1 00:00:00,360 --> 00:00:04,320 Speaker 1: Hello, my name is Melton Melvin Doute. Your name's Major Elviston. 2 00:00:04,360 --> 00:00:05,680 Speaker 1: I know what my name is. I was going to 3 00:00:05,720 --> 00:00:08,760 Speaker 1: say my name was Melvin Duton. Is that a real guy? 4 00:00:08,880 --> 00:00:12,040 Speaker 1: Melvin Dwton was a friend. Yes, Why don't I believe 5 00:00:12,080 --> 00:00:15,600 Speaker 1: you because you're a cynical man. Mister Henry. Hello, my 6 00:00:15,720 --> 00:00:18,480 Speaker 1: name is Major Elvis Newton, and i'd like to inform 7 00:00:18,520 --> 00:00:20,239 Speaker 1: you that I will be doing a show this evening 8 00:00:20,320 --> 00:00:24,840 Speaker 1: on the Phil Henry platform. Major Elvis Newton's truth. You're 9 00:00:24,880 --> 00:00:27,720 Speaker 1: going to see me and what motivates me and one 10 00:00:27,720 --> 00:00:31,400 Speaker 1: of the greatest law enforcement units in history, the Citizen's 11 00:00:31,440 --> 00:00:34,919 Speaker 1: Auxiliary Police. How do we get it done? A lot 12 00:00:35,000 --> 00:00:36,599 Speaker 1: of people would like to know, But we do get 13 00:00:36,640 --> 00:00:39,240 Speaker 1: it done. We get it done, We get it said. 14 00:00:39,520 --> 00:00:43,760 Speaker 1: We go home, sit down, take a dump. That's right, Major, No, No, 15 00:00:43,920 --> 00:00:46,320 Speaker 1: I want to say this. We get home after a 16 00:00:46,400 --> 00:00:51,479 Speaker 1: long day, sit down and relieve yourself. Yes, but I 17 00:00:52,120 --> 00:00:53,600 Speaker 1: didn't want to say any of that. What I really 18 00:00:53,600 --> 00:00:56,200 Speaker 1: want to tell you is that a backstage passed to 19 00:00:56,200 --> 00:00:57,800 Speaker 1: the Phil Hendry show is what they want me to 20 00:00:57,840 --> 00:00:59,959 Speaker 1: tell you about. So I'll go ahead, please get one. 21 00:01:00,480 --> 00:01:02,600 Speaker 1: It's less than ten dollars a month, less than seven 22 00:01:02,600 --> 00:01:05,000 Speaker 1: dollars for the month, and you get thousands of hours 23 00:01:05,000 --> 00:01:07,720 Speaker 1: of mister Henry's archives as well as his new digital 24 00:01:07,760 --> 00:01:11,080 Speaker 1: casts and all of the course great webcasts video casts. 25 00:01:11,400 --> 00:01:14,399 Speaker 1: Right now, the video cast that I'm sitting here, I'm 26 00:01:14,440 --> 00:01:17,479 Speaker 1: in front of the Banana River. I never thought i'd 27 00:01:17,480 --> 00:01:19,759 Speaker 1: be there. I never thought i'd be there, but there 28 00:01:19,800 --> 00:01:22,200 Speaker 1: I am. So you can see all of these great 29 00:01:22,280 --> 00:01:24,520 Speaker 1: video casts. You can also listen to the great podcasts 30 00:01:24,520 --> 00:01:27,679 Speaker 1: of Bobby Dooley and Elcott The Next Step Do I 31 00:01:27,720 --> 00:01:29,839 Speaker 1: think they're really great in real life. I've never even 32 00:01:29,880 --> 00:01:32,120 Speaker 1: heard of these people, but I want you to get 33 00:01:32,160 --> 00:01:35,880 Speaker 1: these backstage passes, whatever they are, so that mister Henry 34 00:01:35,920 --> 00:01:38,840 Speaker 1: can climb off my back and I can present the 35 00:01:38,920 --> 00:01:43,679 Speaker 1: Major Elvis Newton Truth, Major Elvis Newton, the Major Elvis 36 00:01:43,720 --> 00:01:47,319 Speaker 1: Newton Truth at Phil Henryshow dot Com, the greatest value 37 00:01:47,319 --> 00:01:51,440 Speaker 1: online other than porn. Hello, I'm Major Elvis Newton. I 38 00:01:51,480 --> 00:01:54,360 Speaker 1: want you all to know something. While I protect the 39 00:01:54,400 --> 00:01:56,080 Speaker 1: lives of people, I can also go out and have 40 00:01:56,160 --> 00:02:01,360 Speaker 1: some fun. This is my story and this song exactly 41 00:02:01,520 --> 00:02:04,480 Speaker 1: who I am. Along with Balloonya, we get it on 42 00:02:04,760 --> 00:02:10,760 Speaker 1: most every night when that the moon gets big and bright. Yeah, 43 00:02:10,800 --> 00:02:17,640 Speaker 1: it's a supernatural delight. Everybody was dancing in the moonlight. 44 00:02:18,680 --> 00:02:23,600 Speaker 1: Dan scene in the moonlight. Everybody's singing it big and bright. 45 00:02:24,520 --> 00:02:29,400 Speaker 1: Everybody here is out of sight. They don't bark and 46 00:02:29,440 --> 00:02:32,800 Speaker 1: they don't bite. They keep What are you looking at now? 47 00:02:32,919 --> 00:02:34,799 Speaker 1: Look at you? These are these are the real lyrics. Yes, 48 00:02:35,280 --> 00:02:38,880 Speaker 1: could we stop this and do it again? Bud Man, 49 00:02:39,280 --> 00:02:43,160 Speaker 1: he's looking right at me, mister Henry. Yeh, don't do that, Bud. Sorry, 50 00:02:44,560 --> 00:02:46,520 Speaker 1: I started the song. I'd like to do it in 51 00:02:46,560 --> 00:02:50,280 Speaker 1: a clean, wonderful way, enjoying it. This is my personal 52 00:02:50,320 --> 00:02:54,160 Speaker 1: philosophy because everyone thinks that I walk around all day 53 00:02:54,160 --> 00:02:56,640 Speaker 1: long with a pole jammed up there, let's just be 54 00:02:56,680 --> 00:03:01,800 Speaker 1: honest about it. Yeah, do I know? Just shut up? Hey? 55 00:03:02,160 --> 00:03:06,200 Speaker 1: You know the other to a plod? Yes, yeah, that's yeah, 56 00:03:06,200 --> 00:03:09,600 Speaker 1: that's what I want to hear. Everyone thinks I walk 57 00:03:09,639 --> 00:03:13,519 Speaker 1: around all day all day all lay slow down and 58 00:03:13,520 --> 00:03:16,400 Speaker 1: here's some water. Thank you, missus Gray right, Yes, it 59 00:03:16,480 --> 00:03:20,359 Speaker 1: is very pleased to meet you. People think I walk 60 00:03:20,400 --> 00:03:24,880 Speaker 1: around all day long with a pole wedged. I can 61 00:03:24,960 --> 00:03:29,520 Speaker 1: assure you I do not. Now meet your Elbus Newton 62 00:03:29,680 --> 00:03:34,280 Speaker 1: dancing the moonlight. Thank you. This is me, This is 63 00:03:34,360 --> 00:03:36,880 Speaker 1: my song. This is who I am and what I'm about. 64 00:03:38,400 --> 00:03:41,760 Speaker 1: This is what I'm all about. We get it on 65 00:03:42,040 --> 00:03:47,119 Speaker 1: most every night when that moon gets big and bright. Here, 66 00:03:47,600 --> 00:03:55,280 Speaker 1: it's a super natural delight. Everybody was dancing in the moonlight. Hey, 67 00:03:56,000 --> 00:04:00,320 Speaker 1: dancing in the moonlight. Yeah, all right, yeah, thank you. 68 00:04:01,800 --> 00:04:06,520 Speaker 1: Everybody here is out of sight. They don't bark, and 69 00:04:06,600 --> 00:04:10,520 Speaker 1: they don't fight. They keep things loose and they keep 70 00:04:10,560 --> 00:04:14,440 Speaker 1: things alive. That's me. Everybody was dancing in the moonlight. 71 00:04:14,480 --> 00:04:16,600 Speaker 1: You think I got a pole wedge, don't you well guess? 72 00:04:16,640 --> 00:04:21,920 Speaker 1: But dancing in the moonlight. Yeah, everybody's feeling warm and right. 73 00:04:22,600 --> 00:04:25,280 Speaker 1: I'm out of sight. It's such a fine and natural sight. 74 00:04:25,760 --> 00:04:28,880 Speaker 1: I'm out of sight. Everybody's dancing, and I'm out of sight. 75 00:04:29,200 --> 00:04:31,760 Speaker 1: I'm up in the moonlight. We like our fun. We 76 00:04:31,880 --> 00:04:37,000 Speaker 1: never fight. You can't dance and stay up tight. It's 77 00:04:37,040 --> 00:04:44,120 Speaker 1: a supernatural delight. Everybody was dancing in the moonlight. That's right, 78 00:04:45,600 --> 00:04:48,760 Speaker 1: dancing in the moonlight. You can't have a pole wedge 79 00:04:48,760 --> 00:04:52,080 Speaker 1: when you're feeling warm and right. I pull the pole 80 00:04:52,160 --> 00:04:56,200 Speaker 1: out of my ass. And a natural sight. Everybody's dancing 81 00:04:56,279 --> 00:05:03,320 Speaker 1: in the moonlight. Meet your Elvis knot in the moon light. Yeah, 82 00:05:03,600 --> 00:05:08,960 Speaker 1: he's rubbisting. Ladies, gentlemen, you think I've got a pole wedged, friend, 83 00:05:11,279 --> 00:05:14,720 Speaker 1: don't bet on it. Everybody here is out of sight. 84 00:05:15,800 --> 00:05:20,400 Speaker 1: They don't bark and they don't bite. They keep things loose. 85 00:05:20,880 --> 00:05:23,880 Speaker 1: Is just what I'm supposed to get, okay, alive. Everybody 86 00:05:24,040 --> 00:05:26,440 Speaker 1: was dance and I guess they were in the moonlight 87 00:05:26,520 --> 00:05:31,000 Speaker 1: till the gunfire reupted. I'm only kidding. That's terrible. Everybody's 88 00:05:31,360 --> 00:05:35,760 Speaker 1: feeling warm and right. There's no pole wedged way up 89 00:05:35,800 --> 00:05:39,520 Speaker 1: there and out of sight. Everybody's tense. And in the 90 00:05:39,560 --> 00:05:42,920 Speaker 1: moon light. When you have a pole wedged up there, 91 00:05:42,920 --> 00:05:45,400 Speaker 1: it's out of sight. No one can see it because 92 00:05:45,400 --> 00:05:48,760 Speaker 1: it's jammed so far up there. It's such a fine 93 00:05:48,839 --> 00:05:53,960 Speaker 1: and natural sight. Not everybody is danse and in the moonlight. 94 00:05:55,040 --> 00:06:00,000 Speaker 1: Everybody is dancing in the moonlight. Yeah, yeah, thank you 95 00:06:00,120 --> 00:06:02,719 Speaker 1: very much, ladies and gentlemen. And that's me, that's me. 96 00:06:02,800 --> 00:06:06,000 Speaker 1: I'm Major Elvis Newton. Welcome to the Major Elvis Newton truth. 97 00:06:06,880 --> 00:06:10,160 Speaker 1: You know, people think that those of us in law enforcement, 98 00:06:10,800 --> 00:06:13,880 Speaker 1: we walk around all day long with something wedged up there. 99 00:06:14,880 --> 00:06:17,719 Speaker 1: We walk around all day long, just stiff legged and 100 00:06:17,760 --> 00:06:20,520 Speaker 1: going ow. You know that's what I get. I get 101 00:06:20,560 --> 00:06:23,680 Speaker 1: a lot of cracks like that. Guys driving by, you 102 00:06:23,680 --> 00:06:26,600 Speaker 1: wouldn't believe it. People are driving buying cars. People drive 103 00:06:26,600 --> 00:06:29,040 Speaker 1: buying cars. They go, hey, Newton, what do you got 104 00:06:29,040 --> 00:06:31,719 Speaker 1: wedged up there today? Haha? Honk honk, and then before 105 00:06:31,720 --> 00:06:37,560 Speaker 1: I can reach out and grab them and strangle them. Anyway, 106 00:06:37,600 --> 00:06:40,400 Speaker 1: I'm very happy to have with me the Phil Henry 107 00:06:40,440 --> 00:06:44,080 Speaker 1: crue Here, Ms Gray, Bud Dickman, and also General Shaw. 108 00:06:44,200 --> 00:06:46,800 Speaker 1: Certain you you certainly have my respect sir, and you 109 00:06:46,839 --> 00:06:49,360 Speaker 1: have mine, sir. We were wondering though, when you said 110 00:06:49,400 --> 00:06:51,960 Speaker 1: everybody thinks you're walking around with a pole wedged. Yes, 111 00:06:52,560 --> 00:06:54,960 Speaker 1: That's why I started it out with dancing in the moonlight. 112 00:06:55,279 --> 00:06:57,280 Speaker 1: I wanted people to know that I can, that I 113 00:06:57,880 --> 00:07:01,200 Speaker 1: get down and i've and I have fun. Do you dance? 114 00:07:02,000 --> 00:07:04,880 Speaker 1: I dance? I don't. I just I shuffle one foot 115 00:07:04,920 --> 00:07:07,480 Speaker 1: in front of the other. It's it's pretty sad, but 116 00:07:08,160 --> 00:07:08,520 Speaker 1: you know. 117 00:07:08,640 --> 00:07:10,200 Speaker 2: We want to hear it down the song if you 118 00:07:10,240 --> 00:07:11,240 Speaker 2: don't mind major. 119 00:07:11,000 --> 00:07:12,600 Speaker 1: All right, this is one that I want to sing 120 00:07:12,640 --> 00:07:16,160 Speaker 1: for my wife, Balloonya. She's been everything to me. This 121 00:07:16,200 --> 00:07:18,640 Speaker 1: one is for you, Balloonya. Honey, right now, she's still 122 00:07:18,680 --> 00:07:21,280 Speaker 1: in bed, and she gets out of bed when she 123 00:07:21,400 --> 00:07:24,240 Speaker 1: damn well feels like it. It's we're recording this now 124 00:07:24,280 --> 00:07:27,800 Speaker 1: at one o'clock in the afternoon. Use that a slam on, Balloonna, No, 125 00:07:27,880 --> 00:07:30,440 Speaker 1: that is not a slam on. How dear you say 126 00:07:30,840 --> 00:07:34,640 Speaker 1: that I would slam Balloonya. Oh my god, he's talking 127 00:07:34,680 --> 00:07:37,480 Speaker 1: about sex. But knock it off. She said he wouldn't slammer. 128 00:07:38,200 --> 00:07:42,040 Speaker 1: I mean I wouldn't slammer in a negative way. You're crawling. Ah. Shoot, 129 00:07:43,520 --> 00:07:46,040 Speaker 1: this is for you, Balloonya. Forget what that kid, Forget 130 00:07:46,080 --> 00:07:49,440 Speaker 1: what that thing said. For my wife, Balloonya, who's in 131 00:07:49,480 --> 00:07:52,480 Speaker 1: bed right now. Will she'll get up about two thirty. Oh, 132 00:07:52,560 --> 00:07:56,800 Speaker 1: it's so nice to be with you. I love all 133 00:07:57,000 --> 00:08:01,520 Speaker 1: the stuff you say into Balloonya. It's so nice to 134 00:08:01,680 --> 00:08:08,280 Speaker 1: hear you say you'll think about pleasing me in every way. Honey, 135 00:08:08,400 --> 00:08:12,720 Speaker 1: I got the notion you're causing commotion in my slack, 136 00:08:12,840 --> 00:08:19,480 Speaker 1: I mean in my soul. Sorry, maybe you and me Coolunya. Yeah, 137 00:08:19,800 --> 00:08:23,200 Speaker 1: have got something that's real. I know it's gonna last 138 00:08:23,200 --> 00:08:29,720 Speaker 1: a lifetime. And you better believe it. Girl at night, 139 00:08:29,800 --> 00:08:35,080 Speaker 1: I call your name locked in the bathroom. I'm only kidding. 140 00:08:35,320 --> 00:08:39,360 Speaker 1: I'm only dreaming about the time when I'll finally be 141 00:08:39,840 --> 00:08:43,920 Speaker 1: able to take my pants. Oh, it's so nice to 142 00:08:44,080 --> 00:08:46,680 Speaker 1: be you're looking at the time you'll be able to 143 00:08:46,720 --> 00:08:49,800 Speaker 1: take your pandom. Don't question me. Put it on pause. 144 00:08:50,280 --> 00:08:53,080 Speaker 1: I demand that you put it on pause right now. Yes, sir, 145 00:08:55,320 --> 00:08:58,000 Speaker 1: don't ever question me talking about you'll finally get your 146 00:08:58,000 --> 00:09:01,240 Speaker 1: pants off. Yeah, that's right. If you're not careful, I'll 147 00:09:01,280 --> 00:09:04,280 Speaker 1: remove my pants right here. No, don't do that. Don't 148 00:09:04,320 --> 00:09:06,319 Speaker 1: do that now. Start to grow up a little bit. Major. 149 00:09:06,800 --> 00:09:09,520 Speaker 1: Are you speaking to me, Major Elvis. 150 00:09:09,240 --> 00:09:11,720 Speaker 2: Yes I am. And stop it with your Mussolini act. 151 00:09:12,160 --> 00:09:13,560 Speaker 2: We want to hear you sing. We want to know 152 00:09:13,559 --> 00:09:16,080 Speaker 2: about your life with the Citizen's Auxilary Police, and I 153 00:09:16,080 --> 00:09:18,280 Speaker 2: particularly want to know about Balloonya. I don't need to 154 00:09:18,280 --> 00:09:20,520 Speaker 2: hear you talk about how you dream of the day 155 00:09:20,679 --> 00:09:22,719 Speaker 2: when you'll be able to get your pants off. 156 00:09:24,120 --> 00:09:27,559 Speaker 1: Oh, she's laughing. I want the record to show Margaret 157 00:09:27,600 --> 00:09:33,480 Speaker 1: Gray is laughing at me. Major Elvis dooted be with you? 158 00:09:33,920 --> 00:09:35,960 Speaker 1: Where was I? Oh, I'll love all the things you 159 00:09:36,120 --> 00:09:41,480 Speaker 1: say into And it's so nice to hear you say 160 00:09:41,640 --> 00:09:44,520 Speaker 1: you're gonna please me in every way. Although I haven't 161 00:09:44,520 --> 00:09:47,719 Speaker 1: heard that yet, Honey, I it smit's fine, I'll do it. 162 00:09:47,800 --> 00:09:51,080 Speaker 1: What do you want now? I don't understand what that means. 163 00:09:51,200 --> 00:09:53,720 Speaker 1: Let me sing the song my way before I throw 164 00:09:53,800 --> 00:09:56,520 Speaker 1: this place into the street. Sorry, let him do what 165 00:09:56,520 --> 00:09:59,679 Speaker 1: he wants to do. All right? Here we go one 166 00:09:59,760 --> 00:10:07,560 Speaker 1: two three? God, Yeah, maybe you and me we got 167 00:10:07,679 --> 00:10:15,720 Speaker 1: something that's real. I know it's gonna last a lifetime. Ah, 168 00:10:15,760 --> 00:10:19,920 Speaker 1: you better believe it. Girl, At night I call your 169 00:10:20,040 --> 00:10:25,520 Speaker 1: name sleeping in my car. But someday I'll be allowed 170 00:10:25,520 --> 00:10:31,600 Speaker 1: in the house about the time I reta high here. Yeah. Oh, 171 00:10:31,720 --> 00:10:35,880 Speaker 1: it's so nice to me with you. I love all 172 00:10:36,080 --> 00:10:40,520 Speaker 1: the stuff what you do, and it's so nice to 173 00:10:40,720 --> 00:10:44,200 Speaker 1: hear you say, come on up the stairs. Major. Oh, 174 00:10:44,240 --> 00:10:48,240 Speaker 1: I'm sorry, the door's locked. Honey, I got the notion 175 00:10:49,040 --> 00:10:55,199 Speaker 1: you're causing commotion. Hand me the lotion. Yeah, thank you? 176 00:10:58,440 --> 00:11:02,400 Speaker 1: What do you laugh at? Sorry, nothing at all? All right, 177 00:11:02,720 --> 00:11:08,160 Speaker 1: Bud Dickman on the steel guitar. Yeah, we we we 178 00:11:09,520 --> 00:11:16,920 Speaker 1: do do doom doo. All right enough. When I'm feeling down, 179 00:11:17,679 --> 00:11:21,360 Speaker 1: you're you're you're You're there to pick me up and 180 00:11:21,520 --> 00:11:27,240 Speaker 1: help to carry on. All the little things mean a 181 00:11:27,280 --> 00:11:30,360 Speaker 1: lot to me, especially when I have to just be 182 00:11:30,440 --> 00:11:35,679 Speaker 1: content with all the crumbs you throw me. You spend 183 00:11:35,840 --> 00:11:39,840 Speaker 1: hours talking on the phone to your dad and the 184 00:11:39,960 --> 00:11:43,800 Speaker 1: money he's making. Oh, it's so nice to be with you. 185 00:11:45,440 --> 00:11:48,640 Speaker 1: I love all the things. I'm bored with this. That 186 00:11:48,679 --> 00:11:53,600 Speaker 1: one's for you. Balloonya didn't fish. She hasn't even gotten 187 00:11:53,679 --> 00:11:58,480 Speaker 1: up yet. That one's from my wife, Balloonya, don't do man. 188 00:11:58,480 --> 00:12:01,079 Speaker 1: I don't want to hear about any man talking down 189 00:12:01,360 --> 00:12:05,280 Speaker 1: about Balloonya. This is the major Elvis Newton truth on 190 00:12:05,360 --> 00:12:08,080 Speaker 1: the world Famous Phil Henry Show, brought to you by 191 00:12:08,320 --> 00:12:12,280 Speaker 1: the world Famous Phil Henry Show backstage pass subscription to 192 00:12:12,400 --> 00:12:14,760 Speaker 1: his wonderful website. At least that's what I hear. I 193 00:12:14,800 --> 00:12:17,480 Speaker 1: don't listen to this stuff, and there's nothing personally against 194 00:12:17,480 --> 00:12:19,840 Speaker 1: mister Henry, but I want to listen to this garbage. 195 00:12:20,200 --> 00:12:23,720 Speaker 1: I've got things to do. I've got lives to save, Okay, 196 00:12:24,280 --> 00:12:28,000 Speaker 1: me and Jay Sentos and the Citizen's auxiliary Police. So 197 00:12:28,080 --> 00:12:30,959 Speaker 1: get a backstage pass to the world Famous Phil Henry 198 00:12:30,960 --> 00:12:34,360 Speaker 1: Show at Phil Hendryshow dot Com the greatest value online 199 00:12:34,760 --> 00:12:35,640 Speaker 1: other than porn. 200 00:12:35,960 --> 00:12:39,200 Speaker 2: This is the major Elvis Newton truth. I'm Margaret Gray 201 00:12:39,280 --> 00:12:42,160 Speaker 2: with major Elvis Newton. What would you say, Major Newton? 202 00:12:42,240 --> 00:12:46,240 Speaker 2: Is the most important part of being a citizen's auxiliary policeman. 203 00:12:46,720 --> 00:12:49,360 Speaker 2: This the citizen's auxilary police, the police unit that you 204 00:12:49,480 --> 00:12:51,800 Speaker 2: founded some twenty plus years ago. 205 00:12:52,600 --> 00:12:55,760 Speaker 1: The most important thing about being a citizen's auxiliary police 206 00:12:55,800 --> 00:13:00,720 Speaker 1: officer is to stand there with your feats just about 207 00:13:00,720 --> 00:13:04,000 Speaker 1: shoulder length apart, your arms folded across your chest. You'll 208 00:13:04,000 --> 00:13:08,240 Speaker 1: be wearing shorts and they'll see your legs. So some 209 00:13:08,320 --> 00:13:11,439 Speaker 1: guys just can't handle that look. I want you in 210 00:13:11,520 --> 00:13:14,400 Speaker 1: a pith helmet, in shorts, a little bit of your 211 00:13:14,440 --> 00:13:18,880 Speaker 1: underwear showing. Okay, you're wearing hard wing tip shoes, You've 212 00:13:18,880 --> 00:13:22,000 Speaker 1: got on knee high dress socks. As I say, you're 213 00:13:22,000 --> 00:13:25,680 Speaker 1: in shorts, and even looking like that, I want you 214 00:13:25,760 --> 00:13:29,960 Speaker 1: to put the fear of God into people. Here's a 215 00:13:30,000 --> 00:13:32,640 Speaker 1: song that reminds me of Balloonion our Sunday mornings together. 216 00:13:32,920 --> 00:13:40,080 Speaker 1: I'm meet your elders Newton Sunday morning up with the lark. Yeah, 217 00:13:40,160 --> 00:13:46,360 Speaker 1: I think I'll take a walk in the park. Hey, hey, hey, 218 00:13:46,760 --> 00:13:55,080 Speaker 1: it's a beautiful day. I got Balloonya waiting for me. 219 00:13:55,720 --> 00:14:01,040 Speaker 1: When I see her, I know what she'll say, Hey, 220 00:14:01,200 --> 00:14:09,719 Speaker 1: you make the big It's okay. I look forward to it. Hi, Hi, Hi, 221 00:14:11,080 --> 00:14:20,760 Speaker 1: beautiful sun day. This is my my, my beautiful day. 222 00:14:23,480 --> 00:14:29,000 Speaker 1: When you say say say say that you love me, 223 00:14:31,400 --> 00:14:35,280 Speaker 1: and I keep singing like this, I sound like a 224 00:14:35,360 --> 00:14:39,920 Speaker 1: red talk a general, I mean major. I'm a major 225 00:14:40,560 --> 00:14:43,920 Speaker 1: killing killing. I want that music kill right now. I'm major, 226 00:14:43,960 --> 00:14:47,040 Speaker 1: Elvis Dowton. I'm sorry I called you general. That's a 227 00:14:47,080 --> 00:14:49,600 Speaker 1: higher rank not where I come from. Major is the 228 00:14:49,600 --> 00:14:54,520 Speaker 1: preeminent brank in the citizens auxiliary. Please fuck every time 229 00:14:54,560 --> 00:14:57,160 Speaker 1: I come on your rotten show, mister Henry, I squeak 230 00:14:57,200 --> 00:15:03,520 Speaker 1: it out like I'm three. Like I'm three. Let's take 231 00:15:03,560 --> 00:15:07,680 Speaker 1: a car, drive it into a lake and hope though 232 00:15:07,920 --> 00:15:12,960 Speaker 1: windows jaham on us. Oh my god, that's right. That's 233 00:15:12,960 --> 00:15:16,520 Speaker 1: how I feel when I drive and I follow the 234 00:15:16,640 --> 00:15:23,240 Speaker 1: sun making Sunday go on the run like I've got 235 00:15:23,400 --> 00:15:31,960 Speaker 1: the runs on a beautiful Yeah, Major, I ast high high, Hi, 236 00:15:32,760 --> 00:15:35,200 Speaker 1: beautiful sun. Oh, I'm bored, sears. 237 00:15:35,760 --> 00:15:37,200 Speaker 2: It's a beautiful song of major. 238 00:15:37,440 --> 00:15:40,640 Speaker 1: I said, I hate it. Was that one of Boloona's favorites. 239 00:15:40,920 --> 00:15:43,160 Speaker 1: Boloona loved them all. She loved to hear me sing, 240 00:15:43,400 --> 00:15:51,280 Speaker 1: even if she sat there sucking grapes. Yeah, yeah, what 241 00:15:51,320 --> 00:15:55,360 Speaker 1: do you mean? Yeah? What's so funny? Even if she 242 00:15:55,440 --> 00:15:59,000 Speaker 1: sat there sucking grapes, yeah, and tossing the key up 243 00:15:59,040 --> 00:16:01,080 Speaker 1: and down in her hand, trying to decide whether she 244 00:16:01,120 --> 00:16:02,440 Speaker 1: was going to throw it out the window and let 245 00:16:02,480 --> 00:16:05,320 Speaker 1: me come in. Was this before you were married? This 246 00:16:05,480 --> 00:16:08,080 Speaker 1: was several weeks after we were married. She did break 247 00:16:08,080 --> 00:16:12,920 Speaker 1: down eventually and let me in the house for short stretches. 248 00:16:13,000 --> 00:16:15,000 Speaker 1: Are you kidding? No, I'm not. But you know what, 249 00:16:15,400 --> 00:16:21,640 Speaker 1: no more beautiful a woman ever existed than Balloonya Newton. Yeah, yeah, 250 00:16:21,680 --> 00:16:25,040 Speaker 1: why don't I believe you? That sounds very insincere. Shut up. 251 00:16:25,640 --> 00:16:28,440 Speaker 1: He just told me to shut up. General Major, I 252 00:16:28,480 --> 00:16:32,280 Speaker 1: mean Major, let's just chill. You got another song for us? Yeah? 253 00:16:32,280 --> 00:16:34,400 Speaker 1: I got another song? Cad you people. I came on 254 00:16:34,480 --> 00:16:36,800 Speaker 1: here to tell you about my life, to tell you 255 00:16:36,840 --> 00:16:39,040 Speaker 1: about Major Elvis Newton, And all you want me to 256 00:16:39,040 --> 00:16:42,360 Speaker 1: do is sing like I'm a trained ape, sing like 257 00:16:42,400 --> 00:16:44,200 Speaker 1: I'm one of those pandas that rolls around in the 258 00:16:44,240 --> 00:16:48,320 Speaker 1: circus just a boidable. No, we do want to hear 259 00:16:48,360 --> 00:16:50,480 Speaker 1: your philosophy of life and your philosophy of law enforcement. 260 00:16:51,160 --> 00:16:54,680 Speaker 1: But you do have this wonderful history with song kind 261 00:16:54,680 --> 00:16:57,360 Speaker 1: of spells out your life. Yes it does. All of 262 00:16:57,360 --> 00:17:00,280 Speaker 1: these songs were my favorite songs. Some people say it 263 00:17:00,280 --> 00:17:03,560 Speaker 1: was the bubblegup music of the day. I resent that violently. 264 00:17:04,200 --> 00:17:09,320 Speaker 1: My taste in music was sophisticated. Here's another song. When 265 00:17:09,359 --> 00:17:11,440 Speaker 1: Balloonya and I were going out, I made the very 266 00:17:11,560 --> 00:17:17,360 Speaker 1: very profound mistake of smoking marijuana and drinking some chilled 267 00:17:17,680 --> 00:17:21,760 Speaker 1: ripple wine. And I also took a tablet of something 268 00:17:21,800 --> 00:17:24,960 Speaker 1: that was described to me later on as some kind 269 00:17:24,960 --> 00:17:31,080 Speaker 1: of a mescaline derivative, a mescal or the peyote cactus. Right. Yes, well, 270 00:17:31,119 --> 00:17:34,680 Speaker 1: I made the big mistake of taking that. And one 271 00:17:34,760 --> 00:17:38,200 Speaker 1: night I sang this to Balloonna and it was rather disrespectful. 272 00:17:41,400 --> 00:17:45,800 Speaker 1: Oh this a gat song? Oh yeah you think so? Huh. 273 00:17:45,920 --> 00:17:48,520 Speaker 1: I sang to her like I was gonna crawl all over, 274 00:17:49,080 --> 00:17:55,400 Speaker 1: like I was some slithering serpent, and she was. She vomited, ran, 275 00:17:55,640 --> 00:18:07,000 Speaker 1: she ran for cover. A slow RYE take it easy, 276 00:18:07,320 --> 00:18:13,360 Speaker 1: climb on this. I'll make it easy. You didn't sing 277 00:18:13,400 --> 00:18:16,160 Speaker 1: this to her, Yes I did. I'm sorry. Slow ride, 278 00:18:19,200 --> 00:18:29,960 Speaker 1: take it greasy, grease it up. It'll be easy. I'm 279 00:18:30,040 --> 00:18:35,400 Speaker 1: major Elvis Newton. I'm in the mood. The rhythm is right. 280 00:18:36,520 --> 00:18:41,159 Speaker 1: Move to the music. Let's roll all knife, grease it 281 00:18:41,280 --> 00:18:47,399 Speaker 1: on up, slither on down, lid on the jar, let's 282 00:18:47,440 --> 00:18:53,119 Speaker 1: get down. Oh yeah, slow, I little, what's that? Hold on? 283 00:18:53,560 --> 00:18:56,120 Speaker 1: Kill the music? Adding what did you say? What does 284 00:18:56,119 --> 00:18:58,879 Speaker 1: that mean? Lid on the jar? They got the jar? Okay? 285 00:18:58,920 --> 00:19:02,760 Speaker 1: What God, damn it? Okay, I get it. Yeah, go ahead, God, 286 00:19:02,800 --> 00:19:16,399 Speaker 1: now that mister Henry's destroyed the song. Take it easy, 287 00:19:20,080 --> 00:19:28,760 Speaker 1: slow rye. Oh my god, you got it greasy. This 288 00:19:28,800 --> 00:19:31,639 Speaker 1: will not come out of my pants. This will stain 289 00:19:32,720 --> 00:19:37,080 Speaker 1: but in the refrigerator. Or said it on fire? This 290 00:19:37,280 --> 00:19:39,359 Speaker 1: is I don't know. I can't read these words. I'm 291 00:19:39,400 --> 00:19:43,520 Speaker 1: making them up right here, a slow riding woman. You're 292 00:19:43,600 --> 00:19:47,160 Speaker 1: so fine. You're looking directly at me while you say 293 00:19:47,240 --> 00:19:54,320 Speaker 1: that I got putrect forgive me anyway, kill it please, 294 00:19:55,080 --> 00:19:58,639 Speaker 1: how dear you. I'm singing one of my favorite songs, 295 00:19:58,640 --> 00:20:01,480 Speaker 1: mister Henry, I know I get that. The idea. It's 296 00:20:01,520 --> 00:20:03,600 Speaker 1: greasy and it's easy and you're sliding up and down 297 00:20:03,600 --> 00:20:06,320 Speaker 1: a pole. Is that it? Well? Yes, but god, you 298 00:20:06,400 --> 00:20:08,520 Speaker 1: let this spell it out like? That makes me sell 299 00:20:08,560 --> 00:20:12,840 Speaker 1: like I like to walk around with one wedged, don't I? Hey, 300 00:20:12,840 --> 00:20:14,920 Speaker 1: hold on, hold on hold, I just knock your wait 301 00:20:15,000 --> 00:20:17,640 Speaker 1: bit wait wait, take it back? But all right, sorry, 302 00:20:17,720 --> 00:20:20,720 Speaker 1: that's what it sounds like to me. Anyway. I'm major 303 00:20:20,760 --> 00:20:24,760 Speaker 1: Elvis Newton and this is the Elvis Newton truth. We've 304 00:20:24,760 --> 00:20:27,080 Speaker 1: been playing some songs, some favorites of mine since I 305 00:20:27,160 --> 00:20:30,600 Speaker 1: was a very young man. Now here's a song that 306 00:20:30,600 --> 00:20:33,600 Speaker 1: Woloonya loved very much until I started to sing it. 307 00:20:33,640 --> 00:20:38,119 Speaker 1: I'm only kidding. She enjoyed it immensely. I believe this 308 00:20:38,240 --> 00:20:43,600 Speaker 1: shows the tenderness what I got inside of me. Yeah, easy, 309 00:20:43,640 --> 00:20:46,240 Speaker 1: but you take it easy. I can show you that 310 00:20:46,280 --> 00:20:48,119 Speaker 1: I can make a woman. I can make a woman 311 00:20:48,359 --> 00:20:56,840 Speaker 1: drool over me. Watch this. Yeah. Wait, here's a spark 312 00:20:57,359 --> 00:21:06,280 Speaker 1: of magic in your eye. Yeah, candy Land appears each 313 00:21:06,400 --> 00:21:13,360 Speaker 1: time you smile. Then a hint of boner appear. Who 314 00:21:13,400 --> 00:21:16,000 Speaker 1: wrote that? But sorry, I thought that was the lyrics. 315 00:21:16,760 --> 00:21:19,200 Speaker 1: Let's put it on pause. Put it on pause. This 316 00:21:19,240 --> 00:21:20,520 Speaker 1: is a song that means a lot to me. And 317 00:21:20,560 --> 00:21:25,800 Speaker 1: balloona sorry, Major, I thought the words, oh yeah, sure, 318 00:21:26,200 --> 00:21:28,879 Speaker 1: then a hint of boner appears. I thought that's what 319 00:21:28,920 --> 00:21:35,800 Speaker 1: it said, Major Elves Newton, Ladies and gentlemen on the 320 00:21:35,960 --> 00:21:39,119 Speaker 1: Major Elvis dont In Truth Show. Thank you, mister Henry. 321 00:21:39,200 --> 00:21:40,720 Speaker 1: This is a song that means a lot to me 322 00:21:40,800 --> 00:21:43,480 Speaker 1: and my wife. Balloonya. Anybody got a problem with it? 323 00:21:43,760 --> 00:21:44,600 Speaker 1: You come see me. 324 00:21:47,119 --> 00:21:49,080 Speaker 2: Well, don't be so challenging, and you're about to sinery 325 00:21:49,160 --> 00:21:49,720 Speaker 2: mighty song. 326 00:21:51,040 --> 00:21:53,199 Speaker 1: Yes I am, but there's a lot of there's a 327 00:21:53,200 --> 00:21:54,959 Speaker 1: whole lot of monkeys out there that want to make 328 00:21:55,000 --> 00:21:58,760 Speaker 1: me look like King of the Apes. There's a spark 329 00:21:59,359 --> 00:22:05,480 Speaker 1: of magic in your eye? Can't that's supposed to be 330 00:22:05,480 --> 00:22:08,000 Speaker 1: two eyes? Hold on, put it on pause for God's sake. 331 00:22:08,200 --> 00:22:10,880 Speaker 1: Now what it says spark of magic in the eye? 332 00:22:10,960 --> 00:22:13,800 Speaker 1: Oh sorry, yeah, you're right, I didn't pluralize it. But 333 00:22:13,880 --> 00:22:16,679 Speaker 1: if you're doing this on purpose, oh I'm not man, God, please, 334 00:22:17,720 --> 00:22:19,399 Speaker 1: Well why does it say there's a spark of magic 335 00:22:19,440 --> 00:22:23,000 Speaker 1: in the eye? In your eyes? That's not what it says? 336 00:22:23,119 --> 00:22:27,480 Speaker 1: All right, I misspelled it, misspelled it? All right, where 337 00:22:27,520 --> 00:22:33,720 Speaker 1: are we Let's go do it again. It'll be great. 338 00:22:35,040 --> 00:22:39,800 Speaker 1: There's a spark of magic in your pants. He did 339 00:22:39,800 --> 00:22:45,639 Speaker 1: that on purp you're doing but put it on? He 340 00:22:45,720 --> 00:22:48,720 Speaker 1: did that on purpose. Get out of here, Bud. Oh god, 341 00:22:48,040 --> 00:22:50,840 Speaker 1: I'm sorry. I got crossed up with some other stuff 342 00:22:50,840 --> 00:22:54,960 Speaker 1: I was doing. Yeah, it happens again, mister Henry. I 343 00:22:55,000 --> 00:22:57,960 Speaker 1: will leave this show forever, but first I'll commit suicide 344 00:22:58,040 --> 00:23:00,919 Speaker 1: right here on the airwaves. No, you won't, major, Okay, 345 00:23:02,240 --> 00:23:10,160 Speaker 1: I only said that's for effect. Never thought that fairy 346 00:23:10,200 --> 00:23:16,840 Speaker 1: tales came true till I looked in the mirror and 347 00:23:17,080 --> 00:23:20,679 Speaker 1: I looked, wait a minute, putting that on? Put it on? 348 00:23:21,000 --> 00:23:23,920 Speaker 1: Who did that? Those were the words? We thought, What 349 00:23:23,960 --> 00:23:25,199 Speaker 1: do you mean? Those are the words? Those are not 350 00:23:25,200 --> 00:23:28,359 Speaker 1: the words to bet you by? Golly wow. Well this 351 00:23:28,440 --> 00:23:30,520 Speaker 1: is the lyric here. It says, as I looked in 352 00:23:30,520 --> 00:23:33,040 Speaker 1: the mirror, never thought that fairy tales came to till 353 00:23:33,080 --> 00:23:35,399 Speaker 1: I looked in the mirror. Well, what is that supposed 354 00:23:35,400 --> 00:23:37,720 Speaker 1: to mean? I'm a fairy tale? It can mean that 355 00:23:37,760 --> 00:23:40,600 Speaker 1: you're a fairy tale? Yeah, and that's good. Well, it 356 00:23:40,640 --> 00:23:43,240 Speaker 1: could mean that, you know, never thought fairy tales came 357 00:23:43,240 --> 00:23:44,800 Speaker 1: true till I looked in the mirror and I saw 358 00:23:44,880 --> 00:23:49,760 Speaker 1: that I was a fairy tale for you what That's 359 00:23:49,760 --> 00:23:51,560 Speaker 1: what I was trying to say, and you yelled at 360 00:23:51,560 --> 00:23:54,640 Speaker 1: me everything. I don't understand this, you know, I don't 361 00:23:54,680 --> 00:23:57,199 Speaker 1: understand this monkey shit at all. Watch the language, sir, 362 00:23:57,280 --> 00:24:02,359 Speaker 1: Please go ahead, play the music. You're a gene this 363 00:24:02,440 --> 00:24:06,520 Speaker 1: is the part balloona loved You're a genie in disguise, 364 00:24:06,680 --> 00:24:13,000 Speaker 1: full of wonder and surprise, and bet you by golly 365 00:24:13,359 --> 00:24:18,920 Speaker 1: Wow by Jim Hay. There, y'all got it. Wait a minute, 366 00:24:18,920 --> 00:24:20,600 Speaker 1: that's not any Why are you right? These are the 367 00:24:20,640 --> 00:24:22,520 Speaker 1: wrong lyrics. No, sir, those are the lyrics. You're just 368 00:24:22,560 --> 00:24:23,600 Speaker 1: singing it the wrong way. 369 00:24:23,880 --> 00:24:26,560 Speaker 2: You are a major look, bet you by golly wow. 370 00:24:27,480 --> 00:24:29,240 Speaker 1: You're the one that I've been waiting for all right, 371 00:24:29,280 --> 00:24:31,800 Speaker 1: God damn it. Why you're the guy that's saying you know, 372 00:24:31,960 --> 00:24:35,560 Speaker 1: yeah you bet you and everything? I know it. Well, 373 00:24:35,920 --> 00:24:43,879 Speaker 1: you're the one that I've been waiting for forever and ever. 374 00:24:44,240 --> 00:24:51,120 Speaker 1: Will my love for you keep going strong? Right down 375 00:24:51,160 --> 00:24:54,600 Speaker 1: the pant leg? Oh that's it. I don't know who 376 00:24:54,600 --> 00:24:57,119 Speaker 1: did that. No, you don't know you, mister Henry. I 377 00:24:57,160 --> 00:25:00,359 Speaker 1: will sue you. I have Frank Ray on the case. 378 00:25:00,400 --> 00:25:03,560 Speaker 1: I didn't know that Frank's handling your case handling your case? 379 00:25:04,200 --> 00:25:05,959 Speaker 1: What do you think it means? Penis? Is that it 380 00:25:06,080 --> 00:25:09,240 Speaker 1: all right? Major? You're losing it. No, every time I 381 00:25:09,280 --> 00:25:11,040 Speaker 1: come on this program, you people try to make me 382 00:25:11,080 --> 00:25:13,280 Speaker 1: look like the wrong side of a baboon? All right? 383 00:25:13,320 --> 00:25:15,440 Speaker 1: What side is that? Three guesses and the first two 384 00:25:15,440 --> 00:25:18,880 Speaker 1: don't count. I'd like to finish this song, okay, Yes, sir, 385 00:25:20,400 --> 00:25:24,680 Speaker 1: you're the one that I've been waiting for. Balloonna forever 386 00:25:25,600 --> 00:25:32,320 Speaker 1: and balloonya ever? Will my love for you keep growing strong? No? 387 00:25:32,600 --> 00:25:35,639 Speaker 1: Keep growing strong? Not keep going down the pit la. 388 00:25:39,400 --> 00:25:46,200 Speaker 1: If I could, I'd catch a falling star. Yeah, as 389 00:25:46,320 --> 00:25:51,840 Speaker 1: it dropped right out of your dad's head. Where are 390 00:25:51,840 --> 00:25:53,560 Speaker 1: you going? Where am I going? I'm getting out of here. 391 00:25:54,200 --> 00:25:55,680 Speaker 1: That's where I'm going. I don't know where I'm going, 392 00:25:55,720 --> 00:26:00,240 Speaker 1: but I'm getting out of here, Major, sir, No, No, 393 00:26:00,280 --> 00:26:03,280 Speaker 1: that was terr But did you do that? Do what? Man? 394 00:26:03,560 --> 00:26:06,359 Speaker 1: The lyrics are changed fundamentally there on the screen that 395 00:26:07,240 --> 00:26:09,479 Speaker 1: catch a falling star that dropped out of your dad's ass. 396 00:26:09,680 --> 00:26:12,800 Speaker 1: I don't know, dickman. Now you're lying. I told you 397 00:26:12,840 --> 00:26:15,040 Speaker 1: can pull any stunt you want. But when you lie, 398 00:26:15,200 --> 00:26:18,840 Speaker 1: you know what comes next? Yes? No, what I'm gonna 399 00:26:18,840 --> 00:26:21,040 Speaker 1: push him out of a bus. I'm pushing out of 400 00:26:21,040 --> 00:26:23,640 Speaker 1: the nine to ten bus tomorrow morning that sales down 401 00:26:23,720 --> 00:26:26,679 Speaker 1: Huntington Drive at about sixty miles an hour. No, you're not, 402 00:26:27,840 --> 00:26:31,200 Speaker 1: God damn it. Thanks a lot, Bud. This is the 403 00:26:31,960 --> 00:26:33,439 Speaker 1: the show that we wanted to kick off here with 404 00:26:33,480 --> 00:26:35,560 Speaker 1: the major Evis Duton, the major Evers dut in truth 405 00:26:36,400 --> 00:26:42,840 Speaker 1: and you carved it a new ass. Thank you. I'm 406 00:26:42,840 --> 00:26:46,200 Speaker 1: about add and I'll tell you that right now, Major. 407 00:26:46,320 --> 00:26:48,760 Speaker 1: We tried the things. Yeah, let me tell you something 408 00:26:49,960 --> 00:26:56,560 Speaker 1: Dickman carved in uh brand spanking new ass. It's not fair, 409 00:26:56,640 --> 00:27:00,720 Speaker 1: shut up, shut up. But I came out night to 410 00:27:00,800 --> 00:27:09,200 Speaker 1: sing some songs for Blue bouh. And if I can't 411 00:27:09,280 --> 00:27:15,879 Speaker 1: sing a decent song with out Dick when fouling it up, 412 00:27:18,160 --> 00:27:24,920 Speaker 1: putting in lyrics about me carving anew who as when 413 00:27:25,000 --> 00:27:28,080 Speaker 1: you sucked down? Major, Yeah, you can get this baby, 414 00:27:28,280 --> 00:27:31,840 Speaker 1: it's you on my mind. But Dick been screwed it. 415 00:27:32,440 --> 00:27:39,159 Speaker 1: Uh Well, I tried to sing a love song, but 416 00:27:39,280 --> 00:27:45,600 Speaker 1: he's got me growing down the inside of my slag. Yeah. 417 00:27:45,720 --> 00:27:51,119 Speaker 1: And if I can't hold you in my arms, I'll 418 00:27:51,200 --> 00:27:55,880 Speaker 1: just have to drop one into my hand. Goddamn. See, 419 00:27:55,880 --> 00:27:58,440 Speaker 1: I didn't write that. You didn't what happened there? Major, 420 00:27:58,720 --> 00:28:01,480 Speaker 1: I just subconsciously And if I can't hold her in 421 00:28:01,560 --> 00:28:04,280 Speaker 1: my arms like I'll have to have like you're penis 422 00:28:04,280 --> 00:28:10,800 Speaker 1: in your hand. Everybody thinks that funny. Everybody's think that funny. 423 00:28:11,920 --> 00:28:18,200 Speaker 1: And if I can't find my way back to Balloonya, well, 424 00:28:18,320 --> 00:28:24,080 Speaker 1: it just wouldn't be fair, because precious and Few are 425 00:28:24,119 --> 00:28:31,000 Speaker 1: the moments that me and Balloonya can shift. The show 426 00:28:31,080 --> 00:28:34,680 Speaker 1: has been produced by Phil Hendry. Precious and Few of 427 00:28:34,800 --> 00:28:39,840 Speaker 1: the show Executive producer me Phil Henry for Cempory incorporated 428 00:28:39,840 --> 00:28:45,400 Speaker 1: all rights reserved on to a podcast one Why Blu Forget? 429 00:28:45,640 --> 00:28:53,040 Speaker 1: I forget how it goes? And if you can't find 430 00:28:53,200 --> 00:29:02,600 Speaker 1: your be back, it just wouldn't be bad. There's precious 431 00:29:02,600 --> 00:29:06,360 Speaker 1: and Few are the moments that the balloons and Major 432 00:29:06,520 --> 00:29:20,560 Speaker 1: U shares ever colored the balloons Phil Henry's shown. God, 433 00:29:20,600 --> 00:29:24,880 Speaker 1: I hate life, every bit of it. 434 00:29:25,040 --> 00:29:28,560 Speaker 3: This September, CBS hits are streaming free on Pluto TV. 435 00:29:28,800 --> 00:29:30,040 Speaker 1: I'm coming in for. 436 00:29:30,040 --> 00:29:32,360 Speaker 3: This month only. You can watch full seasons of the 437 00:29:32,440 --> 00:29:36,120 Speaker 3: CBS shows you love, from the courtroom drama of Madlock 438 00:29:36,520 --> 00:29:39,600 Speaker 3: to the heroics of Fire Country, go back to where 439 00:29:39,600 --> 00:29:43,600 Speaker 3: it all began in NCIS origins, or watch the hilarious 440 00:29:43,640 --> 00:29:48,040 Speaker 3: Hauntings of Ghosts, all for free. Full seasons of the 441 00:29:48,080 --> 00:29:52,080 Speaker 3: CBS shows you love this month, only on Pluto TV 442 00:29:52,560 --> 00:29:54,240 Speaker 3: stream Now, pay Never,