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Speaker 1: Doctor.

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Speaker 2: All right, we are back for another episode of the

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Speaker 2: New Rory and mal Show.

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Speaker 3: I am Maul, I'm Ory, and well I know who

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Speaker 3: I am. Well, but today we are joining listeners. Yeah,

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Speaker 3: for the listeners, for the viewership.

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Speaker 2: But today world, we are joined by somebody who has

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Speaker 2: been crowned the most prolific story You know, you're a storyteller,

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Speaker 2: probably not in the level well not this. Yes, this

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Speaker 2: gentleman is a prolific storytelling. He's he's the best of

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Speaker 2: the best when it comes to the stand up comedy.

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Speaker 2: He's current on the international tour as well. Uh, one

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Speaker 2: of the funniest guys. Been watching him since probably before

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Speaker 2: your time. I was watching ET I think comic view.

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Speaker 2: I think it's the first time I might have saw

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Speaker 2: this gentleman years ago. So it's a pleasure to have

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Speaker 2: him here in the studio today with us Texas Legend.

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Speaker 2: Ali is in the building. Ali, how you feeling, brother Houston?

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Speaker 2: Oh see, see they do that in Texas. You got

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Speaker 2: to make sure it's specific. Yeah, two different different places.

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Speaker 3: Houston Legend.

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Speaker 4: It's two different places.

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Speaker 3: Dallas and San Antonio and Austin. And that's the different cities.

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Speaker 2: I believe different different clock, different smell, city smell, different,

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Speaker 2: different everything.

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Speaker 4: Yeah, how you feeling. It's pleasure to.

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Speaker 3: Meet doing great man. Pleasures all mine.

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Speaker 2: So we knew you were coming in about maybe three

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Speaker 2: weeks ago, and I was telling Roy. I was like, yo, listen,

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Speaker 2: I've been watching Ali Sadiq for years, and I was like,

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Speaker 2: you know this one of the guys in comedy that

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Speaker 2: I think we don't talk about enough.

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Speaker 3: We don't give We're gonna give it a We're gonna

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Speaker 3: give you two decades. Because when you said common View,

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Speaker 3: you can't say it like it was years ago. I

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Speaker 3: was in common View two thousand, two thousand and one,

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Speaker 3: two thousand, two, two thousand and three. Today, if you

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Speaker 3: started watching me in common View, yeah goodness, that's that's

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Speaker 3: almost the beginning of the career, right, that's when I started.

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Speaker 3: I started ninety seven. I started ninety seven, two thousand.

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Speaker 3: I'm on common View. So you've been watching for a

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Speaker 3: long time.

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Speaker 2: I've been to appreciate that I've been tuned in, man,

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Speaker 2: I've been tuning in. One of the one of the

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Speaker 2: best stand ups. I tell you all the time, you're

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Speaker 2: one of my favorite Tony Roberts guys that I don't

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Speaker 2: think we talk about enough in comedy. Like every time

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Speaker 2: I see your set, I'll catch you somewhere. I'm just

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Speaker 2: like Ali is still you know, out here kicking ash.

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Speaker 2: So it is a pleasure to have you here with

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Speaker 2: us today.

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Speaker 3: Thank you.

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Speaker 2: Congrats on the NAACP appreciate that's major. Yeah, I mean

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Speaker 2: to have an and your son as well, you have

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Speaker 2: that award is something that's major. But how did that

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Speaker 2: when you wrote that piece?

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Speaker 3: That stand up?

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Speaker 2: But did you know that that's where it was going? Like,

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Speaker 2: you know what that was no war that you was

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Speaker 2: going to receive.

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Speaker 5: Didn't write it. I didn't write that.

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Speaker 3: That's that's a relationship between me and my two sons.

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Speaker 3: It was nothing to right besides the title. Yeah, wow, yeah,

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Speaker 3: because that's you know, that's you know, when you're doing

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Speaker 3: your life. You don't have to write your life now

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Speaker 3: you can you can remember your life. And I was

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Speaker 3: just I was just giving a firm account of just

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Speaker 3: the relationship between me and my two sons that I

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Speaker 3: probably had said them stories to my friends at thout

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Speaker 3: tunes when it's happening, you know, so me to go

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Speaker 3: on stage and put it together, you know, no, right, no,

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Speaker 3: pen no pin needed. But it's been a couple of

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Speaker 3: specials just like that that people don't know, like Domino

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Speaker 3: Effect too. No, no, pen just wrote it? Did it

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Speaker 3: that day? What's up?

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Speaker 5: They never even seen it. I didn't even run it.

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Speaker 2: That has to be crazy like that for comedian to

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Speaker 2: not write any material and just hit the stay like,

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Speaker 2: what what's that feeling like? Because you don't have no material,

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Speaker 2: You're going out on stage. You don't know if it's

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Speaker 2: gonna work. Even if you have it written, you don't

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Speaker 2: know if it's gonna work. So for you to have

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Speaker 2: not have anything any material written, like how that's a

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Speaker 2: different level of confidence that that takes.

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Speaker 3: But when you're telling stories, you're just telling the story

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Speaker 3: you don't have I don't I didn't have an expectation.

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Speaker 3: I just needed to get it off of me, you know.

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Speaker 3: I just I needed to clinically get it off of

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Speaker 3: me by saying it aloud. Okay, you know. So that's

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Speaker 3: the first time my family ever heard me, you know,

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Speaker 3: give my take on it. But I'm telling the story

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Speaker 3: in chronological order from Domino Effect one to two.

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Speaker 5: How I'm moving.

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Speaker 3: You know, and how life is moving for me at

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Speaker 3: that particular time. So I know what was happening with

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Speaker 3: me between sixteen and eighteen. I know the down moment

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Speaker 3: of eighteen. You know, when things change for me, you

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Speaker 3: know what I'm saying. So with my father, I mean

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Speaker 3: with my two sons, it's me. Some of it is

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Speaker 3: the frustrated fathering me, and some of it is the

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Speaker 3: relation and how different these two boys are from how

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Speaker 3: I came up and seeing the difference, you know, and

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Speaker 3: kind of giving an account to parents that you're not

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Speaker 3: the same with your kids, you know, because you in

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Speaker 3: different spaces. You know, I'm in one space. Trays around

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Speaker 3: when I'm starting comedy and coming up, and Hassan is

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Speaker 3: around when I'm straight.

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Speaker 5: He's receiving different benefits.

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Speaker 3: And my mentality is different, you know, and I'm different.

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Speaker 3: You know, it's different between me being twenty five in

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Speaker 3: twenty twenty five and me.

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Speaker 5: Being forty you know what I'm saying.

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Speaker 3: Two now, you know, my younger kids get a different

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Speaker 3: benefit of me being fifty two. It's not that serious

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Speaker 3: as it was when I was forty five. You gotta

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Speaker 3: do this digit but now at fifty, like, hey man,

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Speaker 3: you want to eat cake and in the morning, eat it?

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Speaker 2: Man?

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Speaker 5: You know it got all the ingredients, got breakfast.

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Speaker 6: In there nowhere right now, I mean outside of I

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Speaker 6: guess the difference between you and your age in parenting.

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Speaker 6: Has the environments been different. Have you felt between your

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Speaker 6: two kids, one being raised in one area of one another.

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Speaker 3: That's a part of the growth, were living in totally

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Speaker 3: different environments, you know, like it's it's so the tray

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Speaker 3: trade in the environment with trade.

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Speaker 5: Man, I probably always had a gun.

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Speaker 3: Always, like getting me and out of my car with

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Speaker 3: the neighbor hood. He was saying, I always had a gun.

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Speaker 3: My son is like, man, what for? What what is

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Speaker 3: Steve going to if you come to my neighborhood. Now,

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Speaker 3: several people have called the police on you, several you have.

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Speaker 3: There's been so many calls on you, and they have

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Speaker 3: playing on blocking off the neighborhood and then you you're

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Speaker 3: not getting out of this. No matter what street you

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Speaker 3: go down, there's going to be a constable. They threw

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Speaker 3: the chain out on the ground, like, h you are

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Speaker 3: not getting out of bro Like why I'm one of them.

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Speaker 3: I'm one of them people now my neighborhood. If something happened,

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Speaker 3: I'm outside my arm sort I can't believe exactly we

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Speaker 3: should have a spikest like what is going on with you?

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Speaker 5: Rying?

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Speaker 4: Life is different.

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Speaker 3: It's totally different, man, It's brouh When if I think

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Speaker 3: about how Trey and Jaden, my oldest daughter Jay learned

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Speaker 3: how to drive in a long expedition at not at nine.

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Speaker 3: You know what I'm saying, you uh? They you know how

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Speaker 3: they start. They start in the neighborhood. So they got

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Speaker 3: all the streets down in the streets signs. They don't

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Speaker 3: have any houses built yet, they are so any the plots.

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Speaker 3: So I told her how to drive in this they

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Speaker 3: were basically just the streets now. And then I got

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Speaker 3: out on the regular road and she's nine in an expedition.

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Speaker 3: Her son started driving in a buttao and just the

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Speaker 3: And then I'm thinking about the mindset of this. If

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Speaker 3: years ago I would have cared, And then I remembered

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Speaker 3: how long I've been rich, like and not just in bread,

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Speaker 3: in spirit, you know, the richess of my being able

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Speaker 3: to walk through my neighborhoods without nothing, be able to

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Speaker 3: go through any city without nothing. You know what I'm saying, Like,

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Speaker 3: I don't I tell people all the time, I don't

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Speaker 3: check in I get checked on.

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Speaker 5: You know what I'm saying, Somebody gonna call and like, yo,

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Speaker 5: you in the city.

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Speaker 3: But what what are we doing? You know what I'm saying.

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Speaker 3: But I would have had when I was younger, if

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Speaker 3: he would erect this car, you gouta insurance was different.

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Speaker 3: It was different. Thing I'm saying. I would have had

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Speaker 3: to take this car to somebody. You know what I'm saying.

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Speaker 3: Put this muffle back on. I throw the muffler in

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Speaker 3: the back. Now it's like, oh, man, come pick it up,

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Speaker 3: take it to the dealership. You know it's gonna it's

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Speaker 3: gonna be fine, you know, because it's no And wouldn't

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Speaker 3: let me clear this up about how long I've been rich.

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Speaker 5: I've been rich since eighty eight.

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Speaker 3: Mm. Now that was illegal, you know what I'm saying.

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Speaker 3: I was acquired. But now this type of wealth is different.

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Speaker 3: Now it is different.

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Speaker 7: You know.

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Speaker 3: I don't I don't have to bury none of this

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Speaker 3: right like this, I don't have to stash of this anyway. Yo.

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Speaker 3: I had to put my cousin's you know, addic it was.

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Speaker 3: This money now is definitely depositive. The rest of the

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Speaker 3: money was in pillowcases, you know how. And this is

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Speaker 3: I'll tell what dudes was in the streets back then,

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Speaker 3: because the dudes will tell me stories about having money

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Speaker 3: and putting their bags and then I'm just I'm just

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Speaker 3: I'm just running. Yo. This is where the lie come

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Speaker 3: in at, because it's easy to believe if you don't

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Speaker 3: know how heavy money is. Right, what I'm saying, if

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Speaker 3: you put, if you put put thirty thousand dollars in

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Speaker 3: five tens and twenties in a pillowcase and just tell

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Speaker 3: me just she just finished run down the street, what

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Speaker 3: I'm saying, like, go ahead and do it. Put one

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Speaker 3: hundred thousand dollars into inside around your neck and you

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Speaker 3: tell me that you just yo, you ain't got no wobble.

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Speaker 3: You're just just easily jogging, not out of breath or nothing.

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Speaker 5: Okay, all right, I know the difference.

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Speaker 4: Somebody like you.

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Speaker 3: I did because because how that money, dirty money used

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Speaker 3: to come. It's one's five hens. It's not no crisp

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Speaker 3: hundreds in there that yo yo. Right Oh so all yo,

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Speaker 3: you had high class crackheads new money like no, this

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Speaker 3: this money was balled up when you sell it. When

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Speaker 3: I've seen that, I literally took money from somebody who

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Speaker 3: pulled money out his draw like you know how money more?

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Speaker 3: You say, yo, man, keep it, bro keep it, keep it.

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Speaker 3: And then my man was like, yo, that's how he'd

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Speaker 3: be getting away that you got it.

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Speaker 4: Yeah, yeah, I'm.

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Speaker 3: So now now you you look at it, and you

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Speaker 3: look at your kids now and if something happens. But

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Speaker 3: it's not just my kids. I think people don't realize

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Speaker 3: how they have elevated, you know, because we have a

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Speaker 3: lot of ungrateful children that complained about you on the internet.

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Speaker 3: But the point is it's on thousand dollars phones that

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Speaker 3: you fought them. I can't think of nothing between but

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Speaker 3: combined between me and my oldest sisters that my mama

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Speaker 3: spend one thousand dollars on us come back, come bye,

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Speaker 3: like over the years.

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Speaker 6: At the time I take a photo of my daughter

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Speaker 6: on a plane, it's not for the memories, so she

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Speaker 6: could never say she got an out of the money.

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Speaker 3: I don't want to get it out the monk like

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Speaker 3: it is. You're in first class right now, like yo

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Speaker 3: I was. My mom was flying thus places when you

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Speaker 3: can still smoke christ like like literally, and they served

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Speaker 3: real food like I remember having a leg quarter and

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Speaker 3: peas and carris Man and coach. He used to come

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Speaker 3: down all these meals and saying, but you next to

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Speaker 3: some dude name but bro, but you you're a whole kid. Yeah, right,

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Speaker 3: Like they had ash trays in the arm.

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Speaker 2: I was just telling them that a few months ago,

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Speaker 2: I said, I remember being on a plane and people smoking.

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Speaker 3: I remember that. Yeah, I'm smoking. I was cool. Fill

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Speaker 3: the kings camels with no no filtering, like he ain't

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Speaker 3: got no filter on the But now the joints, the

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Speaker 3: plank in the pilots coming down smoking. He's sleeping with

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Speaker 3: all of the flight of tennants because ain't no way

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Speaker 3: you and Sarah supposed to come out of this restaurant.

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Speaker 6: The idea of someone lighting a lighter in a plane

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Speaker 6: is the crazy ship in the world.

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Speaker 3: To me, I'm what's crazy is I'm I'm I'm more

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Speaker 3: amazed by them having lighters because I didn't grow up

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Speaker 3: like that. When and I grew people smoking in the

246
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Speaker 3: late seventies. It's like people who smoked cigarettes never had

247
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Speaker 3: lighters or matches. You had to light the cigarettes on

248
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Speaker 3: the stove, you know what I'm saying. And they would

249
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Speaker 3: send you as a child to light a cigarette and

250
00:14:22,840 --> 00:14:24,520
Speaker 3: when you light a zigarette on the stove, you gotta

251
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Speaker 3: roll it and then you got to pull a little bit.

252
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Speaker 3: Now you done lit three cigarettes? You really in the

253
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Speaker 3: kitchen smoking like a six. You was like you like,

254
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Speaker 3: I was like, you know, I don't even know what

255
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Speaker 3: this meant. But supposed to do it like they didn't,

256
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Speaker 3: like they wouldn't already roll in the box. It's how

257
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Speaker 3: you pack it in already rolled.

258
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Speaker 6: Yeah.

259
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Speaker 3: Yeah, And this is when you you you would be

260
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Speaker 3: adult adult events, but you had a job. You was

261
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Speaker 3: there as you know, I understand why Martin Luther King

262
00:15:00,040 --> 00:15:02,200
Speaker 3: and say if you if we lose the service industry,

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Speaker 3: we lose everything. That's one of his speeches. Now, I've

264
00:15:05,720 --> 00:15:09,760
Speaker 3: been with my family in a servitube manner for years,

265
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Speaker 3: you know, my mom and then playing cards. You know

266
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Speaker 3: I'm there. You know what I'm saying. My job is

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Speaker 3: the light cigarettes, bring ice, poor crown roll. You know

268
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Speaker 3: what I'm saying, Bring a coke. Now, I've been mixing

269
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Speaker 3: drinks for a long time in the kitchen. You know

270
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Speaker 3: what I'm saying, tasting it. It's even you know this

271
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Speaker 3: is back when we when they was drinking what was

272
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Speaker 3: a champagne that they used to drink. It was a

273
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Speaker 3: shar it was short, it was a strawberry sharena. It

274
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Speaker 3: had no not boone sworm. This is boone sworm came

275
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Speaker 3: in in my time. You know, this was like a

276
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Speaker 3: shampipo exactly. I think Fred Samford US talk about all

277
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Speaker 3: but you you actually knew that, Like they had ripple

278
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Speaker 3: and you you would hear these drinks. He'd be like, yo,

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Speaker 3: I know what that is. I drink that before you.

280
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Speaker 3: Boone swarm was that was That was my That was

281
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Speaker 3: my era. I remember the first time I ever drank

282
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Speaker 3: boone form. It was in US. It was in the

283
00:16:05,760 --> 00:16:10,320
Speaker 3: summer in Houston. And this is when you learned that

284
00:16:10,800 --> 00:16:15,720
Speaker 3: liquor and heat don't mix. You rather, you rather people

285
00:16:15,800 --> 00:16:18,640
Speaker 3: be drinking. And it's a cooler vibe, right, But if

286
00:16:18,680 --> 00:16:22,760
Speaker 3: it's liquor, Brad we is this part called Herman Park

287
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Speaker 3: and I'm full of Bullsom. I'm so full of booms

288
00:16:25,240 --> 00:16:29,120
Speaker 3: song like I'm full of Bullsom. And then it's also

289
00:16:29,320 --> 00:16:32,040
Speaker 3: was Jubilee Mad Dog twenty twenty. You know what I'm saying.

290
00:16:32,320 --> 00:16:34,240
Speaker 3: So we sitting and we had it in the cooler.

291
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Speaker 3: Me and this guy named Mario and we we were

292
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Speaker 3: just it's a brawl. It's literally a brawl, having that

293
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Speaker 3: part of people fighting every well. But we're sitting under

294
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Speaker 3: a tree on top of the cooler, commentating the fight

295
00:16:45,440 --> 00:16:48,000
Speaker 3: as we were so drunk. If somebody would came over

296
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Speaker 3: there and punched us, knocked both of us out just

297
00:16:49,840 --> 00:16:52,280
Speaker 3: by hitting one of them, like we were so drunk.

298
00:16:52,640 --> 00:16:54,440
Speaker 3: But we sit in that cooler, we lean up this thing.

299
00:16:54,560 --> 00:16:58,040
Speaker 3: We was like, what y'all running like? That was my

300
00:16:58,080 --> 00:17:01,080
Speaker 3: first I did, my first thought of ever being a

301
00:17:01,160 --> 00:17:03,520
Speaker 3: drunk dude, like in the street corner, like when people

302
00:17:03,600 --> 00:17:07,480
Speaker 3: would say things, I was that dude, that person. And

303
00:17:07,520 --> 00:17:11,399
Speaker 3: I remember we drove home. We was so lit, and

304
00:17:11,480 --> 00:17:13,600
Speaker 3: Mario dropped me off and I tried to walk in

305
00:17:13,640 --> 00:17:15,880
Speaker 3: the house like I wasn't drunk, and it's like my

306
00:17:15,920 --> 00:17:18,560
Speaker 3: mom and my stepdad was in the front in the

307
00:17:18,600 --> 00:17:21,240
Speaker 3: front of the house, and I bro let me tell y'all,

308
00:17:21,240 --> 00:17:23,440
Speaker 3: give y'all the tip about the young people. If you drunk,

309
00:17:23,720 --> 00:17:26,919
Speaker 3: don't try to hold your eyes open wide because you

310
00:17:26,920 --> 00:17:31,960
Speaker 3: look just more drunk. I'm walking, I walking like, hey, y'all,

311
00:17:32,720 --> 00:17:41,159
Speaker 3: y'all good, and I'm slurring like what drunk I was

312
00:17:41,200 --> 00:17:43,359
Speaker 3: mixing your drinks. Its like in my mom like I

313
00:17:43,400 --> 00:17:46,280
Speaker 3: am not drunk because my eyes open wire like they're like, yo,

314
00:17:46,400 --> 00:17:49,080
Speaker 3: you are so drunk. You are so drunk. We know

315
00:17:49,160 --> 00:17:51,080
Speaker 3: that move right there, like I don't even know why

316
00:17:51,080 --> 00:17:55,639
Speaker 3: you even thinking. And you smell drunk. That's the whole thing.

317
00:17:56,200 --> 00:17:59,280
Speaker 3: Mints don't cut through both. No, no, it comes out

318
00:17:59,320 --> 00:18:03,720
Speaker 3: your porchutt. You're breathing out your not. Let you put

319
00:18:04,680 --> 00:18:12,280
Speaker 3: you know you drunk, bro, You've got your cause you

320
00:18:12,280 --> 00:18:16,600
Speaker 3: got your eyes. That's crazy. When I think about my my,

321
00:18:16,600 --> 00:18:20,440
Speaker 3: my years of you know, I was going in nineteens.

322
00:18:20,440 --> 00:18:23,280
Speaker 3: I got to think of everything, and I hate, I

323
00:18:23,359 --> 00:18:28,240
Speaker 3: hate because people remember, I am reminded that I was

324
00:18:28,320 --> 00:18:29,560
Speaker 3: gone for years all the.

325
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Speaker 5: Time when somebody trying to bring up something.

326
00:18:31,760 --> 00:18:34,280
Speaker 3: Yo, you remember in ninety three when such and such

327
00:18:34,359 --> 00:18:38,280
Speaker 3: came out, that's how you feel. I was locked up.

328
00:18:38,320 --> 00:18:41,119
Speaker 3: I was just that's what you want to you know,

329
00:18:41,200 --> 00:18:43,199
Speaker 3: I was going since ninety one, yea, and said, but

330
00:18:43,240 --> 00:18:45,400
Speaker 3: you want to bring up something that happened in ninety four,

331
00:18:45,640 --> 00:18:48,480
Speaker 3: Like I was there. I don't know. I never saw

332
00:18:49,600 --> 00:18:53,880
Speaker 3: when I saw pot he was with Digital Underground. That's

333
00:18:53,920 --> 00:18:56,520
Speaker 3: my only recollection of him. And when I met him.

334
00:18:56,560 --> 00:18:58,960
Speaker 3: He was a dancer, and I met him with money

335
00:18:58,960 --> 00:19:03,320
Speaker 3: being the elevator in Houston, Okay, And I'm already in

336
00:19:03,320 --> 00:19:06,480
Speaker 3: the streets. So this is not a street guy. You

337
00:19:06,520 --> 00:19:10,040
Speaker 3: know what I'm saying. He's background down. You missed that digital.

338
00:19:10,200 --> 00:19:12,720
Speaker 3: So when I when I was, when I would inside,

339
00:19:12,760 --> 00:19:16,880
Speaker 3: I would hear about the street person. I was like, No,

340
00:19:16,920 --> 00:19:21,639
Speaker 3: I met Young Yeah, I met youngin But people will

341
00:19:21,640 --> 00:19:22,959
Speaker 3: get mad at me when I say that. But I'm

342
00:19:23,000 --> 00:19:25,280
Speaker 3: already in the streets. Why would I think that he

343
00:19:25,359 --> 00:19:27,560
Speaker 3: was a street dude. And I'm already in the streets.

344
00:19:27,600 --> 00:19:30,840
Speaker 3: And I know I like Brenda had a baby, right,

345
00:19:33,440 --> 00:19:36,240
Speaker 3: I'm not I'm not correlating this. But I never saw

346
00:19:36,320 --> 00:19:40,680
Speaker 3: bigg It was gone, both of them. Yeah, I got

347
00:19:40,680 --> 00:19:44,480
Speaker 3: out ninety seven. So what was the difference between rapt

348
00:19:44,520 --> 00:19:48,040
Speaker 3: before and after? Man, you know, you had mind playing

349
00:19:48,240 --> 00:19:50,880
Speaker 3: show and all of that rapper. I wasn't an impire

350
00:19:51,000 --> 00:19:53,480
Speaker 3: just yet any one. You know what I'm saying. You know,

351
00:19:53,560 --> 00:19:56,399
Speaker 3: you had face and you had the ghetto boys. You

352
00:19:56,400 --> 00:19:58,480
Speaker 3: know at that time I had I didn't. I didn't

353
00:19:58,480 --> 00:20:02,200
Speaker 3: even know either of the three. Yeah, you know what

354
00:20:02,200 --> 00:20:06,359
Speaker 3: I'm saying. But I knew Bun you know what I'm saying.

355
00:20:06,400 --> 00:20:08,560
Speaker 3: But I didn't know Cea. You know what I'm saying.

356
00:20:08,840 --> 00:20:12,600
Speaker 3: So it wasn't a d or zero yet. It wasn't

357
00:20:12,600 --> 00:20:15,280
Speaker 3: a slim thug yet, or beat king get in or

358
00:20:15,280 --> 00:20:17,600
Speaker 3: a little Kiki. They wasn't there yet, you know what

359
00:20:17,600 --> 00:20:21,560
Speaker 3: I'm saying. So I'm when I'm leaving. You know, in

360
00:20:21,680 --> 00:20:25,199
Speaker 3: ninety one you had this guy named born twice that

361
00:20:25,440 --> 00:20:29,520
Speaker 3: you know, a royal flush that I was jamming these guys.

362
00:20:30,080 --> 00:20:34,160
Speaker 3: You got think the year what was happening in ninety one? Yeah,

363
00:20:34,280 --> 00:20:39,760
Speaker 3: versus you know, that's the difference between me the music

364
00:20:39,800 --> 00:20:40,640
Speaker 3: scene and music scene.

365
00:20:40,680 --> 00:20:41,199
Speaker 5: It changed.

366
00:20:41,560 --> 00:20:44,480
Speaker 3: Man. I remember I was on the bus right getting

367
00:20:44,520 --> 00:20:48,199
Speaker 3: transferred and where and this this is one of the

368
00:20:48,200 --> 00:20:50,040
Speaker 3: funniest things to me ever, when I was locked up.

369
00:20:50,040 --> 00:20:54,359
Speaker 3: So this dude he on the bus singing and the

370
00:20:54,440 --> 00:20:57,520
Speaker 3: dude next to me, I'm like, and I'm I've been

371
00:20:57,560 --> 00:20:59,840
Speaker 3: locked up for a while. I'm like, yo, man, you

372
00:21:00,160 --> 00:21:04,040
Speaker 3: have money back there. He's jamming. Bro, he wasted his

373
00:21:04,119 --> 00:21:10,719
Speaker 3: life in his present, but he's singing on the fujis

374
00:21:11,640 --> 00:21:15,240
Speaker 3: and he dr man my pa like, he's back there jamming.

375
00:21:15,720 --> 00:21:19,000
Speaker 3: I have no idea. This is the fujis. I'm thinking

376
00:21:19,000 --> 00:21:24,480
Speaker 3: this is a song that he had made up. I'm like, yo,

377
00:21:24,560 --> 00:21:31,200
Speaker 3: my man, back to the one time jamming. I'm like, yo, oh,

378
00:21:31,280 --> 00:21:34,760
Speaker 3: my man is waiting his life. What I'm saying, like, Bro,

379
00:21:35,880 --> 00:21:37,440
Speaker 3: it's could be a number one record. I feel like

380
00:21:37,520 --> 00:21:39,760
Speaker 3: and I think that I told him, like, yo, man

381
00:21:41,040 --> 00:21:48,000
Speaker 3: sing bro two times. I'm like and I'm thinking that

382
00:21:48,080 --> 00:21:51,280
Speaker 3: this is this dude's song until I get to a

383
00:21:51,440 --> 00:21:54,800
Speaker 3: unit and I get a radio and I finally hit it.

384
00:21:54,960 --> 00:21:59,399
Speaker 3: I'm like, I was working in the front and this

385
00:21:59,520 --> 00:22:01,840
Speaker 3: song I that I was jamming every day and I

386
00:22:01,880 --> 00:22:04,600
Speaker 3: thought it was the coldest song in the world. And

387
00:22:04,680 --> 00:22:07,399
Speaker 3: I never knew Celine Dion was white. I was like, Yo,

388
00:22:07,480 --> 00:22:11,719
Speaker 3: this black lady is jam man. But it's just just

389
00:22:12,040 --> 00:22:17,119
Speaker 3: the song that I don't have no videos. If she

390
00:22:17,160 --> 00:22:24,240
Speaker 3: ain't come on, I ain't wholly. Hey, that's the boy.

391
00:22:24,280 --> 00:22:26,879
Speaker 3: I'm telling you. That's a when you locked up that

392
00:22:26,960 --> 00:22:33,720
Speaker 3: show right there is soft porn. Bro, you don't understand anything.

393
00:22:33,880 --> 00:22:38,320
Speaker 3: Was like, yo, I'm not missing. I'm not missing, and

394
00:22:38,400 --> 00:22:42,119
Speaker 3: Denise Austin is no way in the world I'm missing

395
00:22:42,160 --> 00:22:45,840
Speaker 3: Denise Austin in the morning doing these aerobics with these

396
00:22:46,119 --> 00:22:49,760
Speaker 3: with these full this this whild like a full bathing suit.

397
00:22:49,800 --> 00:22:56,040
Speaker 3: To this day, it's crazy to be I was like,

398
00:22:56,080 --> 00:22:59,640
Speaker 3: but you, if you want to be attracted, if I'm

399
00:22:59,680 --> 00:23:01,840
Speaker 3: a you want to be you got a full bass

400
00:23:01,880 --> 00:23:04,560
Speaker 3: on like that is the one I'll give then mc KINNI,

401
00:23:04,840 --> 00:23:06,800
Speaker 3: I did you had a full basis with your whole

402
00:23:07,359 --> 00:23:11,840
Speaker 3: hip out? You love a serious catalog? Man, Come on, man,

403
00:23:12,680 --> 00:23:15,880
Speaker 3: you know more moms need to wear a full basis.

404
00:23:15,920 --> 00:23:17,520
Speaker 3: I agree with you. I don't want to see I

405
00:23:17,560 --> 00:23:20,520
Speaker 3: don't want to see your sea section. I want to

406
00:23:20,520 --> 00:23:24,439
Speaker 3: see you in a full basis. Babies, Nie sauce and on.

407
00:23:24,560 --> 00:23:26,520
Speaker 3: I'm telling you you're gonna get You're gonna get some

408
00:23:26,560 --> 00:23:29,919
Speaker 3: small change from me and some lead tards.

409
00:23:30,800 --> 00:23:34,320
Speaker 6: I'm with it, soft freebox in short, can you explain

410
00:23:34,400 --> 00:23:37,360
Speaker 6: to more what the Mexicans have boots on? Yeah?

411
00:23:37,359 --> 00:23:39,520
Speaker 2: He was telling me about that. I didn't catch that one.

412
00:23:39,560 --> 00:23:41,399
Speaker 3: Oh you've never seen that on? That's that's one of

413
00:23:41,400 --> 00:23:43,439
Speaker 3: the more popular jointes. That was when I was on

414
00:23:43,480 --> 00:23:46,560
Speaker 3: Comedy Central. I didn't catch that one. But Ory was

415
00:23:46,600 --> 00:23:52,199
Speaker 3: telling me about that. The situation is less important to

416
00:23:52,359 --> 00:23:56,320
Speaker 3: the career than the actual show, because the actual show

417
00:23:57,240 --> 00:24:00,679
Speaker 3: kind of put me in this in this light to

418
00:24:00,720 --> 00:24:03,320
Speaker 3: where I could actually do what I actually do. So

419
00:24:03,520 --> 00:24:10,080
Speaker 3: I'm I win this competition with Comedy Central, Comedy Central's

420
00:24:10,080 --> 00:24:15,479
Speaker 3: Commic to Watch twenty thirteen. Okay, so what comes with that?

421
00:24:15,760 --> 00:24:19,359
Speaker 3: You hit, you get a special, get an album, and

422
00:24:19,400 --> 00:24:21,119
Speaker 3: then you get up to appear on one of the

423
00:24:21,119 --> 00:24:26,720
Speaker 3: Comedy Central shows. So this they was trying to put

424
00:24:26,720 --> 00:24:30,879
Speaker 3: me on Adam's Playhouse or whatever that is, Adam Devin's

425
00:24:30,880 --> 00:24:32,440
Speaker 3: play House. I was like, nah, I ain't really like

426
00:24:32,520 --> 00:24:34,840
Speaker 3: that show. They offered me another show. I'm like, nah,

427
00:24:34,840 --> 00:24:37,680
Speaker 3: I'm cool on that. And then Chase the russol is

428
00:24:37,800 --> 00:24:39,800
Speaker 3: Younger comic he said, Yo, man, you might want to

429
00:24:39,840 --> 00:24:42,840
Speaker 3: go on this show that that's on the Internet that

430
00:24:42,880 --> 00:24:45,960
Speaker 3: they finn to bring from the Internet to Comedy Central,

431
00:24:46,000 --> 00:24:50,000
Speaker 3: which is this is not happening because the storytelling show

432
00:24:50,040 --> 00:24:53,119
Speaker 3: Alris Shad feel right, So I'll see the show. I'm like, yo,

433
00:24:53,240 --> 00:24:56,440
Speaker 3: this show is the one you know because it's comic

434
00:24:56,480 --> 00:24:59,920
Speaker 3: skill on there and they tell stories you know lounched,

435
00:25:01,200 --> 00:25:04,080
Speaker 3: So I get I say, can I get on this show?

436
00:25:05,080 --> 00:25:10,040
Speaker 3: Get on that show? And then I'm going through the

437
00:25:10,160 --> 00:25:13,200
Speaker 3: stories that I'm gonna tell and I'm looking at how

438
00:25:13,240 --> 00:25:16,560
Speaker 3: everybody else is telling these stories. I'm like, I pivot

439
00:25:16,760 --> 00:25:20,440
Speaker 3: last minute. Okay, I'm about to tell another story. And

440
00:25:20,560 --> 00:25:24,439
Speaker 3: I said, you know something, I'm gonna do the prison riot,

441
00:25:25,880 --> 00:25:29,240
Speaker 3: and so I do prison ride. But inside the prison

442
00:25:29,359 --> 00:25:35,080
Speaker 3: ride it is a it's a very juvenile account, like

443
00:25:35,160 --> 00:25:39,440
Speaker 3: how green I am to how prison life works. It's

444
00:25:39,480 --> 00:25:42,480
Speaker 3: not the county, it's not a facility. This is our

445
00:25:42,560 --> 00:25:47,280
Speaker 3: prison life works. And you don't know everything. So to

446
00:25:47,359 --> 00:25:51,440
Speaker 3: go to prison and think that you you gonna make

447
00:25:51,440 --> 00:25:56,320
Speaker 3: it out and you all good is very juvenile because

448
00:25:56,359 --> 00:25:59,000
Speaker 3: you don't know what's happening all the time. So I'm

449
00:25:59,080 --> 00:26:02,119
Speaker 3: getting ready to go to necessages to get my clothes,

450
00:26:02,160 --> 00:26:07,160
Speaker 3: and as I'm going this, dude say, yo, you heard,

451
00:26:07,359 --> 00:26:09,240
Speaker 3: and I'm like, heard what he said?

452
00:26:09,560 --> 00:26:13,399
Speaker 5: Mexican got on boots. I don't know what this means

453
00:26:14,400 --> 00:26:14,920
Speaker 5: at all.

454
00:26:15,760 --> 00:26:19,320
Speaker 3: To speed the story up, I get I get this

455
00:26:19,560 --> 00:26:22,439
Speaker 3: like three times. Even when I get to the laundry,

456
00:26:22,520 --> 00:26:25,840
Speaker 3: dudes like, yo, man, gonna get back inside. Mexican got

457
00:26:25,840 --> 00:26:28,320
Speaker 3: on boots. I have no idea what this means. So

458
00:26:28,400 --> 00:26:30,399
Speaker 3: I when I get to my sale, my SELI is

459
00:26:30,440 --> 00:26:33,640
Speaker 3: Mexican and I'm like, yo, Alvareas.

460
00:26:35,320 --> 00:26:38,800
Speaker 5: Apparently your people have on boots. What does that mean?

461
00:26:38,920 --> 00:26:40,720
Speaker 5: He's like, you know what I mean, We're gonna stab a

462
00:26:40,760 --> 00:26:42,000
Speaker 5: bunch of black dudes.

463
00:26:43,760 --> 00:26:51,160
Speaker 3: On the reck yard. I'm like, what you gonna say?

464
00:26:51,200 --> 00:26:54,840
Speaker 3: A bunch of black dudes? I'm like, this is sell it.

465
00:26:55,240 --> 00:26:57,400
Speaker 6: Yeah, this is my scared strength. I was like, I'm

466
00:26:57,440 --> 00:26:59,760
Speaker 6: never going to personal yo.

467
00:27:00,119 --> 00:27:03,480
Speaker 3: Read man, Like, what's what's that about? He's like, Yo,

468
00:27:03,880 --> 00:27:05,800
Speaker 3: on the rec yard is going to be a race rioting.

469
00:27:05,840 --> 00:27:08,840
Speaker 3: You stick with your race, you know. I said, I've

470
00:27:08,880 --> 00:27:12,719
Speaker 3: read you would you would stab me? We just finished

471
00:27:12,720 --> 00:27:14,840
Speaker 3: eating together. He's like and he's like, yeah, if he

472
00:27:14,960 --> 00:27:21,000
Speaker 3: was on the rec yard, Like what? And then my, my,

473
00:27:21,000 --> 00:27:24,600
Speaker 3: my boy, Mitch. He came to myself and he was like, YO,

474
00:27:24,840 --> 00:27:26,280
Speaker 3: to me, how that you real quick? He looked at

475
00:27:26,359 --> 00:27:29,160
Speaker 3: I've read how that you real quick? I said, what's up?

476
00:27:29,200 --> 00:27:33,040
Speaker 3: He said, Yo, you heard it right? I said, what

477
00:27:33,160 --> 00:27:37,840
Speaker 3: the miss got on boot? He's going dying. You ain't

478
00:27:37,840 --> 00:27:39,920
Speaker 3: never been no rabbit for you know what I'm saying.

479
00:27:40,280 --> 00:27:43,080
Speaker 3: I said, no, this is my first time. He was like,

480
00:27:43,080 --> 00:27:45,639
Speaker 3: what are you talking about? There's been no riot. He's like,

481
00:27:45,840 --> 00:27:47,720
Speaker 3: let me come to myself and show you how I

482
00:27:47,880 --> 00:27:49,600
Speaker 3: just get on. First of all, you're gonna have to

483
00:27:49,600 --> 00:27:53,160
Speaker 3: get you a knife, like they selling me somebody, Man,

484
00:27:53,240 --> 00:27:59,320
Speaker 3: what's what's happening? Like I can just go to commentation

485
00:28:01,880 --> 00:28:05,000
Speaker 3: and it's all. You got to see the story that

486
00:28:05,160 --> 00:28:09,520
Speaker 3: it's a whole thing that's jumping off and you don't

487
00:28:09,600 --> 00:28:12,520
Speaker 3: you don't know this is jumping off. Then I ain't

488
00:28:12,520 --> 00:28:16,080
Speaker 3: gonna spoil it for you. But I got you have

489
00:28:16,200 --> 00:28:17,480
Speaker 3: to see all the rest of the set up. But

490
00:28:17,880 --> 00:28:22,400
Speaker 3: I got cut. And why when I got cut, Mitch

491
00:28:22,520 --> 00:28:25,960
Speaker 3: was next to me. I said, Mitch, he didn't even

492
00:28:25,960 --> 00:28:29,199
Speaker 3: have on boots. He's talking about the sneaky like that,

493
00:28:31,840 --> 00:28:35,040
Speaker 3: like you ain't like you just you just told me

494
00:28:35,080 --> 00:28:37,920
Speaker 3: all this stuff, but you ain't tell me I'm looking

495
00:28:37,920 --> 00:28:39,360
Speaker 3: for the boot a boot.

496
00:28:43,360 --> 00:28:45,080
Speaker 5: So he's got.

497
00:28:46,480 --> 00:28:50,400
Speaker 6: Left out that other part that yeah, when you see

498
00:28:50,400 --> 00:28:51,640
Speaker 6: it's the more stuff in there.

499
00:28:51,680 --> 00:28:54,040
Speaker 3: But the fact that that many have on boots and

500
00:28:54,200 --> 00:28:56,560
Speaker 3: I got stabbed, I was like, yo, man, you suck

501
00:28:56,680 --> 00:28:59,800
Speaker 3: man like you like, But you gave me all the

502
00:28:59,800 --> 00:29:03,120
Speaker 3: rest is advice, But you didn't say that that's an

503
00:29:03,120 --> 00:29:04,680
Speaker 3: important They may not they.

504
00:29:04,560 --> 00:29:05,000
Speaker 4: May not.

505
00:29:06,400 --> 00:29:07,040
Speaker 3: The reck yar.

506
00:29:08,680 --> 00:29:11,240
Speaker 6: Did you pass on that knowledge to maybe somebody else

507
00:29:11,240 --> 00:29:12,600
Speaker 6: that was a rookie when you were a couple of

508
00:29:12,640 --> 00:29:12,880
Speaker 6: years in.

509
00:29:13,360 --> 00:29:16,600
Speaker 3: Look look for the when we anytime that we was

510
00:29:16,640 --> 00:29:21,160
Speaker 3: having a riot, I would try to school people say, yo, man,

511
00:29:21,160 --> 00:29:24,080
Speaker 3: you got to look at the signs of how they work.

512
00:29:25,480 --> 00:29:28,080
Speaker 3: There's a lot of dudes, man, that didn't make things

513
00:29:28,160 --> 00:29:32,600
Speaker 3: because of not keeping the sign Like, yo, bro, this

514
00:29:32,720 --> 00:29:36,440
Speaker 3: is a dangerous place and this is not I try

515
00:29:36,440 --> 00:29:37,560
Speaker 3: to explain to youngsters.

516
00:29:37,600 --> 00:29:40,120
Speaker 5: Now there's you in the streets.

517
00:29:40,160 --> 00:29:43,600
Speaker 3: I get it, but I don't because it's so much

518
00:29:43,640 --> 00:29:45,840
Speaker 3: other stuff that you can be doing. It's too much.

519
00:29:45,840 --> 00:29:48,920
Speaker 3: It's too many ways to make money. It was ways

520
00:29:48,960 --> 00:29:52,400
Speaker 3: to make money. Then, know what I'm saying. It's like

521
00:29:53,000 --> 00:29:59,320
Speaker 3: my man who was becoming an electrician at the time. Yo,

522
00:29:59,400 --> 00:30:04,160
Speaker 3: he's totally different. I look at him, totally different. Yo.

523
00:30:04,240 --> 00:30:06,920
Speaker 5: He like fourteen, you know you own to be electrician?

524
00:30:07,360 --> 00:30:07,960
Speaker 3: You know what I'm saying.

525
00:30:08,080 --> 00:30:09,840
Speaker 5: And I'm like, I'm be in the streets and he's

526
00:30:09,960 --> 00:30:10,760
Speaker 5: like okay.

527
00:30:11,320 --> 00:30:16,880
Speaker 3: And then you look at his life versus yours, and

528
00:30:17,200 --> 00:30:20,320
Speaker 3: you see why he owns an electric company. He made

529
00:30:20,320 --> 00:30:23,760
Speaker 3: all his bread and it's so many things to do.

530
00:30:24,160 --> 00:30:27,920
Speaker 3: You know, even if you come from the hood you

531
00:30:27,960 --> 00:30:32,160
Speaker 3: can't give the hood this this bad frame of mind

532
00:30:32,360 --> 00:30:35,240
Speaker 3: or put people in his bathroom about the hood. It's

533
00:30:35,280 --> 00:30:37,360
Speaker 3: like everybody in the hood is doing criminal activity. It's

534
00:30:37,360 --> 00:30:39,400
Speaker 3: people in the hood that's doing other things. People trying

535
00:30:39,440 --> 00:30:41,920
Speaker 3: to become plumbers, it's people who are carrying mail. There's

536
00:30:41,920 --> 00:30:43,560
Speaker 3: people do doing a lot of other things. It's not

537
00:30:43,680 --> 00:30:49,239
Speaker 3: one option to make bread. And if you choose an

538
00:30:49,280 --> 00:30:53,680
Speaker 3: easy route, that's different than somebody choosing a route that's

539
00:30:53,720 --> 00:30:55,840
Speaker 3: going to have some more legs to it versus what

540
00:30:55,880 --> 00:30:58,800
Speaker 3: you're doing. But we get caught up in the sensationalism

541
00:30:58,920 --> 00:31:01,400
Speaker 3: of the bad guy. Is the person I want to

542
00:31:01,440 --> 00:31:05,280
Speaker 3: be like the bad guy? You know? But I didn't

543
00:31:05,320 --> 00:31:11,520
Speaker 3: get that from the movies. Like my pop soul powdered cocaine,

544
00:31:12,040 --> 00:31:13,800
Speaker 3: you know what I'm saying. It was no crack when

545
00:31:13,800 --> 00:31:16,520
Speaker 3: he was doing and he was telling this to attorneys.

546
00:31:16,520 --> 00:31:20,440
Speaker 3: So my dad had a carrier service downtown, a respectable

547
00:31:20,800 --> 00:31:22,960
Speaker 3: thing that he started with him and his friend, and

548
00:31:23,000 --> 00:31:27,000
Speaker 3: he was giving powdered cocaine to people who wanted it

549
00:31:27,040 --> 00:31:28,640
Speaker 3: at the time. You know, it's no different than what

550
00:31:28,680 --> 00:31:31,080
Speaker 3: it was the Studio fifty four whatever it was.

551
00:31:31,160 --> 00:31:32,920
Speaker 5: People wuldn't everybody.

552
00:31:32,600 --> 00:31:35,120
Speaker 3: Was doing cocaine at this time, it seemed, you know,

553
00:31:35,720 --> 00:31:44,640
Speaker 3: and because the Beg's was definitely doing cocaine with them outfits, yo,

554
00:31:44,760 --> 00:31:53,200
Speaker 3: I know for one of one of my favorite groups. Absolutely,

555
00:31:53,240 --> 00:31:55,720
Speaker 3: And you know what's crazy. Somebody asked me about man,

556
00:31:55,760 --> 00:31:58,680
Speaker 3: how terrible was Heroin? And I was like, but we

557
00:31:58,800 --> 00:32:00,280
Speaker 3: got a lot of good music out of here. Your

558
00:32:00,640 --> 00:32:06,440
Speaker 3: one thousand got a lot of good music. And I say, even,

559
00:32:06,480 --> 00:32:08,600
Speaker 3: I say, if you go back then and you go current,

560
00:32:09,280 --> 00:32:12,320
Speaker 3: like I love Nirvana, you know what I'm saying. And

561
00:32:12,560 --> 00:32:15,920
Speaker 3: I definitely love read Hot Chili Peppers. I was like, yo,

562
00:32:16,360 --> 00:32:19,440
Speaker 3: they are definitely on drugs, you know what I'm saying.

563
00:32:20,080 --> 00:32:25,640
Speaker 3: But then when you think about this song Hellou, Hellu Hellou,

564
00:32:25,680 --> 00:32:30,320
Speaker 3: I'm like, yo, he's yo, who is writing this song

565
00:32:30,440 --> 00:32:31,760
Speaker 3: that's not high?

566
00:32:31,920 --> 00:32:32,880
Speaker 5: Like this?

567
00:32:33,000 --> 00:32:36,320
Speaker 3: How you thought off a song? Hello?

568
00:32:36,440 --> 00:32:39,840
Speaker 5: Yeah, Hello, Hello?

569
00:32:41,680 --> 00:32:49,360
Speaker 3: Hello? Is anybody there? But not if I can see

570
00:32:51,880 --> 00:32:58,320
Speaker 3: it's gonna be classic thing Floyd nothing, you know, I

571
00:32:58,360 --> 00:33:02,400
Speaker 3: have become comfortable numb, come on, pink Floyd. But so

572
00:33:02,480 --> 00:33:05,280
Speaker 3: I don't can I say that it was I don't

573
00:33:05,280 --> 00:33:10,800
Speaker 3: think it's a lot of sober people writing great songs.

574
00:33:11,080 --> 00:33:14,240
Speaker 6: But promtozine, I think was the last last great drug

575
00:33:14,360 --> 00:33:17,240
Speaker 6: of music. You're talking about Syrup, the last one because

576
00:33:17,280 --> 00:33:18,760
Speaker 6: now Fenton onl mixed terrible music.

577
00:33:19,000 --> 00:33:24,280
Speaker 3: These kids make the worst and peels make music. But

578
00:33:25,720 --> 00:33:29,040
Speaker 3: you get y'all gonna understand how First of all, it's

579
00:33:29,080 --> 00:33:35,680
Speaker 3: amazing that you completed the song. When you y'all don

580
00:33:35,760 --> 00:33:39,800
Speaker 3: understand this is something that started in Houston. We're not

581
00:33:39,800 --> 00:33:41,240
Speaker 3: talking about the rest of the tet. We talking about

582
00:33:41,320 --> 00:33:47,080
Speaker 3: in Houston South Side. When you would see somebody, you

583
00:33:47,080 --> 00:33:50,120
Speaker 3: would you thought they were sleep. You thought they were

584
00:33:50,160 --> 00:33:55,480
Speaker 3: sleep and they are in traffic and that man does

585
00:33:55,520 --> 00:33:59,480
Speaker 3: not have park on, that man is in dry and

586
00:34:02,520 --> 00:34:07,080
Speaker 3: then you come your buddy, what's up? Like, how do

587
00:34:07,160 --> 00:34:10,680
Speaker 3: you finish a song over a couple of lean You

588
00:34:10,680 --> 00:34:12,600
Speaker 3: know what I'm saying? And I just I just know

589
00:34:13,400 --> 00:34:16,440
Speaker 3: it's first of all, shout out to the genius of

590
00:34:17,280 --> 00:34:18,799
Speaker 3: doing it. Bro.

591
00:34:19,280 --> 00:34:22,399
Speaker 5: I never did syrup, but I I have done this.

592
00:34:22,480 --> 00:34:26,479
Speaker 3: I said, I'm gonna take three caps of night Quill, yeah,

593
00:34:26,680 --> 00:34:28,160
Speaker 3: and I'm gonna try to write something.

594
00:34:29,320 --> 00:34:30,720
Speaker 5: And you know what was on that paper?

595
00:34:31,920 --> 00:34:38,160
Speaker 4: Hello, that.

596
00:34:40,200 --> 00:34:43,520
Speaker 3: Like I've man, you gotta be.

597
00:34:43,920 --> 00:34:46,319
Speaker 6: Why chopping screw makes so much sense you got slowly.

598
00:34:47,120 --> 00:34:50,040
Speaker 3: They got so down to rehre I mean replay with

599
00:34:50,120 --> 00:34:57,200
Speaker 3: Isaai right, because I've listened to like uh and and

600
00:34:57,280 --> 00:34:59,160
Speaker 3: I don't think chopping screw makes sense when they going

601
00:34:59,160 --> 00:35:02,840
Speaker 3: when it's going to the speed. No, it's like, but

602
00:35:04,400 --> 00:35:11,680
Speaker 3: the it's a classic, man. June twenty seventh is a

603
00:35:11,719 --> 00:35:14,239
Speaker 3: class It's like, it's these are songs that if you're

604
00:35:14,239 --> 00:35:19,360
Speaker 3: in Houston you have to know. It's like you like

605
00:35:19,400 --> 00:35:22,560
Speaker 3: because you're gonna feel You're gonna feel crazy if you're

606
00:35:22,560 --> 00:35:25,200
Speaker 3: in the club in June twenty seventh, come on and

607
00:35:25,320 --> 00:35:28,279
Speaker 3: some of the prettiest women and some of the most

608
00:35:28,320 --> 00:35:34,960
Speaker 3: well dressed dudes. Everybody like, like, what's going on? But

609
00:35:35,080 --> 00:35:39,680
Speaker 3: that June twenty seventh is crazy hipping the pin.

610
00:35:42,080 --> 00:35:43,000
Speaker 5: Oh Man.

611
00:35:45,280 --> 00:35:49,680
Speaker 3: Tops drop it man, it's maybe it's about maybe thirty

612
00:35:49,800 --> 00:35:52,160
Speaker 3: forty songs that you got to know to live in Houston.

613
00:35:53,880 --> 00:35:57,080
Speaker 3: DMD got one of the coldest ones man twenty five

614
00:35:57,160 --> 00:36:03,040
Speaker 3: lights on my dresser. But but what's what's my jont

615
00:36:03,040 --> 00:36:09,879
Speaker 3: by him that I love moving big way? What is it?

616
00:36:10,480 --> 00:36:14,960
Speaker 3: Twenty five eight? It was at twenty five eight. It

617
00:36:15,080 --> 00:36:21,200
Speaker 3: should be a an anthem for people who hustle and

618
00:36:21,239 --> 00:36:25,680
Speaker 3: I'm talking about in any capacity, whether your your podcast,

619
00:36:25,840 --> 00:36:29,680
Speaker 3: whether it's whatever you're doing. Twenty five eight. That man

620
00:36:29,800 --> 00:36:34,440
Speaker 3: say he worked twenty five eight. He got a hustle

621
00:36:34,520 --> 00:36:38,000
Speaker 3: like he moving big weight. He just twenty five hours

622
00:36:38,040 --> 00:36:40,520
Speaker 3: a day, eight days a week is what he is,

623
00:36:40,560 --> 00:36:44,760
Speaker 3: how he's doing his business. And that's a that's a

624
00:36:44,800 --> 00:36:48,160
Speaker 3: big song for me when I when I'm getting ready

625
00:36:48,200 --> 00:36:50,879
Speaker 3: to do something, I'm gonna put on twenty five eight

626
00:36:51,440 --> 00:36:55,120
Speaker 3: because that's how my mentality is. You know that I'm

627
00:36:55,400 --> 00:37:00,160
Speaker 3: working this hard. You know twenty five hours a day,

628
00:37:00,440 --> 00:37:02,719
Speaker 3: eight days a week will.

629
00:37:02,560 --> 00:37:06,319
Speaker 6: Yet, Maul, I've never said this to you before ever

630
00:37:06,360 --> 00:37:08,480
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631
00:37:08,560 --> 00:37:10,520
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633
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634
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635
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636
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637
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639
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645
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670
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675
00:39:04,400 --> 00:39:06,400
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676
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677
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Speaker 2: and Virginia. Now you you preach independence a lot all day.

678
00:39:19,640 --> 00:39:22,279
Speaker 2: That's like a big thing for you as a as

679
00:39:22,320 --> 00:39:25,760
Speaker 2: a comic and a legend in the space. How important

680
00:39:25,880 --> 00:39:29,400
Speaker 2: is independence like now more than ever.

681
00:39:31,920 --> 00:39:36,200
Speaker 3: It's like Prince Man. You want to own your own catalog.

682
00:39:36,280 --> 00:39:37,839
Speaker 3: You want to own your own stuff. You don't want

683
00:39:37,920 --> 00:39:40,400
Speaker 3: somebody to be able to put out things on you

684
00:39:40,520 --> 00:39:43,520
Speaker 3: that you have no power on, how the money has

685
00:39:43,560 --> 00:39:46,440
Speaker 3: been broken up, or house even being you know, distributed,

686
00:39:46,440 --> 00:39:48,000
Speaker 3: the house being put out there, the light that you

687
00:39:48,120 --> 00:39:52,160
Speaker 3: be putting yourself in. So my thing was I had

688
00:39:52,200 --> 00:39:57,680
Speaker 3: to save up my bread to start doing my own thing.

689
00:39:58,400 --> 00:40:00,960
Speaker 3: You know, it's kind of like going back to when

690
00:40:01,000 --> 00:40:03,360
Speaker 3: I was hustling. I don't want to work for nobody,

691
00:40:04,160 --> 00:40:06,360
Speaker 3: you know, I don't want to get be on consignment.

692
00:40:06,400 --> 00:40:08,719
Speaker 3: I just want to buy my stuff and break it

693
00:40:08,800 --> 00:40:11,840
Speaker 3: down and make what I make, you know, without you know,

694
00:40:11,960 --> 00:40:18,000
Speaker 3: a middleman. So with me doing the specials and constantly

695
00:40:19,239 --> 00:40:21,000
Speaker 3: putting it out and being able to clip it up

696
00:40:21,000 --> 00:40:23,239
Speaker 3: and being able to put it in other spaces, that

697
00:40:23,360 --> 00:40:25,279
Speaker 3: where I wanted and have some type of power over

698
00:40:25,280 --> 00:40:26,520
Speaker 3: where it is going and.

699
00:40:26,440 --> 00:40:28,720
Speaker 5: What my kids and passing is down to my kids.

700
00:40:28,719 --> 00:40:31,800
Speaker 3: My kids, I have total control of my whole entire catalog,

701
00:40:31,920 --> 00:40:34,080
Speaker 3: the albums and the specials. You know what I'm saying,

702
00:40:34,120 --> 00:40:37,600
Speaker 3: the books, you know, it won't be they have to

703
00:40:37,640 --> 00:40:39,680
Speaker 3: go talk to somebody or they had to break their

704
00:40:39,680 --> 00:40:42,640
Speaker 3: bread up. You know, you just keep the legacy going

705
00:40:42,719 --> 00:40:45,279
Speaker 3: and then you straight. But you know, you had these

706
00:40:45,280 --> 00:40:49,640
Speaker 3: people who fighting for their catalog, you know, or no

707
00:40:49,800 --> 00:40:52,319
Speaker 3: knock on Mike Jack when he did it. But just

708
00:40:52,400 --> 00:40:55,680
Speaker 3: think you the Beatles and somebody buy your catalog, you know,

709
00:40:56,600 --> 00:40:59,839
Speaker 3: like it's like me buying a bunch of guys' specials.

710
00:41:00,120 --> 00:41:02,880
Speaker 3: But then they still having to work with me. Then

711
00:41:02,920 --> 00:41:06,040
Speaker 3: no matter what you do, I'm still making the bread.

712
00:41:06,320 --> 00:41:09,120
Speaker 3: But you know I would hate that, you know. So

713
00:41:09,680 --> 00:41:13,360
Speaker 3: how that started was I did the special Comedy Central

714
00:41:13,920 --> 00:41:17,840
Speaker 3: twenty eighteen. I put a clip of it up and

715
00:41:17,960 --> 00:41:21,799
Speaker 3: got copyright in French for my own I can't even

716
00:41:21,840 --> 00:41:26,560
Speaker 3: promote my own stuff. And so when we called, I

717
00:41:26,600 --> 00:41:29,640
Speaker 3: think this is a you know sometimes when you hear

718
00:41:29,680 --> 00:41:31,960
Speaker 3: what you want to hear, I hear what needed to

719
00:41:32,000 --> 00:41:36,279
Speaker 3: be said to me, what I needed to hear. We

720
00:41:36,360 --> 00:41:40,400
Speaker 3: own it, and I took that as if they owned me,

721
00:41:41,680 --> 00:41:43,520
Speaker 3: and I was like, well, nobody ever be able to

722
00:41:43,520 --> 00:41:46,480
Speaker 3: do this again, you know. And even the album that

723
00:41:46,520 --> 00:41:50,719
Speaker 3: I put out with them, when I when I got

724
00:41:50,760 --> 00:41:55,440
Speaker 3: the album back after so many years of them having it,

725
00:41:55,560 --> 00:41:58,560
Speaker 3: I got the album back and now it's back in

726
00:41:58,640 --> 00:42:01,720
Speaker 3: my catalog. So I'm still waiting to buy the special

727
00:42:01,760 --> 00:42:04,920
Speaker 3: back bigger than these bars. But now Comedy Central and

728
00:42:04,960 --> 00:42:08,160
Speaker 3: sold the paramount paaramount sold it to this person, So

729
00:42:08,520 --> 00:42:10,239
Speaker 3: who knows when I'm gonna get that back?

730
00:42:11,040 --> 00:42:13,560
Speaker 6: Does comedy work in the same publishing of like after

731
00:42:13,600 --> 00:42:17,600
Speaker 6: thirty years you could get it back? How does how

732
00:42:17,600 --> 00:42:18,640
Speaker 6: does comedy publishing work?

733
00:42:18,640 --> 00:42:22,880
Speaker 3: I don't. I don't know because my deals had a

734
00:42:22,920 --> 00:42:25,399
Speaker 3: certain amount of time that I was getting it back,

735
00:42:25,440 --> 00:42:26,880
Speaker 3: so I didn't know how record. I didn't even know

736
00:42:27,000 --> 00:42:30,000
Speaker 3: record had thirty years. I just know that I had

737
00:42:30,160 --> 00:42:33,759
Speaker 3: ten of this or I had the deal. I get

738
00:42:33,800 --> 00:42:37,120
Speaker 3: it back a percentage of it back when I recoup. Yeah,

739
00:42:37,239 --> 00:42:41,040
Speaker 3: when they when they recoup. Okay, but bro, that's you

740
00:42:41,080 --> 00:42:45,000
Speaker 3: know how crazy it is when you when they come

741
00:42:45,040 --> 00:42:50,000
Speaker 3: to you they spent four hundred thousand dollars. Lights, I've

742
00:42:50,000 --> 00:42:54,680
Speaker 3: been there. When's the number two? When am I on

743
00:42:54,719 --> 00:42:57,640
Speaker 3: that number? When am I going to tool this back?

744
00:42:57,960 --> 00:43:00,719
Speaker 3: And we just saw about lights, talk about nothing else.

745
00:43:00,719 --> 00:43:03,680
Speaker 3: You're just talking about lights and at a venue that

746
00:43:03,760 --> 00:43:08,680
Speaker 3: had them, and you was like, oh, you know, And

747
00:43:08,719 --> 00:43:10,480
Speaker 3: then I can kind of believe because I shot this

748
00:43:10,520 --> 00:43:12,719
Speaker 3: one inside of a prison, so they had to bring

749
00:43:12,760 --> 00:43:15,439
Speaker 3: everything got you. But this is the thing, but four

750
00:43:15,520 --> 00:43:18,799
Speaker 3: hundred thousand yeah, and my mind like so you don't

751
00:43:18,840 --> 00:43:25,719
Speaker 3: know nobody, like not one single person. Man. And then

752
00:43:25,760 --> 00:43:29,200
Speaker 3: you it's kind of like when you get married and

753
00:43:29,960 --> 00:43:33,640
Speaker 3: they get a wedding planner, like say, hey man, listen,

754
00:43:34,320 --> 00:43:37,720
Speaker 3: five thousand DOFs a wedding planner. I plan your surprise

755
00:43:37,760 --> 00:43:40,360
Speaker 3: birthday party like five of them and everybody had an

756
00:43:40,360 --> 00:43:44,600
Speaker 3: amazing time. Why can I not plan this wed like this?

757
00:43:44,600 --> 00:43:47,560
Speaker 3: This don't even make sense to me, Like I'm not

758
00:43:47,600 --> 00:43:49,960
Speaker 3: paying And then the wedding planet come ask you what

759
00:43:50,000 --> 00:43:54,160
Speaker 3: you want to eat? Everything for five thous You should

760
00:43:54,239 --> 00:43:57,640
Speaker 3: know you should be telling I walk in and like, oh,

761
00:43:57,960 --> 00:44:03,120
Speaker 3: unicorn ice culture. We wanted that getting champagnes running down

762
00:44:03,160 --> 00:44:06,600
Speaker 3: and to keep this champagne like you supposed to don't

763
00:44:06,840 --> 00:44:09,239
Speaker 3: ask me nothing. I pay you five thousand. I don't

764
00:44:09,239 --> 00:44:13,160
Speaker 3: ask me nothing. Know what I'm saying. But when you

765
00:44:13,200 --> 00:44:16,319
Speaker 3: bro when they were they tell you that they four

766
00:44:16,480 --> 00:44:20,400
Speaker 3: hundred thousand dollars in lights, and you was like, yo,

767
00:44:20,520 --> 00:44:23,799
Speaker 3: did y'all leave them on? Like after I left, where

768
00:44:23,800 --> 00:44:28,640
Speaker 3: they still on? Like hey man, what are they still

769
00:44:28,640 --> 00:44:34,279
Speaker 3: in the prison, Like, yo, what was I doing? Men?

770
00:44:34,320 --> 00:44:37,200
Speaker 3: Let me see this special. I just see this up

771
00:44:37,360 --> 00:44:42,440
Speaker 3: like I need to resee it to see where because

772
00:44:42,480 --> 00:44:46,000
Speaker 3: now I do production and I've never charged my four

773
00:44:46,080 --> 00:44:50,600
Speaker 3: hundred thousands. It's like, I would never do a special

774
00:44:50,680 --> 00:44:52,560
Speaker 3: if it was four hundred thousand dollars. And I've been

775
00:44:52,600 --> 00:44:58,480
Speaker 3: in I've done some amazing lighting things with specials four

776
00:44:58,520 --> 00:45:02,680
Speaker 3: hundred thousands. Yeah, and and because I the four hundred

777
00:45:02,680 --> 00:45:05,600
Speaker 3: thousand dollars in my mind. When Jordan's the light guy

778
00:45:05,680 --> 00:45:07,600
Speaker 3: comes to me and say, hey, you know, I.

779
00:45:07,520 --> 00:45:09,040
Speaker 5: Think that we should do this with the morn night.

780
00:45:09,040 --> 00:45:11,480
Speaker 3: It's going on costs another you know, twelve thousand, I'm like,

781
00:45:11,520 --> 00:45:17,680
Speaker 3: do it because it's not four hundred like so the

782
00:45:17,719 --> 00:45:20,920
Speaker 3: total for lights we spent when we spent on the lights, okay, Like, okay,

783
00:45:21,520 --> 00:45:24,520
Speaker 3: I think that king thousand dollars. You know they didn't

784
00:45:24,560 --> 00:45:27,040
Speaker 3: have a bub in here. Yeah, from all these lights,

785
00:45:27,400 --> 00:45:29,719
Speaker 3: you know what I'm saying. And I got them. These

786
00:45:29,760 --> 00:45:32,520
Speaker 3: lights are in my garage, like I know, like and

787
00:45:32,560 --> 00:45:36,799
Speaker 3: then I can't wait till I get this spot all

788
00:45:36,800 --> 00:45:40,279
Speaker 3: the way done. So I have I got all these specials,

789
00:45:40,800 --> 00:45:44,360
Speaker 3: the outfits that I wanted these specials. I got them framed, okay,

790
00:45:44,480 --> 00:45:46,680
Speaker 3: and with with a little thing inside of them what

791
00:45:46,719 --> 00:45:49,279
Speaker 3: they were from. I can't wait to start going through

792
00:45:49,280 --> 00:45:51,319
Speaker 3: this museum and like, yo, you see these lights right now?

793
00:45:54,239 --> 00:45:56,000
Speaker 5: These were this is the best.

794
00:45:56,440 --> 00:45:58,840
Speaker 3: That's the museum that you compete.

795
00:46:00,080 --> 00:46:00,319
Speaker 6: Like, so.

796
00:46:03,280 --> 00:46:05,759
Speaker 3: I'm gonna go through all the lightning setups. You don't

797
00:46:05,760 --> 00:46:08,160
Speaker 3: see what you don't know? Why I was at in

798
00:46:08,280 --> 00:46:11,480
Speaker 3: this space was dilife right now? Particularly this one.

799
00:46:11,640 --> 00:46:11,719
Speaker 6: This.

800
00:46:14,400 --> 00:46:18,000
Speaker 3: One is the sun so much cost. No.

801
00:46:18,360 --> 00:46:20,719
Speaker 6: I've talked to artists where they'll have one hundred and

802
00:46:20,719 --> 00:46:23,200
Speaker 6: fifty thousand on marketing of an album that one hurt.

803
00:46:24,280 --> 00:46:27,200
Speaker 3: They sitting there like y'all didn't even clear this with me.

804
00:46:27,400 --> 00:46:29,280
Speaker 6: And I got to recoup one hundred fifty thousand dollars

805
00:46:29,320 --> 00:46:32,760
Speaker 6: on an album that nobody else and what do we market?

806
00:46:33,120 --> 00:46:34,120
Speaker 3: Right?

807
00:46:34,960 --> 00:46:37,040
Speaker 5: Who did you market this too?

808
00:46:37,920 --> 00:46:45,400
Speaker 3: Yo? I remember my first publicist, and it didn't last

809
00:46:45,440 --> 00:46:49,120
Speaker 3: long because I think she was putting me in a

810
00:46:49,120 --> 00:46:51,719
Speaker 3: different space, like she was a publisher for us, like

811
00:46:51,719 --> 00:46:54,840
Speaker 3: like some rock artists and some other people. It's just

812
00:46:54,880 --> 00:46:59,279
Speaker 3: like we having a conversation and the trial was over,

813
00:46:59,360 --> 00:47:02,120
Speaker 3: Like she gave me a month trial, but we never

814
00:47:02,200 --> 00:47:05,359
Speaker 3: really get one more trial. We give me one more trial, right,

815
00:47:05,840 --> 00:47:08,399
Speaker 3: And then the next month she was like, so yeah,

816
00:47:08,400 --> 00:47:12,120
Speaker 3: I'm gonna be ten thousand dollars a month. I said

817
00:47:14,160 --> 00:47:19,000
Speaker 3: at the time, I'm just now getting the I'm just

818
00:47:19,040 --> 00:47:24,640
Speaker 3: now taking what what other comics wouldn't take was the

819
00:47:24,800 --> 00:47:29,680
Speaker 3: off weekends, like the worst weekends in the club. I'm

820
00:47:29,719 --> 00:47:34,560
Speaker 3: taking those weekends and I'm getting maybe two thousand dollars

821
00:47:34,640 --> 00:47:37,680
Speaker 3: for the weekend, you know, a hotel and travel. But

822
00:47:37,760 --> 00:47:39,839
Speaker 3: I'm going to do it. I'm like, yo, that's gonna

823
00:47:39,880 --> 00:47:43,160
Speaker 3: lead into some some other things. They papering the half

824
00:47:43,200 --> 00:47:45,759
Speaker 3: the room. People don't know because I'm in I'm in

825
00:47:46,040 --> 00:47:49,360
Speaker 3: Utah and idahold them might know me. But it's a

826
00:47:49,400 --> 00:47:55,360
Speaker 3: Thanksgiving weekend, you know, everybody with their family, anybody college

827
00:47:55,360 --> 00:48:00,640
Speaker 3: club and like Halloween. Halloween is awful, and I'm taking it.

828
00:48:00,680 --> 00:48:03,400
Speaker 3: I'm what what else? What else you got? The summer?

829
00:48:03,600 --> 00:48:08,520
Speaker 3: Taking it? Taking the summer in Minnesota, they don't get

830
00:48:08,520 --> 00:48:11,680
Speaker 3: out there. They go in the winter. The Super Bowl, Yeah,

831
00:48:11,719 --> 00:48:15,200
Speaker 3: taking it super Bowl againd taking it definitely everybody don't

832
00:48:15,200 --> 00:48:19,799
Speaker 3: watch football. And when that lady said ten thousand dollars,

833
00:48:19,880 --> 00:48:27,799
Speaker 3: I was like, yo, but what what are you got

834
00:48:27,880 --> 00:48:31,040
Speaker 3: going on? Like who you talking to? Then I got

835
00:48:31,120 --> 00:48:35,000
Speaker 3: I had another published, right that they got me this

836
00:48:35,120 --> 00:48:38,840
Speaker 3: time I'm popping so and I'm using comedies. I was

837
00:48:38,840 --> 00:48:42,719
Speaker 3: coming off of Comedy Central's publishers, so I'm like, then

838
00:48:43,360 --> 00:48:46,239
Speaker 3: I did another show with NBC and I had their

839
00:48:46,280 --> 00:48:48,719
Speaker 3: publishers because I want NBC bring the funny, So they

840
00:48:48,719 --> 00:48:50,960
Speaker 3: have publishers booking all the stuff for me. Now they

841
00:48:51,080 --> 00:48:54,920
Speaker 3: gone because the show's over. And man, this dude booked me,

842
00:48:57,640 --> 00:49:02,799
Speaker 3: and okay, man, I get it, but the parties are not.

843
00:49:03,360 --> 00:49:08,600
Speaker 3: You get me invited to parties and benefit but this

844
00:49:08,680 --> 00:49:12,480
Speaker 3: is not magic. Johnson's wife is not telling anybody to

845
00:49:12,520 --> 00:49:15,880
Speaker 3: go see me because she saw me at the party,

846
00:49:16,000 --> 00:49:16,720
Speaker 3: like yeah.

847
00:49:18,040 --> 00:49:22,359
Speaker 5: What And it's like it was astronomical.

848
00:49:22,440 --> 00:49:24,480
Speaker 3: I paid it for like three months, and I was like,

849
00:49:25,400 --> 00:49:28,200
Speaker 3: I'm not, I'm this was a three months, like you

850
00:49:28,280 --> 00:49:30,600
Speaker 3: had to do three months? And then I'm like, yeah,

851
00:49:30,640 --> 00:49:35,240
Speaker 3: never again. So now I just I want to get

852
00:49:35,840 --> 00:49:38,080
Speaker 3: the best results for the money that I'm spending. But

853
00:49:38,920 --> 00:49:42,560
Speaker 3: I always go back to this four hundred thousand dollars

854
00:49:42,600 --> 00:49:45,759
Speaker 3: life is not that's the north start, right, It's like, yo,

855
00:49:45,880 --> 00:49:49,560
Speaker 3: I'm I'm what were you doing? Like this is like this,

856
00:49:50,040 --> 00:49:52,600
Speaker 3: did y'all use something that they used to make us

857
00:49:52,600 --> 00:49:56,760
Speaker 3: think they went to the movie? Like that was definitely

858
00:49:56,800 --> 00:50:00,960
Speaker 3: cheaper than four because it's said, we have a problem.

859
00:50:01,040 --> 00:50:06,480
Speaker 3: What it wasn't a lifelo? The light moon lit light

860
00:50:06,680 --> 00:50:09,600
Speaker 3: is going. Man, it's crazy. What did you think of?

861
00:50:09,960 --> 00:50:15,080
Speaker 3: That's time Square's thousands? Like it's Time Square billboard. That's like,

862
00:50:15,400 --> 00:50:16,239
Speaker 3: it's like what I who?

863
00:50:16,280 --> 00:50:18,920
Speaker 5: I just saw? What's the what's the lady?

864
00:50:18,960 --> 00:50:23,680
Speaker 3: The Hispanic lady name Sierra such a whatever her name? Man,

865
00:50:24,040 --> 00:50:27,760
Speaker 3: I just saw on the billboard, Shakira. She looked amazing

866
00:50:27,800 --> 00:50:30,120
Speaker 3: on that billboard. Cheaper than four hundred thousands? Definitely?

867
00:50:30,880 --> 00:50:36,200
Speaker 6: Now, what did you think of the Kevin Harroast didn't

868
00:50:36,239 --> 00:50:38,520
Speaker 6: watch it? Okay, did you see any of the reactions?

869
00:50:38,560 --> 00:50:44,080
Speaker 3: Like I've heard but I know that's a hot topic,

870
00:50:44,800 --> 00:50:48,120
Speaker 3: but people are amazed that I didn't watch it. I'm like,

871
00:50:49,040 --> 00:50:55,280
Speaker 3: why I said, I said, between me and Ben Stella,

872
00:50:55,920 --> 00:50:59,759
Speaker 3: do you think being watched it? It's like, well, you're

873
00:50:59,800 --> 00:51:02,640
Speaker 3: not being I was. You don't know who I am.

874
00:51:03,239 --> 00:51:07,799
Speaker 3: Obviously I don't. I had no expectations on watching it.

875
00:51:08,360 --> 00:51:12,080
Speaker 3: I know keV, but I'm not going to watch a

876
00:51:12,120 --> 00:51:16,040
Speaker 3: Hollywood roast either, Okay, this is a Hollywood thing. This

877
00:51:16,120 --> 00:51:19,560
Speaker 3: is this is it's a TV show. This is not

878
00:51:20,520 --> 00:51:24,560
Speaker 3: a roast. It's named that. What you mean by that?

879
00:51:25,000 --> 00:51:27,839
Speaker 6: What's these I watched all the Comedy Central roast as

880
00:51:27,840 --> 00:51:29,560
Speaker 6: a kid, and I saw the Tom Brady one and

881
00:51:29,560 --> 00:51:30,120
Speaker 6: the keV Hart one.

882
00:51:30,320 --> 00:51:32,719
Speaker 3: I was at the tom Brady one. But this is

883
00:51:32,760 --> 00:51:35,840
Speaker 3: a this is a show. This is not classic roast

884
00:51:35,920 --> 00:51:37,960
Speaker 3: from when I was when I was watching at the

885
00:51:38,000 --> 00:51:43,960
Speaker 3: Friest Club, when I was watching friends talk to each other. Gotcha, Yeah,

886
00:51:44,080 --> 00:51:48,400
Speaker 3: I'm watching friends. I'm getting I'm getting that inside privy

887
00:51:48,840 --> 00:51:58,440
Speaker 3: to friends talking and so watching that versus what it is,

888
00:51:58,560 --> 00:52:03,160
Speaker 3: what it has become, it's two different things. If I'm

889
00:52:03,160 --> 00:52:05,680
Speaker 3: getting roasted and I look on the I look on

890
00:52:05,719 --> 00:52:08,040
Speaker 3: the panel, it's a bunch of people that I don't

891
00:52:08,080 --> 00:52:11,640
Speaker 3: have no real relationships with relationships. I ain't spend no

892
00:52:11,719 --> 00:52:14,400
Speaker 3: time with these people. These people don't know me intimately.

893
00:52:14,440 --> 00:52:17,239
Speaker 3: They know you, you can know me industry, but you

894
00:52:17,280 --> 00:52:19,680
Speaker 3: don't know me intimately. Yeah, you know what I'm saying.

895
00:52:20,120 --> 00:52:25,680
Speaker 3: So it's comics that I run into say, I've ran

896
00:52:25,719 --> 00:52:30,680
Speaker 3: into you fifteen times. We talk, We know each other

897
00:52:30,719 --> 00:52:34,680
Speaker 3: were on the same show, but we don't know each other,

898
00:52:34,760 --> 00:52:36,600
Speaker 3: so I can't say what you would or you would

899
00:52:36,640 --> 00:52:39,799
Speaker 3: not do. I don't even have anything intimate to say

900
00:52:39,840 --> 00:52:44,520
Speaker 3: about you because I've just ran into you. Man.

901
00:52:44,719 --> 00:52:46,640
Speaker 5: I've ran into Babyface Brother too.

902
00:52:47,239 --> 00:52:51,560
Speaker 3: I don't know him. I just know after seven I

903
00:52:51,560 --> 00:52:56,919
Speaker 3: don't know him. I'm saying, but I also have ran

904
00:52:57,000 --> 00:53:01,720
Speaker 3: into Montel Jordan and me and Monte. I know Montell

905
00:53:01,840 --> 00:53:07,320
Speaker 3: Jordan a little more than I know Babyface's brother. What

906
00:53:07,320 --> 00:53:08,919
Speaker 3: I'm saying. Why because I still come to the baby

907
00:53:08,960 --> 00:53:13,120
Speaker 3: Faces brother. What I'm saying. But I interviewed Montell Jordan

908
00:53:13,200 --> 00:53:16,920
Speaker 3: as when I was doing radio. You know, I interviewed Cisco.

909
00:53:17,400 --> 00:53:19,560
Speaker 3: You know what I'm saying. But if you asked me,

910
00:53:19,560 --> 00:53:26,600
Speaker 3: what's my relationship between Donelle Rollins and say like a Godfrey?

911
00:53:26,840 --> 00:53:32,000
Speaker 3: I know Godfrey Donell always talk about when he's always

912
00:53:32,000 --> 00:53:34,319
Speaker 3: talking about I don't mess with him like every time.

913
00:53:35,040 --> 00:53:38,359
Speaker 3: I know you don't mess with me like Donell. Why

914
00:53:38,480 --> 00:53:40,279
Speaker 3: you say this because I would come to the radio

915
00:53:40,320 --> 00:53:43,000
Speaker 3: and you wouldn't be there. It's Friday, I'm on the

916
00:53:43,080 --> 00:53:51,960
Speaker 3: road to promote your show. Don't you know? Dornell's crazy

917
00:53:52,320 --> 00:53:56,600
Speaker 3: what I'm saying. But Godfrey, I know Godfrey. But even

918
00:53:56,719 --> 00:53:59,400
Speaker 3: more than I know Godfrey, I know d L. You know,

919
00:53:59,480 --> 00:54:02,520
Speaker 3: I know the hell person. It's my mentor. So if

920
00:54:02,560 --> 00:54:07,040
Speaker 3: he's getting roasted, I would be there, you know what

921
00:54:07,040 --> 00:54:09,000
Speaker 3: I'm saying, and I would be probably people and I'm

922
00:54:09,000 --> 00:54:12,719
Speaker 3: gonna say something personally. If I'm getting roasted. D L's

923
00:54:12,760 --> 00:54:15,759
Speaker 3: gonna come and say I already know that. I already know.

924
00:54:15,960 --> 00:54:19,000
Speaker 3: I know the story that he's gonna say, Like I already.

925
00:54:19,360 --> 00:54:21,880
Speaker 3: I could just be the people who I would be

926
00:54:22,040 --> 00:54:23,680
Speaker 3: that would be roasting me. I'll be sitting there like

927
00:54:24,040 --> 00:54:26,759
Speaker 3: I already know what they're gonna say. I know and

928
00:54:26,800 --> 00:54:30,520
Speaker 3: I and I'm writing my comebacks in my head as

929
00:54:30,560 --> 00:54:34,360
Speaker 3: they're doing it. But man, what am I gonna do

930
00:54:34,440 --> 00:54:40,680
Speaker 3: with When I look across and Shane Gilliss is over there?

931
00:54:41,440 --> 00:54:41,919
Speaker 5: M hmmm.

932
00:54:42,040 --> 00:54:45,240
Speaker 3: I don't know Shane but at all.

933
00:54:46,200 --> 00:54:48,279
Speaker 4: But Kevin has a relationship with him, know, does he

934
00:54:49,520 --> 00:54:51,040
Speaker 4: I don't know does.

935
00:54:50,880 --> 00:54:54,520
Speaker 3: He have I don't know who he has a relationship with,

936
00:54:54,600 --> 00:54:57,160
Speaker 3: But I don't think that I've never heard you talk

937
00:54:57,200 --> 00:55:02,360
Speaker 3: about Tony hinecliffs. True. And then the other thing is

938
00:55:03,480 --> 00:55:06,560
Speaker 3: the roast is not just about Kevin. There's other people

939
00:55:06,640 --> 00:55:11,520
Speaker 3: saying that Cheryl don't have a relationship with him.

940
00:55:11,760 --> 00:55:16,120
Speaker 6: Really, I was the only person and Chelsea Handling didn't.

941
00:55:16,160 --> 00:55:17,200
Speaker 6: Can you start with it?

942
00:55:17,400 --> 00:55:19,560
Speaker 3: You used to work with Chelsea? What what? What is

943
00:55:19,560 --> 00:55:25,400
Speaker 3: the relationship between Sheryl and or Tony Hinchcliff. And this

944
00:55:25,440 --> 00:55:27,760
Speaker 3: is what I'm talking about, the whole schemes on specifically,

945
00:55:28,640 --> 00:55:32,680
Speaker 3: I'm talking about the whole scheme the relationship between the

946
00:55:32,680 --> 00:55:34,880
Speaker 3: people that's on the panel with each other, because this

947
00:55:34,960 --> 00:55:37,000
Speaker 3: is what the roast was like when you was coming up.

948
00:55:37,400 --> 00:55:40,520
Speaker 3: Everybody on here knew each other, these a friend, Yeah,

949
00:55:40,640 --> 00:55:43,640
Speaker 3: got you that, no personal things about each other. Now

950
00:55:43,680 --> 00:55:47,040
Speaker 3: you can't say nothing about me. And I don't know you,

951
00:55:47,120 --> 00:55:49,520
Speaker 3: right if I'm not even if I'm not the person

952
00:55:49,560 --> 00:55:52,560
Speaker 3: that's that's the host, that that's that's the main person.

953
00:55:52,920 --> 00:55:55,000
Speaker 3: I'm sitting there and then you say something about me,

954
00:55:55,080 --> 00:55:59,200
Speaker 3: I'm like what, I don't even know this, dude. We

955
00:55:59,239 --> 00:56:02,359
Speaker 3: don't have to talk about this afterwards. And I'm not

956
00:56:02,440 --> 00:56:07,000
Speaker 3: even gonna laugh while we're there. The camera was paying me.

957
00:56:07,040 --> 00:56:16,840
Speaker 3: I'm like this, yeah, look at all, it'll be a

958
00:56:16,920 --> 00:56:21,560
Speaker 3: lot of I'm like, all right, word this would be

959
00:56:21,560 --> 00:56:24,040
Speaker 3: the first girls, they were like, we ain't concerned about

960
00:56:24,040 --> 00:56:27,759
Speaker 3: the whole were talking about this person is insane. He's

961
00:56:27,760 --> 00:56:31,040
Speaker 3: the only one talking about Yeah. Word, I bet that.

962
00:56:32,440 --> 00:56:37,040
Speaker 3: I bet that we don't see it about its like

963
00:56:37,520 --> 00:56:42,080
Speaker 3: it's like i'nna be wilent, like because I don't know you.

964
00:56:42,719 --> 00:56:44,719
Speaker 3: If it's somebody saying something about me that I know,

965
00:56:44,840 --> 00:56:47,280
Speaker 3: then I'm cool. But that's the thing I didn't watch,

966
00:56:47,600 --> 00:56:51,520
Speaker 3: so I really don't have in depth take on it

967
00:56:51,600 --> 00:56:57,279
Speaker 3: outside of this is a show versus the growing up

968
00:56:57,320 --> 00:57:00,279
Speaker 3: in school and people sitting on the back get a

969
00:57:00,320 --> 00:57:04,240
Speaker 3: bus and everybody told about each other, which was called roasting.

970
00:57:04,800 --> 00:57:08,120
Speaker 3: You know what I'm saying. So it's different. Now, for sure,

971
00:57:08,239 --> 00:57:09,560
Speaker 3: it's a different This.

972
00:57:09,640 --> 00:57:12,920
Speaker 2: Is like Red Foxes roast versus different.

973
00:57:13,040 --> 00:57:18,120
Speaker 3: Everybody knows each other on this thing, so it's fair game.

974
00:57:19,160 --> 00:57:21,120
Speaker 3: Everybody spent time with each other and that's the thing

975
00:57:21,200 --> 00:57:27,440
Speaker 3: that's the difference. So whatever happened, whatever was said and

976
00:57:28,280 --> 00:57:32,479
Speaker 3: people clearing it is in my mind, I know people,

977
00:57:33,480 --> 00:57:36,040
Speaker 3: what's the intimate relationship between I don't even know the

978
00:57:36,040 --> 00:57:39,160
Speaker 3: whole panel. I just know it was something said about

979
00:57:39,600 --> 00:57:44,360
Speaker 3: Shane Gells, something said about Tony Henchcliffe and I don't

980
00:57:44,400 --> 00:57:46,880
Speaker 3: know the rest of the dynamics of it, but I

981
00:57:46,920 --> 00:57:47,320
Speaker 3: just don't.

982
00:57:47,280 --> 00:57:49,480
Speaker 2: Everybody up there was pretty much people he's either worked

983
00:57:49,520 --> 00:57:52,520
Speaker 2: with on movies. Regina Hall obviously worked with movies.

984
00:57:53,280 --> 00:57:53,920
Speaker 4: He writes with him.

985
00:57:54,000 --> 00:57:56,400
Speaker 3: Yeah I know, Naim, Yeah, yeah, what I'm saying so

986
00:57:56,520 --> 00:58:00,040
Speaker 3: Naim is yeah, yeah that you know.

987
00:58:00,680 --> 00:58:03,240
Speaker 4: That soul Rock obviously personal relationship.

988
00:58:03,320 --> 00:58:07,200
Speaker 3: So I wrote a book, right, I wrote a book,

989
00:58:07,560 --> 00:58:12,480
Speaker 3: and I wrote about the thirteen things, the thirteen stepp

990
00:58:12,480 --> 00:58:14,320
Speaker 3: that helped me get to while I'm at It was

991
00:58:14,440 --> 00:58:19,960
Speaker 3: called applied advice. I wrote the book about the thirteen

992
00:58:20,000 --> 00:58:22,400
Speaker 3: pieces of advice that was given to me from thirteen

993
00:58:22,480 --> 00:58:28,360
Speaker 3: people that I know. So if those people roasted me,

994
00:58:29,280 --> 00:58:31,360
Speaker 3: they these are the people who gave me advice.

995
00:58:31,560 --> 00:58:33,160
Speaker 5: I'm gonna be I'm gonna be personal.

996
00:58:33,360 --> 00:58:35,880
Speaker 3: When it comes to Cheryl. You say something about Cheryl

997
00:58:36,840 --> 00:58:39,240
Speaker 3: because Cheryl gave me some great advice and she's in

998
00:58:39,320 --> 00:58:41,720
Speaker 3: the book, I'm gonna take it personal. If you say

999
00:58:41,720 --> 00:58:44,760
Speaker 3: something about Bruce, Bruce, I'm gonna take it personally. You

1000
00:58:44,760 --> 00:58:47,040
Speaker 3: say something about Bill Bellamy, you say something about d

1001
00:58:47,320 --> 00:58:49,800
Speaker 3: l you say something about Dick Gregory. You know what

1002
00:58:49,840 --> 00:58:51,840
Speaker 3: I'm saying, you say something about these people, I'm gonna

1003
00:58:51,840 --> 00:58:54,080
Speaker 3: take this personal because these are people who gave me,

1004
00:58:54,600 --> 00:58:59,280
Speaker 3: who poured into me as a young comic. I'm not

1005
00:58:59,360 --> 00:59:05,720
Speaker 3: gonna take it personal if you say something about Darnell, Right,

1006
00:59:06,360 --> 00:59:10,640
Speaker 3: I like Darnell, but I don't know Darnell enough to

1007
00:59:10,760 --> 00:59:15,280
Speaker 3: defend Darnell to take something personal, you know what I'm saying.

1008
00:59:15,760 --> 00:59:18,640
Speaker 3: But I wouldn't let you just talk about him and

1009
00:59:18,640 --> 00:59:20,439
Speaker 3: they're like, oh, you do you know? I would ask

1010
00:59:20,480 --> 00:59:23,120
Speaker 3: do you know him? You know? I don't know that

1011
00:59:23,160 --> 00:59:25,760
Speaker 3: to be true about him, Like even with his comedy

1012
00:59:25,800 --> 00:59:27,680
Speaker 3: when I heard like it was the whole thing about

1013
00:59:27,880 --> 00:59:30,160
Speaker 3: his comedy being me and I think Darnell is funny.

1014
00:59:30,800 --> 00:59:33,680
Speaker 3: That's me though, Yeah for sure, But how many? But

1015
00:59:33,760 --> 00:59:37,760
Speaker 3: how many times have I went and seen Darnell do

1016
00:59:37,960 --> 00:59:46,760
Speaker 3: stand up. I'm judging Darnell from the comic view appearances

1017
00:59:46,840 --> 00:59:49,840
Speaker 3: and his movie appearances.

1018
00:59:49,440 --> 00:59:53,000
Speaker 5: And Chappelle show. Yeah, I'm not judging his live show.

1019
00:59:53,760 --> 00:59:56,640
Speaker 3: I've never seen Darnell live, and due to the fact

1020
00:59:56,680 --> 00:59:59,160
Speaker 3: that we both working, right, you know what I'm saying.

1021
00:59:59,680 --> 01:00:03,720
Speaker 3: I've never seen Martin live, but the Martin show I'm

1022
01:00:03,760 --> 01:00:06,919
Speaker 3: connected to, and it's special you know, but I'm gonna

1023
01:00:06,920 --> 01:00:09,640
Speaker 3: take it personally. You say something about Martin, because I

1024
01:00:09,720 --> 01:00:13,960
Speaker 3: take your personal when it comes to any of the icons,

1025
01:00:14,480 --> 01:00:16,000
Speaker 3: I'm gonna take it just as personal as you say

1026
01:00:16,000 --> 01:00:18,800
Speaker 3: somethingbout Don Rickles or Carol Binnett. You know what I'm saying,

1027
01:00:18,880 --> 01:00:21,600
Speaker 3: Like where you because I want to know where you're,

1028
01:00:21,760 --> 01:00:22,960
Speaker 3: where you're coming from with this?

1029
01:00:23,440 --> 01:00:24,880
Speaker 5: You know what I'm saying when you don't. If you don't,

1030
01:00:24,920 --> 01:00:26,439
Speaker 5: especially if you don't know.

1031
01:00:26,480 --> 01:00:31,840
Speaker 3: Because comedy is a personal thing to me, not your

1032
01:00:32,920 --> 01:00:35,680
Speaker 3: I think that some people nowadays get it mixed up

1033
01:00:35,920 --> 01:00:38,760
Speaker 3: when we talk about giving people the title of greats

1034
01:00:39,440 --> 01:00:42,360
Speaker 3: and they get they give you that title now based

1035
01:00:42,440 --> 01:00:43,880
Speaker 3: upon movies.

1036
01:00:44,240 --> 01:00:47,880
Speaker 5: And sitcoms, but not your actual stand up.

1037
01:00:48,800 --> 01:00:52,160
Speaker 3: You know what I'm saying is there's certain people that

1038
01:00:52,320 --> 01:00:57,520
Speaker 3: are great comedic actors. I wouldn't put them in stand

1039
01:00:57,600 --> 01:01:01,160
Speaker 3: up though. Of course it's a different part of the brain.

1040
01:01:01,400 --> 01:01:04,600
Speaker 3: It's a different sport. Because you because you did a

1041
01:01:04,640 --> 01:01:07,000
Speaker 3: funny role in a movie doesn't make you a great

1042
01:01:07,040 --> 01:01:10,840
Speaker 3: stand up I'm saying, but some people think, well, you

1043
01:01:10,880 --> 01:01:15,680
Speaker 3: did all this, so your movie appearances has no bearing

1044
01:01:16,640 --> 01:01:19,840
Speaker 3: on your stand up, just like that has no bearing

1045
01:01:19,840 --> 01:01:23,160
Speaker 3: on it if you're a good person. See that's the thing.

1046
01:01:23,640 --> 01:01:27,680
Speaker 3: Just because you play, you're a good basketball player, football player,

1047
01:01:27,760 --> 01:01:30,400
Speaker 3: or actor, doesn't mean that you're a good person, that

1048
01:01:30,440 --> 01:01:33,200
Speaker 3: you're a stand up man. And I think that people

1049
01:01:33,240 --> 01:01:36,360
Speaker 3: get this misconstrued. You know what I'm saying. They think that, oh,

1050
01:01:36,480 --> 01:01:39,400
Speaker 3: I like him on this, that doesn't mean that you

1051
01:01:39,400 --> 01:01:43,360
Speaker 3: would like him in real life. You know what I'm saying. Man,

1052
01:01:43,440 --> 01:01:54,439
Speaker 3: I cussed out Chuck Willery, so Chuck, y'all got waiting

1053
01:01:54,440 --> 01:02:00,720
Speaker 3: for the special confidence conflict. Man, I I got, I

1054
01:02:00,760 --> 01:02:03,479
Speaker 3: got it, and I and I think because I made

1055
01:02:03,480 --> 01:02:11,120
Speaker 3: it right, I'm gonna do the special conflict because I

1056
01:02:11,160 --> 01:02:15,160
Speaker 3: got into it with all these people. But I apologized

1057
01:02:15,480 --> 01:02:18,880
Speaker 3: when I was wrong and when I cuched our Patrick

1058
01:02:18,880 --> 01:02:23,080
Speaker 3: you in the luggage store and in Houston, because he

1059
01:02:23,080 --> 01:02:25,120
Speaker 3: even want to take a picture like and and my

1060
01:02:25,200 --> 01:02:27,880
Speaker 3: and I'm and I'm taking this personal. I'm like, yo, Bro,

1061
01:02:28,360 --> 01:02:32,720
Speaker 3: I bought them big space book like I had like

1062
01:02:32,720 --> 01:02:34,800
Speaker 3: four five al Bro with the thirty three on the bag.

1063
01:02:34,880 --> 01:02:39,440
Speaker 3: I was ight like I was tight about it, bro.

1064
01:02:40,760 --> 01:02:45,439
Speaker 3: And it's been some instances, man, where I have been

1065
01:02:47,400 --> 01:02:50,400
Speaker 3: I'm gonna say something probably been like like to this day.

1066
01:02:50,440 --> 01:02:54,640
Speaker 3: I don't mess with Fantasia, Like I don't want only music.

1067
01:02:54,640 --> 01:02:57,120
Speaker 3: People say something I don't. I ain't got nothing to

1068
01:02:57,120 --> 01:03:00,560
Speaker 3: do it on literacy. So I take my daughter. My

1069
01:03:00,640 --> 01:03:05,440
Speaker 3: daughter is like twelve, I take her to a Fantasia

1070
01:03:05,760 --> 01:03:14,240
Speaker 3: concert and man, we we had the show and not

1071
01:03:14,400 --> 01:03:18,560
Speaker 3: only and she had the fantase wrong. I'm I did

1072
01:03:18,680 --> 01:03:22,080
Speaker 3: forty five minutes to open up the show. Okay, the

1073
01:03:22,120 --> 01:03:25,520
Speaker 3: thing says Alice Dick and Fantasia. Yeah, gotch you you

1074
01:03:25,520 --> 01:03:26,080
Speaker 3: know what I'm saying.

1075
01:03:26,680 --> 01:03:28,480
Speaker 6: So I missed those days, by the way, when they

1076
01:03:28,480 --> 01:03:31,040
Speaker 6: would pair the Indians and musicians.

1077
01:03:31,200 --> 01:03:36,320
Speaker 3: So just by right, would you think that, say me

1078
01:03:36,320 --> 01:03:38,200
Speaker 3: and you do a show together? By right? Do you

1079
01:03:38,240 --> 01:03:40,720
Speaker 3: think I would I would take a picture with your

1080
01:03:40,840 --> 01:03:44,680
Speaker 3: with your child, just by right? Yeah, okay, we don't

1081
01:03:44,760 --> 01:03:50,520
Speaker 3: walk he together. So man, I'm waiting and I'm letting

1082
01:03:50,600 --> 01:03:53,400
Speaker 3: people go in. We we in this secluded area at

1083
01:03:53,440 --> 01:04:00,760
Speaker 3: the arena theater, and I'm waiting and then my daughters

1084
01:04:00,760 --> 01:04:04,720
Speaker 3: are here. It's my daughter and her friend and she's

1085
01:04:04,760 --> 01:04:07,240
Speaker 3: just waiting to take a picture of fantas man. Then

1086
01:04:07,280 --> 01:04:11,360
Speaker 3: the security guy come out and like, yeah, no more pictures.

1087
01:04:12,080 --> 01:04:16,919
Speaker 3: I'm like what, So man, it's my daughter Google Yeah no, yeah,

1088
01:04:16,920 --> 01:04:21,160
Speaker 3: no more pictures, and Bro, I am trying to keep

1089
01:04:21,160 --> 01:04:25,240
Speaker 3: it together. And I know that I'm not wrong because

1090
01:04:25,480 --> 01:04:30,880
Speaker 3: my my daughter's mother was like and she was shaking

1091
01:04:30,880 --> 01:04:34,960
Speaker 3: her head like nah, it's gonna go bad. And I'm like, yo,

1092
01:04:35,200 --> 01:04:41,520
Speaker 3: just you know, take take my shortage. Uh. And the

1093
01:04:42,320 --> 01:04:45,560
Speaker 3: owner of the arena and the promoter is seeing because

1094
01:04:45,600 --> 01:04:46,080
Speaker 3: they know me.

1095
01:04:46,160 --> 01:04:52,760
Speaker 5: They like, Yo, this is not this is not going yo,

1096
01:04:52,880 --> 01:04:55,200
Speaker 5: and I'm yo.

1097
01:04:55,640 --> 01:05:05,040
Speaker 3: I'm like yeah, say bro, yeah, Bro, y'all gotta call

1098
01:05:05,440 --> 01:05:11,400
Speaker 3: get out of here. Bro, And I am brouh. I'm

1099
01:05:11,400 --> 01:05:16,640
Speaker 3: a ticking time bomb. And I don't think they realized, Like, Bro,

1100
01:05:18,520 --> 01:05:21,040
Speaker 3: I don't know if you know, but this this is

1101
01:05:21,080 --> 01:05:24,640
Speaker 3: finna go bad, bro, because I feel like you play

1102
01:05:24,840 --> 01:05:30,160
Speaker 3: my daughter right. So my daughter, you know, he's twenty seven. Now,

1103
01:05:30,280 --> 01:05:32,000
Speaker 3: we don't even talk. We don't talk about I ain't

1104
01:05:32,000 --> 01:05:36,840
Speaker 3: messing with Fantastic since and then my brain works like this,

1105
01:05:38,120 --> 01:05:40,000
Speaker 3: even though I probably never listen to your music and

1106
01:05:40,160 --> 01:05:45,160
Speaker 3: I never do nothing with you, I still think, well, well,

1107
01:05:45,160 --> 01:05:46,440
Speaker 3: maybe it was just a bouncer.

1108
01:05:47,040 --> 01:05:49,200
Speaker 4: Yeah, maybe they didn't even know. You didn't even know.

1109
01:05:49,440 --> 01:05:53,840
Speaker 3: Maybe you was in there doing something and you whatever,

1110
01:05:54,840 --> 01:05:58,200
Speaker 3: you know, but the people that's around you, like my people,

1111
01:05:58,280 --> 01:06:00,520
Speaker 3: Hey man, don't send nobody away without talking to me,

1112
01:06:01,040 --> 01:06:04,880
Speaker 3: right right, because see that's gonna always come back on me.

1113
01:06:05,880 --> 01:06:11,960
Speaker 3: So it made me a more focused artist that I

1114
01:06:11,960 --> 01:06:15,760
Speaker 3: would rather it be said by me or me come

1115
01:06:15,840 --> 01:06:21,720
Speaker 3: out or you know, like I smoke a pipe sometimes

1116
01:06:21,880 --> 01:06:25,280
Speaker 3: the tobacco pipe. Let me brush my teeth first, you know,

1117
01:06:25,400 --> 01:06:27,160
Speaker 3: before I come out and meet a kid. You know,

1118
01:06:27,160 --> 01:06:29,280
Speaker 3: I can't concerned about no adult, but let me you know,

1119
01:06:29,960 --> 01:06:32,040
Speaker 3: so I'm not gonna be drunk or nothing like that.

1120
01:06:32,120 --> 01:06:33,760
Speaker 3: So I don't know what you was back there doing,

1121
01:06:33,840 --> 01:06:38,760
Speaker 3: but it gives me a different understanding. But I still

1122
01:06:40,440 --> 01:06:43,760
Speaker 3: to this day, I don't I don't listen and I

1123
01:06:43,800 --> 01:06:46,400
Speaker 3: don't even say nothing bad. I just don't listen. I

1124
01:06:46,440 --> 01:06:51,280
Speaker 3: don't rock with it because it still happened, you know.

1125
01:06:51,560 --> 01:06:54,200
Speaker 3: And as an artist, you have to be responsible for

1126
01:06:54,240 --> 01:06:56,920
Speaker 3: your team, you know, just like when you go to

1127
01:06:56,960 --> 01:06:58,919
Speaker 3: a comedy club and you got all these people that's

1128
01:06:58,960 --> 01:07:01,000
Speaker 3: with you, or you on a tour, you got always

1129
01:07:01,000 --> 01:07:03,400
Speaker 3: people with you. If they trash that green room, that's

1130
01:07:03,400 --> 01:07:04,760
Speaker 3: on you. You know what I'm saying, that's on you

1131
01:07:04,840 --> 01:07:07,680
Speaker 3: because you're the main person. So it make you more

1132
01:07:07,880 --> 01:07:12,160
Speaker 3: cognitive of how the people. And that's another thing about

1133
01:07:12,600 --> 01:07:16,400
Speaker 3: with people who has to go on the roll with you?

1134
01:07:16,560 --> 01:07:17,920
Speaker 3: In my DM, it's all the type of people I

1135
01:07:17,960 --> 01:07:19,800
Speaker 3: would love the opportunity to open for you or going

1136
01:07:19,800 --> 01:07:22,360
Speaker 3: to roll with you. How you know you would love

1137
01:07:22,360 --> 01:07:26,560
Speaker 3: that opportunity. You're just thinking about crowd to this nature.

1138
01:07:27,440 --> 01:07:29,720
Speaker 3: But it's me. You've been on the road with me

1139
01:07:30,720 --> 01:07:33,520
Speaker 3: or me it's more about me sharing the space with

1140
01:07:33,560 --> 01:07:36,920
Speaker 3: you versus your time. You could be funny, but I don't.

1141
01:07:37,360 --> 01:07:39,560
Speaker 3: But we don't like each other. You know what I'm saying.

1142
01:07:39,800 --> 01:07:43,439
Speaker 3: We don't mix, you know what I'm saying. So I'd

1143
01:07:43,520 --> 01:07:45,760
Speaker 3: rather just have the people around me that I'm I'm

1144
01:07:46,000 --> 01:07:48,320
Speaker 3: cool with that, I can have fun with that I

1145
01:07:48,360 --> 01:07:53,760
Speaker 3: trust versus oh, this guy is more talented than this guy. Okay,

1146
01:07:54,360 --> 01:07:58,200
Speaker 3: you funny than this guy. But what he adds is, hey, man,

1147
01:07:59,800 --> 01:08:01,880
Speaker 3: he he's not I know that he's not gonna say

1148
01:08:01,920 --> 01:08:05,560
Speaker 3: anything about whatever. Go on, man, Yo, it was a

1149
01:08:05,640 --> 01:08:09,080
Speaker 3: body on the ground in the room. We left, cleaned

1150
01:08:09,160 --> 01:08:12,920
Speaker 3: up everything but the body, and then they got him

1151
01:08:12,960 --> 01:08:15,480
Speaker 3: in the interrogates room, like, so did you see a body?

1152
01:08:15,560 --> 01:08:20,800
Speaker 3: Like when Yeah, yeah, yeah, like you said, it was well, no, no, no,

1153
01:08:20,960 --> 01:08:24,080
Speaker 3: I no, I can't. I went and got my backpack. Yeah,

1154
01:08:24,439 --> 01:08:27,920
Speaker 3: I ain't step over nobody. But then you that I

1155
01:08:28,000 --> 01:08:32,559
Speaker 3: don't know. That's hilarious. Now. Yeah, so the body you're

1156
01:08:32,560 --> 01:08:34,599
Speaker 3: talking about, the one that was on the ground, did

1157
01:08:34,640 --> 01:08:36,000
Speaker 3: you see the one that was in the closet, Like

1158
01:08:39,600 --> 01:08:41,560
Speaker 3: you know, it's a trust factor. Yeah, you know, we

1159
01:08:41,600 --> 01:08:43,519
Speaker 3: don't really know each other, but you wouldn't. You wouldn't

1160
01:08:43,520 --> 01:08:45,960
Speaker 3: do a podcast with somebody that you really really don't

1161
01:08:46,000 --> 01:08:48,800
Speaker 3: know because you just sitting across with him and you're like,

1162
01:08:49,560 --> 01:08:53,200
Speaker 3: I have no idea how to even think about anything.

1163
01:08:53,520 --> 01:08:55,800
Speaker 6: We see those podcasts and the usually suck with two

1164
01:08:55,800 --> 01:08:57,720
Speaker 6: co hosts that never met each other, don't know each other.

1165
01:08:57,800 --> 01:09:00,519
Speaker 3: They just come and sit down for the first first time.

1166
01:09:00,600 --> 01:09:02,840
Speaker 3: And he was like yo. He was like yo, so

1167
01:09:03,400 --> 01:09:19,240
Speaker 3: I love pork and the tour stops no, theout like

1168
01:09:19,280 --> 01:09:22,960
Speaker 3: he prayed everything. Yeah, but you know it's crazy. Yeah,

1169
01:09:24,120 --> 01:09:26,080
Speaker 3: when you said you was a problem, I looked, I

1170
01:09:26,200 --> 01:09:28,160
Speaker 3: like stacked for law. I was like I said that

1171
01:09:28,520 --> 01:09:30,840
Speaker 3: before you finished, I like, sextful Law. He don't know

1172
01:09:30,880 --> 01:09:35,000
Speaker 3: what he's saying. I know whatever you were talking about

1173
01:09:35,080 --> 01:09:37,439
Speaker 3: I was like, but but to a musclem. I was like, yo, wow,

1174
01:09:40,760 --> 01:09:46,680
Speaker 3: that's funny. Jesus. I was like, wow, I prayed for you,

1175
01:09:46,760 --> 01:09:54,120
Speaker 3: like you said. I was like, I don't even think

1176
01:09:55,520 --> 01:09:58,320
Speaker 3: law let me pray for this brother.

1177
01:09:58,439 --> 01:09:59,760
Speaker 4: Now you's funny about that.

1178
01:09:59,840 --> 01:10:01,400
Speaker 2: Now I know why he was sitting here looking like

1179
01:10:01,640 --> 01:10:03,960
Speaker 2: what he was trying to gauge the room like.

1180
01:10:04,040 --> 01:10:05,840
Speaker 3: I was like, yo, who.

1181
01:10:09,200 --> 01:10:11,439
Speaker 6: I missed that, But now so much makes sense from

1182
01:10:11,479 --> 01:10:14,639
Speaker 6: the beginning of this entire thing, because I was.

1183
01:10:14,600 --> 01:10:17,680
Speaker 3: Like, you know, I'm just sitting there. I was like,

1184
01:10:20,800 --> 01:10:27,760
Speaker 3: I'm making all type of due for him, Like the

1185
01:10:27,840 --> 01:10:31,479
Speaker 3: listeners gonna get It's not like it's like it's not

1186
01:10:31,520 --> 01:10:34,400
Speaker 3: like he's saying it at a random time. This is

1187
01:10:34,479 --> 01:10:37,960
Speaker 3: this is doing a hot like the first ten days

1188
01:10:37,960 --> 01:10:40,560
Speaker 3: of this much. It's a sacred ten days, you know

1189
01:10:40,560 --> 01:10:42,840
Speaker 3: what I'm saying, And like.

1190
01:10:42,800 --> 01:10:49,679
Speaker 4: He is, Wow, that's funny as fun Oh my god.

1191
01:10:49,800 --> 01:10:51,720
Speaker 3: So many. But you got so many blessings on you

1192
01:10:51,760 --> 01:10:52,160
Speaker 3: right now there.

1193
01:10:52,200 --> 01:10:55,080
Speaker 2: I appreciate that, but I'm glad you.

1194
01:10:55,640 --> 01:10:58,240
Speaker 3: I'm like, it's like you might be dipping olive right now.

1195
01:11:00,120 --> 01:11:05,960
Speaker 3: I appreciate that. Mauw.

1196
01:11:06,040 --> 01:11:08,519
Speaker 6: I know you see that the beard is shining. It

1197
01:11:08,560 --> 01:11:11,600
Speaker 6: looks immaculate. I've got that basket lather on.

1198
01:11:11,640 --> 01:11:11,800
Speaker 4: Man.

1199
01:11:11,840 --> 01:11:14,599
Speaker 3: The beard softener has has changed, so hype, you got

1200
01:11:14,600 --> 01:11:15,839
Speaker 3: a product that you can really.

1201
01:11:15,680 --> 01:11:18,559
Speaker 6: Use because a lot of beard oils and beer products

1202
01:11:18,560 --> 01:11:21,320
Speaker 6: I've used like dried out my hair and my skin,

1203
01:11:21,439 --> 01:11:22,960
Speaker 6: so I got flakes on my shirt.

1204
01:11:22,960 --> 01:11:25,760
Speaker 3: I look nuts. No woman wants it to you know,

1205
01:11:25,960 --> 01:11:28,000
Speaker 3: put her fingers through my beard. The softener has has

1206
01:11:28,120 --> 01:11:30,679
Speaker 3: changed everything. It works perfect on my face.

1207
01:11:30,920 --> 01:11:33,599
Speaker 2: Used to remember you put lotion, you your regular body

1208
01:11:33,600 --> 01:11:34,120
Speaker 2: lotion in ther bit.

1209
01:11:34,160 --> 01:11:37,760
Speaker 6: Remember I thought coconut oil was gonna do it. And

1210
01:11:37,760 --> 01:11:40,599
Speaker 6: I go out get a sunburn, couldn't even walk around.

1211
01:11:41,560 --> 01:11:44,160
Speaker 6: But no, basketing ladder has been great for me. Natural

1212
01:11:44,160 --> 01:11:46,960
Speaker 6: beer growth oil for fuller, thicker facial hair. It has

1213
01:11:47,000 --> 01:11:49,879
Speaker 6: a blend of vital nutrients to help nourish and increase

1214
01:11:50,000 --> 01:11:54,240
Speaker 6: blood circulation, two hair follicles and promotes softening beard hair

1215
01:11:54,560 --> 01:11:56,160
Speaker 6: and dandriff reduction.

1216
01:11:56,400 --> 01:11:59,439
Speaker 3: And it works for all hair types. Also rory. It

1217
01:11:59,479 --> 01:12:01,080
Speaker 3: is black and family operated.

1218
01:12:01,080 --> 01:12:03,280
Speaker 2: We love that Shana and her mother research and formulated

1219
01:12:03,320 --> 01:12:05,920
Speaker 2: their own scalp and here oil to stimulate growth and

1220
01:12:05,920 --> 01:12:09,040
Speaker 2: retain length. Explore viral bestsellers and products of healthy ahair

1221
01:12:09,120 --> 01:12:11,360
Speaker 2: of all types from basketing Lather. Go to Basque and

1222
01:12:11,439 --> 01:12:13,640
Speaker 2: Lather code dot com and use cold Rory Mall for

1223
01:12:13,680 --> 01:12:16,880
Speaker 2: twenty percent off. That's twenty percent off at Basque and

1224
01:12:17,000 --> 01:12:27,120
Speaker 2: latherco dot com Cold Roryanmol. One of the biggest things

1225
01:12:27,120 --> 01:12:30,599
Speaker 2: from the Rows was what seemingly seemed to be keV

1226
01:12:31,520 --> 01:12:35,160
Speaker 2: and Kat kind of putting their thing to the side.

1227
01:12:35,280 --> 01:12:38,200
Speaker 2: Kat showing up obviously is a big thing because him

1228
01:12:38,200 --> 01:12:41,200
Speaker 2: and Kev's history, you know whatever, They don't really get along.

1229
01:12:41,800 --> 01:12:43,680
Speaker 2: Whatever it was that was there, they seem to have

1230
01:12:44,280 --> 01:12:46,320
Speaker 2: bury Dad and hash that a whale stage.

1231
01:12:46,920 --> 01:12:47,080
Speaker 3: Now.

1232
01:12:47,080 --> 01:12:49,200
Speaker 2: I caught your episode with seven PM in Brooklyn shout

1233
01:12:49,240 --> 01:12:52,720
Speaker 2: out to Kaz and Mellow and everything that happened after

1234
01:12:52,720 --> 01:12:55,559
Speaker 2: that when Kat Williams came on after you after your

1235
01:12:55,600 --> 01:12:58,040
Speaker 2: episode air, and I see you went back on and

1236
01:12:58,040 --> 01:12:59,600
Speaker 2: then let them know like, yeah, man, I ain't like,

1237
01:13:00,040 --> 01:13:01,519
Speaker 2: I ain't like the way y'all did that and the

1238
01:13:01,560 --> 01:13:04,160
Speaker 2: and this that and third where's that?

1239
01:13:04,200 --> 01:13:05,120
Speaker 4: Where's that relationship?

1240
01:13:05,120 --> 01:13:05,280
Speaker 7: Now?

1241
01:13:05,320 --> 01:13:05,519
Speaker 3: Though?

1242
01:13:05,560 --> 01:13:08,600
Speaker 2: Like were you and Cat? Is there any relationship? Is

1243
01:13:08,640 --> 01:13:12,439
Speaker 2: there was there any communication after that? Or is it

1244
01:13:12,479 --> 01:13:14,519
Speaker 2: just something like listen, man, you know, he doing this thing.

1245
01:13:14,560 --> 01:13:15,200
Speaker 2: I'm doing my thing.

1246
01:13:15,280 --> 01:13:20,320
Speaker 3: We we we separate, separate ball games. You know, do

1247
01:13:20,360 --> 01:13:24,000
Speaker 3: your thing. I don't have I don't have nothing good

1248
01:13:24,120 --> 01:13:27,000
Speaker 3: nor bad to say about it. You know, we just know.

1249
01:13:27,760 --> 01:13:31,760
Speaker 3: And I'm always stick on this. Manhood is a big

1250
01:13:31,840 --> 01:13:35,200
Speaker 3: thing for sure. Like I say, just because you did

1251
01:13:35,680 --> 01:13:38,400
Speaker 3: in this space don't mean that you one hundred in

1252
01:13:38,479 --> 01:13:39,160
Speaker 3: another space.

1253
01:13:39,720 --> 01:13:44,080
Speaker 5: So that's the the gist of it me.

1254
01:13:44,960 --> 01:13:48,719
Speaker 3: So but if you say on you say on site,

1255
01:13:50,200 --> 01:13:52,439
Speaker 3: with the understanding that you're never going to be seen.

1256
01:13:54,120 --> 01:14:01,400
Speaker 3: I love that. I love those that it's a thing. Okay, yeah,

1257
01:14:01,560 --> 01:14:11,280
Speaker 3: you know, and I realistically brouh. I I pray for

1258
01:14:11,360 --> 01:14:17,599
Speaker 3: the health and the wellness of of not only my

1259
01:14:17,720 --> 01:14:22,719
Speaker 3: friends and my constituents, but also my my people who

1260
01:14:22,840 --> 01:14:29,160
Speaker 3: have made themselves enemies to me. And blessings to you,

1261
01:14:29,280 --> 01:14:37,799
Speaker 3: blessings to you, and until combat, right until combat, into combat.

1262
01:14:38,479 --> 01:14:39,440
Speaker 5: And that's.

1263
01:14:40,800 --> 01:14:45,040
Speaker 3: The that's the most that I can even say, because

1264
01:14:45,080 --> 01:14:47,000
Speaker 3: I don't think that there would ever be.

1265
01:14:48,640 --> 01:14:51,640
Speaker 5: A and it's not it's not. I don't know that.

1266
01:14:51,680 --> 01:14:54,439
Speaker 3: And that's the creator. I've said this before. I leave

1267
01:14:54,479 --> 01:15:01,920
Speaker 3: it alone unless to create that changes my my heart

1268
01:15:01,960 --> 01:15:05,280
Speaker 3: on it. But I've but I've been like that before

1269
01:15:05,400 --> 01:15:09,800
Speaker 3: with with with formidable opponents in the streets. They were

1270
01:15:09,880 --> 01:15:13,800
Speaker 3: good and I say, we you know, we're straight, and

1271
01:15:13,840 --> 01:15:17,960
Speaker 3: then we'll see each other and it's still got to

1272
01:15:17,960 --> 01:15:21,240
Speaker 3: be some understanding that's being that's being said. And like

1273
01:15:22,120 --> 01:15:26,280
Speaker 3: people will say that I'm bullying somebody and I'm not

1274
01:15:26,400 --> 01:15:30,280
Speaker 3: no bullying. I just know what I actually am right,

1275
01:15:30,960 --> 01:15:34,400
Speaker 3: And the room gets a lot smaller when I'm in

1276
01:15:34,920 --> 01:15:40,679
Speaker 3: this tension because I'm not. I kind of Somebody asked

1277
01:15:40,720 --> 01:15:44,160
Speaker 3: me if I had to describe myself in an animal form.

1278
01:15:44,680 --> 01:15:50,280
Speaker 3: I said, it's easy, honey, badger. I'm rolling along, minding

1279
01:15:50,320 --> 01:15:55,040
Speaker 3: my business, you know, foraging, and then a line come up,

1280
01:15:55,320 --> 01:15:57,400
Speaker 3: A pack of lines come up and try to kill me,

1281
01:15:57,880 --> 01:16:01,080
Speaker 3: and I just came back down. I'm going to I'm

1282
01:16:01,120 --> 01:16:05,120
Speaker 3: going on. I'm going to fight, and it's what it is.

1283
01:16:05,200 --> 01:16:08,800
Speaker 3: I don't have no weight class. And I used to

1284
01:16:08,800 --> 01:16:12,760
Speaker 3: say this when I was locked up. Bro, I'm a

1285
01:16:12,800 --> 01:16:15,720
Speaker 3: hard way to go. And if you want, if you

1286
01:16:15,760 --> 01:16:18,400
Speaker 3: want to catch this ride, this dude, we're gonna do.

1287
01:16:19,720 --> 01:16:26,040
Speaker 3: Because what's the what would be the fear in a

1288
01:16:26,040 --> 01:16:32,120
Speaker 3: person who loves combat? Mm hmmm, whether it's whatever you choose.

1289
01:16:32,880 --> 01:16:37,280
Speaker 3: And if it's fists, if we just fighting, oh man,

1290
01:16:37,320 --> 01:16:40,439
Speaker 3: come on, brow I grew up. I grew up fighting

1291
01:16:40,479 --> 01:16:43,000
Speaker 3: and I've been boxing since I was six. It's like

1292
01:16:43,640 --> 01:16:49,080
Speaker 3: bro right And if you hopefully you bigger than me,

1293
01:16:50,040 --> 01:16:53,000
Speaker 3: that this is when it gets real nice. You will

1294
01:16:53,040 --> 01:16:56,080
Speaker 3: see the difference between the footwork being able to really

1295
01:16:56,160 --> 01:16:59,479
Speaker 3: a person that can really fight and a person who can't.

1296
01:17:00,400 --> 01:17:02,679
Speaker 3: Like I'm not, I'm not, I'm not, ain't no blind

1297
01:17:02,760 --> 01:17:05,320
Speaker 3: punches with me. This is this is this is a

1298
01:17:05,400 --> 01:17:08,479
Speaker 3: set up. I'm setting you up for something, and I

1299
01:17:08,479 --> 01:17:10,360
Speaker 3: hope man I but.

1300
01:17:10,360 --> 01:17:12,280
Speaker 4: This is not to say that you and cat gonna

1301
01:17:12,280 --> 01:17:12,840
Speaker 4: throw hands.

1302
01:17:14,560 --> 01:17:17,559
Speaker 3: Okay, well, this is a this is a thing that

1303
01:17:19,760 --> 01:17:23,280
Speaker 3: we we don't know. I'm I'm It's better for me

1304
01:17:23,320 --> 01:17:26,799
Speaker 3: to leave it alone and then be in the situation

1305
01:17:26,920 --> 01:17:31,320
Speaker 3: and then you'll find out. Mm hmm. But see, sometimes

1306
01:17:31,680 --> 01:17:35,320
Speaker 3: I didn't been into it with somebody, and then we'd

1307
01:17:35,320 --> 01:17:37,639
Speaker 3: have been in the same room, and it was enough

1308
01:17:37,640 --> 01:17:39,000
Speaker 3: for me to be in the same rooms.

1309
01:17:39,080 --> 01:17:43,719
Speaker 5: Like bruh, you did you.

1310
01:17:43,000 --> 01:17:45,200
Speaker 3: You didn't want you didn't want that. Okay, you feel

1311
01:17:45,200 --> 01:17:48,120
Speaker 3: your your your heart, your heart, your heart is so

1312
01:17:48,240 --> 01:17:51,599
Speaker 3: weak when it comes to what you're talking. And then

1313
01:17:51,640 --> 01:17:54,520
Speaker 3: people talk from safe spaces. And when I say safe spaces,

1314
01:17:56,160 --> 01:18:01,280
Speaker 3: I don't have no body cards. Bro, I don't need him.

1315
01:18:02,960 --> 01:18:03,439
Speaker 3: I don't know.

1316
01:18:03,600 --> 01:18:06,280
Speaker 5: I don't even know. I'm not behind no bunch of people.

1317
01:18:07,240 --> 01:18:10,559
Speaker 3: Mm hmm. I'm not on I'm not I'm not gonna

1318
01:18:10,560 --> 01:18:14,439
Speaker 3: say it on the on the show. I'm not even

1319
01:18:14,439 --> 01:18:17,800
Speaker 3: gonna say it on the show. So where people could

1320
01:18:17,960 --> 01:18:20,200
Speaker 3: it could be recorded to where you will know if

1321
01:18:20,200 --> 01:18:25,040
Speaker 3: something happened it was me, because it's safety in that,

1322
01:18:25,200 --> 01:18:31,240
Speaker 3: it's safety and in putting something out there publicly, I'll

1323
01:18:31,320 --> 01:18:34,800
Speaker 3: try to handle it in the private right. You know.

1324
01:18:34,840 --> 01:18:37,720
Speaker 3: It's kind of like I was. This dude cut me

1325
01:18:37,760 --> 01:18:41,080
Speaker 3: off one time. He in his truck. I'm on my

1326
01:18:41,200 --> 01:18:44,320
Speaker 3: car and he kind of tried to run me off

1327
01:18:44,360 --> 01:18:48,240
Speaker 3: the road. So then I caught up to him. I

1328
01:18:48,280 --> 01:18:52,400
Speaker 3: said what I said, and he said pull over. I

1329
01:18:52,560 --> 01:18:58,200
Speaker 3: pulled over right in the streets. Yeah, And he drove

1330
01:18:58,320 --> 01:19:02,200
Speaker 3: past me and said, come to the gas. We get

1331
01:19:02,240 --> 01:19:05,639
Speaker 3: to the gas station, I take all my stuff off

1332
01:19:05,680 --> 01:19:07,880
Speaker 3: and I put my gloves on, and needs time.

1333
01:19:07,920 --> 01:19:09,360
Speaker 5: I comfort over here by the cameras.

1334
01:19:09,560 --> 01:19:13,000
Speaker 3: It's cameras all over again. You cast me over here.

1335
01:19:14,439 --> 01:19:16,120
Speaker 3: It ain't gonna get in this truck. And then, man,

1336
01:19:16,200 --> 01:19:22,280
Speaker 3: you you lucky. I'm not lucky. Nothing. You over there?

1337
01:19:22,760 --> 01:19:25,599
Speaker 3: You know what I'm saying. Where no cameras. You brought

1338
01:19:25,640 --> 01:19:27,880
Speaker 3: me over to the gas untibody? COMFORTM up under the camera.

1339
01:19:28,880 --> 01:19:32,519
Speaker 3: Here's a gas station. It's cameras everywhere. Man, Bro, you

1340
01:19:32,560 --> 01:19:35,280
Speaker 3: ain't want you ain't want this, like because you already

1341
01:19:35,280 --> 01:19:39,120
Speaker 3: because you thought in your mind that I was going

1342
01:19:39,160 --> 01:19:44,080
Speaker 3: to bag down on Bro. When you saw, when you

1343
01:19:44,160 --> 01:19:46,519
Speaker 3: saw that I took that shirt off and put them

1344
01:19:46,520 --> 01:19:48,120
Speaker 3: gloves on, your mind like why does he.

1345
01:19:48,160 --> 01:19:53,479
Speaker 7: Have gloves so accessible in a car and he's in

1346
01:19:53,680 --> 01:19:56,840
Speaker 7: slacks in an all bottom of this man, I'm thinking

1347
01:19:56,840 --> 01:19:59,400
Speaker 7: this is a regular because in your mind as somebody

1348
01:19:59,400 --> 01:20:02,400
Speaker 7: who's driving, but Tago, it's a regular.

1349
01:20:02,520 --> 01:20:07,120
Speaker 3: Make a little dude. He got some corporate job. I'm

1350
01:20:07,240 --> 01:20:11,599
Speaker 3: right over, unbuttoned shirt, do my shirt in the back

1351
01:20:11,800 --> 01:20:14,800
Speaker 3: with my gloves on, and it's these skins like it's

1352
01:20:14,840 --> 01:20:18,640
Speaker 3: almost like golfing gloves. They a real thin leather. I

1353
01:20:19,040 --> 01:20:22,080
Speaker 3: slipped them on real quick, you know, took off my ring.

1354
01:20:22,200 --> 01:20:26,120
Speaker 3: I'm like, what's up? And he's like, come on Karen,

1355
01:20:26,880 --> 01:20:30,000
Speaker 3: Like yo, Bro, you called me over here. You can tell,

1356
01:20:30,120 --> 01:20:32,320
Speaker 3: you can tell in the stands that this is not

1357
01:20:32,400 --> 01:20:35,400
Speaker 3: finna go like what you think And I'm light on

1358
01:20:35,479 --> 01:20:40,080
Speaker 3: my feet and I'm like, yo, you bro, you are

1359
01:20:40,160 --> 01:20:42,200
Speaker 3: not finna make it to whatever construction job you on

1360
01:20:42,240 --> 01:20:45,080
Speaker 3: your way too. You're finnah, go in there, mangled.

1361
01:20:46,320 --> 01:20:48,720
Speaker 6: I would never tell somebody that I didn't want to

1362
01:20:48,760 --> 01:20:50,960
Speaker 6: fight to go over the gas station. But in his defense,

1363
01:20:51,040 --> 01:20:53,120
Speaker 6: if somebody got out their fucking card with their shirt

1364
01:20:53,160 --> 01:20:57,680
Speaker 6: off and some gloves on, I'd be like, you got it.

1365
01:20:57,720 --> 01:20:59,759
Speaker 6: I would. I would never do that without the intention

1366
01:20:59,840 --> 01:21:03,559
Speaker 6: I'm saying, though, if somebody came out like that, called

1367
01:21:03,680 --> 01:21:07,759
Speaker 6: you over, somebody come out boxing and you get.

1368
01:21:07,560 --> 01:21:09,760
Speaker 3: Out you guys like, oh, it's gonna be a you

1369
01:21:09,800 --> 01:21:13,559
Speaker 3: know what I'm saying, But it's gracious, Like I was

1370
01:21:13,640 --> 01:21:17,080
Speaker 3: so offended that you said come from up under the campus.

1371
01:21:17,400 --> 01:21:20,400
Speaker 3: And now this wouldn't look like this. This is me talking.

1372
01:21:20,400 --> 01:21:22,920
Speaker 3: He in the truck, cameras everywhere, like I look like

1373
01:21:22,920 --> 01:21:24,680
Speaker 3: a crazy man when I look back at it, like

1374
01:21:25,439 --> 01:21:28,320
Speaker 3: I know my man, and he got definitely running this

1375
01:21:28,360 --> 01:21:31,400
Speaker 3: gas station looking at this cameras like look at the people.

1376
01:21:31,520 --> 01:21:33,360
Speaker 5: Like I know, he's just violent.

1377
01:21:34,000 --> 01:21:36,519
Speaker 3: Because man, it's a it's like a it's like a

1378
01:21:36,600 --> 01:21:42,000
Speaker 3: Jamaican dude come out of a machete. But yeah, about business.

1379
01:21:42,080 --> 01:21:44,679
Speaker 3: Ain't no sugar game deal. This's like he's about business

1380
01:21:44,800 --> 01:21:47,760
Speaker 3: at all. And he pointed to you and saying all

1381
01:21:47,800 --> 01:21:53,800
Speaker 3: these strange words that you ain't never He's like, I'm like, yo, man,

1382
01:21:53,320 --> 01:21:54,920
Speaker 3: I'm good.

1383
01:21:55,040 --> 01:21:56,120
Speaker 4: Hopefully hopefully you know.

1384
01:21:56,280 --> 01:21:58,559
Speaker 2: I mean, I don't know where it started at, but

1385
01:21:58,600 --> 01:22:00,920
Speaker 2: I do, you know, watching you and seven him in Brooklyn,

1386
01:22:01,240 --> 01:22:04,280
Speaker 2: I do know kind of the back end after Cat

1387
01:22:04,400 --> 01:22:06,800
Speaker 2: was on and then you went back on. But you know,

1388
01:22:07,280 --> 01:22:11,320
Speaker 2: wherever it's at, Hopefully it doesn't come to any physicality

1389
01:22:11,520 --> 01:22:15,080
Speaker 2: or anything like that. Man, it's like this, we don't

1390
01:22:15,080 --> 01:22:15,640
Speaker 2: want to see that.

1391
01:22:15,760 --> 01:22:19,320
Speaker 3: You ain't you that we're not gonna be in the

1392
01:22:19,360 --> 01:22:22,600
Speaker 3: same space. We're not. We're not gonna be get the

1393
01:22:22,600 --> 01:22:27,439
Speaker 3: gas station, not guess. And then it's even though I've

1394
01:22:27,520 --> 01:22:29,160
Speaker 3: left it alone, I don't even think about it until

1395
01:22:29,200 --> 01:22:35,400
Speaker 3: somebody asked me about it. Yeah, even with that, whatever

1396
01:22:35,600 --> 01:22:41,720
Speaker 3: him and Kevin did it is beautiful, you know. But

1397
01:22:41,920 --> 01:22:44,400
Speaker 3: like people can see my track record, my track record

1398
01:22:44,479 --> 01:22:49,439
Speaker 3: is always if I have a problem, I'd rather solve

1399
01:22:49,479 --> 01:22:52,280
Speaker 3: the problem if somebody see the problem publicly, then the

1400
01:22:52,640 --> 01:22:55,200
Speaker 3: resolve is gonna be publicly as well. I don't have

1401
01:22:55,240 --> 01:22:58,920
Speaker 3: a problem resolved anything. That's a part of manhood, you

1402
01:22:58,920 --> 01:23:00,680
Speaker 3: know what I'm saying. You not all ways writing. And

1403
01:23:00,800 --> 01:23:03,599
Speaker 3: sometimes you do something you offensive to somebody, and then

1404
01:23:03,640 --> 01:23:06,120
Speaker 3: you make you do what you do, make it right,

1405
01:23:06,479 --> 01:23:10,000
Speaker 3: what I'm saying. That's just that street code. That's life cold,

1406
01:23:10,120 --> 01:23:13,679
Speaker 3: that's that's whatever religion you are. You make things right,

1407
01:23:14,040 --> 01:23:16,120
Speaker 3: what I'm saying, and it doesn't take away from who

1408
01:23:16,160 --> 01:23:18,679
Speaker 3: you are as a person. I don't have no problem

1409
01:23:18,720 --> 01:23:23,200
Speaker 3: with making something right in life. You're going to have

1410
01:23:23,280 --> 01:23:25,840
Speaker 3: to do that. Yeah, sure, what I'm saying. But when

1411
01:23:25,840 --> 01:23:28,880
Speaker 3: you don't take accountability or you or you don't think

1412
01:23:28,920 --> 01:23:35,320
Speaker 3: that you wrong in an instance, say once again, my

1413
01:23:35,439 --> 01:23:38,920
Speaker 3: mind thought as this, I don't even know if she knew,

1414
01:23:39,080 --> 01:23:41,559
Speaker 3: could have been her bodyguard, right, you know what I'm saying.

1415
01:23:42,840 --> 01:23:46,320
Speaker 3: Me saying what I say still doesn't not allow you

1416
01:23:46,400 --> 01:23:49,320
Speaker 3: to make it right, right, you know what I'm saying.

1417
01:23:49,800 --> 01:23:52,800
Speaker 3: So sometimes you do something or you say something to

1418
01:23:52,880 --> 01:23:56,479
Speaker 3: something happens when it's on your watch. When it's on

1419
01:23:56,640 --> 01:23:59,280
Speaker 3: your watch, you are responsible for it.

1420
01:24:00,920 --> 01:24:03,759
Speaker 5: And that's just manhood. That's just being human.

1421
01:24:04,040 --> 01:24:08,640
Speaker 3: If something happens on my watch, man, I remember it

1422
01:24:08,680 --> 01:24:14,280
Speaker 3: was a it was a money situation and Drake came

1423
01:24:14,320 --> 01:24:17,639
Speaker 3: to me and told me about it, and I said,

1424
01:24:17,640 --> 01:24:23,400
Speaker 3: this is what we do. M paid h R. Let's pad.

1425
01:24:24,840 --> 01:24:28,759
Speaker 5: Now we paid it and we're good.

1426
01:24:29,200 --> 01:24:29,479
Speaker 1: Right.

1427
01:24:31,080 --> 01:24:36,919
Speaker 3: So when that person double backs around to need something

1428
01:24:37,439 --> 01:24:41,240
Speaker 3: from me, I never said that. I don't deal with

1429
01:24:41,280 --> 01:24:45,960
Speaker 3: you no more, right, we just it was. It was

1430
01:24:46,120 --> 01:24:49,320
Speaker 3: more of a you. It's like with my my my

1431
01:24:49,439 --> 01:24:56,040
Speaker 3: uncles to say, man, you paid for peace. Yeah, I

1432
01:24:56,080 --> 01:24:59,200
Speaker 3: don't need nobody talking about this. That and the third

1433
01:24:59,200 --> 01:25:03,519
Speaker 3: with no money with me, right right, right, But I

1434
01:25:03,640 --> 01:25:07,200
Speaker 3: know what we stand at from this point. But it's

1435
01:25:07,360 --> 01:25:13,439
Speaker 3: never a problem when it when if I say no,

1436
01:25:13,600 --> 01:25:18,639
Speaker 3: we ain't paying it, No we ain't paying them, I'm

1437
01:25:18,640 --> 01:25:22,320
Speaker 3: inviting the problem. I want the problem, Yeah, because I'm

1438
01:25:22,360 --> 01:25:25,599
Speaker 3: standing on integrity. I'm not paying you with it. If

1439
01:25:25,640 --> 01:25:29,800
Speaker 3: I decide that I'm not gonna pay for the peace, you.

1440
01:25:29,840 --> 01:25:31,080
Speaker 4: Invite, you invite everything else.

1441
01:25:31,120 --> 01:25:34,960
Speaker 3: I'm inviting everything conflict. I don't need. No, I don't

1442
01:25:35,000 --> 01:25:41,040
Speaker 3: need man. We a dude owed me fifteen on it

1443
01:25:41,160 --> 01:25:50,200
Speaker 3: before and I said keep it mm hmm, and some

1444
01:25:50,240 --> 01:25:53,960
Speaker 3: people called me to know both of us, and they say, Yo,

1445
01:25:55,200 --> 01:25:57,000
Speaker 3: you want me to get that bread for you because

1446
01:25:57,000 --> 01:26:03,439
Speaker 3: I ain't like housing me and said, we're good, and

1447
01:26:03,520 --> 01:26:08,479
Speaker 3: my we good speaks a lot more volumes than somebody

1448
01:26:08,520 --> 01:26:11,760
Speaker 3: else's be good because my we good is That's how

1449
01:26:11,840 --> 01:26:15,080
Speaker 3: much I paid never to deal with you again, Ed Joe.

1450
01:26:15,000 --> 01:26:17,120
Speaker 6: Bronk steal shit. You know what I'm saying, O twenty

1451
01:26:17,160 --> 01:26:19,240
Speaker 6: dollars you like him? No, you gotta mount your life

1452
01:26:19,240 --> 01:26:19,800
Speaker 6: for twenty dollars.

1453
01:26:19,960 --> 01:26:29,040
Speaker 3: Yeah, it's that simple. And so when it circles back around, No,

1454
01:26:29,240 --> 01:26:33,360
Speaker 3: we're good, We're still were good. You know what I'm saying.

1455
01:26:33,680 --> 01:26:37,599
Speaker 3: And if something if I can stop something from happening, right,

1456
01:26:38,560 --> 01:26:43,040
Speaker 3: I'm good. I don't have to deal with you. Yeah,

1457
01:26:44,320 --> 01:26:48,880
Speaker 3: if man, we fine. Bro, if you think fifteen hundred

1458
01:26:48,920 --> 01:26:51,800
Speaker 3: dollars is going is worse, do you already show me

1459
01:26:51,800 --> 01:26:56,200
Speaker 3: that me and you not friends? Yeah, don't worry about it.

1460
01:26:56,439 --> 01:26:59,799
Speaker 3: Don't worry about it. Yeah, I got you pay for peace.

1461
01:27:01,560 --> 01:27:04,600
Speaker 3: I know I don't have a jovial personality around strangers.

1462
01:27:04,960 --> 01:27:07,280
Speaker 3: That's why I know a roast would be crazy for

1463
01:27:07,320 --> 01:27:09,679
Speaker 3: me with strangers. I'll be on that roast. I'm telling

1464
01:27:09,680 --> 01:27:12,800
Speaker 3: you it'd be are you in here? Is like it

1465
01:27:12,880 --> 01:27:15,360
Speaker 3: would be so many sound bites. Hey, did you see

1466
01:27:15,439 --> 01:27:21,200
Speaker 3: when someone and that food said I'm taking I'm taking

1467
01:27:21,640 --> 01:27:25,200
Speaker 3: a mental note. That's that's where we had Tony Hitchcliff okay,

1468
01:27:25,320 --> 01:27:28,640
Speaker 3: word word word and I and I know Tony, like

1469
01:27:28,880 --> 01:27:32,080
Speaker 3: Tony Hitchcliff is crazy man, So whatever he said, I

1470
01:27:32,120 --> 01:27:35,439
Speaker 3: know he's it's crazy. I know it's crazy because I've

1471
01:27:35,439 --> 01:27:39,800
Speaker 3: been on this show, killed Tony multiple times, so I

1472
01:27:39,920 --> 01:27:45,760
Speaker 3: know whatever he said was absolutely insane because Tony, I've

1473
01:27:45,760 --> 01:27:47,040
Speaker 3: been in the green room when Tony walks in the

1474
01:27:47,080 --> 01:27:51,519
Speaker 3: green room, I'm at the Mothership in a month, your

1475
01:27:51,520 --> 01:27:57,559
Speaker 3: people out there, I said, you you are so racist.

1476
01:27:59,880 --> 01:28:01,960
Speaker 6: I don't know if it's a bit with Tony anymore,

1477
01:28:01,600 --> 01:28:04,799
Speaker 6: you're Tony and before it was a bit, I don't.

1478
01:28:06,479 --> 01:28:11,800
Speaker 3: So tremendously racist and it's crazy, like you're the craziest

1479
01:28:12,160 --> 01:28:15,080
Speaker 3: racist person. And I said, I don't even know what

1480
01:28:15,120 --> 01:28:17,599
Speaker 3: you mean by my people because it's all white out there.

1481
01:28:18,360 --> 01:28:20,240
Speaker 3: It's all white. But the way you said it, you

1482
01:28:20,280 --> 01:28:23,400
Speaker 3: are so racist. And I was on this I was

1483
01:28:23,439 --> 01:28:26,600
Speaker 3: on the show with Doug Willias, Doug Doug's movies and

1484
01:28:26,640 --> 01:28:30,120
Speaker 3: it's me and Burt, Burt Chrisler, and Bert was saying

1485
01:28:30,120 --> 01:28:32,840
Speaker 3: the story. He's like, Yo, so what you know I

1486
01:28:32,840 --> 01:28:35,200
Speaker 3: did backface when it was cool, and I'm the only

1487
01:28:35,200 --> 01:28:38,280
Speaker 3: black person saying I looked down. I said, when the

1488
01:28:38,320 --> 01:28:41,760
Speaker 3: hell was black face cool? Bert? You give me the

1489
01:28:41,880 --> 01:28:44,280
Speaker 3: year it was like? He was like, like in college

1490
01:28:44,320 --> 01:28:50,439
Speaker 3: it wasn't cooling fucking racist. He's like, no, I'm just saying.

1491
01:28:51,240 --> 01:28:56,599
Speaker 3: He said, no, it wasn't Bert, when it was cool,

1492
01:28:56,760 --> 01:28:59,560
Speaker 3: it was not. You know something, I'm not talking to you.

1493
01:29:00,760 --> 01:29:05,080
Speaker 3: And Bert was like, listen, like because we people apart.

1494
01:29:05,120 --> 01:29:07,479
Speaker 3: I'm like, no, I'm not talking to you because black

1495
01:29:07,479 --> 01:29:10,040
Speaker 3: face is never cool, you know what I'm saying. Clansman,

1496
01:29:12,360 --> 01:29:15,680
Speaker 3: It's like, but I know Bird is not racist, but

1497
01:29:15,720 --> 01:29:19,680
Speaker 3: he's insane in his mind. And he told me this

1498
01:29:19,720 --> 01:29:23,800
Speaker 3: story about when he how they got out of paying

1499
01:29:24,280 --> 01:29:25,760
Speaker 3: uh this tab.

1500
01:29:26,080 --> 01:29:32,280
Speaker 6: And Tracy Morgan Morgan sh and he's nuts. That was

1501
01:29:32,320 --> 01:29:36,800
Speaker 6: at Madam X, which is like, and you see why

1502
01:29:36,840 --> 01:29:40,120
Speaker 6: he's nuts, you know what I'm saying. Like he was involved,

1503
01:29:40,320 --> 01:29:43,920
Speaker 6: like I've been in his house. It was violent his premier.

1504
01:29:44,080 --> 01:29:46,679
Speaker 3: I know he's not racist, but he will say things

1505
01:29:47,200 --> 01:29:51,080
Speaker 3: and just out of just saying it. I remember when

1506
01:29:51,320 --> 01:29:53,760
Speaker 3: I did it black face, when it was cool. I'm like,

1507
01:29:54,080 --> 01:29:58,920
Speaker 3: you a looney tune and and they and and nobody

1508
01:29:58,960 --> 01:30:01,760
Speaker 3: expects me not to say nothing. They like, they're not

1509
01:30:01,760 --> 01:30:03,360
Speaker 3: gonna sit there, Like I'm not gonna sit there and

1510
01:30:03,439 --> 01:30:08,320
Speaker 3: be like okay, yeah, Like, it's no way that I

1511
01:30:08,320 --> 01:30:12,400
Speaker 3: could have set through Ricky Darveay and and Chris rock

1512
01:30:13,320 --> 01:30:15,559
Speaker 3: oh in the Lewis c K and Seinfeld, Yeah, there's

1513
01:30:15,640 --> 01:30:18,680
Speaker 3: no way I could have set through that. Like, but

1514
01:30:18,880 --> 01:30:21,479
Speaker 3: it's no way I could have set through. And I

1515
01:30:21,520 --> 01:30:23,160
Speaker 3: know I would have been right about what I would

1516
01:30:23,160 --> 01:30:26,120
Speaker 3: have did, because Seinfeld was like this. Sein Feeld was like,

1517
01:30:27,320 --> 01:30:31,439
Speaker 3: Ricky was like, you know what is and he's like, no, no, no,

1518
01:30:32,320 --> 01:30:36,240
Speaker 3: best friends black no, not doing it. George Wallace is

1519
01:30:36,240 --> 01:30:38,040
Speaker 3: his best friend. Yeah, and he's like he would have

1520
01:30:38,080 --> 01:30:41,680
Speaker 3: been like, no, nobody because that's his face. And I

1521
01:30:41,720 --> 01:30:45,240
Speaker 3: would have been like, yo, from the first one, slapping

1522
01:30:45,280 --> 01:30:48,280
Speaker 3: the mouth because you ever noticed this, because it was

1523
01:30:48,280 --> 01:30:52,080
Speaker 3: a big debate about hispanics saying it and rapping and

1524
01:30:52,120 --> 01:30:54,160
Speaker 3: do and this. It's guys who I don't rock with

1525
01:30:54,240 --> 01:30:56,040
Speaker 3: because they said and they wrapped it, but you're not

1526
01:30:56,360 --> 01:30:58,120
Speaker 3: of the culture and I don't care how much you

1527
01:30:58,200 --> 01:31:00,280
Speaker 3: around and all the rest of it. And this is

1528
01:31:00,320 --> 01:31:04,519
Speaker 3: my this is my number one example. Paul Wow has

1529
01:31:04,600 --> 01:31:08,719
Speaker 3: never said it. Yeah, and I won rap song ever

1530
01:31:08,800 --> 01:31:12,360
Speaker 3: in life, never never got away with it, like you

1531
01:31:12,400 --> 01:31:15,960
Speaker 3: know what I'm saying, Bill Burr mm hmm.

1532
01:31:16,800 --> 01:31:20,000
Speaker 6: It's it's definitely the newer generation of comics have brought

1533
01:31:20,000 --> 01:31:20,240
Speaker 6: that in.

1534
01:31:20,640 --> 01:31:24,439
Speaker 3: Yeah. So like Bill was around Patrice and Histiga, and

1535
01:31:24,760 --> 01:31:28,360
Speaker 3: so this is a because who you're around is that

1536
01:31:28,439 --> 01:31:31,200
Speaker 3: you give the respect to you know what I'm saying,

1537
01:31:31,560 --> 01:31:33,559
Speaker 3: And the massive majority of them, they would never say

1538
01:31:33,560 --> 01:31:37,720
Speaker 3: it around fair Cony, it around on Roland Martin. So

1539
01:31:37,840 --> 01:31:41,920
Speaker 3: you isolate you you picking and choosing who you saying

1540
01:31:41,920 --> 01:31:44,320
Speaker 3: and around you know what I'm saying, And it's because

1541
01:31:44,520 --> 01:31:46,880
Speaker 3: you don't respect the people that you're around, you know

1542
01:31:46,880 --> 01:31:50,800
Speaker 3: what I'm saying, Like Paul Waw. I've listened to paw

1543
01:31:50,840 --> 01:31:53,559
Speaker 3: Wall since he first started rapping with Comedionaire when they

1544
01:31:53,640 --> 01:31:55,800
Speaker 3: was color Changing Click. He has never said I'm talk

1545
01:31:55,800 --> 01:31:57,760
Speaker 3: about when they was on that amateur level, when he

1546
01:31:57,760 --> 01:32:00,280
Speaker 3: was still working at Poppado's coming to this club called

1547
01:32:00,360 --> 01:32:03,200
Speaker 3: just joking. When I was hosting the the open mic,

1548
01:32:03,600 --> 01:32:05,759
Speaker 3: you know what I'm saying, and I old Michael was crazy.

1549
01:32:05,760 --> 01:32:08,320
Speaker 3: It's like apollow night on Thursday where everybody was doing everything.

1550
01:32:08,720 --> 01:32:14,719
Speaker 3: So he's never said it then, right, And so these

1551
01:32:15,000 --> 01:32:18,280
Speaker 3: these new guys with this coach, you should be sitting

1552
01:32:18,320 --> 01:32:22,880
Speaker 3: there like you do know that that's not going to

1553
01:32:22,960 --> 01:32:27,800
Speaker 3: fly with people of another generation because my uncle, which

1554
01:32:27,880 --> 01:32:31,000
Speaker 3: is who is slavery strong, is gonna choke you, and

1555
01:32:31,080 --> 01:32:34,559
Speaker 3: I'm not gonna stop him. Man. It's like a This

1556
01:32:34,720 --> 01:32:38,639
Speaker 3: is like being choked by a silver back, Like yeah

1557
01:32:38,920 --> 01:32:44,920
Speaker 3: ya when you see this black African hand. I was

1558
01:32:44,960 --> 01:32:47,960
Speaker 3: about come across somebody who can go and get a

1559
01:32:48,000 --> 01:32:50,360
Speaker 3: cast I skin out of an oven with no mits,

1560
01:32:51,040 --> 01:32:53,160
Speaker 3: and he choke you, and he trying to close his hand.

1561
01:32:53,360 --> 01:32:54,800
Speaker 3: He's trying to close his hand all the way with

1562
01:32:54,840 --> 01:32:58,320
Speaker 3: his fingers touched. Hey man, you ain't gonna get you

1563
01:32:58,320 --> 01:33:01,439
Speaker 3: canna pull your gun out, but you're gonna it's gonna

1564
01:33:01,439 --> 01:33:06,240
Speaker 3: see me in Pauls because you're getting choked by African arm.

1565
01:33:08,600 --> 01:33:11,320
Speaker 3: I've never even the only time I've ever thought somebody

1566
01:33:11,360 --> 01:33:13,000
Speaker 3: could knock me out is when I went to go

1567
01:33:13,200 --> 01:33:16,240
Speaker 3: slaughter go like it hot is coming up in like

1568
01:33:16,479 --> 01:33:20,320
Speaker 3: eight days seven days when I went to go slaughter somebody.

1569
01:33:20,320 --> 01:33:22,320
Speaker 3: I wanted to go get a goat for the first time,

1570
01:33:23,600 --> 01:33:26,320
Speaker 3: and I picked a small one. I'm like, yo, I

1571
01:33:26,360 --> 01:33:30,160
Speaker 3: think that's small right there, And this African guy just

1572
01:33:30,200 --> 01:33:34,160
Speaker 3: reached down and grabbed a huge goat and he's holding

1573
01:33:34,200 --> 01:33:36,840
Speaker 3: him by his back leg and his arm is not

1574
01:33:36,880 --> 01:33:39,280
Speaker 3: even moving and the goat is trying to get away.

1575
01:33:39,320 --> 01:33:40,280
Speaker 5: He got three legs.

1576
01:33:40,280 --> 01:33:43,280
Speaker 3: He using three legs an animal that's like almost two

1577
01:33:43,320 --> 01:33:45,360
Speaker 3: hundred pounds. He's trying to get away, and he's just

1578
01:33:45,400 --> 01:33:47,800
Speaker 3: talking to me like, so, yeah, where you want to

1579
01:33:47,880 --> 01:33:49,559
Speaker 3: where you want me to put him? And I was

1580
01:33:49,600 --> 01:33:51,840
Speaker 3: and the only thing coming acrom my ee. If he

1581
01:33:52,080 --> 01:33:56,080
Speaker 3: decided to hit me in my jaw, even if I

1582
01:33:56,120 --> 01:33:58,679
Speaker 3: see it coming, I get braced for it. He's going

1583
01:33:58,760 --> 01:34:02,080
Speaker 3: to He's do like when on Bugs Wayne, when Donald

1584
01:34:02,240 --> 01:34:05,240
Speaker 3: get shot and y'all would go around. My jaw is

1585
01:34:05,240 --> 01:34:08,400
Speaker 3: gonna be somewhere back here because he's holding an animal

1586
01:34:09,360 --> 01:34:11,679
Speaker 3: with with and this is all that's happening.

1587
01:34:12,479 --> 01:34:14,479
Speaker 5: So so what do you want to be to put it?

1588
01:34:14,800 --> 01:34:14,880
Speaker 6: Like?

1589
01:34:15,640 --> 01:34:18,040
Speaker 3: I don't want you to do nothing. I want you

1590
01:34:18,120 --> 01:34:20,600
Speaker 3: to put him down, let him go. I asked for

1591
01:34:20,760 --> 01:34:24,519
Speaker 3: Bambi over there, I asked with this little bitty havn't

1592
01:34:24,600 --> 01:34:28,160
Speaker 3: lived that much life. I want to hear.

1593
01:34:31,320 --> 01:34:31,519
Speaker 1: Y'all.

1594
01:34:31,920 --> 01:34:40,080
Speaker 3: Y'all can get me on alisdep dot com. All things

1595
01:34:36,200 --> 01:34:40,200
Speaker 3: a man.

1596
01:34:40,240 --> 01:34:42,320
Speaker 2: We want to thank you for coming by. Appreciate I

1597
01:34:42,360 --> 01:34:43,760
Speaker 2: gotta catch when you're in New York. I got to

1598
01:34:43,800 --> 01:34:46,679
Speaker 2: catch one of yourself, Pert York man. Definitely check you out.

1599
01:34:46,840 --> 01:34:48,640
Speaker 2: It's a pleasure to finally meet You've been watching all

1600
01:34:48,640 --> 01:34:49,200
Speaker 2: of these dolls.

1601
01:34:49,280 --> 01:34:51,439
Speaker 3: You stars don't be coming, man, I don't have that

1602
01:34:51,520 --> 01:34:53,880
Speaker 3: type of you know when they when you see other comments,

1603
01:34:53,880 --> 01:34:56,000
Speaker 3: they especially you see all these stars back and then

1604
01:34:56,280 --> 01:35:00,160
Speaker 3: it just be me and my phone.

1605
01:35:00,760 --> 01:35:02,400
Speaker 2: I'm gonna coming to see you in New York. I'm

1606
01:35:02,400 --> 01:35:03,720
Speaker 2: gonna check that. I'm gona check the tour days. I'm

1607
01:35:03,720 --> 01:35:06,120
Speaker 2: gonna definitely come see you New York. Ali sadik dot com.

1608
01:35:06,200 --> 01:35:07,960
Speaker 2: We appreciate you for coming by my brother and we'll

1609
01:35:08,000 --> 01:35:10,640
Speaker 2: see you soon. I'm not nigga, he's just ja Ja.

1610
01:35:10,720 --> 01:35:11,479
Speaker 2: That's Alisa Di