1 00:00:00,040 --> 00:00:09,520 Speaker 1: It's another on the twenties. Hello, Yes, I was looking 2 00:00:09,520 --> 00:00:15,160 Speaker 1: for Ashley's. Yes, isn't her Hello, Ashley? My name is Martin. 3 00:00:15,320 --> 00:00:17,560 Speaker 1: I'm filling in as the new director on the play 4 00:00:17,600 --> 00:00:21,840 Speaker 1: you were just casting. Oh yeah, Hi, how are you Hi? 5 00:00:22,480 --> 00:00:24,560 Speaker 1: They've switched things up and I thought i'd call and 6 00:00:24,560 --> 00:00:29,200 Speaker 1: introduce myself. Yeah, I heard you might be calling people. Um, 7 00:00:29,200 --> 00:00:33,320 Speaker 1: that sounds great. Um, what's going on? Well that was 8 00:00:33,440 --> 00:00:38,400 Speaker 1: very unconvincing, wasn't it. What I'm talking about? What you 9 00:00:38,479 --> 00:00:40,240 Speaker 1: just said, you delivered it in a way that lacked 10 00:00:40,320 --> 00:00:47,519 Speaker 1: any depth. It sounded very scripted. Well, I'm sorry, I 11 00:00:47,520 --> 00:00:53,400 Speaker 1: don't understand. That's better, much better. There was some passion 12 00:00:53,400 --> 00:00:58,000 Speaker 1: in that one. It felt real to me. Oh okay, yeah, 13 00:00:58,080 --> 00:01:01,120 Speaker 1: I was confused. And you're back to it again. You 14 00:01:01,200 --> 00:01:04,319 Speaker 1: lost it completely. Listen. I'm gonna need you to take 15 00:01:04,319 --> 00:01:06,920 Speaker 1: it from the top, because now I've totally lost any 16 00:01:07,000 --> 00:01:10,160 Speaker 1: vision of where we were going. Oh what do you 17 00:01:10,200 --> 00:01:17,080 Speaker 1: mean the conversation that we're having? Okay, okay, okay, And 18 00:01:17,120 --> 00:01:18,960 Speaker 1: there it is again, and there it is again, and 19 00:01:19,000 --> 00:01:23,200 Speaker 1: there it is again. Okay, you are sounding like you're 20 00:01:23,240 --> 00:01:26,840 Speaker 1: reading this. I just don't know what you want. You 21 00:01:26,880 --> 00:01:28,920 Speaker 1: want you want to hear me read from a script, 22 00:01:29,040 --> 00:01:36,200 Speaker 1: make me feel something, move me somehow, Well, wouldn't I 23 00:01:36,280 --> 00:01:40,240 Speaker 1: do that on stage? We're just having a conversation. We're 24 00:01:40,319 --> 00:01:45,120 Speaker 1: just talking. Your emotions are all over the place. What 25 00:01:45,160 --> 00:01:48,960 Speaker 1: are you doing. I'm just trying to talk to you 26 00:01:49,000 --> 00:01:52,760 Speaker 1: and tog out what's going on? That is the problem. Okay, 27 00:01:52,800 --> 00:01:57,360 Speaker 1: couple notes, A couple of notes here for you. Okay, yes, 28 00:01:57,440 --> 00:02:01,120 Speaker 1: a couple of notes. Okay, try not to have a 29 00:02:01,120 --> 00:02:05,120 Speaker 1: conversation with me. Try to make me feel something, as 30 00:02:05,240 --> 00:02:09,120 Speaker 1: if you're going to move me. So this is an 31 00:02:09,120 --> 00:02:12,760 Speaker 1: audition or having you've already auditioned and you have the part, correct, 32 00:02:13,880 --> 00:02:19,480 Speaker 1: I assume? So, yes, show me some range. Excuse me, 33 00:02:19,960 --> 00:02:23,880 Speaker 1: you heard me? I'm sorry. This is very unprofessional. No 34 00:02:24,040 --> 00:02:27,679 Speaker 1: director called their actor when they're at home or doing 35 00:02:27,720 --> 00:02:30,200 Speaker 1: whatever they're doing, to tell them they need to show 36 00:02:30,520 --> 00:02:36,720 Speaker 1: acting range. Frankly, Frankly, you know what scares me about you. 37 00:02:36,720 --> 00:02:39,000 Speaker 1: You're at home doing whatever you're doing, and you're just 38 00:02:39,080 --> 00:02:41,480 Speaker 1: having a normal time. If you were a true actor, 39 00:02:41,760 --> 00:02:44,720 Speaker 1: a true Thespian, you would be acting right now in 40 00:02:44,800 --> 00:02:49,040 Speaker 1: your everyday life. Oh my god, are you crazy? I 41 00:02:49,080 --> 00:02:52,840 Speaker 1: have been acting for years, and I've never been treated 42 00:02:53,040 --> 00:02:56,520 Speaker 1: like that. Well, news flash, sweetheart, you've been doing it 43 00:02:56,560 --> 00:03:00,280 Speaker 1: the wrong way. You are a horrible director, and I 44 00:03:00,400 --> 00:03:02,560 Speaker 1: never want to work with you. I think you'll find 45 00:03:02,720 --> 00:03:06,040 Speaker 1: that I'm a very demanding director and I push my 46 00:03:06,120 --> 00:03:11,400 Speaker 1: students to strive for perfection, honing their craft. Are we 47 00:03:11,440 --> 00:03:13,600 Speaker 1: done here? Because I need to go and call Mike 48 00:03:13,720 --> 00:03:16,560 Speaker 1: the producer and tell them I am through with this show. Yes, 49 00:03:16,680 --> 00:03:19,799 Speaker 1: working with a nice Yes. Yes, I knew I could 50 00:03:19,840 --> 00:03:23,680 Speaker 1: get it out of you. I knew it. I knew 51 00:03:23,680 --> 00:03:26,080 Speaker 1: all you needed was a little prodding and you would 52 00:03:26,120 --> 00:03:29,240 Speaker 1: give me the passion that I needed. Wonderful work. You 53 00:03:29,320 --> 00:03:33,040 Speaker 1: have some real psychological problem to take care of. Wonderful 54 00:03:33,040 --> 00:03:35,480 Speaker 1: and I don't want to be around you. Wonderful job. 55 00:03:35,520 --> 00:03:39,600 Speaker 1: You are hired. I was already hired and I quit. Well, 56 00:03:39,840 --> 00:03:42,119 Speaker 1: I just fired you and hired you again. That's how 57 00:03:42,160 --> 00:03:46,640 Speaker 1: great you did. You are insane. Is it insanity or 58 00:03:46,720 --> 00:03:49,520 Speaker 1: is it genius? Ask yourself that question, because I just 59 00:03:49,600 --> 00:03:51,560 Speaker 1: got you to reach new acting heights that you have 60 00:03:51,680 --> 00:03:54,520 Speaker 1: never been before. I'm going to call everybody in the 61 00:03:54,560 --> 00:03:56,960 Speaker 1: play and tell them they need to quit it as well, 62 00:03:57,000 --> 00:03:59,680 Speaker 1: because nobody should deal with you. You are a joke. 63 00:04:00,120 --> 00:04:02,320 Speaker 1: That's fine. I'll just play every role myself. I don't 64 00:04:02,400 --> 00:04:06,880 Speaker 1: need any actors. Right, I'm sure you'll be brilliant. I'm 65 00:04:06,920 --> 00:04:09,680 Speaker 1: a master of acting and a master of the prank 66 00:04:09,720 --> 00:04:12,480 Speaker 1: phone call, and you will give me the respect that 67 00:04:12,560 --> 00:04:18,080 Speaker 1: I deserve. So what the frank phone call? Yes, I 68 00:04:18,080 --> 00:04:22,440 Speaker 1: am a master of it. Is this a joke? Yes? 69 00:04:22,520 --> 00:04:27,440 Speaker 1: It is. Shut up. I can't because this is Jewil 70 00:04:27,520 --> 00:04:29,960 Speaker 1: from Brook and Jewel in the morning doing a phone 71 00:04:30,000 --> 00:04:33,960 Speaker 1: tap on you. Oh my god, are you kidding me? 72 00:04:36,000 --> 00:04:39,760 Speaker 1: Your sister Andrea set you up. Oh she said you 73 00:04:39,800 --> 00:04:41,520 Speaker 1: were nervous because you just got cast in a play 74 00:04:41,520 --> 00:04:45,279 Speaker 1: and they changed the director on you. Oh my god. Yeah, 75 00:04:45,400 --> 00:04:48,040 Speaker 1: I think God is not you. I'm available if you 76 00:04:48,080 --> 00:04:51,359 Speaker 1: want me to direct for you. I can't. Did you 77 00:04:51,400 --> 00:04:52,920 Speaker 1: hear the passion that I was able to get out 78 00:04:52,960 --> 00:04:56,479 Speaker 1: of you? You are a total idiot, an idiot or 79 00:04:56,520 --> 00:05:04,560 Speaker 1: a genius. Definitely idiot. Wake up every morning with jubil 80 00:05:04,600 --> 00:05:07,880 Speaker 1: foone taps weekday mornings on the twenties, Holy On Moving 81 00:05:07,960 --> 00:05:08,960 Speaker 1: ninety two point five