WEBVTT - All Hosts Comics Corner + Doctor Strange Comics Reading List & Moon Knight Ep 5

0:00:00.240 --> 0:00:04.400
<v Speaker 1>Warning. This podcast contains spoilers from Moonnight episode five, as

0:00:04.400 --> 0:00:07.560
<v Speaker 1>well as theories for Doctor Stranger of the Multiverse of Madness,

0:00:07.800 --> 0:00:11.800
<v Speaker 1>as well as some plot points from various comic book runs.

0:00:12.600 --> 0:00:14.360
<v Speaker 1>Check the show notes to see which ones that we

0:00:14.400 --> 0:00:16.840
<v Speaker 1>potentially spoil for you. If you don't want to be

0:00:16.840 --> 0:00:19.760
<v Speaker 1>spoiled by any of that stuff, read the stuff, watch

0:00:19.800 --> 0:00:38.959
<v Speaker 1>the stuff first, then come back. Hello, I name, It's

0:00:39.000 --> 0:00:42.200
<v Speaker 1>Jason Concepcion. Welcome to Expert Vision The Crooked podcast, where

0:00:42.200 --> 0:00:46.680
<v Speaker 1>we dive deep into your favorite shows, movies, comics, and

0:00:46.760 --> 0:00:51.320
<v Speaker 1>pop culture. In today's action packed episode. In the previously on,

0:00:51.440 --> 0:00:55.160
<v Speaker 1>we will talk about lots of news that is hitting

0:00:55.240 --> 0:01:00.200
<v Speaker 1>the internet waves this week, including some interesting news from

0:01:00.200 --> 0:01:04.200
<v Speaker 1>the MCU out of CinemaCon. In the Airlock, our good

0:01:04.240 --> 0:01:09.039
<v Speaker 1>friend Cody Ziggler joins us once again to talk about comics,

0:01:09.160 --> 0:01:11.960
<v Speaker 1>talk about comics in general, what we're reading, and also

0:01:12.520 --> 0:01:16.759
<v Speaker 1>get together and kind of help us brainstorm a reading

0:01:16.800 --> 0:01:20.240
<v Speaker 1>list of comics for Doctor Stranger of the Multiverse of Madness.

0:01:20.240 --> 0:01:23.679
<v Speaker 1>In our nerd out, our listener tells us about Star

0:01:23.800 --> 0:01:26.520
<v Speaker 1>Kid productions, and of course, if you want to jump around,

0:01:26.600 --> 0:01:29.040
<v Speaker 1>check out the chime stamps. In the show notes. Joining

0:01:29.040 --> 0:01:35.080
<v Speaker 1>me right now is the Walking Comics genius, the writer

0:01:35.280 --> 0:01:39.039
<v Speaker 1>of a Godzilla comic coming out soon, one of the

0:01:39.080 --> 0:01:41.319
<v Speaker 1>best to ever do it. It's Rosie night, Rosie. How

0:01:41.360 --> 0:01:42.080
<v Speaker 1>are you hello?

0:01:42.200 --> 0:01:43.080
<v Speaker 2>I'm good, I'm good.

0:01:43.080 --> 0:01:49.600
<v Speaker 1>How are you doing good? Let's get into it first

0:01:49.680 --> 0:01:56.880
<v Speaker 1>up and previously on shocking news Batman sequel greenlit I

0:01:56.920 --> 0:02:01.440
<v Speaker 1>Can't Believe, with director Matt Reeves and star Robert Pattinson

0:02:01.520 --> 0:02:05.720
<v Speaker 1>returna of Course. This announcement has been made at Simmacon,

0:02:06.320 --> 0:02:12.160
<v Speaker 1>the ongoing convention of upcoming movie properties that is going

0:02:12.200 --> 0:02:15.080
<v Speaker 1>on in Las Vegas right now. The movie, of Course,

0:02:15.120 --> 0:02:18.880
<v Speaker 1>has been a critical and commercial success, having made the

0:02:19.000 --> 0:02:21.480
<v Speaker 1>over seven hundred million dollars on the trot right now.

0:02:21.960 --> 0:02:25.679
<v Speaker 1>No surprises here, right, Rosie, No surprises here, No especially.

0:02:25.720 --> 0:02:27.720
<v Speaker 2>I think it was very well received from all different

0:02:27.760 --> 0:02:29.840
<v Speaker 2>kinds of people. People who love these movies, people who

0:02:29.880 --> 0:02:33.680
<v Speaker 2>don't love them, people who love certain iterations of the DCU,

0:02:33.760 --> 0:02:37.560
<v Speaker 2>people who love different ones. It was widely enjoyed, widely beloved.

0:02:37.760 --> 0:02:40.000
<v Speaker 2>Robert was great, Matt did a great job, and they,

0:02:40.000 --> 0:02:44.560
<v Speaker 2>obviously spoiler alert introduced a very big famous Batman antagonist.

0:02:44.680 --> 0:02:47.120
<v Speaker 2>So I think this was always meant to happen, and

0:02:47.160 --> 0:02:50.360
<v Speaker 2>then the critical and commercial love for it makes it

0:02:50.400 --> 0:02:52.600
<v Speaker 2>easy to happen. I'm excited see what happens next. I

0:02:52.639 --> 0:02:53.760
<v Speaker 2>thought that movie was so great.

0:02:53.840 --> 0:02:57.760
<v Speaker 1>Does Robert Pattins's Batman become like the Batman in a

0:02:58.200 --> 0:03:00.560
<v Speaker 1>shared DC universe or what do they do?

0:03:01.400 --> 0:03:07.799
<v Speaker 2>I think Reeve's universe acts as a year one, year two,

0:03:08.040 --> 0:03:08.959
<v Speaker 2>zero year.

0:03:08.919 --> 0:03:10.680
<v Speaker 1>Ish soft reboot.

0:03:10.800 --> 0:03:15.160
<v Speaker 2>I think that in the major DCEU stuff that we

0:03:15.200 --> 0:03:18.680
<v Speaker 2>still have going on, like for example, the Flash, which

0:03:18.720 --> 0:03:21.120
<v Speaker 2>we know we'll probably introduce a new Justice League and

0:03:21.200 --> 0:03:23.760
<v Speaker 2>kind of mainline characters, I think they're going to be

0:03:23.800 --> 0:03:26.960
<v Speaker 2>looking for something a little bit different, a little bit younger. Also,

0:03:27.000 --> 0:03:29.160
<v Speaker 2>with a Keaton returning, you could have someone like that

0:03:29.240 --> 0:03:31.400
<v Speaker 2>as your main Batman who's more of a Batman Beyond,

0:03:32.400 --> 0:03:35.840
<v Speaker 2>like era of Bruce, rather than being the actual Batman Beyond.

0:03:35.840 --> 0:03:39.760
<v Speaker 2>But so I don't know. I think Matt's vision is

0:03:39.800 --> 0:03:43.440
<v Speaker 2>so specific and unique, and I think they'll let them

0:03:43.640 --> 0:03:47.440
<v Speaker 2>have a couple more movies before it becomes too entangled

0:03:47.880 --> 0:03:49.560
<v Speaker 2>with the wider DCEU.

0:03:50.000 --> 0:03:54.840
<v Speaker 1>Next up, Kevin Faige is representing Marvel of course at Sinemacon,

0:03:55.000 --> 0:03:57.320
<v Speaker 1>and there's some interesting news out of there. First of all,

0:03:57.400 --> 0:04:01.320
<v Speaker 1>Figi told the audience that directly after the convention he's

0:04:01.360 --> 0:04:04.520
<v Speaker 1>going to a Marvel Studio's creative retreat where they will

0:04:04.520 --> 0:04:08.120
<v Speaker 1>work on the next decade of MCU work. This mirrors

0:04:08.200 --> 0:04:10.920
<v Speaker 1>the famed Marvel retreats that have been going on at

0:04:11.000 --> 0:04:14.920
<v Speaker 1>least since the two thousands in Marvel Comics Universe. No

0:04:15.000 --> 0:04:17.120
<v Speaker 1>surprise here, right, this is just kind of what you

0:04:17.120 --> 0:04:18.640
<v Speaker 1>ca Yeah.

0:04:18.040 --> 0:04:20.279
<v Speaker 2>I think it's really interesting. I think we can guess

0:04:20.320 --> 0:04:22.159
<v Speaker 2>the big hitters that they're going to be talking about.

0:04:22.160 --> 0:04:23.880
<v Speaker 2>How do you bring in the Fantastic Four, how do

0:04:23.920 --> 0:04:25.520
<v Speaker 2>you bring in the X Men, who's going to be

0:04:25.560 --> 0:04:28.400
<v Speaker 2>the next Avengers team. What I'm very interested in is

0:04:28.440 --> 0:04:31.240
<v Speaker 2>in the original iteration of the MCU, there was a

0:04:31.279 --> 0:04:34.839
<v Speaker 2>story group that included comic book creators. Yeah, and that

0:04:34.920 --> 0:04:39.240
<v Speaker 2>has since been, to our knowledge, kind of disbanded. And

0:04:39.360 --> 0:04:42.000
<v Speaker 2>I wonder if they're doing a retreat, we're going to

0:04:42.040 --> 0:04:45.479
<v Speaker 2>see some kind of story group re enlisted, whether it's

0:04:45.480 --> 0:04:48.200
<v Speaker 2>comic book creators or people from the Marvel TV shows

0:04:48.560 --> 0:04:50.560
<v Speaker 2>or a wider group of people. Because usually if you're

0:04:50.560 --> 0:04:53.720
<v Speaker 2>having a retreat, that's a brainstorming session to break this

0:04:53.760 --> 0:04:56.800
<v Speaker 2>stuff out. I think that means we could probably be

0:04:56.920 --> 0:05:00.320
<v Speaker 2>getting a Marvel likes to do those big days. They

0:05:00.400 --> 0:05:02.080
<v Speaker 2>used to do them at the Al Capitan, Whew, they

0:05:02.120 --> 0:05:04.039
<v Speaker 2>announced them. Now they do them as these kind of

0:05:04.080 --> 0:05:08.040
<v Speaker 2>Disney preview days where they tease stuff. I think we

0:05:08.080 --> 0:05:09.920
<v Speaker 2>could be get in one of those in the next

0:05:09.920 --> 0:05:11.839
<v Speaker 2>few months if this retreat is happening.

0:05:12.440 --> 0:05:18.599
<v Speaker 1>Some footage was apparently showed to the gathered throngs of Sizzle,

0:05:18.640 --> 0:05:22.240
<v Speaker 1>real footage that has been described as it's unclear if

0:05:22.240 --> 0:05:26.799
<v Speaker 1>it's like a still or a few seconds of video,

0:05:26.800 --> 0:05:33.200
<v Speaker 1>but it's been described as Nakia, Shuri and Okoye involved

0:05:33.360 --> 0:05:37.200
<v Speaker 1>in some kind of big battle, So that is very exciting.

0:05:38.000 --> 0:05:42.200
<v Speaker 1>Marvel Studio's president, Kevin Faigie also promised that Ryan Cooler

0:05:42.279 --> 0:05:45.920
<v Speaker 1>is working very hard on the sequel. No no surprise there.

0:05:46.920 --> 0:05:51.599
<v Speaker 1>And of course around this movie, there have been rumors

0:05:51.640 --> 0:05:55.680
<v Speaker 1>swirling for a while that we will we will be

0:05:55.720 --> 0:06:00.920
<v Speaker 1>introduced to some Marvel comics mainstays, probably Liner among them

0:06:01.000 --> 0:06:03.960
<v Speaker 1>is nay More, the leader of Atlantis, King of Atlantis,

0:06:04.240 --> 0:06:08.200
<v Speaker 1>and then of course Rary Williams, the genius of the

0:06:08.240 --> 0:06:12.320
<v Speaker 1>Marvel universe, also known as Ironheart, who will also be

0:06:12.360 --> 0:06:16.560
<v Speaker 1>appearing her own Disney Plus series these are. That's unconfirmed,

0:06:16.960 --> 0:06:19.919
<v Speaker 1>but that's stuff people have been talking about for a while,

0:06:20.320 --> 0:06:21.880
<v Speaker 1>much in the same way that they were talking about

0:06:21.880 --> 0:06:24.960
<v Speaker 1>the Illuminati for months and months and months before. It

0:06:25.040 --> 0:06:29.000
<v Speaker 1>was very hard confirmed by the recent Doctor Strange trailer

0:06:30.160 --> 0:06:33.200
<v Speaker 1>and speaking of Doctor Strange, Doctor Strange band in Saudi

0:06:33.200 --> 0:06:39.400
<v Speaker 1>Arabia over Disney's decision to not cut about twelve seconds

0:06:39.640 --> 0:06:42.680
<v Speaker 1>apparently this is reported by the Guardian twelve seconds from

0:06:42.720 --> 0:06:49.120
<v Speaker 1>the film that Deal with America Chavez played by the

0:06:49.160 --> 0:06:55.760
<v Speaker 1>actor so Shiel Gomez, in which America is discussing her

0:06:55.839 --> 0:07:00.760
<v Speaker 1>two moms. So, I guess shouts to Disney for deciding

0:07:00.800 --> 0:07:02.440
<v Speaker 1>not to cut. That not a big deal.

0:07:02.560 --> 0:07:04.640
<v Speaker 2>So that's probably the only gay thing in the movie,

0:07:04.680 --> 0:07:06.800
<v Speaker 2>So prepare yourself. If that was what they asked to

0:07:06.839 --> 0:07:09.200
<v Speaker 2>be cut, that's probably the extension.

0:07:09.200 --> 0:07:11.480
<v Speaker 1>I think we will all probably be surprised at how

0:07:11.520 --> 0:07:15.720
<v Speaker 1>mild it is. And that is Yeah, go ahead.

0:07:16.480 --> 0:07:18.680
<v Speaker 2>It makes sense with her comic book canon, she has

0:07:18.760 --> 0:07:21.400
<v Speaker 2>Quinn Mom's utopian parallels very gay, so it's nice to

0:07:21.400 --> 0:07:24.760
<v Speaker 2>know that they're sticking to that. Yeah, I'm intrigued. Good

0:07:24.800 --> 0:07:26.800
<v Speaker 2>to see little things like refusing the cut like this

0:07:27.280 --> 0:07:29.680
<v Speaker 2>I hope there's something more, but we shall see.

0:07:30.400 --> 0:07:33.480
<v Speaker 1>And then finally new Doctor Strange trailer, probably the last

0:07:34.200 --> 0:07:37.200
<v Speaker 1>New Doctor Strange stuff we're going to see, considering the

0:07:37.240 --> 0:07:40.680
<v Speaker 1>movie comes out May sixth, and you know, it's a

0:07:40.720 --> 0:07:44.680
<v Speaker 1>mishmash of cuts that we've already seen. But the important

0:07:44.680 --> 0:07:48.600
<v Speaker 1>thing is we hear the word Illuminati spoken in this

0:07:48.800 --> 0:07:52.440
<v Speaker 1>by Baron Morto, leading us to question a lot of things,

0:07:52.480 --> 0:07:56.040
<v Speaker 1>including like, man, how did Morto get get his like

0:07:56.560 --> 0:08:00.800
<v Speaker 1>ticket punched to club Illuminati before Steven Strange? Very interesting?

0:08:01.200 --> 0:08:03.760
<v Speaker 2>Yeah, I mean, is it our universe? Is Mordo? Is

0:08:03.760 --> 0:08:05.840
<v Speaker 2>this a Mordo who was the Soorcers Supreme in a

0:08:05.880 --> 0:08:10.240
<v Speaker 2>different universe? Is this a Mordo who has been enlisted

0:08:10.640 --> 0:08:13.840
<v Speaker 2>by the Illuminati because for some reason they couldn't trust

0:08:13.920 --> 0:08:16.520
<v Speaker 2>Strange and they needed someone to kind of be a counterpart.

0:08:16.880 --> 0:08:20.360
<v Speaker 2>Is it a Baron Mordo who they need him to

0:08:20.480 --> 0:08:25.000
<v Speaker 2>have more of that complex gray moral compass. Yeah, to

0:08:25.080 --> 0:08:28.200
<v Speaker 2>do things that maybe Stephen wouldn't do. It's very interesting,

0:08:28.240 --> 0:08:31.320
<v Speaker 2>and I think it is. I can't work out if

0:08:31.320 --> 0:08:34.719
<v Speaker 2>it's a massive reveal or a massive mysdirect that they

0:08:34.800 --> 0:08:37.960
<v Speaker 2>mention it. I'm like, what does this mean? For the Illuminati.

0:08:38.040 --> 0:08:39.840
<v Speaker 2>Are they going to be a key part? Is this?

0:08:40.440 --> 0:08:42.920
<v Speaker 2>Do they know people are excited? I it was. It

0:08:42.960 --> 0:08:43.760
<v Speaker 2>got me excited.

0:08:43.800 --> 0:08:48.960
<v Speaker 1>So what I am extremely excited and my my gut

0:08:49.080 --> 0:08:51.920
<v Speaker 1>feeling tells me that they're going to be like one

0:08:52.040 --> 0:08:55.120
<v Speaker 1>scene and that's right. You know it's gonna be like

0:08:55.559 --> 0:08:56.480
<v Speaker 1>the name.

0:08:56.720 --> 0:08:58.920
<v Speaker 2>Yeah, as soon as they said the name, I was like,

0:09:00.200 --> 0:09:02.800
<v Speaker 2>that feels like we're going to see them for maybe

0:09:02.880 --> 0:09:04.559
<v Speaker 2>one scene, but I'll be happy.

0:09:04.320 --> 0:09:04.640
<v Speaker 3>With the ones.

0:09:04.880 --> 0:09:06.960
<v Speaker 1>I will be very very happy. Listen, if we see

0:09:07.000 --> 0:09:10.439
<v Speaker 1>Patrick Stewart in that little shiny head of his as

0:09:10.520 --> 0:09:13.120
<v Speaker 1>Charles Xavier up on that little Illuminati stage, I will

0:09:13.160 --> 0:09:14.679
<v Speaker 1>be very very excited. Okay, dude.

0:09:14.720 --> 0:09:18.080
<v Speaker 2>The way that people responded in the theater when like,

0:09:18.920 --> 0:09:21.520
<v Speaker 2>you know, we saw Charlie Cox as Daredevil or we

0:09:21.640 --> 0:09:24.640
<v Speaker 2>saw you know, the Spider Man come back, there's no

0:09:25.080 --> 0:09:27.320
<v Speaker 2>like if it's gonna be Charles, that's gonna be ten

0:09:27.400 --> 0:09:30.280
<v Speaker 2>thousand times louder in that theater and I cannot wait.

0:09:30.360 --> 0:09:34.640
<v Speaker 1>It's gonna go absolutely crazy. Okay, and by the way,

0:09:34.720 --> 0:09:37.240
<v Speaker 1>stay tuned X Revision for more Doctor Strange to the

0:09:37.320 --> 0:09:43.559
<v Speaker 1>Multiverse Menace coverage. Okay, let's recap Moonnight, Episode five Asylum,

0:09:43.960 --> 0:09:47.760
<v Speaker 1>directed by Mohammed Diab, written by Rebecca Kersh and Matthew Orton.

0:09:48.080 --> 0:09:53.640
<v Speaker 1>This was a just in terms of like performances. This

0:09:53.720 --> 0:09:57.360
<v Speaker 1>is a tour de force for Oscar Isaac. We pick

0:09:57.440 --> 0:09:59.520
<v Speaker 1>up right at the end of episode four, where Mark

0:09:59.520 --> 0:10:01.920
<v Speaker 1>and Stephen On themselves face to face with the Egyptian

0:10:02.600 --> 0:10:06.839
<v Speaker 1>god Tarowett, a hippo deity. The hippodity having said oh

0:10:06.960 --> 0:10:10.640
<v Speaker 1>hi to the two men Stephen and Mark, who are

0:10:10.679 --> 0:10:14.120
<v Speaker 1>of course the same band, leading them to scream, leading

0:10:14.160 --> 0:10:16.800
<v Speaker 1>the hippo to scream, and we pick up right after

0:10:16.840 --> 0:10:22.280
<v Speaker 1>that only Mark is back in Arthur Harrow's office, and

0:10:24.120 --> 0:10:26.839
<v Speaker 1>right before that we have these little flashes of what

0:10:26.880 --> 0:10:29.880
<v Speaker 1>we take to be like memories. Right we have a

0:10:29.960 --> 0:10:32.480
<v Speaker 1>child screaming in a dark place somewhere. We hear a

0:10:32.559 --> 0:10:34.520
<v Speaker 1>woman saying this is all your fault. And then Mark

0:10:34.559 --> 0:10:38.960
<v Speaker 1>finds himself back in Arthur's office. Arthur mentions and Mark,

0:10:38.960 --> 0:10:42.160
<v Speaker 1>You're in a mental hospital in Chicago and your mind,

0:10:42.600 --> 0:10:44.920
<v Speaker 1>your reason, your hero is because your mind keeps whips

0:10:45.000 --> 0:10:48.640
<v Speaker 1>on between these disconnected fantasies that you have created or

0:10:48.720 --> 0:10:51.120
<v Speaker 1>to deal with some kind of trauma. Let's get to

0:10:51.160 --> 0:10:54.040
<v Speaker 1>the center of what that trauma is, Mark, You're ready,

0:10:54.040 --> 0:10:56.240
<v Speaker 1>And Mark's like, I don't know, because I don't believe

0:10:56.240 --> 0:10:58.200
<v Speaker 1>that you're a real doctor. I think you're Arthur Harrow,

0:10:58.320 --> 0:11:03.560
<v Speaker 1>the genocidalmaniac who's trying to wake Amet. Arthur asks Mark

0:11:03.760 --> 0:11:05.960
<v Speaker 1>to like, okay, so how did you get here? Do

0:11:05.960 --> 0:11:08.959
<v Speaker 1>you remember that? And Mark admits, which I think is

0:11:09.000 --> 0:11:10.800
<v Speaker 1>a big step for him, that you listen, things are

0:11:10.800 --> 0:11:16.640
<v Speaker 1>happening that are completely nonsensical and I don't necessarily know

0:11:16.679 --> 0:11:19.240
<v Speaker 1>how to put all the pieces together. Arthur wants Mark

0:11:19.880 --> 0:11:22.599
<v Speaker 1>to talk more about the little boy that he was

0:11:22.640 --> 0:11:26.600
<v Speaker 1>apparently mentioning before we pick up the scene and before

0:11:26.679 --> 0:11:31.200
<v Speaker 1>the hippo character diverted him. Mark grows violent. He like

0:11:31.400 --> 0:11:35.320
<v Speaker 1>tries to fight with some orderlies. The orderlies managed to

0:11:35.360 --> 0:11:37.439
<v Speaker 1>stick a needle in his neck, and next thing you know,

0:11:37.480 --> 0:11:40.680
<v Speaker 1>he's back in front of Taroette with Stephen, and Tarowett

0:11:40.720 --> 0:11:43.640
<v Speaker 1>asks Steven and Mark, you know, it's like, Mark, al

0:11:43.800 --> 0:11:48.080
<v Speaker 1>is this intense? Tarowit then tells the two guess what, surprise,

0:11:48.520 --> 0:11:51.600
<v Speaker 1>You're dead. Both of you our dead. This is now

0:11:52.440 --> 0:11:58.720
<v Speaker 1>a second real like interaction with people in a post

0:11:58.840 --> 0:12:02.240
<v Speaker 1>life plane. The ancestry plane from Black Panther being the

0:12:02.240 --> 0:12:06.319
<v Speaker 1>first time, but this is like our first extended time

0:12:06.559 --> 0:12:10.480
<v Speaker 1>since then at in a world that is post life,

0:12:10.760 --> 0:12:15.360
<v Speaker 1>leading to a question of like, when do we see someone?

0:12:15.679 --> 0:12:17.839
<v Speaker 1>When do we see someone resurrected? Because it's going to happen.

0:12:17.960 --> 0:12:20.400
<v Speaker 1>I mean, it arguably is going to happen right here,

0:12:21.200 --> 0:12:24.040
<v Speaker 1>but I wonder if it happens with a major character

0:12:24.080 --> 0:12:26.040
<v Speaker 1>at some point. Rosie. Of course, like our character, our

0:12:26.040 --> 0:12:29.040
<v Speaker 1>friends in these stories have died and come back many

0:12:29.080 --> 0:12:31.200
<v Speaker 1>many times in the comics, I wonder when it happens

0:12:31.280 --> 0:12:32.120
<v Speaker 1>in the main movies.

0:12:32.600 --> 0:12:34.200
<v Speaker 2>I think we're close to it, and I think that

0:12:34.320 --> 0:12:37.640
<v Speaker 2>this episode specifically leans into that because, as we'll get

0:12:37.640 --> 0:12:40.160
<v Speaker 2>to in a bit, we meet Mark's brother and the

0:12:40.240 --> 0:12:42.319
<v Speaker 2>version that we see of him here is very different.

0:12:42.360 --> 0:12:44.000
<v Speaker 2>But in the comics, that is a character who has

0:12:44.040 --> 0:12:47.520
<v Speaker 2>died and been resurrected, and the idea of resurrection and

0:12:47.559 --> 0:12:50.480
<v Speaker 2>the kind of shadow of it over this episode is

0:12:51.120 --> 0:12:52.880
<v Speaker 2>really there. So I think that could be something we

0:12:52.920 --> 0:12:55.840
<v Speaker 2>see in Doctor Strange. We've seen versions of it and

0:12:55.920 --> 0:12:58.840
<v Speaker 2>what if with the zombies. So yeah, it feels like

0:12:58.920 --> 0:13:03.600
<v Speaker 2>they're bringing in these multiple levels of existent some past

0:13:03.679 --> 0:13:05.600
<v Speaker 2>life in a way that's going to play into the

0:13:05.600 --> 0:13:06.600
<v Speaker 2>future of the MCU.

0:13:07.040 --> 0:13:12.440
<v Speaker 1>Tarott then welcomes them to do at this place where

0:13:12.600 --> 0:13:15.760
<v Speaker 1>souls begin their journey to the afterlife. It is one

0:13:15.800 --> 0:13:19.080
<v Speaker 1>of many places such places, Tarrowett mentions, much like the

0:13:19.120 --> 0:13:23.400
<v Speaker 1>ancestral plane, and the reason they perceive this place as

0:13:23.440 --> 0:13:26.640
<v Speaker 1>a mental hospital is because their minds, their human minds

0:13:26.679 --> 0:13:32.200
<v Speaker 1>can't possibly make sense of where they are the shades

0:13:32.240 --> 0:13:37.360
<v Speaker 1>of Shades of Harry Potter book seven, but like you

0:13:37.559 --> 0:13:40.360
<v Speaker 1>can't possibly understand where they are. Therefore they're making it

0:13:40.360 --> 0:13:42.600
<v Speaker 1>into a place that makes sense to them. Thus the

0:13:42.640 --> 0:13:45.880
<v Speaker 1>hospital Mark then is like, I can't deal with this.

0:13:46.000 --> 0:13:48.560
<v Speaker 1>I'm gonna I'm out of here. He throws open a

0:13:48.559 --> 0:13:50.840
<v Speaker 1>pair of doors, and he finds himself on the deck

0:13:50.880 --> 0:13:53.960
<v Speaker 1>of this huge ship that is sailing across the sands

0:13:54.000 --> 0:13:56.800
<v Speaker 1>of the underworld, and they're on their way to ru

0:13:56.920 --> 0:14:02.000
<v Speaker 1>which is like the eternal paradise field of reeds. Tarawett says.

0:14:02.040 --> 0:14:04.720
<v Speaker 1>She reaches into their chests and pulls out these little

0:14:04.840 --> 0:14:09.080
<v Speaker 1>ivory hearts stone hearts, which she will then weigh in

0:14:09.200 --> 0:14:11.439
<v Speaker 1>order to see if they're balanced, if the things that

0:14:11.480 --> 0:14:15.600
<v Speaker 1>they've done throughout their lives have led to their deeds

0:14:15.640 --> 0:14:17.880
<v Speaker 1>being balanced, and thus they are able to be admitted

0:14:17.920 --> 0:14:21.720
<v Speaker 1>into the Field of Reeds. And if they're not found worthy,

0:14:22.080 --> 0:14:25.120
<v Speaker 1>no big deal. They're just thrown over the side into

0:14:25.160 --> 0:14:28.520
<v Speaker 1>the sands where they are like torn apart by the

0:14:28.640 --> 0:14:32.520
<v Speaker 1>other unworthy souls who lurk there in the underworld. So

0:14:32.640 --> 0:14:37.120
<v Speaker 1>not a big deal. But here's a problem. The hearts

0:14:37.160 --> 0:14:40.800
<v Speaker 1>that Tarawet removed because they're from one person who has

0:14:40.920 --> 0:14:45.520
<v Speaker 1>been split somehow, broken somehow, they're not whole, and thus

0:14:46.000 --> 0:14:48.920
<v Speaker 1>Stephen and Mark can't get into the underworld. Steven and

0:14:48.960 --> 0:14:53.000
<v Speaker 1>Mark need to reunite their fractured pieces of soul, pieces

0:14:53.040 --> 0:14:55.360
<v Speaker 1>of heart, and balance the scales before they arrive at

0:14:55.360 --> 0:14:59.160
<v Speaker 1>the Field of Reeds. Quick note, this little line from

0:14:59.200 --> 0:15:02.840
<v Speaker 1>Tarawt was a rate. Okay, here's the mission for the

0:15:02.880 --> 0:15:05.520
<v Speaker 1>rest of the episode, like it's it's like it was

0:15:05.560 --> 0:15:10.960
<v Speaker 1>a great here's what they're doing line. If they fail again,

0:15:10.960 --> 0:15:13.520
<v Speaker 1>no big deal, their souls will just simply be destroyed.

0:15:16.040 --> 0:15:19.320
<v Speaker 1>Good news. Everything that they have ever experienced is on

0:15:19.400 --> 0:15:21.120
<v Speaker 1>the ship, all their memories are on their ship. So

0:15:21.160 --> 0:15:24.480
<v Speaker 1>it's time to go back inside this faux mental hospital

0:15:24.480 --> 0:15:28.840
<v Speaker 1>and just like learn about each other. Mark is very resistant.

0:15:29.080 --> 0:15:31.960
<v Speaker 1>He doesn't want to do this. He and Stephen are

0:15:32.000 --> 0:15:34.160
<v Speaker 1>discussing it, and Steven's like, no, I think we should

0:15:34.200 --> 0:15:35.680
<v Speaker 1>do this is a good idea, Like we need to

0:15:35.680 --> 0:15:39.880
<v Speaker 1>find out like with the secrets that you're hiding are,

0:15:40.080 --> 0:15:42.480
<v Speaker 1>with the secrets you buried are And Mark is like,

0:15:42.520 --> 0:15:45.480
<v Speaker 1>I don't know what if we like like attack Tarouet,

0:15:45.880 --> 0:15:48.120
<v Speaker 1>the Egyptian god of women and children, and maybe like

0:15:48.160 --> 0:15:51.720
<v Speaker 1>tire her up and take take the ship. Mark, classic mom,

0:15:51.960 --> 0:15:56.560
<v Speaker 1>classic Mark, No, don't do that. Steven says, no, We're

0:15:56.560 --> 0:15:58.080
<v Speaker 1>not gonna do that. We're gonna do what she says.

0:15:58.120 --> 0:16:00.480
<v Speaker 1>And then he then sees like a strange through a

0:16:00.480 --> 0:16:03.480
<v Speaker 1>window and door he scenes Moonnight in action kicking ass

0:16:03.480 --> 0:16:06.560
<v Speaker 1>and through another window he uh. They see Stephen and

0:16:06.640 --> 0:16:10.560
<v Speaker 1>Kanshu turning back the stars as Leilah watches. Then they

0:16:10.600 --> 0:16:14.840
<v Speaker 1>hear the boy again in some kind of terror. Uh.

0:16:14.960 --> 0:16:18.560
<v Speaker 1>They enter a cafeteria that is filled with dead bodies

0:16:18.680 --> 0:16:21.640
<v Speaker 1>and these apparently are all the people that Mark has

0:16:21.720 --> 0:16:25.000
<v Speaker 1>killed over the course of his of his service, well

0:16:25.040 --> 0:16:27.520
<v Speaker 1>of the course of his life, including his service to Kanshu.

0:16:27.520 --> 0:16:30.080
<v Speaker 1>And guess what, it's a lot of people, folks, It's

0:16:30.080 --> 0:16:30.360
<v Speaker 1>a cat.

0:16:30.440 --> 0:16:32.920
<v Speaker 2>He killed a lot of people, and let's let's keep

0:16:32.920 --> 0:16:34.840
<v Speaker 2>that in mind, because I have some thoughts about the

0:16:34.960 --> 0:16:37.160
<v Speaker 2>end of this episode. So let's keep in mind how

0:16:37.200 --> 0:16:38.720
<v Speaker 2>many people Marks back to killed.

0:16:38.840 --> 0:16:42.880
<v Speaker 1>It's even marked. It's a cafeteria worth of people, like

0:16:42.920 --> 0:16:47.640
<v Speaker 1>it's legitimately a full cafeteria people. Mark insists, Listen, these

0:16:47.640 --> 0:16:51.400
<v Speaker 1>were bad folks, as far as I know, bad people

0:16:51.480 --> 0:16:55.440
<v Speaker 1>Marked by the vengeance of Kanshu were notably leaving out

0:16:55.480 --> 0:16:58.920
<v Speaker 1>any of the people he killed as a mercenary. Okay uh.

0:16:59.120 --> 0:17:04.400
<v Speaker 1>But interesting fact, once this detail about Mark has been revealed,

0:17:04.440 --> 0:17:07.320
<v Speaker 1>the scales, which had been kind of like going back

0:17:07.400 --> 0:17:10.760
<v Speaker 1>and forth unbalanced, are now beginning to slow. This process

0:17:10.800 --> 0:17:14.360
<v Speaker 1>of revealing, of working through these past memories is working.

0:17:15.800 --> 0:17:18.640
<v Speaker 1>The child that they've been hearing now appears in the room.

0:17:19.240 --> 0:17:21.879
<v Speaker 1>Stephen goes after him. Mark is like, don't do that,

0:17:22.359 --> 0:17:26.320
<v Speaker 1>and Stephen looks in a room of Mark's memories and

0:17:26.680 --> 0:17:30.239
<v Speaker 1>discovers Mark. This boy is Mark as a boy, and

0:17:30.280 --> 0:17:32.359
<v Speaker 1>we see Mark as a boy with his parents and

0:17:32.400 --> 0:17:35.360
<v Speaker 1>his little brother. Mark's mom is telling Mark, listen, you've

0:17:35.359 --> 0:17:37.840
<v Speaker 1>got young Mark. You've got to watch over your little brother.

0:17:37.880 --> 0:17:40.399
<v Speaker 1>That's your job. That is your responsibility. The boys then

0:17:40.440 --> 0:17:43.760
<v Speaker 1>go off through the woods down into a cave which

0:17:43.760 --> 0:17:48.120
<v Speaker 1>they are looking to explore, and a rainstorm, A flash

0:17:48.200 --> 0:17:52.920
<v Speaker 1>thunderstorm happens and the cave quickly fills with water, flooding

0:17:53.600 --> 0:17:58.160
<v Speaker 1>and Mark's brother dies. Our Mark then enters a memory

0:17:58.280 --> 0:18:03.320
<v Speaker 1>of his family sitting shim brother. Mark's mom, Wendy, blames

0:18:03.320 --> 0:18:05.679
<v Speaker 1>the death explicitly on Mark, like straight up is like

0:18:05.760 --> 0:18:11.160
<v Speaker 1>that's your act, which is fucked up. Mark's father remains

0:18:11.200 --> 0:18:14.680
<v Speaker 1>over the course of time, we would surmise close to Mark,

0:18:14.720 --> 0:18:19.440
<v Speaker 1>but his mother is increasingly hateful, clearly depressed and vengeful,

0:18:19.600 --> 0:18:22.600
<v Speaker 1>lashing out all the time. We see young Mark flee

0:18:22.640 --> 0:18:24.760
<v Speaker 1>into his bedroom. Stephen tries to go and see what's

0:18:24.800 --> 0:18:27.520
<v Speaker 1>gonna go on there, but Mark won't let him go

0:18:27.600 --> 0:18:30.720
<v Speaker 1>see it. We get another memory of younger Mark, teenage

0:18:30.720 --> 0:18:34.040
<v Speaker 1>Mark now leaving home with his father insisting, listen, your

0:18:34.040 --> 0:18:36.919
<v Speaker 1>mother's gonna get help. I know that she's in a

0:18:36.920 --> 0:18:39.520
<v Speaker 1>bad way right now, very toxic, but like she's gonna

0:18:39.520 --> 0:18:43.399
<v Speaker 1>get help, you shouldn't leave. Mark then takes Stephen away

0:18:43.400 --> 0:18:45.520
<v Speaker 1>from this memory. They end up in an even more

0:18:45.600 --> 0:18:49.240
<v Speaker 1>troubling memory. Dead bodies in the desert at night in

0:18:49.320 --> 0:18:50.960
<v Speaker 1>front of the tomb of kan Chu, and this, of

0:18:51.000 --> 0:18:53.760
<v Speaker 1>course is the Faithful Knight from Mark's Mercenary Days where

0:18:53.800 --> 0:18:57.399
<v Speaker 1>he first makes the acquaintance of Kanchu. One of the

0:18:57.440 --> 0:19:02.919
<v Speaker 1>dead there laying under the moon is Laylah's dad. Whoops,

0:19:02.960 --> 0:19:05.880
<v Speaker 1>Mark grievously wounded as preparing to take his own knife,

0:19:05.880 --> 0:19:08.840
<v Speaker 1>and then here's the voice of Kanchu and kan She's like, hey,

0:19:09.240 --> 0:19:13.119
<v Speaker 1>uh wow, you're a really fucked up person with a

0:19:13.160 --> 0:19:18.200
<v Speaker 1>lot of problems, and I'm sensing, you know, a fractured psyche.

0:19:18.760 --> 0:19:21.520
<v Speaker 1>You're perfect. You're perfect for what I have in mind,

0:19:21.560 --> 0:19:24.920
<v Speaker 1>which is you are my hands, my eyes, my vengeance,

0:19:24.960 --> 0:19:28.879
<v Speaker 1>my final word against evildoers on Earth. Uh so that's

0:19:28.920 --> 0:19:32.640
<v Speaker 1>the deal you serve me on Earth. I heal you,

0:19:32.640 --> 0:19:35.720
<v Speaker 1>you go out and kill people for me, or you

0:19:35.760 --> 0:19:40.600
<v Speaker 1>die right here. And so Mark takes a deal. Kan Hu. Uh,

0:19:42.000 --> 0:19:44.800
<v Speaker 1>you know, clearly a very exploitive person. Stephen points this

0:19:44.880 --> 0:19:47.840
<v Speaker 1>out to Mark, like Kanchu was an asshole, like kan

0:19:47.920 --> 0:19:52.880
<v Speaker 1>Chu saw a mentally ill person who was bad and

0:19:53.040 --> 0:19:55.800
<v Speaker 1>decided I can exploit this person. And yes, Mark says

0:19:55.840 --> 0:19:57.560
<v Speaker 1>he did that, but he also kept us alive. And

0:19:57.560 --> 0:20:01.280
<v Speaker 1>then suddenly the scales are balanced. Outside in the duot,

0:20:01.320 --> 0:20:03.760
<v Speaker 1>a storm is brewding. They go back up to the

0:20:04.320 --> 0:20:06.119
<v Speaker 1>deck of the ship and Taro d is like, you

0:20:06.160 --> 0:20:08.720
<v Speaker 1>see all these purple things raining from the sky. Guess

0:20:08.720 --> 0:20:11.520
<v Speaker 1>what that is? That's people that Haro is killing up

0:20:11.560 --> 0:20:15.040
<v Speaker 1>in the real world, just as he promised to do.

0:20:15.760 --> 0:20:18.120
<v Speaker 1>Mark and Stephen then asked Tarawett, okay, send us back,

0:20:18.600 --> 0:20:21.600
<v Speaker 1>like we can stop him, like send us back to life.

0:20:22.800 --> 0:20:25.359
<v Speaker 1>And before you do that, get a message to Laila

0:20:25.480 --> 0:20:29.159
<v Speaker 1>to free Kanshu so that you know, like when we

0:20:29.240 --> 0:20:33.800
<v Speaker 1>go back into a body filled with bullets, Kanshu can

0:20:33.880 --> 0:20:35.880
<v Speaker 1>put the suit on us and heal us and we'll

0:20:35.920 --> 0:20:37.960
<v Speaker 1>come back and we can and we can fight Arthur Harrow.

0:20:38.880 --> 0:20:42.840
<v Speaker 1>Taro d is like, that's a bad idea because you

0:20:42.920 --> 0:20:45.159
<v Speaker 1>were both just coming to the place where you realize

0:20:45.200 --> 0:20:47.280
<v Speaker 1>that Kanhu is like bad for you, like Kadju's like

0:20:47.280 --> 0:20:51.600
<v Speaker 1>a bad person to be involved with. But okay, like

0:20:51.680 --> 0:20:53.840
<v Speaker 1>I guess what choice do we have. She turns the

0:20:53.840 --> 0:20:57.000
<v Speaker 1>boat around. Stephen wants to go back into that bedroom memory.

0:20:57.000 --> 0:21:00.159
<v Speaker 1>Mark resists. Stephen says, listen, if all these people die,

0:21:00.200 --> 0:21:02.240
<v Speaker 1>because you won't let me see this memory, that's going

0:21:02.320 --> 0:21:04.440
<v Speaker 1>to be your fault. If Layla dies, it's going to

0:21:04.480 --> 0:21:05.800
<v Speaker 1>be your fault. All that stuff is going to be

0:21:05.840 --> 0:21:07.840
<v Speaker 1>your fault. Now, of course, this is exactly the same

0:21:07.880 --> 0:21:13.239
<v Speaker 1>thing that his mother, Mark's mother said to him, and

0:21:13.280 --> 0:21:16.880
<v Speaker 1>that was kind of the beginning of this traumatic break,

0:21:17.400 --> 0:21:21.000
<v Speaker 1>and it causes Mark to just crumble. He shatters. He

0:21:21.040 --> 0:21:24.080
<v Speaker 1>finds himself back in Arthur Harrow's office. Arthur raises the

0:21:24.119 --> 0:21:27.640
<v Speaker 1>possibility that Stephen was created by Mark to hide trauma,

0:21:28.200 --> 0:21:29.120
<v Speaker 1>which turns out to be.

0:21:29.119 --> 0:21:29.720
<v Speaker 3>Very very right.

0:21:30.080 --> 0:21:32.480
<v Speaker 1>Haro wants Mark to open up to Steven so that

0:21:32.560 --> 0:21:35.719
<v Speaker 1>Stephen can understand the things that Mark is hiding from Stephen,

0:21:35.880 --> 0:21:39.040
<v Speaker 1>that Mark created Stephen to hide from himself. We go

0:21:39.080 --> 0:21:42.639
<v Speaker 1>to the room Mark's childhood room, and in there we

0:21:42.720 --> 0:21:48.520
<v Speaker 1>see an appalling scene Mark's mom abusing him physically. Stephen

0:21:48.600 --> 0:21:53.160
<v Speaker 1>is a Paul discovered that not only this terribly troubling,

0:21:53.359 --> 0:21:56.159
<v Speaker 1>violent scene, but also that he kind of doesn't exist,

0:21:56.240 --> 0:21:59.840
<v Speaker 1>like he's not a quote unquote real person. He is

0:21:59.880 --> 0:22:04.640
<v Speaker 1>a creation of Mark, created specifically to hide this trauma.

0:22:05.440 --> 0:22:07.960
<v Speaker 1>And then now Stephen finds himself in Harrow's office. Haro

0:22:08.080 --> 0:22:11.000
<v Speaker 1>wants to call Steven's mother on the phone to discuss

0:22:11.040 --> 0:22:14.600
<v Speaker 1>this situation and Steven's like, ah, don't do that. Haro

0:22:14.680 --> 0:22:17.080
<v Speaker 1>then gets her on the phone and he's talking to her.

0:22:17.080 --> 0:22:21.199
<v Speaker 1>Stephen realizes, wait, that can't be because Mark's mother is

0:22:21.280 --> 0:22:25.960
<v Speaker 1>my mother, and Mark's mother is dead. Therefore she is dead. Therefore,

0:22:26.000 --> 0:22:28.560
<v Speaker 1>all of my memories of having a great relationship with

0:22:28.600 --> 0:22:30.280
<v Speaker 1>my mom and all these phone calls I was having

0:22:30.280 --> 0:22:32.560
<v Speaker 1>with her from the museum and from my apartment, those

0:22:32.600 --> 0:22:35.760
<v Speaker 1>are all fake. That's not real. We see then the

0:22:35.800 --> 0:22:39.400
<v Speaker 1>memory of Mark at his outside his mother's shiva. They

0:22:39.400 --> 0:22:42.480
<v Speaker 1>see the moment that Stephen took over from Mark outside

0:22:43.680 --> 0:22:47.119
<v Speaker 1>outside the shiva, and this is apparently only two months prior,

0:22:47.160 --> 0:22:50.680
<v Speaker 1>which is wild. Stephen then lets Mark know that their

0:22:50.720 --> 0:22:54.320
<v Speaker 1>brother's death was not his fault. And back on the ship,

0:22:54.320 --> 0:22:57.240
<v Speaker 1>the unbalanced souls of the duot begin to climb onto

0:22:57.240 --> 0:23:01.360
<v Speaker 1>the deck. Mark and Stephen fight that you fight together,

0:23:02.240 --> 0:23:06.639
<v Speaker 1>but in the end Stephen falls overboard and Mark's creation dies,

0:23:07.359 --> 0:23:12.760
<v Speaker 1>thus balancing the scales, and Mark enters the field of reeds.

0:23:13.800 --> 0:23:16.640
<v Speaker 1>Cue the credits, Rosie, your thoughts.

0:23:17.400 --> 0:23:22.160
<v Speaker 2>Okay, So these making shows about this stuff is very complex,

0:23:22.600 --> 0:23:24.320
<v Speaker 2>and sometimes it's going to be for some people, and

0:23:24.359 --> 0:23:27.560
<v Speaker 2>sometimes it's not the representation and way they chose to

0:23:27.600 --> 0:23:31.560
<v Speaker 2>go for it in this episode didn't particularly work for me,

0:23:31.760 --> 0:23:34.840
<v Speaker 2>and a major part of it hangs on the final thing.

0:23:35.359 --> 0:23:38.480
<v Speaker 2>So if you're deemed worthy to go through to the

0:23:38.520 --> 0:23:42.160
<v Speaker 2>Field of Reeds due to judging your heart, how come

0:23:42.240 --> 0:23:44.719
<v Speaker 2>Mark goes through and he's a mass murderer just because

0:23:44.840 --> 0:23:48.240
<v Speaker 2>suddenly he doesn't have an alternative personality. That seems like

0:23:48.720 --> 0:23:51.719
<v Speaker 2>not well thought out to me. It kind of like

0:23:51.840 --> 0:23:55.120
<v Speaker 2>digs into some of the the I feel like this

0:23:55.160 --> 0:23:58.119
<v Speaker 2>is a really ambitious episode, but I also feel like

0:23:58.160 --> 0:24:00.400
<v Speaker 2>it could have been the third episode and then we'd

0:24:00.400 --> 0:24:03.280
<v Speaker 2>have three more episodes to explore it. That's kind of

0:24:03.280 --> 0:24:04.400
<v Speaker 2>where my head is at.

0:24:04.520 --> 0:24:06.359
<v Speaker 1>I felt the same way, although I will say this

0:24:06.760 --> 0:24:10.760
<v Speaker 1>to one My guess is that the final episode will

0:24:10.800 --> 0:24:16.959
<v Speaker 1>clear up whatever hanging threads we have, and that maybe

0:24:17.000 --> 0:24:21.000
<v Speaker 1>the loophole here is that because Mark Spector became a

0:24:21.000 --> 0:24:24.800
<v Speaker 1>mass murderer in the service of an Egyptian god god show,

0:24:26.440 --> 0:24:26.680
<v Speaker 1>you know.

0:24:26.600 --> 0:24:26.920
<v Speaker 2>What I mean.

0:24:28.800 --> 0:24:32.159
<v Speaker 1>So like, yeah, you're not getting into the ancestral plane

0:24:32.520 --> 0:24:37.400
<v Speaker 1>or valala, right, you know. But much like if Thor,

0:24:37.960 --> 0:24:39.960
<v Speaker 1>as we all know, young Thor, you know, back in

0:24:40.000 --> 0:24:43.159
<v Speaker 1>the Viking days took part in human battles killed. We

0:24:43.200 --> 0:24:48.960
<v Speaker 1>would surmise many many, many many people in the prosecution

0:24:49.119 --> 0:24:54.280
<v Speaker 1>of various Viking wars. Right, that Odin blessed as being fine.

0:24:54.320 --> 0:24:59.119
<v Speaker 1>Therefore he could enter, you know, like the as Guardian afterlife,

0:24:59.200 --> 0:25:03.800
<v Speaker 1>but maybe like the Egyptian afterlife will be close to him,

0:25:03.880 --> 0:25:07.720
<v Speaker 1>maybe in a similar way. That is why it's not necessarily.

0:25:07.440 --> 0:25:10.919
<v Speaker 2>Very thoughtful, Right, that's very thoughtful, generous take, and I

0:25:11.040 --> 0:25:11.360
<v Speaker 2>like it.

0:25:11.359 --> 0:25:14.160
<v Speaker 1>It's not necessarily hope that it's not as say, Mark

0:25:14.280 --> 0:25:17.720
<v Speaker 1>is a great guy. It's like, well, can't you who's

0:25:17.760 --> 0:25:19.719
<v Speaker 1>one of us said go ahead and do this, this

0:25:19.800 --> 0:25:22.560
<v Speaker 1>is fine.

0:25:20.400 --> 0:25:25.560
<v Speaker 2>And pay for his So I think that narratively, if

0:25:25.560 --> 0:25:27.639
<v Speaker 2>we get like, the feelings are the feelings, and it's

0:25:27.680 --> 0:25:29.680
<v Speaker 2>all subjective, and I'm sure there's loads of people that's

0:25:29.680 --> 0:25:32.399
<v Speaker 2>really worked for. So narratively, I think the big thing

0:25:32.440 --> 0:25:34.720
<v Speaker 2>when we talk about things to tie up, aside from

0:25:35.040 --> 0:25:38.600
<v Speaker 2>potentially a little bit more about the Altars, is Jake Lockley.

0:25:39.080 --> 0:25:42.919
<v Speaker 2>So it is Jake Lockley. In this episode, there is

0:25:42.960 --> 0:25:48.400
<v Speaker 2>a moment in Arthur Harrow's office where Mark or Stephen

0:25:48.720 --> 0:25:51.600
<v Speaker 2>wakes up and he's got a slightly heavyer Chicago accent.

0:25:51.640 --> 0:25:54.080
<v Speaker 2>He's got a bandage across his nose, and he immediately

0:25:54.119 --> 0:25:56.320
<v Speaker 2>goes for violence, and he's like, yeah, I feel great,

0:25:56.400 --> 0:25:59.280
<v Speaker 2>well done. Yes, if you're doing a great job. Is

0:25:59.320 --> 0:26:02.440
<v Speaker 2>that Jake Locke? Are we going to find out that

0:26:03.040 --> 0:26:06.760
<v Speaker 2>Jake Lockley is that violent alter third altar that's in there? Like,

0:26:06.880 --> 0:26:10.760
<v Speaker 2>I think that for people who love Moonnight comics or

0:26:10.800 --> 0:26:14.639
<v Speaker 2>love Moonnight as a character, I think that that final

0:26:14.720 --> 0:26:17.640
<v Speaker 2>episode is going to need to lean in a little

0:26:17.680 --> 0:26:21.560
<v Speaker 2>bit more to those different iterations because we've had that

0:26:21.800 --> 0:26:25.080
<v Speaker 2>emotional Mark and Stephen's story here, even though it does

0:26:25.680 --> 0:26:29.320
<v Speaker 2>diverge quite a lot from the comics origin, we've had

0:26:29.320 --> 0:26:33.360
<v Speaker 2>that kind of big emotional moment. So what will happen next?

0:26:33.880 --> 0:26:36.040
<v Speaker 2>Because Mark is now alone? So does he go after

0:26:36.119 --> 0:26:38.560
<v Speaker 2>Coon Shu? Does he unlock another altar? What do you

0:26:38.560 --> 0:26:39.320
<v Speaker 2>think it's going to be?

0:26:39.720 --> 0:26:43.399
<v Speaker 1>I suspect that we have not because of the hints

0:26:43.520 --> 0:26:45.800
<v Speaker 1>like the one you just mentioned from Arthur Herro's office,

0:26:45.800 --> 0:26:48.440
<v Speaker 1>plus the one that we had discussed from a couple

0:26:48.480 --> 0:26:56.119
<v Speaker 1>episodes back where Mark is fighting the Arthur heroes like

0:26:56.280 --> 0:27:00.840
<v Speaker 1>heavies in Egypt and then all of a sudden he

0:27:01.480 --> 0:27:05.679
<v Speaker 1>goes through the switch where usually you would expect Stephen

0:27:05.800 --> 0:27:08.720
<v Speaker 1>to take control here, but we just get black and

0:27:08.760 --> 0:27:12.280
<v Speaker 1>we don't know who and the henchees have been taken

0:27:12.320 --> 0:27:15.800
<v Speaker 1>out and it wasn't Mark and it wasn't Stephen, so

0:27:15.920 --> 0:27:18.000
<v Speaker 1>who was it. We've got these hints that there is

0:27:18.080 --> 0:27:21.359
<v Speaker 1>another altar waiting to reveal, to be revealed, and I

0:27:21.400 --> 0:27:25.960
<v Speaker 1>feel like we're gonna that feels like the other shoe

0:27:25.960 --> 0:27:29.960
<v Speaker 1>to drop. All of which is to say, I can't

0:27:30.000 --> 0:27:32.840
<v Speaker 1>imagine that we've seen the last of Stephen, Like, no,

0:27:33.119 --> 0:27:38.360
<v Speaker 1>I don't know what it means that he quote unquote

0:27:38.400 --> 0:27:42.359
<v Speaker 1>died in the sands of Duot and what was pulled under,

0:27:43.800 --> 0:27:48.199
<v Speaker 1>but I feel like that altar is still going to

0:27:48.280 --> 0:27:50.040
<v Speaker 1>be around. I don't know how they're going to get

0:27:50.359 --> 0:27:52.400
<v Speaker 1>through that or how they're going to work that out,

0:27:53.119 --> 0:27:56.040
<v Speaker 1>but it feels like other altars are still waiting to

0:27:56.240 --> 0:27:56.680
<v Speaker 1>come out.

0:27:57.320 --> 0:27:59.159
<v Speaker 2>I think so. And we've talked a lot about the

0:28:00.240 --> 0:28:02.360
<v Speaker 2>Jeff Lamir Greg small Wood stuff, which is like Moon

0:28:02.440 --> 0:28:07.560
<v Speaker 2>Night volume eight, and that stuff definitely deals with this

0:28:07.720 --> 0:28:14.520
<v Speaker 2>concept of how do how does Mark come to a

0:28:14.560 --> 0:28:18.120
<v Speaker 2>piece that accepts who he is? And that could be

0:28:18.280 --> 0:28:20.119
<v Speaker 2>who he is alone or it could be who he

0:28:20.240 --> 0:28:23.560
<v Speaker 2>is with the Altars, and seeing as they established this

0:28:23.720 --> 0:28:26.119
<v Speaker 2>notion that each of the Altars has a different suit,

0:28:26.680 --> 0:28:30.760
<v Speaker 2>I feel like that might turn into more of a

0:28:30.800 --> 0:28:33.760
<v Speaker 2>classical superpower in the future where it's like the older

0:28:33.800 --> 0:28:36.520
<v Speaker 2>Moonnight comics where he slips in and out. And while

0:28:36.520 --> 0:28:40.240
<v Speaker 2>that is not a realistic representation you know of did

0:28:40.800 --> 0:28:44.560
<v Speaker 2>I think that they put their effort into doing this

0:28:44.720 --> 0:28:47.160
<v Speaker 2>emotional episode this week and we might kind of see

0:28:47.200 --> 0:28:51.080
<v Speaker 2>how Mark and Moonnight transcend. It feels like a lot

0:28:51.120 --> 0:28:53.200
<v Speaker 2>to wrap up in a final episode, so I wonder

0:28:53.240 --> 0:28:55.360
<v Speaker 2>if this is going to be a low key where

0:28:55.360 --> 0:28:56.840
<v Speaker 2>they just announce a second season.

0:28:57.160 --> 0:28:59.480
<v Speaker 1>Yeah, it feels like a tremendous amount to wrap up.

0:29:00.040 --> 0:29:03.240
<v Speaker 1>A producer saw a super producer, Saul in the chat mentions,

0:29:03.240 --> 0:29:05.760
<v Speaker 1>how would they manage any Egyptology without Steven? I think

0:29:05.800 --> 0:29:08.560
<v Speaker 1>that's a good point. We still have such a good point. Yeah,

0:29:08.560 --> 0:29:11.640
<v Speaker 1>we still have Arthur harrow And and the Amint crisis

0:29:11.680 --> 0:29:16.600
<v Speaker 1>to deal with. You know, are there Harrows up there? Yeah?

0:29:16.640 --> 0:29:20.160
<v Speaker 1>Are their heroes up there legitimately like reigning souls down

0:29:20.240 --> 0:29:23.680
<v Speaker 1>into the afterlife before their time. So that has to

0:29:23.680 --> 0:29:28.880
<v Speaker 1>be dealt with, and Mark with just his knowledge is

0:29:28.920 --> 0:29:31.280
<v Speaker 1>not going to be up to it now in a

0:29:31.400 --> 0:29:39.720
<v Speaker 1>post field of reads, uh like reality is Mark slash

0:29:39.720 --> 0:29:42.880
<v Speaker 1>Stephens slash potentially Jake. Are they just like more much

0:29:42.960 --> 0:29:47.560
<v Speaker 1>like the comic books. They They're still there, those memories

0:29:47.600 --> 0:29:50.400
<v Speaker 1>are still there, those personalities quote unquote are still there

0:29:50.440 --> 0:29:52.560
<v Speaker 1>in some kind of form of fashion. But the the

0:29:52.880 --> 0:29:57.120
<v Speaker 1>the the demarcations between them are more amorphous, and they're

0:29:57.160 --> 0:30:01.280
<v Speaker 1>more more I mean, we legitimately saw a balancing of scales.

0:30:01.320 --> 0:30:05.560
<v Speaker 1>Maybe they reside together in a more more or less

0:30:06.120 --> 0:30:09.520
<v Speaker 1>healthy quote unquote way. Is that what we see going forward?

0:30:10.000 --> 0:30:11.960
<v Speaker 2>I think we could definitely see that, And I think

0:30:12.480 --> 0:30:14.920
<v Speaker 2>that it will be really interesting to see the way

0:30:14.960 --> 0:30:17.320
<v Speaker 2>they approach it because this is something that comics and

0:30:17.480 --> 0:30:21.160
<v Speaker 2>superho shows have done before, like Legion and you know,

0:30:21.880 --> 0:30:25.080
<v Speaker 2>Doom Patrol really focused on it with Jane. So I'm

0:30:25.120 --> 0:30:28.640
<v Speaker 2>really interested to see because I feel like they've established

0:30:28.680 --> 0:30:31.120
<v Speaker 2>little things here that make you think you're gonna need

0:30:31.160 --> 0:30:34.120
<v Speaker 2>to see these characters again, one being that Stephen is

0:30:34.200 --> 0:30:37.800
<v Speaker 2>like a lot of people's favorite character. Yeah, and somebody

0:30:37.800 --> 0:30:40.360
<v Speaker 2>that they connected with as their in character and who

0:30:40.360 --> 0:30:43.160
<v Speaker 2>they feel represented by is kind of like a guy

0:30:43.280 --> 0:30:45.080
<v Speaker 2>just trying to do the best in his life. So

0:30:45.200 --> 0:30:47.440
<v Speaker 2>I think for him to never be there again and

0:30:47.440 --> 0:30:49.960
<v Speaker 2>for it to just be kind of cold hearted, I'm

0:30:49.960 --> 0:30:52.960
<v Speaker 2>gonna shoot some people, Mark. That doesn't seem likely to me.

0:30:53.520 --> 0:30:58.200
<v Speaker 1>Yeah, And quick couple other questions, how does he get

0:30:58.240 --> 0:31:00.600
<v Speaker 1>back to Earth? I mean, it seems like Tara Week

0:31:00.640 --> 0:31:03.640
<v Speaker 1>could just send him like she was not. Her objection

0:31:03.960 --> 0:31:06.680
<v Speaker 1>was like, I would send you back to a body

0:31:06.680 --> 0:31:08.920
<v Speaker 1>that is grievously wounded with a bunch of bullets in

0:31:08.920 --> 0:31:11.760
<v Speaker 1>his chest, not I can't do it. So I guess

0:31:12.080 --> 0:31:14.560
<v Speaker 1>theoretically wouldn't be that hard. You just have to find

0:31:14.600 --> 0:31:16.840
<v Speaker 1>the right god to agree to do it right.

0:31:17.600 --> 0:31:19.920
<v Speaker 2>Yeah, how experimental is it going to be? Are you

0:31:19.960 --> 0:31:22.480
<v Speaker 2>going to get an episode that leans into that small

0:31:22.520 --> 0:31:25.240
<v Speaker 2>word lamir stuff where he's suddenly in all the bodies

0:31:25.280 --> 0:31:27.360
<v Speaker 2>and he's kind of using them to go through He's

0:31:27.400 --> 0:31:29.800
<v Speaker 2>gonna be Jake, He's gonna be this to survive. Is

0:31:29.880 --> 0:31:32.640
<v Speaker 2>it just as simple as Tarawet sending him back? She's

0:31:32.680 --> 0:31:35.800
<v Speaker 2>the goddess of children, of protection of fertility. Maybe she

0:31:36.000 --> 0:31:41.280
<v Speaker 2>can help because the scales are balanced now. Maybe Arthur

0:31:41.320 --> 0:31:43.240
<v Speaker 2>harrib will bring him back, like in some kind of

0:31:43.320 --> 0:31:46.800
<v Speaker 2>joke of Batman situation where he needs Mark to see

0:31:47.120 --> 0:31:50.040
<v Speaker 2>that he won to see the truth of Konshu. You know,

0:31:50.320 --> 0:31:55.400
<v Speaker 2>we saw Layla's dad wearing the scarlet scarab robe. There's

0:31:55.400 --> 0:31:57.880
<v Speaker 2>a chance that Layla with the scarab or a different

0:31:57.960 --> 0:32:00.880
<v Speaker 2>kind of artifact has the power to bring Mark. I

0:32:00.880 --> 0:32:03.440
<v Speaker 2>think from the pacing of this episode, we'll probably be

0:32:03.560 --> 0:32:07.719
<v Speaker 2>boom right back in the real world next week.

0:32:07.960 --> 0:32:12.280
<v Speaker 1>I think that that is probably the case, And I

0:32:12.360 --> 0:32:18.240
<v Speaker 1>guess my my overarching question is like does Moonnight enter,

0:32:19.280 --> 0:32:21.240
<v Speaker 1>like do we get a season two and does he

0:32:21.440 --> 0:32:25.200
<v Speaker 1>enter like larger stories, And then as a kind of

0:32:25.760 --> 0:32:29.200
<v Speaker 1>adduct to that, I think we've both become like I'm

0:32:29.200 --> 0:32:32.560
<v Speaker 1>pretty convinced that this is the main MCU, right, this

0:32:32.760 --> 0:32:34.680
<v Speaker 1>is this is where this is happening, and they mentioned

0:32:34.720 --> 0:32:36.960
<v Speaker 1>in the ancestral plane, plus like some of the other

0:32:37.200 --> 0:32:40.959
<v Speaker 1>the other the gcqques and like other things lead us

0:32:40.960 --> 0:32:45.160
<v Speaker 1>to believe that, Okay, this is the regular MCU. Another question,

0:32:45.440 --> 0:32:48.760
<v Speaker 1>which I think was like an interesting implication of Tarot

0:32:49.000 --> 0:32:54.160
<v Speaker 1>mentioning the ancestral plane, how much do other deities know

0:32:54.680 --> 0:32:57.960
<v Speaker 1>about other deities? Like we're going to see in love

0:32:58.000 --> 0:33:01.120
<v Speaker 1>and thunder thor going to different places and meeting other gods,

0:33:01.120 --> 0:33:07.040
<v Speaker 1>and meeting the Greek gods. But I wonder how much

0:33:07.240 --> 0:33:08.680
<v Speaker 1>they all know about each other.

0:33:09.600 --> 0:33:14.120
<v Speaker 2>I wonder if that is the secret seed that Moonnight

0:33:14.240 --> 0:33:16.760
<v Speaker 2>is sewing. We've always been wondering, like, is Stephen going

0:33:16.840 --> 0:33:19.280
<v Speaker 2>to be in their main mcu is Mark is Moonnight?

0:33:19.440 --> 0:33:19.640
<v Speaker 1>Yeah?

0:33:19.760 --> 0:33:23.200
<v Speaker 2>Maybe? Probably, maybe not. I don't know. Maybe what they're

0:33:23.240 --> 0:33:28.440
<v Speaker 2>really sowing here is more of that god and deity backstory,

0:33:28.440 --> 0:33:31.200
<v Speaker 2>those connections between the E and Nad, between bast and

0:33:31.280 --> 0:33:34.240
<v Speaker 2>sec Met who became the Panther and Lyon gods in Wakanda,

0:33:34.320 --> 0:33:39.080
<v Speaker 2>between Tarawet, between hmit Beteen and Nubis, And then it

0:33:39.160 --> 0:33:43.760
<v Speaker 2>seems like it can't be a kind of coincidence that

0:33:43.760 --> 0:33:47.440
<v Speaker 2>that is leading quite closely into love and Thunder, where

0:33:47.440 --> 0:33:50.240
<v Speaker 2>we're going to meet I feel the same deities. So

0:33:50.320 --> 0:33:53.800
<v Speaker 2>maybe that is the bigger picture here, because you know,

0:33:54.000 --> 0:33:55.840
<v Speaker 2>it's we love this stuff, which is why we pick

0:33:55.840 --> 0:33:58.440
<v Speaker 2>it apart. So obviously the obvious questions are like Arthur

0:33:58.480 --> 0:34:01.280
<v Speaker 2>Harrow has a power much bigger than the infinity, gornt right,

0:34:01.320 --> 0:34:02.520
<v Speaker 2>and nobody's doing anything.

0:34:02.600 --> 0:34:04.320
<v Speaker 1>Nobody's doing where is everybody?

0:34:04.560 --> 0:34:07.160
<v Speaker 2>That's always funny to us, but also in the comics.

0:34:07.600 --> 0:34:10.799
<v Speaker 2>We know that there are times when someone's doing some

0:34:11.160 --> 0:34:15.239
<v Speaker 2>multiversal destruction shenanigans and the only person you send is Hawkeye,

0:34:15.320 --> 0:34:16.280
<v Speaker 2>So it happens.

0:34:16.400 --> 0:34:16.600
<v Speaker 3>You know.

0:34:17.239 --> 0:34:19.319
<v Speaker 1>One of my favorite, one of my favorite things about

0:34:19.360 --> 0:34:22.359
<v Speaker 1>Ednie comic book story is like the line in like

0:34:22.520 --> 0:34:25.600
<v Speaker 1>a Wolverine or a Hawkeye or a Capitain America or

0:34:25.600 --> 0:34:28.600
<v Speaker 1>a Thor comic where it's like, where are the Avengers. Oh,

0:34:28.600 --> 0:34:33.120
<v Speaker 1>they're busy, yeah, right now, It's just like they're dealing

0:34:33.200 --> 0:34:35.319
<v Speaker 1>with their own stuff. And then it'll be like, you know,

0:34:35.360 --> 0:34:41.680
<v Speaker 1>a little asterisk see Avengers blah blah blah from Okay.

0:34:41.920 --> 0:34:44.400
<v Speaker 1>Up next, our friend Cody Zigler joins us and we

0:34:44.440 --> 0:35:01.640
<v Speaker 1>talk comics. Okay, folks, we're stepping out of the airlock

0:35:02.000 --> 0:35:05.600
<v Speaker 1>and into the comics quarter with our good friend Cody

0:35:05.840 --> 0:35:12.040
<v Speaker 1>zig Ziggler. Get please pick up Cody Ziggler, Justin Bason

0:35:12.120 --> 0:35:16.239
<v Speaker 1>and Jim Charlon Pittis's Spider Punk Number one wherever you

0:35:16.239 --> 0:35:18.240
<v Speaker 1>can find it because it's sold out many many places.

0:35:18.239 --> 0:35:22.680
<v Speaker 1>Super super fun. Cody, thank you for joining us, and

0:35:22.719 --> 0:35:23.880
<v Speaker 1>it's time to talk comics.

0:35:23.880 --> 0:35:24.920
<v Speaker 3>Man, yes about it.

0:35:25.040 --> 0:35:26.520
<v Speaker 1>First of all, have you been what are you going up?

0:35:26.520 --> 0:35:30.720
<v Speaker 3>To dude, I've been great. I've been so incredibly busy,

0:35:30.760 --> 0:35:33.080
<v Speaker 3>as I'm sure you can tell from my social media post.

0:35:33.560 --> 0:35:37.239
<v Speaker 3>I'm good. I'm currently about to finish the season of Futurama,

0:35:37.560 --> 0:35:41.600
<v Speaker 3>and I'm almost almost almost about to finish issue five

0:35:41.640 --> 0:35:45.560
<v Speaker 3>of Spider Punk. That's right. So as soon as I

0:35:45.640 --> 0:35:47.960
<v Speaker 3>get through this little bit of Elden Ring, I'm going

0:35:48.040 --> 0:35:50.759
<v Speaker 3>to go to my computer and finish this last issue. Baby.

0:35:50.800 --> 0:35:51.000
<v Speaker 3>That's that.

0:35:53.239 --> 0:35:55.279
<v Speaker 1>We got to know where are you in the ring

0:35:55.400 --> 0:35:57.520
<v Speaker 1>right now? What's going on with it? Where are you

0:35:57.520 --> 0:35:59.239
<v Speaker 1>in the mission? Are you held?

0:35:59.280 --> 0:36:01.880
<v Speaker 3>And Lord yet I am not, but I have dethroned

0:36:02.000 --> 0:36:08.359
<v Speaker 3>Margot the fell Key, and so yeah, next, they gotta next.

0:36:08.440 --> 0:36:10.399
<v Speaker 3>I gotta get to go find a giant in the snow.

0:36:10.440 --> 0:36:13.880
<v Speaker 3>I don't know everyone is as right now, so do

0:36:13.920 --> 0:36:15.080
<v Speaker 3>some grinding to get Let me.

0:36:15.120 --> 0:36:19.759
<v Speaker 1>Tell you that the giant no spoilers. That is a fight,

0:36:20.080 --> 0:36:23.320
<v Speaker 1>my friend boy, and and it's one of the fights

0:36:23.400 --> 0:36:25.279
<v Speaker 1>where you're fighting the guy and you're like, man, I

0:36:25.320 --> 0:36:27.960
<v Speaker 1>feel bad about having to kill this guy, but then

0:36:28.000 --> 0:36:30.160
<v Speaker 1>you feel less bad because he just like, whoops your asso.

0:36:30.160 --> 0:36:34.399
<v Speaker 1>Watch anyway, that's a fun fight. Enjoy that. Let's get

0:36:34.400 --> 0:36:37.680
<v Speaker 1>into the comics. Then uh. The reason that we want

0:36:37.719 --> 0:36:39.919
<v Speaker 1>to do this episode one is because we love talking

0:36:39.920 --> 0:36:42.640
<v Speaker 1>about comics. And then two we wanted to uh, so

0:36:42.680 --> 0:36:44.480
<v Speaker 1>we want to talk about the things that we're reading

0:36:44.560 --> 0:36:47.120
<v Speaker 1>right now, the things we really like. And then uh

0:36:47.280 --> 0:36:50.440
<v Speaker 1>and then as a way to prepare people for Doctor

0:36:50.440 --> 0:36:52.640
<v Speaker 1>Strange and the Multiverse, a mantas talk about some of

0:36:53.239 --> 0:36:57.040
<v Speaker 1>the Doctor Strange related comics that we think we might

0:36:57.080 --> 0:36:58.919
<v Speaker 1>come up. But first let's talk about what we're reading

0:36:58.960 --> 0:37:01.040
<v Speaker 1>right now. SI, what do you what do you read

0:37:01.239 --> 0:37:01.799
<v Speaker 1>right now? Man?

0:37:01.880 --> 0:37:03.560
<v Speaker 3>I have you can't see, but I have such a

0:37:03.640 --> 0:37:06.200
<v Speaker 3>huge stack of stuff. So on to three.

0:37:06.400 --> 0:37:07.360
<v Speaker 2>I love this side.

0:37:07.840 --> 0:37:09.800
<v Speaker 3>I yelled about this yesterday or the other day on

0:37:09.840 --> 0:37:12.920
<v Speaker 3>our pre pro beating But Gleam by Freddy Carrasco is

0:37:13.320 --> 0:37:15.279
<v Speaker 3>a book that it picked up a couple of a

0:37:15.280 --> 0:37:17.759
<v Speaker 3>couple of months ago, and it's right up my alley.

0:37:17.760 --> 0:37:19.560
<v Speaker 3>I actually haven't been reading a bunch of Cape stuff

0:37:19.640 --> 0:37:22.400
<v Speaker 3>because I've just been in the Cape world for vastly

0:37:22.400 --> 0:37:24.239
<v Speaker 3>in the past year. But if you're looking for like

0:37:24.280 --> 0:37:28.680
<v Speaker 3>a fantastic like afro futurism, black cyberpunk story, I highly

0:37:28.680 --> 0:37:31.440
<v Speaker 3>recommend this. He's a Canadian black Canadian artist who I

0:37:31.440 --> 0:37:35.000
<v Speaker 3>think Liz works Japan uh now. But it's a collection

0:37:35.120 --> 0:37:38.520
<v Speaker 3>of three vignettes, three short stories, a very very very

0:37:38.640 --> 0:37:42.239
<v Speaker 3>loose through line, but it's got some fantastic art, very

0:37:42.840 --> 0:37:45.319
<v Speaker 3>very loose from the hip with the actual story. So

0:37:45.360 --> 0:37:48.520
<v Speaker 3>like you're looking for like some fantastic like sequential art

0:37:48.520 --> 0:37:50.320
<v Speaker 3>and just following the action and the flow of stuff

0:37:50.320 --> 0:37:53.040
<v Speaker 3>and like just really for vibes only. I highly recommend

0:37:53.520 --> 0:37:55.640
<v Speaker 3>GLEAM g L E e M. Pick it up.

0:37:55.680 --> 0:38:00.440
<v Speaker 2>Yeah, that book is unbelievable. And when I have my

0:38:00.520 --> 0:38:03.520
<v Speaker 2>first in person meeting with Oliver, our owner who's doing

0:38:03.520 --> 0:38:05.480
<v Speaker 2>the art for my Godzilla comic, that was one of

0:38:05.520 --> 0:38:07.600
<v Speaker 2>the best. And he was like, what do you think?

0:38:07.640 --> 0:38:12.920
<v Speaker 1>And I was like, you know, perfect transition to you, Rosie,

0:38:13.040 --> 0:38:15.319
<v Speaker 1>Rosie Knight. First of all, you got to tell us

0:38:15.320 --> 0:38:18.200
<v Speaker 1>about your Guydilla comic. What is going on with the

0:38:18.200 --> 0:38:20.880
<v Speaker 1>Godzilla comic? When can we purchase this comic?

0:38:21.920 --> 0:38:24.839
<v Speaker 2>Okay, so that it is available for pre order now,

0:38:25.520 --> 0:38:28.560
<v Speaker 2>it was in this month's catalog. I have got a

0:38:28.600 --> 0:38:30.600
<v Speaker 2>link on my Instagram bio where you can go and

0:38:30.600 --> 0:38:32.200
<v Speaker 2>get all the information that you can give to your

0:38:32.239 --> 0:38:34.680
<v Speaker 2>comic bookshop. If you have a Penguin Random House account.

0:38:34.760 --> 0:38:37.160
<v Speaker 2>You can also order it on their website. But you

0:38:37.160 --> 0:38:38.560
<v Speaker 2>can just go to your shop and say the name

0:38:38.560 --> 0:38:40.759
<v Speaker 2>of the comic, Oliver that what.

0:38:40.760 --> 0:38:42.480
<v Speaker 1>Is the name of the comic just so we all

0:38:42.520 --> 0:38:43.280
<v Speaker 1>go Mozilla.

0:38:43.760 --> 0:38:49.240
<v Speaker 2>It's called Godzilla Rivals Versus batchra And that is because

0:38:49.360 --> 0:38:53.280
<v Speaker 2>it is part of the ongoing Rival series, which features

0:38:53.800 --> 0:38:57.640
<v Speaker 2>stories from the Godzilla movie Monster universe, and they're completely

0:38:58.120 --> 0:39:01.280
<v Speaker 2>unconnected to the movies and they're just solo forty page

0:39:01.360 --> 0:39:03.880
<v Speaker 2>one short issues. And mine is with Oliver, who's an

0:39:03.880 --> 0:39:08.239
<v Speaker 2>astonishing artist who is also inking coloring the whole book,

0:39:08.880 --> 0:39:12.680
<v Speaker 2>and it's really cool. It's like classic Godzilla meets Studio

0:39:12.719 --> 0:39:19.120
<v Speaker 2>ghibli Oh hello, yeah, yeah, There's there's an entire page

0:39:19.440 --> 0:39:23.000
<v Speaker 2>that's just cooking. There's just there's at least no page.

0:39:27.239 --> 0:39:28.959
<v Speaker 2>Thank you, So you know, I get a spider Punk

0:39:29.000 --> 0:39:29.479
<v Speaker 2>every month.

0:39:30.680 --> 0:39:33.640
<v Speaker 1>What is your what's your relationship to Godzilla? Why Godzilla?

0:39:33.760 --> 0:39:36.920
<v Speaker 1>Why this story? Like? What is why we spoke to

0:39:36.920 --> 0:39:37.640
<v Speaker 1>you about Godzilla?

0:39:37.920 --> 0:39:41.160
<v Speaker 2>I absolutely love Godzilla. I am sitting currently where I

0:39:41.239 --> 0:39:46.880
<v Speaker 2>record my podcast, where this podcast where there is one, two, three, four, five, six, seven,

0:39:47.560 --> 0:39:52.240
<v Speaker 2>seven Godzilla figures and a reclining service. I've always loved Godzilla.

0:39:52.280 --> 0:39:56.240
<v Speaker 2>I have a baby Godzilla Tatto Manila. I remember watching

0:39:56.280 --> 0:39:58.880
<v Speaker 2>them as a kid and here now, like there's so

0:39:58.960 --> 0:40:02.319
<v Speaker 2>many brilliant ways to revisit them, whether you're watching them

0:40:02.400 --> 0:40:05.680
<v Speaker 2>dubbed on like Comet, or whether you're getting the Criterion versions,

0:40:05.719 --> 0:40:09.279
<v Speaker 2>which are incredible. I think the stories that they have

0:40:09.360 --> 0:40:12.280
<v Speaker 2>the same thing we love about comics, where Godzilla comes

0:40:12.280 --> 0:40:16.560
<v Speaker 2>from a space of being this incredibly important, personal analogous

0:40:16.600 --> 0:40:21.600
<v Speaker 2>story about Japan and nuclear war and the hazards of

0:40:22.080 --> 0:40:24.839
<v Speaker 2>the nuclear bomb. And it has evolved and there's moments

0:40:24.880 --> 0:40:28.279
<v Speaker 2>where it's totally wacky and outrageous, but it always has

0:40:28.320 --> 0:40:31.080
<v Speaker 2>this ecological through line which I just think is really powerful,

0:40:31.080 --> 0:40:33.440
<v Speaker 2>and that's a big part of our story. Like it's

0:40:33.480 --> 0:40:36.280
<v Speaker 2>set in England, but it was very much inspired by

0:40:36.880 --> 0:40:38.600
<v Speaker 2>the area I live in on like the coast of

0:40:38.719 --> 0:40:42.160
<v Speaker 2>La La City, and there were just so many sewage

0:40:42.200 --> 0:40:45.600
<v Speaker 2>spills here, like months, just every month, just sewage bill,

0:40:45.640 --> 0:40:47.880
<v Speaker 2>sewage bill, sewage bill, and it always happens in the

0:40:47.920 --> 0:40:50.480
<v Speaker 2>area which is mostly poor people, mostly black and brown people.

0:40:50.520 --> 0:40:54.080
<v Speaker 2>That's like that environmental kind of racism element. So bring

0:40:54.120 --> 0:40:57.319
<v Speaker 2>in like those elements in and trying to imagine like

0:40:57.360 --> 0:41:00.560
<v Speaker 2>a better world with cool people who wanted to change things,

0:41:00.560 --> 0:41:03.279
<v Speaker 2>but also with like giant monsters. Way, there's lots of

0:41:03.320 --> 0:41:07.520
<v Speaker 2>giant monster I'll ever deliver on the giant monsters.

0:41:08.480 --> 0:41:10.799
<v Speaker 1>Rosie. What are you reading right now? What is your

0:41:10.880 --> 0:41:13.040
<v Speaker 1>first recommendation for us?

0:41:13.280 --> 0:41:16.880
<v Speaker 2>My first recommendation is this, Really I'm going to go

0:41:17.160 --> 0:41:18.920
<v Speaker 2>I'm going to follow Ziggs lead. I'm gonna go non

0:41:18.960 --> 0:41:24.239
<v Speaker 2>Cape Right now. There is this brilliant independent publisher called

0:41:24.239 --> 0:41:27.680
<v Speaker 2>Black Jose Press, which I just love. I'll read anything

0:41:27.719 --> 0:41:33.080
<v Speaker 2>from there, And they published this unbelievable collection of queer

0:41:33.080 --> 0:41:35.960
<v Speaker 2>erotic comics called Arrive in My Hands. And even if

0:41:36.000 --> 0:41:38.839
<v Speaker 2>you're like, oh, erotic, that sounds a bit, no, it's

0:41:38.840 --> 0:41:43.280
<v Speaker 2>like the most beautiful, poetic, stunning work by Trinidad Escobar.

0:41:43.719 --> 0:41:45.680
<v Speaker 2>And I pre ordered the physical copies, which I think

0:41:45.719 --> 0:41:48.520
<v Speaker 2>will be available soon, but there's a PDF version that's available.

0:41:48.960 --> 0:41:51.360
<v Speaker 2>I just keep looking at it. It's like one of

0:41:51.360 --> 0:41:54.440
<v Speaker 2>those things where every time you look at it, you

0:41:54.520 --> 0:41:59.040
<v Speaker 2>explore something new, and it feels really transgressive and relatable

0:41:59.120 --> 0:42:01.680
<v Speaker 2>and beautiful and kind of thing where I'm just I'm

0:42:01.760 --> 0:42:03.719
<v Speaker 2>so excited to show it to people and just be like,

0:42:03.760 --> 0:42:06.279
<v Speaker 2>do you know people are making comics like this, Like

0:42:06.360 --> 0:42:10.200
<v Speaker 2>this is what you can be enjoying alongside the monster's

0:42:10.239 --> 0:42:13.040
<v Speaker 2>fighting and the superheroes and everything. You can get these

0:42:13.080 --> 0:42:18.840
<v Speaker 2>really personal, beautiful comics made by brilliant, marginalized creators. And

0:42:18.880 --> 0:42:22.759
<v Speaker 2>Black Jose Press just does non stop publications like that.

0:42:22.760 --> 0:42:25.600
<v Speaker 2>It's one of my favorite publishers, and this book was

0:42:25.680 --> 0:42:29.440
<v Speaker 2>just like it. Even I have high expectations of that publisher,

0:42:29.480 --> 0:42:32.279
<v Speaker 2>but it totally overwhelmed them. I just that book is

0:42:32.320 --> 0:42:34.279
<v Speaker 2>so good, so ten out of ten recommendations.

0:42:34.360 --> 0:42:39.440
<v Speaker 1>Yes, that's awesome. I will go Cape because I've been

0:42:39.520 --> 0:42:43.040
<v Speaker 1>keeping the last couple of weeks to bone up for

0:42:43.560 --> 0:42:47.239
<v Speaker 1>movies and stuff they're coming out. And I was a

0:42:47.280 --> 0:42:50.359
<v Speaker 1>full disclosure, never much of a Hulk person when I

0:42:50.400 --> 0:42:53.759
<v Speaker 1>first started reading comics. And despite the fact that like

0:42:53.840 --> 0:42:56.960
<v Speaker 1>there was some really really you know mister fix It

0:42:57.080 --> 0:43:01.000
<v Speaker 1>era classic kind of like classic like Kulk's stories at

0:43:01.000 --> 0:43:04.360
<v Speaker 1>that time, love the pin suit, but I just was

0:43:04.400 --> 0:43:06.560
<v Speaker 1>never much of a Hulk person, Like I'd check in

0:43:06.719 --> 0:43:09.279
<v Speaker 1>for the big events World War Hulk, you know, Planet Hulk,

0:43:09.280 --> 0:43:11.080
<v Speaker 1>et cetera. Those are of course good, but I was

0:43:11.120 --> 0:43:14.760
<v Speaker 1>never like a I'm reading the Hulk now Immortal Hulk

0:43:15.200 --> 0:43:19.160
<v Speaker 1>changed turned my head a lot in ways that I

0:43:19.239 --> 0:43:23.480
<v Speaker 1>was not expecting. And the ongoing series, The Hulk series

0:43:24.280 --> 0:43:27.440
<v Speaker 1>by Donnie Kate's Ryan Otley, Cliff Rathburn and Frank Martin

0:43:27.600 --> 0:43:31.680
<v Speaker 1>is really good and really interesting and takes you know,

0:43:31.719 --> 0:43:34.560
<v Speaker 1>it's always like, how do we redefine the relationship between

0:43:34.560 --> 0:43:37.720
<v Speaker 1>Bruce Banner and the Hulk? You know, it's constantly changing.

0:43:37.960 --> 0:43:39.680
<v Speaker 1>How do we how do we make it new and fresh?

0:43:39.760 --> 0:43:45.360
<v Speaker 1>And this time it's Bruce Banner is both like the

0:43:45.400 --> 0:43:47.680
<v Speaker 1>main character kind of the bad guy, which is I

0:43:47.719 --> 0:43:50.560
<v Speaker 1>guess happened for a while, but he has turned the

0:43:50.640 --> 0:43:56.799
<v Speaker 1>Hulk into like a pilotable like battle like buy a

0:43:56.920 --> 0:44:00.360
<v Speaker 1>battleship that like a like a mech suit that he

0:44:00.520 --> 0:44:03.360
<v Speaker 1>is sitting like deep inside the psyche of the Hulk,

0:44:03.880 --> 0:44:08.120
<v Speaker 1>piloting this Hulk around and having crazy fights and crazy

0:44:08.120 --> 0:44:11.080
<v Speaker 1>adventure is really really good and really interesting. The art

0:44:11.160 --> 0:44:11.880
<v Speaker 1>is fantastic.

0:44:12.000 --> 0:44:15.759
<v Speaker 2>I was gonna say, Ryan Otley r Ryley onto that

0:44:15.800 --> 0:44:17.160
<v Speaker 2>big two stuff is just.

0:44:17.080 --> 0:44:23.280
<v Speaker 1>Like it's just like so gnarly and like biological and

0:44:23.280 --> 0:44:26.759
<v Speaker 1>and and the textures that he that he brings out

0:44:26.800 --> 0:44:30.719
<v Speaker 1>are fantastic it's it's great and as a person who

0:44:30.800 --> 0:44:34.560
<v Speaker 1>again has never really been much of a Hulk person,

0:44:35.160 --> 0:44:38.600
<v Speaker 1>just like straight up throughout the course of my comics

0:44:38.600 --> 0:44:40.520
<v Speaker 1>reading life, has never been much of a Hulk person

0:44:40.600 --> 0:44:43.080
<v Speaker 1>until recently. I'm really enjoying this book quite a bit.

0:44:43.719 --> 0:44:45.680
<v Speaker 3>You said, you say, met Hulk, I'm already in, like.

0:44:46.960 --> 0:44:50.439
<v Speaker 1>Yeah, back to you. Zig. What else?

0:44:51.000 --> 0:44:55.560
<v Speaker 3>This is another non Cape comic, but Mark Ballast by E. P.

0:44:55.960 --> 0:44:56.200
<v Speaker 4>H K.

0:44:56.520 --> 0:45:00.440
<v Speaker 3>It's a it's viewers or listeners can't see this, but

0:45:00.480 --> 0:45:00.839
<v Speaker 3>it's a.

0:45:01.120 --> 0:45:02.440
<v Speaker 2>It's a every dime.

0:45:02.560 --> 0:45:07.920
<v Speaker 3>Yeah. It's a quote unquote silent comic in that there's words,

0:45:07.920 --> 0:45:11.680
<v Speaker 3>but it's all gibberish and it's just following a two

0:45:11.680 --> 0:45:14.160
<v Speaker 3>fighter pilots that are fighting over Mars and they shoot

0:45:14.160 --> 0:45:16.080
<v Speaker 3>each other down. They just you know, it's like an

0:45:16.160 --> 0:45:17.880
<v Speaker 3>enemy mind situation where they help each other out. But

0:45:18.560 --> 0:45:21.000
<v Speaker 3>if you're looking for some really really he's a He

0:45:21.160 --> 0:45:23.920
<v Speaker 3>is a French artist, and if you're looking for some

0:45:24.040 --> 0:45:28.560
<v Speaker 3>truly some of the most vivid, sequential art and just

0:45:28.640 --> 0:45:33.239
<v Speaker 3>storytelling out right now, I highly recommend this. It's a

0:45:33.320 --> 0:45:35.720
<v Speaker 3>it's a pocket sized graphic novel, one hundred and twenty

0:45:35.760 --> 0:45:39.160
<v Speaker 3>pages and it has like the use of like red

0:45:39.239 --> 0:45:43.279
<v Speaker 3>and orange is fantastic, Like it flows together. There's some

0:45:43.360 --> 0:45:47.239
<v Speaker 3>really really interesting panel layouts and uh just the use

0:45:47.239 --> 0:45:49.360
<v Speaker 3>of like language and in using a non language to

0:45:49.360 --> 0:45:51.880
<v Speaker 3>convey emotion and like some fantastic and acting with the drawing,

0:45:51.960 --> 0:45:55.360
<v Speaker 3>like check out Mars Mars Ballast by E. P.

0:45:55.800 --> 0:45:59.440
<v Speaker 1>H K Shouts to the Enemy mind Drop, which is

0:46:00.360 --> 0:46:05.359
<v Speaker 1>really like forgotten sci fi movie from the eighties star Gym,

0:46:05.760 --> 0:46:10.719
<v Speaker 1>starring Dennis Quaid and Lewis Gossa Junior as too uh

0:46:11.040 --> 0:46:15.200
<v Speaker 1>you know, uh, two fighter islots from from opposing warring

0:46:15.239 --> 0:46:18.240
<v Speaker 1>factions humans versus I forget the name of the alien species.

0:46:18.239 --> 0:46:20.960
<v Speaker 1>But they then crash land on a desolate planet and

0:46:21.040 --> 0:46:23.080
<v Speaker 1>have to like learn to live together. And it is

0:46:23.160 --> 0:46:25.759
<v Speaker 1>like a heartbreaking story.

0:46:25.880 --> 0:46:28.120
<v Speaker 2>Yeah, I'd never seen it until it was on broadcast

0:46:28.200 --> 0:46:30.359
<v Speaker 2>a couple of years ago, hair and I was just like, oh,

0:46:30.440 --> 0:46:34.040
<v Speaker 2>my fucking god, and how has nobody told me about man?

0:46:34.280 --> 0:46:38.320
<v Speaker 1>It is like, I'm not even fucking around. Lou Gassa

0:46:38.400 --> 0:46:41.160
<v Speaker 1>Junior should have been Oscar nominated for that fucking role.

0:46:41.320 --> 0:46:46.840
<v Speaker 1>I'm not even I'm not joking. It is not a

0:46:47.040 --> 0:46:51.200
<v Speaker 1>fucking joke. Like in full makeup that must have taken

0:46:51.200 --> 0:46:55.200
<v Speaker 1>hours and hours to get into. He is fully emotive,

0:46:55.680 --> 0:47:00.759
<v Speaker 1>like breaks your heart in a million fucking ways. He

0:47:00.840 --> 0:47:03.319
<v Speaker 1>should have been Oscar Nomen. It's an incredible movie. Find

0:47:03.320 --> 0:47:07.719
<v Speaker 1>it if you can. Great movie. Enemy Mine, Rosie up

0:47:07.719 --> 0:47:08.200
<v Speaker 1>next for you.

0:47:08.719 --> 0:47:10.560
<v Speaker 2>Okay, okay, you flipped me. I was gonna do a

0:47:10.600 --> 0:47:12.279
<v Speaker 2>different I'll do this one later, but I'll do one

0:47:12.320 --> 0:47:16.239
<v Speaker 2>now because just talking about like really weird, deep sci fi.

0:47:16.400 --> 0:47:16.640
<v Speaker 3>So I.

0:47:18.360 --> 0:47:21.440
<v Speaker 2>Was revisiting Umbrella Academy in the lead up to the

0:47:21.440 --> 0:47:24.640
<v Speaker 2>third series and I read Hotel Oblivion again, which was

0:47:24.680 --> 0:47:26.799
<v Speaker 2>the third volume which came out like eight years after

0:47:26.840 --> 0:47:30.680
<v Speaker 2>the second volume, written by Jared Way with his collaborator

0:47:30.800 --> 0:47:34.279
<v Speaker 2>artist Gabriel Barr, who is just so unreal. And if

0:47:34.280 --> 0:47:37.520
<v Speaker 2>you want to get prepared for the third season introduction

0:47:37.640 --> 0:47:41.640
<v Speaker 2>of the mysterious Sparrow Academy kind of then it's a

0:47:41.680 --> 0:47:44.520
<v Speaker 2>great thing to read. But if you just want to

0:47:44.560 --> 0:47:50.800
<v Speaker 2>read a really weird experimental sci fi comic which takes

0:47:50.840 --> 0:47:53.880
<v Speaker 2>place in these two it's like some people are trapped

0:47:53.880 --> 0:47:56.000
<v Speaker 2>in this hotel. Is it really a hotel? Is it

0:47:56.080 --> 0:47:59.759
<v Speaker 2>like a cosmic kind of void like you? And it's

0:47:59.840 --> 0:48:05.440
<v Speaker 2>just Gabriel's art is so good, and so much of

0:48:05.920 --> 0:48:09.080
<v Speaker 2>Umbrella Academy is like the creative team's love for the

0:48:09.239 --> 0:48:11.560
<v Speaker 2>X Men and for these stories. This volume is is

0:48:11.640 --> 0:48:16.040
<v Speaker 2>not really that this volume is balls to the wall bonkers,

0:48:16.800 --> 0:48:18.680
<v Speaker 2>n I mean, Gabriel's art is like he is just

0:48:19.160 --> 0:48:22.320
<v Speaker 2>a star, Like everything that he does is just beautiful.

0:48:23.200 --> 0:48:26.680
<v Speaker 2>But like I was so blown away rereading that book.

0:48:26.719 --> 0:48:30.280
<v Speaker 2>I was just like, this is like no other superhero comic.

0:48:30.600 --> 0:48:34.160
<v Speaker 2>You know, it's Cape comics, but it's not. And that

0:48:34.320 --> 0:48:36.520
<v Speaker 2>is just it's such a great read anyway, and it's

0:48:36.560 --> 0:48:39.959
<v Speaker 2>just a really easy volume and there's so much fun

0:48:40.000 --> 0:48:42.600
<v Speaker 2>to be had. But also if you're if you're excited

0:48:42.640 --> 0:48:44.520
<v Speaker 2>about the new season or you want a primer, it

0:48:44.560 --> 0:48:46.440
<v Speaker 2>works on that level as well. But I was I

0:48:46.520 --> 0:48:48.080
<v Speaker 2>read it for that reason. Then I was just like,

0:48:48.480 --> 0:48:51.320
<v Speaker 2>this is so weird in the best way. It really

0:48:51.360 --> 0:48:54.440
<v Speaker 2>delivered on what you want from that kind of Umbrella

0:48:54.520 --> 0:48:55.960
<v Speaker 2>Academy stance. It was.

0:48:56.000 --> 0:48:59.359
<v Speaker 1>It was great what I think Gerard Way might have

0:48:59.400 --> 0:49:03.319
<v Speaker 1>the coolest can act like of people that I can

0:49:03.760 --> 0:49:06.359
<v Speaker 1>think of in terms of like going into a completely

0:49:06.400 --> 0:49:09.840
<v Speaker 1>different lane and being really good at it. Of course,

0:49:09.920 --> 0:49:13.520
<v Speaker 1>like is the as the lead vocalist of My Chemical

0:49:13.600 --> 0:49:19.279
<v Speaker 1>Romance was extremely influential. But like the flip to to

0:49:19.480 --> 0:49:22.160
<v Speaker 1>comics and Umbrella Academy, I remember at the time being like,

0:49:23.080 --> 0:49:26.080
<v Speaker 1>let's see and then being like, oh fuck, this is

0:49:26.120 --> 0:49:26.960
<v Speaker 1>good shit.

0:49:29.160 --> 0:49:31.759
<v Speaker 3>Twice Yeah, motherfucker.

0:49:32.120 --> 0:49:34.560
<v Speaker 2>His story arc is so unbelievable as well, because he

0:49:34.640 --> 0:49:37.520
<v Speaker 2>was like a Vertigo intern as a teenager, and it

0:49:37.640 --> 0:49:38.799
<v Speaker 2>was like, is this gonna work?

0:49:38.880 --> 0:49:38.960
<v Speaker 1>Is?

0:49:39.000 --> 0:49:40.759
<v Speaker 2>And Okay, now I'll go and start like the most

0:49:40.760 --> 0:49:45.120
<v Speaker 2>famous emo like stadium rock band of you know, the decade.

0:49:45.440 --> 0:49:47.400
<v Speaker 2>But I'm staying friends with Jim Lee who loves this

0:49:47.480 --> 0:49:50.160
<v Speaker 2>kind of music. And then kind of somehow you end

0:49:50.239 --> 0:49:52.840
<v Speaker 2>up in this space where you create like one of

0:49:52.920 --> 0:49:55.600
<v Speaker 2>not only one of the most successful indie comics, but

0:49:55.640 --> 0:49:58.480
<v Speaker 2>then it becomes one of the biggest Netflix originals. I

0:49:58.520 --> 0:50:01.359
<v Speaker 2>know so many people who love Umbrella Academy who've never

0:50:01.360 --> 0:50:04.280
<v Speaker 2>read a comic. Yeah, yeah, they just love the show.

0:50:04.360 --> 0:50:06.680
<v Speaker 2>It is a true crossover success in that way.

0:50:06.840 --> 0:50:15.120
<v Speaker 1>When we're back more comics Corner, We're back, So I'm

0:50:15.120 --> 0:50:17.920
<v Speaker 1>gonna go listen. I've been on my I'm gonna go

0:50:18.000 --> 0:50:20.520
<v Speaker 1>Cape again. I've been on my X Men slash Mutant

0:50:20.640 --> 0:50:25.000
<v Speaker 1>thing as they are transitioning into the Immortal X Men

0:50:25.160 --> 0:50:29.919
<v Speaker 1>slash x Men. Red Phase shouts at what a come

0:50:30.000 --> 0:50:32.880
<v Speaker 1>up for my mutant family. They were on the Village

0:50:32.880 --> 0:50:35.880
<v Speaker 1>of Extinction. There was like less than two hundred of

0:50:35.920 --> 0:50:39.520
<v Speaker 1>them left. Now they're colonizing Mars. It's look at us

0:50:39.560 --> 0:50:44.080
<v Speaker 1>now we'd be here and kind of against all odds.

0:50:44.120 --> 0:50:48.000
<v Speaker 1>I don't know if that's true. My favorite, I love

0:50:48.040 --> 0:50:50.520
<v Speaker 1>my X Men, but kind of my favorite, like ongoing

0:50:50.640 --> 0:50:53.319
<v Speaker 1>X solo title has been Marauders, like the whole time,

0:50:53.400 --> 0:51:01.319
<v Speaker 1>so Steve Orlando, Eleonora Carlini, Matt Miller or They have

0:51:01.400 --> 0:51:03.279
<v Speaker 1>just released Marauders number one. It's kind of like a

0:51:03.320 --> 0:51:07.560
<v Speaker 1>reboot of the ongoing Marauders title and it's super fun.

0:51:08.000 --> 0:51:10.400
<v Speaker 1>I'm enjoying spending the time on the high seas with

0:51:11.000 --> 0:51:15.160
<v Speaker 1>Don't Call Her Kitty, Catherine Pride, Lockheed and the rest

0:51:15.200 --> 0:51:19.440
<v Speaker 1>of the Pirate crew, sailing from nation to nation, making

0:51:19.480 --> 0:51:22.000
<v Speaker 1>sure that Mutants can go to Krakoa if they so

0:51:22.120 --> 0:51:25.360
<v Speaker 1>wish to do so. It's been really fun. Lots of

0:51:25.400 --> 0:51:31.320
<v Speaker 1>fun shenanigans with with you know, the the Black King Shaw,

0:51:31.719 --> 0:51:34.520
<v Speaker 1>lots of stuff going on. It's if you want to

0:51:34.560 --> 0:51:38.200
<v Speaker 1>get into like an X book that is not so

0:51:39.400 --> 0:51:43.520
<v Speaker 1>wrapped up in a lot of the ongoing like ex Politics,

0:51:43.520 --> 0:51:47.279
<v Speaker 1>and it's kind of like, in my my read of

0:51:47.320 --> 0:51:49.480
<v Speaker 1>it is kind of like the easiest to follow one.

0:51:49.680 --> 0:51:51.359
<v Speaker 1>Like if you want to drop into the X world

0:51:51.400 --> 0:51:52.520
<v Speaker 1>and you're like, oh my god, do I have to

0:51:52.560 --> 0:51:54.680
<v Speaker 1>do like House of X and donno X and all

0:51:54.719 --> 0:51:58.400
<v Speaker 1>that stuff and get here, yes and no, and you

0:51:58.480 --> 0:51:59.960
<v Speaker 1>just want to pick it up and see what's going on.

0:52:00.320 --> 0:52:02.560
<v Speaker 1>I would Marauder's Number one is a great place to

0:52:02.600 --> 0:52:08.239
<v Speaker 1>get on, and the previous Marauders ongoing before the renumber

0:52:08.600 --> 0:52:12.560
<v Speaker 1>was just super straightforward, really fun, just like Mutants on

0:52:12.600 --> 0:52:14.359
<v Speaker 1>the High Seas I think.

0:52:14.760 --> 0:52:16.319
<v Speaker 2>I think like one of the best things about the

0:52:16.480 --> 0:52:19.319
<v Speaker 2>X titles at the moment is like their additive so

0:52:19.400 --> 0:52:21.480
<v Speaker 2>you can read an X book and really enjoy it,

0:52:21.840 --> 0:52:24.879
<v Speaker 2>but like if you've read every other X book, you're

0:52:24.880 --> 0:52:27.040
<v Speaker 2>going to find even more to dig into and enjoy,

0:52:27.120 --> 0:52:28.839
<v Speaker 2>so you can find the one you like, whether it's

0:52:28.840 --> 0:52:31.759
<v Speaker 2>Hellians or Marauders and more X men. I thought it

0:52:31.800 --> 0:52:35.080
<v Speaker 2>was brilliant the first issue, like and then if you've

0:52:35.120 --> 0:52:38.160
<v Speaker 2>read it, you get in jokes and bits, but otherwise,

0:52:38.239 --> 0:52:40.359
<v Speaker 2>like you can go back and add more onto it,

0:52:40.440 --> 0:52:42.480
<v Speaker 2>and it kind of works in this lateral way that

0:52:42.520 --> 0:52:45.520
<v Speaker 2>I think is really cool for a wide line of comics.

0:52:45.719 --> 0:52:49.520
<v Speaker 1>Shouts to mister Sinister going evil once again. He's been

0:52:49.560 --> 0:52:54.240
<v Speaker 1>played for laughs in Hells. I like he stayed sasy.

0:52:54.520 --> 0:52:56.800
<v Speaker 2>He's more a X Man. He's been eight sassy.

0:52:57.120 --> 0:53:00.360
<v Speaker 1>He's been incredibly sassy over the last year. To have

0:53:00.360 --> 0:53:02.239
<v Speaker 1>two years and now in a moral X Men, my

0:53:02.320 --> 0:53:07.000
<v Speaker 1>guys taking the keeltering but still still snapping on people.

0:53:07.480 --> 0:53:11.000
<v Speaker 2>I love that fast issue of a Mortal X Men

0:53:11.040 --> 0:53:15.520
<v Speaker 2>has one of my all time recent fave lettering uses

0:53:15.600 --> 0:53:19.120
<v Speaker 2>where they I think it's Clayton calculates that book, but

0:53:19.160 --> 0:53:22.960
<v Speaker 2>I'll double check, but he goes he does like a what,

0:53:23.320 --> 0:53:26.359
<v Speaker 2>and the what is like just huge. But when you

0:53:26.440 --> 0:53:28.600
<v Speaker 2>read it in the context of the joke where he's

0:53:28.600 --> 0:53:31.080
<v Speaker 2>trying to act surprised and at the bottom it says like,

0:53:31.239 --> 0:53:34.600
<v Speaker 2>was that too much? It's so funny. I've reread it

0:53:34.680 --> 0:53:36.799
<v Speaker 2>multiple times and it's made me laugh out loud, like

0:53:37.280 --> 0:53:39.400
<v Speaker 2>the we all know this, And we talked about Tom

0:53:39.480 --> 0:53:43.680
<v Speaker 2>Miller's amazing production design, but the intricacies and detail and

0:53:43.920 --> 0:53:46.440
<v Speaker 2>of quality that they're putting in every level on those

0:53:46.480 --> 0:53:48.200
<v Speaker 2>books is very good.

0:53:48.920 --> 0:53:52.040
<v Speaker 3>Zigurre up all right, So I'm off my art shit

0:53:52.160 --> 0:53:55.759
<v Speaker 3>and onto a more traditional comic, A Righteous Thirst from

0:53:55.840 --> 0:54:03.600
<v Speaker 3>Vengeance out of Are a nice slow burn act thriller comic.

0:54:04.760 --> 0:54:06.520
<v Speaker 3>I highly recommend if you're a fan of like A

0:54:06.880 --> 0:54:10.200
<v Speaker 3>History of Violence or Green Room or Blue Ruin, like

0:54:10.200 --> 0:54:13.880
<v Speaker 3>those who are like Grady grounded, also bizarrely hyper violent

0:54:14.640 --> 0:54:19.120
<v Speaker 3>action thrillers, I highly recommend uh a Thirst for for

0:54:19.360 --> 0:54:21.799
<v Speaker 3>a Righteous for Vengeance. And also I defy you to

0:54:21.840 --> 0:54:25.560
<v Speaker 3>read this and not picture Benedict Wang as the lead

0:54:26.760 --> 0:54:32.399
<v Speaker 3>the cover, it's.

0:54:32.640 --> 0:54:37.520
<v Speaker 1>Yeah, uh Rosie, Yeah, I'm gonna go there.

0:54:37.560 --> 0:54:40.160
<v Speaker 2>I'm gonna the other direction. If you've read A Righteous

0:54:40.200 --> 0:54:42.720
<v Speaker 2>Best Vengeance and you're like, I need something really chill,

0:54:43.239 --> 0:54:46.600
<v Speaker 2>slice a watch one of my favorite comics of all

0:54:46.600 --> 0:54:52.399
<v Speaker 2>time and probably my favorite living cartoonist, Ramiko Takahashi, who

0:54:52.440 --> 0:54:56.320
<v Speaker 2>is behind any Yasha Lum basically any favorite anime or

0:54:56.400 --> 0:54:59.200
<v Speaker 2>manga that you read as a teen. Uh Ramiko was

0:54:59.239 --> 0:55:02.560
<v Speaker 2>probably behind it. And she has this unbelievable slice of

0:55:02.560 --> 0:55:05.400
<v Speaker 2>life book called Maison a Cuckoo that's about a young

0:55:05.960 --> 0:55:09.640
<v Speaker 2>widow who takes over an eclectic boarding house and it

0:55:09.719 --> 0:55:15.800
<v Speaker 2>is like the funniest, sauciest, silliest slapstick. Every single page

0:55:15.880 --> 0:55:17.239
<v Speaker 2>there's something that will make you want to get a

0:55:17.239 --> 0:55:18.360
<v Speaker 2>tattoo because.

0:55:18.320 --> 0:55:20.560
<v Speaker 1>Romiko is stunning, dangerous.

0:55:20.640 --> 0:55:25.759
<v Speaker 2>She's stunning like figure work and watercolors, and they and

0:55:25.920 --> 0:55:28.680
<v Speaker 2>Viz is currently doing beautiful reprints. I think they're up

0:55:28.719 --> 0:55:32.319
<v Speaker 2>to volume seven now. But she's also really good at

0:55:32.360 --> 0:55:35.640
<v Speaker 2>a gag face. So if you love like Sailor Moon

0:55:35.680 --> 0:55:37.359
<v Speaker 2>and you love when in the back you see like

0:55:37.600 --> 0:55:40.400
<v Speaker 2>they got the little silly gagfaces, Remiko just has that

0:55:40.480 --> 0:55:44.400
<v Speaker 2>down pat It's it's a romance. It's really thoughtful about grief.

0:55:44.480 --> 0:55:47.759
<v Speaker 2>But it's also like Romiko is a very saucy cartoonist,

0:55:47.840 --> 0:55:50.319
<v Speaker 2>like she created Lum, who is like this sexy blue

0:55:50.320 --> 0:55:54.399
<v Speaker 2>headed alien with the leopard print bikini. There's just there's

0:55:54.440 --> 0:55:56.279
<v Speaker 2>so much fun to be had. And this is like

0:55:56.520 --> 0:55:58.840
<v Speaker 2>the vis reprints that they're doing of this a bunch

0:55:58.840 --> 0:56:01.160
<v Speaker 2>of other Romiko stuff. If they did Mermaids Saga, they're

0:56:01.160 --> 0:56:03.320
<v Speaker 2>also doing Fist in the North Star ones that are beautiful.

0:56:03.960 --> 0:56:05.840
<v Speaker 2>They're the kind of books that make you want to

0:56:05.840 --> 0:56:09.880
<v Speaker 2>reread them, Like the versions they're doing are so beautiful.

0:56:09.920 --> 0:56:12.400
<v Speaker 2>So yeah, Maison a Cuckoo. I love this comic. I

0:56:12.400 --> 0:56:14.719
<v Speaker 2>want everyone to read it. I want vis to re

0:56:14.719 --> 0:56:19.239
<v Speaker 2>release the live action eighties adaptation series that they made

0:56:19.280 --> 0:56:22.200
<v Speaker 2>of it, which has never been re released. I need

0:56:22.239 --> 0:56:24.120
<v Speaker 2>to see that, so everyone's go and read this. So

0:56:24.239 --> 0:56:26.080
<v Speaker 2>visual we'll publish that.

0:56:26.000 --> 0:56:27.600
<v Speaker 3>Every time we do. We need these episodes. My bank

0:56:27.640 --> 0:56:30.120
<v Speaker 3>account is just the same thing. Pain.

0:56:30.560 --> 0:56:36.040
<v Speaker 1>I know, it's pain, dude, same for me. Okay, uh my,

0:56:36.600 --> 0:56:41.600
<v Speaker 1>this is really hard. But so I've been uh I've

0:56:41.600 --> 0:56:45.240
<v Speaker 1>been very active on my Marvel Unlimited, digging through the stacks.

0:56:45.239 --> 0:56:48.239
<v Speaker 1>I've been reading a lot of West Coast Avengers just

0:56:48.280 --> 0:56:51.000
<v Speaker 1>to you know, catch the vibe and remember what that

0:56:51.239 --> 0:56:57.000
<v Speaker 1>was like. And they recently released all of the X

0:56:57.120 --> 0:57:00.719
<v Speaker 1>Deaths of Wolverine series on there, and you know what,

0:57:01.480 --> 0:57:10.920
<v Speaker 1>as a as a recovering Wolverine, loganhead was a huge look.

0:57:11.040 --> 0:57:13.560
<v Speaker 1>You know. I was like, as a kid, that was it.

0:57:14.320 --> 0:57:17.200
<v Speaker 1>I was a loganhead. I'd run around and wonder, man,

0:57:17.240 --> 0:57:18.720
<v Speaker 1>what would be how cool would it be to have

0:57:18.800 --> 0:57:20.880
<v Speaker 1>like little metal claws come out of my knuckles and

0:57:21.040 --> 0:57:25.160
<v Speaker 1>like have every time? The best there is at what

0:57:25.240 --> 0:57:27.400
<v Speaker 1>I do. But what I do is very nice and

0:57:27.440 --> 0:57:30.200
<v Speaker 1>it's read comics all the time. I think that, uh,

0:57:30.680 --> 0:57:34.120
<v Speaker 1>Excess Wolverine is super fun. It's super fun. It's like, uh,

0:57:34.320 --> 0:57:37.200
<v Speaker 1>it's again a kind of thing that gives you a

0:57:37.240 --> 0:57:42.000
<v Speaker 1>lot of sprinklings of ongoing events, uh you know, post

0:57:42.040 --> 0:57:46.840
<v Speaker 1>Kracoa events in Mutantom, But it's a Wolverine story that

0:57:46.920 --> 0:57:50.840
<v Speaker 1>takes you on a kind of time traveling and a

0:57:50.920 --> 0:57:56.040
<v Speaker 1>swashbuckling tour of Wolverine's life as heat. Uh. It's like

0:57:56.120 --> 0:58:01.320
<v Speaker 1>basically Terminator Wolverine goes back through the timeline trying to

0:58:01.400 --> 0:58:05.480
<v Speaker 1>stop Omega Red from killing Professor X sometime in the past,

0:58:06.080 --> 0:58:10.840
<v Speaker 1>and it happens. It happens all the time. It happens,

0:58:10.880 --> 0:58:14.880
<v Speaker 1>It happens the best. Yeah, and Omega Red has developed

0:58:14.880 --> 0:58:18.080
<v Speaker 1>this new thing where he can, you know, touch someone

0:58:18.120 --> 0:58:22.440
<v Speaker 1>and basically possess them, which is a problem. And so

0:58:22.600 --> 0:58:25.200
<v Speaker 1>Wolverine's got to go back through his old bodies. Now

0:58:25.200 --> 0:58:27.600
<v Speaker 1>he's young Wolverine. Now he's patched. Now he's a different

0:58:27.640 --> 0:58:30.720
<v Speaker 1>version of Now he's WEAPONEX Wolverine. Now he's Wolverine, Uh,

0:58:30.800 --> 0:58:34.880
<v Speaker 1>you know, lurking in the Central American jungles with Sabertooth

0:58:35.000 --> 0:58:36.800
<v Speaker 1>and that other weird guy he used to hang around

0:58:36.800 --> 0:58:40.720
<v Speaker 1>with Maverick. Uh, and I gotta tell you, I'm having

0:58:40.720 --> 0:58:42.560
<v Speaker 1>a good time. I'm having a good time reading it.

0:58:42.600 --> 0:58:44.280
<v Speaker 1>I don't know what to tell you that that has

0:58:44.320 --> 0:58:49.280
<v Speaker 1>been our comics recommendations. Let's dive into stuff that we

0:58:49.400 --> 0:58:53.040
<v Speaker 1>think might be useful for people to talk about to read.

0:58:54.000 --> 0:58:57.959
<v Speaker 1>As Doctor Strange approaches. First one on this list, which

0:58:58.040 --> 0:58:59.600
<v Speaker 1>Rosie and I were talking about, I wonder if you've

0:58:59.600 --> 0:59:04.000
<v Speaker 1>read it. Zig is Doctor Strange, Doctor Doom Triumphant Torment

0:59:04.240 --> 0:59:06.680
<v Speaker 1>written by Rogers Stern with pencils and covers by Mike

0:59:06.760 --> 0:59:10.520
<v Speaker 1>Magnola and Mark Badger. And it's like what Mike Manola

0:59:10.600 --> 0:59:14.240
<v Speaker 1>doing Doctor Strange and Doctor I love it. And it's

0:59:14.240 --> 0:59:19.680
<v Speaker 1>a great one shot story that really lets you into

0:59:19.800 --> 0:59:23.439
<v Speaker 1>how thirsty Doctor Doom is from magic man.

0:59:23.760 --> 0:59:29.560
<v Speaker 2>This guy he loves.

0:59:27.320 --> 0:59:32.120
<v Speaker 1>Tempting the magic. He loves going over the line with

0:59:32.240 --> 0:59:36.959
<v Speaker 1>like if you thought Doctor Strange pushed it with the spells,

0:59:37.040 --> 0:59:39.520
<v Speaker 1>with the crossing the line with the like books he

0:59:39.560 --> 0:59:41.320
<v Speaker 1>shouldn't read, but he's gonna go ahead and read. The

0:59:42.800 --> 0:59:44.320
<v Speaker 1>Doctor Doom is even more that.

0:59:45.640 --> 0:59:45.880
<v Speaker 4>Uh.

0:59:45.880 --> 0:59:48.840
<v Speaker 1>And you know Mignola is Mgnola. It's super fun. Uh.

0:59:49.800 --> 0:59:53.520
<v Speaker 1>Mephisto is there that is that would be my first

0:59:53.520 --> 0:59:57.720
<v Speaker 1>recommendation for something that is like easily easy to pick up.

0:59:57.760 --> 0:59:59.240
<v Speaker 1>You don't need to know a lot if you wanted

0:59:59.280 --> 1:00:02.480
<v Speaker 1>to pick it up and read it. Any of y'all

1:00:02.560 --> 1:00:06.800
<v Speaker 1>have any any any recommendations along or sides, I've got one.

1:00:06.800 --> 1:00:09.120
<v Speaker 2>But another thing I think is really good about that

1:00:09.240 --> 1:00:12.120
<v Speaker 2>piece is like it really specifically centers on like doctor

1:00:12.120 --> 1:00:15.160
<v Speaker 2>Doom's mom, which is like a weird thing they were

1:00:15.200 --> 1:00:18.000
<v Speaker 2>obsessed with in the eighties and nineties because in some

1:00:18.040 --> 1:00:22.080
<v Speaker 2>of the Moonlight stuff where shot Horror dodtr Doom appears

1:00:22.280 --> 1:00:24.560
<v Speaker 2>it's all to do with his mom, Like this guy

1:00:24.600 --> 1:00:27.480
<v Speaker 2>has mother issues and they were being explored. So who

1:00:27.480 --> 1:00:29.720
<v Speaker 2>knows is that going to come into it in them? See,

1:00:29.920 --> 1:00:32.640
<v Speaker 2>I don't know, but it seems interesting and connected. So

1:00:33.760 --> 1:00:35.360
<v Speaker 2>first of all, as well, I always think it's so

1:00:35.440 --> 1:00:37.920
<v Speaker 2>funny when you, even as people have been reading these

1:00:37.920 --> 1:00:41.080
<v Speaker 2>comics however long like decades or whatever, whenever we find

1:00:41.080 --> 1:00:43.040
<v Speaker 2>a might make know the Big Two comics, they're like.

1:00:43.000 --> 1:00:48.520
<v Speaker 1>Oh my god, he did, like, okay, pick it up.

1:00:50.160 --> 1:00:53.520
<v Speaker 2>Yeah, it's like it's happening, but I'm going to go newer.

1:00:53.960 --> 1:00:55.480
<v Speaker 1>Yeah I was.

1:00:55.640 --> 1:00:59.320
<v Speaker 2>I've kind of read like the first issue of this series,

1:00:59.440 --> 1:01:01.520
<v Speaker 2>the Death of Doctor Strange, but I recently read the

1:01:01.560 --> 1:01:05.200
<v Speaker 2>whole thing. The five issue collection is at now Jeff McKay.

1:01:05.240 --> 1:01:08.080
<v Speaker 2>Pencils by legue Ar, but Curry Andrews does great covers.

1:01:08.680 --> 1:01:13.240
<v Speaker 2>This is like such a fun book. The idea is

1:01:13.280 --> 1:01:16.880
<v Speaker 2>like Doctor Strange is gonna die. He gets killed? Who

1:01:16.880 --> 1:01:19.640
<v Speaker 2>did it? And he gets to kind of like we

1:01:19.760 --> 1:01:23.120
<v Speaker 2>have to work out what happened? And it's timey wimy

1:01:23.960 --> 1:01:28.640
<v Speaker 2>r is like so beautiful, cartoony and beautiful and fun,

1:01:28.800 --> 1:01:33.160
<v Speaker 2>and there's like cute animal characters and I feel like,

1:01:33.840 --> 1:01:37.920
<v Speaker 2>you know, zig no comment from you here inside business. Yeah,

1:01:38.120 --> 1:01:40.240
<v Speaker 2>I feel like one of my favorite things talk about

1:01:40.280 --> 1:01:46.120
<v Speaker 2>is how Marvel Seed stuff is very they want people

1:01:46.160 --> 1:01:49.760
<v Speaker 2>to necessarily conceptualize or come to terms with, or become

1:01:49.760 --> 1:01:52.240
<v Speaker 2>familiar with. And this feels like one of those comics

1:01:52.240 --> 1:01:55.680
<v Speaker 2>where I'm like, one, it's a fun superhero romp, but two,

1:01:56.400 --> 1:02:01.880
<v Speaker 2>have a read Doctor Strange, you might be happy.

1:02:02.640 --> 1:02:05.400
<v Speaker 3>Yeah. I definitely feel that same way, whether or not

1:02:05.440 --> 1:02:07.360
<v Speaker 3>that's what the book that I'm currently writing, I think

1:02:07.360 --> 1:02:11.680
<v Speaker 3>that's also the same energy, right, Yeah, And also Jet's

1:02:11.680 --> 1:02:13.479
<v Speaker 3>a fantastic, fantastic writer.

1:02:13.960 --> 1:02:15.479
<v Speaker 2>Yeah, this book is so fun.

1:02:15.560 --> 1:02:17.680
<v Speaker 3>Yeah, he's such a fucking fun fun writer.

1:02:18.520 --> 1:02:20.400
<v Speaker 1>Should add one of the I think one of the

1:02:20.400 --> 1:02:23.840
<v Speaker 1>things that really felt like, oh we're seeing this is

1:02:24.160 --> 1:02:25.960
<v Speaker 1>so part of this is not a spoiler, but you

1:02:26.000 --> 1:02:29.520
<v Speaker 1>know Doctor Strange's murder, who did it? And of course

1:02:29.600 --> 1:02:33.960
<v Speaker 1>Doctor Strange has a uh, you know protocol in place

1:02:34.080 --> 1:02:38.200
<v Speaker 1>should he die by means, and that protocol is to

1:02:38.320 --> 1:02:43.280
<v Speaker 1>like activate an earlier, much more aggressive, much more line

1:02:43.320 --> 1:02:46.640
<v Speaker 1>steppy version of himself, pluck that version out of whatever

1:02:46.680 --> 1:02:48.800
<v Speaker 1>timeline is in and bring them, bring them to the

1:02:48.800 --> 1:02:49.919
<v Speaker 1>present to figure it out.

1:02:50.000 --> 1:02:53.600
<v Speaker 2>Yeah, did he like a shlock? He asks, yes, like experience.

1:02:53.640 --> 1:02:56.320
<v Speaker 2>So then let's just say, seems like could be influential.

1:02:56.560 --> 1:02:59.560
<v Speaker 1>I feel that it could be. Did you have anything?

1:03:00.360 --> 1:03:02.520
<v Speaker 3>Yeah? I was really torn, but I think I'm gonna

1:03:02.520 --> 1:03:08.840
<v Speaker 3>go with Hickman's New Avengers run time time runs out. Yeah, yeah,

1:03:09.560 --> 1:03:11.400
<v Speaker 3>I mean I think anyone could tell from the trailers

1:03:11.440 --> 1:03:12.760
<v Speaker 3>that the ILLUMINAI is going to be in this, and

1:03:12.760 --> 1:03:14.760
<v Speaker 3>like that Illuminati is such a big part of Doctor

1:03:14.800 --> 1:03:18.200
<v Speaker 3>Strange's current origin, at least as modern with the last

1:03:18.200 --> 1:03:21.040
<v Speaker 3>ten years origin. And if you're really looking for like

1:03:21.120 --> 1:03:24.160
<v Speaker 3>just a really fun four issue runs like or five

1:03:24.200 --> 1:03:26.800
<v Speaker 3>issue run to jump in. I think it's it's sixteen

1:03:26.840 --> 1:03:30.520
<v Speaker 3>through twenty one of Hickman's New Avengers. I introduces one

1:03:30.560 --> 1:03:32.800
<v Speaker 3>of my absolute favorite characters, Son God. He's just a

1:03:32.840 --> 1:03:36.600
<v Speaker 3>Superman pastiche there's a fantastic fight between him and Hulk

1:03:36.680 --> 1:03:37.920
<v Speaker 3>that when I was read it, when I was like,

1:03:37.920 --> 1:03:40.760
<v Speaker 3>twenty seven was the hypest shit I ever read, and

1:03:40.920 --> 1:03:43.240
<v Speaker 3>twenty seven and I was turning up, I was quoting it.

1:03:43.520 --> 1:03:45.200
<v Speaker 3>I had the pictures of my tumbler like I was

1:03:45.240 --> 1:03:47.760
<v Speaker 3>taking scanning them alone. There. It's a really great entry

1:03:47.800 --> 1:03:50.040
<v Speaker 3>for that, and I'm I'm just from the trailer. I'm

1:03:50.080 --> 1:03:53.640
<v Speaker 3>assuming they're gonna be doing some fun Illuminati underhandedness, and

1:03:53.640 --> 1:03:55.880
<v Speaker 3>I hope that they get some fun, big, big action

1:03:55.960 --> 1:03:57.080
<v Speaker 3>fight scenes like that in there.

1:03:57.440 --> 1:04:01.280
<v Speaker 1>That is I think a monumental run. Great no, And

1:04:01.360 --> 1:04:01.720
<v Speaker 1>I think it.

1:04:01.960 --> 1:04:03.840
<v Speaker 2>Makes a lot of sense because it leads into like

1:04:03.880 --> 1:04:05.320
<v Speaker 2>one of the things that we talk about a lot

1:04:05.360 --> 1:04:07.640
<v Speaker 2>with your Secret Wars and how that seems like the

1:04:07.640 --> 1:04:10.960
<v Speaker 2>future of the MCU, and and there's doctor Doom elements,

1:04:11.000 --> 1:04:12.800
<v Speaker 2>you know, God Doom, all that kind of stuff. So

1:04:12.840 --> 1:04:14.800
<v Speaker 2>I think I think that's a brilliant pick and also

1:04:14.920 --> 1:04:15.240
<v Speaker 2>just fun.

1:04:15.480 --> 1:04:18.720
<v Speaker 1>One of my favorite parts of that Time runs out

1:04:18.800 --> 1:04:22.880
<v Speaker 1>Run is the war between Atlantis and Wakanda, which feels

1:04:22.920 --> 1:04:26.440
<v Speaker 1>like feels like feeding something you need to, you need

1:04:26.480 --> 1:04:29.080
<v Speaker 1>to pay attention to, and that was a thing that

1:04:29.200 --> 1:04:33.960
<v Speaker 1>absolutely grabbed me by the collar when I was reading. Oh,

1:04:34.000 --> 1:04:37.480
<v Speaker 1>some of the twists and turns in that, like ongoing Struggle,

1:04:37.680 --> 1:04:42.680
<v Speaker 1>are like, man, you can't believe what happens. Great, great,

1:04:42.760 --> 1:04:47.760
<v Speaker 1>great run. I will pick a house of m for mine.

1:04:48.080 --> 1:04:53.160
<v Speaker 1>The two thousand and five limited series Brian Michael Bendis,

1:04:53.320 --> 1:04:58.320
<v Speaker 1>pencils by the Great Oliver Corpel, covers by the Great

1:04:58.400 --> 1:05:03.120
<v Speaker 1>east Side, Ribbitch, and eight Core issues you can stick

1:05:03.160 --> 1:05:05.880
<v Speaker 1>to those, but there are lots of tie ins that

1:05:06.000 --> 1:05:09.120
<v Speaker 1>spread out, you know, across different titles. But the basic

1:05:10.360 --> 1:05:18.400
<v Speaker 1>plot is Wanda is just so heartsick over the struggles

1:05:18.440 --> 1:05:21.440
<v Speaker 1>that mutants have had to go through over the generations

1:05:21.520 --> 1:05:26.080
<v Speaker 1>and the years, and them being oppressed and and through

1:05:26.120 --> 1:05:29.640
<v Speaker 1>fits and starts, like all the attempted genocides that have

1:05:29.720 --> 1:05:33.040
<v Speaker 1>happened over the course of time, and she's like, forget it,

1:05:33.120 --> 1:05:38.400
<v Speaker 1>that's enough. I want to please my mutant family. Magneto

1:05:38.760 --> 1:05:41.920
<v Speaker 1>and Quicksilver and I want to I want to heal

1:05:42.280 --> 1:05:44.800
<v Speaker 1>a mutantom, and so I'm going to create a world

1:05:44.880 --> 1:05:51.320
<v Speaker 1>in which mutants reign. Mutants are the main force in

1:05:51.360 --> 1:05:54.800
<v Speaker 1>the world, and there are like non powered people, but

1:05:54.840 --> 1:05:59.000
<v Speaker 1>they're they're a vast minority, and mutants run the world.

1:05:59.880 --> 1:06:04.920
<v Speaker 1>And I feel like this is gonna be you know,

1:06:04.920 --> 1:06:06.480
<v Speaker 1>we've talked about it before on this pod, but I

1:06:06.480 --> 1:06:10.360
<v Speaker 1>feel like, up it comes up a lot, right, and

1:06:10.400 --> 1:06:12.560
<v Speaker 1>it feels like, listen, we're waiting for mutants to come

1:06:12.600 --> 1:06:16.360
<v Speaker 1>into the MCU. Wanda is growing more and more powerful

1:06:16.400 --> 1:06:18.360
<v Speaker 1>with the ability, as we have seen over the course

1:06:18.400 --> 1:06:22.720
<v Speaker 1>of Wanna Vision to alter reality and really like the

1:06:23.040 --> 1:06:26.800
<v Speaker 1>drastic ways. And we know that the at least some

1:06:26.840 --> 1:06:31.040
<v Speaker 1>part of Doctor Strange and the Multiverse Amandas involves Strange

1:06:31.080 --> 1:06:35.000
<v Speaker 1>going to a place where other powered people exist, which

1:06:35.000 --> 1:06:37.680
<v Speaker 1>is how we get America Shavas. And we also know that, like, man,

1:06:37.720 --> 1:06:40.400
<v Speaker 1>you hear the voice of Patrick Stewart in that fucking trailer.

1:06:43.120 --> 1:06:46.280
<v Speaker 3>He was basically saying, you makes them with magic. It

1:06:46.320 --> 1:06:49.600
<v Speaker 3>like it's really hard. You could not distinguish. There's no

1:06:49.640 --> 1:06:50.400
<v Speaker 3>high knew that was.

1:06:51.280 --> 1:06:53.840
<v Speaker 1>And so it's a really really fun story. I highly

1:06:53.920 --> 1:06:56.640
<v Speaker 1>recommend it my guy Wolverine. Again, if you're a Wolverine head,

1:06:56.680 --> 1:06:58.720
<v Speaker 1>he does some he makes some things happen in this

1:07:00.200 --> 1:07:00.840
<v Speaker 1>and some stuff.

1:07:02.760 --> 1:07:03.800
<v Speaker 2>That man has a memory.

1:07:04.160 --> 1:07:07.480
<v Speaker 1>He always like when it's just like normal life, he

1:07:07.520 --> 1:07:09.680
<v Speaker 1>can't remember anything about what he used to do, But

1:07:09.720 --> 1:07:13.680
<v Speaker 1>when he gets transported to another like timelized dimension, all

1:07:13.720 --> 1:07:16.560
<v Speaker 1>of a sudden, he can't forget what happened in the

1:07:16.560 --> 1:07:20.600
<v Speaker 1>previous world anyway. Uh, and Rosie, you have anything else?

1:07:21.080 --> 1:07:22.960
<v Speaker 2>Yeah, I got one more. But I also just want

1:07:23.000 --> 1:07:26.120
<v Speaker 2>to say, like, this leads to my favorite theory that

1:07:26.160 --> 1:07:28.680
<v Speaker 2>I I It like pops up every soft and on Reddit,

1:07:28.720 --> 1:07:31.760
<v Speaker 2>I've seen it on TikTok, which is the MCU as

1:07:31.800 --> 1:07:36.040
<v Speaker 2>it exists, is the No More Mutants universe. I just

1:07:36.280 --> 1:07:40.160
<v Speaker 2>wonder creating the House of M. I love that it's

1:07:40.160 --> 1:07:43.120
<v Speaker 2>never gonna happen. Every time I think about it, I

1:07:43.160 --> 1:07:45.720
<v Speaker 2>am just like that is so efficient and it is

1:07:45.880 --> 1:07:48.720
<v Speaker 2>so effective. And you know, I think the trailer where

1:07:48.720 --> 1:07:50.520
<v Speaker 2>we see Charles and everyone and he says, you know,

1:07:50.840 --> 1:07:54.400
<v Speaker 2>it's time to tell him the truth. Oh the truth

1:07:54.560 --> 1:07:58.200
<v Speaker 2>is you know mutants exist outside this world, and uh, yeah,

1:07:58.200 --> 1:08:00.440
<v Speaker 2>I think House of M. Like there's so much stuff

1:08:00.440 --> 1:08:04.240
<v Speaker 2>there because people get to live their dream lives, like

1:08:04.320 --> 1:08:07.000
<v Speaker 2>Peter is happy, and then you have this choice of

1:08:07.040 --> 1:08:08.160
<v Speaker 2>like having to give it up.

1:08:09.040 --> 1:08:09.280
<v Speaker 1>Yeah.

1:08:09.280 --> 1:08:11.840
<v Speaker 2>I think another really good one, which is really new,

1:08:12.640 --> 1:08:20.680
<v Speaker 2>is Captain Carter. Jamie McKelvey, Icondriga Cresta newer artists on

1:08:20.720 --> 1:08:24.880
<v Speaker 2>that doing some really dynamic stuff. And if you enjoyed

1:08:24.880 --> 1:08:27.080
<v Speaker 2>the first issue episode of What If If you want

1:08:27.080 --> 1:08:29.720
<v Speaker 2>to know more about Captain Carter, who we think is

1:08:29.760 --> 1:08:33.120
<v Speaker 2>probably going to show up in Doctor Strange Too, then

1:08:33.120 --> 1:08:35.759
<v Speaker 2>this is a great place to go. It's got political intrigue,

1:08:36.080 --> 1:08:40.759
<v Speaker 2>it's got anti fascist tendencies, It's got really really really

1:08:40.800 --> 1:08:45.280
<v Speaker 2>really really cool character work for Captain Carter. It introduces

1:08:46.000 --> 1:08:48.360
<v Speaker 2>a different version of Peggy that we've never seen. And

1:08:48.400 --> 1:08:51.840
<v Speaker 2>I think this is again seeding. Do I think they're

1:08:51.840 --> 1:08:54.559
<v Speaker 2>going to adapt Jamie's story? I wish they would probably

1:08:54.600 --> 1:08:56.760
<v Speaker 2>not gonna happen. But is there a reason that there's

1:08:56.760 --> 1:08:58.960
<v Speaker 2>a Captain Carter comic that you can buy right now

1:08:59.080 --> 1:09:02.680
<v Speaker 2>that's going to be out during Strange Too? I believe so.

1:09:02.680 --> 1:09:04.439
<v Speaker 2>So Yeah, this is a this is a really good one.

1:09:06.000 --> 1:09:08.640
<v Speaker 3>Zig Uh, you know, last one. I'm glad that no

1:09:08.680 --> 1:09:13.640
<v Speaker 3>one else covered it but Marvel Zombies. Was it was

1:09:14.120 --> 1:09:16.719
<v Speaker 3>between this and World War Hocus what got me into

1:09:16.840 --> 1:09:19.600
<v Speaker 3>Marvel comics proper. Like I was a cute obwously it

1:09:19.600 --> 1:09:21.840
<v Speaker 3>was a huge Walking Dead fan. I was a huge

1:09:22.040 --> 1:09:25.479
<v Speaker 3>horror fan in general. But Marvel Zombies, I mean they've

1:09:25.479 --> 1:09:27.519
<v Speaker 3>already don the what if episode, and I feel like

1:09:27.760 --> 1:09:30.360
<v Speaker 3>it seems such a fun universe for Marvel to tap

1:09:30.360 --> 1:09:32.280
<v Speaker 3>into in the live action space, Like it would be

1:09:32.280 --> 1:09:34.519
<v Speaker 3>crazy if you don't just see like zombie Wanda for like,

1:09:34.520 --> 1:09:36.800
<v Speaker 3>you know, a split second, like Marvel you know, Change

1:09:36.800 --> 1:09:38.240
<v Speaker 3>does his gang signs and you see your pop up

1:09:38.280 --> 1:09:39.760
<v Speaker 3>in the back corner or whatever we see.

1:09:39.760 --> 1:09:43.599
<v Speaker 2>It is strange and this is Sam Raimi, this is

1:09:43.640 --> 1:09:48.400
<v Speaker 2>the Zombies, Like, yeah, that's a run. That's a killer.

1:09:49.520 --> 1:09:52.719
<v Speaker 1>I absolutely love these res I hope they are helpful

1:09:52.800 --> 1:09:55.840
<v Speaker 1>to people. Check out the show notes for any of

1:09:55.880 --> 1:09:57.719
<v Speaker 1>the stuff that you missed to the run of the show.

1:09:58.000 --> 1:10:08.240
<v Speaker 1>We'll have everything listed there. Up next nerd Out. Yeah,

1:10:08.960 --> 1:10:10.479
<v Speaker 1>today's nerd Out, where you tell us what you love

1:10:10.520 --> 1:10:12.920
<v Speaker 1>and why. Alice pitches us on a musical theater company

1:10:12.960 --> 1:10:15.600
<v Speaker 1>called Star Kid Production's aka Team stark it.

1:10:16.160 --> 1:10:18.160
<v Speaker 2>Hi x Ray Vision Team.

1:10:18.280 --> 1:10:21.240
<v Speaker 5>My name is Alice and from my nerd out, I

1:10:21.320 --> 1:10:24.080
<v Speaker 5>would like to submit a musical theater company called Starkt

1:10:24.080 --> 1:10:27.720
<v Speaker 5>Productions or better known as Team star Kid. So I

1:10:27.800 --> 1:10:31.080
<v Speaker 5>discovered Team Starkit over ten years ago through another fandom

1:10:31.120 --> 1:10:33.240
<v Speaker 5>that I was in, which was for the TV show Plea,

1:10:33.920 --> 1:10:36.040
<v Speaker 5>and when it was announced that Darren Chris would be

1:10:36.120 --> 1:10:38.559
<v Speaker 5>joining the show, I decided to check out his previous

1:10:38.600 --> 1:10:42.160
<v Speaker 5>work and I stumbled onto Team stark It because it

1:10:42.240 --> 1:10:45.120
<v Speaker 5>was also a huge Harry Potter fan. The first thing

1:10:45.200 --> 1:10:48.200
<v Speaker 5>I watched was there Harry Potter parody, which was a

1:10:48.320 --> 1:10:51.880
<v Speaker 5>very Potter musical, and I completely fell in love with

1:10:52.040 --> 1:10:55.720
<v Speaker 5>the writing and the humor and the songs. And a

1:10:55.800 --> 1:10:58.920
<v Speaker 5>year later I then went to Chicago to see their

1:10:59.280 --> 1:11:02.879
<v Speaker 5>newest show, Starship, which was a sci fi musical parody,

1:11:03.080 --> 1:11:05.599
<v Speaker 5>and they were just as great live as I had

1:11:05.600 --> 1:11:09.160
<v Speaker 5>seen on YouTube basically, And so why I think you

1:11:09.200 --> 1:11:12.120
<v Speaker 5>should get into it is that they've created so many

1:11:12.160 --> 1:11:15.800
<v Speaker 5>wonderful parody musicals about such a wide array of pop

1:11:15.840 --> 1:11:20.160
<v Speaker 5>culture phenomena, including Star Wars, Harry Potter, superheroes, and even

1:11:20.200 --> 1:11:24.559
<v Speaker 5>most recently of Christmas Carol. And I think the Extra

1:11:24.680 --> 1:11:28.519
<v Speaker 5>Vision listeners and the Extra Vision team would really love

1:11:28.600 --> 1:11:32.520
<v Speaker 5>the heartfelt way in which they pay tribute to these universes,

1:11:32.640 --> 1:11:35.080
<v Speaker 5>and I think you would particularly like the little easter

1:11:35.120 --> 1:11:37.320
<v Speaker 5>eggs and the little inside jokes that they throw in

1:11:37.360 --> 1:11:40.280
<v Speaker 5>for the people who know that particular material.

1:11:40.400 --> 1:11:40.719
<v Speaker 2>Well.

1:11:41.160 --> 1:11:43.120
<v Speaker 1>Their shows are done.

1:11:43.200 --> 1:11:46.719
<v Speaker 4>By fans for fans, because everyone involved in Team Starket

1:11:46.720 --> 1:11:50.519
<v Speaker 4>themselves is a nerd and you can really tell that

1:11:50.600 --> 1:11:54.559
<v Speaker 4>they love the source material by the effort that they

1:11:54.600 --> 1:11:57.480
<v Speaker 4>put into the writing and the music and the performances,

1:11:57.479 --> 1:12:00.719
<v Speaker 4>and it's really lovely, and you can tell that they

1:12:01.600 --> 1:12:04.600
<v Speaker 4>really genuinely love the shows and the movies and the

1:12:04.640 --> 1:12:07.840
<v Speaker 4>comics or whatever other source material that they are drawing from,

1:12:08.960 --> 1:12:12.360
<v Speaker 4>and the music and the writing and the performances are amazing,

1:12:12.520 --> 1:12:15.880
<v Speaker 4>of course, But really the best part is that with

1:12:16.000 --> 1:12:19.479
<v Speaker 4>every show they create, you either get to experience a

1:12:19.560 --> 1:12:23.080
<v Speaker 4>new fandom if you're not familiar with the source material,

1:12:23.920 --> 1:12:27.639
<v Speaker 4>or you get to appreciate a fandom that you're already

1:12:27.640 --> 1:12:30.599
<v Speaker 4>a part of all over again and with a new

1:12:30.760 --> 1:12:34.200
<v Speaker 4>point of view through their awesome songs. So I'm not

1:12:34.280 --> 1:12:37.320
<v Speaker 4>sure what they have planned at the moment because of Corona,

1:12:37.800 --> 1:12:41.040
<v Speaker 4>but for nerd out listeners, I would recommend checking out

1:12:41.120 --> 1:12:44.080
<v Speaker 4>a very part of Musical Annie which is their Star

1:12:44.120 --> 1:12:47.960
<v Speaker 4>Wars parody musical, or Holy Musical Batman which is their

1:12:48.000 --> 1:12:48.880
<v Speaker 4>superhero show.

1:12:49.320 --> 1:12:51.200
<v Speaker 2>And you can find all of those on.

1:12:51.040 --> 1:12:55.040
<v Speaker 5>YouTube at Team starkd or you get more info about

1:12:55.240 --> 1:12:58.519
<v Speaker 5>their project on their website teamstarkit dot com.

1:12:58.680 --> 1:12:59.680
<v Speaker 1>All right, that's it for me.

1:12:59.800 --> 1:13:01.880
<v Speaker 2>I hope you enjoy Team star Kid.

1:13:02.240 --> 1:13:05.120
<v Speaker 1>Thanks bye, Thanks Alice for submitting. If you want to

1:13:05.160 --> 1:13:07.000
<v Speaker 1>be featured, send you nerd out, pitch you x ray

1:13:07.000 --> 1:13:09.559
<v Speaker 1>at crooked dot com. Instructions are in the show notes.

1:13:12.120 --> 1:13:16.240
<v Speaker 1>A big thank you to Rosie Knight and Cody zig

1:13:16.280 --> 1:13:19.320
<v Speaker 1>Ziggler for joining us on x ray zig. What do

1:13:19.400 --> 1:13:23.200
<v Speaker 1>you got to plug? My guy? Tell us everything you know.

1:13:23.280 --> 1:13:24.680
<v Speaker 3>If you're a fan of comic books, but I think

1:13:24.680 --> 1:13:27.320
<v Speaker 3>you are for listening to this podcast, check out you

1:13:27.320 --> 1:13:30.320
<v Speaker 3>know a spider Punk number one? There we go. Baby

1:13:31.600 --> 1:13:33.880
<v Speaker 3>number two I think comes out the eighteenth of May.

1:13:33.880 --> 1:13:35.880
<v Speaker 3>Don't quote me on that unless it's true, then quote

1:13:35.880 --> 1:13:39.800
<v Speaker 3>me all you want to. And I believe what if

1:13:39.840 --> 1:13:43.800
<v Speaker 3>Miles Morales number five comes out? But I may be wrong,

1:13:44.320 --> 1:13:45.760
<v Speaker 3>But if not, check them all out because they're all

1:13:45.800 --> 1:13:49.040
<v Speaker 3>fucking fantastic. Like I just read what If Miles was store,

1:13:49.120 --> 1:13:51.439
<v Speaker 3>and it is the coolest shit I've ever read, really

1:13:51.479 --> 1:13:54.360
<v Speaker 3>fun shout out to that. Right, it's the dopest, blackest

1:13:54.360 --> 1:13:55.880
<v Speaker 3>shit I've ever seen. You got to check that out.

1:13:55.960 --> 1:13:56.880
<v Speaker 3>It's so fucking clean.

1:13:57.760 --> 1:14:02.480
<v Speaker 1>Rosie plugs, what do you plug in? I'm I'm going to.

1:14:02.200 --> 1:14:05.040
<v Speaker 2>Again, but first Spider Punk. Like when I read that

1:14:05.080 --> 1:14:10.400
<v Speaker 2>issue like one, it's amazing, It's brilliant. Justin's Oh my god,

1:14:10.439 --> 1:14:13.360
<v Speaker 2>Jim's letters, I was dying. Cody's writing, It's fantastic. That

1:14:13.520 --> 1:14:15.519
<v Speaker 2>is like one of the best number ones I've read

1:14:15.520 --> 1:14:16.040
<v Speaker 2>in such.

1:14:15.840 --> 1:14:17.080
<v Speaker 3>A long time.

1:14:17.720 --> 1:14:21.120
<v Speaker 2>If you are of a certain age, you're you're a

1:14:21.200 --> 1:14:23.760
<v Speaker 2>millennial or whatever they call us. You grew up in

1:14:23.800 --> 1:14:27.040
<v Speaker 2>the zeros, you were dancing to a misfit song in

1:14:27.080 --> 1:14:30.040
<v Speaker 2>a dive bar, you have some questionable tattoos. You will

1:14:30.080 --> 1:14:34.240
<v Speaker 2>be screaming. This is a true book on every level.

1:14:34.560 --> 1:14:36.960
<v Speaker 2>I love it. I tell everyone to read it. It's

1:14:37.000 --> 1:14:39.720
<v Speaker 2>so good. And Jim's lettering is like, I can't get

1:14:39.760 --> 1:14:42.040
<v Speaker 2>over it. It's it's some of the best best modern

1:14:42.320 --> 1:14:44.879
<v Speaker 2>comic book lettering, and it adds so much. The final

1:14:44.920 --> 1:14:50.320
<v Speaker 2>page splash, that's what I was gonna say.

1:14:47.560 --> 1:14:55.599
<v Speaker 1>That is gonna say their final page. Look their teas

1:14:55.680 --> 1:14:59.240
<v Speaker 1>on the final page. The final flash page is like, oh,

1:14:59.280 --> 1:15:02.720
<v Speaker 1>I'm like, want to give me the.

1:15:03.040 --> 1:15:06.320
<v Speaker 2>Whole like back piece too of that final thing with

1:15:06.520 --> 1:15:07.839
<v Speaker 2>the letters and the question.

1:15:08.760 --> 1:15:10.919
<v Speaker 1>It's really really good. So yes, it's really good.

1:15:11.520 --> 1:15:14.320
<v Speaker 2>Is very good. Obviously, what if Mars Morrel is every

1:15:14.439 --> 1:15:19.720
<v Speaker 2>Mars Morleis should be every character so that yeah, Godzilla,

1:15:19.880 --> 1:15:22.960
<v Speaker 2>it's it's pre orderable now, it should be coming out

1:15:23.000 --> 1:15:26.000
<v Speaker 2>in August. That's the nature of comics. You pre order

1:15:26.080 --> 1:15:28.960
<v Speaker 2>them now, it will be in your shop. Then we

1:15:29.000 --> 1:15:33.040
<v Speaker 2>will likely be doing some core signings and stuff like that,

1:15:33.120 --> 1:15:36.640
<v Speaker 2>so keep an ear out for that stuff. You can

1:15:36.680 --> 1:15:40.000
<v Speaker 2>find me on Instagram. That's where I am, and just

1:15:40.160 --> 1:15:43.000
<v Speaker 2>doing all this, doing this writing about comics, writing about

1:15:43.040 --> 1:15:46.839
<v Speaker 2>TV shows, and just talking about all this cool stuff

1:15:47.200 --> 1:15:47.840
<v Speaker 2>is a good life.

1:15:48.360 --> 1:15:55.160
<v Speaker 1>I check out our videos on the Uncultured YouTube channel

1:15:55.160 --> 1:15:57.160
<v Speaker 1>and the show notes for the listener's guide to Extra Vision,

1:15:57.160 --> 1:15:59.080
<v Speaker 1>where we provide more details of where to find the

1:15:59.080 --> 1:16:01.479
<v Speaker 1>stuff that we talk about on every episode. Check the

1:16:01.520 --> 1:16:04.840
<v Speaker 1>next episode on May six, where we're gonna find out

1:16:05.080 --> 1:16:08.599
<v Speaker 1>if all the theories that we have been spouting over

1:16:08.640 --> 1:16:11.360
<v Speaker 1>the weeks about Doctor Stage and the Multiverse a mannas

1:16:11.439 --> 1:16:13.800
<v Speaker 1>are ind correct. If they are, we're gonna talk about

1:16:13.840 --> 1:16:18.200
<v Speaker 1>it more. If they're not, that's the nature of the business. Folks,

1:16:18.280 --> 1:16:23.759
<v Speaker 1>Next time maybe Bye x ray Vision is a Crooked

1:16:23.760 --> 1:16:26.120
<v Speaker 1>Media production. The show is produced by Chris Lorden Salrubin.

1:16:26.160 --> 1:16:28.960
<v Speaker 1>The show is executive produced by myself and Sandy Rhard

1:16:28.960 --> 1:16:32.840
<v Speaker 1>are editing in sound designs by Facilius Photopolos. Dellan Villanueva

1:16:32.880 --> 1:16:35.839
<v Speaker 1>and Matta Group provide video production support and Alex Relaford

1:16:35.880 --> 1:16:38.920
<v Speaker 1>handle social media. Thank you Brian Vasquez for theme music.

1:16:39.360 --> 1:16:39.759
<v Speaker 2>Bye