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Speaker 1: The volume, No.

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Speaker 2: Five, four, three two one? Who do we appreciate? Or No,

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Speaker 2: that's ten, that's one.

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Speaker 1: Five.

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Speaker 3: Yeah, niggas go to Atlanta boy, telling you, telling you

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Speaker 3: the education down there, just it kind of bleeds into you,

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Speaker 3: don't it that it just seeps into you, don't I

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Speaker 3: was really damn he was over there struggling.

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Speaker 1: Number that rhyme with a yo damn yo? What's up? Baby?

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Speaker 1: D fresh off Atlanta? Like dot?

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Speaker 4: Why are we coming on my ship?

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Speaker 1: Are we not coming in on your ship? No?

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Speaker 3: Because I'm just saying, like you just you just got

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Speaker 3: it in fresh at the airport, smelling like flights and hotels.

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Speaker 1: I know that freak hotel. I ain't not no hotels.

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Speaker 1: Oh my bad, Yeah, my bad. I forgot. What's happening

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Speaker 1: to that? My bad? Baby G I forgot? Are you

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Speaker 1: feeling though, I'm feeling that I went out there to

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Speaker 1: go to one music fest?

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Speaker 2: Yeah? Yeah, I want to Whose phone ringing your ya?

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Speaker 2: Who's gonna answer it? Answer the phone?

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Speaker 1: Man? Answer who is that? Hello? Who is that? Who

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Speaker 1: is that? Yeah? I'll call you later. Move man, now,

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Speaker 1: I don't do that. Why are you hanging up? You guys? Crazy?

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Speaker 1: Because you was about to go like, yo, who phone ringing?

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Speaker 1: Your phone ringing? So now that you answered, let me

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Speaker 1: say hello fu you know ye nigga trying. You said

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Speaker 1: you were supposed to be you gotta chip, really gotta ship.

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Speaker 1: I wasn't. I was Atlanta. So one music.

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Speaker 4: Festival was cool, but I overdid it.

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Speaker 2: I overdid it, bro I I how you overdoing it?

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Speaker 1: At an R and B festival.

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Speaker 2: It was wrapped there too. What was it was just three?

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Speaker 2: I saw Warren G performed. I ain't seen Warren G. Yeah,

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Speaker 2: so the Future was the headliner like it was hip.

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Speaker 1: Hop y oh okay? You was that he was outside

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Speaker 1: with the ship. Yeah. They had Dungeon family performing.

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Speaker 2: I didn't make it to none of them though, because

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Speaker 2: after kay Lane, which was at.

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Speaker 1: Seven o'clock, oh okay, I I was.

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Speaker 4: So I went to the I was in the vi P.

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Speaker 2: I went to the Hennessy Little activation that they had

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Speaker 2: the Hennessy activity.

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Speaker 4: It was in vip okay okay.

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Speaker 2: So I went into the Hennessy activation and they were

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Speaker 2: serving like Hennessy strawberry lemonades and Hennessy expressed on Martini's

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Speaker 2: and they were like in big like big ass cups

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Speaker 2: and I'm just like, oh, just sip and sip and sipping.

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Speaker 2: I had forgot I was off the cut Water earlier

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Speaker 2: was cut water. So cut water is like a cocktail

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Speaker 2: and a can okay, okay, yeah, so.

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Speaker 1: It was like a limit.

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Speaker 2: It's eleven percent of alcohol, so it's not just like

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Speaker 2: you know, the little yeah no. So that mixed with

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Speaker 2: the three Hennessy cocktails, I blacked out. I do not

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Speaker 2: remember how I got home. I don't remember getting in

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Speaker 2: the uber. I don't remember getting home, taking my clothes off,

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Speaker 2: getting a bed, nothing. I'll just remember kay Lannie and

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Speaker 2: then waking up in the bed at five o'clock in

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Speaker 2: the morning.

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Speaker 1: Wow mm hmm. So you don't know how one music

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Speaker 1: festival went? No who?

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Speaker 2: And I called myself vlogging like I have a little

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Speaker 2: clips where I called myself blogging like.

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Speaker 1: I was like, well, can I see those?

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Speaker 4: I was recording the sky I got.

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Speaker 2: I was like, yeah, back bro. But it was a

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Speaker 2: it was a good time in The festival was in

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Speaker 2: pe Mont Park in Atlanta, which is huge. It was

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Speaker 2: a huge, huge venue and they had a lot of

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Speaker 2: a lot of people, apparently Ray J, Pleasure, P Bobby

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Speaker 2: Valentino and seem me have a group called R.

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Speaker 3: S v P.

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Speaker 1: Remember they did they when they was that? That wasn't

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Speaker 1: a verses? Did they do it? Versus? Together? Was on stage?

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Speaker 1: I remember? You don't remember that. You don't remember the

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Speaker 1: I think it was the.

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Speaker 3: L A O.

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Speaker 1: Okay, you don't remember when ray J was on? They

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Speaker 1: was all on stage. No, I don't remember.

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Speaker 2: But when I knew that they were all performing together, but.

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Speaker 3: R s v P sent me, Yeah, that's when they

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Speaker 3: That's when they said the name of the the group ORGVP.

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Speaker 3: Why did we spoke about that? I think we did

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Speaker 3: speak about that.

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Speaker 2: When they were performing. I came to realize why R

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Speaker 2: and B niggas so short and stocky. They're all short,

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Speaker 2: like them niggas together all put together don't hit seven feet.

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Speaker 2: It's like, now I'm dead ass. They were all standing toge.

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Speaker 2: I'm like, all of you niggas are mad? Sure? I

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Speaker 2: mean they did a good job. No, ray J Mike

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Speaker 2: wasn't on, but I mean that's whatever right to be expected.

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Speaker 1: He's like Ridge is a legend though he is. Yeah,

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Speaker 1: that might sounded just like the track. He did not.

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Speaker 1: I don't think he whispered a word before we go

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Speaker 1: any further.

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Speaker 3: We all back and sponsored by Boost MOE Unlimited Talk

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Speaker 3: Text Data and Espressal Hennessy Espressal on TV for Baby D.

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Speaker 3: Rory is not here today, Baby D. Doesn't it feel

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Speaker 3: like we feel black? There's no oppression in the room,

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Speaker 3: no press, no oppressors. Rory is on the rock the

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Speaker 3: Bells cruise. He's listening to the locks as he crosses

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Speaker 3: the Mediterranean Sea right now. I mean I don't I

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Speaker 3: don't know where they are, but yes, hopefully he's having

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Speaker 3: a good time. Nothing but under armor, long sleep dry

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Speaker 3: fits in his suitcase. So he had to carry on.

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Speaker 1: Bottles of wine. You know you can bring your own

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Speaker 1: wine on the cruise, can you? You could pay to

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Speaker 1: bring bring bottles of wine? Wait? What you can bring

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Speaker 1: alcohol on a cruise? You can bring bottles of wine?

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Speaker 3: Yeah?

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Speaker 1: Wait, why you keep saying it's just wine? Yeah? I

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Speaker 1: think so.

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Speaker 2: I don't think you could bring liquor. I bring like

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Speaker 2: a bottle of wine, yeah.

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Speaker 1: One, or you can bring multiple bottles of wine.

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Speaker 2: I'm not sure it depends on a cruise line. Wow,

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Speaker 2: some people speak them on like sneak things.

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Speaker 1: I never knew that.

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Speaker 3: You can bring some alcohol on the cruise, But it

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Speaker 3: depends on the cruise line and the type of alcohol.

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Speaker 3: Most lines allowed you to bring one or two bottles

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Speaker 3: of wine or champagne per person in your carry on luggage. Okay,

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Speaker 3: so yeah, you're going with somebody on the cruise, you

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Speaker 3: bring a bottle.

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Speaker 1: I bring a bottle. Were good? Okay? I didn't know that.

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Speaker 1: All right.

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Speaker 3: So he's definitely having a good time. He's having a blast.

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Speaker 3: But today it's the niggas. While it's never been us,

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Speaker 3: the first time it's been just I mean, we did

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Speaker 3: half of a Patreon, we.

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Speaker 2: Did a full Patreon together. We did at at our

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Speaker 2: very first studio.

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Speaker 1: Baby, I don't remember that, you know.

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Speaker 4: Yeah, that's what I told you I was gonna name

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Speaker 4: my son Na see a Carter.

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Speaker 1: I remember. I will never forget what.

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Speaker 2: I'm not gonna do it no more because y'all call

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Speaker 2: ghetto bitches.

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Speaker 3: But all right, but how do you feel do you

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Speaker 3: still stand firm on that?

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Speaker 2: I think that that's a nice name. I think I'm

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Speaker 2: setting him up for like to be you know, powerful.

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Speaker 3: What else? Because if we're gonna talk about the name, like,

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Speaker 3: let's talk about it. Because my mom and pop set

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Speaker 3: me up I had to find a way. My name Muslim,

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Speaker 3: that's you podcast? Yeah, exactly, a crack rock which what

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Speaker 3: you want me to do?

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Speaker 1: Podcasts? And crack rock? Exactly? Let's do podcast this weekend?

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Speaker 1: You worry about with me and Rory?

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Speaker 3: What you did this weekend? My cousin had a baby shower.

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Speaker 3: It was the funniest thing. So I pulled up to

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Speaker 3: the uh to the venue so it was I used

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Speaker 3: to hang out there because it used to be like

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Speaker 3: a spot, like it was a strip club on that block.

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Speaker 1: That we used to go to and shit. So I

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Speaker 1: get there. I'm like, I ain't been on this side

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Speaker 1: of town in a minute. So we get there. So

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Speaker 1: my boy is.

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Speaker 3: Dropping me off and we drove past the spot and

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Speaker 3: this is a dude outside. He got a security shirt on.

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Speaker 3: He got a scully and a shasty on. So I'm like,

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Speaker 3: hold up. So I'm looking at the address. He's standing

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Speaker 3: right in front of the number.

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Speaker 1: On the door.

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Speaker 3: Whare I'm supposed to go? So I'm like, I'm like, yeh,

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Speaker 3: bro circle around one time. Because now now I'm texting like, yo,

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Speaker 3: what's the address again? Because I ain't never seen security

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Speaker 3: at a baby shop outside of a baby shop. Usually

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Speaker 3: your cousins did somebody got it on him just in case.

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Speaker 3: So we get back and I'm like, yo, this is

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Speaker 3: the spot. So I'm like god to my boys.

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Speaker 1: So he laughing. So I walk in.

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Speaker 3: I was expecting Homie to ask for ID because I

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Speaker 3: walked up. I'm like, yo, sup. He's like it was good,

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Speaker 3: but he acts like he wasn't opening the door. So

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Speaker 3: I'm like, he's all you're going in. I'm like, you

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Speaker 3: think walking up and say hello to you, like, yeah,

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Speaker 3: I'm going to the baby shout he let me in.

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Speaker 1: Whatever.

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Speaker 3: So when I get in, I hadn't met my cousin's

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Speaker 3: boyfriend yet.

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Speaker 1: I never met him.

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Speaker 3: So when I get in, I don't see nobody I recognize.

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Speaker 3: So now I'm really feeling like I'm in the wrong spot.

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Speaker 1: Yeah.

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Speaker 3: So then I look look, and then I saw my sister,

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Speaker 3: my pops, my sister, my mom's.

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Speaker 1: They was like towards the back. So I'm like, okay, cool,

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Speaker 1: but it was cool. It was a cool.

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Speaker 2: But why was security there? Because you still have dykes?

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Speaker 2: But think about it, though, shit goes down there, baby

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Speaker 2: shit yo. That being mister blackcatterday were talking the white

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Speaker 2: man here, we can get it. You don't see why

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Speaker 2: they would be a need for security at the baby shower.

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Speaker 1: I mean, I get it. You move on. Yeah, homeie mad.

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Speaker 3: Security my baby shower, they shouted out. He find out

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Speaker 3: today is your shower. He gonna know where it's at.

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Speaker 3: Everybody posting, you know how this this error is everybody

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Speaker 3: could find anybody.

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Speaker 1: Yeah.

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Speaker 3: So now the ex pull up and he decided that

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Speaker 3: he mad, and now he want to Yeah. Yeah, So

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Speaker 3: that's so the sightly outside explains everything. Now Now I

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Speaker 3: understand because I thought about when I got and I was.

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Speaker 1: Like, I never saw security at a baby shower before.

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Speaker 3: Makes one hundred percent sense now that when I said

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Speaker 3: that and thought about, I said, you know what, we

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Speaker 3: got enough social media to know these things happen at

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Speaker 3: baby shower.

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Speaker 1: Somebody pull up. Ex girlfriend pull up, she got her

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Speaker 1: cousins with her. So your cousin pussy good is what

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Speaker 1: I'm hearing.

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Speaker 4: That's what I heard.

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Speaker 1: That's what I heard, baby. I have never heard. I

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Speaker 1: have never thought about that.

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Speaker 2: If it was anybody else and you've seen security at

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Speaker 2: the baby shower, you'd be like, aha, that red snapper.

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Speaker 3: Or I don't know, I don't know how her boyfriend

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Speaker 3: seems like a cool guy.

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Speaker 1: He seems like a nice guy. Maybe in the streets.

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Speaker 1: I don't know. You know, niggas clean up at the

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Speaker 1: baby shower.

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Speaker 3: Niggas put on their best shirt, their best pants, get

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Speaker 3: a nice cut.

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Speaker 1: He might be in the streets.

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Speaker 3: He might have been the ops might be ready to

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Speaker 3: run down on him in his baby shower.

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Speaker 1: I don't know.

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Speaker 3: I don't know if that means my cousin is what

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Speaker 3: you said I but yes, my cousin had a baby shower.

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Speaker 1: Baby shower you like you get good gifts or money.

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Speaker 3: But she had a registry, So I gotta go in

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Speaker 3: there and just see what nobody got, Like I'm pretty

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Speaker 3: sure like she got to. But I always do that,

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Speaker 3: like whatever, like the registry, I'm like, all right, whatever

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Speaker 3: anybody didn't get.

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Speaker 1: When it comes close to the date, I'll just buy whatever.

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Speaker 2: Tip is to bring what a Walmart or Target gift

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Speaker 2: card and be like here buy whatever people they get.

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Speaker 3: Okay, that yeah, same thing, Like I usually i'll go

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Speaker 3: on the registere but I'm gonna, you know, whatever she needs,

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Speaker 3: she know she got it.

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Speaker 2: Well, did you watch the cash money versus no limit

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Speaker 2: versus I did watch the Cash Money No Limit versus

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Speaker 2: shout out to cash Money and No Limit.

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Speaker 3: You know a lot of people online today a little

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Speaker 3: younger y'all don't really know because.

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Speaker 1: You was us. You was young.

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Speaker 2: Yeah, you was like five six maybe four only no

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Speaker 2: limit Like person I know is little Romeo.

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Speaker 3: Yeah, see, you don't, y'all don't really know what this was.

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Speaker 3: But this was huge for uh, you know, just for

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Speaker 3: nostalgic purposes and just the legacy of tow of the

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Speaker 3: most iconic labels in hip hop being Cash Money and

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Speaker 3: No Limit. But the one problem we was talking about

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Speaker 3: it before we started, why was this in Las Vegas?

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Speaker 1: Complex Con? Fuck that?

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Speaker 3: And I know Complex shout out the Complex. We we

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Speaker 3: fuck with Complex, but we know Complex.

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Speaker 1: Gave them a bag.

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Speaker 3: Of course we know they you know, because it was

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Speaker 3: Complex Con and this was you know, the performance at

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Speaker 3: Complex Con.

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Speaker 1: But this had to be in New Orleans.

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Speaker 3: We were supposed to do this at the super Dome,

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Speaker 3: like this was not this is not Las Vegas. To

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Speaker 3: the crowd wasn't really no, because I mean it was

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Speaker 3: people out there for Complex Con. People traveled, you know

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Speaker 3: what I'm saying. So, but it's it wasn't. It wasn't

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Speaker 3: New Orleans. It wasn't. It wasn't that. I mean, people

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Speaker 3: obviously knew some of the songs. People, you know, happy

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Speaker 3: to see the gods performing them, but it wasn't. The

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Speaker 3: energy just wasn't what you hear when you when you

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Speaker 3: see Cash Money Versus No Limit. Yeah, that has to

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Speaker 3: be in New Orleans. Yeah, you understand what I'm saying, Like,

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Speaker 3: that's that's just too much history. It's too much, you know,

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Speaker 3: just ties to like the community for real, everybody that's

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Speaker 3: still in the city of New Orleans. I know, Hurricane

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Speaker 3: Katrina kind of separated people, but you know the essence

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Speaker 3: of what Cash Money and No Limit have done for

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Speaker 3: that city, you gotta have.

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Speaker 1: Them on stage in New Orleans.

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Speaker 3: So it was cool. It was cool seeing it. No

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Speaker 3: Little Wayne, No Turk.

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Speaker 1: I don't know how I invested I am at that

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Speaker 1: point when you say, you know, Wayne is not gonna

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Speaker 1: be there, Turk is not gonna be there, and it's like, so,

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Speaker 1: well did they play Little Wayne records? Though?

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Speaker 3: Uh, well, they played versus from from Wayne. You know,

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Speaker 3: obviously they had to play some of his verses and

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Speaker 3: things like that. But why wasn't Wayne there, Like, I

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Speaker 3: still don't understand where him and Burdman are, like, you know,

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Speaker 3: as far as personally, I don't know, you know, if

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Speaker 3: they even on speaking terms at this point, are really

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Speaker 3: not keep different?

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Speaker 1: Yeah, I don't know. I don't know.

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Speaker 3: I can't keep up with men that don't talk to

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Speaker 3: other men. That's just not my that's not my DNA.

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Speaker 1: So who won?

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Speaker 3: In my opinion looking at it, I mean it probably

302
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Speaker 3: was different inside the venue, but looking at it, I

303
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Speaker 3: felt like No Limit won.

304
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Speaker 1: Yeah, I felt like No Limit one. I felt like

305
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Speaker 1: the records.

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Speaker 3: Just just hit a little a little different. Now, don't

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Speaker 3: get a twisted cash one. Obviously, juveniles there, you know,

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Speaker 3: slow motion, I mean, that's that's a that's a hood.

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Speaker 1: Okay, that's that's what you see. You see what it does?

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Speaker 3: Soon what you get You ain't nobody playing nothing and

311
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Speaker 3: you just start slow wanting in your seat just when

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Speaker 3: you hear the song. So, yeah, you know it was

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Speaker 3: a couple. Don't get a twisted cash money. You know,

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Speaker 3: they put on a good show. But looking at it,

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Speaker 3: you know, from what I felt just looking at it,

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Speaker 3: I felt like No Limit Uh, they got the best,

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Speaker 3: the best of that night and now again that could

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Speaker 3: be because again you don't got you know, obviously the

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Speaker 3: jugging out in little Wayne not being there on stage

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Speaker 3: not it does you know, it takes away from me.

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Speaker 2: A lot of people saw it being closer than it

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Speaker 2: was because they they assumed that with cash money came

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Speaker 2: young money, and I was like, a I don't think

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Speaker 2: that that's fair, and I'm happy that they did they

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Speaker 2: didn't do that, right, Yeah, I'm happy that they didn't

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Speaker 2: do that. I don't think that that's fair in a sense.

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Speaker 1: I mean, yeah, I understand why you say that, but

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Speaker 1: I mean it.

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Speaker 3: Is cash money, young money. Yeah, like you never heard

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Speaker 3: any of the young money artists saying young money.

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Speaker 1: It didn't say cash money at the same time.

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Speaker 3: So you know, it's it's obviously Tiz did and affiliations,

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Speaker 3: but this was just from that era of cash money

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Speaker 3: before Drake Nikki, you know Wayne obviously was was cash

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Speaker 3: money before young money.

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Speaker 1: But Wayne not being there, I think was just the

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00:14:25,640 --> 00:14:27,160
Speaker 1: you know, it's like all right, man, like this is

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Speaker 1: you know, we get it.

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Speaker 3: It was still cool to see Juvie and you know,

340
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Speaker 3: BG and Baby Silk, camia X, you know, master P,

341
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Speaker 3: master P bro listen seeing master P per form those

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Speaker 3: records and then like really thinking about like the era

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Speaker 3: that master P had and dominated, we don't talk about

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Speaker 3: your master P played in the NBA.

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Speaker 1: He was just doing shit.

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Speaker 3: You don't listen, you can't. That is like, I don't

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Speaker 3: I really think we didn't stop. We didn't pause enough

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Speaker 3: to really like salute Masterp for that. Now, it wasn't

349
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Speaker 3: he didn't play eighty two games in the season, He

350
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Speaker 3: wasn't on the starting ross and all that opening day.

351
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Speaker 3: The fact that he was their preseason and just out

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Speaker 3: there he has a jersey, he was on the floor

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Speaker 3: with guys who played the full season.

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Speaker 1: Bro.

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Speaker 3: That is that's almost like this is like movie shit,

356
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Speaker 3: Like you know when the movies used to be, like yo,

357
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Speaker 3: he went on to play in the NBA, Like this

358
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Speaker 3: is what that is. This is like the dude from

359
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Speaker 3: the hood that was on the block, you know, getting

360
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Speaker 3: into some shit whatever whatever straighten out his life. They

361
00:15:32,520 --> 00:15:34,840
Speaker 3: was like, yo, you gotta take this serious. He took

362
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Speaker 3: it serious and really like did something that he didn't

363
00:15:37,960 --> 00:15:40,360
Speaker 3: you know, he didn't have a long career, but the

364
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Speaker 3: fact that he even got to that level, you know

365
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Speaker 3: how synonymous rap in basketball is.

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Speaker 1: Yeah, it's the same. It's one and the same.

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Speaker 3: The fact that master P did what he did in

368
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Speaker 3: music in the culture and actually played in a preseason

369
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Speaker 3: NBA game and.

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Speaker 1: Went on to be one of the girl It was preseason, correct,

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Speaker 1: was a preseason, So tell.

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Speaker 2: Tell me about that, because I know that we have

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Speaker 2: some somewhat of a younger audience, and by younger, even

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Speaker 2: the younger people we getting old now, so we might

375
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Speaker 2: not have been exactly around for that. Why did he

376
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Speaker 2: only play play preseason? Like was he what happened?

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00:16:15,160 --> 00:16:16,720
Speaker 3: Well, I mean, it's the NBA at the end of

378
00:16:16,760 --> 00:16:19,440
Speaker 3: the day, Like it's not you know, it's it's hard

379
00:16:20,160 --> 00:16:23,760
Speaker 3: for guys that are really good at basketball to make

380
00:16:24,280 --> 00:16:26,320
Speaker 3: the opening day roster and stay in the league Like

381
00:16:26,320 --> 00:16:28,720
Speaker 3: that's you know, that's just not something that any and

382
00:16:28,760 --> 00:16:29,440
Speaker 3: everybody could do.

383
00:16:29,520 --> 00:16:32,000
Speaker 1: So he wasn't that good.

384
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Speaker 3: He wasn't good enough to stay on an NBA roster,

385
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Speaker 3: but he was good.

386
00:16:35,680 --> 00:16:36,440
Speaker 1: But he was good.

387
00:16:36,920 --> 00:16:39,360
Speaker 3: He got to the you know, played in the preseason. Now,

388
00:16:39,400 --> 00:16:41,160
Speaker 3: some of it may have been just the lower of

389
00:16:41,160 --> 00:16:43,160
Speaker 3: it teams know what it did for marketing and things

390
00:16:43,200 --> 00:16:46,000
Speaker 3: like that, but still he got out there with it

391
00:16:46,160 --> 00:16:47,800
Speaker 3: looked good like he was. It wasn't like he was

392
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Speaker 3: out there and he looked crazy. He can play basketball.

393
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Speaker 1: Was he better than Brownie? Nah, he wasn't better than Brownie. No,

394
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Speaker 1: we ain't doing that. I know how you felt about Brownie.

395
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Speaker 1: I was just.

396
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Speaker 2: I mean this podcast has been critical of him when

397
00:17:08,720 --> 00:17:10,760
Speaker 2: he got drafted to the Lakers.

398
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Speaker 1: So no, I mean I was I rooted for it.

399
00:17:13,640 --> 00:17:18,800
Speaker 2: I like nepotism, but calling it nepotism exactly don't get it.

400
00:17:19,200 --> 00:17:19,600
Speaker 1: But that's why.

401
00:17:19,680 --> 00:17:22,359
Speaker 2: Was because because I mean master P didn't have nepotism.

402
00:17:22,760 --> 00:17:24,399
Speaker 3: I was asking no, no, that's but yeah, but no,

403
00:17:24,520 --> 00:17:28,480
Speaker 3: Brownie is, Yes, Bronnie will Bronnie right now and master

404
00:17:28,520 --> 00:17:30,440
Speaker 3: P back then if they played each other, Bronnie would

405
00:17:30,480 --> 00:17:33,800
Speaker 3: destroy master Pire's No, it's even like we're not gonna

406
00:17:33,800 --> 00:17:36,560
Speaker 3: do that, like he absolutely would. But I mean, I

407
00:17:37,000 --> 00:17:39,720
Speaker 3: still support nepotism. I'm shout out to Brownie. You know,

408
00:17:39,800 --> 00:17:41,400
Speaker 3: I hope that he has a great career. But yeah,

409
00:17:41,680 --> 00:17:43,680
Speaker 3: we didn't. We didn't give. We didn't the coach didn't

410
00:17:43,680 --> 00:17:47,359
Speaker 3: stop long enough to really salute that moment for master P.

411
00:17:48,200 --> 00:17:51,200
Speaker 3: Like making a preseason NBA game like that is something

412
00:17:51,240 --> 00:17:53,160
Speaker 3: that we haven't seen. We probably will never see again.

413
00:17:54,160 --> 00:17:58,200
Speaker 3: J Cole plays ball. He never was on a preseason

414
00:17:58,320 --> 00:17:59,800
Speaker 3: roster he was did he?

415
00:18:00,040 --> 00:18:02,040
Speaker 4: I feel like Africa or somewhere Cole was playing for.

416
00:18:03,200 --> 00:18:05,880
Speaker 1: What have you seen? Have you seen them African teams?

417
00:18:07,520 --> 00:18:10,880
Speaker 1: Come on, We're not doing that. I'm just saying. I'm

418
00:18:10,920 --> 00:18:12,960
Speaker 1: just saying. It's it's just a difference. It's all I'm saying.

419
00:18:13,000 --> 00:18:15,280
Speaker 1: Shout out the Cole. You know he's trying to pursue

420
00:18:15,280 --> 00:18:17,800
Speaker 1: that too. But even J Cole knows how crazy it

421
00:18:17,960 --> 00:18:20,760
Speaker 1: is that master P played with the Raptors and the Hornets.

422
00:18:21,680 --> 00:18:24,280
Speaker 3: Okay, oh he two teams. Like come on, man, this

423
00:18:24,320 --> 00:18:26,480
Speaker 3: is what I'm saying. Like, we didn't the coach, It

424
00:18:26,480 --> 00:18:28,639
Speaker 3: didn't stop. We didn't pause long enough to salute that.

425
00:18:28,960 --> 00:18:31,479
Speaker 3: So shout out the master P, Shout out the bird Man,

426
00:18:31,520 --> 00:18:35,160
Speaker 3: Shout out the cash money, no limit, the versus again.

427
00:18:35,200 --> 00:18:36,320
Speaker 1: I would have liked I would have liked.

428
00:18:36,240 --> 00:18:38,280
Speaker 3: To see it in New Orleans personally, because just the

429
00:18:38,400 --> 00:18:40,600
Speaker 3: energy would have been completely different. Would have loved to

430
00:18:40,600 --> 00:18:43,160
Speaker 3: see Turk there. Bird Man had some things to say

431
00:18:43,320 --> 00:18:45,199
Speaker 3: in regards to Turk not being there towards the end

432
00:18:45,200 --> 00:18:47,720
Speaker 3: of the set. But you know, we're not gonna hoiglight

433
00:18:47,720 --> 00:18:50,119
Speaker 3: the negative ship. But hopefully, man, they could do this

434
00:18:50,160 --> 00:18:52,000
Speaker 3: over and do it right, or just don't even make

435
00:18:52,040 --> 00:18:53,720
Speaker 3: it a versus. Just do a cash money, no limit

436
00:18:53,760 --> 00:18:56,360
Speaker 3: show at the Super Dume in New Orleans. It ain't

437
00:18:56,359 --> 00:18:57,760
Speaker 3: gotta be a versus. It can kind of be like

438
00:18:57,800 --> 00:19:01,280
Speaker 3: what JD was planning on doing with bad Boy versus

439
00:19:01,400 --> 00:19:02,080
Speaker 3: Social Deaf.

440
00:19:02,160 --> 00:19:03,639
Speaker 1: I appreciate what they was gonna go in. You know,

441
00:19:03,720 --> 00:19:06,000
Speaker 1: do you think JD was scared? Hell?

442
00:19:06,119 --> 00:19:08,920
Speaker 3: Nah, y'all don't know JD's That's what I'm saying. Y'all

443
00:19:08,920 --> 00:19:11,680
Speaker 3: don't know JD's history. First of all, No, you don't.

444
00:19:12,000 --> 00:19:14,240
Speaker 2: I'm not I'm not asking because I believe that JD

445
00:19:14,359 --> 00:19:16,320
Speaker 2: is scared. What I'm saying is, do you know when I.

446
00:19:16,280 --> 00:19:18,960
Speaker 1: Say yeah, I mean like not you y'all that people

447
00:19:18,960 --> 00:19:19,560
Speaker 1: that feel.

448
00:19:19,359 --> 00:19:23,600
Speaker 2: Like that, Okay, no, because I just feel like I

449
00:19:23,640 --> 00:19:26,520
Speaker 2: don't know, like, because his history is so big and people,

450
00:19:26,600 --> 00:19:28,080
Speaker 2: I don't know if people would expect I don't know

451
00:19:28,119 --> 00:19:30,920
Speaker 2: if he would be considered the underdog in that situation, right,

452
00:19:31,160 --> 00:19:32,520
Speaker 2: if he, JD would be the underdog.

453
00:19:32,600 --> 00:19:34,440
Speaker 3: Yes, he would definitely be, the only cause Puff is

454
00:19:34,440 --> 00:19:38,879
Speaker 3: a bigger figure. He's a more polarizing fit. But now

455
00:19:38,920 --> 00:19:42,520
Speaker 3: again that's what JD likes though he wants that because

456
00:19:42,560 --> 00:19:44,280
Speaker 3: JD don't care about that at the end of the

457
00:19:44,359 --> 00:19:49,760
Speaker 3: day when we start playing these records that I really produced.

458
00:19:49,560 --> 00:19:52,760
Speaker 1: Because then it's that. Then it's that part. No, no, ain't shade,

459
00:19:52,760 --> 00:19:54,119
Speaker 1: it's facts.

460
00:19:53,800 --> 00:19:59,280
Speaker 3: It's just facts. Because we're talking about producers. JD plays,

461
00:20:00,280 --> 00:20:06,000
Speaker 3: He writes, he also raps. Puff gives you know, he

462
00:20:06,040 --> 00:20:07,840
Speaker 3: gives you that. He gives you that, that that style

463
00:20:07,880 --> 00:20:10,280
Speaker 3: and that flair that aora. He not say it like

464
00:20:10,320 --> 00:20:13,080
Speaker 3: this like Puff do that. He got sawt that's what

465
00:20:13,119 --> 00:20:15,080
Speaker 3: he does. You gotta remember, Puff come from a party

466
00:20:15,080 --> 00:20:18,359
Speaker 3: promotion game. He know how to have a party and

467
00:20:18,480 --> 00:20:20,359
Speaker 3: how to you know, what's gonna make people move. So

468
00:20:20,400 --> 00:20:25,080
Speaker 3: he come from that. JD played drums, you get what

469
00:20:25,119 --> 00:20:27,359
Speaker 3: I'm saying. Like, so he comes from he danced. He

470
00:20:27,440 --> 00:20:29,760
Speaker 3: was break dance and he was so he comes from

471
00:20:29,800 --> 00:20:31,560
Speaker 3: that part of it. So it's just like, you know,

472
00:20:31,680 --> 00:20:34,359
Speaker 3: it would have been interesting. But yeah, that that that

473
00:20:34,640 --> 00:20:36,560
Speaker 3: I wanted to happen, only because I really feel like

474
00:20:36,560 --> 00:20:39,520
Speaker 3: people don't give Jamaine Duprie, you know, they they obviously

475
00:20:39,520 --> 00:20:42,879
Speaker 3: they say Mariah Carrey, they say Usher, but no, we

476
00:20:42,960 --> 00:20:46,639
Speaker 3: gotta go Brat, we gotta go Chriss Cross, we gotta

477
00:20:46,640 --> 00:20:50,119
Speaker 3: go bow Wow. He got real songs with Biggie, He

478
00:20:50,200 --> 00:20:53,000
Speaker 3: got real songs with Little Kim. So these are the

479
00:20:53,000 --> 00:20:54,640
Speaker 3: things that people forget. He got I think he got

480
00:20:54,640 --> 00:20:57,320
Speaker 3: songs of Mace. So these are the things that people forget,

481
00:20:57,359 --> 00:20:59,280
Speaker 3: Like when when when Puff and Theum was popping on,

482
00:20:59,400 --> 00:21:02,400
Speaker 3: bad Boy was putting them joints out. JD was producing

483
00:21:02,440 --> 00:21:04,160
Speaker 3: for a lot of those artis some bad Boy as well,

484
00:21:05,080 --> 00:21:08,280
Speaker 3: But people forget about that because I was early ninety midnight.

485
00:21:08,359 --> 00:21:09,400
Speaker 4: They could they really connect.

486
00:21:09,400 --> 00:21:11,800
Speaker 2: When you think JD, you think Usher, you think Me,

487
00:21:12,240 --> 00:21:14,399
Speaker 2: you think Usher, you think bow Wow, But you think Usher.

488
00:21:14,600 --> 00:21:17,040
Speaker 2: Mariah Carey like exactly how you said, you know, remember

489
00:21:17,040 --> 00:21:17,440
Speaker 2: the back of it.

490
00:21:17,520 --> 00:21:19,879
Speaker 3: They don't remember the the you know, money ain't the

491
00:21:19,920 --> 00:21:22,040
Speaker 3: thing with jay Z. They don't remember those records. They

492
00:21:22,080 --> 00:21:24,920
Speaker 3: don't you know what I'm saying, Life of fourteen seventy two.

493
00:21:25,400 --> 00:21:27,560
Speaker 3: They don't remember that album. So it's like, you know,

494
00:21:27,640 --> 00:21:29,320
Speaker 3: I wanted to see that happen only because I think

495
00:21:29,400 --> 00:21:31,160
Speaker 3: it's what the verses does is.

496
00:21:31,119 --> 00:21:32,840
Speaker 1: It reminds a newer generation.

497
00:21:35,240 --> 00:21:37,280
Speaker 3: It also shines light on damn like that record is

498
00:21:37,320 --> 00:21:40,000
Speaker 3: still sound because even watching a No Limit Cash Money,

499
00:21:40,000 --> 00:21:41,840
Speaker 3: I'm hearing about it, about it and all that. I'm like,

500
00:21:42,160 --> 00:21:43,960
Speaker 3: I gotta put this on the gym playlist, Like I

501
00:21:44,000 --> 00:21:46,960
Speaker 3: forgot how it's still is if I know, I'm saying,

502
00:21:46,960 --> 00:21:48,440
Speaker 3: I man, I'm in the crib watching that shit.

503
00:21:48,480 --> 00:21:50,040
Speaker 1: I'm doing this just about it bout it.

504
00:21:50,080 --> 00:21:52,600
Speaker 3: I'm like, nah, this shit, I forgot how just that

505
00:21:52,800 --> 00:21:54,640
Speaker 3: energy of what it did when you first heard those

506
00:21:54,720 --> 00:21:58,080
Speaker 3: those songs. So I wish we obviously are not going

507
00:21:58,160 --> 00:22:01,360
Speaker 3: to get that versus with JD. But I think we

508
00:22:01,359 --> 00:22:03,800
Speaker 3: we we missed out on the moment you know where

509
00:22:04,240 --> 00:22:06,280
Speaker 3: they would have did that in atlant at the Mercedes

510
00:22:06,320 --> 00:22:09,440
Speaker 3: Benz Stadium. I mean, I think that at that point

511
00:22:09,480 --> 00:22:11,199
Speaker 3: it's just a party, you know what I'm saying. We

512
00:22:11,280 --> 00:22:14,639
Speaker 3: letting JD and and puff DJ and just have you know,

513
00:22:14,680 --> 00:22:17,399
Speaker 3: going down that lane of memory lane of hearing those records.

514
00:22:17,400 --> 00:22:21,000
Speaker 3: But yeah, I think people people need a lesson in

515
00:22:21,240 --> 00:22:24,479
Speaker 3: Jermaine Deprido because they don't give JD his his props

516
00:22:24,480 --> 00:22:27,320
Speaker 3: when it comes to hip hop rap as much as

517
00:22:27,320 --> 00:22:27,760
Speaker 3: they should.

518
00:22:27,880 --> 00:22:28,280
Speaker 1: R and B.

519
00:22:28,520 --> 00:22:31,440
Speaker 3: I think that's clear, but don't let's not forget about

520
00:22:31,440 --> 00:22:33,720
Speaker 3: what JD did and hip hop and rap as well.

521
00:22:34,040 --> 00:22:36,359
Speaker 2: Yeah, And I think it's because he doesn't. He's not

522
00:22:36,400 --> 00:22:39,040
Speaker 2: a flashy he's humble. Yeah, he's a.

523
00:22:40,119 --> 00:22:40,920
Speaker 1: That's another thing.

524
00:22:41,680 --> 00:22:45,560
Speaker 3: Being humble sometimes leave you out of the conversation because

525
00:22:45,600 --> 00:22:48,520
Speaker 3: you ain't bragging doses, you don't talk your ship. It's

526
00:22:48,520 --> 00:22:50,560
Speaker 3: easy to forget about you when the loud niggas and

527
00:22:50,560 --> 00:22:52,879
Speaker 3: the boisterous niggas like yeah yeah, But then you're like, listen,

528
00:22:52,920 --> 00:22:53,400
Speaker 3: fuck all.

529
00:22:53,480 --> 00:22:57,040
Speaker 1: Play them records though, and then I really produced that,

530
00:22:57,240 --> 00:23:00,280
Speaker 1: Like I really went in there and played that. That's

531
00:23:00,280 --> 00:23:01,520
Speaker 1: a different conversation.

532
00:23:01,720 --> 00:23:03,040
Speaker 2: That's why I'll be trying to get you all to

533
00:23:03,040 --> 00:23:05,200
Speaker 2: talk y'all ship and I'll be like, na, we cool,

534
00:23:05,320 --> 00:23:09,800
Speaker 2: we humble, uh new balances and upside down hats like nah,

535
00:23:09,960 --> 00:23:10,600
Speaker 2: talk your ship.

536
00:23:11,119 --> 00:23:13,159
Speaker 1: But I'm just that's just not me, baby D. I've

537
00:23:13,200 --> 00:23:13,800
Speaker 1: never been there.

538
00:23:14,040 --> 00:23:16,280
Speaker 3: I mean I was, but now it would that would

539
00:23:16,320 --> 00:23:18,560
Speaker 3: be crazy for me to start trying to like we're

540
00:23:18,600 --> 00:23:20,320
Speaker 3: just doing a we just talking our ship, man. That's

541
00:23:20,359 --> 00:23:22,919
Speaker 3: all this is podcast, have fun. I ain't got no

542
00:23:22,960 --> 00:23:24,000
Speaker 3: ego when it comes to this ship.

543
00:23:24,080 --> 00:23:26,080
Speaker 1: Man. I just like kicking and talking about shit. That's off.

544
00:23:26,160 --> 00:23:28,639
Speaker 1: Don't worry, I will pop it for y'all. Pop Baby

545
00:23:28,680 --> 00:23:32,600
Speaker 1: d Pop. Speaking of popp it, Mega Stallion's new video

546
00:23:32,680 --> 00:23:36,359
Speaker 1: love It Girl Baby, Right, I walked into these niggs.

547
00:23:38,080 --> 00:23:40,399
Speaker 3: Because look, baby did look? Because I didn't see the video,

548
00:23:41,400 --> 00:23:44,040
Speaker 3: I saw clips of it. Obviously, Meg was teasing it

549
00:23:44,119 --> 00:23:45,920
Speaker 3: like for the last couple of weeks. Given I'm like, okay,

550
00:23:45,920 --> 00:23:48,200
Speaker 3: I like that sample. That's that total kissing. You know

551
00:23:48,240 --> 00:23:51,680
Speaker 3: what I'm saying. For those that don't know, so.

552
00:23:51,640 --> 00:23:53,000
Speaker 1: I heard, I said, I was like, okay, damn.

553
00:23:53,040 --> 00:23:55,160
Speaker 3: The video came out. I said, let me watch the video.

554
00:23:55,240 --> 00:23:58,199
Speaker 3: So now remember the conversation we have. And if you

555
00:23:58,280 --> 00:24:01,320
Speaker 3: stop right there, Josh, open the scene. Open the scene,

556
00:24:02,200 --> 00:24:04,040
Speaker 3: go back a little bit to the red and black

557
00:24:04,320 --> 00:24:08,080
Speaker 3: to the red and right there, now we had a

558
00:24:08,080 --> 00:24:11,400
Speaker 3: conversation right there. We had a conversation last week, right

559
00:24:12,119 --> 00:24:15,400
Speaker 3: and there was I don't know. I didn't say because

560
00:24:15,400 --> 00:24:17,240
Speaker 3: I think Meg is a pussy rap. No, obviously she

561
00:24:17,240 --> 00:24:19,800
Speaker 3: can rap. I think Meg can really rap, but she's

562
00:24:19,800 --> 00:24:21,960
Speaker 3: we call it pussy rap, right, we call it the

563
00:24:21,960 --> 00:24:23,200
Speaker 3: pussy rapper in the pussy rap.

564
00:24:23,440 --> 00:24:25,399
Speaker 4: The Patreon conversation for people who yes.

565
00:24:25,880 --> 00:24:28,520
Speaker 3: Patreon dot com force slash new Worriyan Mall five dollars

566
00:24:28,760 --> 00:24:32,119
Speaker 3: ad free. So we was talking about Meg being a

567
00:24:32,119 --> 00:24:34,359
Speaker 3: pussy rapper, and you know, I was like, Nah, she

568
00:24:34,400 --> 00:24:35,880
Speaker 3: ain't really push. She could really right, Yes, she could

569
00:24:35,880 --> 00:24:37,560
Speaker 3: really rap. I think like Meg, she could rap. She

570
00:24:37,600 --> 00:24:39,680
Speaker 3: told it, but it still falls on the pussy rap.

571
00:24:40,760 --> 00:24:45,280
Speaker 3: The opening shot in this video to me, maybe these

572
00:24:45,280 --> 00:24:46,560
Speaker 3: are one of those things where it's like, what do

573
00:24:46,600 --> 00:24:47,399
Speaker 3: you see when you look at this?

574
00:24:47,440 --> 00:24:48,960
Speaker 1: I mean, maybe I need to sit down with a therapist.

575
00:24:49,040 --> 00:24:50,840
Speaker 1: Maybe it's a butterfly and you just you got bad.

576
00:24:51,080 --> 00:24:53,600
Speaker 1: Maybe that's a butterfly. Maybe I'll see a clip.

577
00:24:56,920 --> 00:24:59,320
Speaker 4: I mean, one could take the clit.

578
00:24:59,280 --> 00:25:03,320
Speaker 3: Is moving, Meg, is the clip? The clip is moving.

579
00:25:04,440 --> 00:25:06,320
Speaker 3: I'm just telling you what I see. Meg.

580
00:25:07,160 --> 00:25:09,760
Speaker 1: I'm sorry if I'm not trying to listen. I'm not

581
00:25:10,000 --> 00:25:10,840
Speaker 1: trying to sexualize.

582
00:25:10,880 --> 00:25:12,919
Speaker 3: I'm not trying to sexualize you, Meg, not more than

583
00:25:12,960 --> 00:25:13,399
Speaker 3: you already.

584
00:25:13,480 --> 00:25:15,360
Speaker 1: Do you look great? Mag you look fucking amazing.

585
00:25:16,800 --> 00:25:21,240
Speaker 3: What the opening seeing, baby d It's artistic. I think

586
00:25:21,240 --> 00:25:23,800
Speaker 3: it's beautiful. Put it in the lover, put it in

587
00:25:23,840 --> 00:25:27,080
Speaker 3: the fucking love. But we gotta call it what it is.

588
00:25:27,240 --> 00:25:30,680
Speaker 4: Uh huh, Yeah, it's that's definitely.

589
00:25:31,080 --> 00:25:38,359
Speaker 1: Alluding to va vaginal aesthetics, right, vaginal steps. I gotta

590
00:25:38,359 --> 00:25:41,679
Speaker 1: get in there right. So I was sold soon as

591
00:25:41,720 --> 00:25:43,040
Speaker 1: I saw it opening scene. I'm like, I'm in.

592
00:25:43,640 --> 00:25:46,280
Speaker 3: I'm in, But then ain't kissing you as a double line?

593
00:25:46,760 --> 00:25:49,159
Speaker 3: Come on now, now you're talking my language. That's what

594
00:25:49,200 --> 00:25:52,919
Speaker 3: I do, right, Okay, cool Megan.

595
00:25:52,680 --> 00:25:56,520
Speaker 1: Three thousand, I'm on board. I'm on board. I'm a

596
00:25:56,560 --> 00:26:00,000
Speaker 1: Meg fan. I love me. But she's a pussy rad

597
00:26:01,359 --> 00:26:05,480
Speaker 1: and she loves to pussy aesthetics. She is.

598
00:26:05,520 --> 00:26:07,920
Speaker 2: And I had to bite my tongue when this song

599
00:26:07,960 --> 00:26:09,720
Speaker 2: came out, which I was so excited for. And I

600
00:26:09,720 --> 00:26:12,359
Speaker 2: do love this song, but I thought, you know, with

601
00:26:12,400 --> 00:26:15,160
Speaker 2: the with the Clay debut, I'm like, all right, Megan

602
00:26:15,240 --> 00:26:18,840
Speaker 2: is moving into her grown woman like I'm in love,

603
00:26:19,080 --> 00:26:23,160
Speaker 2: Like you know, we're gonna settle down, get married type. Nope,

604
00:26:23,200 --> 00:26:25,000
Speaker 2: it's still popped that pussy for your man. It's just

605
00:26:25,160 --> 00:26:27,040
Speaker 2: we still popping pussy, but just this time it's not

606
00:26:27,119 --> 00:26:29,600
Speaker 2: fuck man, It's I'm popping pussy for your man, man.

607
00:26:29,480 --> 00:26:34,560
Speaker 3: For your Hey, she's showing growth, she's showing growth for

608
00:26:34,600 --> 00:26:38,760
Speaker 3: your man. Don't just be out here popping it for

609
00:26:38,840 --> 00:26:39,320
Speaker 3: your man.

610
00:26:39,600 --> 00:26:43,879
Speaker 1: I approved this message. I do too. I endorse it.

611
00:26:43,960 --> 00:26:46,439
Speaker 1: It is the rally. I'll beat it. I'll be like

612
00:26:46,480 --> 00:26:48,720
Speaker 1: twenty one Savage at the what was it, the whole

613
00:26:48,720 --> 00:26:50,240
Speaker 1: SlutWalk adage.

614
00:26:50,680 --> 00:26:54,880
Speaker 2: I'm sorry, but SlutWalk. I'll do that for me, I'll

615
00:26:54,880 --> 00:26:57,679
Speaker 2: be I'll be at the next what is it called SlutWalk?

616
00:26:57,760 --> 00:26:59,400
Speaker 2: I think they canceled them, but yeah, why did.

617
00:26:59,359 --> 00:26:59,920
Speaker 1: They cancel that?

618
00:27:00,520 --> 00:27:04,960
Speaker 3: You niggas having no king rallies? Mall you niggas is

619
00:27:05,080 --> 00:27:08,200
Speaker 3: having no king rallies. That alone says that there's no kings.

620
00:27:08,320 --> 00:27:10,000
Speaker 3: You can't have a no king rally to be a king.

621
00:27:10,359 --> 00:27:13,840
Speaker 3: You niggas to be hung by midnight, all you niggas.

622
00:27:14,080 --> 00:27:16,760
Speaker 3: So we need to bring the slut walk back, bring

623
00:27:16,920 --> 00:27:19,480
Speaker 3: something back that the culture didn't want to see. Go.

624
00:27:20,240 --> 00:27:22,520
Speaker 1: I wasn't ready to see the slut walk go. Do

625
00:27:22,600 --> 00:27:24,320
Speaker 1: you know what the slut walk was about? Though?

626
00:27:24,800 --> 00:27:32,000
Speaker 3: What it was for body positivity, body empowerment, women's, women's.

627
00:27:31,640 --> 00:27:35,200
Speaker 2: Ability to exist in themselves without being without having to

628
00:27:35,280 --> 00:27:36,440
Speaker 2: be sexually assaulted.

629
00:27:37,200 --> 00:27:39,440
Speaker 1: I support that. I support That's what I'm saying. I'll go,

630
00:27:40,400 --> 00:27:44,520
Speaker 1: I'll go that. I support. Let's support that. Let's rally

631
00:27:44,600 --> 00:27:44,760
Speaker 1: for that.

632
00:27:45,280 --> 00:27:48,080
Speaker 3: Load up the buses, get us to DC wherever the

633
00:27:48,200 --> 00:27:51,760
Speaker 3: net slut walking maybe, how do we start to how

634
00:27:51,800 --> 00:27:54,119
Speaker 3: do we how do we bring back the SlutWalk? We

635
00:27:54,240 --> 00:27:57,080
Speaker 3: bring everything back? Your niggas bringing back all these old movies.

636
00:27:57,119 --> 00:28:01,040
Speaker 3: That's whacked now, nobody want to bringing back the ship

637
00:28:01,119 --> 00:28:01,560
Speaker 3: that matter?

638
00:28:02,440 --> 00:28:05,240
Speaker 1: Sister Act on Netflix, that's so funny. Why did Josh?

639
00:28:05,280 --> 00:28:06,440
Speaker 4: Can you look up while they got rid of the

640
00:28:06,440 --> 00:28:06,920
Speaker 4: slut walk?

641
00:28:07,000 --> 00:28:07,639
Speaker 1: What happened to it?

642
00:28:08,160 --> 00:28:10,840
Speaker 3: Yes, that's the These are the questions I'm here to

643
00:28:10,880 --> 00:28:13,120
Speaker 3: try to answer, Baby d bring back the SlutWalk.

644
00:28:13,160 --> 00:28:14,160
Speaker 1: We need to slut walk back.

645
00:28:14,200 --> 00:28:17,520
Speaker 3: But shout out to Meg videos amazing, she looks great,

646
00:28:17,960 --> 00:28:21,840
Speaker 3: they said. Meg and Klay Thompson remind him of Duncan,

647
00:28:21,920 --> 00:28:24,680
Speaker 3: Pender Hughes and Demeter from Class. You too young, You

648
00:28:24,800 --> 00:28:27,840
Speaker 3: never seen Class Act? The fuck you never seen class

649
00:28:28,040 --> 00:28:29,280
Speaker 3: I've never seen It'd you.

650
00:28:29,320 --> 00:28:32,800
Speaker 1: Seen Class Act? Y'all never seen ome On? Y'all are

651
00:28:32,800 --> 00:28:34,600
Speaker 1: too young, y'all don't know the classics.

652
00:28:34,840 --> 00:28:36,960
Speaker 2: No, I've heard of it, but I've never seen it.

653
00:28:37,640 --> 00:28:40,640
Speaker 2: Pull up a picture of Dunkin Pender Hughes.

654
00:28:41,800 --> 00:28:45,720
Speaker 1: Oh, good luck with Josh and God Josh, God damn it,

655
00:28:45,800 --> 00:28:51,640
Speaker 1: Josh and killing me, Duncan pender Hughes, Jesus Christ just

656
00:28:51,720 --> 00:28:56,520
Speaker 1: put class act. Where's it? Where is it?

657
00:28:56,960 --> 00:28:59,880
Speaker 3: They got to have a picture of Demeter, Well, that's

658
00:29:00,040 --> 00:29:03,160
Speaker 3: Dunkin Well kid from Kidding played played Dunkin Penny Hues.

659
00:29:03,480 --> 00:29:05,960
Speaker 3: But Demita, the girl in his school dad was like

660
00:29:06,000 --> 00:29:09,880
Speaker 3: the bombshell brown, bombshell beauty. They had a picture of

661
00:29:09,920 --> 00:29:12,640
Speaker 3: them two in class right there. They said that's Clay.

662
00:29:13,040 --> 00:29:15,360
Speaker 3: They said that's Clay and Meg. I was crying because

663
00:29:15,360 --> 00:29:18,920
Speaker 3: you gotta know this movie to really understand how funny

664
00:29:19,680 --> 00:29:21,520
Speaker 3: that is when they say, Yo, this is Clay and Meg.

665
00:29:21,680 --> 00:29:23,240
Speaker 3: But you got maybe they got to make a list

666
00:29:23,280 --> 00:29:25,600
Speaker 3: of all because you've never seen Boys in the Hood

667
00:29:26,160 --> 00:29:28,200
Speaker 3: first of all, putting that on me, craziest.

668
00:29:28,640 --> 00:29:30,440
Speaker 1: What movie? What you didn't see? It was some movies

669
00:29:30,440 --> 00:29:33,680
Speaker 1: when we named it, they weren't black movies like there

670
00:29:33,720 --> 00:29:36,360
Speaker 1: weren't like it was some classic black movies you haven't seen.

671
00:29:36,400 --> 00:29:36,960
Speaker 1: We talked about it.

672
00:29:36,960 --> 00:29:39,120
Speaker 2: I think the only classic black movie I haven't seen

673
00:29:39,440 --> 00:29:43,120
Speaker 2: is what's the one with the black and white like face?

674
00:29:43,640 --> 00:29:44,200
Speaker 1: That President?

675
00:29:44,240 --> 00:29:47,200
Speaker 2: The Presidents? I haven't seen that President Classic? Yeah, I

676
00:29:47,240 --> 00:29:47,760
Speaker 2: haven't seen it.

677
00:29:48,000 --> 00:29:49,560
Speaker 1: No, it was some other movie don't do that. It

678
00:29:49,680 --> 00:29:50,360
Speaker 1: was some other movie.

679
00:29:50,400 --> 00:29:52,080
Speaker 2: We would have to pull up the list of black movies.

680
00:29:52,120 --> 00:29:53,360
Speaker 2: There's a couple I haven't seen.

681
00:29:53,440 --> 00:29:56,000
Speaker 1: But what are you looking for? Tissue? I'm sorry, can

682
00:29:56,040 --> 00:29:56,440
Speaker 1: we pause?

683
00:29:57,400 --> 00:30:02,320
Speaker 5: No, Maul, I know you're thinking about upgrading to an

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686
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Speaker 1: Powerful iPhone ever. Yeah, my thoughts again.

687
00:30:08,400 --> 00:30:11,480
Speaker 5: Yeah, listen, man weeks you've been thinking about this whatever.

688
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Speaker 5: You're also thinking about the traffic on the way there.

689
00:30:13,640 --> 00:30:15,040
Speaker 1: I think about that all the time.

690
00:30:15,160 --> 00:30:17,680
Speaker 5: Ro Yes, you in traffic has always been a matter

691
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Speaker 1: Absolutely well. Good news, mall.

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Speaker 3: and Virginia. All right, So, baby d it was brought

727
00:31:55,000 --> 00:31:58,560
Speaker 3: to my attention. We were talking about hip hop being dead.

728
00:31:58,760 --> 00:32:00,800
Speaker 3: You know, we've they've been saying, ugh, he is is

729
00:32:00,920 --> 00:32:03,800
Speaker 3: hip hop dad? Is hip hop dad? So in September

730
00:32:04,760 --> 00:32:08,040
Speaker 3: four hip hop songs were on the global charts. In

731
00:32:08,160 --> 00:32:13,560
Speaker 3: September five years ago, there were fifty six on the

732
00:32:13,600 --> 00:32:18,320
Speaker 3: global charts. That's a big drop, it is. That's over

733
00:32:18,600 --> 00:32:23,880
Speaker 3: ninety gone right. We had a talk with berg Shot,

734
00:32:23,960 --> 00:32:27,040
Speaker 3: the hit maker. He came by to set last week

735
00:32:27,800 --> 00:32:30,240
Speaker 3: and he posed a question because we were saying, you know,

736
00:32:31,040 --> 00:32:33,880
Speaker 3: women are dominating rap right now as far as like

737
00:32:34,320 --> 00:32:37,840
Speaker 3: they're being more stars, newer stars and rap, most of

738
00:32:37,880 --> 00:32:42,680
Speaker 3: them are women. And he said, well, name you know

739
00:32:43,960 --> 00:32:47,400
Speaker 3: some stars, superstars under thirty five. On the men's side, like,

740
00:32:47,440 --> 00:32:49,200
Speaker 3: don't name the legacy acts, don't name the guys that

741
00:32:49,280 --> 00:32:51,440
Speaker 3: have been in it for years, And it stumped us.

742
00:32:51,440 --> 00:32:52,800
Speaker 1: It was obviously the NBA young Boy.

743
00:32:52,840 --> 00:33:00,240
Speaker 3: You know, we acknowledged that, not saying you know, but

744
00:33:00,360 --> 00:33:03,160
Speaker 3: it is interesting to see women dominating hip hop rap

745
00:33:03,240 --> 00:33:07,760
Speaker 3: now and then now in September, only four hip hop

746
00:33:07,880 --> 00:33:09,040
Speaker 3: songs on the global charts.

747
00:33:11,040 --> 00:33:15,440
Speaker 1: I'm not saying this is women's fault, how you Okay, no, no,

748
00:33:15,680 --> 00:33:16,000
Speaker 1: just listen.

749
00:33:16,200 --> 00:33:18,960
Speaker 3: But we have to because this is just data, this

750
00:33:19,080 --> 00:33:23,080
Speaker 3: is analytics, like right now, Yes, women are dominating.

751
00:33:22,600 --> 00:33:24,680
Speaker 2: Okay, So that's why I want to stop you, because

752
00:33:24,720 --> 00:33:28,480
Speaker 2: women are not dominating rap how Because them four songs

753
00:33:28,560 --> 00:33:30,440
Speaker 2: that are on the global charts, I guarantee that they're

754
00:33:30,480 --> 00:33:33,600
Speaker 2: not women's songs unless it's from Cardi's album. What were

755
00:33:33,640 --> 00:33:35,080
Speaker 2: the four Josh? Can you look up the four hip

756
00:33:35,080 --> 00:33:37,120
Speaker 2: hop songs that were on the global charts. Women are

757
00:33:37,160 --> 00:33:38,120
Speaker 2: not dominating rap.

758
00:33:38,400 --> 00:33:38,640
Speaker 1: Women.

759
00:33:38,760 --> 00:33:41,880
Speaker 2: There are more, No, there are more women hip hop

760
00:33:42,000 --> 00:33:43,400
Speaker 2: stars than ever before.

761
00:33:43,520 --> 00:33:44,160
Speaker 1: That's what I'm saying that.

762
00:33:44,560 --> 00:33:47,200
Speaker 2: But that doesn't mean that they're dominating rap because there's

763
00:33:47,320 --> 00:33:49,280
Speaker 2: still way more men than them.

764
00:33:49,320 --> 00:33:49,600
Speaker 3: The men.

765
00:33:50,840 --> 00:33:54,760
Speaker 1: Yes, I'm just saying, yeah, the stars though, the stars are.

766
00:33:54,840 --> 00:33:57,520
Speaker 2: The stars that people would consider stars would be NBA,

767
00:33:57,640 --> 00:34:02,520
Speaker 2: young Boy, Playboycarti, Travis, Scott, Cardi B. Those would be

768
00:34:02,560 --> 00:34:07,240
Speaker 2: who people would consider the big big stars and be

769
00:34:07,280 --> 00:34:10,160
Speaker 2: a young boy Travis Scott, Playboy CARDI.

770
00:34:10,800 --> 00:34:15,120
Speaker 1: I don't look at play but the charts.

771
00:34:15,160 --> 00:34:16,880
Speaker 4: Do they acknowledge it? They don't acknowledge it.

772
00:34:16,960 --> 00:34:21,359
Speaker 1: Yeah, they categorize it. He's rap. So but I think

773
00:34:21,480 --> 00:34:22,200
Speaker 1: that's the issue.

774
00:34:22,280 --> 00:34:24,399
Speaker 2: So you can continue what you were going to say

775
00:34:24,400 --> 00:34:26,359
Speaker 2: as far as like, do we connect it to more

776
00:34:26,400 --> 00:34:28,400
Speaker 2: women being there? But I'm going to disagree with you.

777
00:34:28,480 --> 00:34:30,040
Speaker 2: I don't think that that's it. I think it's that

778
00:34:30,160 --> 00:34:32,759
Speaker 2: we took the R and B out of hip hop.

779
00:34:33,280 --> 00:34:35,960
Speaker 2: We took the the soulfulness.

780
00:34:36,480 --> 00:34:36,680
Speaker 1: Huh.

781
00:34:37,840 --> 00:34:40,719
Speaker 2: We took the soulfulness out of hip hop, and that

782
00:34:40,960 --> 00:34:44,600
Speaker 2: is what made it more palatable to other genres.

783
00:34:45,280 --> 00:34:48,399
Speaker 1: Does that make sense? Yeah, I guess. I guess it's

784
00:34:48,400 --> 00:34:49,719
Speaker 1: a lot of that baked into it too.

785
00:34:49,960 --> 00:34:52,600
Speaker 3: I'm not saying that the fact that we have just

786
00:34:52,719 --> 00:34:56,560
Speaker 3: women dominating or more women dominating rap right now than

787
00:34:56,600 --> 00:34:59,960
Speaker 3: we've probably ever had, I'm not saying that's the soul

788
00:35:00,040 --> 00:35:00,800
Speaker 3: old reason for it.

789
00:35:00,880 --> 00:35:04,040
Speaker 1: There's a lot of things that we can put into it.

790
00:35:04,160 --> 00:35:08,399
Speaker 3: But to me, I think we start there because we've

791
00:35:08,480 --> 00:35:13,239
Speaker 3: never had this many women rap stars before at one time.

792
00:35:13,320 --> 00:35:14,960
Speaker 3: You know what I'm saying, it's like every day we

793
00:35:15,080 --> 00:35:17,839
Speaker 3: turn around, it's like, oh shit, like another female MC

794
00:35:17,960 --> 00:35:20,319
Speaker 3: has coming and she's got a dope reckon and it's like, okay, cool.

795
00:35:21,640 --> 00:35:23,759
Speaker 1: But does that sustain? Obviously not.

796
00:35:24,719 --> 00:35:27,120
Speaker 3: The music in general is not sustaining, like a lot

797
00:35:27,160 --> 00:35:29,800
Speaker 3: of music like we happy to get mob deep albums

798
00:35:29,840 --> 00:35:32,880
Speaker 3: and everything that you know, they're doing that mass appeal.

799
00:35:32,880 --> 00:35:35,320
Speaker 3: We happy to get all And these are all legacy artists.

800
00:35:35,320 --> 00:35:39,040
Speaker 3: These are all legacy acts dropping new music. But as

801
00:35:39,080 --> 00:35:42,040
Speaker 3: far as like the newer artists, hip hop is in

802
00:35:42,080 --> 00:35:45,080
Speaker 3: a scary place. I think hip hop is in a

803
00:35:45,280 --> 00:35:48,719
Speaker 3: very very scary place. I think that it's a conversation

804
00:35:48,880 --> 00:35:50,640
Speaker 3: that you know, we all need to start having and

805
00:35:50,760 --> 00:35:53,480
Speaker 3: really looking at, Like damn, Like what if this happened

806
00:35:53,480 --> 00:35:56,680
Speaker 3: in five years? If only four hip hop songs are

807
00:35:56,800 --> 00:36:02,600
Speaker 3: charting on today's global Spotify chart, Like, what does the

808
00:36:02,680 --> 00:36:03,640
Speaker 3: next five years look like?

809
00:36:04,080 --> 00:36:07,000
Speaker 1: So the songs that are charting are you see You Again?

810
00:36:07,560 --> 00:36:11,359
Speaker 2: I'm gonna assume that that's the with Khalifa See You Again,

811
00:36:12,080 --> 00:36:15,280
Speaker 2: all the Stars obviously by Sizza and Kendrick.

812
00:36:15,840 --> 00:36:18,319
Speaker 4: Both which have R and B hooks.

813
00:36:18,200 --> 00:36:22,040
Speaker 3: Yea and who is Timeless In the Weekend Weekend play

814
00:36:22,080 --> 00:36:24,800
Speaker 3: work CARDI Right, Okay, it's not rap, that's the weekend

815
00:36:25,840 --> 00:36:26,400
Speaker 3: that ain't rap.

816
00:36:26,719 --> 00:36:28,600
Speaker 4: And then what's the other one? No pole, who is that?

817
00:36:30,440 --> 00:36:30,560
Speaker 1: Oh?

818
00:36:30,640 --> 00:36:32,960
Speaker 3: This is or they calling that that weekend record hip hop?

819
00:36:33,960 --> 00:36:35,520
Speaker 3: See what I'm saying, that's weird, get tricky.

820
00:36:35,600 --> 00:36:38,759
Speaker 2: Yeah, but even still if you see those are all

821
00:36:39,000 --> 00:36:41,960
Speaker 2: they have R and B I of the hook. Yeah,

822
00:36:42,160 --> 00:36:46,560
Speaker 2: So it's like that's palatable to a wider audience. When

823
00:36:46,560 --> 00:36:49,720
Speaker 2: you're talking about global that's palatable to a wider audience.

824
00:36:49,840 --> 00:36:53,080
Speaker 2: The soul, the R and B, which is the reason

825
00:36:53,160 --> 00:36:55,600
Speaker 2: why all of our artists when they were doing soul

826
00:36:55,680 --> 00:36:57,719
Speaker 2: and R and B music back in the day was

827
00:36:57,800 --> 00:36:58,719
Speaker 2: so widespread.

828
00:36:58,840 --> 00:36:59,680
Speaker 1: Like you see what I'm saying.

829
00:36:59,719 --> 00:37:01,480
Speaker 2: So when you bring hip hop into it and you

830
00:37:01,600 --> 00:37:05,000
Speaker 2: got them banging versus and a good ass hook, like

831
00:37:05,760 --> 00:37:08,320
Speaker 2: people could listen to that straight rap going through or

832
00:37:08,440 --> 00:37:11,560
Speaker 2: these bullshit where they're like doing this drill rap and

833
00:37:11,680 --> 00:37:14,040
Speaker 2: then they're also singing the hooks and it don't sound

834
00:37:14,120 --> 00:37:17,160
Speaker 2: good because they can't fucking sing like it's just which

835
00:37:17,200 --> 00:37:18,520
Speaker 2: I'll blame Kanye and Drink for that.

836
00:37:18,560 --> 00:37:18,759
Speaker 1: Ship.

837
00:37:18,880 --> 00:37:21,240
Speaker 4: By the way, what rappers singing their own hooks?

838
00:37:23,040 --> 00:37:24,520
Speaker 1: Rappers used to always sing their own hooks.

839
00:37:25,160 --> 00:37:26,719
Speaker 3: You know, that was like a thing at one point,

840
00:37:26,800 --> 00:37:29,560
Speaker 3: like not all of them, No, most rappers used to

841
00:37:29,600 --> 00:37:33,480
Speaker 3: do their own hooks though. When I mean, you just

842
00:37:33,520 --> 00:37:35,279
Speaker 3: go back and listen to like a lot of the

843
00:37:35,320 --> 00:37:37,160
Speaker 3: Biggie shit, a lot of Tupac shit, a lot of

844
00:37:37,440 --> 00:37:39,320
Speaker 3: early jay Z shit, a lot of Nah shit, a

845
00:37:39,360 --> 00:37:40,040
Speaker 3: lot like they were.

846
00:37:39,960 --> 00:37:40,640
Speaker 1: Doing their own Well.

847
00:37:40,719 --> 00:37:43,319
Speaker 2: Yeah, but when I'm thinking, so, what year did they

848
00:37:43,360 --> 00:37:45,120
Speaker 2: say they were fifty six? They said it was how many?

849
00:37:45,200 --> 00:37:45,759
Speaker 2: Five years ago?

850
00:37:45,880 --> 00:37:49,480
Speaker 1: Five years ago? This is Spotify top.

851
00:37:51,400 --> 00:37:54,879
Speaker 3: That's what is Okay, Oh, this is just Spotify's top

852
00:37:54,960 --> 00:37:56,520
Speaker 3: two hundred most stream tracks.

853
00:37:56,760 --> 00:38:01,279
Speaker 1: Yes, okay, okay, but still yeah, it should be more

854
00:38:01,320 --> 00:38:01,759
Speaker 1: than four.

855
00:38:03,320 --> 00:38:06,200
Speaker 3: I just think that it's a conversation, man like, and

856
00:38:06,320 --> 00:38:09,120
Speaker 3: we talk about it a lot, Like you know, now

857
00:38:09,320 --> 00:38:13,000
Speaker 3: you listen to a song, it's almost like as good

858
00:38:13,000 --> 00:38:15,120
Speaker 3: as we all felt the Clips album was when it

859
00:38:15,239 --> 00:38:18,880
Speaker 3: came out, Right, I haven't played that album in weeks.

860
00:38:20,680 --> 00:38:22,799
Speaker 3: I'm talking about not a single song I played in weeks,

861
00:38:22,840 --> 00:38:23,320
Speaker 3: and I like it.

862
00:38:23,400 --> 00:38:24,520
Speaker 1: I liked the album. I thought it was good.

863
00:38:24,920 --> 00:38:26,440
Speaker 2: I played it back to back to back when it

864
00:38:26,480 --> 00:38:28,520
Speaker 2: first came out, and then I revisit it every once

865
00:38:28,560 --> 00:38:30,359
Speaker 2: in a while, but I don't play it as often

866
00:38:30,360 --> 00:38:31,520
Speaker 2: as I did when it first came out, But I

867
00:38:31,560 --> 00:38:32,680
Speaker 2: still do play it pretty often.

868
00:38:32,840 --> 00:38:36,680
Speaker 1: People don't understand that it's this. It's that phone. Our

869
00:38:36,800 --> 00:38:38,480
Speaker 1: parents were right. Is this damn phone?

870
00:38:38,719 --> 00:38:43,520
Speaker 3: This this the phone is killing music as much as

871
00:38:43,520 --> 00:38:45,759
Speaker 3: we don't want to admit it. The phone is is

872
00:38:45,840 --> 00:38:48,279
Speaker 3: how we listen to me. Like, if I'm playing an

873
00:38:48,360 --> 00:38:51,320
Speaker 3: album right now, I'm connected to the speakers in the

874
00:38:51,360 --> 00:38:55,760
Speaker 3: crib and I'm playing, I'm listening somebody called me, somebody

875
00:38:56,200 --> 00:38:57,520
Speaker 3: send me some video to look at.

876
00:38:57,600 --> 00:38:58,080
Speaker 1: I look at it.

877
00:38:58,960 --> 00:39:01,960
Speaker 3: I might not even go back to album tonight. Now

878
00:39:02,040 --> 00:39:04,440
Speaker 3: that fell into a conversation about whatever. Somebody texts me,

879
00:39:04,480 --> 00:39:06,200
Speaker 3: da da da, get on the phone, like it's not

880
00:39:07,239 --> 00:39:11,640
Speaker 3: this takes away from the music experience. As much as

881
00:39:11,680 --> 00:39:14,080
Speaker 3: I love it because it is very convenient. I can

882
00:39:14,120 --> 00:39:16,120
Speaker 3: pull up a song. I can hum a melody into

883
00:39:16,160 --> 00:39:17,960
Speaker 3: my phone and don't even remember the words, and it'll

884
00:39:18,000 --> 00:39:19,880
Speaker 3: pull up the song and I can play it. So

885
00:39:20,160 --> 00:39:23,040
Speaker 3: I love that part of it, but it definitely has

886
00:39:23,160 --> 00:39:26,759
Speaker 3: taken us away from experiencing music in the way that

887
00:39:26,840 --> 00:39:27,239
Speaker 3: we used to.

888
00:39:27,440 --> 00:39:30,240
Speaker 1: Like before you get a CD or you get a vinyl.

889
00:39:30,520 --> 00:39:31,080
Speaker 1: You put it on.

890
00:39:32,280 --> 00:39:33,759
Speaker 3: Niggas could be in the crib fight and guess what,

891
00:39:33,880 --> 00:39:37,600
Speaker 3: that music still playing. Somebody could call you on the phone.

892
00:39:38,080 --> 00:39:41,799
Speaker 3: I'm on the phone, music still playing, like I'm still

893
00:39:41,920 --> 00:39:44,279
Speaker 3: in I'm still here, I'm still listening in the moment,

894
00:39:44,760 --> 00:39:48,320
Speaker 3: I'm still consuming the music now playing it off my phone.

895
00:39:48,480 --> 00:39:50,680
Speaker 3: Something happens, you know whatever, whatever it's like, it pulled

896
00:39:50,680 --> 00:39:52,840
Speaker 3: me away from that I'm on the phone. I forgot.

897
00:39:52,920 --> 00:39:56,319
Speaker 3: But that's not just with music, with TV as well.

898
00:39:57,800 --> 00:40:01,680
Speaker 3: I could be watching the show, get a call something, watching.

899
00:40:01,440 --> 00:40:03,680
Speaker 1: Something on my phone, never revisit it. I don't even

900
00:40:03,719 --> 00:40:05,320
Speaker 1: know what just happened the last two episodes.

901
00:40:05,480 --> 00:40:08,120
Speaker 2: Shit just been running our attention, Our attention span is

902
00:40:08,200 --> 00:40:10,239
Speaker 2: so short. I will also say that me personally, I

903
00:40:10,239 --> 00:40:12,759
Speaker 2: don't know if anybody else feels this way. When I

904
00:40:13,400 --> 00:40:16,600
Speaker 2: tire of songs quicker now because of Instagram. So when

905
00:40:16,640 --> 00:40:18,760
Speaker 2: I'm doom scrolling, which I do, do I have a problem.

906
00:40:18,760 --> 00:40:19,480
Speaker 1: I need to fix that.

907
00:40:19,640 --> 00:40:21,879
Speaker 2: But when I'm doom scrolling on Instagram and I'm doom

908
00:40:21,920 --> 00:40:24,520
Speaker 2: scrolling on TikTok and people are creating content, and I've

909
00:40:24,600 --> 00:40:28,320
Speaker 2: heard that song a million times now, I'm.

910
00:40:28,200 --> 00:40:28,840
Speaker 1: Now tired of it.

911
00:40:29,080 --> 00:40:30,880
Speaker 4: I might have heard it three times on my phone,

912
00:40:31,040 --> 00:40:32,240
Speaker 4: but I've heard it one hundreds.

913
00:40:32,440 --> 00:40:34,719
Speaker 2: There are songs that I know full the words too,

914
00:40:34,840 --> 00:40:37,040
Speaker 2: that I've never downloaded, never heard of my phone, but

915
00:40:37,120 --> 00:40:39,239
Speaker 2: I know the words simply because I've consumed so many,

916
00:40:39,360 --> 00:40:41,560
Speaker 2: so much content with that fucking song.

917
00:40:42,000 --> 00:40:44,200
Speaker 3: Songs live longer on social media than they do in

918
00:40:44,280 --> 00:40:46,359
Speaker 3: your in your in your in your home for sure,

919
00:40:46,400 --> 00:40:49,080
Speaker 3: and in your car. Because somebody posts a video that

920
00:40:49,160 --> 00:40:54,480
Speaker 3: goes viral with Doja cat playing in the background. Everybody,

921
00:40:54,520 --> 00:40:56,360
Speaker 3: we all seen that shit. That shit keeps playing us

922
00:40:56,360 --> 00:40:59,919
Speaker 3: on the reil. You like it lives longer on social

923
00:41:00,320 --> 00:41:01,920
Speaker 3: then it does, like then you live with it in

924
00:41:02,040 --> 00:41:05,160
Speaker 3: your personal time. And I mean again, I'm not saying

925
00:41:05,200 --> 00:41:07,200
Speaker 3: it to Yeah, well, yes, I am saying I do

926
00:41:07,320 --> 00:41:10,680
Speaker 3: think it's a negative thing. Yeah I do, because it's

927
00:41:10,760 --> 00:41:13,880
Speaker 3: evident when you see charts like this, it's like, bro,

928
00:41:14,000 --> 00:41:16,239
Speaker 3: people are not I just feel like people are just.

929
00:41:16,320 --> 00:41:19,560
Speaker 1: Not as attached to the music as we once.

930
00:41:19,440 --> 00:41:21,520
Speaker 2: Were, Like in the quality of the music. Just let's

931
00:41:21,560 --> 00:41:23,520
Speaker 2: be honest, the quality of the music is just not good.

932
00:41:23,960 --> 00:41:24,719
Speaker 2: It's not as good.

933
00:41:25,520 --> 00:41:26,440
Speaker 1: It's not there as good.

934
00:41:26,520 --> 00:41:28,400
Speaker 3: News being there has killed me years ago when I

935
00:41:28,440 --> 00:41:30,560
Speaker 3: said that, I was saying it was easier to get

936
00:41:30,680 --> 00:41:32,960
Speaker 3: in the music business and get I remember, I remember

937
00:41:33,160 --> 00:41:35,880
Speaker 3: then it's ever nah, I know, it's not how I

938
00:41:35,960 --> 00:41:39,080
Speaker 3: can I can be a no name. This could be

939
00:41:39,160 --> 00:41:43,000
Speaker 3: my first album I ever recorded. And if Drake drops tonight,

940
00:41:43,560 --> 00:41:44,920
Speaker 3: guess who else can drop tonight?

941
00:41:45,680 --> 00:41:45,719
Speaker 5: Me?

942
00:41:46,239 --> 00:41:48,920
Speaker 3: Like I could put my album on the same DSP.

943
00:41:49,640 --> 00:41:51,719
Speaker 3: Nobody's ever heard of me. But I could put my

944
00:41:51,760 --> 00:41:55,760
Speaker 3: album on the same DSP as Drake or Beyonce or whoever.

945
00:41:56,680 --> 00:41:58,719
Speaker 3: And this is my first part nobody, I'm not even

946
00:41:58,800 --> 00:42:01,680
Speaker 3: I just made this in my basement and it takeoff.

947
00:42:02,000 --> 00:42:04,520
Speaker 1: I can have a song that goes viral. Now I'm

948
00:42:04,520 --> 00:42:05,440
Speaker 1: getting booked over here.

949
00:42:05,520 --> 00:42:07,040
Speaker 3: But though you know how hard it was to do that,

950
00:42:08,280 --> 00:42:11,840
Speaker 3: just not even let's say twenty five years ago, like

951
00:42:11,960 --> 00:42:14,160
Speaker 3: it was you had to really travel and go to

952
00:42:14,280 --> 00:42:16,960
Speaker 3: these cities and go hand in hand trying to get

953
00:42:16,960 --> 00:42:17,919
Speaker 3: people to hear your shit.

954
00:42:18,280 --> 00:42:21,000
Speaker 1: Now I'll just upload the record tonight. I could be

955
00:42:21,080 --> 00:42:22,320
Speaker 1: a star next Sunday.

956
00:42:23,239 --> 00:42:26,040
Speaker 2: And also, what the labels are looking for now from

957
00:42:26,120 --> 00:42:28,560
Speaker 2: what I see is no one's looking for the quality.

958
00:42:28,600 --> 00:42:30,759
Speaker 2: No one's sitting in these meetings and making these people

959
00:42:30,880 --> 00:42:33,200
Speaker 2: climb on the table like they did Bobby Schmurda and

960
00:42:33,360 --> 00:42:34,279
Speaker 2: perform as Wow.

961
00:42:34,480 --> 00:42:38,120
Speaker 1: We needed to get away from that need to be

962
00:42:38,200 --> 00:42:41,160
Speaker 1: on nobody's table rapping like they is.

963
00:42:41,520 --> 00:42:44,920
Speaker 2: No one is, there's no quality control. What they're looking

964
00:42:45,040 --> 00:42:48,400
Speaker 2: for is coaching and Q they down there doing coach k.

965
00:42:49,840 --> 00:42:52,560
Speaker 2: What they're looking for is who has the attention And

966
00:42:52,719 --> 00:42:56,160
Speaker 2: what people do to get attention nowadays is not be talented.

967
00:42:56,520 --> 00:42:58,839
Speaker 2: Like you can be talented and get attention, but that's

968
00:42:58,880 --> 00:43:01,040
Speaker 2: not what everybody's going for. Everybody wants to be some

969
00:43:01,160 --> 00:43:03,480
Speaker 2: type of like I don't even want to say content creator,

970
00:43:03,560 --> 00:43:07,040
Speaker 2: but there's so many smoking mirrors and like just fugazy

971
00:43:07,080 --> 00:43:09,399
Speaker 2: shit going on and shit that's making people a star.

972
00:43:09,880 --> 00:43:12,440
Speaker 2: That's how you get someone like some of our some

973
00:43:12,600 --> 00:43:14,400
Speaker 2: of our stars, I'm not going to say any names,

974
00:43:14,440 --> 00:43:17,640
Speaker 2: but it's like you're not good, but you've created this

975
00:43:17,800 --> 00:43:20,080
Speaker 2: persona that the young kids have fallen in love with

976
00:43:20,239 --> 00:43:22,800
Speaker 2: and now they're a rock star and they're demonic and

977
00:43:22,880 --> 00:43:25,719
Speaker 2: it's going viral and you're doing click baity shit and

978
00:43:25,840 --> 00:43:28,680
Speaker 2: now you have like this could base following about a

979
00:43:28,760 --> 00:43:31,600
Speaker 2: bunch of bullshit that's not good music. You see what

980
00:43:31,600 --> 00:43:34,920
Speaker 2: I'm saying, like, so, it's like their labels are just

981
00:43:35,000 --> 00:43:37,399
Speaker 2: looking for well, who's all right, you got a couple

982
00:43:37,400 --> 00:43:39,560
Speaker 2: of songs out, who's getting the most? Well, you got

983
00:43:39,560 --> 00:43:41,880
Speaker 2: a lot of social media following or people coming to

984
00:43:41,920 --> 00:43:43,960
Speaker 2: your shows, this, this, this, this and that. It's they're

985
00:43:44,000 --> 00:43:47,360
Speaker 2: not looking for good music. So bullshit slips through the cracks.

986
00:43:47,560 --> 00:43:51,480
Speaker 2: Bullshit is allowed to become the biggest, and then because

987
00:43:51,560 --> 00:43:53,759
Speaker 2: other shit doesn't look like bullshit, it makes it hard

988
00:43:53,840 --> 00:43:56,279
Speaker 2: for real shit. Now, when you make real shit, they're like, oh,

989
00:43:56,320 --> 00:43:57,759
Speaker 2: you're making old school hip hop, and it's like, no,

990
00:43:57,840 --> 00:43:58,920
Speaker 2: I'm not making old school hip hop.

991
00:43:58,920 --> 00:44:01,480
Speaker 1: I'm just making him pop. I'm making actual rap.

992
00:44:02,040 --> 00:44:03,960
Speaker 2: But no one's sitting down and listen in the actual

993
00:44:04,040 --> 00:44:07,520
Speaker 2: rap anymore unless you already have our hearts.

994
00:44:07,600 --> 00:44:08,880
Speaker 4: Clips already has our hearts.

995
00:44:09,239 --> 00:44:12,160
Speaker 2: If people would have just came out, if unknown people

996
00:44:12,200 --> 00:44:14,240
Speaker 2: would have came out with that CLIPS album, people wouldn't

997
00:44:14,239 --> 00:44:16,080
Speaker 2: have listened to it. It wouldn't have gotten as much

998
00:44:16,080 --> 00:44:18,080
Speaker 2: of you know, nowhere near as much of attention, no

999
00:44:18,160 --> 00:44:20,800
Speaker 2: matter how good it was. But they have our hearts already,

1000
00:44:20,800 --> 00:44:23,360
Speaker 2: So we're gonna go listen and be like, ah, this

1001
00:44:23,600 --> 00:44:26,800
Speaker 2: is good. We've missed this, but they're not gonna go

1002
00:44:26,920 --> 00:44:29,840
Speaker 2: do all the silly bullshit that these other artists are

1003
00:44:29,880 --> 00:44:32,640
Speaker 2: going to do to continue to go viral and have

1004
00:44:32,880 --> 00:44:34,920
Speaker 2: viral sounds and all of that shit. So then you

1005
00:44:35,080 --> 00:44:37,560
Speaker 2: come into impass because now the internet runs everything. So

1006
00:44:37,600 --> 00:44:40,840
Speaker 2: if you can't pop on the internet, then you're not

1007
00:44:40,840 --> 00:44:43,480
Speaker 2: gonna pop on the charts unless it's crazy, because it

1008
00:44:43,560 --> 00:44:44,320
Speaker 2: was never it used.

1009
00:44:44,160 --> 00:44:45,000
Speaker 1: To be the reverse of that.

1010
00:44:45,239 --> 00:44:48,000
Speaker 3: Like so you know again, I'm old enough to remember

1011
00:44:49,200 --> 00:44:53,320
Speaker 3: a group like Milli Vanilly, m h right, great record,

1012
00:44:54,640 --> 00:44:57,920
Speaker 3: great record, but it was a thing where it was like, yeah,

1013
00:44:58,000 --> 00:45:00,799
Speaker 3: but whoever made that record probably doesn't look like a star.

1014
00:45:01,239 --> 00:45:04,520
Speaker 1: Yeah, right now, you just gotta look like a star.

1015
00:45:05,880 --> 00:45:06,840
Speaker 1: We could, we could tweak.

1016
00:45:06,880 --> 00:45:09,160
Speaker 3: We can we can turn the knobs on the in

1017
00:45:09,239 --> 00:45:11,239
Speaker 3: the studio and we could get the sound to where

1018
00:45:11,520 --> 00:45:13,640
Speaker 3: where it need to be. But before it used to

1019
00:45:13,719 --> 00:45:17,840
Speaker 3: be as long as the music is good, that was

1020
00:45:18,320 --> 00:45:21,480
Speaker 3: we lead first. It's the music good. He may not

1021
00:45:21,600 --> 00:45:23,000
Speaker 3: be a star, she may not be a star. We

1022
00:45:23,040 --> 00:45:24,800
Speaker 3: don't even got to put them in the video. We

1023
00:45:24,880 --> 00:45:26,840
Speaker 3: can use somebody because this is things that really happened.

1024
00:45:27,280 --> 00:45:29,719
Speaker 3: There was videos in the nineties where I come to

1025
00:45:29,719 --> 00:45:31,680
Speaker 3: find out that ain't even the person who's on the record.

1026
00:45:31,719 --> 00:45:34,680
Speaker 3: That's not even them, but they're in the video and

1027
00:45:34,800 --> 00:45:36,879
Speaker 3: they're portraying it like they're performing the record, and that's

1028
00:45:36,880 --> 00:45:37,759
Speaker 3: not even a real artist.

1029
00:45:38,400 --> 00:45:39,279
Speaker 1: So it went from that.

1030
00:45:40,480 --> 00:45:43,600
Speaker 3: It went from leading with the music being great to

1031
00:45:43,800 --> 00:45:47,080
Speaker 3: now that's the second that's secondary. Now it's like, yo,

1032
00:45:47,160 --> 00:45:49,680
Speaker 3: what's what's your personality? Like, you know what I mean,

1033
00:45:49,760 --> 00:45:52,600
Speaker 3: what's your you know, it's do people love the personality?

1034
00:45:52,680 --> 00:45:55,240
Speaker 3: Do they love the look, the aesthetic, you know, the vibe,

1035
00:45:55,239 --> 00:45:58,600
Speaker 3: the energy? Okay, cool. Now we could put music, we

1036
00:45:58,640 --> 00:46:00,799
Speaker 3: can put something together, we could cook something up, get

1037
00:46:00,840 --> 00:46:02,120
Speaker 3: them in the studio with the right person.

1038
00:46:02,440 --> 00:46:03,239
Speaker 1: We see it all the time.

1039
00:46:03,320 --> 00:46:05,800
Speaker 3: But then now what happens is you get something like

1040
00:46:05,880 --> 00:46:08,960
Speaker 3: this chart that we have to sit and look back

1041
00:46:08,960 --> 00:46:12,240
Speaker 3: and be like, damn, only four.

1042
00:46:14,320 --> 00:46:16,759
Speaker 1: Social real conversation to have. Man, I just I just

1043
00:46:16,880 --> 00:46:18,000
Speaker 1: feel like, you know, again.

1044
00:46:17,960 --> 00:46:21,080
Speaker 3: Being able to see the mini shifts and changes in

1045
00:46:21,160 --> 00:46:24,080
Speaker 3: the landscape of music and things like that, and being

1046
00:46:24,080 --> 00:46:27,440
Speaker 3: able to look back and things are looking a little

1047
00:46:27,920 --> 00:46:29,400
Speaker 3: for the first time that I can remember.

1048
00:46:29,800 --> 00:46:32,239
Speaker 1: You know, people been saying hip hop is dead for years.

1049
00:46:32,280 --> 00:46:35,520
Speaker 3: That's you know, it's looking dead though. It's looking like

1050
00:46:35,600 --> 00:46:37,239
Speaker 3: I ain't gonna lie. We might have to start going

1051
00:46:37,280 --> 00:46:40,879
Speaker 3: to hospice and visiting this mother. Like yo, this nigga

1052
00:46:40,960 --> 00:46:42,080
Speaker 3: might be on his way out of y'all.

1053
00:46:42,120 --> 00:46:45,279
Speaker 2: Gotta start making hip hop music that the old people

1054
00:46:45,440 --> 00:46:47,480
Speaker 2: and that the white people can comfortably rap.

1055
00:46:48,320 --> 00:46:48,600
Speaker 1: That's it.

1056
00:46:48,719 --> 00:46:50,440
Speaker 2: That's the only way the white people and the old

1057
00:46:50,480 --> 00:46:51,800
Speaker 2: people got a comfortably rap it.

1058
00:46:52,880 --> 00:46:55,040
Speaker 3: Yeah, but white people comfortably wrap some of our like

1059
00:46:55,719 --> 00:46:57,719
Speaker 3: Petres just going crazy on a no limit shit. He

1060
00:46:57,880 --> 00:47:00,320
Speaker 3: just told us a beautiful story about how back in

1061
00:47:00,400 --> 00:47:02,960
Speaker 3: nineteen ninety seven him and his friends would gather around

1062
00:47:03,440 --> 00:47:05,320
Speaker 3: a local Dell computer and look.

1063
00:47:05,200 --> 00:47:07,640
Speaker 1: At videos a local Della.

1064
00:47:07,800 --> 00:47:09,640
Speaker 3: You know, it wasn't there. It's like, you know, none

1065
00:47:09,680 --> 00:47:11,439
Speaker 3: of us had a computer in our own for a while.

1066
00:47:11,480 --> 00:47:13,760
Speaker 3: That was like a If a nigga had a computer,

1067
00:47:13,880 --> 00:47:16,440
Speaker 3: you was rich. If your man had a computer, like

1068
00:47:16,520 --> 00:47:19,160
Speaker 3: a nine to five, you go to your man house.

1069
00:47:19,640 --> 00:47:21,920
Speaker 1: They had computers in ninety five. Don't don't do that.

1070
00:47:22,400 --> 00:47:23,480
Speaker 1: Don't don't play with me like that.

1071
00:47:23,840 --> 00:47:26,120
Speaker 3: I got my first computer at We're not talking about

1072
00:47:26,120 --> 00:47:28,120
Speaker 3: when you got out at once computter. I'm talking about, Yes,

1073
00:47:28,200 --> 00:47:29,399
Speaker 3: there were computers in ninety nine.

1074
00:47:29,440 --> 00:47:31,600
Speaker 1: What did they look like. It would look like it

1075
00:47:31,719 --> 00:47:34,120
Speaker 1: was a big ass box, but it was that shit.

1076
00:47:34,680 --> 00:47:36,759
Speaker 1: That shit worked, though, baby did. If your mom's picked

1077
00:47:36,800 --> 00:47:39,000
Speaker 1: up to make a call, connection was all fucked up.

1078
00:47:39,120 --> 00:47:40,440
Speaker 2: Well, no, it was like that when I first got

1079
00:47:40,440 --> 00:47:44,680
Speaker 2: a computer too, that aol. My mother be mad as fuck.

1080
00:47:44,719 --> 00:47:46,200
Speaker 2: She gonna pick up her phone and hear that shit.

1081
00:47:46,239 --> 00:47:49,479
Speaker 3: Yeah, but white people have always comfortably wrapped to wrap

1082
00:47:49,640 --> 00:47:52,719
Speaker 3: you what I'm saying, most ghettoist, most hood shit, they

1083
00:47:53,200 --> 00:47:53,800
Speaker 3: they loved that.

1084
00:47:54,080 --> 00:47:56,759
Speaker 2: They relate to that shit. Yes, but we're you also

1085
00:47:56,840 --> 00:47:58,320
Speaker 2: have to. We're in a little bit more of a

1086
00:47:58,400 --> 00:48:03,360
Speaker 2: woke era too, so it's not they don't feel comfortable

1087
00:48:03,480 --> 00:48:05,680
Speaker 2: rapping that as much as they used to. And when

1088
00:48:05,680 --> 00:48:07,120
Speaker 2: I say white people, I think I mean like the

1089
00:48:07,239 --> 00:48:10,919
Speaker 2: Martha Stewarts of the world. Steward she's a felon. Yeah,

1090
00:48:11,239 --> 00:48:15,719
Speaker 2: but I mean old white women, old white women and

1091
00:48:15,880 --> 00:48:19,480
Speaker 2: old black people period like to feel comfortable rappingness Like

1092
00:48:19,719 --> 00:48:21,359
Speaker 2: now we're here, they're like, what is this book?

1093
00:48:21,440 --> 00:48:22,840
Speaker 4: What is this shit y'all are listening to?

1094
00:48:23,080 --> 00:48:23,279
Speaker 6: Like that?

1095
00:48:23,600 --> 00:48:25,920
Speaker 2: Like, you need music that makes them comfortable, And I

1096
00:48:26,000 --> 00:48:28,640
Speaker 2: think that's the music, the rap music that goes far.

1097
00:48:28,760 --> 00:48:30,320
Speaker 1: I think that Drake has done a good job at that.

1098
00:48:30,440 --> 00:48:32,640
Speaker 2: I think Cardi B's album the reason why it was

1099
00:48:32,719 --> 00:48:35,000
Speaker 2: that big is because she was able to do that too,

1100
00:48:35,120 --> 00:48:38,000
Speaker 2: to make even if it is raunchy, you have singles

1101
00:48:38,040 --> 00:48:41,359
Speaker 2: that sound good to old people like you need all

1102
00:48:41,480 --> 00:48:44,399
Speaker 2: of us to make rap number one again. You can't

1103
00:48:44,520 --> 00:48:47,440
Speaker 2: just cater to the little fucking kids that are on

1104
00:48:47,520 --> 00:48:50,120
Speaker 2: their computers gaming and fucking saying I hate you mom, Like,

1105
00:48:50,200 --> 00:48:51,440
Speaker 2: you can't just cater to them.

1106
00:48:51,360 --> 00:48:54,120
Speaker 1: Like you have to get everybody involved in order to

1107
00:48:54,200 --> 00:48:54,640
Speaker 1: be that big.

1108
00:48:56,560 --> 00:48:59,560
Speaker 2: Well yeah, but also if you don't unless you were

1109
00:48:59,640 --> 00:49:02,919
Speaker 2: really straining to hear Eminem or like really listening to Ship,

1110
00:49:03,000 --> 00:49:07,080
Speaker 2: you didn't really realize just how horrible Eminem's lyrics were

1111
00:49:07,120 --> 00:49:08,719
Speaker 2: and the shit that he was saying. Because when I

1112
00:49:08,760 --> 00:49:10,120
Speaker 2: was younger and I was singing Eminem, I didn't know

1113
00:49:10,120 --> 00:49:10,960
Speaker 2: what the fuck I was singing.

1114
00:49:11,400 --> 00:49:12,719
Speaker 1: You didn't know what you were singing when you was

1115
00:49:12,840 --> 00:49:15,000
Speaker 1: singing a lot of this juvenile shit back that ass up.

1116
00:49:15,160 --> 00:49:16,040
Speaker 1: No I knew what that meant.

1117
00:49:17,280 --> 00:49:19,400
Speaker 2: You working with some ash year you bad? Yeah, mak

1118
00:49:19,440 --> 00:49:21,000
Speaker 2: a niggas fin his cash y is last year?

1119
00:49:21,040 --> 00:49:22,520
Speaker 1: You knew you know how old you was when that

1120
00:49:22,600 --> 00:49:25,080
Speaker 1: song first game on How old was? What year to

1121
00:49:25,320 --> 00:49:27,239
Speaker 1: back that ass up first come out? Ninety eight?

1122
00:49:28,719 --> 00:49:28,919
Speaker 6: Four?

1123
00:49:29,080 --> 00:49:33,440
Speaker 1: Maybe ninety seven, ninety nine, and that that era right

1124
00:49:33,480 --> 00:49:36,839
Speaker 1: there in ninety eight. But see I old you four.

1125
00:49:37,760 --> 00:49:43,600
Speaker 1: But see you knew what you were saying, you ain't.

1126
00:49:44,840 --> 00:49:47,200
Speaker 2: But to be fair, the first time I probably heard

1127
00:49:47,280 --> 00:49:49,800
Speaker 2: that song or really heard, like really listened to it,

1128
00:49:49,880 --> 00:49:52,120
Speaker 2: I probably wanted four that song still, you know what

1129
00:49:52,120 --> 00:49:53,680
Speaker 2: I'm saying, That shit still plays and party.

1130
00:49:54,440 --> 00:49:55,040
Speaker 1: But that's another thing.

1131
00:49:55,080 --> 00:49:57,000
Speaker 2: When people say that female rapiers two are on these days,

1132
00:49:57,040 --> 00:49:58,480
Speaker 2: I'm like I was. I grew up listening to Trina

1133
00:49:58,520 --> 00:50:00,040
Speaker 2: and Little Kim. Y'all aren't about to tell me. And

1134
00:50:00,160 --> 00:50:02,960
Speaker 2: wop is the worst song y'all ever heard, Like I can't.

1135
00:50:03,040 --> 00:50:04,239
Speaker 2: I just can't get jiggy with that.

1136
00:50:05,239 --> 00:50:05,439
Speaker 1: Nah.

1137
00:50:05,840 --> 00:50:08,239
Speaker 3: Listen, man, When WAP first came out, they killed me

1138
00:50:08,280 --> 00:50:11,480
Speaker 3: for saying it that like hear it, listen I heard.

1139
00:50:11,600 --> 00:50:13,839
Speaker 3: I had the Little Kim hardcore poster in my room.

1140
00:50:14,520 --> 00:50:16,440
Speaker 3: I had the poster like I knew how to That

1141
00:50:16,520 --> 00:50:19,640
Speaker 3: Little Kim hardcore poster shook up. That shit shook up

1142
00:50:19,640 --> 00:50:23,120
Speaker 3: the culture like crack rock. That shook that That Little

1143
00:50:23,200 --> 00:50:27,000
Speaker 3: Kim hardcore poster that shook the black community like cracking

1144
00:50:27,040 --> 00:50:27,600
Speaker 3: the eighties.

1145
00:50:28,520 --> 00:50:31,480
Speaker 1: No y'all think I'm joking, niggas, Oh you wasn't.

1146
00:50:31,520 --> 00:50:34,520
Speaker 3: Matter of fact, in high school, if you opened your

1147
00:50:34,600 --> 00:50:37,960
Speaker 3: locker and you didn't have that Little Kim poster.

1148
00:50:37,840 --> 00:50:42,120
Speaker 1: In your locker, you was a lame. You was lame. Like, yo,

1149
00:50:42,239 --> 00:50:43,439
Speaker 1: you don't got the hard core.

1150
00:50:44,440 --> 00:50:46,640
Speaker 3: And then like if they heard you had it open

1151
00:50:46,680 --> 00:50:49,360
Speaker 3: your locker, had come to Princeville, open your locker hating

1152
00:50:50,640 --> 00:50:53,000
Speaker 3: ripped my shit right out, going to get another one.

1153
00:50:53,080 --> 00:50:56,600
Speaker 3: I don't care. Little Kim will be it that hard

1154
00:50:56,640 --> 00:51:00,360
Speaker 3: coature so and even that. But then Josh pull up

1155
00:51:00,360 --> 00:51:03,239
Speaker 3: the Little Kim hardcore picture. Watch this baby, let me

1156
00:51:03,320 --> 00:51:04,799
Speaker 3: fuck your head all the way up with this one.

1157
00:51:05,320 --> 00:51:08,680
Speaker 3: Look at this picture now with today's twenty twenty five eyes,

1158
00:51:10,000 --> 00:51:12,200
Speaker 3: and tell me what was the problem with this poster.

1159
00:51:13,680 --> 00:51:16,640
Speaker 4: That thing was fatter than a swamp. Possibly, but what's

1160
00:51:16,719 --> 00:51:17,160
Speaker 4: wrong with it?

1161
00:51:18,000 --> 00:51:20,520
Speaker 3: If you look at that, that's almost like that could

1162
00:51:20,560 --> 00:51:23,520
Speaker 3: be in fucking that could be in ig right, all right,

1163
00:51:23,600 --> 00:51:25,800
Speaker 3: g that could be outside on the bus like that.

1164
00:51:26,400 --> 00:51:29,120
Speaker 1: Yeah, this is a wreck. That's there is nothing hardcore

1165
00:51:29,160 --> 00:51:30,359
Speaker 1: about this picture.

1166
00:51:30,719 --> 00:51:34,640
Speaker 3: In twenty twenty five. Now, in nineteen ninety five or

1167
00:51:34,719 --> 00:51:38,600
Speaker 3: ninety six, whatever year came out. Oh you that shit

1168
00:51:38,640 --> 00:51:41,120
Speaker 3: shook the streets up. But this is what I'm saying.

1169
00:51:41,200 --> 00:51:43,880
Speaker 3: Now we get to the Meg video Lover Girl.

1170
00:51:45,360 --> 00:51:45,520
Speaker 1: Meg.

1171
00:51:45,560 --> 00:51:46,920
Speaker 3: If Meg would have shut up in that day, they're like,

1172
00:51:46,960 --> 00:51:52,680
Speaker 3: come on, this is a gap commercial. And Meg and

1173
00:51:53,800 --> 00:51:56,520
Speaker 3: man showed up dressed like little Kim on that hardcore post.

1174
00:51:56,680 --> 00:51:59,160
Speaker 1: Now they're like, come on this saint gap. Yeah, me

1175
00:51:59,320 --> 00:52:01,680
Speaker 1: not doing the gap Mershall like this ain't. This ain't.

1176
00:52:02,360 --> 00:52:04,920
Speaker 1: But you see what I'm saying that was considered so

1177
00:52:05,080 --> 00:52:06,120
Speaker 1: now when you hear wh.

1178
00:52:06,680 --> 00:52:09,560
Speaker 3: But but see but see Okay, dangly thing in the

1179
00:52:09,640 --> 00:52:11,879
Speaker 3: back of my throat is crazy stiff dicks.

1180
00:52:11,920 --> 00:52:13,279
Speaker 4: I feel sweet in this little petit.

1181
00:52:13,400 --> 00:52:15,719
Speaker 2: Young bitch from the streets, guaranteed to stay down, used

1182
00:52:15,719 --> 00:52:18,440
Speaker 2: to bring work at the time the Grayhouse bill board bow.

1183
00:52:18,680 --> 00:52:24,080
Speaker 1: She's moving drugs. Stiff dicks, feel sweet in this little petit. Okay, sex.

1184
00:52:25,400 --> 00:52:27,000
Speaker 4: I know a dude named Jimmy used to run up

1185
00:52:27,040 --> 00:52:28,520
Speaker 4: in me uh huh.

1186
00:52:28,600 --> 00:52:30,520
Speaker 2: Late night pissy drunk off of Henny, and Whenny he

1187
00:52:30,600 --> 00:52:32,320
Speaker 2: didn't mind it. When he fucked me from behind, it

1188
00:52:32,440 --> 00:52:34,120
Speaker 2: felt fine, especially when he used to grind it.

1189
00:52:34,200 --> 00:52:34,719
Speaker 1: He was a trick.

1190
00:52:34,760 --> 00:52:37,239
Speaker 4: When I sucked his dick, he passed me the.

1191
00:52:37,280 --> 00:52:41,879
Speaker 3: Come on now, huh, I'm here with you, baby, yo. Yeah,

1192
00:52:42,960 --> 00:52:45,040
Speaker 3: het the dangly thing in the back of my throat.

1193
00:52:46,000 --> 00:52:50,120
Speaker 3: Come on, bro, I'm just saying. And here's the other

1194
00:52:50,160 --> 00:52:51,600
Speaker 3: part of what you just said. How many times did

1195
00:52:51,640 --> 00:52:55,640
Speaker 3: you say pussy? Okay, so what I will say is

1196
00:52:56,680 --> 00:52:59,920
Speaker 3: arrest my case. How many times did you say pussy?

1197
00:53:00,120 --> 00:53:03,120
Speaker 3: All those little Kim bars? Little Kim has pussy bars.

1198
00:53:03,480 --> 00:53:07,120
Speaker 1: No, no, no, I'm not saying. I'm not saying she

1199
00:53:07,520 --> 00:53:12,239
Speaker 1: don't we speaking on wop versus all that little kim

1200
00:53:12,320 --> 00:53:16,920
Speaker 1: shit you just gave me. Cons I was there, I

1201
00:53:17,040 --> 00:53:17,960
Speaker 1: was outside, baby.

1202
00:53:17,920 --> 00:53:19,759
Speaker 4: The motherfucker never ate my pussy as a little as

1203
00:53:19,760 --> 00:53:20,359
Speaker 4: a little Kim bar.

1204
00:53:20,600 --> 00:53:25,080
Speaker 3: No little kim Listen, she definitely has raunchy, wild bars.

1205
00:53:26,880 --> 00:53:29,040
Speaker 3: But you gotta go into the album cuts a little

1206
00:53:29,120 --> 00:53:31,120
Speaker 3: more to kind of get to some of that. I'm saying,

1207
00:53:31,239 --> 00:53:33,719
Speaker 3: those bars you just spit. That was like I could

1208
00:53:33,960 --> 00:53:36,200
Speaker 3: the reason not no, baby, because we used to rap

1209
00:53:36,280 --> 00:53:40,279
Speaker 3: little kim bars as a man, as a.

1210
00:53:40,280 --> 00:53:42,520
Speaker 4: Young nig in the streets. I used to how looks

1211
00:53:43,000 --> 00:53:43,440
Speaker 4: does it take?

1212
00:53:43,880 --> 00:53:45,600
Speaker 1: Wasn't that wasn't for me.

1213
00:53:45,800 --> 00:53:48,480
Speaker 2: I couldn't. I couldn't wrap that. But dick and a

1214
00:53:48,560 --> 00:53:49,640
Speaker 2: hurricane tongue was rapping.

1215
00:53:49,760 --> 00:53:50,239
Speaker 1: I didn't do that.

1216
00:53:50,320 --> 00:53:53,040
Speaker 3: I was at the bar when that came. I'm just saying,

1217
00:53:53,120 --> 00:53:57,000
Speaker 3: like she got those in there. But it wasn't as it.

1218
00:53:57,200 --> 00:53:59,560
Speaker 1: Was as No, it wasn't. I was really there, baby,

1219
00:53:59,680 --> 00:54:00,000
Speaker 1: she is.

1220
00:54:00,320 --> 00:54:02,359
Speaker 4: Treated sexy on no nail? Hold that fuck? Five six

1221
00:54:02,440 --> 00:54:04,840
Speaker 4: best friends, five or six best friends is crazy.

1222
00:54:05,520 --> 00:54:08,920
Speaker 2: I don't know five niggas, that's best friends together, your niggas.

1223
00:54:08,920 --> 00:54:10,719
Speaker 1: I got five best friends first of all, that's like,

1224
00:54:10,800 --> 00:54:13,279
Speaker 1: let's start there. Niggas don't got five, but like five

1225
00:54:13,400 --> 00:54:14,560
Speaker 1: or six best friends?

1226
00:54:15,080 --> 00:54:15,320
Speaker 5: You know?

1227
00:54:15,560 --> 00:54:19,520
Speaker 1: Naw, you don't even know. But yeah, y'all don't know when?

1228
00:54:19,600 --> 00:54:21,600
Speaker 3: When When when Trina took the jacket off in that

1229
00:54:21,760 --> 00:54:26,000
Speaker 3: video and we saw the sparkly bro, she fucked the hood?

1230
00:54:26,080 --> 00:54:28,640
Speaker 3: The streets was fucked up after that? Who is this

1231
00:54:29,000 --> 00:54:32,080
Speaker 3: light skinned girl? That's all we wanted to know. Niggas

1232
00:54:32,160 --> 00:54:34,560
Speaker 3: ran home from school to watch BT to catch that video?

1233
00:54:35,560 --> 00:54:38,560
Speaker 1: Yo? Who is shorty with the sparkly like?

1234
00:54:38,680 --> 00:54:40,200
Speaker 4: Y'all can't make me feel bad about why?

1235
00:54:40,440 --> 00:54:42,680
Speaker 2: When there was credit cards getting slid in between people

1236
00:54:42,719 --> 00:54:43,840
Speaker 2: ask Crack that was go.

1237
00:54:44,080 --> 00:54:46,759
Speaker 3: Go watch the Tip Dree video today and then gonna

1238
00:54:46,760 --> 00:54:50,400
Speaker 3: put on Meg's new video. It's not as crazy as

1239
00:54:50,440 --> 00:54:54,320
Speaker 3: you think baby back then, Yeah, because we talk about

1240
00:54:54,360 --> 00:54:55,120
Speaker 3: the Throng song.

1241
00:54:55,239 --> 00:54:56,360
Speaker 1: Go look at that video.

1242
00:54:56,400 --> 00:55:00,839
Speaker 3: Them thuns is fat as video, just like Nigga Thiss

1243
00:55:00,920 --> 00:55:05,800
Speaker 3: his band. Watch this ain't no fun like in comparison

1244
00:55:05,880 --> 00:55:08,920
Speaker 3: to today. I'm saying, ask them thongs are self. Come on,

1245
00:55:09,920 --> 00:55:12,200
Speaker 3: it just wasn't as like now.

1246
00:55:12,400 --> 00:55:16,160
Speaker 1: It's just like I was watching the video x P.

1247
00:55:16,360 --> 00:55:19,200
Speaker 1: I said, was that a lip? I think they missed

1248
00:55:19,200 --> 00:55:24,719
Speaker 1: the edit? They missed I'm like, yo, I think they

1249
00:55:24,840 --> 00:55:26,600
Speaker 1: missed the edit. Don't piss me off.

1250
00:55:26,680 --> 00:55:29,840
Speaker 2: I'm just saying that the times have changed. There is

1251
00:55:29,920 --> 00:55:34,920
Speaker 2: way too much. There is way too much just divert sexuality,

1252
00:55:35,239 --> 00:55:36,480
Speaker 2: and I don't want to put it on the women

1253
00:55:36,520 --> 00:55:38,359
Speaker 2: because it's not just the women. The men have done

1254
00:55:38,400 --> 00:55:41,799
Speaker 2: it too. There's too much overt sexuality in songs though,

1255
00:55:42,320 --> 00:55:44,640
Speaker 2: like I want to hear, like Victoria Money does a

1256
00:55:44,680 --> 00:55:48,040
Speaker 2: good job at describing sex but making it like a metaphor.

1257
00:55:48,480 --> 00:55:50,000
Speaker 2: Like she has a song called f U c K

1258
00:55:50,160 --> 00:55:52,200
Speaker 2: Friend You Can Keep, which is about friends with bennef.

1259
00:55:51,920 --> 00:55:53,759
Speaker 3: Oh, I thank you for that face to face the

1260
00:55:53,840 --> 00:55:56,080
Speaker 3: BT that was so beautiful, the way she did that.

1261
00:55:56,560 --> 00:55:58,960
Speaker 3: You think I said, Yo, I couldn't figure out how

1262
00:55:58,960 --> 00:56:00,560
Speaker 3: to say what you said for you. I was trying

1263
00:56:00,600 --> 00:56:02,040
Speaker 3: to say, I don't want to say I just want

1264
00:56:02,080 --> 00:56:03,359
Speaker 3: to fuck you. You don't want to tell a girl

1265
00:56:03,360 --> 00:56:04,200
Speaker 3: I just want to say a fuck.

1266
00:56:04,280 --> 00:56:04,600
Speaker 1: Uh huh.

1267
00:56:04,920 --> 00:56:06,880
Speaker 3: But now if you say I'm just trying to be

1268
00:56:06,920 --> 00:56:10,520
Speaker 3: a friend, you could keep. Mmm, she come in, she coming,

1269
00:56:10,600 --> 00:56:12,160
Speaker 3: she comes over me going right.

1270
00:56:12,360 --> 00:56:15,160
Speaker 1: Yeah, But you were like, I'm trying to fuck nigga.

1271
00:56:15,200 --> 00:56:17,360
Speaker 1: Beat it. I'm just trying to be a friend. You

1272
00:56:17,400 --> 00:56:21,880
Speaker 1: could keep. Now it's nigga beat it. That's why you

1273
00:56:22,000 --> 00:56:25,200
Speaker 1: my nigga. That's why you my nigga, because you understand

1274
00:56:26,200 --> 00:56:27,719
Speaker 1: that's all I'm saying. You get it.

1275
00:56:28,160 --> 00:56:30,920
Speaker 3: That's just the way you say it. Yeah, Megan, they

1276
00:56:30,960 --> 00:56:32,520
Speaker 3: can all get their shit off. It's just the wip.

1277
00:56:32,600 --> 00:56:34,080
Speaker 1: You could get it off. It's just the way you

1278
00:56:34,239 --> 00:56:36,440
Speaker 1: say it. Yeah, you could tell a nigga you got

1279
00:56:36,480 --> 00:56:38,400
Speaker 1: a wet ass pussy wop cool, I got it. I

1280
00:56:38,480 --> 00:56:40,520
Speaker 1: got this wop that's fire.

1281
00:56:40,760 --> 00:56:43,719
Speaker 3: Hit the dangly thing in the back of whoa how

1282
00:56:43,800 --> 00:56:46,520
Speaker 3: many other niggas have you told this to now?

1283
00:56:46,560 --> 00:56:49,000
Speaker 1: I got questions on the date. I don't want to spit.

1284
00:56:49,040 --> 00:56:50,719
Speaker 1: I want to go. I'm like, gag, I want to choke.

1285
00:56:51,000 --> 00:56:54,440
Speaker 1: I do too. I want that. Don't tell me it

1286
00:56:54,600 --> 00:56:55,920
Speaker 1: like that, like just kind of make it a.

1287
00:56:55,920 --> 00:56:58,120
Speaker 2: Little when you go back and listen to the lyrics

1288
00:56:58,160 --> 00:57:00,279
Speaker 2: that have like God, will me swallow me out?

1289
00:57:00,280 --> 00:57:01,719
Speaker 1: Aside of me? Quick jump out for you, let it

1290
00:57:01,760 --> 00:57:07,279
Speaker 1: get inside of me jump out. Yeah, I felt the

1291
00:57:07,400 --> 00:57:11,000
Speaker 1: funk out of that. I hear you, man, I've been

1292
00:57:11,080 --> 00:57:13,279
Speaker 1: on the other side of that. I get it.

1293
00:57:13,719 --> 00:57:16,880
Speaker 3: Baby, I'm here to tell you I understand. I'm just

1294
00:57:16,960 --> 00:57:17,760
Speaker 3: saying the way we.

1295
00:57:17,920 --> 00:57:21,600
Speaker 1: Doing it, we need more metaphor. We just need autistic

1296
00:57:21,960 --> 00:57:22,560
Speaker 1: play too.

1297
00:57:22,680 --> 00:57:24,920
Speaker 3: We just need to kind of like dress it up

1298
00:57:24,920 --> 00:57:26,920
Speaker 3: a little more as hip hop, as rap put a

1299
00:57:26,960 --> 00:57:27,600
Speaker 3: little more skilled.

1300
00:57:27,640 --> 00:57:29,240
Speaker 2: I was thinking about that when we were talking about

1301
00:57:29,280 --> 00:57:31,320
Speaker 2: how Suck It or Not is like a legendary song,

1302
00:57:31,480 --> 00:57:32,800
Speaker 2: and I'm like, I was thinking in my head, like

1303
00:57:32,840 --> 00:57:34,840
Speaker 2: why do I like sucking I liked Suck It or

1304
00:57:34,880 --> 00:57:36,840
Speaker 2: Not so much because I mean, it was a good song,

1305
00:57:36,880 --> 00:57:39,600
Speaker 2: but it was also very raunchy, and it's like I

1306
00:57:39,800 --> 00:57:41,720
Speaker 2: like that it was rare for a song to be

1307
00:57:42,000 --> 00:57:42,880
Speaker 2: that raaunchy.

1308
00:57:42,920 --> 00:57:44,160
Speaker 4: It's not rare anymore.

1309
00:57:44,160 --> 00:57:46,600
Speaker 1: It's not rare. Yeah, it's not.

1310
00:57:46,680 --> 00:57:48,360
Speaker 2: Really we've been and I don't want to sound I know,

1311
00:57:48,400 --> 00:57:49,880
Speaker 2: we getting older. I don't want to sound like the

1312
00:57:50,000 --> 00:57:52,000
Speaker 2: old prove people because we just as freaked out as

1313
00:57:52,040 --> 00:57:54,240
Speaker 2: everybody else. Right, We've proven that through the years on

1314
00:57:54,320 --> 00:57:57,200
Speaker 2: this podcast. But there's a there's a better way to

1315
00:57:57,280 --> 00:57:59,040
Speaker 2: do it. There's a more creative way to do it,

1316
00:57:59,080 --> 00:58:00,680
Speaker 2: and I just wish that people would explore it. But

1317
00:58:00,800 --> 00:58:03,200
Speaker 2: at the same time, when we go into the air

1318
00:58:03,400 --> 00:58:06,320
Speaker 2: of like we said, the Internet and clicks, these are

1319
00:58:06,360 --> 00:58:08,560
Speaker 2: the songs that the labels are picking to go out

1320
00:58:08,840 --> 00:58:12,240
Speaker 2: because that's what Garner's attention. And I've just I've complained

1321
00:58:12,280 --> 00:58:13,800
Speaker 2: about that with Meg before, and people like Meg rap

1322
00:58:13,840 --> 00:58:15,280
Speaker 2: about the same thing. I'm like, when Megan's not rapping

1323
00:58:15,280 --> 00:58:17,360
Speaker 2: about pussy, y'all don't want to hear it. So it's like,

1324
00:58:17,480 --> 00:58:19,800
Speaker 2: if I want a career any of these artists, if

1325
00:58:19,800 --> 00:58:22,680
Speaker 2: I want a career, then I have to either be

1326
00:58:22,880 --> 00:58:26,800
Speaker 2: beefing with somebody or rapping about sex or rapping about

1327
00:58:27,080 --> 00:58:30,600
Speaker 2: intense violence. Like all of the negativity, the negative shit

1328
00:58:30,640 --> 00:58:32,720
Speaker 2: about hip hop has just been amplified, and that's what

1329
00:58:32,800 --> 00:58:34,120
Speaker 2: people seem to only support.

1330
00:58:34,360 --> 00:58:35,640
Speaker 1: That's what seems to go viral.

1331
00:58:35,880 --> 00:58:38,160
Speaker 3: Well, sex cells and it always will. It was probably

1332
00:58:38,200 --> 00:58:39,840
Speaker 3: the first thing that was EPI sold with some pussy

1333
00:58:40,840 --> 00:58:42,959
Speaker 3: I think it was gold and then pussy brick and mortar.

1334
00:58:43,040 --> 00:58:43,680
Speaker 1: Yeah exactly.

1335
00:58:44,600 --> 00:58:47,920
Speaker 3: But you know, I just again just being a consumer

1336
00:58:48,880 --> 00:58:51,920
Speaker 3: consumer first of music and culture and hip hop. I

1337
00:58:52,080 --> 00:58:55,600
Speaker 3: just would like to see a little more artistic cleverness,

1338
00:58:56,920 --> 00:58:59,760
Speaker 3: still be sexy. I love women, that's you know. Never

1339
00:59:00,000 --> 00:59:01,800
Speaker 3: I ain't wake up one day and never not love women.

1340
00:59:02,080 --> 00:59:04,280
Speaker 3: I love women, love looking at women, love all of that.

1341
00:59:04,640 --> 00:59:06,400
Speaker 3: But you know, when it comes to music and things

1342
00:59:06,480 --> 00:59:08,520
Speaker 3: like that, I just wanted to just be a little

1343
00:59:08,560 --> 00:59:11,360
Speaker 3: more clever, a little more artistic, little more skill set,

1344
00:59:11,480 --> 00:59:14,040
Speaker 3: That's all I'm saying. Like STUPI sexy, get your shit off,

1345
00:59:14,080 --> 00:59:15,920
Speaker 3: talk your shit. But I just want to just a

1346
00:59:15,960 --> 00:59:18,920
Speaker 3: little more. Just give me this a little yeah, be

1347
00:59:18,960 --> 00:59:20,360
Speaker 3: a little more clever with the pitt and that's all

1348
00:59:20,400 --> 00:59:21,880
Speaker 3: I'm saying. But I love it through shout out to

1349
00:59:21,920 --> 00:59:22,919
Speaker 3: Meg Great Video.

1350
00:59:26,160 --> 00:59:29,560
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1351
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Speaker 1: Yeah. Absolutely.

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Speaker 3: dollars off your first order. So you showed me this

1373
01:00:30,280 --> 01:00:34,760
Speaker 3: Kiky Palmer trailer for her her new TV show Southern

1374
01:00:34,800 --> 01:00:37,600
Speaker 3: Fried Rice shout out to Kiki Palmer.

1375
01:00:37,640 --> 01:00:39,960
Speaker 1: We support Kiki over here. Think she's dope, She's a legend.

1376
01:00:41,480 --> 01:00:44,000
Speaker 3: Now watch the trailer with you, and you were telling

1377
01:00:44,040 --> 01:00:46,320
Speaker 3: me that people online the trailer came out, people online

1378
01:00:46,400 --> 01:00:47,760
Speaker 3: killing Kiki Palm about this trailer?

1379
01:00:47,800 --> 01:00:48,959
Speaker 1: Why are people killing Kiki Pama?

1380
01:00:49,320 --> 01:00:52,000
Speaker 2: So for the people who haven't seen Southern Fried, Rice

1381
01:00:52,160 --> 01:00:55,760
Speaker 2: is a show about a Asian girl who was raised

1382
01:00:55,800 --> 01:00:56,400
Speaker 2: in black culture.

1383
01:00:56,440 --> 01:00:58,760
Speaker 1: I think her family or adopted family is black or whatever.

1384
01:00:59,000 --> 01:01:02,480
Speaker 2: And she goes to a HBCU and it's about her

1385
01:01:02,640 --> 01:01:07,000
Speaker 2: experience at an HBCU. Now, the backlash that Kiki was

1386
01:01:07,040 --> 01:01:09,800
Speaker 2: receiving that I saw was out of all the perspectives

1387
01:01:09,840 --> 01:01:12,600
Speaker 2: that you can write from. And you're black, and that

1388
01:01:12,760 --> 01:01:15,600
Speaker 2: you have the opportunity to tell stories instead of telling

1389
01:01:15,760 --> 01:01:18,760
Speaker 2: the story of a black woman or a black man

1390
01:01:18,880 --> 01:01:21,080
Speaker 2: that isn't you know like we love when we get

1391
01:01:21,120 --> 01:01:23,480
Speaker 2: opportunities to tell stories that aren't rooted in our trauma,

1392
01:01:23,600 --> 01:01:28,280
Speaker 2: rooted in slavery, rooted in Tyler perry S storylines trauma. Yes,

1393
01:01:28,560 --> 01:01:30,760
Speaker 2: you get this, this opportunity to tell a story, and

1394
01:01:30,800 --> 01:01:33,760
Speaker 2: instead of telling a black person's story, you tell the

1395
01:01:33,880 --> 01:01:39,040
Speaker 2: story of Asian American in a black person's space and

1396
01:01:39,160 --> 01:01:41,080
Speaker 2: how it affects her and what trouble she could go

1397
01:01:41,160 --> 01:01:43,240
Speaker 2: through in a black person's space. And they're saying that

1398
01:01:43,480 --> 01:01:45,920
Speaker 2: it's tone death. What do you think about that?

1399
01:01:46,160 --> 01:01:50,040
Speaker 4: I can I don't exactly agree.

1400
01:01:50,480 --> 01:01:53,200
Speaker 2: I can understand where they're coming from, but I like

1401
01:01:53,320 --> 01:01:55,520
Speaker 2: different stories, right, So this isn't a story that I've

1402
01:01:55,600 --> 01:01:58,439
Speaker 2: heard before. I wouldn't mind hearing it. But I also

1403
01:01:58,480 --> 01:02:00,760
Speaker 2: do understand the critique of Key He as a black woman,

1404
01:02:00,800 --> 01:02:03,080
Speaker 2: you know, we don't get many opportunities in these spaces

1405
01:02:03,160 --> 01:02:07,000
Speaker 2: to be an executive producer. Why wouldn't you executive produce

1406
01:02:07,040 --> 01:02:10,320
Speaker 2: a project that told our stories? Why are you telling

1407
01:02:10,360 --> 01:02:12,280
Speaker 2: it for other because other races are always the Asians

1408
01:02:12,280 --> 01:02:13,760
Speaker 2: always going to hold the Asians down. The whites are

1409
01:02:13,760 --> 01:02:15,320
Speaker 2: always going to hold the whites down. They're always going

1410
01:02:15,360 --> 01:02:17,520
Speaker 2: to give them opportunities. When we get a black person

1411
01:02:17,600 --> 01:02:19,760
Speaker 2: in a bigger space, it would be nice for one

1412
01:02:19,800 --> 01:02:22,600
Speaker 2: of us to give opportunities to one of us to

1413
01:02:22,680 --> 01:02:23,480
Speaker 2: tell our story.

1414
01:02:24,520 --> 01:02:26,760
Speaker 4: I kind of understand where people are coming from.

1415
01:02:26,760 --> 01:02:28,080
Speaker 1: I don't that because Key has done that.

1416
01:02:28,160 --> 01:02:29,920
Speaker 3: She just had a movie in theaters with Scissors that

1417
01:02:30,040 --> 01:02:31,960
Speaker 3: I think she executive producer wrote something like that.

1418
01:02:32,000 --> 01:02:33,800
Speaker 1: I think she was on there for that. Well, Ray

1419
01:02:33,840 --> 01:02:35,480
Speaker 1: did I think you might have just ask shout out

1420
01:02:35,520 --> 01:02:38,400
Speaker 1: to Lisa Key, shout out the Kikey for you know,

1421
01:02:38,520 --> 01:02:40,400
Speaker 1: a good performance, shout out the sisters for her performance

1422
01:02:40,440 --> 01:02:40,720
Speaker 1: as well.

1423
01:02:41,240 --> 01:02:44,520
Speaker 3: But I think that look and y'all kill me for this,

1424
01:02:45,240 --> 01:02:47,120
Speaker 3: and I don't know why. I just think that it's

1425
01:02:47,280 --> 01:02:50,080
Speaker 3: just a lot of it. A lot of our disagreements,

1426
01:02:50,120 --> 01:02:54,000
Speaker 3: I feel like, are just the age difference. But like

1427
01:02:54,080 --> 01:02:57,800
Speaker 3: you said, Kicky Palmer has this role, now, why not

1428
01:02:58,120 --> 01:03:00,240
Speaker 3: give us because we always claim we get this same

1429
01:03:00,280 --> 01:03:02,400
Speaker 3: shit over and over, the same stories over and the Okay,

1430
01:03:02,440 --> 01:03:05,040
Speaker 3: so here comes Kicky Palmer giving us something different.

1431
01:03:05,080 --> 01:03:06,960
Speaker 1: It's still HBCU. So we're still in there.

1432
01:03:07,440 --> 01:03:10,440
Speaker 3: Our culture is still the focus of the film, but

1433
01:03:10,560 --> 01:03:12,440
Speaker 3: it's just from the lens of somebody that's not.

1434
01:03:13,920 --> 01:03:15,000
Speaker 1: That doesn't look like us.

1435
01:03:15,120 --> 01:03:17,960
Speaker 3: Now, if you're adopted, if you're an Asian and you're

1436
01:03:18,000 --> 01:03:22,840
Speaker 3: adopted and a black family adopts you, yes, I'm Asian

1437
01:03:23,240 --> 01:03:25,400
Speaker 3: like my birth mother and my father may have been Asian.

1438
01:03:25,840 --> 01:03:27,760
Speaker 3: They couldn't take care of me for the reason they

1439
01:03:27,800 --> 01:03:30,080
Speaker 3: gave me a for adoption. A black family adopts me

1440
01:03:30,840 --> 01:03:32,600
Speaker 3: raises me. This is the culture that I know.

1441
01:03:33,240 --> 01:03:35,280
Speaker 2: Josh double checked that that's the storyline a by the way,

1442
01:03:35,400 --> 01:03:36,480
Speaker 2: but keep talking about.

1443
01:03:36,480 --> 01:03:37,400
Speaker 1: This is the culture that I know.

1444
01:03:37,560 --> 01:03:40,520
Speaker 3: This is the culture that I was raised in as

1445
01:03:40,560 --> 01:03:43,480
Speaker 3: a black man growing up in New York City. I

1446
01:03:43,560 --> 01:03:46,479
Speaker 3: said all the time, I had so many different friends

1447
01:03:46,480 --> 01:03:48,640
Speaker 3: from different cultures that lived. I'm talking about right in

1448
01:03:48,800 --> 01:03:49,280
Speaker 3: my building.

1449
01:03:49,920 --> 01:03:52,200
Speaker 1: Whether it was Indian, whether it was Cambodian, whether it

1450
01:03:52,360 --> 01:03:57,000
Speaker 1: was Albanian, whether it was Dominican, Puerto Rican, Italian, Irish.

1451
01:03:57,120 --> 01:04:00,800
Speaker 3: Like I grew up in a neighborhood that culture was,

1452
01:04:01,640 --> 01:04:04,120
Speaker 3: you know, and we didn't even really look at it

1453
01:04:04,360 --> 01:04:07,880
Speaker 3: like that until I go to your house for the

1454
01:04:07,920 --> 01:04:11,000
Speaker 3: first time and I see the way you know, your

1455
01:04:11,040 --> 01:04:13,480
Speaker 3: house is decorated, and like the type of food your

1456
01:04:13,520 --> 01:04:17,520
Speaker 3: mom makes. Then it's like, oh shit, like I forgot

1457
01:04:17,600 --> 01:04:19,640
Speaker 3: you was a whole different you know, like your house

1458
01:04:20,200 --> 01:04:23,040
Speaker 3: is different from my house. But when we're outside in

1459
01:04:23,120 --> 01:04:27,080
Speaker 3: the park doing dumb shit, or were playing sports together,

1460
01:04:27,720 --> 01:04:29,760
Speaker 3: or you know, we're going to see some girls and

1461
01:04:29,760 --> 01:04:31,600
Speaker 3: we're riding the train and go down to the mall, whatever,

1462
01:04:32,640 --> 01:04:35,480
Speaker 3: the culture is not a conversation. This is my man

1463
01:04:35,640 --> 01:04:38,960
Speaker 3: from my block. This isn't Oh this is my you know,

1464
01:04:39,120 --> 01:04:43,120
Speaker 3: Cambodian homeboy, Like it wasn't that is that's John. You

1465
01:04:43,160 --> 01:04:44,600
Speaker 3: know what I'm saying, Like I don't I don't care

1466
01:04:44,600 --> 01:04:48,640
Speaker 3: about your culture. I respect you, but it wasn't a conversation.

1467
01:04:49,080 --> 01:04:50,720
Speaker 3: So now you have this again. I don't know what

1468
01:04:50,840 --> 01:04:52,480
Speaker 3: this Kiki pom with things, but you have an Asian

1469
01:04:52,960 --> 01:04:58,440
Speaker 3: American going to an HBCU what people are said because

1470
01:04:58,480 --> 01:05:00,600
Speaker 3: they feel like she's telling the story glory of an

1471
01:05:00,720 --> 01:05:04,280
Speaker 3: Asian American. Finish, just telling a Black American story going

1472
01:05:04,320 --> 01:05:06,320
Speaker 3: to h We've seen that story how many times?

1473
01:05:06,680 --> 01:05:10,840
Speaker 2: But okay, so so this is the thing. Yes, we've

1474
01:05:10,920 --> 01:05:14,720
Speaker 2: seen some of that story. There's so I don't want

1475
01:05:14,760 --> 01:05:15,240
Speaker 2: to say a lot of.

1476
01:05:15,360 --> 01:05:17,600
Speaker 3: Stumpt yard keep going. You want me to go uh

1477
01:05:18,200 --> 01:05:22,080
Speaker 3: with with the Spike the School Days Classic one? How

1478
01:05:22,120 --> 01:05:23,600
Speaker 3: many more can we go down? I mean, there's so

1479
01:05:23,720 --> 01:05:26,200
Speaker 3: many stories of ship boys in the hood they went

1480
01:05:26,280 --> 01:05:29,200
Speaker 3: to Spellman and more House. So you have these stories

1481
01:05:29,240 --> 01:05:31,320
Speaker 3: of black kids from the hood going to the HP.

1482
01:05:31,600 --> 01:05:34,480
Speaker 1: We've seen that. But in all of those movies that

1483
01:05:34,600 --> 01:05:36,440
Speaker 1: you named, what else is in there? Trauma?

1484
01:05:37,120 --> 01:05:39,040
Speaker 3: Yes's trauma. Every single one of those movies yeah, but

1485
01:05:39,080 --> 01:05:41,479
Speaker 3: I mean, druma Line ain't no trauma. Well, he didn't

1486
01:05:41,480 --> 01:05:42,800
Speaker 3: know his dad. He met his dad and he sold

1487
01:05:42,880 --> 01:05:44,760
Speaker 3: them tokens and his dad didn't come to graduation in

1488
01:05:44,960 --> 01:05:47,080
Speaker 3: the back. Guess that could be traumatic, right, My dad

1489
01:05:47,080 --> 01:05:49,760
Speaker 3: didn't support me. So the story, the story of drum

1490
01:05:49,880 --> 01:05:53,080
Speaker 3: Line isn't a traumatic story. It's a fun kid goes

1491
01:05:53,120 --> 01:05:55,120
Speaker 3: to school. He hast he doesn't really know how to

1492
01:05:55,120 --> 01:05:56,680
Speaker 3: play me. He lied to get in, but he's so

1493
01:05:56,840 --> 01:05:58,040
Speaker 3: he you know, he plays off ears.

1494
01:05:58,240 --> 01:06:00,840
Speaker 2: It's a classic, But there are a lot of classic

1495
01:06:00,920 --> 01:06:03,000
Speaker 2: stories about black people in school that doesn't have some

1496
01:06:03,120 --> 01:06:07,040
Speaker 2: big trauma, which is one of the reasons why Forever

1497
01:06:07,200 --> 01:06:09,480
Speaker 2: on Netflix. Did you ever watch Forever? I think we

1498
01:06:09,560 --> 01:06:11,000
Speaker 2: told you about it. It was the two high school

1499
01:06:11,080 --> 01:06:13,120
Speaker 2: kids that were falling in love and things like that.

1500
01:06:13,360 --> 01:06:15,040
Speaker 2: That's why it blew up so big because it was

1501
01:06:15,080 --> 01:06:17,520
Speaker 2: such a beautiful black story and there was no trauma.

1502
01:06:17,960 --> 01:06:20,280
Speaker 4: So I understand what you're saying. I'm not mad at

1503
01:06:20,760 --> 01:06:22,080
Speaker 4: this storyline, right.

1504
01:06:22,440 --> 01:06:25,400
Speaker 2: I think the people that are complaining, I think it's

1505
01:06:25,480 --> 01:06:28,240
Speaker 2: just like, who the fuck cares how an Asian American

1506
01:06:28,320 --> 01:06:31,400
Speaker 2: feels in our spaces? But I can't understand why somebody

1507
01:06:31,520 --> 01:06:33,480
Speaker 2: might want to tell that story. I don't think it's

1508
01:06:33,520 --> 01:06:35,400
Speaker 2: worth killing Kiki over. She didn't write it, she's an

1509
01:06:35,400 --> 01:06:36,120
Speaker 2: executive family.

1510
01:06:36,120 --> 01:06:38,160
Speaker 1: But it's so listen, baby, did you?

1511
01:06:38,680 --> 01:06:41,040
Speaker 3: And something that I learned there are people that's gonna

1512
01:06:41,080 --> 01:06:43,880
Speaker 3: wake up and rush the internet, to hate on everything

1513
01:06:44,240 --> 01:06:47,760
Speaker 3: and to be upset and bothered by everything. That's just like,

1514
01:06:47,960 --> 01:06:50,400
Speaker 3: so when you tell me all they online killing Kiki

1515
01:06:50,440 --> 01:06:52,760
Speaker 3: for this, and I look at the trailer and I'm like.

1516
01:06:55,040 --> 01:06:56,840
Speaker 4: I hate the title though I'm not gonna lie. Southern

1517
01:06:56,880 --> 01:06:58,360
Speaker 4: fried Rice is so corny.

1518
01:06:58,760 --> 01:07:01,040
Speaker 3: That is wag all right, cool, we can see how

1519
01:07:01,120 --> 01:07:03,480
Speaker 3: that's a little like, but now we gotta wait to

1520
01:07:03,520 --> 01:07:06,880
Speaker 3: see the show to see if it's like Okay, we

1521
01:07:07,000 --> 01:07:09,640
Speaker 3: get how we tied that in like, but we can't

1522
01:07:09,680 --> 01:07:11,480
Speaker 3: go off a trailer and then go online and start

1523
01:07:11,520 --> 01:07:12,600
Speaker 3: stomping Kiki out like.

1524
01:07:12,760 --> 01:07:16,520
Speaker 1: Yeah, it's just like you don't won't complain about it anything.

1525
01:07:16,600 --> 01:07:20,240
Speaker 1: And the thing is I don't have again, I don't

1526
01:07:20,320 --> 01:07:22,960
Speaker 1: have a victim mentality. I don't approach things with the

1527
01:07:23,320 --> 01:07:26,320
Speaker 1: mentality of being upset or that hurt me, that bothered me.

1528
01:07:26,640 --> 01:07:29,479
Speaker 1: I'm always willing to listen, look at it, learn like Okay,

1529
01:07:29,600 --> 01:07:31,720
Speaker 1: see what you don't give me the whole thing. Let

1530
01:07:31,760 --> 01:07:33,160
Speaker 1: me see what this is before I go on line

1531
01:07:33,160 --> 01:07:34,960
Speaker 1: and like, yo, Kiki, you tripping?

1532
01:07:35,480 --> 01:07:38,160
Speaker 3: Why would you make this TV show about some Asian

1533
01:07:38,200 --> 01:07:41,280
Speaker 3: American instead of telling one of our beautiful black sister story.

1534
01:07:41,440 --> 01:07:45,280
Speaker 1: Like, I'm just not doing that, man. Like, people just

1535
01:07:45,360 --> 01:07:47,160
Speaker 1: gotta fucking relax. Like I get it.

1536
01:07:47,440 --> 01:07:51,000
Speaker 3: You know, we don't get noticed in a lot of spaces.

1537
01:07:51,520 --> 01:07:54,520
Speaker 3: But at the same time, I can go on Netflix

1538
01:07:54,600 --> 01:07:57,560
Speaker 3: and pull up a thousand movies and shows that highlight

1539
01:07:58,080 --> 01:07:59,240
Speaker 3: black kids going to school?

1540
01:07:59,280 --> 01:08:01,920
Speaker 1: What's the other? Nick can in one? What's the other?

1541
01:08:02,000 --> 01:08:06,880
Speaker 2: Nick Cannon with Christina Beautiful Love don't cost a thing beautiful?

1542
01:08:07,880 --> 01:08:12,080
Speaker 3: Yeah, I feel like Lawrence Tate and Jada Beautiful so catching.

1543
01:08:12,240 --> 01:08:14,400
Speaker 2: She was catching a lot of I feel like now

1544
01:08:14,440 --> 01:08:17,720
Speaker 2: I understand when people critique people like Kenya.

1545
01:08:17,479 --> 01:08:21,920
Speaker 1: Baris and Shonda Rhymes for their like for.

1546
01:08:21,960 --> 01:08:23,320
Speaker 4: Example, they catch a lot of slack.

1547
01:08:23,439 --> 01:08:26,880
Speaker 2: Kenya Barris is the producer of Blackish, the ISS show, Legend,

1548
01:08:27,439 --> 01:08:30,479
Speaker 2: and and you know Shonda Rhymes, Great's Anatomy Scandal, things

1549
01:08:30,520 --> 01:08:34,120
Speaker 2: like that, they're they and Mindy Colleen gets this too,

1550
01:08:34,720 --> 01:08:37,720
Speaker 2: the interracial relationships they catch a lot of slack for

1551
01:08:38,880 --> 01:08:42,000
Speaker 2: there's constant interracial relationships in their shows.

1552
01:08:42,400 --> 01:08:43,000
Speaker 1: Okay, now.

1553
01:08:44,439 --> 01:08:45,679
Speaker 4: Light biracial people.

1554
01:08:45,760 --> 01:08:45,960
Speaker 1: Okay.

1555
01:08:46,000 --> 01:08:47,760
Speaker 3: Now, if you're a producer that does that, and it's

1556
01:08:47,840 --> 01:08:51,040
Speaker 3: like we can look at your thermography and point that out,

1557
01:08:51,240 --> 01:08:53,800
Speaker 3: then it's like your fan, why you always got an interracial.

1558
01:08:53,439 --> 01:08:56,519
Speaker 1: Couple in you? Like? Why is people always like why

1559
01:08:56,600 --> 01:08:57,559
Speaker 1: is that always the focus?

1560
01:08:58,520 --> 01:09:02,640
Speaker 3: But somebody like me had go online and say, yo,

1561
01:09:02,720 --> 01:09:04,519
Speaker 3: why y'all got a gay cup on every show?

1562
01:09:04,600 --> 01:09:04,720
Speaker 5: Now?

1563
01:09:05,479 --> 01:09:09,439
Speaker 3: See you see the reaction. You see the reaction. That's

1564
01:09:09,479 --> 01:09:11,719
Speaker 3: what I'm saying though, But so why so why can't

1565
01:09:11,720 --> 01:09:14,320
Speaker 3: people say that? And then I say that as well?

1566
01:09:14,560 --> 01:09:17,120
Speaker 3: I hear I am watching Against the Mo movie. They

1567
01:09:17,280 --> 01:09:20,960
Speaker 3: going at it and then niggas start kissing? Where what

1568
01:09:21,520 --> 01:09:24,120
Speaker 3: where's that? Why y'all throw that in there?

1569
01:09:25,840 --> 01:09:27,799
Speaker 4: Y'all said what show? He won't see himself.

1570
01:09:27,880 --> 01:09:30,320
Speaker 1: I'm just saying, why y'all throw that? Why do y'all?

1571
01:09:30,439 --> 01:09:32,160
Speaker 1: Why do they throw that in there? Though?

1572
01:09:32,760 --> 01:09:34,880
Speaker 4: I feel like they've I feel like that's been happening.

1573
01:09:35,160 --> 01:09:38,880
Speaker 2: I was so when even like male frontal nudity, now,

1574
01:09:39,280 --> 01:09:41,240
Speaker 2: well that's HBO Max everybody niggad.

1575
01:09:41,360 --> 01:09:45,280
Speaker 3: I'm like, yo, what I'm watching the movie do storyline like, Okay,

1576
01:09:45,320 --> 01:09:48,080
Speaker 3: this is cool, homie turned around, peace out.

1577
01:09:49,600 --> 01:09:51,760
Speaker 1: We didn't need that to feel like the scene was real.

1578
01:09:52,040 --> 01:09:54,240
Speaker 2: But hold on, because you weren't. They've been doing that

1579
01:09:54,320 --> 01:09:57,800
Speaker 2: the women for years and you never complain. People got tired.

1580
01:09:57,840 --> 01:10:01,040
Speaker 2: I mean, yes, yes, that's point. Everybody's gonna have that

1581
01:10:01,240 --> 01:10:04,160
Speaker 2: thing being the only one objectified in shows. Now we

1582
01:10:04,240 --> 01:10:07,840
Speaker 2: objectify everybody. If it's gonna be if HBO, if it's

1583
01:10:07,960 --> 01:10:08,959
Speaker 2: pussy on the screen.

1584
01:10:08,800 --> 01:10:09,519
Speaker 1: Is dick on it too?

1585
01:10:10,000 --> 01:10:13,080
Speaker 2: Yeah, I can't complain about that. Yeah, but it's just

1586
01:10:13,160 --> 01:10:15,160
Speaker 2: be I don't know, man, I'm so tired of seeing

1587
01:10:15,200 --> 01:10:17,320
Speaker 2: soft dick. Though, at least like stroke it before you

1588
01:10:17,360 --> 01:10:18,000
Speaker 2: put it on camera.

1589
01:10:18,760 --> 01:10:19,320
Speaker 1: Just soft me.

1590
01:10:19,479 --> 01:10:21,320
Speaker 3: You're gonna be a different type of actor to show

1591
01:10:21,439 --> 01:10:23,679
Speaker 3: soft meat and know what's going out to the theaters.

1592
01:10:24,720 --> 01:10:26,519
Speaker 3: You know how crazy it is, y'all show my meat

1593
01:10:26,600 --> 01:10:30,800
Speaker 3: soft and like Netflix November third, yo, hold on, holda,

1594
01:10:32,320 --> 01:10:34,080
Speaker 3: it's wild niggas subscribing.

1595
01:10:36,080 --> 01:10:38,360
Speaker 1: Don't put me on that didn't make that wasn't supposed

1596
01:10:38,360 --> 01:10:40,000
Speaker 1: to make it on the edit, that that wasn't told

1597
01:10:40,000 --> 01:10:42,000
Speaker 1: to make it off the edit floor. Edit that out.

1598
01:10:42,160 --> 01:10:44,599
Speaker 3: My shit is mad, smurr me and y'all talking about

1599
01:10:44,600 --> 01:10:47,400
Speaker 3: November seventeen, that's a week before Thanksgiving.

1600
01:10:47,560 --> 01:10:51,320
Speaker 1: Everybody on Netflix. Nah, don't put me on Netflix Thanksgiving

1601
01:10:51,360 --> 01:10:54,400
Speaker 1: with soft meat. Don't do that. Don't do me like that. Listen.

1602
01:10:55,040 --> 01:10:56,360
Speaker 1: You want to be an actor, you want to get

1603
01:10:56,400 --> 01:10:56,640
Speaker 1: into it.

1604
01:10:56,880 --> 01:10:58,640
Speaker 3: Yeah, but they killing Kiki for the wrong things. Man

1605
01:10:58,680 --> 01:11:00,880
Speaker 3: shout out to Kiki Palmer. Man, I'm gonna watch it

1606
01:11:01,080 --> 01:11:03,040
Speaker 3: just because they killing her, and I can't wait to

1607
01:11:03,080 --> 01:11:04,680
Speaker 3: support it. I'm gonna get anybody mad on the time.

1608
01:11:04,920 --> 01:11:06,760
Speaker 1: Fun. Yeah, that's you know, you can't wait.

1609
01:11:06,800 --> 01:11:08,520
Speaker 4: Has anybody ever told you your contrarian?

1610
01:11:09,640 --> 01:11:09,800
Speaker 1: Yeah?

1611
01:11:09,840 --> 01:11:12,080
Speaker 2: I think you go against the green anything. People like

1612
01:11:12,360 --> 01:11:14,680
Speaker 2: you automatically anything because I like what a lot of

1613
01:11:14,680 --> 01:11:15,200
Speaker 2: people like to.

1614
01:11:15,360 --> 01:11:17,680
Speaker 3: But I'm just but that's just always been met though,

1615
01:11:17,680 --> 01:11:20,519
Speaker 3: baby d Like, I just I look at things differently,

1616
01:11:20,680 --> 01:11:22,479
Speaker 3: like like people be upset about that, and I'm just like,

1617
01:11:22,560 --> 01:11:23,640
Speaker 3: why are you all upset about this?

1618
01:11:24,200 --> 01:11:26,120
Speaker 2: But I feel like the more people push against you,

1619
01:11:26,200 --> 01:11:28,400
Speaker 2: the harder you defend. I think something when i feel

1620
01:11:28,400 --> 01:11:31,080
Speaker 2: like I'm right, not just to be different. If I

1621
01:11:31,120 --> 01:11:32,960
Speaker 2: feel like I'm right, Oh yeah, you're not gonna move

1622
01:11:33,000 --> 01:11:34,280
Speaker 2: me off my square. But I feel like I'm right.

1623
01:11:34,840 --> 01:11:35,479
Speaker 1: Oh, I know.

1624
01:11:36,360 --> 01:11:38,679
Speaker 4: My literal job description is to move you if swear

1625
01:11:38,720 --> 01:11:39,519
Speaker 4: with you like you're right.

1626
01:11:40,320 --> 01:11:41,920
Speaker 3: I feel like you're a fire hydrant right when you

1627
01:11:42,000 --> 01:11:45,400
Speaker 3: push me like I ain't moving. I ain't moving, baby,

1628
01:11:45,439 --> 01:11:46,680
Speaker 3: d I ain't budget fuck that?

1629
01:11:47,000 --> 01:11:47,639
Speaker 1: Oh my god.

1630
01:11:47,720 --> 01:11:51,360
Speaker 2: Well, listen, NBA season has started, yes, sir, and you

1631
01:11:51,479 --> 01:11:53,960
Speaker 2: know that we have a big sports audience and I

1632
01:11:54,040 --> 01:11:55,240
Speaker 2: want to understand sports more.

1633
01:11:55,560 --> 01:11:58,360
Speaker 1: You know, I do. Is your boyfriend watch sports? He does?

1634
01:11:58,439 --> 01:12:02,880
Speaker 1: What's his team? Hm? I actually can't. You don't know

1635
01:12:02,920 --> 01:12:04,560
Speaker 1: nothing about this nigga's.

1636
01:12:05,840 --> 01:12:08,240
Speaker 2: I don't think he's in. I think his favorite team

1637
01:12:08,320 --> 01:12:09,960
Speaker 2: is asked, so he kind of like gave up on them.

1638
01:12:10,000 --> 01:12:11,800
Speaker 2: So I don't think he's ever been like proud enough to.

1639
01:12:11,800 --> 01:12:13,519
Speaker 1: Tell me, Oh, he's one of those like yeah, I

1640
01:12:13,600 --> 01:12:15,240
Speaker 1: think silence.

1641
01:12:15,280 --> 01:12:17,040
Speaker 2: I think he's just why he likes sports, so he

1642
01:12:17,160 --> 01:12:18,840
Speaker 2: watches all the teams. So I actually don't know who

1643
01:12:18,920 --> 01:12:21,280
Speaker 2: his favorite team is. Okay, but I'm seeing on the

1644
01:12:21,360 --> 01:12:25,160
Speaker 2: notes Josh has Wimby and I'm assuming he means win Banyanna.

1645
01:12:25,000 --> 01:12:27,600
Speaker 1: With Victor when Bama? When Banyama?

1646
01:12:27,880 --> 01:12:28,000
Speaker 2: Now?

1647
01:12:28,240 --> 01:12:29,400
Speaker 4: Is he from Africa?

1648
01:12:29,640 --> 01:12:31,240
Speaker 1: He's from Paris, He's from Paris.

1649
01:12:31,400 --> 01:12:34,560
Speaker 2: Okay, it says Wimby is an alien. Yes, and I

1650
01:12:34,640 --> 01:12:36,320
Speaker 2: put on there, mall, please explain this to me like

1651
01:12:36,360 --> 01:12:36,720
Speaker 2: I'm five.

1652
01:12:36,760 --> 01:12:39,519
Speaker 3: Okay, so you know the aliens exist, right, Okay, one

1653
01:12:39,560 --> 01:12:40,799
Speaker 3: of them now playing San Antonio.

1654
01:12:41,000 --> 01:12:44,559
Speaker 1: Okay, cool, Yes, it is a fact. First, he's seven

1655
01:12:44,600 --> 01:12:46,639
Speaker 1: foot six. He speaks French.

1656
01:12:46,680 --> 01:12:48,360
Speaker 3: Oh, this is a sick type of alien they got

1657
01:12:48,479 --> 01:12:51,559
Speaker 3: running around the nigga can do everything. Baby, I've never

1658
01:12:51,640 --> 01:12:54,599
Speaker 3: seen anybody again, y'all know how I feel.

1659
01:12:54,600 --> 01:12:57,240
Speaker 1: Michael Jordan is the greatest basketball player of him winby second.

1660
01:13:00,760 --> 01:13:05,439
Speaker 3: No, he's not second yet, but his skill set at

1661
01:13:05,520 --> 01:13:08,479
Speaker 3: his size, you know, just in Layman's turns.

1662
01:13:08,479 --> 01:13:09,840
Speaker 1: Baby, we've never seen nothing like this.

1663
01:13:10,160 --> 01:13:12,559
Speaker 4: So like so he could he can play like five

1664
01:13:12,680 --> 01:13:13,080
Speaker 4: and one.

1665
01:13:13,360 --> 01:13:16,040
Speaker 1: He can play every position on the floor. Okay, yes

1666
01:13:16,200 --> 01:13:16,800
Speaker 1: he can. He can.

1667
01:13:17,320 --> 01:13:21,040
Speaker 3: Last night I saw him block three shots. Uh, get

1668
01:13:21,120 --> 01:13:24,920
Speaker 3: the rebound, take one, dribble over half court and shoot

1669
01:13:24,960 --> 01:13:30,320
Speaker 3: a three. I don't I've we're talking about seven foot six.

1670
01:13:31,600 --> 01:13:33,280
Speaker 3: For somebody to be seven foot six moving the way

1671
01:13:33,320 --> 01:13:36,760
Speaker 3: he's moving and doing the things, We've never seen this

1672
01:13:36,880 --> 01:13:39,120
Speaker 3: type of athleticism, this type of skill. Now, there have

1673
01:13:39,240 --> 01:13:43,680
Speaker 3: been big men that have skills, but whenby the one.

1674
01:13:43,840 --> 01:13:45,519
Speaker 3: The one skill set I think a lot of people

1675
01:13:45,600 --> 01:13:47,800
Speaker 3: don't talk about is his.

1676
01:13:50,600 --> 01:13:53,240
Speaker 1: His balance. He's not as you know a lot of

1677
01:13:53,240 --> 01:13:56,320
Speaker 1: big men are usually like kind of like doofy.

1678
01:13:56,479 --> 01:13:59,040
Speaker 2: Yeah, like the New York skyscrapers. The taller they build him,

1679
01:13:59,040 --> 01:13:59,679
Speaker 2: they sway yeah.

1680
01:14:00,120 --> 01:14:03,479
Speaker 1: Yeah. But his his balance, his feel for the game.

1681
01:14:06,200 --> 01:14:08,760
Speaker 3: He's just fun to watch because you know that we've

1682
01:14:08,840 --> 01:14:10,560
Speaker 3: never seen nothing like this, so you have to appreciate it.

1683
01:14:10,960 --> 01:14:14,200
Speaker 3: That one clip I saw of him blocking three shots

1684
01:14:14,240 --> 01:14:16,920
Speaker 3: and then pushing the break and shooting the three, he

1685
01:14:17,080 --> 01:14:20,080
Speaker 3: looked like Bill Russell on one end and Kevin Durant

1686
01:14:20,120 --> 01:14:23,080
Speaker 3: on the other. I don't know if I've ever felt

1687
01:14:23,160 --> 01:14:25,560
Speaker 3: like that looking at any player, like to me. You know,

1688
01:14:25,680 --> 01:14:30,519
Speaker 3: Shaquille O'Neill when he came in seven feet whatever, you know,

1689
01:14:30,600 --> 01:14:31,960
Speaker 3: he was very a lot of people don't remember how

1690
01:14:31,960 --> 01:14:36,439
Speaker 3: athletic Shaq was in Orlando. Very athletic. The rebound, the ball,

1691
01:14:36,520 --> 01:14:39,559
Speaker 3: push the break, go coast to coast. With the Lakers,

1692
01:14:39,600 --> 01:14:41,200
Speaker 3: it became more of a post up just use your

1693
01:14:41,280 --> 01:14:45,760
Speaker 3: power and kind of just bully people. But to be

1694
01:14:45,920 --> 01:14:49,080
Speaker 3: seven foot six and doing what when Mayama is doing,

1695
01:14:49,200 --> 01:14:51,080
Speaker 3: we've never seen nothing like this. So this is this

1696
01:14:51,240 --> 01:14:53,040
Speaker 3: is a name that you're gonna hear, hopefully for years.

1697
01:14:53,680 --> 01:14:57,080
Speaker 3: I tweeted, if his body holds up for ten ten years,

1698
01:14:57,800 --> 01:14:59,400
Speaker 3: because with god seven sixth.

1699
01:14:59,200 --> 01:15:00,759
Speaker 1: They usually knee starting.

1700
01:15:00,920 --> 01:15:04,480
Speaker 3: A knee injury, a foot injury changes their whole trajectory.

1701
01:15:05,200 --> 01:15:08,160
Speaker 3: So if his body, you know, hopefully his body holds

1702
01:15:08,240 --> 01:15:11,200
Speaker 3: up ten ten years, I think that he's a top

1703
01:15:11,240 --> 01:15:12,080
Speaker 3: five player all the time.

1704
01:15:14,000 --> 01:15:15,120
Speaker 1: Yeah, so this is this is the play.

1705
01:15:15,160 --> 01:15:20,120
Speaker 3: Look at him, one block, right, block again, right, then

1706
01:15:20,160 --> 01:15:22,000
Speaker 3: he gets to his he get they get the rebound,

1707
01:15:22,080 --> 01:15:25,080
Speaker 3: they give it right to him. Count the dribbles one two,

1708
01:15:25,920 --> 01:15:31,639
Speaker 3: three jump shot. So three dribbles from one end, cross

1709
01:15:31,720 --> 01:15:34,400
Speaker 3: half court to a three and you seven foot six

1710
01:15:34,520 --> 01:15:37,479
Speaker 3: We've never I've never seen nothing like this. And again

1711
01:15:37,520 --> 01:15:40,479
Speaker 3: we've seen big Kevin Durant is probably seven feet six eleven.

1712
01:15:41,800 --> 01:15:43,640
Speaker 3: We've seen that skill set, you know, being told and

1713
01:15:43,680 --> 01:15:47,000
Speaker 3: being able to shoot and rebound. We've never seen seven

1714
01:15:47,120 --> 01:15:47,720
Speaker 3: six doing that.

1715
01:15:47,880 --> 01:15:50,800
Speaker 1: How old is he he looks young, twenty one? Oh

1716
01:15:50,880 --> 01:15:54,000
Speaker 1: my god, Yeah, he's a baby. He's the future. He's

1717
01:15:54,040 --> 01:15:54,760
Speaker 1: the future of the NBA.

1718
01:15:54,840 --> 01:15:57,160
Speaker 3: I think with him and Luca, the NBA is you know,

1719
01:15:57,160 --> 01:15:59,160
Speaker 3: they're good, But then again, these are these are guys

1720
01:15:59,200 --> 01:16:00,479
Speaker 3: that are not American players.

1721
01:16:00,600 --> 01:16:02,360
Speaker 1: So do you think he could take the Spurs all

1722
01:16:02,360 --> 01:16:03,400
Speaker 1: the way? Oh?

1723
01:16:03,479 --> 01:16:09,280
Speaker 3: Absolutely, he's about they get another piece around him. They're gonna,

1724
01:16:09,320 --> 01:16:11,360
Speaker 3: they're gonna they're gonna make some noise in the Western

1725
01:16:11,360 --> 01:16:14,000
Speaker 3: Conference for sure. Well, just him this team right now,

1726
01:16:14,439 --> 01:16:17,160
Speaker 3: if he stays healthy, it's gonna be hard to beat them.

1727
01:16:17,479 --> 01:16:19,280
Speaker 1: How have the Knicks been doing? Have they played yet?

1728
01:16:19,600 --> 01:16:21,880
Speaker 1: The Knicks look good? The Knicks, I think they two

1729
01:16:21,920 --> 01:16:26,040
Speaker 1: and oh two and one to who they lose to? Okay,

1730
01:16:26,240 --> 01:16:31,519
Speaker 1: they lost to Miami. Who does Miami even have? Norm

1731
01:16:33,560 --> 01:16:39,080
Speaker 1: They lost to Andrew Wiggins and bam Adebayo. Oh my god,

1732
01:16:39,120 --> 01:16:39,479
Speaker 1: the Knicks.

1733
01:16:39,479 --> 01:16:40,920
Speaker 3: See that's that's what That's what pissed me off for

1734
01:16:40,920 --> 01:16:44,040
Speaker 3: the Knicks. They lose the games they should win. But

1735
01:16:44,120 --> 01:16:45,519
Speaker 3: the Knicks look good though. I think they you know,

1736
01:16:45,600 --> 01:16:46,640
Speaker 3: they they're gonna have.

1737
01:16:46,640 --> 01:16:50,120
Speaker 1: Another good run. Again. All of this is if everybody

1738
01:16:50,160 --> 01:16:52,040
Speaker 1: stays healthy. It's Caliburn's still out.

1739
01:16:52,439 --> 01:16:56,519
Speaker 2: Caliburn's out for the year. Yeah, I'm sorry. Prayers and

1740
01:16:56,560 --> 01:16:58,040
Speaker 2: condolen says, I hope he heals.

1741
01:16:58,240 --> 01:17:00,679
Speaker 1: And condolence after the fifth pump. That's how that's supposed

1742
01:17:00,680 --> 01:17:01,360
Speaker 1: to go. Baby, Yo.

1743
01:17:01,479 --> 01:17:04,120
Speaker 2: They they tore me up because remember when he was playing,

1744
01:17:04,240 --> 01:17:05,880
Speaker 2: I was like wishing bad at him and then he

1745
01:17:05,960 --> 01:17:06,840
Speaker 2: tore off.

1746
01:17:07,000 --> 01:17:10,040
Speaker 1: So now you your boyfriend up, show up with a victim.

1747
01:17:10,160 --> 01:17:14,439
Speaker 1: But ya, I'm a jersey dress on now.

1748
01:17:14,479 --> 01:17:16,120
Speaker 2: I just got to get the oversized jersey like it

1749
01:17:16,160 --> 01:17:17,880
Speaker 2: belonged to somebody else, to victor.

1750
01:17:23,760 --> 01:17:25,439
Speaker 3: Yo, you want to put on a victim women Yama

1751
01:17:25,439 --> 01:17:26,760
Speaker 3: Sanato the spirst wedding dress.

1752
01:17:28,400 --> 01:17:30,360
Speaker 1: I should be long as a motherfucker on you, baby,

1753
01:17:30,400 --> 01:17:31,240
Speaker 1: d put that shit on it.

1754
01:17:31,320 --> 01:17:33,519
Speaker 2: Just no, I told that.

1755
01:17:33,600 --> 01:17:34,400
Speaker 4: I will tell you the time.

1756
01:17:34,439 --> 01:17:36,160
Speaker 2: I told you my cousin was playing for the Giants

1757
01:17:36,160 --> 01:17:38,040
Speaker 2: and I just practice jersey on and that ship.

1758
01:17:38,160 --> 01:17:38,639
Speaker 1: That's a fight.

1759
01:17:39,080 --> 01:17:41,040
Speaker 4: That ship was like to my ankles and niggas was

1760
01:17:41,120 --> 01:17:42,680
Speaker 4: like yeah, my nigga at my pussy.

1761
01:17:42,560 --> 01:17:44,120
Speaker 1: Like yeah, like that's a fight. Like, I don't care

1762
01:17:44,160 --> 01:17:45,439
Speaker 1: who your cousin. Take that off.

1763
01:17:46,960 --> 01:17:49,599
Speaker 3: I got a jersey, I played a MC go put

1764
01:17:49,640 --> 01:17:52,840
Speaker 3: my go, put my ship off, Like take this nigga

1765
01:17:52,920 --> 01:17:53,400
Speaker 3: jersey off.

1766
01:17:53,479 --> 01:17:55,439
Speaker 4: Okay, well I will stay updated. Maybe we can go

1767
01:17:55,600 --> 01:17:56,120
Speaker 4: catch a game.

1768
01:17:56,520 --> 01:17:59,519
Speaker 2: Yeah, imagine we can do that for for our Patreon

1769
01:17:59,600 --> 01:18:02,360
Speaker 2: vlog and so go to a game, well not an

1770
01:18:02,360 --> 01:18:02,800
Speaker 2: actual game.

1771
01:18:02,840 --> 01:18:04,160
Speaker 1: We go to like a bar and watch a game.

1772
01:18:04,479 --> 01:18:09,760
Speaker 1: You get wine. Watching basketball with wine is fire. You

1773
01:18:09,760 --> 01:18:12,200
Speaker 1: don't know, no nigga like it. She's playing with me. Yes.

1774
01:18:12,320 --> 01:18:14,320
Speaker 2: Sometimes niggas be like, you ain't never met a nigga

1775
01:18:14,400 --> 01:18:15,680
Speaker 2: like me, and I'm like, I thank God, like I

1776
01:18:15,720 --> 01:18:16,120
Speaker 2: don't want to.

1777
01:18:16,400 --> 01:18:16,639
Speaker 1: I don't.

1778
01:18:16,720 --> 01:18:18,160
Speaker 3: That ain't the case with me. You know, you should

1779
01:18:18,200 --> 01:18:20,200
Speaker 3: be honored to be like me and more went to

1780
01:18:20,200 --> 01:18:22,600
Speaker 3: watch this. Nigga ordered a whole bottle cabinet. We was

1781
01:18:22,720 --> 01:18:26,720
Speaker 3: chilling steak. I had a steak. Yeah, you know, red

1782
01:18:26,760 --> 01:18:29,080
Speaker 3: wine of steak, goldingt. Niggas don't even got your palette together.

1783
01:18:29,120 --> 01:18:29,960
Speaker 3: That's the problem now.

1784
01:18:30,840 --> 01:18:33,439
Speaker 2: First of all, I was drinking well red wine and steak, baby,

1785
01:18:33,439 --> 01:18:34,360
Speaker 2: when I was twenty one.

1786
01:18:36,320 --> 01:18:37,519
Speaker 4: I don't even eat red meat like that.

1787
01:18:37,640 --> 01:18:43,200
Speaker 1: I'm that was an outback. Don't count out back like

1788
01:18:43,360 --> 01:18:44,400
Speaker 1: I was at Peter Luga.

1789
01:18:44,520 --> 01:18:48,320
Speaker 3: Don't you got to get off. I want to get

1790
01:18:48,439 --> 01:18:52,759
Speaker 3: your crazy to be baby. Silver Brown is a fraud.

1791
01:18:52,800 --> 01:18:55,280
Speaker 3: Remember we talked about her last week. We laughed at up.

1792
01:18:55,439 --> 01:18:57,759
Speaker 3: All the videos are coming out now. She said somebody

1793
01:18:57,880 --> 01:19:00,439
Speaker 3: was dead. She said somebody's son was dead. Then the

1794
01:19:00,520 --> 01:19:03,519
Speaker 3: mother ended up dying as or committing suicide something like that.

1795
01:19:03,920 --> 01:19:05,240
Speaker 3: Come to find out the son wasn't dead.

1796
01:19:06,800 --> 01:19:09,280
Speaker 1: Sylvia Brown is who used to do What's Show. She

1797
01:19:09,360 --> 01:19:09,800
Speaker 1: was a medium.

1798
01:19:09,800 --> 01:19:10,920
Speaker 3: She was she was on a bunch of talks to

1799
01:19:11,000 --> 01:19:15,360
Speaker 3: us back the day Mantell Williams, and you know people

1800
01:19:15,439 --> 01:19:17,320
Speaker 3: used to ask like, yo, my loved ones, we haven't

1801
01:19:17,320 --> 01:19:17,880
Speaker 3: seen him.

1802
01:19:17,720 --> 01:19:19,120
Speaker 1: Like he's dead, he drowned.

1803
01:19:19,960 --> 01:19:22,040
Speaker 2: Yeah, we did talk about coming to find out fraud.

1804
01:19:22,680 --> 01:19:24,160
Speaker 2: Come to find out, y, I didn't think that.

1805
01:19:24,360 --> 01:19:24,840
Speaker 1: I mean I knew.

1806
01:19:24,880 --> 01:19:26,479
Speaker 3: That's why I was laughing at those clips, because I'm like,

1807
01:19:26,520 --> 01:19:28,240
Speaker 3: how somebody just stand up and tell you something like

1808
01:19:28,280 --> 01:19:29,559
Speaker 3: that and you just get all heart broke.

1809
01:19:29,760 --> 01:19:30,840
Speaker 1: You don't know this lady.

1810
01:19:31,960 --> 01:19:34,760
Speaker 3: Yeah he's dead. Yes he's dead, Oh my god, thank you?

1811
01:19:35,800 --> 01:19:39,680
Speaker 3: What no no evidence nothing, that my loved one is dead?

1812
01:19:39,680 --> 01:19:41,000
Speaker 3: And you just say it and I just break down,

1813
01:19:41,120 --> 01:19:42,360
Speaker 3: Like I could have said that to you in the

1814
01:19:42,400 --> 01:19:43,800
Speaker 3: parking lot. Now I would have got arrested for that.

1815
01:19:44,439 --> 01:19:48,200
Speaker 3: Here comes Sylvia Brown. She's a medium on the stage

1816
01:19:48,920 --> 01:19:51,080
Speaker 3: and her word is gold. Come to find out Sylvia

1817
01:19:51,120 --> 01:19:53,639
Speaker 3: Brown was a fraud. I just thought it was hilarious

1818
01:19:53,680 --> 01:19:55,479
Speaker 3: that now these videos are going viral of her like

1819
01:19:55,640 --> 01:19:57,800
Speaker 3: being wrong and people weren't dead that she.

1820
01:19:57,800 --> 01:20:01,560
Speaker 1: Said was dead. So that's is she still? Is she? No,

1821
01:20:01,680 --> 01:20:06,200
Speaker 1: she passed away some years ago. Do we have voicemails?

1822
01:20:06,680 --> 01:20:07,479
Speaker 1: You've got male?

1823
01:20:08,560 --> 01:20:11,600
Speaker 3: We do sponsored by Boostmoe Will unlimited talk text and

1824
01:20:11,720 --> 01:20:13,040
Speaker 3: data for twenty five dollars a month.

1825
01:20:17,720 --> 01:20:18,720
Speaker 1: Was good, Rory was good?

1826
01:20:18,840 --> 01:20:19,040
Speaker 2: Mom?

1827
01:20:19,240 --> 01:20:19,720
Speaker 1: What's going on?

1828
01:20:19,880 --> 01:20:20,120
Speaker 5: Baby?

1829
01:20:21,479 --> 01:20:24,559
Speaker 1: I fucked with the pod? Thank you doing what y'all doing?

1830
01:20:25,320 --> 01:20:27,880
Speaker 1: Quick question? This is for baby d Okay.

1831
01:20:28,000 --> 01:20:31,720
Speaker 6: I'm thirty four years old, single. I just moved out

1832
01:20:31,840 --> 01:20:35,479
Speaker 6: here to Syracuse, maybe like five months ago, got a

1833
01:20:35,600 --> 01:20:39,400
Speaker 6: job at the university, working in their athletic department, and

1834
01:20:39,880 --> 01:20:43,439
Speaker 6: was just wondering, you know, as a single man, if

1835
01:20:43,439 --> 01:20:45,880
Speaker 6: you knew any sponsor where I could go, where women

1836
01:20:45,920 --> 01:20:48,920
Speaker 6: would be at, or where I can meet some beautiful women.

1837
01:20:49,800 --> 01:20:53,400
Speaker 6: I joined us Syracuse Run Club out here Shout to Run,

1838
01:20:53,479 --> 01:20:55,320
Speaker 6: and I met some great people. But I feel like

1839
01:20:55,400 --> 01:20:57,439
Speaker 6: that's a weird place to kind of shoot my shot.

1840
01:20:58,160 --> 01:21:01,480
Speaker 6: But yeah, just wonder see if you had any suggestions.

1841
01:21:01,520 --> 01:21:03,880
Speaker 1: I don't know how in tune you are.

1842
01:21:03,880 --> 01:21:07,800
Speaker 6: Still with Syracuse, but I thought I'll at least try next.

1843
01:21:08,040 --> 01:21:11,160
Speaker 2: All right, thanks, well, thank you for calling and shout

1844
01:21:11,160 --> 01:21:13,880
Speaker 2: out to Syracuse. Well, first of all, DM me, because

1845
01:21:13,880 --> 01:21:15,280
Speaker 2: I think I got a friend for you. How good

1846
01:21:15,360 --> 01:21:15,720
Speaker 2: is the job?

1847
01:21:15,840 --> 01:21:17,320
Speaker 1: Oh? You moved out for the job. It's a good job.

1848
01:21:17,520 --> 01:21:20,639
Speaker 2: I got a friend for you. Light skin, cute, big DA's.

1849
01:21:21,040 --> 01:21:22,600
Speaker 2: She don't got fast, but she got big titt's in

1850
01:21:22,640 --> 01:21:26,360
Speaker 2: a pretty ass face, long curly hair. Yeah, that averages

1851
01:21:26,360 --> 01:21:30,120
Speaker 2: out early hair and school in school to be a nurse,

1852
01:21:30,160 --> 01:21:30,840
Speaker 2: own her own house.

1853
01:21:30,880 --> 01:21:32,360
Speaker 4: So, DM me, because I got a friend for you.

1854
01:21:32,760 --> 01:21:35,280
Speaker 2: But if you are looking for other women, you would

1855
01:21:35,280 --> 01:21:38,559
Speaker 2: have to go downtown Syracuse and scout around. Now, if

1856
01:21:38,560 --> 01:21:39,920
Speaker 2: you want to know what the hood bitch is at again,

1857
01:21:40,040 --> 01:21:42,000
Speaker 2: DM me, I'll direct you there. But if you just

1858
01:21:42,040 --> 01:21:43,760
Speaker 2: want regular women, you're gonna have to you have to

1859
01:21:43,800 --> 01:21:47,040
Speaker 2: go downtown and go to like brunches and follow somebody

1860
01:21:47,080 --> 01:21:49,679
Speaker 2: named Anthony Dickens on Facebook because he throws an RB

1861
01:21:49,840 --> 01:21:51,800
Speaker 2: night And that's also where you would go to.

1862
01:21:51,800 --> 01:21:53,439
Speaker 1: Find with onb knight is a good night to find

1863
01:21:53,479 --> 01:21:55,960
Speaker 1: out she's singing too hard.

1864
01:21:56,120 --> 01:21:57,479
Speaker 4: She's singing a little too hard when.

1865
01:21:57,479 --> 01:22:00,840
Speaker 1: Mary come on, she overly going I could fix it life.

1866
01:22:00,840 --> 01:22:03,679
Speaker 1: That Stephane told CARDI, let me fix you. Mm hmm,

1867
01:22:04,320 --> 01:22:10,800
Speaker 1: let me heal you ain't got a baby. I got that, Stephone.

1868
01:22:13,760 --> 01:22:18,000
Speaker 1: Hey man, oh my god, hey man, you got you know.

1869
01:22:18,560 --> 01:22:20,559
Speaker 2: As I get older and i'm talking, yeah, yeah, yeah,

1870
01:22:21,080 --> 01:22:23,639
Speaker 2: go ahead, I talk to more men, and I see

1871
01:22:23,720 --> 01:22:25,720
Speaker 2: the things that y'all see that we don't notice that

1872
01:22:25,840 --> 01:22:28,519
Speaker 2: y'all are seeing. Like I remember my boyfriend. I was like,

1873
01:22:28,560 --> 01:22:30,600
Speaker 2: what even made you that confident to like? Because he

1874
01:22:30,800 --> 01:22:33,439
Speaker 2: just applied so much pressure. He said on our FaceTime call,

1875
01:22:33,520 --> 01:22:35,080
Speaker 2: you was moving and you was packing up your house

1876
01:22:35,120 --> 01:22:37,080
Speaker 2: by yourself and all your ig pictures. You had just

1877
01:22:37,120 --> 01:22:39,000
Speaker 2: turned your hair red. I knew you was heartbroken. I

1878
01:22:39,120 --> 01:22:41,280
Speaker 2: was just moving in like I knew. It was a

1879
01:22:41,320 --> 01:22:42,679
Speaker 2: perfect had a small window.

1880
01:22:42,800 --> 01:22:44,920
Speaker 1: I knew you was fucked up. She was waiting for

1881
01:22:45,040 --> 01:22:46,920
Speaker 1: any nigga that looked like he had his ship together.

1882
01:22:47,200 --> 01:22:49,920
Speaker 1: All right, Okay, let's let's see he got his ship together.

1883
01:22:50,360 --> 01:22:52,920
Speaker 1: He opened the car door for me, girl. It'd be

1884
01:22:53,040 --> 01:22:55,000
Speaker 1: crazy to shit that, y'all like, don't do that.

1885
01:22:55,080 --> 01:22:58,040
Speaker 2: I just opened the doors. The expectation though, Yeah, but

1886
01:22:58,200 --> 01:23:00,960
Speaker 2: that's but still like you now, you sent the driver.

1887
01:23:01,160 --> 01:23:03,120
Speaker 2: He sent the driver and the driver opened the car

1888
01:23:03,240 --> 01:23:05,519
Speaker 2: door and wait outside the restaurant in case I wanted

1889
01:23:05,560 --> 01:23:07,160
Speaker 2: to leave the date that you do that and.

1890
01:23:07,240 --> 01:23:10,639
Speaker 1: You still still don't get no pussy. It's like, ain't

1891
01:23:10,680 --> 01:23:17,000
Speaker 1: no niggas. It's worth the wait? Yeah, sometimes don't. Let's

1892
01:23:17,040 --> 01:23:20,880
Speaker 1: just be real. You waited what I waited for. You've

1893
01:23:20,880 --> 01:23:21,519
Speaker 1: waited for sex?

1894
01:23:21,680 --> 01:23:21,760
Speaker 2: Oh?

1895
01:23:21,840 --> 01:23:25,479
Speaker 1: Yes I have, and it was not. Was it worth

1896
01:23:25,520 --> 01:23:26,280
Speaker 1: it all every time?

1897
01:23:26,439 --> 01:23:26,479
Speaker 3: No?

1898
01:23:26,920 --> 01:23:28,599
Speaker 1: Exactly. You know it's crazy.

1899
01:23:28,680 --> 01:23:30,439
Speaker 4: The first time it feel like it was worth the wait,

1900
01:23:30,479 --> 01:23:31,200
Speaker 4: and in the second.

1901
01:23:31,040 --> 01:23:33,360
Speaker 1: Time that ship with me. Wait, explain it though, what

1902
01:23:33,479 --> 01:23:34,200
Speaker 1: you mean the first.

1903
01:23:34,040 --> 01:23:36,720
Speaker 2: Time when you it's like when you're starving lion, you

1904
01:23:36,800 --> 01:23:38,679
Speaker 2: know what I'm saying, and somebody give you a berry.

1905
01:23:38,720 --> 01:23:40,679
Speaker 4: It's like, damn, this berry tastes like gazette.

1906
01:23:41,040 --> 01:23:42,439
Speaker 1: But then when you go to eat the berry again,

1907
01:23:42,640 --> 01:23:46,600
Speaker 1: it tastes like Gazelle. Is fucking hilarious. This berry tastes like.

1908
01:23:50,640 --> 01:23:55,040
Speaker 2: Like fucking gazelle when you starting even starving.

1909
01:23:55,240 --> 01:23:56,960
Speaker 1: Yeah, and then you go to eat that berry again,

1910
01:23:57,040 --> 01:23:58,439
Speaker 1: like naw, this ship just buried.

1911
01:23:58,640 --> 01:24:01,679
Speaker 3: This should just buried, like this ship just kicks and berries.

1912
01:24:01,720 --> 01:24:03,439
Speaker 3: Get out of here with this ship. I need Gazelle,

1913
01:24:04,000 --> 01:24:05,240
Speaker 3: I thought, she was a stallion.

1914
01:24:05,280 --> 01:24:05,719
Speaker 1: You tricked.

1915
01:24:05,760 --> 01:24:08,280
Speaker 3: Mem Yeah, sometimes it don't be worth the weight though,

1916
01:24:08,320 --> 01:24:10,280
Speaker 3: but you know, but you know, I'm glad you have

1917
01:24:10,520 --> 01:24:12,479
Speaker 3: a girl from him though. Hopefully you can make the

1918
01:24:12,520 --> 01:24:14,760
Speaker 3: connection now. But if you do, we gotta get you know,

1919
01:24:14,800 --> 01:24:15,800
Speaker 3: we gotta get them on the zoom.

1920
01:24:15,920 --> 01:24:18,360
Speaker 2: If he gotta be fine though, because she she you

1921
01:24:18,479 --> 01:24:21,880
Speaker 2: know me, first thing I look at is are you

1922
01:24:22,000 --> 01:24:24,000
Speaker 2: a gentleman? And do you have money? And then I'll

1923
01:24:24,000 --> 01:24:26,720
Speaker 2: look at your looks. She look it looks first while

1924
01:24:26,760 --> 01:24:32,080
Speaker 2: she's single, she listens to this podcast. I'm no, I'm

1925
01:24:32,080 --> 01:24:33,800
Speaker 2: not shitting what I'm saying. She just looking at looks.

1926
01:24:34,479 --> 01:24:37,439
Speaker 2: I tried to trying to put her on with a

1927
01:24:37,720 --> 01:24:41,839
Speaker 2: ballaller a trick, an easy trick. He was overly spending

1928
01:24:42,000 --> 01:24:43,599
Speaker 2: and he was as ugly as fuck.

1929
01:24:43,720 --> 01:24:48,240
Speaker 1: But like she I respect her. That's gangster, she said.

1930
01:24:48,240 --> 01:24:48,559
Speaker 1: She can't.

1931
01:24:48,640 --> 01:24:49,320
Speaker 4: She can't fake it.

1932
01:24:49,760 --> 01:24:52,400
Speaker 3: Gangster because if you got a nigga, that's tricking and

1933
01:24:52,520 --> 01:24:55,920
Speaker 3: you still like man, watch out like that means she icy,

1934
01:24:56,000 --> 01:24:58,240
Speaker 3: she cold, She like, nigga, you ugly. I don't care

1935
01:24:58,280 --> 01:24:58,679
Speaker 3: how much.

1936
01:24:58,600 --> 01:24:59,920
Speaker 1: Money you spending. Nigga, you try.

1937
01:25:01,080 --> 01:25:03,559
Speaker 3: I like that man, because it used to be about

1938
01:25:03,600 --> 01:25:05,880
Speaker 3: that I don't care much that nigga is ugly. Now

1939
01:25:05,960 --> 01:25:08,920
Speaker 3: he shus to be running around with these dusties. I'm like, yo,

1940
01:25:09,240 --> 01:25:12,479
Speaker 3: we will find this dust ball. Oh you got money, Okay,

1941
01:25:12,840 --> 01:25:14,360
Speaker 3: I understand it, and I get it, but I like

1942
01:25:14,400 --> 01:25:14,760
Speaker 3: the fact that.

1943
01:25:14,720 --> 01:25:15,240
Speaker 1: It's still with me.

1944
01:25:15,439 --> 01:25:18,000
Speaker 2: He's sweet too, though, Like, you're not gonna find a

1945
01:25:18,120 --> 01:25:20,639
Speaker 2: perfect nigga. You know, I think my nigga is perfect,

1946
01:25:20,640 --> 01:25:22,479
Speaker 2: but otherwise you're not gonna find a bon't.

1947
01:25:23,960 --> 01:25:24,920
Speaker 1: We're gonna time stamp this.

1948
01:25:25,479 --> 01:25:29,120
Speaker 3: I'm not wishing battle your really happy baby d but

1949
01:25:29,240 --> 01:25:32,200
Speaker 3: I listen if I allow Wilson to have and shall

1950
01:25:32,320 --> 01:25:36,040
Speaker 3: off if you if you not together, yeah, I'm running

1951
01:25:36,040 --> 01:25:36,760
Speaker 3: this cliff.

1952
01:25:38,120 --> 01:25:40,080
Speaker 1: Because you gonna be here tearing that nigga up. But

1953
01:25:40,560 --> 01:25:42,439
Speaker 1: now you know how I get that my bashed niggas

1954
01:25:42,479 --> 01:25:45,519
Speaker 1: I come on my platform. I'm saying, so I'm happy

1955
01:25:45,600 --> 01:25:47,479
Speaker 1: that you're happy. It looks good on you. But I'm

1956
01:25:47,520 --> 01:25:51,479
Speaker 1: just saying next year November.

1957
01:25:52,120 --> 01:25:54,040
Speaker 2: When I say perfect, I don't mean literally perfect, But

1958
01:25:54,160 --> 01:25:56,880
Speaker 2: what I mean is, Okay, you got money, you fine,

1959
01:25:57,320 --> 01:25:58,080
Speaker 2: and you a gentleman.

1960
01:25:58,160 --> 01:26:00,720
Speaker 1: It's very hard to find That's That's like, that's like

1961
01:26:00,800 --> 01:26:02,240
Speaker 1: the Holy Trinity, right, Holy trinity.

1962
01:26:02,320 --> 01:26:04,040
Speaker 2: You know what I'm saying, ain't perfect by no means

1963
01:26:05,000 --> 01:26:07,880
Speaker 2: close enough. He's perfect so exactly. So that's why I

1964
01:26:07,960 --> 01:26:10,920
Speaker 2: be telling her. I'm like, you're not gonna find everything

1965
01:26:11,080 --> 01:26:12,280
Speaker 2: in one. That's very hard.

1966
01:26:12,360 --> 01:26:16,160
Speaker 1: It can happen. But the herd twenty nine, she she

1967
01:26:16,320 --> 01:26:17,680
Speaker 1: got time. She right there.

1968
01:26:17,760 --> 01:26:21,320
Speaker 3: She she she should be turning that corner of settling down,

1969
01:26:21,439 --> 01:26:23,960
Speaker 3: trying to like get serious with somebody. But twenty nine,

1970
01:26:24,000 --> 01:26:26,479
Speaker 3: she can still play outside a little bit. She still

1971
01:26:26,520 --> 01:26:27,080
Speaker 3: afford to do that.

1972
01:26:27,680 --> 01:26:30,120
Speaker 4: This nigga, But I don't know, I'm thirty one. I'm looking.

1973
01:26:30,160 --> 01:26:33,760
Speaker 2: I'm like, I can't settle for ugly though, because my

1974
01:26:33,920 --> 01:26:35,439
Speaker 2: family don't have no ugly people in it.

1975
01:26:36,560 --> 01:26:38,719
Speaker 4: We go out of our way not to have ugly people.

1976
01:26:39,520 --> 01:26:41,000
Speaker 1: That's a sick go out of the way.

1977
01:26:41,080 --> 01:26:42,200
Speaker 2: Like we go out of our way out to have

1978
01:26:42,320 --> 01:26:43,840
Speaker 2: ugly people. I can't be the first one to bring

1979
01:26:43,840 --> 01:26:45,040
Speaker 2: a little grimlin into the family.

1980
01:26:45,560 --> 01:26:47,160
Speaker 1: I can't do that, Okay, you know what I'm saying.

1981
01:26:47,280 --> 01:26:48,880
Speaker 2: I don't want that as my as my part of

1982
01:26:48,920 --> 01:26:51,360
Speaker 2: the family legacy. I'm already the one that didn't get

1983
01:26:51,439 --> 01:26:53,800
Speaker 2: like the traditional job, Like I'm not a lawyer or

1984
01:26:53,840 --> 01:26:56,400
Speaker 2: a nurse or a doctor or a professional fucking back

1985
01:26:56,520 --> 01:26:58,839
Speaker 2: football player like the rest of them. Like I'm a podcaster,

1986
01:26:59,040 --> 01:27:01,200
Speaker 2: so I already don't that much to the table. I

1987
01:27:01,320 --> 01:27:04,640
Speaker 2: can't bring a little griplin to me. Just all I

1988
01:27:04,720 --> 01:27:06,880
Speaker 2: got next to my the emoji's next to my name

1989
01:27:07,040 --> 01:27:08,639
Speaker 2: is like the little scary mask and a mic.

1990
01:27:08,760 --> 01:27:11,320
Speaker 1: I can't. We can't do that. Yeah, yeah, because you've

1991
01:27:11,320 --> 01:27:17,040
Speaker 1: got an ugly baby, you gotta kill it. Okay, all right.

1992
01:27:17,000 --> 01:27:18,080
Speaker 4: Well, thank you guys so.

1993
01:27:19,160 --> 01:27:22,639
Speaker 2: Much for Wait, that's the only voicemail we got. That's

1994
01:27:22,640 --> 01:27:27,679
Speaker 2: the only voicemail we're doing. Really, I'm kind of scared.

1995
01:27:28,040 --> 01:27:29,839
Speaker 1: All right, Let's play. Come on, let's play.

1996
01:27:32,080 --> 01:27:35,360
Speaker 7: From Chicago, responding to the last message you guys sent

1997
01:27:35,760 --> 01:27:37,559
Speaker 7: about me being in love with my best friend who

1998
01:27:37,760 --> 01:27:42,320
Speaker 7: lives in Texas, to an account like what Demara said

1999
01:27:42,360 --> 01:27:44,080
Speaker 7: and what Mam said, as well as like you know,

2000
01:27:44,760 --> 01:27:47,400
Speaker 7: going after and going up to be with my wife,

2001
01:27:47,479 --> 01:27:50,760
Speaker 7: and Demarus also saying to just you know, that was

2002
01:27:50,840 --> 01:27:51,760
Speaker 7: just like a one time thing.

2003
01:27:52,280 --> 01:27:53,120
Speaker 1: I mean, I don't know.

2004
01:27:53,320 --> 01:27:55,839
Speaker 7: I'm planning to see her again in December, and essentially

2005
01:27:55,840 --> 01:27:57,720
Speaker 7: I'm guessing that when I see her again, I'll get

2006
01:27:57,760 --> 01:27:58,880
Speaker 7: like a full gauge of like how she.

2007
01:27:58,920 --> 01:28:02,639
Speaker 1: Really feels about me. I do feel like she really

2008
01:28:02,680 --> 01:28:03,400
Speaker 1: does care about me.

2009
01:28:03,560 --> 01:28:06,040
Speaker 7: I don't think that she does care for me in

2010
01:28:06,080 --> 01:28:09,160
Speaker 7: the same way that I care for her, because I

2011
01:28:09,280 --> 01:28:11,200
Speaker 7: really do love her. And you know, she says she

2012
01:28:11,280 --> 01:28:13,160
Speaker 7: loves me too, like I made her feel things like

2013
01:28:13,240 --> 01:28:15,160
Speaker 7: she the way she describes how she feels about me,

2014
01:28:15,560 --> 01:28:17,680
Speaker 7: it sounds like she's saying that she is in love

2015
01:28:17,720 --> 01:28:20,040
Speaker 7: with me, but she's just not saying that I'm in

2016
01:28:20,200 --> 01:28:24,360
Speaker 7: love with you specifically again because of circumstance and everything

2017
01:28:24,400 --> 01:28:26,920
Speaker 7: that we're both encountering of just like you know, being

2018
01:28:27,000 --> 01:28:28,639
Speaker 7: far away and like trying to figure out out lives

2019
01:28:28,640 --> 01:28:31,560
Speaker 7: and stuff, you know, and it kind of makes me

2020
01:28:31,640 --> 01:28:33,640
Speaker 7: back to question, like wonder, like you know, maybe she

2021
01:28:33,760 --> 01:28:36,960
Speaker 7: doesn't feel the same way, but you know, we'll see,

2022
01:28:37,040 --> 01:28:39,439
Speaker 7: like when I get down there, we'll like basically do

2023
01:28:39,600 --> 01:28:41,840
Speaker 7: like a trial run of like a relationship or something

2024
01:28:41,920 --> 01:28:43,400
Speaker 7: like I'll be down there for four days or something

2025
01:28:43,479 --> 01:28:46,080
Speaker 7: for Christmas, and you know, we'll just see.

2026
01:28:45,960 --> 01:28:48,719
Speaker 1: How everything goes. Again.

2027
01:28:48,840 --> 01:28:51,400
Speaker 7: Not really sure how she feels yet, but I mean,

2028
01:28:51,479 --> 01:28:54,360
Speaker 7: I guess I have doubts just because of where we're at,

2029
01:28:54,479 --> 01:28:56,400
Speaker 7: but I don't know, I'm trying to keep hope alive

2030
01:28:56,439 --> 01:28:57,200
Speaker 7: with everything.

2031
01:28:58,520 --> 01:29:01,920
Speaker 3: You more, Uh that Nigga said, I'm trying to keep

2032
01:29:01,960 --> 01:29:03,759
Speaker 3: hope alive. He quoted Jesse Jackson.

2033
01:29:03,880 --> 01:29:06,479
Speaker 2: You going down four days before Christmas? Nigga, that gift

2034
01:29:06,560 --> 01:29:09,599
Speaker 2: better gift? Nah gift Bett.

2035
01:29:09,840 --> 01:29:12,200
Speaker 1: Yeah, he don't even know if she liked him like that,

2036
01:29:12,280 --> 01:29:14,920
Speaker 1: but she won't if he don't bring our gift.

2037
01:29:15,160 --> 01:29:15,320
Speaker 2: Nah.

2038
01:29:15,720 --> 01:29:17,560
Speaker 1: See that's see I don't like that.

2039
01:29:17,840 --> 01:29:19,479
Speaker 2: Well, first of all, it's her best friend. If I'm

2040
01:29:19,520 --> 01:29:21,200
Speaker 2: spending four that, if I'm going to see my best

2041
01:29:21,200 --> 01:29:23,280
Speaker 2: friend for day, he definitely got a gift he's giving me.

2042
01:29:23,400 --> 01:29:25,720
Speaker 3: But it's you saying that gift better gift? Is like

2043
01:29:26,200 --> 01:29:29,160
Speaker 3: why she he don't even know if she's into him

2044
01:29:29,200 --> 01:29:31,800
Speaker 3: like that? Listen, So why would you give somebody something

2045
01:29:31,840 --> 01:29:33,840
Speaker 3: when it's like, you know how you feel about her,

2046
01:29:34,439 --> 01:29:36,400
Speaker 3: but you don't know if she feels the way you

2047
01:29:36,479 --> 01:29:39,000
Speaker 3: feel about her towards you. It's like you can't go

2048
01:29:39,120 --> 01:29:44,000
Speaker 3: heavy gift. You're trying to give your way into a relationship.

2049
01:29:44,080 --> 01:29:46,320
Speaker 1: What would your gift suggested be? It's an offering? What

2050
01:29:46,360 --> 01:29:48,680
Speaker 1: would your gift suggested be? Well, me like if it's

2051
01:29:48,720 --> 01:29:51,360
Speaker 1: my if it's a woman that I you want and

2052
01:29:51,479 --> 01:29:52,160
Speaker 1: y'all already best.

2053
01:29:52,160 --> 01:29:54,559
Speaker 3: Well, I would be paying attention to conversation and things

2054
01:29:54,600 --> 01:29:57,599
Speaker 3: that she's saying. She's kind of been eye in looking

2055
01:29:57,640 --> 01:30:01,240
Speaker 3: at seeing seeing she need, you know, shit like that.

2056
01:30:01,320 --> 01:30:02,880
Speaker 3: I don't know if she needs rick Owen's boots. You

2057
01:30:02,920 --> 01:30:06,680
Speaker 3: need a new fridge? This motherfucker every time I go

2058
01:30:06,760 --> 01:30:09,840
Speaker 3: in there for motherfucking drake, Like no, the handle was

2059
01:30:09,880 --> 01:30:15,800
Speaker 3: in my hand when I coched that, Like, fuck them,

2060
01:30:15,880 --> 01:30:18,360
Speaker 3: rick Owens boots. I'm gonna listen answer the fucking the

2061
01:30:18,439 --> 01:30:20,400
Speaker 3: man is coming with the fridge tomorrow.

2062
01:30:21,520 --> 01:30:24,040
Speaker 1: Yeah, shit like that, rick Owens boots casts a new fridge.

2063
01:30:24,520 --> 01:30:25,000
Speaker 1: Fush out.

2064
01:30:25,160 --> 01:30:27,000
Speaker 3: Yeah, I'm gonna get you a fridge. Baby, I ain't

2065
01:30:27,040 --> 01:30:28,920
Speaker 3: gonna get you No, rick Owens boots, get you a

2066
01:30:29,000 --> 01:30:31,840
Speaker 3: new fridge. Let's start there. Like, but you pay attention to,

2067
01:30:32,439 --> 01:30:35,439
Speaker 3: you know, a woman that you you're courting and that

2068
01:30:35,560 --> 01:30:37,960
Speaker 3: you like, pay attention to conversation, things that she may

2069
01:30:38,000 --> 01:30:41,439
Speaker 3: be talking about, looking at like that's how you get

2070
01:30:41,520 --> 01:30:43,800
Speaker 3: the perfect git because that sentiment you pay, that's showing

2071
01:30:43,840 --> 01:30:44,559
Speaker 3: how you pay attention.

2072
01:30:45,280 --> 01:30:47,640
Speaker 1: You remember like okay, cool, yeah, I'm gonna help you.

2073
01:30:47,720 --> 01:30:50,000
Speaker 1: Like this is something that's gonna last. You know what

2074
01:30:50,000 --> 01:30:54,679
Speaker 1: I'm saying, new Fridge, She's probably gonna outlive you. Okay, yeah,

2075
01:30:54,720 --> 01:30:56,080
Speaker 1: so shit like that. That's what I would do.

2076
01:30:56,200 --> 01:30:59,760
Speaker 2: But like, well, we're wishing, we're wishing luck to this man.

2077
01:31:00,000 --> 01:31:00,800
Speaker 2: Please keep us up there.

2078
01:31:00,880 --> 01:31:02,760
Speaker 1: He left two more voicemails, but we'll get into those.

2079
01:31:03,479 --> 01:31:07,960
Speaker 1: May do that on Patreon or something. Yeah, we can

2080
01:31:08,000 --> 01:31:10,439
Speaker 1: do that, because we because I but do we want

2081
01:31:10,479 --> 01:31:10,760
Speaker 1: to say?

2082
01:31:11,000 --> 01:31:15,280
Speaker 3: Okay, so we'll zoom zoom room before he goes home

2083
01:31:15,320 --> 01:31:20,480
Speaker 3: for the holiday, and the zoom Zoom Room after the holiday.

2084
01:31:21,040 --> 01:31:23,000
Speaker 1: To just check in on him and see how how

2085
01:31:23,080 --> 01:31:25,479
Speaker 1: things played out. Bet that's cool.

2086
01:31:25,800 --> 01:31:28,920
Speaker 3: All right, baby Date, this has been real good talking

2087
01:31:28,960 --> 01:31:31,840
Speaker 3: to you. We're doing this two more times this week.

2088
01:31:32,640 --> 01:31:34,559
Speaker 1: We are our Patreon. We're gonna go on a date.

2089
01:31:35,360 --> 01:31:38,120
Speaker 3: Finally, I'm taking you to the movies, baby, Finally, take

2090
01:31:38,160 --> 01:31:39,120
Speaker 3: me to the fucking movies.

2091
01:31:39,640 --> 01:31:41,200
Speaker 1: All Right, we'll be back in a couple of days.

2092
01:31:41,320 --> 01:31:44,880
Speaker 1: Be safe, be blessed. I'm that nigga. That's baby Date period.