WEBVTT - Freddy’s Chicago Days

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<v Speaker 1>Welcome back to those amigos with Freda Rodriguez and yours

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<v Speaker 1>truly with my mother.

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<v Speaker 2>And in our last episode, we teased.

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<v Speaker 1>You with a very very exciting journey, very exciting. For

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<v Speaker 1>this episode, we we we wanted to focus on on Freddy,

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<v Speaker 1>but not like the Freddy the actor when he got

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<v Speaker 1>the break, like I want to bring it all the

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<v Speaker 1>way back, man, I.

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<v Speaker 2>Want to start with your grandparents. I want to start

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<v Speaker 2>with your grandparents.

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<v Speaker 3>Okay, you know, we you know.

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<v Speaker 1>And and this is also I called to everybody out there,

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<v Speaker 1>like you know we somebody when I when I was

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<v Speaker 1>writing my memoir, my book, somebody said to me, go

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<v Speaker 1>ask your parents they were before you? Oh interesting, we

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<v Speaker 1>know so much about our parents after we had a

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<v Speaker 1>sense of memory right that we rarely go back to

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<v Speaker 1>ask the questions like who were you before mommy you

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<v Speaker 1>got pregnant, or or Dad you knew you were going

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<v Speaker 1>to have a son, like you, you never asked these

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<v Speaker 1>questions because your life is what you're being introduced over

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<v Speaker 1>and you're seeing new things all the time. So so

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<v Speaker 1>that exercise really changed so much for me to appreciate

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<v Speaker 1>what my mom was right from bringing a full circle,

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<v Speaker 1>you know, understanding the trajectory or who you before you,

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<v Speaker 1>or even a possibility like who was the Rodriguez family

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<v Speaker 1>right right, you know, and and then and then walk

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<v Speaker 1>us straight into you know, into into your adulthood. But

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<v Speaker 1>I but I love to start with like what are

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<v Speaker 1>your grandparents' names? And what did they what did they do?

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<v Speaker 3>Yeah, I didn't really know my grandparents. They they uh, well,

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<v Speaker 3>my grandparents. Both of my parents are from San Lorenzo,

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<v Speaker 3>Puerto Rico, which is in the middle of the island.

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<v Speaker 3>There were farmers that they grew crops and malangas and

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<v Speaker 3>beluras and tavaco and had cows and chickens and all

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<v Speaker 3>that stuff. And then around the fifties and sixth so

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<v Speaker 3>my parents were both neighbors and they had fincas over

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<v Speaker 3>there right as we know in Lalomne Campo Edambsino, and

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<v Speaker 3>that's how they met. And so on my mom's side,

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<v Speaker 3>I had thirteen uncles and aunts. On my father's side,

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<v Speaker 3>I had eight, and surprisingly they were the only two

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<v Speaker 3>that got together for them being neighbors. And this was

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<v Speaker 3>around the time that there was a program in place

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<v Speaker 3>called Operation Bootstrap, where the factories were alive and kicking

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<v Speaker 3>in Chicago, in New York and Detroit, and this program

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<v Speaker 3>was in place by the government to encourage Puerto Ricans

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<v Speaker 3>to come to those cities to work the factories. Now,

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<v Speaker 3>my parents weren't necessarily a part of that program, but

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<v Speaker 3>it was definitely inspired by that program. And so they

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<v Speaker 3>migrated from Puerto Rico to Chicago, and my dad came

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<v Speaker 3>as a teenager and worked the factories in Chicago until

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<v Speaker 3>he made enough money to go back and get my

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<v Speaker 3>mom and marry her, and they both came to Chicago.

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<v Speaker 3>We had an aunt and an uncle who lived in

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<v Speaker 3>Chicago already, and they were in the Lincoln Park area

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<v Speaker 3>in Chicago, which, for those who know Chicago, Lincoln Park

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<v Speaker 3>now is a pretty affluent and prestigious area, but back

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<v Speaker 3>then it was predominantly Latino and black. And for those

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<v Speaker 3>who have seen the TV show Good Times, the Kabrini

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<v Speaker 3>Green projects are in Lincoln Park. No one knows that

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<v Speaker 3>because that area is like the Beverly Hills now. And

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<v Speaker 3>so they migrated in the sixties and work the factories.

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<v Speaker 3>And I have two older brothers and they were born

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<v Speaker 3>and my brothers are a lot older than me. They're

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<v Speaker 3>like eight and seven years older than me. I was

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<v Speaker 3>kind of the mistake that came later. And so, you know,

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<v Speaker 3>my parents had the American dream. Although Puerto Rico is

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<v Speaker 3>technically a part of the United States, you know, they

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<v Speaker 3>had the American dream like everybody, right.

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<v Speaker 1>Well, you know, leaving your pueblo for something different is

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<v Speaker 1>the American dream. I mean, you could be leaving you know,

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<v Speaker 1>you can be living in Arizona and going to Texas

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<v Speaker 1>and making it there, and that's the American dream too,

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<v Speaker 1>So I see why. But for us culturally, it's a

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<v Speaker 1>major leap, you know, because you leave what you are

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<v Speaker 1>to acquire a new way of life, right, Like, it's

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<v Speaker 1>an interesting departure from where you start and where you're

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<v Speaker 1>gonna end up.

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<v Speaker 3>To acquire a new way of life, a new urban landscape. Right,

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<v Speaker 3>think about it, Right, You've been to Puerto Rico, Paradise

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<v Speaker 3>where they were at, and then all of a sudden

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<v Speaker 3>you come to the harsh winners of Chicago. Two seasons

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<v Speaker 3>to see, two seasons, you get fall, you got winter.

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<v Speaker 3>You gotta wear a coat, right, you know. I remember

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<v Speaker 3>I would have cousins that would come from Puerto Rico

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<v Speaker 3>and they'd be like, we can bring a coat you know, uh,

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<v Speaker 3>you know, to have to take the bus to like

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<v Speaker 3>a factory job where you're working like ten hours a day.

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<v Speaker 3>I mean it was it was rough.

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<v Speaker 1>But what was dad like at home for a young

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<v Speaker 1>Freddy when you were a kid, right, you had your

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<v Speaker 1>older siblings, but you seeing your dad doing what he

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<v Speaker 1>was doing and all that.

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<v Speaker 2>What was it? What was your house like?

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<v Speaker 3>I remember one time and you asked me about my grandparents,

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<v Speaker 3>and I'll get back to that because it'll inform that.

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<v Speaker 3>I remember one time I was visiting. I was in

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<v Speaker 3>Puerto Rico. I was doing a movie there actually, and

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<v Speaker 3>I was visiting my grandfather before he passed away, and

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<v Speaker 3>my other grandfather was on a horse going up a

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<v Speaker 3>mountain and my grandfather goes, you see that over there,

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<v Speaker 3>that's your grandfather. He said, that's the hardest working man

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<v Speaker 3>in the village, and everybody knows that about him. And

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<v Speaker 3>I remember it was with the one interaction I had

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<v Speaker 3>my grandfather, I'm wrong. I was like ten years old,

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<v Speaker 3>and he took me around the village and I saw

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<v Speaker 3>the respect that was in place for my grandfather because

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<v Speaker 3>everybody knew he was the hardest working guy in the

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<v Speaker 3>entire village. And so that translated to my dad, you know,

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<v Speaker 3>And you asked me how it was in my house

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<v Speaker 3>in Chicago. My father was a direct reflection of his own.

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<v Speaker 3>Father just was all about work, all about pride in

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<v Speaker 3>your work, all about integrity and your work and who

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<v Speaker 3>you were as a human being and your moral compass

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<v Speaker 3>and your values as a person. And although we were

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<v Speaker 3>a money poor, we were moral rich, you know. And

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<v Speaker 3>that was really important to him, really important to everyone

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<v Speaker 3>in my family. And so that's the way me and

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<v Speaker 3>my brothers grew up. And I feel that's something that

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<v Speaker 3>I've taken with me and as I approached our industry,

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<v Speaker 3>whether I'm on a TV show or a movie, I

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<v Speaker 3>bring that same hard work.

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<v Speaker 2>I was gonna say.

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<v Speaker 1>Yeah, So seeing that statement that is the hardest working

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<v Speaker 1>man in this village?

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<v Speaker 2>Did that mark you?

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<v Speaker 1>And you was like, what, you know, I should never

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<v Speaker 1>have an excuse, So, like, how did that affected you

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<v Speaker 1>as a young man?

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<v Speaker 3>It just it all made sense. It made sense why

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<v Speaker 3>my dad was so hard on us, It made sense

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<v Speaker 3>why your work and the quality of your work was

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<v Speaker 3>so important. It all just made sense because it was

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<v Speaker 3>ingrained in him as a kid, you know. And then

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<v Speaker 3>he ingrained that in us me and my brothers, and

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<v Speaker 3>my cousin and my uncles. And he had a brother

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<v Speaker 3>and a sister who lived in Chicago, and I had

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<v Speaker 3>a bunch of cousins, And so you know, that's saying

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<v Speaker 3>it takes a village to raise a child. It was

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<v Speaker 3>very much a village of like, you know, the Rodriguez

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<v Speaker 3>household in Chicago.

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<v Speaker 1>How did your dad infuse that in you? Like, what

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<v Speaker 1>were the words, what were the moments, what were the lessons?

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<v Speaker 1>Were the things that he he made you experience so

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<v Speaker 1>you could put it together that says, Yeah, that's the

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<v Speaker 1>anthem of my life.

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<v Speaker 3>You know, I don't know if there was ever any

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<v Speaker 3>like words, but it was expected in anything that we did.

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<v Speaker 3>It was like, oh, you're fifteen, sixteen, now you got

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<v Speaker 3>to go get a job. You know, you got to

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<v Speaker 3>contribute to the house man, You got to contribute to

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<v Speaker 3>paying a bill, right, you know what I mean? Like

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<v Speaker 3>it was just expected of you in everything.

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<v Speaker 1>That Yeah, you inherited, right, you inherited the houses, you know,

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<v Speaker 1>guardian and safekeeping and thriving you know.

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<v Speaker 3>Yeah. When my dad would have like he'd be like,

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<v Speaker 3>oh I have I have a week off of work vacation, right,

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<v Speaker 3>Like the normal thing is like I have a vacation,

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<v Speaker 3>Let's go somewhere, Let's fly somewhere. I'm like, Dad, what

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<v Speaker 3>are you doing for your vacation? He goes, I'm gonna

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<v Speaker 3>go help your uncle paint. That was his vacation. Go

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<v Speaker 3>to what it'd be like, Oh, your cousin needs to move.

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<v Speaker 3>We got to go help the move. I'm like, that's

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<v Speaker 3>how you're spending your vacation is helping somebody move, helping

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<v Speaker 3>somebody paint their house. Like they they didn't know anything

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<v Speaker 3>else but like work, that's it right.

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<v Speaker 2>What what was your first job?

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<v Speaker 3>Oh? Man, my first job. I was fifteen years old

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<v Speaker 3>and I was a busboy.

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<v Speaker 1>At Dude that was buzzboy, go ahead, A bus boy

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<v Speaker 1>at Bennigan's.

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<v Speaker 3>I don't know, do you remember Bennigan's where Benigans was

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<v Speaker 3>a chain restaurant kind of like I don't know how

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<v Speaker 3>you would Chili's or whatever.

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<v Speaker 2>I was a sisler guy.

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<v Speaker 1>You weren't, no, but I but you talk about these

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<v Speaker 1>restaurants For me and I it was a sizzler guy.

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<v Speaker 3>Was it was? It was?

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<v Speaker 2>It was that that change.

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<v Speaker 3>Where were you a busboyad?

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<v Speaker 2>Well? I was a busboy.

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<v Speaker 1>Uh at this place called Cafe Beju and Sherman.

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<v Speaker 2>Yeah it was still there, Yeah, yeah, still there. Yeah,

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<v Speaker 2>And I was a bus boy.

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<v Speaker 1>I was the guy, you know, leveling the butters and

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<v Speaker 1>and and bringing the dis wash. But but this is

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<v Speaker 1>not a conversation.

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<v Speaker 2>Okay, So how did you get that job?

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<v Speaker 3>I just applied. I needed a job, you know, and

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<v Speaker 3>I applied for it and and it was, uh, it

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<v Speaker 3>was crazy because I wasn't even old enough to work there.

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<v Speaker 3>I had to go down. I was fifteen fifteen and

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<v Speaker 3>I had to go down and get a work permit.

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<v Speaker 2>I was fifteen two.

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<v Speaker 3>Was that like that here in l A. You had

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<v Speaker 3>to get a work you know? That was enough.

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<v Speaker 2>They hired me from the back I was.

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<v Speaker 1>I applied through the alleyway, I see, you know, I

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<v Speaker 1>went through the alleyway.

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<v Speaker 2>I applied and then I had a black T shirt.

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<v Speaker 3>No. Man, Chicago was like, you got to get a

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<v Speaker 3>work permit because we're going to keep you here a

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<v Speaker 3>certain hour. And like, man, I remember working toil, like

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<v Speaker 3>I don't even know if it was legal at that time,

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<v Speaker 3>working till like ten o'clock and having to go to

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<v Speaker 3>school the next day, and.

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<v Speaker 1>Like well, there was no hours there, and there was

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<v Speaker 1>no such thing as made him wage, and there was

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<v Speaker 1>no such thing as you know, hours and extra hours

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<v Speaker 1>and in late hours, there was such thing as that.

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<v Speaker 3>No, especially back then. But but yeah, you know, work

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<v Speaker 3>was really important. And I had two older brothers who

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<v Speaker 3>you know how it is like in Latin families, like

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<v Speaker 3>you know, although they were my brothers, there were more

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<v Speaker 3>like father figures.

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<v Speaker 2>You know, how much older were they?

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<v Speaker 3>The oldest is like eight nine years older than me.

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<v Speaker 3>My oldest brother, William, and my middle brother, Hector is

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<v Speaker 3>about six seven years older than me.

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<v Speaker 2>And what do they do.

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<v Speaker 3>My oldest brother is doctor William Rodriguez and he's the

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<v Speaker 3>uh he works, he's the assistant dean at Loyola University

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<v Speaker 3>right now? Wow?

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<v Speaker 2>Cool?

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<v Speaker 3>Yeah? Yeah. My middle brother, Hector, has been in the

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<v Speaker 3>supermarket real estate business forever. So now what you expect.

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<v Speaker 3>I'm like migrant Puerto Rican, you know, four three.

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<v Speaker 1>Were guys took three very different paths and made it

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<v Speaker 1>real life strengths.

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<v Speaker 3>Right yeah, yeah, And you know, you know what's really

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<v Speaker 3>interesting about that is like especially in our culture, right,

0:12:17.200 --> 0:12:21.640
<v Speaker 3>Like I heard Benicio del Toro talking the other day

0:12:21.640 --> 0:12:24.319
<v Speaker 3>and he was like, all my brothers were lawyers, lawyers

0:12:24.320 --> 0:12:26.720
<v Speaker 3>and doctors, so they expected me to be a lawyer

0:12:26.760 --> 0:12:27.160
<v Speaker 3>and doctor.

0:12:27.240 --> 0:12:27.400
<v Speaker 2>Right.

0:12:27.920 --> 0:12:30.280
<v Speaker 3>Like My family was like all like that. They were

0:12:30.320 --> 0:12:34.800
<v Speaker 3>all super studious. All my cousins are all accountants, you know,

0:12:34.920 --> 0:12:38.360
<v Speaker 3>and I was the knucklehead who was like an artist.

0:12:38.600 --> 0:12:41.840
<v Speaker 3>You know. But but but but then they don't understand,

0:12:41.920 --> 0:12:43.520
<v Speaker 3>you know, when you're when you're trying to go down

0:12:43.600 --> 0:12:45.679
<v Speaker 3>that path, you know, it just doesn't compute to them

0:12:45.720 --> 0:12:48.440
<v Speaker 3>because it's very sort of one track mine, you know,

0:12:49.480 --> 0:12:51.440
<v Speaker 3>you know one plus one equals too and you got

0:12:51.440 --> 0:12:52.000
<v Speaker 3>to follow that.

0:12:52.000 --> 0:12:54.400
<v Speaker 1>Paath, Well, you have a memory of working as a

0:12:54.400 --> 0:12:57.280
<v Speaker 1>buzz boy that you were like, yeah, I gotta figure,

0:12:57.360 --> 0:12:59.080
<v Speaker 1>I gotta figure you gotta figure it out.

0:12:59.400 --> 0:13:03.560
<v Speaker 3>I remember was a busboy. Uh I had started acting

0:13:03.600 --> 0:13:06.600
<v Speaker 3>by then. And I remember one of the waiters.

0:13:06.200 --> 0:13:07.960
<v Speaker 2>Souse, that's why because you started so young.

0:13:08.080 --> 0:13:09.120
<v Speaker 3>Ye started on thirteen.

0:13:09.240 --> 0:13:11.000
<v Speaker 2>Yeah you started performing thirteen.

0:13:11.160 --> 0:13:12.760
<v Speaker 3>Yeah. I remember one of the bus I remember one

0:13:12.800 --> 0:13:15.960
<v Speaker 3>of the waiters brought a headshot to work and he

0:13:16.160 --> 0:13:18.360
<v Speaker 3>was like, I'm an actor and I have a headshot.

0:13:18.360 --> 0:13:20.760
<v Speaker 3>And I was like, whoa, he is a head shot.

0:13:21.160 --> 0:13:21.960
<v Speaker 2>He's an actor.

0:13:22.120 --> 0:13:24.600
<v Speaker 1>The black and white headshub where they're just looking off

0:13:25.400 --> 0:13:27.920
<v Speaker 1>the commercial head show where you're like cheasing so hard,

0:13:27.960 --> 0:13:30.720
<v Speaker 1>and then the drama sup where you're like obviously.

0:13:30.400 --> 0:13:33.040
<v Speaker 2>Going into internal turmoil. In the picture, oh, would be like.

0:13:33.040 --> 0:13:35.680
<v Speaker 3>The composite shot where it's like four different shots, like

0:13:35.720 --> 0:13:38.280
<v Speaker 3>the studio did you stayble your your resume in.

0:13:38.320 --> 0:13:40.240
<v Speaker 2>The back of the of course? Of course.

0:13:40.679 --> 0:13:43.040
<v Speaker 3>I remember coming to work and being like, he was, like,

0:13:43.080 --> 0:13:46.960
<v Speaker 3>I just came back from an audition. You get auditions, man,

0:13:47.000 --> 0:13:50.120
<v Speaker 3>he's got an audition. Yeah. No, But I started I

0:13:50.120 --> 0:13:53.120
<v Speaker 3>started really young, you know, I started really young in Chicago,

0:13:54.080 --> 0:13:55.439
<v Speaker 3>and you know, I know I had said this in

0:13:55.480 --> 0:13:58.079
<v Speaker 3>the previous episode, but a lot of it stemmed from

0:13:58.120 --> 0:14:01.440
<v Speaker 3>like I wasn't and I'm this literally, man, I really

0:14:01.520 --> 0:14:04.280
<v Speaker 3>wasn't good at anything. You know. We talk about my brothers,

0:14:04.320 --> 0:14:07.800
<v Speaker 3>you know, they were so studious and my cousins. You know,

0:14:07.880 --> 0:14:10.640
<v Speaker 3>they would come from school with like a straight A

0:14:10.840 --> 0:14:13.400
<v Speaker 3>report card, and I was I was a terrible student.

0:14:13.880 --> 0:14:17.360
<v Speaker 1>I think it was kind of like you were like,

0:14:17.960 --> 0:14:20.520
<v Speaker 1>they're so good at that, and you kind of reveled

0:14:20.520 --> 0:14:23.080
<v Speaker 1>against like wanting to be as good as them, or

0:14:23.160 --> 0:14:25.560
<v Speaker 1>like do you feel pressured? And then therefore you kind

0:14:25.560 --> 0:14:29.280
<v Speaker 1>of like forfeited to something else, Like what was that contrast? Like,

0:14:29.360 --> 0:14:32.160
<v Speaker 1>you know, they were going after studies, And.

0:14:32.600 --> 0:14:35.360
<v Speaker 3>I truly wanted to fit in, really, I mean, in

0:14:35.400 --> 0:14:38.440
<v Speaker 3>all honesty, I wanted. I wanted to be a good student.

0:14:38.600 --> 0:14:42.240
<v Speaker 3>I wanted to be a good mathematician or whatever it

0:14:42.320 --> 0:14:45.040
<v Speaker 3>was that my family. I just did. My brain didn't

0:14:45.080 --> 0:14:47.760
<v Speaker 3>work that way, and I couldn't figure out why I didn't,

0:14:47.960 --> 0:14:50.400
<v Speaker 3>you know. And so it tends to happen when you're

0:14:50.440 --> 0:14:53.480
<v Speaker 3>that age and you don't relate and you don't feel

0:14:53.560 --> 0:14:55.560
<v Speaker 3>like you fit in, you start to figure out other

0:14:55.600 --> 0:14:58.680
<v Speaker 3>ways to fit in, you know, in my neighborhood. You know,

0:14:58.920 --> 0:15:02.560
<v Speaker 3>Chicago at at certain years is the murder capital of

0:15:02.560 --> 0:15:05.160
<v Speaker 3>the United States, you know. And and I grew up

0:15:05.200 --> 0:15:08.320
<v Speaker 3>in Bucktown on the northwest side of Chicago, which is heavy,

0:15:08.360 --> 0:15:14.040
<v Speaker 3>heavy gangs, heavy drugs, heavy heavy graffiti, a lot of

0:15:14.080 --> 0:15:19.000
<v Speaker 3>graffiti crews in in my neighborhood, and dance cruise and

0:15:19.120 --> 0:15:24.400
<v Speaker 3>you know, and so it's very easy to see the

0:15:24.440 --> 0:15:27.560
<v Speaker 3>allure of that when you have nothing else that you

0:15:27.640 --> 0:15:32.960
<v Speaker 3>relate to, you know. And I certainly found myself gravitating

0:15:33.040 --> 0:15:37.520
<v Speaker 3>towards that, you know, and It wasn't until this independent

0:15:37.560 --> 0:15:43.720
<v Speaker 3>theater company came to my school that that I auditioned

0:15:43.720 --> 0:15:46.320
<v Speaker 3>to get into as a fluke when I was like

0:15:46.360 --> 0:15:47.200
<v Speaker 3>thirteen years old.

0:15:47.280 --> 0:15:52.520
<v Speaker 1>So before that theater group came to your school, were

0:15:52.520 --> 0:15:54.960
<v Speaker 1>you part of that community like where you're b boying,

0:15:55.000 --> 0:15:56.200
<v Speaker 1>where you're tagging.

0:15:56.000 --> 0:15:58.360
<v Speaker 3>Or yeah, man, I was, I was hard, hard bet boy,

0:15:58.880 --> 0:15:59.400
<v Speaker 3>I'll tell you.

0:15:59.600 --> 0:16:03.359
<v Speaker 2>So my this is in exclusive. Yeah.

0:16:03.440 --> 0:16:06.760
<v Speaker 1>I don't think anyone can realize the friends that the

0:16:06.760 --> 0:16:12.760
<v Speaker 1>great Freddie Rodriguez was actually a boy.

0:16:17.200 --> 0:16:18.520
<v Speaker 2>I was. I was always a.

0:16:18.520 --> 0:16:23.040
<v Speaker 3>Kind of a good dancer, right. And so my oldest brother,

0:16:23.200 --> 0:16:26.800
<v Speaker 3>who is now doctor Rodriguez, was a pretty popular.

0:16:26.480 --> 0:16:30.520
<v Speaker 2>DJ in Chicago, what kind of parties like.

0:16:30.320 --> 0:16:33.800
<v Speaker 3>Like Chicago created house music, right, so he was he was,

0:16:34.440 --> 0:16:38.080
<v Speaker 3>you know, transition from disco to house music. So as

0:16:38.120 --> 0:16:40.080
<v Speaker 3>far back as I could remember, he's like eight years

0:16:40.080 --> 0:16:43.800
<v Speaker 3>older than me. There was always turntables in the house everywhere,

0:16:43.800 --> 0:16:47.960
<v Speaker 3>final everywhere, like every weekend, my brother coming home and

0:16:48.000 --> 0:16:52.360
<v Speaker 3>bring like carrying speakers inside the house, you know, And

0:16:52.360 --> 0:16:54.800
<v Speaker 3>and he would always recruit me to help him, like

0:16:54.960 --> 0:16:58.880
<v Speaker 3>carry alcoas and all that. Yeah, and my middle brother, uh,

0:16:59.240 --> 0:17:02.520
<v Speaker 3>you know that's when breakdancing was at its apex and

0:17:02.560 --> 0:17:05.320
<v Speaker 3>he was in a breakdancing crew, and so I learned

0:17:05.359 --> 0:17:08.640
<v Speaker 3>how to break dance really really early on. So with

0:17:08.680 --> 0:17:12.199
<v Speaker 3>my brother djying and my brother breakdancing, they would sneak

0:17:12.280 --> 0:17:14.680
<v Speaker 3>me into these clubs when I was like nine, ten

0:17:14.760 --> 0:17:18.240
<v Speaker 3>years old, and the guy at the front, I never forget.

0:17:18.440 --> 0:17:20.440
<v Speaker 3>The guy at the front was like, no, man, he's

0:17:20.480 --> 0:17:22.439
<v Speaker 3>like nine years old. And my brother'd be like, no, no, no,

0:17:22.560 --> 0:17:25.040
<v Speaker 3>I'm gonna have him behind the DJ booth. It's all good,

0:17:25.160 --> 0:17:27.720
<v Speaker 3>you know, back then when you could do that right.

0:17:27.840 --> 0:17:29.280
<v Speaker 3>And so I remember being in the back of the

0:17:29.359 --> 0:17:31.560
<v Speaker 3>DJ booth and peeking out and seeing all these like

0:17:31.640 --> 0:17:34.719
<v Speaker 3>teenagers dancing and all that. And then when my brother's

0:17:34.800 --> 0:17:37.679
<v Speaker 3>crew was ready to battle another crew, they bring me

0:17:37.720 --> 0:17:42.840
<v Speaker 3>out from like the DJ booth and some little nine

0:17:42.880 --> 0:17:45.200
<v Speaker 3>year old kid would be there battling some other crew,

0:17:45.440 --> 0:17:49.240
<v Speaker 3>you know, which, let me tell you something, Man, doing

0:17:49.280 --> 0:17:52.720
<v Speaker 3>that at nine years old, with like two three hundred

0:17:52.760 --> 0:17:57.040
<v Speaker 3>people watching you as you're there, it does something to you.

0:17:57.880 --> 0:18:00.920
<v Speaker 3>I feel helped me later in life because I would

0:18:00.960 --> 0:18:04.480
<v Speaker 3>go into auditions like that because I was so used

0:18:04.520 --> 0:18:07.840
<v Speaker 3>to it. I was so used to like somebody watching

0:18:08.280 --> 0:18:11.879
<v Speaker 3>somebody watching. I was so used to like getting ready

0:18:11.880 --> 0:18:15.639
<v Speaker 3>to fight for it, yeah, stepping into the ring, and

0:18:15.640 --> 0:18:17.560
<v Speaker 3>and and and I had that since I was like

0:18:17.640 --> 0:18:19.639
<v Speaker 3>nine years old. You know, you.

0:18:20.000 --> 0:18:21.840
<v Speaker 1>Have that when you walk into a room. I'm like, yo, man,

0:18:21.840 --> 0:18:25.600
<v Speaker 1>we're not trying to fight. Relaxed man' remember me, it's

0:18:25.600 --> 0:18:30.080
<v Speaker 1>t Wilmer man, It's Tilmer man. That's that's amazing. I

0:18:30.240 --> 0:18:32.520
<v Speaker 1>didn't know that story that you were such a b boy.

0:18:32.560 --> 0:18:34.280
<v Speaker 1>I mean, I know that you have love for the end,

0:18:34.400 --> 0:18:36.879
<v Speaker 1>you know, for for the days, you know.

0:18:37.160 --> 0:18:38.400
<v Speaker 2>Oh yeah, there was a big.

0:18:38.280 --> 0:18:40.520
<v Speaker 1>Question and somebody in the room out here where we're

0:18:40.560 --> 0:18:42.800
<v Speaker 1>talking about, what is the story when you got your

0:18:42.840 --> 0:18:45.200
<v Speaker 1>first uh uh, your.

0:18:45.040 --> 0:18:45.840
<v Speaker 2>First Jordan my first?

0:18:45.840 --> 0:18:48.040
<v Speaker 3>Okay, I'm gonna tell you. The first time I got

0:18:48.080 --> 0:18:50.560
<v Speaker 3>my first Jordan's was probably like ten years ago. And

0:18:50.600 --> 0:18:54.359
<v Speaker 3>here's why. I was too poor when I was growing up.

0:18:54.440 --> 0:18:57.679
<v Speaker 3>And I grew up in Chicago, in the land of

0:18:57.800 --> 0:19:01.560
<v Speaker 3>Jordan during the time that he was winning, and I

0:19:01.600 --> 0:19:04.160
<v Speaker 3>was just too poor man. I couldn't afford freaking Jordan's

0:19:04.160 --> 0:19:06.800
<v Speaker 3>back then, you know. And so when I got older

0:19:06.800 --> 0:19:09.960
<v Speaker 3>and I started making money, I tried to get everything

0:19:10.000 --> 0:19:11.800
<v Speaker 3>I couldn't get as a kid man. You and I

0:19:11.840 --> 0:19:13.880
<v Speaker 3>have had a very and this is a whole other episode.

0:19:14.119 --> 0:19:17.879
<v Speaker 3>We've had a very extensive G I. Joe conversation. And

0:19:17.920 --> 0:19:19.919
<v Speaker 3>when I first started making money, I would go on

0:19:20.000 --> 0:19:23.040
<v Speaker 3>eBay and buy G I Joe's I could find back then,

0:19:23.280 --> 0:19:25.840
<v Speaker 3>you know transformers back then.

0:19:26.480 --> 0:19:28.680
<v Speaker 2>Yeah, that's increating. Did you have a B boy name?

0:19:29.800 --> 0:19:34.160
<v Speaker 3>No? No, no, they just what do you think if

0:19:34.240 --> 0:19:37.199
<v Speaker 3>you tap back into that Jan Frederdriguez, what do you

0:19:37.240 --> 0:19:40.520
<v Speaker 3>think it would have been like Little Freddie probably or

0:19:40.560 --> 0:19:41.439
<v Speaker 3>something Little Freddie.

0:19:41.440 --> 0:19:43.480
<v Speaker 2>Well, they used to be like, and gentlemen, help me

0:19:43.520 --> 0:19:45.000
<v Speaker 2>welcome Little Freddy.

0:19:45.359 --> 0:19:46.800
<v Speaker 3>Well, they used to be like, yo, that that's like

0:19:46.840 --> 0:19:50.199
<v Speaker 3>Hector's my brother. Actor, that's that's Hector's little brother, you know,

0:19:50.240 --> 0:19:52.840
<v Speaker 3>because Hector used to dance and as Willie's little brother,

0:19:52.920 --> 0:19:54.840
<v Speaker 3>you know, I was always referred to as like my

0:19:54.880 --> 0:19:55.520
<v Speaker 3>big brothers.

0:19:56.480 --> 0:19:59.240
<v Speaker 2>They were already in the scene. They were the scene. Yeah,

0:19:59.440 --> 0:20:01.959
<v Speaker 2>some believab And then so then you were to school

0:20:02.080 --> 0:20:03.840
<v Speaker 2>and then this theater group comes. Yeah.

0:20:03.920 --> 0:20:06.760
<v Speaker 3>Yeah. So by that time I was in the eighth

0:20:06.800 --> 0:20:11.840
<v Speaker 3>grade and I just I just felt really lost, you know,

0:20:12.040 --> 0:20:15.480
<v Speaker 3>at that age, and you know, the Chicago public school

0:20:15.560 --> 0:20:19.399
<v Speaker 3>system at that time, unfortunately wasn't great. And so this

0:20:19.440 --> 0:20:22.359
<v Speaker 3>independent theater company came to my school and offered the

0:20:22.440 --> 0:20:25.720
<v Speaker 3>arts for a semester. And you know, at that age,

0:20:25.760 --> 0:20:28.399
<v Speaker 3>at thirteen, you're just trying to be cool and you know,

0:20:28.480 --> 0:20:30.159
<v Speaker 3>you know, want to like look dumb in front of

0:20:30.200 --> 0:20:33.080
<v Speaker 3>the girls or whatever. And so they were like, we're auditioning.

0:20:33.359 --> 0:20:35.840
<v Speaker 3>We want people to come down to audition, and no

0:20:35.880 --> 0:20:39.919
<v Speaker 3>one wanted to stand up to audition, and my math teacher,

0:20:40.000 --> 0:20:43.919
<v Speaker 3>missus Algani, said, Okay, whoever auditions and goes down to

0:20:44.000 --> 0:20:46.560
<v Speaker 3>do it, you don't have to take the math test.

0:20:47.200 --> 0:20:49.760
<v Speaker 3>And then me, being like the opportunist I was, I

0:20:49.840 --> 0:20:51.240
<v Speaker 3>was like, yeah.

0:20:50.920 --> 0:20:52.359
<v Speaker 2>Yeah, I was gonna fill it anyway.

0:20:53.480 --> 0:20:55.959
<v Speaker 3>Yeah, and I was already kind of dancing and I

0:20:56.040 --> 0:20:59.000
<v Speaker 3>was already like you know, So I went down and

0:20:59.080 --> 0:21:04.719
<v Speaker 3>I auditioned and I got in and the program completely

0:21:04.720 --> 0:21:09.200
<v Speaker 3>transformed my life. So every Saturday, we had to take

0:21:09.200 --> 0:21:13.399
<v Speaker 3>the train downtown Chicago to Roosevelt University. So it's the

0:21:13.400 --> 0:21:16.359
<v Speaker 3>first time I was out of my neighborhood. Really, it

0:21:16.440 --> 0:21:19.639
<v Speaker 3>was the first time that I was like downtown, that

0:21:19.640 --> 0:21:21.240
<v Speaker 3>I had to take the train on my own. The

0:21:21.240 --> 0:21:24.320
<v Speaker 3>first time I was at a university. The first time

0:21:24.359 --> 0:21:27.240
<v Speaker 3>I was in some real, like a real program that

0:21:27.359 --> 0:21:31.399
<v Speaker 3>was structured, that had real actors and real teachers. And

0:21:31.440 --> 0:21:33.639
<v Speaker 3>so every Saturday we went and we did that and

0:21:33.720 --> 0:21:35.880
<v Speaker 3>at the end of the program we wrote our own

0:21:35.920 --> 0:21:40.320
<v Speaker 3>play and I ended up starring in the play at thirteen,

0:21:40.400 --> 0:21:44.160
<v Speaker 3>fourteen years old. We performed it at the Blackstone Theater

0:21:44.240 --> 0:21:47.959
<v Speaker 3>and it was called City of Neighborhoods. I remember it

0:21:48.000 --> 0:21:50.159
<v Speaker 3>was just about like kids, like we were all like

0:21:50.200 --> 0:21:52.960
<v Speaker 3>little kids, you know. I don't really recall the narrative

0:21:53.000 --> 0:21:55.520
<v Speaker 3>of it, but it was like I remember starring in it,

0:21:56.560 --> 0:22:00.600
<v Speaker 3>and then we performed it at the Blackstone Theater, which

0:22:00.600 --> 0:22:02.679
<v Speaker 3>was kind of a big theater at the time, and

0:22:02.720 --> 0:22:06.840
<v Speaker 3>I remember after that first performance it was like I

0:22:06.840 --> 0:22:09.720
<v Speaker 3>had an epiphany. Man, it was clear as day to

0:22:09.800 --> 0:22:11.320
<v Speaker 3>me what I was going to do for the rest

0:22:11.320 --> 0:22:14.080
<v Speaker 3>of my life. Really, I mean that was like God

0:22:14.240 --> 0:22:17.159
<v Speaker 3>was showing me, like it was that clear to me.

0:22:18.320 --> 0:22:21.920
<v Speaker 3>And so that play led me to this other independent

0:22:21.920 --> 0:22:25.919
<v Speaker 3>theater company, this wonderful director named Ray Moffatt. It was

0:22:25.960 --> 0:22:29.359
<v Speaker 3>called MOI. I was about fourteen, and then it led

0:22:29.359 --> 0:22:32.360
<v Speaker 3>me to a two year scholarship to the National College

0:22:32.359 --> 0:22:36.879
<v Speaker 3>of Education. Theater program, which was another pivotal moment in

0:22:36.920 --> 0:22:39.200
<v Speaker 3>my life because it took me out of my neighborhood

0:22:39.200 --> 0:22:41.840
<v Speaker 3>and it took me to Winnetka, Illinois, which was this

0:22:41.920 --> 0:22:46.520
<v Speaker 3>really rich suburb and a prestigious school. It was the

0:22:46.560 --> 0:22:51.280
<v Speaker 3>first time I was ever around other ethnicities. It was

0:22:51.320 --> 0:22:55.120
<v Speaker 3>the first time I was around people of other economic backgrounds,

0:22:55.960 --> 0:22:58.640
<v Speaker 3>kids whose parents paid a lot of money for them

0:22:58.640 --> 0:23:00.560
<v Speaker 3>to go there. And here I was was this kid,

0:23:00.680 --> 0:23:02.480
<v Speaker 3>Puerto Rican kid from the hood who was going there

0:23:02.480 --> 0:23:06.000
<v Speaker 3>for free. And it was kids who were like you

0:23:06.040 --> 0:23:08.320
<v Speaker 3>know that that kid you see who's like ten years

0:23:08.359 --> 0:23:13.840
<v Speaker 3>old and who's playing the piano flawlessly, and like, yeah, exactly.

0:23:14.280 --> 0:23:17.840
<v Speaker 3>And I was amongst these, like, you know, really well

0:23:17.880 --> 0:23:20.959
<v Speaker 3>trained artists, you know, at fourteen years old. And then

0:23:21.000 --> 0:23:23.200
<v Speaker 3>the following year it was my time to go to

0:23:23.280 --> 0:23:26.359
<v Speaker 3>high school, and I auditioned and got into the only

0:23:26.640 --> 0:23:30.960
<v Speaker 3>public theater program in Chicago, which was Lincoln Park High School,

0:23:31.560 --> 0:23:33.159
<v Speaker 3>and I was a drama major there. I was a

0:23:33.240 --> 0:23:36.280
<v Speaker 3>drama major chorus minor, and I kind of dabbled in

0:23:36.400 --> 0:23:40.240
<v Speaker 3>dance at the time, and which was a wonderful program,

0:23:40.240 --> 0:23:43.320
<v Speaker 3>a four year program where we learned how to build

0:23:43.440 --> 0:23:47.359
<v Speaker 3>sets and we performed and I did I did a play.

0:23:47.600 --> 0:23:52.320
<v Speaker 3>I did the Lottery, I did to Kill a Mockingbird.

0:23:52.440 --> 0:23:54.320
<v Speaker 3>You know, so many plays that we got to do

0:23:54.800 --> 0:23:58.720
<v Speaker 3>during that time. And so this was from like fifteen

0:23:58.920 --> 0:24:01.879
<v Speaker 3>to like eighteen, and I was doing that. I was

0:24:01.920 --> 0:24:06.280
<v Speaker 3>doing independenteater. I dabbled in music. You know, I thought

0:24:06.280 --> 0:24:09.199
<v Speaker 3>I could rap back then, you know, I was. I

0:24:09.280 --> 0:24:14.280
<v Speaker 3>was trying to. Yeah, yeah, we won't get into the listen.

0:24:15.280 --> 0:24:17.000
<v Speaker 3>I'm going to tell you the story that I've never

0:24:17.000 --> 0:24:21.879
<v Speaker 3>told before. So you know, back then, you know, I

0:24:21.920 --> 0:24:24.000
<v Speaker 3>was a big, big hip hop b boy head, right,

0:24:24.200 --> 0:24:26.400
<v Speaker 3>and back then, hip hop is not like now now

0:24:26.480 --> 0:24:28.879
<v Speaker 3>you turn on the radio. Hip hop is everywhere. Back then,

0:24:29.160 --> 0:24:31.639
<v Speaker 3>you had to find it. And so there would be

0:24:31.640 --> 0:24:35.080
<v Speaker 3>a lot of these underground clubs in Chicago where you

0:24:35.080 --> 0:24:37.800
<v Speaker 3>would go to get hip hop, you know. And I

0:24:37.920 --> 0:24:41.600
<v Speaker 3>must have been around sixteen seventeen years old, and I

0:24:41.680 --> 0:24:44.119
<v Speaker 3>used to see Kanye was there. And so if I

0:24:44.280 --> 0:24:50.760
<v Speaker 3>was sixteen seventeen, Kanye was like fourteen. I see Common there.

0:24:51.400 --> 0:24:56.040
<v Speaker 3>Common was like if I was seventeen, Common was nineteen. Wow.

0:24:56.600 --> 0:24:59.400
<v Speaker 3>We're all kids, man, We're all kids in the underground

0:24:59.480 --> 0:25:03.840
<v Speaker 3>hip hops in Chicago. Yeah, it was wild man. I remember.

0:25:04.880 --> 0:25:08.800
<v Speaker 3>So Kanye used to be in this group called State

0:25:08.840 --> 0:25:10.879
<v Speaker 3>of Mind. It was him and these other two guys,

0:25:11.440 --> 0:25:13.840
<v Speaker 3>and he started producing, and a guy for my crew

0:25:13.960 --> 0:25:16.840
<v Speaker 3>was producing, and I was the only guy with a car,

0:25:17.720 --> 0:25:19.800
<v Speaker 3>and so it was my job to take my guy

0:25:19.920 --> 0:25:22.800
<v Speaker 3>Marco to Kanye's house, who lived all the way on

0:25:22.840 --> 0:25:25.479
<v Speaker 3>the South Side. And so I used to drop him

0:25:25.520 --> 0:25:27.959
<v Speaker 3>off at Kanye's house on Friday and come pick him

0:25:28.040 --> 0:25:30.680
<v Speaker 3>up on Sunday, and then we would have our beats,

0:25:30.840 --> 0:25:32.640
<v Speaker 3>you know, and they'd be like, all right, man, we're

0:25:32.640 --> 0:25:34.199
<v Speaker 3>gonna go perform this. And it used to be this

0:25:34.240 --> 0:25:36.919
<v Speaker 3>club called Lower Lynx and the Elbow Room, and so

0:25:36.960 --> 0:25:39.040
<v Speaker 3>the whole concept of the club was very much like

0:25:39.119 --> 0:25:44.440
<v Speaker 3>that movie that eminem did. And you go, you spend

0:25:44.440 --> 0:25:47.520
<v Speaker 3>all week making your beats. You sign up, give them

0:25:47.560 --> 0:25:49.360
<v Speaker 3>your tape. When it's your turn, they call your name,

0:25:49.440 --> 0:25:50.960
<v Speaker 3>you go up there, they play the thing, and you

0:25:50.960 --> 0:25:53.320
<v Speaker 3>get up there and you perform. You know. So Kanye

0:25:53.400 --> 0:25:54.840
<v Speaker 3>be doing it, I'll be doing it, you.

0:25:54.720 --> 0:25:57.000
<v Speaker 2>Know, so you win in your battle this business.

0:25:57.080 --> 0:26:02.880
<v Speaker 3>No, we would just performed them, you know. And man,

0:26:03.320 --> 0:26:04.280
<v Speaker 3>I tell this other story.

0:26:04.400 --> 0:26:05.720
<v Speaker 2>Do you have any of these songs.

0:26:06.200 --> 0:26:06.760
<v Speaker 3>I think, so.

0:26:08.600 --> 0:26:17.879
<v Speaker 2>It all happen somewhere breaking exclusive hear some of these kids.

0:26:18.200 --> 0:26:20.760
<v Speaker 3>Man, I'll tell you something, you know, and I've never

0:26:20.800 --> 0:26:24.800
<v Speaker 3>told the story. I remember it, and God bless him

0:26:24.800 --> 0:26:28.560
<v Speaker 3>and his mother is Kanye's mother had passed away. Uh Man.

0:26:28.640 --> 0:26:31.080
<v Speaker 3>I remember going to his house when I was like sixteen,

0:26:31.200 --> 0:26:34.600
<v Speaker 3>seventeen years old, and it was the first time that

0:26:34.680 --> 0:26:39.520
<v Speaker 3>I had ever gone to a friend's house where their

0:26:39.760 --> 0:26:44.480
<v Speaker 3>parent was genuinely interested in who I was. You know,

0:26:44.520 --> 0:26:47.720
<v Speaker 3>his mother was a professor and it was an education.

0:26:48.280 --> 0:26:49.840
<v Speaker 3>But you know, you go to your friend's house and

0:26:49.960 --> 0:26:51.560
<v Speaker 3>you know, the parents will say hi, and then you

0:26:51.600 --> 0:26:53.800
<v Speaker 3>lock yourself in the bedroom with a friend and you know,

0:26:53.880 --> 0:26:56.359
<v Speaker 3>you sit there and you mess around. But it was

0:26:56.400 --> 0:26:59.040
<v Speaker 3>the first time I had went to anybody's house where

0:26:59.080 --> 0:27:01.840
<v Speaker 3>his mother came down and like and like spoke to

0:27:01.880 --> 0:27:04.000
<v Speaker 3>me and like wanted to know who I was and

0:27:04.000 --> 0:27:06.879
<v Speaker 3>where I was from, and like where my parents were from,

0:27:06.960 --> 0:27:09.720
<v Speaker 3>and what kind of music went why I was interested

0:27:09.720 --> 0:27:13.400
<v Speaker 3>in that music. And it had such a profound effect

0:27:13.440 --> 0:27:15.879
<v Speaker 3>on me as a parent, and.

0:27:15.960 --> 0:27:19.120
<v Speaker 2>What you probably felt seen to your feel it.

0:27:19.080 --> 0:27:21.720
<v Speaker 3>Was just a different style of parenting that I had

0:27:21.760 --> 0:27:26.120
<v Speaker 3>never experienced before, and I learned that from his mother,

0:27:26.520 --> 0:27:29.679
<v Speaker 3>and I took that with me when I became a parent,

0:27:29.760 --> 0:27:32.159
<v Speaker 3>and I and I became that way with my friends,

0:27:32.200 --> 0:27:36.040
<v Speaker 3>with my children's friends, and that all stemmed from her,

0:27:36.200 --> 0:27:37.320
<v Speaker 3>my encounter with her.

0:27:45.400 --> 0:27:48.320
<v Speaker 1>So then you have all these influences, the hip hop

0:27:48.359 --> 0:27:51.280
<v Speaker 1>scene to be voice seen, yeah, Chicago and all that,

0:27:51.480 --> 0:27:53.360
<v Speaker 1>and you started getting on stage and you were going

0:27:53.359 --> 0:27:55.359
<v Speaker 1>to this place as well. He's like you said, a

0:27:55.400 --> 0:27:57.040
<v Speaker 1>lot of people invested a lot of money for their

0:27:57.119 --> 0:28:00.879
<v Speaker 1>kids to follow the world of artistry. Interesting to see

0:28:00.920 --> 0:28:03.520
<v Speaker 1>where any of those classes or any of those studios

0:28:03.560 --> 0:28:06.720
<v Speaker 1>went after, you know, after you being in the same

0:28:07.240 --> 0:28:09.679
<v Speaker 1>kind of generation of students coming up and learning and

0:28:09.720 --> 0:28:11.760
<v Speaker 1>shopping in their skills and you know eventually what it

0:28:11.800 --> 0:28:12.919
<v Speaker 1>turned out for them.

0:28:14.880 --> 0:28:16.040
<v Speaker 2>That to me is.

0:28:17.480 --> 0:28:20.719
<v Speaker 1>You know, it's a great example of saying, I am

0:28:20.760 --> 0:28:23.760
<v Speaker 1>going to equip myself with the tools I need, you know,

0:28:24.240 --> 0:28:26.639
<v Speaker 1>some of us, like for example, for me, I, I

0:28:26.760 --> 0:28:30.080
<v Speaker 1>you know, I went to a couple of classes, but

0:28:30.359 --> 0:28:35.560
<v Speaker 1>you know, I had to really self teach myself, you know, confidence,

0:28:35.600 --> 0:28:38.680
<v Speaker 1>because I never had the hours of flying, you know,

0:28:38.840 --> 0:28:41.600
<v Speaker 1>so as soon as I got thrown into it, it

0:28:41.720 --> 0:28:47.600
<v Speaker 1>was it was really it was like learned by you know, swimming,

0:28:47.720 --> 0:28:49.680
<v Speaker 1>Like throw you in the in the pool and I'll

0:28:49.680 --> 0:28:54.440
<v Speaker 1>swim to the shore, you know. But there's like there's

0:28:54.560 --> 0:28:59.400
<v Speaker 1>the commonality. I think the connection between our stories is

0:28:59.440 --> 0:29:03.480
<v Speaker 1>that we decided to swim into the unknown, and no

0:29:03.520 --> 0:29:05.800
<v Speaker 1>one in our family has swimmed in that direction, right.

0:29:06.240 --> 0:29:09.680
<v Speaker 1>And to think about, you know, from your grandparents to

0:29:10.120 --> 0:29:13.640
<v Speaker 1>you know, to your parents, to the trajectory of your

0:29:13.760 --> 0:29:18.320
<v Speaker 1>family heritage coming to Chicago, embracing a new way of life.

0:29:18.400 --> 0:29:22.480
<v Speaker 1>You also stay in Puerto Rican while being in Chicago too.

0:29:24.480 --> 0:29:25.000
<v Speaker 2>It's such a.

0:29:24.920 --> 0:29:27.200
<v Speaker 1>Great example of what I think a lot of Latinos

0:29:27.200 --> 0:29:30.640
<v Speaker 1>are experiencing today. You know, sometimes they're being asked to

0:29:30.680 --> 0:29:33.000
<v Speaker 1>be one or the other and the two things like

0:29:33.160 --> 0:29:35.800
<v Speaker 1>we don't have to pick right which we should be,

0:29:35.920 --> 0:29:38.440
<v Speaker 1>you know, a topic later on like you know, you know,

0:29:38.520 --> 0:29:40.000
<v Speaker 1>can you be a two hundred percenter?

0:29:40.440 --> 0:29:40.640
<v Speaker 3>You know?

0:29:43.040 --> 0:29:47.360
<v Speaker 1>But but I think, you know, hearing your story is

0:29:47.400 --> 0:29:51.320
<v Speaker 1>such a validator that it really it doesn't matter where

0:29:51.360 --> 0:29:55.680
<v Speaker 1>you start, It matters where you believe you can go, right,

0:29:55.840 --> 0:29:57.840
<v Speaker 1>because if you believe you can go in that direction,

0:29:57.880 --> 0:30:00.440
<v Speaker 1>you're going to start walking it and eventually you find

0:30:00.440 --> 0:30:04.480
<v Speaker 1>your way into an opportunity that you know. But look,

0:30:05.520 --> 0:30:09.080
<v Speaker 1>being an artist is it's one of the most difficult professions.

0:30:09.480 --> 0:30:16.800
<v Speaker 1>It's uncertain, it's not consistent. The mirage of success it's

0:30:16.960 --> 0:30:21.440
<v Speaker 1>part of the allure, but the truth is, you know,

0:30:21.760 --> 0:30:25.960
<v Speaker 1>to be a performer, you got to stay human. You know,

0:30:26.080 --> 0:30:28.960
<v Speaker 1>you're not a celebrity, You're not a famous person. You're

0:30:28.960 --> 0:30:32.080
<v Speaker 1>an artist who's telling stories that are very real, like

0:30:32.160 --> 0:30:34.760
<v Speaker 1>the ones that you and your family you know, had

0:30:34.760 --> 0:30:39.520
<v Speaker 1>to experience. Without you staying human, you can be effective

0:30:39.920 --> 0:30:42.360
<v Speaker 1>or you can't invite people to watch your story on screen.

0:30:43.160 --> 0:30:43.360
<v Speaker 2>You know.

0:30:44.680 --> 0:30:47.760
<v Speaker 1>That's why I feel like you going into those classes

0:30:47.800 --> 0:30:52.080
<v Speaker 1>where all these young people who you know, have hadn't

0:30:52.120 --> 0:30:56.280
<v Speaker 1>had the opportunity to experience what you did, probably was

0:30:56.360 --> 0:30:57.720
<v Speaker 1>a secret weapon for you.

0:30:57.880 --> 0:30:58.880
<v Speaker 2>Was the missing ingredient?

0:30:58.920 --> 0:31:02.120
<v Speaker 1>Was the secret you know, sauce for saying like, oh,

0:31:02.200 --> 0:31:05.240
<v Speaker 1>this is why I'm effective on screen because I am

0:31:05.280 --> 0:31:07.880
<v Speaker 1>what I am. Yeah, you know, and being on stage

0:31:08.240 --> 0:31:12.400
<v Speaker 1>with that energy just made you a performer that could

0:31:12.440 --> 0:31:13.840
<v Speaker 1>really bring his characters to life.

0:31:13.960 --> 0:31:17.000
<v Speaker 3>Yeah. I think it's a combination of that. And this

0:31:17.080 --> 0:31:18.920
<v Speaker 3>is a lot of the advice I give to sort

0:31:18.920 --> 0:31:21.120
<v Speaker 3>of the younger generation now, they always ask me like,

0:31:22.320 --> 0:31:24.440
<v Speaker 3>what can I be doing? What could I be? You know?

0:31:24.520 --> 0:31:26.800
<v Speaker 3>The advice I always give them is you got to

0:31:26.880 --> 0:31:29.960
<v Speaker 3>just be doing it right. And here's what I mean

0:31:30.000 --> 0:31:34.720
<v Speaker 3>by that. The perception of doing it, especially to the

0:31:34.760 --> 0:31:37.239
<v Speaker 3>younger generation, is like being on a TV show like

0:31:37.240 --> 0:31:40.200
<v Speaker 3>you and I, right, And that's not always the case,

0:31:40.480 --> 0:31:43.080
<v Speaker 3>you know. And when I was at that age, although

0:31:43.120 --> 0:31:46.600
<v Speaker 3>it was a different time a different era, the thing

0:31:46.640 --> 0:31:48.840
<v Speaker 3>that was incredibly important to me was that I was

0:31:48.880 --> 0:31:53.400
<v Speaker 3>always doing it in some capacity, whether that was in

0:31:53.440 --> 0:31:57.840
<v Speaker 3>an independent theater company, whether that was doing music, whether

0:31:57.880 --> 0:31:59.920
<v Speaker 3>that was I mean, I was a choreographer, I was

0:32:00.160 --> 0:32:04.880
<v Speaker 3>backup dancer, I was, you know, whether it was in school,

0:32:05.320 --> 0:32:08.520
<v Speaker 3>I was doing it in some capacity. Because when you're

0:32:08.520 --> 0:32:11.400
<v Speaker 3>doing it in some capacity, either either someone's going to

0:32:11.440 --> 0:32:14.720
<v Speaker 3>see you right, or you're going to continue to as

0:32:14.760 --> 0:32:18.600
<v Speaker 3>you your analogy sharpen, sharpen the skills, sharpen the blades,

0:32:18.760 --> 0:32:21.880
<v Speaker 3>you know, and so you know, as it equates to

0:32:22.000 --> 0:32:26.080
<v Speaker 3>now in today's age, right, whether that's like making YouTube videos,

0:32:26.120 --> 0:32:29.200
<v Speaker 3>whether that's in class, whether that's starting your own independent

0:32:29.440 --> 0:32:31.560
<v Speaker 3>theater company where you and a bunch of actors just

0:32:31.600 --> 0:32:34.520
<v Speaker 3>get together and and and put up scenes and run.

0:32:34.640 --> 0:32:39.120
<v Speaker 3>You got to continually be be tuning the instrument though, right,

0:32:39.800 --> 0:32:42.840
<v Speaker 3>and and I think that sometimes people get boggled down

0:32:43.000 --> 0:32:46.000
<v Speaker 3>by this, by this perception that the only way to

0:32:46.040 --> 0:32:49.479
<v Speaker 3>tune the instrument is to be doing it on CBS.

0:32:49.120 --> 0:32:49.640
<v Speaker 2>Right on that.

0:32:50.520 --> 0:32:54.880
<v Speaker 3>Yeah, you know that that whole uh teenage year was

0:32:54.880 --> 0:32:59.040
<v Speaker 3>was My teenage years were very formative for me. And

0:32:59.520 --> 0:33:01.080
<v Speaker 3>you know, all all of that stuff that I was

0:33:01.080 --> 0:33:04.520
<v Speaker 3>doing ultimately led me to my first agent in Chicago.

0:33:05.800 --> 0:33:11.560
<v Speaker 3>Which a fun fact, Jeff Garland's wife was my first

0:33:11.560 --> 0:33:14.560
<v Speaker 3>agent when yeah, my first real agent when I was

0:33:14.600 --> 0:33:17.880
<v Speaker 3>like fifteen, sixteen years old, okay, And it was at

0:33:17.880 --> 0:33:21.000
<v Speaker 3>this agency called Suzanne's A Plus in Chicago. And here's

0:33:21.000 --> 0:33:24.880
<v Speaker 3>another fun fact. The only other Latin person that was

0:33:24.920 --> 0:33:29.480
<v Speaker 3>at that agency was Justina Machado, who played my wife

0:33:29.520 --> 0:33:32.360
<v Speaker 3>on Six Feet Under. Yeah, and so I met Justina

0:33:32.440 --> 0:33:36.080
<v Speaker 3>when we were kids. We were like seventeen eighteen years old.

0:33:36.880 --> 0:33:41.120
<v Speaker 2>And how miraculous are they under in the same show? Crazy,

0:33:41.360 --> 0:33:42.960
<v Speaker 2>This doesn't really happen, it's crazy.

0:33:43.360 --> 0:33:46.280
<v Speaker 3>And I remember going to that agency and Marla saying,

0:33:46.560 --> 0:33:51.000
<v Speaker 3>we have another Puerto Rican here for in that case

0:33:51.040 --> 0:33:54.480
<v Speaker 3>where you two should meet, you two should beat and

0:33:55.000 --> 0:33:57.120
<v Speaker 3>you know, so we had we known each other since

0:33:57.160 --> 0:33:59.560
<v Speaker 3>we were like kids, you know, because because of that agency.

0:33:59.600 --> 0:34:03.320
<v Speaker 3>But but you know, getting an agency pounding the pavement

0:34:04.160 --> 0:34:06.880
<v Speaker 3>doing commercials all through my teenage years. I did a

0:34:06.960 --> 0:34:08.520
<v Speaker 3>Kentucky Fry chicken commercial.

0:34:08.560 --> 0:34:11.040
<v Speaker 2>I did a while you were doing this thing, what

0:34:11.200 --> 0:34:12.360
<v Speaker 2>was your job? What were you working?

0:34:12.719 --> 0:34:15.160
<v Speaker 3>I was making money on entertainment.

0:34:15.520 --> 0:34:18.200
<v Speaker 2>Oh so you were booking stuff, dude. I was booking stuff.

0:34:18.239 --> 0:34:21.600
<v Speaker 3>Man. You know, there would be productions that would come

0:34:21.640 --> 0:34:24.520
<v Speaker 3>through Chicago, right Like John Wells did a TV show

0:34:24.560 --> 0:34:28.600
<v Speaker 3>called Angels Street with Robin Gibbons and Pam Gidley. I

0:34:28.640 --> 0:34:32.800
<v Speaker 3>did an episode in nineteen ninety two ninety three. Remember

0:34:32.840 --> 0:34:35.400
<v Speaker 3>The Intouchables the movie, So they did a TV show

0:34:35.440 --> 0:34:38.880
<v Speaker 3>The Intouchables. Well, yeah, where William forsythe played the de

0:34:39.000 --> 0:34:42.959
<v Speaker 3>Niro character. I did an episode of that. You know, dude.

0:34:43.000 --> 0:34:45.840
<v Speaker 3>By the time I was my senior year of high school,

0:34:46.480 --> 0:34:49.240
<v Speaker 3>I was I was on a TV show as a regular.

0:34:49.520 --> 0:34:52.919
<v Speaker 3>I did this Saturday morning for y'all enough to remember

0:34:52.960 --> 0:34:55.160
<v Speaker 3>with Saturday morning TV shows were I did. I was

0:34:55.160 --> 0:34:58.200
<v Speaker 3>doing a Saturday morning TV show called Energy Express on

0:34:58.400 --> 0:35:03.320
<v Speaker 3>WGN in Chicago. I had a national Kentucky fry chicken commercial.

0:35:04.320 --> 0:35:06.080
<v Speaker 2>Dude, dude, that's crazy.

0:35:06.080 --> 0:35:10.160
<v Speaker 3>I was a superstar by the time it.

0:35:10.200 --> 0:35:12.000
<v Speaker 2>We used to call it a ghetto superstar. I was

0:35:12.040 --> 0:35:14.680
<v Speaker 2>a ghetto superstar, you know, by the time.

0:35:15.280 --> 0:35:17.520
<v Speaker 1>To reflect, to reflect it when you're saying, is you

0:35:17.560 --> 0:35:22.560
<v Speaker 1>think about when this audacity started for you started at thirteen.

0:35:23.239 --> 0:35:26.759
<v Speaker 1>By the age of eighteen year were already really doing it, right,

0:35:26.800 --> 0:35:28.919
<v Speaker 1>Think about like that, you know how how many years

0:35:29.000 --> 0:35:31.600
<v Speaker 1>it really takes for you to like really feel not

0:35:31.680 --> 0:35:33.520
<v Speaker 1>just the confidence, but half the hours of flying. So

0:35:33.560 --> 0:35:35.759
<v Speaker 1>to your point to your advice to young people, like

0:35:36.040 --> 0:35:38.239
<v Speaker 1>you got to do it any way you can, you know,

0:35:38.280 --> 0:35:41.280
<v Speaker 1>and nowadays people have so many more ways to perform,

0:35:41.520 --> 0:35:41.759
<v Speaker 1>you know.

0:35:41.960 --> 0:35:43.240
<v Speaker 2>They can shoot on full.

0:35:43.160 --> 0:35:46.399
<v Speaker 1>Encircling you know, and shorts on an iPhone, I mean eatery.

0:35:46.880 --> 0:35:49.960
<v Speaker 3>Like, think of how many people have done these these

0:35:50.000 --> 0:35:53.799
<v Speaker 3>shows on like YouTube that have spawned into like some

0:35:53.960 --> 0:35:57.200
<v Speaker 3>major television show. They were just doing it. You got

0:35:57.200 --> 0:35:59.520
<v Speaker 3>to do it in some way, and I was just

0:35:59.600 --> 0:36:01.640
<v Speaker 3>doing it. And because I was doing it in my

0:36:01.760 --> 0:36:04.160
<v Speaker 3>small way, it led me to an age and it

0:36:04.280 --> 0:36:07.399
<v Speaker 3>led me to a TV show, a local TV show

0:36:07.400 --> 0:36:11.200
<v Speaker 3>in Chicago, which ultimately led me to my first movie

0:36:11.200 --> 0:36:13.239
<v Speaker 3>and when I turned pro when I was when I

0:36:13.280 --> 0:36:15.480
<v Speaker 3>was nineteen, Well, our lives are.

0:36:16.600 --> 0:36:20.799
<v Speaker 1>I didn't know probably a third of that story, and

0:36:21.000 --> 0:36:24.719
<v Speaker 1>specifically the beginning of your story, which I don't know.

0:36:24.800 --> 0:36:28.359
<v Speaker 1>I reflect on the beginning of my you know, the

0:36:28.360 --> 0:36:31.440
<v Speaker 1>beginning of my of my life, you know, specifically, I.

0:36:31.480 --> 0:36:33.839
<v Speaker 3>Want to hear it, you know, I want to hear it. Yeah,

0:36:33.880 --> 0:36:35.799
<v Speaker 3>I know there's a book out. I know there's a

0:36:35.800 --> 0:36:38.480
<v Speaker 3>lot of info. I know, maybe you don't want to

0:36:38.520 --> 0:36:40.799
<v Speaker 3>divulge as much so that people actually buy the book.

0:36:40.880 --> 0:36:44.160
<v Speaker 1>No, no, no, but I want I want those egos

0:36:44.200 --> 0:36:45.640
<v Speaker 1>deserves the story.

0:36:46.200 --> 0:36:46.880
<v Speaker 2>No, I thank you.

0:36:47.000 --> 0:36:49.359
<v Speaker 1>I'm excited to share with you because I think you're

0:36:49.360 --> 0:36:51.839
<v Speaker 1>going to find so much commonality between the stuff that

0:36:52.239 --> 0:36:57.160
<v Speaker 1>we had to endure, see become, you know, and evolved into,

0:36:57.320 --> 0:36:59.200
<v Speaker 1>you know, in order to have you know, the shot

0:36:59.239 --> 0:37:02.600
<v Speaker 1>that we had. But yeah, it was nice to hear

0:37:02.880 --> 0:37:06.400
<v Speaker 1>how we connected on that level, because my story is

0:37:07.360 --> 0:37:10.239
<v Speaker 1>is quite quite similar, you know, and I don't know

0:37:10.280 --> 0:37:12.360
<v Speaker 1>how many people out there have the same similar story.

0:37:12.360 --> 0:37:15.160
<v Speaker 1>I think I think about, you know, who my grandparents were,

0:37:15.239 --> 0:37:17.680
<v Speaker 1>who my parents were, and you know, like what they

0:37:17.719 --> 0:37:19.800
<v Speaker 1>had to do in order for me to come America

0:37:19.840 --> 0:37:21.359
<v Speaker 1>so that I can learn and speaking is like all

0:37:21.400 --> 0:37:24.400
<v Speaker 1>these things like really uh fascinated me.

0:37:24.600 --> 0:37:27.120
<v Speaker 3>Wilmer, thank you so much for hearing my story. Now

0:37:27.160 --> 0:37:30.520
<v Speaker 3>I am interested in hearing your story. I mean, your

0:37:30.560 --> 0:37:34.560
<v Speaker 3>your book is wonderful again, and people know a lot

0:37:34.600 --> 0:37:36.560
<v Speaker 3>about you, and I don't want to divulge too much

0:37:36.600 --> 0:37:39.480
<v Speaker 3>so that everyone could go and buy Wimar bald Ramo's book,

0:37:39.520 --> 0:37:42.239
<v Speaker 3>But I want to hear your story, my brother, and

0:37:42.640 --> 0:37:45.440
<v Speaker 3>I know that there's a lot of similarities and commonality

0:37:45.560 --> 0:37:47.360
<v Speaker 3>and I'm just so looking forward to hearing it. So

0:37:47.719 --> 0:37:48.279
<v Speaker 3>maybe on the.

0:37:48.239 --> 0:37:50.200
<v Speaker 2>Next episode, to the next episode.

0:37:56.200 --> 0:38:00.120
<v Speaker 3>Those Amigos is a production from WV Sound and iHeart

0:38:00.160 --> 0:38:04.920
<v Speaker 3>Media's Michael Thuda podcast network, hosted by Me, Freddie Rodriguez,

0:38:05.040 --> 0:38:06.640
<v Speaker 3>and Wilmer Valdorama.

0:38:06.719 --> 0:38:11.680
<v Speaker 1>Those Amigos is produced by Aaron Burlison and Sophie Spencers Zebos.

0:38:11.960 --> 0:38:16.800
<v Speaker 3>Our executive producers are Wilmer Valderrama, Freddie Rodriguez, Aaron Burlason,

0:38:17.040 --> 0:38:19.240
<v Speaker 3>and Leo Klem at WV Sound.

0:38:19.360 --> 0:38:22.880
<v Speaker 1>This episode was edited by Ryan Posts and Aaron Burlison

0:38:23.360 --> 0:38:26.880
<v Speaker 1>and features original music by Madison Devenport and Halo boy.

0:38:26.880 --> 0:38:30.360
<v Speaker 3>Our cover art photography is by David Avalos and designed

0:38:30.360 --> 0:38:32.680
<v Speaker 3>by Deny Holtzklaw and.

0:38:32.719 --> 0:38:36.200
<v Speaker 1>Special thanks to every single interview for joining this journey

0:38:36.239 --> 0:38:37.920
<v Speaker 1>and I hope you continue to enjoy us.

0:38:38.200 --> 0:38:41.080
<v Speaker 3>For more podcasts from my Heart, visit the iHeartRadio app,

0:38:41.320 --> 0:38:44.560
<v Speaker 3>Apple Podcasts, or wherever you listen to your favorite shows.

0:38:44.840 --> 0:38:48.920
<v Speaker 1>See you or hear us in a week or so.