WEBVTT - CODA: Slouchy & Cthulhu

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio. Hi, I'm Sienna

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<v Speaker 1>Jacob and I'm Leanna Holsten, and welcome to Toss Popcorn,

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<v Speaker 1>the podcast where two idiots watched every film on the

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<v Speaker 1>AFI's one hundred Greatest American Movies of All Time, the

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<v Speaker 1>very slightly less racist tenth Anniversary edition, and are now

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<v Speaker 1>watching films that we choose that are now directed by women.

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<v Speaker 2>This podcast is a safe fishing barge for people who

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<v Speaker 2>don't know anything about movies. Today we are watching Coda.

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<v Speaker 1>We're gonna Sell our own.

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<v Speaker 2>Flesh, a film with lots of Oscar buzz around it.

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<v Speaker 2>A couple of years ago, it was the thing warning

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<v Speaker 2>there will be spoilers about this sweet film. All al right, okay, okay,

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<v Speaker 2>oh Sienna, let's just blast through these predictions because I

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<v Speaker 2>gotta get to hay girl.

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<v Speaker 1>Okay, okay, okay, okay.

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<v Speaker 2>God, just here. Had you seen this before? No? I hadn't.

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<v Speaker 2>Okay me neither, ok okay yours. First, we are so problematic.

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<v Speaker 2>We don't see any of the groundbreaking films I know

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<v Speaker 2>when they actually come out. We try to do mine first.

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<v Speaker 1>Then we'll try and we'll see and then we're screwed.

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<v Speaker 2>Oh yeah, fuck up? Okay, okay, great, Ready we are

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<v Speaker 2>the problem. Yes, Hi, Sienna's Leanna. I'm about to watch Coda.

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<v Speaker 2>I've heard great things. I you know, I'm just not

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<v Speaker 2>really in the mood to watch movie right now.

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<v Speaker 1>But when am I ever?

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<v Speaker 2>What else is new? I predict? I you know, apparently

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<v Speaker 2>it's beautiful, So okay, it'll be that. Love you bye woo.

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<v Speaker 1>Okay, Leanna my prediction.

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<v Speaker 2>Yes, Hi, Leanna, this is Sienna.

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<v Speaker 1>I'm about to watch duh. My mom really likes this

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<v Speaker 1>movie and I've been waiting to watch it for forever,

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<v Speaker 1>but I've never seen it. I know it's about the

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<v Speaker 1>child of a deaf parent of a child of deaf adult?

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<v Speaker 2>Is that actually what code means? Something like that?

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<v Speaker 1>But I predict it will make me cry or at

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<v Speaker 1>least cheer up. I guess I never say that.

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<v Speaker 2>Oh yep, okay, he love be goodbye?

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<v Speaker 1>Oh I think that's what that means.

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<v Speaker 2>I knew it was a music symbol, and I was like,

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<v Speaker 2>why is this the title of the fils A music

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<v Speaker 2>an idiot? Oh? We are idiots? Okay, between the two

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<v Speaker 2>of us, we oh okay, I almost understood not.

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<v Speaker 1>To be rude, but that makes so much sense. Somebody

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<v Speaker 1>found out about both those terms, and they're like, I

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<v Speaker 1>gottam this movie. And also they're gonna be fishermen maybe

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<v Speaker 1>because of well I've already seen your first note.

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<v Speaker 2>But anyway, my perfect first note. Thank you, Leonna hay Girl.

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<v Speaker 2>Hey girl, Well I guess i'll start.

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<v Speaker 1>You got chastised at the post office.

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<v Speaker 2>Oh my gosh, I got chastised twice at the post

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<v Speaker 2>office this I had to ship things internationally twice this week.

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<v Speaker 2>One my brother's Christmas present to him because it finally

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<v Speaker 2>arrived that those keeping tabs on the journey from Latvia

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<v Speaker 2>to now California, although they shipped it through Los Angeles,

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<v Speaker 2>so it's currently in Los Angeles.

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<v Speaker 1>The Latvia gift.

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<v Speaker 2>Yeah, it might not get to him because it's in

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<v Speaker 2>Los Angeles. And I went and I brought my little

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<v Speaker 2>envelope and the items, and I went to the counter

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<v Speaker 2>and I said, Hi, I need to ship this to

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<v Speaker 2>California please, because I don't understand how the mail works,

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<v Speaker 2>so I didn't know what I was supposed to put

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<v Speaker 2>into what where. No, they were like, oh my god,

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<v Speaker 2>you need to get away from the counter and write

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<v Speaker 2>the address on this envelope and put everything in there

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<v Speaker 2>and come back once all of that is done.

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<v Speaker 1>Okay, that's why I'm asking.

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<v Speaker 2>Well, all right, I also feel like maybe I could

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<v Speaker 2>just write it down here and a way to really

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<v Speaker 2>send me away, just so that you can sell some

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<v Speaker 2>stamps to the next person. And it's not gonna take

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<v Speaker 2>me that long, okay. And then today I had to

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<v Speaker 2>ship some items for work and they had batteries in them,

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<v Speaker 2>and I almost nearly got arrested. I mean, the reaction

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<v Speaker 2>was such. I tried to use the self Kiosk, the

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<v Speaker 2>self checkout area and was quickly chastised because apparently that's

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<v Speaker 2>only for items being shipped within the UK. And I

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<v Speaker 2>was like, and where was the sign for that? Please?

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<v Speaker 2>And then I tried to put all of them in

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<v Speaker 2>one envelope and they said, oh my god, you can't

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<v Speaker 2>do that because they might all rub together and explode

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<v Speaker 2>in the post together. Well, now, why.

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<v Speaker 1>Are we the other had explode?

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<v Speaker 2>They would repine. Sorry about that phrase there, I'm hearing

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<v Speaker 2>it back now.

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<v Speaker 1>Well they might there horny batteries, That's what they said

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<v Speaker 1>to me.

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<v Speaker 2>And I said okay, And then I'd written the return

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<v Speaker 2>address on the envelope, and they were like, you can't

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<v Speaker 2>write two addresses on one envelope because the scanner scans

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<v Speaker 2>the first address it sees. And I at that point

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<v Speaker 2>literally said out loud, well this is going terribly. That's

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<v Speaker 2>what they want. And he said, yeah, it's not going great,

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<v Speaker 2>and I said, well what am I?

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<v Speaker 1>Okay? They have the mail? How could they ever have

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<v Speaker 1>British comedy of things? There went, well, I feel like

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<v Speaker 1>people need to be like, oh bother, oh bother, and

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<v Speaker 1>I was very O bother. I was oh bother.

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<v Speaker 2>But everything got mailed and I think it's all good. Well,

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<v Speaker 2>the King's face is on a lot of pieces of

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<v Speaker 2>mail now that I've sent this week, gosh, because I

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<v Speaker 2>had to send today's stuff in multiple envelopes to avoid

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<v Speaker 2>the battery is rubbing together and exploding.

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<v Speaker 1>Enough with the King, Enough with the King.

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<v Speaker 2>America seventeen seventy six. Enough with the King. We're over him.

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<v Speaker 2>And that's been a big thing in my week. Dying Siena,

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<v Speaker 2>Hey girl, you are not in Los Angeles County currently.

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<v Speaker 1>I left Los Angeles because of the fires, the many fires,

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<v Speaker 1>and I'm here in Orange County at my partner's parents place.

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<v Speaker 1>Thank you so much for housing us. All of a sudden,

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<v Speaker 1>my house is safe. It is not burned up. There's

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<v Speaker 1>lots of highway around. So as long as nothing goes

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<v Speaker 1>God's danly wrong, it should be fine. But the problem

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<v Speaker 1>with today's day and age and climate change is that

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<v Speaker 1>things are happening differently than they ever have before. So

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<v Speaker 1>you just can't count on anything. But yeah, flames. My

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<v Speaker 1>house going up in flames, not a bit. The biggest

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<v Speaker 1>thing that we're worried about, all good, Okay, okay, I

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<v Speaker 1>think that's been really bad is air quality. That's why

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<v Speaker 1>everybody had to because there's literally so much smoke. There

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<v Speaker 1>was so much ash in the air. And it's not

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<v Speaker 1>just forest fires. They keep talking about the forest fires,

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<v Speaker 1>which is true, but it's not just forest fire smoke.

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<v Speaker 1>It's property fires. So there's so much toxic stuff in

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<v Speaker 1>the air. Oh wow, Yeah, I'm on the east side

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<v Speaker 1>by the eaten fire. So here's what happened the other night. Also,

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<v Speaker 1>if you're wondering, oh the stuff is happening in Los Angeles,

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<v Speaker 1>I wonder if it's affecting the people. I know it

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<v Speaker 1>almost certainly is, because it's happening on either side of

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<v Speaker 1>Los Angeles. Almost everybody I know has evacuated for the

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<v Speaker 1>last few days because the air quality is like horrible,

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<v Speaker 1>horrible unless you can stay inside and you have a

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<v Speaker 1>really good air, pure fire. If you have somewhere else

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<v Speaker 1>to go, it's just safer to be gone. So Tuesday night,

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<v Speaker 1>some actually Tuesday in the morning, my partner Kelsey, texted

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<v Speaker 1>me a picture of this fire because he works really

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<v Speaker 1>far on the west side, so he could see the

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<v Speaker 1>Palisades from where he was, and he sent me this

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<v Speaker 1>picture and I actually hearted it because I thought he

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<v Speaker 1>was sending me a picture of the view, but in

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<v Speaker 1>fact there was smoke that I didn't notice in the picture.

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<v Speaker 1>And he said, you love the fire and I said, oh,

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<v Speaker 1>I was wrong. Oh, And that was the first glimpse

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<v Speaker 1>we saw of the fire. Is He's like, at this

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<v Speaker 1>he was actually another museum for some work thing, and

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<v Speaker 1>he was they could see it had a perfect view

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<v Speaker 1>of just smoke coming up from the palisades, and he's like,

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<v Speaker 1>it looks like there's a really bad fire there. So

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<v Speaker 1>it keeps going on throughout the day and we get

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<v Speaker 1>news updates that the Palisades are burning. We're like, that's

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<v Speaker 1>really bad, and then it gets really, really really windy.

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<v Speaker 1>The Santa Ana winds are hitting or some kind of winds.

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<v Speaker 1>Tuesday night, it's so so so windy. It was so

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<v Speaker 1>windy I was afraid and it was going to fall

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<v Speaker 1>in my car. So I went outside to go move

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<v Speaker 1>my car. So much stuff got in my eyes and

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<v Speaker 1>the wind was so glowing so hard that I saw

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<v Speaker 1>that I wasn't under a tree, and I just gave up.

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<v Speaker 1>So I turned around. Kelsey is really near to that

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<v Speaker 1>fire on the west or he looks near to me

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<v Speaker 1>like the only thing between him and the fires is

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<v Speaker 1>a bunch of trees, and he lives on one, in

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<v Speaker 1>like a secluded area where there's just one street. So

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<v Speaker 1>I text him and I'm like, please, please please come over,

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<v Speaker 1>Please come over before a tree falls and you can't

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<v Speaker 1>get out and something horrible happens. Please go now because

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<v Speaker 1>it's so windy. And he took his damn sweet time

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<v Speaker 1>stuff to get over, and I was so stressed. And

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<v Speaker 1>he finally he drives over, but all the power's going out.

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<v Speaker 1>My power never went out, but the power went out

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<v Speaker 1>all across the city. He finally drives over. By the

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<v Speaker 1>time it gets to me, a fire on my side

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<v Speaker 1>of town has sprung up. Oh my god, so now

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<v Speaker 1>that Eaton fire is going on. We thought we were

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<v Speaker 1>gonna have sort of like a power out night, or

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<v Speaker 1>if the power was on, we just all just like

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<v Speaker 1>hunker down and watch a movie together. So we put

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<v Speaker 1>on the movie Babe.

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<v Speaker 2>What the fuck?

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<v Speaker 1>One of my roommates is like, I don't know, I

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<v Speaker 1>just really want to watch Babe right now, So Babe.

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<v Speaker 1>And then we put the news on next to Babe

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<v Speaker 1>because we've been watching it all night to just make

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<v Speaker 1>sure that the fire isn't coming to my side of town.

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<v Speaker 2>Yeah, and it looked like it was okay.

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<v Speaker 1>By the time we're going to bed, it was going

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<v Speaker 1>east instead of towards us. We go fantastic.

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<v Speaker 2>We go to bed.

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<v Speaker 1>The morning, we all wake up at like seven forty

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<v Speaker 1>five coughing itching so much ashes in the air that

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<v Speaker 1>has gotten into our house despite the shut windows.

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<v Speaker 2>Oh my god.

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<v Speaker 1>We're all like, we gotta get out of here. So

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<v Speaker 1>the first thing in the morning, all my friends from

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<v Speaker 1>the area come over. There were like fifteen people in

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<v Speaker 1>the house and we all just figured out where we

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<v Speaker 1>were leaving too, because we had to evacuate. Going outside,

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<v Speaker 1>you could not spend more than a minute out there

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<v Speaker 1>because there's so much ash and soot and my car

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<v Speaker 1>was covered in ash and we're like miles from everything,

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<v Speaker 1>but you can tell it's toxic. It's like plastic, it's paint,

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<v Speaker 1>it's not just yeah, but it was just super super

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<v Speaker 1>super windy, and embers were flying across the city and

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<v Speaker 1>everything caught on fire. Wow, and the fire is just

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<v Speaker 1>getting fed. And the other thing that I'm learning so

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<v Speaker 1>much about is, you know, people are like, oh, they're

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<v Speaker 1>not containing it. They're not containing it. Fire is fire.

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<v Speaker 1>It's just gonna burn. There's nothing you can do. What

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<v Speaker 1>are you gonna do? Wet the sides and then hope

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<v Speaker 1>it stopped, Like you have to wait until it kind

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<v Speaker 1>of just simmers.

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<v Speaker 2>Now, So dumb, I did think that's what you did.

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<v Speaker 2>There's too much fire that you wetted the side.

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<v Speaker 1>There's not enough people. There's too much fire once it's

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<v Speaker 1>starting to settle down, and there aren't winds just straight

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<v Speaker 1>up feeding it. I think there's more they can do,

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<v Speaker 1>but mm hmmm, it's just it feeds itself. We we are,

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<v Speaker 1>but we are but men on this earth. We have

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<v Speaker 1>The climate change is so problematic and it's so important

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<v Speaker 1>for us to work to stop it because we ca

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<v Speaker 1>this is what happens nature that much.

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<v Speaker 2>Yeah, what is that? Colossal? Wow? Yeah? So gez Yeah,

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<v Speaker 2>so I.

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<v Speaker 1>Guess it won't make my improv show tonight.

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<v Speaker 2>Hm anywow geez. Okay, Well, I'm so glad you're safe.

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<v Speaker 2>Well well Leanna speaking of coastal towns. Yeah, film, let's

0:11:49.040 --> 0:11:54.360
<v Speaker 2>get into it. Gosh, this feels like such a hairpin

0:11:54.480 --> 0:11:58.960
<v Speaker 2>turned into a podcast. Leona.

0:11:59.000 --> 0:12:00.920
<v Speaker 1>Your first note, which I have read because I actually.

0:12:00.679 --> 0:12:02.800
<v Speaker 2>Oh no, we need a synopsis please of the film.

0:12:02.840 --> 0:12:04.439
<v Speaker 1>Oh my gosh, crap.

0:12:05.360 --> 0:12:08.760
<v Speaker 2>I did my worries. Honestly, no worries. If not, you've

0:12:08.800 --> 0:12:09.720
<v Speaker 2>been dealing with a lot.

0:12:11.200 --> 0:12:14.400
<v Speaker 1>That's where I drop a line that it can record.

0:12:14.440 --> 0:12:20.040
<v Speaker 2>But I'm not doing this synonymsense, okay, Coda.

0:12:20.240 --> 0:12:25.479
<v Speaker 1>Ruby is the only hearing member of a death fishing family.

0:12:25.760 --> 0:12:29.080
<v Speaker 1>The two things happening in this movie are that the

0:12:29.120 --> 0:12:32.600
<v Speaker 1>fishermen of the area in Maine are trying to get

0:12:32.640 --> 0:12:39.400
<v Speaker 1>better pa Massachusetts. Oh crap, wait, yeah, hmm, I ask

0:12:39.480 --> 0:12:40.520
<v Speaker 1>you a number of questions.

0:12:40.520 --> 0:12:44.199
<v Speaker 2>College in Boston, and it's thirty minutes away.

0:12:45.679 --> 0:12:47.560
<v Speaker 1>I saw fishermen and I just assumed I like, bring

0:12:47.600 --> 0:12:48.959
<v Speaker 1>up Maine through this a number of times and ask

0:12:48.960 --> 0:12:55.600
<v Speaker 1>you about your experience. Did two things happening in this

0:12:55.640 --> 0:13:00.600
<v Speaker 1>movie That the fishermen of Massachusetts are trying to get

0:13:00.720 --> 0:13:04.000
<v Speaker 1>better pay and they eventually start their own company because

0:13:04.400 --> 0:13:07.400
<v Speaker 1>they just keep getting price couched and it's really frustrating

0:13:07.400 --> 0:13:13.280
<v Speaker 1>to watch. And also Ruby loves to sing. She's been

0:13:13.280 --> 0:13:15.880
<v Speaker 1>a translator for her close knit family her whole life,

0:13:16.000 --> 0:13:17.920
<v Speaker 1>and she is now trying to find her own way

0:13:17.960 --> 0:13:22.559
<v Speaker 1>as a senior in high school about to graduate. By

0:13:22.559 --> 0:13:30.920
<v Speaker 1>the end of the film, she's embraced her love of singing,

0:13:31.360 --> 0:13:34.560
<v Speaker 1>and she gets into Berkeley School of Music after singing

0:13:34.559 --> 0:13:41.800
<v Speaker 1>a beautiful but inappropriately long audition song the end.

0:13:42.559 --> 0:13:46.320
<v Speaker 2>Don't get me started on that audition. I was like,

0:13:46.840 --> 0:13:52.880
<v Speaker 2>there's no way throughout it, I kept saying, in what world?

0:13:55.440 --> 0:13:58.360
<v Speaker 2>In what world?

0:13:58.559 --> 0:14:03.280
<v Speaker 1>This movie was sweet and uh, but I'm kind of

0:14:03.280 --> 0:14:04.520
<v Speaker 1>like rude about it a number of times.

0:14:04.679 --> 0:14:09.640
<v Speaker 2>Oh my god, thank god, girl, I oh, thank god.

0:14:10.080 --> 0:14:13.360
<v Speaker 1>I'm sorry. I don't mean this as like all the

0:14:13.520 --> 0:14:18.760
<v Speaker 1>all the deaf parts. Ate loved it, loved loved uh.

0:14:18.920 --> 0:14:21.480
<v Speaker 1>I just felt like there were a lot of favors

0:14:21.560 --> 0:14:23.920
<v Speaker 1>being traded in this film. Like the people. Some of

0:14:23.920 --> 0:14:26.640
<v Speaker 1>the people cast. I was like, now, how did you

0:14:26.760 --> 0:14:27.360
<v Speaker 1>end up here?

0:14:27.440 --> 0:14:29.320
<v Speaker 2>Just a few of them interesting?

0:14:29.440 --> 0:14:33.520
<v Speaker 1>And then all the Oscar Noms. I'm like, all the

0:14:33.560 --> 0:14:39.240
<v Speaker 1>Oscar Nams, the parents incredible, the main girl dad, the

0:14:39.320 --> 0:14:44.440
<v Speaker 1>job she was in it. This main actress clearly did

0:14:44.520 --> 0:14:48.400
<v Speaker 1>not British. First of all British. She clearly There were

0:14:48.400 --> 0:14:50.360
<v Speaker 1>a number of tis where I was like, sorry, is

0:14:50.360 --> 0:14:53.760
<v Speaker 1>she from a deaf family or background. She's not. She

0:14:53.880 --> 0:14:56.520
<v Speaker 1>just learned it from the movie which comes through.

0:14:58.040 --> 0:14:59.000
<v Speaker 2>Oh interesting.

0:14:59.240 --> 0:15:01.280
<v Speaker 1>I was surprised. I was surprised they did that.

0:15:02.480 --> 0:15:08.280
<v Speaker 2>My thing, I found the plot so annoying. I had

0:15:08.480 --> 0:15:13.520
<v Speaker 2>no incredibly annoying. And what I learned about myself is

0:15:13.560 --> 0:15:16.080
<v Speaker 2>I do not care for a film whose plot arches

0:15:16.160 --> 0:15:19.920
<v Speaker 2>toward the big audition. No singing, I'm not interested in

0:15:19.960 --> 0:15:22.000
<v Speaker 2>that a singing being movie.

0:15:22.680 --> 0:15:24.480
<v Speaker 1>In a singing movie, somebody has to try to sing

0:15:24.480 --> 0:15:25.720
<v Speaker 1>and then they have to sing and we have to

0:15:25.720 --> 0:15:28.760
<v Speaker 1>watch them sing. No, that's like, it's definitely a risky film.

0:15:28.920 --> 0:15:31.080
<v Speaker 1>That's why I was, yeah that it just felt like

0:15:31.120 --> 0:15:34.760
<v Speaker 1>a very, very very Hollywood movie. Like I truly feel

0:15:34.760 --> 0:15:38.880
<v Speaker 1>like somebody said coda, but what about coda? And also

0:15:39.320 --> 0:15:41.800
<v Speaker 1>like your first note, what about cod?

0:15:44.200 --> 0:15:46.560
<v Speaker 2>And that was just me typing in the title of

0:15:46.600 --> 0:15:48.200
<v Speaker 2>the film to search it and I put in the

0:15:48.280 --> 0:15:52.160
<v Speaker 2>D and I said cod And then it turned out

0:15:52.160 --> 0:15:56.720
<v Speaker 2>to be so very about fish. Yeah, it really it.

0:15:56.640 --> 0:15:59.640
<v Speaker 1>It feels like they said, let's make an oscar film. Okay,

0:16:00.720 --> 0:16:01.040
<v Speaker 1>I know.

0:16:01.000 --> 0:16:02.960
<v Speaker 2>The code are the things we need in modern day.

0:16:03.000 --> 0:16:05.120
<v Speaker 1>I have some amazing deaf actors who I've wanted to

0:16:05.160 --> 0:16:07.640
<v Speaker 1>work with and have wanted to tell their story. I'm

0:16:07.640 --> 0:16:09.640
<v Speaker 1>gonna make some. There are some parts about the screenplay

0:16:09.680 --> 0:16:13.600
<v Speaker 1>that I enjoyed, like the speeches and stuff. I enjoyed them. Yeah,

0:16:13.640 --> 0:16:16.160
<v Speaker 1>so it's like, let's get them there. Then what else

0:16:16.200 --> 0:16:17.920
<v Speaker 1>can we do? What else can we do? Their daughter

0:16:18.040 --> 0:16:21.840
<v Speaker 1>loves to sing? Yeah, and not only will she love

0:16:21.840 --> 0:16:24.320
<v Speaker 1>to sing. Let's make it a classic audition movie.

0:16:24.720 --> 0:16:26.480
<v Speaker 2>People love it. People eat that up.

0:16:26.840 --> 0:16:30.280
<v Speaker 1>And then I don't, And then listen, I got a

0:16:30.320 --> 0:16:33.080
<v Speaker 1>cousin with a fisherman boat in Massachusetts. You can shoot

0:16:33.080 --> 0:16:36.480
<v Speaker 1>there for real cheap. Not to completely hate. There are

0:16:36.480 --> 0:16:42.760
<v Speaker 1>many things I enjoyed, but I was like, this is coda.

0:16:43.680 --> 0:16:48.760
<v Speaker 2>I know, I know, same, Okay, great, are you eating fish?

0:16:48.840 --> 0:16:51.480
<v Speaker 2>That seems like it might have been stomped on by

0:16:51.520 --> 0:16:57.000
<v Speaker 2>an angsty teen. That's fishing. We'll be back in a

0:16:57.000 --> 0:16:57.560
<v Speaker 2>few minutes.

0:17:04.680 --> 0:17:08.080
<v Speaker 1>There's a lot that I enjoyed. And also I think,

0:17:08.160 --> 0:17:10.800
<v Speaker 1>really truly we have the main graph about this movie,

0:17:10.800 --> 0:17:12.560
<v Speaker 1>which is it It was a singing film, and.

0:17:12.520 --> 0:17:13.800
<v Speaker 2>That is insane.

0:17:16.280 --> 0:17:22.919
<v Speaker 1>I just I don't care for auditions and sings Happy Birthday.

0:17:23.400 --> 0:17:26.239
<v Speaker 2>When that was the audition song, I was like, that

0:17:26.359 --> 0:17:29.800
<v Speaker 2>is a famously hard song to sing. That song doesn't

0:17:29.800 --> 0:17:32.600
<v Speaker 2>fit in anyone's range because it was written in the

0:17:32.640 --> 0:17:35.720
<v Speaker 2>eighteenth century for people whose bodies were smaller.

0:17:39.359 --> 0:17:42.879
<v Speaker 1>That's so funny.

0:17:42.520 --> 0:17:49.119
<v Speaker 2>Your first note, your first note is a fisherman with

0:17:49.160 --> 0:17:54.600
<v Speaker 2>a voice of gold, just like Jesus. Was he a fisherman?

0:17:55.160 --> 0:17:55.600
<v Speaker 1>Yeah?

0:17:56.119 --> 0:17:57.479
<v Speaker 2>Oh, a construction worker.

0:17:58.000 --> 0:18:00.720
<v Speaker 1>He was what was her piper?

0:18:01.119 --> 0:18:05.560
<v Speaker 2>He wasn't a fisherman. Jesus was a designer. He wasn't

0:18:05.600 --> 0:18:06.160
<v Speaker 2>a fisherman.

0:18:06.359 --> 0:18:06.879
<v Speaker 1>I'm wrong.

0:18:07.160 --> 0:18:09.280
<v Speaker 2>What's his thing with fish? He just had a lot

0:18:09.280 --> 0:18:10.840
<v Speaker 2>of them. He gaged you fish.

0:18:10.920 --> 0:18:15.359
<v Speaker 1>Fishermen were super in in the Bible, so he's represented

0:18:15.400 --> 0:18:16.240
<v Speaker 1>by the fish.

0:18:16.640 --> 0:18:19.840
<v Speaker 2>It was like the job, like product manager. Yeah exactly.

0:18:20.640 --> 0:18:22.000
<v Speaker 2>Now people do startups now.

0:18:22.119 --> 0:18:24.159
<v Speaker 1>Back then they were fishermen, so like a lot of

0:18:24.240 --> 0:18:27.000
<v Speaker 1>his friends were fishermen, so you know I got that wrong.

0:18:27.040 --> 0:18:31.080
<v Speaker 2>Okay, Oh, this is really interesting, Ciana. You wrote every

0:18:31.160 --> 0:18:33.320
<v Speaker 2>high schooler in this is thirty and we love that,

0:18:33.800 --> 0:18:36.160
<v Speaker 2>and I thought they all were teens.

0:18:36.280 --> 0:18:38.639
<v Speaker 1>Really, Oh they looked so old to me. Mainly, Okay,

0:18:38.760 --> 0:18:41.040
<v Speaker 1>I'm sorry, this is just me being a hater. My

0:18:41.760 --> 0:18:44.320
<v Speaker 1>One of my main things about this movie were I

0:18:44.359 --> 0:18:51.040
<v Speaker 1>couldn't believe her friend. Her friend the slut, the slut who,

0:18:51.119 --> 0:18:53.520
<v Speaker 1>by the way.

0:18:52.560 --> 0:18:54.000
<v Speaker 2>The underage slut.

0:18:54.520 --> 0:18:56.520
<v Speaker 1>They were like, Okay, we need to cast a slut,

0:18:56.520 --> 0:18:58.439
<v Speaker 1>and somebody was like, oh, my friend has really been

0:18:58.480 --> 0:19:00.199
<v Speaker 1>working on her acting, Like I think she could do

0:19:00.280 --> 0:19:03.880
<v Speaker 1>this role. That's what it felt like. She didn't feel

0:19:03.880 --> 0:19:06.600
<v Speaker 1>like a bonified slot. She felt like me playing a slot.

0:19:06.800 --> 0:19:11.040
<v Speaker 1>It felt like me coming on and being like, we

0:19:11.080 --> 0:19:13.120
<v Speaker 1>can't call him little fingers anymore because he has a.

0:19:13.040 --> 0:19:15.160
<v Speaker 2>Big penis.

0:19:17.240 --> 0:19:21.200
<v Speaker 1>Penis. It's just, yeah, I'm sorry. I thought her friend

0:19:21.240 --> 0:19:27.160
<v Speaker 1>was not the best actress, and for that reason, Canny Valley,

0:19:27.320 --> 0:19:28.760
<v Speaker 1>I do not think I could do better.

0:19:28.800 --> 0:19:29.159
<v Speaker 2>It's like that.

0:19:29.280 --> 0:19:30.639
<v Speaker 1>That's why I felt like this shouldn't be.

0:19:30.840 --> 0:19:33.080
<v Speaker 2>And that's okay, And you are not the only other

0:19:33.119 --> 0:19:36.080
<v Speaker 2>actor out there, And that's why we are able to

0:19:36.080 --> 0:19:39.160
<v Speaker 2>critique this because there are many people to choose from.

0:19:39.000 --> 0:19:41.600
<v Speaker 1>Like yeah, exactly exactly. It doesn't need to be me,

0:19:42.200 --> 0:19:42.959
<v Speaker 1>it could be anyone.

0:19:43.080 --> 0:19:45.760
<v Speaker 2>Yeah. I found that interesting with the casting of the

0:19:45.840 --> 0:19:49.399
<v Speaker 2>lead where yeah, it's like she didn't grow up speaking

0:19:49.440 --> 0:19:53.440
<v Speaker 2>asl she's British. This is the one time I've ever

0:19:53.480 --> 0:19:57.879
<v Speaker 2>been like, we should have cast an America. And I

0:19:58.000 --> 0:20:01.560
<v Speaker 2>hate teens. I hate teens doing acting. They do that

0:20:01.680 --> 0:20:06.359
<v Speaker 2>breathy bullshit with their lines where they say no dad.

0:20:06.880 --> 0:20:11.440
<v Speaker 1>I looked up fair all the three main high schoolers British, Canadian,

0:20:12.080 --> 0:20:13.560
<v Speaker 1>Irish trying to do American.

0:20:14.280 --> 0:20:15.120
<v Speaker 2>You'll never understand.

0:20:15.200 --> 0:20:21.320
<v Speaker 1>Wow, wow, happy burning sadly. And you said how many

0:20:21.400 --> 0:20:25.000
<v Speaker 1>shoes are in the ocean, and probably a lot? Gosh,

0:20:25.119 --> 0:20:27.280
<v Speaker 1>I had never thought about that before. They caught so

0:20:27.320 --> 0:20:29.639
<v Speaker 1>many shoes that happens in like fishing games, like as

0:20:29.680 --> 0:20:30.000
<v Speaker 1>a joke.

0:20:30.680 --> 0:20:33.040
<v Speaker 2>Yeah, like you pick up a boot, a little an

0:20:33.040 --> 0:20:35.760
<v Speaker 2>old leather boot, and you say, hah hah, there's probably

0:20:35.760 --> 0:20:37.560
<v Speaker 2>a ton. But this was a Nike sneaker.

0:20:38.320 --> 0:20:41.119
<v Speaker 1>Yeah, oh my gosh, Leanna, you said the only thing

0:20:41.160 --> 0:20:45.160
<v Speaker 1>more annoying than a drama kid acquire kid did you.

0:20:45.119 --> 0:20:52.000
<v Speaker 2>Acquire No, I was watching this was interesting. I had

0:20:52.040 --> 0:20:52.920
<v Speaker 2>a personality.

0:20:53.280 --> 0:20:55.200
<v Speaker 1>Oh oh, oh oh, I thought you were gonna say

0:20:55.320 --> 0:20:57.440
<v Speaker 1>I was interesting. I didn't acquire, but I did do

0:20:57.480 --> 0:20:59.520
<v Speaker 1>blah blah. I thought I'm gonna explain.

0:21:00.640 --> 0:21:04.240
<v Speaker 2>Had stuff to say that made others laugh and experience joy.

0:21:04.480 --> 0:21:07.600
<v Speaker 1>I love when he hands When mister V hands that

0:21:07.640 --> 0:21:09.800
<v Speaker 1>one girl like a Morocca thing or whatever that was

0:21:09.800 --> 0:21:14.320
<v Speaker 1>that and she does it so poorly he has to

0:21:14.320 --> 0:21:19.360
<v Speaker 1>take it away. That completely real. At my school, I'm

0:21:19.400 --> 0:21:19.960
<v Speaker 1>really sorry.

0:21:20.080 --> 0:21:25.439
<v Speaker 2>I'm just over the archetype of teacher with kind of

0:21:25.440 --> 0:21:29.479
<v Speaker 2>a god complex who's mean to you and yells at

0:21:29.480 --> 0:21:34.560
<v Speaker 2>everybody and treats children in a way that's insane.

0:21:35.480 --> 0:21:42.840
<v Speaker 1>So I watched this with my current partner ex acapella person. Wow,

0:21:42.920 --> 0:21:46.679
<v Speaker 1>Kelsey's an ex acapella person, and he was horrified watching this.

0:21:46.760 --> 0:21:49.879
<v Speaker 1>He was like, no, no, we can't go back. I

0:21:49.880 --> 0:21:52.639
<v Speaker 1>can't go back. No, No, he horrified because it felt

0:21:52.640 --> 0:21:55.720
<v Speaker 1>so real. I think he just found it so cringe.

0:21:55.720 --> 0:21:57.800
<v Speaker 1>People taking singing so seriously.

0:21:57.840 --> 0:21:58.639
<v Speaker 2>That is true.

0:21:58.760 --> 0:22:01.520
<v Speaker 1>And we were talking about how this is the person

0:22:01.520 --> 0:22:03.960
<v Speaker 1>at school, Like it's funny in the movie, but this

0:22:03.960 --> 0:22:09.240
<v Speaker 1>this teacher at school would be so fired. Oh my god,

0:22:09.560 --> 0:22:15.239
<v Speaker 1>like court martials, sassy, cruel, treats kids like adults in

0:22:15.280 --> 0:22:18.920
<v Speaker 1>a way that is kind of hard on them. You know,

0:22:19.960 --> 0:22:22.639
<v Speaker 1>you're wasting my time. They would be so fired.

0:22:23.280 --> 0:22:24.000
<v Speaker 2>Oh my god.

0:22:24.080 --> 0:22:25.520
<v Speaker 1>Did love him though kind of felt like he was

0:22:25.560 --> 0:22:27.000
<v Speaker 1>in a different movie, But I loved him.

0:22:27.320 --> 0:22:30.439
<v Speaker 2>He absolutely was. He was in a different movie in

0:22:30.480 --> 0:22:33.159
<v Speaker 2>a different tax bracket as well. What was that house?

0:22:33.840 --> 0:22:37.720
<v Speaker 2>Oh my gosh, his coastal mansion. There was a moment,

0:22:37.760 --> 0:22:41.960
<v Speaker 2>but he lives in on a choir teachers salary with

0:22:42.080 --> 0:22:45.920
<v Speaker 2>the child's at a public school in Massachusetts.

0:22:47.119 --> 0:22:53.240
<v Speaker 1>What class of eighty nine? Berkeley College? I'm sorry when

0:22:53.400 --> 0:22:55.240
<v Speaker 1>they brought up Berkeley, I called it before it even

0:22:55.280 --> 0:22:56.639
<v Speaker 1>the words even appeared on the screen.

0:22:56.960 --> 0:22:58.240
<v Speaker 2>Oh did you really?

0:22:58.480 --> 0:22:58.680
<v Speaker 1>Yeah?

0:22:58.760 --> 0:22:59.200
<v Speaker 2>Amazing.

0:22:59.240 --> 0:23:01.399
<v Speaker 1>It was like I think, have you thought about college?

0:23:01.400 --> 0:23:03.200
<v Speaker 1>And I'm like, they're gonna say Berkeley School of Music?

0:23:03.200 --> 0:23:06.960
<v Speaker 1>Bir Oh my god, because okay, Sleigh, this movie is

0:23:07.000 --> 0:23:09.399
<v Speaker 1>like Glee. It's like, well, what does a girl who

0:23:09.480 --> 0:23:11.000
<v Speaker 1>likes to sing on a boat want to do? She

0:23:11.040 --> 0:23:15.679
<v Speaker 1>needs to did they did they mention Glee?

0:23:16.119 --> 0:23:18.520
<v Speaker 2>Yeah? He was like, I'll find out which of you

0:23:18.720 --> 0:23:21.760
<v Speaker 2>are tenors? Which of you are altos and which of

0:23:21.800 --> 0:23:28.520
<v Speaker 2>you just watched too much Glee? This movie was like ugh, ughly,

0:23:28.720 --> 0:23:30.720
<v Speaker 2>we are tired, you said, Am I in a bad mood?

0:23:30.760 --> 0:23:32.439
<v Speaker 1>Or do I hate this movie? I feel like this

0:23:32.480 --> 0:23:34.920
<v Speaker 1>is gonna switch. The second half was a completely different film,

0:23:35.240 --> 0:23:37.960
<v Speaker 1>much like Knows for All I think different, but it

0:23:37.960 --> 0:23:39.760
<v Speaker 1>was switched on this phy. I think I enjoyed this.

0:23:41.000 --> 0:23:44.359
<v Speaker 1>I enjoyed her family when they stopped. Like the mom

0:23:44.440 --> 0:23:46.680
<v Speaker 1>to me felt like an archetype also for a lot

0:23:46.720 --> 0:23:49.720
<v Speaker 1>of the movie, and then she started feeling more like

0:23:50.000 --> 0:23:54.480
<v Speaker 1>a three dimensional character. And in the last third of

0:23:54.520 --> 0:23:57.840
<v Speaker 1>the film, I thought the dad was really good. There

0:23:57.920 --> 0:24:00.200
<v Speaker 1>just was much more emotional connection at the end. And

0:24:00.920 --> 0:24:06.080
<v Speaker 1>I struggled so much with this idea that they rely

0:24:06.359 --> 0:24:09.600
<v Speaker 1>solely on this one person to interpret for them. Yeah,

0:24:09.680 --> 0:24:11.560
<v Speaker 1>and don't care at all about what she wants to

0:24:11.600 --> 0:24:14.960
<v Speaker 1>do with her life. Yeah, yeah, Yeah, it was interesting.

0:24:15.000 --> 0:24:17.119
<v Speaker 1>It was so interesting. The second half I really liked

0:24:17.119 --> 0:24:20.000
<v Speaker 1>a lot. I really felt the frustration and the pain

0:24:20.040 --> 0:24:21.600
<v Speaker 1>of like, oh, you need to be there for your

0:24:21.640 --> 0:24:24.600
<v Speaker 1>family who needs you, and they've become reliant on her,

0:24:24.840 --> 0:24:26.920
<v Speaker 1>and yeah.

0:24:27.480 --> 0:24:27.640
<v Speaker 2>But.

0:24:30.000 --> 0:24:32.080
<v Speaker 1>It's true, it's interesting they wouldn't think about that but

0:24:33.119 --> 0:24:34.879
<v Speaker 1>it did feel like she had sort of self centered

0:24:34.920 --> 0:24:37.159
<v Speaker 1>and scared parents. You know, they just didn't know how

0:24:37.200 --> 0:24:40.600
<v Speaker 1>to love her in that way, you know, but they

0:24:40.640 --> 0:24:43.360
<v Speaker 1>kind of learned together as a family. This is kind

0:24:43.359 --> 0:24:45.800
<v Speaker 1>of random right now, But what was sort of a

0:24:45.840 --> 0:24:49.840
<v Speaker 1>significant moment for me, because definitely there were though the

0:24:50.240 --> 0:24:58.720
<v Speaker 1>singing part was it was necessarily stupid. We are too

0:24:59.600 --> 0:25:03.320
<v Speaker 1>we are to sort of drama kid esquely, this is

0:25:03.400 --> 0:25:06.240
<v Speaker 1>just it's stupid and we know that. But a lot

0:25:06.240 --> 0:25:11.760
<v Speaker 1>of the stuff about disability was interesting and uh maybe

0:25:11.760 --> 0:25:15.399
<v Speaker 1>me think a lot workers' rights really frustrating, really interesting.

0:25:15.400 --> 0:25:17.320
<v Speaker 1>There were some moments of tension, like when she had

0:25:17.359 --> 0:25:20.320
<v Speaker 1>to she wanted to go to the to sing and

0:25:20.440 --> 0:25:23.080
<v Speaker 1>the news was here. It was just so heartbreaking and

0:25:23.160 --> 0:25:26.439
<v Speaker 1>so frustrating and stressed me out so much. When she

0:25:26.480 --> 0:25:27.200
<v Speaker 1>was looking at her phone.

0:25:27.240 --> 0:25:30.920
<v Speaker 2>Oh my gosh, I was in fight or flight during

0:25:30.960 --> 0:25:33.600
<v Speaker 2>that scene, so I was dressed us.

0:25:34.600 --> 0:25:37.000
<v Speaker 1>I think the parents were so good I would have

0:25:37.000 --> 0:25:38.600
<v Speaker 1>watched them. I wish it had been a whole movie

0:25:38.600 --> 0:25:45.040
<v Speaker 1>of them, to be honest. But the part when she

0:25:45.200 --> 0:25:48.960
<v Speaker 1>was singing and they were trying their best to pay attention,

0:25:49.160 --> 0:25:50.679
<v Speaker 1>it was an interesting thing for me where I was like,

0:25:50.840 --> 0:25:54.040
<v Speaker 1>oh yeah, even beyond not obviously being able to hear

0:25:54.119 --> 0:25:57.440
<v Speaker 1>their daughter singing, there's no reason why they would have

0:25:57.520 --> 0:26:02.960
<v Speaker 1>sort of any sense of like a hearing one hearing

0:26:03.000 --> 0:26:06.000
<v Speaker 1>moment being I mean obviously they know that, but like

0:26:06.119 --> 0:26:09.320
<v Speaker 1>for them, their actual experience of her singing isn't like

0:26:10.800 --> 0:26:13.800
<v Speaker 1>a particularly poignant moment the wait, it is for everybody else,

0:26:13.800 --> 0:26:15.879
<v Speaker 1>because it's just like another hearing Like it's such a

0:26:15.920 --> 0:26:19.320
<v Speaker 1>hearing moment to hear somebody say I was.

0:26:19.680 --> 0:26:22.840
<v Speaker 2>I was being so problematic during that scene because my

0:26:22.920 --> 0:26:25.639
<v Speaker 2>superiority complex came in with a vengeance where I was

0:26:25.680 --> 0:26:30.200
<v Speaker 2>like yet another reason why drama kids are more interesting

0:26:30.359 --> 0:26:33.399
<v Speaker 2>than choir kids, Because if you're deaf and you go

0:26:33.440 --> 0:26:36.639
<v Speaker 2>to a drama club performance, at least we're fucking doing

0:26:36.720 --> 0:26:41.480
<v Speaker 2>something with our bodies. We're wearing fun costumes. There's a

0:26:41.520 --> 0:26:46.159
<v Speaker 2>lot visually that's interesting to look at. These just stood

0:26:46.200 --> 0:26:48.080
<v Speaker 2>in line for an hour and a half.

0:26:48.280 --> 0:26:52.639
<v Speaker 1>Yeah, bump, bump.

0:26:54.480 --> 0:27:00.719
<v Speaker 2>I'm really sorry. I'm sorry. I find choir so annoying.

0:27:00.880 --> 0:27:04.120
<v Speaker 2>I don't know why I have such a beef with choir,

0:27:04.640 --> 0:27:06.960
<v Speaker 2>but I do make the ugliest noise you can.

0:27:07.560 --> 0:27:16.639
<v Speaker 1>Ah, ah, what did you think of the parent actors.

0:27:17.440 --> 0:27:20.280
<v Speaker 2>I thought that they both did a great job. I

0:27:20.320 --> 0:27:23.879
<v Speaker 2>was frustrated with the mom character. Yeah, I thought for

0:27:24.080 --> 0:27:27.560
<v Speaker 2>a lot of the film it was an annoying trope

0:27:27.600 --> 0:27:29.639
<v Speaker 2>of the mom is the bad guy, the dad is

0:27:29.680 --> 0:27:30.640
<v Speaker 2>the understanding one.

0:27:30.760 --> 0:27:31.960
<v Speaker 1>Yeah, that does always happen.

0:27:32.840 --> 0:27:34.560
<v Speaker 2>Yeah, they got away from the end.

0:27:34.840 --> 0:27:36.960
<v Speaker 1>Yeah, but yeah.

0:27:36.680 --> 0:27:38.960
<v Speaker 2>For the first I found her very unsympathetic for the

0:27:39.000 --> 0:27:42.199
<v Speaker 2>first like two thirds of the movie. Is when she

0:27:42.359 --> 0:27:44.240
<v Speaker 2>like when her daughter tells her she's doing choir and

0:27:44.240 --> 0:27:47.560
<v Speaker 2>her mom's like, why are you doing that? Oh? I

0:27:47.680 --> 0:27:50.879
<v Speaker 2>enjoy it and I'm making friends. Yeah, it was so odd.

0:27:51.000 --> 0:27:52.320
<v Speaker 1>That's a good point. I don't think.

0:27:55.240 --> 0:27:58.960
<v Speaker 2>Yeah, and I guess I guess where it felt strange.

0:28:00.240 --> 0:28:02.680
<v Speaker 2>People can change over the course of a film. Great

0:28:03.600 --> 0:28:05.840
<v Speaker 2>this one, it felt like the whole time they were

0:28:05.880 --> 0:28:08.960
<v Speaker 2>telling us like, oh, but her daughter like loves her parents, Like,

0:28:09.000 --> 0:28:10.840
<v Speaker 2>that's not the issue. The conflict here isn't that she

0:28:10.840 --> 0:28:12.520
<v Speaker 2>has bad parents. That's not what we're doing. And I

0:28:12.560 --> 0:28:14.280
<v Speaker 2>was like, but you're writing this mom as if she's

0:28:14.320 --> 0:28:15.800
<v Speaker 2>like doing a bad job parents.

0:28:15.520 --> 0:28:17.920
<v Speaker 1>An interesting point. Yeah, that's an interesting point.

0:28:18.160 --> 0:28:21.440
<v Speaker 2>It's which again, once they had that scene, Yeah, once

0:28:21.440 --> 0:28:23.199
<v Speaker 2>they had that scene where her mom and she and

0:28:23.200 --> 0:28:25.280
<v Speaker 2>her mom talk about like the day she was born

0:28:25.320 --> 0:28:26.600
<v Speaker 2>and it's just the two of them in her room.

0:28:26.640 --> 0:28:29.840
<v Speaker 2>I was like, great, and then from there, from then out,

0:28:30.240 --> 0:28:33.320
<v Speaker 2>I loved the mom. He looked so much like a

0:28:33.359 --> 0:28:38.920
<v Speaker 2>weathered fisherman. I googled him. I was like fisherman, question Mark,

0:28:38.920 --> 0:28:41.320
<v Speaker 2>and they're like, no, he's been an actor for decades

0:28:42.080 --> 0:28:44.760
<v Speaker 2>since the eighties. And I was like, oh my god, what.

0:28:44.840 --> 0:28:46.840
<v Speaker 1>Look at your mom. She's hot.

0:28:47.840 --> 0:28:51.600
<v Speaker 2>Oh. I didn't like that. They were quite crass about sex,

0:28:51.720 --> 0:28:55.360
<v Speaker 2>and I'm so comfortable parents don't have sex. I don't

0:28:55.400 --> 0:29:00.880
<v Speaker 2>know why we're putting forth this narrative that they do. Oh, Ciena,

0:29:00.920 --> 0:29:03.640
<v Speaker 2>you wrote I've never done anything without my family before

0:29:04.200 --> 0:29:09.600
<v Speaker 2>me doing my taxes wrong. Sorry, I would say, just you, yeah,

0:29:09.600 --> 0:29:12.200
<v Speaker 2>it is me generally. How did you feel like, did

0:29:12.200 --> 0:29:16.000
<v Speaker 2>you connect with the the through line of like a

0:29:16.120 --> 0:29:17.760
<v Speaker 2>very tight knit family totally?

0:29:17.880 --> 0:29:20.600
<v Speaker 1>Yeah, the Titan family, and especially in high school when

0:29:20.640 --> 0:29:24.560
<v Speaker 1>she said to her like, beyond just her being a translator,

0:29:24.920 --> 0:29:27.120
<v Speaker 1>I keep saying that, beyond just her being an interpreter

0:29:27.720 --> 0:29:33.160
<v Speaker 1>and uh, you know, being the one hearing person in

0:29:33.200 --> 0:29:35.400
<v Speaker 1>her family, when he was like, you know you got

0:29:35.400 --> 0:29:36.800
<v Speaker 1>to be able to be places on time, You got

0:29:36.800 --> 0:29:38.200
<v Speaker 1>to be able to you know, you're letting me down.

0:29:38.400 --> 0:29:40.960
<v Speaker 1>When mister B was saying all that, and she eventually

0:29:41.000 --> 0:29:45.040
<v Speaker 1>was just like, I've never done anything without my family. Hmmm,

0:29:45.440 --> 0:29:47.280
<v Speaker 1>I felt completely that way in high school.

0:29:47.920 --> 0:29:48.160
<v Speaker 2>Wow.

0:29:48.320 --> 0:29:49.920
<v Speaker 1>Yeah, I think that put that actually was a really

0:29:49.960 --> 0:29:52.720
<v Speaker 1>good way of putting what's so weird about growing up

0:29:53.080 --> 0:29:55.600
<v Speaker 1>and what's so scary about it, you know, is it's like, hmm,

0:29:56.800 --> 0:29:58.760
<v Speaker 1>I'm from a close family and we do everything together.

0:29:59.000 --> 0:30:03.520
<v Speaker 1>I loved from they all went to audition together. You

0:30:03.520 --> 0:30:04.160
<v Speaker 1>didn't like that.

0:30:05.360 --> 0:30:08.280
<v Speaker 2>I liked that they drove there together. I thought that

0:30:08.400 --> 0:30:10.880
<v Speaker 2>was sweet. Then when they have a lot of qualms

0:30:11.120 --> 0:30:12.880
<v Speaker 2>with the audition scene, I.

0:30:12.840 --> 0:30:15.760
<v Speaker 1>Love that they didn't care. I love how much didn't

0:30:15.840 --> 0:30:17.520
<v Speaker 1>And I think some of that was that I liked

0:30:17.960 --> 0:30:18.760
<v Speaker 1>the family care.

0:30:18.960 --> 0:30:19.520
<v Speaker 2>I liked.

0:30:21.760 --> 0:30:25.280
<v Speaker 1>The audition scene. You mean I I did not understand.

0:30:24.840 --> 0:30:27.840
<v Speaker 2>What that one like the piece of fiction where they

0:30:27.920 --> 0:30:30.120
<v Speaker 2>let the child who showed up thirty minutes after her

0:30:30.160 --> 0:30:33.960
<v Speaker 2>audition slot still audition bring in her own teacher to

0:30:34.040 --> 0:30:36.680
<v Speaker 2>do the score for her. That would start the song

0:30:36.880 --> 0:30:40.560
<v Speaker 2>over and have her family in the auditorium for the

0:30:40.600 --> 0:30:44.880
<v Speaker 2>audition no, no Hano Debez.

0:30:44.800 --> 0:30:47.760
<v Speaker 1>But his character was completely from another movie. I'm sorry

0:30:47.800 --> 0:30:52.000
<v Speaker 1>when you give in, Oh play the music, I'll play

0:30:52.120 --> 0:30:52.560
<v Speaker 1>for her.

0:30:53.840 --> 0:30:56.440
<v Speaker 2>I guess what what I didn't like about it was

0:30:57.640 --> 0:31:01.440
<v Speaker 2>the Fisher people like the fish side of the movie

0:31:01.640 --> 0:31:05.000
<v Speaker 2>felt so grounded in reality and so like dealing with

0:31:05.560 --> 0:31:10.160
<v Speaker 2>harsh every day yep, things that people in this town

0:31:10.200 --> 0:31:15.880
<v Speaker 2>were going through. The whole felt like complete fantasy fiction.

0:31:16.120 --> 0:31:17.840
<v Speaker 2>I completely agree, And I was like, I don't know

0:31:17.880 --> 0:31:21.720
<v Speaker 2>how to I reconcile these two. I was in one movie.

0:31:22.080 --> 0:31:23.760
<v Speaker 1>That's the thing. That's a really good way of putting

0:31:23.760 --> 0:31:25.840
<v Speaker 1>when I was like, this is was the Oscar movie

0:31:25.840 --> 0:31:32.000
<v Speaker 1>of the of twenty twenty one? Because it was it

0:31:32.040 --> 0:31:32.920
<v Speaker 1>was two different movies.

0:31:33.000 --> 0:31:33.600
<v Speaker 2>That is what it felt like.

0:31:33.760 --> 0:31:35.920
<v Speaker 1>Yeah, it was very interesting. It was strange, but it

0:31:35.960 --> 0:31:41.400
<v Speaker 1>wasn't really in like a super campy or purposeful way.

0:31:41.560 --> 0:31:43.320
<v Speaker 1>It didn't feel like that, you know. It wasn't like

0:31:43.760 --> 0:31:45.960
<v Speaker 1>the lighting changed and she suddenly in this fantasy world.

0:31:46.680 --> 0:31:47.680
<v Speaker 2>Yeah it was strange.

0:31:48.000 --> 0:31:54.800
<v Speaker 1>It was strange. Yeah. I loved that her family didn't g.

0:31:53.440 --> 0:31:54.120
<v Speaker 2>G and f.

0:31:57.120 --> 0:31:59.000
<v Speaker 1>Sorry everybody, if you'll excuse me, I need to go

0:31:59.040 --> 0:32:02.000
<v Speaker 1>sing my auditions And it's going to take a little

0:32:02.040 --> 0:32:04.880
<v Speaker 1>over three minutes. That's how long they are, right, We'll

0:32:04.880 --> 0:32:05.160
<v Speaker 1>be right.

0:32:05.280 --> 0:32:06.560
<v Speaker 2>I'm believable.

0:32:12.160 --> 0:32:14.800
<v Speaker 1>Leani, you said, sometimes you hear a special voice and

0:32:14.840 --> 0:32:18.400
<v Speaker 1>it reminds you to keep making music. Hah, fuck all

0:32:18.400 --> 0:32:22.960
<v Speaker 1>the other choir kids. I guess he says that at

0:32:22.960 --> 0:32:23.880
<v Speaker 1>the choir concert.

0:32:24.600 --> 0:32:27.520
<v Speaker 2>Yeah, yeah, all the choir is done performing and they

0:32:27.600 --> 0:32:29.680
<v Speaker 2>leave the stage, and then he's doing the intro for

0:32:29.760 --> 0:32:33.440
<v Speaker 2>the duet and he says that, And I'm like, imagine

0:32:33.480 --> 0:32:36.640
<v Speaker 2>being one of the other obviously annoying but still a

0:32:36.760 --> 0:32:40.000
<v Speaker 2>human choir kids. Still, and you hear the choir teachers

0:32:40.040 --> 0:32:44.560
<v Speaker 2>say that, and you're like, what the hell? They already

0:32:44.560 --> 0:32:47.880
<v Speaker 2>got the solo. We already knew that they were the

0:32:47.960 --> 0:32:52.320
<v Speaker 2>right You had to go and also say that, uh huh.

0:32:52.400 --> 0:32:56.000
<v Speaker 2>So when I sing, you don't feel like making music?

0:32:57.680 --> 0:33:05.440
<v Speaker 1>Okay, I never want to make music again. Leanna, you said,

0:33:07.640 --> 0:33:09.720
<v Speaker 1>you said, the next hetero couple I have to watch

0:33:09.800 --> 0:33:15.320
<v Speaker 1>snog I'm gonna kms. Oh yeah, yeah, that's the other

0:33:15.360 --> 0:33:19.040
<v Speaker 1>thing is like this, So the mean teacher loves her,

0:33:19.280 --> 0:33:21.760
<v Speaker 1>pairs her with the guy she has a crush on.

0:33:22.120 --> 0:33:24.680
<v Speaker 1>They fall in love, they kiss, they sing a song together.

0:33:30.480 --> 0:33:34.360
<v Speaker 2>I would obviously I have a lot of personal bitterness

0:33:34.400 --> 0:33:37.280
<v Speaker 2>tied to this kind of a plot line, but it

0:33:37.400 --> 0:33:38.280
<v Speaker 2>was so annoying.

0:33:38.680 --> 0:33:47.080
<v Speaker 1>I would call this movie the opposite of No Speratu

0:33:47.800 --> 0:33:50.560
<v Speaker 1>and everybody for our take on nos Feratu, you can

0:33:50.640 --> 0:33:55.600
<v Speaker 1>visit our patreon for a bonus monthly video episode both

0:33:55.600 --> 0:33:57.720
<v Speaker 1>on the same day and just thinking about like this

0:33:57.760 --> 0:34:00.640
<v Speaker 1>one is such a predictable sort of Hollywood and.

0:34:00.560 --> 0:34:09.799
<v Speaker 2>Then it is a black ohmen, at least no one

0:34:09.840 --> 0:34:13.360
<v Speaker 2>in this movie died while inside another dead person. That's

0:34:13.560 --> 0:34:15.440
<v Speaker 2>that thing is That is why.

0:34:15.280 --> 0:34:18.239
<v Speaker 1>We're watching movies by women, because I haven't explains about

0:34:18.280 --> 0:34:22.000
<v Speaker 1>the choir kid thing. But nobody died boning each other

0:34:22.080 --> 0:34:22.719
<v Speaker 1>and I love that.

0:34:26.080 --> 0:34:29.080
<v Speaker 2>Okay, we've done a lot of criticizing of the pieces

0:34:29.120 --> 0:34:32.120
<v Speaker 2>of the piece that we did not enjoy that disturbed

0:34:32.120 --> 0:34:34.920
<v Speaker 2>our piece. But Siena, let's let's award the movies and

0:34:35.000 --> 0:34:38.000
<v Speaker 2>badges and trages, badges.

0:34:37.600 --> 0:34:44.040
<v Speaker 1>For badges for barges, badges for barges and tradges.

0:34:43.880 --> 0:34:48.440
<v Speaker 2>For taking a large profit of the workers earnings. Yes, gosh,

0:34:48.440 --> 0:34:51.279
<v Speaker 2>that was so frustrated taking a large portion. Oh, I

0:34:51.360 --> 0:34:56.000
<v Speaker 2>have a badge for nature. I appreciated their appreciation for

0:34:56.160 --> 0:35:03.760
<v Speaker 2>nature and how she found the lake the Lakes Massachusetts,

0:35:04.400 --> 0:35:08.000
<v Speaker 2>the Lake a New England lake can be a rejuvenating spot.

0:35:08.120 --> 0:35:09.640
<v Speaker 2>That was so beautiful. Oh, I got.

0:35:11.880 --> 0:35:14.440
<v Speaker 1>I had a badge for the parents again. I loved

0:35:14.480 --> 0:35:17.239
<v Speaker 1>these actors so much. I already knew Marley Matlin, but

0:35:17.239 --> 0:35:19.600
<v Speaker 1>I had not seen this guy before. I thought they

0:35:19.600 --> 0:35:22.160
<v Speaker 1>were fantastic. And also I loved that they were just

0:35:22.840 --> 0:35:25.920
<v Speaker 1>spicy parents, even though you know, they had flaws. They

0:35:25.920 --> 0:35:29.040
<v Speaker 1>loved each other. They were crass, but you know they

0:35:29.160 --> 0:35:33.920
<v Speaker 1>they were Actually they were characters, and they were strong characters.

0:35:34.400 --> 0:35:35.320
<v Speaker 1>I thought they were awesome.

0:35:36.600 --> 0:35:40.000
<v Speaker 2>I'm going to require so much psychoanalysis about why I

0:35:40.040 --> 0:35:44.120
<v Speaker 2>don't like it when parents bang. Really I love to

0:35:44.160 --> 0:35:48.200
<v Speaker 2>look into My other badge is a badge for when

0:35:48.239 --> 0:35:52.360
<v Speaker 2>they fade out the sound during the duet at the

0:35:52.440 --> 0:35:56.279
<v Speaker 2>choir concert, so you see how the concert feels from

0:35:56.560 --> 0:35:59.440
<v Speaker 2>the family's perspective. That was great. I was actually hoping

0:35:59.440 --> 0:36:01.280
<v Speaker 2>they were going to do something like that at some point,

0:36:01.400 --> 0:36:04.520
<v Speaker 2>because there's do you know the show Strictly Come Dancing

0:36:05.120 --> 0:36:08.400
<v Speaker 2>m It's the UK's equivalent of Dancing with the Stars,

0:36:09.320 --> 0:36:12.319
<v Speaker 2>And there was one season a few years ago where

0:36:12.360 --> 0:36:16.960
<v Speaker 2>one of the contestants was deaf, and for the most part,

0:36:18.160 --> 0:36:20.960
<v Speaker 2>for almost every dance they played music for it, and

0:36:21.200 --> 0:36:22.759
<v Speaker 2>she could hear it. I think she either had a

0:36:22.760 --> 0:36:26.160
<v Speaker 2>cochlear implant or she could feel like the rhythm of

0:36:26.200 --> 0:36:29.719
<v Speaker 2>the base of the music. But for one of the

0:36:29.800 --> 0:36:34.520
<v Speaker 2>numbers they faded out the music so that for like

0:36:34.560 --> 0:36:38.400
<v Speaker 2>a full minute of the dance. Whoa, they're dancing in silence.

0:36:38.560 --> 0:36:44.000
<v Speaker 2>And it was really so beautiful. Wow, I have boosebumps now. No,

0:36:44.120 --> 0:36:45.040
<v Speaker 2>it was complete silence.

0:36:45.120 --> 0:36:47.080
<v Speaker 1>Wow, that is so cool.

0:36:47.400 --> 0:36:50.200
<v Speaker 2>It was really lovely. So I liked that moment a lot.

0:36:51.120 --> 0:36:55.839
<v Speaker 1>Yeah, me too. It's always powerful to in some way

0:36:55.920 --> 0:36:58.920
<v Speaker 1>when movies can show you somebody else's experience in some way,

0:36:58.960 --> 0:37:01.000
<v Speaker 1>it's like, I think that's a powerful use of the

0:37:01.040 --> 0:37:07.759
<v Speaker 1>medium that we yeah, so much trouble with. That's exactly right, Yeah,

0:37:08.120 --> 0:37:11.279
<v Speaker 1>badge for ASL. I just love ASL. It is so

0:37:11.960 --> 0:37:18.880
<v Speaker 1>compelling language. It's just animated and visual and so much depth,

0:37:18.920 --> 0:37:22.040
<v Speaker 1>and I really I really enjoyed a lot of the

0:37:22.080 --> 0:37:22.959
<v Speaker 1>speeches they had.

0:37:23.880 --> 0:37:27.319
<v Speaker 2>That's the end of my badges. Oh sorry too, Okay,

0:37:27.440 --> 0:37:31.239
<v Speaker 2>I feel so problematic, not like, but then I think

0:37:31.239 --> 0:37:33.719
<v Speaker 2>it would be problematic to like it just for the

0:37:33.760 --> 0:37:36.840
<v Speaker 2>sake of liking it because it represents an underrepresented community.

0:37:36.920 --> 0:37:38.960
<v Speaker 1>I think you're right that there were two movies happening.

0:37:39.640 --> 0:37:41.200
<v Speaker 2>Yeah, and one of them.

0:37:41.160 --> 0:37:44.200
<v Speaker 1>Is the worst thing to kid could ever watch. Yeah,

0:37:44.239 --> 0:37:47.799
<v Speaker 1>that's true. Badge for And I'm sorry. I know my

0:37:47.840 --> 0:37:49.440
<v Speaker 1>mom really likes it, but I think it's because you

0:37:49.480 --> 0:37:53.680
<v Speaker 1>haven't experienced the trauma of really annoying singer kids. Mom.

0:37:55.600 --> 0:37:58.720
<v Speaker 1>Badge for these parents can't stop banging.

0:37:58.800 --> 0:37:59.359
<v Speaker 2>I love that.

0:38:00.440 --> 0:38:05.440
<v Speaker 1>I think that's awesome. No badge for love this Dad.

0:38:06.400 --> 0:38:09.000
<v Speaker 1>I also love Marley Mattlin. I think the first scene

0:38:09.000 --> 0:38:10.799
<v Speaker 1>that's just like her and her daughter, even though she

0:38:10.840 --> 0:38:13.719
<v Speaker 1>was being like a bad mom. I was just so

0:38:13.760 --> 0:38:16.800
<v Speaker 1>struck by how compelling that scene was compared to everything

0:38:16.800 --> 0:38:17.439
<v Speaker 1>else i'd seen.

0:38:19.120 --> 0:38:22.360
<v Speaker 2>Oh can I give one more badge? A badge for

0:38:22.800 --> 0:38:25.120
<v Speaker 2>the scene after the concert where her dad asks her

0:38:25.160 --> 0:38:28.120
<v Speaker 2>to sing the song for him on the truck. Yeah,

0:38:28.160 --> 0:38:30.680
<v Speaker 2>and he like feels it through her. That was really sweet.

0:38:30.800 --> 0:38:31.600
<v Speaker 2>That was really great.

0:38:31.680 --> 0:38:35.960
<v Speaker 1>That was really really sweet. Oh yeah, just okay. I'd

0:38:35.960 --> 0:38:38.600
<v Speaker 1>say if I was going to give a critique of

0:38:38.600 --> 0:38:40.680
<v Speaker 1>this movie in just a few words, it would be

0:38:40.680 --> 0:38:43.560
<v Speaker 1>that this was like six Oscar Worthy scenes after seventy

0:38:43.600 --> 0:38:49.880
<v Speaker 1>minutes of Glee, and so those final oscar Worthy scenes

0:38:50.280 --> 0:38:54.560
<v Speaker 1>were really good and compelling. It just felt like, oh, okay,

0:38:54.560 --> 0:38:56.640
<v Speaker 1>here's all the Oscar stuff, because before that it was

0:38:56.680 --> 0:39:01.239
<v Speaker 1>just like a girl singing with a boy. Yeah, but

0:39:01.680 --> 0:39:03.480
<v Speaker 1>I think those scenes were really good, and like when

0:39:03.520 --> 0:39:06.200
<v Speaker 1>it was just her alone talking to her parents, those

0:39:06.239 --> 0:39:08.719
<v Speaker 1>scenes are super compelling. I just loved the speeches that

0:39:08.760 --> 0:39:11.480
<v Speaker 1>her parents gave, and I thought it was sweet when

0:39:11.520 --> 0:39:17.120
<v Speaker 1>she started signing during her singing. I'm just really critical

0:39:17.120 --> 0:39:20.080
<v Speaker 1>of the fact that they didn't get somebody who's been

0:39:20.080 --> 0:39:22.200
<v Speaker 1>doing it since birth, but because I'm like, I think

0:39:22.200 --> 0:39:23.799
<v Speaker 1>that would have made it even more powerful. But that

0:39:23.840 --> 0:39:28.360
<v Speaker 1>again is me being a nitpicker or an idealistic and

0:39:28.440 --> 0:39:31.839
<v Speaker 1>idealistic viewer. But I thought that was really pretty and Okay, yeah,

0:39:31.840 --> 0:39:34.160
<v Speaker 1>I started crying. Okay, all right, they got me, Okay,

0:39:34.160 --> 0:39:37.799
<v Speaker 1>all right, they got right badge for I love that

0:39:37.800 --> 0:39:41.359
<v Speaker 1>they started the successful business yeah, a movie where they

0:39:41.560 --> 0:39:47.600
<v Speaker 1>they succeed in they left the price gougey Yeah, and

0:39:47.640 --> 0:39:52.120
<v Speaker 1>they started the business go off. And finally I did

0:39:52.160 --> 0:39:54.840
<v Speaker 1>actually love when mister V messes up the piano so

0:39:54.920 --> 0:39:56.680
<v Speaker 1>she has to start again because she's doing so bad

0:39:56.760 --> 0:39:57.200
<v Speaker 1>that he's.

0:39:57.080 --> 0:39:59.839
<v Speaker 2>Like, oops, my bad.

0:40:00.880 --> 0:40:04.879
<v Speaker 1>Mm hmmm. Anyway, love that trages. I literally went when

0:40:04.880 --> 0:40:07.160
<v Speaker 1>he did that, I literally said out loud, genius.

0:40:11.440 --> 0:40:15.000
<v Speaker 2>My first trage is for dead fish. Yeah, there were

0:40:15.160 --> 0:40:16.120
<v Speaker 2>a dead fish in this.

0:40:16.040 --> 0:40:18.239
<v Speaker 1>A lot of them, and they were smashing them around

0:40:18.239 --> 0:40:20.239
<v Speaker 1>with their feet, and I was.

0:40:20.200 --> 0:40:25.560
<v Speaker 2>Like, is there a teen stomping on my fish? When

0:40:25.600 --> 0:40:28.080
<v Speaker 2>I eat a fish? Has it been stomped on by

0:40:28.120 --> 0:40:32.799
<v Speaker 2>a teen? A Massachusetts teen who doesn't want to be

0:40:32.840 --> 0:40:33.279
<v Speaker 2>doing this?

0:40:33.560 --> 0:40:38.480
<v Speaker 1>It's possible. Trage for my very first tradge that I

0:40:38.520 --> 0:40:41.040
<v Speaker 1>wrote down, probably very early on, is the singing part

0:40:41.080 --> 0:40:42.400
<v Speaker 1>is cringe for sure.

0:40:44.200 --> 0:40:47.000
<v Speaker 2>A trage for class ending in the middle of a

0:40:47.080 --> 0:40:51.200
<v Speaker 2>lecture that never ever happens in real life and in

0:40:51.360 --> 0:40:56.080
<v Speaker 2>every film the teacher is like and then in nineteen

0:40:56.239 --> 0:40:59.800
<v Speaker 2>thirty nine Germany decided to and the bell rings and

0:40:59.840 --> 0:41:02.640
<v Speaker 2>the like, well, I guess that's it for TA. I'm like, no,

0:41:03.160 --> 0:41:05.719
<v Speaker 2>you finished the lecture. You spend like ten minutes talking

0:41:05.760 --> 0:41:09.040
<v Speaker 2>about the homework. Yeah, around papers?

0:41:09.160 --> 0:41:09.800
<v Speaker 1>Kind of awkward?

0:41:10.000 --> 0:41:14.520
<v Speaker 2>Yeah, what what? I hate that in films?

0:41:19.040 --> 0:41:20.879
<v Speaker 1>Trasge for again. I wrote this in probably the first

0:41:20.880 --> 0:41:24.680
<v Speaker 1>twenty minutes. I wrote, not quite as a complex as

0:41:24.719 --> 0:41:25.400
<v Speaker 1>I expected.

0:41:26.600 --> 0:41:31.400
<v Speaker 2>Hmm, interesting, interesting, interesting that you want deaf people to

0:41:31.400 --> 0:41:32.160
<v Speaker 2>have complex lives.

0:41:34.120 --> 0:41:36.840
<v Speaker 1>No, it's because it's an Oscar Worthy movie. It's the

0:41:36.880 --> 0:41:39.360
<v Speaker 1>movie because so much Oscar buzz I could not believe

0:41:39.560 --> 0:41:43.160
<v Speaker 1>it was about a singing teen. But again, as the

0:41:43.200 --> 0:41:45.000
<v Speaker 1>movie went on, I think that that critique would then

0:41:45.000 --> 0:41:48.560
<v Speaker 1>be turned into there are two stories going on, because

0:41:48.560 --> 0:41:52.160
<v Speaker 1>they didn't bring up the workers' rights part very deeply

0:41:52.280 --> 0:41:54.759
<v Speaker 1>until the second half, which was a very true. That

0:41:54.800 --> 0:41:56.680
<v Speaker 1>was a compelling, very compelling film.

0:41:57.000 --> 0:41:59.600
<v Speaker 2>Uh. Trage for not being allowed to sit down when

0:41:59.600 --> 0:42:02.000
<v Speaker 2>the choir teacher comes in is like, nope, stand up everyone.

0:42:02.040 --> 0:42:06.480
<v Speaker 2>Oh my gosh. I became exhausted at the memory of

0:42:06.520 --> 0:42:09.759
<v Speaker 2>having to stand up out of my chair during the

0:42:09.760 --> 0:42:14.160
<v Speaker 2>singing sessions. The singing is horrible for the school musical horrible.

0:42:14.400 --> 0:42:18.440
<v Speaker 2>Let me sit down, Trag'm not a born singer. I

0:42:18.560 --> 0:42:19.360
<v Speaker 2>want to sit.

0:42:21.239 --> 0:42:24.640
<v Speaker 1>I was born to sit, not to sing. Trage for

0:42:25.280 --> 0:42:28.560
<v Speaker 1>that scene where everybody knows more than you about something

0:42:28.600 --> 0:42:31.240
<v Speaker 1>and you realize it when you get to the room, terrifying.

0:42:31.400 --> 0:42:33.840
<v Speaker 1>That was all of college for the audition. I didn't

0:42:33.880 --> 0:42:36.799
<v Speaker 1>know about this m college when I got to an

0:42:36.880 --> 0:42:39.000
<v Speaker 1>arts program and everybody was talking about artists and I

0:42:39.040 --> 0:42:40.640
<v Speaker 1>was like, Okay, no, I'm taking this class because I've

0:42:40.640 --> 0:42:42.320
<v Speaker 1>never heard of one. I don't know anything.

0:42:42.360 --> 0:42:44.800
<v Speaker 2>I know like Vincent van Goh, and that should be allowed.

0:42:45.600 --> 0:42:48.760
<v Speaker 2>It's so annoying when people already know things. It's terrible

0:42:49.480 --> 0:42:53.080
<v Speaker 2>trage for outside clothes on the bed. When she and

0:42:53.120 --> 0:42:55.879
<v Speaker 2>her friend are over at her house, they're both lying

0:42:55.960 --> 0:42:58.440
<v Speaker 2>on her bed with not even the duvet, the comforter

0:42:58.680 --> 0:43:02.719
<v Speaker 2>up on the sheets, in their outside clothes.

0:43:02.400 --> 0:43:03.360
<v Speaker 1>And they were probably fishing.

0:43:03.600 --> 0:43:05.880
<v Speaker 2>Yeah, oh fishy bed.

0:43:06.120 --> 0:43:08.400
<v Speaker 1>Trag for. Again, that doesn't bother me that much, but

0:43:08.440 --> 0:43:11.520
<v Speaker 1>I get it trag for. Is there some scenes with

0:43:11.600 --> 0:43:13.560
<v Speaker 1>her speech where it really did not feel like she

0:43:13.600 --> 0:43:16.120
<v Speaker 1>grew up doing asl And I was like, oh, that's

0:43:16.160 --> 0:43:17.960
<v Speaker 1>such a missed opportunity in my opinion, But.

0:43:19.239 --> 0:43:21.600
<v Speaker 2>Uh, trage for. I really don't get high school bullying

0:43:21.680 --> 0:43:24.600
<v Speaker 2>as depicted in movies. Okay, I don't know if I

0:43:24.600 --> 0:43:26.919
<v Speaker 2>don't remember high school fish girl, but.

0:43:27.480 --> 0:43:32.200
<v Speaker 1>What slop flop fish girl? What oh smells like fish

0:43:32.280 --> 0:43:33.279
<v Speaker 1>fish girl?

0:43:33.600 --> 0:43:37.399
<v Speaker 2>I just don't your parents are deaf, eh, I don't

0:43:37.400 --> 0:43:38.480
<v Speaker 2>think that is happening.

0:43:38.760 --> 0:43:41.160
<v Speaker 1>She seemed to be the in the world getting bullied.

0:43:41.160 --> 0:43:47.520
<v Speaker 2>Also, yeah, odd, odd, Yeah, I have another odd depiction

0:43:47.560 --> 0:43:48.440
<v Speaker 2>of high school.

0:43:48.320 --> 0:43:50.160
<v Speaker 1>Like oh yeah, mean girls are gonna be like, oh,

0:43:50.200 --> 0:43:54.840
<v Speaker 1>you're a fishy fish girl, like we hate you. I guess, yeah,

0:43:54.239 --> 0:43:57.560
<v Speaker 1>I really don't get it. My final trage is my

0:43:57.600 --> 0:43:59.440
<v Speaker 1>first trag, which was, Okay, this is this movie is

0:43:59.440 --> 0:44:03.000
<v Speaker 1>a little cringe. And every time I wrote that thing down,

0:44:03.000 --> 0:44:04.560
<v Speaker 1>it was when they were having a singing scene. So

0:44:04.600 --> 0:44:07.480
<v Speaker 1>I think, yep, yep, I think we get it.

0:44:07.560 --> 0:44:13.280
<v Speaker 2>Yep. A trage for this. This will be my last trage.

0:44:13.920 --> 0:44:17.959
<v Speaker 2>A trage for why doesn't anyone ever explain what's going

0:44:18.000 --> 0:44:22.759
<v Speaker 2>on or try to reschedule when they can't make something. Yeah,

0:44:22.800 --> 0:44:27.120
<v Speaker 2>the scene where the news showed up and she couldn't

0:44:27.160 --> 0:44:30.120
<v Speaker 2>go to music practice because she then had to interpret

0:44:30.160 --> 0:44:33.600
<v Speaker 2>for her parents for the news. I was like, this

0:44:33.640 --> 0:44:37.319
<v Speaker 2>would have been on their calendar. She could easily just

0:44:37.480 --> 0:44:42.520
<v Speaker 2>text her music tutor and say, hey, I'm really sorry,

0:44:42.600 --> 0:44:44.640
<v Speaker 2>this is what's going on. Could we maybe move these

0:44:44.640 --> 0:44:47.719
<v Speaker 2>sessions to a later time, given that I'm always late

0:44:47.800 --> 0:44:50.279
<v Speaker 2>to them, could we maybe move these to a half

0:44:50.320 --> 0:44:54.520
<v Speaker 2>hour later because I'm consistently arriving at five twenty, So

0:44:54.560 --> 0:44:56.680
<v Speaker 2>if we started at five point thirty, we could avoid

0:44:56.680 --> 0:44:59.920
<v Speaker 2>this problem. And instead she's like, I have a lot

0:45:00.080 --> 0:45:02.160
<v Speaker 2>going on, Like just say, the news showed up and

0:45:02.200 --> 0:45:03.319
<v Speaker 2>it was a really huge thing.

0:45:04.080 --> 0:45:07.960
<v Speaker 1>Just explain what family going on? Family thing.

0:45:08.040 --> 0:45:10.160
<v Speaker 2>I don't like that. It's like how you feel about

0:45:10.160 --> 0:45:13.680
<v Speaker 2>when people don't answer questions in movies they just walk away.

0:45:14.239 --> 0:45:16.040
<v Speaker 2>That's how I feel when people when there's some sort

0:45:16.040 --> 0:45:19.880
<v Speaker 2>of like misunderstanding, yes, unavoidable misunderstanding. Hate that.

0:45:21.840 --> 0:45:24.799
<v Speaker 1>Well, Yahn show onto our next segment, which is, of course,

0:45:24.800 --> 0:45:27.080
<v Speaker 1>how to pretend you've seen this film. This is for Yes,

0:45:27.480 --> 0:45:30.839
<v Speaker 1>you are standing by the water, just trying to look

0:45:30.880 --> 0:45:33.160
<v Speaker 1>at the nice the nice looking at the lake of

0:45:33.320 --> 0:45:38.520
<v Speaker 1>a Massachusetts lake, and Miles Miles, Miles on.

0:45:38.520 --> 0:45:43.439
<v Speaker 2>A boat full of shoes, the tallest, palest, skinniest boy

0:45:43.480 --> 0:45:44.000
<v Speaker 2>in school.

0:45:44.040 --> 0:45:45.440
<v Speaker 1>He says, I was just coming to dump all these

0:45:45.440 --> 0:45:48.160
<v Speaker 1>shoes in the water because I'm done with them. You say,

0:45:48.200 --> 0:45:50.800
<v Speaker 1>don't do that. So many about things happening in the class,

0:45:50.800 --> 0:45:53.359
<v Speaker 1>so many about things to our environment, He says, Hey,

0:45:54.160 --> 0:45:54.399
<v Speaker 1>you know.

0:45:54.520 --> 0:45:57.600
<v Speaker 2>Sitting on that rock singing Happy Birthday to yourself really

0:45:57.600 --> 0:45:59.400
<v Speaker 2>reminded me of a film.

0:45:59.200 --> 0:46:02.160
<v Speaker 1>Of a film I saw I liked all the crassness.

0:46:02.840 --> 0:46:07.000
<v Speaker 2>Shout at you crassley about it at a time.

0:46:07.080 --> 0:46:09.240
<v Speaker 1>Yeah, you've never even heard of it. It was Oscar buzz,

0:46:09.280 --> 0:46:12.319
<v Speaker 1>but most girls haven't seen it. And uh. In order

0:46:12.360 --> 0:46:13.759
<v Speaker 1>to in.

0:46:13.800 --> 0:46:18.640
<v Speaker 2>Order smiles out of the conversation and rescue the lake

0:46:18.719 --> 0:46:20.200
<v Speaker 2>from shoetom, here are.

0:46:20.160 --> 0:46:21.759
<v Speaker 1>A few things you can say to pretend you've seen

0:46:21.800 --> 0:46:24.920
<v Speaker 1>the film Coda.

0:46:25.480 --> 0:46:28.680
<v Speaker 2>Miles, I've seen the film Coda, or as I like

0:46:28.760 --> 0:46:31.520
<v Speaker 2>to call it, cod.

0:46:33.360 --> 0:46:42.840
<v Speaker 1>Cod uh a cod cod ah. I'm sorry, this is

0:46:42.840 --> 0:46:48.040
<v Speaker 1>what I hate Hollywood. Yes, Miles, I have seen Coda.

0:46:48.440 --> 0:46:51.160
<v Speaker 1>Two fun facts are the onset interpreters. We're all Coda's

0:46:52.000 --> 0:46:53.960
<v Speaker 1>that children of deff adults, which makes sense. I think

0:46:53.960 --> 0:46:57.799
<v Speaker 1>that's really common for interpreters. And then also the other

0:46:57.920 --> 0:47:01.920
<v Speaker 1>fact is that Amelia Jones spent nine months learning American

0:47:01.960 --> 0:47:05.280
<v Speaker 1>sign language, having singing lessons, and learning how to operate

0:47:05.280 --> 0:47:06.080
<v Speaker 1>a fishing trawler.

0:47:06.400 --> 0:47:10.200
<v Speaker 2>Okay, wow, so they just got like a pretty British girl.

0:47:10.360 --> 0:47:13.560
<v Speaker 1>Why not get someone who went any other parts the

0:47:13.560 --> 0:47:16.640
<v Speaker 1>four things that are part of this fishing sign language,

0:47:16.840 --> 0:47:19.839
<v Speaker 1>singing and being American. She didn't know any of them.

0:47:20.920 --> 0:47:22.479
<v Speaker 1>Why is it that we do things this way?

0:47:23.080 --> 0:47:26.560
<v Speaker 2>Interesting. She did a good job acting wise, but that

0:47:26.719 --> 0:47:27.320
<v Speaker 2>is interesting.

0:47:27.520 --> 0:47:29.200
<v Speaker 1>I get why she's just good. I didn't think she

0:47:29.280 --> 0:47:31.439
<v Speaker 1>was bad. I just just is this how we really

0:47:31.440 --> 0:47:32.000
<v Speaker 1>go about it?

0:47:32.600 --> 0:47:36.560
<v Speaker 2>Yeah, Miles, I've seen Coda, and I'm going to tell

0:47:36.600 --> 0:47:40.920
<v Speaker 2>you now what the teacher told her Ruby in the

0:47:41.000 --> 0:47:45.759
<v Speaker 2>film during a moment of being frustrated. I have a

0:47:45.800 --> 0:47:49.480
<v Speaker 2>whole life that has nothing to do with you, and

0:47:49.520 --> 0:47:51.640
<v Speaker 2>I need to get back to it, Miles, so please

0:47:52.200 --> 0:47:55.399
<v Speaker 2>paddle away. Wow.

0:47:55.440 --> 0:47:59.680
<v Speaker 1>This sucks, Yes, it sucks, but then it's good and

0:47:59.719 --> 0:48:01.480
<v Speaker 1>also makes it clear maybe why this was such an

0:48:01.480 --> 0:48:02.359
<v Speaker 1>impactful film at the time.

0:48:02.400 --> 0:48:02.879
<v Speaker 2>And I'm being.

0:48:02.840 --> 0:48:07.759
<v Speaker 1>Nippicky, but uh, yes, Miles, I have seen Coda. When

0:48:07.800 --> 0:48:12.400
<v Speaker 1>it became clear to the financiers that Sean Hayter intended

0:48:12.400 --> 0:48:15.920
<v Speaker 1>to cast real deaf actors for all the deaf characters,

0:48:16.719 --> 0:48:21.359
<v Speaker 1>the financiers threatened to withdraw their funding. What I guess,

0:48:21.360 --> 0:48:23.080
<v Speaker 1>because they thought it wasn't gonna have enough pull like

0:48:23.080 --> 0:48:23.719
<v Speaker 1>they wanted more.

0:48:24.160 --> 0:48:27.240
<v Speaker 2>That's so wild. That is wow.

0:48:27.440 --> 0:48:29.840
<v Speaker 1>So sorry Sean for being so rude, because I know

0:48:29.880 --> 0:48:32.120
<v Speaker 1>that you did you you cared.

0:48:32.600 --> 0:48:33.200
<v Speaker 2>Oh yeah.

0:48:33.480 --> 0:48:36.600
<v Speaker 1>But then Marley Mattlin then said that she would pull

0:48:36.640 --> 0:48:38.040
<v Speaker 1>out if that turned out to be the case and

0:48:38.080 --> 0:48:40.040
<v Speaker 1>they reverse their decision, So way to go, Marley.

0:48:40.200 --> 0:48:42.320
<v Speaker 2>She has so much power work.

0:48:42.200 --> 0:48:44.960
<v Speaker 1>But like, what the hell? That is insane?

0:48:45.800 --> 0:48:46.839
<v Speaker 2>That is insane.

0:48:47.480 --> 0:48:51.719
<v Speaker 1>That would be horrible. Imagine if it was like, I

0:48:51.719 --> 0:48:55.000
<v Speaker 1>don't know, Ben Affleck playing.

0:48:54.680 --> 0:48:58.239
<v Speaker 2>The dad, Oh god, and it would have been Ben

0:48:58.239 --> 0:48:59.120
<v Speaker 2>Affleck as well.

0:48:59.200 --> 0:49:07.240
<v Speaker 1>That would have been so so's Boston way less impactful

0:49:07.480 --> 0:49:09.920
<v Speaker 1>and offensive. That a they didn't cast anybody in b

0:49:10.000 --> 0:49:12.360
<v Speaker 1>They thought that any that any actor could be just

0:49:12.400 --> 0:49:15.440
<v Speaker 1>as good as somebody who actually speaks asl.

0:49:15.600 --> 0:49:22.680
<v Speaker 2>Hmmm, true, Miles, stop it. I've seen coda and you're

0:49:22.719 --> 0:49:26.720
<v Speaker 2>being as dumb right now as when the dad says,

0:49:27.920 --> 0:49:31.240
<v Speaker 2>in response to the mom saying our baby is moving away,

0:49:32.520 --> 0:49:37.399
<v Speaker 2>the dad says she was never a baby, which, when

0:49:37.440 --> 0:49:41.440
<v Speaker 2>you think about it for one second at all, is

0:49:41.520 --> 0:49:42.760
<v Speaker 2>biologically false.

0:49:43.360 --> 0:49:44.600
<v Speaker 1>She never was a baby due.

0:49:44.480 --> 0:49:46.239
<v Speaker 2>To the fact that at one point she was in

0:49:46.280 --> 0:49:51.480
<v Speaker 2>fact literally a baby. Now put the shoe down and

0:49:51.600 --> 0:49:56.319
<v Speaker 2>get out of the lake. I love that. I think

0:49:56.360 --> 0:50:00.919
<v Speaker 2>I was never a baby. That would have been inappropriate.

0:50:02.360 --> 0:50:04.600
<v Speaker 1>It is really funny imagining you as a baby.

0:50:04.760 --> 0:50:09.520
<v Speaker 2>That is hilarious, Like what was I doing pissing myself.

0:50:09.640 --> 0:50:13.080
<v Speaker 2>I don't think so. I think I was just kind

0:50:13.080 --> 0:50:16.640
<v Speaker 2>of keeping it all together and being reserved.

0:50:17.440 --> 0:50:23.520
<v Speaker 1>Yes, Myles, I have seen the film Coda. Troy Kotzer,

0:50:23.680 --> 0:50:26.400
<v Speaker 1>the dad in this, was the first deaf male actor

0:50:26.440 --> 0:50:28.680
<v Speaker 1>to win an OSCAR for this movie. I think he

0:50:28.719 --> 0:50:32.440
<v Speaker 1>won Best Supporting Actor, which he totally deserved. And then

0:50:32.520 --> 0:50:35.600
<v Speaker 1>Marley Mattlin, who was the mom in this movie, was

0:50:35.640 --> 0:50:38.680
<v Speaker 1>the first deaf female actress to win an OSCAR for

0:50:38.880 --> 0:50:40.600
<v Speaker 1>Children of a Lesser God, which is I think what?

0:50:40.800 --> 0:50:45.400
<v Speaker 2>Oh yeah, in the nineties, Sleigh Sleigh, Sianna, should we

0:50:45.440 --> 0:50:47.120
<v Speaker 2>jump off the cliff into our next segment?

0:50:47.320 --> 0:50:47.960
<v Speaker 1>Let's do it.

0:50:48.200 --> 0:50:50.840
<v Speaker 2>This is, of course, is yes, should you watch this

0:50:51.080 --> 0:50:54.600
<v Speaker 2>or or boat, in which we tell you if we

0:50:54.600 --> 0:50:56.280
<v Speaker 2>think you should watch the movie or if you should

0:50:56.280 --> 0:50:57.520
<v Speaker 2>do something else with your time?

0:51:00.520 --> 0:51:01.440
<v Speaker 1>Leanna, what do you think?

0:51:02.520 --> 0:51:06.000
<v Speaker 2>I think, Yes, you can watch Coda. I think it's

0:51:06.040 --> 0:51:11.640
<v Speaker 2>important to see stories totally about people with disabilities. A

0:51:11.840 --> 0:51:16.200
<v Speaker 2>because like giving them an additional view is important industry wise,

0:51:17.120 --> 0:51:19.160
<v Speaker 2>not that they get enough royalties because it's on a

0:51:19.160 --> 0:51:23.319
<v Speaker 2>streaming platform, but B because it's just interesting, like it

0:51:23.360 --> 0:51:26.759
<v Speaker 2>moddens the horizons totally. It was also an interesting way

0:51:26.800 --> 0:51:29.160
<v Speaker 2>to watch a movie, like, I watched it differently than

0:51:29.160 --> 0:51:34.120
<v Speaker 2>I would have watched a movie without as many subtitles,

0:51:34.120 --> 0:51:37.200
<v Speaker 2>because I literally had to watch. Yeah, that's so often

0:51:37.640 --> 0:51:40.440
<v Speaker 2>I often am not I'm often looking away or distracted,

0:51:40.480 --> 0:51:46.799
<v Speaker 2>and so it's certainly a worthwhile watch. But you if

0:51:46.800 --> 0:51:50.319
<v Speaker 2>you are a former performer from high school, you will

0:51:50.400 --> 0:51:54.480
<v Speaker 2>absolutely a lot of moments that you totally take for yourself.

0:51:55.280 --> 0:51:56.960
<v Speaker 2>What would you say, Sienna.

0:51:56.480 --> 0:51:58.920
<v Speaker 1>I feel exactly the same. I think it's actually totally

0:51:59.000 --> 0:52:02.040
<v Speaker 1>worth a watch, even though we were critical. It's uh,

0:52:02.520 --> 0:52:06.719
<v Speaker 1>I've also been lucky to see probably it like if

0:52:06.719 --> 0:52:09.400
<v Speaker 1>you've never seen any content with any deaf actors, or

0:52:09.440 --> 0:52:14.680
<v Speaker 1>seen a lot of deaf content on TV or anything.

0:52:14.719 --> 0:52:17.200
<v Speaker 1>I mean, I think it's totally worth watching that getting

0:52:17.239 --> 0:52:19.480
<v Speaker 1>into it. Yeah, there's a lot that I really liked

0:52:19.520 --> 0:52:21.080
<v Speaker 1>about the movie. I think it's totally worth a watch.

0:52:21.120 --> 0:52:22.879
<v Speaker 1>And as long as you're bracing yourself. The only reason

0:52:22.920 --> 0:52:24.200
<v Speaker 1>we were so weird a out is because we were

0:52:24.200 --> 0:52:27.040
<v Speaker 1>completely blindsided by the fact that it was a Glee movie.

0:52:28.320 --> 0:52:30.319
<v Speaker 1>So just know that there'll be some cringey whatever stuff.

0:52:30.320 --> 0:52:31.719
<v Speaker 1>And if you weren't a drama kid, I don't think

0:52:31.760 --> 0:52:32.719
<v Speaker 1>it'll bother you as much.

0:52:33.200 --> 0:52:36.480
<v Speaker 2>I don't think it survived. I think you'll be fine. Yeah.

0:52:36.520 --> 0:52:38.799
<v Speaker 1>But besides that, it's very sweet and I really love

0:52:38.800 --> 0:52:39.880
<v Speaker 1>the actors in it, and it makes me want to

0:52:39.920 --> 0:52:41.600
<v Speaker 1>watch Marley Mattlin and more stuff. It makes me want

0:52:41.600 --> 0:52:45.520
<v Speaker 1>to watch Troy Kotzer and more so. Anyway, and uh,

0:52:45.920 --> 0:52:50.359
<v Speaker 1>you know it's a movie about uh about workers' rights

0:52:50.360 --> 0:52:54.040
<v Speaker 1>as well, and they win the side school. So yeah, Leona,

0:52:54.040 --> 0:52:56.399
<v Speaker 1>what would you rate this movie? It's an interesting one.

0:52:56.440 --> 0:53:01.400
<v Speaker 2>Give Coda four stomped fish out of five. For just

0:53:01.480 --> 0:53:03.600
<v Speaker 2>the plot line itself, I would give it like a

0:53:03.680 --> 0:53:04.440
<v Speaker 2>two and a half.

0:53:04.560 --> 0:53:06.120
<v Speaker 1>Yeah, I think this is a good way of putting it.

0:53:06.880 --> 0:53:09.600
<v Speaker 2>What the plot was so weird for like, for what

0:53:09.680 --> 0:53:13.239
<v Speaker 2>it did as a movie and for Hollywood. Yeah, I

0:53:13.280 --> 0:53:15.680
<v Speaker 2>think it did so true todle forward in an important,

0:53:15.719 --> 0:53:18.279
<v Speaker 2>like societal way. That's so true. And I think a

0:53:18.280 --> 0:53:21.080
<v Speaker 2>lot of the performances were very good, and the ending

0:53:21.320 --> 0:53:26.720
<v Speaker 2>was actually really good. It was just like the first

0:53:26.719 --> 0:53:30.040
<v Speaker 2>part that was so annoyally weird, and that audition scene

0:53:30.080 --> 0:53:32.520
<v Speaker 2>was a complete work of fiction. It life And she

0:53:32.560 --> 0:53:34.640
<v Speaker 2>would never get into the Berkeley School of me totally,

0:53:35.120 --> 0:53:38.200
<v Speaker 2>not with that behavior. Totally Sienna, how about you.

0:53:39.280 --> 0:53:43.000
<v Speaker 1>Yeah, I would give Coda. I'm going to give this

0:53:43.040 --> 0:53:46.160
<v Speaker 1>film three point five full ponytails out of five, which,

0:53:46.160 --> 0:53:50.520
<v Speaker 1>by the way, she oh yeah wow, her hair was amazing.

0:53:50.560 --> 0:53:54.440
<v Speaker 1>But uh yeah, I completely agree the ways that it

0:53:54.480 --> 0:53:56.760
<v Speaker 1>was awesome. It was really awesome. All the main actors

0:53:56.760 --> 0:53:59.680
<v Speaker 1>were great. Even though I had some gripes about wishing that,

0:54:00.360 --> 0:54:05.160
<v Speaker 1>you know, she was actually a Coda, she was very

0:54:05.200 --> 0:54:11.000
<v Speaker 1>good for this role. And the brother and the the

0:54:11.080 --> 0:54:14.160
<v Speaker 1>parents were just so awesome. There was so much that

0:54:14.200 --> 0:54:16.719
<v Speaker 1>I enjoyed about. It was very sweet and as long

0:54:16.760 --> 0:54:17.400
<v Speaker 1>as you know it's.

0:54:17.280 --> 0:54:22.959
<v Speaker 2>Cringe, nor is the worst thing. I'm free exactly being

0:54:22.960 --> 0:54:24.600
<v Speaker 2>cringe is not the worst thing ever.

0:54:24.680 --> 0:54:28.600
<v Speaker 1>And super sweet. Yeah, and now I've seen Coda.

0:54:29.280 --> 0:54:31.600
<v Speaker 2>That was our review of it. Thank you everyone. We

0:54:31.680 --> 0:54:35.239
<v Speaker 2>are Tossed Popcorn as always. You can find us on

0:54:35.280 --> 0:54:37.640
<v Speaker 2>Instagram at toss Popcorn. If you want to hear us

0:54:37.680 --> 0:54:41.040
<v Speaker 2>talk about the Opposite of Coda aka nos Feratu, you

0:54:41.080 --> 0:54:43.960
<v Speaker 2>can subscribe to our Patreon to see a video episode

0:54:43.960 --> 0:54:51.520
<v Speaker 2>about that film, and please join us next week when

0:54:51.560 --> 0:54:56.240
<v Speaker 2>we will be watching Is it Time, It is Time,

0:54:57.040 --> 0:54:59.680
<v Speaker 2>It's Time, It's the World's.

0:54:59.360 --> 0:55:04.640
<v Speaker 1>About and it's time for us to watch promising young woman.

0:55:07.440 --> 0:55:15.000
<v Speaker 1>Whoo yeah, whooooooooo woo.

0:55:15.040 --> 0:55:21.280
<v Speaker 2>Thank you, We love you. Bye.

0:55:22.680 --> 0:55:25.160
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:55:25.280 --> 0:55:28.080
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:55:28.120 --> 0:55:31.280
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:55:31.320 --> 0:55:33.560
<v Speaker 1>so make sure to subscribe so that you don't miss

0:55:33.560 --> 0:55:37.080
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

0:55:37.160 --> 0:55:41.440
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app Leani.

0:55:41.480 --> 0:55:43.680
<v Speaker 1>You said, why does she have a Cthulhu stuffed animal?

0:55:44.560 --> 0:55:45.279
<v Speaker 1>Did she see this?

0:55:45.400 --> 0:55:45.480
<v Speaker 2>No?

0:55:45.560 --> 0:55:45.960
<v Speaker 1>I did not.

0:55:46.160 --> 0:55:48.200
<v Speaker 2>I guess cause she's the corner of room is like

0:55:48.200 --> 0:55:50.960
<v Speaker 2>a Cthulhu ass squid. And then at the end of

0:55:51.000 --> 0:55:54.120
<v Speaker 2>the movie, when she's moving to college thirty minutes away,

0:55:54.320 --> 0:55:58.880
<v Speaker 2>uh huh, he brings out Cuthulhu and hands her to

0:55:59.480 --> 0:56:04.279
<v Speaker 2>her is distracting. It's distracting to put Kuthulhu in the

0:56:04.280 --> 0:56:05.720
<v Speaker 2>corner of a film.