1 00:00:00,440 --> 00:00:12,399 Speaker 1: It's another jubile phone frame Mornings on the twenties. Hello, Hi, 2 00:00:12,680 --> 00:00:15,320 Speaker 1: my name is Barkleyama, dais and I'm calling from theater. 3 00:00:15,480 --> 00:00:17,000 Speaker 1: Is this Katie? 4 00:00:17,480 --> 00:00:18,160 Speaker 2: Yes? This is she. 5 00:00:18,920 --> 00:00:21,119 Speaker 1: Hi Katie. I'm not sure if you heard where I 6 00:00:21,160 --> 00:00:21,880 Speaker 1: was calling from. 7 00:00:23,000 --> 00:00:25,799 Speaker 2: Yeah, you're with the theater. Oh yeahy are you you're 8 00:00:25,920 --> 00:00:27,400 Speaker 2: Oh you're returning my call? Right? 9 00:00:27,520 --> 00:00:30,800 Speaker 1: Yes, I'm returning your call. This is Barkkay. 10 00:00:30,840 --> 00:00:34,680 Speaker 2: Thank you, Yeah, thank you for taking the time I called. 11 00:00:35,280 --> 00:00:36,919 Speaker 1: I mean, I am pretty busy, so. 12 00:00:38,360 --> 00:00:41,800 Speaker 2: Sure. I imagine it's just I called to notify the 13 00:00:41,800 --> 00:00:43,760 Speaker 2: theater of what was going on because we had that 14 00:00:43,840 --> 00:00:46,400 Speaker 2: woman in front of us with that incessant beeping, and 15 00:00:47,200 --> 00:00:49,559 Speaker 2: when I tried to talk to her about it, she 16 00:00:50,280 --> 00:00:52,640 Speaker 2: just shrugged and told me she didn't know how to 17 00:00:52,680 --> 00:00:53,640 Speaker 2: turn off the phone. 18 00:00:53,760 --> 00:00:57,760 Speaker 1: Oh boy, okay, well, I guess you're looking for a 19 00:00:57,880 --> 00:01:01,040 Speaker 1: job here, aren't you looking to take my job? 20 00:01:01,720 --> 00:01:04,920 Speaker 2: Well, outside from you identifying yourself as someone who works 21 00:01:04,920 --> 00:01:06,560 Speaker 2: at the theater and calling me back, I don't. 22 00:01:06,400 --> 00:01:09,679 Speaker 1: Know what you're We already have a lead for the 23 00:01:09,760 --> 00:01:14,400 Speaker 1: show that you saw. But a really good acting job 24 00:01:14,400 --> 00:01:18,119 Speaker 1: on the line there. I really liked it. Sorry the lie, Yes, 25 00:01:18,240 --> 00:01:20,960 Speaker 1: obviously it was your phone that was going off, and 26 00:01:21,080 --> 00:01:23,399 Speaker 1: I'm surprised that you don't recognize my name. 27 00:01:24,440 --> 00:01:27,160 Speaker 2: I no, I don't recognize your name. And it most 28 00:01:27,160 --> 00:01:29,920 Speaker 2: certainly was not my phone. It was the woman who 29 00:01:29,959 --> 00:01:31,400 Speaker 2: was in the row in fronch of us. 30 00:01:31,959 --> 00:01:34,240 Speaker 1: Let me just introduce myself one more time. This is 31 00:01:34,280 --> 00:01:40,360 Speaker 1: Barkley amadaeis aside from the show what? 32 00:01:41,319 --> 00:01:44,399 Speaker 2: Uh? No? I most certainly did not. 33 00:01:44,680 --> 00:01:48,240 Speaker 1: I'll have you know that I am the third understudy 34 00:01:48,240 --> 00:01:50,000 Speaker 1: to the lead role of the show that you saw. 35 00:01:50,560 --> 00:01:53,200 Speaker 2: Wait, why would you be calling me? Why would the 36 00:01:53,200 --> 00:01:54,919 Speaker 2: theater give me my number? 37 00:01:55,080 --> 00:01:57,080 Speaker 1: I went to the box office and I was talking 38 00:01:57,120 --> 00:02:00,680 Speaker 1: to them because I was upset my process was broken, 39 00:02:00,800 --> 00:02:02,440 Speaker 1: and I asked them if they knew where that phone 40 00:02:02,520 --> 00:02:04,600 Speaker 1: ringing was coming from, and they said one person had 41 00:02:04,640 --> 00:02:06,800 Speaker 1: called in to complain, and I knew it was you, 42 00:02:07,080 --> 00:02:10,080 Speaker 1: and that's why I'm on the phone. You completely ruined 43 00:02:10,200 --> 00:02:11,480 Speaker 1: the night's performance for me. 44 00:02:12,080 --> 00:02:15,000 Speaker 2: No, no, no, no, no. I'm calling because my experience 45 00:02:15,120 --> 00:02:19,480 Speaker 2: was disturbed, My my husband's experience was disturbed. Everyone who 46 00:02:19,480 --> 00:02:23,320 Speaker 2: sat in oter section within hearing of that person was disturbed. 47 00:02:23,360 --> 00:02:28,400 Speaker 1: Do thou hear a liar in our midst yes, sire, no, no, 48 00:02:28,520 --> 00:02:30,400 Speaker 1: I just did two parts there. I did the sire, 49 00:02:30,480 --> 00:02:31,720 Speaker 1: and then the person saying, hark. 50 00:02:32,400 --> 00:02:35,280 Speaker 2: Okay, I don't again. I don't know why you're calling me. 51 00:02:35,480 --> 00:02:37,560 Speaker 2: You said you're just an understudy and you're not even 52 00:02:37,600 --> 00:02:41,840 Speaker 2: the understudy. You're disturbed people away from being on stage. 53 00:02:42,000 --> 00:02:42,480 Speaker 2: You don't do. 54 00:02:42,520 --> 00:02:47,000 Speaker 1: Anything Barkley the third under study to the lead. 55 00:02:47,919 --> 00:02:50,480 Speaker 2: And I want to tell you right now, Barkley Amadeus, 56 00:02:50,680 --> 00:02:52,880 Speaker 2: no one on this phone call cares. That's not a 57 00:02:52,880 --> 00:02:55,760 Speaker 2: stage name, that's not the phone I don't. 58 00:02:55,520 --> 00:02:58,160 Speaker 1: Care directly really to Mozart. 59 00:02:58,560 --> 00:03:01,200 Speaker 2: Look, I am telling you we were there and there 60 00:03:01,280 --> 00:03:03,360 Speaker 2: was this noise going and sas that we had to play. 61 00:03:03,400 --> 00:03:05,200 Speaker 2: It has nothing to do with us. It has everything 62 00:03:05,200 --> 00:03:08,639 Speaker 2: to do with the person I complained about initially. 63 00:03:08,040 --> 00:03:11,639 Speaker 1: Twas you, which is who what it was you who 64 00:03:11,720 --> 00:03:15,720 Speaker 1: ruined the Knight's performance and harnessed my good family name. 65 00:03:16,680 --> 00:03:18,480 Speaker 2: What did you say your name was again. 66 00:03:18,880 --> 00:03:22,840 Speaker 1: Barkley Amadeus, a direct descendant from the great Amadeus Mozart. 67 00:03:23,440 --> 00:03:25,480 Speaker 2: Oh my god, you have got to be kidding me 68 00:03:25,560 --> 00:03:27,040 Speaker 2: with all of this line of chat, and I can't 69 00:03:27,040 --> 00:03:30,560 Speaker 2: believe you keep going. You are so persistent. Wait Wait 70 00:03:30,560 --> 00:03:34,760 Speaker 2: a minute, you just said Mozart your last You're a. 71 00:03:34,760 --> 00:03:38,840 Speaker 1: Descendant, direct descendant of Amadeus Mozart. It is my name 72 00:03:39,000 --> 00:03:40,800 Speaker 1: after all, Barkley Amadeas. 73 00:03:41,120 --> 00:03:45,360 Speaker 2: No, okay, if you're a direct descendant of Mozart and 74 00:03:45,360 --> 00:03:48,080 Speaker 2: Amadias isn't even his first name. His name was Wolfgang 75 00:03:48,080 --> 00:03:50,720 Speaker 2: Amadeus Mozart. You've been with you ask me some kind 76 00:03:50,720 --> 00:03:51,640 Speaker 2: of stupid actor. 77 00:03:53,080 --> 00:03:55,680 Speaker 1: Yes, I am. Also, I'm not an actor at all. 78 00:03:55,720 --> 00:04:00,240 Speaker 2: Really well, I think you and I probably agree on. 79 00:04:00,200 --> 00:04:03,560 Speaker 1: The first conversation. Actually, Jubil from the Jubil Show doing 80 00:04:03,600 --> 00:04:05,800 Speaker 1: a phone prank on you and your friend Tamara set 81 00:04:05,840 --> 00:04:12,080 Speaker 1: you up. What's a joke you're this is double Yes. 82 00:04:12,400 --> 00:04:14,160 Speaker 1: She said that you guys went to the theater together 83 00:04:14,560 --> 00:04:16,400 Speaker 1: and somebody's phone in front was going crazy, so you 84 00:04:16,440 --> 00:04:18,039 Speaker 1: complained to the theater and she wanted me to mess 85 00:04:18,040 --> 00:04:22,800 Speaker 1: with you. Oh my god, glad you called me out 86 00:04:22,839 --> 00:04:24,320 Speaker 1: on the last name thing. I didn't even think about 87 00:04:24,320 --> 00:04:25,039 Speaker 1: that when I said it. 88 00:04:29,640 --> 00:04:33,160 Speaker 2: Wake up every morning with Jubile phone pranks weekday mornings 89 00:04:33,200 --> 00:04:34,000 Speaker 2: on the twenties,