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Speaker 1: Gorge.

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Speaker 2: Listen to the Black Guy Who Tips podcast because.

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Speaker 3: Rawd and caring.

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Speaker 1: How Hey, welcome to the Blackout Tois podcast. I'm your host,

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Speaker 1: Rod joined us always on my co host and we're

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Speaker 1: live on a Sunday morning, ready to get started. We

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Speaker 1: of course appreciate y'all, We love y'all, We respect y'all.

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Speaker 1: Thank you for listening. Don't forget to leave us five

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Speaker 1: star reviews everywhere that that you can on Apple podcasts,

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Speaker 1: because it really makes our spirits float, and we read

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Speaker 1: them and we on our feedback show and we let

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Speaker 1: people know, hey this, thank you for letting us feel

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Speaker 1: appreciate it. Of course, in the show notes, how you

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Speaker 1: get in contact with the show, It's on our link

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Speaker 1: to our crowdcast, so you can come be part of

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Speaker 1: the live podcast every day and leave play games with us,

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Speaker 1: leave comments in the jacket to know your fellow fans

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Speaker 1: of the show. You can also do stuff like become

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Speaker 1: a premium member. You can go by our merch. There's

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Speaker 1: always new options for merch. We have the new sweaters

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Speaker 1: logo in the for the iconic sweater pick that we

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Speaker 1: took when we were in high school. So we have

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Speaker 1: all this stuff We would love for y'all to.

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Speaker 2: Damn sears Pick to get in there.

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Speaker 1: And of course, you know the official weapon of the

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Speaker 1: show is and the unofficial.

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Speaker 2: Sports but I don't know why I have to think

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Speaker 2: about that.

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Speaker 1: It's all good think.

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Speaker 2: Because I say taser, I.

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Speaker 1: Think twice, cut once. That's what I always say. Yep,

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Speaker 1: And this is a special episode because we have a guest. Okay,

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Speaker 1: you may know this man from his podcast Medium Popcorn.

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Speaker 1: You may know him from his podcast Drunk Black History.

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Speaker 1: You may know him from the Drunk Black History live events.

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Speaker 1: I've been part of one in person, we've been part

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Speaker 1: of one remote. And he's a median, uh, a writer, Uh,

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Speaker 1: just overall. Good dude, it's my man, Brandon Collins. What's

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Speaker 1: going on, bro?

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Speaker 3: Good morning, Good morning. How y'all doing my King and

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Speaker 3: my Queen? How how are you.

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Speaker 1: Love to see it?

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Speaker 4: Man?

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Speaker 1: Baby, I'm glad you're doing well. Man. I like that shirt.

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Speaker 3: I like your shirt.

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Speaker 5: I was thinking to my stuff, I'm like, there's so

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Speaker 5: many shirts you warn't rud like, even just as a fan,

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Speaker 5: that I've seen from Afar, and I'm like, god, damn,

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Speaker 5: like I want to get that, But I also don't

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Speaker 5: want anybody to be like did you did?

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Speaker 3: You got me right? Baby Billy's Bible bonkers.

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Speaker 1: Yeah.

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Speaker 5: My mentor worked with them, like he works with that

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Speaker 5: team that like Righteous Jemstones, Oh work. And he was

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Speaker 5: like he was like ten minutes late for our first meeting.

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Speaker 5: I was like, yo, edieone that like puts Baby Billy

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Speaker 5: or like Keddy powers of my life, like you get

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Speaker 5: you get to be as lady as you want to be.

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Speaker 1: Yeah.

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Speaker 5: We saw him at Walton Goggins at stuff. I saw

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Speaker 5: westp like this ball out eventeah and even exactly Walton Goggins.

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Speaker 5: He was like, he's like walking.

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Speaker 1: I saw meme the other day that was just a

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Speaker 1: picture of walking Goggins and the caption over it was

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Speaker 1: when that baby was born. They knew that was a

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Speaker 1: walking Goggins and I was like, yeah, I don't know,

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Speaker 1: but that makes sense somehow. It's like he is just

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Speaker 1: a walking Goggins. You see that, man, You go, that's

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Speaker 1: a walking Goggins right there.

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Speaker 5: One of my one of my favorite comedic moments probably

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Speaker 5: the past like fifteen years on TV is on Righteous Jumpstones.

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Speaker 5: So they have the DMX hologram and it's like going

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Speaker 5: in and out between the mom and shit.

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Speaker 3: And everyone's freaking out.

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Speaker 5: Walk like John Goodby destroys it the Walkston Gogins baby built,

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Speaker 5: It's like it's a loader.

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Speaker 1: Yeah, yeah, listen. I love Walking Goggins when when yeah,

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Speaker 1: like when they found him in play, like playing opposite

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Speaker 1: of the dude that plays Kenny powers.

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Speaker 4: Them two like the best together, like I have the

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Speaker 4: best guit.

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Speaker 1: I love Vice Principles as well because it's really just

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Speaker 1: them dark. It's so dark, but it's spy versus spy

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Speaker 1: of them too, and you just know, like I know,

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Speaker 1: you know a lot of that's written, but you just

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Speaker 1: know so much of that is a in the performance

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Speaker 1: and too. They gotta be doing unscripted ship to each

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Speaker 1: other just to fuck with each other, and like seeing

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Speaker 1: two people that good go off each other is just

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Speaker 1: I'll watch that no matter how dark it gets.

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Speaker 5: Have you ever seen Will Ferrell like with like Daddy

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Speaker 5: McBride and Craig Robinson as Katy Schaeffer, just like going

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Speaker 5: for ten straight, but it's just trying to make them break.

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Speaker 1: And that's one of my favorite things and all of

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Speaker 1: acting and stuff is and even as like a writer,

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Speaker 1: I love that stuff more than even sometimes what's written

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Speaker 1: where it's just like an actor that gets the character,

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Speaker 1: understands the moment, go knows to go off script a

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Speaker 1: little bit, and then it's a able to break other

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Speaker 1: people with it. I'm like, you were in your bag

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Speaker 1: that day.

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Speaker 5: Yeah, you know, I won't say with the same like

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Speaker 5: involved and stuff. I've been doing a lot of like

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Speaker 5: background work and stuff like that lately, just you know,

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Speaker 5: to keep lights on.

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Speaker 3: You know, no writing gigs right now. But uh, I

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Speaker 3: was on.

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Speaker 5: Set with the great Force Whitaker and Vince Diafrio. Y'all

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Speaker 5: can probably figure out what show this is. Yeah, And

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Speaker 5: I was like right next to them because that's like

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Speaker 5: when my robe required me to be right next to them,

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Speaker 5: and I'm hearing them get direction from a director and

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Speaker 5: I'm hearing them workout stuff and constantly doing different takes,

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Speaker 5: and I'm like, yo, I get to see masters.

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Speaker 3: At work right now. This is yes. Yeah.

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Speaker 5: When I was younger, I wanted to be actor. That's

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Speaker 5: kind of like falling by the wayside. I prefer like producing,

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Speaker 5: directing and writing, but doing seeing that and stuff. I

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Speaker 5: was like, that's why they were fantastic with what they do,

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Speaker 5: because they're in the zone, they're trying out different things,

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Speaker 5: different cadences and stuff.

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Speaker 3: It was dope, man.

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Speaker 1: People that can do it, people that can do it

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Speaker 1: with drama are just they amaze me, like and and

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Speaker 1: like doing it with funny to me is like super

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Speaker 1: duper hard. I think funny is the most underrated thing

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Speaker 1: in the world. It's just everyone thinks they're and so

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Speaker 1: few people are, and especially on the fly, it's just

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Speaker 1: really fucking hard. But being funny is one thing. But

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Speaker 1: when people can pull into that dramatic bag of like

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Speaker 1: I can do a different take this way, and you're like,

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Speaker 1: how did you even fucking see that that's a possibility,

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Speaker 1: And then we're able to pull it off, you know,

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Speaker 1: with your face and your acting like, yeah, that that's

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Speaker 1: really dope.

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Speaker 4: Hey, baby, didn't what you might call it do the

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Speaker 4: thing we joke about on ball d sports with it.

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Speaker 2: I don't give fuck about athletic fun Oh that's what.

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Speaker 1: Yeah, that's from vice principle. Yeah, I mean I have

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Speaker 1: so many.

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Speaker 4: Because we always joke about that because our sports show

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Speaker 4: is everything but sports.

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Speaker 1: Yeah about athletics. Fuckpore. Yeah, that's why Goggins.

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Speaker 3: Uh like media popca. Sometimes sometimes we don't.

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Speaker 5: When we talk about the movie, we just talk about

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Speaker 5: apple pies, n see romantic getaways.

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Speaker 1: And shit is weird. Now you of course have Drunk

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Speaker 1: Black History. It's about that time, Jim tenth is coming up.

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Speaker 1: You're about to do another live show that's.

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Speaker 5: Right in Brooklyn, New York, Littlefield on Wednesday, June nineteenth.

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Speaker 5: It's gonna be at seven pm, so it's early enough

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Speaker 5: where you get have some fun, get home in time

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Speaker 5: to go to work. You shouldn't have to work the

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Speaker 5: next day, but just in case you do. And we

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Speaker 5: got sponsors this time. We got Aquaiana Rum, we got

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Speaker 5: Sorel Lokre, and we got liars not alcoholic spirits. For

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Speaker 5: those of you that don't drink but still want to

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Speaker 5: come out have a fun time. It's gonna be dope

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Speaker 5: as hell. Yeah yeah, and I'm just excited for it.

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Speaker 5: It's gonna be a lot of fun. Trying to confirm

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Speaker 5: a musical act because it's Black Music Month as well.

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Speaker 5: So yeah, come out. Drunk Black History dot com for

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Speaker 5: for tickets and everything, and you can also listen to

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Speaker 5: the podcast and watch past shows if you're kind of

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Speaker 5: curious about what it's going to be.

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Speaker 3: So get a better idea of that.

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Speaker 1: Now you are they know your lineup is gonna be

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Speaker 1: presenters and stuff orre you just kind of still working

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Speaker 1: on that.

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Speaker 5: Yeah, it's gonna be guest co hosted by Electro Telis Forward,

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Speaker 5: who has done Netflix.

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Speaker 3: It is funny or whatever that that festival Flix is

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Speaker 3: a joke. Your Netflix is a joke. Thank you, thank you.

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Speaker 5: And then you got King Woods who's a regular at

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Speaker 5: the Comedy Seller, and Jackie Summers, who actually is the

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Speaker 5: founder Sorel the Core that was the first black man

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Speaker 5: to get alcohol licensure, like to like distribute, like to

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Speaker 5: manufacture liquor in the United States since prohibition. So I'm

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Speaker 5: gonna have him on to talk about his history. And

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Speaker 5: then it got a few surprises of messlie that I'm

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Speaker 5: not gonna talk about. But it's gonna be a lot

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Speaker 5: of fun. If you've been to a past event, just

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Speaker 5: think about it's gonna be or else the same format,

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Speaker 5: but like even bigger because we have the sponsors who

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Speaker 5: we're gonna have Madricks.

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Speaker 1: Well, let me say this, it is always a fun time.

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Speaker 1: I've never had a bad experience at a drunk black

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Speaker 1: history of it. It's all you know, the official one.

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Speaker 1: It's always been like well organized, it's always educational, it's fun,

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Speaker 1: the audience is fun. If you can go in person,

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Speaker 1: I highly recommend you go in person. Do y'all have

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Speaker 1: virtual tickets this time or is it all in person?

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Speaker 5: We're working to set up a live stream, so yeah,

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Speaker 5: just hit me up at on the score of Blackens

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Speaker 5: if you want that link. I'll be posting it starting

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Speaker 5: this week once you get up and live.

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Speaker 1: Okay, so if you have, if you watch it also

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Speaker 1: live stream is also still worth it because the chat

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Speaker 1: room and everybody in the zoom is they're hell of fun.

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Speaker 6: Uh.

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Speaker 1: Tatiana is normally monitoring that zoom and then she makes

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Speaker 1: sure that like, yeah, the funny stuff that happens there,

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Speaker 1: she like relays it in real time to the audience.

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Speaker 1: Just it's just such a well run event. And I

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Speaker 1: really like this is like employ you if you're listening,

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Speaker 1: go ahead and spend that time there hanging out, because

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Speaker 1: it's a great way to spend Juneteenth. And if you're

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Speaker 1: at home played drinking games at how you know, get

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Speaker 1: you a little some something. I just sip on it.

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Speaker 1: You ain't got to worry about driving. You get you

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Speaker 1: already in your crib. It's a it's a perfect night,

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Speaker 1: all right. So also can't talk about this without talking

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Speaker 1: last time you were here, we were talking about drunk

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Speaker 1: Black History, and there was like, you know, Gordon Baker

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Speaker 1: Bone used to be like your partner in crime on this.

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Speaker 1: Then there was like a weird thing where like you

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Speaker 1: were doing the drunk Black History, then he was doing

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Speaker 1: a drunk Black History. People were getting confused on like

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Speaker 1: which is which, and then you kind of cleared up

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Speaker 1: the air, were like, that's not that's not me. I

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Speaker 1: don't have anything to do with that. But then I

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Speaker 1: think like it seemed like y'all have maybe resolved it,

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Speaker 1: and he wasn't gonna.

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Speaker 3: Use we had I thought we hadn't. He wasn't gonna

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Speaker 3: do it.

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Speaker 5: And then you know, he texted me out of nowhere

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Speaker 5: letting me know that he's doing some type of different

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Speaker 5: show that Wednesday for June teenth and didn't doing the

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Speaker 5: drunk Black History showing Newark and he's just calling a

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Speaker 5: drunk Black History show. And also since found that he

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Speaker 5: basically stole the whole format that I came up with

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Speaker 5: for the show. No jads, the yeah, the whole setup

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Speaker 5: and everything. So I don't know what's going on out

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Speaker 5: there in Jersey because a lot of Jersey comics are

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Speaker 5: I kind of fucking with it. I've I've since done

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Speaker 5: some podcast appearances where I talked to comedians who were like, yo,

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Speaker 5: what is Gordon doing? Like it's not a good look

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Speaker 5: for him, Like I don't know why he keeps doing

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Speaker 5: this because people know because I booked all these people.

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Speaker 5: They know that I'm the one that like organizes, right,

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Speaker 5: It's kind of weird, But I don't know, Like this

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Speaker 5: is how little they care though, folks. And if you're

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Speaker 5: want to like know, like, oh, should I go to

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Speaker 5: New York One or should I go to the New

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Speaker 5: York One? Like I feel conflicted or whatever, just know that,

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Speaker 5: you know, if you talk to any communis I've done

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Speaker 5: Draft Back, Hit, Drunk, black Is, Shoot, they'll tell you

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Speaker 5: who the point of contact was. They'll tell you the

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Speaker 5: person wants to organize everything, who told them what's gonna

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Speaker 5: happen all that stuff.

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Speaker 3: Gordon's just literally a co host.

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Speaker 5: But if you look at the care that's put into

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Speaker 5: the show, I'm talking about like marketing, I'm talking about

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Speaker 5: putting out, organizing things, getting sponsors.

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Speaker 3: That's all me.

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Speaker 5: And just because he copies and pastes my event listenings

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Speaker 5: and stuff doesn't mean that's gonna be just as good.

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Speaker 5: And to make things even more obvious, if you go

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Speaker 5: Drunk Black Historyshow dot com, which is the name of

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Speaker 5: Gordon Show, it just goes to my website.

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Speaker 3: So that's how little force that he had.

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Speaker 5: And to actually like what it takes to put things

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Speaker 5: together and actually like formulate a brand, because that was

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Speaker 5: the biggest thing, is like you're you're fucking with the brand,

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Speaker 5: like it's like a what is a an American gangster?

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Speaker 5: When Cooba Gooden was just saying it, calling the Blue

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Speaker 5: Magic Teams, it's not the same thing.

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Speaker 1: Change the damn name, right, It's like it's blue man,

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Speaker 1: I certify that shit. You know. He went off, yeah

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Speaker 1: and this, and you said copy and paste, So you

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Speaker 1: mean literally copy and pasting the work and the descriptions

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Speaker 1: you put in for drunk Black history events in the

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Speaker 1: past and just putting on a new page for him.

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Speaker 5: If you go to their event bright for a Drunk

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Speaker 5: Blackistoryshow dot com, the log line is straight up copied

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Speaker 5: from my own event.

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Speaker 3: Let's see it.

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Speaker 5: They just changed the names to Aeriel Leady and Gordon

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Speaker 5: Big that's all shit. There's no description of the actual event.

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Speaker 5: It's just one sentence that they copy and pasted. And

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Speaker 5: before that, the show that they were doing at William

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Speaker 5: Spurt Comedy Club had copy and paste of verbatim, like

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Speaker 5: my whole description.

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Speaker 3: They just had change the names.

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Speaker 5: So I Gordon was like, I'll fix that, but then

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Speaker 5: he never fixed the event, right, So he's the shadiest

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Speaker 5: dude I've ever had to do business with. I'm so

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Speaker 5: glad I'm no longer in business with him. Yeah, And

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Speaker 5: it's really like soured me on a few friendships I've

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Speaker 5: had because people are like trying to be like, oh,

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Speaker 5: you know, that's just Gordon and stuff like that, like

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Speaker 5: that's we're grown ass men. Like this shouldn't be right.

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Speaker 5: That shouldn't be the vibe. So I've actually had to

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Speaker 5: step back from a few friendships or like put them

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Speaker 5: like on pause for now, just because I'm not I'm

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Speaker 5: not comfortable with that, and I feel like people are

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Speaker 5: trying to play both sides zons. But I'm also realizing

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Speaker 5: how some people like only reach out to me when

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Speaker 5: there's they feel like there's opportunities there, and so I'm like,

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Speaker 5: you know what, if that's how you want to navigate this,

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Speaker 5: then we don't really need to be friends or associated.

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Speaker 4: Right.

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Speaker 1: Yeah, comedy is our tough because it's very transactional for

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Speaker 1: a lot of people, and it's very like tough because

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Speaker 1: you know, you have friendships, but then it's kind of

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Speaker 1: every man for himself. It kind of feels competitive for people.

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Speaker 6: Uh.

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Speaker 1: You know, it's why every time something good happens to somebody,

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Speaker 1: the first question is like, how'd you get that? You know,

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Speaker 1: because it's like it's a competition, even when you don't

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Speaker 1: want to acknowledge it's a competition, right, But when you

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Speaker 1: do find people that you can work with that seem

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Speaker 1: to be of the same mindset, it's so rare, but

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Speaker 1: it's like it can be fulfilling. It could take all

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Speaker 1: everyone to the next level. Everyone's having a good time.

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Speaker 1: You know. That's why you see certain like people in

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Speaker 1: the industry, they came up together and they found there

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Speaker 1: like three to five people and they're you know, shit,

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Speaker 1: we were just talking about Danny Bride. Dennimie Brides is always

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Speaker 1: working with the same kind of group of people because

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Speaker 1: it's like cool. I found my folks that I can

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Speaker 1: trust and we fuck with each other. But also like,

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Speaker 1: even with it being uh transactional, even with it being mercenary,

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Speaker 1: whenever uh those relationships in plo like that or you know,

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Speaker 1: you get filled a portrayal like that. I mean, shit

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Speaker 1: still hurts because it's kind of like quasi it's friendship too.

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Speaker 1: It's like it's not just a business. It's not like

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Speaker 1: it's not like if you worked at an office in

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Speaker 1: a cubicle and it's like this nigga and this other

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Speaker 1: cubicle did some fol shit. You're like, man, we at work.

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Speaker 1: Fuck that guy. This is like you've been in my house,

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Speaker 1: you know.

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Speaker 3: What I mean.

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Speaker 5: I told Gordon I straight up when it all went down,

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Speaker 5: I told him, you know, one of the reasons why

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Speaker 5: this is such a hard conversation for me is because

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Speaker 5: this is triggering, like my one of my biggest fears

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Speaker 5: in my regards to like relationships, like because of stuff

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Speaker 5: that happened, like you know, when I was in high

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Speaker 5: school with my mom, like where I pretty much like

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Speaker 5: found out I couldn't trust the one person that's supposed

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Speaker 5: to protect me and like all these things. So when

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Speaker 5: you go through something like that, you're like very skeptical,

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Speaker 5: like I can trust anybody. So when I really work

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Speaker 5: closely with you and I try to like build something

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Speaker 5: with you, that's important to me, right, And one of

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Speaker 5: my biggest fears of always collaborating with someone has been

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Speaker 5: them screwed me over. So I needed to tell Mike

349
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Speaker 5: Brown all the time. Like for Cobleota, I was like, Man,

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Speaker 5: I've had nightmers, we didn't show up for a show.

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Speaker 5: I've had to do everything myself. Obviously that never happened,

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Speaker 5: but it could. And with Gordon, it was my biggest

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Speaker 5: fear was that he was going to do the show

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Speaker 5: without me in some capacity because he thought he could

355
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Speaker 5: because he kind of already had done something like that

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Speaker 5: at some beer fest where I saw like one of

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Speaker 5: the panels was called drum Black History and it was Gordon.

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Speaker 5: I was just like, what is this. He's like, Oh,

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Speaker 5: don't worry about it. It's just the name blah blah blah.

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Speaker 5: And so I trusted him, but I was also like,

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Speaker 5: that's not a great sign. And then a year later

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Speaker 5: what happened happened with the whole Boston thing. So it's

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Speaker 5: just you know, it's unfortunate when you learn that you

364
00:16:36,960 --> 00:16:39,840
Speaker 5: can't trust people in the black comedy, you know, circle,

365
00:16:39,920 --> 00:16:41,640
Speaker 5: especially in New York is so small, like then my

366
00:16:41,760 --> 00:16:45,000
Speaker 5: work is so small, and so it's just unfortunate. But

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Speaker 5: at the same time, like I've been flourishing without him,

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Speaker 5: Like the show's doing way better. Like I got feature

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Speaker 5: of the Time out of New York. The show has

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Speaker 5: gotten sponsors. Now I'm talking to venues and various cities

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Speaker 5: out west. So it's it's it's gonna do this thing,

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Speaker 5: you know. And plus that for me is I have

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Speaker 5: a bunch of other ideas. I got one that showing

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Speaker 5: working on for next month. Let's go writing a bunch.

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Speaker 3: Of stuff like so you know, it's this isn't all

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Speaker 3: I have.

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Speaker 4: Right And and for me on the outside looking and

378
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Speaker 4: I do understand, you know, because once you build this relationship,

379
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Speaker 4: you make yourself very vulnerable and people don't understand that

380
00:17:23,520 --> 00:17:26,879
Speaker 4: type of you know, relationship. And it's also you know,

381
00:17:27,040 --> 00:17:30,800
Speaker 4: one of the things where you have more of a

382
00:17:30,920 --> 00:17:33,719
Speaker 4: visionary like people who have like visions and and and

383
00:17:33,800 --> 00:17:37,119
Speaker 4: can almost see further down the road, and you plan

384
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Speaker 4: stuff and you're very organized and.

385
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Speaker 2: And very detailed about.

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Speaker 1: What you do.

387
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Speaker 2: It's like you don't want people around.

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Speaker 4: You that aren't working at the same level as you are,

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Speaker 4: and and and working as hard as you are, and

390
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Speaker 4: people I'm not.

391
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Speaker 2: And this is not too talk bad about people.

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Speaker 4: Some people don't have the work ethic and they don't

393
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Speaker 4: understand and what it really takes to do those things.

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Speaker 2: They just want to show up and be the talent.

395
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Speaker 2: That's great.

396
00:18:05,520 --> 00:18:08,040
Speaker 4: Well, guess what, the talent don't get producer credit. The

397
00:18:08,119 --> 00:18:11,040
Speaker 4: talent don't get the credit for that shit. The talent

398
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Speaker 4: just be the talent, do your shit, and then you

399
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Speaker 4: gone about your business because you didn't really do the

400
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Speaker 4: work that it takes to do it.

401
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Speaker 2: And also me and Rodrick have realized this too.

402
00:18:21,240 --> 00:18:25,800
Speaker 4: No matter how much somebody can imitate something, if they don't,

403
00:18:26,080 --> 00:18:29,320
Speaker 4: if it's not you, it's not gonna hit the same.

404
00:18:29,440 --> 00:18:31,879
Speaker 4: Like the audience is gonna know, Comedians are gonna know,

405
00:18:32,200 --> 00:18:36,680
Speaker 4: like people are gonna know your handprint wasn't on it.

406
00:18:36,560 --> 00:18:38,480
Speaker 2: So they go, why would I fuck with that?

407
00:18:38,600 --> 00:18:40,639
Speaker 4: And on top of that, there's no longevity for that

408
00:18:40,680 --> 00:18:43,320
Speaker 4: because it's gonna take a few times. So somebody getting

409
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Speaker 4: burnt before people go, oh, I want to fuck with him?

410
00:18:45,400 --> 00:18:45,600
Speaker 1: No, more.

411
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Speaker 4: I'm just keeping it real, and eventually it gets to

412
00:18:48,359 --> 00:18:51,280
Speaker 4: the point where he's gonna run that well dry where

413
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Speaker 4: he's gonna have to drop it because he's gonna realize

414
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Speaker 4: it's not beneficial to him anymore.

415
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Speaker 5: Yeah, I mean that's what was happening on, you know,

416
00:18:58,800 --> 00:19:01,640
Speaker 5: all our promo podcasts. I was organizing that for us,

417
00:19:01,720 --> 00:19:02,920
Speaker 5: you know what I mean. He would do like one

418
00:19:03,000 --> 00:19:05,520
Speaker 5: or two on the side, but like if I had

419
00:19:05,520 --> 00:19:07,840
Speaker 5: like a podcast like this or like you know, we

420
00:19:07,880 --> 00:19:10,160
Speaker 5: did four all Nerds, and he would show up late.

421
00:19:10,240 --> 00:19:13,120
Speaker 5: He would show up with terrible audio. Like I'm like, bro,

422
00:19:13,240 --> 00:19:15,080
Speaker 5: like this is just this is my connect, Like you're

423
00:19:15,080 --> 00:19:16,800
Speaker 5: fucking that up. And he already had a history of

424
00:19:16,800 --> 00:19:18,520
Speaker 5: doing that. Like when I worked at we were we

425
00:19:18,600 --> 00:19:23,000
Speaker 5: used to record these little videos and we used office

426
00:19:23,000 --> 00:19:25,520
Speaker 5: space there and one time he got so drunk he

427
00:19:25,600 --> 00:19:28,919
Speaker 5: started just screaming and shouting up and down the hallways.

428
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Speaker 3: I'm like, bro, you're about to get me fired.

429
00:19:30,280 --> 00:19:32,560
Speaker 5: Like we had a huge fight about that, and it's

430
00:19:32,600 --> 00:19:34,760
Speaker 5: like things like that where he like he forgets that

431
00:19:35,359 --> 00:19:37,920
Speaker 5: it's always been me not only having to produce the

432
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Speaker 5: show but also manage Gordon, and like I said, we're

433
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Speaker 5: growing ass men, Like I don't need to be managing.

434
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Speaker 3: Adults no more.

435
00:19:43,200 --> 00:19:45,800
Speaker 5: Right, you know, I gotta focus on me and my

436
00:19:45,880 --> 00:19:47,280
Speaker 5: family and make sure we're good.

437
00:19:47,400 --> 00:19:49,320
Speaker 1: You know, last time you're on, I brought this up.

438
00:19:49,359 --> 00:19:54,119
Speaker 1: But it's about appreciation, Cauz. Like with our show, I

439
00:19:54,200 --> 00:19:57,120
Speaker 1: do a lot of the organizing, tech work, all that stuff,

440
00:19:57,160 --> 00:20:00,640
Speaker 1: but Karen appreciates the work that I put in, so

441
00:20:00,880 --> 00:20:03,480
Speaker 1: I never feel like I'm being taken for granted. You know,

442
00:20:03,560 --> 00:20:07,080
Speaker 1: there's no like, Okay, well Karen thinks all this shit

443
00:20:07,200 --> 00:20:09,399
Speaker 1: is bullshit that I'm doing. And then she just shows

444
00:20:09,480 --> 00:20:11,800
Speaker 1: up and gets on the mic and it's like anyone

445
00:20:11,800 --> 00:20:14,120
Speaker 1: can do it. Nah, She's like, nah, this is tough.

446
00:20:14,200 --> 00:20:15,960
Speaker 1: I get it. Hey, here's an idea I have. Do

447
00:20:16,040 --> 00:20:18,440
Speaker 1: you think it's Is this the thing we can execute?

448
00:20:19,720 --> 00:20:23,440
Speaker 1: What are their downsides to it? What are the upsides shit.

449
00:20:23,080 --> 00:20:23,800
Speaker 2: That I don't think of?

450
00:20:23,840 --> 00:20:27,600
Speaker 4: You like, like, because I understand the person that's kind

451
00:20:27,640 --> 00:20:31,479
Speaker 4: of just showing up quote unquote, but I understand, like

452
00:20:31,920 --> 00:20:33,200
Speaker 4: I don't know the logistics.

453
00:20:33,280 --> 00:20:36,560
Speaker 1: Well, it's a partnership. And I think ego is a motherfucker,

454
00:20:36,640 --> 00:20:40,479
Speaker 1: especially for comedy, because some motherfuckers start getting in their

455
00:20:40,520 --> 00:20:43,119
Speaker 1: head and being like, you know who built this me?

456
00:20:43,440 --> 00:20:45,680
Speaker 1: That's who you know? Like you know, it starts where

457
00:20:45,720 --> 00:20:47,520
Speaker 1: it's like I'm on the stage, they laughing at my

458
00:20:47,680 --> 00:20:49,800
Speaker 1: jokes and you're like, well, a lot of shit has

459
00:20:49,840 --> 00:20:50,359
Speaker 1: to happen.

460
00:20:50,560 --> 00:20:51,160
Speaker 2: Yes it does.

461
00:20:51,320 --> 00:20:53,680
Speaker 1: Like I'm not saying they're not laughing at your jokes,

462
00:20:53,760 --> 00:20:56,200
Speaker 1: but a lot of stuff has to happen for them

463
00:20:56,240 --> 00:20:58,520
Speaker 1: to be laughing at your jokes. Someone got to take

464
00:20:58,560 --> 00:21:00,600
Speaker 1: care of the venues. Someone gotta get the ring special,

465
00:21:00,800 --> 00:21:02,960
Speaker 1: someone got to make sure everyone's on time. Someone has.

466
00:21:05,560 --> 00:21:08,760
Speaker 5: Just sitting doing virtual ads so much so that if

467
00:21:08,800 --> 00:21:11,440
Speaker 5: you google jump like history New Jersey, my show is

468
00:21:11,440 --> 00:21:15,199
Speaker 5: gonna come up because I did so many ads in Jersey.

469
00:21:15,359 --> 00:21:18,639
Speaker 5: It's just it And I don't need like accolades. I

470
00:21:18,640 --> 00:21:19,800
Speaker 5: don't need you to be like brand that you did

471
00:21:19,840 --> 00:21:21,919
Speaker 5: a great jack because actually that makes me very uncomfortable.

472
00:21:22,160 --> 00:21:26,199
Speaker 5: I'm terrible at getting praise, right. But it's more like

473
00:21:26,240 --> 00:21:29,160
Speaker 5: you said, it's it's the appreciation.

474
00:21:29,640 --> 00:21:32,639
Speaker 3: Like I said to you, do not respect obviously.

475
00:21:32,280 --> 00:21:34,119
Speaker 5: What I do for the show, because you wouldn't have

476
00:21:34,200 --> 00:21:37,520
Speaker 5: booked another show if you have been honest with yourself

477
00:21:37,560 --> 00:21:40,280
Speaker 5: about here's what I actually do. Building up to the

478
00:21:40,320 --> 00:21:42,760
Speaker 5: show and day of and here's what Brandon does. If

479
00:21:42,800 --> 00:21:45,080
Speaker 5: you just made that listen, you'd be like, oh, why

480
00:21:45,119 --> 00:21:47,320
Speaker 5: the am I doing this without talking to Brandon at all?

481
00:21:47,400 --> 00:21:49,440
Speaker 1: And that's what I mean. It's an appreciation because I

482
00:21:49,480 --> 00:21:52,120
Speaker 1: don't need my ass kiss, right, I just need as

483
00:21:52,119 --> 00:21:54,439
Speaker 1: long as you appreciate the work, just because because the

484
00:21:54,480 --> 00:21:58,399
Speaker 1: other thing is I'm appreciative, right, Like if you're helping

485
00:21:58,480 --> 00:22:01,520
Speaker 1: host the show, I'm like, oh, thank God, Like I

486
00:22:01,560 --> 00:22:05,119
Speaker 1: appreciate you. You're doing a good job. I don't want

487
00:22:05,280 --> 00:22:07,480
Speaker 1: My goal is not to have to do this without you.

488
00:22:07,480 --> 00:22:09,440
Speaker 1: You know, I'm not like doing the show every day

489
00:22:09,440 --> 00:22:12,359
Speaker 1: thinking plotting on your ass, like don't wait till I

490
00:22:12,400 --> 00:22:15,880
Speaker 1: get them out, Like I'm thinking we both appreciate each other,

491
00:22:15,920 --> 00:22:19,240
Speaker 1: but yeah, when it's only one side, and I'm sure,

492
00:22:19,440 --> 00:22:23,240
Speaker 1: like just knowing you over the years and stuff, I'm

493
00:22:23,280 --> 00:22:28,120
Speaker 1: sure that like on a personal level, it's very triggering

494
00:22:28,320 --> 00:22:31,480
Speaker 1: because I know, you know, you've been open about like

495
00:22:31,520 --> 00:22:34,320
Speaker 1: the insecurities you've had during stand up and all this shit,

496
00:22:34,880 --> 00:22:37,280
Speaker 1: and and then just the way you know, the childhood

497
00:22:37,280 --> 00:22:39,879
Speaker 1: and all this shit. It's like a motherfucker. It just

498
00:22:39,920 --> 00:22:42,200
Speaker 1: triggers the worst fears of like, hey, wait a minute,

499
00:22:42,240 --> 00:22:44,119
Speaker 1: am I walking around and nobody respects me? What the

500
00:22:44,119 --> 00:22:47,280
Speaker 1: fuck is happening over here? You know? Yeah?

501
00:22:47,320 --> 00:22:52,359
Speaker 5: My Midwest upbringing by crazy black Republicans. I mean, I

502
00:22:52,400 --> 00:22:55,359
Speaker 5: love my grandparents of that, but they fucking nuts just

503
00:22:55,400 --> 00:22:58,400
Speaker 5: did not prepare me for unprofessional crazy niggas from Newer

504
00:22:59,480 --> 00:23:01,800
Speaker 5: just like nothing in life could prepare you for that.

505
00:23:01,880 --> 00:23:03,639
Speaker 1: But you know, I.

506
00:23:05,160 --> 00:23:06,679
Speaker 5: Feel bad because I feel like this's the second time

507
00:23:06,720 --> 00:23:08,240
Speaker 5: that come on, and like we've had to like talk

508
00:23:08,280 --> 00:23:13,320
Speaker 5: about this stuff, and I'm incredibly grateful and I'm incredibly blessed,

509
00:23:13,440 --> 00:23:15,879
Speaker 5: like for the opportunity to have I mean, for this

510
00:23:15,960 --> 00:23:17,960
Speaker 5: to be like the most big the biggest stressor in

511
00:23:17,960 --> 00:23:21,000
Speaker 5: my professional life right now. Obviously I'm between jobs and

512
00:23:21,040 --> 00:23:23,160
Speaker 5: stuff like that, but that's not that bad.

513
00:23:23,600 --> 00:23:28,360
Speaker 1: No, I mean this last, you know, allow me to say,

514
00:23:28,520 --> 00:23:31,639
Speaker 1: the last couple of years, I've watched you blossom, you know,

515
00:23:31,800 --> 00:23:34,119
Speaker 1: I've watched you kind of more step. I feel like

516
00:23:34,320 --> 00:23:37,840
Speaker 1: the branding we're talking to now has more confidence, has

517
00:23:37,920 --> 00:23:41,760
Speaker 1: no boulder, understands like where what areas you excel and

518
00:23:41,960 --> 00:23:44,240
Speaker 1: understands a little bit more what you want to do,

519
00:23:44,400 --> 00:23:49,159
Speaker 1: you know, And I think in the past, like at

520
00:23:49,240 --> 00:23:52,680
Speaker 1: least you know my three thousand mile away view. I've

521
00:23:52,680 --> 00:23:55,800
Speaker 1: always felt like the co host thing was more of

522
00:23:55,840 --> 00:23:59,280
Speaker 1: a crutch, like it's not something you need, it's but

523
00:23:59,359 --> 00:24:01,120
Speaker 1: it's a luxury, Like if you want to have a

524
00:24:01,160 --> 00:24:03,240
Speaker 1: co host and another person to come up there and

525
00:24:03,240 --> 00:24:06,920
Speaker 1: feed off of dope, but you're totally capable of doing

526
00:24:06,960 --> 00:24:09,160
Speaker 1: that ship on your own if you wanted to. I've

527
00:24:09,200 --> 00:24:10,439
Speaker 1: always so.

528
00:24:10,840 --> 00:24:15,080
Speaker 5: Have you been talking to about therapist Alan, Like you

529
00:24:15,119 --> 00:24:16,440
Speaker 5: don't need to have a call.

530
00:24:21,200 --> 00:24:22,840
Speaker 1: I'm a bit of I'm a bit of an impath.

531
00:24:22,880 --> 00:24:25,720
Speaker 1: I'm a bit of an impath. But like I feel

532
00:24:25,720 --> 00:24:27,800
Speaker 1: like that's and and and you know, and it's not

533
00:24:27,880 --> 00:24:30,199
Speaker 1: like a bad thing either. I'm I'm very much the

534
00:24:30,200 --> 00:24:32,439
Speaker 1: same way. I wouldn't want to do a podcast by myself.

535
00:24:32,480 --> 00:24:35,399
Speaker 1: I listen to people that do the solo shows and

536
00:24:35,400 --> 00:24:38,159
Speaker 1: it's it's cute and everything, but it's it's not for me.

537
00:24:38,240 --> 00:24:39,840
Speaker 1: I need a person in the room to let me

538
00:24:39,880 --> 00:24:43,359
Speaker 1: know if I'm cooking or not. But but the point being,

539
00:24:43,520 --> 00:24:46,600
Speaker 1: like i feel like I've watched you from Afar like

540
00:24:46,760 --> 00:24:49,800
Speaker 1: really blossom in and like learn about yourself and and

541
00:24:49,880 --> 00:24:52,760
Speaker 1: develop and and and it's been like a wonderful thing

542
00:24:52,800 --> 00:24:55,600
Speaker 1: to watch. And it sucks to go through growing pains.

543
00:24:55,640 --> 00:24:58,320
Speaker 1: It sucks to do that, but then also you learn

544
00:24:58,400 --> 00:25:00,320
Speaker 1: something about yourself when you go through something a little

545
00:25:00,320 --> 00:25:03,560
Speaker 1: bit like this. So a long time ago, when we

546
00:25:03,640 --> 00:25:07,320
Speaker 1: started our podcast, I remember we were number one show

547
00:25:07,359 --> 00:25:11,040
Speaker 1: on Potomatic. Our host at the time, we'd done all

548
00:25:11,080 --> 00:25:14,159
Speaker 1: this work, you know, we were like fucking killing it

549
00:25:14,200 --> 00:25:17,000
Speaker 1: as a black podcast. There weren't very many black podcasts

550
00:25:17,000 --> 00:25:19,280
Speaker 1: at the time period. And I remember there was a

551
00:25:19,320 --> 00:25:22,000
Speaker 1: show that came up and I won't say the name

552
00:25:22,040 --> 00:25:24,359
Speaker 1: because I'm actually low key embarrassed by my reaction, but

553
00:25:25,080 --> 00:25:28,959
Speaker 1: these niggas stole the format of our show, to the

554
00:25:29,040 --> 00:25:31,919
Speaker 1: fucking like to the music in the background, like to

555
00:25:32,160 --> 00:25:33,919
Speaker 1: like it was just like, it was like, what the

556
00:25:33,960 --> 00:25:36,439
Speaker 1: fuck kind of shit is this? Like it's not like

557
00:25:36,480 --> 00:25:39,680
Speaker 1: there's twelve shows that sound like ours and you just happened. No,

558
00:25:39,840 --> 00:25:42,199
Speaker 1: we're the show that sounds like this. And I remember

559
00:25:42,359 --> 00:25:44,199
Speaker 1: doing the episode and I never I don't think I

560
00:25:44,240 --> 00:25:46,800
Speaker 1: said the name of the show, but they had even

561
00:25:47,000 --> 00:25:49,480
Speaker 1: named the name of their podcast was the name of

562
00:25:49,520 --> 00:25:52,600
Speaker 1: one of our episodes of our show. Like, so I'm

563
00:25:52,680 --> 00:25:56,399
Speaker 1: just like, how was that what a coincidence, right, And

564
00:25:56,400 --> 00:25:57,879
Speaker 1: the only reason I didn't say the name because I

565
00:25:57,880 --> 00:25:59,760
Speaker 1: wasn't sure if it was a coincidence or not. And

566
00:25:59,800 --> 00:26:02,520
Speaker 1: I want to just flat out be like fuck these

567
00:26:02,600 --> 00:26:05,920
Speaker 1: niggas over here, But I'm like giving every clue around it, right,

568
00:26:06,600 --> 00:26:09,720
Speaker 1: And then I remember because this is early in our journey,

569
00:26:09,800 --> 00:26:12,080
Speaker 1: but like, I don't know, like not too long after that,

570
00:26:12,080 --> 00:26:14,520
Speaker 1: I kept thinking about I was like, well, I've listened

571
00:26:14,520 --> 00:26:17,120
Speaker 1: to that show. Anyone else that listens to the show,

572
00:26:17,440 --> 00:26:20,240
Speaker 1: somebody they're going to confuse it to like, oh, that's

573
00:26:20,280 --> 00:26:22,160
Speaker 1: the same as Ryd and Karen. No, they're just gonna

574
00:26:22,160 --> 00:26:25,200
Speaker 1: be like, oh, this is a show that sounds similar

575
00:26:25,280 --> 00:26:27,639
Speaker 1: or wants to sound like it. But the topics we

576
00:26:27,680 --> 00:26:29,680
Speaker 1: talk about won't we talked about the same, The jokes

577
00:26:29,680 --> 00:26:31,680
Speaker 1: we make won't be the same as there, the relationship

578
00:26:31,720 --> 00:26:33,360
Speaker 1: me and Karen have won't be the same as theirs.

579
00:26:33,840 --> 00:26:36,240
Speaker 1: And I felt like I said, low KEI kind of

580
00:26:36,240 --> 00:26:38,359
Speaker 1: embarrassed because I was like, oh, that was my insecurity

581
00:26:38,440 --> 00:26:42,120
Speaker 1: jumping out, because it's like, you know, if Michael Jordan

582
00:26:42,160 --> 00:26:44,120
Speaker 1: sees Kobe shoot a fade away, he shouldn't like run

583
00:26:44,160 --> 00:26:46,160
Speaker 1: on the court and be like you motherfucker you You're

584
00:26:46,160 --> 00:26:47,879
Speaker 1: supposed to be like, oh, okay, you must think I'm

585
00:26:47,920 --> 00:26:51,200
Speaker 1: pretty dope to try to steal my moves. So yeah,

586
00:26:51,359 --> 00:26:53,040
Speaker 1: I feel like that's a confidence thing.

587
00:26:53,760 --> 00:26:56,160
Speaker 5: Yeah, it's okay to let yourself still have those feelings though,

588
00:26:56,200 --> 00:26:57,960
Speaker 5: and as long as you recognize it and then you're

589
00:26:58,000 --> 00:26:58,679
Speaker 5: like okay.

590
00:26:58,440 --> 00:26:59,600
Speaker 2: And you work through them.

591
00:27:00,040 --> 00:27:01,120
Speaker 3: Because I have that all.

592
00:27:01,040 --> 00:27:02,879
Speaker 5: The time, Like whenever I see drunk blackissy show, like,

593
00:27:02,880 --> 00:27:04,520
Speaker 5: I have that same thing, like, look on, fuck it.

594
00:27:04,560 --> 00:27:07,040
Speaker 5: But I'm like, you know what, at this point, people

595
00:27:07,200 --> 00:27:09,880
Speaker 5: know the difference. You haven't gotten an email at all,

596
00:27:09,960 --> 00:27:13,040
Speaker 5: you said, because I have an email. Listen thousands of

597
00:27:13,040 --> 00:27:14,880
Speaker 5: people right, and it's like I haven't gott an email

598
00:27:14,920 --> 00:27:16,920
Speaker 5: from anyone that's gone to drum back cause you're like, hey.

599
00:27:16,800 --> 00:27:19,080
Speaker 3: What happened to Gordon or where's Gordon? Right? Right?

600
00:27:19,560 --> 00:27:22,280
Speaker 5: It's okay, bread, Like, the people will come, the people

601
00:27:22,280 --> 00:27:24,200
Speaker 5: will be there. They want to have a good time, like.

602
00:27:24,320 --> 00:27:24,840
Speaker 1: And they can't.

603
00:27:24,880 --> 00:27:26,080
Speaker 3: Got beating yourself up right.

604
00:27:26,160 --> 00:27:29,200
Speaker 1: My biggest point is that I don't feel that way

605
00:27:29,280 --> 00:27:34,440
Speaker 1: anymore period because I know nobody can do what I do.

606
00:27:35,000 --> 00:27:38,160
Speaker 1: And so at this point, you you could call your

607
00:27:38,240 --> 00:27:41,080
Speaker 1: podcast the black Out tips, and I'd be like, Okay,

608
00:27:41,119 --> 00:27:43,720
Speaker 1: people are gonna listen for ten minutes, realize it's not us,

609
00:27:43,720 --> 00:27:46,919
Speaker 1: and then come back to us, cause like you can't

610
00:27:47,000 --> 00:27:49,520
Speaker 1: do I remember people used to write us in hey guys,

611
00:27:49,520 --> 00:27:51,800
Speaker 1: the Breakfast Club play the game very similar to Guests

612
00:27:51,800 --> 00:27:54,480
Speaker 1: the Right, So I'm like, I'm literally not worried they're

613
00:27:54,480 --> 00:27:57,360
Speaker 1: not as funny as us. When it comes to that segment,

614
00:27:57,640 --> 00:28:00,520
Speaker 1: Our shit will be funnier. We've been doing it longer.

615
00:28:01,000 --> 00:28:03,720
Speaker 1: We'll you know, like it's just and it's just a

616
00:28:05,040 --> 00:28:07,800
Speaker 1: matter of like feeling that confidence and it just took

617
00:28:07,840 --> 00:28:10,919
Speaker 1: me a while to gain that. But I feel like,

618
00:28:11,000 --> 00:28:13,280
Speaker 1: in a way, that's where I'm seeing in you right now,

619
00:28:13,280 --> 00:28:16,520
Speaker 1: where it's like, yeah, okay, if they mistakenly go to

620
00:28:16,560 --> 00:28:20,080
Speaker 1: that other show ten fifteen minutes before they realize, oh fuck,

621
00:28:20,880 --> 00:28:23,440
Speaker 1: you know, like this ain't this ain't like the drunk

622
00:28:23,480 --> 00:28:25,080
Speaker 1: Black History I remember.

623
00:28:24,760 --> 00:28:27,320
Speaker 4: Right, It's like you walk in a roof, Chris, and

624
00:28:27,359 --> 00:28:29,240
Speaker 4: you're like, oh, this is nice, and you'd be like, well,

625
00:28:29,240 --> 00:28:31,200
Speaker 4: how the hell we get the ryse all you can eat?

626
00:28:31,400 --> 00:28:33,040
Speaker 2: This is not what I had expected.

627
00:28:33,160 --> 00:28:37,000
Speaker 4: Like you're gonna see a a difference, you know, people

628
00:28:37,040 --> 00:28:40,600
Speaker 4: will realize it's in something else, Brandon. Ask somebody who

629
00:28:40,680 --> 00:28:42,240
Speaker 4: like you, you just want to work and do the job,

630
00:28:42,960 --> 00:28:44,720
Speaker 4: and it's really hard just to work and through the

631
00:28:44,800 --> 00:28:47,680
Speaker 4: job when something happens in public and.

632
00:28:47,600 --> 00:28:49,200
Speaker 2: You don't want to address it in public.

633
00:28:49,240 --> 00:28:51,080
Speaker 4: You know what I'm saying, because because you've gotten to

634
00:28:51,120 --> 00:28:54,120
Speaker 4: the point to where people know you and they know

635
00:28:54,200 --> 00:28:56,080
Speaker 4: your name and they know what you do, so when

636
00:28:56,080 --> 00:28:57,480
Speaker 4: something happened, you.

637
00:28:57,360 --> 00:28:59,360
Speaker 2: Almost quote unquote can't ignore this.

638
00:28:59,600 --> 00:29:02,400
Speaker 4: It's one these things, well, Peve Federans, with your personality,

639
00:29:02,440 --> 00:29:03,840
Speaker 4: if you could have ignored that, you would have. I

640
00:29:03,840 --> 00:29:05,320
Speaker 4: don't know if that makes sense, but it got to

641
00:29:05,320 --> 00:29:07,680
Speaker 4: the point where you had to address it, and it's

642
00:29:07,680 --> 00:29:09,320
Speaker 4: one of these things where it hurts you to have

643
00:29:09,480 --> 00:29:12,000
Speaker 4: to address it in public because you was like, I

644
00:29:12,000 --> 00:29:14,760
Speaker 4: would rather not talk about this, but you're showing your

645
00:29:14,800 --> 00:29:17,520
Speaker 4: ass so bad that I have to address this now.

646
00:29:18,280 --> 00:29:19,840
Speaker 5: And I think that's where it led to the frustration

647
00:29:19,960 --> 00:29:21,800
Speaker 5: with a lot of like, you know, the comics, I

648
00:29:22,080 --> 00:29:23,720
Speaker 5: haven't mentioned my name, but then like I kind of

649
00:29:23,720 --> 00:29:26,160
Speaker 5: like disanced myself from because if it's like you got

650
00:29:26,160 --> 00:29:28,719
Speaker 5: to talk about this, like you know, don't take this,

651
00:29:28,920 --> 00:29:30,560
Speaker 5: you know, lie down or whatever. But then I could

652
00:29:30,560 --> 00:29:32,360
Speaker 5: talk about it. They're like, man, you go real hard

653
00:29:32,400 --> 00:29:34,800
Speaker 5: on Gordon, like you know, you know he ain't right,

654
00:29:34,840 --> 00:29:37,120
Speaker 5: you know, he crazy from new work. I'm like, what,

655
00:29:37,520 --> 00:29:41,080
Speaker 5: Like you can't just discount terrible behavior and being a

656
00:29:41,200 --> 00:29:44,280
Speaker 5: terrible friend because he's got some issues, you know, like

657
00:29:44,280 --> 00:29:49,240
Speaker 5: we all got fucking issues, wrickingmedias, Like right, that was

658
00:29:49,360 --> 00:29:51,600
Speaker 5: what's frustrated if it's like the hypocrisy and like, hey,

659
00:29:51,960 --> 00:29:53,680
Speaker 5: tell your truth and stand up for yourself. But then

660
00:29:53,720 --> 00:29:55,720
Speaker 5: I would and they'd be like, like why did he

661
00:29:55,760 --> 00:29:57,240
Speaker 5: had to put up like I put out a social

662
00:29:57,280 --> 00:29:59,800
Speaker 5: media state because I was getting messages on Instagram, Ah,

663
00:29:59,880 --> 00:30:01,240
Speaker 5: I can't wait to see you all on Brooklyn because

664
00:30:01,240 --> 00:30:03,640
Speaker 5: they'd be using my likeness on their ads, say, yo,

665
00:30:03,760 --> 00:30:06,760
Speaker 5: that's not my show, like like Gordon, Gordon messed up.

666
00:30:06,840 --> 00:30:08,360
Speaker 5: I'm sorry, I'm not gonna be there and it's not

667
00:30:08,360 --> 00:30:09,800
Speaker 5: gonna be the show that you think it's going to be.

668
00:30:10,480 --> 00:30:13,000
Speaker 5: And then I released like a statement on like Instagram.

669
00:30:13,000 --> 00:30:15,000
Speaker 5: I know I'm not that like that important or whatever,

670
00:30:15,040 --> 00:30:17,479
Speaker 5: but my I just gotta speak my truth. And then

671
00:30:17,800 --> 00:30:20,280
Speaker 5: you know a friend that you know.

672
00:30:20,680 --> 00:30:20,760
Speaker 4: I.

673
00:30:22,240 --> 00:30:24,920
Speaker 5: Wish we were closer, like I wish this didn't hurt

674
00:30:24,920 --> 00:30:26,520
Speaker 5: our relationship. I don't want to say who it is.

675
00:30:27,000 --> 00:30:29,440
Speaker 5: I hit to that in on Three Guys on, but yeah,

676
00:30:30,000 --> 00:30:31,840
Speaker 5: they were like they were like, oh yeah, I'm talking

677
00:30:31,880 --> 00:30:34,480
Speaker 5: to one comedian and she was like, why did Brandon

678
00:30:34,480 --> 00:30:37,000
Speaker 5: release a statement? And it's like, well, how else am

679
00:30:37,040 --> 00:30:39,440
Speaker 5: I supposed to tell get the word out that what

680
00:30:39,480 --> 00:30:42,320
Speaker 5: Gordon's doing is fucked up and he's not telling anybody.

681
00:30:42,440 --> 00:30:44,320
Speaker 5: He's just going on show somethingbody drump by akissue like

682
00:30:44,360 --> 00:30:46,800
Speaker 5: it's it's all good, right, So that's why people are

683
00:30:46,800 --> 00:30:49,760
Speaker 5: getting more confused. When I talked to him, They're like, oh, think.

684
00:30:49,640 --> 00:30:51,640
Speaker 2: That I'm there and I'm not, and that's going to

685
00:30:51,680 --> 00:30:53,040
Speaker 2: be a problem.

686
00:30:53,160 --> 00:30:53,400
Speaker 3: Yeah.

687
00:30:53,720 --> 00:30:56,160
Speaker 5: So it's it's just been really frustrating. That's why I'm like,

688
00:30:56,200 --> 00:30:57,960
Speaker 5: you know what, I'm just gonna focus less on booking

689
00:30:57,960 --> 00:31:01,360
Speaker 5: comedians because there's other black people out there. I can

690
00:31:01,360 --> 00:31:05,760
Speaker 5: get radio personalities, I can get experts, I can get doctors,

691
00:31:06,200 --> 00:31:07,840
Speaker 5: all kinds of people. It doesn't just seem to be

692
00:31:07,840 --> 00:31:08,720
Speaker 5: convenience anymore.

693
00:31:08,920 --> 00:31:11,880
Speaker 1: Yeah, nah, man, I totally respect it, And like I said,

694
00:31:12,400 --> 00:31:14,200
Speaker 1: I think it's good you're talking about it. I think also,

695
00:31:14,520 --> 00:31:17,560
Speaker 1: like another thing was you had to be comfortable with,

696
00:31:18,560 --> 00:31:21,760
Speaker 1: you know, letting it go in a certain way, because

697
00:31:21,800 --> 00:31:24,000
Speaker 1: I think earlier in the process you had a lot

698
00:31:24,000 --> 00:31:26,920
Speaker 1: of hope, like maybe we can get dissolved and it's cool.

699
00:31:26,920 --> 00:31:28,600
Speaker 1: It has of aveil just need to talk it out.

700
00:31:28,640 --> 00:31:31,600
Speaker 1: Maybe it's a misunderstanding. They just don't understand how egregious

701
00:31:31,600 --> 00:31:36,440
Speaker 1: this is. And I think especially I've learned over the

702
00:31:36,520 --> 00:31:39,880
Speaker 1: years of interpersonal conflict and with between friends and shit

703
00:31:40,320 --> 00:31:43,440
Speaker 1: to be able to go like, they're not done processing,

704
00:31:43,480 --> 00:31:46,120
Speaker 1: and yet let's just wait and see, because you know,

705
00:31:46,200 --> 00:31:49,160
Speaker 1: early on, I think everyone likes to be hopeful and

706
00:31:49,200 --> 00:31:52,000
Speaker 1: be like I had a workout, But like I've seen once,

707
00:31:52,080 --> 00:31:54,160
Speaker 1: I've seen it a few times, I learned to pull

708
00:31:54,280 --> 00:31:57,280
Speaker 1: back and be like, nah, I should probably just not

709
00:31:57,360 --> 00:32:01,120
Speaker 1: fuck with that other person until this person, like unless

710
00:32:01,120 --> 00:32:03,760
Speaker 1: they start fucking with them again. Then I'm like, Okay,

711
00:32:03,840 --> 00:32:07,320
Speaker 1: y'all really did resolve it. But I remember Keith and

712
00:32:07,320 --> 00:32:10,440
Speaker 1: the girl had fell out with uh Patrese. Patrese was

713
00:32:10,440 --> 00:32:13,600
Speaker 1: a person that we used to do uh our Game

714
00:32:13,640 --> 00:32:17,120
Speaker 1: of Throws recaps with and so our Game of Throngs recaps,

715
00:32:17,160 --> 00:32:19,720
Speaker 1: you know, like motherfuckers loved that. The first couple of

716
00:32:19,760 --> 00:32:22,400
Speaker 1: seasons and the guests was always Patrice, Yes, and we

717
00:32:22,440 --> 00:32:24,840
Speaker 1: had a great fucking time. But then they fell out

718
00:32:24,840 --> 00:32:27,000
Speaker 1: with her on their side and they were like, but

719
00:32:27,040 --> 00:32:28,959
Speaker 1: if you guys want to continue being cool with them,

720
00:32:29,000 --> 00:32:30,880
Speaker 1: I don't mind and stuff, and I'm like, I ain't.

721
00:32:30,960 --> 00:32:33,080
Speaker 1: I guess she can come back or whatever. It's cool,

722
00:32:33,680 --> 00:32:36,280
Speaker 1: And then eventually it escalated to over there or what

723
00:32:36,360 --> 00:32:38,200
Speaker 1: they were like, I remember listening to what episode and

724
00:32:38,240 --> 00:32:40,240
Speaker 1: they were just like, and if y'all people just want

725
00:32:40,240 --> 00:32:42,720
Speaker 1: to keep having on their shows and they don't knowing

726
00:32:42,840 --> 00:32:45,040
Speaker 1: the kind of shit she's done to our audience and

727
00:32:45,080 --> 00:32:47,120
Speaker 1: to us, then I mean, I guess they can. And

728
00:32:47,160 --> 00:32:49,680
Speaker 1: I'm like, hmm, that sounds like a shot, and I

729
00:32:49,720 --> 00:32:52,280
Speaker 1: actually don't care that fucking much. So yeah, we just

730
00:32:52,760 --> 00:32:55,000
Speaker 1: won't have this person back on. I wish they would

731
00:32:55,000 --> 00:32:57,840
Speaker 1: have said that from their one, yes, but I don't

732
00:32:57,840 --> 00:33:01,040
Speaker 1: even think they were there day one, Like it took

733
00:33:01,040 --> 00:33:04,400
Speaker 1: a while for them to go back and process and

734
00:33:04,480 --> 00:33:07,360
Speaker 1: analyze like everything that happened to be like, wait, actually,

735
00:33:07,360 --> 00:33:10,560
Speaker 1: this person is fucked up, and I think people have

736
00:33:10,640 --> 00:33:12,760
Speaker 1: written it from the audience with other stories or like

737
00:33:12,800 --> 00:33:14,520
Speaker 1: this was fucked up and that was fucked up, and

738
00:33:14,560 --> 00:33:16,560
Speaker 1: so I was like, the main thought I had was

739
00:33:16,560 --> 00:33:18,440
Speaker 1: like one which you knew that head. But then too,

740
00:33:18,440 --> 00:33:21,160
Speaker 1: I was like, if this person is doing something fucked

741
00:33:21,200 --> 00:33:25,080
Speaker 1: up to your audience members, why would I basically put

742
00:33:25,120 --> 00:33:29,480
Speaker 1: our audience members at risk the same behaviors. But it

743
00:33:29,560 --> 00:33:32,320
Speaker 1: takes a while, but now I'm able to, Like I

744
00:33:32,440 --> 00:33:34,240
Speaker 1: was like day one that you were having issues. I

745
00:33:34,280 --> 00:33:38,000
Speaker 1: was like, all right, so we're team Brandon, and if

746
00:33:38,000 --> 00:33:40,760
Speaker 1: this shit works out, then you know, like we'll be

747
00:33:40,800 --> 00:33:43,040
Speaker 1: back to We'll be back to both of them in school.

748
00:33:43,040 --> 00:33:46,240
Speaker 1: But I didn't want to just act like, well fuck it.

749
00:33:46,240 --> 00:33:49,000
Speaker 1: Brenda said it's cool, and then like later on, I

750
00:33:49,040 --> 00:33:52,360
Speaker 1: feel like regret that we were like part of the problem,

751
00:33:52,360 --> 00:33:52,880
Speaker 1: you know what I mean.

752
00:33:53,840 --> 00:33:58,280
Speaker 5: I appreciate that my therapist says that I'm very up

753
00:33:58,280 --> 00:34:02,320
Speaker 5: too athetic because when and I appreciate that when I

754
00:34:02,320 --> 00:34:04,800
Speaker 5: hear stuff like that, my mind immediately goes through this

755
00:34:04,840 --> 00:34:07,680
Speaker 5: how much I like, I fucking don't want my people

756
00:34:08,040 --> 00:34:10,799
Speaker 5: to get hurt? Is that Damn Gordon doesn't realize how

757
00:34:10,800 --> 00:34:13,120
Speaker 5: bad this is. Hurt is his rep That's what I think.

758
00:34:13,160 --> 00:34:15,720
Speaker 5: I'm like, Damn, like this dude who I actually respect,

759
00:34:15,760 --> 00:34:18,520
Speaker 5: like is comedy he's fucking up his career because he

760
00:34:18,560 --> 00:34:20,920
Speaker 5: didn't see the forest for the trees. He just saw

761
00:34:20,960 --> 00:34:23,440
Speaker 5: a quick cash grab in Boston and didn't think it

762
00:34:23,560 --> 00:34:24,759
Speaker 5: was gonna blow up the way it did.

763
00:34:25,480 --> 00:34:27,839
Speaker 1: Yeah, but you know what, Brandon, you can't control other

764
00:34:27,880 --> 00:34:30,880
Speaker 1: people exactly. And as an mpath man, if it helps

765
00:34:31,000 --> 00:34:33,200
Speaker 1: you at all, it because it helps me sometimes and

766
00:34:33,280 --> 00:34:36,760
Speaker 1: think this way, it's up to them, and I'm always

767
00:34:36,800 --> 00:34:39,759
Speaker 1: here for the growth. So like, if you look up

768
00:34:39,760 --> 00:34:41,799
Speaker 1: two years from now and he's like, yo, I fucking

769
00:34:41,840 --> 00:34:43,799
Speaker 1: learned my lesson. I shouldn't have did that shit I

770
00:34:43,920 --> 00:34:47,360
Speaker 1: was wilding at that time, I'm totally willing to be like, Okay, cool,

771
00:34:47,440 --> 00:34:49,680
Speaker 1: you know what I'm saying like that, But it's up

772
00:34:49,680 --> 00:34:52,840
Speaker 1: to that person. I can't I can't want the growth

773
00:34:52,920 --> 00:34:55,120
Speaker 1: more than you do. I can't want you to wake

774
00:34:55,239 --> 00:34:56,920
Speaker 1: up to some shit more than that. And if and

775
00:34:56,960 --> 00:34:59,479
Speaker 1: if you just choose to be that person, the world

776
00:34:59,560 --> 00:35:02,000
Speaker 1: can see us all now. We're all on social media,

777
00:35:02,040 --> 00:35:05,840
Speaker 1: we're all operating, we all have platforms, so like people

778
00:35:05,840 --> 00:35:08,240
Speaker 1: are making their own decisions, and you comfortable with people

779
00:35:09,160 --> 00:35:12,359
Speaker 1: like knowing this shit about you and you just out

780
00:35:12,360 --> 00:35:14,600
Speaker 1: here walking around not addressing it. Like, I mean, that

781
00:35:14,680 --> 00:35:17,880
Speaker 1: says something about you, so I definitely feel you, but

782
00:35:18,000 --> 00:35:21,440
Speaker 1: I think you've done your due diligence. And also just

783
00:35:21,520 --> 00:35:23,719
Speaker 1: I know that Drunk Black History's gonna still be dope

784
00:35:23,719 --> 00:35:26,759
Speaker 1: as fuck when they showed up to the official show.

785
00:35:26,880 --> 00:35:28,200
Speaker 1: Yeah like that that.

786
00:35:28,360 --> 00:35:31,000
Speaker 5: We got the podcast still going every month. Yeah, it's

787
00:35:31,280 --> 00:35:32,320
Speaker 5: just been great doing.

788
00:35:32,160 --> 00:35:35,080
Speaker 3: That as well. And there's so many dope stories in

789
00:35:35,120 --> 00:35:36,120
Speaker 3: our history.

790
00:35:36,200 --> 00:35:39,239
Speaker 5: Like I got two historical stories that I want to

791
00:35:39,239 --> 00:35:40,880
Speaker 5: put on paper, like I want to make a feature

792
00:35:40,920 --> 00:35:44,960
Speaker 5: on because you're just such incredible stories. One is about

793
00:35:44,960 --> 00:35:48,040
Speaker 5: Thomas Downing, who is the Oyster King. He basically made

794
00:35:48,040 --> 00:35:51,279
Speaker 5: oysters in defined dining back in like you know, the

795
00:35:51,600 --> 00:35:54,479
Speaker 5: early late the late eighteen hundreds in New York City

796
00:35:54,520 --> 00:35:57,000
Speaker 5: and he uses fine dining restaurant. He was one of

797
00:35:57,040 --> 00:35:59,680
Speaker 5: the first black men ever owned this kind of establishment

798
00:35:59,800 --> 00:36:02,840
Speaker 5: and use the basement as a stopping underground railroad.

799
00:36:02,840 --> 00:36:05,800
Speaker 3: So all these rich white aristocrats and stuff were.

800
00:36:05,680 --> 00:36:09,960
Speaker 5: Secretly funding underground railroad operations. So that's one story I

801
00:36:09,960 --> 00:36:12,280
Speaker 5: want to tell. And the other is about this Wichita

802
00:36:12,640 --> 00:36:16,560
Speaker 5: Negro Baseball league that played a game against this chapter

803
00:36:16,600 --> 00:36:19,120
Speaker 5: of the KKK because the KKK at the time was

804
00:36:19,160 --> 00:36:23,480
Speaker 5: trying to improve their public image. So there's just like

805
00:36:23,520 --> 00:36:26,120
Speaker 5: there's just so much like great you know history there

806
00:36:26,120 --> 00:36:30,319
Speaker 5: but also potential for comedy if you play it right. Yeah,

807
00:36:30,719 --> 00:36:33,959
Speaker 5: there's just incredible momentary history that needs to be told.

808
00:36:34,239 --> 00:36:36,759
Speaker 4: Yes, I'm looking forward to it and I'm excited. And

809
00:36:36,800 --> 00:36:40,880
Speaker 4: also one more thing I like to add, I knew

810
00:36:41,160 --> 00:36:45,319
Speaker 4: that you were always telling the truth Brandon, because you

811
00:36:45,400 --> 00:36:47,839
Speaker 4: don't really You're like, I'm trying to do my job.

812
00:36:47,920 --> 00:36:50,120
Speaker 4: When I first heard you, I was like, Oh, he

813
00:36:50,560 --> 00:36:53,680
Speaker 4: don't say anything, so for him to even feel like

814
00:36:53,760 --> 00:36:56,640
Speaker 4: it's important enough for him to speak on it, something

815
00:36:56,760 --> 00:36:59,080
Speaker 4: must have happened, like just on the outside looking.

816
00:36:59,120 --> 00:37:01,799
Speaker 2: And I was like, oh, okay, yeah, yeah, yeah, yeah.

817
00:37:01,800 --> 00:37:02,760
Speaker 1: That's the thing about credits.

818
00:37:02,880 --> 00:37:03,439
Speaker 2: Believe your word.

819
00:37:03,520 --> 00:37:04,960
Speaker 1: That's the thing about credibility, man.

820
00:37:05,400 --> 00:37:05,520
Speaker 7: Uh.

821
00:37:05,960 --> 00:37:09,000
Speaker 1: You don't really have to use it until you need it,

822
00:37:09,080 --> 00:37:11,440
Speaker 1: you know, and it's always it's good to have it,

823
00:37:11,680 --> 00:37:14,120
Speaker 1: you know, like it's good to have it. Like That's

824
00:37:14,120 --> 00:37:17,120
Speaker 1: why I'm not always like airing out dirty laundry and

825
00:37:17,120 --> 00:37:19,680
Speaker 1: shit with people, Like there's motherfuckers just like every other

826
00:37:19,760 --> 00:37:21,640
Speaker 1: human being, there's motherfuckers I don't like, and they don't

827
00:37:21,719 --> 00:37:23,640
Speaker 1: like me. But I don't come on the show and

828
00:37:23,760 --> 00:37:25,839
Speaker 1: just be blasting people all the time because I don't

829
00:37:25,880 --> 00:37:28,680
Speaker 1: want to. I need when I need it. I want

830
00:37:28,680 --> 00:37:31,200
Speaker 1: want people to understand, like, oh yeah, Rod doesn't just

831
00:37:31,320 --> 00:37:35,040
Speaker 1: jump out here talking shit about people. So yeah, now

832
00:37:35,480 --> 00:37:38,279
Speaker 1: we got show stuff to do. Okay, Okay, we got

833
00:37:38,280 --> 00:37:41,400
Speaker 1: segments to get to before we do that. Can you

834
00:37:41,440 --> 00:37:43,520
Speaker 1: just tell them one more time where to get tickets?

835
00:37:43,960 --> 00:37:46,880
Speaker 5: That's right, drunk likekeistory dot com. Come join us on Wednesday,

836
00:37:46,960 --> 00:37:49,759
Speaker 5: June nineteenth, both in person and live stream. Last stream

837
00:37:49,760 --> 00:37:52,680
Speaker 5: tickets will be available this coming week. But at Brooklyn,

838
00:37:52,680 --> 00:37:55,960
Speaker 5: New York, at Littlefield seven pm start time, Doors open

839
00:37:55,960 --> 00:37:56,359
Speaker 5: at six.

840
00:37:56,520 --> 00:37:57,800
Speaker 3: We got sponsors.

841
00:37:57,320 --> 00:38:00,680
Speaker 5: Aquana Rum, so the Core and Liars Now Hawk Experience

842
00:38:00,880 --> 00:38:03,319
Speaker 5: gonna have a fun time. Lots of giveaways and lots

843
00:38:03,360 --> 00:38:06,120
Speaker 5: of history to be told. We got some dope historical

844
00:38:06,440 --> 00:38:07,840
Speaker 5: people and facts to talk about.

845
00:38:08,120 --> 00:38:09,200
Speaker 1: Make sure y'all check it out.

846
00:38:09,239 --> 00:38:09,479
Speaker 4: Man.

847
00:38:09,680 --> 00:38:12,600
Speaker 1: Now, let's get into some banter. I have some banter

848
00:38:12,719 --> 00:38:13,400
Speaker 1: to talk about.

849
00:38:14,080 --> 00:38:15,440
Speaker 2: Down waits.

850
00:38:19,560 --> 00:38:19,920
Speaker 1: Down.

851
00:38:31,800 --> 00:38:32,279
Speaker 2: I got one.

852
00:38:32,360 --> 00:38:33,800
Speaker 3: Shout out to Tevin Campbell.

853
00:38:34,239 --> 00:38:37,279
Speaker 1: Shout out to Tevin Campbell. Karen, you have one too,

854
00:38:37,320 --> 00:38:38,840
Speaker 1: all right, you can go first.

855
00:38:38,880 --> 00:38:42,520
Speaker 4: Then, oh, mine is just really really short. Yesterday, I

856
00:38:42,719 --> 00:38:44,560
Speaker 4: was heading back to the house after to get into

857
00:38:45,440 --> 00:38:47,319
Speaker 4: my car wash, and I was like, you know what,

858
00:38:47,440 --> 00:38:51,359
Speaker 4: I want to mcfloory. So I went in and got

859
00:38:51,360 --> 00:38:54,680
Speaker 4: me a mcflory. And y'all know McDonald's had this thing

860
00:38:54,719 --> 00:38:56,719
Speaker 4: now where they'd be like, oh, we changed the spoons

861
00:38:57,600 --> 00:38:59,960
Speaker 4: on the thing now, so now you know when you

862
00:39:00,040 --> 00:39:01,920
Speaker 4: used to get to make floyd, they basically had it

863
00:39:01,960 --> 00:39:04,279
Speaker 4: where the spoon would actually be the mixer. That's why

864
00:39:04,360 --> 00:39:07,640
Speaker 4: that spoon was designed like that. So I went and

865
00:39:07,680 --> 00:39:10,040
Speaker 4: I ordered it. And before they used to have like

866
00:39:10,560 --> 00:39:12,759
Speaker 4: size you went inside, No, no, no, I went through the

867
00:39:12,840 --> 00:39:15,120
Speaker 4: draft through. They used to have sizes of mcfloorries.

868
00:39:15,120 --> 00:39:22,200
Speaker 3: They used to have like oh no, you drive through girl.

869
00:39:22,640 --> 00:39:26,600
Speaker 4: And so you know at McDonald's they have the small, medium, large,

870
00:39:26,640 --> 00:39:27,799
Speaker 4: They used to have that, but now they.

871
00:39:27,840 --> 00:39:29,200
Speaker 2: Just got one flat size.

872
00:39:29,840 --> 00:39:32,719
Speaker 4: And I was like, okay, I'll take you one flat size.

873
00:39:33,080 --> 00:39:37,800
Speaker 4: And what I realized is with them changing the spoon,

874
00:39:38,000 --> 00:39:40,440
Speaker 4: I gotta feel they changed the ice cream machine and

875
00:39:40,520 --> 00:39:44,440
Speaker 4: so the ice cream isn't as hard, which means it

876
00:39:44,520 --> 00:39:48,200
Speaker 4: melts quicker. And for me, the experience wasn't a mic

877
00:39:48,280 --> 00:39:49,279
Speaker 4: florry experience.

878
00:39:49,280 --> 00:39:49,640
Speaker 2: I don't know.

879
00:39:49,840 --> 00:39:52,200
Speaker 4: It's like, instead of you doing something to fix the

880
00:39:52,200 --> 00:39:54,839
Speaker 4: fucking machines where they would consistently break down, you're like, oh,

881
00:39:54,880 --> 00:39:56,440
Speaker 4: we'll get brand new machines.

882
00:39:56,840 --> 00:39:58,799
Speaker 2: Well, we don't well with their run all the time.

883
00:39:58,840 --> 00:40:01,439
Speaker 4: But what's the point When and I get halfway home

884
00:40:01,600 --> 00:40:05,560
Speaker 4: and I got a mcfloor mcsyrup, It's like, this is not.

885
00:40:05,560 --> 00:40:10,120
Speaker 5: Good that every company is doing that though they're putting

886
00:40:10,160 --> 00:40:11,160
Speaker 5: the onus on the customer.

887
00:40:11,200 --> 00:40:12,719
Speaker 3: Now, you could pay for.

888
00:40:12,640 --> 00:40:14,560
Speaker 5: A product, but it's gonna be up to you whether

889
00:40:14,600 --> 00:40:17,239
Speaker 5: or not the product is works to your liking now

890
00:40:17,280 --> 00:40:19,760
Speaker 5: worthy right. It's like, you know, with the automation happened

891
00:40:19,760 --> 00:40:22,080
Speaker 5: at fast food places, it's like, hey, the order's messed up.

892
00:40:22,080 --> 00:40:23,640
Speaker 5: That's because you put it in wrong on the computer.

893
00:40:24,040 --> 00:40:25,640
Speaker 5: And like now it's like, hey, this is the faster

894
00:40:25,680 --> 00:40:27,520
Speaker 5: way for us to get out these fluries. But it's

895
00:40:27,600 --> 00:40:28,839
Speaker 5: up to you if you don't eat it fast enough

896
00:40:28,880 --> 00:40:30,839
Speaker 5: and give me some brain free Ryan.

897
00:40:30,920 --> 00:40:31,560
Speaker 2: It's one of those things.

898
00:40:31,600 --> 00:40:33,560
Speaker 4: It might just depend on McDonald's. I went to, but

899
00:40:33,600 --> 00:40:35,359
Speaker 4: I was like, I do not like this.

900
00:40:35,680 --> 00:40:38,239
Speaker 1: I blame private equity groups. I don't know how, but

901
00:40:38,360 --> 00:40:40,399
Speaker 1: somehow they did it, you know, I feel like they're

902
00:40:40,440 --> 00:40:43,000
Speaker 1: they're buying shit and just taking all the value and

903
00:40:43,120 --> 00:40:46,640
Speaker 1: fun out of everything. So I feel studios, Yeah, like

904
00:40:46,680 --> 00:40:49,680
Speaker 1: that's the they did it the little Red Lobster. They

905
00:40:49,680 --> 00:40:53,359
Speaker 1: did it the Alamo draft House. Like Alamo Draft House

906
00:40:53,440 --> 00:40:56,120
Speaker 1: just closed like some Texas and Minnesota location. I thought

907
00:40:56,400 --> 00:40:58,839
Speaker 1: that's wild. I was like, oh man, maybe people really

908
00:40:58,880 --> 00:41:02,920
Speaker 1: don't like the elevator theater experience of no distractions, And

909
00:41:03,040 --> 00:41:06,520
Speaker 1: turns out it's just private equity coming in and fucking

910
00:41:06,520 --> 00:41:08,120
Speaker 1: ship up like they always do.

911
00:41:10,120 --> 00:41:13,759
Speaker 5: All right for my uh did you read about bought

912
00:41:13,880 --> 00:41:15,960
Speaker 5: the whole media at Red Lobster recently.

913
00:41:15,760 --> 00:41:18,200
Speaker 1: As if that was help? And I saw, yeah, he

914
00:41:18,239 --> 00:41:22,960
Speaker 1: doesn't know how, he doesn't understand anything that happened at all,

915
00:41:22,840 --> 00:41:23,440
Speaker 1: but shut.

916
00:41:23,360 --> 00:41:24,359
Speaker 3: But I did it right right.

917
00:41:24,680 --> 00:41:27,200
Speaker 1: He's like, so, y'all location is straight right because I

918
00:41:27,320 --> 00:41:29,840
Speaker 1: just got everything on the media. They're like no. Also,

919
00:41:30,120 --> 00:41:32,120
Speaker 1: shout out to Faith didn't know he had everything on

920
00:41:32,160 --> 00:41:35,200
Speaker 1: the menu. Read lost their money still, I would have

921
00:41:35,280 --> 00:41:38,319
Speaker 1: lost that back and shout out. I appreciate him for

922
00:41:38,760 --> 00:41:44,200
Speaker 1: the Chatta Bay biscuits. I had a weird, weirdly annoying,

923
00:41:44,719 --> 00:41:48,160
Speaker 1: uh mercury and retro grade ass day yesterday, a couple

924
00:41:48,200 --> 00:41:53,360
Speaker 1: of days ago about that bruh, Like, so you know,

925
00:41:53,440 --> 00:41:56,440
Speaker 1: I did my gym thing or my exercise thing. I

926
00:41:56,480 --> 00:41:58,919
Speaker 1: think I took a walk that day. I came back.

927
00:41:58,920 --> 00:42:00,520
Speaker 1: I know, I was doing Caaren Hunter Show from three

928
00:42:00,520 --> 00:42:03,280
Speaker 1: to six, and then from seven to whatever, we were supposed

929
00:42:03,280 --> 00:42:07,080
Speaker 1: to do our sports show, Ballsy Sports and all this stuff,

930
00:42:07,480 --> 00:42:10,319
Speaker 1: and so I wasn't gonna cook lunch. I know, only

931
00:42:10,360 --> 00:42:12,239
Speaker 1: cook lunch a few times a week. And I was

932
00:42:12,280 --> 00:42:15,040
Speaker 1: just like, fuck, I'm tired. I'll just buy lunch and

933
00:42:15,520 --> 00:42:17,840
Speaker 1: Karen will eat Jersey Mikes or something, and.

934
00:42:17,920 --> 00:42:18,920
Speaker 2: So you know, it don't matter.

935
00:42:19,239 --> 00:42:23,359
Speaker 1: I order Jersey Mikes and I'm like, oh, I got plenty.

936
00:42:23,400 --> 00:42:25,920
Speaker 1: I got like thirty forty minutes. I can go grab it,

937
00:42:26,000 --> 00:42:29,000
Speaker 1: come back and then I can do the show. I

938
00:42:29,040 --> 00:42:33,040
Speaker 1: go get in my car like driving, and I realized,

939
00:42:33,120 --> 00:42:36,560
Speaker 1: oh shit, my tire thing is on. It's like, oh,

940
00:42:36,640 --> 00:42:38,239
Speaker 1: you need to put some area you tire, pull over,

941
00:42:38,320 --> 00:42:40,960
Speaker 1: get some air on the tire. And it's like low,

942
00:42:41,280 --> 00:42:44,520
Speaker 1: like low low, not like you know, you can't drive

943
00:42:44,560 --> 00:42:46,360
Speaker 1: on the low, but low where I'm like the fuck,

944
00:42:46,480 --> 00:42:49,600
Speaker 1: like it's a nail in this bitch couldn't figure it out,

945
00:42:49,600 --> 00:42:50,960
Speaker 1: but I put enough air in it. While I was like,

946
00:42:50,960 --> 00:42:53,200
Speaker 1: I don't have time. I just drive Jersey Mikes and

947
00:42:53,239 --> 00:42:57,040
Speaker 1: get back home. That's fine. So I do that, start

948
00:42:57,120 --> 00:43:01,080
Speaker 1: driving the Jersey Mikes again, fucking engine light comes, engine

949
00:43:01,120 --> 00:43:04,120
Speaker 1: starts futtering. I'm like, what the fuck is happening? And

950
00:43:04,160 --> 00:43:06,160
Speaker 1: this and Jersey Mikes is very close to my house

951
00:43:06,239 --> 00:43:10,040
Speaker 1: off the street, so I'm like, you know, it's like

952
00:43:10,040 --> 00:43:12,520
Speaker 1: a five minute drive, and I'm thinking, like can I

953
00:43:12,600 --> 00:43:14,239
Speaker 1: make it? Can I not? But then I'm like no,

954
00:43:14,520 --> 00:43:16,960
Speaker 1: what if I fucking like get there in the car,

955
00:43:17,000 --> 00:43:19,399
Speaker 1: didn't start again or over a fucking car breaks down

956
00:43:19,400 --> 00:43:21,279
Speaker 1: on the road. No, let me just turn around. So

957
00:43:21,560 --> 00:43:23,959
Speaker 1: I text Karen or call Karen or whatever, like, hey,

958
00:43:24,080 --> 00:43:28,120
Speaker 1: I'm coming back home, cars tripping. I don't have enough

959
00:43:28,120 --> 00:43:30,440
Speaker 1: time to take it anywhere. Get it fixed. I have

960
00:43:30,480 --> 00:43:33,840
Speaker 1: to do this this podcast apparent, this radio parents. Do

961
00:43:33,920 --> 00:43:35,920
Speaker 1: you want to go get Jersey Mike's in your car?

962
00:43:36,040 --> 00:43:38,839
Speaker 1: She's like yeah. But before she could even get ready

963
00:43:38,840 --> 00:43:40,239
Speaker 1: to get out the house, I was back home. So

964
00:43:40,239 --> 00:43:42,200
Speaker 1: I said, fuck it, I'll take your car. Go to

965
00:43:42,280 --> 00:43:45,560
Speaker 1: drive Karen's car. No gas, It's like the gas is

966
00:43:45,600 --> 00:43:48,799
Speaker 1: on Basically e I'm like, well, I don't have time

967
00:43:48,840 --> 00:43:51,360
Speaker 1: to fill it up, like and it says we have

968
00:43:51,560 --> 00:43:52,880
Speaker 1: you know. You know, it's that thing where it's like,

969
00:43:52,880 --> 00:43:54,960
Speaker 1: you got forty miles. I'm like, all right, that's close enough,

970
00:43:55,280 --> 00:43:57,399
Speaker 1: like it won't take that long. But at the same time,

971
00:43:57,440 --> 00:43:58,680
Speaker 1: it's like, you go up a hill, it's like you

972
00:43:58,760 --> 00:44:01,719
Speaker 1: got twelve miles. You go down the hill, it's like, oh,

973
00:44:01,719 --> 00:44:03,520
Speaker 1: you got forty miles. Again, I'm like, what the fuck

974
00:44:03,640 --> 00:44:06,200
Speaker 1: kind of gas is in here? I don't know why

975
00:44:06,239 --> 00:44:08,520
Speaker 1: it does that. It don't make sense, but whatever. I

976
00:44:08,680 --> 00:44:11,799
Speaker 1: take her car, I get the gas. I mean, I

977
00:44:11,840 --> 00:44:15,239
Speaker 1: get the food. I come back. I do the Careen

978
00:44:15,320 --> 00:44:19,160
Speaker 1: Hunter show. That's cool. Then I try to use crowdcasts

979
00:44:19,200 --> 00:44:23,000
Speaker 1: to do our like paywall show. That shit don't work.

980
00:44:23,120 --> 00:44:26,120
Speaker 1: Nobody can fucking see that I'm live. Everyone's like, what

981
00:44:26,920 --> 00:44:29,000
Speaker 1: I have to figure out I'm using I'm trying to

982
00:44:29,040 --> 00:44:32,839
Speaker 1: use Facebook, I'm trying to use fucking YouTube to broadcast

983
00:44:32,880 --> 00:44:34,239
Speaker 1: and all this shit because I gotta figure out on

984
00:44:34,280 --> 00:44:37,520
Speaker 1: the fly. I normally crowdcast works fine. I end up

985
00:44:37,520 --> 00:44:40,840
Speaker 1: having to pay for Zoom to do like a Zoom meeting.

986
00:44:41,239 --> 00:44:43,880
Speaker 1: We get started like an hour late, but it's a

987
00:44:43,920 --> 00:44:47,920
Speaker 1: fun time. We get everything done, and then the next

988
00:44:48,000 --> 00:44:51,160
Speaker 1: day I'm like, okay, time to get my car looked at.

989
00:44:52,400 --> 00:44:54,800
Speaker 1: I drive the I'm like, in the first thing in

990
00:44:54,840 --> 00:44:57,880
Speaker 1: the morning, take my car to NTB. That's where I

991
00:44:57,920 --> 00:45:01,120
Speaker 1: normally go NTB. Those used to be my guy. Apparently

992
00:45:01,120 --> 00:45:05,840
Speaker 1: they got bought by Mavis. So none of the motherfucker

993
00:45:06,360 --> 00:45:09,040
Speaker 1: none of the motherfuckers that work there are still there, right,

994
00:45:09,200 --> 00:45:13,520
Speaker 1: And the default for the guy who works there, I'm

995
00:45:13,560 --> 00:45:15,719
Speaker 1: not really sure what kind of guy he is. He's

996
00:45:15,760 --> 00:45:17,799
Speaker 1: just a little too laid back, you know what I'm saying.

997
00:45:17,840 --> 00:45:20,759
Speaker 1: We're like, I'm coming to you with a problem, you

998
00:45:20,800 --> 00:45:22,960
Speaker 1: know what I mean. I would like a little proactive

999
00:45:23,000 --> 00:45:26,160
Speaker 1: problem solving solutions out here. But he's a little too

1000
00:45:26,280 --> 00:45:28,400
Speaker 1: much default of like we don't do shit, you know.

1001
00:45:28,480 --> 00:45:30,640
Speaker 1: And so I'm like, how y'all make money if y'all

1002
00:45:30,680 --> 00:45:32,560
Speaker 1: don't do shit? So I come in, I'm like, bro,

1003
00:45:34,200 --> 00:45:37,480
Speaker 1: my car engine line is coming on. I think something's wrong.

1004
00:45:37,800 --> 00:45:40,759
Speaker 1: And I also my tire, which I bought from here

1005
00:45:41,120 --> 00:45:44,600
Speaker 1: and have under like lifetime warrnedor or some shit. It

1006
00:45:44,640 --> 00:45:47,560
Speaker 1: went flat, so I wouldn't need y'all to work on it,

1007
00:45:47,640 --> 00:45:50,560
Speaker 1: And it's like the second time that something's happened to

1008
00:45:50,600 --> 00:45:53,799
Speaker 1: that tire. And I know that the warranty I bought

1009
00:45:53,840 --> 00:45:55,399
Speaker 1: was one of those like we'll give you a new

1010
00:45:55,440 --> 00:45:57,120
Speaker 1: tire warranties, you know what I'm saying. So I'm like,

1011
00:45:58,200 --> 00:46:00,319
Speaker 1: y'all need to take care of that. The problem being

1012
00:46:01,520 --> 00:46:04,440
Speaker 1: the records from when I bought that ship are gone

1013
00:46:04,480 --> 00:46:08,799
Speaker 1: because apparently they didn't right now. The last time I went,

1014
00:46:08,880 --> 00:46:10,560
Speaker 1: they just did the ship like they just fixed it

1015
00:46:10,600 --> 00:46:12,400
Speaker 1: and didn't give a fuck. That took my word for it.

1016
00:46:12,800 --> 00:46:14,600
Speaker 1: But this time they're like, well, what do you think

1017
00:46:14,680 --> 00:46:16,400
Speaker 1: is wrong? I'm like, I don't know. Maybe the plug

1018
00:46:16,440 --> 00:46:19,240
Speaker 1: came loose. He's like, okay, well I don't know. Also,

1019
00:46:19,760 --> 00:46:22,400
Speaker 1: just you know, by the bye, we don't have a

1020
00:46:22,440 --> 00:46:28,919
Speaker 1: mechanic now the location management has changed. I understand that,

1021
00:46:29,920 --> 00:46:32,480
Speaker 1: but you still have a fucking garage with all the

1022
00:46:32,560 --> 00:46:36,800
Speaker 1: ship mechanics used in it. It's right there. I'm looking

1023
00:46:36,840 --> 00:46:39,680
Speaker 1: at it. How the fuck you don't have a mechanic?

1024
00:46:39,760 --> 00:46:43,560
Speaker 1: Dog like what I think he thought I was getting

1025
00:46:43,560 --> 00:46:45,600
Speaker 1: an attitude, and maybe I was a little bit, but

1026
00:46:45,640 --> 00:46:50,080
Speaker 1: I'm not a confrontational person. But like I asked this question, genuinely.

1027
00:46:50,160 --> 00:46:52,120
Speaker 1: I wasn't trying to like shade them. I was just like,

1028
00:46:52,600 --> 00:46:55,160
Speaker 1: so what do you do?

1029
00:46:54,400 --> 00:46:56,040
Speaker 2: What do like.

1030
00:46:58,440 --> 00:46:59,840
Speaker 5: Just like going to a Hoverzon store and be like

1031
00:47:00,040 --> 00:47:01,520
Speaker 5: to buy a funk Like, oh, we don't do that here,

1032
00:47:01,520 --> 00:47:02,480
Speaker 5: you gotta fight it online.

1033
00:47:04,040 --> 00:47:06,240
Speaker 1: What is the point of the brick and water location?

1034
00:47:07,200 --> 00:47:10,239
Speaker 1: And so he was like, we do like tires, we

1035
00:47:10,280 --> 00:47:14,839
Speaker 1: do all changes, we do inspections. And I'm like all

1036
00:47:14,920 --> 00:47:18,640
Speaker 1: this right, Like, I'm like, but all that ship is

1037
00:47:18,680 --> 00:47:22,239
Speaker 1: just ship. Don't hire a mechanic tune get okay? Cool?

1038
00:47:22,560 --> 00:47:25,200
Speaker 1: So he's like he wants to look at the tire.

1039
00:47:25,239 --> 00:47:28,879
Speaker 1: I'm like, no, because I don't know if my car

1040
00:47:28,960 --> 00:47:31,200
Speaker 1: will drive. What's the point of a new tire on

1041
00:47:31,239 --> 00:47:33,560
Speaker 1: a car that won't go nowhere? Let me just drive

1042
00:47:33,600 --> 00:47:35,480
Speaker 1: this ship up the street to He's like, well, you

1043
00:47:35,480 --> 00:47:37,880
Speaker 1: could go to Pineville location or you could go to

1044
00:47:38,040 --> 00:47:40,839
Speaker 1: such and such location. I don't think my car will

1045
00:47:40,880 --> 00:47:41,800
Speaker 1: go that far.

1046
00:47:42,000 --> 00:47:45,839
Speaker 2: Right, right, So no, Like what are we talking about?

1047
00:47:45,880 --> 00:47:49,320
Speaker 4: And baby also Brandon the next day when he went outside,

1048
00:47:49,360 --> 00:47:51,279
Speaker 4: the car was completely flat, so he had to get

1049
00:47:51,280 --> 00:47:53,480
Speaker 4: the triple A person to come out on top of

1050
00:47:53,520 --> 00:47:56,319
Speaker 4: that before people now shut out.

1051
00:47:56,239 --> 00:47:59,880
Speaker 1: The Triple a I can change the tire. I know

1052
00:48:00,040 --> 00:48:02,680
Speaker 1: people go all men should learn to change it. I

1053
00:48:02,719 --> 00:48:05,560
Speaker 1: know how to change the tire. I pay them to

1054
00:48:05,640 --> 00:48:08,640
Speaker 1: change a tiger. I know that's hashtag soft life. Okay,

1055
00:48:08,760 --> 00:48:11,560
Speaker 1: I pay you. No Greece shall touch these hands unless

1056
00:48:11,560 --> 00:48:12,520
Speaker 1: they absolutely have to.

1057
00:48:12,719 --> 00:48:14,359
Speaker 2: I didn't agree to get a degree for nothing.

1058
00:48:14,600 --> 00:48:18,200
Speaker 1: And so Buddy came out there and changed my tire

1059
00:48:18,360 --> 00:48:22,200
Speaker 1: for me, and I watched them do it, and he

1060
00:48:22,520 --> 00:48:24,600
Speaker 1: couldn't figure out why I went flat either. He's like,

1061
00:48:24,640 --> 00:48:26,520
Speaker 1: maybe that plug came loose. I don't know. I'm like,

1062
00:48:27,040 --> 00:48:29,360
Speaker 1: I don't know either, bro, but appreciate you or whatever.

1063
00:48:30,560 --> 00:48:34,160
Speaker 1: And so, like I said, I drive to the other mechanics.

1064
00:48:34,239 --> 00:48:37,840
Speaker 1: They up the street that I've used before. They it

1065
00:48:37,920 --> 00:48:40,319
Speaker 1: was so funny. It's like these black dudes that work

1066
00:48:40,400 --> 00:48:44,520
Speaker 1: there and they come out and I love this about myself.

1067
00:48:44,600 --> 00:48:44,719
Speaker 2: Now.

1068
00:48:44,760 --> 00:48:46,640
Speaker 1: I know a lot of black people don't like what

1069
00:48:46,680 --> 00:48:50,000
Speaker 1: I'm about to describe. I'm not gonna call you bougie.

1070
00:48:50,080 --> 00:48:52,400
Speaker 1: I understand that y'all just have different standards than me.

1071
00:48:52,920 --> 00:48:56,520
Speaker 1: But I love when a black person recognizes I'm cool.

1072
00:48:57,440 --> 00:49:01,440
Speaker 1: And so they come over and they're just like really casual,

1073
00:49:01,760 --> 00:49:04,920
Speaker 1: like they're not like they've cod switched to regular default

1074
00:49:04,920 --> 00:49:09,240
Speaker 1: black people talking, which is a vibe to me, like please,

1075
00:49:09,920 --> 00:49:11,399
Speaker 1: I don't give a fuck if we're in a bank.

1076
00:49:11,520 --> 00:49:13,719
Speaker 1: I love when they're just like, brother, let me tell

1077
00:49:13,719 --> 00:49:16,200
Speaker 1: you something. So like the dude comes over, he's like,

1078
00:49:16,280 --> 00:49:18,560
Speaker 1: what's the problem, man, I'll explain. He's like, oh, man,

1079
00:49:19,400 --> 00:49:21,960
Speaker 1: that sounds like that's one of your cylinders. But let

1080
00:49:22,040 --> 00:49:25,280
Speaker 1: me go get my mechanics. See what he say. Dude

1081
00:49:25,280 --> 00:49:29,000
Speaker 1: comes out, he's like, yeah, turn the car. And he

1082
00:49:29,120 --> 00:49:32,919
Speaker 1: turned the car on and he's like, what's it doing.

1083
00:49:33,000 --> 00:49:36,920
Speaker 1: I described he said, okay dd. He puts his hand

1084
00:49:37,160 --> 00:49:40,040
Speaker 1: on the hood of the car like he's just like

1085
00:49:40,040 --> 00:49:44,200
Speaker 1: he's just feeling it for a second. He's like, okay, yeah,

1086
00:49:44,280 --> 00:49:47,520
Speaker 1: go ahead, open up the hood. They open up the hood. Man,

1087
00:49:47,560 --> 00:49:50,400
Speaker 1: you lucky. It's only folk cylinders. Man, I think one

1088
00:49:50,480 --> 00:49:54,640
Speaker 1: of your cylinder, one of the cylinders is slipping and

1089
00:49:54,680 --> 00:49:56,439
Speaker 1: you're gonna need to replace it. Now, what I'm saying

1090
00:49:56,600 --> 00:49:59,040
Speaker 1: is I normally they want you to replace all of them,

1091
00:49:59,520 --> 00:50:01,799
Speaker 1: but our place just one. If I can figure out

1092
00:50:01,800 --> 00:50:03,560
Speaker 1: which one it is with the code and the machine,

1093
00:50:04,000 --> 00:50:05,960
Speaker 1: blah blah blah, I don't cast you about this. Much

1094
00:50:06,040 --> 00:50:08,320
Speaker 1: da da da dah. I'm like cool, then you like

1095
00:50:08,719 --> 00:50:11,600
Speaker 1: dave me adapt and shit. Like I was like, all right, bro,

1096
00:50:11,880 --> 00:50:14,200
Speaker 1: like you know, I appreciate y'all looking down and stuff.

1097
00:50:14,239 --> 00:50:15,879
Speaker 1: He's like, hey, ain't no, ain't no thing.

1098
00:50:16,040 --> 00:50:16,200
Speaker 4: Man.

1099
00:50:16,280 --> 00:50:18,399
Speaker 1: You know, you gotta look out for each other. I said, okay, cool,

1100
00:50:19,760 --> 00:50:22,759
Speaker 1: I go home, they give me the call or whatever.

1101
00:50:22,800 --> 00:50:24,799
Speaker 2: They're you know, I think we went up the first time.

1102
00:50:25,400 --> 00:50:28,840
Speaker 1: No, I go home. They give me the call to

1103
00:50:28,960 --> 00:50:33,920
Speaker 1: let me know it's ready, and they're like oh, or

1104
00:50:34,200 --> 00:50:36,160
Speaker 1: that they need to do some more work. They're like actually,

1105
00:50:36,360 --> 00:50:38,040
Speaker 1: and this this time is the white guy on the phone.

1106
00:50:38,360 --> 00:50:40,840
Speaker 1: So you know, I was very like, okay, they this

1107
00:50:41,000 --> 00:50:43,000
Speaker 1: the white guy always calls you when they ready to

1108
00:50:43,160 --> 00:50:46,319
Speaker 1: tell you it's a lot of money. You know, black

1109
00:50:46,560 --> 00:50:48,560
Speaker 1: black people call you. Was like, okay, they about to

1110
00:50:48,680 --> 00:50:50,359
Speaker 1: tell me like it was two fitted. Can I bring

1111
00:50:50,440 --> 00:50:54,200
Speaker 1: him a six pack of cords? But but this white

1112
00:50:54,280 --> 00:50:56,440
Speaker 1: dude calls. He's like, listen to some my bors. You

1113
00:50:56,520 --> 00:50:58,719
Speaker 1: gonna want to replace all of your cylinders because what's

1114
00:50:58,760 --> 00:51:01,880
Speaker 1: gonna happen is if you don't, the one that's new

1115
00:51:02,080 --> 00:51:05,399
Speaker 1: will work, will cause the other weather ones work harder.

1116
00:51:05,440 --> 00:51:07,799
Speaker 1: You're gonna need to replace them eventually. Here's the cost

1117
00:51:07,840 --> 00:51:09,759
Speaker 1: difference between place and one or all of them, And

1118
00:51:09,840 --> 00:51:12,759
Speaker 1: it actually wasn't that big of a cost difference. I

1119
00:51:12,920 --> 00:51:14,440
Speaker 1: was like, fuck it, go ahead and do them all.

1120
00:51:15,360 --> 00:51:17,439
Speaker 1: He's like, all right, cool, it'll be ready at blank time.

1121
00:51:17,760 --> 00:51:19,719
Speaker 1: I said, cool, we're gonna go up there. We'll see.

1122
00:51:19,840 --> 00:51:24,120
Speaker 1: Then I drive up there, the fucking car is still

1123
00:51:24,160 --> 00:51:27,920
Speaker 1: on the goddamn thing. I'm like, that's not what was

1124
00:51:27,960 --> 00:51:30,360
Speaker 1: promised at all. So I get out the car, go inside.

1125
00:51:30,960 --> 00:51:35,560
Speaker 1: I said, hey, man, I got that the Nissan. What's up?

1126
00:51:35,680 --> 00:51:40,560
Speaker 1: And he was like, oh yeah, so oh man, I'll

1127
00:51:40,600 --> 00:51:42,120
Speaker 1: give you one second. Goes outside.

1128
00:51:42,440 --> 00:51:46,480
Speaker 2: Ain't good thing, And like, I'm not.

1129
00:51:47,040 --> 00:51:51,000
Speaker 1: I'm not a mechanical nigga at all. So I don't

1130
00:51:51,080 --> 00:51:53,400
Speaker 1: know why they do these parlor tricks to me, because

1131
00:51:53,400 --> 00:51:56,440
Speaker 1: they're basically useless. I don't like they're worthless to me,

1132
00:51:56,800 --> 00:52:00,680
Speaker 1: And I'm very pragmatic. They're all the money in my

1133
00:52:00,800 --> 00:52:03,040
Speaker 1: mind I will pay to fix my car is right

1134
00:52:03,160 --> 00:52:05,560
Speaker 1: up to what I think a down payment or a

1135
00:52:05,680 --> 00:52:08,480
Speaker 1: car payment would be for a new car. Right some

1136
00:52:08,600 --> 00:52:11,000
Speaker 1: of these car payments are a thousand dollars. Now, I

1137
00:52:11,360 --> 00:52:14,439
Speaker 1: don't want that life, so we can keep this old

1138
00:52:14,560 --> 00:52:18,279
Speaker 1: thing working. Let's figure it out, you know what I'm saying.

1139
00:52:18,320 --> 00:52:21,239
Speaker 1: So Buddy comes back and he's like, oh man, you

1140
00:52:21,600 --> 00:52:23,880
Speaker 1: see this right here. He's holding up this thing. It's

1141
00:52:23,920 --> 00:52:27,239
Speaker 1: slick with oil and shit. And I'm like, what is

1142
00:52:27,280 --> 00:52:30,360
Speaker 1: it a flux capacitor? Is this a fucking you know

1143
00:52:30,400 --> 00:52:32,759
Speaker 1: what I'm saying? Is it Unobtainingum? No, I don't know

1144
00:52:32,840 --> 00:52:34,360
Speaker 1: what the fuck it is. I don't know what it do.

1145
00:52:35,080 --> 00:52:39,560
Speaker 1: He's like, man, this means yo, uh, this is all

1146
00:52:39,880 --> 00:52:43,720
Speaker 1: leaking down on your cylinder because the gasket vowl covered

1147
00:52:44,040 --> 00:52:46,080
Speaker 1: is cracked and oil is coming off through that and

1148
00:52:46,120 --> 00:52:48,040
Speaker 1: it's causing that when the slip, and that's what the

1149
00:52:48,120 --> 00:52:50,480
Speaker 1: issue is. So you need to fix that too. And

1150
00:52:50,600 --> 00:52:52,680
Speaker 1: I'm like, okay, so how much is that?

1151
00:52:52,840 --> 00:52:53,160
Speaker 3: All right?

1152
00:52:53,200 --> 00:52:56,400
Speaker 1: Well, give me a second. He on the computer, just

1153
00:52:56,520 --> 00:52:58,440
Speaker 1: typing away. I don't know what the fuck is up

1154
00:52:58,440 --> 00:53:02,800
Speaker 1: with these computers. I have a computer, I do. I

1155
00:53:02,960 --> 00:53:05,680
Speaker 1: use a computer every day for my job. You would

1156
00:53:05,719 --> 00:53:09,320
Speaker 1: think if if it was about invoicing costing it that

1157
00:53:09,520 --> 00:53:11,960
Speaker 1: to me seemed like a simple computer system of how

1158
00:53:12,080 --> 00:53:13,919
Speaker 1: much does this cost for this kind of car? Click?

1159
00:53:14,200 --> 00:53:17,359
Speaker 1: This much money Bam, sir, it's gonna be this much money.

1160
00:53:17,800 --> 00:53:20,479
Speaker 1: But they do like a it's almost like a skit

1161
00:53:20,640 --> 00:53:23,279
Speaker 1: or a game. Like another white dude come in, and

1162
00:53:23,680 --> 00:53:25,640
Speaker 1: these are kind of like cool white dudes, like they

1163
00:53:25,800 --> 00:53:27,960
Speaker 1: kind of give that since they work with a lot

1164
00:53:28,040 --> 00:53:30,640
Speaker 1: of black people. They hang around a lot of black people,

1165
00:53:30,719 --> 00:53:34,240
Speaker 1: so they kind of like relaxed. Yeah, like they weren't

1166
00:53:34,560 --> 00:53:37,839
Speaker 1: like other places normally the white dude is like, I'm

1167
00:53:37,920 --> 00:53:39,799
Speaker 1: the manager, you know what I'm saying. These dudes felt

1168
00:53:39,840 --> 00:53:42,640
Speaker 1: like they like one of them was like, man, I listen,

1169
00:53:42,680 --> 00:53:44,120
Speaker 1: I'm gonna work on it, but I gotta go give

1170
00:53:44,160 --> 00:53:45,879
Speaker 1: me some tea first. You know, I'll be drinking tea

1171
00:53:45,960 --> 00:53:48,360
Speaker 1: like a mug at work. I'm like, all right. So

1172
00:53:49,840 --> 00:53:53,399
Speaker 1: it's almost like a sket they're doing. And I wanted

1173
00:53:53,440 --> 00:53:55,239
Speaker 1: to express to them, you don't have to do any

1174
00:53:55,320 --> 00:53:57,160
Speaker 1: of this for me. I just need the number of

1175
00:53:57,239 --> 00:53:59,560
Speaker 1: how much it costs so that I could just be

1176
00:53:59,680 --> 00:54:03,200
Speaker 1: prepared for that blow and when I come back, because

1177
00:54:03,239 --> 00:54:05,120
Speaker 1: there is a number you could say where I'm like,

1178
00:54:05,440 --> 00:54:09,000
Speaker 1: I guess it's your card now. Yeah, but if but

1179
00:54:09,360 --> 00:54:12,320
Speaker 1: but there's a bunch of numbers it right, Yeah, so

1180
00:54:12,360 --> 00:54:14,600
Speaker 1: a bunch of numbers below that where I'm just like,

1181
00:54:14,760 --> 00:54:16,840
Speaker 1: let's pay it. And so they're doing this thing and

1182
00:54:17,000 --> 00:54:20,719
Speaker 1: like one of the dudes like basically told the other

1183
00:54:20,800 --> 00:54:22,440
Speaker 1: dude how to hook me up on the car so

1184
00:54:22,560 --> 00:54:25,920
Speaker 1: that it wouldn't like basically run up the costs with

1185
00:54:26,120 --> 00:54:28,120
Speaker 1: like extra labor. He was like, man, don't charge them

1186
00:54:28,120 --> 00:54:30,600
Speaker 1: for no more label. Man, we already gonna be doing this.

1187
00:54:31,160 --> 00:54:32,680
Speaker 1: And then we had told him it was gonna be

1188
00:54:32,760 --> 00:54:35,200
Speaker 1: this much, it's already too much. So if you like

1189
00:54:36,320 --> 00:54:38,040
Speaker 1: just make it this much, like I think he said

1190
00:54:38,080 --> 00:54:41,200
Speaker 1: eleven hundred dollars, like just makered even or something. And

1191
00:54:41,280 --> 00:54:42,480
Speaker 1: he's like, man, I don't know how to put that

1192
00:54:42,560 --> 00:54:44,279
Speaker 1: in the machine. He's like, man, you got to put

1193
00:54:44,320 --> 00:54:46,320
Speaker 1: the cold man old. I got to look. So this

1194
00:54:46,360 --> 00:54:50,440
Speaker 1: shit taken like ten minutes. But to be honest, at

1195
00:54:50,480 --> 00:54:53,520
Speaker 1: this point, I'm gonna wait because it's truth. With this

1196
00:54:53,640 --> 00:54:56,560
Speaker 1: motherfucker find to save me. You know, two hundred three

1197
00:54:56,640 --> 00:54:59,359
Speaker 1: hundred dollars. I got all the patience in the world.

1198
00:54:59,520 --> 00:55:01,440
Speaker 1: So they like doing the little sketch and I'm just

1199
00:55:01,480 --> 00:55:04,080
Speaker 1: sitting up there like yeah, yeah, okay. He's like, yeah, man,

1200
00:55:04,160 --> 00:55:06,040
Speaker 1: you know what I'm saying. You look like, cool, dude,

1201
00:55:06,080 --> 00:55:08,279
Speaker 1: we just need to figure out how to get this

1202
00:55:08,400 --> 00:55:10,439
Speaker 1: in the machine. I'm like, all right, cool, who knows

1203
00:55:10,760 --> 00:55:13,279
Speaker 1: they could have been price gouging the fuck out of me.

1204
00:55:13,719 --> 00:55:17,440
Speaker 1: I don't know shit about cars, so all I do

1205
00:55:17,600 --> 00:55:19,400
Speaker 1: is google the shit when I get home and be like, oh,

1206
00:55:19,400 --> 00:55:21,560
Speaker 1: I guess that's what it costs. That's it. And so

1207
00:55:21,800 --> 00:55:24,239
Speaker 1: they go through their whole things like it's gonna be

1208
00:55:24,320 --> 00:55:29,000
Speaker 1: this much, but come back at three and it should

1209
00:55:29,000 --> 00:55:31,920
Speaker 1: be ready at three or whatever. I say, cool, you know,

1210
00:55:32,080 --> 00:55:35,920
Speaker 1: I come back, hop on three guys on, headback out

1211
00:55:35,960 --> 00:55:39,840
Speaker 1: there and it's ready. It works. I still need my tire,

1212
00:55:40,239 --> 00:55:43,080
Speaker 1: you know, or whatever. I figure I can take care

1213
00:55:43,080 --> 00:55:45,279
Speaker 1: of that tomorrow. I went to the gym. I was

1214
00:55:45,440 --> 00:55:47,799
Speaker 1: very proud of myself. I did all my workout shit.

1215
00:55:48,200 --> 00:55:52,640
Speaker 1: With one minute left on the gym clock, I was queshing. Oh,

1216
00:55:52,719 --> 00:55:54,680
Speaker 1: I was sweating in that bitch, and it's like the

1217
00:55:54,800 --> 00:55:58,759
Speaker 1: toughest gym shit I've been doing. So I was like like,

1218
00:55:59,160 --> 00:56:00,680
Speaker 1: I was looking that clock like, man, I don't know

1219
00:56:00,719 --> 00:56:03,000
Speaker 1: what we'll do if some of these sets might not

1220
00:56:03,080 --> 00:56:05,160
Speaker 1: get it in, but I did it. I was like

1221
00:56:05,239 --> 00:56:09,000
Speaker 1: the last motherfucker out the gym and so you know,

1222
00:56:09,200 --> 00:56:12,120
Speaker 1: hashtag no excuses and all that shit. But man, I

1223
00:56:12,200 --> 00:56:15,400
Speaker 1: gotta say that was a crazy, just inconvenient day. Was

1224
00:56:16,000 --> 00:56:19,000
Speaker 1: nothing catastrophic, you know what I'm saying. There's been much

1225
00:56:19,120 --> 00:56:22,000
Speaker 1: worse things that have happened in life, but damn it

1226
00:56:22,040 --> 00:56:24,160
Speaker 1: felt like everything was going crazy. I just had to

1227
00:56:24,200 --> 00:56:28,719
Speaker 1: bring that up on the show. That was wow. All right,

1228
00:56:28,760 --> 00:56:32,360
Speaker 1: the other bander I have, it's insane that we played

1229
00:56:32,360 --> 00:56:35,080
Speaker 1: the song party up by DMX and Polite Company. I

1230
00:56:35,160 --> 00:56:39,000
Speaker 1: don't know why we're doing that. I'm watching the w

1231
00:56:39,200 --> 00:56:41,759
Speaker 1: NBA game and it was like a time out and

1232
00:56:42,080 --> 00:56:44,719
Speaker 1: that y'all gonna make me lose my mind came on

1233
00:56:45,480 --> 00:56:48,600
Speaker 1: and I'm like, has no one listened to the worstrics?

1234
00:56:50,200 --> 00:56:53,560
Speaker 2: Listen to the lyrics? It is such so aggressively angry.

1235
00:56:54,160 --> 00:56:58,399
Speaker 1: Yeah, Like it's so weird, and people go, well, it's

1236
00:56:58,440 --> 00:57:02,359
Speaker 1: the edited version. Yeah, but how edited isn't edited? Think

1237
00:57:02,400 --> 00:57:07,200
Speaker 1: about what he's saying within the first two lines. If

1238
00:57:07,280 --> 00:57:08,960
Speaker 1: I got to bring it to your cows, then it's

1239
00:57:09,000 --> 00:57:11,879
Speaker 1: gonna be quick. All your man's that's been to jail before.

1240
00:57:11,920 --> 00:57:18,840
Speaker 1: It suck my dick, that's stuff like. But yeah, because

1241
00:57:18,840 --> 00:57:22,120
Speaker 1: they say suck my we're supposed to go okay, all right,

1242
00:57:22,280 --> 00:57:25,560
Speaker 1: not dirty. Kids can listen to this and all the

1243
00:57:25,680 --> 00:57:28,440
Speaker 1: other cats you run with, get done, dumb quick. How

1244
00:57:28,480 --> 00:57:30,400
Speaker 1: the fuck you're gonna cross the dog on some bum

1245
00:57:30,520 --> 00:57:33,080
Speaker 1: ship when a gun clicked nine one one ship all

1246
00:57:33,080 --> 00:57:34,880
Speaker 1: of some dumb shit? Ain't that some ship?

1247
00:57:35,480 --> 00:57:35,680
Speaker 3: Y'all?

1248
00:57:35,760 --> 00:57:38,240
Speaker 1: Niggas remind me of the strip club because every time

1249
00:57:38,320 --> 00:57:40,840
Speaker 1: you come around, it's like, what, I just gotta get

1250
00:57:40,960 --> 00:57:41,600
Speaker 1: my dicks.

1251
00:57:44,000 --> 00:57:46,240
Speaker 5: As a kid growing up in the suburbs of black

1252
00:57:46,320 --> 00:57:47,720
Speaker 5: kid growing up with in the suburbs, what I would

1253
00:57:47,800 --> 00:57:48,960
Speaker 5: like watch that music.

1254
00:57:48,960 --> 00:57:51,560
Speaker 3: In the morning. I'm like, this is too much. It's

1255
00:57:51,640 --> 00:57:54,160
Speaker 3: a lot the morning, man.

1256
00:57:54,120 --> 00:57:57,600
Speaker 1: It's a lot, bro. It's so aggressive aggressive, and it

1257
00:57:57,720 --> 00:58:02,680
Speaker 1: seemed as a party anthem like people having in commercials

1258
00:58:02,760 --> 00:58:05,960
Speaker 1: to symbolize we're having a good time. Y'all gonna make

1259
00:58:06,040 --> 00:58:09,640
Speaker 1: me lose my mind up in here. Suck my dick,

1260
00:58:10,280 --> 00:58:14,280
Speaker 1: you know, like like there's a lot of like men

1261
00:58:14,480 --> 00:58:17,120
Speaker 1: sucking his dick too, you know, like where is this going?

1262
00:58:17,640 --> 00:58:20,600
Speaker 1: Like like maybe you went to jail a little too long,

1263
00:58:20,720 --> 00:58:24,080
Speaker 1: DMX that you're seeing me about.

1264
00:58:24,720 --> 00:58:27,000
Speaker 3: It feels like he's threatening somebody's up.

1265
00:58:27,280 --> 00:58:32,000
Speaker 1: Yeah, Like it's like it might be him and Mystico

1266
00:58:32,200 --> 00:58:32,680
Speaker 1: is up there?

1267
00:58:33,320 --> 00:58:35,520
Speaker 2: Is that the DMX song that Ricky Mortar used?

1268
00:58:35,560 --> 00:58:35,600
Speaker 4: It?

1269
00:58:35,640 --> 00:58:36,680
Speaker 2: Did they use another song?

1270
00:58:37,600 --> 00:58:40,440
Speaker 5: I up?

1271
00:58:40,720 --> 00:58:41,840
Speaker 2: Okay, you remember when.

1272
00:58:43,560 --> 00:58:47,120
Speaker 4: You remember when rick in Summer and she got balked

1273
00:58:47,160 --> 00:58:48,920
Speaker 4: at the end and they kept playing like a d

1274
00:58:49,040 --> 00:58:49,600
Speaker 4: M A song.

1275
00:58:49,920 --> 00:58:51,160
Speaker 1: Yeah, that that might have been it.

1276
00:58:51,360 --> 00:58:52,000
Speaker 2: That might have been it.

1277
00:58:52,200 --> 00:58:54,760
Speaker 1: Yes, it's just weird that we have let that happen

1278
00:58:54,840 --> 00:58:57,520
Speaker 1: as a society. Now, no dummies will listen and go,

1279
00:58:58,160 --> 00:58:59,920
Speaker 1: but there are other songs that are sucked up and

1280
00:59:00,280 --> 00:59:02,680
Speaker 1: we listen to those. Okay, Well I'm not saying those

1281
00:59:02,680 --> 00:59:05,960
Speaker 1: are okay either. And also, this is a perfect joke,

1282
00:59:05,960 --> 00:59:07,600
Speaker 1: so lead the joke alone. Oh it was.

1283
00:59:07,720 --> 00:59:09,080
Speaker 2: It's gonna give it to you, That's what it was.

1284
00:59:09,480 --> 00:59:10,400
Speaker 1: You're right, it was.

1285
00:59:10,920 --> 00:59:11,880
Speaker 3: That's just as aggressive.

1286
00:59:12,080 --> 00:59:15,920
Speaker 1: Yeah, it's gonna give it to you. I've been watching

1287
00:59:16,000 --> 00:59:19,760
Speaker 1: the rollout of the new uh the Boys season, you know,

1288
00:59:19,840 --> 00:59:23,040
Speaker 1: all the press that they're doing. It's really sad that

1289
00:59:23,400 --> 00:59:27,320
Speaker 1: every fucking year they have to do the same, like

1290
00:59:27,880 --> 00:59:32,680
Speaker 1: Homelander is not the good guy press? What the fuck

1291
00:59:32,800 --> 00:59:33,800
Speaker 1: is wrong with our society?

1292
00:59:33,840 --> 00:59:34,680
Speaker 2: It's white people.

1293
00:59:35,160 --> 00:59:37,800
Speaker 1: What is wrong with our society that they every year

1294
00:59:37,960 --> 00:59:41,600
Speaker 1: you gotta do. Like, Okay, first two years, maybe they

1295
00:59:41,640 --> 00:59:45,240
Speaker 1: didn't understand if you're going into season four you still

1296
00:59:45,400 --> 00:59:49,280
Speaker 1: like rooting for Homelander. You're just we don't even need

1297
00:59:49,360 --> 00:59:51,560
Speaker 1: to tell you that that's the wrong thing. You just

1298
00:59:51,640 --> 00:59:54,959
Speaker 1: don't give a fuck. I will, I can't.

1299
00:59:55,160 --> 00:59:57,360
Speaker 5: I just looked at my embargo. I can't say too

1300
00:59:57,440 --> 00:59:59,439
Speaker 5: much about the new season because I've seen it. Yeah,

1301
01:00:00,720 --> 01:00:03,560
Speaker 5: but yeah, it's it's they make fun of those people

1302
01:00:04,320 --> 01:00:07,080
Speaker 5: who are like clearly don't get what the funk's happening

1303
01:00:07,200 --> 01:00:07,960
Speaker 5: and what they're trying to do.

1304
01:00:08,200 --> 01:00:10,440
Speaker 1: And what does it say about What does it say

1305
01:00:10,480 --> 01:00:16,560
Speaker 1: about people and media literacy that no one's mad at

1306
01:00:16,600 --> 01:00:20,280
Speaker 1: the Boys for being woke? Right, Like, no one's mad

1307
01:00:20,360 --> 01:00:22,280
Speaker 1: at the Boys is a woke d e I show.

1308
01:00:22,400 --> 01:00:24,760
Speaker 1: That's what the fuck that show is. It is literally

1309
01:00:25,600 --> 01:00:26,000
Speaker 1: the same.

1310
01:00:27,160 --> 01:00:31,720
Speaker 5: Yeah, like male frontal nudities, equal opportunity, a lot of

1311
01:00:31,840 --> 01:00:36,400
Speaker 5: homo eroticism. You got like all kinds of diversity, like

1312
01:00:36,480 --> 01:00:41,320
Speaker 5: both gender, race, like like a religious background, everything between

1313
01:00:41,480 --> 01:00:43,280
Speaker 5: boys and gen v This is like one of the

1314
01:00:43,320 --> 01:00:47,600
Speaker 5: most diverse fucking casts and like productions.

1315
01:00:47,080 --> 01:00:51,400
Speaker 1: Like I'm a big fan of seth Rogen's like production

1316
01:00:51,600 --> 01:00:53,520
Speaker 1: and the stuff he brings to life, Like some of

1317
01:00:53,640 --> 01:00:57,280
Speaker 1: the choices he's made, I'm just so impressed by because

1318
01:00:57,320 --> 01:01:00,200
Speaker 1: it's it's like stuff that us as nerves will be like,

1319
01:01:00,360 --> 01:01:03,920
Speaker 1: oh man, Preacher, what I love it? I love that comic.

1320
01:01:04,000 --> 01:01:07,560
Speaker 1: But like also with understand like Hollywood's never gonna take

1321
01:01:07,560 --> 01:01:10,439
Speaker 1: a chance on Preacher and Seth Rogan and his folks

1322
01:01:10,520 --> 01:01:12,880
Speaker 1: be coming in like, nah, we can make that. That

1323
01:01:13,040 --> 01:01:16,080
Speaker 1: last Ninja Turtles they produced is fucking that might be

1324
01:01:16,160 --> 01:01:18,840
Speaker 1: the best of the Ninja Turtles, like the one with

1325
01:01:18,920 --> 01:01:22,960
Speaker 1: the young Ninja Turtles and their It's like, he's so

1326
01:01:23,280 --> 01:01:26,760
Speaker 1: fucking good. I'm so impressed with his resume. And also

1327
01:01:27,080 --> 01:01:31,240
Speaker 1: he manages to kind of effortlessly make woke stuff. It

1328
01:01:31,440 --> 01:01:34,800
Speaker 1: just no one puts owes them to that standard, and

1329
01:01:35,520 --> 01:01:38,000
Speaker 1: it maybe it's just so well done. People don't think

1330
01:01:38,040 --> 01:01:39,520
Speaker 1: of it that way, but I know when I watch it,

1331
01:01:39,600 --> 01:01:42,800
Speaker 1: I'm like, damn they found Especially as a writer, I'm like, wow,

1332
01:01:42,840 --> 01:01:46,360
Speaker 1: they found a really subtle but good way to nail

1333
01:01:46,440 --> 01:01:49,360
Speaker 1: this point without making it feel like message. You know,

1334
01:01:49,480 --> 01:01:52,280
Speaker 1: like a lot of stuff feels like you know, like

1335
01:01:52,360 --> 01:01:54,040
Speaker 1: they're like they might as well just break the fourth

1336
01:01:54,080 --> 01:01:57,240
Speaker 1: while and be like guys, trans people are people like

1337
01:01:57,560 --> 01:01:59,360
Speaker 1: you know, where you like where you like watching You're like,

1338
01:02:00,240 --> 01:02:02,160
Speaker 1: it's a little corny. Even though I agree with it,

1339
01:02:02,920 --> 01:02:05,640
Speaker 1: this ship doesn't feel like that I'm watching it. I'm like, oh,

1340
01:02:05,760 --> 01:02:08,480
Speaker 1: they managed to get that point across, and yet it

1341
01:02:08,560 --> 01:02:11,040
Speaker 1: still works within the parameters of the show. Is still

1342
01:02:11,080 --> 01:02:15,080
Speaker 1: funny all that. So shout out to that, and then uh,

1343
01:02:15,880 --> 01:02:18,320
Speaker 1: I'll save the rest of my banter for other shows

1344
01:02:18,320 --> 01:02:19,680
Speaker 1: in the week so we can get to some other

1345
01:02:19,800 --> 01:02:22,320
Speaker 1: topics because there's other stuff to talk about.

1346
01:02:22,880 --> 01:02:23,000
Speaker 4: Uh.

1347
01:02:23,160 --> 01:02:24,560
Speaker 1: Puff Daddy is still in the news.

1348
01:02:25,080 --> 01:02:27,280
Speaker 3: Be't anything wanting to body and you got it?

1349
01:02:27,400 --> 01:02:27,760
Speaker 2: Tell him?

1350
01:02:50,240 --> 01:02:56,080
Speaker 1: Puff Daddy has had his honorary degree from Howard revoked.

1351
01:02:56,480 --> 01:02:59,200
Speaker 2: Oh they stripped it. Yeah, he did go to school

1352
01:02:59,240 --> 01:03:01,360
Speaker 2: that he just didn't graduate, right, correct, Yeah.

1353
01:03:01,200 --> 01:03:04,920
Speaker 3: He didn't graduate. Did y'all read that roland Stone article?

1354
01:03:05,440 --> 01:03:08,200
Speaker 5: Some of it, Yeah, about how he was beating up

1355
01:03:08,200 --> 01:03:11,520
Speaker 5: the female students out like on campus and like apparently

1356
01:03:11,960 --> 01:03:12,880
Speaker 5: he was so popular.

1357
01:03:12,960 --> 01:03:14,920
Speaker 3: No one really talked about it, but he had a.

1358
01:03:14,920 --> 01:03:17,600
Speaker 1: Bunch of incidents with a belt in front of people,

1359
01:03:18,800 --> 01:03:24,640
Speaker 1: multiple witnesses. So yeah, man, I don't know, bro, that's

1360
01:03:24,720 --> 01:03:30,280
Speaker 1: such a like crazy thing because Uh, it's I don't

1361
01:03:30,400 --> 01:03:32,160
Speaker 1: know what to do with the fact that so many

1362
01:03:32,200 --> 01:03:34,760
Speaker 1: people are like, oh, we knew the whole time, and

1363
01:03:34,880 --> 01:03:38,479
Speaker 1: I'm like, I didn't. I did not even like maybe

1364
01:03:38,560 --> 01:03:40,920
Speaker 1: just because I'm not in New York, but like like

1365
01:03:41,000 --> 01:03:43,560
Speaker 1: people be like, oh, yeah, he did this, he did this,

1366
01:03:43,720 --> 01:03:46,240
Speaker 1: And I'm like, he did a good job of keeping

1367
01:03:46,280 --> 01:03:49,520
Speaker 1: that out of the national spotlight because locally it seemed

1368
01:03:49,520 --> 01:03:50,960
Speaker 1: like a lot of people thought he was dirty.

1369
01:03:52,280 --> 01:03:55,600
Speaker 5: He in New York, I would say, like, it's the

1370
01:03:55,920 --> 01:03:58,920
Speaker 5: unfortunately think about everything that's transpired is it's not surprising,

1371
01:03:59,360 --> 01:04:01,880
Speaker 5: but he was not the person that everyone was whispering about.

1372
01:04:02,120 --> 01:04:04,360
Speaker 5: In like the entertainment industry and stuff, there's always other

1373
01:04:04,400 --> 01:04:06,880
Speaker 5: people that you hear about. Like I was hearing about

1374
01:04:07,160 --> 01:04:09,960
Speaker 5: low Key j jay Z's name popping up before I

1375
01:04:10,000 --> 01:04:10,720
Speaker 5: heard about Diddy.

1376
01:04:11,000 --> 01:04:11,960
Speaker 3: It's a problematic things.

1377
01:04:12,080 --> 01:04:13,800
Speaker 5: I was think the Cassie thing is kind of weird

1378
01:04:13,960 --> 01:04:16,320
Speaker 5: because my house is young up and coming artist just

1379
01:04:16,440 --> 01:04:19,280
Speaker 5: out of nowhere, just like become just Diddy's partner.

1380
01:04:19,400 --> 01:04:19,640
Speaker 3: That's it.

1381
01:04:19,800 --> 01:04:21,640
Speaker 5: She's not trying to do music anymore, it's not trying

1382
01:04:21,640 --> 01:04:24,760
Speaker 5: to act anymore. Like that just seemed weird. But reading

1383
01:04:24,840 --> 01:04:28,720
Speaker 5: that article man, it's a it's wild and then also

1384
01:04:28,800 --> 01:04:31,280
Speaker 5: like his music. Like my best friend in Florida he

1385
01:04:31,320 --> 01:04:33,240
Speaker 5: said that he listened to like more Money, More Problems

1386
01:04:33,240 --> 01:04:35,160
Speaker 5: to him on the radio. They cut out his verse,

1387
01:04:36,440 --> 01:04:38,640
Speaker 5: so it's right from Mace to Biggie, which I'm like,

1388
01:04:39,000 --> 01:04:40,280
Speaker 5: that's gotta be a real transition.

1389
01:04:40,560 --> 01:04:44,720
Speaker 3: But yeah, yeah, they said he cut out and Cassie.

1390
01:04:44,760 --> 01:04:47,720
Speaker 1: Thing was so interesting watching in real time because I

1391
01:04:47,760 --> 01:04:49,800
Speaker 1: don't know if it's my age or what. But I

1392
01:04:50,040 --> 01:04:54,640
Speaker 1: never grew up in the like in the thrall of

1393
01:04:54,720 --> 01:04:57,800
Speaker 1: puff Daddy, like like I understood, like I'm not taking

1394
01:04:57,800 --> 01:04:59,800
Speaker 1: away from his place at hip hop. I listened to

1395
01:05:00,040 --> 01:05:03,000
Speaker 1: uh all kinds of bad Boy records like it wasn't

1396
01:05:03,200 --> 01:05:06,919
Speaker 1: like that. But but like I realized as I got older,

1397
01:05:07,000 --> 01:05:10,600
Speaker 1: especially through Twitter, there were people that really like focused

1398
01:05:10,640 --> 01:05:13,280
Speaker 1: on his personal life, right Like I didn't know anything

1399
01:05:13,320 --> 01:05:17,120
Speaker 1: about kim Porter. I didn't know anything about his kids.

1400
01:05:17,240 --> 01:05:19,400
Speaker 1: Really like, I just saw him as like a dude

1401
01:05:19,480 --> 01:05:22,560
Speaker 1: that ran bad boy and had a they had a

1402
01:05:22,680 --> 01:05:25,240
Speaker 1: run in hip hop that was just like an amazing

1403
01:05:25,400 --> 01:05:28,920
Speaker 1: run a lot of hits. I knew that his artists

1404
01:05:29,000 --> 01:05:32,400
Speaker 1: felt jerked and that motherfuckers got out of bad Boy.

1405
01:05:32,440 --> 01:05:36,160
Speaker 1: They basically all went to church after, which made you go, damn, like,

1406
01:05:36,240 --> 01:05:37,840
Speaker 1: I don't know what that. I don't know what's up with.

1407
01:05:37,920 --> 01:05:39,960
Speaker 2: That dude, but like it was like I need Jesus

1408
01:05:40,040 --> 01:05:40,400
Speaker 2: after this.

1409
01:05:40,600 --> 01:05:46,400
Speaker 1: Motherfucker's escaped, right, motherfuckers was escaping that ship like scientology.

1410
01:05:46,480 --> 01:05:48,720
Speaker 1: They was like, uh, like I want to say, it's

1411
01:05:48,760 --> 01:05:52,800
Speaker 1: like May's Craig Mac. I want to say, maybe even

1412
01:05:52,880 --> 01:06:00,360
Speaker 1: black Shine definitely religious, Like yeah, so I knew that part,

1413
01:06:00,440 --> 01:06:03,480
Speaker 1: but just I didn't. I always thought that Cassie thing

1414
01:06:03,640 --> 01:06:07,440
Speaker 1: was interesting because I knew people are solved through Twitter.

1415
01:06:08,120 --> 01:06:11,560
Speaker 1: They would argue so hard. If someone was to be like, man,

1416
01:06:11,600 --> 01:06:13,840
Speaker 1: it's fucked up. He's got Cassie and he won't even

1417
01:06:13,920 --> 01:06:15,720
Speaker 1: marry her, and they've been together this long, and this

1418
01:06:15,880 --> 01:06:19,800
Speaker 1: niggas be out here gallivant and look like he's messing

1419
01:06:19,840 --> 01:06:22,440
Speaker 1: with other chicks, and people will be like, mind your business.

1420
01:06:22,880 --> 01:06:25,160
Speaker 1: She is a kept woman. If she wants to, she

1421
01:06:25,360 --> 01:06:28,040
Speaker 1: how you know she even wants to get married and

1422
01:06:28,120 --> 01:06:30,880
Speaker 1: all that stuff. And then the second that she left

1423
01:06:30,960 --> 01:06:33,160
Speaker 1: them and ended up with this other dude, just before

1424
01:06:33,280 --> 01:06:35,960
Speaker 1: any of the rumors were out there or before she

1425
01:06:37,000 --> 01:06:39,320
Speaker 1: I remember those saying people flipping one hundred and eighty

1426
01:06:39,360 --> 01:06:42,440
Speaker 1: degrees and being like, good she left them, ha ha ha.

1427
01:06:42,720 --> 01:06:45,840
Speaker 1: He wanted to get married and she's the one that's

1428
01:06:45,920 --> 01:06:49,640
Speaker 1: married now. And I was like, I nothing that y'all

1429
01:06:49,680 --> 01:06:51,880
Speaker 1: said makes me feel like I know what happened, because

1430
01:06:52,520 --> 01:06:55,040
Speaker 1: it sounds like we don't know the dynamic between these people,

1431
01:06:55,080 --> 01:06:58,840
Speaker 1: and y'all have been projecting one way or another onto them.

1432
01:06:58,920 --> 01:07:02,240
Speaker 1: A lot of it very yender warshit of like how

1433
01:07:02,280 --> 01:07:04,480
Speaker 1: can I spend this into a win for my side

1434
01:07:04,560 --> 01:07:06,720
Speaker 1: or whatever? Because I knew dudes that were spinning it

1435
01:07:06,800 --> 01:07:09,320
Speaker 1: in there, like he never married her, she knew what

1436
01:07:09,480 --> 01:07:11,920
Speaker 1: was how he moving on to the next chick. And

1437
01:07:12,040 --> 01:07:14,600
Speaker 1: at the end of the day we find out tons

1438
01:07:14,640 --> 01:07:18,960
Speaker 1: of abuse that was happening. We never really seem to

1439
01:07:19,080 --> 01:07:22,040
Speaker 1: know any of that. All of it makes sense in

1440
01:07:22,160 --> 01:07:24,400
Speaker 1: hindsight now that you do know. It's like, oh, she

1441
01:07:24,600 --> 01:07:27,840
Speaker 1: was very young, he had her under his control as

1442
01:07:27,840 --> 01:07:32,720
Speaker 1: an artist. Her her image was so manicured. We never

1443
01:07:32,840 --> 01:07:37,360
Speaker 1: saw her really talk. You know, the lawsuit, everything just

1444
01:07:37,480 --> 01:07:40,560
Speaker 1: kind of comes into full focus. So it has been

1445
01:07:40,680 --> 01:07:45,760
Speaker 1: interesting watching the change in polar perception on him. I

1446
01:07:45,840 --> 01:07:49,160
Speaker 1: saw on Hulu they already have a documentary from Nightline

1447
01:07:49,200 --> 01:07:52,200
Speaker 1: of like the Downfall of Diddy. I watched ten minutes,

1448
01:07:52,240 --> 01:07:53,840
Speaker 1: had to turn it off because it was such bullshit.

1449
01:07:53,920 --> 01:07:57,080
Speaker 1: But it was because it just was like it wasn't

1450
01:07:57,160 --> 01:08:00,240
Speaker 1: like research and new information. It was just like they

1451
01:08:00,240 --> 01:08:03,800
Speaker 1: would report another news story and then they just cut

1452
01:08:03,840 --> 01:08:06,240
Speaker 1: the like three people from black Twitter being like, you

1453
01:08:06,360 --> 01:08:14,600
Speaker 1: know Cassie did say in this thing, and I'm like okay, Like.

1454
01:08:14,920 --> 01:08:17,200
Speaker 5: I would just man if I were like a really

1455
01:08:17,280 --> 01:08:19,280
Speaker 5: twisted producer, I would just have like all like the

1456
01:08:19,640 --> 01:08:21,880
Speaker 5: facts about his abuse and then just cut to really

1457
01:08:21,960 --> 01:08:23,080
Speaker 5: problematic moments.

1458
01:08:22,800 --> 01:08:25,280
Speaker 3: From making the band. Yeah, he was telling us all

1459
01:08:25,320 --> 01:08:26,320
Speaker 3: alone he was a piece of.

1460
01:08:26,320 --> 01:08:27,560
Speaker 1: Shit, that's what they should do.

1461
01:08:27,760 --> 01:08:27,960
Speaker 6: Man.

1462
01:08:28,240 --> 01:08:30,880
Speaker 5: Like, he's so fucking crazy on that joke. Like he

1463
01:08:31,040 --> 01:08:34,439
Speaker 5: literally it was almost like he was the black Calvin Candy. Yeah,

1464
01:08:34,479 --> 01:08:36,559
Speaker 5: if you think about what he did when he had

1465
01:08:36,680 --> 01:08:39,080
Speaker 5: especially when he was doing the Day twenty six stuff,

1466
01:08:39,320 --> 01:08:41,320
Speaker 5: he had all these black men in the house basically

1467
01:08:41,439 --> 01:08:43,519
Speaker 5: like like dance Monkey, Like he would do shit like

1468
01:08:43,600 --> 01:08:47,280
Speaker 5: that where he would have them sing battle and he's

1469
01:08:47,360 --> 01:08:49,479
Speaker 5: just like he goes, see you home, You're gonna be

1470
01:08:49,520 --> 01:08:50,760
Speaker 5: broken smoking crack again.

1471
01:08:53,280 --> 01:08:55,640
Speaker 3: He was saying wild shit and he had fase with

1472
01:08:55,720 --> 01:08:58,240
Speaker 3: Bentley over here dancing with an umbrella. I'm like, what

1473
01:08:58,520 --> 01:09:00,479
Speaker 3: is going? Like we thought it was at the table,

1474
01:09:00,479 --> 01:09:02,120
Speaker 3: but it's like, oh no, he was a fucking.

1475
01:09:01,920 --> 01:09:06,840
Speaker 4: Psychopath, right, And as somebody who since I've been to

1476
01:09:06,960 --> 01:09:10,960
Speaker 4: New York, I understand, y'all, distance is a little bit better,

1477
01:09:11,439 --> 01:09:13,680
Speaker 4: but at that time I did not know how far

1478
01:09:13,840 --> 01:09:15,680
Speaker 4: it was to walk to the to the with his

1479
01:09:15,880 --> 01:09:19,040
Speaker 4: his cheesecake factory place that he made then walk to

1480
01:09:19,120 --> 01:09:19,679
Speaker 4: on that show.

1481
01:09:20,520 --> 01:09:22,840
Speaker 2: Now, I'm like, god, damn, that's far.

1482
01:09:23,160 --> 01:09:25,800
Speaker 4: But you know, as somebody down here who didn't really

1483
01:09:25,960 --> 01:09:27,960
Speaker 4: understand how far, like I was like, oh that that

1484
01:09:28,080 --> 01:09:29,360
Speaker 4: was going to another fucking borough.

1485
01:09:29,479 --> 01:09:29,919
Speaker 2: Goddamn.

1486
01:09:30,680 --> 01:09:34,720
Speaker 1: Also, like you could use clips from get him to

1487
01:09:34,800 --> 01:09:38,240
Speaker 1: the Greek, you know, like he's he's left a trail

1488
01:09:38,360 --> 01:09:39,880
Speaker 1: of things out there.

1489
01:09:39,960 --> 01:09:40,120
Speaker 4: You know.

1490
01:09:40,240 --> 01:09:43,320
Speaker 1: The stuff with j Lo now in hindsight is even worse,

1491
01:09:43,479 --> 01:09:47,120
Speaker 1: you know, you know, so it's just crazy. Thank god

1492
01:09:47,240 --> 01:09:49,559
Speaker 1: she didn't fall for them back to back begging ass

1493
01:09:49,640 --> 01:09:52,360
Speaker 1: songs like uh, we could have been talking about her

1494
01:09:52,479 --> 01:09:53,360
Speaker 1: right now. Who knows?

1495
01:09:53,560 --> 01:09:56,600
Speaker 5: She didn't fall for the walking with j White and

1496
01:09:56,840 --> 01:09:59,840
Speaker 5: Timberlin's right, that was I remember that, but I don't

1497
01:09:59,840 --> 01:10:01,559
Speaker 5: think he neither.

1498
01:10:01,880 --> 01:10:03,600
Speaker 1: When he came out with the remix, I was like,

1499
01:10:03,720 --> 01:10:07,240
Speaker 1: God damn already, Like we get it. You need a girl.

1500
01:10:07,400 --> 01:10:09,120
Speaker 1: He's like, I need a girl A part too, j

1501
01:10:09,280 --> 01:10:11,679
Speaker 1: Lo please, I'm sorry, sorry I killed.

1502
01:10:11,920 --> 01:10:13,080
Speaker 2: Was like I know my words.

1503
01:10:13,320 --> 01:10:13,599
Speaker 3: Nope.

1504
01:10:14,560 --> 01:10:19,200
Speaker 1: So yeah, he lost his honorary degree from Howard h

1505
01:10:19,360 --> 01:10:22,920
Speaker 1: because they figured it was time. They also in a

1506
01:10:23,040 --> 01:10:27,080
Speaker 1: statement said that he because people were like, give back

1507
01:10:27,160 --> 01:10:29,840
Speaker 1: the money that he pledged y'all in this endowment, and

1508
01:10:29,960 --> 01:10:33,960
Speaker 1: they said he's actually never sent them even a dollar

1509
01:10:34,040 --> 01:10:34,679
Speaker 1: of that pledge.

1510
01:10:35,160 --> 01:10:37,680
Speaker 3: Oh yeah, I'm not surprised.

1511
01:10:38,080 --> 01:10:41,000
Speaker 1: There's no money to give back, I think, I guess.

1512
01:10:41,840 --> 01:10:48,000
Speaker 1: I am more surprised celebrities can make a pledge like

1513
01:10:48,080 --> 01:10:52,639
Speaker 1: that before giving any money. I always thought they gave

1514
01:10:52,760 --> 01:10:55,479
Speaker 1: like a down payment or like some good faith, like

1515
01:10:55,880 --> 01:10:58,519
Speaker 1: here's a hundred K, I'll promise to give you a

1516
01:10:58,600 --> 01:11:01,559
Speaker 1: billion dollars over the next si period. I didn't realize

1517
01:11:01,560 --> 01:11:03,360
Speaker 1: you could just show up, get on the stage and

1518
01:11:03,439 --> 01:11:05,840
Speaker 1: be like I'm gonna give y'all a billion dollars and

1519
01:11:05,880 --> 01:11:07,960
Speaker 1: everybody's like, we love up, daddy, and you're leaving like

1520
01:11:07,960 --> 01:11:10,639
Speaker 1: I ain't giving them ship. Fuck them niggas. That's crazy,

1521
01:11:11,640 --> 01:11:14,679
Speaker 1: so they ain't getting nothing. Of course, we all want

1522
01:11:14,720 --> 01:11:18,120
Speaker 1: to hear what ray J ass said about it. Ray

1523
01:11:18,240 --> 01:11:23,519
Speaker 1: J says. Ray J says that p did he deserves

1524
01:11:23,520 --> 01:11:25,920
Speaker 1: a public whooping for what he did to Cassie A

1525
01:11:26,040 --> 01:11:26,839
Speaker 1: thousand lashes.

1526
01:11:28,360 --> 01:11:30,519
Speaker 3: Uh, I guess you didn't say that, didn't you say that?

1527
01:11:30,920 --> 01:11:34,639
Speaker 1: Exl he was on Club Sha Oh No, he said,

1528
01:11:34,960 --> 01:11:39,320
Speaker 1: why you know you want to do?

1529
01:11:39,640 --> 01:11:42,280
Speaker 5: You know you was you are purposely going to be

1530
01:11:42,360 --> 01:11:44,040
Speaker 5: about some bullshit if you go on Club Sha Sha

1531
01:11:44,120 --> 01:11:46,760
Speaker 5: these days, like there's no answer but about it. You

1532
01:11:46,880 --> 01:11:49,439
Speaker 5: want to smoke, You're gonna do something to create smoke.

1533
01:11:49,760 --> 01:11:52,000
Speaker 5: That's all it is at this point. That's so stupid.

1534
01:11:52,400 --> 01:11:55,200
Speaker 1: Well that's I mean, it just depends. I think a

1535
01:11:55,400 --> 01:11:58,040
Speaker 1: ray J going on there makes a lot of sense

1536
01:11:58,840 --> 01:12:02,560
Speaker 1: because ray J is probably the pre eminent attention is

1537
01:12:02,680 --> 01:12:06,839
Speaker 1: currency and our attention economy guy of more than anybody.

1538
01:12:06,960 --> 01:12:08,880
Speaker 1: So I don't think ray J gives a fuck about

1539
01:12:08,880 --> 01:12:11,200
Speaker 1: his image and how he looks and if he's being

1540
01:12:11,320 --> 01:12:14,439
Speaker 1: hypocritical or not, like he's like they paying attention. I'm there,

1541
01:12:15,800 --> 01:12:18,400
Speaker 1: Like he's probably the perfect club type of guests. The

1542
01:12:18,479 --> 01:12:22,200
Speaker 1: only problem is that because he doesn't hasn't really ever

1543
01:12:22,280 --> 01:12:25,559
Speaker 1: stood for anything. None of us are gonna take him

1544
01:12:25,560 --> 01:12:28,360
Speaker 1: too serious, right like it like it worked best with

1545
01:12:28,560 --> 01:12:33,680
Speaker 1: obviously Kat Williams, e Monique somebody like that, because those

1546
01:12:33,760 --> 01:12:36,920
Speaker 1: kind of people seem like they stand for something and

1547
01:12:37,000 --> 01:12:39,080
Speaker 1: then they're like, I'm throwing all my shit on the

1548
01:12:39,120 --> 01:12:41,800
Speaker 1: table today. Ray J. I feel like if he was

1549
01:12:41,840 --> 01:12:43,920
Speaker 1: on our podcast right now, he'd be saying some shit

1550
01:12:44,040 --> 01:12:45,440
Speaker 1: that's ridiculous.

1551
01:12:46,479 --> 01:12:51,160
Speaker 3: Oh yeah, yeah, you can't help himself. Yeah, ray J

1552
01:12:51,680 --> 01:12:54,520
Speaker 3: is the kind of like dude that is just so impulsive.

1553
01:12:54,920 --> 01:12:57,880
Speaker 5: You see how it can torpedo your career, you know

1554
01:12:57,920 --> 01:13:00,519
Speaker 5: what I mean, Like what he says, just whether it's

1555
01:13:00,520 --> 01:13:04,120
Speaker 5: on reality TV interviews, just and he occasionally has a

1556
01:13:04,160 --> 01:13:07,600
Speaker 5: communic like viral moment where you're like, okay, yes, that

1557
01:13:07,720 --> 01:13:09,320
Speaker 5: made me live or smile, like when he had the

1558
01:13:09,600 --> 01:13:11,040
Speaker 5: when he was on the show with the dude broke

1559
01:13:11,080 --> 01:13:13,320
Speaker 5: the glasses and he's like, I don't care, like y,

1560
01:13:13,640 --> 01:13:13,920
Speaker 5: I can't.

1561
01:13:13,960 --> 01:13:16,960
Speaker 3: I don't I remember what seven that was, but I remember, like, Okay,

1562
01:13:17,000 --> 01:13:17,559
Speaker 3: that was funny.

1563
01:13:17,800 --> 01:13:22,479
Speaker 1: But he's he's a hilarrius. He's a great like entertainer,

1564
01:13:22,840 --> 01:13:28,200
Speaker 1: like not singing wise, but but even you know what entertainer.

1565
01:13:28,360 --> 01:13:30,120
Speaker 1: I didn't say he's the greatest singing, but like even

1566
01:13:30,160 --> 01:13:32,439
Speaker 1: when he did his verses, it was funnier than it

1567
01:13:32,560 --> 01:13:34,400
Speaker 1: was good, That's the truth.

1568
01:13:34,600 --> 01:13:36,040
Speaker 2: It was funnier than it was good.

1569
01:13:36,320 --> 01:13:38,479
Speaker 1: Like this higga had his baby in one arm. He's

1570
01:13:38,680 --> 01:13:40,519
Speaker 1: fucking doing terrible lines like.

1571
01:13:41,120 --> 01:13:42,960
Speaker 3: Fredy was compet It's just like I told you to

1572
01:13:43,160 --> 01:13:43,639
Speaker 3: brust your.

1573
01:13:43,680 --> 01:13:48,599
Speaker 1: Voice right, Like it's it's kind of amazing to watch

1574
01:13:48,720 --> 01:13:52,799
Speaker 1: him do that. But yeah, so I do have a quote.

1575
01:13:53,760 --> 01:13:55,559
Speaker 1: I might be able to find a video on Twitter,

1576
01:13:55,640 --> 01:13:58,439
Speaker 1: but I'll just go with the quote for now. He said,

1577
01:13:59,240 --> 01:14:02,400
Speaker 1: the homie need public whipping. That's the only way it's

1578
01:14:02,439 --> 01:14:06,080
Speaker 1: gonna be right. With a public whipping. He told Shannon Sharp,

1579
01:14:06,120 --> 01:14:10,080
Speaker 1: added one thousand lashes for everybody that then you slain

1580
01:14:10,200 --> 01:14:13,559
Speaker 1: and hurt. One thousand lashes publicly, A thousand that would help.

1581
01:14:13,800 --> 01:14:16,640
Speaker 1: One thousand lashes made by you somewhere out of your

1582
01:14:16,800 --> 01:14:19,439
Speaker 1: size that don't give it to them. Not my size,

1583
01:14:19,680 --> 01:14:23,400
Speaker 1: My arm hurts you size. Your size. Niggas ain't gonna

1584
01:14:23,439 --> 01:14:24,280
Speaker 1: make it past nine.

1585
01:14:26,120 --> 01:14:27,519
Speaker 3: So wait a minute.

1586
01:14:31,760 --> 01:14:35,080
Speaker 1: Lines with just a song lyric love who you want

1587
01:14:35,120 --> 01:14:40,560
Speaker 1: to love? He's like, I'll sock that, niggah.

1588
01:14:42,920 --> 01:14:45,960
Speaker 5: I've never I bombed so hard. One show years ago,

1589
01:14:46,520 --> 01:14:47,840
Speaker 5: uh years ago.

1590
01:14:47,960 --> 01:14:49,679
Speaker 3: It was a private show of us already to produce,

1591
01:14:50,320 --> 01:14:52,920
Speaker 3: and I got so nervous. It was all.

1592
01:14:53,040 --> 01:14:55,439
Speaker 5: It was all people from NAACP. And I wasn't supposed

1593
01:14:55,439 --> 01:14:57,280
Speaker 5: to say nigga. They were like, one thing, do not

1594
01:14:57,439 --> 01:14:59,519
Speaker 5: have any of the comics, including yourself, say nigga.

1595
01:14:59,720 --> 01:15:02,760
Speaker 3: I was so nervously. You niggas heard about Raj and.

1596
01:15:02,800 --> 01:15:07,280
Speaker 1: Fabulous, he's got off the top.

1597
01:15:07,800 --> 01:15:13,160
Speaker 3: Oh my god, Chapter President, his eyes got wid. I

1598
01:15:13,240 --> 01:15:14,880
Speaker 3: can't give it to Harry Potter stuff.

1599
01:15:14,640 --> 01:15:18,120
Speaker 4: Now right if they bring said man out there and

1600
01:15:18,479 --> 01:15:21,720
Speaker 4: then blow your hands off stage, I was just saying, man,

1601
01:15:21,760 --> 01:15:22,519
Speaker 4: I'm the producer.

1602
01:15:24,360 --> 01:15:28,000
Speaker 1: I got here's the clip. Let's see how close I was.

1603
01:15:28,240 --> 01:15:29,680
Speaker 3: What scares me about that is that.

1604
01:15:32,479 --> 01:15:34,840
Speaker 8: If there's other guys out there that's doing that, I've

1605
01:15:34,920 --> 01:15:40,120
Speaker 8: done that, and that are forgiven now, I would say, what,

1606
01:15:40,400 --> 01:15:41,800
Speaker 8: what what do we do with them?

1607
01:15:42,600 --> 01:15:43,920
Speaker 3: How does that work? You know?

1608
01:15:44,600 --> 01:15:46,840
Speaker 8: That's the only thing I'm kind of confused about, because

1609
01:15:47,280 --> 01:15:53,479
Speaker 8: if if I'm like, I'm good, but there's I might

1610
01:15:53,600 --> 01:15:55,840
Speaker 8: run into a couple of people and forgot that they

1611
01:15:55,920 --> 01:15:57,000
Speaker 8: might have been in that situation.

1612
01:15:57,160 --> 01:15:57,720
Speaker 1: Haven't seen it.

1613
01:15:58,520 --> 01:16:01,760
Speaker 8: That's just fucking unacceptable. I've never ever seen nothing like

1614
01:16:01,800 --> 01:16:06,560
Speaker 8: that in my life. Bare knuckles knuckles Like you know

1615
01:16:06,560 --> 01:16:08,639
Speaker 8: what I'm saying. The Homi need a public whoppen.

1616
01:16:09,280 --> 01:16:10,080
Speaker 3: Yeahs.

1617
01:16:10,120 --> 01:16:10,720
Speaker 1: The only way is.

1618
01:16:10,680 --> 01:16:12,120
Speaker 8: Gonna get It's only way it's gonna be right with

1619
01:16:12,160 --> 01:16:18,240
Speaker 8: a public whopmen like you know, the whip he can.

1620
01:16:18,479 --> 01:16:23,559
Speaker 1: He put the hands up, like when when Toby got

1621
01:16:23,720 --> 01:16:28,040
Speaker 1: with Uh in Roots when the slave master may Uh

1622
01:16:28,680 --> 01:16:30,560
Speaker 1: made him change his name that Toby. He put his

1623
01:16:30,640 --> 01:16:32,200
Speaker 1: hands up like that. That's the kind of whipping he

1624
01:16:32,200 --> 01:16:33,040
Speaker 1: wants Diddy to get.

1625
01:16:33,479 --> 01:16:38,000
Speaker 3: Possibly in some serious trouble reading that they're possibly convening

1626
01:16:38,080 --> 01:16:39,280
Speaker 3: of friend jury too.

1627
01:16:40,840 --> 01:16:44,640
Speaker 1: One hundred lashes Why he had the mom because he

1628
01:16:44,800 --> 01:16:46,879
Speaker 1: ray Ja's fucking crazy.

1629
01:16:47,280 --> 01:16:49,280
Speaker 2: He is, ray j You're gonna get it all.

1630
01:16:50,520 --> 01:16:53,360
Speaker 5: He took some bad PCP years ago and it's just

1631
01:16:53,479 --> 01:16:54,200
Speaker 5: never been the same.

1632
01:16:54,360 --> 01:16:59,559
Speaker 1: It's just never recovered for ever since he put princess

1633
01:16:59,600 --> 01:17:03,200
Speaker 1: in that post about to say he pushed her down

1634
01:17:03,439 --> 01:17:04,960
Speaker 1: the Mario pipe.

1635
01:17:04,720 --> 01:17:07,479
Speaker 7: And we ain't never seen hugging for the first By

1636
01:17:07,520 --> 01:17:10,439
Speaker 7: the way, Oh sir, go ahead, I was gonna say,

1637
01:17:10,560 --> 01:17:13,080
Speaker 7: wasn't he all love and hip hop with bow Wow,

1638
01:17:13,160 --> 01:17:16,040
Speaker 7: who at the time was accused of abusing Ericamna.

1639
01:17:16,280 --> 01:17:18,519
Speaker 3: And I'm like, how does he how does he saying

1640
01:17:18,560 --> 01:17:20,439
Speaker 3: I have never seen anything like that. I'm pretty sure

1641
01:17:20,479 --> 01:17:22,360
Speaker 3: he's seen lots of ship like maybe they have it

1642
01:17:22,439 --> 01:17:29,000
Speaker 3: on tape, the Puffy the p Diddy is his life

1643
01:17:29,439 --> 01:17:32,840
Speaker 3: as we know it? Is it over? Not not he's

1644
01:17:32,880 --> 01:17:36,280
Speaker 3: gonna die or anything like that. But I'm saying, will

1645
01:17:36,320 --> 01:17:40,320
Speaker 3: he ever be what he was? Was a thousand lashes?

1646
01:17:41,520 --> 01:17:45,160
Speaker 1: Cassie like that, that's not the question.

1647
01:17:45,280 --> 01:17:49,320
Speaker 3: He asked, Hey, hey, well.

1648
01:17:50,640 --> 01:17:54,840
Speaker 5: Will he's will his career ever recovered? Beat him to

1649
01:17:54,920 --> 01:17:58,960
Speaker 5: the you see the white mes?

1650
01:17:59,439 --> 01:17:59,640
Speaker 2: And what?

1651
01:18:00,040 --> 01:18:00,200
Speaker 4: Wait?

1652
01:18:00,280 --> 01:18:03,280
Speaker 1: Did he decide that he was gonna be an unserious question?

1653
01:18:04,240 --> 01:18:06,679
Speaker 2: I don't know, but but yeah, He's like, I'm not serious.

1654
01:18:06,800 --> 01:18:09,320
Speaker 1: He just decided, like I'm never gonna be serious. It

1655
01:18:09,400 --> 01:18:12,240
Speaker 1: doesn't matter what's in front of me. Also, Shannon Sharp

1656
01:18:12,360 --> 01:18:15,280
Speaker 1: asking him about this is just ridiculous too, right, Like

1657
01:18:15,400 --> 01:18:17,680
Speaker 1: it's like, of all the people to ask about this

1658
01:18:17,880 --> 01:18:20,439
Speaker 1: very serious topic. He's like, let me get ray j

1659
01:18:20,680 --> 01:18:25,320
Speaker 1: On on the record. But yeah, just that's today and Diddy. Guys.

1660
01:18:26,320 --> 01:18:29,679
Speaker 1: I don't think I have any other Diddy stories. Thank goodness,

1661
01:18:30,880 --> 01:18:35,799
Speaker 1: all right, let's right, all right, let me play another

1662
01:18:36,320 --> 01:18:40,280
Speaker 1: song so we can get to some other articles. Here

1663
01:18:40,360 --> 01:19:10,679
Speaker 1: we go, It's all right. Netflix show creator slams Bench

1664
01:19:10,760 --> 01:19:16,600
Speaker 1: TV releases as Fallout season one dropped all drops, all episodes.

1665
01:19:16,760 --> 01:19:22,679
Speaker 1: So Ben David Grabinsky, who made Scott Pilgrim Takes Off,

1666
01:19:23,200 --> 01:19:27,800
Speaker 1: has basically criticized the Bene release model, saying that, you know,

1667
01:19:28,280 --> 01:19:32,439
Speaker 1: we should go back to just weekly releases for like movie,

1668
01:19:32,600 --> 01:19:33,880
Speaker 1: for TV series.

1669
01:19:33,760 --> 01:19:38,040
Speaker 4: Like cable, like television used to do, you know, And

1670
01:19:38,200 --> 01:19:40,720
Speaker 4: it's one of those things where truth be told. I

1671
01:19:40,800 --> 01:19:43,280
Speaker 4: think a lot of people seeing what Disney was doing

1672
01:19:43,280 --> 01:19:46,439
Speaker 4: with The Mendalorian and some of these other shows where

1673
01:19:46,760 --> 01:19:49,040
Speaker 4: some things they would release all together, then some things

1674
01:19:49,080 --> 01:19:51,639
Speaker 4: they released weekly and then people talked about them weekly.

1675
01:19:52,320 --> 01:19:54,880
Speaker 4: And the thing is, people complain about that, but you

1676
01:19:54,960 --> 01:19:56,720
Speaker 4: can always wait to bench, do you know what I mean?

1677
01:19:56,760 --> 01:19:59,000
Speaker 2: When it's finished, you can al like people act like

1678
01:19:59,040 --> 01:20:00,720
Speaker 2: when you do that. You don't have the option to ban,

1679
01:20:00,840 --> 01:20:02,240
Speaker 2: you have the option to be and you just have

1680
01:20:02,360 --> 01:20:02,679
Speaker 2: to wait.

1681
01:20:03,760 --> 01:20:08,639
Speaker 1: What I find interesting is that when Netflix first started

1682
01:20:08,840 --> 01:20:12,439
Speaker 1: selling us the idea of streaming, the thing that was

1683
01:20:13,200 --> 01:20:18,320
Speaker 1: the hook was no commercials, drop it all at once,

1684
01:20:18,600 --> 01:20:22,760
Speaker 1: watch it your leisure, and it was like the game

1685
01:20:22,880 --> 01:20:25,280
Speaker 1: changer that we all were like, oh yeah, I would

1686
01:20:25,439 --> 01:20:28,439
Speaker 1: like that. I'd like to not have to wait twenty

1687
01:20:28,560 --> 01:20:32,560
Speaker 1: four weeks with holidays and shit in between sometimes to

1688
01:20:32,680 --> 01:20:34,519
Speaker 1: watch a season of Loss. If I could just watch

1689
01:20:34,600 --> 01:20:38,320
Speaker 1: a season of Lost in like a week at my

1690
01:20:38,479 --> 01:20:42,120
Speaker 1: own play, like my own start and finish pace, I

1691
01:20:42,160 --> 01:20:44,400
Speaker 1: would love that. And it feels like maybe we're now

1692
01:20:44,520 --> 01:20:48,200
Speaker 1: realizing the cost of that and that you know, it

1693
01:20:48,360 --> 01:20:52,559
Speaker 1: hurts the artists because there's not enough of a chance

1694
01:20:52,720 --> 01:20:58,240
Speaker 1: for the audience to build community and conversation. It hurts

1695
01:20:58,360 --> 01:21:01,880
Speaker 1: the artist also because with these streaming models and and

1696
01:21:02,120 --> 01:21:06,000
Speaker 1: and the way that the money works and stuff is,

1697
01:21:06,200 --> 01:21:09,599
Speaker 1: you know, with no commercials and stuff, people aren't necessarily

1698
01:21:09,640 --> 01:21:11,800
Speaker 1: getting the same value from Like we just had to

1699
01:21:11,920 --> 01:21:15,280
Speaker 1: negotiate to get the streaming residuals, but before that we

1700
01:21:15,400 --> 01:21:18,120
Speaker 1: weren't like, you'd much rather get something on network TV

1701
01:21:18,600 --> 01:21:20,160
Speaker 1: if it was because you knew at least you were

1702
01:21:20,160 --> 01:21:20,880
Speaker 1: gonna get your money.

1703
01:21:22,120 --> 01:21:24,080
Speaker 4: And are they quick a to counceled the seasons two

1704
01:21:24,120 --> 01:21:26,920
Speaker 4: when they do that, because they all streaming services act

1705
01:21:27,000 --> 01:21:28,960
Speaker 4: like if the ship don't come out at Game Busters,

1706
01:21:29,040 --> 01:21:30,160
Speaker 4: didn't just fuck it, just don't.

1707
01:21:30,960 --> 01:21:31,120
Speaker 2: Well.

1708
01:21:31,640 --> 01:21:34,720
Speaker 1: I'll say this about the cancelation of anything, having been

1709
01:21:34,800 --> 01:21:39,519
Speaker 1: through that it's always subjective and there's no The reasoning

1710
01:21:39,600 --> 01:21:43,879
Speaker 1: they give you is a backwards reasoning. Someone somewhere decided

1711
01:21:44,040 --> 01:21:46,719
Speaker 1: they weren't going to renew it, and they can find

1712
01:21:46,800 --> 01:21:49,880
Speaker 1: the numbers to justify not renewing anything, and they can

1713
01:21:49,960 --> 01:21:52,960
Speaker 1: find the numbers to justify renewing something. True, there's all

1714
01:21:53,040 --> 01:21:54,840
Speaker 1: kinds of people that get their shows renewed, that have

1715
01:21:55,040 --> 01:21:59,400
Speaker 1: very niche audiences, that have high production costs, and there's

1716
01:21:59,439 --> 01:22:02,320
Speaker 1: so many shows that don't have the impact numbers wise

1717
01:22:02,360 --> 01:22:06,120
Speaker 1: that you think they do. But because someone somewhere said, no,

1718
01:22:06,240 --> 01:22:08,760
Speaker 1: we're fucking making every season of U and this is

1719
01:22:08,760 --> 01:22:10,240
Speaker 1: a knock on the show. I love the show, but

1720
01:22:10,400 --> 01:22:14,120
Speaker 1: like someone somewhere said, we're making every season of Atlanta

1721
01:22:14,240 --> 01:22:16,760
Speaker 1: until Donnald Glover doesn't want to do it. Yes, And

1722
01:22:16,840 --> 01:22:19,320
Speaker 1: then there's other times where they like look at you know,

1723
01:22:20,439 --> 01:22:22,200
Speaker 1: East so Ray and The Secure and they're like, you

1724
01:22:22,479 --> 01:22:25,040
Speaker 1: gotta wrap this up next season, you know what I'm saying,

1725
01:22:25,080 --> 01:22:27,400
Speaker 1: Like it's no. You go look at the numbers and

1726
01:22:27,479 --> 01:22:30,200
Speaker 1: you're like, well, wasn't rap shit doing pretty good numbers.

1727
01:22:30,520 --> 01:22:32,479
Speaker 1: We decided those numbers weren't good enough.

1728
01:22:33,040 --> 01:22:36,400
Speaker 5: So and it depends if there's changes in executive levels,

1729
01:22:37,320 --> 01:22:39,920
Speaker 5: like you know, all kinds of things that fattor in

1730
01:22:40,080 --> 01:22:42,360
Speaker 5: like you said, subjective, it's all like the temperament of

1731
01:22:42,760 --> 01:22:45,400
Speaker 5: the person won one Exectuve green lit the ship series

1732
01:22:45,880 --> 01:22:47,200
Speaker 5: it's successful.

1733
01:22:46,800 --> 01:22:47,800
Speaker 3: Or like it does this thing.

1734
01:22:48,439 --> 01:22:50,599
Speaker 5: Two seasons in there's a change and then the new

1735
01:22:50,640 --> 01:22:52,800
Speaker 5: execs like, I don't get this show, cancel it, but

1736
01:22:52,840 --> 01:22:53,519
Speaker 5: it's doing pretty good.

1737
01:22:53,520 --> 01:22:56,000
Speaker 3: It's critically a claim. Yeah I don't care, like that's

1738
01:22:56,200 --> 01:22:58,080
Speaker 3: you know, the home we won't.

1739
01:22:58,320 --> 01:22:59,920
Speaker 1: Like you know, I was watching some of that doc

1740
01:23:00,000 --> 01:23:05,240
Speaker 1: documentary movie past movie crash uh and you know documentary. Yeah,

1741
01:23:05,360 --> 01:23:10,519
Speaker 1: I gotta finish it. But shit was so subjective. Like

1742
01:23:10,840 --> 01:23:14,559
Speaker 1: one AMC dude that was running AMC was so on board.

1743
01:23:14,960 --> 01:23:17,240
Speaker 1: The Latino dude that started. He's like, oh, yeah, we

1744
01:23:17,280 --> 01:23:20,160
Speaker 1: can make this fucking work. He didn't seem to matter

1745
01:23:20,360 --> 01:23:22,679
Speaker 1: that that the Brothers was black that ran it or nothing.

1746
01:23:22,720 --> 01:23:25,160
Speaker 1: He was just like, yeah, let's let's get this money together.

1747
01:23:25,240 --> 01:23:29,120
Speaker 1: This is a great idea. He leaves, another guy comes in,

1748
01:23:29,240 --> 01:23:31,360
Speaker 1: He's just like, fuck that shit, we'll start our own,

1749
01:23:31,600 --> 01:23:35,600
Speaker 1: We'll start AMC. Stubbs will fuck movie past and just

1750
01:23:35,760 --> 01:23:39,200
Speaker 1: like that, their fucking careers are thrown in limbo because

1751
01:23:39,280 --> 01:23:43,880
Speaker 1: one dude decides. When we were at HBO with Game Theory,

1752
01:23:44,520 --> 01:23:47,920
Speaker 1: we're under the basically the imprint of Adam McKay. Adam

1753
01:23:48,000 --> 01:23:52,760
Speaker 1: McKay does like secession and all this time he's winning time.

1754
01:23:52,800 --> 01:23:55,000
Speaker 1: He's like big time over there. But you can. I

1755
01:23:55,080 --> 01:23:57,160
Speaker 1: start looking at the writing on the wall and I'm like, oh,

1756
01:23:57,240 --> 01:23:59,639
Speaker 1: they're saying they're not they might not renew winning Time

1757
01:24:00,280 --> 01:24:05,200
Speaker 1: successions in this last season. Uh, we might not get renewed.

1758
01:24:05,800 --> 01:24:09,000
Speaker 1: And it's not a numbers thing, like more people might

1759
01:24:09,040 --> 01:24:11,240
Speaker 1: be watching season two and to season one. It's not

1760
01:24:11,360 --> 01:24:13,559
Speaker 1: a ratings thing really, you know, we're doing a very

1761
01:24:13,600 --> 01:24:18,280
Speaker 1: specific niche show. So like putting us on before John

1762
01:24:18,360 --> 01:24:22,760
Speaker 1: Oliver means nothing because people that come to watch John Oliver, Yeah,

1763
01:24:22,800 --> 01:24:24,760
Speaker 1: that is not the same show. If you put us

1764
01:24:24,800 --> 01:24:27,479
Speaker 1: before after Bill Maher, it's still not the same show.

1765
01:24:28,080 --> 01:24:28,240
Speaker 4: You know.

1766
01:24:28,439 --> 01:24:31,000
Speaker 1: Maybe if you put us close to Bob Costa's show

1767
01:24:31,840 --> 01:24:35,400
Speaker 1: or like Real Sports, maybe, but that's still a big

1768
01:24:35,600 --> 01:24:39,479
Speaker 1: maybe because they're not making comedy like we had a

1769
01:24:39,640 --> 01:24:42,479
Speaker 1: very specific show no one had ever tried really done

1770
01:24:42,520 --> 01:24:49,200
Speaker 1: before right and and great reviews. Executives loved it, and

1771
01:24:49,560 --> 01:24:55,240
Speaker 1: then just boom, someone else, Discovery bought this shit. We're cutting.

1772
01:24:55,360 --> 01:24:58,640
Speaker 1: We're cutting. Every show that we see is like superfluous,

1773
01:24:59,240 --> 01:25:01,639
Speaker 1: even some of them stream shows. They were like, wrap

1774
01:25:01,760 --> 01:25:02,240
Speaker 1: this shit up.

1775
01:25:02,320 --> 01:25:05,080
Speaker 2: The back Lady Sketch show that they won all types

1776
01:25:05,080 --> 01:25:06,320
Speaker 2: of awards, they was like, you got to go.

1777
01:25:06,640 --> 01:25:08,840
Speaker 1: And so I don't take it personal. But my point being,

1778
01:25:09,320 --> 01:25:12,680
Speaker 1: I don't think it's about whatever's getting shows renewed or

1779
01:25:12,760 --> 01:25:15,640
Speaker 1: not renewed. It's not whether it's binged or streaming or

1780
01:25:15,680 --> 01:25:20,320
Speaker 1: the ratings. It's literally arbitram and they and because streaming

1781
01:25:20,400 --> 01:25:24,920
Speaker 1: services don't have to publicly disclose their information or they

1782
01:25:24,960 --> 01:25:27,880
Speaker 1: didn't have to before to strike, oh, they'll tell you

1783
01:25:27,960 --> 01:25:29,960
Speaker 1: what they want you to know, right, so they can

1784
01:25:30,040 --> 01:25:33,360
Speaker 1: be like, it didn't retain it's such and such, and like, okay,

1785
01:25:33,439 --> 01:25:36,320
Speaker 1: so that's why it's not getting renewed. Yep, well did

1786
01:25:36,439 --> 01:25:39,559
Speaker 1: Stranger Things retain it such and such? We're not putting

1787
01:25:39,560 --> 01:25:42,200
Speaker 1: that info out so like so that you can never

1788
01:25:42,320 --> 01:25:44,400
Speaker 1: be like, but this other show that is popular and

1789
01:25:44,479 --> 01:25:47,479
Speaker 1: get renewed. It didn't retain its numbers and you still

1790
01:25:47,520 --> 01:25:49,840
Speaker 1: brought it back. You can never really make the argument

1791
01:25:49,880 --> 01:25:51,320
Speaker 1: because they only tell you what they want to know.

1792
01:25:51,920 --> 01:25:53,360
Speaker 1: Even the same thing when they want to tell you

1793
01:25:53,439 --> 01:25:57,320
Speaker 1: something successful, it's not verified data is what they're telling us,

1794
01:25:57,640 --> 01:25:59,400
Speaker 1: and they just can come out and be like, this

1795
01:25:59,560 --> 01:26:03,360
Speaker 1: is the number or two most popular show from this

1796
01:26:03,520 --> 01:26:06,240
Speaker 1: time to this time, and it doesn't matter that y'all

1797
01:26:06,280 --> 01:26:09,720
Speaker 1: all thought this movie was trash. Everyone watched it, so

1798
01:26:09,800 --> 01:26:12,040
Speaker 1: we're gonna use that to justify making a sequel.

1799
01:26:13,360 --> 01:26:15,960
Speaker 5: But going back to your initial like you know the

1800
01:26:16,040 --> 01:26:19,599
Speaker 5: topic about, like you know the release schedule, whether beinge

1801
01:26:19,880 --> 01:26:22,240
Speaker 5: works or like going week by week. I do think

1802
01:26:22,280 --> 01:26:23,960
Speaker 5: a lot of shows are gonna start going week by

1803
01:26:24,000 --> 01:26:27,320
Speaker 5: week because like the successful Showgun, I think Amazon definitely

1804
01:26:27,360 --> 01:26:30,320
Speaker 5: will change it for Fallout, because that's how you keep

1805
01:26:30,360 --> 01:26:33,640
Speaker 5: the conversation going about something income It's very rare for

1806
01:26:33,680 --> 01:26:36,240
Speaker 5: you to get another like a Stranger Things, where the

1807
01:26:36,280 --> 01:26:37,920
Speaker 5: whole season comes out of once. Now that they don't

1808
01:26:37,920 --> 01:26:39,439
Speaker 5: even have the whole season come out, it's like now

1809
01:26:39,479 --> 01:26:42,640
Speaker 5: split into two or three parts and shit right, And

1810
01:26:43,040 --> 01:26:45,880
Speaker 5: I think that that makes it harder for newer shows

1811
01:26:45,920 --> 01:26:49,040
Speaker 5: to really break out and keep that longevity.

1812
01:26:49,240 --> 01:26:49,559
Speaker 2: Awesome.

1813
01:26:49,800 --> 01:26:56,559
Speaker 1: Audiences are starting to conflate Binge drops with you don't

1814
01:26:56,600 --> 01:27:00,920
Speaker 1: believe in the show, yes, and that is giving good

1815
01:27:01,040 --> 01:27:03,120
Speaker 1: shows some bad publicity.

1816
01:27:03,280 --> 01:27:07,640
Speaker 3: So Echo was a lot of meal. Which one was

1817
01:27:07,680 --> 01:27:09,280
Speaker 3: it streaming in general?

1818
01:27:09,360 --> 01:27:09,560
Speaker 1: Did that?

1819
01:27:09,640 --> 01:27:10,040
Speaker 3: That's yeah?

1820
01:27:10,160 --> 01:27:14,559
Speaker 5: Streaming Disney Plus diluted the quality, like the perceived quality

1821
01:27:14,640 --> 01:27:19,080
Speaker 5: of Pixar movies because release a one pid movie just

1822
01:27:19,240 --> 01:27:20,160
Speaker 5: plus because of the pandemic.

1823
01:27:20,320 --> 01:27:22,040
Speaker 3: Understand that they released three.

1824
01:27:22,280 --> 01:27:24,240
Speaker 5: Yeah, and so the audience got condition where they're like,

1825
01:27:24,320 --> 01:27:25,479
Speaker 5: I don't need to go to the theater for light

1826
01:27:25,560 --> 01:27:26,880
Speaker 5: Year like it Diney plus one.

1827
01:27:26,960 --> 01:27:30,240
Speaker 1: And I think when you drop a season as Binge

1828
01:27:31,800 --> 01:27:34,400
Speaker 1: five years ago, it was seen as a like, oh,

1829
01:27:35,280 --> 01:27:37,760
Speaker 1: this is dope. You know, like when I remember when

1830
01:27:37,760 --> 01:27:40,280
Speaker 1: the Marvel shows on Netflix would drop thirteen episodes, I

1831
01:27:40,360 --> 01:27:43,960
Speaker 1: would be so fucking excited, you know, and everyone would

1832
01:27:43,960 --> 01:27:46,360
Speaker 1: try to watch them at the same time. Now that

1833
01:27:46,439 --> 01:27:50,080
Speaker 1: there's so many streaming services, so many, so much IP

1834
01:27:50,280 --> 01:27:53,800
Speaker 1: has been bought, so many people are trying to build

1835
01:27:53,920 --> 01:27:57,519
Speaker 1: like these like individual reps for like a Paramount plus

1836
01:27:57,600 --> 01:28:00,760
Speaker 1: has this, but uh, you know, but yuy plus has this,

1837
01:28:01,040 --> 01:28:04,680
Speaker 1: but also you know whatever this service has a different way,

1838
01:28:04,720 --> 01:28:07,840
Speaker 1: and so it's starting to like be too much to

1839
01:28:07,920 --> 01:28:11,000
Speaker 1: keep up with because before it could be appointment viewing

1840
01:28:11,120 --> 01:28:14,759
Speaker 1: if all of us knew we all have Netflix. Jessica

1841
01:28:14,880 --> 01:28:17,800
Speaker 1: Jones dropped for the next week or two, we're just

1842
01:28:17,920 --> 01:28:21,240
Speaker 1: talking Jessica Jones. Now if I said that shit, like,

1843
01:28:21,400 --> 01:28:25,520
Speaker 1: what's everyone discussing? Is it Showgun? Is it the Acolyte?

1844
01:28:26,040 --> 01:28:26,200
Speaker 1: Is it?

1845
01:28:27,200 --> 01:28:27,360
Speaker 3: Right?

1846
01:28:27,439 --> 01:28:29,880
Speaker 1: And we're not able to keep up with all of it,

1847
01:28:30,080 --> 01:28:34,000
Speaker 1: So we're not having a community shared conversation that would

1848
01:28:34,080 --> 01:28:36,360
Speaker 1: hype up and elevate the art to a point where

1849
01:28:36,360 --> 01:28:40,360
Speaker 1: it's getting awards and stuff. And I don't want to

1850
01:28:40,439 --> 01:28:42,360
Speaker 1: say that it's as simple as if they binge drop

1851
01:28:42,479 --> 01:28:43,960
Speaker 1: it they don't believe in it, because I actually think

1852
01:28:44,000 --> 01:28:47,479
Speaker 1: that's too simple of a view. Because Hulu drop they

1853
01:28:47,600 --> 01:28:51,200
Speaker 1: dropped the Bear as a binge. They clearly know that's

1854
01:28:51,280 --> 01:28:54,519
Speaker 1: the fucking shit, and they could probably milk it with

1855
01:28:54,640 --> 01:28:57,160
Speaker 1: a week the week thing if they wanted to, but

1856
01:28:57,320 --> 01:29:00,439
Speaker 1: they've decided, like, no, we're just gonna drop this like

1857
01:29:00,520 --> 01:29:03,960
Speaker 1: a ton of bricks on everyone's heads. It will win

1858
01:29:04,120 --> 01:29:06,559
Speaker 1: all the fucking awards, even in comedy, even though it's

1859
01:29:06,600 --> 01:29:09,800
Speaker 1: not one, and we're just gonna keep doing that model.

1860
01:29:09,840 --> 01:29:13,080
Speaker 1: So it works for certain shows. But I'm kind of

1861
01:29:13,120 --> 01:29:17,439
Speaker 1: with Brandon on like, I think the weekly release, especially

1862
01:29:17,479 --> 01:29:20,280
Speaker 1: for a creator, is more beneficial because I want to

1863
01:29:20,320 --> 01:29:23,720
Speaker 1: see the conversation. It gives people a chance to do

1864
01:29:23,920 --> 01:29:24,879
Speaker 1: promotion work.

1865
01:29:24,760 --> 01:29:26,840
Speaker 2: Meaning and you can actually build your audience right and.

1866
01:29:26,920 --> 01:29:31,599
Speaker 1: Also meaning like say Decider or whatever, like Hollywood Reporter,

1867
01:29:32,000 --> 01:29:37,120
Speaker 1: they can go episode one, recap, boom, episode two, recap,

1868
01:29:37,360 --> 01:29:41,360
Speaker 1: next week boom, and it starts building. And so if

1869
01:29:41,400 --> 01:29:43,680
Speaker 1: I get on on episode three, guess what I'm gonna do?

1870
01:29:43,960 --> 01:29:46,000
Speaker 1: Go back and read, Oh what they think about episode one?

1871
01:29:46,160 --> 01:29:46,280
Speaker 6: Oh?

1872
01:29:46,320 --> 01:29:49,200
Speaker 1: What did this podcast think about House of Dragons Episode three?

1873
01:29:49,760 --> 01:29:51,840
Speaker 1: Oh they made they did a podcast for episode two?

1874
01:29:51,920 --> 01:29:52,439
Speaker 2: Let me go check.

1875
01:29:52,640 --> 01:29:54,800
Speaker 1: It gives people time to catch up as opposed to

1876
01:29:54,960 --> 01:29:57,519
Speaker 1: just like if House of the Dragon dropped every episode

1877
01:29:58,120 --> 01:30:00,639
Speaker 1: at the same time, I wouldn't be re happen that shit.

1878
01:30:00,680 --> 01:30:03,080
Speaker 1: It's too much work. So I think I think that

1879
01:30:03,160 --> 01:30:03,799
Speaker 1: stuff matters.

1880
01:30:04,840 --> 01:30:06,880
Speaker 5: I do think though, we will get to a place

1881
01:30:06,920 --> 01:30:10,200
Speaker 5: where the perception of you know, I think a lot

1882
01:30:10,320 --> 01:30:12,439
Speaker 5: more shows will start get released on the weekly cadence

1883
01:30:12,680 --> 01:30:15,880
Speaker 5: versus all once, but the ones that continue to get

1884
01:30:15,880 --> 01:30:20,599
Speaker 5: released all once that, then audiences will start saying, maybe

1885
01:30:20,640 --> 01:30:22,160
Speaker 5: I'll get to that when I, like you said, right,

1886
01:30:22,240 --> 01:30:23,479
Speaker 5: like i'll get that. I want to get to it

1887
01:30:23,520 --> 01:30:26,200
Speaker 5: because it's probably not as good at this shift that's

1888
01:30:26,200 --> 01:30:27,840
Speaker 5: can release on a weekly basis. That's how I feel

1889
01:30:27,840 --> 01:30:31,679
Speaker 5: about Marvel stuff. Every Marvel thing gets thrown out at once,

1890
01:30:31,840 --> 01:30:34,800
Speaker 5: except for X Men. They're like, this is too good

1891
01:30:34,920 --> 01:30:37,920
Speaker 5: to not release, release on a weekly cadence.

1892
01:30:37,960 --> 01:30:38,560
Speaker 3: We gotta do that.

1893
01:30:38,680 --> 01:30:43,120
Speaker 1: Well, Actually, Marvel's weirder than that because Cigarette Invasion was

1894
01:30:43,160 --> 01:30:46,080
Speaker 1: released weekly, and it was and I was like, y'all

1895
01:30:46,120 --> 01:30:48,679
Speaker 1: could have dropped this shit at once. Yes, that shit

1896
01:30:48,880 --> 01:30:51,839
Speaker 1: was terrible, And I think.

1897
01:30:51,720 --> 01:30:54,880
Speaker 2: That was so bad, Like it was so bad we

1898
01:30:54,960 --> 01:30:55,439
Speaker 2: didn't need it.

1899
01:30:55,560 --> 01:30:58,479
Speaker 1: I don't know what the fuck happened. It was so bad.

1900
01:30:59,080 --> 01:31:01,080
Speaker 1: It pissed me off. I'm not one of these angry

1901
01:31:01,360 --> 01:31:04,320
Speaker 1: Marvel people either. I still love Marvel stuff to this day.

1902
01:31:04,439 --> 01:31:07,160
Speaker 1: I'm always looking forward to the next thing. But when

1903
01:31:07,200 --> 01:31:10,560
Speaker 1: I tell you Secret Invasion was such a fumble.

1904
01:31:10,640 --> 01:31:11,200
Speaker 2: They didn't care.

1905
01:31:11,360 --> 01:31:15,800
Speaker 3: It was just like who wrote this, who gave characters?

1906
01:31:15,960 --> 01:31:18,960
Speaker 3: They allude that Roads was a scroll this whole time.

1907
01:31:19,720 --> 01:31:23,880
Speaker 1: Wait, they and then they go to the Marvels. They

1908
01:31:23,960 --> 01:31:26,600
Speaker 1: go to the Marvels, and the Marvels basically acts like

1909
01:31:26,640 --> 01:31:31,920
Speaker 1: secret Invasion ever happened? He's what happened to the cohesion.

1910
01:31:32,400 --> 01:31:34,360
Speaker 1: It used to be a plan at Marvel where it's like,

1911
01:31:34,400 --> 01:31:37,840
Speaker 1: if this thing happens, pay attention because it's gonna matter

1912
01:31:38,280 --> 01:31:40,519
Speaker 1: later on, and you'll be glad you watched this ship

1913
01:31:40,720 --> 01:31:43,320
Speaker 1: because when you see a movie later, you'll be like, Oh,

1914
01:31:43,920 --> 01:31:47,880
Speaker 1: that's Kamala Khan from Miss Marvel and so like. And

1915
01:31:48,000 --> 01:31:49,519
Speaker 1: I know now we're at a point where all the

1916
01:31:49,560 --> 01:31:51,840
Speaker 1: Marvel shit isn't for everybody. I think that's what the

1917
01:31:51,920 --> 01:31:54,880
Speaker 1: hardest thing for people to realize that aren't like comic

1918
01:31:54,920 --> 01:31:57,519
Speaker 1: book people that grew up with the comic books is like, oh,

1919
01:31:57,560 --> 01:31:59,320
Speaker 1: we're not this is the clothes. We're gonna get the

1920
01:31:59,320 --> 01:32:02,400
Speaker 1: comic books right now? Is you can watch she Hulk

1921
01:32:02,479 --> 01:32:05,880
Speaker 1: and She Holks a totally different vibe from MSS Marvel,

1922
01:32:05,880 --> 01:32:09,160
Speaker 1: which is a totally different vibe from Hawkeye, which is

1923
01:32:09,200 --> 01:32:14,639
Speaker 1: a totally different vibe from Falcon and a Winter Soldier.

1924
01:32:14,720 --> 01:32:18,840
Speaker 1: So like when I was a kid with limited money,

1925
01:32:19,240 --> 01:32:21,280
Speaker 1: I would be like, oh, I'm an X man guy,

1926
01:32:22,240 --> 01:32:24,800
Speaker 1: but that meant I wasn't reading Captain America because I

1927
01:32:25,160 --> 01:32:28,880
Speaker 1: got unlimited money. And I think what happened is, with

1928
01:32:29,120 --> 01:32:32,519
Speaker 1: this being a singular cultural experience, everyone thinks they're in

1929
01:32:32,720 --> 01:32:36,360
Speaker 1: for everything, and I was ready for this from day one.

1930
01:32:36,760 --> 01:32:38,880
Speaker 1: Like when I saw Iron Man, I'm like, Okay, I

1931
01:32:38,960 --> 01:32:41,040
Speaker 1: see the vision. But we're gonna get to a point

1932
01:32:41,040 --> 01:32:43,479
Speaker 1: where this is just comic books and everyone's gonna tap

1933
01:32:43,520 --> 01:32:46,920
Speaker 1: out because yep, because no one has the time to

1934
01:32:47,040 --> 01:32:49,439
Speaker 1: do keep up with all that shit except super duper

1935
01:32:49,479 --> 01:32:52,439
Speaker 1: nerves like me, who are like, oh Na, remember the

1936
01:32:53,400 --> 01:32:55,840
Speaker 1: War for else Worlds? And everybody's like no, no one

1937
01:32:55,960 --> 01:32:59,080
Speaker 1: remembers that bullshit and this X Man thing. When I

1938
01:32:59,120 --> 01:33:01,639
Speaker 1: watch X Men ninety seven, I'm like, oh my god,

1939
01:33:01,760 --> 01:33:04,840
Speaker 1: they're gonna do zero tolerance, and everyone I know is

1940
01:33:04,920 --> 01:33:08,280
Speaker 1: like fucking zero tolerance. I'm like, oh, that's right, super fucking,

1941
01:33:08,760 --> 01:33:12,040
Speaker 1: super fucking weirdo nerd, I and one of them. They

1942
01:33:12,160 --> 01:33:15,040
Speaker 1: made this for me. But I understood it the time

1943
01:33:15,200 --> 01:33:18,040
Speaker 1: that that meant not for everyone, right, So now everyone's

1944
01:33:18,040 --> 01:33:20,560
Speaker 1: coming to this realization this shit ain't for everybody. You

1945
01:33:20,680 --> 01:33:24,320
Speaker 1: could love Miss Marvel. That doesn't mean shit about super

1946
01:33:24,520 --> 01:33:29,640
Speaker 1: Secret Invasion. That means you may hate Secret Invasion, and

1947
01:33:29,880 --> 01:33:32,839
Speaker 1: and I think what really hurt them was the reception

1948
01:33:32,920 --> 01:33:36,640
Speaker 1: of Secret Invasion was so harsh. And then that one

1949
01:33:36,720 --> 01:33:39,360
Speaker 1: nigga that was trying to take over from inside had

1950
01:33:40,080 --> 01:33:42,400
Speaker 1: was really really manipulating the press that like shit on

1951
01:33:42,479 --> 01:33:46,640
Speaker 1: everything Marvel was doing. So you had Secret Invasions. Then

1952
01:33:46,680 --> 01:33:49,400
Speaker 1: you had the Marvels Get, which caught a lot of

1953
01:33:49,439 --> 01:33:51,839
Speaker 1: shit I think unnecessarily.

1954
01:33:51,240 --> 01:33:53,960
Speaker 2: But actually good because everybody said it was good.

1955
01:33:54,200 --> 01:33:57,000
Speaker 1: Yeah, and man before that, which I think cod that

1956
01:33:57,120 --> 01:33:59,519
Speaker 1: was genuine flak like it was it was not good.

1957
01:33:59,720 --> 01:34:02,240
Speaker 5: Yeah, if it's that, And then like compounded with the

1958
01:34:02,320 --> 01:34:06,720
Speaker 5: Johnathan major stuff, you know, the people forget about this.

1959
01:34:06,760 --> 01:34:08,920
Speaker 5: The dude to play name War also got called ship,

1960
01:34:08,960 --> 01:34:11,120
Speaker 5: but I think because it's international, they were kind of

1961
01:34:11,400 --> 01:34:12,720
Speaker 5: able to like push that.

1962
01:34:12,760 --> 01:34:13,439
Speaker 3: Away a little bit.

1963
01:34:13,920 --> 01:34:16,880
Speaker 5: So it's like back to back accusations, and then the

1964
01:34:17,000 --> 01:34:20,080
Speaker 5: quality just wasn't there. You heard rumblings about, you know,

1965
01:34:20,200 --> 01:34:23,719
Speaker 5: Blade has been all over the place regards to the story.

1966
01:34:23,600 --> 01:34:23,680
Speaker 2: Like.

1967
01:34:25,680 --> 01:34:29,040
Speaker 1: The hell out of the virtual team, Yeah, the virtual effects, and.

1968
01:34:29,080 --> 01:34:32,439
Speaker 5: If you if you like follow it enough, like if

1969
01:34:32,479 --> 01:34:34,640
Speaker 5: you're like a movie nerd like we are, you know,

1970
01:34:34,760 --> 01:34:36,720
Speaker 5: you hear that they actually thought a Man three was

1971
01:34:36,720 --> 01:34:39,200
Speaker 5: gonna be good, Like I read that Marvel book about

1972
01:34:39,200 --> 01:34:40,800
Speaker 5: like the whole making of the studio and everything like that.

1973
01:34:40,960 --> 01:34:42,840
Speaker 5: They thought ant Man three was going to like an

1974
01:34:42,840 --> 01:34:44,960
Speaker 5: teenue like The Street. They were like, yo, people will

1975
01:34:45,000 --> 01:34:46,800
Speaker 5: love it, and then people did not like it. They

1976
01:34:46,840 --> 01:34:49,479
Speaker 5: were like, oh, are we it's our radar?

1977
01:34:49,760 --> 01:34:52,200
Speaker 3: Now? Are we like not connected with the audience?

1978
01:34:52,360 --> 01:34:55,360
Speaker 1: And for me that makes sense because we're in comic

1979
01:34:55,400 --> 01:34:58,400
Speaker 1: book territory now, like we went from movie territory to

1980
01:34:58,439 --> 01:35:02,360
Speaker 1: comic book territory now. And uh, one of the knocks

1981
01:35:02,400 --> 01:35:05,400
Speaker 1: on Marvel that I think is unfair, but it's kind

1982
01:35:05,439 --> 01:35:07,960
Speaker 1: of showing up and it's hurting them a little bit.

1983
01:35:08,040 --> 01:35:10,840
Speaker 1: But I think it's funny because it's what people said

1984
01:35:10,840 --> 01:35:14,200
Speaker 1: they wanted. I think they are letting directors do what

1985
01:35:14,320 --> 01:35:16,400
Speaker 1: they want to do and put their imprint on films

1986
01:35:16,760 --> 01:35:19,840
Speaker 1: in a way that people thought they wanted. But it's

1987
01:35:20,000 --> 01:35:23,120
Speaker 1: becoming clear you actually don't like that these genres are

1988
01:35:23,160 --> 01:35:26,280
Speaker 1: so separate now, right, So, like Miss Marvel is a

1989
01:35:26,400 --> 01:35:29,680
Speaker 1: teen show. That's not a show for really adults, that's

1990
01:35:30,000 --> 01:35:32,400
Speaker 1: that's a teen coming of age adults.

1991
01:35:32,439 --> 01:35:34,599
Speaker 2: It's like, the fuck is this? And they tapped out right.

1992
01:35:35,360 --> 01:35:38,479
Speaker 1: She holks as straight up the fourth wall breaking comedy

1993
01:35:39,280 --> 01:35:42,800
Speaker 1: like that. Yeah, like, and it went super crazy in

1994
01:35:43,320 --> 01:35:47,200
Speaker 1: the last couple episodes, which I I personally love because

1995
01:35:47,240 --> 01:35:50,479
Speaker 1: it meant someone there got to go to Kevin fight

1996
01:35:50,640 --> 01:35:53,760
Speaker 1: and go, I got a fucking crazy idea, like just

1997
01:35:53,840 --> 01:35:56,760
Speaker 1: a just a Brandon Collins level crazy idea, and he

1998
01:35:56,840 --> 01:35:59,439
Speaker 1: didn't just he didn't just shoot it down and go, No,

1999
01:35:59,680 --> 01:36:03,760
Speaker 1: mother fucking go make the shit that we always make,

2000
01:36:04,479 --> 01:36:07,599
Speaker 1: you know, like they kind of deconstructed what those series are, right,

2001
01:36:08,479 --> 01:36:12,200
Speaker 1: Multi Verse Madness, the Doctor Strange movie. I love that one.

2002
01:36:12,360 --> 01:36:13,559
Speaker 1: I love that movie.

2003
01:36:14,040 --> 01:36:16,880
Speaker 2: It feels like a Sam Raimi movie in horror, like.

2004
01:36:17,000 --> 01:36:23,640
Speaker 1: Like like Scarlet Wish basically turned into a fucking supernatural

2005
01:36:23,800 --> 01:36:27,040
Speaker 1: villain in that movie, and I was there for every

2006
01:36:27,160 --> 01:36:31,080
Speaker 1: second of her being the most scariest motherfucker, like scarier

2007
01:36:31,120 --> 01:36:34,120
Speaker 1: than Thanos to me, the way she was just on

2008
01:36:34,320 --> 01:36:36,639
Speaker 1: they ass Like, I love that shit because it felt

2009
01:36:36,840 --> 01:36:39,520
Speaker 1: different than the other movies.

2010
01:36:39,320 --> 01:36:40,800
Speaker 2: And it's what they claim they want it.

2011
01:36:40,960 --> 01:36:43,240
Speaker 1: But I think it's hurting them because it doesn't feel

2012
01:36:43,280 --> 01:36:47,479
Speaker 1: cohesive anymore, which I'm willing to deal with because I

2013
01:36:47,600 --> 01:36:50,040
Speaker 1: kind of like that X Men ninety seven doesn't feel

2014
01:36:50,120 --> 01:36:53,360
Speaker 1: like what if it feels like something totally different, right,

2015
01:36:53,600 --> 01:36:55,720
Speaker 1: But we'll see because there's you know, this is now

2016
01:36:55,760 --> 01:36:58,560
Speaker 1: that we're now in the down the we're now in

2017
01:36:58,640 --> 01:37:01,840
Speaker 1: the down part of this cycle. So I don't think

2018
01:37:01,840 --> 01:37:04,479
Speaker 1: they're gonna everyone keeps thinking they're gonna like reach back

2019
01:37:04,560 --> 01:37:07,519
Speaker 1: up to endgame before it's never coming back, No, And.

2020
01:37:07,600 --> 01:37:09,479
Speaker 5: I think that that's where, you know, I listened to

2021
01:37:09,520 --> 01:37:13,320
Speaker 5: a podcast earlier this weekend where DC really has a

2022
01:37:13,439 --> 01:37:15,840
Speaker 5: great opportunity to do their own thing, and it might

2023
01:37:15,920 --> 01:37:19,479
Speaker 5: actually put them where Marvel used to be because they

2024
01:37:19,520 --> 01:37:21,600
Speaker 5: can have a coherent, you know world over here with

2025
01:37:21,680 --> 01:37:24,160
Speaker 5: James Gunn Superman, but then they got Jokers still, they

2026
01:37:24,240 --> 01:37:26,720
Speaker 5: got the Batman, Robert Patterson still, and those are all

2027
01:37:26,800 --> 01:37:29,400
Speaker 5: separate things that they could just let them thrive and

2028
01:37:29,479 --> 01:37:32,000
Speaker 5: do their own thing. My biggest issue with all that

2029
01:37:32,240 --> 01:37:33,880
Speaker 5: with d you see, is that it's all white dudes.

2030
01:37:33,880 --> 01:37:35,640
Speaker 5: They get to do that where it's Marvel. They are

2031
01:37:35,840 --> 01:37:38,519
Speaker 5: trying aiming to be more inclusive, but so they used

2032
01:37:38,560 --> 01:37:41,000
Speaker 5: to be because a fantastic forecast. As much as I'm

2033
01:37:41,000 --> 01:37:45,599
Speaker 5: excited about it, it's all white people. And I think

2034
01:37:45,720 --> 01:37:48,639
Speaker 5: Marvel i really like, you can't do this, you can't

2035
01:37:48,680 --> 01:37:51,679
Speaker 5: go back in time. Endgame literally was the perfect place

2036
01:37:51,720 --> 01:37:54,560
Speaker 5: to stop. Just give it some years to breathe and

2037
01:37:54,640 --> 01:37:56,320
Speaker 5: then do x Men or somebody that was they got

2038
01:37:56,320 --> 01:37:58,759
Speaker 5: the rights, like I think, try to continue after Endgame

2039
01:37:58,800 --> 01:38:01,599
Speaker 5: when they were able to bring everything. Do you understand

2040
01:38:01,600 --> 01:38:04,080
Speaker 5: the logistics of bringing that kind of a cast together

2041
01:38:04,560 --> 01:38:06,519
Speaker 5: and you've only had to replace two actors and the

2042
01:38:06,600 --> 01:38:08,880
Speaker 5: whole goddamn thing, right, that is insane.

2043
01:38:09,200 --> 01:38:11,760
Speaker 1: I personally think, oh, go ahead, I'm sorry, I've about

2044
01:38:11,800 --> 01:38:12,080
Speaker 1: to say.

2045
01:38:12,160 --> 01:38:15,240
Speaker 4: And my thing and I guess my pushback to that

2046
01:38:15,600 --> 01:38:18,599
Speaker 4: is they're in it for money, so why would they

2047
01:38:18,720 --> 01:38:20,960
Speaker 4: stop making money? Like like like like that's kind of

2048
01:38:21,000 --> 01:38:23,760
Speaker 4: my kind of pushback. And I do understand that they

2049
01:38:23,880 --> 01:38:26,080
Speaker 4: should have slowed down. I'm with you on that part,

2050
01:38:26,520 --> 01:38:28,960
Speaker 4: you know. But I think a lot of people who

2051
01:38:29,040 --> 01:38:32,120
Speaker 4: were into this with movie goers, so they go when

2052
01:38:32,160 --> 01:38:35,439
Speaker 4: when is the end of the movie, and it's like, no, this.

2053
01:38:35,640 --> 01:38:36,639
Speaker 2: Is comic books.

2054
01:38:37,160 --> 01:38:39,640
Speaker 4: It goes on and own and own, and so you

2055
01:38:39,720 --> 01:38:41,800
Speaker 4: were gonna have a point where people are gonna tap out,

2056
01:38:41,840 --> 01:38:43,919
Speaker 4: and it was just eventually going to be the hardcore

2057
01:38:44,120 --> 01:38:44,559
Speaker 4: people think.

2058
01:38:45,000 --> 01:38:48,760
Speaker 1: Also, I don't think I end game would have been

2059
01:38:48,920 --> 01:38:52,120
Speaker 1: like maybe the artistic way to end it. But I

2060
01:38:52,240 --> 01:38:54,759
Speaker 1: think what happened at the endgame is we just stopped

2061
01:38:54,800 --> 01:38:57,519
Speaker 1: counting their wins as wins and we only count the

2062
01:38:57,560 --> 01:39:00,439
Speaker 1: losses because if you go through this kind of logical

2063
01:39:00,560 --> 01:39:04,320
Speaker 1: order after endgame, Spider Man, Far from Home was the ship.

2064
01:39:04,400 --> 01:39:05,599
Speaker 2: It was a billion dollar movie.

2065
01:39:05,840 --> 01:39:09,000
Speaker 1: That movie was amazing. Far from Home. Everyone loved Far

2066
01:39:09,080 --> 01:39:12,960
Speaker 1: from Home. The the fucking nostalgia juice of bringing back

2067
01:39:13,000 --> 01:39:14,599
Speaker 1: like Toby Maguire and Shiit.

2068
01:39:14,600 --> 01:39:14,800
Speaker 2: Was like.

2069
01:39:16,560 --> 01:39:18,800
Speaker 1: You're talking about I mean, yeah, yeah, I'm sorry.

2070
01:39:19,800 --> 01:39:21,880
Speaker 5: Far from Home was right after endgame, but then no

2071
01:39:21,920 --> 01:39:26,080
Speaker 5: way Home is the one that right and Far from Home.

2072
01:39:26,080 --> 01:39:28,160
Speaker 1: Was great too though, yes it was, and that was

2073
01:39:28,320 --> 01:39:32,519
Speaker 1: right after endgame. That ship hit Shann. She was good.

2074
01:39:32,760 --> 01:39:34,720
Speaker 1: I don't know that enough people saw it or not,

2075
01:39:34,880 --> 01:39:38,080
Speaker 1: but that's a good that's another good movie Asian representation.

2076
01:39:38,400 --> 01:39:40,040
Speaker 2: And a lot of this was doing the pandemic.

2077
01:39:40,360 --> 01:39:42,599
Speaker 1: Yeah, but hell of a storyteller, Like they also told

2078
01:39:42,640 --> 01:39:45,360
Speaker 1: a hell of a story with Shann. She did that

2079
01:39:45,600 --> 01:39:47,400
Speaker 1: really went back and redeemed some of the ship they

2080
01:39:47,439 --> 01:39:51,200
Speaker 1: did with the ten Rings. So like that ship was

2081
01:39:51,280 --> 01:39:54,800
Speaker 1: dope eternals, No one likes, but then Spider Man No

2082
01:39:54,920 --> 01:39:59,320
Speaker 1: Way Home. Everyone thought it was a perfect movie. Doctor

2083
01:39:59,400 --> 01:40:02,439
Speaker 1: Strange is divisive, but I love it, so I'm counting it.

2084
01:40:03,640 --> 01:40:06,160
Speaker 1: Thor Love and Thunder was med. I think. I think

2085
01:40:06,280 --> 01:40:09,880
Speaker 1: Taki clearly was tapped out and wanted to leave, and

2086
01:40:10,120 --> 01:40:12,040
Speaker 1: just I'm like, bro, just didn't leave.

2087
01:40:12,280 --> 01:40:14,599
Speaker 2: Don't You're not taking your jobs here.

2088
01:40:14,920 --> 01:40:18,400
Speaker 1: Don't take the franchise down with you on your way out.

2089
01:40:18,760 --> 01:40:20,800
Speaker 1: I know you want to mess with Tessa Thompson, but

2090
01:40:20,880 --> 01:40:24,479
Speaker 1: you could do that without making a movie. Black Panther

2091
01:40:24,600 --> 01:40:27,320
Speaker 1: willkinda forever. I think it's just a victim of being

2092
01:40:27,680 --> 01:40:31,760
Speaker 1: like Chadwick Boseman died, Yeah, nothing they can do about that.

2093
01:40:31,880 --> 01:40:37,519
Speaker 1: I love the story, I love the direction, all that stuff.

2094
01:40:38,080 --> 01:40:40,400
Speaker 1: But if Chadwick Boseman hadn't died, I'm sure the story

2095
01:40:40,400 --> 01:40:41,040
Speaker 1: would be different.

2096
01:40:41,280 --> 01:40:44,040
Speaker 5: Yes, and original story was going to be exactly what

2097
01:40:44,120 --> 01:40:45,840
Speaker 5: I wanted to m see you to address, which was

2098
01:40:46,040 --> 01:40:48,559
Speaker 5: what's it like to come back after losing five years

2099
01:40:49,400 --> 01:40:52,120
Speaker 5: from the snap? Because none of them really talk about that,

2100
01:40:52,320 --> 01:40:57,280
Speaker 5: except for you know, Monica in WandaVision, Like, they didn't

2101
01:40:57,280 --> 01:40:57,840
Speaker 5: really explore that.

2102
01:40:57,960 --> 01:40:59,519
Speaker 3: He was going to have to figure out how do

2103
01:40:59,600 --> 01:41:00,760
Speaker 3: I make up. I'm my son.

2104
01:41:01,040 --> 01:41:04,200
Speaker 1: Yes, yes, I wanted to see that so bad, and

2105
01:41:04,479 --> 01:41:08,120
Speaker 1: it's just you know, that's not their fault, like and

2106
01:41:08,320 --> 01:41:11,320
Speaker 1: like and of course, like the big issue of recasting

2107
01:41:11,439 --> 01:41:15,320
Speaker 1: or not recasting just totally derailed the discussion on just

2108
01:41:15,400 --> 01:41:18,000
Speaker 1: what should have been like anticipating for a film, so

2109
01:41:18,160 --> 01:41:20,720
Speaker 1: you got like people forming camps before the movie comes out.

2110
01:41:20,720 --> 01:41:22,600
Speaker 1: I was just you know, that sucked, and man, it

2111
01:41:22,720 --> 01:41:26,880
Speaker 1: was was trash. The Quantumnia. I just thought, I know

2112
01:41:27,000 --> 01:41:29,040
Speaker 1: some people like it. I'm not trying to be like

2113
01:41:29,120 --> 01:41:31,080
Speaker 1: a dick, but I really just thought that was a

2114
01:41:31,240 --> 01:41:31,880
Speaker 1: bad movie.

2115
01:41:33,200 --> 01:41:35,960
Speaker 5: DJ Benaman and I and Tati we saw like a

2116
01:41:36,000 --> 01:41:39,080
Speaker 5: danced screening Quantumedia like a week or two before it

2117
01:41:39,160 --> 01:41:41,000
Speaker 5: came out, and we were both in the same train

2118
01:41:41,120 --> 01:41:42,280
Speaker 5: going home and we.

2119
01:41:42,320 --> 01:41:44,320
Speaker 3: Both just looked at each other for about ten seconds

2120
01:41:44,320 --> 01:41:47,960
Speaker 3: and then say nothing, just like yeah, bro, like what happened?

2121
01:41:48,000 --> 01:41:48,760
Speaker 2: Like what was that?

2122
01:41:48,920 --> 01:41:53,680
Speaker 1: I was not feeling it so much? Green screen too much.

2123
01:41:54,080 --> 01:41:57,479
Speaker 5: So that's how you used William Harper Jackson right right,

2124
01:41:57,880 --> 01:42:00,040
Speaker 5: Like people were talking about him being read Richard and

2125
01:42:00,120 --> 01:42:01,640
Speaker 5: I'm like that would be dope, and then he's just

2126
01:42:01,840 --> 01:42:03,120
Speaker 5: random dude, he can read thoughts.

2127
01:42:03,160 --> 01:42:05,160
Speaker 1: I'm like, and the best part of the movie to

2128
01:42:05,280 --> 01:42:09,000
Speaker 1: me is probably Kang. But then Kan gets his ass whood.

2129
01:42:10,600 --> 01:42:14,799
Speaker 5: As controlled by Michael Douglas, who like it's just playing

2130
01:42:15,000 --> 01:42:17,320
Speaker 5: like he's like in a fucking Chucky cheese with these

2131
01:42:17,360 --> 01:42:17,920
Speaker 5: different tools.

2132
01:42:17,920 --> 01:42:21,080
Speaker 3: I'm like, what is going on? He's an oscar winner, right, I.

2133
01:42:21,120 --> 01:42:24,560
Speaker 1: Feel like if he like, yeah, like you almost have

2134
01:42:24,640 --> 01:42:27,519
Speaker 1: to end that movie with him winning if you really

2135
01:42:27,560 --> 01:42:29,439
Speaker 1: want to make him the big threat. Like, but now

2136
01:42:29,560 --> 01:42:31,439
Speaker 1: every time he's showing up on screen, I've watched him

2137
01:42:31,479 --> 01:42:34,800
Speaker 1: get defeated by somebody and not even like the a

2138
01:42:35,000 --> 01:42:37,799
Speaker 1: team of people defeed him. It's like ant Man Loki

2139
01:42:38,080 --> 01:42:41,680
Speaker 1: like this niggas catch your als left and right, and

2140
01:42:41,800 --> 01:42:44,960
Speaker 1: then the last Then it was Guardian's Three, which I

2141
01:42:45,000 --> 01:42:48,960
Speaker 1: thought was a great movie. It's great, legitimately a great movie.

2142
01:42:49,040 --> 01:42:53,639
Speaker 1: Emotional sin made me actual wild bro. I was crying

2143
01:42:54,040 --> 01:42:59,720
Speaker 1: fucking raccoon and also, uh, the brother that played the

2144
01:43:00,240 --> 01:43:03,840
Speaker 1: evolutionary acting his ass. He was one of the best

2145
01:43:03,920 --> 01:43:08,120
Speaker 1: villains they've ever had, and his acting was so.

2146
01:43:08,439 --> 01:43:11,160
Speaker 3: Did you see him on what was it a Peacemaker?

2147
01:43:11,920 --> 01:43:15,200
Speaker 5: Yes, yes, yes, yeah, James Gunn said, like he like

2148
01:43:15,320 --> 01:43:17,599
Speaker 5: had such a great time working with that actor. Because

2149
01:43:17,600 --> 01:43:19,880
Speaker 5: the actor goes away after like I think episode three,

2150
01:43:20,200 --> 01:43:21,560
Speaker 5: he's like, I had such a great time working with

2151
01:43:21,600 --> 01:43:23,720
Speaker 5: this after. That's why he got that role, because yes,

2152
01:43:24,040 --> 01:43:26,240
Speaker 5: I got aby in this and I think they could

2153
01:43:26,280 --> 01:43:28,679
Speaker 5: bring him back, like he's in prison, space, prison somewhere.

2154
01:43:28,800 --> 01:43:29,599
Speaker 3: Yeah, you could come back.

2155
01:43:29,640 --> 01:43:31,519
Speaker 1: He's an amazing, amazing villain.

2156
01:43:31,600 --> 01:43:34,759
Speaker 4: Yes, he was holding a rag doll that was CD

2157
01:43:34,920 --> 01:43:37,800
Speaker 4: out of a cart to had me a fucking ten.

2158
01:43:37,960 --> 01:43:39,320
Speaker 2: I was like a rocket.

2159
01:43:41,040 --> 01:43:43,080
Speaker 1: This is why I will never This is why I

2160
01:43:43,120 --> 01:43:47,639
Speaker 1: will never shit on the like the Marvel, the MCU.

2161
01:43:47,760 --> 01:43:49,920
Speaker 1: As far as like when people go, oh, yeah, actors

2162
01:43:50,040 --> 01:43:53,240
Speaker 1: make those movies, because they will you know, those aren't

2163
01:43:53,240 --> 01:43:56,560
Speaker 1: real movies. I'm like, nah, bro, do you understand the

2164
01:43:56,600 --> 01:43:58,839
Speaker 1: amount of acting it takes to be in that costume

2165
01:43:59,520 --> 01:44:02,719
Speaker 1: talking to a tennis ball like it's a fucking five,

2166
01:44:02,840 --> 01:44:06,200
Speaker 1: like it's a three foot tall rodent and making me cry.

2167
01:44:07,120 --> 01:44:08,479
Speaker 1: That motherfucker was acting.

2168
01:44:09,800 --> 01:44:13,759
Speaker 5: That's that's why the first of these diseas CGI remakes

2169
01:44:13,800 --> 01:44:15,040
Speaker 5: the Jungle but blew me away.

2170
01:44:17,320 --> 01:44:19,960
Speaker 3: She literally just working against tennis ball. Yes, he was

2171
01:44:20,280 --> 01:44:21,800
Speaker 3: great and it was like that.

2172
01:44:22,200 --> 01:44:24,960
Speaker 5: That was incredible. The Lion King's remake with I had

2173
01:44:25,000 --> 01:44:27,920
Speaker 5: a lot of problems, right, but the Jungle one and.

2174
01:44:28,000 --> 01:44:30,360
Speaker 1: Seeing and this is what I've been seeing lately that

2175
01:44:30,439 --> 01:44:33,200
Speaker 1: I love. And I've been waiting on this the whole time,

2176
01:44:33,240 --> 01:44:37,120
Speaker 1: and it's finally here. Finally these fucking actors are defending

2177
01:44:37,200 --> 01:44:40,599
Speaker 1: their work because the MCU hate went too far right

2178
01:44:41,000 --> 01:44:43,439
Speaker 1: and so now you got like RDJ showing up. And

2179
01:44:43,600 --> 01:44:46,240
Speaker 1: RDJ was like the first one to really like do it,

2180
01:44:46,320 --> 01:44:48,559
Speaker 1: because it was starting to turn to this trend where

2181
01:44:48,640 --> 01:44:52,360
Speaker 1: whenever they're promoting another project, someone would ask these actors,

2182
01:44:52,400 --> 01:44:54,479
Speaker 1: who were obviously ready to move on they've been doing

2183
01:44:54,560 --> 01:44:57,120
Speaker 1: MCU characters ten years. But then they'd like make it

2184
01:44:57,160 --> 01:44:59,680
Speaker 1: an indictment on the MCU. They'd be like, Scarlett Johansson,

2185
01:45:00,040 --> 01:45:02,200
Speaker 1: would you ever be Black Widow again? It's like Nigga,

2186
01:45:02,240 --> 01:45:04,400
Speaker 1: the character's dead. Of course I can't be, but you know,

2187
01:45:04,560 --> 01:45:07,240
Speaker 1: but she's not gonna say that. She's just like, well,

2188
01:45:07,320 --> 01:45:08,960
Speaker 1: you know, now I'm trying to do more serious work,

2189
01:45:09,000 --> 01:45:11,679
Speaker 1: and everybody's like scutar Johansson says, this is a serious

2190
01:45:11,720 --> 01:45:15,040
Speaker 1: work or whatever, right, and our DJ much the Maga

2191
01:45:15,080 --> 01:45:19,080
Speaker 1: sports analogy much likes Tim Duncan for the Spurs, meaning

2192
01:45:19,760 --> 01:45:24,240
Speaker 1: if Tim duncan takes it serious and lets himself be coached,

2193
01:45:24,760 --> 01:45:26,760
Speaker 1: there's no player on the Spurs who can never be

2194
01:45:26,920 --> 01:45:29,479
Speaker 1: like I'm an act a fool because Tim duncan never

2195
01:45:29,560 --> 01:45:32,240
Speaker 1: would and he's the leader. Right. RDJ comes back and

2196
01:45:32,280 --> 01:45:35,120
Speaker 1: he's like, MCU was some of the best fucking acting

2197
01:45:35,200 --> 01:45:35,840
Speaker 1: I've ever done.

2198
01:45:36,000 --> 01:45:38,160
Speaker 2: Yes, he should have wanted to Oscar for that role.

2199
01:45:38,800 --> 01:45:40,840
Speaker 1: He's like, I don't know what the fuck Scorsese and

2200
01:45:40,880 --> 01:45:44,360
Speaker 1: these niggas talking about Nigga snapped his fingers and I cried.

2201
01:45:44,720 --> 01:45:46,719
Speaker 1: He's like, but I killed that shit, and I would

2202
01:45:46,800 --> 01:45:49,040
Speaker 1: come back, like if they find a way to get

2203
01:45:49,120 --> 01:45:51,320
Speaker 1: me back, and I wanted to be rereads Ai, but

2204
01:45:51,439 --> 01:45:53,639
Speaker 1: if they find a way to get me back, I'd

2205
01:45:53,680 --> 01:45:57,680
Speaker 1: fucking do it because it's like, it's it's my favorite role,

2206
01:45:58,439 --> 01:46:00,360
Speaker 1: that's the most like me. Blah blah blah. And all

2207
01:46:00,360 --> 01:46:02,760
Speaker 1: of a sudden, Chris Hemsworth is saying it you know

2208
01:46:02,800 --> 01:46:04,800
Speaker 1: what I'm saying, Like all these people are now coming

2209
01:46:04,840 --> 01:46:07,240
Speaker 1: out the woodwork like, yeah, man, it's fucking hard and

2210
01:46:07,320 --> 01:46:08,720
Speaker 1: I love that and I can't wait to do that

2211
01:46:08,840 --> 01:46:12,840
Speaker 1: character again. Finally, where it's the earth is starting to

2212
01:46:12,920 --> 01:46:16,200
Speaker 1: heal because this shit was getting a little out of control.

2213
01:46:16,320 --> 01:46:18,240
Speaker 1: And that's why I have to say, even in this

2214
01:46:18,400 --> 01:46:21,439
Speaker 1: dc U shit, I'm not convinced they're gonna have to

2215
01:46:21,520 --> 01:46:26,400
Speaker 1: show me because as much as they're like, James Gunn

2216
01:46:26,439 --> 01:46:29,120
Speaker 1: has a vision and shit, James Gunn just recently said

2217
01:46:29,160 --> 01:46:31,599
Speaker 1: they're gonna still make the Black Superman movie and maybe

2218
01:46:31,680 --> 01:46:34,200
Speaker 1: Michael B. Jordan'll be in it or whatever, And I'm like,

2219
01:46:35,760 --> 01:46:38,080
Speaker 1: will he count as a Superman? Is he just gonna

2220
01:46:38,080 --> 01:46:41,320
Speaker 1: be some some elseworld shit? And like, I thought you

2221
01:46:41,400 --> 01:46:44,479
Speaker 1: were building a comprehensive vision, because that stuff is a

2222
01:46:44,560 --> 01:46:48,000
Speaker 1: bit confusing to the lay person that shows up and

2223
01:46:48,040 --> 01:46:50,559
Speaker 1: they're like, so Robert Pattinson's Batman is in your universe

2224
01:46:50,600 --> 01:46:54,240
Speaker 1: and you're like, no, that's a different that's a different one. Okay,

2225
01:46:54,280 --> 01:46:57,120
Speaker 1: so it's this Superman Black Superman. Is he gonna show

2226
01:46:57,200 --> 01:47:00,360
Speaker 1: Oh No, that's a different that's a different thing. It's like, well, bro,

2227
01:47:00,760 --> 01:47:03,439
Speaker 1: what are you making over there? Right? That is gonna

2228
01:47:03,479 --> 01:47:07,640
Speaker 1: be cohesive? Because that's what the MCU had over everybody

2229
01:47:07,840 --> 01:47:11,559
Speaker 1: was all this shit counts. And DCU is not ready

2230
01:47:11,680 --> 01:47:17,680
Speaker 1: to let go of that shit except for Batgirl, and uh,

2231
01:47:17,960 --> 01:47:19,800
Speaker 1: you know, like you've never seen shit they want to

2232
01:47:19,840 --> 01:47:22,559
Speaker 1: write off for profit, then they'll they'll throw that out

2233
01:47:22,680 --> 01:47:24,439
Speaker 1: out the window, but they were not gonna throw these

2234
01:47:24,439 --> 01:47:25,080
Speaker 1: other things out.

2235
01:47:26,520 --> 01:47:29,200
Speaker 5: One quick thing though, to everything counts rod that I

2236
01:47:29,320 --> 01:47:33,519
Speaker 5: think comic book movies in general should stop doing. And

2237
01:47:33,640 --> 01:47:36,599
Speaker 5: this includes those god awful Sony movies. Stop putting tags

2238
01:47:36,640 --> 01:47:37,400
Speaker 5: at the end of the movies.

2239
01:47:37,439 --> 01:47:37,559
Speaker 1: Now.

2240
01:47:38,000 --> 01:47:40,120
Speaker 5: I know it's a comic book trope and its successful

2241
01:47:40,160 --> 01:47:43,759
Speaker 5: for a long time, but recent MCU movies, there's nothing's

2242
01:47:43,760 --> 01:47:45,840
Speaker 5: gonna happen with those. You think about the starting at

2243
01:47:45,840 --> 01:47:50,599
Speaker 5: the Eternals, the kit Irrington blade teaser, that's not happening. Now,

2244
01:47:50,880 --> 01:47:53,479
Speaker 5: you got the Council of Kings. They're recasting it, so

2245
01:47:53,600 --> 01:47:57,200
Speaker 5: now that's kind of negated. You got the Charlie Sterroll

2246
01:47:57,560 --> 01:48:01,519
Speaker 5: doctor Strange tag at the end, Is that gonna come back?

2247
01:48:01,600 --> 01:48:04,000
Speaker 5: Like right, there's no talk about doctor Strange, you know.

2248
01:48:04,080 --> 01:48:06,200
Speaker 5: So it's like they set up all these things right

2249
01:48:06,240 --> 01:48:08,160
Speaker 5: now it's like, well, if they don't come to pass,

2250
01:48:08,160 --> 01:48:09,280
Speaker 5: it's kind of like, oh, well that didn't.

2251
01:48:09,800 --> 01:48:11,880
Speaker 1: The big one to me is still that fucking uh

2252
01:48:12,680 --> 01:48:15,559
Speaker 1: celestial hand coming out of the Earth at the end

2253
01:48:15,560 --> 01:48:16,000
Speaker 1: of return.

2254
01:48:16,320 --> 01:48:18,679
Speaker 2: Yes, with anybody act like don't exist.

2255
01:48:18,800 --> 01:48:20,160
Speaker 1: That was the start of it for me, where I

2256
01:48:20,280 --> 01:48:22,840
Speaker 1: was like, wait, is that gonna be a thing? Are

2257
01:48:22,920 --> 01:48:25,200
Speaker 1: we just pretending that didn't happen? And I don't know,

2258
01:48:25,280 --> 01:48:27,160
Speaker 1: two years later, no one's acknowledged it.

2259
01:48:27,280 --> 01:48:29,320
Speaker 3: You know, well, it's just also like me even start

2260
01:48:29,320 --> 01:48:31,320
Speaker 3: to thinking about that, like then it goes down.

2261
01:48:31,400 --> 01:48:33,040
Speaker 5: You go down a rabbit hole with like so many

2262
01:48:33,120 --> 01:48:35,040
Speaker 5: things that like the Avengers and people should have came

2263
01:48:35,080 --> 01:48:37,280
Speaker 5: through for like yeah, like the fact that Spider Man

2264
01:48:37,400 --> 01:48:38,800
Speaker 5: was going through what he went through in No Way

2265
01:48:38,840 --> 01:48:41,559
Speaker 5: Home and Doctor Strange wasn't like let me call up

2266
01:48:41,560 --> 01:48:44,080
Speaker 5: a few homies like this kid out like you know

2267
01:48:44,120 --> 01:48:47,599
Speaker 5: what I mean, Like, hey, like I got like, as

2268
01:48:47,600 --> 01:48:50,200
Speaker 5: a comic book fan, that stuff doesn't bother me because

2269
01:48:50,200 --> 01:48:52,080
Speaker 5: it's just part of what you know, it's part of

2270
01:48:52,240 --> 01:48:53,280
Speaker 5: it is built in at this point.

2271
01:48:53,880 --> 01:48:57,000
Speaker 1: But I'm not I'm not against the tags and shit,

2272
01:48:57,160 --> 01:48:59,880
Speaker 1: it's kind of funny when they don't happen, Like Eternals

2273
01:49:00,160 --> 01:49:02,760
Speaker 1: has a come a running joke now of like every

2274
01:49:02,840 --> 01:49:04,880
Speaker 1: movie that doesn't address it. I'm like, so we're just

2275
01:49:05,000 --> 01:49:06,960
Speaker 1: not gonna talk about the hand hanging out the earth.

2276
01:49:07,720 --> 01:49:10,080
Speaker 5: But y'all know, we get this Harry Styles pop up

2277
01:49:10,160 --> 01:49:11,800
Speaker 5: as Stanos's brother or some ship.

2278
01:49:12,000 --> 01:49:16,200
Speaker 1: Yeah yeah yeah, But like I said, I'm I'm this

2279
01:49:16,439 --> 01:49:19,040
Speaker 1: is the low key. This is the part I'm in for,

2280
01:49:20,439 --> 01:49:22,640
Speaker 1: like just in life. This is where I wanted us

2281
01:49:22,720 --> 01:49:25,560
Speaker 1: to get to the ridiculous ship. I don't know the

2282
01:49:25,640 --> 01:49:28,759
Speaker 1: stuff that the grounded earth stuff of Avengers is beautiful,

2283
01:49:28,800 --> 01:49:31,639
Speaker 1: it's great and everyone can appreciate it. But nah, I'm

2284
01:49:31,680 --> 01:49:34,559
Speaker 1: into the celestial bullshit. I want silver service showing up.

2285
01:49:35,080 --> 01:49:38,479
Speaker 1: I want be fun, yeah, I want I want the

2286
01:49:38,600 --> 01:49:45,880
Speaker 1: weirdo like cosmic stories that that that are. You know.

2287
01:49:46,000 --> 01:49:48,479
Speaker 1: I love the Marvels for that. It's so weird, you know.

2288
01:49:48,680 --> 01:49:51,559
Speaker 1: I like Multiverse of Madness. It was so fucking weird.

2289
01:49:52,240 --> 01:49:54,760
Speaker 1: I'm tired of the vanilla Like, we just got a

2290
01:49:54,800 --> 01:49:57,000
Speaker 1: white guy that everyone likes and we're just gonna he's

2291
01:49:57,000 --> 01:49:57,920
Speaker 1: gonna say the Earth again.

2292
01:49:59,760 --> 01:50:02,040
Speaker 3: Oh yeah, that's the Sony model over there.

2293
01:50:02,160 --> 01:50:04,840
Speaker 1: Yeah. And Sony, of course fucked everything up with their

2294
01:50:04,960 --> 01:50:09,040
Speaker 1: shitty movies. But they're just trying to confuse us. Did

2295
01:50:09,080 --> 01:50:11,639
Speaker 1: you see when they I'm convinced that they only moved

2296
01:50:12,960 --> 01:50:18,400
Speaker 1: They only moved Craven to make us forget they made

2297
01:50:18,680 --> 01:50:21,960
Speaker 1: Madam Webb. Yes, I want hundred percent sure today that

2298
01:50:22,160 --> 01:50:25,639
Speaker 1: movie is done. It's in the can. And they everyone said,

2299
01:50:25,840 --> 01:50:28,559
Speaker 1: wait a minute, madam web, that's not a real Marvel movie.

2300
01:50:28,840 --> 01:50:34,880
Speaker 1: And they went, uh, okay, yeah, so listen, neither here

2301
01:50:34,920 --> 01:50:37,599
Speaker 1: nor there. We're just gonna move craving like six months.

2302
01:50:37,640 --> 01:50:37,840
Speaker 2: Yeah.

2303
01:50:37,880 --> 01:50:42,000
Speaker 4: And about saying and for those people who think it's

2304
01:50:42,040 --> 01:50:44,360
Speaker 4: all the same, I'm gonna tell you this. When y'all

2305
01:50:44,400 --> 01:50:48,439
Speaker 4: see those movies, even in the commercials, look for the

2306
01:50:49,000 --> 01:50:52,840
Speaker 4: end association with Marvel and big ass letters at the

2307
01:50:52,920 --> 01:50:57,360
Speaker 4: beginning every real real Marvel movie, it's a flip picture

2308
01:50:57,400 --> 01:50:59,719
Speaker 4: book and it flips and it shows you the characters

2309
01:50:59,800 --> 01:51:00,880
Speaker 4: and it says Marvel.

2310
01:51:01,120 --> 01:51:04,000
Speaker 2: And they changed that ship because they started mimicking them.

2311
01:51:04,240 --> 01:51:06,000
Speaker 4: If you were, like, I don't know, if you see

2312
01:51:06,040 --> 01:51:09,000
Speaker 4: something says in association with you are not included in

2313
01:51:09,080 --> 01:51:11,479
Speaker 4: the Marvel universe. And like I said, I know, people go,

2314
01:51:11,600 --> 01:51:13,840
Speaker 4: it's the same, bitch, it's not, you know, just like

2315
01:51:13,960 --> 01:51:16,200
Speaker 4: y'all argue about basketball and Katie Clark, That's how I

2316
01:51:16,200 --> 01:51:17,879
Speaker 4: feel about this. Don't come out here with your bullshit

2317
01:51:17,920 --> 01:51:19,320
Speaker 4: and you don't know what the fuck you're talking about.

2318
01:51:20,479 --> 01:51:22,400
Speaker 5: And I feel bad you know, I don't feel bad

2319
01:51:22,400 --> 01:51:24,879
Speaker 5: because they made money, but I've said this on Medium Popcorn.

2320
01:51:25,960 --> 01:51:27,600
Speaker 5: I think a lot of the actors are in the

2321
01:51:27,680 --> 01:51:30,720
Speaker 5: Sony Marvel whatever the fuck this is. I think the

2322
01:51:30,880 --> 01:51:34,200
Speaker 5: reps told them that they were They were told in

2323
01:51:34,400 --> 01:51:36,760
Speaker 5: some way it's gonna be connected to the Robert down

2324
01:51:36,800 --> 01:51:39,280
Speaker 5: A Junior universe. Yes, and they're like, they haven't figured

2325
01:51:39,280 --> 01:51:41,400
Speaker 5: it out yet, but you will be incorporated in that

2326
01:51:41,520 --> 01:51:44,040
Speaker 5: if these movies are successful. And because everyone kind of

2327
01:51:44,080 --> 01:51:45,960
Speaker 5: mentions it and they're like press it's like, oh, I

2328
01:51:46,360 --> 01:51:48,479
Speaker 5: can't wait to work with like Tyree's got the brunt

2329
01:51:48,560 --> 01:51:50,200
Speaker 5: of it. But I'm like, I felt bad because I'm like,

2330
01:51:50,520 --> 01:51:52,680
Speaker 5: clearly someone told him that he's not just gonna make

2331
01:51:52,720 --> 01:51:54,080
Speaker 5: that up, Like yeah, he was.

2332
01:51:54,080 --> 01:51:56,240
Speaker 3: Probably told like, oh this is good.

2333
01:51:56,479 --> 01:51:58,519
Speaker 5: Doyn't incorporate Spider Man somehow, because I think they were

2334
01:51:58,520 --> 01:52:00,720
Speaker 5: gonna try to get Andrew Garful to come right and

2335
01:52:00,880 --> 01:52:02,679
Speaker 5: be a Spider Man at some capacity.

2336
01:52:02,920 --> 01:52:07,000
Speaker 1: BA Hoomie boy who does the What You've Been Watching podcast?

2337
01:52:08,080 --> 01:52:10,320
Speaker 1: I talked to him about it. He says, basically, Sony,

2338
01:52:10,520 --> 01:52:14,439
Speaker 1: you thinks Sony is just holding mc u ip hostage,

2339
01:52:15,320 --> 01:52:18,519
Speaker 1: trying to make Marvel just go spend however many billions

2340
01:52:18,560 --> 01:52:21,920
Speaker 1: of dollars to go by a Spider Man and ship. Yeah,

2341
01:52:21,960 --> 01:52:24,320
Speaker 1: because that's because because they're like, why else, why else

2342
01:52:24,320 --> 01:52:26,640
Speaker 1: do you keep putting out shitty movies? Because you know

2343
01:52:26,840 --> 01:52:31,200
Speaker 1: there is an alternative that Sony could do make good movies.

2344
01:52:31,360 --> 01:52:33,400
Speaker 3: Yes, they did it with Spider Verse.

2345
01:52:33,520 --> 01:52:38,920
Speaker 1: Yes, right, they don't have to make these movies be shitty.

2346
01:52:39,040 --> 01:52:42,200
Speaker 1: Like I saw, Madam Willen was like, there was at

2347
01:52:42,280 --> 01:52:44,559
Speaker 1: no point did anyone mistake this for a good movie.

2348
01:52:45,520 --> 01:52:46,919
Speaker 3: They got the writers from Morbias.

2349
01:52:46,920 --> 01:52:49,680
Speaker 1: They knew what they were getting, right, Morbius is another one.

2350
01:52:49,880 --> 01:52:53,960
Speaker 1: Just no, at no point did anyone ten minutes into

2351
01:52:54,040 --> 01:52:57,000
Speaker 1: filming go we gotta hit They all went, we know

2352
01:52:57,080 --> 01:52:59,920
Speaker 1: what we're doing, right, guys, we're just ripping nerves off.

2353
01:53:00,320 --> 01:53:02,920
Speaker 4: Yeah, we're doing this so it won't revert back to them.

2354
01:53:03,120 --> 01:53:04,680
Speaker 4: We got to put something out. Yeah, I guess we

2355
01:53:04,760 --> 01:53:05,599
Speaker 4: got to put something out.

2356
01:53:06,880 --> 01:53:09,120
Speaker 5: I do like seeing the meltdown though, of these Sony,

2357
01:53:09,160 --> 01:53:11,920
Speaker 5: and I'm sure Aaron Taylor Johnsonbody's promoting Craving will have

2358
01:53:12,000 --> 01:53:15,519
Speaker 5: his own meltdown, the meltdown that Dakota Fanning and Jared

2359
01:53:15,600 --> 01:53:17,280
Speaker 5: Lettle went through promoting those movies.

2360
01:53:17,600 --> 01:53:20,839
Speaker 3: It's hilarious. Yeah, because yeah, Jared Leto like, yeah.

2361
01:53:20,720 --> 01:53:23,840
Speaker 5: You know, Morbius was like the first character I didn't

2362
01:53:23,840 --> 01:53:26,200
Speaker 5: even have to like work like for I was just like,

2363
01:53:26,439 --> 01:53:27,719
Speaker 5: I'm just that's not good.

2364
01:53:27,920 --> 01:53:29,000
Speaker 2: You didn't have to pray out.

2365
01:53:29,040 --> 01:53:31,800
Speaker 3: Then yeah, and then coda, John's just like, yeah, I

2366
01:53:31,840 --> 01:53:34,000
Speaker 3: don't really know what happened. I don't know who I am.

2367
01:53:34,080 --> 01:53:35,200
Speaker 2: I like this movie.

2368
01:53:35,479 --> 01:53:35,880
Speaker 3: You're like what.

2369
01:53:36,280 --> 01:53:38,760
Speaker 1: And then Sony's coming out from the studio being like,

2370
01:53:38,880 --> 01:53:41,280
Speaker 1: it's because she doesn't have any star power, that's why

2371
01:53:41,320 --> 01:53:43,920
Speaker 1: the movie failed. And she's like, uh, the executors have

2372
01:53:44,040 --> 01:53:46,000
Speaker 1: no visions and everything they do is just for profit.

2373
01:53:46,439 --> 01:53:49,160
Speaker 1: And Sidney swingey somewhere just like I did this movie

2374
01:53:49,280 --> 01:53:52,760
Speaker 1: so I can do another movie this Like, I'm not

2375
01:53:52,840 --> 01:53:54,479
Speaker 1: even I don't even give a fuck if y'all hate

2376
01:53:54,479 --> 01:53:58,040
Speaker 1: this movie, Like so it's so sad what's happening? But yeah,

2377
01:53:58,120 --> 01:54:01,280
Speaker 1: it's oh man, I love them movie. Nerding out with y'all.

2378
01:54:01,360 --> 01:54:03,320
Speaker 1: We got one last thing I want to cover, which

2379
01:54:03,400 --> 01:54:08,439
Speaker 1: is Anthony Mackie did an interview of Tyler James Williams

2380
01:54:10,479 --> 01:54:14,200
Speaker 1: where they were talking about Elementary from Avid Elementary.

2381
01:54:14,320 --> 01:54:19,439
Speaker 3: Yeah, Anthony Mackie interview are never good. There's never.

2382
01:54:21,400 --> 01:54:21,920
Speaker 2: How is he.

2383
01:54:23,760 --> 01:54:30,160
Speaker 1: His his popularity and is so unlikely you know what

2384
01:54:30,200 --> 01:54:30,479
Speaker 1: I mean?

2385
01:54:30,600 --> 01:54:32,200
Speaker 5: It is very odd that he got started at eight

2386
01:54:32,280 --> 01:54:34,400
Speaker 5: mile and he's where he's at now, didn't.

2387
01:54:35,320 --> 01:54:37,600
Speaker 1: And he and he's at so many moments and interviews

2388
01:54:37,600 --> 01:54:41,560
Speaker 1: where you're like, we would cancel a different guy. And

2389
01:54:41,640 --> 01:54:43,560
Speaker 1: I'm not saying this because we love and like him

2390
01:54:43,640 --> 01:54:45,640
Speaker 1: so much. There's something about him where we just don't

2391
01:54:45,680 --> 01:54:48,000
Speaker 1: take him serious because I still remember when he did

2392
01:54:48,040 --> 01:54:54,320
Speaker 1: to make Daddy a sandwich sandwich on Oprah, which is

2393
01:54:54,360 --> 01:54:57,040
Speaker 1: one of the most like sexist, weird things to me,

2394
01:54:57,520 --> 01:55:00,000
Speaker 1: And I was like, Anthony Mackie, what are you trying?

2395
01:55:00,040 --> 01:55:02,320
Speaker 1: Are you trying to torpedo your career? There's the other

2396
01:55:02,440 --> 01:55:04,640
Speaker 1: respectability you want where he's like people need to cut

2397
01:55:04,720 --> 01:55:07,640
Speaker 1: their hair, pull their pants up, like he's he's just

2398
01:55:07,720 --> 01:55:08,480
Speaker 1: a weird dude.

2399
01:55:08,560 --> 01:55:12,120
Speaker 2: But that's why he played Tupac, didn't he Yes.

2400
01:55:12,040 --> 01:55:13,720
Speaker 3: Yes, yes, yeah, I play.

2401
01:55:14,600 --> 01:55:17,280
Speaker 5: He's got an interesting he's had a really interesting career,

2402
01:55:17,600 --> 01:55:20,040
Speaker 5: like he's done some and I think that's maybe why

2403
01:55:20,120 --> 01:55:23,360
Speaker 5: people are like, well, you can't completely cancel the guy

2404
01:55:23,440 --> 01:55:25,120
Speaker 5: he was in this movie or he's in that thing.

2405
01:55:25,400 --> 01:55:25,600
Speaker 6: I know.

2406
01:55:25,720 --> 01:55:28,520
Speaker 1: Well, I'm just gonna flat out say I don't know why,

2407
01:55:28,560 --> 01:55:30,960
Speaker 1: but I like him. You know what I'm saying.

2408
01:55:31,160 --> 01:55:33,080
Speaker 2: Didn't you like his show? He we did with the

2409
01:55:33,120 --> 01:55:34,600
Speaker 2: clowns and the cars.

2410
01:55:35,040 --> 01:55:38,640
Speaker 1: Oh twisted Middle is amazing. It's amazing. It's not good.

2411
01:55:38,920 --> 01:55:43,040
Speaker 1: It's amazing because it's not. It's like they wrote something

2412
01:55:43,120 --> 01:55:46,240
Speaker 1: for Ryan Reynolds. They couldn't get Ryan Reynolds, and Anthony

2413
01:55:46,320 --> 01:55:48,320
Speaker 1: Maggett said, how hard can it be? I'll do it,

2414
01:55:48,880 --> 01:55:51,600
Speaker 1: and then he tries to do his best Ryan Reynolds

2415
01:55:51,600 --> 01:55:54,880
Speaker 1: impression and it's not a good impression. But goddamn it,

2416
01:55:54,920 --> 01:55:59,040
Speaker 1: if I didn't watch every last fucking episode, listen, on paper.

2417
01:55:59,080 --> 01:56:02,959
Speaker 5: The Falcon is a really lame character, and he infused

2418
01:56:03,000 --> 01:56:06,080
Speaker 5: so much personality in chemistry with Chris Evans and the

2419
01:56:06,160 --> 01:56:08,240
Speaker 5: chemistry with the dude who played Bucky, Like, yeah, when

2420
01:56:08,320 --> 01:56:09,800
Speaker 5: he and Bucky were going back and forth in the

2421
01:56:09,840 --> 01:56:12,080
Speaker 5: Civil War, I'm like, they're gonna get their own thing together.

2422
01:56:12,080 --> 01:56:13,880
Speaker 5: I don't know if it's a movie or whatever, but

2423
01:56:14,000 --> 01:56:15,840
Speaker 5: like when they said Falcon with their soldiers the TV show,

2424
01:56:15,920 --> 01:56:17,080
Speaker 5: like that makes perfect sense.

2425
01:56:17,200 --> 01:56:19,920
Speaker 1: He did enough to bring that character to life. To

2426
01:56:20,000 --> 01:56:21,960
Speaker 1: make it real to me, yes, And I mean that

2427
01:56:22,120 --> 01:56:24,920
Speaker 1: in the most sincere way, because I'm not I think

2428
01:56:25,440 --> 01:56:29,080
Speaker 1: Sam Wilson, the character or whatever, it's kind of like

2429
01:56:29,160 --> 01:56:31,720
Speaker 1: a cornball and not my kind of guy, you know,

2430
01:56:31,920 --> 01:56:35,520
Speaker 1: is a very like I'm still staying for the stars

2431
01:56:35,600 --> 01:56:38,360
Speaker 1: and stripes type of nigga. But at the same time, like,

2432
01:56:39,080 --> 01:56:42,400
Speaker 1: I know black people like that, so it's not so

2433
01:56:42,560 --> 01:56:44,480
Speaker 1: foreign to me the idea of like a black person

2434
01:56:44,480 --> 01:56:46,920
Speaker 1: who's a patriot in a way of that white people

2435
01:56:46,960 --> 01:56:49,960
Speaker 1: don't necessarily understand. Where It's like, y'all aren't gonna drive

2436
01:56:50,040 --> 01:56:52,440
Speaker 1: me out of my country, right, and these stars and

2437
01:56:52,480 --> 01:56:54,600
Speaker 1: stripes stand just as much for me as they do you.

2438
01:56:54,880 --> 01:56:57,320
Speaker 1: And and like the way they work that into the plot.

2439
01:56:57,680 --> 01:57:00,080
Speaker 1: I loved it. I loved the discussion of it. I

2440
01:57:00,120 --> 01:57:02,000
Speaker 1: don't feel like you need to agree with the main

2441
01:57:02,120 --> 01:57:05,080
Speaker 1: character for it to be good. That's a very Twitter mindset, right,

2442
01:57:06,120 --> 01:57:08,280
Speaker 1: I just need the character to feel real. And he

2443
01:57:08,480 --> 01:57:12,440
Speaker 1: feels real. He experiences racism, he understands the double standard,

2444
01:57:12,440 --> 01:57:15,720
Speaker 1: he understands the double consciousness of being black in this country.

2445
01:57:15,760 --> 01:57:19,320
Speaker 1: He understands patriotism, symbolism, all that stuff, And at the

2446
01:57:19,360 --> 01:57:22,960
Speaker 1: same time he doesn't know everything. He's not. He's getting

2447
01:57:23,040 --> 01:57:26,040
Speaker 1: tricked by the bad guys at times, getting played by

2448
01:57:26,160 --> 01:57:29,640
Speaker 1: Julia Luis Dreyfus his character, and I can't wait to

2449
01:57:29,720 --> 01:57:32,640
Speaker 1: watch the movie that he does. I really enjoyed that series.

2450
01:57:32,720 --> 01:57:36,520
Speaker 1: But as a person, he's just a weird amalgamation of

2451
01:57:36,720 --> 01:57:40,720
Speaker 1: like funny moments and he just keeps trucking through. So

2452
01:57:40,920 --> 01:57:43,560
Speaker 1: here's him talking to Tyler James.

2453
01:57:43,840 --> 01:57:46,640
Speaker 3: Tyler James Williams, congratulations on everything.

2454
01:57:48,480 --> 01:57:51,560
Speaker 6: It's really amazing to see because you've been doing this

2455
01:57:51,680 --> 01:57:53,280
Speaker 6: for a long time.

2456
01:57:53,760 --> 01:57:55,360
Speaker 1: You know, you've done it in a.

2457
01:57:55,400 --> 01:57:57,600
Speaker 6: Really interesting way that a lot of actors have not

2458
01:57:57,760 --> 01:58:00,760
Speaker 6: been able to. I feel like, you know, when looking

2459
01:58:00,760 --> 01:58:03,080
Speaker 6: at your career, there's a certain thing of like a

2460
01:58:03,160 --> 01:58:06,400
Speaker 6: certain form of dignity that came with it because you're

2461
01:58:06,520 --> 01:58:11,640
Speaker 6: not the dude out here doing what certain people do. Yeah,

2462
01:58:12,000 --> 01:58:14,960
Speaker 6: you know you it's something to say when you get

2463
01:58:15,000 --> 01:58:17,600
Speaker 6: a job and that job becomes a career, right, you know,

2464
01:58:17,760 --> 01:58:19,240
Speaker 6: so kudos to.

2465
01:58:19,240 --> 01:58:19,720
Speaker 3: You, thank you.

2466
01:58:19,880 --> 01:58:20,920
Speaker 2: Yeah, that's the you know.

2467
01:58:21,000 --> 01:58:25,120
Speaker 3: I never wanted to be a nostalgia artist, you know

2468
01:58:25,160 --> 01:58:27,600
Speaker 3: what I mean. It was always about like going down

2469
01:58:27,680 --> 01:58:30,520
Speaker 3: the road and seeing what was next. But again, I

2470
01:58:30,560 --> 01:58:32,480
Speaker 3: can say the same thing for you now. But you

2471
01:58:32,480 --> 01:58:34,760
Speaker 3: you know you was a weird looking kid. Yeah, I mean,

2472
01:58:38,240 --> 01:58:42,200
Speaker 3: boy cut it up for a variety. You ain't ship

2473
01:58:42,280 --> 01:58:43,800
Speaker 3: for the he's a good.

2474
01:58:44,160 --> 01:58:46,640
Speaker 1: And Maggie ain't ship for calling him a weird looking kid,

2475
01:58:47,520 --> 01:58:50,240
Speaker 1: Anthony Maggie who kind of looked weird and every to

2476
01:58:50,400 --> 01:58:53,840
Speaker 1: this day, like every still shot of Anthony Mackie looks

2477
01:58:53,920 --> 01:58:56,920
Speaker 1: like he just told like he's laughing at a at

2478
01:58:56,960 --> 01:58:59,680
Speaker 1: an inappropriate joke and trying to hold it in. Every

2479
01:58:59,760 --> 01:59:02,920
Speaker 1: pig Anthony Mackey looks that way and he's got the nerve.

2480
01:59:03,000 --> 01:59:06,880
Speaker 1: Called somebody weird looking. He's so so ridiculous. I mean,

2481
01:59:07,320 --> 01:59:09,240
Speaker 1: and you grew up to be like a good looking dude.

2482
01:59:09,840 --> 01:59:15,080
Speaker 3: I want to say, was just documented.

2483
01:59:16,280 --> 01:59:19,000
Speaker 1: And you would never see it exactly, was just.

2484
01:59:19,040 --> 01:59:22,800
Speaker 3: Documented, you know, Yeah, to be able to go from

2485
01:59:22,800 --> 01:59:24,720
Speaker 3: there to here. It has been like it's been.

2486
01:59:25,600 --> 01:59:27,640
Speaker 4: Shout out to him for knowing how to bounce that

2487
01:59:27,760 --> 01:59:30,480
Speaker 4: ball and didn't make it. I put it a weird

2488
01:59:30,560 --> 01:59:31,880
Speaker 4: and look at him, like what you're trying to say

2489
01:59:31,880 --> 01:59:32,240
Speaker 4: about me?

2490
01:59:32,720 --> 01:59:32,880
Speaker 2: Right?

2491
01:59:33,320 --> 01:59:36,560
Speaker 3: He got Papa doctor again, Like.

2492
01:59:36,600 --> 01:59:37,880
Speaker 2: We all look weird as kids.

2493
01:59:38,040 --> 01:59:41,440
Speaker 1: Anthony Maggie calling somebody weird looking. It's so funny, man, Like,

2494
01:59:42,000 --> 01:59:46,000
Speaker 1: look at this is just like one of his headshots.

2495
01:59:46,080 --> 01:59:51,400
Speaker 1: He always looked like this. They called somebody he got

2496
01:59:51,480 --> 01:59:56,400
Speaker 1: some nerve. Bro Oh, all right, I'm gonna end it there,

2497
01:59:56,520 --> 01:59:58,640
Speaker 1: just because you know, the interest of time, and we

2498
01:59:58,720 --> 02:00:02,240
Speaker 1: always can hang out with braind ever course, I'm always

2499
02:00:02,320 --> 02:00:05,120
Speaker 1: rocking with y'all. Yeah, Man, tell everybody one more time

2500
02:00:05,160 --> 02:00:06,320
Speaker 1: about Drunk Black History.

2501
02:00:06,360 --> 02:00:06,520
Speaker 7: Man.

2502
02:00:07,360 --> 02:00:09,760
Speaker 5: Yes, Drump Black History is a show where I have

2503
02:00:09,920 --> 02:00:12,360
Speaker 5: guests on. We get drunk and we talk about historical

2504
02:00:12,400 --> 02:00:15,640
Speaker 5: black figures or events that haven't gotten their mainstream Do

2505
02:00:16,600 --> 02:00:17,080
Speaker 5: we left?

2506
02:00:17,200 --> 02:00:17,720
Speaker 3: We learned?

2507
02:00:17,840 --> 02:00:22,280
Speaker 5: We drink together Wednesday, June nineteenth, celebrating juneteen seven pm

2508
02:00:22,360 --> 02:00:25,880
Speaker 5: Eastern Standard Time. Livestream tickets will be available within the

2509
02:00:25,920 --> 02:00:28,000
Speaker 5: next few days at Drunk Blackisty dot com, but you

2510
02:00:28,000 --> 02:00:30,080
Speaker 5: can get tickets for in person where we're gonna be

2511
02:00:30,200 --> 02:00:33,760
Speaker 5: celebrated with the help of sponsors by Aquihanna, rum Liar's

2512
02:00:33,840 --> 02:00:37,800
Speaker 5: Non Alcoholic Spirits and Soril Licour. It's gonna be a

2513
02:00:37,840 --> 02:00:39,720
Speaker 5: lot of fun again. Drunk Black Kisty dot com for

2514
02:00:39,800 --> 02:00:41,280
Speaker 5: tickets and y'all could just follow me a proto on

2515
02:00:41,320 --> 02:00:43,760
Speaker 5: the score Blackens for all their shows and things that

2516
02:00:43,840 --> 02:00:44,200
Speaker 5: got going on.

2517
02:00:44,400 --> 02:00:46,640
Speaker 1: Make sure y'all support the homie man, him and Taxi

2518
02:00:46,880 --> 02:00:50,520
Speaker 1: over there doing great work. Check out the podcast. Check

2519
02:00:50,560 --> 02:00:52,720
Speaker 1: out Medium Popcorn. I know we talked about movies a

2520
02:00:52,760 --> 02:00:56,120
Speaker 1: lot today, so if you love this conversation there over

2521
02:00:56,160 --> 02:00:59,640
Speaker 1: there talk about movies and TV and stuff all the time.

2522
02:01:00,080 --> 02:01:04,240
Speaker 1: Patreon member, So make sure y'all support and uh yeah

2523
02:01:04,360 --> 02:01:07,400
Speaker 1: until next time, We'll be back throughout the week. Until then,

2524
02:01:07,480 --> 02:01:07,840
Speaker 1: I love you.