WEBVTT - Stephen Fry (Part 2)

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<v Speaker 1>Steer when I end up that so much I had,

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<v Speaker 1>I had awesome wells reading a selfish giant on a

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<v Speaker 1>raca that I listened to, and I was about five

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<v Speaker 1>or six. And this is my garden. It is. It

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<v Speaker 1>is so brilliant. Anyone find it for everybody should listen

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<v Speaker 1>to it. The children are my flowers. Yes, I only

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<v Speaker 1>have to hear those. And I can smell an old

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<v Speaker 1>fashioned gramophone and the reference that went on, you know

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<v Speaker 1>that dusty smells. It warmed up with the crackle. Hello,

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<v Speaker 1>I'm mini driver and welcome to many questions. I've always

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<v Speaker 1>loved pruce questionnaire. It was originally an eighteenth century parlor

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<v Speaker 1>game meant to reveal an individual's true nature. But with

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<v Speaker 1>so many questions, there wasn't really an opportunity to expand

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<v Speaker 1>on anything. So I took the format of Pruce's questionnaire

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<v Speaker 1>and adapted what I think seven of the most important

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<v Speaker 1>questions you could ever ask someone. They are when and

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<v Speaker 1>where were you happiest? What is the quality you like

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<v Speaker 1>least about yourself? What relationship, real or fictionalized, defines love

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<v Speaker 1>for you? What question would you most like answered? What person, place,

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<v Speaker 1>or experience has shaped you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that has grown out of a personal disaster.

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<v Speaker 1>The more people we ask, the more we begin to

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<v Speaker 1>see what makes us similar and what makes us individual.

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<v Speaker 1>I've gathered a group of really remarkable people who I

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<v Speaker 1>am honored and humbled to have had a chance to

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<v Speaker 1>engage with. In last week's episode, we heard Steven's answers

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<v Speaker 1>to when and where were you happiest. You think of

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<v Speaker 1>something a sunny day on the beach or in a park,

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<v Speaker 1>maybe that you're very young, to your mother's let you

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<v Speaker 1>skip along to buy an ice cream, and you're looking

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<v Speaker 1>down at the ducks with your brother and everybody's with you,

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<v Speaker 1>and you're content. You then do something physical like pull

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<v Speaker 1>out your ear lobe the idea of being. All you

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<v Speaker 1>have to do is twist your ear lobe and you

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<v Speaker 1>will get that memory. What relationship real or fictionalize. It

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<v Speaker 1>defines love for you and love love love, and all

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<v Speaker 1>you need is love and love this and love that.

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<v Speaker 1>And it made no sense. And then suddenly it hit

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<v Speaker 1>me that it was the only thing in the world

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<v Speaker 1>that mattered, That nothing else had any significance at all

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<v Speaker 1>except this absolute loss of self into the idea of

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<v Speaker 1>someone else, and what person, place, or experience has most

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<v Speaker 1>altered your life. I said, I've seen this thing, and

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<v Speaker 1>I explained it. She said, oh, that was the importance

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<v Speaker 1>of being earnest. Here is the last part of our conversation.

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<v Speaker 1>She could have any question answered, what would it be

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<v Speaker 1>such a good question itself? This one answer this question

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<v Speaker 1>for me. I mean, at the risk of sounding very uh,

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<v Speaker 1>I've always got to sound pompous, but the extra pomp

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<v Speaker 1>us I am very interested in those called philosophical questions.

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<v Speaker 1>Instantly makes them sound like a sort of game or

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<v Speaker 1>intellectual quest, and I think they're more exciting than that.

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<v Speaker 1>Although those are exciting things in themselves, those do actually

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<v Speaker 1>sound quite fun. Yeah, they do, I hope, so an

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<v Speaker 1>intellectual quest. Yeah. It is the nature of consciousness. It's

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<v Speaker 1>how it is that we can have this sense of self,

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<v Speaker 1>of who we are manufactured in a wet but electrically

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<v Speaker 1>sparkling object like a brain in our heads, that it

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<v Speaker 1>can create such a powerful sense of self that is

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<v Speaker 1>not just the thing you see in the mirror, whose

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<v Speaker 1>voice you hear in your own ears, and whose effect

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<v Speaker 1>you see in other people. That it's also the entire

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<v Speaker 1>sense of moral obligation, guilt, shame, love, passion, all these

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<v Speaker 1>things that animate us, and that drivers and I just

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<v Speaker 1>feel very strongly that it won't survive after my heart

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<v Speaker 1>stops beating, excepting other people's memories or recordings of this podcast,

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<v Speaker 1>all the rest of it. And yet that that isn't satisfactory.

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<v Speaker 1>It's still a mystery, and it is still the mystery.

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<v Speaker 1>It's known in philosophy is the hard problem, the hard

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<v Speaker 1>problem of consciousness, and people have come up with ideas

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<v Speaker 1>that are crazy. I mean they're matrix like the universe

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<v Speaker 1>itself is conscious. That there is a consciousness in the universe.

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<v Speaker 1>And this is said by philosophers of great a clap

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<v Speaker 1>in universities around the world. It just fascinates me because

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<v Speaker 1>I good animals and I love animals. We have a sense,

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<v Speaker 1>don't we. It's very hard to prove, but I think

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<v Speaker 1>we prove it to ourselves in all the ways that matter,

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<v Speaker 1>that animals don't share this particular quality of self consciousness. Yes,

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<v Speaker 1>we've all seen a cat look a bit ruffled and

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<v Speaker 1>embarrassed when it's fallen over, and it's sort of sort

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<v Speaker 1>of proudly sits up, so you know, we impute very

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<v Speaker 1>human ideas of dignity and self regard to certain animals

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<v Speaker 1>that we live with closely. And of course animals that

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<v Speaker 1>live with us closely mimic us in just as we

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<v Speaker 1>mimic then, But the animal kingdom generally, I look, say

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<v Speaker 1>this is the animal use because I'm so fond of them.

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<v Speaker 1>But an Amazonian tree frog on a branch with that

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<v Speaker 1>enormous grin on its face, and there's wonderful sort of

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<v Speaker 1>silicon rubber fingers with a little round ends clutching onto

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<v Speaker 1>the branch, And I see in that tree frog an

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<v Speaker 1>animal that spends one of its time being a tree frog,

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<v Speaker 1>achieving tree frog nous completely. And I am as certain

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<v Speaker 1>as I can be of anything that it doesn't wake

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<v Speaker 1>up in the morning thinking I was a terrible tree frog.

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<v Speaker 1>Ust today I hate myself. Look what I did to

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<v Speaker 1>to to my to Mrs tree Frog. Look Look how

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<v Speaker 1>I ignored my children in any sense like that. And

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<v Speaker 1>you laugh because it is of course preposterous to imagine

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<v Speaker 1>a tree frog thinking that. But every single human being

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<v Speaker 1>on earth does that all the time. We don't feel

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<v Speaker 1>we are a hundred percent what we could be, and

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<v Speaker 1>that's a most peculiar thing, a very very strange thing.

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<v Speaker 1>If we accept that no animal has this sense of

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<v Speaker 1>yearning to be better, yearning to have a greater moral force,

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<v Speaker 1>yearning to to achieve more. Yes they want to have

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<v Speaker 1>a full of belly. Yes they want to get their

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<v Speaker 1>rocks off. Yes they want to protect that brood. Of

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<v Speaker 1>course they have these urges instincts, but they're very clear,

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<v Speaker 1>very evolutionarily and necessary and transparent as motives and energies

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<v Speaker 1>as it were. But what philosophers called our deontic sense,

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<v Speaker 1>this sense of obligation and moral purpose that we have

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<v Speaker 1>within us. What the matter count said, this moral law

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<v Speaker 1>within me. It's a very strong sense. And we can

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<v Speaker 1>argue that it's all kinds of people do. There's a

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<v Speaker 1>Freudian argument about it. There's a religious argument about it.

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<v Speaker 1>There's all kinds of explanations for why we might have it,

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<v Speaker 1>and they go back to Genesis. For Genesis is because

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<v Speaker 1>they are the fruit. It's part of our particular evolution.

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<v Speaker 1>It is it is something that evolved that the tree.

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<v Speaker 1>For our gwen namic, I'm not evolving any moral nightmare.

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<v Speaker 1>I'm not going to judge anything except how much I

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<v Speaker 1>think I'm going to get to eat today. I feel

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<v Speaker 1>like it's the gift and the curse that we carried

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<v Speaker 1>on exploring. We carry it on growing, we carried on expanding.

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<v Speaker 1>This speech is that we are part of and there

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<v Speaker 1>is great joy on that, and there is awfulness in that.

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<v Speaker 1>It's the experience. It's the will cut idea of learning

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<v Speaker 1>to love the questions. Yes, no, that's right. We made

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<v Speaker 1>at some point in our history what's some people called

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<v Speaker 1>the cognitive leap, which involves both behavioral modernity. I think

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<v Speaker 1>is the correct phrase for it, I tool making. So first,

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<v Speaker 1>we started altering the environment around us to create objects

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<v Speaker 1>and spaces that were useful to us in a way

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<v Speaker 1>that was beyond animals. An animal might make a nest,

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<v Speaker 1>but it's the same nest through the generations. That's how

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<v Speaker 1>bluebirds make their nest. Whereas two different humans in just

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<v Speaker 1>two generations can say, no, I'm going to build my

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<v Speaker 1>nest like this and I'm going to use this, and

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<v Speaker 1>another one will say I'm going to repurpose this whole

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<v Speaker 1>in the ere I'm going to that's behavioral modernity, which

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<v Speaker 1>is one branch of our evolution, and another, of course

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<v Speaker 1>was language. But the big question, and part of the

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<v Speaker 1>hard problem is did language come as a result of

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<v Speaker 1>self consciousness or did self consciousness come as a result

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<v Speaker 1>of language, which is what James would say, who wrote

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<v Speaker 1>this fantastic Boo, which is a huge influence on me,

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<v Speaker 1>called this is such a terrible title, that the origin

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<v Speaker 1>of consciousness in the breakdown of the bicameral mind. I

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<v Speaker 1>know it's an absurd title. I bet that doesn't come

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<v Speaker 1>in a paperback. No, it's I think it's so inaudible. Okay,

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<v Speaker 1>are you reading it, because I'll get it if you are. No,

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<v Speaker 1>I'm not. I'd love to if it's but I'd recommend

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<v Speaker 1>anyone to read it. It's not too tougher. It's beautifully written,

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<v Speaker 1>and I'm not saying I agree with all of it,

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<v Speaker 1>but it probably expresses these questions I'm trying to articulate

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<v Speaker 1>better than any book I've ever read. And, like all

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<v Speaker 1>things to do with learning, the more you know, the

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<v Speaker 1>more filled with wonder you are, not the less explanations

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<v Speaker 1>don't close down beauty and miracle, they open them up.

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<v Speaker 1>That's my firm conviction. Another great here in mind, Richard

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<v Speaker 1>Feynman had a fabulously famous not rant but sort of

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<v Speaker 1>spiel about this where he's explaining to an artist why

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<v Speaker 1>he finds a flower more beautiful than the artist does.

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<v Speaker 1>And in fact, Fineman curse him was a wonderful draftsman

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<v Speaker 1>that drew and painted fabulously, as well as getting a

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<v Speaker 1>Nobel price physics and all the other things he did.

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<v Speaker 1>But he explained how he had the sense of the

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<v Speaker 1>flowers fragility, the beauty, the shimmering of the color, the

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<v Speaker 1>erotic quality like someone like Mattlethorpe found in flowers, you know,

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<v Speaker 1>all these things he could see. But then he also

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<v Speaker 1>knew enough biology to have an understanding of the sepals

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<v Speaker 1>and stamens and all the other But he could go

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<v Speaker 1>deeper than that. He could look into the compillary system

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<v Speaker 1>and see how the energy of the food and sugar

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<v Speaker 1>and starches that were going from the ground, and how

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<v Speaker 1>they were selected by the flowers roots and how they moved.

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<v Speaker 1>And he could go deeper into that, and he could

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<v Speaker 1>see the protons and the positives, and he could see

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<v Speaker 1>the electrons. He see the whole miracle of the universe

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<v Speaker 1>focusing its astonishing nature into the creation of a flower.

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<v Speaker 1>And as he says, you know, we stop and look

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<v Speaker 1>at a red flower? How is it red? When it's

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<v Speaker 1>all very well to say it's DNA tells it to

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<v Speaker 1>go red, But how does it then do it? It

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<v Speaker 1>has to select out of the chemicals that are in

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<v Speaker 1>the earth, only the ones which, when put together in

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<v Speaker 1>its little factory, make the color red. If I took

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<v Speaker 1>a handful of earth, I couldn't make a red diet

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<v Speaker 1>of it, not as red as a dahlia. And it's

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<v Speaker 1>two of the animals. All those colors come from the

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<v Speaker 1>food and drink that they eat, energized by the sunlight,

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<v Speaker 1>and and they can be that blue or that yellow,

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<v Speaker 1>and they're just growing out of a garden in Dorking.

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<v Speaker 1>You know, there's that color, and we don't even stop

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<v Speaker 1>to think about where it actually comes from. It's fantastic.

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<v Speaker 1>We are distracted. Yeah, And so I'd like to know

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<v Speaker 1>why I'm aware of this. I'd like to know where

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<v Speaker 1>my awareness comes from. I'm just so fascinated by it

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<v Speaker 1>because it's so possible to live fabulous lives as a

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<v Speaker 1>tiger can without it. I like that. I like that

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<v Speaker 1>very very very very much. Can you tell me about

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<v Speaker 1>one particular thing that has grown out of a complete disaster.

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<v Speaker 1>Well yeah, I mean my whole life. Alan Cumming. I

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<v Speaker 1>asked Alan this question and I said, so, so can

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<v Speaker 1>you tell me something that's growing out of personal disaster?

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<v Speaker 1>And he was like yeah, me, Well, yes, I've read

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<v Speaker 1>his I read his incredible book about his father. I mean,

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<v Speaker 1>the bottom man he is. He's such a fabulous Oh

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<v Speaker 1>he's a man, amazing, he's amazing. But again, if you

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<v Speaker 1>haven't read Alan Cumby's book, Not My Father's Son, heart

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<v Speaker 1>wrenching and brilliant it is. And of course he's produced

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<v Speaker 1>a line of fragrance. Yeah, of course he has. If

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<v Speaker 1>your name was coming, you would want to advise people

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<v Speaker 1>to spread coming all over their face when it's not

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<v Speaker 1>tell me about growth and personal disaster. One of my

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<v Speaker 1>passions was Sherlock Holmes at school, and I had been

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<v Speaker 1>the youngest member of the Sherlock Holmbs Society of London

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<v Speaker 1>and I got this request, not request, It was an

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<v Speaker 1>invitation to all members to go to a meeting in

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<v Speaker 1>London of the Shallockomb Society. And I was going to

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<v Speaker 1>present a paper. I was going to do a talk

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<v Speaker 1>on the correlation between T. S Elliott and Mariarty. Oh

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<v Speaker 1>my god, yes, It was the fact that mccavity the

0:13:54.520 --> 0:13:58.040
<v Speaker 1>Mystery Cat is directly based on Mariarty. A lot of

0:13:58.240 --> 0:14:00.960
<v Speaker 1>not people hadn't noticed that, and I had. I didn't

0:14:01.000 --> 0:14:04.960
<v Speaker 1>know that anyway, So so that was my big thing.

0:14:05.200 --> 0:14:08.920
<v Speaker 1>And I got permission from my house master to go

0:14:09.080 --> 0:14:11.440
<v Speaker 1>to London. People who read Harry Potter now what house

0:14:11.480 --> 0:14:13.840
<v Speaker 1>masters are now, Thank goodness, they don't have to explain

0:14:13.920 --> 0:14:18.760
<v Speaker 1>it's my Minerva McGonagle or whatever. My Severest Snape signed

0:14:19.040 --> 0:14:21.680
<v Speaker 1>Maggie Smith. My Maggie Smith signed a chit so that

0:14:21.760 --> 0:14:23.720
<v Speaker 1>I could go to London anyway. The idea was I

0:14:23.760 --> 0:14:26.720
<v Speaker 1>go for this event, stay overnight, and then come back

0:14:26.760 --> 0:14:29.360
<v Speaker 1>the next day. Well, the next day I went to

0:14:29.360 --> 0:14:31.120
<v Speaker 1>the cinema. And in those days you could go into

0:14:31.120 --> 0:14:33.680
<v Speaker 1>a cinema and sit there all day, and they just

0:14:33.760 --> 0:14:35.880
<v Speaker 1>want to show the same film again and again. And

0:14:36.000 --> 0:14:38.680
<v Speaker 1>I saw the film Cabaret again and again and again.

0:14:38.720 --> 0:14:41.440
<v Speaker 1>It was absolutely overwhelmed by it. And then I went

0:14:41.480 --> 0:14:43.240
<v Speaker 1>to the Sea the Godfather, and then I went to

0:14:43.280 --> 0:14:46.720
<v Speaker 1>see Fritz the Cat, which was an animated adult cartoon.

0:14:47.040 --> 0:14:49.640
<v Speaker 1>Rember that I was fifteen, but somehow I could pass

0:14:49.640 --> 0:14:52.000
<v Speaker 1>his eighteen if I had quite my voice had just

0:14:52.120 --> 0:14:55.480
<v Speaker 1>broken and it was quite deep. And anyway, I got

0:14:55.480 --> 0:14:57.840
<v Speaker 1>expelled from the school. I was sent to another school,

0:14:57.840 --> 0:15:00.080
<v Speaker 1>which I got expelled from, and then another one, and

0:15:00.080 --> 0:15:02.800
<v Speaker 1>then I ran away to London, and then I stole

0:15:02.880 --> 0:15:05.600
<v Speaker 1>some credit cards from a coach in a pub, and

0:15:05.840 --> 0:15:09.040
<v Speaker 1>eventually I was caught by the police in Swindon, of

0:15:09.080 --> 0:15:14.520
<v Speaker 1>all unromantic towns, and sent to a prison to await trial.

0:15:14.720 --> 0:15:18.560
<v Speaker 1>How old were you by this time? I had seventeen

0:15:19.280 --> 0:15:23.280
<v Speaker 1>a baby, yeah, I know, and you were sent a

0:15:23.320 --> 0:15:26.800
<v Speaker 1>proper prison. Yeah. And I had spent this credit card

0:15:26.920 --> 0:15:30.680
<v Speaker 1>over so many different counties that it took about two

0:15:30.720 --> 0:15:33.480
<v Speaker 1>and after three months for all the paperwork to be

0:15:33.520 --> 0:15:35.920
<v Speaker 1>assembled by the police for me then to go to

0:15:36.320 --> 0:15:38.680
<v Speaker 1>a court. Now, because I'd run away from home, I

0:15:38.800 --> 0:15:41.120
<v Speaker 1>originally not told them who what my name was because

0:15:41.120 --> 0:15:43.000
<v Speaker 1>I didn't want my parents to get involved because I'd

0:15:43.000 --> 0:15:46.480
<v Speaker 1>already called them enough trouble with all these expulsions. But

0:15:46.800 --> 0:15:49.880
<v Speaker 1>eventually they found out who I was, and my parents

0:15:50.000 --> 0:15:51.920
<v Speaker 1>got a friend of those who was a barrister to

0:15:51.960 --> 0:15:54.000
<v Speaker 1>come and represent me when I was in court. And

0:15:55.000 --> 0:15:57.600
<v Speaker 1>the fact that I've done three months in prison on remand,

0:15:58.200 --> 0:16:00.520
<v Speaker 1>and that it was the first offense, and I guess

0:16:00.560 --> 0:16:04.000
<v Speaker 1>that I had an expensive lawyer, which my parents tally

0:16:04.080 --> 0:16:07.120
<v Speaker 1>wasn't charging. He was being a friend. Meant that instead

0:16:07.160 --> 0:16:11.200
<v Speaker 1>of going down for two years detention center or Boston

0:16:11.400 --> 0:16:15.160
<v Speaker 1>or anything like that young Person's Offenders institution, I was

0:16:15.200 --> 0:16:18.200
<v Speaker 1>put on two years probation. And you can imagine the

0:16:18.240 --> 0:16:21.840
<v Speaker 1>car drive home from Wiltshire to Norfolk, and that's just

0:16:22.120 --> 0:16:26.080
<v Speaker 1>I mean. And my parents, you know, they're just wonderful, supportive,

0:16:26.120 --> 0:16:29.120
<v Speaker 1>lovely people, and my mother never doubted somehow everything would

0:16:29.120 --> 0:16:32.200
<v Speaker 1>turn out right, and my father was more taciturn about it.

0:16:32.240 --> 0:16:34.440
<v Speaker 1>But they basically said it's up to me now. They

0:16:34.640 --> 0:16:37.640
<v Speaker 1>put me through enough schools. And it was while I

0:16:37.680 --> 0:16:39.880
<v Speaker 1>was in prison that something had snapped, and I think

0:16:39.920 --> 0:16:41.880
<v Speaker 1>it was really that for about a month I was

0:16:41.920 --> 0:16:44.920
<v Speaker 1>sharing a cell with this kid from Wales who was

0:16:44.960 --> 0:16:48.080
<v Speaker 1>about sixteen and a half seventeen, was just a bit

0:16:48.120 --> 0:16:51.200
<v Speaker 1>younger than me, and he couldn't read. He literally was illiterate.

0:16:51.360 --> 0:16:53.280
<v Speaker 1>I had never seen anything. I just never occurred to

0:16:53.280 --> 0:16:56.160
<v Speaker 1>me that someone would be and I taught him. I

0:16:56.200 --> 0:16:58.160
<v Speaker 1>taught him the alphabet, I taught him to write it out,

0:16:58.200 --> 0:17:00.360
<v Speaker 1>and I taught him basic words in that time. It

0:17:00.440 --> 0:17:03.640
<v Speaker 1>was an extraordinary experience, and it hammered home to me

0:17:03.720 --> 0:17:09.240
<v Speaker 1>like a sledge Hammond extraordinary, just how I had wasted

0:17:09.480 --> 0:17:12.600
<v Speaker 1>these golden opportunities. Because you know, I'm not painting myself

0:17:12.600 --> 0:17:15.639
<v Speaker 1>as some Francis of ASSISI or some albich fights. So

0:17:15.760 --> 0:17:19.840
<v Speaker 1>you know, I wasn't suddenly turned into this humanitarian philanthropist.

0:17:19.920 --> 0:17:22.840
<v Speaker 1>But I did see that my opportunities had been so

0:17:22.920 --> 0:17:25.199
<v Speaker 1>much greater than anybody else's, and that it was a

0:17:25.280 --> 0:17:29.640
<v Speaker 1>disgrace for me to moan inside and to think that

0:17:29.680 --> 0:17:32.320
<v Speaker 1>the world was against me. I needed no more education

0:17:32.359 --> 0:17:34.480
<v Speaker 1>than all of that, and so I said that if

0:17:34.480 --> 0:17:35.920
<v Speaker 1>I get out, when I get out of this, I'm

0:17:35.960 --> 0:17:38.280
<v Speaker 1>going to put myself through and get to university. And

0:17:38.320 --> 0:17:40.720
<v Speaker 1>I'd always set my heart on Cambridge. A lot of

0:17:40.760 --> 0:17:43.240
<v Speaker 1>my sort of hearers e m forced people like that.

0:17:43.640 --> 0:17:45.679
<v Speaker 1>So I went to the library and took out past

0:17:45.720 --> 0:17:50.520
<v Speaker 1>papers on Oxbridge Entrance and paid someone. I took jobs

0:17:50.640 --> 0:17:53.639
<v Speaker 1>in restaurants and bars and things, and paid someone to

0:17:53.720 --> 0:17:57.760
<v Speaker 1>invigilate because they didn't at the local college do Oxbridge Entrance.

0:17:58.359 --> 0:18:00.679
<v Speaker 1>I paid him to invigilate, so he get the papers

0:18:00.720 --> 0:18:03.000
<v Speaker 1>and make sure I wasn't cheating, and I'd hand him

0:18:03.080 --> 0:18:06.240
<v Speaker 1>them and he'd send them. And my parents knew I

0:18:06.520 --> 0:18:08.240
<v Speaker 1>was doing this and they were very supportive. So I

0:18:08.280 --> 0:18:10.640
<v Speaker 1>was still living at home. And then I got fed

0:18:10.720 --> 0:18:13.600
<v Speaker 1>up waiting for the results to come through my camidg entrance.

0:18:13.600 --> 0:18:16.000
<v Speaker 1>So I went into Norwich one day and I was

0:18:16.040 --> 0:18:17.720
<v Speaker 1>in a cafe and I told my mother, I said,

0:18:17.720 --> 0:18:19.840
<v Speaker 1>I'm going in. If a letter comes for me and

0:18:19.880 --> 0:18:21.919
<v Speaker 1>it looks as if it might be the results, you

0:18:21.960 --> 0:18:24.520
<v Speaker 1>can open it and ring me at this cafe. And

0:18:24.600 --> 0:18:27.719
<v Speaker 1>so she called. I was in the cafe with friends

0:18:27.720 --> 0:18:29.320
<v Speaker 1>and I said, how did a letter I and she

0:18:29.320 --> 0:18:31.840
<v Speaker 1>said no. I said, what are you calling me? She

0:18:31.840 --> 0:18:34.679
<v Speaker 1>said no, it wasn't a letter. Was a telegram? Is

0:18:34.680 --> 0:18:38.560
<v Speaker 1>it a telegram? What? My immediately feeling guilty, I've been

0:18:38.560 --> 0:18:42.600
<v Speaker 1>found out about something, EXTRA said no, it says congratulations

0:18:42.680 --> 0:18:47.480
<v Speaker 1>awarded scholarship Queen's College admissions tutor. I said, read that again.

0:18:47.960 --> 0:18:50.919
<v Speaker 1>She read it again and not just got in the

0:18:50.920 --> 0:18:54.919
<v Speaker 1>scholarsh And I said, slightly, making me cry remembering it,

0:18:54.960 --> 0:18:59.840
<v Speaker 1>because it was those moments that there were the pivot

0:19:00.040 --> 0:19:03.520
<v Speaker 1>which my whole life turned from from what had been

0:19:04.280 --> 0:19:09.080
<v Speaker 1>failure and disgrace and sliding down into a sort of

0:19:09.119 --> 0:19:12.760
<v Speaker 1>self pittying mess. I had just pulled myself up by

0:19:12.840 --> 0:19:17.040
<v Speaker 1>by my fingernails in time, and then really going to

0:19:17.280 --> 0:19:19.880
<v Speaker 1>Cambridge and as the same meeting Emma and then Hugh

0:19:20.119 --> 0:19:24.239
<v Speaker 1>and loving it so much and feeling a part of it,

0:19:24.280 --> 0:19:26.840
<v Speaker 1>feeling as if I belonged for the first time in

0:19:26.880 --> 0:19:30.159
<v Speaker 1>a world where ideas were spoken about, and where I

0:19:30.160 --> 0:19:33.960
<v Speaker 1>could perform and feel natural and be out. I could

0:19:33.960 --> 0:19:36.480
<v Speaker 1>be gay and nobody minded. And so it was that

0:19:36.600 --> 0:19:40.639
<v Speaker 1>it was being it was I presented as a cartoon

0:19:40.800 --> 0:19:45.320
<v Speaker 1>of me lying face down on stone flags with straw

0:19:45.480 --> 0:19:48.400
<v Speaker 1>and the shadows of the prisoner and a rat crawling

0:19:48.440 --> 0:19:50.800
<v Speaker 1>over my back. It wasn't quite that bad, but you

0:19:50.840 --> 0:19:53.280
<v Speaker 1>know what I mean, From that low point, it was

0:19:53.840 --> 0:19:57.520
<v Speaker 1>a miracle that I was able, and fully aware that

0:19:57.560 --> 0:19:59.560
<v Speaker 1>a lot of it was the advantage of my upbringing.

0:19:59.600 --> 0:20:01.640
<v Speaker 1>But but I just don't think you can have one

0:20:01.680 --> 0:20:03.760
<v Speaker 1>without the other. I just I don't think of it

0:20:03.760 --> 0:20:07.040
<v Speaker 1>in terms of payment, that those hardships our payment for

0:20:07.080 --> 0:20:11.480
<v Speaker 1>the good, but that they are inextricably linked. They are

0:20:11.600 --> 0:20:15.040
<v Speaker 1>they are part of the same experience. I do wonder

0:20:15.080 --> 0:20:18.880
<v Speaker 1>what happened to that Welshman who you taught to read. Yes,

0:20:19.040 --> 0:20:20.879
<v Speaker 1>I lost touch with him. Of course, it must be

0:20:20.880 --> 0:20:23.199
<v Speaker 1>funny for him to see you, because I'm sure that

0:20:23.240 --> 0:20:28.080
<v Speaker 1>he's seeing you in his life. And yeah, they called

0:20:28.119 --> 0:20:30.600
<v Speaker 1>me in prison, they called me the professor. That was

0:20:30.640 --> 0:20:33.680
<v Speaker 1>my nick because I'm sort of new things and had

0:20:33.680 --> 0:20:36.959
<v Speaker 1>read books. And I'm imagining you rather like Hugh Grant

0:20:37.000 --> 0:20:41.960
<v Speaker 1>and Paddington too. I'd love to think I was a

0:20:42.040 --> 0:20:44.080
<v Speaker 1>stylish but there was an element of that. And I

0:20:44.119 --> 0:20:47.600
<v Speaker 1>also played the piano of the Sunday there were hymns,

0:20:47.680 --> 0:20:50.800
<v Speaker 1>voluntary hymns in the association room, and I used to

0:20:50.840 --> 0:20:53.040
<v Speaker 1>play the piano. And I'm not at all good, but

0:20:53.840 --> 0:20:56.080
<v Speaker 1>you know, I'm a typical show off, so I you know,

0:20:56.320 --> 0:20:58.480
<v Speaker 1>I learned these kind of our pagis and things. So

0:20:58.800 --> 0:21:02.480
<v Speaker 1>I would end these ordinary hymns with this, these huge

0:21:02.800 --> 0:21:11.280
<v Speaker 1>p edges, and then dumb, dumb the chaplain would look

0:21:11.280 --> 0:21:15.040
<v Speaker 1>at me to check whether I'm finished. Very silly, but

0:21:15.240 --> 0:21:29.000
<v Speaker 1>of course you know that fun in its way. So

0:21:29.680 --> 0:21:33.880
<v Speaker 1>what would be your last meal? I love it because

0:21:33.880 --> 0:21:37.119
<v Speaker 1>it's a pristing question, but it's also so fundamentally human.

0:21:37.720 --> 0:21:40.520
<v Speaker 1>Yeah it is, isn't it. And I go two ways,

0:21:40.640 --> 0:21:42.480
<v Speaker 1>and that strikes at the heart of what a lot

0:21:42.480 --> 0:21:45.160
<v Speaker 1>of us are like. I think is that one part

0:21:45.200 --> 0:21:49.760
<v Speaker 1>of me wants to say he had to vote ala

0:21:49.920 --> 0:21:54.720
<v Speaker 1>Veronique or whatever, you know, some fantastic meal that I

0:21:54.840 --> 0:21:58.120
<v Speaker 1>once had at the water side or the fat duck

0:21:58.240 --> 0:22:00.320
<v Speaker 1>or some you know. And I've been lucky enough to

0:22:00.359 --> 0:22:03.440
<v Speaker 1>have some great food in my time. But another part

0:22:03.440 --> 0:22:06.879
<v Speaker 1>of me wants to say, I want beans on toast

0:22:06.920 --> 0:22:09.439
<v Speaker 1>with a couple of poached eggs. Yeah, I want that

0:22:09.560 --> 0:22:12.199
<v Speaker 1>right now, And yeah, I think I would probably go

0:22:12.280 --> 0:22:14.360
<v Speaker 1>for that. And you know what once like that with

0:22:14.760 --> 0:22:17.360
<v Speaker 1>music and literature, Do I want to listen to Wagner

0:22:17.440 --> 0:22:23.480
<v Speaker 1>now or actually would just yeah exactly, with just some

0:22:23.480 --> 0:22:27.600
<v Speaker 1>some silly, silly, charming music, do me quite happen it,

0:22:27.680 --> 0:22:30.359
<v Speaker 1>but on the kinks, just for fun, you know. And

0:22:30.760 --> 0:22:33.000
<v Speaker 1>the point is we're lucky because we can have both.

0:22:33.200 --> 0:22:35.560
<v Speaker 1>I remember Richard Curtis set saying this to me, you know,

0:22:35.640 --> 0:22:38.160
<v Speaker 1>the great writer of so many popular British films and

0:22:38.480 --> 0:22:40.800
<v Speaker 1>of course a colleague of Roan's in the early days,

0:22:40.840 --> 0:22:43.800
<v Speaker 1>and the found of comic Relief, and much as he

0:22:43.840 --> 0:22:46.480
<v Speaker 1>has a passion for pop music, and in his youth

0:22:46.720 --> 0:22:50.359
<v Speaker 1>he once it was possible. He recorded every single Top

0:22:50.359 --> 0:22:54.239
<v Speaker 1>of the Pops and his close friend at Oxford with

0:22:54.359 --> 0:22:57.359
<v Speaker 1>Rowan was Howard good All, the composer who wrote the

0:22:57.640 --> 0:23:00.960
<v Speaker 1>Blackadder theme and the theme and other things that Richard

0:23:01.000 --> 0:23:03.640
<v Speaker 1>had done, as well as many many other successful things.

0:23:03.680 --> 0:23:06.720
<v Speaker 1>Is wonderful, talented manner, and of course he's also done

0:23:06.760 --> 0:23:09.800
<v Speaker 1>documentaries about classical music for PBC two and Channel four.

0:23:10.359 --> 0:23:12.919
<v Speaker 1>And I remember sitting in I was a bit junior,

0:23:12.960 --> 0:23:15.159
<v Speaker 1>because I was two years below then when I was

0:23:15.200 --> 0:23:17.200
<v Speaker 1>at Cambridge, and I've only just got to know them,

0:23:17.560 --> 0:23:21.400
<v Speaker 1>and Richard was saying, how you know he was going

0:23:21.440 --> 0:23:25.240
<v Speaker 1>to send some singles to Howard, you know of this

0:23:25.440 --> 0:23:29.000
<v Speaker 1>particular bands that he should listen to, and how had said, well,

0:23:29.040 --> 0:23:31.960
<v Speaker 1>I'll send you some Marla then, and you listen to that,

0:23:32.480 --> 0:23:34.159
<v Speaker 1>which had said, well, I'll try and listen to it.

0:23:34.200 --> 0:23:36.879
<v Speaker 1>But I should warn you that my mind and soul

0:23:37.000 --> 0:23:39.720
<v Speaker 1>are not deep enough to appreciate it. I'm a very

0:23:39.880 --> 0:23:43.679
<v Speaker 1>light fellow and all I need is light entertainment. And

0:23:43.720 --> 0:23:48.080
<v Speaker 1>I remember thinking, how very charming to confess such a thing.

0:23:48.160 --> 0:23:51.440
<v Speaker 1>This is a man who got a double First, he's

0:23:51.480 --> 0:23:56.560
<v Speaker 1>no idiot, but also I wonder if that's true, I mean,

0:23:56.600 --> 0:23:59.120
<v Speaker 1>I wonder if that is it, and I thought, well,

0:23:59.280 --> 0:24:02.840
<v Speaker 1>maybe for him it is. Maybe also with Richard, he

0:24:02.920 --> 0:24:09.679
<v Speaker 1>doesn't want to investigate shine tortures into dark and upsetting

0:24:09.720 --> 0:24:12.280
<v Speaker 1>parts of his mind. Maybe there have to be people

0:24:12.400 --> 0:24:15.919
<v Speaker 1>who are the champions of the confection that makes us happy,

0:24:16.760 --> 0:24:20.360
<v Speaker 1>of the things which allow us to just remain. I mean,

0:24:20.359 --> 0:24:24.359
<v Speaker 1>I feel like his films, particularly just allow you to

0:24:24.440 --> 0:24:27.879
<v Speaker 1>live in a place where it's clever and it's funny,

0:24:28.080 --> 0:24:32.080
<v Speaker 1>and there's community and ship works out, which is why

0:24:32.119 --> 0:24:35.440
<v Speaker 1>I dorepg Wood has as well. I love wood Has

0:24:35.520 --> 0:24:38.720
<v Speaker 1>for that reason. It's always sunny, and but Whild is

0:24:38.760 --> 0:24:41.639
<v Speaker 1>the same things work out in Wild, and things really

0:24:41.680 --> 0:24:44.000
<v Speaker 1>don't work out in Wild, I mean Wild. There's the

0:24:44.119 --> 0:24:47.440
<v Speaker 1>nascent point of the Oscar, of course, put it very

0:24:47.440 --> 0:24:50.639
<v Speaker 1>brilliantly into the mouth of Miss Prism in the Governors

0:24:50.680 --> 0:24:54.240
<v Speaker 1>in the importance of being earnest, in a brilliant clever line,

0:24:54.400 --> 0:24:57.320
<v Speaker 1>which she says, though she doesn't know how clever it is.

0:24:57.359 --> 0:25:00.160
<v Speaker 1>As she says it, she's admitting to her pupil all

0:25:00.680 --> 0:25:04.399
<v Speaker 1>sicily that she, in an earlier life, had written a

0:25:04.440 --> 0:25:07.520
<v Speaker 1>three volume novel Do not speak slightingly of the three

0:25:07.800 --> 0:25:10.840
<v Speaker 1>volume novels Cicily I myself in Happier Days wrote one,

0:25:11.160 --> 0:25:16.600
<v Speaker 1>and Cicily says, oh did it end happily? And Ms

0:25:16.640 --> 0:25:21.480
<v Speaker 1>Prison says the good ended happily, the bad ended unhappily.

0:25:21.800 --> 0:25:27.520
<v Speaker 1>That is what fiction means, which is really that, and

0:25:27.600 --> 0:25:30.760
<v Speaker 1>that is it. That's brilliant. I remember when I first

0:25:30.840 --> 0:25:35.560
<v Speaker 1>read say Evelyn War, and I was shocked and it

0:25:35.600 --> 0:25:40.520
<v Speaker 1>didn't work out how many times cruel and dreadful things

0:25:41.040 --> 0:25:43.520
<v Speaker 1>happened to people who don't deserve it. I felt the

0:25:43.560 --> 0:25:47.000
<v Speaker 1>same way reading Graham Green. I agree, why the terrible

0:25:47.000 --> 0:25:49.920
<v Speaker 1>things happen to lovely people and the awful people don't

0:25:49.920 --> 0:25:54.200
<v Speaker 1>get punished? And why the lovely things happened to terrible people? Exactly?

0:25:54.320 --> 0:25:56.439
<v Speaker 1>I completely agree with you. And it used to make

0:25:56.480 --> 0:25:58.440
<v Speaker 1>me crazy when I was a kid. That still does,

0:25:58.520 --> 0:26:01.440
<v Speaker 1>by the way, and why Wild was pre figuring a

0:26:01.520 --> 0:26:04.479
<v Speaker 1>twentieth century in which maybe the good wouldn't end happily

0:26:04.520 --> 0:26:07.760
<v Speaker 1>and then and fiction wouldn't start to mean something else.

0:26:08.480 --> 0:26:11.000
<v Speaker 1>But of course his joke of saying that's what fiction

0:26:11.040 --> 0:26:15.639
<v Speaker 1>means is in other words, it's a lie. And so

0:26:15.800 --> 0:26:18.680
<v Speaker 1>that's yeah, that's a very strong part of it. And

0:26:18.720 --> 0:26:20.800
<v Speaker 1>I had the pleasure. It's one of the great joys

0:26:20.800 --> 0:26:23.639
<v Speaker 1>of marrying someone younger than yourself is you can very

0:26:23.680 --> 0:26:26.239
<v Speaker 1>often introduce them to things that have somehow missed and

0:26:26.280 --> 0:26:28.920
<v Speaker 1>that you, of course have caught. And I think everybody

0:26:28.920 --> 0:26:30.520
<v Speaker 1>in the world had seen it, but he had never

0:26:30.560 --> 0:26:36.240
<v Speaker 1>seen Singing in the Rain, and we watched it together.

0:26:36.280 --> 0:26:38.640
<v Speaker 1>He's now seen it three times because he was so

0:26:39.040 --> 0:26:42.000
<v Speaker 1>overwhelmed button as he said, he said, I've never seen

0:26:42.119 --> 0:26:48.320
<v Speaker 1>anything that so radiates joy from start to finish. It

0:26:48.480 --> 0:26:52.080
<v Speaker 1>isn't joyful and iron thinking when he said it. Of course,

0:26:52.160 --> 0:26:55.000
<v Speaker 1>that's right. That's what it is. To see Donald o'coma

0:26:55.119 --> 0:26:58.919
<v Speaker 1>singing make them laugh, just fills you with joy. It

0:26:59.000 --> 0:27:01.920
<v Speaker 1>is beautiful, every single number in that in that movie,

0:27:01.920 --> 0:27:04.520
<v Speaker 1>In the way that it's working together, it is pure joy.

0:27:05.000 --> 0:27:07.280
<v Speaker 1>And do you know, do you know the work of

0:27:07.280 --> 0:27:10.720
<v Speaker 1>Preston Sturgis that I'm sure you do. And he was

0:27:10.760 --> 0:27:13.320
<v Speaker 1>a writer director for those who don't know who operated

0:27:13.359 --> 0:27:18.160
<v Speaker 1>in the forties and fifties and wrote some extraordinary masterpieces

0:27:18.200 --> 0:27:21.680
<v Speaker 1>of film at which he directed as well with furious pace.

0:27:22.000 --> 0:27:24.919
<v Speaker 1>And one of them is called Sullivan's Travels. And you

0:27:25.040 --> 0:27:27.400
<v Speaker 1>may know something about it because it was a huge

0:27:27.400 --> 0:27:30.760
<v Speaker 1>influence on the Coen Brothers. It's about a film director

0:27:30.880 --> 0:27:34.040
<v Speaker 1>who's like Preston Sturgis and director of comedies. It's during

0:27:34.040 --> 0:27:38.240
<v Speaker 1>the depression and he's determined that his next movie won't

0:27:38.320 --> 0:27:40.720
<v Speaker 1>be a comedy because there are people out there suffering

0:27:41.480 --> 0:27:43.720
<v Speaker 1>and you know, the bums on the trains a out

0:27:43.720 --> 0:27:45.879
<v Speaker 1>of work. He's got to make a movie that is

0:27:46.040 --> 0:27:48.080
<v Speaker 1>for them, and he's got the movie in his head.

0:27:48.400 --> 0:27:51.760
<v Speaker 1>It's going to be called Oh Brother, were art Thou, which,

0:27:51.960 --> 0:27:54.720
<v Speaker 1>if you remember, the camera went on to make as

0:27:54.760 --> 0:27:57.200
<v Speaker 1>a fair. But that's the film he's going to make.

0:27:57.560 --> 0:28:01.240
<v Speaker 1>And his girlfriend is Veronica La and he's got these

0:28:01.400 --> 0:28:04.840
<v Speaker 1>he's got butlers, and that's wonderful Beverly Hills lifestyle. He

0:28:04.880 --> 0:28:07.439
<v Speaker 1>decides to become a bum. He throws away all his

0:28:07.480 --> 0:28:10.159
<v Speaker 1>good clothes and puts on tramps clothes, gets in a

0:28:10.200 --> 0:28:12.480
<v Speaker 1>box car on the train and goes through a series

0:28:12.520 --> 0:28:15.560
<v Speaker 1>of circumstances beyond his control. He gets accused of murder

0:28:16.440 --> 0:28:18.720
<v Speaker 1>and no one believes that he's a film diriter, and

0:28:18.760 --> 0:28:21.480
<v Speaker 1>he goes to a prisoner's hideous prison where he's chained

0:28:21.560 --> 0:28:25.600
<v Speaker 1>up and he's beaten and he lives his terrible life,

0:28:25.600 --> 0:28:28.919
<v Speaker 1>and the prisoners around him, of course, are absolutely at

0:28:28.920 --> 0:28:31.240
<v Speaker 1>the lowest EBB, but human being can be in America

0:28:31.480 --> 0:28:34.960
<v Speaker 1>chained together. And eventually he behaves well enough, he's tamed

0:28:35.080 --> 0:28:37.159
<v Speaker 1>so that he's allowed a privilege of going. And you

0:28:37.200 --> 0:28:38.960
<v Speaker 1>don't know what it is is you're watching the film,

0:28:39.080 --> 0:28:41.880
<v Speaker 1>you see suddenly this church, a black church, a black

0:28:41.880 --> 0:28:45.960
<v Speaker 1>Baptist church, where all the worshippers have just finished singing him,

0:28:46.360 --> 0:28:48.760
<v Speaker 1>and the preacher gets up and says to his flock

0:28:48.840 --> 0:28:51.080
<v Speaker 1>that we, you know, we have our guests now, and

0:28:51.120 --> 0:28:53.640
<v Speaker 1>we're to treat them with great politeness. And someone is

0:28:53.680 --> 0:28:56.920
<v Speaker 1>pulling a sheet down at the back of the hall

0:28:57.640 --> 0:29:01.680
<v Speaker 1>and income chained all the listeners and they're welcomed by

0:29:01.720 --> 0:29:06.000
<v Speaker 1>these church members and they're sat down and film begins

0:29:06.520 --> 0:29:11.120
<v Speaker 1>and you see Joel McCrae, who plays Sullivan, sitting there

0:29:11.120 --> 0:29:15.840
<v Speaker 1>looking angry, and all the prisoners around him, and they're miserable,

0:29:15.920 --> 0:29:20.560
<v Speaker 1>miserable men. And they start with this Disney cartoon, violent

0:29:20.680 --> 0:29:25.440
<v Speaker 1>silly cartoon, and everyone starts laughing and laughing and laughing,

0:29:25.680 --> 0:29:28.640
<v Speaker 1>and you see Joel McCray is the only one not laughing,

0:29:28.640 --> 0:29:31.440
<v Speaker 1>a face like thunder and slowly his face cracks and

0:29:31.480 --> 0:29:34.920
<v Speaker 1>he starts to laugh, and they're all laughing and laughing

0:29:34.960 --> 0:29:39.600
<v Speaker 1>and laughing and laughing, and his transformation anyway, Then the

0:29:39.600 --> 0:29:43.080
<v Speaker 1>plot carries on and finally someone sees his photograph who's

0:29:43.400 --> 0:29:45.720
<v Speaker 1>the friendly warden or whoever it is, and he tells

0:29:45.760 --> 0:29:48.240
<v Speaker 1>the prison people and it's discovered who he is, and

0:29:48.240 --> 0:29:50.440
<v Speaker 1>that the person he was accused of killing was himself.

0:29:50.480 --> 0:29:52.040
<v Speaker 1>That was what he was trying to explain, that he

0:29:52.120 --> 0:29:54.040
<v Speaker 1>was the one who was accused of killing. So it

0:29:54.080 --> 0:29:56.520
<v Speaker 1>was all very complicated. He gets back to the studio

0:29:56.560 --> 0:29:59.480
<v Speaker 1>and the producers, who so hated the idea of making

0:29:59.480 --> 0:30:01.680
<v Speaker 1>her brother where up say, now you can make your

0:30:01.720 --> 0:30:04.520
<v Speaker 1>brother where aren't you your world famous? You went down,

0:30:04.520 --> 0:30:07.880
<v Speaker 1>you put the bum And John mccrazy is, no, I'm

0:30:07.880 --> 0:30:10.240
<v Speaker 1>not going to make her brother where up there? I'm

0:30:10.240 --> 0:30:13.080
<v Speaker 1>going to make a comedy. And then the film ends

0:30:13.120 --> 0:30:17.040
<v Speaker 1>with this speech laughter may not be much, but it's

0:30:17.040 --> 0:30:23.400
<v Speaker 1>all some people have in this crazy caravan. Boy, that's it,

0:30:23.760 --> 0:30:26.600
<v Speaker 1>And then the fade in to the site of all

0:30:26.600 --> 0:30:29.520
<v Speaker 1>those prisoners with tears running down at their faces, laughing

0:30:29.800 --> 0:30:34.320
<v Speaker 1>and laughing and laughing. So basically, you want to be

0:30:34.400 --> 0:30:39.960
<v Speaker 1>eating beans on tasts with two poached eggs. Watching Sullivan's Travels. Yeah,

0:30:40.320 --> 0:30:42.760
<v Speaker 1>I love that movie, but I would venture that The

0:30:42.880 --> 0:30:46.080
<v Speaker 1>Lady Eve is the beta film. I grant you, it's

0:30:46.080 --> 0:30:49.160
<v Speaker 1>a must. It also made me feel, apart from that

0:30:49.680 --> 0:30:52.600
<v Speaker 1>Henry Founder was was the most handsome person I was

0:30:52.640 --> 0:30:55.440
<v Speaker 1>ever going to see in my life, unlovable. It made

0:30:55.520 --> 0:30:59.600
<v Speaker 1>me believe that that odd people can find each other.

0:31:00.080 --> 0:31:02.200
<v Speaker 1>And I knew I was odd, That's all I knew,

0:31:02.480 --> 0:31:04.480
<v Speaker 1>and that just it always made me think that there

0:31:04.520 --> 0:31:11.520
<v Speaker 1>was hope. And Barbara st Oh, my god, she's so divine.

0:31:10.040 --> 0:31:14.960
<v Speaker 1>Was She really was clever and beauty when she trips

0:31:15.000 --> 0:31:19.960
<v Speaker 1>him up on the boat. So that's if you're listening

0:31:19.960 --> 0:31:22.000
<v Speaker 1>and you don't know the work of Preston Sturgies, treat

0:31:22.080 --> 0:31:29.480
<v Speaker 1>yourself this weekend to a box set of the genuinely

0:31:29.800 --> 0:31:32.960
<v Speaker 1>cannot thank you enough. I mean, it's been such a

0:31:33.000 --> 0:31:35.720
<v Speaker 1>pleasure that I've taken notes as you were speaking. There

0:31:35.720 --> 0:31:38.440
<v Speaker 1>are books I'm going to read, there are words I'm

0:31:38.440 --> 0:31:41.120
<v Speaker 1>going to look up, there are movies I'm going to watch,

0:31:41.200 --> 0:31:44.720
<v Speaker 1>and there's beans on toasts to be made immediately. I

0:31:44.800 --> 0:31:49.440
<v Speaker 1>just completely adore you, and I so appreciate what you

0:31:49.480 --> 0:31:52.800
<v Speaker 1>put out into the world. Genuinely, it's amazing thing. That

0:31:52.920 --> 0:31:55.240
<v Speaker 1>is so sweet if you bless you, and I love

0:31:55.280 --> 0:31:58.200
<v Speaker 1>you too, and thank you for inviting me onto your

0:31:58.200 --> 0:32:01.800
<v Speaker 1>wonderful program and asking this question. Very very very welcome,

0:32:02.280 --> 0:32:10.360
<v Speaker 1>so appreciative well. Stephen Fry's latest book, Troy, is out

0:32:10.400 --> 0:32:13.680
<v Speaker 1>now from Chronicle Books in the US. It is the

0:32:13.720 --> 0:32:18.800
<v Speaker 1>brilliant conclusion to his best selling Mythos trilogy. Stephen's next book,

0:32:19.080 --> 0:32:22.880
<v Speaker 1>Fries Ties is out in November in the UK, published

0:32:22.880 --> 0:32:26.160
<v Speaker 1>by Penguin Michael Joseph, and it is a witty, illustrated

0:32:26.160 --> 0:32:32.720
<v Speaker 1>ode to his decades long obsession with Ties. Mini Questions

0:32:32.880 --> 0:32:36.960
<v Speaker 1>is hosted and written by Me Mini Driver, supervising producer

0:32:37.120 --> 0:32:45.120
<v Speaker 1>Aaron Kaufman, Producer Morgan Levoy, Research assistant Marissa Brown. Original

0:32:45.200 --> 0:32:51.080
<v Speaker 1>music Sorry Baby by Mini Driver, Additional music by Aaron Kaufman,

0:32:51.800 --> 0:32:56.600
<v Speaker 1>Executive produced by Me Mini Driver. Special thanks to Jim Nikolay,

0:32:57.400 --> 0:33:02.840
<v Speaker 1>Will Pearson, Addison No Day, Lisa Castella and Annick Oppenheim

0:33:02.880 --> 0:33:08.360
<v Speaker 1>at w kPr, de La Pescadore, Kate Driver and Jason Weinberg,

0:33:09.000 --> 0:33:12.560
<v Speaker 1>and for constantly solicited Tex support. Henry Driver