1 00:00:00,240 --> 00:00:04,400 Speaker 1: Warning. This podcast contains spoilers from Moonnight episode five, as 2 00:00:04,400 --> 00:00:07,560 Speaker 1: well as theories for Doctor Stranger of the Multiverse of Madness, 3 00:00:07,800 --> 00:00:11,800 Speaker 1: as well as some plot points from various comic book runs. 4 00:00:12,600 --> 00:00:14,360 Speaker 1: Check the show notes to see which ones that we 5 00:00:14,400 --> 00:00:16,840 Speaker 1: potentially spoil for you. If you don't want to be 6 00:00:16,840 --> 00:00:19,760 Speaker 1: spoiled by any of that stuff, read the stuff, watch 7 00:00:19,800 --> 00:00:38,959 Speaker 1: the stuff first, then come back. Hello, I name, It's 8 00:00:39,000 --> 00:00:42,200 Speaker 1: Jason Concepcion. Welcome to Expert Vision The Crooked podcast, where 9 00:00:42,200 --> 00:00:46,680 Speaker 1: we dive deep into your favorite shows, movies, comics, and 10 00:00:46,760 --> 00:00:51,320 Speaker 1: pop culture. In today's action packed episode. In the previously on, 11 00:00:51,440 --> 00:00:55,160 Speaker 1: we will talk about lots of news that is hitting 12 00:00:55,240 --> 00:01:00,200 Speaker 1: the internet waves this week, including some interesting news from 13 00:01:00,200 --> 00:01:04,200 Speaker 1: the MCU out of CinemaCon. In the Airlock, our good 14 00:01:04,240 --> 00:01:09,039 Speaker 1: friend Cody Ziggler joins us once again to talk about comics, 15 00:01:09,160 --> 00:01:11,960 Speaker 1: talk about comics in general, what we're reading, and also 16 00:01:12,520 --> 00:01:16,759 Speaker 1: get together and kind of help us brainstorm a reading 17 00:01:16,800 --> 00:01:20,240 Speaker 1: list of comics for Doctor Stranger of the Multiverse of Madness. 18 00:01:20,240 --> 00:01:23,679 Speaker 1: In our nerd out, our listener tells us about Star 19 00:01:23,800 --> 00:01:26,520 Speaker 1: Kid productions, and of course, if you want to jump around, 20 00:01:26,600 --> 00:01:29,040 Speaker 1: check out the chime stamps. In the show notes. Joining 21 00:01:29,040 --> 00:01:35,080 Speaker 1: me right now is the Walking Comics genius, the writer 22 00:01:35,280 --> 00:01:39,039 Speaker 1: of a Godzilla comic coming out soon, one of the 23 00:01:39,080 --> 00:01:41,319 Speaker 1: best to ever do it. It's Rosie night, Rosie. How 24 00:01:41,360 --> 00:01:42,080 Speaker 1: are you hello? 25 00:01:42,200 --> 00:01:43,080 Speaker 2: I'm good, I'm good. 26 00:01:43,080 --> 00:01:49,600 Speaker 1: How are you doing good? Let's get into it first 27 00:01:49,680 --> 00:01:56,880 Speaker 1: up and previously on shocking news Batman sequel greenlit I 28 00:01:56,920 --> 00:02:01,440 Speaker 1: Can't Believe, with director Matt Reeves and star Robert Pattinson 29 00:02:01,520 --> 00:02:05,720 Speaker 1: returna of Course. This announcement has been made at Simmacon, 30 00:02:06,320 --> 00:02:12,160 Speaker 1: the ongoing convention of upcoming movie properties that is going 31 00:02:12,200 --> 00:02:15,080 Speaker 1: on in Las Vegas right now. The movie, of Course, 32 00:02:15,120 --> 00:02:18,880 Speaker 1: has been a critical and commercial success, having made the 33 00:02:19,000 --> 00:02:21,480 Speaker 1: over seven hundred million dollars on the trot right now. 34 00:02:21,960 --> 00:02:25,679 Speaker 1: No surprises here, right, Rosie, No surprises here, No especially. 35 00:02:25,720 --> 00:02:27,720 Speaker 2: I think it was very well received from all different 36 00:02:27,760 --> 00:02:29,840 Speaker 2: kinds of people. People who love these movies, people who 37 00:02:29,880 --> 00:02:33,680 Speaker 2: don't love them, people who love certain iterations of the DCU, 38 00:02:33,760 --> 00:02:37,560 Speaker 2: people who love different ones. It was widely enjoyed, widely beloved. 39 00:02:37,760 --> 00:02:40,000 Speaker 2: Robert was great, Matt did a great job, and they, 40 00:02:40,000 --> 00:02:44,560 Speaker 2: obviously spoiler alert introduced a very big famous Batman antagonist. 41 00:02:44,680 --> 00:02:47,120 Speaker 2: So I think this was always meant to happen, and 42 00:02:47,160 --> 00:02:50,360 Speaker 2: then the critical and commercial love for it makes it 43 00:02:50,400 --> 00:02:52,600 Speaker 2: easy to happen. I'm excited see what happens next. I 44 00:02:52,639 --> 00:02:53,760 Speaker 2: thought that movie was so great. 45 00:02:53,840 --> 00:02:57,760 Speaker 1: Does Robert Pattins's Batman become like the Batman in a 46 00:02:58,200 --> 00:03:00,560 Speaker 1: shared DC universe or what do they do? 47 00:03:01,400 --> 00:03:07,799 Speaker 2: I think Reeve's universe acts as a year one, year two, 48 00:03:08,040 --> 00:03:08,959 Speaker 2: zero year. 49 00:03:08,919 --> 00:03:10,680 Speaker 1: Ish soft reboot. 50 00:03:10,800 --> 00:03:15,160 Speaker 2: I think that in the major DCEU stuff that we 51 00:03:15,200 --> 00:03:18,680 Speaker 2: still have going on, like for example, the Flash, which 52 00:03:18,720 --> 00:03:21,120 Speaker 2: we know we'll probably introduce a new Justice League and 53 00:03:21,200 --> 00:03:23,760 Speaker 2: kind of mainline characters, I think they're going to be 54 00:03:23,800 --> 00:03:26,960 Speaker 2: looking for something a little bit different, a little bit younger. Also, 55 00:03:27,000 --> 00:03:29,160 Speaker 2: with a Keaton returning, you could have someone like that 56 00:03:29,240 --> 00:03:31,400 Speaker 2: as your main Batman who's more of a Batman Beyond, 57 00:03:32,400 --> 00:03:35,840 Speaker 2: like era of Bruce, rather than being the actual Batman Beyond. 58 00:03:35,840 --> 00:03:39,760 Speaker 2: But so I don't know. I think Matt's vision is 59 00:03:39,800 --> 00:03:43,440 Speaker 2: so specific and unique, and I think they'll let them 60 00:03:43,640 --> 00:03:47,440 Speaker 2: have a couple more movies before it becomes too entangled 61 00:03:47,880 --> 00:03:49,560 Speaker 2: with the wider DCEU. 62 00:03:50,000 --> 00:03:54,840 Speaker 1: Next up, Kevin Faige is representing Marvel of course at Sinemacon, 63 00:03:55,000 --> 00:03:57,320 Speaker 1: and there's some interesting news out of there. First of all, 64 00:03:57,400 --> 00:04:01,320 Speaker 1: Figi told the audience that directly after the convention he's 65 00:04:01,360 --> 00:04:04,520 Speaker 1: going to a Marvel Studio's creative retreat where they will 66 00:04:04,520 --> 00:04:08,120 Speaker 1: work on the next decade of MCU work. This mirrors 67 00:04:08,200 --> 00:04:10,920 Speaker 1: the famed Marvel retreats that have been going on at 68 00:04:11,000 --> 00:04:14,920 Speaker 1: least since the two thousands in Marvel Comics Universe. No 69 00:04:15,000 --> 00:04:17,120 Speaker 1: surprise here, right, this is just kind of what you 70 00:04:17,120 --> 00:04:18,640 Speaker 1: ca Yeah. 71 00:04:18,040 --> 00:04:20,279 Speaker 2: I think it's really interesting. I think we can guess 72 00:04:20,320 --> 00:04:22,159 Speaker 2: the big hitters that they're going to be talking about. 73 00:04:22,160 --> 00:04:23,880 Speaker 2: How do you bring in the Fantastic Four, how do 74 00:04:23,920 --> 00:04:25,520 Speaker 2: you bring in the X Men, who's going to be 75 00:04:25,560 --> 00:04:28,400 Speaker 2: the next Avengers team. What I'm very interested in is 76 00:04:28,440 --> 00:04:31,240 Speaker 2: in the original iteration of the MCU, there was a 77 00:04:31,279 --> 00:04:34,839 Speaker 2: story group that included comic book creators. Yeah, and that 78 00:04:34,920 --> 00:04:39,240 Speaker 2: has since been, to our knowledge, kind of disbanded. And 79 00:04:39,360 --> 00:04:42,000 Speaker 2: I wonder if they're doing a retreat, we're going to 80 00:04:42,040 --> 00:04:45,479 Speaker 2: see some kind of story group re enlisted, whether it's 81 00:04:45,480 --> 00:04:48,200 Speaker 2: comic book creators or people from the Marvel TV shows 82 00:04:48,560 --> 00:04:50,560 Speaker 2: or a wider group of people. Because usually if you're 83 00:04:50,560 --> 00:04:53,720 Speaker 2: having a retreat, that's a brainstorming session to break this 84 00:04:53,760 --> 00:04:56,800 Speaker 2: stuff out. I think that means we could probably be 85 00:04:56,920 --> 00:05:00,320 Speaker 2: getting a Marvel likes to do those big days. They 86 00:05:00,400 --> 00:05:02,080 Speaker 2: used to do them at the Al Capitan, Whew, they 87 00:05:02,120 --> 00:05:04,039 Speaker 2: announced them. Now they do them as these kind of 88 00:05:04,080 --> 00:05:08,040 Speaker 2: Disney preview days where they tease stuff. I think we 89 00:05:08,080 --> 00:05:09,920 Speaker 2: could be get in one of those in the next 90 00:05:09,920 --> 00:05:11,839 Speaker 2: few months if this retreat is happening. 91 00:05:12,440 --> 00:05:18,599 Speaker 1: Some footage was apparently showed to the gathered throngs of Sizzle, 92 00:05:18,640 --> 00:05:22,240 Speaker 1: real footage that has been described as it's unclear if 93 00:05:22,240 --> 00:05:26,799 Speaker 1: it's like a still or a few seconds of video, 94 00:05:26,800 --> 00:05:33,200 Speaker 1: but it's been described as Nakia, Shuri and Okoye involved 95 00:05:33,360 --> 00:05:37,200 Speaker 1: in some kind of big battle, So that is very exciting. 96 00:05:38,000 --> 00:05:42,200 Speaker 1: Marvel Studio's president, Kevin Faigie also promised that Ryan Cooler 97 00:05:42,279 --> 00:05:45,920 Speaker 1: is working very hard on the sequel. No no surprise there. 98 00:05:46,920 --> 00:05:51,599 Speaker 1: And of course around this movie, there have been rumors 99 00:05:51,640 --> 00:05:55,680 Speaker 1: swirling for a while that we will we will be 100 00:05:55,720 --> 00:06:00,920 Speaker 1: introduced to some Marvel comics mainstays, probably Liner among them 101 00:06:01,000 --> 00:06:03,960 Speaker 1: is nay More, the leader of Atlantis, King of Atlantis, 102 00:06:04,240 --> 00:06:08,200 Speaker 1: and then of course Rary Williams, the genius of the 103 00:06:08,240 --> 00:06:12,320 Speaker 1: Marvel universe, also known as Ironheart, who will also be 104 00:06:12,360 --> 00:06:16,560 Speaker 1: appearing her own Disney Plus series these are. That's unconfirmed, 105 00:06:16,960 --> 00:06:19,919 Speaker 1: but that's stuff people have been talking about for a while, 106 00:06:20,320 --> 00:06:21,880 Speaker 1: much in the same way that they were talking about 107 00:06:21,880 --> 00:06:24,960 Speaker 1: the Illuminati for months and months and months before. It 108 00:06:25,040 --> 00:06:29,000 Speaker 1: was very hard confirmed by the recent Doctor Strange trailer 109 00:06:30,160 --> 00:06:33,200 Speaker 1: and speaking of Doctor Strange, Doctor Strange band in Saudi 110 00:06:33,200 --> 00:06:39,400 Speaker 1: Arabia over Disney's decision to not cut about twelve seconds 111 00:06:39,640 --> 00:06:42,680 Speaker 1: apparently this is reported by the Guardian twelve seconds from 112 00:06:42,720 --> 00:06:49,120 Speaker 1: the film that Deal with America Chavez played by the 113 00:06:49,160 --> 00:06:55,760 Speaker 1: actor so Shiel Gomez, in which America is discussing her 114 00:06:55,839 --> 00:07:00,760 Speaker 1: two moms. So, I guess shouts to Disney for deciding 115 00:07:00,800 --> 00:07:02,440 Speaker 1: not to cut. That not a big deal. 116 00:07:02,560 --> 00:07:04,640 Speaker 2: So that's probably the only gay thing in the movie, 117 00:07:04,680 --> 00:07:06,800 Speaker 2: So prepare yourself. If that was what they asked to 118 00:07:06,839 --> 00:07:09,200 Speaker 2: be cut, that's probably the extension. 119 00:07:09,200 --> 00:07:11,480 Speaker 1: I think we will all probably be surprised at how 120 00:07:11,520 --> 00:07:15,720 Speaker 1: mild it is. And that is Yeah, go ahead. 121 00:07:16,480 --> 00:07:18,680 Speaker 2: It makes sense with her comic book canon, she has 122 00:07:18,760 --> 00:07:21,400 Speaker 2: Quinn Mom's utopian parallels very gay, so it's nice to 123 00:07:21,400 --> 00:07:24,760 Speaker 2: know that they're sticking to that. Yeah, I'm intrigued. Good 124 00:07:24,800 --> 00:07:26,800 Speaker 2: to see little things like refusing the cut like this 125 00:07:27,280 --> 00:07:29,680 Speaker 2: I hope there's something more, but we shall see. 126 00:07:30,400 --> 00:07:33,480 Speaker 1: And then finally new Doctor Strange trailer, probably the last 127 00:07:34,200 --> 00:07:37,200 Speaker 1: New Doctor Strange stuff we're going to see, considering the 128 00:07:37,240 --> 00:07:40,680 Speaker 1: movie comes out May sixth, and you know, it's a 129 00:07:40,720 --> 00:07:44,680 Speaker 1: mishmash of cuts that we've already seen. But the important 130 00:07:44,680 --> 00:07:48,600 Speaker 1: thing is we hear the word Illuminati spoken in this 131 00:07:48,800 --> 00:07:52,440 Speaker 1: by Baron Morto, leading us to question a lot of things, 132 00:07:52,480 --> 00:07:56,040 Speaker 1: including like, man, how did Morto get get his like 133 00:07:56,560 --> 00:08:00,800 Speaker 1: ticket punched to club Illuminati before Steven Strange? Very interesting? 134 00:08:01,200 --> 00:08:03,760 Speaker 2: Yeah, I mean, is it our universe? Is Mordo? Is 135 00:08:03,760 --> 00:08:05,840 Speaker 2: this a Mordo who was the Soorcers Supreme in a 136 00:08:05,880 --> 00:08:10,240 Speaker 2: different universe? Is this a Mordo who has been enlisted 137 00:08:10,640 --> 00:08:13,840 Speaker 2: by the Illuminati because for some reason they couldn't trust 138 00:08:13,920 --> 00:08:16,520 Speaker 2: Strange and they needed someone to kind of be a counterpart. 139 00:08:16,880 --> 00:08:20,360 Speaker 2: Is it a Baron Mordo who they need him to 140 00:08:20,480 --> 00:08:25,000 Speaker 2: have more of that complex gray moral compass. Yeah, to 141 00:08:25,080 --> 00:08:28,200 Speaker 2: do things that maybe Stephen wouldn't do. It's very interesting, 142 00:08:28,240 --> 00:08:31,320 Speaker 2: and I think it is. I can't work out if 143 00:08:31,320 --> 00:08:34,719 Speaker 2: it's a massive reveal or a massive mysdirect that they 144 00:08:34,800 --> 00:08:37,960 Speaker 2: mention it. I'm like, what does this mean? For the Illuminati. 145 00:08:38,040 --> 00:08:39,840 Speaker 2: Are they going to be a key part? Is this? 146 00:08:40,440 --> 00:08:42,920 Speaker 2: Do they know people are excited? I it was. It 147 00:08:42,960 --> 00:08:43,760 Speaker 2: got me excited. 148 00:08:43,800 --> 00:08:48,960 Speaker 1: So what I am extremely excited and my my gut 149 00:08:49,080 --> 00:08:51,920 Speaker 1: feeling tells me that they're going to be like one 150 00:08:52,040 --> 00:08:55,120 Speaker 1: scene and that's right. You know it's gonna be like 151 00:08:55,559 --> 00:08:56,480 Speaker 1: the name. 152 00:08:56,720 --> 00:08:58,920 Speaker 2: Yeah, as soon as they said the name, I was like, 153 00:09:00,200 --> 00:09:02,800 Speaker 2: that feels like we're going to see them for maybe 154 00:09:02,880 --> 00:09:04,559 Speaker 2: one scene, but I'll be happy. 155 00:09:04,320 --> 00:09:04,640 Speaker 3: With the ones. 156 00:09:04,880 --> 00:09:06,960 Speaker 1: I will be very very happy. Listen, if we see 157 00:09:07,000 --> 00:09:10,439 Speaker 1: Patrick Stewart in that little shiny head of his as 158 00:09:10,520 --> 00:09:13,120 Speaker 1: Charles Xavier up on that little Illuminati stage, I will 159 00:09:13,160 --> 00:09:14,679 Speaker 1: be very very excited. Okay, dude. 160 00:09:14,720 --> 00:09:18,080 Speaker 2: The way that people responded in the theater when like, 161 00:09:18,920 --> 00:09:21,520 Speaker 2: you know, we saw Charlie Cox as Daredevil or we 162 00:09:21,640 --> 00:09:24,640 Speaker 2: saw you know, the Spider Man come back, there's no 163 00:09:25,080 --> 00:09:27,320 Speaker 2: like if it's gonna be Charles, that's gonna be ten 164 00:09:27,400 --> 00:09:30,280 Speaker 2: thousand times louder in that theater and I cannot wait. 165 00:09:30,360 --> 00:09:34,640 Speaker 1: It's gonna go absolutely crazy. Okay, and by the way, 166 00:09:34,720 --> 00:09:37,240 Speaker 1: stay tuned X Revision for more Doctor Strange to the 167 00:09:37,320 --> 00:09:43,559 Speaker 1: Multiverse Menace coverage. Okay, let's recap Moonnight, Episode five Asylum, 168 00:09:43,960 --> 00:09:47,760 Speaker 1: directed by Mohammed Diab, written by Rebecca Kersh and Matthew Orton. 169 00:09:48,080 --> 00:09:53,640 Speaker 1: This was a just in terms of like performances. This 170 00:09:53,720 --> 00:09:57,360 Speaker 1: is a tour de force for Oscar Isaac. We pick 171 00:09:57,440 --> 00:09:59,520 Speaker 1: up right at the end of episode four, where Mark 172 00:09:59,520 --> 00:10:01,920 Speaker 1: and Stephen On themselves face to face with the Egyptian 173 00:10:02,600 --> 00:10:06,839 Speaker 1: god Tarowett, a hippo deity. The hippodity having said oh 174 00:10:06,960 --> 00:10:10,640 Speaker 1: hi to the two men Stephen and Mark, who are 175 00:10:10,679 --> 00:10:14,120 Speaker 1: of course the same band, leading them to scream, leading 176 00:10:14,160 --> 00:10:16,800 Speaker 1: the hippo to scream, and we pick up right after 177 00:10:16,840 --> 00:10:22,280 Speaker 1: that only Mark is back in Arthur Harrow's office, and 178 00:10:24,120 --> 00:10:26,839 Speaker 1: right before that we have these little flashes of what 179 00:10:26,880 --> 00:10:29,880 Speaker 1: we take to be like memories. Right we have a 180 00:10:29,960 --> 00:10:32,480 Speaker 1: child screaming in a dark place somewhere. We hear a 181 00:10:32,559 --> 00:10:34,520 Speaker 1: woman saying this is all your fault. And then Mark 182 00:10:34,559 --> 00:10:38,960 Speaker 1: finds himself back in Arthur's office. Arthur mentions and Mark, 183 00:10:38,960 --> 00:10:42,160 Speaker 1: You're in a mental hospital in Chicago and your mind, 184 00:10:42,600 --> 00:10:44,920 Speaker 1: your reason, your hero is because your mind keeps whips 185 00:10:45,000 --> 00:10:48,640 Speaker 1: on between these disconnected fantasies that you have created or 186 00:10:48,720 --> 00:10:51,120 Speaker 1: to deal with some kind of trauma. Let's get to 187 00:10:51,160 --> 00:10:54,040 Speaker 1: the center of what that trauma is, Mark, You're ready, 188 00:10:54,040 --> 00:10:56,240 Speaker 1: And Mark's like, I don't know, because I don't believe 189 00:10:56,240 --> 00:10:58,200 Speaker 1: that you're a real doctor. I think you're Arthur Harrow, 190 00:10:58,320 --> 00:11:03,560 Speaker 1: the genocidalmaniac who's trying to wake Amet. Arthur asks Mark 191 00:11:03,760 --> 00:11:05,960 Speaker 1: to like, okay, so how did you get here? Do 192 00:11:05,960 --> 00:11:08,959 Speaker 1: you remember that? And Mark admits, which I think is 193 00:11:09,000 --> 00:11:10,800 Speaker 1: a big step for him, that you listen, things are 194 00:11:10,800 --> 00:11:16,640 Speaker 1: happening that are completely nonsensical and I don't necessarily know 195 00:11:16,679 --> 00:11:19,240 Speaker 1: how to put all the pieces together. Arthur wants Mark 196 00:11:19,880 --> 00:11:22,599 Speaker 1: to talk more about the little boy that he was 197 00:11:22,640 --> 00:11:26,600 Speaker 1: apparently mentioning before we pick up the scene and before 198 00:11:26,679 --> 00:11:31,200 Speaker 1: the hippo character diverted him. Mark grows violent. He like 199 00:11:31,400 --> 00:11:35,320 Speaker 1: tries to fight with some orderlies. The orderlies managed to 200 00:11:35,360 --> 00:11:37,439 Speaker 1: stick a needle in his neck, and next thing you know, 201 00:11:37,480 --> 00:11:40,680 Speaker 1: he's back in front of Taroette with Stephen, and Tarowett 202 00:11:40,720 --> 00:11:43,640 Speaker 1: asks Steven and Mark, you know, it's like, Mark, al 203 00:11:43,800 --> 00:11:48,080 Speaker 1: is this intense? Tarowit then tells the two guess what, surprise, 204 00:11:48,520 --> 00:11:51,600 Speaker 1: You're dead. Both of you our dead. This is now 205 00:11:52,440 --> 00:11:58,720 Speaker 1: a second real like interaction with people in a post 206 00:11:58,840 --> 00:12:02,240 Speaker 1: life plane. The ancestry plane from Black Panther being the 207 00:12:02,240 --> 00:12:06,319 Speaker 1: first time, but this is like our first extended time 208 00:12:06,559 --> 00:12:10,480 Speaker 1: since then at in a world that is post life, 209 00:12:10,760 --> 00:12:15,360 Speaker 1: leading to a question of like, when do we see someone? 210 00:12:15,679 --> 00:12:17,839 Speaker 1: When do we see someone resurrected? Because it's going to happen. 211 00:12:17,960 --> 00:12:20,400 Speaker 1: I mean, it arguably is going to happen right here, 212 00:12:21,200 --> 00:12:24,040 Speaker 1: but I wonder if it happens with a major character 213 00:12:24,080 --> 00:12:26,040 Speaker 1: at some point. Rosie. Of course, like our character, our 214 00:12:26,040 --> 00:12:29,040 Speaker 1: friends in these stories have died and come back many 215 00:12:29,080 --> 00:12:31,200 Speaker 1: many times in the comics, I wonder when it happens 216 00:12:31,280 --> 00:12:32,120 Speaker 1: in the main movies. 217 00:12:32,600 --> 00:12:34,200 Speaker 2: I think we're close to it, and I think that 218 00:12:34,320 --> 00:12:37,640 Speaker 2: this episode specifically leans into that because, as we'll get 219 00:12:37,640 --> 00:12:40,160 Speaker 2: to in a bit, we meet Mark's brother and the 220 00:12:40,240 --> 00:12:42,319 Speaker 2: version that we see of him here is very different. 221 00:12:42,360 --> 00:12:44,000 Speaker 2: But in the comics, that is a character who has 222 00:12:44,040 --> 00:12:47,520 Speaker 2: died and been resurrected, and the idea of resurrection and 223 00:12:47,559 --> 00:12:50,480 Speaker 2: the kind of shadow of it over this episode is 224 00:12:51,120 --> 00:12:52,880 Speaker 2: really there. So I think that could be something we 225 00:12:52,920 --> 00:12:55,840 Speaker 2: see in Doctor Strange. We've seen versions of it and 226 00:12:55,920 --> 00:12:58,840 Speaker 2: what if with the zombies. So yeah, it feels like 227 00:12:58,920 --> 00:13:03,600 Speaker 2: they're bringing in these multiple levels of existent some past 228 00:13:03,679 --> 00:13:05,600 Speaker 2: life in a way that's going to play into the 229 00:13:05,600 --> 00:13:06,600 Speaker 2: future of the MCU. 230 00:13:07,040 --> 00:13:12,440 Speaker 1: Tarott then welcomes them to do at this place where 231 00:13:12,600 --> 00:13:15,760 Speaker 1: souls begin their journey to the afterlife. It is one 232 00:13:15,800 --> 00:13:19,080 Speaker 1: of many places such places, Tarrowett mentions, much like the 233 00:13:19,120 --> 00:13:23,400 Speaker 1: ancestral plane, and the reason they perceive this place as 234 00:13:23,440 --> 00:13:26,640 Speaker 1: a mental hospital is because their minds, their human minds 235 00:13:26,679 --> 00:13:32,200 Speaker 1: can't possibly make sense of where they are the shades 236 00:13:32,240 --> 00:13:37,360 Speaker 1: of Shades of Harry Potter book seven, but like you 237 00:13:37,559 --> 00:13:40,360 Speaker 1: can't possibly understand where they are. Therefore they're making it 238 00:13:40,360 --> 00:13:42,600 Speaker 1: into a place that makes sense to them. Thus the 239 00:13:42,640 --> 00:13:45,880 Speaker 1: hospital Mark then is like, I can't deal with this. 240 00:13:46,000 --> 00:13:48,560 Speaker 1: I'm gonna I'm out of here. He throws open a 241 00:13:48,559 --> 00:13:50,840 Speaker 1: pair of doors, and he finds himself on the deck 242 00:13:50,880 --> 00:13:53,960 Speaker 1: of this huge ship that is sailing across the sands 243 00:13:54,000 --> 00:13:56,800 Speaker 1: of the underworld, and they're on their way to ru 244 00:13:56,920 --> 00:14:02,000 Speaker 1: which is like the eternal paradise field of reeds. Tarawett says. 245 00:14:02,040 --> 00:14:04,720 Speaker 1: She reaches into their chests and pulls out these little 246 00:14:04,840 --> 00:14:09,080 Speaker 1: ivory hearts stone hearts, which she will then weigh in 247 00:14:09,200 --> 00:14:11,439 Speaker 1: order to see if they're balanced, if the things that 248 00:14:11,480 --> 00:14:15,600 Speaker 1: they've done throughout their lives have led to their deeds 249 00:14:15,640 --> 00:14:17,880 Speaker 1: being balanced, and thus they are able to be admitted 250 00:14:17,920 --> 00:14:21,720 Speaker 1: into the Field of Reeds. And if they're not found worthy, 251 00:14:22,080 --> 00:14:25,120 Speaker 1: no big deal. They're just thrown over the side into 252 00:14:25,160 --> 00:14:28,520 Speaker 1: the sands where they are like torn apart by the 253 00:14:28,640 --> 00:14:32,520 Speaker 1: other unworthy souls who lurk there in the underworld. So 254 00:14:32,640 --> 00:14:37,120 Speaker 1: not a big deal. But here's a problem. The hearts 255 00:14:37,160 --> 00:14:40,800 Speaker 1: that Tarawet removed because they're from one person who has 256 00:14:40,920 --> 00:14:45,520 Speaker 1: been split somehow, broken somehow, they're not whole, and thus 257 00:14:46,000 --> 00:14:48,920 Speaker 1: Stephen and Mark can't get into the underworld. Steven and 258 00:14:48,960 --> 00:14:53,000 Speaker 1: Mark need to reunite their fractured pieces of soul, pieces 259 00:14:53,040 --> 00:14:55,360 Speaker 1: of heart, and balance the scales before they arrive at 260 00:14:55,360 --> 00:14:59,160 Speaker 1: the Field of Reeds. Quick note, this little line from 261 00:14:59,200 --> 00:15:02,840 Speaker 1: Tarawt was a rate. Okay, here's the mission for the 262 00:15:02,880 --> 00:15:05,520 Speaker 1: rest of the episode, like it's it's like it was 263 00:15:05,560 --> 00:15:10,960 Speaker 1: a great here's what they're doing line. If they fail again, 264 00:15:10,960 --> 00:15:13,520 Speaker 1: no big deal, their souls will just simply be destroyed. 265 00:15:16,040 --> 00:15:19,320 Speaker 1: Good news. Everything that they have ever experienced is on 266 00:15:19,400 --> 00:15:21,120 Speaker 1: the ship, all their memories are on their ship. So 267 00:15:21,160 --> 00:15:24,480 Speaker 1: it's time to go back inside this faux mental hospital 268 00:15:24,480 --> 00:15:28,840 Speaker 1: and just like learn about each other. Mark is very resistant. 269 00:15:29,080 --> 00:15:31,960 Speaker 1: He doesn't want to do this. He and Stephen are 270 00:15:32,000 --> 00:15:34,160 Speaker 1: discussing it, and Steven's like, no, I think we should 271 00:15:34,200 --> 00:15:35,680 Speaker 1: do this is a good idea, Like we need to 272 00:15:35,680 --> 00:15:39,880 Speaker 1: find out like with the secrets that you're hiding are, 273 00:15:40,080 --> 00:15:42,480 Speaker 1: with the secrets you buried are And Mark is like, 274 00:15:42,520 --> 00:15:45,480 Speaker 1: I don't know what if we like like attack Tarouet, 275 00:15:45,880 --> 00:15:48,120 Speaker 1: the Egyptian god of women and children, and maybe like 276 00:15:48,160 --> 00:15:51,720 Speaker 1: tire her up and take take the ship. Mark, classic mom, 277 00:15:51,960 --> 00:15:56,560 Speaker 1: classic Mark, No, don't do that. Steven says, no, We're 278 00:15:56,560 --> 00:15:58,080 Speaker 1: not gonna do that. We're gonna do what she says. 279 00:15:58,120 --> 00:16:00,480 Speaker 1: And then he then sees like a strange through a 280 00:16:00,480 --> 00:16:03,480 Speaker 1: window and door he scenes Moonnight in action kicking ass 281 00:16:03,480 --> 00:16:06,560 Speaker 1: and through another window he uh. They see Stephen and 282 00:16:06,640 --> 00:16:10,560 Speaker 1: Kanshu turning back the stars as Leilah watches. Then they 283 00:16:10,600 --> 00:16:14,840 Speaker 1: hear the boy again in some kind of terror. Uh. 284 00:16:14,960 --> 00:16:18,560 Speaker 1: They enter a cafeteria that is filled with dead bodies 285 00:16:18,680 --> 00:16:21,640 Speaker 1: and these apparently are all the people that Mark has 286 00:16:21,720 --> 00:16:25,000 Speaker 1: killed over the course of his of his service, well 287 00:16:25,040 --> 00:16:27,520 Speaker 1: of the course of his life, including his service to Kanshu. 288 00:16:27,520 --> 00:16:30,080 Speaker 1: And guess what, it's a lot of people, folks, It's 289 00:16:30,080 --> 00:16:30,360 Speaker 1: a cat. 290 00:16:30,440 --> 00:16:32,920 Speaker 2: He killed a lot of people, and let's let's keep 291 00:16:32,920 --> 00:16:34,840 Speaker 2: that in mind, because I have some thoughts about the 292 00:16:34,960 --> 00:16:37,160 Speaker 2: end of this episode. So let's keep in mind how 293 00:16:37,200 --> 00:16:38,720 Speaker 2: many people Marks back to killed. 294 00:16:38,840 --> 00:16:42,880 Speaker 1: It's even marked. It's a cafeteria worth of people, like 295 00:16:42,920 --> 00:16:47,640 Speaker 1: it's legitimately a full cafeteria people. Mark insists, Listen, these 296 00:16:47,640 --> 00:16:51,400 Speaker 1: were bad folks, as far as I know, bad people 297 00:16:51,480 --> 00:16:55,440 Speaker 1: Marked by the vengeance of Kanshu were notably leaving out 298 00:16:55,480 --> 00:16:58,920 Speaker 1: any of the people he killed as a mercenary. Okay uh. 299 00:16:59,120 --> 00:17:04,400 Speaker 1: But interesting fact, once this detail about Mark has been revealed, 300 00:17:04,440 --> 00:17:07,320 Speaker 1: the scales, which had been kind of like going back 301 00:17:07,400 --> 00:17:10,760 Speaker 1: and forth unbalanced, are now beginning to slow. This process 302 00:17:10,800 --> 00:17:14,360 Speaker 1: of revealing, of working through these past memories is working. 303 00:17:15,800 --> 00:17:18,640 Speaker 1: The child that they've been hearing now appears in the room. 304 00:17:19,240 --> 00:17:21,879 Speaker 1: Stephen goes after him. Mark is like, don't do that, 305 00:17:22,359 --> 00:17:26,320 Speaker 1: and Stephen looks in a room of Mark's memories and 306 00:17:26,680 --> 00:17:30,239 Speaker 1: discovers Mark. This boy is Mark as a boy, and 307 00:17:30,280 --> 00:17:32,359 Speaker 1: we see Mark as a boy with his parents and 308 00:17:32,400 --> 00:17:35,360 Speaker 1: his little brother. Mark's mom is telling Mark, listen, you've 309 00:17:35,359 --> 00:17:37,840 Speaker 1: got young Mark. You've got to watch over your little brother. 310 00:17:37,880 --> 00:17:40,399 Speaker 1: That's your job. That is your responsibility. The boys then 311 00:17:40,440 --> 00:17:43,760 Speaker 1: go off through the woods down into a cave which 312 00:17:43,760 --> 00:17:48,120 Speaker 1: they are looking to explore, and a rainstorm, A flash 313 00:17:48,200 --> 00:17:52,920 Speaker 1: thunderstorm happens and the cave quickly fills with water, flooding 314 00:17:53,600 --> 00:17:58,160 Speaker 1: and Mark's brother dies. Our Mark then enters a memory 315 00:17:58,280 --> 00:18:03,320 Speaker 1: of his family sitting shim brother. Mark's mom, Wendy, blames 316 00:18:03,320 --> 00:18:05,679 Speaker 1: the death explicitly on Mark, like straight up is like 317 00:18:05,760 --> 00:18:11,160 Speaker 1: that's your act, which is fucked up. Mark's father remains 318 00:18:11,200 --> 00:18:14,680 Speaker 1: over the course of time, we would surmise close to Mark, 319 00:18:14,720 --> 00:18:19,440 Speaker 1: but his mother is increasingly hateful, clearly depressed and vengeful, 320 00:18:19,600 --> 00:18:22,600 Speaker 1: lashing out all the time. We see young Mark flee 321 00:18:22,640 --> 00:18:24,760 Speaker 1: into his bedroom. Stephen tries to go and see what's 322 00:18:24,800 --> 00:18:27,520 Speaker 1: gonna go on there, but Mark won't let him go 323 00:18:27,600 --> 00:18:30,720 Speaker 1: see it. We get another memory of younger Mark, teenage 324 00:18:30,720 --> 00:18:34,040 Speaker 1: Mark now leaving home with his father insisting, listen, your 325 00:18:34,040 --> 00:18:36,919 Speaker 1: mother's gonna get help. I know that she's in a 326 00:18:36,920 --> 00:18:39,520 Speaker 1: bad way right now, very toxic, but like she's gonna 327 00:18:39,520 --> 00:18:43,399 Speaker 1: get help, you shouldn't leave. Mark then takes Stephen away 328 00:18:43,400 --> 00:18:45,520 Speaker 1: from this memory. They end up in an even more 329 00:18:45,600 --> 00:18:49,240 Speaker 1: troubling memory. Dead bodies in the desert at night in 330 00:18:49,320 --> 00:18:50,960 Speaker 1: front of the tomb of kan Chu, and this, of 331 00:18:51,000 --> 00:18:53,760 Speaker 1: course is the Faithful Knight from Mark's Mercenary Days where 332 00:18:53,800 --> 00:18:57,399 Speaker 1: he first makes the acquaintance of Kanchu. One of the 333 00:18:57,440 --> 00:19:02,919 Speaker 1: dead there laying under the moon is Laylah's dad. Whoops, 334 00:19:02,960 --> 00:19:05,880 Speaker 1: Mark grievously wounded as preparing to take his own knife, 335 00:19:05,880 --> 00:19:08,840 Speaker 1: and then here's the voice of Kanchu and kan She's like, hey, 336 00:19:09,240 --> 00:19:13,119 Speaker 1: uh wow, you're a really fucked up person with a 337 00:19:13,160 --> 00:19:18,200 Speaker 1: lot of problems, and I'm sensing, you know, a fractured psyche. 338 00:19:18,760 --> 00:19:21,520 Speaker 1: You're perfect. You're perfect for what I have in mind, 339 00:19:21,560 --> 00:19:24,920 Speaker 1: which is you are my hands, my eyes, my vengeance, 340 00:19:24,960 --> 00:19:28,879 Speaker 1: my final word against evildoers on Earth. Uh so that's 341 00:19:28,920 --> 00:19:32,640 Speaker 1: the deal you serve me on Earth. I heal you, 342 00:19:32,640 --> 00:19:35,720 Speaker 1: you go out and kill people for me, or you 343 00:19:35,760 --> 00:19:40,600 Speaker 1: die right here. And so Mark takes a deal. Kan Hu. Uh, 344 00:19:42,000 --> 00:19:44,800 Speaker 1: you know, clearly a very exploitive person. Stephen points this 345 00:19:44,880 --> 00:19:47,840 Speaker 1: out to Mark, like Kanchu was an asshole, like kan 346 00:19:47,920 --> 00:19:52,880 Speaker 1: Chu saw a mentally ill person who was bad and 347 00:19:53,040 --> 00:19:55,800 Speaker 1: decided I can exploit this person. And yes, Mark says 348 00:19:55,840 --> 00:19:57,560 Speaker 1: he did that, but he also kept us alive. And 349 00:19:57,560 --> 00:20:01,280 Speaker 1: then suddenly the scales are balanced. Outside in the duot, 350 00:20:01,320 --> 00:20:03,760 Speaker 1: a storm is brewding. They go back up to the 351 00:20:04,320 --> 00:20:06,119 Speaker 1: deck of the ship and Taro d is like, you 352 00:20:06,160 --> 00:20:08,720 Speaker 1: see all these purple things raining from the sky. Guess 353 00:20:08,720 --> 00:20:11,520 Speaker 1: what that is? That's people that Haro is killing up 354 00:20:11,560 --> 00:20:15,040 Speaker 1: in the real world, just as he promised to do. 355 00:20:15,760 --> 00:20:18,120 Speaker 1: Mark and Stephen then asked Tarawett, okay, send us back, 356 00:20:18,600 --> 00:20:21,600 Speaker 1: like we can stop him, like send us back to life. 357 00:20:22,800 --> 00:20:25,359 Speaker 1: And before you do that, get a message to Laila 358 00:20:25,480 --> 00:20:29,159 Speaker 1: to free Kanshu so that you know, like when we 359 00:20:29,240 --> 00:20:33,800 Speaker 1: go back into a body filled with bullets, Kanshu can 360 00:20:33,880 --> 00:20:35,880 Speaker 1: put the suit on us and heal us and we'll 361 00:20:35,920 --> 00:20:37,960 Speaker 1: come back and we can and we can fight Arthur Harrow. 362 00:20:38,880 --> 00:20:42,840 Speaker 1: Taro d is like, that's a bad idea because you 363 00:20:42,920 --> 00:20:45,159 Speaker 1: were both just coming to the place where you realize 364 00:20:45,200 --> 00:20:47,280 Speaker 1: that Kanhu is like bad for you, like Kadju's like 365 00:20:47,280 --> 00:20:51,600 Speaker 1: a bad person to be involved with. But okay, like 366 00:20:51,680 --> 00:20:53,840 Speaker 1: I guess what choice do we have. She turns the 367 00:20:53,840 --> 00:20:57,000 Speaker 1: boat around. Stephen wants to go back into that bedroom memory. 368 00:20:57,000 --> 00:21:00,159 Speaker 1: Mark resists. Stephen says, listen, if all these people die, 369 00:21:00,200 --> 00:21:02,240 Speaker 1: because you won't let me see this memory, that's going 370 00:21:02,320 --> 00:21:04,440 Speaker 1: to be your fault. If Layla dies, it's going to 371 00:21:04,480 --> 00:21:05,800 Speaker 1: be your fault. All that stuff is going to be 372 00:21:05,840 --> 00:21:07,840 Speaker 1: your fault. Now, of course, this is exactly the same 373 00:21:07,880 --> 00:21:13,239 Speaker 1: thing that his mother, Mark's mother said to him, and 374 00:21:13,280 --> 00:21:16,880 Speaker 1: that was kind of the beginning of this traumatic break, 375 00:21:17,400 --> 00:21:21,000 Speaker 1: and it causes Mark to just crumble. He shatters. He 376 00:21:21,040 --> 00:21:24,080 Speaker 1: finds himself back in Arthur Harrow's office. Arthur raises the 377 00:21:24,119 --> 00:21:27,640 Speaker 1: possibility that Stephen was created by Mark to hide trauma, 378 00:21:28,200 --> 00:21:29,120 Speaker 1: which turns out to be. 379 00:21:29,119 --> 00:21:29,720 Speaker 3: Very very right. 380 00:21:30,080 --> 00:21:32,480 Speaker 1: Haro wants Mark to open up to Steven so that 381 00:21:32,560 --> 00:21:35,719 Speaker 1: Stephen can understand the things that Mark is hiding from Stephen, 382 00:21:35,880 --> 00:21:39,040 Speaker 1: that Mark created Stephen to hide from himself. We go 383 00:21:39,080 --> 00:21:42,639 Speaker 1: to the room Mark's childhood room, and in there we 384 00:21:42,720 --> 00:21:48,520 Speaker 1: see an appalling scene Mark's mom abusing him physically. Stephen 385 00:21:48,600 --> 00:21:53,160 Speaker 1: is a Paul discovered that not only this terribly troubling, 386 00:21:53,359 --> 00:21:56,159 Speaker 1: violent scene, but also that he kind of doesn't exist, 387 00:21:56,240 --> 00:21:59,840 Speaker 1: like he's not a quote unquote real person. He is 388 00:21:59,880 --> 00:22:04,640 Speaker 1: a creation of Mark, created specifically to hide this trauma. 389 00:22:05,440 --> 00:22:07,960 Speaker 1: And then now Stephen finds himself in Harrow's office. Haro 390 00:22:08,080 --> 00:22:11,000 Speaker 1: wants to call Steven's mother on the phone to discuss 391 00:22:11,040 --> 00:22:14,600 Speaker 1: this situation and Steven's like, ah, don't do that. Haro 392 00:22:14,680 --> 00:22:17,080 Speaker 1: then gets her on the phone and he's talking to her. 393 00:22:17,080 --> 00:22:21,199 Speaker 1: Stephen realizes, wait, that can't be because Mark's mother is 394 00:22:21,280 --> 00:22:25,960 Speaker 1: my mother, and Mark's mother is dead. Therefore she is dead. Therefore, 395 00:22:26,000 --> 00:22:28,560 Speaker 1: all of my memories of having a great relationship with 396 00:22:28,600 --> 00:22:30,280 Speaker 1: my mom and all these phone calls I was having 397 00:22:30,280 --> 00:22:32,560 Speaker 1: with her from the museum and from my apartment, those 398 00:22:32,600 --> 00:22:35,760 Speaker 1: are all fake. That's not real. We see then the 399 00:22:35,800 --> 00:22:39,400 Speaker 1: memory of Mark at his outside his mother's shiva. They 400 00:22:39,400 --> 00:22:42,480 Speaker 1: see the moment that Stephen took over from Mark outside 401 00:22:43,680 --> 00:22:47,119 Speaker 1: outside the shiva, and this is apparently only two months prior, 402 00:22:47,160 --> 00:22:50,680 Speaker 1: which is wild. Stephen then lets Mark know that their 403 00:22:50,720 --> 00:22:54,320 Speaker 1: brother's death was not his fault. And back on the ship, 404 00:22:54,320 --> 00:22:57,240 Speaker 1: the unbalanced souls of the duot begin to climb onto 405 00:22:57,240 --> 00:23:01,360 Speaker 1: the deck. Mark and Stephen fight that you fight together, 406 00:23:02,240 --> 00:23:06,639 Speaker 1: but in the end Stephen falls overboard and Mark's creation dies, 407 00:23:07,359 --> 00:23:12,760 Speaker 1: thus balancing the scales, and Mark enters the field of reeds. 408 00:23:13,800 --> 00:23:16,640 Speaker 1: Cue the credits, Rosie, your thoughts. 409 00:23:17,400 --> 00:23:22,160 Speaker 2: Okay, So these making shows about this stuff is very complex, 410 00:23:22,600 --> 00:23:24,320 Speaker 2: and sometimes it's going to be for some people, and 411 00:23:24,359 --> 00:23:27,560 Speaker 2: sometimes it's not the representation and way they chose to 412 00:23:27,600 --> 00:23:31,560 Speaker 2: go for it in this episode didn't particularly work for me, 413 00:23:31,760 --> 00:23:34,840 Speaker 2: and a major part of it hangs on the final thing. 414 00:23:35,359 --> 00:23:38,480 Speaker 2: So if you're deemed worthy to go through to the 415 00:23:38,520 --> 00:23:42,160 Speaker 2: Field of Reeds due to judging your heart, how come 416 00:23:42,240 --> 00:23:44,719 Speaker 2: Mark goes through and he's a mass murderer just because 417 00:23:44,840 --> 00:23:48,240 Speaker 2: suddenly he doesn't have an alternative personality. That seems like 418 00:23:48,720 --> 00:23:51,719 Speaker 2: not well thought out to me. It kind of like 419 00:23:51,840 --> 00:23:55,120 Speaker 2: digs into some of the the I feel like this 420 00:23:55,160 --> 00:23:58,119 Speaker 2: is a really ambitious episode, but I also feel like 421 00:23:58,160 --> 00:24:00,400 Speaker 2: it could have been the third episode and then we'd 422 00:24:00,400 --> 00:24:03,280 Speaker 2: have three more episodes to explore it. That's kind of 423 00:24:03,280 --> 00:24:04,400 Speaker 2: where my head is at. 424 00:24:04,520 --> 00:24:06,359 Speaker 1: I felt the same way, although I will say this 425 00:24:06,760 --> 00:24:10,760 Speaker 1: to one My guess is that the final episode will 426 00:24:10,800 --> 00:24:16,959 Speaker 1: clear up whatever hanging threads we have, and that maybe 427 00:24:17,000 --> 00:24:21,000 Speaker 1: the loophole here is that because Mark Spector became a 428 00:24:21,000 --> 00:24:24,800 Speaker 1: mass murderer in the service of an Egyptian god god show, 429 00:24:26,440 --> 00:24:26,680 Speaker 1: you know. 430 00:24:26,600 --> 00:24:26,920 Speaker 2: What I mean. 431 00:24:28,800 --> 00:24:32,159 Speaker 1: So like, yeah, you're not getting into the ancestral plane 432 00:24:32,520 --> 00:24:37,400 Speaker 1: or valala, right, you know. But much like if Thor, 433 00:24:37,960 --> 00:24:39,960 Speaker 1: as we all know, young Thor, you know, back in 434 00:24:40,000 --> 00:24:43,159 Speaker 1: the Viking days took part in human battles killed. We 435 00:24:43,200 --> 00:24:48,960 Speaker 1: would surmise many many, many many people in the prosecution 436 00:24:49,119 --> 00:24:54,280 Speaker 1: of various Viking wars. Right, that Odin blessed as being fine. 437 00:24:54,320 --> 00:24:59,119 Speaker 1: Therefore he could enter, you know, like the as Guardian afterlife, 438 00:24:59,200 --> 00:25:03,800 Speaker 1: but maybe like the Egyptian afterlife will be close to him, 439 00:25:03,880 --> 00:25:07,720 Speaker 1: maybe in a similar way. That is why it's not necessarily. 440 00:25:07,440 --> 00:25:10,919 Speaker 2: Very thoughtful, Right, that's very thoughtful, generous take, and I 441 00:25:11,040 --> 00:25:11,360 Speaker 2: like it. 442 00:25:11,359 --> 00:25:14,160 Speaker 1: It's not necessarily hope that it's not as say, Mark 443 00:25:14,280 --> 00:25:17,720 Speaker 1: is a great guy. It's like, well, can't you who's 444 00:25:17,760 --> 00:25:19,719 Speaker 1: one of us said go ahead and do this, this 445 00:25:19,800 --> 00:25:22,560 Speaker 1: is fine. 446 00:25:20,400 --> 00:25:25,560 Speaker 2: And pay for his So I think that narratively, if 447 00:25:25,560 --> 00:25:27,639 Speaker 2: we get like, the feelings are the feelings, and it's 448 00:25:27,680 --> 00:25:29,680 Speaker 2: all subjective, and I'm sure there's loads of people that's 449 00:25:29,680 --> 00:25:32,399 Speaker 2: really worked for. So narratively, I think the big thing 450 00:25:32,440 --> 00:25:34,720 Speaker 2: when we talk about things to tie up, aside from 451 00:25:35,040 --> 00:25:38,600 Speaker 2: potentially a little bit more about the Altars, is Jake Lockley. 452 00:25:39,080 --> 00:25:42,919 Speaker 2: So it is Jake Lockley. In this episode, there is 453 00:25:42,960 --> 00:25:48,400 Speaker 2: a moment in Arthur Harrow's office where Mark or Stephen 454 00:25:48,720 --> 00:25:51,600 Speaker 2: wakes up and he's got a slightly heavyer Chicago accent. 455 00:25:51,640 --> 00:25:54,080 Speaker 2: He's got a bandage across his nose, and he immediately 456 00:25:54,119 --> 00:25:56,320 Speaker 2: goes for violence, and he's like, yeah, I feel great, 457 00:25:56,400 --> 00:25:59,280 Speaker 2: well done. Yes, if you're doing a great job. Is 458 00:25:59,320 --> 00:26:02,440 Speaker 2: that Jake Locke? Are we going to find out that 459 00:26:03,040 --> 00:26:06,760 Speaker 2: Jake Lockley is that violent alter third altar that's in there? Like, 460 00:26:06,880 --> 00:26:10,760 Speaker 2: I think that for people who love Moonnight comics or 461 00:26:10,800 --> 00:26:14,639 Speaker 2: love Moonnight as a character, I think that that final 462 00:26:14,720 --> 00:26:17,640 Speaker 2: episode is going to need to lean in a little 463 00:26:17,680 --> 00:26:21,560 Speaker 2: bit more to those different iterations because we've had that 464 00:26:21,800 --> 00:26:25,080 Speaker 2: emotional Mark and Stephen's story here, even though it does 465 00:26:25,680 --> 00:26:29,320 Speaker 2: diverge quite a lot from the comics origin, we've had 466 00:26:29,320 --> 00:26:33,360 Speaker 2: that kind of big emotional moment. So what will happen next? 467 00:26:33,880 --> 00:26:36,040 Speaker 2: Because Mark is now alone? So does he go after 468 00:26:36,119 --> 00:26:38,560 Speaker 2: Coon Shu? Does he unlock another altar? What do you 469 00:26:38,560 --> 00:26:39,320 Speaker 2: think it's going to be? 470 00:26:39,720 --> 00:26:43,399 Speaker 1: I suspect that we have not because of the hints 471 00:26:43,520 --> 00:26:45,800 Speaker 1: like the one you just mentioned from Arthur Herro's office, 472 00:26:45,800 --> 00:26:48,440 Speaker 1: plus the one that we had discussed from a couple 473 00:26:48,480 --> 00:26:56,119 Speaker 1: episodes back where Mark is fighting the Arthur heroes like 474 00:26:56,280 --> 00:27:00,840 Speaker 1: heavies in Egypt and then all of a sudden he 475 00:27:01,480 --> 00:27:05,679 Speaker 1: goes through the switch where usually you would expect Stephen 476 00:27:05,800 --> 00:27:08,720 Speaker 1: to take control here, but we just get black and 477 00:27:08,760 --> 00:27:12,280 Speaker 1: we don't know who and the henchees have been taken 478 00:27:12,320 --> 00:27:15,800 Speaker 1: out and it wasn't Mark and it wasn't Stephen, so 479 00:27:15,920 --> 00:27:18,000 Speaker 1: who was it. We've got these hints that there is 480 00:27:18,080 --> 00:27:21,359 Speaker 1: another altar waiting to reveal, to be revealed, and I 481 00:27:21,400 --> 00:27:25,960 Speaker 1: feel like we're gonna that feels like the other shoe 482 00:27:25,960 --> 00:27:29,960 Speaker 1: to drop. All of which is to say, I can't 483 00:27:30,000 --> 00:27:32,840 Speaker 1: imagine that we've seen the last of Stephen, Like, no, 484 00:27:33,119 --> 00:27:38,360 Speaker 1: I don't know what it means that he quote unquote 485 00:27:38,400 --> 00:27:42,359 Speaker 1: died in the sands of Duot and what was pulled under, 486 00:27:43,800 --> 00:27:48,199 Speaker 1: but I feel like that altar is still going to 487 00:27:48,280 --> 00:27:50,040 Speaker 1: be around. I don't know how they're going to get 488 00:27:50,359 --> 00:27:52,400 Speaker 1: through that or how they're going to work that out, 489 00:27:53,119 --> 00:27:56,040 Speaker 1: but it feels like other altars are still waiting to 490 00:27:56,240 --> 00:27:56,680 Speaker 1: come out. 491 00:27:57,320 --> 00:27:59,159 Speaker 2: I think so. And we've talked a lot about the 492 00:28:00,240 --> 00:28:02,360 Speaker 2: Jeff Lamir Greg small Wood stuff, which is like Moon 493 00:28:02,440 --> 00:28:07,560 Speaker 2: Night volume eight, and that stuff definitely deals with this 494 00:28:07,720 --> 00:28:14,520 Speaker 2: concept of how do how does Mark come to a 495 00:28:14,560 --> 00:28:18,120 Speaker 2: piece that accepts who he is? And that could be 496 00:28:18,280 --> 00:28:20,119 Speaker 2: who he is alone or it could be who he 497 00:28:20,240 --> 00:28:23,560 Speaker 2: is with the Altars, and seeing as they established this 498 00:28:23,720 --> 00:28:26,119 Speaker 2: notion that each of the Altars has a different suit, 499 00:28:26,680 --> 00:28:30,760 Speaker 2: I feel like that might turn into more of a 500 00:28:30,800 --> 00:28:33,760 Speaker 2: classical superpower in the future where it's like the older 501 00:28:33,800 --> 00:28:36,520 Speaker 2: Moonnight comics where he slips in and out. And while 502 00:28:36,520 --> 00:28:40,240 Speaker 2: that is not a realistic representation you know of did 503 00:28:40,800 --> 00:28:44,560 Speaker 2: I think that they put their effort into doing this 504 00:28:44,720 --> 00:28:47,160 Speaker 2: emotional episode this week and we might kind of see 505 00:28:47,200 --> 00:28:51,080 Speaker 2: how Mark and Moonnight transcend. It feels like a lot 506 00:28:51,120 --> 00:28:53,200 Speaker 2: to wrap up in a final episode, so I wonder 507 00:28:53,240 --> 00:28:55,360 Speaker 2: if this is going to be a low key where 508 00:28:55,360 --> 00:28:56,840 Speaker 2: they just announce a second season. 509 00:28:57,160 --> 00:28:59,480 Speaker 1: Yeah, it feels like a tremendous amount to wrap up. 510 00:29:00,040 --> 00:29:03,240 Speaker 1: A producer saw a super producer, Saul in the chat mentions, 511 00:29:03,240 --> 00:29:05,760 Speaker 1: how would they manage any Egyptology without Steven? I think 512 00:29:05,800 --> 00:29:08,560 Speaker 1: that's a good point. We still have such a good point. Yeah, 513 00:29:08,560 --> 00:29:11,640 Speaker 1: we still have Arthur harrow And and the Amint crisis 514 00:29:11,680 --> 00:29:16,600 Speaker 1: to deal with. You know, are there Harrows up there? Yeah? 515 00:29:16,640 --> 00:29:20,160 Speaker 1: Are their heroes up there legitimately like reigning souls down 516 00:29:20,240 --> 00:29:23,680 Speaker 1: into the afterlife before their time. So that has to 517 00:29:23,680 --> 00:29:28,880 Speaker 1: be dealt with, and Mark with just his knowledge is 518 00:29:28,920 --> 00:29:31,280 Speaker 1: not going to be up to it now in a 519 00:29:31,400 --> 00:29:39,720 Speaker 1: post field of reads, uh like reality is Mark slash 520 00:29:39,720 --> 00:29:42,880 Speaker 1: Stephens slash potentially Jake. Are they just like more much 521 00:29:42,960 --> 00:29:47,560 Speaker 1: like the comic books. They They're still there, those memories 522 00:29:47,600 --> 00:29:50,400 Speaker 1: are still there, those personalities quote unquote are still there 523 00:29:50,440 --> 00:29:52,560 Speaker 1: in some kind of form of fashion. But the the 524 00:29:52,880 --> 00:29:57,120 Speaker 1: the the demarcations between them are more amorphous, and they're 525 00:29:57,160 --> 00:30:01,280 Speaker 1: more more I mean, we legitimately saw a balancing of scales. 526 00:30:01,320 --> 00:30:05,560 Speaker 1: Maybe they reside together in a more more or less 527 00:30:06,120 --> 00:30:09,520 Speaker 1: healthy quote unquote way. Is that what we see going forward? 528 00:30:10,000 --> 00:30:11,960 Speaker 2: I think we could definitely see that, And I think 529 00:30:12,480 --> 00:30:14,920 Speaker 2: that it will be really interesting to see the way 530 00:30:14,960 --> 00:30:17,320 Speaker 2: they approach it because this is something that comics and 531 00:30:17,480 --> 00:30:21,160 Speaker 2: superho shows have done before, like Legion and you know, 532 00:30:21,880 --> 00:30:25,080 Speaker 2: Doom Patrol really focused on it with Jane. So I'm 533 00:30:25,120 --> 00:30:28,640 Speaker 2: really interested to see because I feel like they've established 534 00:30:28,680 --> 00:30:31,120 Speaker 2: little things here that make you think you're gonna need 535 00:30:31,160 --> 00:30:34,120 Speaker 2: to see these characters again, one being that Stephen is 536 00:30:34,200 --> 00:30:37,800 Speaker 2: like a lot of people's favorite character. Yeah, and somebody 537 00:30:37,800 --> 00:30:40,360 Speaker 2: that they connected with as their in character and who 538 00:30:40,360 --> 00:30:43,160 Speaker 2: they feel represented by is kind of like a guy 539 00:30:43,280 --> 00:30:45,080 Speaker 2: just trying to do the best in his life. So 540 00:30:45,200 --> 00:30:47,440 Speaker 2: I think for him to never be there again and 541 00:30:47,440 --> 00:30:49,960 Speaker 2: for it to just be kind of cold hearted, I'm 542 00:30:49,960 --> 00:30:52,960 Speaker 2: gonna shoot some people, Mark. That doesn't seem likely to me. 543 00:30:53,520 --> 00:30:58,200 Speaker 1: Yeah, And quick couple other questions, how does he get 544 00:30:58,240 --> 00:31:00,600 Speaker 1: back to Earth? I mean, it seems like Tara Week 545 00:31:00,640 --> 00:31:03,640 Speaker 1: could just send him like she was not. Her objection 546 00:31:03,960 --> 00:31:06,680 Speaker 1: was like, I would send you back to a body 547 00:31:06,680 --> 00:31:08,920 Speaker 1: that is grievously wounded with a bunch of bullets in 548 00:31:08,920 --> 00:31:11,760 Speaker 1: his chest, not I can't do it. So I guess 549 00:31:12,080 --> 00:31:14,560 Speaker 1: theoretically wouldn't be that hard. You just have to find 550 00:31:14,600 --> 00:31:16,840 Speaker 1: the right god to agree to do it right. 551 00:31:17,600 --> 00:31:19,920 Speaker 2: Yeah, how experimental is it going to be? Are you 552 00:31:19,960 --> 00:31:22,480 Speaker 2: going to get an episode that leans into that small 553 00:31:22,520 --> 00:31:25,240 Speaker 2: word lamir stuff where he's suddenly in all the bodies 554 00:31:25,280 --> 00:31:27,360 Speaker 2: and he's kind of using them to go through He's 555 00:31:27,400 --> 00:31:29,800 Speaker 2: gonna be Jake, He's gonna be this to survive. Is 556 00:31:29,880 --> 00:31:32,640 Speaker 2: it just as simple as Tarawet sending him back? She's 557 00:31:32,680 --> 00:31:35,800 Speaker 2: the goddess of children, of protection of fertility. Maybe she 558 00:31:36,000 --> 00:31:41,280 Speaker 2: can help because the scales are balanced now. Maybe Arthur 559 00:31:41,320 --> 00:31:43,240 Speaker 2: harrib will bring him back, like in some kind of 560 00:31:43,320 --> 00:31:46,800 Speaker 2: joke of Batman situation where he needs Mark to see 561 00:31:47,120 --> 00:31:50,040 Speaker 2: that he won to see the truth of Konshu. You know, 562 00:31:50,320 --> 00:31:55,400 Speaker 2: we saw Layla's dad wearing the scarlet scarab robe. There's 563 00:31:55,400 --> 00:31:57,880 Speaker 2: a chance that Layla with the scarab or a different 564 00:31:57,960 --> 00:32:00,880 Speaker 2: kind of artifact has the power to bring Mark. I 565 00:32:00,880 --> 00:32:03,440 Speaker 2: think from the pacing of this episode, we'll probably be 566 00:32:03,560 --> 00:32:07,719 Speaker 2: boom right back in the real world next week. 567 00:32:07,960 --> 00:32:12,280 Speaker 1: I think that that is probably the case, And I 568 00:32:12,360 --> 00:32:18,240 Speaker 1: guess my my overarching question is like does Moonnight enter, 569 00:32:19,280 --> 00:32:21,240 Speaker 1: like do we get a season two and does he 570 00:32:21,440 --> 00:32:25,200 Speaker 1: enter like larger stories, And then as a kind of 571 00:32:25,760 --> 00:32:29,200 Speaker 1: adduct to that, I think we've both become like I'm 572 00:32:29,200 --> 00:32:32,560 Speaker 1: pretty convinced that this is the main MCU, right, this 573 00:32:32,760 --> 00:32:34,680 Speaker 1: is this is where this is happening, and they mentioned 574 00:32:34,720 --> 00:32:36,960 Speaker 1: in the ancestral plane, plus like some of the other 575 00:32:37,200 --> 00:32:40,959 Speaker 1: the other the gcqques and like other things lead us 576 00:32:40,960 --> 00:32:45,160 Speaker 1: to believe that, Okay, this is the regular MCU. Another question, 577 00:32:45,440 --> 00:32:48,760 Speaker 1: which I think was like an interesting implication of Tarot 578 00:32:49,000 --> 00:32:54,160 Speaker 1: mentioning the ancestral plane, how much do other deities know 579 00:32:54,680 --> 00:32:57,960 Speaker 1: about other deities? Like we're going to see in love 580 00:32:58,000 --> 00:33:01,120 Speaker 1: and thunder thor going to different places and meeting other gods, 581 00:33:01,120 --> 00:33:07,040 Speaker 1: and meeting the Greek gods. But I wonder how much 582 00:33:07,240 --> 00:33:08,680 Speaker 1: they all know about each other. 583 00:33:09,600 --> 00:33:14,120 Speaker 2: I wonder if that is the secret seed that Moonnight 584 00:33:14,240 --> 00:33:16,760 Speaker 2: is sewing. We've always been wondering, like, is Stephen going 585 00:33:16,840 --> 00:33:19,280 Speaker 2: to be in their main mcu is Mark is Moonnight? 586 00:33:19,440 --> 00:33:19,640 Speaker 1: Yeah? 587 00:33:19,760 --> 00:33:23,200 Speaker 2: Maybe? Probably, maybe not. I don't know. Maybe what they're 588 00:33:23,240 --> 00:33:28,440 Speaker 2: really sowing here is more of that god and deity backstory, 589 00:33:28,440 --> 00:33:31,200 Speaker 2: those connections between the E and Nad, between bast and 590 00:33:31,280 --> 00:33:34,240 Speaker 2: sec Met who became the Panther and Lyon gods in Wakanda, 591 00:33:34,320 --> 00:33:39,080 Speaker 2: between Tarawet, between hmit Beteen and Nubis, And then it 592 00:33:39,160 --> 00:33:43,760 Speaker 2: seems like it can't be a kind of coincidence that 593 00:33:43,760 --> 00:33:47,440 Speaker 2: that is leading quite closely into love and Thunder, where 594 00:33:47,440 --> 00:33:50,240 Speaker 2: we're going to meet I feel the same deities. So 595 00:33:50,320 --> 00:33:53,800 Speaker 2: maybe that is the bigger picture here, because you know, 596 00:33:54,000 --> 00:33:55,840 Speaker 2: it's we love this stuff, which is why we pick 597 00:33:55,840 --> 00:33:58,440 Speaker 2: it apart. So obviously the obvious questions are like Arthur 598 00:33:58,480 --> 00:34:01,280 Speaker 2: Harrow has a power much bigger than the infinity, gornt right, 599 00:34:01,320 --> 00:34:02,520 Speaker 2: and nobody's doing anything. 600 00:34:02,600 --> 00:34:04,320 Speaker 1: Nobody's doing where is everybody? 601 00:34:04,560 --> 00:34:07,160 Speaker 2: That's always funny to us, but also in the comics. 602 00:34:07,600 --> 00:34:10,799 Speaker 2: We know that there are times when someone's doing some 603 00:34:11,160 --> 00:34:15,239 Speaker 2: multiversal destruction shenanigans and the only person you send is Hawkeye, 604 00:34:15,320 --> 00:34:16,280 Speaker 2: So it happens. 605 00:34:16,400 --> 00:34:16,600 Speaker 3: You know. 606 00:34:17,239 --> 00:34:19,319 Speaker 1: One of my favorite, one of my favorite things about 607 00:34:19,360 --> 00:34:22,359 Speaker 1: Ednie comic book story is like the line in like 608 00:34:22,520 --> 00:34:25,600 Speaker 1: a Wolverine or a Hawkeye or a Capitain America or 609 00:34:25,600 --> 00:34:28,600 Speaker 1: a Thor comic where it's like, where are the Avengers. Oh, 610 00:34:28,600 --> 00:34:33,120 Speaker 1: they're busy, yeah, right now, It's just like they're dealing 611 00:34:33,200 --> 00:34:35,319 Speaker 1: with their own stuff. And then it'll be like, you know, 612 00:34:35,360 --> 00:34:41,680 Speaker 1: a little asterisk see Avengers blah blah blah from Okay. 613 00:34:41,920 --> 00:34:44,400 Speaker 1: Up next, our friend Cody Zigler joins us and we 614 00:34:44,440 --> 00:35:01,640 Speaker 1: talk comics. Okay, folks, we're stepping out of the airlock 615 00:35:02,000 --> 00:35:05,600 Speaker 1: and into the comics quarter with our good friend Cody 616 00:35:05,840 --> 00:35:12,040 Speaker 1: zig Ziggler. Get please pick up Cody Ziggler, Justin Bason 617 00:35:12,120 --> 00:35:16,239 Speaker 1: and Jim Charlon Pittis's Spider Punk Number one wherever you 618 00:35:16,239 --> 00:35:18,240 Speaker 1: can find it because it's sold out many many places. 619 00:35:18,239 --> 00:35:22,680 Speaker 1: Super super fun. Cody, thank you for joining us, and 620 00:35:22,719 --> 00:35:23,880 Speaker 1: it's time to talk comics. 621 00:35:23,880 --> 00:35:24,920 Speaker 3: Man, yes about it. 622 00:35:25,040 --> 00:35:26,520 Speaker 1: First of all, have you been what are you going up? 623 00:35:26,520 --> 00:35:30,720 Speaker 3: To dude, I've been great. I've been so incredibly busy, 624 00:35:30,760 --> 00:35:33,080 Speaker 3: as I'm sure you can tell from my social media post. 625 00:35:33,560 --> 00:35:37,239 Speaker 3: I'm good. I'm currently about to finish the season of Futurama, 626 00:35:37,560 --> 00:35:41,600 Speaker 3: and I'm almost almost almost about to finish issue five 627 00:35:41,640 --> 00:35:45,560 Speaker 3: of Spider Punk. That's right. So as soon as I 628 00:35:45,640 --> 00:35:47,960 Speaker 3: get through this little bit of Elden Ring, I'm going 629 00:35:48,040 --> 00:35:50,759 Speaker 3: to go to my computer and finish this last issue. Baby. 630 00:35:50,800 --> 00:35:51,000 Speaker 3: That's that. 631 00:35:53,239 --> 00:35:55,279 Speaker 1: We got to know where are you in the ring 632 00:35:55,400 --> 00:35:57,520 Speaker 1: right now? What's going on with it? Where are you 633 00:35:57,520 --> 00:35:59,239 Speaker 1: in the mission? Are you held? 634 00:35:59,280 --> 00:36:01,880 Speaker 3: And Lord yet I am not, but I have dethroned 635 00:36:02,000 --> 00:36:08,359 Speaker 3: Margot the fell Key, and so yeah, next, they gotta next. 636 00:36:08,440 --> 00:36:10,399 Speaker 3: I gotta get to go find a giant in the snow. 637 00:36:10,440 --> 00:36:13,880 Speaker 3: I don't know everyone is as right now, so do 638 00:36:13,920 --> 00:36:15,080 Speaker 3: some grinding to get Let me. 639 00:36:15,120 --> 00:36:19,759 Speaker 1: Tell you that the giant no spoilers. That is a fight, 640 00:36:20,080 --> 00:36:23,320 Speaker 1: my friend boy, and and it's one of the fights 641 00:36:23,400 --> 00:36:25,279 Speaker 1: where you're fighting the guy and you're like, man, I 642 00:36:25,320 --> 00:36:27,960 Speaker 1: feel bad about having to kill this guy, but then 643 00:36:28,000 --> 00:36:30,160 Speaker 1: you feel less bad because he just like, whoops your asso. 644 00:36:30,160 --> 00:36:34,399 Speaker 1: Watch anyway, that's a fun fight. Enjoy that. Let's get 645 00:36:34,400 --> 00:36:37,680 Speaker 1: into the comics. Then uh. The reason that we want 646 00:36:37,719 --> 00:36:39,919 Speaker 1: to do this episode one is because we love talking 647 00:36:39,920 --> 00:36:42,640 Speaker 1: about comics. And then two we wanted to uh, so 648 00:36:42,680 --> 00:36:44,480 Speaker 1: we want to talk about the things that we're reading 649 00:36:44,560 --> 00:36:47,120 Speaker 1: right now, the things we really like. And then uh 650 00:36:47,280 --> 00:36:50,440 Speaker 1: and then as a way to prepare people for Doctor 651 00:36:50,440 --> 00:36:52,640 Speaker 1: Strange and the Multiverse, a mantas talk about some of 652 00:36:53,239 --> 00:36:57,040 Speaker 1: the Doctor Strange related comics that we think we might 653 00:36:57,080 --> 00:36:58,919 Speaker 1: come up. But first let's talk about what we're reading 654 00:36:58,960 --> 00:37:01,040 Speaker 1: right now. SI, what do you what do you read 655 00:37:01,239 --> 00:37:01,799 Speaker 1: right now? Man? 656 00:37:01,880 --> 00:37:03,560 Speaker 3: I have you can't see, but I have such a 657 00:37:03,640 --> 00:37:06,200 Speaker 3: huge stack of stuff. So on to three. 658 00:37:06,400 --> 00:37:07,360 Speaker 2: I love this side. 659 00:37:07,840 --> 00:37:09,800 Speaker 3: I yelled about this yesterday or the other day on 660 00:37:09,840 --> 00:37:12,920 Speaker 3: our pre pro beating But Gleam by Freddy Carrasco is 661 00:37:13,320 --> 00:37:15,279 Speaker 3: a book that it picked up a couple of a 662 00:37:15,280 --> 00:37:17,759 Speaker 3: couple of months ago, and it's right up my alley. 663 00:37:17,760 --> 00:37:19,560 Speaker 3: I actually haven't been reading a bunch of Cape stuff 664 00:37:19,640 --> 00:37:22,400 Speaker 3: because I've just been in the Cape world for vastly 665 00:37:22,400 --> 00:37:24,239 Speaker 3: in the past year. But if you're looking for like 666 00:37:24,280 --> 00:37:28,680 Speaker 3: a fantastic like afro futurism, black cyberpunk story, I highly 667 00:37:28,680 --> 00:37:31,440 Speaker 3: recommend this. He's a Canadian black Canadian artist who I 668 00:37:31,440 --> 00:37:35,000 Speaker 3: think Liz works Japan uh now. But it's a collection 669 00:37:35,120 --> 00:37:38,520 Speaker 3: of three vignettes, three short stories, a very very very 670 00:37:38,640 --> 00:37:42,239 Speaker 3: loose through line, but it's got some fantastic art, very 671 00:37:42,840 --> 00:37:45,319 Speaker 3: very loose from the hip with the actual story. So 672 00:37:45,360 --> 00:37:48,520 Speaker 3: like you're looking for like some fantastic like sequential art 673 00:37:48,520 --> 00:37:50,320 Speaker 3: and just following the action and the flow of stuff 674 00:37:50,320 --> 00:37:53,040 Speaker 3: and like just really for vibes only. I highly recommend 675 00:37:53,520 --> 00:37:55,640 Speaker 3: GLEAM g L E e M. Pick it up. 676 00:37:55,680 --> 00:38:00,440 Speaker 2: Yeah, that book is unbelievable. And when I have my 677 00:38:00,520 --> 00:38:03,520 Speaker 2: first in person meeting with Oliver, our owner who's doing 678 00:38:03,520 --> 00:38:05,480 Speaker 2: the art for my Godzilla comic, that was one of 679 00:38:05,520 --> 00:38:07,600 Speaker 2: the best. And he was like, what do you think? 680 00:38:07,640 --> 00:38:12,920 Speaker 1: And I was like, you know, perfect transition to you, Rosie, 681 00:38:13,040 --> 00:38:15,319 Speaker 1: Rosie Knight. First of all, you got to tell us 682 00:38:15,320 --> 00:38:18,200 Speaker 1: about your Guydilla comic. What is going on with the 683 00:38:18,200 --> 00:38:20,880 Speaker 1: Godzilla comic? When can we purchase this comic? 684 00:38:21,920 --> 00:38:24,839 Speaker 2: Okay, so that it is available for pre order now, 685 00:38:25,520 --> 00:38:28,560 Speaker 2: it was in this month's catalog. I have got a 686 00:38:28,600 --> 00:38:30,600 Speaker 2: link on my Instagram bio where you can go and 687 00:38:30,600 --> 00:38:32,200 Speaker 2: get all the information that you can give to your 688 00:38:32,239 --> 00:38:34,680 Speaker 2: comic bookshop. If you have a Penguin Random House account. 689 00:38:34,760 --> 00:38:37,160 Speaker 2: You can also order it on their website. But you 690 00:38:37,160 --> 00:38:38,560 Speaker 2: can just go to your shop and say the name 691 00:38:38,560 --> 00:38:40,759 Speaker 2: of the comic, Oliver that what. 692 00:38:40,760 --> 00:38:42,480 Speaker 1: Is the name of the comic just so we all 693 00:38:42,520 --> 00:38:43,280 Speaker 1: go Mozilla. 694 00:38:43,760 --> 00:38:49,240 Speaker 2: It's called Godzilla Rivals Versus batchra And that is because 695 00:38:49,360 --> 00:38:53,280 Speaker 2: it is part of the ongoing Rival series, which features 696 00:38:53,800 --> 00:38:57,640 Speaker 2: stories from the Godzilla movie Monster universe, and they're completely 697 00:38:58,120 --> 00:39:01,280 Speaker 2: unconnected to the movies and they're just solo forty page 698 00:39:01,360 --> 00:39:03,880 Speaker 2: one short issues. And mine is with Oliver, who's an 699 00:39:03,880 --> 00:39:08,239 Speaker 2: astonishing artist who is also inking coloring the whole book, 700 00:39:08,880 --> 00:39:12,680 Speaker 2: and it's really cool. It's like classic Godzilla meets Studio 701 00:39:12,719 --> 00:39:19,120 Speaker 2: ghibli Oh hello, yeah, yeah, There's there's an entire page 702 00:39:19,440 --> 00:39:23,000 Speaker 2: that's just cooking. There's just there's at least no page. 703 00:39:27,239 --> 00:39:28,959 Speaker 2: Thank you, So you know, I get a spider Punk 704 00:39:29,000 --> 00:39:29,479 Speaker 2: every month. 705 00:39:30,680 --> 00:39:33,640 Speaker 1: What is your what's your relationship to Godzilla? Why Godzilla? 706 00:39:33,760 --> 00:39:36,920 Speaker 1: Why this story? Like? What is why we spoke to 707 00:39:36,920 --> 00:39:37,640 Speaker 1: you about Godzilla? 708 00:39:37,920 --> 00:39:41,160 Speaker 2: I absolutely love Godzilla. I am sitting currently where I 709 00:39:41,239 --> 00:39:46,880 Speaker 2: record my podcast, where this podcast where there is one, two, three, four, five, six, seven, 710 00:39:47,560 --> 00:39:52,240 Speaker 2: seven Godzilla figures and a reclining service. I've always loved Godzilla. 711 00:39:52,280 --> 00:39:56,240 Speaker 2: I have a baby Godzilla Tatto Manila. I remember watching 712 00:39:56,280 --> 00:39:58,880 Speaker 2: them as a kid and here now, like there's so 713 00:39:58,960 --> 00:40:02,319 Speaker 2: many brilliant ways to revisit them, whether you're watching them 714 00:40:02,400 --> 00:40:05,680 Speaker 2: dubbed on like Comet, or whether you're getting the Criterion versions, 715 00:40:05,719 --> 00:40:09,279 Speaker 2: which are incredible. I think the stories that they have 716 00:40:09,360 --> 00:40:12,280 Speaker 2: the same thing we love about comics, where Godzilla comes 717 00:40:12,280 --> 00:40:16,560 Speaker 2: from a space of being this incredibly important, personal analogous 718 00:40:16,600 --> 00:40:21,600 Speaker 2: story about Japan and nuclear war and the hazards of 719 00:40:22,080 --> 00:40:24,839 Speaker 2: the nuclear bomb. And it has evolved and there's moments 720 00:40:24,880 --> 00:40:28,279 Speaker 2: where it's totally wacky and outrageous, but it always has 721 00:40:28,320 --> 00:40:31,080 Speaker 2: this ecological through line which I just think is really powerful, 722 00:40:31,080 --> 00:40:33,440 Speaker 2: and that's a big part of our story. Like it's 723 00:40:33,480 --> 00:40:36,280 Speaker 2: set in England, but it was very much inspired by 724 00:40:36,880 --> 00:40:38,600 Speaker 2: the area I live in on like the coast of 725 00:40:38,719 --> 00:40:42,160 Speaker 2: La La City, and there were just so many sewage 726 00:40:42,200 --> 00:40:45,600 Speaker 2: spills here, like months, just every month, just sewage bill, 727 00:40:45,640 --> 00:40:47,880 Speaker 2: sewage bill, sewage bill, and it always happens in the 728 00:40:47,920 --> 00:40:50,480 Speaker 2: area which is mostly poor people, mostly black and brown people. 729 00:40:50,520 --> 00:40:54,080 Speaker 2: That's like that environmental kind of racism element. So bring 730 00:40:54,120 --> 00:40:57,319 Speaker 2: in like those elements in and trying to imagine like 731 00:40:57,360 --> 00:41:00,560 Speaker 2: a better world with cool people who wanted to change things, 732 00:41:00,560 --> 00:41:03,279 Speaker 2: but also with like giant monsters. Way, there's lots of 733 00:41:03,320 --> 00:41:07,520 Speaker 2: giant monster I'll ever deliver on the giant monsters. 734 00:41:08,480 --> 00:41:10,799 Speaker 1: Rosie. What are you reading right now? What is your 735 00:41:10,880 --> 00:41:13,040 Speaker 1: first recommendation for us? 736 00:41:13,280 --> 00:41:16,880 Speaker 2: My first recommendation is this, Really I'm going to go 737 00:41:17,160 --> 00:41:18,920 Speaker 2: I'm going to follow Ziggs lead. I'm gonna go non 738 00:41:18,960 --> 00:41:24,239 Speaker 2: Cape Right now. There is this brilliant independent publisher called 739 00:41:24,239 --> 00:41:27,680 Speaker 2: Black Jose Press, which I just love. I'll read anything 740 00:41:27,719 --> 00:41:33,080 Speaker 2: from there, And they published this unbelievable collection of queer 741 00:41:33,080 --> 00:41:35,960 Speaker 2: erotic comics called Arrive in My Hands. And even if 742 00:41:36,000 --> 00:41:38,839 Speaker 2: you're like, oh, erotic, that sounds a bit, no, it's 743 00:41:38,840 --> 00:41:43,280 Speaker 2: like the most beautiful, poetic, stunning work by Trinidad Escobar. 744 00:41:43,719 --> 00:41:45,680 Speaker 2: And I pre ordered the physical copies, which I think 745 00:41:45,719 --> 00:41:48,520 Speaker 2: will be available soon, but there's a PDF version that's available. 746 00:41:48,960 --> 00:41:51,360 Speaker 2: I just keep looking at it. It's like one of 747 00:41:51,360 --> 00:41:54,440 Speaker 2: those things where every time you look at it, you 748 00:41:54,520 --> 00:41:59,040 Speaker 2: explore something new, and it feels really transgressive and relatable 749 00:41:59,120 --> 00:42:01,680 Speaker 2: and beautiful and kind of thing where I'm just I'm 750 00:42:01,760 --> 00:42:03,719 Speaker 2: so excited to show it to people and just be like, 751 00:42:03,760 --> 00:42:06,279 Speaker 2: do you know people are making comics like this, Like 752 00:42:06,360 --> 00:42:10,200 Speaker 2: this is what you can be enjoying alongside the monster's 753 00:42:10,239 --> 00:42:13,040 Speaker 2: fighting and the superheroes and everything. You can get these 754 00:42:13,080 --> 00:42:18,840 Speaker 2: really personal, beautiful comics made by brilliant, marginalized creators. And 755 00:42:18,880 --> 00:42:22,759 Speaker 2: Black Jose Press just does non stop publications like that. 756 00:42:22,760 --> 00:42:25,600 Speaker 2: It's one of my favorite publishers, and this book was 757 00:42:25,680 --> 00:42:29,440 Speaker 2: just like it. Even I have high expectations of that publisher, 758 00:42:29,480 --> 00:42:32,279 Speaker 2: but it totally overwhelmed them. I just that book is 759 00:42:32,320 --> 00:42:34,279 Speaker 2: so good, so ten out of ten recommendations. 760 00:42:34,360 --> 00:42:39,440 Speaker 1: Yes, that's awesome. I will go Cape because I've been 761 00:42:39,520 --> 00:42:43,040 Speaker 1: keeping the last couple of weeks to bone up for 762 00:42:43,560 --> 00:42:47,239 Speaker 1: movies and stuff they're coming out. And I was a 763 00:42:47,280 --> 00:42:50,359 Speaker 1: full disclosure, never much of a Hulk person when I 764 00:42:50,400 --> 00:42:53,759 Speaker 1: first started reading comics. And despite the fact that like 765 00:42:53,840 --> 00:42:56,960 Speaker 1: there was some really really you know mister fix It 766 00:42:57,080 --> 00:43:01,000 Speaker 1: era classic kind of like classic like Kulk's stories at 767 00:43:01,000 --> 00:43:04,360 Speaker 1: that time, love the pin suit, but I just was 768 00:43:04,400 --> 00:43:06,560 Speaker 1: never much of a Hulk person, Like I'd check in 769 00:43:06,719 --> 00:43:09,279 Speaker 1: for the big events World War Hulk, you know, Planet Hulk, 770 00:43:09,280 --> 00:43:11,080 Speaker 1: et cetera. Those are of course good, but I was 771 00:43:11,120 --> 00:43:14,760 Speaker 1: never like a I'm reading the Hulk now Immortal Hulk 772 00:43:15,200 --> 00:43:19,160 Speaker 1: changed turned my head a lot in ways that I 773 00:43:19,239 --> 00:43:23,480 Speaker 1: was not expecting. And the ongoing series, The Hulk series 774 00:43:24,280 --> 00:43:27,440 Speaker 1: by Donnie Kate's Ryan Otley, Cliff Rathburn and Frank Martin 775 00:43:27,600 --> 00:43:31,680 Speaker 1: is really good and really interesting and takes you know, 776 00:43:31,719 --> 00:43:34,560 Speaker 1: it's always like, how do we redefine the relationship between 777 00:43:34,560 --> 00:43:37,720 Speaker 1: Bruce Banner and the Hulk? You know, it's constantly changing. 778 00:43:37,960 --> 00:43:39,680 Speaker 1: How do we how do we make it new and fresh? 779 00:43:39,760 --> 00:43:45,360 Speaker 1: And this time it's Bruce Banner is both like the 780 00:43:45,400 --> 00:43:47,680 Speaker 1: main character kind of the bad guy, which is I 781 00:43:47,719 --> 00:43:50,560 Speaker 1: guess happened for a while, but he has turned the 782 00:43:50,640 --> 00:43:56,799 Speaker 1: Hulk into like a pilotable like battle like buy a 783 00:43:56,920 --> 00:44:00,360 Speaker 1: battleship that like a like a mech suit that he 784 00:44:00,520 --> 00:44:03,360 Speaker 1: is sitting like deep inside the psyche of the Hulk, 785 00:44:03,880 --> 00:44:08,120 Speaker 1: piloting this Hulk around and having crazy fights and crazy 786 00:44:08,120 --> 00:44:11,080 Speaker 1: adventure is really really good and really interesting. The art 787 00:44:11,160 --> 00:44:11,880 Speaker 1: is fantastic. 788 00:44:12,000 --> 00:44:15,759 Speaker 2: I was gonna say, Ryan Otley r Ryley onto that 789 00:44:15,800 --> 00:44:17,160 Speaker 2: big two stuff is just. 790 00:44:17,080 --> 00:44:23,280 Speaker 1: Like it's just like so gnarly and like biological and 791 00:44:23,280 --> 00:44:26,759 Speaker 1: and and the textures that he that he brings out 792 00:44:26,800 --> 00:44:30,719 Speaker 1: are fantastic it's it's great and as a person who 793 00:44:30,800 --> 00:44:34,560 Speaker 1: again has never really been much of a Hulk person, 794 00:44:35,160 --> 00:44:38,600 Speaker 1: just like straight up throughout the course of my comics 795 00:44:38,600 --> 00:44:40,520 Speaker 1: reading life, has never been much of a Hulk person 796 00:44:40,600 --> 00:44:43,080 Speaker 1: until recently. I'm really enjoying this book quite a bit. 797 00:44:43,719 --> 00:44:45,680 Speaker 3: You said, you say, met Hulk, I'm already in, like. 798 00:44:46,960 --> 00:44:50,439 Speaker 1: Yeah, back to you. Zig. What else? 799 00:44:51,000 --> 00:44:55,560 Speaker 3: This is another non Cape comic, but Mark Ballast by E. P. 800 00:44:55,960 --> 00:44:56,200 Speaker 4: H K. 801 00:44:56,520 --> 00:45:00,440 Speaker 3: It's a it's viewers or listeners can't see this, but 802 00:45:00,480 --> 00:45:00,839 Speaker 3: it's a. 803 00:45:01,120 --> 00:45:02,440 Speaker 2: It's a every dime. 804 00:45:02,560 --> 00:45:07,920 Speaker 3: Yeah. It's a quote unquote silent comic in that there's words, 805 00:45:07,920 --> 00:45:11,680 Speaker 3: but it's all gibberish and it's just following a two 806 00:45:11,680 --> 00:45:14,160 Speaker 3: fighter pilots that are fighting over Mars and they shoot 807 00:45:14,160 --> 00:45:16,080 Speaker 3: each other down. They just you know, it's like an 808 00:45:16,160 --> 00:45:17,880 Speaker 3: enemy mind situation where they help each other out. But 809 00:45:18,560 --> 00:45:21,000 Speaker 3: if you're looking for some really really he's a He 810 00:45:21,160 --> 00:45:23,920 Speaker 3: is a French artist, and if you're looking for some 811 00:45:24,040 --> 00:45:28,560 Speaker 3: truly some of the most vivid, sequential art and just 812 00:45:28,640 --> 00:45:33,239 Speaker 3: storytelling out right now, I highly recommend this. It's a 813 00:45:33,320 --> 00:45:35,720 Speaker 3: it's a pocket sized graphic novel, one hundred and twenty 814 00:45:35,760 --> 00:45:39,160 Speaker 3: pages and it has like the use of like red 815 00:45:39,239 --> 00:45:43,279 Speaker 3: and orange is fantastic, Like it flows together. There's some 816 00:45:43,360 --> 00:45:47,239 Speaker 3: really really interesting panel layouts and uh just the use 817 00:45:47,239 --> 00:45:49,360 Speaker 3: of like language and in using a non language to 818 00:45:49,360 --> 00:45:51,880 Speaker 3: convey emotion and like some fantastic and acting with the drawing, 819 00:45:51,960 --> 00:45:55,360 Speaker 3: like check out Mars Mars Ballast by E. P. 820 00:45:55,800 --> 00:45:59,440 Speaker 1: H K Shouts to the Enemy mind Drop, which is 821 00:46:00,360 --> 00:46:05,359 Speaker 1: really like forgotten sci fi movie from the eighties star Gym, 822 00:46:05,760 --> 00:46:10,719 Speaker 1: starring Dennis Quaid and Lewis Gossa Junior as too uh 823 00:46:11,040 --> 00:46:15,200 Speaker 1: you know, uh, two fighter islots from from opposing warring 824 00:46:15,239 --> 00:46:18,240 Speaker 1: factions humans versus I forget the name of the alien species. 825 00:46:18,239 --> 00:46:20,960 Speaker 1: But they then crash land on a desolate planet and 826 00:46:21,040 --> 00:46:23,080 Speaker 1: have to like learn to live together. And it is 827 00:46:23,160 --> 00:46:25,759 Speaker 1: like a heartbreaking story. 828 00:46:25,880 --> 00:46:28,120 Speaker 2: Yeah, I'd never seen it until it was on broadcast 829 00:46:28,200 --> 00:46:30,359 Speaker 2: a couple of years ago, hair and I was just like, oh, 830 00:46:30,440 --> 00:46:34,040 Speaker 2: my fucking god, and how has nobody told me about man? 831 00:46:34,280 --> 00:46:38,320 Speaker 1: It is like, I'm not even fucking around. Lou Gassa 832 00:46:38,400 --> 00:46:41,160 Speaker 1: Junior should have been Oscar nominated for that fucking role. 833 00:46:41,320 --> 00:46:46,840 Speaker 1: I'm not even I'm not joking. It is not a 834 00:46:47,040 --> 00:46:51,200 Speaker 1: fucking joke. Like in full makeup that must have taken 835 00:46:51,200 --> 00:46:55,200 Speaker 1: hours and hours to get into. He is fully emotive, 836 00:46:55,680 --> 00:47:00,759 Speaker 1: like breaks your heart in a million fucking ways. He 837 00:47:00,840 --> 00:47:03,319 Speaker 1: should have been Oscar Nomen. It's an incredible movie. Find 838 00:47:03,320 --> 00:47:07,719 Speaker 1: it if you can. Great movie. Enemy Mine, Rosie up 839 00:47:07,719 --> 00:47:08,200 Speaker 1: next for you. 840 00:47:08,719 --> 00:47:10,560 Speaker 2: Okay, okay, you flipped me. I was gonna do a 841 00:47:10,600 --> 00:47:12,279 Speaker 2: different I'll do this one later, but I'll do one 842 00:47:12,320 --> 00:47:16,239 Speaker 2: now because just talking about like really weird, deep sci fi. 843 00:47:16,400 --> 00:47:16,640 Speaker 3: So I. 844 00:47:18,360 --> 00:47:21,440 Speaker 2: Was revisiting Umbrella Academy in the lead up to the 845 00:47:21,440 --> 00:47:24,640 Speaker 2: third series and I read Hotel Oblivion again, which was 846 00:47:24,680 --> 00:47:26,799 Speaker 2: the third volume which came out like eight years after 847 00:47:26,840 --> 00:47:30,680 Speaker 2: the second volume, written by Jared Way with his collaborator 848 00:47:30,800 --> 00:47:34,279 Speaker 2: artist Gabriel Barr, who is just so unreal. And if 849 00:47:34,280 --> 00:47:37,520 Speaker 2: you want to get prepared for the third season introduction 850 00:47:37,640 --> 00:47:41,640 Speaker 2: of the mysterious Sparrow Academy kind of then it's a 851 00:47:41,680 --> 00:47:44,520 Speaker 2: great thing to read. But if you just want to 852 00:47:44,560 --> 00:47:50,800 Speaker 2: read a really weird experimental sci fi comic which takes 853 00:47:50,840 --> 00:47:53,880 Speaker 2: place in these two it's like some people are trapped 854 00:47:53,880 --> 00:47:56,000 Speaker 2: in this hotel. Is it really a hotel? Is it 855 00:47:56,080 --> 00:47:59,759 Speaker 2: like a cosmic kind of void like you? And it's 856 00:47:59,840 --> 00:48:05,440 Speaker 2: just Gabriel's art is so good, and so much of 857 00:48:05,920 --> 00:48:09,080 Speaker 2: Umbrella Academy is like the creative team's love for the 858 00:48:09,239 --> 00:48:11,560 Speaker 2: X Men and for these stories. This volume is is 859 00:48:11,640 --> 00:48:16,040 Speaker 2: not really that this volume is balls to the wall bonkers, 860 00:48:16,800 --> 00:48:18,680 Speaker 2: n I mean, Gabriel's art is like he is just 861 00:48:19,160 --> 00:48:22,320 Speaker 2: a star, Like everything that he does is just beautiful. 862 00:48:23,200 --> 00:48:26,680 Speaker 2: But like I was so blown away rereading that book. 863 00:48:26,719 --> 00:48:30,280 Speaker 2: I was just like, this is like no other superhero comic. 864 00:48:30,600 --> 00:48:34,160 Speaker 2: You know, it's Cape comics, but it's not. And that 865 00:48:34,320 --> 00:48:36,520 Speaker 2: is just it's such a great read anyway, and it's 866 00:48:36,560 --> 00:48:39,959 Speaker 2: just a really easy volume and there's so much fun 867 00:48:40,000 --> 00:48:42,600 Speaker 2: to be had. But also if you're if you're excited 868 00:48:42,640 --> 00:48:44,520 Speaker 2: about the new season or you want a primer, it 869 00:48:44,560 --> 00:48:46,440 Speaker 2: works on that level as well. But I was I 870 00:48:46,520 --> 00:48:48,080 Speaker 2: read it for that reason. Then I was just like, 871 00:48:48,480 --> 00:48:51,320 Speaker 2: this is so weird in the best way. It really 872 00:48:51,360 --> 00:48:54,440 Speaker 2: delivered on what you want from that kind of Umbrella 873 00:48:54,520 --> 00:48:55,960 Speaker 2: Academy stance. It was. 874 00:48:56,000 --> 00:48:59,359 Speaker 1: It was great what I think Gerard Way might have 875 00:48:59,400 --> 00:49:03,319 Speaker 1: the coolest can act like of people that I can 876 00:49:03,760 --> 00:49:06,359 Speaker 1: think of in terms of like going into a completely 877 00:49:06,400 --> 00:49:09,840 Speaker 1: different lane and being really good at it. Of course, 878 00:49:09,920 --> 00:49:13,520 Speaker 1: like is the as the lead vocalist of My Chemical 879 00:49:13,600 --> 00:49:19,279 Speaker 1: Romance was extremely influential. But like the flip to to 880 00:49:19,480 --> 00:49:22,160 Speaker 1: comics and Umbrella Academy, I remember at the time being like, 881 00:49:23,080 --> 00:49:26,080 Speaker 1: let's see and then being like, oh fuck, this is 882 00:49:26,120 --> 00:49:26,960 Speaker 1: good shit. 883 00:49:29,160 --> 00:49:31,759 Speaker 3: Twice Yeah, motherfucker. 884 00:49:32,120 --> 00:49:34,560 Speaker 2: His story arc is so unbelievable as well, because he 885 00:49:34,640 --> 00:49:37,520 Speaker 2: was like a Vertigo intern as a teenager, and it 886 00:49:37,640 --> 00:49:38,799 Speaker 2: was like, is this gonna work? 887 00:49:38,880 --> 00:49:38,960 Speaker 1: Is? 888 00:49:39,000 --> 00:49:40,759 Speaker 2: And Okay, now I'll go and start like the most 889 00:49:40,760 --> 00:49:45,120 Speaker 2: famous emo like stadium rock band of you know, the decade. 890 00:49:45,440 --> 00:49:47,400 Speaker 2: But I'm staying friends with Jim Lee who loves this 891 00:49:47,480 --> 00:49:50,160 Speaker 2: kind of music. And then kind of somehow you end 892 00:49:50,239 --> 00:49:52,840 Speaker 2: up in this space where you create like one of 893 00:49:52,920 --> 00:49:55,600 Speaker 2: not only one of the most successful indie comics, but 894 00:49:55,640 --> 00:49:58,480 Speaker 2: then it becomes one of the biggest Netflix originals. I 895 00:49:58,520 --> 00:50:01,359 Speaker 2: know so many people who love Umbrella Academy who've never 896 00:50:01,360 --> 00:50:04,280 Speaker 2: read a comic. Yeah, yeah, they just love the show. 897 00:50:04,360 --> 00:50:06,680 Speaker 2: It is a true crossover success in that way. 898 00:50:06,840 --> 00:50:15,120 Speaker 1: When we're back more comics Corner, We're back, So I'm 899 00:50:15,120 --> 00:50:17,920 Speaker 1: gonna go listen. I've been on my I'm gonna go 900 00:50:18,000 --> 00:50:20,520 Speaker 1: Cape again. I've been on my X Men slash Mutant 901 00:50:20,640 --> 00:50:25,000 Speaker 1: thing as they are transitioning into the Immortal X Men 902 00:50:25,160 --> 00:50:29,919 Speaker 1: slash x Men. Red Phase shouts at what a come 903 00:50:30,000 --> 00:50:32,880 Speaker 1: up for my mutant family. They were on the Village 904 00:50:32,880 --> 00:50:35,880 Speaker 1: of Extinction. There was like less than two hundred of 905 00:50:35,920 --> 00:50:39,520 Speaker 1: them left. Now they're colonizing Mars. It's look at us 906 00:50:39,560 --> 00:50:44,080 Speaker 1: now we'd be here and kind of against all odds. 907 00:50:44,120 --> 00:50:48,000 Speaker 1: I don't know if that's true. My favorite, I love 908 00:50:48,040 --> 00:50:50,520 Speaker 1: my X Men, but kind of my favorite, like ongoing 909 00:50:50,640 --> 00:50:53,319 Speaker 1: X solo title has been Marauders, like the whole time, 910 00:50:53,400 --> 00:51:01,319 Speaker 1: so Steve Orlando, Eleonora Carlini, Matt Miller or They have 911 00:51:01,400 --> 00:51:03,279 Speaker 1: just released Marauders number one. It's kind of like a 912 00:51:03,320 --> 00:51:07,560 Speaker 1: reboot of the ongoing Marauders title and it's super fun. 913 00:51:08,000 --> 00:51:10,400 Speaker 1: I'm enjoying spending the time on the high seas with 914 00:51:11,000 --> 00:51:15,160 Speaker 1: Don't Call Her Kitty, Catherine Pride, Lockheed and the rest 915 00:51:15,200 --> 00:51:19,440 Speaker 1: of the Pirate crew, sailing from nation to nation, making 916 00:51:19,480 --> 00:51:22,000 Speaker 1: sure that Mutants can go to Krakoa if they so 917 00:51:22,120 --> 00:51:25,360 Speaker 1: wish to do so. It's been really fun. Lots of 918 00:51:25,400 --> 00:51:31,320 Speaker 1: fun shenanigans with with you know, the the Black King Shaw, 919 00:51:31,719 --> 00:51:34,520 Speaker 1: lots of stuff going on. It's if you want to 920 00:51:34,560 --> 00:51:38,200 Speaker 1: get into like an X book that is not so 921 00:51:39,400 --> 00:51:43,520 Speaker 1: wrapped up in a lot of the ongoing like ex Politics, 922 00:51:43,520 --> 00:51:47,279 Speaker 1: and it's kind of like, in my my read of 923 00:51:47,320 --> 00:51:49,480 Speaker 1: it is kind of like the easiest to follow one. 924 00:51:49,680 --> 00:51:51,359 Speaker 1: Like if you want to drop into the X world 925 00:51:51,400 --> 00:51:52,520 Speaker 1: and you're like, oh my god, do I have to 926 00:51:52,560 --> 00:51:54,680 Speaker 1: do like House of X and donno X and all 927 00:51:54,719 --> 00:51:58,400 Speaker 1: that stuff and get here, yes and no, and you 928 00:51:58,480 --> 00:51:59,960 Speaker 1: just want to pick it up and see what's going on. 929 00:52:00,320 --> 00:52:02,560 Speaker 1: I would Marauder's Number one is a great place to 930 00:52:02,600 --> 00:52:08,239 Speaker 1: get on, and the previous Marauders ongoing before the renumber 931 00:52:08,600 --> 00:52:12,560 Speaker 1: was just super straightforward, really fun, just like Mutants on 932 00:52:12,600 --> 00:52:14,359 Speaker 1: the High Seas I think. 933 00:52:14,760 --> 00:52:16,319 Speaker 2: I think like one of the best things about the 934 00:52:16,480 --> 00:52:19,319 Speaker 2: X titles at the moment is like their additive so 935 00:52:19,400 --> 00:52:21,480 Speaker 2: you can read an X book and really enjoy it, 936 00:52:21,840 --> 00:52:24,879 Speaker 2: but like if you've read every other X book, you're 937 00:52:24,880 --> 00:52:27,040 Speaker 2: going to find even more to dig into and enjoy, 938 00:52:27,120 --> 00:52:28,839 Speaker 2: so you can find the one you like, whether it's 939 00:52:28,840 --> 00:52:31,759 Speaker 2: Hellians or Marauders and more X men. I thought it 940 00:52:31,800 --> 00:52:35,080 Speaker 2: was brilliant the first issue, like and then if you've 941 00:52:35,120 --> 00:52:38,160 Speaker 2: read it, you get in jokes and bits, but otherwise, 942 00:52:38,239 --> 00:52:40,359 Speaker 2: like you can go back and add more onto it, 943 00:52:40,440 --> 00:52:42,480 Speaker 2: and it kind of works in this lateral way that 944 00:52:42,520 --> 00:52:45,520 Speaker 2: I think is really cool for a wide line of comics. 945 00:52:45,719 --> 00:52:49,520 Speaker 1: Shouts to mister Sinister going evil once again. He's been 946 00:52:49,560 --> 00:52:54,240 Speaker 1: played for laughs in Hells. I like he stayed sasy. 947 00:52:54,520 --> 00:52:56,800 Speaker 2: He's more a X Man. He's been eight sassy. 948 00:52:57,120 --> 00:53:00,360 Speaker 1: He's been incredibly sassy over the last year. To have 949 00:53:00,360 --> 00:53:02,239 Speaker 1: two years and now in a moral X Men, my 950 00:53:02,320 --> 00:53:07,000 Speaker 1: guys taking the keeltering but still still snapping on people. 951 00:53:07,480 --> 00:53:11,000 Speaker 2: I love that fast issue of a Mortal X Men 952 00:53:11,040 --> 00:53:15,520 Speaker 2: has one of my all time recent fave lettering uses 953 00:53:15,600 --> 00:53:19,120 Speaker 2: where they I think it's Clayton calculates that book, but 954 00:53:19,160 --> 00:53:22,960 Speaker 2: I'll double check, but he goes he does like a what, 955 00:53:23,320 --> 00:53:26,359 Speaker 2: and the what is like just huge. But when you 956 00:53:26,440 --> 00:53:28,600 Speaker 2: read it in the context of the joke where he's 957 00:53:28,600 --> 00:53:31,080 Speaker 2: trying to act surprised and at the bottom it says like, 958 00:53:31,239 --> 00:53:34,600 Speaker 2: was that too much? It's so funny. I've reread it 959 00:53:34,680 --> 00:53:36,799 Speaker 2: multiple times and it's made me laugh out loud, like 960 00:53:37,280 --> 00:53:39,400 Speaker 2: the we all know this, And we talked about Tom 961 00:53:39,480 --> 00:53:43,680 Speaker 2: Miller's amazing production design, but the intricacies and detail and 962 00:53:43,920 --> 00:53:46,440 Speaker 2: of quality that they're putting in every level on those 963 00:53:46,480 --> 00:53:48,200 Speaker 2: books is very good. 964 00:53:48,920 --> 00:53:52,040 Speaker 3: Zigurre up all right, So I'm off my art shit 965 00:53:52,160 --> 00:53:55,759 Speaker 3: and onto a more traditional comic, A Righteous Thirst from 966 00:53:55,840 --> 00:54:03,600 Speaker 3: Vengeance out of Are a nice slow burn act thriller comic. 967 00:54:04,760 --> 00:54:06,520 Speaker 3: I highly recommend if you're a fan of like A 968 00:54:06,880 --> 00:54:10,200 Speaker 3: History of Violence or Green Room or Blue Ruin, like 969 00:54:10,200 --> 00:54:13,880 Speaker 3: those who are like Grady grounded, also bizarrely hyper violent 970 00:54:14,640 --> 00:54:19,120 Speaker 3: action thrillers, I highly recommend uh a Thirst for for 971 00:54:19,360 --> 00:54:21,799 Speaker 3: a Righteous for Vengeance. And also I defy you to 972 00:54:21,840 --> 00:54:25,560 Speaker 3: read this and not picture Benedict Wang as the lead 973 00:54:26,760 --> 00:54:32,399 Speaker 3: the cover, it's. 974 00:54:32,640 --> 00:54:37,520 Speaker 1: Yeah, uh Rosie, Yeah, I'm gonna go there. 975 00:54:37,560 --> 00:54:40,160 Speaker 2: I'm gonna the other direction. If you've read A Righteous 976 00:54:40,200 --> 00:54:42,720 Speaker 2: Best Vengeance and you're like, I need something really chill, 977 00:54:43,239 --> 00:54:46,600 Speaker 2: slice a watch one of my favorite comics of all 978 00:54:46,600 --> 00:54:52,399 Speaker 2: time and probably my favorite living cartoonist, Ramiko Takahashi, who 979 00:54:52,440 --> 00:54:56,320 Speaker 2: is behind any Yasha Lum basically any favorite anime or 980 00:54:56,400 --> 00:54:59,200 Speaker 2: manga that you read as a teen. Uh Ramiko was 981 00:54:59,239 --> 00:55:02,560 Speaker 2: probably behind it. And she has this unbelievable slice of 982 00:55:02,560 --> 00:55:05,400 Speaker 2: life book called Maison a Cuckoo that's about a young 983 00:55:05,960 --> 00:55:09,640 Speaker 2: widow who takes over an eclectic boarding house and it 984 00:55:09,719 --> 00:55:15,800 Speaker 2: is like the funniest, sauciest, silliest slapstick. Every single page 985 00:55:15,880 --> 00:55:17,239 Speaker 2: there's something that will make you want to get a 986 00:55:17,239 --> 00:55:18,360 Speaker 2: tattoo because. 987 00:55:18,320 --> 00:55:20,560 Speaker 1: Romiko is stunning, dangerous. 988 00:55:20,640 --> 00:55:25,759 Speaker 2: She's stunning like figure work and watercolors, and they and 989 00:55:25,920 --> 00:55:28,680 Speaker 2: Viz is currently doing beautiful reprints. I think they're up 990 00:55:28,719 --> 00:55:32,319 Speaker 2: to volume seven now. But she's also really good at 991 00:55:32,360 --> 00:55:35,640 Speaker 2: a gag face. So if you love like Sailor Moon 992 00:55:35,680 --> 00:55:37,359 Speaker 2: and you love when in the back you see like 993 00:55:37,600 --> 00:55:40,400 Speaker 2: they got the little silly gagfaces, Remiko just has that 994 00:55:40,480 --> 00:55:44,400 Speaker 2: down pat It's it's a romance. It's really thoughtful about grief. 995 00:55:44,480 --> 00:55:47,759 Speaker 2: But it's also like Romiko is a very saucy cartoonist, 996 00:55:47,840 --> 00:55:50,319 Speaker 2: like she created Lum, who is like this sexy blue 997 00:55:50,320 --> 00:55:54,399 Speaker 2: headed alien with the leopard print bikini. There's just there's 998 00:55:54,440 --> 00:55:56,279 Speaker 2: so much fun to be had. And this is like 999 00:55:56,520 --> 00:55:58,840 Speaker 2: the vis reprints that they're doing of this a bunch 1000 00:55:58,840 --> 00:56:01,160 Speaker 2: of other Romiko stuff. If they did Mermaids Saga, they're 1001 00:56:01,160 --> 00:56:03,320 Speaker 2: also doing Fist in the North Star ones that are beautiful. 1002 00:56:03,960 --> 00:56:05,840 Speaker 2: They're the kind of books that make you want to 1003 00:56:05,840 --> 00:56:09,880 Speaker 2: reread them, Like the versions they're doing are so beautiful. 1004 00:56:09,920 --> 00:56:12,400 Speaker 2: So yeah, Maison a Cuckoo. I love this comic. I 1005 00:56:12,400 --> 00:56:14,719 Speaker 2: want everyone to read it. I want vis to re 1006 00:56:14,719 --> 00:56:19,239 Speaker 2: release the live action eighties adaptation series that they made 1007 00:56:19,280 --> 00:56:22,200 Speaker 2: of it, which has never been re released. I need 1008 00:56:22,239 --> 00:56:24,120 Speaker 2: to see that, so everyone's go and read this. So 1009 00:56:24,239 --> 00:56:26,080 Speaker 2: visual we'll publish that. 1010 00:56:26,000 --> 00:56:27,600 Speaker 3: Every time we do. We need these episodes. My bank 1011 00:56:27,640 --> 00:56:30,120 Speaker 3: account is just the same thing. Pain. 1012 00:56:30,560 --> 00:56:36,040 Speaker 1: I know, it's pain, dude, same for me. Okay, uh my, 1013 00:56:36,600 --> 00:56:41,600 Speaker 1: this is really hard. But so I've been uh I've 1014 00:56:41,600 --> 00:56:45,240 Speaker 1: been very active on my Marvel Unlimited, digging through the stacks. 1015 00:56:45,239 --> 00:56:48,239 Speaker 1: I've been reading a lot of West Coast Avengers just 1016 00:56:48,280 --> 00:56:51,000 Speaker 1: to you know, catch the vibe and remember what that 1017 00:56:51,239 --> 00:56:57,000 Speaker 1: was like. And they recently released all of the X 1018 00:56:57,120 --> 00:57:00,719 Speaker 1: Deaths of Wolverine series on there, and you know what, 1019 00:57:01,480 --> 00:57:10,920 Speaker 1: as a as a recovering Wolverine, loganhead was a huge look. 1020 00:57:11,040 --> 00:57:13,560 Speaker 1: You know. I was like, as a kid, that was it. 1021 00:57:14,320 --> 00:57:17,200 Speaker 1: I was a loganhead. I'd run around and wonder, man, 1022 00:57:17,240 --> 00:57:18,720 Speaker 1: what would be how cool would it be to have 1023 00:57:18,800 --> 00:57:20,880 Speaker 1: like little metal claws come out of my knuckles and 1024 00:57:21,040 --> 00:57:25,160 Speaker 1: like have every time? The best there is at what 1025 00:57:25,240 --> 00:57:27,400 Speaker 1: I do. But what I do is very nice and 1026 00:57:27,440 --> 00:57:30,200 Speaker 1: it's read comics all the time. I think that, uh, 1027 00:57:30,680 --> 00:57:34,120 Speaker 1: Excess Wolverine is super fun. It's super fun. It's like, uh, 1028 00:57:34,320 --> 00:57:37,200 Speaker 1: it's again a kind of thing that gives you a 1029 00:57:37,240 --> 00:57:42,000 Speaker 1: lot of sprinklings of ongoing events, uh you know, post 1030 00:57:42,040 --> 00:57:46,840 Speaker 1: Kracoa events in Mutantom, But it's a Wolverine story that 1031 00:57:46,920 --> 00:57:50,840 Speaker 1: takes you on a kind of time traveling and a 1032 00:57:50,920 --> 00:57:56,040 Speaker 1: swashbuckling tour of Wolverine's life as heat. Uh. It's like 1033 00:57:56,120 --> 00:58:01,320 Speaker 1: basically Terminator Wolverine goes back through the timeline trying to 1034 00:58:01,400 --> 00:58:05,480 Speaker 1: stop Omega Red from killing Professor X sometime in the past, 1035 00:58:06,080 --> 00:58:10,840 Speaker 1: and it happens. It happens all the time. It happens, 1036 00:58:10,880 --> 00:58:14,880 Speaker 1: It happens the best. Yeah, and Omega Red has developed 1037 00:58:14,880 --> 00:58:18,080 Speaker 1: this new thing where he can, you know, touch someone 1038 00:58:18,120 --> 00:58:22,440 Speaker 1: and basically possess them, which is a problem. And so 1039 00:58:22,600 --> 00:58:25,200 Speaker 1: Wolverine's got to go back through his old bodies. Now 1040 00:58:25,200 --> 00:58:27,600 Speaker 1: he's young Wolverine. Now he's patched. Now he's a different 1041 00:58:27,640 --> 00:58:30,720 Speaker 1: version of Now he's WEAPONEX Wolverine. Now he's Wolverine, Uh, 1042 00:58:30,800 --> 00:58:34,880 Speaker 1: you know, lurking in the Central American jungles with Sabertooth 1043 00:58:35,000 --> 00:58:36,800 Speaker 1: and that other weird guy he used to hang around 1044 00:58:36,800 --> 00:58:40,720 Speaker 1: with Maverick. Uh, and I gotta tell you, I'm having 1045 00:58:40,720 --> 00:58:42,560 Speaker 1: a good time. I'm having a good time reading it. 1046 00:58:42,600 --> 00:58:44,280 Speaker 1: I don't know what to tell you that that has 1047 00:58:44,320 --> 00:58:49,280 Speaker 1: been our comics recommendations. Let's dive into stuff that we 1048 00:58:49,400 --> 00:58:53,040 Speaker 1: think might be useful for people to talk about to read. 1049 00:58:54,000 --> 00:58:57,959 Speaker 1: As Doctor Strange approaches. First one on this list, which 1050 00:58:58,040 --> 00:58:59,600 Speaker 1: Rosie and I were talking about, I wonder if you've 1051 00:58:59,600 --> 00:59:04,000 Speaker 1: read it. Zig is Doctor Strange, Doctor Doom Triumphant Torment 1052 00:59:04,240 --> 00:59:06,680 Speaker 1: written by Rogers Stern with pencils and covers by Mike 1053 00:59:06,760 --> 00:59:10,520 Speaker 1: Magnola and Mark Badger. And it's like what Mike Manola 1054 00:59:10,600 --> 00:59:14,240 Speaker 1: doing Doctor Strange and Doctor I love it. And it's 1055 00:59:14,240 --> 00:59:19,680 Speaker 1: a great one shot story that really lets you into 1056 00:59:19,800 --> 00:59:23,439 Speaker 1: how thirsty Doctor Doom is from magic man. 1057 00:59:23,760 --> 00:59:29,560 Speaker 2: This guy he loves. 1058 00:59:27,320 --> 00:59:32,120 Speaker 1: Tempting the magic. He loves going over the line with 1059 00:59:32,240 --> 00:59:36,959 Speaker 1: like if you thought Doctor Strange pushed it with the spells, 1060 00:59:37,040 --> 00:59:39,520 Speaker 1: with the crossing the line with the like books he 1061 00:59:39,560 --> 00:59:41,320 Speaker 1: shouldn't read, but he's gonna go ahead and read. The 1062 00:59:42,800 --> 00:59:44,320 Speaker 1: Doctor Doom is even more that. 1063 00:59:45,640 --> 00:59:45,880 Speaker 4: Uh. 1064 00:59:45,880 --> 00:59:48,840 Speaker 1: And you know Mignola is Mgnola. It's super fun. Uh. 1065 00:59:49,800 --> 00:59:53,520 Speaker 1: Mephisto is there that is that would be my first 1066 00:59:53,520 --> 00:59:57,720 Speaker 1: recommendation for something that is like easily easy to pick up. 1067 00:59:57,760 --> 00:59:59,240 Speaker 1: You don't need to know a lot if you wanted 1068 00:59:59,280 --> 01:00:02,480 Speaker 1: to pick it up and read it. Any of y'all 1069 01:00:02,560 --> 01:00:06,800 Speaker 1: have any any any recommendations along or sides, I've got one. 1070 01:00:06,800 --> 01:00:09,120 Speaker 2: But another thing I think is really good about that 1071 01:00:09,240 --> 01:00:12,120 Speaker 2: piece is like it really specifically centers on like doctor 1072 01:00:12,120 --> 01:00:15,160 Speaker 2: Doom's mom, which is like a weird thing they were 1073 01:00:15,200 --> 01:00:18,000 Speaker 2: obsessed with in the eighties and nineties because in some 1074 01:00:18,040 --> 01:00:22,080 Speaker 2: of the Moonlight stuff where shot Horror dodtr Doom appears 1075 01:00:22,280 --> 01:00:24,560 Speaker 2: it's all to do with his mom, Like this guy 1076 01:00:24,600 --> 01:00:27,480 Speaker 2: has mother issues and they were being explored. So who 1077 01:00:27,480 --> 01:00:29,720 Speaker 2: knows is that going to come into it in them? See, 1078 01:00:29,920 --> 01:00:32,640 Speaker 2: I don't know, but it seems interesting and connected. So 1079 01:00:33,760 --> 01:00:35,360 Speaker 2: first of all, as well, I always think it's so 1080 01:00:35,440 --> 01:00:37,920 Speaker 2: funny when you, even as people have been reading these 1081 01:00:37,920 --> 01:00:41,080 Speaker 2: comics however long like decades or whatever, whenever we find 1082 01:00:41,080 --> 01:00:43,040 Speaker 2: a might make know the Big Two comics, they're like. 1083 01:00:43,000 --> 01:00:48,520 Speaker 1: Oh my god, he did, like, okay, pick it up. 1084 01:00:50,160 --> 01:00:53,520 Speaker 2: Yeah, it's like it's happening, but I'm going to go newer. 1085 01:00:53,960 --> 01:00:55,480 Speaker 1: Yeah I was. 1086 01:00:55,640 --> 01:00:59,320 Speaker 2: I've kind of read like the first issue of this series, 1087 01:00:59,440 --> 01:01:01,520 Speaker 2: the Death of Doctor Strange, but I recently read the 1088 01:01:01,560 --> 01:01:05,200 Speaker 2: whole thing. The five issue collection is at now Jeff McKay. 1089 01:01:05,240 --> 01:01:08,080 Speaker 2: Pencils by legue Ar, but Curry Andrews does great covers. 1090 01:01:08,680 --> 01:01:13,240 Speaker 2: This is like such a fun book. The idea is 1091 01:01:13,280 --> 01:01:16,880 Speaker 2: like Doctor Strange is gonna die. He gets killed? Who 1092 01:01:16,880 --> 01:01:19,640 Speaker 2: did it? And he gets to kind of like we 1093 01:01:19,760 --> 01:01:23,120 Speaker 2: have to work out what happened? And it's timey wimy 1094 01:01:23,960 --> 01:01:28,640 Speaker 2: r is like so beautiful, cartoony and beautiful and fun, 1095 01:01:28,800 --> 01:01:33,160 Speaker 2: and there's like cute animal characters and I feel like, 1096 01:01:33,840 --> 01:01:37,920 Speaker 2: you know, zig no comment from you here inside business. Yeah, 1097 01:01:38,120 --> 01:01:40,240 Speaker 2: I feel like one of my favorite things talk about 1098 01:01:40,280 --> 01:01:46,120 Speaker 2: is how Marvel Seed stuff is very they want people 1099 01:01:46,160 --> 01:01:49,760 Speaker 2: to necessarily conceptualize or come to terms with, or become 1100 01:01:49,760 --> 01:01:52,240 Speaker 2: familiar with. And this feels like one of those comics 1101 01:01:52,240 --> 01:01:55,680 Speaker 2: where I'm like, one, it's a fun superhero romp, but two, 1102 01:01:56,400 --> 01:02:01,880 Speaker 2: have a read Doctor Strange, you might be happy. 1103 01:02:02,640 --> 01:02:05,400 Speaker 3: Yeah. I definitely feel that same way, whether or not 1104 01:02:05,440 --> 01:02:07,360 Speaker 3: that's what the book that I'm currently writing, I think 1105 01:02:07,360 --> 01:02:11,680 Speaker 3: that's also the same energy, right, Yeah, And also Jet's 1106 01:02:11,680 --> 01:02:13,479 Speaker 3: a fantastic, fantastic writer. 1107 01:02:13,960 --> 01:02:15,479 Speaker 2: Yeah, this book is so fun. 1108 01:02:15,560 --> 01:02:17,680 Speaker 3: Yeah, he's such a fucking fun fun writer. 1109 01:02:18,520 --> 01:02:20,400 Speaker 1: Should add one of the I think one of the 1110 01:02:20,400 --> 01:02:23,840 Speaker 1: things that really felt like, oh we're seeing this is 1111 01:02:24,160 --> 01:02:25,960 Speaker 1: so part of this is not a spoiler, but you 1112 01:02:26,000 --> 01:02:29,520 Speaker 1: know Doctor Strange's murder, who did it? And of course 1113 01:02:29,600 --> 01:02:33,960 Speaker 1: Doctor Strange has a uh, you know protocol in place 1114 01:02:34,080 --> 01:02:38,200 Speaker 1: should he die by means, and that protocol is to 1115 01:02:38,320 --> 01:02:43,280 Speaker 1: like activate an earlier, much more aggressive, much more line 1116 01:02:43,320 --> 01:02:46,640 Speaker 1: steppy version of himself, pluck that version out of whatever 1117 01:02:46,680 --> 01:02:48,800 Speaker 1: timeline is in and bring them, bring them to the 1118 01:02:48,800 --> 01:02:49,919 Speaker 1: present to figure it out. 1119 01:02:50,000 --> 01:02:53,600 Speaker 2: Yeah, did he like a shlock? He asks, yes, like experience. 1120 01:02:53,640 --> 01:02:56,320 Speaker 2: So then let's just say, seems like could be influential. 1121 01:02:56,560 --> 01:02:59,560 Speaker 1: I feel that it could be. Did you have anything? 1122 01:03:00,360 --> 01:03:02,520 Speaker 3: Yeah? I was really torn, but I think I'm gonna 1123 01:03:02,520 --> 01:03:08,840 Speaker 3: go with Hickman's New Avengers run time time runs out. Yeah, yeah, 1124 01:03:09,560 --> 01:03:11,400 Speaker 3: I mean I think anyone could tell from the trailers 1125 01:03:11,440 --> 01:03:12,760 Speaker 3: that the ILLUMINAI is going to be in this, and 1126 01:03:12,760 --> 01:03:14,760 Speaker 3: like that Illuminati is such a big part of Doctor 1127 01:03:14,800 --> 01:03:18,200 Speaker 3: Strange's current origin, at least as modern with the last 1128 01:03:18,200 --> 01:03:21,040 Speaker 3: ten years origin. And if you're really looking for like 1129 01:03:21,120 --> 01:03:24,160 Speaker 3: just a really fun four issue runs like or five 1130 01:03:24,200 --> 01:03:26,800 Speaker 3: issue run to jump in. I think it's it's sixteen 1131 01:03:26,840 --> 01:03:30,520 Speaker 3: through twenty one of Hickman's New Avengers. I introduces one 1132 01:03:30,560 --> 01:03:32,800 Speaker 3: of my absolute favorite characters, Son God. He's just a 1133 01:03:32,840 --> 01:03:36,600 Speaker 3: Superman pastiche there's a fantastic fight between him and Hulk 1134 01:03:36,680 --> 01:03:37,920 Speaker 3: that when I was read it, when I was like, 1135 01:03:37,920 --> 01:03:40,760 Speaker 3: twenty seven was the hypest shit I ever read, and 1136 01:03:40,920 --> 01:03:43,240 Speaker 3: twenty seven and I was turning up, I was quoting it. 1137 01:03:43,520 --> 01:03:45,200 Speaker 3: I had the pictures of my tumbler like I was 1138 01:03:45,240 --> 01:03:47,760 Speaker 3: taking scanning them alone. There. It's a really great entry 1139 01:03:47,800 --> 01:03:50,040 Speaker 3: for that, and I'm I'm just from the trailer. I'm 1140 01:03:50,080 --> 01:03:53,640 Speaker 3: assuming they're gonna be doing some fun Illuminati underhandedness, and 1141 01:03:53,640 --> 01:03:55,880 Speaker 3: I hope that they get some fun, big, big action 1142 01:03:55,960 --> 01:03:57,080 Speaker 3: fight scenes like that in there. 1143 01:03:57,440 --> 01:04:01,280 Speaker 1: That is I think a monumental run. Great no, And 1144 01:04:01,360 --> 01:04:01,720 Speaker 1: I think it. 1145 01:04:01,960 --> 01:04:03,840 Speaker 2: Makes a lot of sense because it leads into like 1146 01:04:03,880 --> 01:04:05,320 Speaker 2: one of the things that we talk about a lot 1147 01:04:05,360 --> 01:04:07,640 Speaker 2: with your Secret Wars and how that seems like the 1148 01:04:07,640 --> 01:04:10,960 Speaker 2: future of the MCU, and and there's doctor Doom elements, 1149 01:04:11,000 --> 01:04:12,800 Speaker 2: you know, God Doom, all that kind of stuff. So 1150 01:04:12,840 --> 01:04:14,800 Speaker 2: I think I think that's a brilliant pick and also 1151 01:04:14,920 --> 01:04:15,240 Speaker 2: just fun. 1152 01:04:15,480 --> 01:04:18,720 Speaker 1: One of my favorite parts of that Time runs out 1153 01:04:18,800 --> 01:04:22,880 Speaker 1: Run is the war between Atlantis and Wakanda, which feels 1154 01:04:22,920 --> 01:04:26,440 Speaker 1: like feels like feeding something you need to, you need 1155 01:04:26,480 --> 01:04:29,080 Speaker 1: to pay attention to, and that was a thing that 1156 01:04:29,200 --> 01:04:33,960 Speaker 1: absolutely grabbed me by the collar when I was reading. Oh, 1157 01:04:34,000 --> 01:04:37,480 Speaker 1: some of the twists and turns in that, like ongoing Struggle, 1158 01:04:37,680 --> 01:04:42,680 Speaker 1: are like, man, you can't believe what happens. Great, great, 1159 01:04:42,760 --> 01:04:47,760 Speaker 1: great run. I will pick a house of m for mine. 1160 01:04:48,080 --> 01:04:53,160 Speaker 1: The two thousand and five limited series Brian Michael Bendis, 1161 01:04:53,320 --> 01:04:58,320 Speaker 1: pencils by the Great Oliver Corpel, covers by the Great 1162 01:04:58,400 --> 01:05:03,120 Speaker 1: east Side, Ribbitch, and eight Core issues you can stick 1163 01:05:03,160 --> 01:05:05,880 Speaker 1: to those, but there are lots of tie ins that 1164 01:05:06,000 --> 01:05:09,120 Speaker 1: spread out, you know, across different titles. But the basic 1165 01:05:10,360 --> 01:05:18,400 Speaker 1: plot is Wanda is just so heartsick over the struggles 1166 01:05:18,440 --> 01:05:21,440 Speaker 1: that mutants have had to go through over the generations 1167 01:05:21,520 --> 01:05:26,080 Speaker 1: and the years, and them being oppressed and and through 1168 01:05:26,120 --> 01:05:29,640 Speaker 1: fits and starts, like all the attempted genocides that have 1169 01:05:29,720 --> 01:05:33,040 Speaker 1: happened over the course of time, and she's like, forget it, 1170 01:05:33,120 --> 01:05:38,400 Speaker 1: that's enough. I want to please my mutant family. Magneto 1171 01:05:38,760 --> 01:05:41,920 Speaker 1: and Quicksilver and I want to I want to heal 1172 01:05:42,280 --> 01:05:44,800 Speaker 1: a mutantom, and so I'm going to create a world 1173 01:05:44,880 --> 01:05:51,320 Speaker 1: in which mutants reign. Mutants are the main force in 1174 01:05:51,360 --> 01:05:54,800 Speaker 1: the world, and there are like non powered people, but 1175 01:05:54,840 --> 01:05:59,000 Speaker 1: they're they're a vast minority, and mutants run the world. 1176 01:05:59,880 --> 01:06:04,920 Speaker 1: And I feel like this is gonna be you know, 1177 01:06:04,920 --> 01:06:06,480 Speaker 1: we've talked about it before on this pod, but I 1178 01:06:06,480 --> 01:06:10,360 Speaker 1: feel like, up it comes up a lot, right, and 1179 01:06:10,400 --> 01:06:12,560 Speaker 1: it feels like, listen, we're waiting for mutants to come 1180 01:06:12,600 --> 01:06:16,360 Speaker 1: into the MCU. Wanda is growing more and more powerful 1181 01:06:16,400 --> 01:06:18,360 Speaker 1: with the ability, as we have seen over the course 1182 01:06:18,400 --> 01:06:22,720 Speaker 1: of Wanna Vision to alter reality and really like the 1183 01:06:23,040 --> 01:06:26,800 Speaker 1: drastic ways. And we know that the at least some 1184 01:06:26,840 --> 01:06:31,040 Speaker 1: part of Doctor Strange and the Multiverse Amandas involves Strange 1185 01:06:31,080 --> 01:06:35,000 Speaker 1: going to a place where other powered people exist, which 1186 01:06:35,000 --> 01:06:37,680 Speaker 1: is how we get America Shavas. And we also know that, like, man, 1187 01:06:37,720 --> 01:06:40,400 Speaker 1: you hear the voice of Patrick Stewart in that fucking trailer. 1188 01:06:43,120 --> 01:06:46,280 Speaker 3: He was basically saying, you makes them with magic. It 1189 01:06:46,320 --> 01:06:49,600 Speaker 3: like it's really hard. You could not distinguish. There's no 1190 01:06:49,640 --> 01:06:50,400 Speaker 3: high knew that was. 1191 01:06:51,280 --> 01:06:53,840 Speaker 1: And so it's a really really fun story. I highly 1192 01:06:53,920 --> 01:06:56,640 Speaker 1: recommend it my guy Wolverine. Again, if you're a Wolverine head, 1193 01:06:56,680 --> 01:06:58,720 Speaker 1: he does some he makes some things happen in this 1194 01:07:00,200 --> 01:07:00,840 Speaker 1: and some stuff. 1195 01:07:02,760 --> 01:07:03,800 Speaker 2: That man has a memory. 1196 01:07:04,160 --> 01:07:07,480 Speaker 1: He always like when it's just like normal life, he 1197 01:07:07,520 --> 01:07:09,680 Speaker 1: can't remember anything about what he used to do, But 1198 01:07:09,720 --> 01:07:13,680 Speaker 1: when he gets transported to another like timelized dimension, all 1199 01:07:13,720 --> 01:07:16,560 Speaker 1: of a sudden, he can't forget what happened in the 1200 01:07:16,560 --> 01:07:20,600 Speaker 1: previous world anyway. Uh, and Rosie, you have anything else? 1201 01:07:21,080 --> 01:07:22,960 Speaker 2: Yeah, I got one more. But I also just want 1202 01:07:23,000 --> 01:07:26,120 Speaker 2: to say, like, this leads to my favorite theory that 1203 01:07:26,160 --> 01:07:28,680 Speaker 2: I I It like pops up every soft and on Reddit, 1204 01:07:28,720 --> 01:07:31,760 Speaker 2: I've seen it on TikTok, which is the MCU as 1205 01:07:31,800 --> 01:07:36,040 Speaker 2: it exists, is the No More Mutants universe. I just 1206 01:07:36,280 --> 01:07:40,160 Speaker 2: wonder creating the House of M. I love that it's 1207 01:07:40,160 --> 01:07:43,120 Speaker 2: never gonna happen. Every time I think about it, I 1208 01:07:43,160 --> 01:07:45,720 Speaker 2: am just like that is so efficient and it is 1209 01:07:45,880 --> 01:07:48,720 Speaker 2: so effective. And you know, I think the trailer where 1210 01:07:48,720 --> 01:07:50,520 Speaker 2: we see Charles and everyone and he says, you know, 1211 01:07:50,840 --> 01:07:54,400 Speaker 2: it's time to tell him the truth. Oh the truth 1212 01:07:54,560 --> 01:07:58,200 Speaker 2: is you know mutants exist outside this world, and uh, yeah, 1213 01:07:58,200 --> 01:08:00,440 Speaker 2: I think House of M. Like there's so much stuff 1214 01:08:00,440 --> 01:08:04,240 Speaker 2: there because people get to live their dream lives, like 1215 01:08:04,320 --> 01:08:07,000 Speaker 2: Peter is happy, and then you have this choice of 1216 01:08:07,040 --> 01:08:08,160 Speaker 2: like having to give it up. 1217 01:08:09,040 --> 01:08:09,280 Speaker 1: Yeah. 1218 01:08:09,280 --> 01:08:11,840 Speaker 2: I think another really good one, which is really new, 1219 01:08:12,640 --> 01:08:20,680 Speaker 2: is Captain Carter. Jamie McKelvey, Icondriga Cresta newer artists on 1220 01:08:20,720 --> 01:08:24,880 Speaker 2: that doing some really dynamic stuff. And if you enjoyed 1221 01:08:24,880 --> 01:08:27,080 Speaker 2: the first issue episode of What If If you want 1222 01:08:27,080 --> 01:08:29,720 Speaker 2: to know more about Captain Carter, who we think is 1223 01:08:29,760 --> 01:08:33,120 Speaker 2: probably going to show up in Doctor Strange Too, then 1224 01:08:33,120 --> 01:08:35,759 Speaker 2: this is a great place to go. It's got political intrigue, 1225 01:08:36,080 --> 01:08:40,759 Speaker 2: it's got anti fascist tendencies, It's got really really really 1226 01:08:40,800 --> 01:08:45,280 Speaker 2: really really cool character work for Captain Carter. It introduces 1227 01:08:46,000 --> 01:08:48,360 Speaker 2: a different version of Peggy that we've never seen. And 1228 01:08:48,400 --> 01:08:51,840 Speaker 2: I think this is again seeding. Do I think they're 1229 01:08:51,840 --> 01:08:54,559 Speaker 2: going to adapt Jamie's story? I wish they would probably 1230 01:08:54,600 --> 01:08:56,760 Speaker 2: not gonna happen. But is there a reason that there's 1231 01:08:56,760 --> 01:08:58,960 Speaker 2: a Captain Carter comic that you can buy right now 1232 01:08:59,080 --> 01:09:02,680 Speaker 2: that's going to be out during Strange Too? I believe so. 1233 01:09:02,680 --> 01:09:04,439 Speaker 2: So Yeah, this is a this is a really good one. 1234 01:09:06,000 --> 01:09:08,640 Speaker 3: Zig Uh, you know, last one. I'm glad that no 1235 01:09:08,680 --> 01:09:13,640 Speaker 3: one else covered it but Marvel Zombies. Was it was 1236 01:09:14,120 --> 01:09:16,719 Speaker 3: between this and World War Hocus what got me into 1237 01:09:16,840 --> 01:09:19,600 Speaker 3: Marvel comics proper. Like I was a cute obwously it 1238 01:09:19,600 --> 01:09:21,840 Speaker 3: was a huge Walking Dead fan. I was a huge 1239 01:09:22,040 --> 01:09:25,479 Speaker 3: horror fan in general. But Marvel Zombies, I mean they've 1240 01:09:25,479 --> 01:09:27,519 Speaker 3: already don the what if episode, and I feel like 1241 01:09:27,760 --> 01:09:30,360 Speaker 3: it seems such a fun universe for Marvel to tap 1242 01:09:30,360 --> 01:09:32,280 Speaker 3: into in the live action space, Like it would be 1243 01:09:32,280 --> 01:09:34,519 Speaker 3: crazy if you don't just see like zombie Wanda for like, 1244 01:09:34,520 --> 01:09:36,800 Speaker 3: you know, a split second, like Marvel you know, Change 1245 01:09:36,800 --> 01:09:38,240 Speaker 3: does his gang signs and you see your pop up 1246 01:09:38,280 --> 01:09:39,760 Speaker 3: in the back corner or whatever we see. 1247 01:09:39,760 --> 01:09:43,599 Speaker 2: It is strange and this is Sam Raimi, this is 1248 01:09:43,640 --> 01:09:48,400 Speaker 2: the Zombies, Like, yeah, that's a run. That's a killer. 1249 01:09:49,520 --> 01:09:52,719 Speaker 1: I absolutely love these res I hope they are helpful 1250 01:09:52,800 --> 01:09:55,840 Speaker 1: to people. Check out the show notes for any of 1251 01:09:55,880 --> 01:09:57,719 Speaker 1: the stuff that you missed to the run of the show. 1252 01:09:58,000 --> 01:10:08,240 Speaker 1: We'll have everything listed there. Up next nerd Out. Yeah, 1253 01:10:08,960 --> 01:10:10,479 Speaker 1: today's nerd Out, where you tell us what you love 1254 01:10:10,520 --> 01:10:12,920 Speaker 1: and why. Alice pitches us on a musical theater company 1255 01:10:12,960 --> 01:10:15,600 Speaker 1: called Star Kid Production's aka Team stark it. 1256 01:10:16,160 --> 01:10:18,160 Speaker 2: Hi x Ray Vision Team. 1257 01:10:18,280 --> 01:10:21,240 Speaker 5: My name is Alice and from my nerd out, I 1258 01:10:21,320 --> 01:10:24,080 Speaker 5: would like to submit a musical theater company called Starkt 1259 01:10:24,080 --> 01:10:27,720 Speaker 5: Productions or better known as Team star Kid. So I 1260 01:10:27,800 --> 01:10:31,080 Speaker 5: discovered Team Starkit over ten years ago through another fandom 1261 01:10:31,120 --> 01:10:33,240 Speaker 5: that I was in, which was for the TV show Plea, 1262 01:10:33,920 --> 01:10:36,040 Speaker 5: and when it was announced that Darren Chris would be 1263 01:10:36,120 --> 01:10:38,559 Speaker 5: joining the show, I decided to check out his previous 1264 01:10:38,600 --> 01:10:42,160 Speaker 5: work and I stumbled onto Team stark It because it 1265 01:10:42,240 --> 01:10:45,120 Speaker 5: was also a huge Harry Potter fan. The first thing 1266 01:10:45,200 --> 01:10:48,200 Speaker 5: I watched was there Harry Potter parody, which was a 1267 01:10:48,320 --> 01:10:51,880 Speaker 5: very Potter musical, and I completely fell in love with 1268 01:10:52,040 --> 01:10:55,720 Speaker 5: the writing and the humor and the songs. And a 1269 01:10:55,800 --> 01:10:58,920 Speaker 5: year later I then went to Chicago to see their 1270 01:10:59,280 --> 01:11:02,879 Speaker 5: newest show, Starship, which was a sci fi musical parody, 1271 01:11:03,080 --> 01:11:05,599 Speaker 5: and they were just as great live as I had 1272 01:11:05,600 --> 01:11:09,160 Speaker 5: seen on YouTube basically, And so why I think you 1273 01:11:09,200 --> 01:11:12,120 Speaker 5: should get into it is that they've created so many 1274 01:11:12,160 --> 01:11:15,800 Speaker 5: wonderful parody musicals about such a wide array of pop 1275 01:11:15,840 --> 01:11:20,160 Speaker 5: culture phenomena, including Star Wars, Harry Potter, superheroes, and even 1276 01:11:20,200 --> 01:11:24,559 Speaker 5: most recently of Christmas Carol. And I think the Extra 1277 01:11:24,680 --> 01:11:28,519 Speaker 5: Vision listeners and the Extra Vision team would really love 1278 01:11:28,600 --> 01:11:32,520 Speaker 5: the heartfelt way in which they pay tribute to these universes, 1279 01:11:32,640 --> 01:11:35,080 Speaker 5: and I think you would particularly like the little easter 1280 01:11:35,120 --> 01:11:37,320 Speaker 5: eggs and the little inside jokes that they throw in 1281 01:11:37,360 --> 01:11:40,280 Speaker 5: for the people who know that particular material. 1282 01:11:40,400 --> 01:11:40,719 Speaker 2: Well. 1283 01:11:41,160 --> 01:11:43,120 Speaker 1: Their shows are done. 1284 01:11:43,200 --> 01:11:46,719 Speaker 4: By fans for fans, because everyone involved in Team Starket 1285 01:11:46,720 --> 01:11:50,519 Speaker 4: themselves is a nerd and you can really tell that 1286 01:11:50,600 --> 01:11:54,559 Speaker 4: they love the source material by the effort that they 1287 01:11:54,600 --> 01:11:57,480 Speaker 4: put into the writing and the music and the performances, 1288 01:11:57,479 --> 01:12:00,719 Speaker 4: and it's really lovely, and you can tell that they 1289 01:12:01,600 --> 01:12:04,600 Speaker 4: really genuinely love the shows and the movies and the 1290 01:12:04,640 --> 01:12:07,840 Speaker 4: comics or whatever other source material that they are drawing from, 1291 01:12:08,960 --> 01:12:12,360 Speaker 4: and the music and the writing and the performances are amazing, 1292 01:12:12,520 --> 01:12:15,880 Speaker 4: of course, But really the best part is that with 1293 01:12:16,000 --> 01:12:19,479 Speaker 4: every show they create, you either get to experience a 1294 01:12:19,560 --> 01:12:23,080 Speaker 4: new fandom if you're not familiar with the source material, 1295 01:12:23,920 --> 01:12:27,639 Speaker 4: or you get to appreciate a fandom that you're already 1296 01:12:27,640 --> 01:12:30,599 Speaker 4: a part of all over again and with a new 1297 01:12:30,760 --> 01:12:34,200 Speaker 4: point of view through their awesome songs. So I'm not 1298 01:12:34,280 --> 01:12:37,320 Speaker 4: sure what they have planned at the moment because of Corona, 1299 01:12:37,800 --> 01:12:41,040 Speaker 4: but for nerd out listeners, I would recommend checking out 1300 01:12:41,120 --> 01:12:44,080 Speaker 4: a very part of Musical Annie which is their Star 1301 01:12:44,120 --> 01:12:47,960 Speaker 4: Wars parody musical, or Holy Musical Batman which is their 1302 01:12:48,000 --> 01:12:48,880 Speaker 4: superhero show. 1303 01:12:49,320 --> 01:12:51,200 Speaker 2: And you can find all of those on. 1304 01:12:51,040 --> 01:12:55,040 Speaker 5: YouTube at Team starkd or you get more info about 1305 01:12:55,240 --> 01:12:58,519 Speaker 5: their project on their website teamstarkit dot com. 1306 01:12:58,680 --> 01:12:59,680 Speaker 1: All right, that's it for me. 1307 01:12:59,800 --> 01:13:01,880 Speaker 2: I hope you enjoy Team star Kid. 1308 01:13:02,240 --> 01:13:05,120 Speaker 1: Thanks bye, Thanks Alice for submitting. If you want to 1309 01:13:05,160 --> 01:13:07,000 Speaker 1: be featured, send you nerd out, pitch you x ray 1310 01:13:07,000 --> 01:13:09,559 Speaker 1: at crooked dot com. Instructions are in the show notes. 1311 01:13:12,120 --> 01:13:16,240 Speaker 1: A big thank you to Rosie Knight and Cody zig 1312 01:13:16,280 --> 01:13:19,320 Speaker 1: Ziggler for joining us on x ray zig. What do 1313 01:13:19,400 --> 01:13:23,200 Speaker 1: you got to plug? My guy? Tell us everything you know. 1314 01:13:23,280 --> 01:13:24,680 Speaker 3: If you're a fan of comic books, but I think 1315 01:13:24,680 --> 01:13:27,320 Speaker 3: you are for listening to this podcast, check out you 1316 01:13:27,320 --> 01:13:30,320 Speaker 3: know a spider Punk number one? There we go. Baby 1317 01:13:31,600 --> 01:13:33,880 Speaker 3: number two I think comes out the eighteenth of May. 1318 01:13:33,880 --> 01:13:35,880 Speaker 3: Don't quote me on that unless it's true, then quote 1319 01:13:35,880 --> 01:13:39,800 Speaker 3: me all you want to. And I believe what if 1320 01:13:39,840 --> 01:13:43,800 Speaker 3: Miles Morales number five comes out? But I may be wrong, 1321 01:13:44,320 --> 01:13:45,760 Speaker 3: But if not, check them all out because they're all 1322 01:13:45,800 --> 01:13:49,040 Speaker 3: fucking fantastic. Like I just read what If Miles was store, 1323 01:13:49,120 --> 01:13:51,439 Speaker 3: and it is the coolest shit I've ever read, really 1324 01:13:51,479 --> 01:13:54,360 Speaker 3: fun shout out to that. Right, it's the dopest, blackest 1325 01:13:54,360 --> 01:13:55,880 Speaker 3: shit I've ever seen. You got to check that out. 1326 01:13:55,960 --> 01:13:56,880 Speaker 3: It's so fucking clean. 1327 01:13:57,760 --> 01:14:02,480 Speaker 1: Rosie plugs, what do you plug in? I'm I'm going to. 1328 01:14:02,200 --> 01:14:05,040 Speaker 2: Again, but first Spider Punk. Like when I read that 1329 01:14:05,080 --> 01:14:10,400 Speaker 2: issue like one, it's amazing, It's brilliant. Justin's Oh my god, 1330 01:14:10,439 --> 01:14:13,360 Speaker 2: Jim's letters, I was dying. Cody's writing, It's fantastic. That 1331 01:14:13,520 --> 01:14:15,519 Speaker 2: is like one of the best number ones I've read 1332 01:14:15,520 --> 01:14:16,040 Speaker 2: in such. 1333 01:14:15,840 --> 01:14:17,080 Speaker 3: A long time. 1334 01:14:17,720 --> 01:14:21,120 Speaker 2: If you are of a certain age, you're you're a 1335 01:14:21,200 --> 01:14:23,760 Speaker 2: millennial or whatever they call us. You grew up in 1336 01:14:23,800 --> 01:14:27,040 Speaker 2: the zeros, you were dancing to a misfit song in 1337 01:14:27,080 --> 01:14:30,040 Speaker 2: a dive bar, you have some questionable tattoos. You will 1338 01:14:30,080 --> 01:14:34,240 Speaker 2: be screaming. This is a true book on every level. 1339 01:14:34,560 --> 01:14:36,960 Speaker 2: I love it. I tell everyone to read it. It's 1340 01:14:37,000 --> 01:14:39,720 Speaker 2: so good. And Jim's lettering is like, I can't get 1341 01:14:39,760 --> 01:14:42,040 Speaker 2: over it. It's it's some of the best best modern 1342 01:14:42,320 --> 01:14:44,879 Speaker 2: comic book lettering, and it adds so much. The final 1343 01:14:44,920 --> 01:14:50,320 Speaker 2: page splash, that's what I was gonna say. 1344 01:14:47,560 --> 01:14:55,599 Speaker 1: That is gonna say their final page. Look their teas 1345 01:14:55,680 --> 01:14:59,240 Speaker 1: on the final page. The final flash page is like, oh, 1346 01:14:59,280 --> 01:15:02,720 Speaker 1: I'm like, want to give me the. 1347 01:15:03,040 --> 01:15:06,320 Speaker 2: Whole like back piece too of that final thing with 1348 01:15:06,520 --> 01:15:07,839 Speaker 2: the letters and the question. 1349 01:15:08,760 --> 01:15:10,919 Speaker 1: It's really really good. So yes, it's really good. 1350 01:15:11,520 --> 01:15:14,320 Speaker 2: Is very good. Obviously, what if Mars Morrel is every 1351 01:15:14,439 --> 01:15:19,720 Speaker 2: Mars Morleis should be every character so that yeah, Godzilla, 1352 01:15:19,880 --> 01:15:22,960 Speaker 2: it's it's pre orderable now, it should be coming out 1353 01:15:23,000 --> 01:15:26,000 Speaker 2: in August. That's the nature of comics. You pre order 1354 01:15:26,080 --> 01:15:28,960 Speaker 2: them now, it will be in your shop. Then we 1355 01:15:29,000 --> 01:15:33,040 Speaker 2: will likely be doing some core signings and stuff like that, 1356 01:15:33,120 --> 01:15:36,640 Speaker 2: so keep an ear out for that stuff. You can 1357 01:15:36,680 --> 01:15:40,000 Speaker 2: find me on Instagram. That's where I am, and just 1358 01:15:40,160 --> 01:15:43,000 Speaker 2: doing all this, doing this writing about comics, writing about 1359 01:15:43,040 --> 01:15:46,839 Speaker 2: TV shows, and just talking about all this cool stuff 1360 01:15:47,200 --> 01:15:47,840 Speaker 2: is a good life. 1361 01:15:48,360 --> 01:15:55,160 Speaker 1: I check out our videos on the Uncultured YouTube channel 1362 01:15:55,160 --> 01:15:57,160 Speaker 1: and the show notes for the listener's guide to Extra Vision, 1363 01:15:57,160 --> 01:15:59,080 Speaker 1: where we provide more details of where to find the 1364 01:15:59,080 --> 01:16:01,479 Speaker 1: stuff that we talk about on every episode. Check the 1365 01:16:01,520 --> 01:16:04,840 Speaker 1: next episode on May six, where we're gonna find out 1366 01:16:05,080 --> 01:16:08,599 Speaker 1: if all the theories that we have been spouting over 1367 01:16:08,640 --> 01:16:11,360 Speaker 1: the weeks about Doctor Stage and the Multiverse a mannas 1368 01:16:11,439 --> 01:16:13,800 Speaker 1: are ind correct. If they are, we're gonna talk about 1369 01:16:13,840 --> 01:16:18,200 Speaker 1: it more. If they're not, that's the nature of the business. Folks, 1370 01:16:18,280 --> 01:16:23,759 Speaker 1: Next time maybe Bye x ray Vision is a Crooked 1371 01:16:23,760 --> 01:16:26,120 Speaker 1: Media production. The show is produced by Chris Lorden Salrubin. 1372 01:16:26,160 --> 01:16:28,960 Speaker 1: The show is executive produced by myself and Sandy Rhard 1373 01:16:28,960 --> 01:16:32,840 Speaker 1: are editing in sound designs by Facilius Photopolos. Dellan Villanueva 1374 01:16:32,880 --> 01:16:35,839 Speaker 1: and Matta Group provide video production support and Alex Relaford 1375 01:16:35,880 --> 01:16:38,920 Speaker 1: handle social media. Thank you Brian Vasquez for theme music. 1376 01:16:39,360 --> 01:16:39,759 Speaker 2: Bye