WEBVTT - #4 Tony

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<v Speaker 1>Pushkin, did you ever come outside?

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<v Speaker 2>We have to leave it a Hi.

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<v Speaker 1>This is Khalila from Gimblet Media. Please hold for Jonathan Goldstein.

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<v Speaker 3>I'm sorry.

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<v Speaker 4>Who is this Khalila from Gimlet Media.

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<v Speaker 1>Please hold for Jonathan Goldstein.

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<v Speaker 2>Please hold? Yeah, Wow, hello, Hello. How nice of you

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<v Speaker 2>to take the call from yourself. O. Hey, Jackie, you

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<v Speaker 2>seem surprised that you called me.

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<v Speaker 1>So nice to hear from you.

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<v Speaker 2>I didn't call you.

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<v Speaker 1>I didn't realize that I had you on my calendar.

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<v Speaker 1>But this is great. How are you doing. It's been

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<v Speaker 1>so busy. It's nice to like decompress and have a

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<v Speaker 1>normal conversation. How's it going? From Gimblet Media. I'm Jonathan

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<v Speaker 1>Goldstein and this is Heavyweight Today's episode, Tony.

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<v Speaker 5>Paul, how are you very good?

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<v Speaker 4>Thanks?

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<v Speaker 5>I was wondering if you would be up for meeting

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<v Speaker 5>me for an hour? Okay, what about I was absent

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<v Speaker 5>for most of your life, and you know I've always

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<v Speaker 5>felt bad about it.

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<v Speaker 1>Here's something you don't hear every day. A godfather awkwardly

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<v Speaker 1>asking out his thirty one year old godson on a

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<v Speaker 1>god date.

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<v Speaker 5>I know you're busy. I know your busy as life

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<v Speaker 5>mouth father who and but I think you spare an

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<v Speaker 5>hour like Monday or to the night.

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<v Speaker 4>You know.

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<v Speaker 3>Unfortunately, a week in advance, not the I don't know

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<v Speaker 3>what the hellse going on.

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<v Speaker 1>The Godfather being blown off as my friend Tony, the

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<v Speaker 1>realization that he needed to be a better godfather came suddenly.

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<v Speaker 1>It was like if Vido Corleone woke up one morning

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<v Speaker 1>and thought, you know, godfathering should be more than just

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<v Speaker 1>decapitating horses, and then picked up a rotary phone and

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<v Speaker 1>asked Johnny Fontaine out on an ice cream date. But

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<v Speaker 1>to explain how Tony got to this point, let's go

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<v Speaker 1>back to the beginning. It all started when Tony and

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<v Speaker 1>I were catching up and regarding work. How is that

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<v Speaker 1>going good?

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<v Speaker 4>It's really great.

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<v Speaker 6>I've like, I'm actually enjoying the process I'm making this film,

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<v Speaker 6>which is I think the really amazing thing about the

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<v Speaker 6>past year.

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<v Speaker 1>This past year has been a hard one for Tony.

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<v Speaker 1>He's recently divorced and still adjusting the house that has

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<v Speaker 1>been settled.

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<v Speaker 6>Everything settled, Everything is settled. Yeah, yeah, yeah, yeah.

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<v Speaker 1>I first met Tony in college when he was a

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<v Speaker 1>young film student with manic energy. Jean Shallott curly black

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<v Speaker 1>hair and gray clothes that always smelt of Greek food.

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<v Speaker 1>After college, we became roommates and on the weekend his

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<v Speaker 1>mother would visit. She referred to me as gatzo'meli's mano everyaki,

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<v Speaker 1>which I think translates loosely as the alley cat haired

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<v Speaker 1>little jew. But I didn't mind, because whenever she showed

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<v Speaker 1>up she brought homemates Benicopita and Terra Mussolada. Tony would

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<v Speaker 1>wash down these Grecian delights with copious amounts of booze.

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<v Speaker 1>Pretty soon he started washing everything down with booze. There's

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<v Speaker 1>an image from that time that stuck with me. Tony

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<v Speaker 1>had decided to join me at the gym after downing

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<v Speaker 1>a half bottle of vodka. I remember him wailing on

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<v Speaker 1>the heavy bag in his undershirt and gray jeans, looking

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<v Speaker 1>a little like a kid, pounding on the floor, fed

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<v Speaker 1>up with everything. Eventually, Tony turned to harder drugs like heroin,

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<v Speaker 1>and soon after that we stopped being roommates. Tony went

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<v Speaker 1>to rehab and after he got out, spent some years

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<v Speaker 1>putting his life back together. He had a few relationships

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<v Speaker 1>and then he met Natalie. Natalie was smart and loved

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<v Speaker 1>to write, and when Tony hugged her, she disappeared into

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<v Speaker 1>his body. Tony's a big guy, with a thick black

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<v Speaker 1>beard covering his boyish face, and Natalie was apple cheeked

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<v Speaker 1>and glamorous. I liked being around them. One time, while

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<v Speaker 1>walking by a curiosity shop, I saw a comically small

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<v Speaker 1>ping pong table in the window. Immediately I thought of

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<v Speaker 1>Tony and Natalie. I imagined the two of them in

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<v Speaker 1>their kitchen, smacking the little ball back and forth together

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<v Speaker 1>and laughing. During their wedding vows, Natalie said, I vowed

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<v Speaker 1>to grow old with you, but most of all, to

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<v Speaker 1>grow young with you, and Tony interrupted her right in

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<v Speaker 1>the middle, eyes welling up to say me too. It

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<v Speaker 1>was like he'd blown his youth but was getting another chance.

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<v Speaker 1>But then, at some point, around three years in things

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<v Speaker 1>started to get tougher. Tony spent a lot of time

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<v Speaker 1>locked in his studio, working obsessively on his movies, and

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<v Speaker 1>Natalie started to feel hamstrung by montreal, its smallness, the

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<v Speaker 1>lack of opportunities. They wanted a baby but were having

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<v Speaker 1>a hard time with it. And then Tony's dad died,

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<v Speaker 1>making him the sole caretaker of his mother, a woman

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<v Speaker 1>who didn't shy away from espousing strong opinions about her

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<v Speaker 1>son's personal life. All of this was hard on him

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<v Speaker 1>and Natalie.

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<v Speaker 6>She was not happy. She was not happy. She was

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<v Speaker 6>not happy. She just didn't want to be here.

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<v Speaker 1>Natalie wanted to start a new life in a new place,

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<v Speaker 1>but Tony felt happily stuck in the old one, and

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<v Speaker 1>he couldn't leave his mother all alone. So when Natalie

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<v Speaker 1>decided to leave town, he knew he couldn't go with her.

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<v Speaker 1>Was there ever a conversation in which you were both

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<v Speaker 1>trying to envision a way in which you could leave

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<v Speaker 1>the city.

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<v Speaker 4>No, because there was no way, like even with.

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<v Speaker 1>Your mother, to go with you. Why is that no?

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<v Speaker 1>Tony's mother is an eighty four year old Greek woman

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<v Speaker 1>with little English, whose only hobbies are meticulously cleaning her

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<v Speaker 1>toaster of and wringing her hands while frowning and so

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<v Speaker 1>in here lies the heart of Tony's current problem. Before

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<v Speaker 1>they separated, Tony and Natalie were trying to have a baby,

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<v Speaker 1>and now he finds himself alone, middle aged, and worried

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<v Speaker 1>he's missed his last chance to have a kid.

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<v Speaker 6>I don't think there's a point to anything if you

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<v Speaker 6>don't have a relationship with a young person, How do

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<v Speaker 6>you mean if I sit here in the dark thinking

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<v Speaker 6>about it and realizing, you know, I'm forty six years

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<v Speaker 6>old and I live alone and I'm not, you know,

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<v Speaker 6>probably not going to have kids, and who the fuck

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<v Speaker 6>gives a shit if I live or die side from

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<v Speaker 6>my mother and a few friends. But really, who gives

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<v Speaker 6>a shit? You know, who's going to feel a loss?

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<v Speaker 6>I'm not saying that in a negotistical way, But who

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<v Speaker 6>do I mean something to? Whose life have I enriched? Like,

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<v Speaker 6>I don't think I don't understand what there is to

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<v Speaker 6>do here if you're not somehow helping or being connected

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<v Speaker 6>to a younger person.

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<v Speaker 1>Lately, Tony's been thinking about three young people he had

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<v Speaker 1>been connected to, his estranged godchildren. Tony admits to screwing

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<v Speaker 1>up those three relationships during three difficult chapters in his

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<v Speaker 1>life drug addiction, rehab, and divorce. What if you were

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<v Speaker 1>to try to get them back in your life?

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<v Speaker 6>I'm not sure what difference I can make. And somebody's

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<v Speaker 6>like it's kind of like, hey, yeah, here I am now,

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<v Speaker 6>I'm ready for you, Like I haven't been here all

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<v Speaker 6>these years? But hey, here I am now, you know.

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<v Speaker 1>Not hearing my friend give up on himself so easily,

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<v Speaker 1>I decided to suggest something bold. Why not try reaching

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<v Speaker 1>out to the god kids he lost?

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<v Speaker 6>Now, I mean, I actually do want to have a relationship.

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<v Speaker 1>I do. You don't know until you at least try.

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<v Speaker 4>Right, I'm I'm, I'm open to anything.

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<v Speaker 1>And do you have their phone numbers? I get him

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<v Speaker 1>to tell me about them. Beginning with the first Paul.

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<v Speaker 4>I was sixteen years old. It was very formal.

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<v Speaker 6>I held this kid in a Greek Orthodox baptism ceremony

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<v Speaker 6>for an hour.

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<v Speaker 4>My arm almost fell off.

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<v Speaker 6>Babies are really heavy, especially when you have one arm

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<v Speaker 6>to hold onto them and have a candle in the other.

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<v Speaker 4>Yeah, but it was cute. You know.

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<v Speaker 6>I was really young, and I was close to their family,

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<v Speaker 6>but I was sixteen. Within like two years, I was

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<v Speaker 6>a raving, lunatic, alcoholic drug addict. I didn't see much

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<v Speaker 6>of him or anybody at all from the family for

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<v Speaker 6>quite a few years, and I didn't think about it much,

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<v Speaker 6>that's for sure.

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<v Speaker 1>And this god kid what's his name? His name is Paul,

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<v Speaker 1>and Paul would be about thirty years old.

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<v Speaker 6>Now, uh, yeah, he's thirty one.

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<v Speaker 4>And here's the thing.

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<v Speaker 6>I've never actually talked to him about about how he

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<v Speaker 6>felt having an absencee godfather. But he beat me at

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<v Speaker 6>an arm wrestle, and he I think he really enjoyed that.

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<v Speaker 1>And when you say he enjoyed that, he enjoyed hanging

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<v Speaker 1>out and spending time with you, or he enjoyed beating

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<v Speaker 1>you enjoyed beating me for being such a crappy godfather.

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<v Speaker 4>That's what I'm saying.

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<v Speaker 1>Yeah, is there a particular question that you would want

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<v Speaker 1>to pose to him or to all of them?

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<v Speaker 4>Do you hate me?

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<v Speaker 2>Like?

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<v Speaker 6>Does it mean anything that I'm somebody's godfather because I

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<v Speaker 6>said so or somebody said so, or we did something

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<v Speaker 6>a long time ago. It can mean nothing or it

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<v Speaker 6>can mean something. You know, Godfather's a big fucking deal

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<v Speaker 6>if you think about it. It has this spiritual implication

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<v Speaker 6>God right, it's not toilet father.

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<v Speaker 1>And so, with my encouragement, Tony picked up the phone

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<v Speaker 1>and reached out to Paul, which brings us back to

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<v Speaker 1>the phone call you heard earlier on Saturday. Yeah, I

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<v Speaker 1>think that's that'll be easiest.

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<v Speaker 5>Okay, are you are you up to this? You don't

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<v Speaker 5>feel like I don't want to impose on.

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<v Speaker 4>You like and you said, you know you feel bad.

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<v Speaker 4>I don't think you should. There's nothing to feel bad about.

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<v Speaker 5>Yeah, yeah, but yeah, give me a call the weekend

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<v Speaker 5>and we'll try to figure something out. Okay, great, and

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<v Speaker 5>I'll call you perfect. Right, sounds good.

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<v Speaker 1>On Saturday, Tony called with no response. He reached out

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<v Speaker 1>again and again. Eventually he gave up. Tony and Paul

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<v Speaker 1>never got together. Tony and I reconvened, and I tried

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<v Speaker 1>to bolster his spirits. Maybe things would go better with godchild.

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<v Speaker 1>The second Zoe.

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<v Speaker 6>She is the daughter of a rehab buddy who was

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<v Speaker 6>actually also a drug dealer here in Montreal when I

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<v Speaker 6>was dealing in Montreal, and we met in rehab in Ottawa,

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<v Speaker 6>and he asked me, do you want to be her godfather?

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<v Speaker 6>I said sure, I said you guys in baptizer. I said, no,

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<v Speaker 6>be her godfather? Okay, great, And so it was just

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<v Speaker 6>like that. That was easy, yeah, but it was meaningful.

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<v Speaker 6>I was happy to do whatever was going to be

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<v Speaker 6>required of me. And I did see the kid, you know,

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<v Speaker 6>when she was young, and then I moved to Montreal,

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<v Speaker 6>and so she basically grew up without me.

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<v Speaker 1>In the intervening years, Tony's only seen Zoe a couple times.

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<v Speaker 1>When she comes to town. She doesn't bother looking him

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<v Speaker 1>up because.

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<v Speaker 6>I remember how I used to see people that were like,

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<v Speaker 6>never mind forties, Yeah, like people in their thirties were crusty,

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<v Speaker 6>you know, a yellow Tony ailed, you know, old people.

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<v Speaker 6>And occasionally, you know, I get like she likes something

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<v Speaker 6>on my Facebook page and I'll be like, ooh.

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<v Speaker 1>But Tony wants more than that. Since Zoe still lives

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<v Speaker 1>in Ottawa, just a two hour drive away, I suggest

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<v Speaker 1>to go visit her. Maybe it isn't too late. But

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<v Speaker 1>after his failed attempt with Paul, he isn't sure she'll

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<v Speaker 1>even want to see him, so I offered a road

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<v Speaker 1>trip down with him for emotional support.

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<v Speaker 4>My god, O late.

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<v Speaker 1>You know, the whole purpose of this thing is for

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<v Speaker 1>you not to be a dead meat god Dad.

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<v Speaker 4>I know. I feel really bad. It's my fault.

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<v Speaker 1>It's Zoe's last week of high school and Tony's arranged

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<v Speaker 1>to pick her up after her day of finals.

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<v Speaker 6>You don't mind driving a little faster to you don't

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<v Speaker 6>go like snail past grandma style.

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<v Speaker 1>That's my style. No grandma style.

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<v Speaker 4>Don't do that.

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<v Speaker 1>When we get to the school, Zoe's waiting outside.

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<v Speaker 4>All right, here we go. You're feeling good. I'm feeling good.

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<v Speaker 4>There we get here we go?

0:13:27.290 --> 0:13:27.930
<v Speaker 5>Here were god?

0:13:29.130 --> 0:13:31.010
<v Speaker 7>Hello? Hello?

0:13:31.410 --> 0:13:34.450
<v Speaker 1>Zoe is eighteen. She's wearing a Yin and Yang choker

0:13:34.530 --> 0:13:37.050
<v Speaker 1>around her neck and a pink scrunchy in her hair.

0:13:37.770 --> 0:13:38.490
<v Speaker 4>So how's everything?

0:13:38.530 --> 0:13:40.010
<v Speaker 6>How are you really good?

0:13:40.570 --> 0:13:41.250
<v Speaker 4>Almost done?

0:13:41.810 --> 0:13:42.370
<v Speaker 1>High school?

0:13:43.130 --> 0:13:44.090
<v Speaker 8>The final frontier?

0:13:45.130 --> 0:13:46.810
<v Speaker 4>So go to the park.

0:13:50.810 --> 0:13:55.770
<v Speaker 1>Would you like some candy? Tom Zooe. As Tony's emotional

0:13:55.810 --> 0:13:59.170
<v Speaker 1>support system, I thought it might be helpful to bring refreshments.

0:13:59.690 --> 0:14:09.090
<v Speaker 1>We drive along, chewing in silence, and then Tony decides

0:14:09.170 --> 0:14:10.130
<v Speaker 1>it's to break the ice.

0:14:10.610 --> 0:14:12.490
<v Speaker 4>I have a really disgusting story to tell you.

0:14:14.970 --> 0:14:16.690
<v Speaker 8>Well, can you contextualize what discussions?

0:14:16.730 --> 0:14:18.890
<v Speaker 6>Oh my god, I'm only thinking about it because it

0:14:18.930 --> 0:14:19.850
<v Speaker 6>happened right around here.

0:14:20.010 --> 0:14:21.610
<v Speaker 2>Oh no, I don't like where this is going.

0:14:23.250 --> 0:14:26.610
<v Speaker 6>A friend of mine has been collecting his vomit for

0:14:26.650 --> 0:14:29.810
<v Speaker 6>the past twenty years in a gigantic tin like a

0:14:29.890 --> 0:14:31.810
<v Speaker 6>gigantic metal drama in the basement.

0:14:32.650 --> 0:14:39.130
<v Speaker 1>Oh my god, what heck? I wasn't expecting that either.

0:14:40.930 --> 0:14:41.890
<v Speaker 2>That's so terrible.

0:14:41.890 --> 0:14:42.410
<v Speaker 4>Why would you?

0:14:42.490 --> 0:14:46.250
<v Speaker 8>Why would you bring something like that up right now?

0:14:46.930 --> 0:14:50.090
<v Speaker 1>So like, how did you find out about that? So

0:14:50.170 --> 0:14:54.770
<v Speaker 1>many questions and fun fact, the Vomit House is on

0:14:54.930 --> 0:14:58.610
<v Speaker 1>Ralph Street. Google map it. It's right there next to

0:14:58.650 --> 0:15:01.210
<v Speaker 1>Brown's inlet the park we're on our way to.

0:15:10.970 --> 0:15:13.810
<v Speaker 8>I've only been to this park once before, and that

0:15:13.930 --> 0:15:18.250
<v Speaker 8>was a weird day. I started dating this guy and

0:15:18.930 --> 0:15:20.810
<v Speaker 8>like the first time we ever hung out outside of

0:15:20.810 --> 0:15:23.530
<v Speaker 8>school was in this park. We were on those swings

0:15:23.610 --> 0:15:26.250
<v Speaker 8>and I just remember being like, wow, this is really weird,

0:15:26.330 --> 0:15:27.730
<v Speaker 8>like this is a date.

0:15:28.410 --> 0:15:31.170
<v Speaker 1>So I guess that was like my first date. We

0:15:31.250 --> 0:15:34.050
<v Speaker 1>find a picnic table beside the playground where young mothers

0:15:34.090 --> 0:15:36.890
<v Speaker 1>are playing with their babies. Tony and Zoe sit side

0:15:36.890 --> 0:15:40.090
<v Speaker 1>by side, she fiddling with a strand of hair and

0:15:40.130 --> 0:15:43.250
<v Speaker 1>he's staring at the table, sweeping pebbles of sand back

0:15:43.290 --> 0:15:46.370
<v Speaker 1>and forth. The two of them catch up. It turns

0:15:46.410 --> 0:15:50.330
<v Speaker 1>out Zoe's taking improv classes and Tony's taken improv classes too,

0:15:50.850 --> 0:15:51.370
<v Speaker 1>back and forth.

0:15:51.570 --> 0:15:53.450
<v Speaker 4>I'd love to see that. I'd love to see that.

0:15:53.570 --> 0:15:55.850
<v Speaker 2>You'd like my troop. I think you'd like those guys

0:15:55.850 --> 0:15:56.130
<v Speaker 2>a lot.

0:15:56.810 --> 0:15:59.410
<v Speaker 1>Being both a friend who wants to encourage bonding as

0:15:59.450 --> 0:16:02.090
<v Speaker 1>well as a lover of show business. I ask if

0:16:02.090 --> 0:16:03.690
<v Speaker 1>they might improvise a scene or two.

0:16:05.450 --> 0:16:06.610
<v Speaker 4>This is my favorite bench.

0:16:07.530 --> 0:16:09.730
<v Speaker 8>It's funny because it's also my favor revenge, and I've

0:16:09.770 --> 0:16:11.210
<v Speaker 8>actually never seen you sitting here.

0:16:11.290 --> 0:16:13.890
<v Speaker 1>But instead of the comedic romp I'd hoped for, I

0:16:13.930 --> 0:16:17.410
<v Speaker 1>get a sluggish five minute piece of Samuel Bickhetti in theater.

0:16:17.770 --> 0:16:20.210
<v Speaker 8>So I guess what I'm saying is you'll either have

0:16:20.290 --> 0:16:22.970
<v Speaker 8>to move to the bench that's beside mine or beside his.

0:16:23.970 --> 0:16:27.290
<v Speaker 1>And scene I thought, like, I'm probably was supposed to

0:16:27.330 --> 0:16:28.650
<v Speaker 1>be like funny well, because he.

0:16:28.650 --> 0:16:29.410
<v Speaker 4>Usually his energy.

0:16:29.450 --> 0:16:31.690
<v Speaker 6>And you're on stage and you're like, you're doing stupid

0:16:31.730 --> 0:16:34.330
<v Speaker 6>shit and people are laughing, You're not laughing, and.

0:16:34.490 --> 0:16:38.170
<v Speaker 1>In my heart it feels like Christmas morning on Ralph Street.

0:16:38.410 --> 0:16:40.850
<v Speaker 1>As Tony and Zoe begin to bond.

0:16:41.050 --> 0:16:46.170
<v Speaker 4>Yeah, so I'm playing.

0:16:45.450 --> 0:16:57.010
<v Speaker 1>They're having fun, but Tony's still thinking about godfatherhood. Tentatively,

0:16:57.450 --> 0:16:58.250
<v Speaker 1>he brings it up.

0:16:58.850 --> 0:17:00.770
<v Speaker 4>I the godfather.

0:17:01.330 --> 0:17:05.770
<v Speaker 6>Traditionally, that's well, godfather's supposed to to write spiritual instruction.

0:17:06.450 --> 0:17:12.050
<v Speaker 6>And I wasn't there when you were really young, when

0:17:12.050 --> 0:17:14.409
<v Speaker 6>you were told when you were young, this is Tony,

0:17:14.449 --> 0:17:15.170
<v Speaker 6>He's your godfather.

0:17:15.770 --> 0:17:16.609
<v Speaker 4>Do you remember that.

0:17:19.090 --> 0:17:20.290
<v Speaker 6>I always knew that you would.

0:17:20.449 --> 0:17:22.090
<v Speaker 8>You had this like connection to my parents that was

0:17:22.129 --> 0:17:24.850
<v Speaker 8>really valuable, So by extensionally you'd be valuable to me

0:17:25.290 --> 0:17:26.530
<v Speaker 8>even though I didn't know you that.

0:17:26.530 --> 0:17:29.730
<v Speaker 4>Well, Yeah, what do you What can I offer you

0:17:29.889 --> 0:17:32.410
<v Speaker 4>at this point? From this point onward in.

0:17:32.369 --> 0:17:36.689
<v Speaker 8>A formal fashion, I don't know what you hope for

0:17:36.810 --> 0:17:38.969
<v Speaker 8>me to provide for you is like to provide for me?

0:17:39.129 --> 0:17:41.409
<v Speaker 1>Yeah, oh, I mean it's a two way street. I

0:17:41.449 --> 0:17:43.290
<v Speaker 1>mean I can't just like take so much and not

0:17:43.409 --> 0:17:44.129
<v Speaker 1>give anything to you.

0:17:44.169 --> 0:17:48.369
<v Speaker 6>So that's the point. The point you don't you know,

0:17:48.449 --> 0:17:49.729
<v Speaker 6>that's the point is that I'm here for you.

0:17:53.889 --> 0:17:57.129
<v Speaker 1>That is the point with a God child, not so

0:17:57.250 --> 0:18:00.330
<v Speaker 1>much with a God adult. The children's book is called

0:18:00.409 --> 0:18:04.529
<v Speaker 1>The Giving Tree, not the Giving and Taking Tree. Children

0:18:04.570 --> 0:18:07.369
<v Speaker 1>aren't self conscious. They don't find it weird to take

0:18:07.449 --> 0:18:11.929
<v Speaker 1>without giving anything in return, but adults do. I'm begetting

0:18:11.970 --> 0:18:14.810
<v Speaker 1>to feel like pushing Tony to reconnect with his godchildren

0:18:15.090 --> 0:18:18.770
<v Speaker 1>might have been Foolhardy. Tony can't just insert himself into

0:18:18.810 --> 0:18:21.569
<v Speaker 1>a past he missed out on. And as for the future,

0:18:22.250 --> 0:18:25.170
<v Speaker 1>Zoe's getting ready to go off to college. She's at

0:18:25.169 --> 0:18:27.729
<v Speaker 1>the point in life when actual parents see less and

0:18:27.810 --> 0:18:30.730
<v Speaker 1>less of their kids, never mind godparents.

0:18:31.649 --> 0:18:32.929
<v Speaker 4>She was a little bit country and he was a

0:18:32.970 --> 0:18:33.729
<v Speaker 4>little bit rock and roll.

0:18:33.810 --> 0:18:37.689
<v Speaker 6>That was a song, I'm a little bit country reverse,

0:18:37.850 --> 0:18:38.490
<v Speaker 6>I'm a little bit.

0:18:39.810 --> 0:18:42.770
<v Speaker 1>As Tony sings both parts of Adannie and Marie Duet,

0:18:43.209 --> 0:18:45.689
<v Speaker 1>Zoe watches him with a big smile on her face.

0:18:46.209 --> 0:18:49.050
<v Speaker 1>It's clear they really enjoy each other and the afternoon

0:18:49.090 --> 0:18:52.249
<v Speaker 1>goes well. But as far as the god parental relationship

0:18:52.290 --> 0:18:55.090
<v Speaker 1>Tony wants, it feels like it just might be too late.

0:18:57.169 --> 0:18:58.090
<v Speaker 4>I'm really impressed.

0:18:58.889 --> 0:19:03.010
<v Speaker 6>I think you've got a pretty fucking firm all on things. Well.

0:19:03.050 --> 0:19:06.289
<v Speaker 8>I mean, if you're ever in dire need for like

0:19:06.290 --> 0:19:09.609
<v Speaker 8>a caregiver when you're old and can't go the bathroom

0:19:09.730 --> 0:19:10.450
<v Speaker 8>or something.

0:19:10.209 --> 0:19:17.850
<v Speaker 1>Like, I could help you. Only one godchild to go,

0:19:18.209 --> 0:19:21.409
<v Speaker 1>Will Tony be a godfather or a toilet father? Is

0:19:21.409 --> 0:19:23.970
<v Speaker 1>the cat still in the cradle? And if so, will

0:19:23.970 --> 0:19:27.690
<v Speaker 1>he scratch Tony's eyes out when roused from his godfatherless slumber.

0:19:28.409 --> 0:19:32.490
<v Speaker 1>We'll find out after these important messages from our sponsors.

0:19:40.689 --> 0:19:44.689
<v Speaker 1>Tony's first godchild, Paul, didn't have the time for a relationship,

0:19:45.129 --> 0:19:48.649
<v Speaker 1>and his second godchild, Zoe, had outgrown the whole godfather

0:19:48.770 --> 0:19:52.850
<v Speaker 1>goddaughter thing that left him one last chance, nine year

0:19:52.889 --> 0:19:54.770
<v Speaker 1>old Nicholas godchild.

0:19:54.850 --> 0:19:58.810
<v Speaker 6>The third Nicholas godchild number three is Nicholas, the son

0:19:58.850 --> 0:19:59.810
<v Speaker 6>of my cousin.

0:20:00.409 --> 0:20:03.530
<v Speaker 1>This one is especially challenging for Tony because, unlike with

0:20:03.649 --> 0:20:06.729
<v Speaker 1>Paul and Zoe, Tony's not the only godparent in the picture.

0:20:07.490 --> 0:20:11.449
<v Speaker 1>Tony's ex wife, Natalie was and likable when they started dating.

0:20:11.570 --> 0:20:14.609
<v Speaker 1>She helped him reconnect with his family so much so,

0:20:14.929 --> 0:20:18.129
<v Speaker 1>though when Nicholas was born, his mom, a cousin Tony

0:20:18.169 --> 0:20:21.050
<v Speaker 1>wasn't even especially close to, asked them both to be

0:20:21.090 --> 0:20:25.129
<v Speaker 1>as godparents. Tony and Natalie were together at Nicholas's baptism.

0:20:25.530 --> 0:20:29.609
<v Speaker 6>I was holding him and he was really was he

0:20:29.649 --> 0:20:33.169
<v Speaker 6>was really upset until I took him, and he was

0:20:33.250 --> 0:20:36.370
<v Speaker 6>quiet the whole time, And everybody was kind of spooked

0:20:36.409 --> 0:20:37.690
<v Speaker 6>by the fact that he was suddenly so.

0:20:37.730 --> 0:20:41.569
<v Speaker 4>Quiet mm hm when I was holding him. So there

0:20:41.609 --> 0:20:43.050
<v Speaker 4>was this whole kind of energy.

0:20:42.730 --> 0:20:46.490
<v Speaker 6>Around, like, oh, why is this power Tony has over Nicholas,

0:20:46.530 --> 0:20:49.570
<v Speaker 6>or why is he so quiet? And everybody seemed to

0:20:49.570 --> 0:20:51.729
<v Speaker 6>make a kind of a strange impression on people, And

0:20:51.770 --> 0:20:54.850
<v Speaker 6>it felt good to sort of be I guess for whatever.

0:20:54.570 --> 0:20:55.649
<v Speaker 4>Reason that nothing to do with me.

0:20:57.090 --> 0:21:03.810
<v Speaker 6>Somehow this kid felt soothed or calm by me, and

0:21:04.810 --> 0:21:06.729
<v Speaker 6>we baptized the kid. We had a big party, and

0:21:06.770 --> 0:21:10.010
<v Speaker 6>then we started. We were there every year, like thirty

0:21:10.010 --> 0:21:13.449
<v Speaker 6>four times a year, which is pretty good. But it

0:21:13.490 --> 0:21:17.530
<v Speaker 6>was all good, But it was all about being with Natalie.

0:21:19.970 --> 0:21:22.530
<v Speaker 1>Natalie was the initiator. She's the one who planned the

0:21:22.530 --> 0:21:25.489
<v Speaker 1>Godparents stuff, like trips with Nicholas to the movies in

0:21:25.530 --> 0:21:28.969
<v Speaker 1>the museum. Nicholas loved Natalie and related to her and

0:21:29.010 --> 0:21:31.810
<v Speaker 1>Tony as a unit. So when that unit split up,

0:21:32.090 --> 0:21:35.169
<v Speaker 1>Tony couldn't bring himself to keep visiting Nicholas and his mom.

0:21:35.570 --> 0:21:37.930
<v Speaker 1>It reminded him too much of Natalie.

0:21:38.609 --> 0:21:41.929
<v Speaker 6>I didn't feel like seeing them. I didn't feel like

0:21:41.970 --> 0:21:44.449
<v Speaker 6>going to her house because I always went there with Natalie.

0:21:46.409 --> 0:21:50.129
<v Speaker 1>But Nicholas's mother continued to reach out. Nicholas really misses you,

0:21:50.250 --> 0:21:53.810
<v Speaker 1>she'd write. Eventually, she suggested they all get together on

0:21:53.889 --> 0:21:56.409
<v Speaker 1>neutral ground, her sister's house.

0:21:56.810 --> 0:21:57.730
<v Speaker 4>So we did.

0:21:58.889 --> 0:22:00.850
<v Speaker 6>We set up a surprise dinner, which was about two

0:22:00.889 --> 0:22:07.570
<v Speaker 6>months ago, and I went over and they were really

0:22:07.570 --> 0:22:10.289
<v Speaker 6>happy to see me. But at the same time, I

0:22:10.369 --> 0:22:13.609
<v Speaker 6>noticed Nicholas's first reaction. He was, he was, he was

0:22:13.889 --> 0:22:17.889
<v Speaker 6>kind of shocked, and I could see that all this

0:22:17.929 --> 0:22:19.769
<v Speaker 6>stuff went through his eyes, and then he put on

0:22:19.850 --> 0:22:21.530
<v Speaker 6>this kind of smiley, happy guy thing.

0:22:22.570 --> 0:22:24.449
<v Speaker 4>I could read it all in his face right away.

0:22:25.570 --> 0:22:28.010
<v Speaker 1>And you think that was because Natalie wasn't there.

0:22:28.730 --> 0:22:29.929
<v Speaker 4>Yeah. Yeah.

0:22:30.889 --> 0:22:33.609
<v Speaker 1>Tony's afraid that Nicholas won't want a relationship with him

0:22:33.649 --> 0:22:36.570
<v Speaker 1>that doesn't include Natalie, Afraid that maybe he's not the

0:22:36.609 --> 0:22:39.609
<v Speaker 1>godparent that Nicholas wants. But he also doesn't want to

0:22:39.609 --> 0:22:42.690
<v Speaker 1>repeat the same mistakes, so he screws up his courage

0:22:42.810 --> 0:22:45.810
<v Speaker 1>and goes back over for dinner, hoping he and Nicholas

0:22:45.810 --> 0:22:51.129
<v Speaker 1>can connect again. But before Tony gets a chance to

0:22:51.169 --> 0:22:54.489
<v Speaker 1>sit down, the very first words out of Nicholas's mouth.

0:22:58.409 --> 0:23:03.250
<v Speaker 4>Naldie, She's She's okay.

0:23:03.369 --> 0:23:05.490
<v Speaker 9>If he just couldn't get back with her, that would

0:23:05.530 --> 0:23:06.090
<v Speaker 9>be relief.

0:23:08.010 --> 0:23:09.250
<v Speaker 4>Why would that be a relief.

0:23:10.290 --> 0:23:12.209
<v Speaker 9>I want to see her again. I never get to

0:23:12.209 --> 0:23:12.609
<v Speaker 9>see her.

0:23:12.889 --> 0:23:16.369
<v Speaker 4>Yeah, that's true.

0:23:18.649 --> 0:23:21.649
<v Speaker 9>I only see you, and.

0:23:21.530 --> 0:23:28.369
<v Speaker 6>That's not enough. You will see her again. Then she says, hi,

0:23:28.889 --> 0:23:31.730
<v Speaker 6>because she's in Australia. Actually she's in New Zealand.

0:23:32.929 --> 0:23:34.649
<v Speaker 9>You don't want to be in the place as she is.

0:23:34.770 --> 0:23:36.449
<v Speaker 3>Right, Well, I don't want.

0:23:36.330 --> 0:23:37.810
<v Speaker 6>To be in New Zealand because it's far away from

0:23:37.810 --> 0:23:38.609
<v Speaker 6>everything that I do.

0:23:39.530 --> 0:23:40.410
<v Speaker 4>My mother is here.

0:23:40.449 --> 0:23:42.690
<v Speaker 6>My mother's an old lady, she's eighty five years old

0:23:42.730 --> 0:23:45.969
<v Speaker 6>and she needs me. She can't live alone, so I

0:23:45.970 --> 0:23:50.289
<v Speaker 6>can't go anywhere. So it's finally he doesn't want to

0:23:50.290 --> 0:23:50.729
<v Speaker 6>be here.

0:23:51.530 --> 0:23:56.369
<v Speaker 3>It's over for Yeah, it's over for y out sausage.

0:23:59.490 --> 0:24:05.129
<v Speaker 6>It looks like that, but you never know. I'm not

0:24:05.209 --> 0:24:06.369
<v Speaker 6>in love with anybody else.

0:24:07.929 --> 0:24:10.249
<v Speaker 1>They sit down on the cow and Tony faces the

0:24:10.290 --> 0:24:13.530
<v Speaker 1>thing that's hardest for him to talk about, even with adults,

0:24:14.050 --> 0:24:14.929
<v Speaker 1>let alone a child.

0:24:15.609 --> 0:24:16.969
<v Speaker 4>So are you going to be sad if if you

0:24:16.970 --> 0:24:20.570
<v Speaker 4>don't see her again? A bit? I can't?

0:24:20.609 --> 0:24:21.409
<v Speaker 3>Just kidding a lot?

0:24:25.770 --> 0:24:28.489
<v Speaker 4>Is there anything that you want to ask me or

0:24:28.490 --> 0:24:29.569
<v Speaker 4>about not leave or anything?

0:24:30.290 --> 0:24:30.690
<v Speaker 1>Mm hmm.

0:24:32.689 --> 0:24:35.129
<v Speaker 3>Did a part of did you feel like a part

0:24:35.169 --> 0:24:38.970
<v Speaker 3>of your heart broke up to pieces?

0:24:39.970 --> 0:24:47.850
<v Speaker 4>Yeah? He did, yeah, very much? A lot.

0:24:48.770 --> 0:24:49.850
<v Speaker 3>Do you miss her a lot?

0:24:50.609 --> 0:24:52.290
<v Speaker 4>Yeah? I do?

0:24:53.250 --> 0:24:58.530
<v Speaker 3>Well, you should have you should have said this, come

0:24:58.570 --> 0:25:02.609
<v Speaker 3>back whenever you come. You could come back whenever you want,

0:25:03.250 --> 0:25:08.209
<v Speaker 3>or just say or just say sorry or something.

0:25:09.169 --> 0:25:15.249
<v Speaker 7>Yeah I did, Okay, I said sorry, and so did she?

0:25:16.129 --> 0:25:18.410
<v Speaker 7>She had things to be sorry about too, And then

0:25:18.649 --> 0:25:20.409
<v Speaker 7>I said come back for a long time. I said,

0:25:20.449 --> 0:25:26.530
<v Speaker 7>come back whenever you want. And I think I think

0:25:26.570 --> 0:25:30.490
<v Speaker 7>she's decided not to. I think she's decided.

0:25:31.369 --> 0:25:34.449
<v Speaker 3>Maybe it's because Post Canada takes a long time to

0:25:34.570 --> 0:25:36.570
<v Speaker 3>get a note, really long.

0:25:36.810 --> 0:25:38.330
<v Speaker 4>No, but I read her on the internet.

0:25:39.409 --> 0:25:42.530
<v Speaker 3>Oh Internet, Oh that makes more sense, I thought, you

0:25:43.010 --> 0:25:44.290
<v Speaker 3>Brian from Postcarada.

0:25:46.290 --> 0:25:49.409
<v Speaker 1>Tony's putting away his own feelings and focusing on Nicholas's,

0:25:50.010 --> 0:25:53.530
<v Speaker 1>which is a very godfatherly thing to do. And Nicholas,

0:25:53.530 --> 0:25:56.090
<v Speaker 1>for his part, seems to be straining on his emotional

0:25:56.169 --> 0:26:00.090
<v Speaker 1>tiptoes to try to reach Tony, and together they meet

0:26:00.090 --> 0:26:00.889
<v Speaker 1>somewhere in the middle.

0:26:02.369 --> 0:26:05.490
<v Speaker 6>Do you remember when I, you know, I baptized you right, yeah,

0:26:06.369 --> 0:26:08.009
<v Speaker 6>and you were crying, you were really upset.

0:26:08.490 --> 0:26:09.490
<v Speaker 4>I had to pick you up.

0:26:09.609 --> 0:26:13.369
<v Speaker 6>When I picked you up, if you went totally quiet,

0:26:14.250 --> 0:26:18.769
<v Speaker 6>and everybody was like, he's so quiet, and and everybody

0:26:18.850 --> 0:26:22.729
<v Speaker 6>said you you made him calm, And I thought that's cool.

0:26:22.850 --> 0:26:26.090
<v Speaker 6>Maybe that's what godfathers are supposed to do. They're supposed

0:26:26.129 --> 0:26:30.010
<v Speaker 6>to make people calm and be like everything's okay, don't

0:26:30.050 --> 0:26:36.489
<v Speaker 6>worry about it, you know, but let me ask you something, Yeah,

0:26:37.129 --> 0:26:38.889
<v Speaker 6>what kind of godfather do you want me to be?

0:26:40.649 --> 0:26:42.570
<v Speaker 3>I wanted you to be the same thing as you

0:26:42.609 --> 0:26:47.729
<v Speaker 3>are right now, which is what You're a really good godfather.

0:26:48.369 --> 0:26:54.609
<v Speaker 4>I am. You're pretty good, thanks man. I appreciate that.

0:26:54.609 --> 0:26:55.410
<v Speaker 4>That's very nice.

0:26:55.490 --> 0:26:57.490
<v Speaker 3>You're really good.

0:26:57.889 --> 0:27:03.290
<v Speaker 7>Good your godfather you that's awesome, cool man.

0:27:11.209 --> 0:27:15.330
<v Speaker 1>And with that, Tony was a godfather, because when your

0:27:15.330 --> 0:27:30.170
<v Speaker 1>godchild tells you you're a godfather, you're a godfather. When

0:27:30.209 --> 0:27:32.249
<v Speaker 1>I talked to Tony a couple of weeks later, he

0:27:32.290 --> 0:27:35.490
<v Speaker 1>had already seen Nicholas again. They went to visit Tony's mom.

0:27:36.010 --> 0:27:38.729
<v Speaker 1>He says she liked having a kid around to wait on,

0:27:39.330 --> 0:27:43.810
<v Speaker 1>to serve spin a coopita.

0:27:44.490 --> 0:27:45.369
<v Speaker 4>She's laughing in her heart.

0:27:47.330 --> 0:27:49.290
<v Speaker 9>This is the best day that I ever had.

0:27:52.290 --> 0:28:03.970
<v Speaker 4>And it's only just begun.

0:28:20.649 --> 0:28:30.410
<v Speaker 6>Now that the furnitures return to its goodwill home, now that.

0:28:30.530 --> 0:28:35.129
<v Speaker 7>The last month's rent is skeeding with the damage. To

0:28:36.209 --> 0:28:38.489
<v Speaker 7>take this moment to the sew.

0:28:40.850 --> 0:28:42.330
<v Speaker 4>If we meant it, if.

0:28:42.130 --> 0:28:47.370
<v Speaker 7>We tried, we felt around for far too.

0:28:49.690 --> 0:28:57.650
<v Speaker 1>From things that accidentally. Heavyweight is hosted and produced by

0:28:57.650 --> 0:29:00.890
<v Speaker 1>me Jonathan Goldstein, along with Chris Neary and Khalila Holt.

0:29:01.050 --> 0:29:04.930
<v Speaker 1>The senior producer is Wendy Dore, Editing by Alex Bloomberg

0:29:05.010 --> 0:29:08.450
<v Speaker 1>and Jorge Just special thanks to Emily Condon, Anna as

0:29:08.450 --> 0:29:12.770
<v Speaker 1>a Macappola, and my delightful pal Jackie Cohen. The show

0:29:12.850 --> 0:29:16.690
<v Speaker 1>was mixed by Hailey Shaw, music by Christine Fellows. Additional

0:29:16.770 --> 0:29:19.049
<v Speaker 1>music credits for this episode can be found on our

0:29:19.090 --> 0:29:23.489
<v Speaker 1>website Gimbletmedia dot com slash Heavyweight. Our theme song is

0:29:23.490 --> 0:29:26.650
<v Speaker 1>by the Weaker Than's courtesy of Epitaph Records, and their

0:29:26.730 --> 0:29:29.890
<v Speaker 1>ad music is by Hailey Shaw. Follow us on Twitter

0:29:29.930 --> 0:29:33.970
<v Speaker 1>at Heavyweight or email us at Heavyweight at gimbletmedia dot com.

0:29:34.290 --> 0:29:36.569
<v Speaker 1>We'll have a new episode in two weeks.

0:29:52.170 --> 0:29:55.610
<v Speaker 3>The only thing that's the most important is just to

0:29:55.730 --> 0:29:59.090
<v Speaker 3>have have a good life.

0:29:59.490 --> 0:30:01.010
<v Speaker 4>What's a good life for you?

0:30:01.050 --> 0:30:07.170
<v Speaker 3>Just to have some stuff, food, have friends, but not

0:30:07.290 --> 0:30:09.770
<v Speaker 3>to be rich and a offt.

0:30:09.730 --> 0:30:11.810
<v Speaker 4>Or something that's very true.

0:30:12.209 --> 0:30:14.450
<v Speaker 3>How do you know that I just made it up?

0:30:14.810 --> 0:30:16.730
<v Speaker 4>This is true. I think what you're saying is true.

0:30:17.090 --> 0:30:18.170
<v Speaker 9>I just made that up.