WEBVTT - S4E15: Jenny Slate and the Flight to Varennes

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<v Speaker 1>Everyone says like I could never join a cult, like

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<v Speaker 1>I would never fall for that, in say, I'm too you.

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<v Speaker 2>Would.

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<v Speaker 3>I really love friendly groups. I love cooking.

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<v Speaker 4>I love it when people are like trying to help

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<v Speaker 4>each other actualize their dreams. And I like it when

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<v Speaker 4>people like are dedicated to each other. And a lot

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<v Speaker 4>of times cults are like non violent, except I don't

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<v Speaker 4>like having to be naked in a group of people,

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<v Speaker 4>and I don't like having to do like oral sex

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<v Speaker 4>to like the head of the cults.

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<v Speaker 2>That is, that's called bylaws.

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<v Speaker 5>There's usually some guy, ladies and gentlemen.

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<v Speaker 1>Welcome to SNAPO, the show about history's greatest screw ups.

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<v Speaker 1>I'm at Helms, and more specifically, this is a show

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<v Speaker 1>where we look at mishaps from history and wonder, oh,

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<v Speaker 1>what what does this say about humanity? And I always

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<v Speaker 1>bring along a very exciting guest. Today I'm joined by

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<v Speaker 1>one of my dear friends. She's an actress, a writer,

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<v Speaker 1>a comedian. She's been in so many incredible shows and

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<v Speaker 1>movies like Its Borderline Annoying, just to name a few.

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<v Speaker 1>Obvious child Zootopia Gifted Everything everywhere, all at once, and

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<v Speaker 1>Emmy nominee for Dying for Sex with Michelle Williams, an

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<v Speaker 1>Oscar nominee for Marcel Michelle.

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<v Speaker 2>She's the author of two fabulous.

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<v Speaker 1>Books, Little Weirds and Life Form, and she recently launched

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<v Speaker 1>her own podcast called I Need You Guys with Gabe

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<v Speaker 1>Leadman and Max Silvestri. Please welcome, be Amazing. Jenny Slate, Hi, Hi,

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<v Speaker 1>ed Hello. We were neighbors for a short time here

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<v Speaker 1>in Los Angeles. I've known you her for a long

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<v Speaker 1>long time, but then at some point in that you

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<v Speaker 1>also were our neighbor, and my family began to call

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<v Speaker 1>U Kramer because because of your wacky interests.

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<v Speaker 4>And also because it was like there wasn't a lot

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<v Speaker 4>keeping me out, you know, like Kramer's always kind of

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<v Speaker 4>busting through the door with some sort of really interesting concept.

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<v Speaker 4>I'm not sure I had those interesting concepts, but I

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<v Speaker 4>was coming through the door with big, you know, big

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<v Speaker 4>energy in my hair and really coming over a lot.

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<v Speaker 1>And it was a full open door policy for Kram

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<v Speaker 1>or Slate to just come on in whenever she wanted.

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<v Speaker 2>I missed those days.

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<v Speaker 4>I do too, I really do, and I will say

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<v Speaker 4>that I feel that we're making up for it. As

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<v Speaker 4>we were talking about earlier, but the fact that we

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<v Speaker 4>now have become people who celebrate Thanksgiving together, not in

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<v Speaker 4>Los Angeles at all, but it's just like something we

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<v Speaker 4>do and it's really I love it so much.

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<v Speaker 3>I just love it.

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<v Speaker 1>Yeah, me too, I'm very grateful for that. Yeah. Well,

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<v Speaker 1>we won't invite the world into our too deeply into

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<v Speaker 1>our private lives. But I'm so excited for your podcast

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<v Speaker 1>with Gabe and Max, who I also know and a door. Yes,

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<v Speaker 1>obviously it's a very crowded space now. I'm now in

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<v Speaker 1>the fourth season of Snafu. I'm like trying to box

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<v Speaker 1>out everyone I can from also joining the podcast space

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<v Speaker 1>because we need all the listeners we can get. So

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<v Speaker 1>what are you doing? You're horning in on this format.

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<v Speaker 1>But also congratulations and I'm excited for you.

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<v Speaker 2>And what is it.

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<v Speaker 4>We we have a joke that it's like it's only

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<v Speaker 4>it took us only sixteen years to finally do a podcast.

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<v Speaker 3>It just took us so long.

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<v Speaker 4>Like every other comedian in the world has had a

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<v Speaker 4>podcast for many years now, and we just like, I

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<v Speaker 4>don't know, what can I say. We like to chill,

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<v Speaker 4>but Gabe and Max and I I don't know, fifteen

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<v Speaker 4>years ago really started a stand up show in New York.

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<v Speaker 3>First it was in Manhattan at Rafifi.

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<v Speaker 4>In the East Village, and then it was in Williamsburg,

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<v Speaker 4>and we finally got our act together to do what

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<v Speaker 4>we kind of do on stage just on a podcast,

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<v Speaker 4>which is that like on in our stand up show.

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<v Speaker 4>We always started the stand up show with a Q

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<v Speaker 4>and A like before anyone had any questions about our material.

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<v Speaker 3>We would just ask random questions and it was really fun.

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<v Speaker 4>And so now basically our podcast is like it's kind

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<v Speaker 4>of like making our group chat live. It's called I

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<v Speaker 4>Need You guys, because we don't live in the same

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<v Speaker 4>places anymore and we still talk every day and we

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<v Speaker 4>need each other. So we'll bring questions to each other

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<v Speaker 4>about our lives and then we have a friend. Usually

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<v Speaker 4>it's a comedian come and answer, like an etiquette etiquette etiquette.

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<v Speaker 3>It's like, I'm not reading copy.

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<v Speaker 4>I don't need to, you know, miss miss misspeak, like

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<v Speaker 4>a question.

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<v Speaker 3>About etiquette at a quite edi.

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<v Speaker 1>Quite so, just so our listeners know this podcast is out,

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<v Speaker 1>it is you can you can get into it right now.

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<v Speaker 3>Yeah.

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<v Speaker 4>It's really it's kind of like sitting at a dinner

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<v Speaker 4>table with friends.

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<v Speaker 3>It's just a nice, easy, funny easy listen.

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<v Speaker 2>All right, are you ready to snap woo?

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<v Speaker 3>I'm ready to snaph.

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<v Speaker 2>Let's do it. We're going to jump into this.

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<v Speaker 1>We're going to adventure all the way back to seventeen

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<v Speaker 1>ninety one. It was a tough year to be a

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<v Speaker 1>French guy named Louis, especially if you were Louis the sixteenth,

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<v Speaker 1>the French King. So today's topic is the French Revolution.

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<v Speaker 1>Now I'd love to cover the whole thing, but that

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<v Speaker 1>would take at least ten podcasts and like a gallon

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<v Speaker 1>of espresso and a PhD in guillotine technology. So instead,

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<v Speaker 1>we're going to just zoom in on this one really

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<v Speaker 1>tiny but absolutely bonkers episode within the French Revolution, the

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<v Speaker 1>Royal escape attempt that went spectacularly wrong. It's sneaky, it

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<v Speaker 1>is suspenseful, and it turned out to be a massive

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<v Speaker 1>turning point in the entire revolution.

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<v Speaker 2>This is the flight to Vahren. Are you ready?

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<v Speaker 4>Hell?

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<v Speaker 3>Yeah? Man?

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<v Speaker 4>This is so cool. Yeah, expecting to learn so much.

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<v Speaker 4>And you know, I love French stuff.

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<v Speaker 2>What is it you're like about French stuff?

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<v Speaker 3>I love all the jewels that I just stole from

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<v Speaker 3>the Louver. I love the crown. I got.

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<v Speaker 4>I super bummed that I dropped out of the crown,

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<v Speaker 4>but I love like the necklaces and stuff.

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<v Speaker 1>All Right, A quick crash course on the French Revolution

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<v Speaker 1>before we get to our main event here. It all

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<v Speaker 1>started because France was basically broke. The peasants were starving,

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<v Speaker 1>and the monarchy was still out there throwing lavish parties.

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<v Speaker 1>Picture an episode of Succession where they all go to

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<v Speaker 1>a rave and powdered wigs. So the French people were

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<v Speaker 1>just finally like enough, this is enough, and they stormed

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<v Speaker 1>the bast deal and they decided maybe government shouldn't be

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<v Speaker 1>run exclusively by rich douchebags.

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<v Speaker 2>Good good policy.

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<v Speaker 1>I feel like that have any rich douchebags like historically

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<v Speaker 1>have they have any of them nailed it?

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<v Speaker 3>Not that I can.

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<v Speaker 4>I can currently think of. No one's coming to mind

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<v Speaker 4>right now.

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<v Speaker 2>Oh it's rough. It's rough out there for the populations

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<v Speaker 2>run by rich.

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<v Speaker 3>Duchemann, it's not great.

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<v Speaker 2>We'll cut to a couple of.

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<v Speaker 1>Years later and now, and the revolutionaries have taken power

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<v Speaker 1>and King Louis the sixteenth, Marie Antoinette and their kids

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<v Speaker 1>are basically grounded. They're under house arrest, in the Tuiiri

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<v Speaker 1>Palace in the heart of Paris, and the revolutionaries are

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<v Speaker 1>frantically trying to reinvent their entire system of government, which

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<v Speaker 1>is no small task. Marie Antoinette, of course famous for

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<v Speaker 1>the phrase let them eat cake, darn it, which is

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<v Speaker 1>a very rude thing to say when people are starving

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<v Speaker 1>and they can't get can't get bread.

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<v Speaker 3>I know, but I don't think she said that.

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<v Speaker 2>She didn't know.

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<v Speaker 3>I read this book that says she did not say that.

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<v Speaker 3>You know, she didn't say that.

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<v Speaker 2>She didn't say it.

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<v Speaker 3>Yo, she didn't say that.

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<v Speaker 4>If you're gonna come at me like that, like, she

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<v Speaker 4>did not say that, like check check your fat.

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<v Speaker 2>I'm so sorry.

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<v Speaker 1>I was going to all smarty pants and be like,

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<v Speaker 1>but she did it, and you jumped on that.

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<v Speaker 2>And kudos to you for knowing that.

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<v Speaker 1>It originally appeared in Jean Jacques Rousseau's Confessions, which he

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<v Speaker 1>wrote in seventeen sixty six. Marie Antoinette was ten years

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<v Speaker 1>old and she was living in Austria, so obviously, so

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<v Speaker 1>it's early seventeen ninety one. This is before the revolution

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<v Speaker 1>had gone full just like guillotine chopping everybody's heads off,

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<v Speaker 1>and France is now experimenting with this brand new idea,

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<v Speaker 1>the constitutional monarchy, where the king will share power with

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<v Speaker 1>the population. And spoiler alert, King Louis did not like this.

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<v Speaker 1>He was not a fan. The people were rising up

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<v Speaker 1>and he was feeling very threatened by all of this.

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<v Speaker 1>So by June of that year, the revolutionaries were finishing

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<v Speaker 1>up their shiny new constitution codifying all of this, and

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<v Speaker 1>King Louis, ever the people pleaser, was out there pretending

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<v Speaker 1>to be totally chill about it. He was like, yeah,

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<v Speaker 1>let's have parliament run things. I'll just be like a figurehead,

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<v Speaker 1>a decorative monarch, a bit of a like just a

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<v Speaker 1>human chandelier, if you will, hanging over over France. And this,

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<v Speaker 1>of course is right after the actual American Revolution, and

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<v Speaker 1>it does it just raises I don't know, it raises

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<v Speaker 1>this interesting philosophical question for me, Like, oppressed people very

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<v Speaker 1>often rise up at a certain they reach a breaking

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<v Speaker 1>point and they rise up, and then they either choose,

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<v Speaker 1>as the sort of American Revolution and the French revolution,

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<v Speaker 1>that option was democracy or like a representative government like

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<v Speaker 1>down with these bully kings, or the other option is

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<v Speaker 1>an oppressed population will sort of like rise up and

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<v Speaker 1>elevate a strong man who is essentially a cam of sorts,

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<v Speaker 1>And why do you think that happens? I think the

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<v Speaker 1>strong man version is actually more common, and it speaks

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<v Speaker 1>to like something in the human condition or we just

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<v Speaker 1>as free.

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<v Speaker 2>I'm too messy? Is it too complicated or too scary?

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<v Speaker 3>You know what I think it is? I mean not

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<v Speaker 3>to be like so self.

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<v Speaker 4>Serious, but I actually think it has to do with

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<v Speaker 4>like fear and trauma. The American Revolution, It's like a

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<v Speaker 4>lot of those people were like wealthy landowners who were

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<v Speaker 4>like we don't want King George, you know, like we

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<v Speaker 4>want to do our own thing. They weren't really like

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<v Speaker 4>we the people rising up, like they were like wealthy,

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<v Speaker 4>you know, and and and then they they took like

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<v Speaker 4>their education and their wealth and they like made you know,

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<v Speaker 4>a democracy. But like if you're just like traumatized and

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<v Speaker 4>frightened and you you're starving, like of course you're going

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<v Speaker 4>to be like bada and just like replace a bad

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<v Speaker 4>dad with what seems like a good dad, like you know,

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<v Speaker 4>just one thing out of time, let's just get this

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<v Speaker 4>guy or you know, I guess occasionally a lady, but

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<v Speaker 4>it's kind of all it's like always the man, get

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<v Speaker 4>this guy out of here, and like, I think, I

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<v Speaker 4>think new Dad is actually going to be like nice Dad.

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<v Speaker 3>You know, I don't know. That's that's my take on it.

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<v Speaker 3>But you know, I'm a professional clown, not a historian.

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<v Speaker 3>It's just how I feel.

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<v Speaker 2>I think that's a very very sharp take. Well, well

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<v Speaker 2>said King Louis.

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<v Speaker 1>At this point, he's he's kind of kind of freaking out,

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<v Speaker 1>and he's kind of stuck in the middle, pretending everything's

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<v Speaker 1>fine and pretending like he has value and has power,

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<v Speaker 1>but he's he's seeing it all slip away. So he

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<v Speaker 1>and and he's feeling threatened. Also, he's feeling like his

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<v Speaker 1>life and his family are very much in danger now

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<v Speaker 1>in this in the middle of Paris. So he hatches

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<v Speaker 1>this plan. They're going to slip out of Paris. They're

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<v Speaker 1>going to meet up with loyal troops near the border

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<v Speaker 1>and stage a royal comeback, but first they must escape Paris.

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<v Speaker 2>And thus begins the flight to Varen.

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<v Speaker 4>Wow, Okay, can I just ask, like, during this time

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<v Speaker 4>when he's stuck in, when they're stuck in there, is

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<v Speaker 4>he still you know, having like three glazed gooses a day,

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<v Speaker 4>you know what I mean, Like he's still having those

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<v Speaker 4>like crazy elaborate meals and wearing the stuff, just like

0:12:07.240 --> 0:12:09.480
<v Speaker 4>doing all that stuff. Is he still just like all

0:12:09.520 --> 0:12:13.480
<v Speaker 4>procedures are still those like three hour baths or whatever.

0:12:13.800 --> 0:12:19.280
<v Speaker 1>You know, Yeah, a three hour bath with three glazed gooses. Yeah,

0:12:19.360 --> 0:12:22.120
<v Speaker 1>my sense of it, And keep in mind, I'm very

0:12:22.200 --> 0:12:26.200
<v Speaker 1>much falling into the amateur historian category, but my sense

0:12:26.240 --> 0:12:30.480
<v Speaker 1>of it is that this is a scaled back version

0:12:30.520 --> 0:12:34.080
<v Speaker 1>of that. So in Versailles it was a mess, Like

0:12:34.200 --> 0:12:37.920
<v Speaker 1>it was so decadent, the parties, all of the insanity

0:12:38.840 --> 0:12:42.040
<v Speaker 1>leading up to this, right, there had been protest march

0:12:42.120 --> 0:12:46.320
<v Speaker 1>where they actually grabbed the royal family and marched them

0:12:46.360 --> 0:12:50.080
<v Speaker 1>to Paris. And this was a very humbling experience. And

0:12:50.120 --> 0:12:52.680
<v Speaker 1>so yes, they are still in a palace, they're still

0:12:52.800 --> 0:12:56.800
<v Speaker 1>technically royalty. They're still trying to hash out this shared

0:12:57.120 --> 0:13:01.440
<v Speaker 1>leadership idea, the constitutional monarchy, so they're still acting like

0:13:01.559 --> 0:13:03.840
<v Speaker 1>a king and queen. And so I do think there

0:13:03.880 --> 0:13:07.479
<v Speaker 1>are glazed gooses in the mix, and there are crowns

0:13:07.520 --> 0:13:10.720
<v Speaker 1>and fancy attire, but it's not quite what it was

0:13:11.360 --> 0:13:16.120
<v Speaker 1>very recently in Versailles. They've been humbled and they're now scared.

0:13:16.320 --> 0:13:17.040
<v Speaker 3>Okay, got it.

0:13:17.200 --> 0:13:20.520
<v Speaker 1>So the plan they hatch is quite bold. It's like

0:13:20.600 --> 0:13:25.360
<v Speaker 1>total cloak and dagger stuff. Louis was planned to be

0:13:25.520 --> 0:13:29.800
<v Speaker 1>disguised as a valet, Marie as a governess, and they

0:13:29.840 --> 0:13:33.400
<v Speaker 1>would they were posing as the entourage of this fake

0:13:33.520 --> 0:13:36.920
<v Speaker 1>Russian baron and they would slip out of Paris in

0:13:37.040 --> 0:13:39.800
<v Speaker 1>the dark of night, then of course link up with

0:13:39.840 --> 0:13:43.560
<v Speaker 1>their loyal troops and spark a royal comeback. This is

0:13:43.559 --> 0:13:46.960
<v Speaker 1>in theory a flawless plan, but in reality it turned

0:13:46.960 --> 0:13:51.240
<v Speaker 1>into a train wreck or as we will soon see,

0:13:51.480 --> 0:13:55.200
<v Speaker 1>a carriage wreck of sorts. This elaborate plan, it's very

0:13:55.280 --> 0:13:57.320
<v Speaker 1>like I said, it's cloak and daggery. It starts to

0:13:57.360 --> 0:14:01.600
<v Speaker 1>fall apart immediately. The palace made notice the family packing,

0:14:01.679 --> 0:14:04.439
<v Speaker 1>and then it starts asking weird questions like what's going on.

0:14:05.120 --> 0:14:07.960
<v Speaker 1>They have that detachment from reality where they still feel

0:14:08.000 --> 0:14:11.120
<v Speaker 1>like they have to bring like crazy amounts of royal

0:14:11.240 --> 0:14:12.720
<v Speaker 1>luggage and.

0:14:13.120 --> 0:14:16.280
<v Speaker 4>Oh my god, that situation where you're like so rich,

0:14:16.360 --> 0:14:19.640
<v Speaker 4>you don't know anything. It's like, just get out of here, man, Yeah,

0:14:19.760 --> 0:14:22.040
<v Speaker 4>just don't pack a trunk. You don't need your like

0:14:22.240 --> 0:14:25.400
<v Speaker 4>silver bugle or whatever, and like all your pantaloons, like,

0:14:25.480 --> 0:14:26.080
<v Speaker 4>just get out.

0:14:26.720 --> 0:14:28.880
<v Speaker 2>I mean, the silver bugle might come in handy.

0:14:29.080 --> 0:14:30.560
<v Speaker 3>You don't get a bed pad, you don't get it.

0:14:30.680 --> 0:14:32.320
<v Speaker 3>What do they call it? A little the thing that

0:14:33.160 --> 0:14:33.560
<v Speaker 3>you don't get.

0:14:34.440 --> 0:14:36.440
<v Speaker 2>Yeah, there you go. You would have been such a

0:14:36.480 --> 0:14:38.000
<v Speaker 2>better Marie Antoinette.

0:14:38.240 --> 0:14:38.880
<v Speaker 3>Oh my god.

0:14:39.280 --> 0:14:41.400
<v Speaker 2>This delays them like to a day or two.

0:14:41.480 --> 0:14:44.280
<v Speaker 1>And there are as part of the plan, of course,

0:14:44.320 --> 0:14:47.560
<v Speaker 1>there are loyal soldiers, you know, soldiers that are still

0:14:47.560 --> 0:14:50.320
<v Speaker 1>loyal to the king that are supposed to meet up

0:14:50.360 --> 0:14:53.320
<v Speaker 1>with them along the route, and they've been stationed in

0:14:53.440 --> 0:14:58.200
<v Speaker 1>these villages. But when the king isn't showing up, they're

0:14:58.240 --> 0:15:02.680
<v Speaker 1>just these soldiers in these towns, and that's raising questions.

0:15:02.720 --> 0:15:06.640
<v Speaker 1>The peasantry is getting real antsy and like what are

0:15:06.640 --> 0:15:09.080
<v Speaker 1>all these soldiers doing here? This does not feel chill.

0:15:09.440 --> 0:15:11.560
<v Speaker 1>It kind of feels like the National Guard like marching

0:15:11.560 --> 0:15:15.000
<v Speaker 1>into like a normal city, like what people People are

0:15:15.080 --> 0:15:17.560
<v Speaker 1>excited and it upsets people.

0:15:19.080 --> 0:15:22.160
<v Speaker 4>That would be really disconcerting and wrong and feel like

0:15:22.240 --> 0:15:24.360
<v Speaker 4>maybe it's illegal or waiting for a judge to.

0:15:24.360 --> 0:15:28.320
<v Speaker 1>Say I mean yeah, so that's the same vibe going

0:15:28.360 --> 0:15:32.040
<v Speaker 1>on in in these villages, and that wasn't the only delay.

0:15:32.200 --> 0:15:36.360
<v Speaker 1>So it's finally time to ski daddle, and now the

0:15:36.400 --> 0:15:40.280
<v Speaker 1>commander of the Palace guard has decided it's the perfect

0:15:40.280 --> 0:15:42.880
<v Speaker 1>time for like an hour's long chit chat with the king.

0:15:43.320 --> 0:15:47.600
<v Speaker 1>Fun fact, the commander of the guards was none other.

0:15:47.600 --> 0:15:51.640
<v Speaker 2>Than the Marquis de la Fayette, who.

0:15:51.920 --> 0:15:54.240
<v Speaker 1>Played a huge role in the American Revolution and now

0:15:54.240 --> 0:15:55.400
<v Speaker 1>he's back home.

0:15:55.760 --> 0:15:56.920
<v Speaker 2>Yeah this is from Hamilton.

0:15:59.080 --> 0:16:02.080
<v Speaker 4>Oh my gosh, I haven't actually seen Hamilton, but I

0:16:02.080 --> 0:16:03.840
<v Speaker 4>guess I should know that just because of like history.

0:16:03.880 --> 0:16:09.240
<v Speaker 3>I don't. It's I don't. I just I don't. I

0:16:09.280 --> 0:16:10.560
<v Speaker 3>don't go to a lot of plays.

0:16:11.640 --> 0:16:13.440
<v Speaker 2>This is over. This is over.

0:16:14.200 --> 0:16:16.760
<v Speaker 4>I know, I know, I like, I don't know why

0:16:16.760 --> 0:16:19.680
<v Speaker 4>I admit it that. I just I swear to God,

0:16:19.760 --> 0:16:22.080
<v Speaker 4>like I haven't. I don't think I've ever been to

0:16:22.160 --> 0:16:22.760
<v Speaker 4>a Broadway.

0:16:23.240 --> 0:16:26.080
<v Speaker 2>Are you serious? I'm taking it.

0:16:26.160 --> 0:16:28.360
<v Speaker 4>Yeah. I was supposed to go see Waiting for GOODO

0:16:28.600 --> 0:16:30.920
<v Speaker 4>like two weeks ago, and our daughter got sick.

0:16:30.800 --> 0:16:31.320
<v Speaker 3>So we didn't.

0:16:31.640 --> 0:16:33.320
<v Speaker 2>So you're still waiting to see Waiting for GOODO.

0:16:34.160 --> 0:16:36.840
<v Speaker 3>I don't know if you're still him.

0:16:37.040 --> 0:16:37.640
<v Speaker 4>I don't.

0:16:38.040 --> 0:16:39.720
<v Speaker 3>I didn't know if they found him.

0:16:39.800 --> 0:16:41.800
<v Speaker 4>But yeah, no, I just like for a while when

0:16:41.800 --> 0:16:43.160
<v Speaker 4>I lived in New York and I was a student.

0:16:43.280 --> 0:16:45.239
<v Speaker 3>I didn't have enough, like I don't have the extra.

0:16:45.000 --> 0:16:47.240
<v Speaker 2>Money to go to Broadway, and then time.

0:16:47.760 --> 0:16:51.560
<v Speaker 3>I just gave up, and then I don't know anyway.

0:16:51.680 --> 0:16:56.080
<v Speaker 1>The Marquisa Lafayette is played masterfully by Dovey Diggs.

0:16:56.280 --> 0:16:56.760
<v Speaker 3>Oh cool.

0:16:57.120 --> 0:17:00.800
<v Speaker 1>The Marquisa Lafyette is a fascinating he deserves his own podcast.

0:17:01.000 --> 0:17:04.800
<v Speaker 1>He like basically went to America and was like, hey,

0:17:04.840 --> 0:17:07.160
<v Speaker 1>George Washington, I'm here to help. I just think your

0:17:07.200 --> 0:17:09.960
<v Speaker 1>whole cause is awesome. He was a major force in

0:17:09.960 --> 0:17:13.080
<v Speaker 1>the American Revolution. Then he went back to France and

0:17:13.119 --> 0:17:16.120
<v Speaker 1>now he's sympathetic with the revolutionaries in France, and he's

0:17:16.119 --> 0:17:18.800
<v Speaker 1>been put in charge of keeping an eye on King Louis,

0:17:18.960 --> 0:17:22.800
<v Speaker 1>And of course they have a very professional but fraught

0:17:22.960 --> 0:17:26.919
<v Speaker 1>relationship because he's guarding him essentially from the mobs, but

0:17:27.080 --> 0:17:31.359
<v Speaker 1>also from escaping or from so anyway, they have a

0:17:31.400 --> 0:17:35.920
<v Speaker 1>long chat, but it delays the escape even further. Now,

0:17:36.280 --> 0:17:41.240
<v Speaker 1>despite all the delays, King Louis is still rare and

0:17:41.320 --> 0:17:46.320
<v Speaker 1>to go, and they sneak out down a back staircase

0:17:46.359 --> 0:17:50.600
<v Speaker 1>of the palace and here's where just the sort of

0:17:50.640 --> 0:17:52.359
<v Speaker 1>like cartoon mistape.

0:17:52.680 --> 0:17:53.880
<v Speaker 3>He missed us.

0:17:53.680 --> 0:17:57.000
<v Speaker 1>Begin like this is where it becomes like Keystone cops.

0:17:57.040 --> 0:17:58.480
<v Speaker 3>Now.

0:17:59.280 --> 0:18:03.879
<v Speaker 1>So the original had called for fast carriages, right, they

0:18:03.880 --> 0:18:06.280
<v Speaker 1>would get into like a little clump of carriages and

0:18:06.400 --> 0:18:09.240
<v Speaker 1>be on their way. But this did not sit well

0:18:09.280 --> 0:18:12.520
<v Speaker 1>with Marie Antoinette. She wanted to keep the family together,

0:18:13.320 --> 0:18:16.800
<v Speaker 1>which is understandable. If they got separated it could get scary.

0:18:17.080 --> 0:18:23.560
<v Speaker 1>But unfortunately this also changed the entire journey because they

0:18:23.600 --> 0:18:27.040
<v Speaker 1>wound up in this enormous carriage. So the coach itself

0:18:27.320 --> 0:18:31.680
<v Speaker 1>was a loaner from Axel von Farson. The younger who

0:18:31.880 --> 0:18:35.879
<v Speaker 1>happened to be this is debated, but many think he

0:18:36.000 --> 0:18:40.840
<v Speaker 1>was actually Marie Antoinette's dashing Swedish lover. What is documented

0:18:40.920 --> 0:18:43.320
<v Speaker 1>is he sent her tons of flowers over the years.

0:18:43.400 --> 0:18:45.399
<v Speaker 1>We have an artistic rendering of Axle here. Let's take

0:18:45.400 --> 0:18:46.760
<v Speaker 1>a gander at this this guy.

0:18:46.840 --> 0:18:52.120
<v Speaker 3>Oh wow, look at those peepers. Yeah right, I mean

0:18:54.200 --> 0:18:59.399
<v Speaker 3>what not sure? I'm not sure what I think.

0:18:59.440 --> 0:19:02.880
<v Speaker 4>The person that painted his picture did a pretty weird job.

0:19:02.960 --> 0:19:05.000
<v Speaker 4>It looks like he looks like you know when sometimes

0:19:05.080 --> 0:19:08.639
<v Speaker 4>people wear those George Washington masks, like like they have

0:19:08.880 --> 0:19:12.040
<v Speaker 4>George Washington. You have your own face on the bottom,

0:19:12.040 --> 0:19:14.040
<v Speaker 4>and then you like put George Washington over your like

0:19:14.840 --> 0:19:16.959
<v Speaker 4>you know where a raccoon mask would be.

0:19:17.000 --> 0:19:18.280
<v Speaker 3>Those look like two different faces.

0:19:18.600 --> 0:19:19.600
<v Speaker 2>Yeah, no, you're right.

0:19:19.760 --> 0:19:22.920
<v Speaker 1>But what I do love about this he's so smug,

0:19:23.240 --> 0:19:27.320
<v Speaker 1>Like he's like so smarmy and like you can get

0:19:27.600 --> 0:19:29.840
<v Speaker 1>like the sex appeal of someone like that.

0:19:30.720 --> 0:19:32.640
<v Speaker 3>Oh my gosh, you could.

0:19:32.440 --> 0:19:33.800
<v Speaker 2>Get lost in those eyebrows.

0:19:34.240 --> 0:19:40.560
<v Speaker 4>That's a look of placid, perverted, deliberate entitlement.

0:19:41.160 --> 0:19:44.600
<v Speaker 3>Yeah, he just does not care.

0:19:49.160 --> 0:19:52.960
<v Speaker 1>This carriage was massive and extremely conspicuous. One historian called

0:19:52.960 --> 0:19:59.800
<v Speaker 1>the paint job quite eye catching, yellow and black or golden,

0:20:00.400 --> 0:20:05.440
<v Speaker 1>and there were three bodyguards also dressed in jaunty clothes. Basically,

0:20:05.440 --> 0:20:09.200
<v Speaker 1>in today's terms, this would be like a limousine painted

0:20:09.200 --> 0:20:12.520
<v Speaker 1>like a bumblebee. This is kind of a picture. On

0:20:12.560 --> 0:20:15.359
<v Speaker 1>top of the pain job, that the carriage itself was

0:20:15.400 --> 0:20:19.440
<v Speaker 1>so heavy that it required frequent stops to change horses.

0:20:19.840 --> 0:20:23.520
<v Speaker 1>And this is this is where King Louis got himself

0:20:23.560 --> 0:20:27.840
<v Speaker 1>into even more trouble because King Louie believed that the

0:20:27.880 --> 0:20:31.520
<v Speaker 1>people of Paris obviously were against him, the mobs were rallying,

0:20:31.840 --> 0:20:35.320
<v Speaker 1>but he still thought that the country folk that people

0:20:35.359 --> 0:20:40.280
<v Speaker 1>out in the countryside were royalists and supported him, so

0:20:40.320 --> 0:20:43.000
<v Speaker 1>he would actually get out and start chatting people up

0:20:43.560 --> 0:20:47.120
<v Speaker 1>and just kind of like being totally transparent.

0:20:46.640 --> 0:20:51.600
<v Speaker 2>Like was up, everybody, it's your king, high five. Oh

0:20:51.240 --> 0:20:53.400
<v Speaker 2>this was not smart.

0:20:54.880 --> 0:20:57.920
<v Speaker 1>And even when they were rolling along, apparently he would

0:20:57.960 --> 0:20:59.720
<v Speaker 1>like hang his head out the carriage window and just

0:20:59.760 --> 0:21:04.000
<v Speaker 1>be like, what's up, it's me your fabulous dream. He

0:21:04.119 --> 0:21:06.760
<v Speaker 1>kind of felt like he was the Beatles in the sixties.

0:21:06.760 --> 0:21:09.080
<v Speaker 1>And I'm just I just I don't know if this

0:21:09.320 --> 0:21:13.120
<v Speaker 1>was savvy. This feels like ego getting in the way

0:21:13.160 --> 0:21:14.959
<v Speaker 1>of good judgment.

0:21:15.119 --> 0:21:17.840
<v Speaker 4>USh, what a dumb dumb like his whoever were his

0:21:17.960 --> 0:21:20.680
<v Speaker 4>like devoted handlers must have just been like, oh my god,

0:21:21.000 --> 0:21:23.520
<v Speaker 4>just try to keep him inside the thing. Yeah, Like,

0:21:23.680 --> 0:21:26.439
<v Speaker 4>kid doesn't get it. He doesn't really get it, you know.

0:21:27.040 --> 0:21:30.679
<v Speaker 1>I think there is something like when we see that

0:21:31.000 --> 0:21:35.760
<v Speaker 1>a lot of these tech titans today, you know that

0:21:35.760 --> 0:21:40.600
<v Speaker 1>that have so much wealth and so much power and

0:21:40.720 --> 0:21:45.520
<v Speaker 1>access there, does their behavior does start to betray Like

0:21:46.359 --> 0:21:49.040
<v Speaker 1>you don't really know what's going on in the world,

0:21:49.119 --> 0:21:52.520
<v Speaker 1>and you don't even really know how people behave anymore,

0:21:52.840 --> 0:21:56.320
<v Speaker 1>Like you're clearly detached from a sense of like normal

0:21:56.400 --> 0:22:00.960
<v Speaker 1>decorum or just normal kind of like people interface.

0:22:01.720 --> 0:22:05.240
<v Speaker 4>Yeah, yeah, like no sense of like what sort of

0:22:05.440 --> 0:22:08.480
<v Speaker 4>on the ground risk looks like like in a social

0:22:08.560 --> 0:22:13.120
<v Speaker 4>slash relational way, it's like, hey, whoa like a lot

0:22:13.200 --> 0:22:15.239
<v Speaker 4>of us would not do that. You shouldn't do that

0:22:15.280 --> 0:22:18.760
<v Speaker 4>thing that you just did, really weird touch.

0:22:19.240 --> 0:22:22.600
<v Speaker 1>The royal family was just to be a little more specific,

0:22:22.640 --> 0:22:26.200
<v Speaker 1>they were heading to mont medi, which is a fortress

0:22:26.240 --> 0:22:29.600
<v Speaker 1>town near today's Belgium, and that is where Louis was

0:22:29.600 --> 0:22:34.960
<v Speaker 1>hoping to regroup and then negotiate safely with the French

0:22:35.160 --> 0:22:38.880
<v Speaker 1>National Assembly. But when they reached their first rendezvous point

0:22:38.960 --> 0:22:42.760
<v Speaker 1>to meet up with loyal soldiers who would hopefully escort them,

0:22:43.119 --> 0:22:47.360
<v Speaker 1>no one was there, of course, because they had waited

0:22:47.400 --> 0:22:50.880
<v Speaker 1>and waited and the things had gotten weird with the villagers,

0:22:50.880 --> 0:22:55.080
<v Speaker 1>and the soldiers had left definitely giving like Griswold family

0:22:55.200 --> 0:22:59.480
<v Speaker 1>arriving at wally World vibes just like nothing, there's nothing there,

0:23:00.119 --> 0:23:04.600
<v Speaker 1>just maybe John Candy in a security guard outfit and

0:23:04.640 --> 0:23:07.000
<v Speaker 1>that's all you get. These soldiers that all figure the

0:23:07.040 --> 0:23:11.560
<v Speaker 1>plan was off and they didn't want to hang around

0:23:11.640 --> 0:23:14.760
<v Speaker 1>and like raise more friction with all these villagers and

0:23:14.800 --> 0:23:17.840
<v Speaker 1>so they'd just taken off. I personally don't blame them.

0:23:18.080 --> 0:23:20.480
<v Speaker 1>That feels like they were in a very awkward position.

0:23:21.400 --> 0:23:26.000
<v Speaker 1>And meanwhile, this giant bumblebee carriage had to stop and

0:23:26.080 --> 0:23:29.160
<v Speaker 1>change horses yet again. And of course Louie is out

0:23:29.160 --> 0:23:33.840
<v Speaker 1>peacocking around and naturally he's spotted by people who are

0:23:33.880 --> 0:23:36.960
<v Speaker 1>recognizing him, and unfortunately he's also spotted by.

0:23:36.880 --> 0:23:39.960
<v Speaker 2>People who don't actually support him.

0:23:40.200 --> 0:23:42.760
<v Speaker 4>Wow, and they're bold, right, Like, I bet they're really

0:23:42.880 --> 0:23:43.640
<v Speaker 4>really angry.

0:23:43.680 --> 0:23:45.240
<v Speaker 3>Also, where are they getting the horses?

0:23:45.600 --> 0:23:45.679
<v Speaker 1>Like?

0:23:45.760 --> 0:23:50.320
<v Speaker 3>Where are they? Where are the horse people leave?

0:23:50.720 --> 0:23:53.000
<v Speaker 4>Yes, because it's like if the soldiers left, Like it's

0:23:53.000 --> 0:23:56.560
<v Speaker 4>super weird for the horse reinforcements to stay.

0:23:56.880 --> 0:23:59.440
<v Speaker 1>Well, but horse reinforcement people they're not going to raise

0:23:59.480 --> 0:24:02.600
<v Speaker 1>any eyebrows, Like that's just part of eighteenth century logistics, right,

0:24:02.640 --> 0:24:06.680
<v Speaker 1>there's just always horses and people like taking care of horses.

0:24:07.080 --> 0:24:08.719
<v Speaker 3>They're totally they're flush with horses.

0:24:08.720 --> 0:24:10.480
<v Speaker 4>I get it, But it's just weird that if they're

0:24:10.520 --> 0:24:14.080
<v Speaker 4>all on the same operation, why can't a horse person

0:24:14.119 --> 0:24:17.440
<v Speaker 4>be like, wait, wait, I know you guys, I feel

0:24:17.520 --> 0:24:20.720
<v Speaker 4>uncomfortable here, but just stay because he is coming, Like.

0:24:21.000 --> 0:24:23.240
<v Speaker 3>Or did they not? I mean know, that they were

0:24:23.280 --> 0:24:24.440
<v Speaker 3>all part of something.

0:24:24.800 --> 0:24:28.280
<v Speaker 1>Well, here's another thing I don't know about horse logistics. Yeah,

0:24:28.840 --> 0:24:31.960
<v Speaker 1>if if you pre plan all your horse changes, or

0:24:32.000 --> 0:24:34.000
<v Speaker 1>if it's more like a gas station and you just

0:24:34.000 --> 0:24:36.879
<v Speaker 1>stop and you're like, hey, can we trade you these

0:24:36.960 --> 0:24:40.360
<v Speaker 1>like travel horses for your fresh horses?

0:24:40.680 --> 0:24:42.000
<v Speaker 3>I bet it was that. Yeah.

0:24:42.040 --> 0:24:43.760
<v Speaker 4>I bet they're just going being like, give me a

0:24:43.960 --> 0:24:45.720
<v Speaker 4>gi give me the horse, like give it, give me

0:24:45.720 --> 0:24:47.399
<v Speaker 4>your horse right now. We need it.

0:24:47.400 --> 0:24:48.040
<v Speaker 3>We can't say why.

0:24:48.080 --> 0:24:52.360
<v Speaker 4>But then the king would be like popping out of

0:24:51.560 --> 0:24:53.480
<v Speaker 4>that royal.

0:24:53.960 --> 0:24:57.760
<v Speaker 3>Like Rolly Polly popping out with mustard on his.

0:24:57.760 --> 0:24:59.400
<v Speaker 2>Face in there.

0:25:00.400 --> 0:25:03.639
<v Speaker 3>Geez, get back in the bumblebee, louis all right.

0:25:03.640 --> 0:25:05.560
<v Speaker 1>Well, one of the people who recognized them was a

0:25:05.600 --> 0:25:11.440
<v Speaker 1>postman who was furious that the king was escaping and

0:25:11.720 --> 0:25:14.680
<v Speaker 1>jumped on his horse and dashed ahead of the carriage

0:25:14.760 --> 0:25:19.080
<v Speaker 1>to the town of Varenn, which is only thirty miles

0:25:19.200 --> 0:25:22.919
<v Speaker 1>from their final destination of Malmetti. It's so close. This

0:25:23.000 --> 0:25:25.800
<v Speaker 1>guy got to Varenn ahead of them. He warned the town,

0:25:25.880 --> 0:25:28.560
<v Speaker 1>and of course, so when the carriage rolled in u

0:25:29.040 --> 0:25:32.160
<v Speaker 1>there was a roadblock and all of the local officials

0:25:32.200 --> 0:25:37.480
<v Speaker 1>and guardsmen. They were out to snag the king. Oh

0:25:37.480 --> 0:25:42.000
<v Speaker 1>and they surrounded the carriage and the royal escape was over?

0:25:42.720 --> 0:25:43.440
<v Speaker 3>Oh my god?

0:25:43.520 --> 0:25:46.639
<v Speaker 4>And were they dressed as a governess and a what

0:25:46.800 --> 0:25:48.720
<v Speaker 4>was the other guy was? What was the king going

0:25:48.800 --> 0:25:49.000
<v Speaker 4>to be?

0:25:49.800 --> 0:25:52.040
<v Speaker 1>He was going to be a valet, But it seems

0:25:52.119 --> 0:25:55.040
<v Speaker 1>like he had a real hard time with that role,

0:25:57.320 --> 0:25:59.119
<v Speaker 1>Like not only did he have no idea how a

0:25:59.200 --> 0:26:02.040
<v Speaker 1>valet should be, a he probably was like these clothes

0:26:02.080 --> 0:26:03.359
<v Speaker 1>are very uncomfortable.

0:26:04.040 --> 0:26:07.400
<v Speaker 2>Yeah, yeah, yeah, can I just wear my royal robe?

0:26:07.640 --> 0:26:10.159
<v Speaker 1>Just? I mean, just, I mean, I'll still pretend to

0:26:10.240 --> 0:26:12.439
<v Speaker 1>be a vout if anyone asks me, but I just

0:26:12.480 --> 0:26:13.480
<v Speaker 1>need to be comfortable.

0:26:13.800 --> 0:26:14.760
<v Speaker 3>Comfortable. Yeah.

0:26:14.800 --> 0:26:19.000
<v Speaker 4>Wow, it's so stressful that they went in that big carriage.

0:26:19.200 --> 0:26:24.520
<v Speaker 1>It does reek of just a total misunderstanding, a misreading,

0:26:24.880 --> 0:26:27.880
<v Speaker 1>a sort of like like I'm with you, like going

0:26:27.920 --> 0:26:30.600
<v Speaker 1>back to just the prep, like don't pack.

0:26:31.320 --> 0:26:33.280
<v Speaker 2>Just by the way.

0:26:33.400 --> 0:26:39.159
<v Speaker 1>They're going to Austria, which is where Marie Antoinette is from.

0:26:39.600 --> 0:26:44.000
<v Speaker 1>Her brother is the king of Austria, so like they're

0:26:44.040 --> 0:26:46.399
<v Speaker 1>gonna be fine, just get there.

0:26:46.560 --> 0:26:49.840
<v Speaker 4>It doesn't make any sense, but you're right that it

0:26:49.880 --> 0:26:52.200
<v Speaker 4>does make sense when it's like they're.

0:26:52.080 --> 0:26:55.359
<v Speaker 3>Really they're feeling fear, a fear.

0:26:55.359 --> 0:26:58.160
<v Speaker 4>That feels serious and that they're probably not used to feeling,

0:26:58.600 --> 0:27:01.800
<v Speaker 4>but they can't exactly make them like sort of like

0:27:01.960 --> 0:27:05.320
<v Speaker 4>cognitive leap, like the understanding to realize that that fear

0:27:05.560 --> 0:27:09.560
<v Speaker 4>is also because a context has completely changed and they're

0:27:09.640 --> 0:27:13.199
<v Speaker 4>still like operating in the old context. And that is

0:27:13.440 --> 0:27:16.840
<v Speaker 4>really that's kind of like a lesson for all of us.

0:27:16.960 --> 0:27:19.400
<v Speaker 4>It's like you actually just have to do a bunch

0:27:19.400 --> 0:27:22.440
<v Speaker 4>of really new stuff, like just drop it and go, yeah,

0:27:22.800 --> 0:27:24.280
<v Speaker 4>don't do any of your old stuff.

0:27:24.400 --> 0:27:26.880
<v Speaker 1>Oh, you are so on point, and you're actually like

0:27:27.440 --> 0:27:33.240
<v Speaker 1>giving me like terror chills right now because I keep

0:27:33.280 --> 0:27:36.120
<v Speaker 1>having this feeling that like America is changing and it

0:27:36.160 --> 0:27:41.680
<v Speaker 1>won't ever change back. It's not gonna be chill. We're

0:27:41.680 --> 0:27:46.000
<v Speaker 1>in this weird h Yeah, it feels like the storm

0:27:46.000 --> 0:27:47.760
<v Speaker 1>clouds are gathering and they're just not going to go

0:27:47.800 --> 0:27:48.960
<v Speaker 1>away totally.

0:27:49.000 --> 0:27:51.239
<v Speaker 4>And also I mean not to get to become too

0:27:51.320 --> 0:27:53.719
<v Speaker 4>much of a bummer, but like that is the story

0:27:53.720 --> 0:27:55.960
<v Speaker 4>of like half of my Like my grandmother was a

0:27:56.000 --> 0:28:00.199
<v Speaker 4>Holocaust survivor because her family literally did leave Paris with

0:28:00.240 --> 0:28:02.560
<v Speaker 4>nothing and went in like hid in the woods for years.

0:28:02.560 --> 0:28:04.720
<v Speaker 4>But half of the family, like didn't do that because

0:28:04.760 --> 0:28:07.639
<v Speaker 4>it's like in what when you're like you're just like

0:28:07.720 --> 0:28:10.040
<v Speaker 4>middle class in Paris, like living in an apartment and

0:28:10.080 --> 0:28:12.320
<v Speaker 4>you have a new couch and you run like a

0:28:12.359 --> 0:28:15.680
<v Speaker 4>pocket book and wallet and hat business. Like, the idea

0:28:15.800 --> 0:28:19.080
<v Speaker 4>that your life would change that much it just doesn't

0:28:19.119 --> 0:28:21.280
<v Speaker 4>feel reasonable.

0:28:21.359 --> 0:28:22.680
<v Speaker 3>It's like, it's really hard to.

0:28:22.640 --> 0:28:27.240
<v Speaker 4>Take action in a way that is completely uncharacteristic or

0:28:27.440 --> 0:28:30.280
<v Speaker 4>disconnected from from everything that you've seen in life, even

0:28:30.320 --> 0:28:31.679
<v Speaker 4>if you've seen it happen to other people.

0:28:31.960 --> 0:28:34.280
<v Speaker 2>You know, yeah, oh man, it's so hard to.

0:28:34.240 --> 0:28:36.639
<v Speaker 3>Compare on a bumblebee carriage or whatever, you know.

0:28:37.040 --> 0:28:41.880
<v Speaker 1>And if your life is so gilded as as as

0:28:41.920 --> 0:28:46.120
<v Speaker 1>a royal person, like, it's that changes even harder. It's

0:28:46.160 --> 0:28:49.800
<v Speaker 1>even it's so much more dramatic feeling, oh but all

0:28:49.800 --> 0:28:50.800
<v Speaker 1>the more necessary.

0:28:50.960 --> 0:28:52.920
<v Speaker 2>All right, So now this is interesting.

0:28:52.960 --> 0:28:54.920
<v Speaker 1>They had they had at least taken the step of

0:28:54.960 --> 0:28:57.640
<v Speaker 1>putting together some false papers in case they were stopped

0:28:57.680 --> 0:29:01.280
<v Speaker 1>like this, so they did have past like passports, et cetera.

0:29:02.400 --> 0:29:06.880
<v Speaker 1>But there's a final twist, which is that the officials,

0:29:07.160 --> 0:29:10.280
<v Speaker 1>because of course they didn't this was pre photography, like

0:29:10.280 --> 0:29:13.440
<v Speaker 1>they didn't they couldn't like positively I d the king

0:29:14.200 --> 0:29:18.040
<v Speaker 1>unless there was someone that they that they could verify

0:29:18.280 --> 0:29:21.440
<v Speaker 1>knew the king. There was one instance of somebody sort

0:29:21.440 --> 0:29:24.120
<v Speaker 1>of seeing his likeness on a piece of money, I believe,

0:29:24.160 --> 0:29:27.160
<v Speaker 1>a coin, and that was sort of a hint, like

0:29:27.480 --> 0:29:29.520
<v Speaker 1>we think, we think it's the king because he resembles

0:29:29.560 --> 0:29:32.160
<v Speaker 1>the you know, this piece of money. Eventually they got

0:29:32.160 --> 0:29:34.720
<v Speaker 1>someone they they knew had visited the king, and I

0:29:34.760 --> 0:29:37.680
<v Speaker 1>believe this person was a loyalist to the king. But

0:29:37.720 --> 0:29:42.240
<v Speaker 1>they brought him in too positively, I d and uh,

0:29:42.640 --> 0:29:44.840
<v Speaker 1>you know, you would think this guy showing up would

0:29:44.880 --> 0:29:46.680
<v Speaker 1>would be if he liked the king, he'd be.

0:29:46.640 --> 0:29:48.240
<v Speaker 2>Like, oh, I don't know, I don't know, maybe maybe

0:29:48.240 --> 0:29:48.800
<v Speaker 2>it's not the king.

0:29:49.800 --> 0:29:51.480
<v Speaker 1>But when but when they brought him in, he was

0:29:51.480 --> 0:29:55.280
<v Speaker 1>so overcome by seeing the king in the flesh that

0:29:55.320 --> 0:30:00.760
<v Speaker 1>he actually bowed down on one knee and immediately gave

0:30:00.760 --> 0:30:03.320
<v Speaker 1>it away. So they were like, yep, we got him,

0:30:03.400 --> 0:30:08.400
<v Speaker 1>we got the king. He's positively idd darn it. The irony,

0:30:08.440 --> 0:30:12.400
<v Speaker 1>of course, being that this is the treatment he'd been

0:30:12.440 --> 0:30:14.800
<v Speaker 1>hoping for from all of us, right from all the

0:30:14.840 --> 0:30:16.840
<v Speaker 1>country folk, the whole time.

0:30:17.280 --> 0:30:19.880
<v Speaker 2>But this is game over, this is it? And is

0:30:19.920 --> 0:30:22.640
<v Speaker 2>this like the end. So when the royal.

0:30:22.400 --> 0:30:26.040
<v Speaker 1>Family was caught in varn they were held until revolutionary

0:30:26.040 --> 0:30:30.680
<v Speaker 1>soldiers arrived to drag them back to Paris. Descriptions of

0:30:30.720 --> 0:30:34.800
<v Speaker 1>their return to the city of Paris are very dramatic.

0:30:34.840 --> 0:30:38.360
<v Speaker 1>Apparently it was just dead silent, like the mobs were out,

0:30:38.600 --> 0:30:43.000
<v Speaker 1>but it was dead silent. I believe Ropespierre had warned everyone,

0:30:43.320 --> 0:30:45.640
<v Speaker 1>if you cheer for the king, you'll be punished, or

0:30:45.760 --> 0:30:49.880
<v Speaker 1>if you jeer or ridicule the king, you will also

0:30:49.920 --> 0:30:52.520
<v Speaker 1>be punished. So people were.

0:30:53.480 --> 0:30:55.720
<v Speaker 2>Were dead quiet, which is spooky, right.

0:30:55.640 --> 0:30:56.160
<v Speaker 3>Oh my god.

0:30:56.640 --> 0:30:58.680
<v Speaker 4>First of all, there's nothing worse, I think than the

0:30:58.760 --> 0:31:02.720
<v Speaker 4>silent treatment. It is such an insane power grab. It's

0:31:02.760 --> 0:31:07.760
<v Speaker 4>absolutely so humiliating and obviously impossible to decipher except for

0:31:07.840 --> 0:31:11.160
<v Speaker 4>that something is wrong. And then to have everybody like

0:31:11.960 --> 0:31:15.480
<v Speaker 4>all of Paris, all of Paris.

0:31:15.360 --> 0:31:20.160
<v Speaker 2>You're rolling into town. Yeah, it's just like are you

0:31:20.200 --> 0:31:20.800
<v Speaker 2>looking out the way?

0:31:20.800 --> 0:31:26.440
<v Speaker 4>They're like, hi, So we're sorry, We're just gonna shuffle

0:31:26.480 --> 0:31:28.120
<v Speaker 4>forward a bit, We're gonna switch back.

0:31:29.360 --> 0:31:31.440
<v Speaker 2>Are you guys, Are you guys mad?

0:31:31.760 --> 0:31:36.080
<v Speaker 4>Or like? And it's such a such a message of control,

0:31:36.280 --> 0:31:39.440
<v Speaker 4>like if you're you know, trying to say like you know,

0:31:39.480 --> 0:31:41.680
<v Speaker 4>the power should belong to the people, and the people

0:31:41.720 --> 0:31:46.080
<v Speaker 4>who are so impassioned are able to also control themselves

0:31:46.120 --> 0:31:49.560
<v Speaker 4>and agree amongst themselves so much that they're all deadly

0:31:49.720 --> 0:31:54.440
<v Speaker 4>still and quiet. That is that's extraordinary.

0:31:54.680 --> 0:31:56.440
<v Speaker 2>It is. It's sad.

0:31:56.960 --> 0:31:58.200
<v Speaker 3>It's a major move.

0:31:58.240 --> 0:31:59.880
<v Speaker 4>I don't think we'd be able to do that right

0:31:59.880 --> 0:32:08.240
<v Speaker 4>now in ours purerect in our realm.

0:32:08.440 --> 0:32:12.000
<v Speaker 1>A group of royal supporters at this point were trying

0:32:12.000 --> 0:32:14.200
<v Speaker 1>to kind of like spin the story to help the

0:32:14.280 --> 0:32:17.440
<v Speaker 1>king save face, and they came up with this story

0:32:17.480 --> 0:32:21.560
<v Speaker 1>that he'd been kidnapped by sinister foreign agents who actually

0:32:21.560 --> 0:32:22.920
<v Speaker 1>wanted to invade France.

0:32:23.200 --> 0:32:26.360
<v Speaker 3>Not bad, you know, I mean, it doesn't seem like

0:32:26.360 --> 0:32:27.160
<v Speaker 3>that's what happened.

0:32:27.960 --> 0:32:30.480
<v Speaker 2>Yeah, And it's a good try.

0:32:31.640 --> 0:32:35.320
<v Speaker 1>It doesn't really pass the smell test because the biggest

0:32:35.360 --> 0:32:38.840
<v Speaker 1>problem with the foreigners kidnapped the poor king story is

0:32:38.880 --> 0:32:42.600
<v Speaker 1>that before they left the palace, the King Louis had

0:32:42.600 --> 0:32:46.120
<v Speaker 1>written a manifesto of sorts. He had said that all

0:32:46.160 --> 0:32:51.320
<v Speaker 1>of his earlier agreements with the National Assembly that supported

0:32:51.320 --> 0:32:53.720
<v Speaker 1>the Constitution, that all of that stuff was a lie,

0:32:54.440 --> 0:32:57.840
<v Speaker 1>and that he had really just been buying time while

0:32:57.840 --> 0:33:00.360
<v Speaker 1>he planned to retake the throne. And retake the entry

0:33:00.400 --> 0:33:03.880
<v Speaker 1>from the revolutionary government. So he basically like laid out all,

0:33:04.400 --> 0:33:08.480
<v Speaker 1>you know, thinking that he would be Ye, well, he

0:33:08.560 --> 0:33:11.080
<v Speaker 1>thought he thought he was escaping, and so he basically

0:33:11.120 --> 0:33:16.120
<v Speaker 1>was leaving his his kind of like thoughts behind so

0:33:16.160 --> 0:33:19.000
<v Speaker 1>that people would understand and that hopefully maybe he might

0:33:19.080 --> 0:33:23.400
<v Speaker 1>rally some support, I guess, And he thought he would

0:33:23.400 --> 0:33:26.200
<v Speaker 1>be coming back from a from a more from a

0:33:26.240 --> 0:33:29.520
<v Speaker 1>position of power to say like, hey, I'm here, it's time.

0:33:29.360 --> 0:33:30.320
<v Speaker 2>To negotiate with me.

0:33:31.160 --> 0:33:35.040
<v Speaker 1>We're going to restore the monarchy, right, But but he

0:33:35.120 --> 0:33:38.400
<v Speaker 1>actually was just kind of humiliated, and this turned out

0:33:38.440 --> 0:33:41.560
<v Speaker 1>to be one of the primary pieces of evidence against

0:33:41.600 --> 0:33:43.480
<v Speaker 1>him at trial.

0:33:43.680 --> 0:33:45.360
<v Speaker 3>Look, you got to keep your paperwork straight.

0:33:45.400 --> 0:33:48.040
<v Speaker 4>You got to you gotta really think about when you're

0:33:48.040 --> 0:33:49.080
<v Speaker 4>going to show your papers.

0:33:49.560 --> 0:33:53.800
<v Speaker 1>This was a huge turning point in the revolution because

0:33:54.960 --> 0:33:57.719
<v Speaker 1>to the extent that there was a belief that they

0:33:57.720 --> 0:34:02.160
<v Speaker 1>could make this constitutional monarchy work and that they could

0:34:02.240 --> 0:34:09.040
<v Speaker 1>sort of share power between a figurehead monarch and representatives

0:34:09.120 --> 0:34:09.760
<v Speaker 1>of the people.

0:34:10.239 --> 0:34:12.040
<v Speaker 2>This escape attempt.

0:34:12.000 --> 0:34:14.759
<v Speaker 1>Just blew that out of the water, and all of

0:34:14.800 --> 0:34:18.600
<v Speaker 1>a sudden, now the revolutionaries are furious at the monarchy.

0:34:18.920 --> 0:34:24.839
<v Speaker 1>They're furious at the king, and they want him, they

0:34:24.880 --> 0:34:28.600
<v Speaker 1>want him gone, and the monarchy was fully abolished by

0:34:28.640 --> 0:34:31.799
<v Speaker 1>the revolutionary government in seventeen ninety two. All of this,

0:34:31.920 --> 0:34:35.160
<v Speaker 1>the escape attempt, and the letter that he'd left behind,

0:34:35.200 --> 0:34:38.640
<v Speaker 1>were all used against him as evidence at trial, and

0:34:38.719 --> 0:34:41.680
<v Speaker 1>he was of course sentenced to death.

0:34:42.400 --> 0:34:45.120
<v Speaker 2>Oh man, what do you think was that fair?

0:34:46.880 --> 0:34:47.319
<v Speaker 3>I don't know.

0:34:48.880 --> 0:34:53.719
<v Speaker 4>The guillotine is really really gross, really really gross.

0:34:53.840 --> 0:34:58.680
<v Speaker 3>You know. Yeah, not my choice, not my choice, death penalty.

0:34:59.200 --> 0:35:02.360
<v Speaker 1>The interesting thing the guillotine is that it was invented

0:35:02.480 --> 0:35:06.160
<v Speaker 1>by someone opposed to the death penalty, and because their

0:35:06.239 --> 0:35:10.040
<v Speaker 1>main beef with the death penalty is how inhumane it is.

0:35:10.320 --> 0:35:13.120
<v Speaker 1>And the thought was that the guillotine was the most

0:35:13.200 --> 0:35:18.160
<v Speaker 1>humane way to kill someone because it's so clean and fast, right,

0:35:18.840 --> 0:35:24.680
<v Speaker 1>I don't know, Yeah, it's so gruesome, right, It's.

0:35:24.360 --> 0:35:25.160
<v Speaker 3>Just so scary.

0:35:25.200 --> 0:35:28.160
<v Speaker 4>It's not like whoever that executioner was was like the

0:35:28.239 --> 0:35:31.880
<v Speaker 4>Temple Grand Ins of France or whatever. He wasn't the

0:35:31.880 --> 0:35:33.919
<v Speaker 4>Temple grand in France, you know what I mean? Like, yeah,

0:35:34.160 --> 0:35:38.280
<v Speaker 4>you know, there's there's something also about the the beheading

0:35:38.320 --> 0:35:43.120
<v Speaker 4>of Marie Antoinette that has always like made me feel

0:35:43.640 --> 0:35:46.000
<v Speaker 4>maybe it's just all ladies that get beheaded like in

0:35:46.120 --> 0:35:48.239
<v Speaker 4>history that I know about, which is like genuinely too.

0:35:48.280 --> 0:35:51.160
<v Speaker 4>It's like Anne Bolin and Marie Antoinette and I'm just like, oh,

0:35:51.719 --> 0:35:52.560
<v Speaker 4>you didn't have to do that.

0:35:53.000 --> 0:35:54.399
<v Speaker 2>Yeah, yeah, it's like.

0:35:54.320 --> 0:35:56.759
<v Speaker 4>Literally or somewhere else. Get her out of here, you know.

0:35:56.800 --> 0:35:59.840
<v Speaker 4>If you don't like her, like I don't.

0:36:00.040 --> 0:36:01.439
<v Speaker 3>Well it brace my heart.

0:36:01.680 --> 0:36:02.880
<v Speaker 2>Yeah, it is upsetting.

0:36:02.920 --> 0:36:05.399
<v Speaker 1>I think even like wherever you stand on the death

0:36:05.400 --> 0:36:09.840
<v Speaker 1>penalty thing, like did they deserve that in this moment?

0:36:10.040 --> 0:36:13.040
<v Speaker 1>But it was I think for the revolutionaries such a

0:36:13.120 --> 0:36:17.400
<v Speaker 1>symbolic gesture of like death to not just these particular people,

0:36:17.480 --> 0:36:21.160
<v Speaker 1>it was death to monarchy as a concept. Yeah, we are,

0:36:21.440 --> 0:36:24.080
<v Speaker 1>we are removing this and of course we're just like

0:36:24.640 --> 0:36:30.000
<v Speaker 1>nixing the bloodline. We're making it permanent. Death is permanent.

0:36:30.160 --> 0:36:34.799
<v Speaker 1>And yeah it's but it's grizzly, and this is not

0:36:34.840 --> 0:36:36.719
<v Speaker 1>me defending it. I'm this is me just trying to

0:36:36.719 --> 0:36:40.160
<v Speaker 1>get into the heads of these of the revolutionaries. Of course,

0:36:40.320 --> 0:36:42.479
<v Speaker 1>it also is a very slippery slope because this red

0:36:42.520 --> 0:36:48.239
<v Speaker 1>to led to Robespiere's infamous Reign of Terror, where thousands

0:36:48.320 --> 0:36:53.160
<v Speaker 1>of people were just like unceremoniously beheaded.

0:36:53.600 --> 0:36:55.120
<v Speaker 4>Well that's what I was going to say is like

0:36:55.280 --> 0:36:58.480
<v Speaker 4>you do send a signal that this is possible if

0:36:58.520 --> 0:37:00.920
<v Speaker 4>you go against what's happening. Like first it's like you

0:37:01.000 --> 0:37:04.439
<v Speaker 4>behead the monarchy, and I get that, but then it's

0:37:04.520 --> 0:37:07.360
<v Speaker 4>like this thing that we did is so extreme and

0:37:07.680 --> 0:37:10.040
<v Speaker 4>it has to hold that if anybody even seems like

0:37:10.040 --> 0:37:12.120
<v Speaker 4>they're not going to be with it, there, they also

0:37:12.200 --> 0:37:14.439
<v Speaker 4>have to get their heads chopped off, and that is.

0:37:14.400 --> 0:37:17.120
<v Speaker 3>Not you know the way I mean.

0:37:17.600 --> 0:37:20.960
<v Speaker 4>This morning, I was actually listening to Ken Burns talk

0:37:21.000 --> 0:37:24.120
<v Speaker 4>about his new documentary about the Revolutionary War, and like

0:37:24.160 --> 0:37:28.279
<v Speaker 4>he was like, a country is born in violence, but like, eh,

0:37:28.760 --> 0:37:32.279
<v Speaker 4>after a while, there's got to be another system that

0:37:32.280 --> 0:37:34.719
<v Speaker 4>that steps up, like a you know, system of rule

0:37:34.719 --> 0:37:35.919
<v Speaker 4>of law and that kind of thing.

0:37:36.160 --> 0:37:36.560
<v Speaker 3>I think.

0:37:37.200 --> 0:37:40.359
<v Speaker 1>I mean, at this point, don't we have a good

0:37:40.440 --> 0:37:42.520
<v Speaker 1>grasp on like what works best?

0:37:42.960 --> 0:37:44.920
<v Speaker 3>Yeah? I think we do.

0:37:45.120 --> 0:37:46.080
<v Speaker 2>Isn't the data in?

0:37:46.880 --> 0:37:49.279
<v Speaker 4>I think the data actually is in. And then there's

0:37:49.360 --> 0:37:52.200
<v Speaker 4>like five guys who are like, well, we don't, well,

0:37:52.280 --> 0:38:00.360
<v Speaker 4>let me do my own research. Like the idea that

0:38:00.360 --> 0:38:02.520
<v Speaker 4>I would ever quote unquote do my own research, like

0:38:02.560 --> 0:38:03.759
<v Speaker 4>I don't know how to do that. You know, I

0:38:03.800 --> 0:38:05.319
<v Speaker 4>don't think I'm an idiot, But I'm not like a

0:38:05.360 --> 0:38:08.759
<v Speaker 4>scientist or a politician, like I don't know, I don't know,

0:38:09.080 --> 0:38:12.280
<v Speaker 4>you know, I'd love to trust the experts.

0:38:13.760 --> 0:38:15.799
<v Speaker 2>Actually, there's one last little epilogue here.

0:38:15.800 --> 0:38:17.799
<v Speaker 1>This is kind of fun, a little post credit scene,

0:38:17.800 --> 0:38:20.440
<v Speaker 1>if you will, because I know you're curious about the

0:38:21.120 --> 0:38:25.879
<v Speaker 1>last big old danglin thread here. What happened to our

0:38:25.920 --> 0:38:29.440
<v Speaker 1>Swedish boy toy axel Von person for sure?

0:38:29.600 --> 0:38:32.520
<v Speaker 2>Yeah, okay, well he himself was killed.

0:38:32.239 --> 0:38:35.520
<v Speaker 1>By an angry mob when he was mistakenly accused of

0:38:35.600 --> 0:38:39.080
<v Speaker 1>poisoning the Swedish prince in eighteen ten.

0:38:39.880 --> 0:38:40.480
<v Speaker 3>Wow.

0:38:40.920 --> 0:38:44.520
<v Speaker 2>But yeah, angry mobs were a real big deal at

0:38:44.520 --> 0:38:45.000
<v Speaker 2>this point.

0:38:45.600 --> 0:38:46.680
<v Speaker 3>They're really scary.

0:38:46.800 --> 0:38:52.040
<v Speaker 4>I mean, we had one recently in our nation. It's scary. Yeah,

0:38:52.400 --> 0:38:53.080
<v Speaker 4>they're scary.

0:38:53.280 --> 0:38:56.920
<v Speaker 2>They don't generally make good decisions. No.

0:38:57.160 --> 0:39:00.400
<v Speaker 1>I read somewhere a quote I wish I could remember

0:39:00.440 --> 0:39:05.640
<v Speaker 1>who to attributed to the intelligence of a mob is

0:39:05.680 --> 0:39:09.880
<v Speaker 1>that of the dumbest person in the mob. So like

0:39:09.960 --> 0:39:13.920
<v Speaker 1>the behavior, like an entire mob behaves as the dumbest

0:39:13.920 --> 0:39:14.879
<v Speaker 1>person in the mob.

0:39:15.440 --> 0:39:17.719
<v Speaker 3>Actually, I was just thinking about like it.

0:39:17.880 --> 0:39:21.960
<v Speaker 4>For some reason, Americans were able to be totally silent

0:39:22.000 --> 0:39:24.080
<v Speaker 4>while someone rolled through town that they didn't like that,

0:39:24.160 --> 0:39:26.440
<v Speaker 4>Like when I said we'd never be able to do it,

0:39:26.440 --> 0:39:30.040
<v Speaker 4>Like I was fully imagining myself in the in the

0:39:30.160 --> 0:39:34.200
<v Speaker 4>silent crowd, not being able to stop myself from being

0:39:34.239 --> 0:39:35.600
<v Speaker 4>like who fared?

0:39:36.200 --> 0:39:37.040
<v Speaker 2>Like just like.

0:39:38.640 --> 0:39:42.359
<v Speaker 4>That, it's so tempting to disturb, you know, the stillness.

0:39:43.560 --> 0:39:45.840
<v Speaker 4>I think I would be the weakest there was, the

0:39:45.920 --> 0:39:48.600
<v Speaker 4>dumbest person in the in the mob. I'm the person

0:39:48.640 --> 0:39:53.080
<v Speaker 4>that changes us from a core cohort into like a

0:39:53.080 --> 0:39:53.640
<v Speaker 4>freak out.

0:39:54.520 --> 0:39:58.160
<v Speaker 2>Could you ever see yourself being swept up in a mob?

0:39:58.880 --> 0:40:02.080
<v Speaker 2>I think it's emotionally yeah, because I feel like.

0:40:02.080 --> 0:40:05.400
<v Speaker 1>It's one of those things that we all think like

0:40:06.360 --> 0:40:09.320
<v Speaker 1>we're that were It's sort of like cults, right, Everyone

0:40:09.400 --> 0:40:11.080
<v Speaker 1>says like I could never join a cult, like I

0:40:11.080 --> 0:40:14.200
<v Speaker 1>would never fall for that, in saying I'm too.

0:40:15.160 --> 0:40:15.640
<v Speaker 2>You would.

0:40:16.200 --> 0:40:17.960
<v Speaker 4>I don't think I would be in a mob because

0:40:18.000 --> 0:40:20.680
<v Speaker 4>I don't consider myself to be like an impulsive person

0:40:20.719 --> 0:40:24.160
<v Speaker 4>and I don't have like a sort of you know,

0:40:24.239 --> 0:40:26.720
<v Speaker 4>like the switchblade of a temper that comes out.

0:40:26.880 --> 0:40:31.360
<v Speaker 3>But I really love friendly groups. I love cooking.

0:40:31.880 --> 0:40:33.759
<v Speaker 4>I love it when people are like trying to help

0:40:33.800 --> 0:40:35.640
<v Speaker 4>each other actualize their dreams.

0:40:35.680 --> 0:40:37.600
<v Speaker 3>And I like it when people like are.

0:40:37.400 --> 0:40:39.800
<v Speaker 4>Dedicated to each other, and a lot of times cults

0:40:39.840 --> 0:40:42.400
<v Speaker 4>are like non violent. I used to have a stand

0:40:42.440 --> 0:40:44.000
<v Speaker 4>up bit about this actually about how like I would

0:40:44.040 --> 0:40:46.640
<v Speaker 4>totally get drawn into a cult because like, I like

0:40:46.719 --> 0:40:48.560
<v Speaker 4>all the things that they do, except I don't like

0:40:48.960 --> 0:40:50.799
<v Speaker 4>having to be naked in a group of people, and

0:40:50.840 --> 0:40:53.400
<v Speaker 4>I don't like having to do like oral sex to

0:40:53.480 --> 0:40:56.280
<v Speaker 4>like a very very elderly person who has a long beard,

0:40:57.120 --> 0:40:58.560
<v Speaker 4>which I feel like they make you do like the

0:40:58.600 --> 0:40:59.239
<v Speaker 4>head of the cult.

0:41:00.080 --> 0:41:03.040
<v Speaker 2>That is, that's that's in the cult bylaws.

0:41:03.440 --> 0:41:08.520
<v Speaker 4>There's usually some guy who's like, you know what, Actually,

0:41:09.120 --> 0:41:12.160
<v Speaker 4>a lot of the more interesting members of the cult

0:41:12.400 --> 0:41:13.400
<v Speaker 4>are doing.

0:41:13.360 --> 0:41:16.839
<v Speaker 1>Yeah, yes, oh wait, why haven't you you fallen into

0:41:16.840 --> 0:41:17.240
<v Speaker 1>a cult?

0:41:17.239 --> 0:41:20.319
<v Speaker 2>Then there are lots of them out there. There are

0:41:20.320 --> 0:41:21.480
<v Speaker 2>lots of great options.

0:41:22.000 --> 0:41:24.239
<v Speaker 4>Hey, I've got a strong family, really great friends that

0:41:24.280 --> 0:41:26.000
<v Speaker 4>are like no no, no, no, no no no, don't

0:41:26.080 --> 0:41:26.760
<v Speaker 4>don't go in there.

0:41:27.600 --> 0:41:28.200
<v Speaker 2>Good answer.

0:41:28.400 --> 0:41:33.279
<v Speaker 1>I also think that you are a inquisitive person, and

0:41:33.320 --> 0:41:38.359
<v Speaker 1>you're someone who like you're you're not only very intelligent

0:41:38.600 --> 0:41:43.799
<v Speaker 1>and uh and sort of like educated, and you've taken

0:41:43.800 --> 0:41:46.719
<v Speaker 1>it upon yourself to learn about the world and learn

0:41:46.719 --> 0:41:49.960
<v Speaker 1>about people, And I think that is some of the

0:41:49.960 --> 0:41:54.920
<v Speaker 1>best armor against these kinds of group think or indoctrination

0:41:55.040 --> 0:41:58.680
<v Speaker 1>of some kind. The minute you start asking questions, even

0:41:58.719 --> 0:42:01.920
<v Speaker 1>with genuine curiosity, not even like an accusatory like wait

0:42:01.960 --> 0:42:04.440
<v Speaker 1>a minute, but you're just sort of like, now, hold on,

0:42:04.480 --> 0:42:06.560
<v Speaker 1>why do you think I should I should blow that

0:42:06.640 --> 0:42:07.640
<v Speaker 1>old man with a beard?

0:42:07.680 --> 0:42:10.800
<v Speaker 2>Like what's the reason? Like why are we getting?

0:42:11.600 --> 0:42:14.040
<v Speaker 4>Well? We have to do that though, you know, like

0:42:14.080 --> 0:42:16.080
<v Speaker 4>if we're all going to transcend and like you know,

0:42:16.160 --> 0:42:19.000
<v Speaker 4>have clear minds, like why would we need to do that?

0:42:19.360 --> 0:42:19.600
<v Speaker 3>Yeah?

0:42:19.600 --> 0:42:21.200
<v Speaker 4>And you know what is a good place to start

0:42:21.520 --> 0:42:25.080
<v Speaker 4>for me? Sometimes it is like I will ask myself

0:42:25.120 --> 0:42:28.840
<v Speaker 4>for sometimes other people, like if this were a movie,

0:42:30.239 --> 0:42:34.240
<v Speaker 4>who would you be? And like what part of the story,

0:42:34.760 --> 0:42:37.080
<v Speaker 4>Like would it seemed like a good story, if this

0:42:37.160 --> 0:42:39.600
<v Speaker 4>were a parable, if this were like a religious text

0:42:39.719 --> 0:42:42.120
<v Speaker 4>or a fairy tale, who would you be?

0:42:42.600 --> 0:42:43.440
<v Speaker 3>Who would they be?

0:42:43.880 --> 0:42:46.800
<v Speaker 2>Yeah? Who would they be? You know, it's a great question,

0:42:47.560 --> 0:42:48.200
<v Speaker 2>who would be?

0:42:48.640 --> 0:42:53.640
<v Speaker 1>I think you're onto something really quite elegant, which is

0:42:54.280 --> 0:42:59.799
<v Speaker 1>that stories, movies parables the sort of broad whatever gestalt of.

0:42:59.840 --> 0:43:00.920
<v Speaker 2>Hum and storytelling.

0:43:01.120 --> 0:43:05.959
<v Speaker 1>It is rooted in fundamental values, right like a sense

0:43:06.000 --> 0:43:09.839
<v Speaker 1>of right and wrong. My kid loves the Lion King,

0:43:09.880 --> 0:43:11.960
<v Speaker 1>and so I've gotten very deep into the sort of

0:43:12.000 --> 0:43:18.160
<v Speaker 1>like Lion King universe. And and that is a movie

0:43:18.200 --> 0:43:23.480
<v Speaker 1>where good and bad is so clearly delineated, and bad

0:43:23.960 --> 0:43:28.440
<v Speaker 1>is portrayed with Nazi symbolism totally.

0:43:28.440 --> 0:43:32.399
<v Speaker 4>I mean stars when he sings be prepared, that is,

0:43:32.960 --> 0:43:38.280
<v Speaker 4>those thos.

0:43:35.920 --> 0:43:37.240
<v Speaker 2>Are literally goose stepping.

0:43:37.760 --> 0:43:42.120
<v Speaker 1>Yeah, and it's and so it's it's so interesting to

0:43:42.160 --> 0:43:48.120
<v Speaker 1>me that those kinds of stories that that obviously have

0:43:48.160 --> 0:43:51.200
<v Speaker 1>an intent to kind of raise children with a sense

0:43:51.239 --> 0:43:53.200
<v Speaker 1>of right and wrong and a sense of sort of

0:43:53.239 --> 0:43:59.360
<v Speaker 1>trepidation towards that kind of behavior, towards Scar's behavior. Yeah,

0:43:59.600 --> 0:44:04.480
<v Speaker 1>and yet we see a cultural swing to a greater

0:44:04.600 --> 0:44:07.600
<v Speaker 1>trust in that. Like, I'm so confused. That's such cognitive

0:44:07.600 --> 0:44:11.239
<v Speaker 1>dissonance for me that I'm trying to work through and understand.

0:44:11.480 --> 0:44:13.319
<v Speaker 4>Yeah, because you know, there's also the thing about the

0:44:13.360 --> 0:44:15.480
<v Speaker 4>fairy tale, and I would include you know, the Lion King,

0:44:15.520 --> 0:44:18.480
<v Speaker 4>and that is that like the thing that can be

0:44:18.520 --> 0:44:20.480
<v Speaker 4>hard in adulthood is that you can feel that a

0:44:20.520 --> 0:44:25.520
<v Speaker 4>fairy tale only functions as something to like a warning

0:44:26.160 --> 0:44:29.440
<v Speaker 4>or a disappointment, because it's like, wait, but like the

0:44:29.560 --> 0:44:32.200
<v Speaker 4>Jafar of my life didn't get stops, the scar of

0:44:32.239 --> 0:44:34.520
<v Speaker 4>my life, didn't of my country, like didn't.

0:44:34.280 --> 0:44:35.640
<v Speaker 3>Get thrown off the cliff or whatever.

0:44:36.040 --> 0:44:38.640
<v Speaker 4>Like they they they're sitting on the on the chair,

0:44:38.680 --> 0:44:41.640
<v Speaker 4>they're sitting on the throne whatever. But I think that

0:44:41.640 --> 0:44:45.799
<v Speaker 4>that can actually be a distraction from the other thing

0:44:45.880 --> 0:44:49.880
<v Speaker 4>about fairy tales or archetypes, which is like they're a

0:44:49.920 --> 0:44:53.719
<v Speaker 4>template for us to compare ourselves to. They're not just

0:44:53.800 --> 0:44:57.680
<v Speaker 4>like an outcome or sort of an immature, shallow warning.

0:44:57.760 --> 0:44:59.920
<v Speaker 3>It's like there's they're really used to.

0:45:00.360 --> 0:45:03.520
<v Speaker 4>They're really really useful because you don't get so scared

0:45:03.520 --> 0:45:06.080
<v Speaker 4>about like having to really think about your own life.

0:45:06.080 --> 0:45:08.120
<v Speaker 3>You know, you don't short circuit or get overwhelmed.

0:45:08.160 --> 0:45:10.680
<v Speaker 4>But if you place it outside of yourself and you look,

0:45:10.800 --> 0:45:13.120
<v Speaker 4>then you're like, oh, I guess I do see a

0:45:13.120 --> 0:45:15.560
<v Speaker 4>lot of stuff, because I do see.

0:45:15.360 --> 0:45:16.319
<v Speaker 3>A lot of similarities.

0:45:16.320 --> 0:45:18.719
<v Speaker 4>And then you have to do, you know, the more

0:45:18.760 --> 0:45:20.960
<v Speaker 4>difficult work of figuring out how to turn in a

0:45:21.000 --> 0:45:23.920
<v Speaker 4>new direction. But if you do turn in a new direction,

0:45:24.000 --> 0:45:27.840
<v Speaker 4>you shouldn't go in a big yellow, black bubble we

0:45:27.960 --> 0:45:30.759
<v Speaker 4>carriage because and even if you do that, don't get

0:45:30.760 --> 0:45:32.319
<v Speaker 4>out of the fucking carriage man.

0:45:32.880 --> 0:45:36.320
<v Speaker 1>Yeah, stay inside, right, just stay, keep your head inside

0:45:36.600 --> 0:45:39.880
<v Speaker 1>and go as fast as you can. Change those horses

0:45:39.920 --> 0:45:43.480
<v Speaker 1>and go as fast as you can. Jenny Slade, You're

0:45:43.520 --> 0:45:46.279
<v Speaker 1>amazing and such a device. Thanks so much for coming

0:45:46.280 --> 0:45:47.000
<v Speaker 1>on Snaffoo.

0:45:47.760 --> 0:45:49.319
<v Speaker 3>Thanks for having me. I loved this.

0:45:50.520 --> 0:45:54.680
<v Speaker 1>Snaffoo is a production of iHeart Podcasts and Snapoo Media,

0:45:54.840 --> 0:45:59.000
<v Speaker 1>a partnership between Film Nation Entertainment and Pacific Electric Picture Company.

0:45:59.200 --> 0:46:03.320
<v Speaker 1>Post production creative support from good Egg Audio. Our executive

0:46:03.320 --> 0:46:07.680
<v Speaker 1>producers are me Ed Helms, Mike Falbo, Glenn Basner, Andy Kim,

0:46:07.840 --> 0:46:11.640
<v Speaker 1>and Dylan Fagan. This episode was produced by Alyssa Martino

0:46:11.800 --> 0:46:15.879
<v Speaker 1>and Tory Smith. Our managing producer is Carl Nellis. Our

0:46:16.000 --> 0:46:19.880
<v Speaker 1>video editor is Jared Smith. Technical direction and engineering from

0:46:19.960 --> 0:46:23.920
<v Speaker 1>Nick Dooley. Additional story editing from Carl Nellis. Our creative

0:46:23.920 --> 0:46:27.400
<v Speaker 1>executive is Brett Harris. Logo and branding by Matt Gosson

0:46:27.640 --> 0:46:31.920
<v Speaker 1>and the Collected Works. Legal review from Dan Welsh, Meghan

0:46:32.000 --> 0:46:36.640
<v Speaker 1>Halson and Caroline Johnson. Special thanks to Isaac Dunham, Adam Horn,

0:46:36.920 --> 0:46:41.520
<v Speaker 1>Lane Klein, and everyone at iHeart Podcasts, but especially Will Pearson,

0:46:41.680 --> 0:46:45.319
<v Speaker 1>Kerry Lieberman and Nikki Ator. While I have you, don't

0:46:45.360 --> 0:46:48.480
<v Speaker 1>forget to pick up a copy of my book, Snaffoo,

0:46:48.560 --> 0:46:52.240
<v Speaker 1>The Definitive Guide to History's Greatest screw Ups. It's available

0:46:52.280 --> 0:46:54.040
<v Speaker 1>now from any book retailer.

0:46:54.200 --> 0:46:58.800
<v Speaker 2>Just go to Snaffo dashbook dot com. Thanks for listening,

0:46:58.960 --> 0:47:00.279
<v Speaker 2>and see you next time week.

0:47:07.800 --> 0:47:07.840
<v Speaker 3>H