Speaker 1>because it was right downtown, so like all the trains

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<v Speaker 1>came there and everybody would come and just you know,

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<v Speaker 1>make a statement like the answer sing or you know, rapper,

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<v Speaker 1>do a little bit of comedy for working stuff like

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<v Speaker 1>but people will come up and present and that was

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<v Speaker 1>my spot that's all like game my fans. Now, I

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<v Speaker 1>did just read that you opened up a digital library

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<v Speaker 1>in Chicago. Yeah, so I opened up the car. DIDU

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<v Speaker 1>wasn't shout out to Cardiguuson. I think it's still February

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<v Speaker 1>right now, Black History months. You know. Well, I'll tell

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<v Speaker 1>you what made me go back and listen to your music. Um,

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<v Speaker 1>it was Lallapalooza and they were saying that you were

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<v Speaker 1>like the highlight of Lallapalooza last year. You know, not

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<v Speaker 1>only was it Chicago, but you brought out our Kelly

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<v Speaker 1>came out and performed with you. You had everybody, you're

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<v Speaker 1>teaching everybody. How did you watched our Kelly tape growing up?

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<v Speaker 1>That's wild? Yes, yeah, well I don't know if it

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<v Speaker 1>was our Kelly on the tape. He said it wasn't him.

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<v Speaker 1>You learn anything from that tape? From that tape? Oh

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<v Speaker 1>my god, you're crazy. And I've been trying to peek

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<v Speaker 1>do you mind if I finished? Oh I'm sorry, thank

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<v Speaker 1>you very much. Yeah, so that's actually what made me

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<v Speaker 1>go back and say, okay, And you were on the

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<v Speaker 1>double XIL Freshman cover and that was another thing. But

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<v Speaker 1>when Tray I was up here. He said, y'all had

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<v Speaker 1>some type of issue, Like he called you a weird

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<v Speaker 1>because he walked up through your face and called you

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<v Speaker 1>a weird old wrapper. Me and Troy have are cool people's.

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<v Speaker 1>Uh we met at the at the double xhel Shoot.

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<v Speaker 1>We didn't we didn't know each other really before that,

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<v Speaker 1>but uh was here. I can stay at office. No,

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<v Speaker 1>we was cool. It was I don't know, maybe he

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<v Speaker 1>felt standoffish and I just didn't detect it. But we're cool,

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<v Speaker 1>you know what I'm saying. When I got really sick

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<v Speaker 1>early last year when I was getting ready to play Coachella,

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<v Speaker 1>and he texted, I had like a high flute, like

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<v Speaker 1>a high temperature mixed with flue, mixed with like, uh

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<v Speaker 1>like tonsilitis just a bunch of stuff from I remember

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<v Speaker 1>because everybody was excited after a lot of PALLUSA. Everybody

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<v Speaker 1>was like, we got to see a chance to wrap

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<v Speaker 1>it perform. Yeah, yeah, I mean I did. I did

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<v Speaker 1>the first weekend of Coachella, brought out Justin Bieber. It

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<v Speaker 1>was a huge thing. Then I went on a string

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<v Speaker 1>of shows like for my birthday, because my birthday was

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<v Speaker 1>in between. I got really sick on that little in

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<v Speaker 1>between week and then when it was time for the

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<v Speaker 1>next weekend, I came down with this you know what

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<v Speaker 1>I'm saying, terrible temperature and fluid stuff, so I couldn't play.

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<v Speaker 1>But a lot of people hit me up with like

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<v Speaker 1>words of like, you know what I'm saying, I hope

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<v Speaker 1>you're doing all right. And Troy was one of them,

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<v Speaker 1>and like he didn't like you back then at the

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<v Speaker 1>Double XL. He probably didn't know. We don't. Yeah, we

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<v Speaker 1>didn't know each other. I think the thing is what

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<v Speaker 1>we we both didn't really understand where each other were

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<v Speaker 1>coming from at first, but like now we understand, like

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<v Speaker 1>we just have our own lays and we both want

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<v Speaker 1>each other to be successful. Troy says he's the dealer

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<v Speaker 1>and guys like you were the user. Yeah, I mean,

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<v Speaker 1>I like, there's there's different ways to look at everything, right,

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<v Speaker 1>we do you think it's it's kind of messed up

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<v Speaker 1>that is classism and Rapp though for sure I think

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<v Speaker 1>it's messed up that is classism in the world, but

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<v Speaker 1>definitely and Rap. I think it's weird that Rap is

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<v Speaker 1>like one of the only like you know, really really

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<v Speaker 1>uh not just competitive sport musics, but like contact sport music.

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<v Speaker 1>You know what I'm saying, Like it's if there's always

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<v Speaker 1>feels like there has to be one defined objective winner

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<v Speaker 1>of music and we always have to find one person

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<v Speaker 1>that's you know, killing everybody else, and it's it's not

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<v Speaker 1>really like that another genres and I think that that's

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<v Speaker 1>you know what I'm saying. I don't think it's just weird.

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<v Speaker 1>I think it's like, you know what I'm saying, systematically

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<v Speaker 1>like that because it's a predominantly black art and it's

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<v Speaker 1>a successful it, so people don't want it to be like,

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<v Speaker 1>you know what I'm saying, a bunch of people taking

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<v Speaker 1>over music and it would rather be you know what

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<v Speaker 1>I'm saying, you know, the crabs in the barrel thing.

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<v Speaker 1>I think I think everybody can move successfully and do

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<v Speaker 1>what they want to do and make the type of

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<v Speaker 1>music they want to make. And uh, it'll make the

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<v Speaker 1>genre as a whole and not just the genre, but

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<v Speaker 1>because we said it's superdominantly black genre, like, uh will

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<v Speaker 1>make the people move as a whole right now. You

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<v Speaker 1>you also volunteered for Barack Obama when he was campaigning.

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<v Speaker 1>How was that? Because they said your dad worked closely

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<v Speaker 1>with him, Yeah, No, my pops has worked with Brock

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<v Speaker 1>for a long time. Yeah, my pops is like a

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<v Speaker 1>mover in a shaker, you know what I'm saying. Like

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<v Speaker 1>he has worked in government for a really long time.

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<v Speaker 1>He works in the Mayor's office now, but yeah, all

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<v Speaker 1>throughout high school he worked in the White House. I

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<v Speaker 1>used to live in DC. Thank you from like DC? Right,

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<v Speaker 1>but yeah, but uh yeah, he I grew up, you

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<v Speaker 1>know what I'm saying. Working, How did your pops feel

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<v Speaker 1>with what you go into the rap game? Since you

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<v Speaker 1>was so connected politically, I mean when I was really young,

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<v Speaker 1>because I've been doing this since I was really young,

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<v Speaker 1>So I was like, you know, thirteen fourteen, Like I

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<v Speaker 1>think originally it wasn't necessarily the main idea, but I

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<v Speaker 1>think it as as as it grew. My dad is like,

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<v Speaker 1>you know, he was a campaign manager. He put people

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<v Speaker 1>in office, but showed people to the people, you know

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<v Speaker 1>what I'm saying. Um, And my dad at a certain

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<v Speaker 1>point kind of campaign managed me and showed me how

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<v Speaker 1>to like, you know, print flyers and and move on

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<v Speaker 1>foot and work organically with the people to like he

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<v Speaker 1>was a political activist kind of you go there, I'm

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<v Speaker 1>for the people for your dad to do from Scans

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<v Speaker 1>what's the guy's name? From Scander? Would you say that

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<v Speaker 1>Palooza in Chicago was probably, like to date, maybe your

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<v Speaker 1>biggest most impactful performance. Definitely for me. Yeah, well we

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<v Speaker 1>had played Lollapalooza a couple of years on the road.

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<v Speaker 1>What do you do? I played the trumpet mostly, but

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<v Speaker 1>I do lots of things, um as Donnie trumpet. Yeah,

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<v Speaker 1>y'all a group? Yeah, yeah, we're a band. Okay, Yeah,

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<v Speaker 1>we're the Social Experiment. We're a collective. Okay, we are

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<v Speaker 1>the Social Experiment. Uh. Donnie is the leader. Um. He

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<v Speaker 1>played with kids these Days and with Frank Ocean and

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<v Speaker 1>we've worked together in the past and eventually we started

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<v Speaker 1>our own band, Social Experiment. So we've been you know

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<v Speaker 1>what I'm saying, we're the the name in front of

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<v Speaker 1>you know what I'm saying, like, Uh, all of our

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<v Speaker 1>events that we throw, you know, we do like like

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<v Speaker 1>you just said, social and political activism, and we do

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<v Speaker 1>that as a social experiment. We just make a lot

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<v Speaker 1>of moves. But yeah, Donnie is like, you're the first

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<v Speaker 1>one coming album, um, and the first one coming out

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<v Speaker 1>with a group project. So the first social Experiment project

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<v Speaker 1>as a as a unit is headed by Donnie Trumpet.

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<v Speaker 1>I like that name. What's the Social Experiment is? What

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<v Speaker 1>is the Social Experiment? Exactly? I like that name. What

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<v Speaker 1>is y'all to social experience? Okay, so the Social Experiment

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<v Speaker 1>is more than just me and Donnie, but it's it's

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<v Speaker 1>a collective of a lot of different artists that, you

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<v Speaker 1>know what I'm saying, are interested in making dope free stuff,

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<v Speaker 1>you know what I'm saying. And it doesn't even really

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<v Speaker 1>just refer to music, but like it's it's a it's

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<v Speaker 1>a it's a blend of production and writing. That's how

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<v Speaker 1>we started off. Like after I finished my last project

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<v Speaker 1>as her, I started doing a lot of writing and

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<v Speaker 1>producing for other artists in this collective called the Social

0:10:23.480 --> 0:10:27.640
<v Speaker 1>Experiment and worked with some really dope artists like H. L.

0:10:27.760 --> 0:10:31.000
<v Speaker 1>Varner and J Cole and Jill Scott and White Left

0:10:31.040 --> 0:10:33.800
<v Speaker 1>and a lot of different people. And uh, eventually we

0:10:33.840 --> 0:10:35.800
<v Speaker 1>were like yo, Like, while we were touring as the

0:10:35.840 --> 0:10:38.440
<v Speaker 1>band as my backup band for for my live shows,

0:10:38.760 --> 0:10:41.360
<v Speaker 1>we started making songs that we were like, we shouldn't

0:10:41.360 --> 0:10:43.720
<v Speaker 1>necessarily show this to anybody or try and get somebody

0:10:43.760 --> 0:10:45.520
<v Speaker 1>to singer or rap it or you know what I'm saying,

0:10:45.559 --> 0:10:47.559
<v Speaker 1>put it out. We should put it out ourselves. So

0:10:47.960 --> 0:10:49.920
<v Speaker 1>since then, we've just been on kind of a mission

0:10:49.920 --> 0:10:52.599
<v Speaker 1>to make the dopest stuff that we can possible and

0:10:52.760 --> 0:10:55.200
<v Speaker 1>give it away free. Yeah, that's the that's the move.

0:10:55.320 --> 0:10:58.360
<v Speaker 1>That's what what charge for shows merchandise were. Yeah. I mean,

0:10:58.480 --> 0:11:00.480
<v Speaker 1>money's gonna be made in different ways. I think, like

0:11:00.520 --> 0:11:04.200
<v Speaker 1>there art, like you said, merchandise, touring, uh, sponsorships. There's

0:11:04.200 --> 0:11:06.480
<v Speaker 1>a lot of way for artists to make money without

0:11:06.480 --> 0:11:09.440
<v Speaker 1>necessarily selling their songs for one dollar, doing like a

0:11:09.480 --> 0:11:12.200
<v Speaker 1>small deal with Spotify for you know what I'm saying,

0:11:12.200 --> 0:11:14.959
<v Speaker 1>some type of distribution. Um, but you've met with all

0:11:15.040 --> 0:11:18.200
<v Speaker 1>kinds of labels you just have opted not to sign. Yeah,

0:11:18.240 --> 0:11:21.640
<v Speaker 1>I think. I mean it's a it's it's a it's

0:11:21.640 --> 0:11:23.840
<v Speaker 1>a deep conversation. A lot of thoughts come to my

0:11:23.840 --> 0:11:27.199
<v Speaker 1>mind when Yeah, I like, I like how deep it gets.

0:11:27.200 --> 0:11:31.559
<v Speaker 1>Thank you Charlotagne for the deep questions. Um, I think, uh,

0:11:31.600 --> 0:11:38.440
<v Speaker 1>I think now it's but I think like the whole

0:11:38.480 --> 0:11:40.400
<v Speaker 1>thing with music is that it's moving in a direction

0:11:40.400 --> 0:11:44.199
<v Speaker 1>where it's going to become a little bit more exclusive.

0:11:44.240 --> 0:11:46.160
<v Speaker 1>I love the way that music is very inclusive and

0:11:46.160 --> 0:11:49.160
<v Speaker 1>it's used to bring a lot of people to different things,

0:11:49.840 --> 0:11:53.120
<v Speaker 1>mainly advertising, you know what I'm saying, building a brands

0:11:53.120 --> 0:11:55.240
<v Speaker 1>and stuff. But I think it's not just a black

0:11:55.320 --> 0:11:57.880
<v Speaker 1>thing anymore. It's not just a black thing anymore. You

0:11:57.920 --> 0:12:00.280
<v Speaker 1>know what I'm saying. It's not just a you know

0:12:00.280 --> 0:12:02.600
<v Speaker 1>what I'm saying, the musical thing. It's about music and lyrics.

0:12:02.600 --> 0:12:05.480
<v Speaker 1>It's about being able to relate with people. And I

0:12:05.520 --> 0:12:08.160
<v Speaker 1>think all of that stuff is dope, but we're kind

0:12:08.200 --> 0:12:11.760
<v Speaker 1>of trying to retract it into a you know what

0:12:11.840 --> 0:12:22.600
<v Speaker 1>I mean when I say bohemian society, like all bohemian. Yeah,

0:12:23.080 --> 0:12:24.880
<v Speaker 1>we also want people to stop hating on people for

0:12:24.920 --> 0:12:27.400
<v Speaker 1>having dreadlocks. Also, like that's that's one of the things.

0:12:27.480 --> 0:12:30.920
<v Speaker 1>What's independent? Then you mentioned independent? Is it is it successful?

0:12:30.960 --> 0:12:32.719
<v Speaker 1>Because a lot of autists that they're independent and they're

0:12:32.760 --> 0:12:34.719
<v Speaker 1>getting six seven dollars an album, and we know that's

0:12:34.720 --> 0:12:37.400
<v Speaker 1>not true. It sounds great, it sounds good, but we

0:12:37.400 --> 0:12:39.240
<v Speaker 1>don't see the money. So is it a way that

0:12:39.240 --> 0:12:41.040
<v Speaker 1>you want to go? Because with a major they will

0:12:41.080 --> 0:12:43.439
<v Speaker 1>push you to a scale that you you can't do independently.

0:12:46.120 --> 0:12:48.080
<v Speaker 1>I might not necessarily agree with you. I'm pushing you

0:12:48.160 --> 0:12:50.120
<v Speaker 1>to a level that that you might not be able

0:12:50.160 --> 0:12:52.560
<v Speaker 1>to get to. There's definitely the distribution. They could put

0:12:52.600 --> 0:12:54.600
<v Speaker 1>you in the seat that I'm in right now and

0:12:54.640 --> 0:12:55.800
<v Speaker 1>tell you, you know what I'm saying, to go up

0:12:55.800 --> 0:12:57.880
<v Speaker 1>to the radio stations. They can put you on a

0:12:57.920 --> 0:13:00.400
<v Speaker 1>stage somewhere like I was last night. I could put

0:13:00.440 --> 0:13:02.760
<v Speaker 1>you in a lot of different places. But I think

0:13:03.160 --> 0:13:06.640
<v Speaker 1>it's about being you know what I'm saying, the manager

0:13:06.679 --> 0:13:08.800
<v Speaker 1>of the project, of the project, of the product. You

0:13:08.800 --> 0:13:11.079
<v Speaker 1>know what I'm saying, Like how you get there right exactly?

0:13:11.120 --> 0:13:13.480
<v Speaker 1>So like for me and for Nico and for the

0:13:13.520 --> 0:13:15.880
<v Speaker 1>social experiment. Nico's his real name. I know, Donnie is

0:13:15.920 --> 0:13:17.880
<v Speaker 1>his name that everybody knows mess but I call him

0:13:17.920 --> 0:13:22.720
<v Speaker 1>Nico Donnie choose one, Yeah, But for us, it's about

0:13:22.760 --> 0:13:24.520
<v Speaker 1>that groundwork. It's about, like you know what I'm saying,

0:13:24.600 --> 0:13:27.240
<v Speaker 1>having that person to person connection. Some people that that

0:13:27.480 --> 0:13:29.959
<v Speaker 1>buy my music are investing me as a product and

0:13:30.040 --> 0:13:32.400
<v Speaker 1>as a person know me and they feel like I'm

0:13:32.400 --> 0:13:35.319
<v Speaker 1>connected to the community and connect it just in a

0:13:35.360 --> 0:13:38.560
<v Speaker 1>way that's closer than like, you know, that third person

0:13:38.640 --> 0:13:42.080
<v Speaker 1>relationship when you're when you're buying an album from Deaf Jam.

0:13:42.280 --> 0:13:44.840
<v Speaker 1>But you're supporting this one artist. You know what I'm saying.

0:13:45.120 --> 0:13:50.800
<v Speaker 1>The label is you know I'm saying, um pushing the product.

0:13:51.000 --> 0:13:54.480
<v Speaker 1>And then there's the consumer, and the consumer is the john.

0:13:55.760 --> 0:14:01.360
<v Speaker 1>So basically the firsthand supply it exactly exactly when Madonna

0:14:01.400 --> 0:14:02.600
<v Speaker 1>comes to you and says I need you to get

0:14:02.600 --> 0:14:04.679
<v Speaker 1>on the song. There's no clearances that she has to

0:14:04.800 --> 0:14:07.320
<v Speaker 1>She can just come to you and you can help on. Yeah.

0:14:07.360 --> 0:14:09.160
<v Speaker 1>I mean we still gotta work out. Yeah, we still

0:14:09.160 --> 0:14:11.120
<v Speaker 1>gotta work out our clarances. I still need my side

0:14:11.160 --> 0:14:13.559
<v Speaker 1>artist agreement. I still got lawyers. I still like, you

0:14:13.559 --> 0:14:16.760
<v Speaker 1>know what I'm saying, label, But there's nobody that's gonna

0:14:16.840 --> 0:14:19.520
<v Speaker 1>take the percentage. There's nobody that's gonna say, Okay, I'm

0:14:19.560 --> 0:14:21.240
<v Speaker 1>gonna work out the deal for you and find out

0:14:21.240 --> 0:14:23.520
<v Speaker 1>how much you work. Are you guys on your own publishing? Yeah,

0:14:23.520 --> 0:14:25.200
<v Speaker 1>we got our publishing house. We got you know what

0:14:25.240 --> 0:14:27.880
<v Speaker 1>I'm saying. We do, We do the stuff that we

0:14:28.040 --> 0:14:30.200
<v Speaker 1>want to do it. I'm sorry, am I talking to no? No? No?

0:14:30.560 --> 0:14:33.160
<v Speaker 1>I got a very deep question for Donnie. Donnie, deep question,

0:14:34.000 --> 0:14:36.160
<v Speaker 1>do you get a lot of playing the trumpet because

0:14:36.200 --> 0:14:37.960
<v Speaker 1>people always say, give the drum or something. We never

0:14:37.960 --> 0:14:40.320
<v Speaker 1>hear somebody to give the trumpet. Classically, it is a

0:14:40.440 --> 0:14:44.280
<v Speaker 1>very um women friendly instrument. It requires a lot of

0:14:44.280 --> 0:14:48.440
<v Speaker 1>mouth work, a lot of blow. There you go. Maybe

0:14:48.560 --> 0:14:52.840
<v Speaker 1>that's it. Maybe it's the beautiful sound. Maybe it's the

0:14:52.880 --> 0:14:56.520
<v Speaker 1>man behind the trumpet. True, it's all those things. Listen,

0:14:56.600 --> 0:14:58.360
<v Speaker 1>you smashed Madonna or what man? Because she bought you

0:14:58.400 --> 0:15:00.560
<v Speaker 1>a school. She's just not gonna buy you know school bro. Yeah,

0:15:02.000 --> 0:15:05.400
<v Speaker 1>she definitely asked her verses for school this chance. Yeah,

0:15:05.600 --> 0:15:08.320
<v Speaker 1>I'm definitely not doing no verses for no scooters. But no,

0:15:08.480 --> 0:15:11.320
<v Speaker 1>we're just we're close friends. She's a very respectable woman.

0:15:11.400 --> 0:15:13.840
<v Speaker 1>How did that happen? You're twenty one years old? Mcdonna's

0:15:13.880 --> 0:15:16.640
<v Speaker 1>sixty something, right. How do y'all be come close for us? Oh?

0:15:16.680 --> 0:15:18.720
<v Speaker 1>That's actually funny. I just realized. Well I met her

0:15:18.760 --> 0:15:21.880
<v Speaker 1>through Frank Ocean, who's a friend of mine. Uh. He

0:15:21.960 --> 0:15:24.320
<v Speaker 1>brought her to a show once. Uh and what l

0:15:24.360 --> 0:15:28.640
<v Speaker 1>a Frank mcdonna too. I mean mcdonna was one of

0:15:28.640 --> 0:15:31.120
<v Speaker 1>those people we think about being on this super b

0:15:31.400 --> 0:15:33.080
<v Speaker 1>like on another planet, you know what I'm saying, Like

0:15:33.080 --> 0:15:35.200
<v Speaker 1>her and Michael, Like you don't just see mcdonna at

0:15:35.200 --> 0:15:38.080
<v Speaker 1>his show. Big Daddy came back in the day, Like

0:15:39.960 --> 0:15:41.520
<v Speaker 1>Donna knows what's up? You know what I'm saying. She

0:15:41.560 --> 0:15:45.280
<v Speaker 1>comes to what she? Yeah, I guess she. She came

0:15:45.280 --> 0:15:47.680
<v Speaker 1>through Frank and put her onto the music. And I

0:15:47.720 --> 0:15:50.560
<v Speaker 1>only know that Frank through through Donnie, or originally knew

0:15:50.600 --> 0:15:53.080
<v Speaker 1>him through Donnie, but uh yeah, Frank brought it through

0:15:53.080 --> 0:15:55.080
<v Speaker 1>a show. We met real quick. We didn't talk for

0:15:55.120 --> 0:15:57.560
<v Speaker 1>a while, and then we were at some festival and

0:15:57.600 --> 0:16:01.320
<v Speaker 1>I got a call from jay Z and he was like, yo,

0:16:02.320 --> 0:16:04.880
<v Speaker 1>Madonna asked me to get on the tracker. Uh this

0:16:05.240 --> 0:16:07.960
<v Speaker 1>iconic record about icons, blah blah blah, And I think

0:16:07.960 --> 0:16:11.000
<v Speaker 1>that it'd be better if somebody who was a new

0:16:11.000 --> 0:16:13.080
<v Speaker 1>person I think could be a new icon got on

0:16:13.120 --> 0:16:18.480
<v Speaker 1>the recorded in your story, Hold, just have your number

0:16:18.800 --> 0:16:21.640
<v Speaker 1>to call you. Who are you? Who are you? You

0:16:21.680 --> 0:16:24.040
<v Speaker 1>actually didn't call my personal sell you called Pat the manager,

0:16:24.160 --> 0:16:26.440
<v Speaker 1>my manager. But uh yeah we know some people at

0:16:26.560 --> 0:16:29.560
<v Speaker 1>rock Nation. Uh. Jay Z had us play the Main

0:16:29.600 --> 0:16:32.000
<v Speaker 1>America festival last year and his wife got checked out

0:16:32.000 --> 0:16:36.240
<v Speaker 1>our set. So the wife Beyonce. Yeah, yeah, I mean

0:16:37.280 --> 0:16:39.920
<v Speaker 1>you can't say that. You can say Jacob oh Jacob's

0:16:42.440 --> 0:16:45.240
<v Speaker 1>all right, I thought you were trying to be clever

0:16:45.640 --> 0:16:48.160
<v Speaker 1>and stuff. I mean that was clever. That was very clever. Yes,

0:16:51.600 --> 0:16:54.400
<v Speaker 1>one of your shows too, Yeah, that didn't make the move.

0:16:54.440 --> 0:16:57.240
<v Speaker 1>Like when she supported Joey Badass. Yeah, I don't know.

0:16:57.360 --> 0:16:59.880
<v Speaker 1>People are out for Joey and I don't really under

0:17:00.000 --> 0:17:02.840
<v Speaker 1>stand it, but like, yeah, like she's she likes music.

0:17:05.119 --> 0:17:07.359
<v Speaker 1>I'm not really really close to her, but like we

0:17:07.440 --> 0:17:09.080
<v Speaker 1>may be met a couple of times when I was

0:17:09.080 --> 0:17:12.080
<v Speaker 1>a shorty because like I said, my dad used to

0:17:12.080 --> 0:17:15.360
<v Speaker 1>work for Obama, but it is your dad, like Jason Bourne,

0:17:15.359 --> 0:17:17.879
<v Speaker 1>and like everybody knows this. So that's why, like people,

0:17:18.040 --> 0:17:20.200
<v Speaker 1>you're so easy to get, like very much. So yeah,

0:17:20.240 --> 0:17:22.640
<v Speaker 1>I mean it's not very very easy. My dad doesn't

0:17:22.640 --> 0:17:24.480
<v Speaker 1>work in the music brold than stuff. But like when

0:17:24.520 --> 0:17:26.560
<v Speaker 1>I want to do like like like we were talking

0:17:26.600 --> 0:17:29.760
<v Speaker 1>about the social activism and political activism and you know,

0:17:29.960 --> 0:17:32.240
<v Speaker 1>I starting our our own open mic in Chicago, and

0:17:32.280 --> 0:17:34.320
<v Speaker 1>I was working with the Field Museum to do a

0:17:34.720 --> 0:17:37.080
<v Speaker 1>uh you know, a free museum campus day for South

0:17:37.119 --> 0:17:39.840
<v Speaker 1>and West Side neighborhoods and anything that we want to do.

0:17:40.640 --> 0:17:42.400
<v Speaker 1>I know, I have the proper channels and it's through

0:17:42.400 --> 0:17:45.119
<v Speaker 1>my connections and like the tactics that we learned early

0:17:45.160 --> 0:17:48.080
<v Speaker 1>on for just getting music to the people, and just

0:17:48.160 --> 0:17:51.760
<v Speaker 1>like understanding and realizing our own fan base and our

0:17:51.760 --> 0:17:55.479
<v Speaker 1>own friends could be the people that support us, you know,

0:17:55.600 --> 0:17:59.959
<v Speaker 1>are artistically you know, like his his father's background in politics.

0:18:00.000 --> 0:18:03.200
<v Speaker 1>It's definitely contributed to us being out on the street

0:18:03.280 --> 0:18:07.280
<v Speaker 1>like passing out mixtapes and and we're for people. So

0:18:07.320 --> 0:18:08.680
<v Speaker 1>I'm trying to figure this out. Did all of this

0:18:08.760 --> 0:18:10.600
<v Speaker 1>start happening for you with twenty thirteen when you did

0:18:10.560 --> 0:18:12.440
<v Speaker 1>Aster Rappers? That when you started getting all these connections,

0:18:12.480 --> 0:18:16.719
<v Speaker 1>the jay Z's, the Madonna's justin all of this happened

0:18:16.720 --> 0:18:19.520
<v Speaker 1>in that year. Um, yeah, I would say for the

0:18:19.560 --> 0:18:22.040
<v Speaker 1>most part, like, uh, twenty twelve, I dropped the Ten

0:18:22.080 --> 0:18:23.800
<v Speaker 1>Day Project that was a year out of high school,

0:18:24.000 --> 0:18:27.280
<v Speaker 1>and uh it things were things were bubbling for me

0:18:27.359 --> 0:18:30.200
<v Speaker 1>in the city, and the city as a whole was popping,

0:18:30.280 --> 0:18:31.800
<v Speaker 1>you know what I'm saying. Everybody was coming up around

0:18:31.880 --> 0:18:34.520
<v Speaker 1>the same time. And then I think the Aster Rap

0:18:34.520 --> 0:18:39.479
<v Speaker 1>Project was just a little bit um better put together

0:18:39.520 --> 0:18:41.520
<v Speaker 1>and we had a better game plan for it, and

0:18:41.640 --> 0:18:43.720
<v Speaker 1>I put out you know what I'm saying, professionally put

0:18:43.720 --> 0:18:45.359
<v Speaker 1>out a tape as a chance to rapp it before.

0:18:45.680 --> 0:18:47.600
<v Speaker 1>So once I put that out and we had like

0:18:47.640 --> 0:18:49.760
<v Speaker 1>the game plan set for how we're gonna two hour

0:18:49.760 --> 0:18:52.040
<v Speaker 1>we're gonna do merge and and you know what I'm saying,

0:18:52.080 --> 0:18:54.680
<v Speaker 1>just a full, you know, well thought out game plan.

0:18:55.320 --> 0:18:57.560
<v Speaker 1>Things took off, and I think people just started to

0:18:57.600 --> 0:18:59.399
<v Speaker 1>take notice, Now what's up with vic Mitch because I

0:18:59.400 --> 0:19:00.639
<v Speaker 1>do listen to him. I got put on the vig

0:19:00.640 --> 0:19:02.760
<v Speaker 1>Menzo when I was at south By Southwest last year

0:19:02.760 --> 0:19:05.080
<v Speaker 1>and I saw him perform at the Woodies. So I

0:19:05.119 --> 0:19:06.600
<v Speaker 1>was like, what's up with this victa dude? He had

0:19:06.640 --> 0:19:09.080
<v Speaker 1>to think it was saved the money or saved save money.

0:19:09.440 --> 0:19:11.160
<v Speaker 1>And it was like him a chance rapper in the group,

0:19:11.160 --> 0:19:13.120
<v Speaker 1>and I'm like, they go that named Chance the rapper again,

0:19:13.200 --> 0:19:19.160
<v Speaker 1>So who that's my brother. We we went to grade

0:19:19.160 --> 0:19:22.800
<v Speaker 1>school together and um went through lots of different musical

0:19:22.800 --> 0:19:25.640
<v Speaker 1>phases of of you know, like a rock phase where

0:19:25.640 --> 0:19:28.000
<v Speaker 1>we all listened to like Pink Floyd and led Zeppelin

0:19:28.040 --> 0:19:30.359
<v Speaker 1>and stuff, and then we went through like a hip

0:19:30.359 --> 0:19:32.040
<v Speaker 1>hop hip hop phase. Well you know what I'm saying,

0:19:32.040 --> 0:19:34.400
<v Speaker 1>We're like we only listened to old, old school hip

0:19:34.440 --> 0:19:37.880
<v Speaker 1>hop and like underground hip hop and uh hip hop

0:19:37.920 --> 0:19:41.160
<v Speaker 1>that was all about like hip hop. And then uh right,

0:19:41.359 --> 0:19:44.320
<v Speaker 1>and then um we were in a band together called

0:19:44.400 --> 0:19:47.440
<v Speaker 1>Kids These Days for a couple of years in Chicago,

0:19:47.480 --> 0:19:50.720
<v Speaker 1>and we kind of, uh we we would do all

0:19:50.720 --> 0:19:52.800
<v Speaker 1>the guerrilla tactics that we were talking about, you know,

0:19:52.920 --> 0:19:55.680
<v Speaker 1>Chance doing for acid rapping ten day, Like we would

0:19:55.680 --> 0:19:57.640
<v Speaker 1>be in the high schools PA, you know, selling tickets

0:19:57.680 --> 0:20:00.159
<v Speaker 1>and going to different high schools in the city and

0:20:00.760 --> 0:20:03.040
<v Speaker 1>blasting our music out the trunk and trying to sell

0:20:03.119 --> 0:20:04.840
<v Speaker 1>tickets and trying to get people to come to shows

0:20:04.840 --> 0:20:07.800
<v Speaker 1>and stuff. So um, yeah, we just kind of came

0:20:07.920 --> 0:20:10.800
<v Speaker 1>up in a real musical place and with the band.

0:20:10.840 --> 0:20:13.119
<v Speaker 1>You know, Vic got a lot of experience writing music

0:20:13.200 --> 0:20:15.679
<v Speaker 1>in that way, like jamming in a room with a

0:20:15.720 --> 0:20:18.439
<v Speaker 1>bunch of people playing instruments. You know, he's always been

0:20:18.440 --> 0:20:22.919
<v Speaker 1>a very uh instrumental person of vocalist and you know,

0:20:23.119 --> 0:20:25.520
<v Speaker 1>so when we would play shows, a lot of times

0:20:25.600 --> 0:20:28.640
<v Speaker 1>Chance would come up and rap verses or just like

0:20:28.880 --> 0:20:36.080
<v Speaker 1>jump around. And then when um we started playing south

0:20:36.119 --> 0:20:39.240
<v Speaker 1>By Southwest and Chance came to south By and we

0:20:39.240 --> 0:20:42.119
<v Speaker 1>we just it kind of all came together in a

0:20:42.119 --> 0:20:45.439
<v Speaker 1>really organic way, you know, and we started jamming together

0:20:45.520 --> 0:20:48.920
<v Speaker 1>and rests history. Who do you think has been the

0:20:48.920 --> 0:20:51.280
<v Speaker 1>most inspirational person that's reached out to you, somebody that

0:20:51.280 --> 0:20:53.560
<v Speaker 1>you admired that you were shocked, like, was it Andre

0:20:53.680 --> 0:21:00.679
<v Speaker 1>three thousand or you know, because he's a difficult persons deem. Yeah, Uh,

0:21:00.800 --> 0:21:02.879
<v Speaker 1>the sex is like you know what I'm saying. I

0:21:02.920 --> 0:21:05.720
<v Speaker 1>think most people that make music that are orange and

0:21:05.800 --> 0:21:08.159
<v Speaker 1>I'm saying and people that are older and younger, but

0:21:08.240 --> 0:21:12.480
<v Speaker 1>he's yeah, we feel like he's the best, the best,

0:21:12.280 --> 0:21:14.200
<v Speaker 1>and so like, can you really put him in that category?

0:21:14.280 --> 0:21:16.560
<v Speaker 1>They always had this conversation with and I love Andre,

0:21:17.240 --> 0:21:19.280
<v Speaker 1>but he's never given us a full body of work

0:21:19.480 --> 0:21:22.600
<v Speaker 1>rap wise as a solo, but as outcasts they put

0:21:22.600 --> 0:21:25.400
<v Speaker 1>out some of the best, absolutely the greatest group, no

0:21:25.480 --> 0:21:27.920
<v Speaker 1>question with him as a solo artist, I don't know yet. Well,

0:21:27.920 --> 0:21:29.960
<v Speaker 1>The Love Below is like one of the best albums

0:21:30.000 --> 0:21:32.840
<v Speaker 1>if we just counted that as a as an the

0:21:32.840 --> 0:21:34.840
<v Speaker 1>whole eight to eaton Heartbreaks thing to me, Yeah, it's

0:21:34.880 --> 0:21:36.639
<v Speaker 1>fawned a whole lot of music and let people know

0:21:36.640 --> 0:21:38.359
<v Speaker 1>that you could do something different hip hop. I think

0:21:38.400 --> 0:21:41.639
<v Speaker 1>every one of the albums did it took um you

0:21:41.680 --> 0:21:43.879
<v Speaker 1>know what I'm saying, black music out of the box

0:21:43.880 --> 0:21:46.040
<v Speaker 1>and made people feel like and just the whole idea

0:21:46.040 --> 0:21:48.480
<v Speaker 1>of being a rapper, I mean, like being a vocalist

0:21:49.280 --> 0:21:51.800
<v Speaker 1>and being a rapper and being like a being an

0:21:51.800 --> 0:21:54.240
<v Speaker 1>instrument you know, like he the way he changes his

0:21:54.359 --> 0:21:56.719
<v Speaker 1>voice or manipulates his voice and like pitches it up

0:21:56.720 --> 0:21:59.680
<v Speaker 1>in weird ways or like speed stuff up and slow

0:21:59.680 --> 0:22:02.440
<v Speaker 1>stuff down. Like he he made his voice something more

0:22:02.480 --> 0:22:04.440
<v Speaker 1>than just like writing a rap, you know what I mean.

0:22:04.560 --> 0:22:07.399
<v Speaker 1>Like and and it inspired a lot of people after

0:22:07.520 --> 0:22:10.000
<v Speaker 1>him to treat their voice in unique ways and to

0:22:10.040 --> 0:22:12.040
<v Speaker 1>come up with their own ways of of making rap

0:22:12.119 --> 0:22:14.920
<v Speaker 1>music that wasn't just writing raps. Now when y'all thought

0:22:14.920 --> 0:22:17.200
<v Speaker 1>experiment with drugs because you just don't make a called

0:22:17.200 --> 0:22:19.080
<v Speaker 1>acid rap. And I mean I had the whole pink

0:22:19.080 --> 0:22:21.840
<v Speaker 1>Floyd led Zeppelin. It must have been around that time. Yeah,

0:22:21.960 --> 0:22:25.720
<v Speaker 1>I don't know. I think I'll actually attributed to somebody.

0:22:25.880 --> 0:22:28.640
<v Speaker 1>This girl I used to date a variety free when

0:22:28.640 --> 0:22:30.920
<v Speaker 1>I was in a senior in high school. You know,

0:22:31.880 --> 0:22:33.879
<v Speaker 1>I can't say that on the radio because that's just

0:22:33.920 --> 0:22:35.840
<v Speaker 1>a great school with her. Yeah, no, he knows, Shorty.

0:22:35.840 --> 0:22:41.680
<v Speaker 1>She was just she was my friend, but she's queen.

0:22:41.920 --> 0:22:46.960
<v Speaker 1>She's a travelers around but she she's like, yeah, you know,

0:22:46.960 --> 0:22:49.399
<v Speaker 1>what I'm saying is that that's the type of occupation

0:22:49.480 --> 0:22:51.960
<v Speaker 1>white people can't move around. I'm sorry, damn, I did

0:22:52.040 --> 0:22:56.840
<v Speaker 1>say that on the radio People Together, Chance Community, Community Community.

0:22:56.880 --> 0:23:00.159
<v Speaker 1>I was just making a joke, but Shorty introduced me, like,

0:23:00.760 --> 0:23:04.639
<v Speaker 1>gave me some some acid. When I was so, you

0:23:04.640 --> 0:23:07.200
<v Speaker 1>went from weed to ascid or did you start drinking first?

0:23:07.200 --> 0:23:09.440
<v Speaker 1>I was, I'm still not a drinker. I was never

0:23:09.440 --> 0:23:11.760
<v Speaker 1>really a drinker. I used to smoke weed, and I

0:23:11.760 --> 0:23:14.560
<v Speaker 1>actually I smoked cigarettes from a really young age, which

0:23:14.600 --> 0:23:18.119
<v Speaker 1>is a terrible habit. But like yeah, and when like cigarettes,

0:23:18.160 --> 0:23:21.440
<v Speaker 1>we asked, and now I kind of really badly smoke

0:23:21.520 --> 0:23:23.000
<v Speaker 1>with you. This is why you shouldn't come to the

0:23:23.000 --> 0:23:25.320
<v Speaker 1>assumptions about people. Because when I saw the CD called

0:23:25.480 --> 0:23:29.080
<v Speaker 1>acid Rap, and then I heard people like Troy asked say,

0:23:29.160 --> 0:23:31.280
<v Speaker 1>you know those are the guys that rap about using

0:23:31.280 --> 0:23:33.360
<v Speaker 1>and then it users, I wasn't interested, Like I don't

0:23:33.400 --> 0:23:34.920
<v Speaker 1>want to hear you know what I'm saying, I don't

0:23:34.960 --> 0:23:37.439
<v Speaker 1>do ascid. I'm not into that lifestyle. But then I'm

0:23:37.440 --> 0:23:41.119
<v Speaker 1>sitting here here and you talk. You're very political minded.

0:23:41.240 --> 0:23:43.240
<v Speaker 1>Your father comes from the government, you know. It seems

0:23:43.280 --> 0:23:46.240
<v Speaker 1>like you're doing things very grassroots, which is another question

0:23:46.280 --> 0:23:48.879
<v Speaker 1>I have because um Be Dot from Rapper eight or

0:23:48.920 --> 0:23:50.760
<v Speaker 1>he always I asked him about you one time and

0:23:50.760 --> 0:23:53.480
<v Speaker 1>he said that you're a product of media hype, Like

0:23:53.520 --> 0:23:55.119
<v Speaker 1>a lot of publications put you on the front of

0:23:55.119 --> 0:23:57.720
<v Speaker 1>their magazines and stuff early, you know, a couple of

0:23:57.800 --> 0:23:59.800
<v Speaker 1>years ago, and you're more of a product of media

0:24:00.160 --> 0:24:03.400
<v Speaker 1>than actual I guess having a fan talent, we live

0:24:03.480 --> 0:24:06.399
<v Speaker 1>and we live in media hype, like we the reason

0:24:06.440 --> 0:24:09.720
<v Speaker 1>why people are successful a lot of the time nowadays

0:24:09.840 --> 0:24:12.399
<v Speaker 1>is because of media hype, or because of the Twitter

0:24:12.440 --> 0:24:14.800
<v Speaker 1>and the soundclouds and the facebooks and the and all

0:24:14.840 --> 0:24:17.760
<v Speaker 1>the different ways that these kids can literally talk to

0:24:18.040 --> 0:24:21.160
<v Speaker 1>chance to rapp or literally talk to some of their

0:24:21.200 --> 0:24:23.040
<v Speaker 1>favorite artists, you know what I mean. Like they can

0:24:23.080 --> 0:24:26.879
<v Speaker 1>explain themselves and ask questions and get information to shows

0:24:26.880 --> 0:24:29.320
<v Speaker 1>and get all the information for the for the download

0:24:29.320 --> 0:24:31.080
<v Speaker 1>of the album, and they can get whatever they need

0:24:31.160 --> 0:24:33.480
<v Speaker 1>from this one place, and it's really simple and it's

0:24:33.520 --> 0:24:36.159
<v Speaker 1>really easy for them to get. And I think the

0:24:36.200 --> 0:24:39.359
<v Speaker 1>whole idea of media hype has changed by by making

0:24:39.359 --> 0:24:42.000
<v Speaker 1>the Internet the place where people find music, like it's

0:24:42.320 --> 0:24:45.600
<v Speaker 1>it's the place where people understanding and get music now.

0:24:45.680 --> 0:24:49.639
<v Speaker 1>So it's like the idea of media hype is music now.

0:24:50.080 --> 0:24:52.280
<v Speaker 1>After that early on with the cover of Complex, the

0:24:52.320 --> 0:24:55.400
<v Speaker 1>cover been did you want that so early? I mean

0:24:55.520 --> 0:24:57.800
<v Speaker 1>for me, I guess for different people, it seems like

0:24:57.800 --> 0:24:59.520
<v Speaker 1>it comes at a different time, right, Like I mean

0:24:59.560 --> 0:25:01.600
<v Speaker 1>I any one. So to some people, I might be young,

0:25:01.880 --> 0:25:05.080
<v Speaker 1>and to some people I'm older. But like when I

0:25:05.119 --> 0:25:07.120
<v Speaker 1>got the Complex stuff, like I said, I've been making

0:25:07.160 --> 0:25:09.480
<v Speaker 1>music since I was fourteen. I was recording in basements

0:25:09.520 --> 0:25:11.919
<v Speaker 1>with you know what I'm saying, terrible microphones and all

0:25:11.960 --> 0:25:15.040
<v Speaker 1>types of Like I've been through the fields and falls

0:25:15.080 --> 0:25:16.960
<v Speaker 1>of a struggling rapper, you know what I'm saying, And

0:25:17.040 --> 0:25:19.080
<v Speaker 1>I still feel like a struggling rapper. I still feel

0:25:19.080 --> 0:25:22.119
<v Speaker 1>like I'm hungry. No, I don't think you're struggling anymore.

0:25:22.920 --> 0:25:28.000
<v Speaker 1>I got I'm saying polo out here and stuff, but

0:25:28.040 --> 0:25:31.640
<v Speaker 1>like it's not it's it's for me. It was never

0:25:32.359 --> 0:25:35.240
<v Speaker 1>I never wanted to, like, uh, feel like I was

0:25:35.359 --> 0:25:37.800
<v Speaker 1>something being you know what I'm saying, shoved down people's throats,

0:25:37.880 --> 0:25:41.280
<v Speaker 1>Like what's you felt like I like too many people

0:25:41.280 --> 0:25:43.040
<v Speaker 1>were telling you a chance to rapper, and I saw

0:25:43.080 --> 0:25:44.560
<v Speaker 1>you on COVID and magazines and I'm like, but I've

0:25:44.560 --> 0:25:47.440
<v Speaker 1>never heard a song. Yeah, I've never heard of verse.

0:25:47.680 --> 0:25:50.160
<v Speaker 1>It's the type of music where you have to listen

0:25:50.200 --> 0:25:52.520
<v Speaker 1>to the music to be like, oh my god. Now

0:25:52.560 --> 0:25:54.720
<v Speaker 1>I'm a subscriber. You know what I'm saying. It's not

0:25:54.760 --> 0:25:57.600
<v Speaker 1>the type of music where your friend can tell you yo,

0:25:58.040 --> 0:26:01.359
<v Speaker 1>we've put chance the rapper now and you gets on YouTube.

0:26:01.440 --> 0:26:04.080
<v Speaker 1>A lot of people watch your videos and a lot

0:26:04.119 --> 0:26:06.600
<v Speaker 1>of the artists really messed with you too. Yeah. I mean,

0:26:06.640 --> 0:26:09.399
<v Speaker 1>I think guys, everybody to understand it. I don't think

0:26:09.440 --> 0:26:11.359
<v Speaker 1>you necessarily have to be on asset. I think you

0:26:12.280 --> 0:26:14.560
<v Speaker 1>gotta if you like music, if you like if you

0:26:14.600 --> 0:26:17.280
<v Speaker 1>like music and lyrics, like if you're not like a

0:26:17.320 --> 0:26:21.320
<v Speaker 1>person that's like, yo, every bar's gotta be real hot

0:26:21.440 --> 0:26:23.560
<v Speaker 1>or like yo, I only like this kind of beat,

0:26:23.680 --> 0:26:27.320
<v Speaker 1>Like if you like music, and every bar should be hot. Yeah,

0:26:27.359 --> 0:26:29.440
<v Speaker 1>everybody said once you should never waste the bar. Yeah,

0:26:29.440 --> 0:26:33.280
<v Speaker 1>oh no, I'm fire like acts like I'm very I'm

0:26:33.359 --> 0:26:34.919
<v Speaker 1>very cold. I just like this, like, you know, I

0:26:34.920 --> 0:26:36.159
<v Speaker 1>see the video with you an app. So I just

0:26:36.160 --> 0:26:38.440
<v Speaker 1>didn't like the cigarette smoking because you look young in

0:26:38.520 --> 0:26:40.440
<v Speaker 1>that video. What was it three years ago? Yeah, four

0:26:40.480 --> 0:26:42.199
<v Speaker 1>years ago? You old enough to buy a cigarette? You're

0:26:42.200 --> 0:26:44.359
<v Speaker 1>not Kylie Jenner. No, But back he wasn't. And I

0:26:44.400 --> 0:26:46.719
<v Speaker 1>think that, you know, promoted he's smoking like a he's

0:26:46.720 --> 0:26:48.760
<v Speaker 1>smoking like a crazy person outside waiting in the cold,

0:26:48.800 --> 0:26:51.200
<v Speaker 1>smoke a cigarette like he's smoking. But but the video

0:26:51.320 --> 0:26:53.639
<v Speaker 1>was dope. I have a terrible smoking of it. But

0:26:53.720 --> 0:26:56.639
<v Speaker 1>I don't like I'm not. I've realized now I'm not

0:26:56.640 --> 0:26:59.360
<v Speaker 1>trying to be smoke. You don't smoke. We would smoke cigarettes. Yeah.

0:26:59.359 --> 0:27:01.320
<v Speaker 1>It's easier to quit smoking weed though than it is

0:27:01.359 --> 0:27:04.359
<v Speaker 1>to Chris smoking cigarette. But yeah, I mean there was

0:27:04.400 --> 0:27:06.200
<v Speaker 1>a certain point where I thought that that was like

0:27:06.280 --> 0:27:08.040
<v Speaker 1>And because I was younger, I had a different way

0:27:08.040 --> 0:27:09.520
<v Speaker 1>of thinking. But I thought that was my brand. I

0:27:09.520 --> 0:27:11.720
<v Speaker 1>thought it was cool for me to be you know

0:27:11.760 --> 0:27:14.120
<v Speaker 1>what I'm saying, to be myself and because smoking cigarette

0:27:14.160 --> 0:27:16.320
<v Speaker 1>was myself. I want to smoke cigarettes and videos I

0:27:16.440 --> 0:27:19.080
<v Speaker 1>want to be I'm not gonna wear different clothes for videos.

0:27:19.080 --> 0:27:21.080
<v Speaker 1>I'm not gonna do this for videos because I want

0:27:21.080 --> 0:27:24.320
<v Speaker 1>to be myself. And I figured out recently that cigarettes

0:27:24.400 --> 0:27:27.520
<v Speaker 1>isn't myself, that's just something that I do in the

0:27:27.520 --> 0:27:30.480
<v Speaker 1>middle seat wrapping, but exactly. Yeah, no, Brad, do you

0:27:30.880 --> 0:27:32.960
<v Speaker 1>think like you You think your buzz has diminished a

0:27:33.000 --> 0:27:34.520
<v Speaker 1>little bit. And the only reason I say that is

0:27:34.560 --> 0:27:36.679
<v Speaker 1>just because of the surface. You know, back then you

0:27:36.760 --> 0:27:38.640
<v Speaker 1>was on the cover of magazines and all over the places,

0:27:38.640 --> 0:27:41.479
<v Speaker 1>and it's just like, yeah, you kind of disappeared. Bullshit.

0:27:41.760 --> 0:27:45.080
<v Speaker 1>I mean, I feel like I haven't released a lot

0:27:45.119 --> 0:27:48.240
<v Speaker 1>of newer uh, I haven't released a project in a

0:27:48.240 --> 0:27:52.680
<v Speaker 1>long time, and people like projects, um, but I think

0:27:52.760 --> 0:27:55.639
<v Speaker 1>everybody's pretty excited for this Surf project, which is the

0:27:55.680 --> 0:27:59.119
<v Speaker 1>first social experiment project. I mean, I think if it

0:27:59.200 --> 0:28:02.879
<v Speaker 1>wasn't for that, I probably wouldn't have sold out Webster

0:28:02.960 --> 0:28:05.399
<v Speaker 1>Hall last night or got the cover of Fader. You

0:28:05.440 --> 0:28:06.840
<v Speaker 1>know what I'm saying with the whole band, or be

0:28:06.880 --> 0:28:09.800
<v Speaker 1>sitting here talking to y'all. I think it's it's everybody's

0:28:09.920 --> 0:28:12.400
<v Speaker 1>looking for what I want to do next, and I'm

0:28:12.400 --> 0:28:14.800
<v Speaker 1>glad that people are interested. And the answer is, I'm

0:28:14.800 --> 0:28:18.480
<v Speaker 1>gonna do new music. I'm gonna do new dope surf

0:28:18.480 --> 0:28:25.840
<v Speaker 1>about beaches, surfboards, waves, It's it's, uh, what is surf about. Um.

0:28:26.280 --> 0:28:32.280
<v Speaker 1>Surf originally was a play on wanting to live in

0:28:32.440 --> 0:28:35.720
<v Speaker 1>La kind of and living in Chicago, and like there's

0:28:35.720 --> 0:28:39.360
<v Speaker 1>obviously no surf culture in Chicago like there is in LA.

0:28:39.640 --> 0:28:44.080
<v Speaker 1>But we were making a lot of wavy music, so um,

0:28:44.120 --> 0:28:48.080
<v Speaker 1>it was kind of uh you feel me, it was

0:28:48.160 --> 0:28:50.360
<v Speaker 1>kind of it was kind of just an ironic play

0:28:50.560 --> 0:28:54.200
<v Speaker 1>on the word and the idea of surfing and that

0:28:54.240 --> 0:28:57.360
<v Speaker 1>being a culture or part of the culture, and um,

0:28:57.720 --> 0:29:00.240
<v Speaker 1>it just kind of kept growing and changing and evolved thing.

0:29:00.240 --> 0:29:02.240
<v Speaker 1>And then you know, we brought it all to the

0:29:02.400 --> 0:29:04.400
<v Speaker 1>to the collective and we all just been hashing it

0:29:04.440 --> 0:29:07.440
<v Speaker 1>out and it's you know, changed a lot and morphed

0:29:07.440 --> 0:29:11.200
<v Speaker 1>into what it is and and um, yeah, it's just

0:29:11.320 --> 0:29:15.120
<v Speaker 1>all around good vibes about what's happening on that album too.

0:29:15.120 --> 0:29:17.320
<v Speaker 1>I feel like people are putting a lot of talk

0:29:17.360 --> 0:29:23.239
<v Speaker 1>about great. Um it's a secret. I don't know that like, uh,

0:29:23.520 --> 0:29:26.200
<v Speaker 1>for me, for I think for all of us, it's

0:29:26.240 --> 0:29:28.680
<v Speaker 1>the dopest thing is to create music, right, Like we

0:29:28.720 --> 0:29:30.840
<v Speaker 1>like creating music. That's why we spend time. You know.

0:29:30.840 --> 0:29:34.160
<v Speaker 1>What I'm saying is just writing and production collective like

0:29:34.600 --> 0:29:37.040
<v Speaker 1>making music for other people to release because we don't

0:29:37.040 --> 0:29:39.760
<v Speaker 1>necessarily think that maybe the world isn't ready to hear

0:29:39.800 --> 0:29:41.400
<v Speaker 1>it out of my out of my voice, you know

0:29:41.440 --> 0:29:43.160
<v Speaker 1>what I'm saying, Or maybe the world isn't ready to

0:29:43.960 --> 0:29:46.800
<v Speaker 1>experience it from my platform because it won't they won't

0:29:46.800 --> 0:29:48.960
<v Speaker 1>be able to get to gain access to it, you

0:29:48.960 --> 0:29:51.240
<v Speaker 1>know what I'm saying. Like there's there's higher people that

0:29:51.280 --> 0:29:54.320
<v Speaker 1>could use the same songs. So we love just making records,

0:29:54.480 --> 0:29:56.880
<v Speaker 1>and I think the idea behind this project was to

0:29:57.000 --> 0:29:59.240
<v Speaker 1>make music as if we are a production and writing

0:29:59.280 --> 0:30:03.440
<v Speaker 1>collective and like not necessarily focus on making hot records,

0:30:03.440 --> 0:30:06.360
<v Speaker 1>but making stuff that resonates with people on for a

0:30:06.400 --> 0:30:08.560
<v Speaker 1>long time. I think all those songs on the project

0:30:08.640 --> 0:30:11.960
<v Speaker 1>are very uh thematic and cinematic, and every song has

0:30:12.000 --> 0:30:14.360
<v Speaker 1>its own moment on the project. Every time. I think

0:30:14.680 --> 0:30:16.680
<v Speaker 1>nobody's gonna be able to skip through the project. It's

0:30:16.760 --> 0:30:19.160
<v Speaker 1>very it's attention grabbing from the moment that you hear it.

0:30:19.480 --> 0:30:21.360
<v Speaker 1>None of the people that other than you know what

0:30:21.360 --> 0:30:23.520
<v Speaker 1>I'm saying, Donnie Trumpet in the Social Experiment, I listened

0:30:23.560 --> 0:30:25.360
<v Speaker 1>on the project, so you got to kind of listen

0:30:25.400 --> 0:30:28.480
<v Speaker 1>through it to you like special guests, secret verses and stuff. Yeah,

0:30:28.520 --> 0:30:30.880
<v Speaker 1>it's a it's a it's a secret for the listeners.

0:30:30.920 --> 0:30:34.000
<v Speaker 1>It's for the listeners like this project, you know, it's

0:30:34.120 --> 0:30:38.480
<v Speaker 1>it's like car music, headphone music. Like you can listen

0:30:38.520 --> 0:30:39.880
<v Speaker 1>to it in a lot of places. You can listen

0:30:39.920 --> 0:30:41.120
<v Speaker 1>to it with a lot of people. You can also

0:30:41.160 --> 0:30:43.920
<v Speaker 1>listen to it completely by yourself, you know. Just put

0:30:43.920 --> 0:30:47.320
<v Speaker 1>it out. Yeah, yeah, it also makes stronger exactly though.

0:30:47.400 --> 0:30:51.200
<v Speaker 1>That's what we're trying to do. Yeah, let it. Let's

0:30:51.200 --> 0:30:54.680
<v Speaker 1>called you should put it out and tweet surfboard. Boom,

0:30:54.800 --> 0:30:56.800
<v Speaker 1>do not listen to him. That's such a good joke.

0:30:57.240 --> 0:31:03.920
<v Speaker 1>You should say it one more time. Okay, Boom, you

0:31:03.960 --> 0:31:08.520
<v Speaker 1>should do a release like Beyonce tweeted out put hashtag surfboard.

0:31:09.440 --> 0:31:12.320
<v Speaker 1>When when you only get these kind of jokes here

0:31:12.320 --> 0:31:15.320
<v Speaker 1>at breakfast club in the morning, me and Charlotte Maine

0:31:15.400 --> 0:31:19.720
<v Speaker 1>taken over. Now that's a good idea. We are from

0:31:19.720 --> 0:31:22.600
<v Speaker 1>a city. How did y'all avoid getting killed in that city?

0:31:22.640 --> 0:31:25.479
<v Speaker 1>That's a great I'm scared of Chicago. Yeah, I mean,

0:31:25.520 --> 0:31:28.240
<v Speaker 1>how do y'all avoid not joining gangs, not picking up guns,

0:31:28.240 --> 0:31:31.160
<v Speaker 1>going that rap um? Well, when you're really really young,

0:31:31.160 --> 0:31:34.200
<v Speaker 1>it's not really uh, you know, what I'm saying, much

0:31:34.200 --> 0:31:36.280
<v Speaker 1>of much, too much thought that goes into it, you

0:31:36.280 --> 0:31:38.120
<v Speaker 1>know what I'm saying, Like you you have to learn

0:31:38.160 --> 0:31:40.480
<v Speaker 1>from the people that are a little bit older than you. So,

0:31:40.560 --> 0:31:43.200
<v Speaker 1>like I think, for the most part, and it might

0:31:43.200 --> 0:31:45.520
<v Speaker 1>be an overstatement, but like I think everybody who lives

0:31:45.520 --> 0:31:48.120
<v Speaker 1>in Chicago at some point throughout a gang, Like everybody

0:31:48.160 --> 0:31:51.040
<v Speaker 1>in Chicago at some point woke up feeling like you

0:31:51.080 --> 0:31:53.640
<v Speaker 1>know what I'm saying, like like they were gang affiliated.

0:31:54.880 --> 0:31:58.480
<v Speaker 1>What number did I don't know. No, it doesn't work

0:31:58.520 --> 0:32:00.640
<v Speaker 1>like that because there's only fives and sets. But the

0:32:01.320 --> 0:32:07.120
<v Speaker 1>point is like different kind of six. Yeah, the hope.

0:32:07.240 --> 0:32:11.480
<v Speaker 1>The only point is uh. I think what we didn't

0:32:11.560 --> 0:32:15.560
<v Speaker 1>understand was that there's different places to get your information from.

0:32:15.840 --> 0:32:20.760
<v Speaker 1>So we created this, uh, this this thing called the staff,

0:32:21.040 --> 0:32:25.040
<v Speaker 1>which is uh collective. It's a collective of myself, people

0:32:25.040 --> 0:32:29.680
<v Speaker 1>from the Social Experiment, artists from Chicago, King Louis, Hannibal Burris, um,

0:32:29.800 --> 0:32:31.800
<v Speaker 1>a lot of different people that I work with, where

0:32:31.840 --> 0:32:34.760
<v Speaker 1>we've created the staff of people that are workers dedicated

0:32:34.800 --> 0:32:38.040
<v Speaker 1>to you know what I'm saying, creating opportunities for the you.

0:32:38.160 --> 0:32:39.840
<v Speaker 1>So we do this open mic thing that just started

0:32:39.840 --> 0:32:41.480
<v Speaker 1>we had our second one. We had a lot of

0:32:41.520 --> 0:32:43.720
<v Speaker 1>dope people come and cover it in terms of publications,

0:32:43.880 --> 0:32:46.120
<v Speaker 1>but we do an open mic kind of bi weekly

0:32:46.200 --> 0:32:48.880
<v Speaker 1>for kids in high school. They bring their ID and

0:32:48.880 --> 0:32:50.760
<v Speaker 1>then come up and make a statement. You know what

0:32:50.800 --> 0:32:54.000
<v Speaker 1>I'm saying. It's not necessarily the quickest way to end

0:32:54.280 --> 0:32:56.719
<v Speaker 1>you know what I'm saying, Team Violence in Chicago, but

0:32:56.760 --> 0:32:59.520
<v Speaker 1>it's an outlet and we're the people that have a

0:32:59.560 --> 0:33:01.640
<v Speaker 1>real in action to these kids, and people know us

0:33:01.760 --> 0:33:04.000
<v Speaker 1>on a first name basis and can come and have help.

0:33:04.240 --> 0:33:08.040
<v Speaker 1>We also worked on like I said earlier, uh this

0:33:07.760 --> 0:33:10.120
<v Speaker 1>uh this collaboration with the Field Museum and the entire

0:33:10.240 --> 0:33:12.880
<v Speaker 1>museum campus in Chicago to make a free day for

0:33:13.200 --> 0:33:14.920
<v Speaker 1>kids from the South and West Side to come check

0:33:14.920 --> 0:33:18.600
<v Speaker 1>out the museums. So having a father just totally kept you. Yeah,

0:33:18.640 --> 0:33:22.239
<v Speaker 1>great father. It's all about the decisions you make at

0:33:22.280 --> 0:33:23.680
<v Speaker 1>the end of the day, no matter where you are,

0:33:23.760 --> 0:33:25.720
<v Speaker 1>you know what I mean. Like, there's gangs and violence

0:33:25.760 --> 0:33:27.880
<v Speaker 1>anywhere you go. It's just about how you deal with it.

0:33:27.960 --> 0:33:30.320
<v Speaker 1>And and I think growing up in Chicago, you know,

0:33:30.400 --> 0:33:32.920
<v Speaker 1>shapes you and molds you into the kind of person

0:33:32.960 --> 0:33:37.440
<v Speaker 1>that a loyal person or a group of like relying

0:33:37.480 --> 0:33:39.400
<v Speaker 1>on your friends is okay, and like, you know, the

0:33:39.680 --> 0:33:44.200
<v Speaker 1>whole idea and gang mentality or whatever has gone completely awry.

0:33:44.360 --> 0:33:47.120
<v Speaker 1>But it didn't start from a terrible, terrible place. It

0:33:47.160 --> 0:33:50.920
<v Speaker 1>started from political place. It started from a uniting place.

0:33:50.960 --> 0:33:56.520
<v Speaker 1>It started from a place of sensitivity, but also a

0:33:56.520 --> 0:33:59.120
<v Speaker 1>place of strength, you know what I mean, trying to

0:33:59.120 --> 0:34:01.560
<v Speaker 1>be protective of your of yourself and your friends around you.

0:34:01.640 --> 0:34:04.800
<v Speaker 1>So I think you know, it's not an invaluable lesson

0:34:04.840 --> 0:34:06.880
<v Speaker 1>that you learned growing up in Chicago. It's just about

0:34:06.920 --> 0:34:09.080
<v Speaker 1>how you deal with with what comes from it. What

0:34:09.120 --> 0:34:12.000
<v Speaker 1>about the ogs in Chicago, your Kanye West and Loupe's

0:34:12.000 --> 0:34:13.640
<v Speaker 1>in common. You do a lot of work with them.

0:34:13.760 --> 0:34:16.720
<v Speaker 1>You're doing something a common right, Yeah, I've worked with Common,

0:34:17.400 --> 0:34:22.480
<v Speaker 1>I've worked with Loupe Twister. I mean, Chicago is a

0:34:22.600 --> 0:34:24.680
<v Speaker 1>very small place, you know what I'm saying. It's not

0:34:25.040 --> 0:34:27.080
<v Speaker 1>I know, New York is very vast and there's a

0:34:27.080 --> 0:34:28.960
<v Speaker 1>lot of greats that have come out of here from

0:34:28.960 --> 0:34:32.480
<v Speaker 1>the different boroughs, and like people have eventually connected over

0:34:32.600 --> 0:34:35.000
<v Speaker 1>hip hop. But Chicago is a type of place where

0:34:35.560 --> 0:34:37.719
<v Speaker 1>more than likely your grandma knows somebody Grandma, you know,

0:34:37.760 --> 0:34:39.360
<v Speaker 1>what I'm saying, like more than likely you grew up

0:34:39.400 --> 0:34:41.719
<v Speaker 1>down the street from somebody so a small town in

0:34:41.719 --> 0:34:43.719
<v Speaker 1>a big city at the exact time. My grandmother and

0:34:43.800 --> 0:34:47.720
<v Speaker 1>Common's mother are really good friends. For example, so Common

0:34:47.760 --> 0:34:50.319
<v Speaker 1>actually called me when I was a shorty going to

0:34:50.360 --> 0:34:52.200
<v Speaker 1>the library and left a voicemail message about how I

0:34:52.200 --> 0:34:54.120
<v Speaker 1>should keep it up and like keep working on my

0:34:54.239 --> 0:34:56.319
<v Speaker 1>music type. You know what I'm saying. You get the

0:34:56.400 --> 0:34:59.000
<v Speaker 1>best random phone calls. I get the best. My phone

0:34:59.080 --> 0:35:02.120
<v Speaker 1>is let bro for real, Like, I actually do like

0:35:02.239 --> 0:35:03.960
<v Speaker 1>need my phone at all times because you know, you

0:35:04.000 --> 0:35:05.759
<v Speaker 1>never know it's gonna call the president at anytime. It

0:35:05.840 --> 0:35:08.719
<v Speaker 1>could be anybody. No, but uh, do you talk to Brock?

0:35:08.760 --> 0:35:09.920
<v Speaker 1>I mean I saw you in the white would you

0:35:09.920 --> 0:35:11.680
<v Speaker 1>talk to him? Just on some I don't talk to

0:35:11.760 --> 0:35:14.920
<v Speaker 1>Brock that I wish. I don't have an email for

0:35:14.960 --> 0:35:17.360
<v Speaker 1>the president, but I do rock with him. If he

0:35:17.400 --> 0:35:20.200
<v Speaker 1>wants to give me some advice or something, hit my phone.

0:35:20.800 --> 0:35:23.560
<v Speaker 1>Now let's talk Drake. You Drake threw subliminals at each other.

0:35:27.000 --> 0:35:31.120
<v Speaker 1>Is there a question? What's what? What's your relationship with Drake?

0:35:31.440 --> 0:35:34.600
<v Speaker 1>Um me and Drake to Rapper, I don't know that

0:35:35.640 --> 0:35:38.680
<v Speaker 1>I like that I don't know that's not a rapper.

0:35:38.719 --> 0:35:44.600
<v Speaker 1>I don't know abody something to that. I mean, uh yeah,

0:35:44.800 --> 0:35:46.640
<v Speaker 1>you might as well like start shotting me out and stuff,

0:35:46.640 --> 0:35:48.239
<v Speaker 1>say my name so people know that you don't know

0:35:48.239 --> 0:35:50.839
<v Speaker 1>who I am. Uh. Me and Drake are cool, though,

0:35:50.960 --> 0:35:55.240
<v Speaker 1>like I've only I've only seen Drake a couple of times. Um.

0:35:55.320 --> 0:35:58.160
<v Speaker 1>The first time we met, we instantly talked about the

0:35:58.200 --> 0:36:00.680
<v Speaker 1>record and he told me that he wanted to collaborate.

0:36:00.719 --> 0:36:02.480
<v Speaker 1>There was a record I was working on a long

0:36:02.480 --> 0:36:06.640
<v Speaker 1>time ago, called Thoughty that I had written for Jake Cole. Um.

0:36:07.000 --> 0:36:10.520
<v Speaker 1>It's a song about thought. Okay, yeah, it's a song

0:36:10.560 --> 0:36:12.960
<v Speaker 1>I'll probably never come out. I don't necessarily feel connected

0:36:13.000 --> 0:36:14.839
<v Speaker 1>to that song like that anymore, but at the time

0:36:14.880 --> 0:36:16.759
<v Speaker 1>it was a hot record. A lot of records like

0:36:16.800 --> 0:36:21.400
<v Speaker 1>that artist in hip hop record get passed around for

0:36:21.440 --> 0:36:23.040
<v Speaker 1>Ja Cole because it sound like you wrote a full

0:36:23.040 --> 0:36:24.680
<v Speaker 1>record for j Cole. No no no no no no

0:36:24.880 --> 0:36:27.960
<v Speaker 1>no no. I wrote records. Jay Coole is my is

0:36:28.000 --> 0:36:29.400
<v Speaker 1>a is a good friend of mine. We worked on

0:36:29.440 --> 0:36:33.680
<v Speaker 1>a lot of stuff together recently. Yeah yeah, yeah, So

0:36:33.719 --> 0:36:35.439
<v Speaker 1>like while he was working out for his Hill Drive

0:36:35.520 --> 0:36:37.920
<v Speaker 1>and afterwards, like he was one of the closest people

0:36:38.040 --> 0:36:40.759
<v Speaker 1>to the Surf project. He's just always around, you know

0:36:40.760 --> 0:36:44.359
<v Speaker 1>what I'm saying, like uh recording Donnie and Uh. Jeff

0:36:44.400 --> 0:36:46.279
<v Speaker 1>Giddy from our band actually ended up playing on for

0:36:46.320 --> 0:36:48.160
<v Speaker 1>his Hills Drive to get a little social experiment shout

0:36:48.200 --> 0:36:51.920
<v Speaker 1>out on the project. But that record thought was for

0:36:52.040 --> 0:36:55.279
<v Speaker 1>j Cole Um I had a verse on it. Jay

0:36:55.320 --> 0:36:58.759
<v Speaker 1>Cole's verse never got hurt anyways. That it got circulated,

0:36:58.960 --> 0:37:00.839
<v Speaker 1>and that's what happens in hip hop is like if

0:37:00.880 --> 0:37:03.560
<v Speaker 1>something's dope before it gets released, artists pass it around

0:37:04.160 --> 0:37:07.839
<v Speaker 1>somebody somehow. Drake got it, heard it, he liked it,

0:37:08.120 --> 0:37:10.239
<v Speaker 1>and I think he told me like an intern or

0:37:10.280 --> 0:37:14.520
<v Speaker 1>somebody that he knew had shown him. Like a song

0:37:14.560 --> 0:37:17.279
<v Speaker 1>I made on ten Day on my first mixtape in

0:37:17.280 --> 0:37:20.040
<v Speaker 1>twenty twelve where I made like a mention to Drake.

0:37:20.080 --> 0:37:21.680
<v Speaker 1>I don't even really think it was a disc but

0:37:21.760 --> 0:37:23.279
<v Speaker 1>we talked about it and we were both like, we

0:37:23.320 --> 0:37:25.680
<v Speaker 1>didn't really diss each other, we did want to make

0:37:25.719 --> 0:37:29.359
<v Speaker 1>a song together. We should work. And since then I've

0:37:29.400 --> 0:37:32.000
<v Speaker 1>only seen Drake maybe I saw him once in Chicago.

0:37:32.200 --> 0:37:35.160
<v Speaker 1>He showed out of love. I came through and support

0:37:35.239 --> 0:37:37.800
<v Speaker 1>it and h and I bought that the new album.

0:37:37.840 --> 0:37:40.000
<v Speaker 1>I loved the new album. So yeah, that's me and

0:37:40.080 --> 0:37:42.280
<v Speaker 1>Drake's relationship in the Nut Show. We've seen each other twice.

0:37:42.320 --> 0:37:44.040
<v Speaker 1>You give off a lot of positive energy. Man, you

0:37:44.080 --> 0:37:46.520
<v Speaker 1>ain't Donnie. Thank you though I didn't know what thinks. Man.

0:37:46.800 --> 0:37:49.520
<v Speaker 1>I really thought y'all gonna be some drug using not

0:37:49.560 --> 0:37:53.160
<v Speaker 1>at all idiots, But no, really, I appreciate you too, man,

0:37:53.160 --> 0:37:54.759
<v Speaker 1>because you know what's crazy is when I was coming

0:37:54.760 --> 0:37:56.880
<v Speaker 1>down here, everybody was trying to prep me. They were like, yo,

0:37:56.960 --> 0:38:00.080
<v Speaker 1>Charlemagne's gonna say some crazy stuff to you know what

0:38:00.120 --> 0:38:04.080
<v Speaker 1>I'm saying. And I think, don't don't profile me yet.

0:38:04.960 --> 0:38:08.000
<v Speaker 1>No proud black man for the people, Charlotte. Man. Now

0:38:08.000 --> 0:38:10.200
<v Speaker 1>can we hear some boss for people who may never

0:38:10.239 --> 0:38:13.520
<v Speaker 1>have heard you rap? Um? Maybe it's a quick sixteen

0:38:14.280 --> 0:38:17.800
<v Speaker 1>you can be we can hear YouTube. Um, there's a

0:38:17.840 --> 0:38:19.359
<v Speaker 1>lot of people that watched this. You know, people watch

0:38:19.440 --> 0:38:21.560
<v Speaker 1>our videos. I know people watch the Breakfast Club. I

0:38:21.560 --> 0:38:23.279
<v Speaker 1>love the Breakfast Club. I don't think I'm gonna rap

0:38:23.280 --> 0:38:25.440
<v Speaker 1>on the Breakfast Club. I think when we get this

0:38:25.520 --> 0:38:28.040
<v Speaker 1>relationship which we are working out, and then we keep

0:38:28.120 --> 0:38:32.960
<v Speaker 1>coming back up and then and then maybe's like, oh man,

0:38:33.360 --> 0:38:35.640
<v Speaker 1>I really appreciate you. A great artist. Now rap right now,

0:38:35.680 --> 0:38:37.600
<v Speaker 1>I'm gonna keep looking for the far they tell me

0:38:37.640 --> 0:38:39.120
<v Speaker 1>he got a fat ass. I'm gonna be like, word,

0:38:40.040 --> 0:38:43.200
<v Speaker 1>what I understood his reference. Let's not I know what

0:38:43.200 --> 0:38:47.920
<v Speaker 1>he was saying. I's so homophobic for no reason. But no,

0:38:48.120 --> 0:38:49.520
<v Speaker 1>you got your trumpet? You want to play a little

0:38:50.320 --> 0:38:53.520
<v Speaker 1>you know, it's really just it's really just for the

0:38:53.560 --> 0:38:56.440
<v Speaker 1>safe money sticker. But he really do got his trumpet?

0:38:58.560 --> 0:39:00.880
<v Speaker 1>Oh yeah, yeah, I carry it. No, we're real players.

0:39:01.200 --> 0:39:03.439
<v Speaker 1>We do this. Yeah, we do this for real. Y'all

0:39:03.440 --> 0:39:05.440
<v Speaker 1>a band like the Roots. Yeah, we're real. We're a

0:39:05.440 --> 0:39:09.080
<v Speaker 1>real band. Players looking for another hot hip hop band. Yeah,

0:39:09.160 --> 0:39:11.040
<v Speaker 1>and like in like ten and fifteen years, they could

0:39:11.080 --> 0:39:12.399
<v Speaker 1>hit us up and want to come to the house

0:39:13.800 --> 0:39:17.279
<v Speaker 1>social experiment. Okay, we appreciate you guys for joining us. Yeah,

0:39:17.360 --> 0:39:19.520
<v Speaker 1>we love being here. Thank you so much. As you

0:39:19.600 --> 0:39:23.120
<v Speaker 1>look great. Envy you the man, Charloe. You're a probably

0:39:23.120 --> 0:39:25.759
<v Speaker 1>black man. I appreciate you. Give us no bars though, bro,

0:39:25.960 --> 0:39:28.000
<v Speaker 1>I didn't give you any bars. But we're gonna come back, right,

0:39:28.000 --> 0:39:29.719
<v Speaker 1>We're gonna be back in here. It's the first time,

0:39:29.760 --> 0:39:31.360
<v Speaker 1>but it's not the last time to your music until

0:39:31.360 --> 0:39:33.239
<v Speaker 1>you come back. Okay, when when you come? When I

0:39:33.280 --> 0:39:37.560
<v Speaker 1>come back, Oh yeah, you can come, touch of bars,

0:39:38.239 --> 0:39:40.840
<v Speaker 1>all types of stuff. It's gonna be a safe environment, positive,

0:39:40.920 --> 0:39:42.960
<v Speaker 1>you know what I'm saying. Nobody like the songs I'm

0:39:43.000 --> 0:39:46.960
<v Speaker 1>with Chldi Scampio. I think you like Childish Scambio, right, No,

0:39:47.960 --> 0:39:50.560
<v Speaker 1>you don't know. I mean he's cool, he's all. You

0:39:50.520 --> 0:39:55.600
<v Speaker 1>don't like his music? Not really? All right, you? Chldish

0:39:55.680 --> 0:39:57.480
<v Speaker 1>is my man's really cool? You guys great, one of

0:39:57.520 --> 0:40:00.440
<v Speaker 1>them strongest artists coming out right now. I like the

0:40:00.680 --> 0:40:03.440
<v Speaker 1>huge fan. I liked the whole child Is gamb Be

0:40:03.560 --> 0:40:06.480
<v Speaker 1>no thing. Yeah, you know, but I'm not necessarily like

0:40:07.360 --> 0:40:09.440
<v Speaker 1>a fan of his music. He don't even seem that

0:40:09.440 --> 0:40:11.279
<v Speaker 1>really committed to music I saw. I'm not saying he

0:40:11.360 --> 0:40:14.319
<v Speaker 1>might change his name. I think he was just saying

0:40:14.320 --> 0:40:16.120
<v Speaker 1>that he's got a new chapter opening. I don't really

0:40:16.120 --> 0:40:17.640
<v Speaker 1>know if that means's gonna make different type of music.

0:40:17.680 --> 0:40:19.239
<v Speaker 1>But I'm excited for what he's come back. I know

0:40:19.280 --> 0:40:21.960
<v Speaker 1>that he's dope. I know he's got He was up

0:40:21.960 --> 0:40:23.560
<v Speaker 1>here defending you. He was well, not defended, but he

0:40:23.560 --> 0:40:25.160
<v Speaker 1>was saying you should be making just as much money

0:40:25.160 --> 0:40:28.719
<v Speaker 1>as who was the ge easy yeah or somebody. I mean,

0:40:28.840 --> 0:40:30.239
<v Speaker 1>me and child is very close. He doesn't know how

0:40:30.320 --> 0:40:35.160
<v Speaker 1>much money I make, but like way better and childish

0:40:35.239 --> 0:40:36.799
<v Speaker 1>are both good. But I know what he was trying

0:40:36.840 --> 0:40:38.480
<v Speaker 1>to say. Glad he made the point because I said

0:40:38.520 --> 0:40:40.040
<v Speaker 1>to him, chance, look like he's doing way better than you.

0:40:40.160 --> 0:40:42.920
<v Speaker 1>Easy yeah. I mean we don't know anybody's pocket. I

0:40:42.960 --> 0:40:45.160
<v Speaker 1>don't knowbody who cares. You watched child is gab being

0:40:45.160 --> 0:40:46.960
<v Speaker 1>no does it? It's a good guy though, Yeah, great

0:40:46.960 --> 0:40:51.120
<v Speaker 1>guy in this chance to rapper Donnie Trumpet. We appreciate you, guys.

0:40:51.120 --> 0:40:54.920
<v Speaker 1>His name Trumpet. I thought he was stereo typing you,

0:40:55.040 --> 0:40:58.080
<v Speaker 1>don I thought it was Niko and Donnie. I didn't

0:40:58.080 --> 0:41:00.560
<v Speaker 1>hear Donnie trump and I have lots of me, you

0:41:00.600 --> 0:41:03.160
<v Speaker 1>know there's lots of me. Well, this guy, good job, guys.

0:41:03.160 --> 0:41:05.719
<v Speaker 1>I appreciate you. Thank you very much. Thank you guys,

0:41:06.440 --> 0:41:07.320
<v Speaker 1>this club. Good morning,