WEBVTT - Rachel Maddow and ULTRA

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<v Speaker 1>Hey guys, ed here this week, we're coming to you

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<v Speaker 1>with a special episode from the archives. It's my chat

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<v Speaker 1>with the Emmy Award winning political commentator Rachel Maddow. Rachel

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<v Speaker 1>is also the host of the hit show Ultra, and

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<v Speaker 1>back in twenty twenty three, she and I sat down

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<v Speaker 1>to talk about our fascination with history, the eerily prescient

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<v Speaker 1>stories in our respective podcasts, and why we do the

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<v Speaker 1>work we do. It's probably one of my favorite chats

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<v Speaker 1>I've ever had on this podcast, and so I'm really

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<v Speaker 1>excited to share it with you again today. Keep listening,

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<v Speaker 1>and we'll be back with a regularly scheduled episode next week. Enjoy.

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<v Speaker 1>Welcome back, SNAFU listeners. We're back to discuss a dicey subject,

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<v Speaker 1>a far right coup, an attempt to overthrow the democratically

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<v Speaker 1>elected government of the Night States of America. Because you'll

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<v Speaker 1>never degue our country with wis you have to show

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<v Speaker 1>strength when you have to be strong, we have Nope,

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<v Speaker 1>not that one. In the United States District Court Washington DC,

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<v Speaker 1>Chief Justice Edward C. Iiker, besides, at the trial of

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<v Speaker 1>thirty elled seditionists, here we go. That's the one that's right,

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<v Speaker 1>My friends, back in nineteen forty four, the Nazis tried

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<v Speaker 1>to overthrow the US government with the help of some

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<v Speaker 1>US congressmen know less. I'm talking about the Great Sedition

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<v Speaker 1>Trial of nineteen forty four, which is the subject of

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<v Speaker 1>a history podcast hosted by Rachel Maddow called Ultra Now.

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<v Speaker 1>Ultra and Snafu have a lot in common. Both podcasts

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<v Speaker 1>are deep dives into important moments in American history which

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<v Speaker 1>are largely forgotten, and yet they feel oddly prescient to

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<v Speaker 1>our world today. So naturally, I wanted to sit down

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<v Speaker 1>and talk with Ultra's creator. So today I'm coming into

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<v Speaker 1>your feed with a treat my conversation with Rachel Maddow

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<v Speaker 1>about Ultra and Snaffu. We talk about these two extraordinary stories,

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<v Speaker 1>forgotten history in general, the roots of authoritarianism, and how

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<v Speaker 1>it all weaves into current events. Rachel is well known

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<v Speaker 1>for being a rigorous on air journalist, author, and podcaster.

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<v Speaker 1>She's curious, a deep thinker, profoundly insightful, and pretty damn funny,

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<v Speaker 1>all of which makes her a hell of a lot

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<v Speaker 1>of fun to talk to. I really enjoyed this conversation.

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<v Speaker 1>I learned a lot, and I think you will too.

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<v Speaker 1>So here it is my chat with Rachel Maddow. Hello,

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<v Speaker 1>Hi and Rachel Maddow. It's so cool to meet you.

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<v Speaker 1>This is awesome to meet you too.

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<v Speaker 2>It's great. This is very exciting.

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<v Speaker 1>Indeed, I agree, thanks so much for jumping into our

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<v Speaker 1>SNAFU universe. So what's happening? Where are you?

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<v Speaker 3>I'm in rural dirt road, western Massachusetts.

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<v Speaker 1>Dirton Road. I don't know that.

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<v Speaker 3>It's kind of the ambient vibe where I We're really

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<v Speaker 3>out in the middle of nowhere.

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<v Speaker 2>It's fantastic.

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<v Speaker 1>What are you hiding from, Rachel? What's going on?

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<v Speaker 2>Humans?

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<v Speaker 1>Yeah, okay, that's fair. Are you in a bunker?

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<v Speaker 2>What's weird? Actually? And this is true.

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<v Speaker 3>The cottage that I'm in right now, this little house

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<v Speaker 3>in which we built this studio, audio studios and stuff

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<v Speaker 3>so I can do my TV show from here, has

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<v Speaker 3>a legit nuclear bomb shelter in the basement.

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<v Speaker 1>Because you built it or because it was already there.

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<v Speaker 2>No, it was there.

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<v Speaker 3>It was built by whoever had this house in the fifties.

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<v Speaker 3>And it's got concrete like this and triple rebar and

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<v Speaker 3>when we came in to like flatten out the floor

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<v Speaker 3>and make everything normal, the contractor was like, we have

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<v Speaker 3>to leave the basement.

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<v Speaker 1>Can I tell you something. I'm not like a crazy

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<v Speaker 1>prepper kind of doomsday person, but like I would like

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<v Speaker 1>to have a bunker.

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<v Speaker 2>It just seems like a nice option.

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<v Speaker 1>Yeah, all right, well this is fun. I would love

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<v Speaker 1>to go deeper into apocalypse preparation, but we have some

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<v Speaker 1>really fun stuff to talk about. First of all, your

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<v Speaker 1>podcast Ultra was the number one podcast on Apple for

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<v Speaker 1>what like five.

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<v Speaker 3>Weeks, A bunch of weeks, A bunch of weeks it

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<v Speaker 3>was number one, and then it was less than number one,

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<v Speaker 3>and then it was back up to number one again.

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<v Speaker 2>So it was really a surprise and very exciting.

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<v Speaker 1>Yeah, and very well deserved. I listened to it twice.

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<v Speaker 1>I just had it was so fun. I listened to

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<v Speaker 1>it all the way through, and then I was like,

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<v Speaker 1>I gotta hear that again, but I don't have as

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<v Speaker 1>much time, so I listened to it at like one

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<v Speaker 1>point eight. And it's funny when you listen to something

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<v Speaker 1>sped up like that, everyone sounds unbelievably intelligent.

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<v Speaker 3>I had the opposite problem, which is that my doctor,

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<v Speaker 3>who is you know, my doctor like kind of my friend,

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<v Speaker 3>but my doctor texted me all concerned that there was

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<v Speaker 3>something wrong with me because he had listened to Ultra

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<v Speaker 3>and he was like, you really, I know you've had

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<v Speaker 3>issues with depression and stuff in the past, and you

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<v Speaker 3>really turns out he was listening to it on zero

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<v Speaker 3>point seventy five.

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<v Speaker 1>Oh my god, he thought I was really down. That's amazing.

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<v Speaker 3>He thought he had special medical insight into what was going.

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<v Speaker 1>On with Yeah, that's amazing. Great Ultra. It is an

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<v Speaker 1>extraordinary story. It is extremely well told. It's incredibly engaging

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<v Speaker 1>and really really fun and I would love to just

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<v Speaker 1>for our Snafoo listeners, if you haven't heard Ultra, can

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<v Speaker 1>you break it down? Just like, what's the basic story?

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<v Speaker 3>The basic story is in the lead up to World

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<v Speaker 3>War Two there was a really really big Nazi and

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<v Speaker 3>I mean that specifically.

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<v Speaker 2>I don't mean like Nazis.

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<v Speaker 3>I mean were the Nazis big Nazi effort to try

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<v Speaker 3>to exploit what the Germans called kernels of disturbance in

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<v Speaker 3>the United States, and so they were trying to propagandize

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<v Speaker 3>us really heavily. They supported a bunch of American native

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<v Speaker 3>fascist movements that were way scarier than we remember them

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<v Speaker 3>in history, and they paid a bunch of members of

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<v Speaker 3>Congress and senators to be on their side for this effort,

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<v Speaker 3>and it all sort of culminated in the Great Sedition

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<v Speaker 3>Trial of nineteen forty four, when nearly thirty of the

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<v Speaker 3>folks who were involved with the Nazis in these various

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<v Speaker 3>plots got put on trial and they got off.

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<v Speaker 2>There was a mistrial, and they were all let go.

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<v Speaker 1>It's so profound, this story, It is so intense, and

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<v Speaker 1>it's totally mind blowing. In your description just now, you

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<v Speaker 1>said that trial was the Great Sedition Trial of what

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<v Speaker 1>nineteen forty forty four? That implies that this was like

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<v Speaker 1>a landmark event that we all know and understand. What's

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<v Speaker 1>so incredible about this story? To me, among there's lots

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<v Speaker 1>of things incredible about it, but one of the most

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<v Speaker 1>incredible things is how forgotten it is. And it's something

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<v Speaker 1>that I think our podcasts share, which is the sort

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<v Speaker 1>of forgotten history stories that are that are insanely important.

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<v Speaker 1>And one of the historians in your podcast actually says

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<v Speaker 1>at one point, I'm a PhD in history, and most

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<v Speaker 1>of my colleagues who are PhDs in history have never

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<v Speaker 1>heard of this, and so then of course the general

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<v Speaker 1>public has no idea, and I wonder why is it forgotten?

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<v Speaker 3>Well, it's you know, I was thinking about the parallels

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<v Speaker 3>with that and with Able Archer, with what you cover

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<v Speaker 3>in Snaffu, and I think there there is something that's

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<v Speaker 3>like important for us to reflect on as people who

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<v Speaker 3>tell stories and who are interested in history, which is

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<v Speaker 3>that sometimes the reason something is forgotten is because of

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<v Speaker 3>who won and who lost. Right, Like the goods, history

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<v Speaker 3>is told by the winners, and sometimes what the winners

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<v Speaker 3>most want is for us to forget that the thing happened.

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<v Speaker 3>And that's definitely I feel like that's a little bit

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<v Speaker 3>of the story that you unfold in in Snaffu, Like

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<v Speaker 3>with the CIA doing its assessment of what happened with

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<v Speaker 3>Able Archer and whether it was a close call, They're like.

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<v Speaker 2>No, no, no, it was fine. It was no big deal.

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<v Speaker 3>And that's part of the history that you uncover and

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<v Speaker 3>that you tell in the story. But it's also important

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<v Speaker 3>that the CIA wants it to be minimized, not to

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<v Speaker 3>be remembered as a significant thing. And a sort of

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<v Speaker 3>different version of that happens in my story, where the

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<v Speaker 3>good news ending to the extent that there is one

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<v Speaker 3>is that all of the elected officials who were part

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<v Speaker 3>of this plot, who are the real bad guys here,

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<v Speaker 3>the public knew enough, they found out enough about what

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<v Speaker 3>those guys were up to that they voted them all

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<v Speaker 3>out of office, like all but one of them got

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<v Speaker 3>voted out of office. And so even though a lot

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<v Speaker 3>of them were household names, really influential members of the

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<v Speaker 3>House in the Senate at the time, once they got

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<v Speaker 3>turfed out by voters who were disgusted by their behavior,

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<v Speaker 3>they went from being big deals to being losers.

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<v Speaker 2>And the losers get forgotten.

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<v Speaker 3>And so part of the history that we have to

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<v Speaker 3>contend with is how much are the players here minimized

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<v Speaker 3>in history, either because it's convenient for somebody or because

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<v Speaker 3>the good guys won, And how much does that affect

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<v Speaker 3>whether this story is easy to find or easy to

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<v Speaker 3>be told. So I find that dynamic interesting because you

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<v Speaker 3>have to put yourself then in the story in terms

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<v Speaker 3>of how hard it is for you to find these things.

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<v Speaker 1>Well, it's a little bit of a scary reality when

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<v Speaker 1>you think the forgotten stories of history are very often

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<v Speaker 1>some of the most important, because the reason that they're

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<v Speaker 1>forgotten is that they were either painful or embarrassing or

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<v Speaker 1>extremely problematic, and yet those are the things that we

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<v Speaker 1>do have the potential to learn the most from.

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<v Speaker 3>And the other the other circumstance in which that happens

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<v Speaker 3>is because it was a really scary thing and some

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<v Speaker 3>Americans or some characters in the story rose up and

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<v Speaker 3>did the right thing and neutralized the danger, right, and

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<v Speaker 3>then the heroes. Yeah, but that's also those heroes. We

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<v Speaker 3>also need to learn that story, you know. So it's

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<v Speaker 3>it's it can't It can be like a deliberate shunt

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<v Speaker 3>this a way, let's not think about it, But it

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<v Speaker 3>can also be a like who close call, let's forget

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<v Speaker 3>about it?

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<v Speaker 1>Yeah, I know, Yeah, okay, So how the hell did

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<v Speaker 1>you find it? Like with SNAFU, we just we wanted

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<v Speaker 1>to do a podcast, and we wanted to do something

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<v Speaker 1>kind of history and irreverent, and we set about looking

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<v Speaker 1>for the thing. Did you know you wanted to do

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<v Speaker 1>a podcast and look for something exciting and meaningful or

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<v Speaker 1>did you just dig up this story or stumble on

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<v Speaker 1>it and then say this has to be told?

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<v Speaker 2>So I was.

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<v Speaker 3>I sort of feel like the all the best stories

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<v Speaker 3>that I've ever been involved in telling come out of ignorance,

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<v Speaker 3>like come out of legitimate curiosity, like I don't understand

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<v Speaker 3>where this came from, or this thing that everybody thinks

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<v Speaker 3>makes sense to them doesn't make sense to me. And

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<v Speaker 3>I was going through that sort of train of thought

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<v Speaker 3>just as part of my news you know, my day

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<v Speaker 3>job at MSNBC, thinking about Holocaust denial. So we're having

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<v Speaker 3>this big upsurge in anti semitism and kind of anti

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<v Speaker 3>semitism wedded to political power.

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<v Speaker 2>Which is a very dangerous thing.

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<v Speaker 3>And at the core of all of it is this

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<v Speaker 3>sort of burbling thing where people say the Holocaust didn't happen.

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<v Speaker 2>And I've always felt like it's not obvious to me

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<v Speaker 2>how that.

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<v Speaker 3>Can exist intellectually, sure, like it's one thing to be prejudiced,

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<v Speaker 3>it's another thing to say this obvious thing and history

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<v Speaker 3>of which we have all this proof.

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<v Speaker 2>I choose to contend that it didn't happen.

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<v Speaker 3>And so I was interested in where that came from,

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<v Speaker 3>and particularly where it came from in the first instance,

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<v Speaker 3>like how early on did people start denying it?

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<v Speaker 2>And what I.

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<v Speaker 3>Found, to my surprise, is that Holocaust denial really came

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<v Speaker 3>from the United States. It didn't come from Germany, and

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<v Speaker 3>it happened really early on. It happened in the forties,

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<v Speaker 3>which is nuts because there's all these American gis and

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<v Speaker 3>refugees from Europe, including refugees from Germany coming here, who

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<v Speaker 3>are eyewitnesses, who are survivors who had family members killed

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<v Speaker 3>or who were liberating the concentration camps. I mean, so

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<v Speaker 3>all this irrefutable evidence, and yet this thing emerges in

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<v Speaker 3>the late forties in the United States and then starts

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<v Speaker 3>pinging around the world. We're going to say that didn't happen.

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<v Speaker 3>So interested in where the hell did that come from

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<v Speaker 3>and why and who were the characters who dreamed this

0:13:07.160 --> 0:13:09.560
<v Speaker 3>out knowing that it was false, but concocting it for

0:13:09.600 --> 0:13:13.920
<v Speaker 3>a political reason, And in trying to figure that out,

0:13:13.960 --> 0:13:16.000
<v Speaker 3>which is a story I'm still going to tell, but

0:13:16.040 --> 0:13:19.319
<v Speaker 3>I haven't gotten there yet, I realized that actually those

0:13:19.360 --> 0:13:21.840
<v Speaker 3>folks came out of this milia during World War Two

0:13:21.880 --> 0:13:25.400
<v Speaker 3>in the United States that we've forgotten about, and they

0:13:25.440 --> 0:13:28.040
<v Speaker 3>all went on trial and oh my god, the judge

0:13:28.240 --> 0:13:29.920
<v Speaker 3>died in the middle of the trial and they were

0:13:29.960 --> 0:13:32.520
<v Speaker 3>all set free. And then what happened to them is

0:13:32.520 --> 0:13:36.080
<v Speaker 3>so it ended up being kind of the prequel to

0:13:36.200 --> 0:13:38.600
<v Speaker 3>the story that I wanted to tell, but I realized

0:13:38.640 --> 0:13:40.520
<v Speaker 3>there was enough there that I should probably tell it.

0:13:41.480 --> 0:13:44.520
<v Speaker 1>That's that is fascinating. I feel like that's kind of

0:13:44.559 --> 0:13:46.680
<v Speaker 1>how some of the best stories do come about.

0:13:47.000 --> 0:13:48.800
<v Speaker 2>Can I ask you a SNAFU question about that?

0:13:48.880 --> 0:13:49.800
<v Speaker 1>Please? Yeah?

0:13:49.880 --> 0:13:53.360
<v Speaker 3>I thought the thing that I most admired about the

0:13:53.400 --> 0:13:56.880
<v Speaker 3>storytelling in SNAFU was your sort of fearlessness about casting

0:13:56.920 --> 0:13:59.640
<v Speaker 3>doubt on the story. So obviously there's I mean, for

0:13:59.679 --> 0:14:01.920
<v Speaker 3>everybody listened to it, like, there's lots of twists and

0:14:02.000 --> 0:14:05.880
<v Speaker 3>lots of you know, backing up and reconsidering stuff that's

0:14:05.920 --> 0:14:09.400
<v Speaker 3>earlier been presented. And I wondered, when you constructed the

0:14:09.440 --> 0:14:12.320
<v Speaker 3>story and when you decided to do it, did you

0:14:12.559 --> 0:14:20.160
<v Speaker 3>know about the doubt and uncertainty and sort of woliness

0:14:20.320 --> 0:14:23.400
<v Speaker 3>of the bottom line of that story when you started,

0:14:23.520 --> 0:14:26.000
<v Speaker 3>or did you think it was a more certain story

0:14:26.040 --> 0:14:28.880
<v Speaker 3>when you started and you only got to that you know,

0:14:28.960 --> 0:14:32.080
<v Speaker 3>more mature, complex bottom line once you were into it

0:14:32.280 --> 0:14:33.240
<v Speaker 3>in the middle of the research.

0:14:34.040 --> 0:14:37.240
<v Speaker 1>Yeah, it was the latter. Like everything you read about

0:14:37.280 --> 0:14:41.280
<v Speaker 1>Able Archer in the sort of to the extent that

0:14:41.320 --> 0:14:44.000
<v Speaker 1>it's in the zeitgeist, just little blips and blurbs. It

0:14:44.040 --> 0:14:48.480
<v Speaker 1>sounds like a very cut and dry thing, but like anything,

0:14:48.560 --> 0:14:51.600
<v Speaker 1>the more you dig, the more nuanced it becomes. And

0:14:51.640 --> 0:14:57.080
<v Speaker 1>then it became for us as storytellers just feeling a

0:14:57.280 --> 0:15:02.960
<v Speaker 1>kind of response. It's ability to reflect that nuance and

0:15:03.000 --> 0:15:06.600
<v Speaker 1>the complexity. You know, even some even historians have some

0:15:06.640 --> 0:15:10.720
<v Speaker 1>different perspectives on it that are that are very meaningful.

0:15:10.840 --> 0:15:12.720
<v Speaker 1>I don't know. We really wanted to lean into the

0:15:12.720 --> 0:15:14.720
<v Speaker 1>integrity of it, and that made it a little bit

0:15:14.800 --> 0:15:19.760
<v Speaker 1>messier of a story. But ultimately the messiness kind of

0:15:19.800 --> 0:15:24.680
<v Speaker 1>gave rise to some really exciting questions and kind of pontifications,

0:15:24.720 --> 0:15:27.400
<v Speaker 1>and that's really where we wound up kind of putting

0:15:27.400 --> 0:15:29.360
<v Speaker 1>the focus in that last episode.

0:15:29.960 --> 0:15:32.760
<v Speaker 3>Well, it makes it more profound and more real. It

0:15:32.800 --> 0:15:35.440
<v Speaker 3>also makes it more of a contribution to the history

0:15:35.560 --> 0:15:38.040
<v Speaker 3>of it. Right to have all the interviews that you

0:15:38.120 --> 0:15:42.200
<v Speaker 3>do and to have an honest reflection of the real

0:15:43.040 --> 0:15:46.280
<v Speaker 3>you know, the legitimate contention with the various facts and

0:15:46.320 --> 0:15:49.480
<v Speaker 3>the various perspectives on it. It's a it's a it's

0:15:49.520 --> 0:15:52.080
<v Speaker 3>a real work of history with all all the jokes included.

0:15:52.360 --> 0:15:55.080
<v Speaker 3>But also it does get you to a more profound

0:15:55.080 --> 0:15:59.320
<v Speaker 3>place in terms of getting I think encouraging critical thinking

0:15:59.480 --> 0:16:01.680
<v Speaker 3>about seemingly cut.

0:16:01.520 --> 0:16:03.360
<v Speaker 2>And dry episodes.

0:16:03.400 --> 0:16:07.080
<v Speaker 3>I just thought that was really, like I said, mature

0:16:07.160 --> 0:16:08.440
<v Speaker 3>and complex and cool.

0:16:10.120 --> 0:16:10.400
<v Speaker 1>Go on.

0:16:13.000 --> 0:16:15.600
<v Speaker 2>Also, you guys, you're just so handsome.

0:16:15.280 --> 0:16:20.760
<v Speaker 1>And it was No, that's I'm literally like getting chills.

0:16:21.000 --> 0:16:23.360
<v Speaker 1>That means so much to hear from you. Yeah, Rachel,

0:16:23.400 --> 0:16:27.960
<v Speaker 1>I really really appreciate that, And yeah, we really put

0:16:28.000 --> 0:16:30.360
<v Speaker 1>a ton of work into it, and so that means

0:16:30.400 --> 0:16:30.680
<v Speaker 1>a lot.

0:16:34.320 --> 0:16:35.880
<v Speaker 3>I think you had it harder than I did, because,

0:16:35.880 --> 0:16:39.000
<v Speaker 3>in my case, the Great Sedition Trial of nineteen forty

0:16:39.000 --> 0:16:42.920
<v Speaker 3>four is forgotten. The only histories of it have been

0:16:42.920 --> 0:16:46.440
<v Speaker 3>written by people who sympathized with the fascist defendants, and

0:16:46.520 --> 0:16:49.000
<v Speaker 3>so all the histories of it have all been about

0:16:49.040 --> 0:16:51.800
<v Speaker 3>how they were railroaded and it was terrible that these

0:16:51.800 --> 0:16:54.680
<v Speaker 3>people were put on trial, and how ridiculous this contention

0:16:54.880 --> 0:16:57.680
<v Speaker 3>that the Nazis were working with any Americans? Do you

0:16:57.760 --> 0:17:01.080
<v Speaker 3>believe how prejudiced the Department of Justice is against good

0:17:01.160 --> 0:17:05.040
<v Speaker 3>American conservatives, And so all the history, all the history

0:17:05.040 --> 0:17:09.919
<v Speaker 3>of it was really biased and all in the same direction,

0:17:10.040 --> 0:17:13.000
<v Speaker 3>and nobody had ever revisited that history looking at it

0:17:13.000 --> 0:17:16.800
<v Speaker 3>from a more balanced perspective, And so I didn't have to.

0:17:17.440 --> 0:17:21.159
<v Speaker 3>I didn't have to contend with sort of you know,

0:17:21.320 --> 0:17:25.480
<v Speaker 3>great nuanced, honest broker perspectives on both sides. There was

0:17:25.520 --> 0:17:28.199
<v Speaker 3>just a bunch of clap trap written about it, and

0:17:28.240 --> 0:17:31.760
<v Speaker 3>nobody had ever done a broader, less I think, in

0:17:31.840 --> 0:17:34.360
<v Speaker 3>my from my perspective, less biased look at the evidence.

0:17:35.760 --> 0:17:38.919
<v Speaker 1>Wasn't I thought Roggy wrote a book? But were you

0:17:38.960 --> 0:17:41.320
<v Speaker 1>able to dig that up? Is that is that findable?

0:17:41.920 --> 0:17:42.320
<v Speaker 2>Ish?

0:17:42.520 --> 0:17:42.760
<v Speaker 1>Yeah?

0:17:42.840 --> 0:17:44.560
<v Speaker 3>I mean, if you want to get a copy of it,

0:17:44.640 --> 0:17:46.359
<v Speaker 3>I can maybe give you a deal. I think I

0:17:46.440 --> 0:17:48.800
<v Speaker 3>own all the copies of it there were. It never

0:17:48.840 --> 0:17:51.280
<v Speaker 3>had like a second printing, It never went anywhere.

0:17:51.520 --> 0:17:53.879
<v Speaker 1>He really tells us, sorry, tell us who Roggy is,

0:17:53.920 --> 0:17:55.600
<v Speaker 1>because I just brought him up out of the blue.

0:17:55.800 --> 0:17:59.920
<v Speaker 3>So Roggy is O John Roggy, who is a German American.

0:18:00.040 --> 0:18:02.520
<v Speaker 3>Interestingly enough, he grows up in the United States, son

0:18:02.520 --> 0:18:05.040
<v Speaker 3>of German immigrants, speaking German at home, and he's this

0:18:05.160 --> 0:18:11.600
<v Speaker 3>wonderkins lawyer and prosecutor and Justice Department official. And he

0:18:11.840 --> 0:18:15.160
<v Speaker 3>ends up being the crusading prosecutor who tries to bring

0:18:15.200 --> 0:18:18.360
<v Speaker 3>the sedition trial home, who tries to finish it, who

0:18:18.359 --> 0:18:23.000
<v Speaker 3>fights against the mistrial and the great twist in my

0:18:23.119 --> 0:18:27.840
<v Speaker 3>story in Ultra is when as the trials falling apart,

0:18:28.280 --> 0:18:33.200
<v Speaker 3>Ragi gets leave to go to Germany and he gets

0:18:33.240 --> 0:18:38.000
<v Speaker 3>to try to prove his contention that these weren't just

0:18:38.640 --> 0:18:42.280
<v Speaker 3>conservative Americans who had their own anti Semitic fascist ideas

0:18:42.359 --> 0:18:45.239
<v Speaker 3>that were actually working with the Nazi government. They're being

0:18:45.320 --> 0:18:47.679
<v Speaker 3>paid by the Germans in many instances. He gets to

0:18:47.720 --> 0:18:49.879
<v Speaker 3>prove that from the German side, and he interviews all

0:18:49.920 --> 0:18:54.159
<v Speaker 3>these Nazi prisoners and they in fact give him all

0:18:54.160 --> 0:18:56.159
<v Speaker 3>the dirt on all the Americans they were working with,

0:18:56.240 --> 0:18:58.520
<v Speaker 3>and so he's able to prove the collusion, if you will,

0:18:58.600 --> 0:19:02.360
<v Speaker 3>from the other side. And by the time he brings

0:19:02.440 --> 0:19:06.720
<v Speaker 3>those findings home to the United States, we have won

0:19:06.760 --> 0:19:07.080
<v Speaker 3>the war.

0:19:07.359 --> 0:19:08.439
<v Speaker 2>Everybody wants to move on.

0:19:09.520 --> 0:19:13.359
<v Speaker 3>Roggy has become a political figure in a way that

0:19:13.400 --> 0:19:17.080
<v Speaker 3>he is. He is very much demonized by one side

0:19:17.080 --> 0:19:20.199
<v Speaker 3>and then ultimately by the other side, and nobody really

0:19:20.640 --> 0:19:23.119
<v Speaker 3>wants to hear it. And so he does create this

0:19:23.320 --> 0:19:26.600
<v Speaker 3>really valuable historical record. But by the time it lands

0:19:26.600 --> 0:19:28.359
<v Speaker 3>he finally gets it published, he has to fight with

0:19:28.400 --> 0:19:30.760
<v Speaker 3>the Justice Tournament to get it declassified and all this stuff.

0:19:30.960 --> 0:19:34.879
<v Speaker 3>By the time it finally lands in the public record.

0:19:34.960 --> 0:19:37.879
<v Speaker 3>It's nineteen sixty one, and this is ancient history, and

0:19:37.920 --> 0:19:41.080
<v Speaker 3>nobody buys the book, and nobody reviews it, and nobody

0:19:41.160 --> 0:19:46.600
<v Speaker 3>stocks it in their archives, and it just disappears until

0:19:46.680 --> 0:19:49.720
<v Speaker 3>you know, all these decades later, that story ends up

0:19:49.760 --> 0:19:52.240
<v Speaker 3>being of interest to me because of its resonance with

0:19:52.440 --> 0:19:57.280
<v Speaker 3>our current situations. And thank god he did it, because

0:19:57.320 --> 0:19:59.600
<v Speaker 3>the record's there, even though nobody cared about it in

0:19:59.640 --> 0:20:01.320
<v Speaker 3>his life time and he died in obscurity.

0:20:02.280 --> 0:20:06.879
<v Speaker 1>It just raises so many fascinating questions and issues. Okay,

0:20:06.920 --> 0:20:11.440
<v Speaker 1>so anti semitism or racism in all its forms, these

0:20:11.440 --> 0:20:16.520
<v Speaker 1>are things that most people agree are bad, right, They're

0:20:16.560 --> 0:20:20.680
<v Speaker 1>just bad, bad, and gone. Yeah, yeah, you're right. Yeah.

0:20:20.880 --> 0:20:27.760
<v Speaker 1>They also seem embedded in most modern emergencies of fascism. Yeah.

0:20:27.840 --> 0:20:32.240
<v Speaker 1>I know, throughout history, totalitarianism pops up in many different

0:20:32.240 --> 0:20:37.920
<v Speaker 1>forms all over the political spectrum. But fascism, and I

0:20:38.520 --> 0:20:42.080
<v Speaker 1>ask this not as any kind of indictment of conservatism,

0:20:42.119 --> 0:20:46.000
<v Speaker 1>but fascism in particular, seems to bubble up from the right.

0:20:46.160 --> 0:20:47.199
<v Speaker 1>Why do you think that is?

0:20:48.160 --> 0:20:50.960
<v Speaker 3>Well, I mean I do think that there's you know,

0:20:50.960 --> 0:20:54.520
<v Speaker 3>there's different types of authoritarianism, right, and there's definitely you know,

0:20:54.760 --> 0:21:00.159
<v Speaker 3>left wing authoritarianism as well, of course, and the when

0:21:00.200 --> 0:21:03.760
<v Speaker 3>you're talking about you know, tyrannical forms of government. Right

0:21:03.800 --> 0:21:09.200
<v Speaker 3>wing authoritarianism, which in some instances is fascism. Not always,

0:21:09.200 --> 0:21:13.080
<v Speaker 3>but sometimes this is fascism ends up having a recurrent

0:21:13.400 --> 0:21:18.520
<v Speaker 3>appeal in our country and in other Western democracies. I

0:21:18.520 --> 0:21:22.040
<v Speaker 3>think because people don't like democracy. I mean, the basic

0:21:22.119 --> 0:21:26.040
<v Speaker 3>idea of democracy is that everybody gets a say. And

0:21:26.440 --> 0:21:30.240
<v Speaker 3>if you think that you and people like you should

0:21:30.240 --> 0:21:33.960
<v Speaker 3>get a say but other people shouldn't, that's an instinct

0:21:34.080 --> 0:21:37.240
<v Speaker 3>that people have. And there can be left wing authoritarianism,

0:21:37.240 --> 0:21:39.160
<v Speaker 3>which is a different drive and comes from a different

0:21:39.200 --> 0:21:43.040
<v Speaker 3>place and leads to murder, leads to mass murder and

0:21:43.160 --> 0:21:45.560
<v Speaker 3>terrible as much becomes as well, just as much Mayham.

0:21:45.760 --> 0:21:46.440
<v Speaker 2>But on the right.

0:21:46.480 --> 0:21:49.600
<v Speaker 3>The way it works is me and my people were

0:21:49.600 --> 0:21:52.920
<v Speaker 3>the only people who should count as citizens. The other

0:21:53.040 --> 0:21:55.320
<v Speaker 3>people who are technically you're telling me how to be

0:21:55.359 --> 0:21:58.359
<v Speaker 3>part of this democracy are lesser than or evil or

0:21:58.359 --> 0:22:01.560
<v Speaker 3>their interlopers, and we not only need to exclude them

0:22:01.600 --> 0:22:03.560
<v Speaker 3>from the decision making process, but we need to blame

0:22:03.600 --> 0:22:05.520
<v Speaker 3>them for all the things that are going wrong here,

0:22:05.600 --> 0:22:08.720
<v Speaker 3>and we need to exclude them from the decision making

0:22:08.720 --> 0:22:11.520
<v Speaker 3>process and punish them for all the terrible things they've done,

0:22:11.560 --> 0:22:13.800
<v Speaker 3>because if it was just us in charge, everything would

0:22:13.800 --> 0:22:17.200
<v Speaker 3>be fine. And that's the basic idea. And that's why

0:22:18.600 --> 0:22:22.320
<v Speaker 3>authoritarianism on the right almost always.

0:22:21.880 --> 0:22:23.600
<v Speaker 2>Comes with anti semitism.

0:22:24.240 --> 0:22:25.960
<v Speaker 3>It's either going to be anti semitism or it's going

0:22:26.040 --> 0:22:29.200
<v Speaker 3>to be some other thing that looks like anti semitism

0:22:29.240 --> 0:22:31.840
<v Speaker 3>that is directed towards some other minority group because you

0:22:31.920 --> 0:22:34.639
<v Speaker 3>need some out group to define as the source of

0:22:34.680 --> 0:22:37.920
<v Speaker 3>all the problems, because you, the in group, are perfect

0:22:37.960 --> 0:22:40.600
<v Speaker 3>and if you were just given full control, everything would

0:22:40.600 --> 0:22:45.160
<v Speaker 3>be fine. And it's just it's dumb and it's simple,

0:22:45.280 --> 0:22:46.240
<v Speaker 3>and it's recurrent.

0:22:46.960 --> 0:22:50.840
<v Speaker 1>And humans we're dumb. Yeah, humans are dumb.

0:22:50.920 --> 0:22:54.320
<v Speaker 2>We do dumb things, and we don't remember what the

0:22:54.359 --> 0:22:56.880
<v Speaker 2>old dumb things were, so the new dumb things come.

0:22:56.800 --> 0:22:59.440
<v Speaker 3>Around and we're like, whoa, yeah, you're telling me it's

0:22:59.480 --> 0:23:01.080
<v Speaker 3>the juice, you know.

0:23:01.720 --> 0:23:02.160
<v Speaker 2>Shocker.

0:23:02.680 --> 0:23:06.200
<v Speaker 1>There's that great Hegel quote. The only thing we've learned

0:23:06.200 --> 0:23:09.080
<v Speaker 1>from history is that we learn nothing from history. And

0:23:09.640 --> 0:23:11.760
<v Speaker 1>I wonder if you have any thoughts on how we

0:23:11.800 --> 0:23:15.480
<v Speaker 1>can do better. It feels like in with modern technology

0:23:15.920 --> 0:23:18.440
<v Speaker 1>we should be able to be better at learning from

0:23:18.560 --> 0:23:22.360
<v Speaker 1>from history, but maybe we're just not wired for it

0:23:22.400 --> 0:23:23.160
<v Speaker 1>in our DNA.

0:23:23.840 --> 0:23:28.439
<v Speaker 3>I think that you know, fart jokes helps, you know,

0:23:28.600 --> 0:23:30.960
<v Speaker 3>like when you know you did that whole riff on,

0:23:31.080 --> 0:23:33.639
<v Speaker 3>like the Valentines, Like I have so many treasons that

0:23:33.680 --> 0:23:37.639
<v Speaker 3>I love you, like Valentine's for Spies, and like the

0:23:38.000 --> 0:23:41.080
<v Speaker 3>well fake game show that you inserted into, like like

0:23:41.119 --> 0:23:47.719
<v Speaker 3>the it's storytelling skill and up being the entertainment quotient

0:23:48.040 --> 0:23:50.840
<v Speaker 3>in direct ratio with the complexity of the story that

0:23:50.880 --> 0:23:51.359
<v Speaker 3>you're telling.

0:23:51.880 --> 0:23:52.600
<v Speaker 2>That helps.

0:23:52.640 --> 0:23:55.440
<v Speaker 3>Like, I don't know that that's technological innovation, but it's

0:23:56.400 --> 0:23:59.320
<v Speaker 3>it's an evolution of our sort of ambition to make

0:23:59.359 --> 0:24:05.879
<v Speaker 3>these stories understandable, memorable, repeatable, you know, both on TV

0:24:06.000 --> 0:24:08.800
<v Speaker 3>and in this podcast and book world that I'm into,

0:24:09.480 --> 0:24:11.600
<v Speaker 3>I try to tell stories in such a way that

0:24:12.280 --> 0:24:15.760
<v Speaker 3>they stick. And so even if you can't persuade somebody

0:24:15.760 --> 0:24:18.920
<v Speaker 3>else to listen to Ultra, or you can't persuade somebody

0:24:18.920 --> 0:24:22.040
<v Speaker 3>else to read my book about Spiro Agnew, if you

0:24:22.200 --> 0:24:24.320
<v Speaker 3>listen to the podcast or if you read that book,

0:24:24.680 --> 0:24:26.639
<v Speaker 3>you will have absorbed the story well on us that

0:24:26.680 --> 0:24:28.440
<v Speaker 3>you can give somebody the gist of it and pass

0:24:28.440 --> 0:24:32.120
<v Speaker 3>it on, right, And that's what you're doing in SNAFU.

0:24:32.200 --> 0:24:36.600
<v Speaker 3>That's the whole idea of doing real history that's rigorous

0:24:37.320 --> 0:24:41.000
<v Speaker 3>and honest and intellectually engage with the ambiguities and all

0:24:41.040 --> 0:24:45.760
<v Speaker 3>those things. But it's also fun and is also not homework.

0:24:46.000 --> 0:24:48.920
<v Speaker 3>It's just it's something that's a pleasure. And I think

0:24:49.000 --> 0:24:51.679
<v Speaker 3>that's you know, if you've got those skills, that's a

0:24:51.840 --> 0:24:54.879
<v Speaker 3>that's a mitzvah. That's a service to humanity into our

0:24:54.880 --> 0:24:55.920
<v Speaker 3>country to use them that way.

0:24:56.920 --> 0:24:59.800
<v Speaker 1>Yeah, you got to give give people some some candy

0:24:59.840 --> 0:25:02.000
<v Speaker 1>with the vegetables, right, you.

0:25:02.040 --> 0:25:05.400
<v Speaker 2>Gotta do you gotta do your Nancy astrologer stuff. It's important.

0:25:05.480 --> 0:25:07.720
<v Speaker 2>It turns out to be important, it is.

0:25:07.880 --> 0:25:12.639
<v Speaker 1>It's crazy how important astrology was in the Reagan administration.

0:25:12.760 --> 0:25:15.240
<v Speaker 1>It's crazy. It's absolutely crazy.

0:25:15.560 --> 0:25:17.800
<v Speaker 3>Growing up in the eighties in San Francisco, I have

0:25:17.840 --> 0:25:21.119
<v Speaker 3>to tell you the fact that Nancy's astrologer was in

0:25:21.160 --> 0:25:23.680
<v Speaker 3>San Francisco, I remember being like.

0:25:24.000 --> 0:25:24.679
<v Speaker 2>Kind of proud.

0:25:26.000 --> 0:25:27.320
<v Speaker 1>Yeah, oh that's funny.

0:25:27.320 --> 0:25:30.879
<v Speaker 3>This idea, like the rasputant pulling the strings in the

0:25:30.920 --> 0:25:32.080
<v Speaker 3>Reagan White House might be.

0:25:32.119 --> 0:25:35.040
<v Speaker 2>This lady in Bob Hill was actually like a source

0:25:35.080 --> 0:25:36.639
<v Speaker 2>of regional pride for me.

0:25:37.440 --> 0:25:40.399
<v Speaker 1>Oh that's great. I think the thing that I feel

0:25:40.440 --> 0:25:44.000
<v Speaker 1>like is missing is and maybe this is a maybe, Rachel,

0:25:44.000 --> 0:25:46.040
<v Speaker 1>maybe this is a book pitch for us. Maybe we

0:25:46.119 --> 0:25:49.399
<v Speaker 1>do a book together, and it's basically like the lessons

0:25:49.480 --> 0:25:52.480
<v Speaker 1>of history. These are the lessons, and then here are

0:25:52.520 --> 0:25:55.200
<v Speaker 1>the events that teach us those lessons. So you can

0:25:55.240 --> 0:25:57.119
<v Speaker 1>no longer say like, well I don't know how to

0:25:57.160 --> 0:25:59.119
<v Speaker 1>interpret that, or I don't know what to learn from that,

0:25:59.320 --> 0:26:04.120
<v Speaker 1>Like we need a pendium of the lessons Leason seventeen.

0:26:04.320 --> 0:26:05.560
<v Speaker 2>Stop blaming the Jews.

0:26:06.400 --> 0:26:10.000
<v Speaker 1>Okay, here's what. That's what, right, here's what. This is

0:26:10.040 --> 0:26:11.119
<v Speaker 1>a book we need to write.

0:26:11.320 --> 0:26:15.360
<v Speaker 3>Have a have a phone that connects between Washington and Moscow?

0:26:15.680 --> 0:26:18.560
<v Speaker 1>How about that? Here's that phone? Yeah, and you and

0:26:18.640 --> 0:26:19.480
<v Speaker 1>use it occasionally.

0:26:20.280 --> 0:26:21.480
<v Speaker 2>But I think that.

0:26:23.840 --> 0:26:26.440
<v Speaker 3>It's interesting to me that there really is a lot

0:26:26.480 --> 0:26:30.600
<v Speaker 3>of interest in documentary and history stuff. Yeah, that's a

0:26:30.800 --> 0:26:34.159
<v Speaker 3>surprise to me, Like seeing like how popular documentaries are

0:26:34.200 --> 0:26:39.280
<v Speaker 3>on Netflix. When Netflix offers you in with literally equal effort,

0:26:39.400 --> 0:26:41.560
<v Speaker 3>like clicking on one side of the screen versus the other,

0:26:42.000 --> 0:26:44.960
<v Speaker 3>you can watch anything. So many people opt for documentaries.

0:26:45.080 --> 0:26:49.200
<v Speaker 3>There there's something there is an there's a rational and

0:26:51.440 --> 0:26:55.760
<v Speaker 3>constructive human hunger to learn stuff, and that's that to

0:26:55.840 --> 0:26:56.880
<v Speaker 3>me is very heartening.

0:26:56.960 --> 0:26:58.760
<v Speaker 2>You know, I feel like, Okay, that's room to run.

0:26:59.160 --> 0:27:01.560
<v Speaker 1>I agree, I agree with that, and I actually I

0:27:01.600 --> 0:27:04.760
<v Speaker 1>think the success of your podcast to me was very

0:27:04.800 --> 0:27:09.800
<v Speaker 1>reassuring just the you know, I think the lessons baked

0:27:09.840 --> 0:27:13.240
<v Speaker 1>into your podcast are so important and meaningful and prescient,

0:27:13.880 --> 0:27:17.359
<v Speaker 1>and I loved I was just so thrilled that so

0:27:17.480 --> 0:27:25.280
<v Speaker 1>many people were we're getting thank you both of these

0:27:25.320 --> 0:27:30.439
<v Speaker 1>stories able Archer or Snaffo, i should say, and ultra

0:27:31.920 --> 0:27:36.920
<v Speaker 1>our podcasts. And you have an incredible career as a broadcaster,

0:27:38.560 --> 0:27:42.960
<v Speaker 1>legendary broadcaster for many many years. How how is this

0:27:43.040 --> 0:27:46.959
<v Speaker 1>kind of segue back into audio gone, and how did

0:27:46.960 --> 0:27:49.320
<v Speaker 1>it affect how you consider telling this story.

0:27:49.840 --> 0:27:52.920
<v Speaker 3>It's a good question because definitely sort of falling in

0:27:53.000 --> 0:27:56.159
<v Speaker 3>love with the story and doing the research and realizing

0:27:56.480 --> 0:27:58.800
<v Speaker 3>like kind of where it was going and what the

0:27:58.800 --> 0:28:00.520
<v Speaker 3>bottom line of it was going to be and everything,

0:28:00.520 --> 0:28:02.840
<v Speaker 3>it was definitely an open question as to how to

0:28:02.920 --> 0:28:05.760
<v Speaker 3>produce it, like make I could I know that I

0:28:05.800 --> 0:28:07.440
<v Speaker 3>could write a book about it, because I'm almost done

0:28:07.440 --> 0:28:09.560
<v Speaker 3>with the book about it now, or I could try

0:28:09.560 --> 0:28:11.960
<v Speaker 3>to produce it for TV, or try to make it

0:28:11.960 --> 0:28:14.760
<v Speaker 3>into a movie or do some other thing, and ultimately

0:28:14.800 --> 0:28:19.399
<v Speaker 3>I decided to do it as a podcast because I'm

0:28:19.520 --> 0:28:21.840
<v Speaker 3>kind of just in love with audio. I think that

0:28:22.280 --> 0:28:26.679
<v Speaker 3>my background in radio was I don't know if that

0:28:27.040 --> 0:28:29.480
<v Speaker 3>if it stamped a love for audio on me, or

0:28:29.480 --> 0:28:31.880
<v Speaker 3>if I was just wired that way anyway. But when

0:28:31.880 --> 0:28:34.080
<v Speaker 3>I even when I when I do TV shows and

0:28:34.119 --> 0:28:36.919
<v Speaker 3>stuff like, I don't really think about what stuff looks like.

0:28:38.360 --> 0:28:40.880
<v Speaker 3>I think of the visual presentation of whatever's going on.

0:28:40.880 --> 0:28:43.640
<v Speaker 3>It's just kind of decoration for the words. And when

0:28:43.640 --> 0:28:48.000
<v Speaker 3>you do audio, there's this I don't know, level of

0:28:49.560 --> 0:28:52.720
<v Speaker 3>I don't want to say like, I don't want to

0:28:52.760 --> 0:28:54.520
<v Speaker 3>be too sappy about it, but there's a sort of

0:28:54.600 --> 0:28:57.200
<v Speaker 3>level of intensity, like you're kind of speaking into somebody's

0:28:57.240 --> 0:29:00.440
<v Speaker 3>ear rather than sitting in front of them talking, and

0:29:00.160 --> 0:29:03.560
<v Speaker 3>it's it's it's can be intense, and it's also unforgiving.

0:29:03.600 --> 0:29:06.280
<v Speaker 3>I think you have to be more precise in an

0:29:06.320 --> 0:29:09.160
<v Speaker 3>audio environment and than you do when you have the

0:29:09.200 --> 0:29:12.960
<v Speaker 3>help of visuals to distract people. So I find it

0:29:13.000 --> 0:29:15.800
<v Speaker 3>to be more challenging and more rewarding. It's also kind

0:29:15.840 --> 0:29:18.600
<v Speaker 3>of more more the way that I like to absorb information.

0:29:18.760 --> 0:29:20.880
<v Speaker 3>I don't like to watch stuff as much as I

0:29:20.920 --> 0:29:21.680
<v Speaker 3>like to listen to it.

0:29:22.480 --> 0:29:28.480
<v Speaker 1>That's interesting. I feel similarly, I found myself just devouring

0:29:28.600 --> 0:29:32.280
<v Speaker 1>podcasts and audio books in a way that I never

0:29:32.320 --> 0:29:35.640
<v Speaker 1>really consumed television. I mean I watched TV, of course,

0:29:35.680 --> 0:29:38.280
<v Speaker 1>but I never I was never like a you know,

0:29:38.680 --> 0:29:42.040
<v Speaker 1>addicted to shows or anything. And I but then podcasts

0:29:42.040 --> 0:29:44.920
<v Speaker 1>would just suck me in and I realized, like, this

0:29:45.400 --> 0:29:50.920
<v Speaker 1>is this incredibly powerful vehicle and the way that we

0:29:51.000 --> 0:29:57.040
<v Speaker 1>work with a microphone, it's incredibly intimate, and I love that.

0:29:57.160 --> 0:30:01.040
<v Speaker 2>I think it's like, God, I'm pregnant, Oh Jesus, A.

0:30:02.520 --> 0:30:07.240
<v Speaker 1>Very powerful. My voice is very powerful. No. But I

0:30:07.280 --> 0:30:10.520
<v Speaker 1>feel when I watch a documentary, especially something historical, a

0:30:10.600 --> 0:30:14.720
<v Speaker 1>lot of times you can feel the sweatiness of the

0:30:14.800 --> 0:30:18.479
<v Speaker 1>visuals there. They clearly had to dig for something to

0:30:18.560 --> 0:30:22.720
<v Speaker 1>put here, Like okay, we're panning over photographs here, we're

0:30:23.120 --> 0:30:27.360
<v Speaker 1>you know, we've got some weird visual metaphor happening, or

0:30:27.400 --> 0:30:31.600
<v Speaker 1>we're looking at uh like reenactment footage. Sometimes it just

0:30:31.640 --> 0:30:34.400
<v Speaker 1>feels like, okay, we get it, Like you had to

0:30:34.440 --> 0:30:37.040
<v Speaker 1>put something there and you didn't have something. But with

0:30:37.160 --> 0:30:40.760
<v Speaker 1>audio there. You don't, there's no cheating, you just it's all.

0:30:41.080 --> 0:30:42.080
<v Speaker 1>It's all there.

0:30:42.160 --> 0:30:45.120
<v Speaker 3>It's all speaking right into the person's ear, which is

0:30:45.200 --> 0:30:47.360
<v Speaker 3>inside their head, which is right next to their brain.

0:30:47.760 --> 0:30:48.600
<v Speaker 1>It's like a laser.

0:30:48.720 --> 0:30:51.600
<v Speaker 2>And I found that in an interesting way.

0:30:51.640 --> 0:30:54.800
<v Speaker 3>When we put out the first couple episodes of Ultra,

0:30:55.920 --> 0:30:57.560
<v Speaker 3>we didn't make up any of the sound.

0:30:57.600 --> 0:30:59.720
<v Speaker 2>All the sound that we used was was was real.

0:31:00.160 --> 0:31:03.240
<v Speaker 3>But a lot of people thought that we had faked

0:31:03.600 --> 0:31:06.680
<v Speaker 3>the news broadcasts, that we had found actors who were

0:31:06.680 --> 0:31:09.080
<v Speaker 3>going to speak in weird old trans Atlantic accents.

0:31:09.200 --> 0:31:12.600
<v Speaker 1>It is hard to believe that broadcasters spoke in this

0:31:12.680 --> 0:31:17.640
<v Speaker 1>heightened tone like that. Yeah, it's it's it's kind of wild.

0:31:17.680 --> 0:31:20.360
<v Speaker 3>But they told ourselves that old timey news was all

0:31:20.480 --> 0:31:23.240
<v Speaker 3>very objective and staid and there wasn't any opinion or

0:31:23.280 --> 0:31:25.440
<v Speaker 3>emotion in it. Yeah, bs, no, but they really did

0:31:25.560 --> 0:31:28.120
<v Speaker 3>talk like this, and then through all sorts of shade

0:31:28.200 --> 0:31:31.360
<v Speaker 3>and they were side and they were you know, and

0:31:31.440 --> 0:31:33.840
<v Speaker 3>lots of asides and lots of opinion, and that's what.

0:31:33.720 --> 0:31:34.360
<v Speaker 2>It sounded like.

0:31:34.840 --> 0:31:38.240
<v Speaker 1>Well, so don't tell us what's happening next with Ultra,

0:31:38.360 --> 0:31:41.160
<v Speaker 1>because there's a very exciting sort of next step.

0:31:41.640 --> 0:31:43.400
<v Speaker 2>Yeah, this is I kind of can't believe it.

0:31:43.440 --> 0:31:48.320
<v Speaker 3>But Steven Spielberg optioned Ultra to make a movie out

0:31:48.320 --> 0:31:50.880
<v Speaker 3>of it, and so he's this.

0:31:51.040 --> 0:31:55.440
<v Speaker 2>You know, he's an up and comer, is the one

0:31:55.480 --> 0:31:56.720
<v Speaker 2>that sort of one to watch.

0:31:57.680 --> 0:32:01.440
<v Speaker 1>First of all, huge congratulations and no brainer. This makes

0:32:01.480 --> 0:32:04.320
<v Speaker 1>perfect sense. The story is so riveting.

0:32:04.600 --> 0:32:06.880
<v Speaker 2>I hope that that is true.

0:32:06.920 --> 0:32:09.320
<v Speaker 3>I mean what I am learning is as I am

0:32:09.320 --> 0:32:12.120
<v Speaker 3>sort of tiptoeing into this side of the world where

0:32:12.120 --> 0:32:14.400
<v Speaker 3>I have never been before, is that a movie is

0:32:14.440 --> 0:32:15.120
<v Speaker 3>going to be made?

0:32:15.840 --> 0:32:21.000
<v Speaker 1>Is you know, like we're going to ruin it with visuals?

0:32:21.520 --> 0:32:23.720
<v Speaker 2>Well no, but like is a movie going to be made?

0:32:23.720 --> 0:32:27.680
<v Speaker 3>Like until someone is buying a ticket, receiving their change

0:32:27.720 --> 0:32:30.600
<v Speaker 3>and walking into a dark room where a projector is running,

0:32:30.800 --> 0:32:32.840
<v Speaker 3>I don't believe the movie exists, you know.

0:32:32.760 --> 0:32:34.840
<v Speaker 2>What I mean? Like, there's a lot that goes in.

0:32:34.800 --> 0:32:37.760
<v Speaker 3>Between optioning a movie and then it actually coming into

0:32:37.800 --> 0:32:38.080
<v Speaker 3>the world.

0:32:38.120 --> 0:32:41.040
<v Speaker 2>And so I believe that it's going to be a movie.

0:32:41.040 --> 0:32:43.560
<v Speaker 2>But we'll see. I know, I'm you know, I did this.

0:32:43.680 --> 0:32:46.560
<v Speaker 3>My previous podcast was called Bagman, was about Spiro Agnew

0:32:46.880 --> 0:32:49.600
<v Speaker 3>and that's also in the movie making process. That's going

0:32:49.680 --> 0:32:52.520
<v Speaker 3>to be a focus features film, but it just takes

0:32:52.520 --> 0:32:54.880
<v Speaker 3>a long time, and there's all sorts of things that happen.

0:32:55.000 --> 0:32:57.240
<v Speaker 3>And I mean, I'm I'm used to a daily production

0:32:57.480 --> 0:32:59.600
<v Speaker 3>cable news world where you think of something in the

0:32:59.600 --> 0:33:01.600
<v Speaker 3>morning and it's on TV at at night, and then

0:33:01.640 --> 0:33:03.040
<v Speaker 3>you have to stop thinking about it because you've got

0:33:03.080 --> 0:33:04.120
<v Speaker 3>to do something else the next day.

0:33:04.480 --> 0:33:07.640
<v Speaker 1>And that the times that ain't how we make movies, Rachel,

0:33:07.960 --> 0:33:12.320
<v Speaker 1>I know, I'm learning there's a whole rigamarole, and you're

0:33:12.480 --> 0:33:16.480
<v Speaker 1>very wise to uh to kind of hold off on

0:33:16.480 --> 0:33:19.800
<v Speaker 1>on the excitement of having a movie until you're walking

0:33:19.800 --> 0:33:23.040
<v Speaker 1>in the door. But but just having a movie optioned

0:33:23.080 --> 0:33:27.880
<v Speaker 1>by someone like Spielberg is so thrilling. Or focus features

0:33:27.880 --> 0:33:30.640
<v Speaker 1>for the the agnews story, those are those are just

0:33:30.640 --> 0:33:34.760
<v Speaker 1>such credible storytellers and and you can sort of feel

0:33:34.800 --> 0:33:38.200
<v Speaker 1>confident that they'll be these stories will be handled very well.

0:33:38.760 --> 0:33:40.560
<v Speaker 1>I feel like this would be such a cool movie.

0:33:40.760 --> 0:33:43.360
<v Speaker 3>Both of them feel like movies to me too, Like

0:33:43.400 --> 0:33:45.120
<v Speaker 3>I let you know, I watch as much you know,

0:33:45.160 --> 0:33:48.280
<v Speaker 3>streaming television and miniseries and all that stuff as anybody else.

0:33:48.280 --> 0:33:50.360
<v Speaker 3>But I do feel like both of these stories like

0:33:50.880 --> 0:33:53.080
<v Speaker 3>seem like, you know, sit down for two hours and

0:33:53.120 --> 0:33:55.400
<v Speaker 3>watch a single arc in the movie theater like its

0:33:55.440 --> 0:33:57.320
<v Speaker 3>just and I would.

0:33:57.440 --> 0:33:59.600
<v Speaker 2>I'd just love for it to work in both cases.

0:33:59.680 --> 0:34:02.960
<v Speaker 1>So I also think I should play Oh John Robb Okay, yeah,

0:34:03.000 --> 0:34:05.120
<v Speaker 1>I think I should be Roggy in this movie, right,

0:34:05.160 --> 0:34:07.400
<v Speaker 1>I mean that just feels obvious.

0:34:07.600 --> 0:34:08.840
<v Speaker 2>Obvious for sure.

0:34:09.840 --> 0:34:17.359
<v Speaker 1>Okay, So both of our podcasts have a lot of

0:34:17.680 --> 0:34:25.279
<v Speaker 1>present day relevance and impressions, and yours I think is

0:34:27.120 --> 0:34:32.359
<v Speaker 1>really really intensely relevant to right now. So in at

0:34:32.360 --> 0:34:36.640
<v Speaker 1>what stage in your process did the events of January

0:34:36.719 --> 0:34:41.880
<v Speaker 1>sixth happen? Was that? Were you already working on this podcast?

0:34:43.760 --> 0:34:48.240
<v Speaker 3>No, I wasn't working on the sedition trial by that point.

0:34:48.400 --> 0:34:49.839
<v Speaker 2>What was weird is that the.

0:34:49.760 --> 0:34:51.719
<v Speaker 3>Resonance stuff, Like I felt like I got a little

0:34:51.800 --> 0:34:55.200
<v Speaker 3>kick in the teeth from the universe because when the

0:34:55.239 --> 0:35:00.560
<v Speaker 3>first episode of Ultra was posted, when we published the

0:35:00.680 --> 0:35:04.759
<v Speaker 3>day that the Oathkeepers Sedition trial started, So that was

0:35:05.440 --> 0:35:06.160
<v Speaker 3>that was weird.

0:35:06.640 --> 0:35:07.080
<v Speaker 1>Wow.

0:35:07.320 --> 0:35:09.200
<v Speaker 3>And then it was eight episodes and by the time

0:35:09.239 --> 0:35:11.080
<v Speaker 3>we got to episode eight was when we were waiting

0:35:11.080 --> 0:35:14.440
<v Speaker 3>for the verdict. So it was really just that was uncanny.

0:35:14.719 --> 0:35:16.200
<v Speaker 3>I just felt like that was a that was a

0:35:16.200 --> 0:35:19.640
<v Speaker 3>little that was unsettling almost, But you know it also,

0:35:20.200 --> 0:35:23.080
<v Speaker 3>I feel like you do in trying to pick the

0:35:23.160 --> 0:35:27.200
<v Speaker 3>right story to tell, you have to believe in the

0:35:27.239 --> 0:35:30.520
<v Speaker 3>story on its own terms, sort of regardless of the resonance. Like, yes,

0:35:30.520 --> 0:35:32.960
<v Speaker 3>there is going to be resonance, and there are lessons

0:35:32.960 --> 0:35:35.400
<v Speaker 3>to be learned and things to be gleaned from the

0:35:35.400 --> 0:35:37.600
<v Speaker 3>past that could help us in our current contention.

0:35:38.880 --> 0:35:41.040
<v Speaker 2>But I don't feel like you can.

0:35:41.640 --> 0:35:44.120
<v Speaker 3>You can't let that drive, you know, that has to

0:35:44.600 --> 0:35:45.840
<v Speaker 3>a little bit of that is just going to be

0:35:45.840 --> 0:35:47.840
<v Speaker 3>stuff that you can't see along the way, I was

0:35:47.880 --> 0:35:53.440
<v Speaker 3>thinking about it with able archer and snafu with the

0:35:53.480 --> 0:35:56.320
<v Speaker 3>before the Korean airliner was shot down, you highlight how

0:35:56.760 --> 0:36:01.080
<v Speaker 3>the Russians were essentially paying, We're giving bounties to their

0:36:01.120 --> 0:36:05.400
<v Speaker 3>own side for people who were spotting radar incursions on

0:36:05.440 --> 0:36:09.720
<v Speaker 3>the radar, and so you were essentially saying, like, that's

0:36:09.800 --> 0:36:12.480
<v Speaker 3>bad news in terms of what eventually happens with the

0:36:12.520 --> 0:36:15.960
<v Speaker 3>civilian airliner being shot down after being misidentified as a

0:36:16.280 --> 0:36:20.560
<v Speaker 3>military threat in Russian airspace. Well, you know, just within

0:36:20.600 --> 0:36:24.440
<v Speaker 3>the past week, Russia just gave medals to the fighter

0:36:24.440 --> 0:36:26.840
<v Speaker 3>pilots who dumped all that fuel on the US Reaper

0:36:26.920 --> 0:36:28.399
<v Speaker 3>drone over the Black Sea.

0:36:29.200 --> 0:36:30.440
<v Speaker 2>I mean, it's the same.

0:36:30.640 --> 0:36:32.520
<v Speaker 3>I mean, I'm sure you weren't thinking about that when

0:36:32.520 --> 0:36:35.880
<v Speaker 3>you didnable Archer and Snuff. But Russia is doing the

0:36:35.920 --> 0:36:43.320
<v Speaker 3>same thing in monetarily and with military awards, rewarding people

0:36:43.320 --> 0:36:47.400
<v Speaker 3>for doing incredibly reckless things that threaten conflict between the

0:36:47.400 --> 0:36:48.000
<v Speaker 3>East and West.

0:36:48.120 --> 0:36:51.160
<v Speaker 1>Sure. Well, one of the things that I think was

0:36:51.520 --> 0:36:55.840
<v Speaker 1>really profound in Ultra was what this idea that emerged

0:36:55.960 --> 0:37:00.560
<v Speaker 1>that there was no legal remedy for all of this

0:37:01.239 --> 0:37:06.000
<v Speaker 1>horrible behavior. The legal remedies failed, there was a mistrial,

0:37:06.360 --> 0:37:10.600
<v Speaker 1>and then the government basically just gave up on prosecuting

0:37:10.640 --> 0:37:16.279
<v Speaker 1>these misdeeds and because they didn't want the headache. And

0:37:16.320 --> 0:37:18.799
<v Speaker 1>so Roggy sort of makes the case in that Meet

0:37:18.800 --> 0:37:23.840
<v Speaker 1>the Press interview that the remedy then must be just

0:37:24.800 --> 0:37:29.480
<v Speaker 1>transparency and information, getting it out there, educating the public.

0:37:29.760 --> 0:37:33.280
<v Speaker 1>That's all you can do. When this bad behavior can't

0:37:33.320 --> 0:37:38.799
<v Speaker 1>be actually meaningfully reprimanded in some way, all you can

0:37:38.840 --> 0:37:42.800
<v Speaker 1>do is expose it. And I think that's very powerful.

0:37:42.840 --> 0:37:47.239
<v Speaker 1>It's also a little bit terrifying and disheartening, And I

0:37:47.280 --> 0:37:52.400
<v Speaker 1>wonder if you feel like the January sixth trials have

0:37:52.760 --> 0:37:57.680
<v Speaker 1>they've obviously gone a lot smoother than the Great Sedition trial.

0:37:58.120 --> 0:38:02.200
<v Speaker 1>But but is that evidence of progress? Do you think

0:38:02.200 --> 0:38:02.920
<v Speaker 1>we're doing better?

0:38:03.680 --> 0:38:06.600
<v Speaker 3>It's it's interesting because it really does. I think it

0:38:06.640 --> 0:38:08.680
<v Speaker 3>cuts both ways. I think there is a case to

0:38:08.760 --> 0:38:13.160
<v Speaker 3>be made by looking back at the fascist movements in

0:38:13.160 --> 0:38:18.560
<v Speaker 3>this country that were supported by Nazi Germany, including an

0:38:18.600 --> 0:38:22.280
<v Speaker 3>element of that that operated inside the Congress. There's ways

0:38:22.320 --> 0:38:24.040
<v Speaker 3>to look back at that, all that story that I

0:38:24.040 --> 0:38:26.279
<v Speaker 3>tell in Ultra and say, you know, some of these

0:38:26.280 --> 0:38:29.960
<v Speaker 3>things were legit crimes and people should have gone to jail,

0:38:30.200 --> 0:38:33.479
<v Speaker 3>and that like crimes were committed here and crimes should

0:38:33.480 --> 0:38:36.680
<v Speaker 3>have been prosecuted as such, including by some members of Congress,

0:38:36.680 --> 0:38:40.760
<v Speaker 3>where that escaped punishment, I think largely because they bullied

0:38:40.760 --> 0:38:44.440
<v Speaker 3>the Justice Department into not into into not coming after them.

0:38:44.480 --> 0:38:46.560
<v Speaker 3>And we're seeing a little bit of that happening. We're

0:38:46.680 --> 0:38:48.880
<v Speaker 3>seeing some resonance with some of the stuff that's happening

0:38:48.920 --> 0:38:52.560
<v Speaker 3>right now in our new cycle. But the other the

0:38:52.600 --> 0:38:56.280
<v Speaker 3>sort of good news side of what Roggy was preaching

0:38:56.760 --> 0:38:59.680
<v Speaker 3>on Meet the Press that day is that you know,

0:38:59.719 --> 0:39:03.160
<v Speaker 3>the people need to know this information. The legal remedy

0:39:03.200 --> 0:39:06.960
<v Speaker 3>isn't there The legal remedy is the legal solution has failed.

0:39:06.960 --> 0:39:10.560
<v Speaker 3>The legal remedy cannot be used as are the sum

0:39:10.640 --> 0:39:12.920
<v Speaker 3>total of our response here. What has to happen is

0:39:12.960 --> 0:39:16.440
<v Speaker 3>that the people need to know. And obviously people knowing

0:39:16.600 --> 0:39:19.200
<v Speaker 3>isn't an end in itself. That doesn't fix it. What

0:39:19.239 --> 0:39:21.680
<v Speaker 3>he means, what goes unsaid, is that when the people know,

0:39:21.800 --> 0:39:26.920
<v Speaker 3>they will act if and you can trust Americans to

0:39:26.960 --> 0:39:30.319
<v Speaker 3>defend our democracy and to stand up against tyranny and

0:39:30.400 --> 0:39:34.239
<v Speaker 3>to reject authoritarianism and anti semitism and all the other

0:39:34.280 --> 0:39:35.920
<v Speaker 3>things that go with it, but they need to know

0:39:36.000 --> 0:39:39.840
<v Speaker 3>that it's happening. And so that one with alls on

0:39:39.880 --> 0:39:41.880
<v Speaker 3>all of us. Yeah, I mean, it calls on journalists,

0:39:41.880 --> 0:39:44.719
<v Speaker 3>it calls on activists, It calls on everybody who can

0:39:44.719 --> 0:39:48.120
<v Speaker 3>contribute to the public record, including you know, dorks making

0:39:48.160 --> 0:39:52.279
<v Speaker 3>podcasts down the road. But hopefully it means that a

0:39:52.320 --> 0:39:55.360
<v Speaker 3>well informed public will make righteous decisions.

0:39:55.400 --> 0:39:56.560
<v Speaker 2>And I want to believe that.

0:39:56.960 --> 0:40:00.000
<v Speaker 1>I do too, And I think that's a good note

0:40:00.120 --> 0:40:05.160
<v Speaker 1>to end on. Rachel, thank you so so very much

0:40:05.200 --> 0:40:08.600
<v Speaker 1>for jumping in the booth here and having this chat

0:40:08.640 --> 0:40:12.319
<v Speaker 1>with us. It's just really really fun and I wish

0:40:12.360 --> 0:40:14.600
<v Speaker 1>you the best of luck. With the movie adaptation.

0:40:15.280 --> 0:40:17.560
<v Speaker 2>Thanks Ed, Thanks this has been super fun. I appreciate it.

0:40:21.880 --> 0:40:24.920
<v Speaker 1>SNAFU is a production of iHeartRadio, Film, Nation Entertainment, and

0:40:24.960 --> 0:40:29.120
<v Speaker 1>Pacific Electric Picture Company in association with Gilded Audio. It's

0:40:29.160 --> 0:40:33.360
<v Speaker 1>executive produced by me Ed Helms, Milan Pipelka, Mike Falbo,

0:40:33.480 --> 0:40:36.839
<v Speaker 1>Andy Chug, and Whitney Donaldson. Our lead producers are Sarah

0:40:36.920 --> 0:40:40.840
<v Speaker 1>Joyner and Alyssa Martino. Our producer is Carl Nellis, Associate

0:40:40.840 --> 0:40:44.600
<v Speaker 1>producer Tory Smith. Our senior editor is Jeffrey Lewis. Olivia

0:40:44.680 --> 0:40:48.520
<v Speaker 1>Canny is our production assistant. Our creative executive is Brett Harris.

0:40:48.920 --> 0:40:52.400
<v Speaker 1>Engineering and technical direction by Nick Dooley. Special thanks to

0:40:52.480 --> 0:40:54.279
<v Speaker 1>Alison Cohen and Matt Aisenstadt.