WEBVTT - Rick Beato

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left's podcast, Like

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<v Speaker 1>Yesterday is the King of Music YouTube, Rick beat Rick,

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<v Speaker 1>Hey Bob, how are you okay? Rick? You do a

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<v Speaker 1>lot of analysis in your videos. What makes a hit record? Well,

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<v Speaker 1>I think that depends on on what era you're talking about,

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<v Speaker 1>But you know, typically a melody. I think the melody

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<v Speaker 1>catches people's ears or at least used to catch people's

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<v Speaker 1>ears first, and then uh, if they like the melody,

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<v Speaker 1>then they will listen to the lyrics. So that's uh,

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<v Speaker 1>but there's a lot of there's a lot of other

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<v Speaker 1>things that make hit records, and that's kind of my

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<v Speaker 1>what makes this sound great series is about there's a

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<v Speaker 1>lot of background instrumentation, whether it's a piano line, stringline,

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<v Speaker 1>you know, some type of synthpad that has a melodic

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<v Speaker 1>hook in it that grabs people's ears, especially at key

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<v Speaker 1>points emotionally in the lyrics, typically in the chorus. So okay,

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<v Speaker 1>you do certain videos where you'll do like the top

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<v Speaker 1>ten on Spotify or iTunes or boomers listening to modern music.

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<v Speaker 1>So what's your viewpoint on the modern music landscape? Well,

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<v Speaker 1>I yeah, you know, it's a lot different than it

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<v Speaker 1>was thirty years ago. Obviously. I just did a breakdown

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<v Speaker 1>of kiss from a Rose on my channel that I

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<v Speaker 1>put out yesterday or two days ago, seals song, which

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<v Speaker 1>is an incredibly great song and was a number one

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<v Speaker 1>song in UM. And that's where pop music was then

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<v Speaker 1>years ago, and pop music is in a very different

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<v Speaker 1>place right now. Obviously, with the advent of pro tools, logic,

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<v Speaker 1>all the different home recording systems that there are, people

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<v Speaker 1>make records on their own without the aid of professionals typically,

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<v Speaker 1>and what you get is some incredibly creative things and

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<v Speaker 1>some not so creative things. And I think that, uh,

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<v Speaker 1>the lack of experts involved in some ways, uh diminishes

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<v Speaker 1>some of the results. And when I say experts, I

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<v Speaker 1>mean professional producers, professional UM arrangers. The string arrangement and

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<v Speaker 1>Kissed from a Rose is absolutely phenomenal. UM. You used

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<v Speaker 1>to have people like Paul buck Master and Dudley I

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<v Speaker 1>think did the string arrangement for that, you know, people

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<v Speaker 1>that were just geniuses. And Trevor Horne was the producer

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<v Speaker 1>of that record, and you had you had these really

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<v Speaker 1>talented people like Daniel Lenoian and Brian eno and and

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<v Speaker 1>George Martin, just genius producers that could help, whether it's

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<v Speaker 1>with parts, with orchestrations, with arrangements, and a lot of

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<v Speaker 1>times nowadays people work on their own. Artists work on

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<v Speaker 1>their own record things, spend hours and hours using logic

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<v Speaker 1>coming up with their own sounds. Some of them are

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<v Speaker 1>incredibly creative and you could only come up with them

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<v Speaker 1>if you spend hours and hours on your own. But

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<v Speaker 1>the level of sophistication of most popular music. When I

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<v Speaker 1>say popular music, I mean at the top of the charts.

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<v Speaker 1>When I do these countdowns, one thing I noticed is

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<v Speaker 1>that there's very little harmonic sophistication, meaning the chord progressions

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<v Speaker 1>are very basic nowadays. Um. And you also get a

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<v Speaker 1>lot of UM. You don't get the high fidelity like

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<v Speaker 1>you used to have. You know, even in genres like

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<v Speaker 1>metal rock, there's just you know, badly recorded guitars. Um.

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<v Speaker 1>You know. We used to have dedicated mixed engineers to

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<v Speaker 1>mix professional records, Bob Clear, Mountain, people that were pros

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<v Speaker 1>Andy Wallace, and you still have. For for major label records,

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<v Speaker 1>you'll get Serb in Guinea or people like that. But

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<v Speaker 1>a lot of records are mixed by the artists, and

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<v Speaker 1>some of them sound really good. But I think the

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<v Speaker 1>popular music could benefit from having some specialists involved. And

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<v Speaker 1>I don't mean people writing the songs, because there's too

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<v Speaker 1>many professional writers out there writing the songs. They need

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<v Speaker 1>to find kids that can write their own music themselves

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<v Speaker 1>without bringing in a bunch of people my age to

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<v Speaker 1>to write their hooks and and put a you know,

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<v Speaker 1>put put eleven people in a room to write music

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<v Speaker 1>by committee. There's my long answer. Okay, that's good. I

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<v Speaker 1>like long answers. Going back to your channel, So tell

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<v Speaker 1>me about your development of your channel, how it came

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<v Speaker 1>to be. So I was producing bands here in my

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<v Speaker 1>studio for Oh God. I built the studio in two

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<v Speaker 1>thousand five, but I've been producing I had been producing

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<v Speaker 1>bands since the mid nineties or so. And one day

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<v Speaker 1>I had an assistant. He came in. He said, you

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<v Speaker 1>should start to YouTube channel. And I said, who's gonna

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<v Speaker 1>watch a white haired guy on YouTube? He said no, no, no, no,

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<v Speaker 1>And I said, what would even be about? He said, no,

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<v Speaker 1>I'm telling you're an expert at all these different things.

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<v Speaker 1>You can talk about music production, music theory, music history, whatever.

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<v Speaker 1>I said. I don't even own a camera. I don't

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<v Speaker 1>know how to edit video. And he's like, I'll bring

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<v Speaker 1>in my camera tomorrow. We'll make your channel trailer. And said,

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<v Speaker 1>what's that? He said, that's the first thing that people

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<v Speaker 1>see when they come to your channel. They only see

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<v Speaker 1>it one time and then they never see it again.

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<v Speaker 1>So he brings in his computer the next day with

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<v Speaker 1>his camera and he films his trailer does b roll

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<v Speaker 1>And I watched him edit it and we put it

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<v Speaker 1>up And that was on June second, two thousand and sixteen,

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<v Speaker 1>so just five years ago. Actually yesterday was the five

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<v Speaker 1>year anniversary of my first video, thank you. So I

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<v Speaker 1>just started with with my iPhone making videos, not even

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<v Speaker 1>replacing the sound, and doing them at night when I

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<v Speaker 1>was producing bands, I would just put up my iPhone

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<v Speaker 1>on a stand and I started making videos with no expertations.

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<v Speaker 1>But if one looks back at your history, you did

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<v Speaker 1>have a viral video prior to this with your son

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<v Speaker 1>in perfect Pitch. How did that come to be? And

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<v Speaker 1>you've made a few videos before that, Why was that

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<v Speaker 1>one viral? And did that give you the idea that

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<v Speaker 1>there was a marketplace? Where did you have to wait

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<v Speaker 1>for the person working with you to bring up the idea?

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<v Speaker 1>So I I have a friend named Shane that was

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<v Speaker 1>over at my studio. I was producing a record of him.

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<v Speaker 1>He's a country artist and I'm a good friend of

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<v Speaker 1>mine and my son Dylan was down here and I

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<v Speaker 1>was playing chords and you know, showing Shane. He says, oh,

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<v Speaker 1>can you make a thing too so I can show

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<v Speaker 1>my wife Angie. And so I said, oh, Dylan, coming downstairs.

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<v Speaker 1>I want to do one of these things, you know,

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<v Speaker 1>things where I'll just play chords for you, just tell

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<v Speaker 1>me what they are. And he's like, oh, I don't

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<v Speaker 1>want to do it. And because I was getting ready

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<v Speaker 1>to go to a school board meeting, I was on

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<v Speaker 1>the school board at his school, I said, just come

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<v Speaker 1>down and take two minutes. So we come down record.

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<v Speaker 1>I put it and put it on Facebook, and I said, Shane,

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<v Speaker 1>I put this on Facebook for you. You can show

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<v Speaker 1>Angie and and and then Shane saw it and said

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<v Speaker 1>he ended up actually putting it on his Facebook and

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<v Speaker 1>it got three million views on mine. It got eighteen

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<v Speaker 1>million on his Facebook page. So okay, But you've made

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<v Speaker 1>a couple of videos with Dylan before. What was so

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<v Speaker 1>magical about this one? Um, it was just the complexity

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<v Speaker 1>of the things that he could hear when he I

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<v Speaker 1>realized he had perfect pitch when he was three, and

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<v Speaker 1>he had an incredibly good memory, and so I just

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<v Speaker 1>started teaching a music theory. So I said, Dylan, hey,

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<v Speaker 1>when you hear CEG, that's C major. Okay, yeah, I

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<v Speaker 1>got it, G B flat ds G minor. And I

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<v Speaker 1>just taught him the names of all these chords. It

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<v Speaker 1>doesn't matter what order they're in, that's what they are,

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<v Speaker 1>says okay and um. And then I taught him about

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<v Speaker 1>modes and all these things. So when I would play

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<v Speaker 1>then I would play two chords at the same time,

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<v Speaker 1>and he could tell what those were. And he just

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<v Speaker 1>can tell anything. Twelve note chords, didn't matter how distant

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<v Speaker 1>it was. He it here, break apart all the chords,

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<v Speaker 1>no matter how distant it is. He just has a

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<v Speaker 1>phenomenal ear. Well, how did you discover that he had

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<v Speaker 1>this year had perfect pitch. Well, I played him this

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<v Speaker 1>really complex music when before he was born, my wife

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<v Speaker 1>I was reading you know with my wife, you know, uh,

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<v Speaker 1>what to expect when you're expecting, and it says, oh,

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<v Speaker 1>the baby can hear it fifteen weeks or whatever. I said,

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<v Speaker 1>I'm gonna make a playlist, like said what she said

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<v Speaker 1>what I said, Yeah, I'm gonna make a playlist. I

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<v Speaker 1>made a playlist of all this really complex improvisation piano

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<v Speaker 1>music that a friend of mine i'dness and Turkish genius

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<v Speaker 1>improviser did that I recorded back in the eighties. So

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<v Speaker 1>I'm gonna make music. And I would put it on

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<v Speaker 1>my wafe's stomach every day for about thirty minutes when

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<v Speaker 1>we'd hang out together, and then, um, I did this.

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<v Speaker 1>I would sit with him when when he was born,

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<v Speaker 1>I'd sit with him for about an hour to two

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<v Speaker 1>hours every morning and uh and just listen to music

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<v Speaker 1>and dance around with him. And then that's all I did.

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<v Speaker 1>I never ever played any notes or anything like that.

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<v Speaker 1>And then when he was three and a half, then

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<v Speaker 1>we had our second daughter, Lennon, and my wife's like,

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<v Speaker 1>I don't want to do this headphone in the stomach thing.

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<v Speaker 1>I'm like, yeah, okay, no problem. I didn't think anything

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<v Speaker 1>of it. One day, I'm in the car and I

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<v Speaker 1>had been listening to John Williams soundtrack, so I said, Dylan, hey,

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<v Speaker 1>sing the intro to Star Wars, and he sings it,

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<v Speaker 1>and I go, I think that's in the right key,

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<v Speaker 1>and so I play it. It's like, that's in the

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<v Speaker 1>right key, and so it sings the intro to to

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<v Speaker 1>Indiana Jones. He's like da, and I was like, that's

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<v Speaker 1>in the right key too. I checked that I don't

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<v Speaker 1>have perfect pitch, but I have good, really good pitch memory.

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<v Speaker 1>So I turned the car around. I come back to

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<v Speaker 1>the studio here, and I had to know B flat

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<v Speaker 1>on the piano. So one noticed that Dylan because Star Wars,

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<v Speaker 1>and he goes Star Wars and Star Wars starts on

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<v Speaker 1>a big B flat major chord. Then I had to

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<v Speaker 1>know G and he goes Superman and Superman theme starts

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<v Speaker 1>on the no G. Then I had seen he goes,

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<v Speaker 1>that's the Excavator song. Some tuning, and then I realized

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<v Speaker 1>he had perfect pitch, and I taught him all twelve

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<v Speaker 1>notes right then, and that was it. It took me

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<v Speaker 1>five minutes and and then I was like, can you

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<v Speaker 1>what about two notes at a time. He's like yeah,

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<v Speaker 1>ce E flat G B. You know, I mean, it

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<v Speaker 1>didn't matter. So what's the status? How old is he today?

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<v Speaker 1>He's thirteen, So is he's still interested in music? Is

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<v Speaker 1>he pursuing this or this is just something he has

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<v Speaker 1>the ability to do. This is kind of something he

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<v Speaker 1>has ability do. He plays basketball, he plays video games.

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<v Speaker 1>Is thirteen year old? You know, he's he's He plays

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<v Speaker 1>the oboe in the school band, but he's not um.

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<v Speaker 1>And he likes to listen to music, but he's not

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<v Speaker 1>He doesn't really play an instrument. He's played, played a

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<v Speaker 1>little bit of guitar. He played piano for a few

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<v Speaker 1>years to piano lessons, but got disinterested in that and quit.

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<v Speaker 1>So okay, so even though you had this viral video,

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<v Speaker 1>you had no anticipation, no inkling that it should be

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<v Speaker 1>followed up. You had to have the guy working with

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<v Speaker 1>you in the studio to say he let's do a channel. Yeah,

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<v Speaker 1>so that the viral video has happened about probably eight

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<v Speaker 1>months before I started my channel, and they were on

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<v Speaker 1>Facebook on YouTube. I had a YouTube channel that I

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<v Speaker 1>based there was show videos to to my family. That'send

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<v Speaker 1>videos of my kids to my family. That's what it was.

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<v Speaker 1>So um um. I had about forty seven subscribers on

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<v Speaker 1>June eighth. And how many subscribers do you have today? Uh?

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<v Speaker 1>I don't know, almost two point four million. Okay, let's

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<v Speaker 1>break this down because everybody's not super sophisticated. What does

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<v Speaker 1>it really mean that someone subscribed to your channel? They

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<v Speaker 1>just hit that red subscribe button and then edit. Uh,

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<v Speaker 1>and it notifies them when I have a new video

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<v Speaker 1>come out or any type of release. And how are

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<v Speaker 1>they notified? Um, well, if they have the bell icon

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<v Speaker 1>there's there's different levels. There's three different levels of of notification.

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<v Speaker 1>But if they have the bell clicked, then they actually

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<v Speaker 1>get a notice on their phone. It's a you know,

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<v Speaker 1>it would be a drop down note notification if you

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<v Speaker 1>have your notifications enabled, that you would get saying I

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<v Speaker 1>have a new video out. Okay, you have three million subscribers,

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<v Speaker 1>but a good number of videos don't reach that quantity

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<v Speaker 1>in view, not that the ones that have two hundred

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<v Speaker 1>five hundred thousand that thought significant. Do you think those

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<v Speaker 1>are all subscribers watching? Do you think that word of mouth?

0:12:14.840 --> 0:12:18.200
<v Speaker 1>Why do you think certain subscribers don't watch certain videos?

0:12:19.120 --> 0:12:21.920
<v Speaker 1>That's a great question. So when I started my channel,

0:12:22.400 --> 0:12:26.920
<v Speaker 1>I started it as a channel for professional musicians, so

0:12:27.120 --> 0:12:32.080
<v Speaker 1>very sophisticated harmony. I did a lot of um film

0:12:32.120 --> 0:12:35.880
<v Speaker 1>scoring breakdown, I'd break down film cues, James Newton, Howard Thomas, Newman,

0:12:35.960 --> 0:12:39.600
<v Speaker 1>John Williams, Bernard Herman. I would take you know, I'd

0:12:39.640 --> 0:12:41.840
<v Speaker 1>take a section. Maybe I'd take the opening of the

0:12:41.840 --> 0:12:45.960
<v Speaker 1>Shawshank Redemption. I'd do a piano reduction of the orchestra,

0:12:46.160 --> 0:12:49.240
<v Speaker 1>and I would talk about it for thirty minutes or whatever.

0:12:49.400 --> 0:12:53.120
<v Speaker 1>So and then or I would do really sophisticated jazz improvisation.

0:12:53.280 --> 0:12:56.240
<v Speaker 1>And what I got were pros that followed my channel,

0:12:56.280 --> 0:13:00.600
<v Speaker 1>professional musicians that you know, wanted an out letter or

0:13:00.720 --> 0:13:03.360
<v Speaker 1>was we're looking for things, and it would suggest YouTube

0:13:03.360 --> 0:13:05.760
<v Speaker 1>would find those people that were interested in those kind

0:13:05.800 --> 0:13:10.200
<v Speaker 1>of things, And I really did. The algorithm of YouTube

0:13:10.440 --> 0:13:13.120
<v Speaker 1>would serve up that video you found. How that that

0:13:13.200 --> 0:13:15.760
<v Speaker 1>was how most people coming to your channel as opposed

0:13:15.760 --> 0:13:18.440
<v Speaker 1>to independent promotion you were doing yourself. Yeah, I did

0:13:18.559 --> 0:13:21.520
<v Speaker 1>no promotion. I've never done any promotion. Everything is based

0:13:21.559 --> 0:13:24.280
<v Speaker 1>on the algorithm of YouTube. So YouTube goes out there

0:13:24.760 --> 0:13:30.440
<v Speaker 1>and collects every person that looks up um, you know

0:13:31.000 --> 0:13:35.600
<v Speaker 1>the mix a Lydian mode, or that looks up Bernard Herman,

0:13:35.800 --> 0:13:41.720
<v Speaker 1>film scoring, or that looks up uh you know top

0:13:41.760 --> 0:13:45.439
<v Speaker 1>ten songs or or or mixing, how do you how

0:13:45.440 --> 0:13:48.000
<v Speaker 1>to mix drums or whatever? Whatever? The videos on it

0:13:48.000 --> 0:13:50.280
<v Speaker 1>goes out and finds those people that are interested, people

0:13:50.280 --> 0:13:53.600
<v Speaker 1>that like Joni Mitchell, We'll find my videos. I did

0:13:53.600 --> 0:13:56.440
<v Speaker 1>a video on the song Amelia, or I did the

0:13:56.480 --> 0:13:58.800
<v Speaker 1>song on Seal, so people that follow Seal. But I've

0:13:58.800 --> 0:14:02.760
<v Speaker 1>also done videos with you know, I've done a hundred

0:14:02.760 --> 0:14:05.920
<v Speaker 1>and five breakdowns of famous songs, So you figure out

0:14:05.920 --> 0:14:08.640
<v Speaker 1>the people that follow all those songs bands from Tool

0:14:08.720 --> 0:14:12.560
<v Speaker 1>to Boston to Steely Dan, to led Zeppelin, to the Beatles,

0:14:12.600 --> 0:14:17.320
<v Speaker 1>to the Rolling Stones too, you know, to Gordon Lightfoot. UM.

0:14:17.480 --> 0:14:22.480
<v Speaker 1>So it's anybody that watches Gordon Lightfoot videos will get

0:14:22.520 --> 0:14:25.080
<v Speaker 1>served up my video on if you could read my mind,

0:14:25.360 --> 0:14:28.400
<v Speaker 1>or people that like Joanie will get served up my

0:14:28.560 --> 0:14:31.520
<v Speaker 1>video on Amelia and then they watched that and then

0:14:31.560 --> 0:14:35.120
<v Speaker 1>they start getting recommended other videos that they think they'll like.

0:14:35.280 --> 0:14:37.920
<v Speaker 1>So that's kind of how you and my channel is

0:14:37.960 --> 0:14:41.400
<v Speaker 1>so varied. The content is so varied that it's picks up.

0:14:41.720 --> 0:14:46.040
<v Speaker 1>It's picked up. You know, let's go back five years ago.

0:14:46.080 --> 0:14:49.560
<v Speaker 1>So it starts out as professional, continue with the evolution,

0:14:50.440 --> 0:14:55.160
<v Speaker 1>so start up professional. UM. So that went for um

0:14:55.360 --> 0:14:59.760
<v Speaker 1>until the so from the summer of un till g

0:15:00.000 --> 0:15:05.600
<v Speaker 1>Annuary tight ofen when I had two hundred thousand subscribers,

0:15:05.680 --> 0:15:09.400
<v Speaker 1>and then I introduced this what Makes This Sound Great series,

0:15:09.520 --> 0:15:12.320
<v Speaker 1>and the first episode I did was on Blink one two,

0:15:12.440 --> 0:15:14.360
<v Speaker 1>and then I followed it up I think with Kid

0:15:14.480 --> 0:15:19.280
<v Speaker 1>Charlemagne by Steely Dan and from that first video, and

0:15:19.320 --> 0:15:23.560
<v Speaker 1>these are breakdowns of multi tracks of famous songs and

0:15:23.720 --> 0:15:28.360
<v Speaker 1>um and that's I started getting a thousand subscribers a

0:15:28.440 --> 0:15:32.760
<v Speaker 1>day then, and then eventually, uh in twenty nineteen and

0:15:32.800 --> 0:15:37.120
<v Speaker 1>I got up to I don't know, five hundred thousand.

0:15:37.120 --> 0:15:40.720
<v Speaker 1>Then I started doing these top twenty videos, Top twenty

0:15:40.880 --> 0:15:43.800
<v Speaker 1>Acoustic Guitar intros of all Time, Top twenty Guitar Solos

0:15:43.800 --> 0:15:45.880
<v Speaker 1>of all Time videos, and these videos got millions and

0:15:45.920 --> 0:15:49.240
<v Speaker 1>millions of views, and then I started getting two thousand

0:15:49.320 --> 0:15:51.880
<v Speaker 1>subscribers a day, and that just just pretty much gone on.

0:15:52.440 --> 0:15:55.200
<v Speaker 1>And uh So there's a certain segment of audience that

0:15:55.200 --> 0:15:58.960
<v Speaker 1>watches videos for that are based on classical music or jazz.

0:15:59.000 --> 0:16:04.000
<v Speaker 1>I made videos on My Davis, John Coltrane, Charlie Parker, uh,

0:16:04.120 --> 0:16:07.560
<v Speaker 1>Jimmy Cobb, West Montgomery, all these famous jazz musicians. I

0:16:07.640 --> 0:16:10.400
<v Speaker 1>made videos on famous classical musicians. I did a video

0:16:10.400 --> 0:16:13.440
<v Speaker 1>on Martha Argridge, who's one of the greatest classical pianists

0:16:13.480 --> 0:16:15.200
<v Speaker 1>of all time who just turned eight years old. I

0:16:15.240 --> 0:16:17.360
<v Speaker 1>did that video about a week and a half ago.

0:16:17.400 --> 0:16:20.600
<v Speaker 1>That one's got four and thirty thousand, four and fifty

0:16:20.640 --> 0:16:25.560
<v Speaker 1>thousand views. Um. And so those people aren't necessarily gonna

0:16:25.560 --> 0:16:29.280
<v Speaker 1>watch a video on corn or on h Lincoln Park

0:16:29.560 --> 0:16:33.840
<v Speaker 1>or or system of a down, but they're gonna watch

0:16:33.960 --> 0:16:38.480
<v Speaker 1>videos maybe on um UM. I don't know what they're

0:16:38.520 --> 0:16:41.920
<v Speaker 1>gonna watch videos on. But I have other classical oriented videos.

0:16:42.080 --> 0:16:45.800
<v Speaker 1>So it's it's a very segmented audience. Okay, let's go

0:16:45.840 --> 0:16:50.080
<v Speaker 1>back to so you start. The big issue that we

0:16:50.160 --> 0:16:55.240
<v Speaker 1>see evidenced online is few people have perseverance. How many

0:16:55.400 --> 0:16:58.920
<v Speaker 1>videos were you making and what was keeping you going?

0:17:00.440 --> 0:17:04.240
<v Speaker 1>I made probably why still make to this day? I

0:17:04.280 --> 0:17:09.199
<v Speaker 1>make twelve videos a month. Um. I shooting at it.

0:17:09.240 --> 0:17:11.080
<v Speaker 1>I have an assistant, but I'm pretty much shooting at

0:17:11.280 --> 0:17:18.760
<v Speaker 1>my own videos. UM myself and UM and I made

0:17:19.320 --> 0:17:22.879
<v Speaker 1>I'm the first year I probably made two and some

0:17:23.040 --> 0:17:27.159
<v Speaker 1>odd videos. Okay, so you start five years ago in June.

0:17:27.720 --> 0:17:29.480
<v Speaker 1>So how do you come up with twelve a month?

0:17:31.359 --> 0:17:33.040
<v Speaker 1>I don't mean how do you come up with how

0:17:33.040 --> 0:17:35.480
<v Speaker 1>do you come up with the number twelve. I just

0:17:35.520 --> 0:17:38.520
<v Speaker 1>started doing about every other day. Okay, And at what

0:17:38.560 --> 0:17:41.600
<v Speaker 1>point did you formalize it's like, well, it's twelve a month. No,

0:17:41.720 --> 0:17:44.679
<v Speaker 1>it was actually fifteen a month back then, because sometimes

0:17:44.720 --> 0:17:46.520
<v Speaker 1>I would make two videos a day. I didn't know

0:17:46.560 --> 0:17:48.280
<v Speaker 1>what I was doing, Bob. I would make a video

0:17:48.320 --> 0:17:49.760
<v Speaker 1>and I'd be like, you know, I have this idea,

0:17:49.800 --> 0:17:52.560
<v Speaker 1>and then I'd go and make do a live stream

0:17:52.640 --> 0:17:55.520
<v Speaker 1>after after I put out a video six hours before

0:17:55.560 --> 0:17:57.399
<v Speaker 1>I did a live stream because on some idea that

0:17:57.440 --> 0:18:01.560
<v Speaker 1>I had. Okay, let's let's slow down. So you start

0:18:01.600 --> 0:18:07.760
<v Speaker 1>to make videos. Your engineer second is helping you at first.

0:18:08.480 --> 0:18:10.920
<v Speaker 1>Now when you start to roll up, are you doing

0:18:10.960 --> 0:18:13.480
<v Speaker 1>it all alone? Or is he yes? No, No, he

0:18:13.480 --> 0:18:16.240
<v Speaker 1>didn't help me at all. He never edited any videos.

0:18:16.240 --> 0:18:18.760
<v Speaker 1>So I made the videos and edited them myself right

0:18:18.760 --> 0:18:21.359
<v Speaker 1>from the beginning. Okay. And what kind of equipment? What

0:18:21.480 --> 0:18:24.000
<v Speaker 1>level of equipment were you using the same as I

0:18:24.000 --> 0:18:27.040
<v Speaker 1>have now Final Cut pro and and my iPhone, But

0:18:27.080 --> 0:18:29.200
<v Speaker 1>now I have a nice sony camera, so I I

0:18:29.680 --> 0:18:32.800
<v Speaker 1>used up my iPhone and honestly, Bob, I used the

0:18:32.880 --> 0:18:35.920
<v Speaker 1>sound off my iPhone because I couldn't figure out well

0:18:35.960 --> 0:18:38.040
<v Speaker 1>I finally figured out how to how to drop in

0:18:38.520 --> 0:18:42.600
<v Speaker 1>audio uh into the videos as I got better as

0:18:42.640 --> 0:18:46.600
<v Speaker 1>an editor. Um, I just figured it out. It's very

0:18:46.640 --> 0:18:49.439
<v Speaker 1>much like editing audio because I've edited in pro Tools

0:18:49.480 --> 0:18:53.679
<v Speaker 1>forever doing music production, and uh, it's it's virtually the

0:18:53.760 --> 0:18:55.679
<v Speaker 1>same thing. You just look at the wave forms and

0:18:55.840 --> 0:18:59.760
<v Speaker 1>edit simple. I can edit very quickly. And if you

0:18:59.800 --> 0:19:02.480
<v Speaker 1>were remember how many views did the trailer get and

0:19:02.520 --> 0:19:05.919
<v Speaker 1>did you promote that amongst your community at all? I

0:19:05.920 --> 0:19:08.560
<v Speaker 1>did not promote it at all. My trailer is at

0:19:08.560 --> 0:19:13.080
<v Speaker 1>about a million views now. But then you starting, Oh

0:19:13.440 --> 0:19:15.480
<v Speaker 1>my first forty videos, I didn't have one that was

0:19:15.520 --> 0:19:23.000
<v Speaker 1>over a thousand views? What kept you going? Um? People

0:19:23.800 --> 0:19:25.720
<v Speaker 1>kept writing to me. I got you know, I got

0:19:25.720 --> 0:19:29.359
<v Speaker 1>an email from I would get emails from Dweezels, Appa

0:19:29.520 --> 0:19:33.000
<v Speaker 1>or Steve I or uh, you know, Victor Wootton or

0:19:33.040 --> 0:19:35.240
<v Speaker 1>people like that. I started getting emails from people within

0:19:35.240 --> 0:19:39.240
<v Speaker 1>a couple of months. Um, and then I started, you

0:19:39.280 --> 0:19:43.000
<v Speaker 1>know people, I interviewed people. I interviewed Steve I was

0:19:43.160 --> 0:19:46.960
<v Speaker 1>my first interview, and then I interviewed uh, I forget,

0:19:47.000 --> 0:19:49.960
<v Speaker 1>I forget who I remember interviewed Victor Wootton, I interviewed

0:19:49.960 --> 0:19:52.679
<v Speaker 1>Dennis Chambers, a little a lot of famous musicians, and

0:19:52.800 --> 0:19:56.040
<v Speaker 1>John Petrucci and Jordan Rutis from Dream Theater, and and

0:19:56.720 --> 0:20:02.080
<v Speaker 1>people from all different guitar players, bass players, drummers, um

0:20:02.119 --> 0:20:05.919
<v Speaker 1>and Chris Potter the Great suggest saxophonist. All these people

0:20:06.000 --> 0:20:09.720
<v Speaker 1>were I was doing videos, interview videos, all these kind

0:20:09.760 --> 0:20:12.480
<v Speaker 1>of things. And okay, let's let's look a little bit.

0:20:12.800 --> 0:20:16.359
<v Speaker 1>You say you were getting email. Were they posting on

0:20:16.400 --> 0:20:19.000
<v Speaker 1>YouTube on the channel? Were they literally sending you email?

0:20:19.000 --> 0:20:21.480
<v Speaker 1>And how did they get your email address? Literally sending

0:20:21.480 --> 0:20:25.800
<v Speaker 1>me emails the address because it would be if people

0:20:25.800 --> 0:20:27.840
<v Speaker 1>would ask me questions. I had so few views that

0:20:27.960 --> 0:20:29.800
<v Speaker 1>somebody asked me just email me, and I put my

0:20:29.840 --> 0:20:36.600
<v Speaker 1>email in the in the comments. Okay literally, okay, so

0:20:36.640 --> 0:20:40.159
<v Speaker 1>now you got the naxos, as they say, And yet

0:20:40.240 --> 0:20:43.919
<v Speaker 1>it's the good feeling of these legendary people contacting with you.

0:20:44.320 --> 0:20:51.239
<v Speaker 1>Are the views ascending five years ago? Um? No, you know,

0:20:51.280 --> 0:20:53.920
<v Speaker 1>I didn't have a viral video on YouTube for two

0:20:54.000 --> 0:20:57.080
<v Speaker 1>years or so. But I mean as I started getting

0:20:57.320 --> 0:21:01.560
<v Speaker 1>within within four months or so, I had maybe forty subscribers,

0:21:01.600 --> 0:21:03.560
<v Speaker 1>and then the views would start to you know, there

0:21:04.080 --> 0:21:07.720
<v Speaker 1>my big My first big video was Um, a video

0:21:07.800 --> 0:21:11.640
<v Speaker 1>called the double Harmonic major scale. Now I don't know why, Bob,

0:21:11.640 --> 0:21:14.560
<v Speaker 1>but it got like eight hundred thousand views or something.

0:21:14.640 --> 0:21:17.639
<v Speaker 1>It was a completely weird video that had a weird

0:21:17.720 --> 0:21:20.199
<v Speaker 1>I would make videos on scales, and it had a

0:21:20.240 --> 0:21:24.400
<v Speaker 1>weird composition that I did at the end, very distant.

0:21:25.000 --> 0:21:27.280
<v Speaker 1>It sounded a tonal but used only the seven notes

0:21:27.280 --> 0:21:30.000
<v Speaker 1>of the scale. And that was my first big video.

0:21:30.080 --> 0:21:32.240
<v Speaker 1>And I have no idea why it became a big video,

0:21:32.359 --> 0:21:37.280
<v Speaker 1>but um, but that you know, those are the kind

0:21:37.280 --> 0:21:39.520
<v Speaker 1>of things that that I was doing, and and the

0:21:39.600 --> 0:21:41.760
<v Speaker 1>videos would just start, you know, then every video would

0:21:41.760 --> 0:21:44.560
<v Speaker 1>have a thousand views, and then you'd have some videos

0:21:44.560 --> 0:21:47.040
<v Speaker 1>to pop up to ten thousand, somebody get fifty thousand,

0:21:47.080 --> 0:21:49.280
<v Speaker 1>and occasionally get a hundred thousand, and then they just

0:21:49.320 --> 0:21:53.639
<v Speaker 1>started all rising and rising. Were you a student of

0:21:53.680 --> 0:21:58.680
<v Speaker 1>the game looking at YouTube competitors if you found any

0:21:58.800 --> 0:22:01.520
<v Speaker 1>or what was going on? What were you just working

0:22:01.520 --> 0:22:06.120
<v Speaker 1>in the dark. Um. There's a guy that reached out

0:22:06.119 --> 0:22:08.800
<v Speaker 1>to me after when I had about four thousand videos.

0:22:08.800 --> 0:22:11.120
<v Speaker 1>He had a channel called Piano around the World and

0:22:11.200 --> 0:22:14.880
<v Speaker 1>he had he had forty seven thousand subscribers, and I thought,

0:22:14.880 --> 0:22:16.879
<v Speaker 1>oh my god, that that I can't even believe. How

0:22:16.880 --> 0:22:20.000
<v Speaker 1>did could you get ever get forty seven thousand subscribers.

0:22:20.000 --> 0:22:22.560
<v Speaker 1>He had a few videos that had millions of views,

0:22:23.440 --> 0:22:25.159
<v Speaker 1>and I remember saying to him, his name is Doton,

0:22:25.320 --> 0:22:28.640
<v Speaker 1>I said, I said, Doton, what if I can ask

0:22:28.680 --> 0:22:30.800
<v Speaker 1>you how much does a video pay that gets a

0:22:30.840 --> 0:22:34.840
<v Speaker 1>million views? He goes about bucks. I said, that's it.

0:22:34.840 --> 0:22:37.320
<v Speaker 1>It's like, yeah, he goes, you don't make any money

0:22:37.359 --> 0:22:40.640
<v Speaker 1>on YouTube, and um, and I was thinking, well, I'll

0:22:40.680 --> 0:22:42.640
<v Speaker 1>never get a million views on a video anyway, said

0:22:42.640 --> 0:22:44.600
<v Speaker 1>it doesn't matter. But I was just doing it for fun,

0:22:44.680 --> 0:22:49.280
<v Speaker 1>and the videos I would make it would take me. Um.

0:22:49.320 --> 0:22:51.480
<v Speaker 1>I mean, I never had to really look up anything, Bob.

0:22:51.520 --> 0:22:53.320
<v Speaker 1>I mean, I was a college professor in my twenties,

0:22:53.359 --> 0:22:59.080
<v Speaker 1>so I taught music. I taught arranging, improvisation, composition, all

0:22:59.080 --> 0:23:01.400
<v Speaker 1>this kind of stuff you raining, so I could make

0:23:01.400 --> 0:23:04.000
<v Speaker 1>the videos just on the fly. I never ever script.

0:23:04.040 --> 0:23:06.399
<v Speaker 1>I just go off the top of my head. Okay,

0:23:06.400 --> 0:23:07.840
<v Speaker 1>So how long would it take you to make a

0:23:07.960 --> 0:23:11.920
<v Speaker 1>video back then? Mm hmm maybe hour and a half

0:23:11.960 --> 0:23:14.679
<v Speaker 1>at the most, something like. Okay, so was it impacting

0:23:14.760 --> 0:23:19.160
<v Speaker 1>your other business to make these videos? Okay, how did

0:23:19.160 --> 0:23:23.960
<v Speaker 1>you decide on the length. Everybody told me make short videos,

0:23:24.000 --> 0:23:26.800
<v Speaker 1>and I said I couldn't make short videos. I was like, well,

0:23:26.840 --> 0:23:29.360
<v Speaker 1>I can't explain the things I need to explain in

0:23:30.000 --> 0:23:33.160
<v Speaker 1>ten minutes. So I made long videos. I made eighteen

0:23:33.200 --> 0:23:36.280
<v Speaker 1>minute videos, twenty five minute videos. What I didn't realize

0:23:36.440 --> 0:23:40.679
<v Speaker 1>was that YouTube actually is based on watch time, what

0:23:40.760 --> 0:23:43.159
<v Speaker 1>they look for. That's that's a big thing that you

0:23:44.000 --> 0:23:47.840
<v Speaker 1>come to figure out that. Um, if somebody watches fifty

0:23:48.359 --> 0:23:53.560
<v Speaker 1>of one of your videos, um, and it's eighteen minutes long,

0:23:53.640 --> 0:23:56.160
<v Speaker 1>they're watching nine minutes. Nine minutes is a very long

0:23:56.200 --> 0:23:59.760
<v Speaker 1>time for somebody to be engaged in YouTube, and you

0:24:00.000 --> 0:24:05.040
<v Speaker 1>tubes things about retaining people's attention and hopefully they will

0:24:05.080 --> 0:24:08.600
<v Speaker 1>binge watch your channel or go from your channel to

0:24:08.720 --> 0:24:13.199
<v Speaker 1>other channels and um, and just stay in YouTube so

0:24:13.240 --> 0:24:15.199
<v Speaker 1>they can sell advertising. I mean, I think that's what

0:24:15.280 --> 0:24:19.520
<v Speaker 1>the model is. So unbeknownst to me, making those long videos,

0:24:19.560 --> 0:24:22.800
<v Speaker 1>against what people told me to do, it was actually

0:24:22.880 --> 0:24:26.719
<v Speaker 1>really beneficial because your video rankings are based on views

0:24:26.840 --> 0:24:28.680
<v Speaker 1>and watch times. So if you have a twenty five

0:24:28.720 --> 0:24:32.679
<v Speaker 1>minute video that has four thousand views, when you look up,

0:24:33.280 --> 0:24:37.520
<v Speaker 1>you know, um, I did a video on compression. What

0:24:37.520 --> 0:24:41.240
<v Speaker 1>what what what the pros know about compression or something

0:24:41.320 --> 0:24:43.760
<v Speaker 1>like that that's got a million and a half views. Well,

0:24:43.800 --> 0:24:48.360
<v Speaker 1>it's a forty five minute video on compression, and it's

0:24:48.400 --> 0:24:52.600
<v Speaker 1>a whiteboard presentation with then with examples and pro tools

0:24:52.600 --> 0:24:58.120
<v Speaker 1>and demonstrating different compressors, how they work, optical compressors, uh,

0:24:58.160 --> 0:25:01.600
<v Speaker 1>you know, and all all different types of compressors and

0:25:01.600 --> 0:25:06.080
<v Speaker 1>and what they sound like and um. And since that

0:25:06.200 --> 0:25:10.640
<v Speaker 1>has is so long, the video length has so much

0:25:10.680 --> 0:25:13.840
<v Speaker 1>watch time and so many views, it ranks up there

0:25:13.840 --> 0:25:16.399
<v Speaker 1>when people look up compression on YouTube, that's like the

0:25:16.400 --> 0:25:21.600
<v Speaker 1>top video. Can you tell us more about the rankings? Yeah, tips,

0:25:21.600 --> 0:25:25.040
<v Speaker 1>So that's really how it's done. It's done through um.

0:25:25.080 --> 0:25:27.480
<v Speaker 1>You know, there's a there would be some keyword or

0:25:27.520 --> 0:25:31.560
<v Speaker 1>something that um that is in the title. Your title

0:25:31.600 --> 0:25:34.359
<v Speaker 1>should reflect you know, if if my video is about

0:25:34.400 --> 0:25:36.840
<v Speaker 1>Joni Mitchell, it's gonna say Joni Mitchell and the title.

0:25:37.520 --> 0:25:41.880
<v Speaker 1>And if the video has got half a million views, um,

0:25:41.920 --> 0:25:44.120
<v Speaker 1>it's going to get a high search ranking and and

0:25:44.240 --> 0:25:49.240
<v Speaker 1>um um. And that that's pretty much it with YouTube

0:25:49.280 --> 0:25:56.240
<v Speaker 1>is about video views and video retention. Okay, so you're

0:25:56.280 --> 0:26:00.320
<v Speaker 1>making these videos, it's essentially eighteen months before where you

0:26:00.359 --> 0:26:04.280
<v Speaker 1>have your first vinerl video from moment one, are you

0:26:05.119 --> 0:26:11.040
<v Speaker 1>signed up trying to monetize? Back then, UM, you could

0:26:11.119 --> 0:26:14.920
<v Speaker 1>monetize your videos immediately. You didn't need to have Nowadays

0:26:14.960 --> 0:26:18.760
<v Speaker 1>you have to have UM four thousand watch hours in

0:26:18.760 --> 0:26:23.880
<v Speaker 1>a thirty day period to be monetized. So basically, UM

0:26:23.920 --> 0:26:27.040
<v Speaker 1>that that's about a thousand subscribers. Because my friends that

0:26:27.040 --> 0:26:29.560
<v Speaker 1>have started YouTube channels, they don't get monetized till they

0:26:29.560 --> 0:26:33.159
<v Speaker 1>have about a thousand subscribers. But back then, in you

0:26:33.160 --> 0:26:37.560
<v Speaker 1>can monetize your channel immediately, so UM. But I found

0:26:37.600 --> 0:26:40.840
<v Speaker 1>out very quickly that if you play any music that

0:26:41.560 --> 0:26:45.119
<v Speaker 1>is UM has a content I declaim on it, you

0:26:45.119 --> 0:26:47.960
<v Speaker 1>don't get any monetization on the video. So I never

0:26:48.000 --> 0:26:51.840
<v Speaker 1>really made my channel about making money from views or

0:26:51.840 --> 0:26:55.560
<v Speaker 1>anything like that. That was not really the UM. Right

0:26:55.560 --> 0:26:58.760
<v Speaker 1>from the beginning, I decided, well, I'm gonna make videos

0:26:58.760 --> 0:27:02.160
<v Speaker 1>about the things I want to make them about, because

0:27:02.200 --> 0:27:05.399
<v Speaker 1>most of my other YouTube friends would just leave music

0:27:05.440 --> 0:27:08.160
<v Speaker 1>out of their videos because they didn't want to get demonetized.

0:27:08.160 --> 0:27:10.119
<v Speaker 1>It's like, what's the point of making videos on music

0:27:10.720 --> 0:27:14.080
<v Speaker 1>if you can't play music? It makes no sense, Like

0:27:14.119 --> 0:27:15.760
<v Speaker 1>I want to make videos on the things I want

0:27:15.760 --> 0:27:17.960
<v Speaker 1>to make videos on. So if I have to play

0:27:18.000 --> 0:27:19.879
<v Speaker 1>the song, I want to play the song, even if

0:27:19.920 --> 0:27:23.080
<v Speaker 1>it gets demonetized. I don't care. Okay, So you have

0:27:23.400 --> 0:27:27.640
<v Speaker 1>you have the breakthrough in January of Prior to then,

0:27:27.760 --> 0:27:35.840
<v Speaker 1>we would say your viewers were essentially professionals or serious hobbyists. Yeah, okay,

0:27:36.040 --> 0:27:42.359
<v Speaker 1>And once again, the breakthrough video was entitled what um

0:27:42.400 --> 0:27:46.280
<v Speaker 1>The breakthrough video is called the UM. Well, actually it

0:27:46.280 --> 0:27:49.879
<v Speaker 1>was called the Darkest Scale ever and was the but

0:27:49.960 --> 0:27:53.119
<v Speaker 1>it says on the thumbnail the double harmonic made double

0:27:53.160 --> 0:27:57.480
<v Speaker 1>harmonic major scale. Okay, so the breakthrough video was a

0:27:57.560 --> 0:28:01.520
<v Speaker 1>technical video. Yes, and that video got how many views?

0:28:01.720 --> 0:28:04.200
<v Speaker 1>Oh my god, it's I think it's now. It's probably

0:28:04.200 --> 0:28:06.239
<v Speaker 1>got nine hundred thousand, but it got it probably got

0:28:06.240 --> 0:28:08.840
<v Speaker 1>about six hundred thousand, seven hundred views. Okay. Is that

0:28:08.920 --> 0:28:11.520
<v Speaker 1>the video we're talking about? When does that? When does

0:28:11.520 --> 0:28:15.160
<v Speaker 1>that video occur in your career? That's probably in seventeen

0:28:15.320 --> 0:28:18.399
<v Speaker 1>or so, in late something like that. Okay, So you

0:28:18.440 --> 0:28:20.600
<v Speaker 1>get four hundred thousand views? What goes through your head?

0:28:22.080 --> 0:28:26.040
<v Speaker 1>I thought, why this video, of all the videos I've made,

0:28:26.080 --> 0:28:30.400
<v Speaker 1>this is the weirdest video and then like why this one,

0:28:30.880 --> 0:28:33.680
<v Speaker 1>you know, so that's kind of I had no idea why.

0:28:33.800 --> 0:28:36.760
<v Speaker 1>It was just okay, well, if you have that big success,

0:28:36.760 --> 0:28:39.720
<v Speaker 1>like any musical star, then you have the issue following

0:28:39.760 --> 0:28:44.280
<v Speaker 1>it up. It's like, but I had made many videos.

0:28:44.320 --> 0:28:46.920
<v Speaker 1>I made videos on every mode of the major scale,

0:28:46.960 --> 0:28:49.960
<v Speaker 1>Ione and Dorian, Frygie and Lydian mixed Lady Naoli and Locre,

0:28:50.040 --> 0:28:52.320
<v Speaker 1>and then I made modes in the melodic minor scale,

0:28:52.320 --> 0:28:54.800
<v Speaker 1>harmonic minor scale. This is just one of those videos

0:28:54.840 --> 0:28:57.719
<v Speaker 1>in a series of many videos. Okay, so that one

0:28:57.760 --> 0:29:00.400
<v Speaker 1>gets four thousand views, the ones that the wit how

0:29:00.440 --> 0:29:02.520
<v Speaker 1>many views to those get? Well, then those kind of

0:29:02.600 --> 0:29:05.760
<v Speaker 1>drop back down. But but the weird thing was bob

0:29:05.800 --> 0:29:09.080
<v Speaker 1>that my um. You know. So then by that time

0:29:09.640 --> 0:29:12.480
<v Speaker 1>that I had that video, I probably had a hundred

0:29:12.520 --> 0:29:15.600
<v Speaker 1>and fifty thousand subscribers. So then the videos are getting

0:29:15.720 --> 0:29:20.000
<v Speaker 1>you know, thirty apiece that would consistently do that. UM.

0:29:20.040 --> 0:29:22.480
<v Speaker 1>A good rule of thumb on YouTube is your most

0:29:22.520 --> 0:29:27.520
<v Speaker 1>YouTube channels that are successful, we'll get ten percent of

0:29:27.600 --> 0:29:31.640
<v Speaker 1>the number of subscribe number of subscribers to the views. Um,

0:29:31.720 --> 0:29:34.440
<v Speaker 1>your average video should be ten percent of the number

0:29:34.440 --> 0:29:36.560
<v Speaker 1>of subscribers. You have, So if you have a hundred

0:29:36.560 --> 0:29:40.080
<v Speaker 1>thousand subscribers, you should be getting ten thousand views per video.

0:29:40.320 --> 0:29:43.520
<v Speaker 1>And that's a good performing video. Anything above ten percent

0:29:43.680 --> 0:29:48.800
<v Speaker 1>is really good. Okay. January of eighteen, you have the

0:29:48.880 --> 0:29:53.040
<v Speaker 1>breakthrough a general audience video and that video once again

0:29:53.320 --> 0:29:57.160
<v Speaker 1>is um that was my first what makes this sound great?

0:29:57.520 --> 0:30:00.880
<v Speaker 1>Which was on all the small things? But link two?

0:30:01.800 --> 0:30:08.440
<v Speaker 1>Okay at that time, how many views were your videos

0:30:08.480 --> 0:30:13.720
<v Speaker 1>getting prior to that? Probably about um, I'd say probably

0:30:13.760 --> 0:30:17.080
<v Speaker 1>fifty thousand on average something like that. Well, what's the

0:30:17.160 --> 0:30:20.960
<v Speaker 1>lifespan of one of these things? To what? What percentage

0:30:21.000 --> 0:30:23.120
<v Speaker 1>comes up and what? And then the so called long

0:30:23.200 --> 0:30:26.560
<v Speaker 1>tail most of them are not do not have a

0:30:26.600 --> 0:30:29.760
<v Speaker 1>long lifespan? Now I have, UM, I have videos like

0:30:29.880 --> 0:30:34.080
<v Speaker 1>my you know, Top twenty Acoustic Guitar intros of all Time,

0:30:34.120 --> 0:30:37.440
<v Speaker 1>which get you know, thirty thousand views a day still,

0:30:37.480 --> 0:30:40.440
<v Speaker 1>and I made it in the summer of It's got

0:30:40.440 --> 0:30:44.920
<v Speaker 1>thirteen million views. Um My Top twenty Guitar Solos of

0:30:44.960 --> 0:30:54.080
<v Speaker 1>all Time gets thirty thousand views a day still. Okay,

0:30:54.080 --> 0:30:57.360
<v Speaker 1>So let's go let's go back to a blink two.

0:30:57.760 --> 0:31:00.680
<v Speaker 1>Had you done a video about one spece scific track?

0:31:00.840 --> 0:31:03.320
<v Speaker 1>By a it's gonna be by a famous act prior

0:31:03.400 --> 0:31:05.760
<v Speaker 1>to them. No, as a matter of fact, I didn't

0:31:05.760 --> 0:31:09.040
<v Speaker 1>almost I did nothing on any popular music at all.

0:31:09.120 --> 0:31:13.760
<v Speaker 1>It was all classical music, jazz music theory, ear training,

0:31:13.800 --> 0:31:16.640
<v Speaker 1>things like that. I've done nothing related to music production,

0:31:17.000 --> 0:31:18.800
<v Speaker 1>which I had done for my living for the past

0:31:18.800 --> 0:31:22.720
<v Speaker 1>twenty years, other than make these videos on compression and

0:31:22.760 --> 0:31:24.840
<v Speaker 1>things like that, which did not do well when they

0:31:24.840 --> 0:31:27.200
<v Speaker 1>first came out. I made videos on drum tuning. Some

0:31:27.240 --> 0:31:29.400
<v Speaker 1>of those were the biggest videos I had at the time.

0:31:30.000 --> 0:31:32.080
<v Speaker 1>Just when I would get ready to set up for

0:31:32.280 --> 0:31:35.160
<v Speaker 1>a session, I'd say to my system, oh, just film

0:31:35.160 --> 0:31:36.800
<v Speaker 1>me while I tuned the drums. I'll just I'll make

0:31:36.840 --> 0:31:38.760
<v Speaker 1>a drum tuning video while I'm doing this because I

0:31:38.800 --> 0:31:40.719
<v Speaker 1>had to change the heads anyways. So I would make

0:31:40.800 --> 0:31:43.760
<v Speaker 1>videos like that and put them up. Okay, so why

0:31:43.840 --> 0:31:46.080
<v Speaker 1>did you decide to do the blink one Hitt tube video?

0:31:46.680 --> 0:31:49.240
<v Speaker 1>So I actually have a second YouTube channel that I

0:31:49.280 --> 0:31:53.080
<v Speaker 1>never tell anyone about. It's called Rick Bato too, that

0:31:53.240 --> 0:31:55.920
<v Speaker 1>I still have to this day, and and back then

0:31:56.200 --> 0:31:58.400
<v Speaker 1>I told people that followed my channel. I started the

0:31:58.440 --> 0:32:00.880
<v Speaker 1>second channel, and I would use it to ust out ideas.

0:32:01.000 --> 0:32:05.120
<v Speaker 1>So the night before I have multi tracks, two thousands

0:32:05.160 --> 0:32:08.720
<v Speaker 1>and thousands of songs, and I would to that group

0:32:08.760 --> 0:32:11.520
<v Speaker 1>of people, a couple hundred people. I played the multi

0:32:11.560 --> 0:32:13.600
<v Speaker 1>tracks to a bunch of songs, including the Blink one

0:32:13.680 --> 0:32:16.360
<v Speaker 1>eight two, and said, check out this one keyboard part

0:32:16.360 --> 0:32:19.040
<v Speaker 1>in the chorus, This dissonant note the flat nine that

0:32:19.120 --> 0:32:21.080
<v Speaker 1>goes against the second chord in the chorus. I said,

0:32:21.120 --> 0:32:23.920
<v Speaker 1>that is the hook right there. That keyboard part makes

0:32:23.960 --> 0:32:25.960
<v Speaker 1>people want to come back and listen to the song

0:32:26.080 --> 0:32:27.880
<v Speaker 1>over and over. Yet it's hidden in there. You can't

0:32:27.880 --> 0:32:32.320
<v Speaker 1>even hear it. So the same guy, Rhett who convinced

0:32:32.320 --> 0:32:34.320
<v Speaker 1>me to start my channel, he was watching on that.

0:32:34.400 --> 0:32:36.280
<v Speaker 1>Now he actually has a YouTube channel with about four

0:32:36.320 --> 0:32:40.400
<v Speaker 1>hundred thousand subscribers himself. Now he's said to me, you

0:32:40.400 --> 0:32:42.880
<v Speaker 1>should make a We had lunch next day. He said, oh,

0:32:42.880 --> 0:32:44.640
<v Speaker 1>that last night was amazing when you were playing the

0:32:44.680 --> 0:32:48.920
<v Speaker 1>multi tracks. You should make a series about that. I said,

0:32:48.960 --> 0:32:51.480
<v Speaker 1>what do you mean? He goes, yeah, this is that's fascinating.

0:32:51.480 --> 0:32:54.040
<v Speaker 1>You should make a series playing multi tracks and explaining him,

0:32:54.040 --> 0:32:56.360
<v Speaker 1>I said, yeah, I guess, said well, I could call it.

0:32:56.440 --> 0:32:58.400
<v Speaker 1>What makes this sound great? He said, oh, it's a

0:32:58.400 --> 0:33:01.040
<v Speaker 1>great title. So the next day AI or so, right

0:33:01.040 --> 0:33:04.200
<v Speaker 1>after we had launch, I made the first video. Okay,

0:33:04.240 --> 0:33:07.400
<v Speaker 1>A couple of questions, what is the content of retz channel?

0:33:08.200 --> 0:33:12.600
<v Speaker 1>He makes a lot of guitar videos. Um, he's um,

0:33:12.720 --> 0:33:15.560
<v Speaker 1>he makes videos on on he's a he plays with

0:33:15.600 --> 0:33:17.880
<v Speaker 1>different groups, so he makes videos like as a session

0:33:17.880 --> 0:33:21.000
<v Speaker 1>guitar player, the whole demo, guitars pedals, he's he makes

0:33:21.040 --> 0:33:24.800
<v Speaker 1>really interesting videos and M and we talked every day.

0:33:25.040 --> 0:33:27.880
<v Speaker 1>Do you feel that there's any competition there? And then

0:33:27.920 --> 0:33:31.560
<v Speaker 1>in addition, okay, is you feel there's any competition online

0:33:31.600 --> 0:33:33.920
<v Speaker 1>with you? Obviously no one is big, but now that

0:33:33.960 --> 0:33:38.320
<v Speaker 1>you're having the success or other people trying to imitate you?

0:33:38.320 --> 0:33:41.800
<v Speaker 1>You know, the entire music YouTube community that makes these

0:33:42.120 --> 0:33:44.640
<v Speaker 1>kind of videos like like I do. We all are

0:33:44.880 --> 0:33:47.160
<v Speaker 1>really good friends and we all talk all the time.

0:33:47.880 --> 0:33:50.080
<v Speaker 1>How many people lose that? Oh my god, there's probably

0:33:50.080 --> 0:33:54.239
<v Speaker 1>about I don't know, probably twenty five of us are

0:33:54.280 --> 0:33:59.240
<v Speaker 1>so all different instruments. You're the most successful. How about

0:33:59.240 --> 0:34:01.600
<v Speaker 1>the other people? How is there anybody in your league

0:34:01.680 --> 0:34:04.000
<v Speaker 1>so to speak in terms of number, not quality of

0:34:04.040 --> 0:34:08.680
<v Speaker 1>co Yeah? Yeah, yeah, so um, there's um, my dear

0:34:08.719 --> 0:34:11.560
<v Speaker 1>friend Marty Schwartz, who has been on YouTube since Marty

0:34:11.640 --> 0:34:14.799
<v Speaker 1>started his first channel in two thousand eight. He has

0:34:14.800 --> 0:34:17.360
<v Speaker 1>a channel with two point eight million subscribers. He teaches

0:34:17.400 --> 0:34:19.600
<v Speaker 1>a lot of guitar. He teaches a guitar. It's a

0:34:19.600 --> 0:34:21.840
<v Speaker 1>lot of beginning guitar lessons and things like that. And

0:34:21.880 --> 0:34:25.479
<v Speaker 1>he'll teach all contemporary songs, famous songs he puts out.

0:34:26.040 --> 0:34:30.239
<v Speaker 1>Oh man, he probably has videos on his channel. He's

0:34:30.239 --> 0:34:35.960
<v Speaker 1>been been um, but he's been on YouTube for years. Um.

0:34:36.000 --> 0:34:38.839
<v Speaker 1>There's one of my dear friends, Paul David's who's got

0:34:39.160 --> 0:34:43.080
<v Speaker 1>over two million subscribers, who does guitar videos. He's based

0:34:43.080 --> 0:34:46.400
<v Speaker 1>in the Netherlands. Adam Neely has over a million subscribers.

0:34:46.440 --> 0:34:49.200
<v Speaker 1>Adams a dear friend of mine. We talk all the time.

0:34:49.200 --> 0:34:51.560
<v Speaker 1>He's got a million and half subscribers as a channel.

0:34:51.640 --> 0:34:53.960
<v Speaker 1>Music is when he's got a million and half subscribers.

0:34:53.960 --> 0:34:55.719
<v Speaker 1>And we're all good friends and we all talk all

0:34:55.760 --> 0:34:58.440
<v Speaker 1>the time. So you don't feel any competition. You don't

0:34:58.440 --> 0:35:01.440
<v Speaker 1>feel anybody honing it on your space. No, no, no, no,

0:35:01.480 --> 0:35:04.880
<v Speaker 1>not at all. We all help each other. It's great. Okay,

0:35:05.000 --> 0:35:08.319
<v Speaker 1>let's go back to the blink one video. So how

0:35:08.360 --> 0:35:12.600
<v Speaker 1>did you have all these multi tracks already, asked me that.

0:35:13.280 --> 0:35:18.120
<v Speaker 1>So UM. Back in the early two thousand's, I went

0:35:18.200 --> 0:35:21.080
<v Speaker 1>to a to a session. I won't say where it was,

0:35:21.160 --> 0:35:24.040
<v Speaker 1>but it was in a different state. It was actually

0:35:24.040 --> 0:35:28.520
<v Speaker 1>in Texas. UH major label called me up to rescue

0:35:28.520 --> 0:35:31.160
<v Speaker 1>a record that some other producer was working on that

0:35:31.200 --> 0:35:33.640
<v Speaker 1>I had written three songs on and they were going

0:35:33.680 --> 0:35:35.759
<v Speaker 1>to use my versions for the record, and they told

0:35:35.800 --> 0:35:37.160
<v Speaker 1>him to work on the rest of the songs. They

0:35:37.200 --> 0:35:38.839
<v Speaker 1>were just gonna use my tracks. But what he did

0:35:39.000 --> 0:35:42.480
<v Speaker 1>was he cut the drums to all the songs, including

0:35:42.560 --> 0:35:45.080
<v Speaker 1>my three songs. But he spent the entire budget trying

0:35:45.120 --> 0:35:49.960
<v Speaker 1>to trying to compete with my tracks and he's and

0:35:50.160 --> 0:35:52.399
<v Speaker 1>he never finished any of the songs. So the label said,

0:35:52.440 --> 0:35:56.120
<v Speaker 1>please go down and finish your three songs. We fired him.

0:35:56.280 --> 0:35:59.239
<v Speaker 1>Can you go do this? So I said, okay. So

0:35:59.280 --> 0:36:03.600
<v Speaker 1>I went down and I sat there and took my

0:36:03.719 --> 0:36:06.279
<v Speaker 1>tracks with me. I used the drums that this guy

0:36:06.320 --> 0:36:08.480
<v Speaker 1>had recorded, I imported them and put him in with

0:36:08.520 --> 0:36:13.920
<v Speaker 1>my my versions of the songs I had done and UM,

0:36:13.960 --> 0:36:16.399
<v Speaker 1>and there was an assistant engineer there that had all

0:36:16.440 --> 0:36:19.840
<v Speaker 1>these multi that was playing Nirvana UM two Smells like

0:36:19.880 --> 0:36:22.760
<v Speaker 1>teen spirit And I said, what is that? He says,

0:36:22.760 --> 0:36:24.640
<v Speaker 1>the multi track the smells like teen Spirits. So where

0:36:24.640 --> 0:36:27.160
<v Speaker 1>did you get that? That's amazing? He goes, I can't

0:36:27.160 --> 0:36:32.520
<v Speaker 1>tell you. And I said um. And I was like,

0:36:33.520 --> 0:36:36.439
<v Speaker 1>come on, yeh, I have to have this. And he said,

0:36:36.800 --> 0:36:38.279
<v Speaker 1>I said, do you have more of these? He goes, oh,

0:36:38.280 --> 0:36:42.399
<v Speaker 1>I have thousands of these? And I said I had

0:36:42.400 --> 0:36:46.560
<v Speaker 1>a kick drum sample and a snare sample, just two

0:36:46.640 --> 0:36:50.360
<v Speaker 1>samples that no one has from a famous mix engineer.

0:36:50.600 --> 0:36:54.640
<v Speaker 1>And he said, um, I will give you all these

0:36:54.719 --> 0:37:00.759
<v Speaker 1>multi tracks for um for these two samples is that

0:37:00.880 --> 0:37:05.919
<v Speaker 1>we can't um? So I gave him to him, um,

0:37:05.960 --> 0:37:08.040
<v Speaker 1>And he gave me these these things. But they sat

0:37:08.080 --> 0:37:10.240
<v Speaker 1>on a hard drive for years and years and years.

0:37:11.080 --> 0:37:14.560
<v Speaker 1>I never even listened to him. I listened to Vana

0:37:14.960 --> 0:37:18.400
<v Speaker 1>and then until that night that I played him the

0:37:18.440 --> 0:37:21.360
<v Speaker 1>day before Blank two, I was just going through drives

0:37:21.360 --> 0:37:24.839
<v Speaker 1>as I'm talking on the second channel, and I would

0:37:24.920 --> 0:37:27.040
<v Speaker 1>had this hard drive up where I found these multitors'

0:37:27.160 --> 0:37:29.239
<v Speaker 1>check this out, check that. Oh my god, has this

0:37:29.280 --> 0:37:33.719
<v Speaker 1>song too? Oh has this song? Okay? Now what do

0:37:33.800 --> 0:37:37.680
<v Speaker 1>you do for multi tracks on songs made subsequent to

0:37:37.760 --> 0:37:43.040
<v Speaker 1>that hard drive? Transaction. Um. A lot of the songs

0:37:43.080 --> 0:37:47.200
<v Speaker 1>I use in there, I'll get from the artists. For example,

0:37:47.840 --> 0:37:51.319
<v Speaker 1>my Seal video. I got the tracks for kissomer Rose

0:37:51.520 --> 0:37:59.879
<v Speaker 1>from Seal A little bit. So Seal and I are friend,

0:38:00.280 --> 0:38:04.440
<v Speaker 1>and I was. UM. I was talking to him on

0:38:04.480 --> 0:38:06.880
<v Speaker 1>the phone last week and I said, Seal, do you

0:38:06.920 --> 0:38:08.840
<v Speaker 1>have the tracks to Kiss from a Rose? He just no,

0:38:08.960 --> 0:38:11.920
<v Speaker 1>but I can get them from Trevor. I said, I

0:38:11.920 --> 0:38:13.799
<v Speaker 1>want to do what makes this sound great about it?

0:38:13.840 --> 0:38:15.279
<v Speaker 1>He's like, I'll call Trever and see if I can

0:38:15.280 --> 0:38:17.600
<v Speaker 1>get him. I'm sure he has him. So he calls

0:38:17.640 --> 0:38:18.920
<v Speaker 1>me the next day He's like, I got him. I

0:38:18.960 --> 0:38:21.360
<v Speaker 1>just emailed him to you. I said, okay, will you

0:38:21.400 --> 0:38:25.160
<v Speaker 1>be in the video? Said of course. Okay. Have you

0:38:25.400 --> 0:38:28.919
<v Speaker 1>done anything where you didn't have a personal relationship? We say, hmm,

0:38:28.960 --> 0:38:30.919
<v Speaker 1>I want to do something on this. Let me think

0:38:30.920 --> 0:38:37.160
<v Speaker 1>of how to contact that act um Um. Most of

0:38:37.160 --> 0:38:41.080
<v Speaker 1>the times when I've contacted people, they've they've been pretty

0:38:41.120 --> 0:38:43.279
<v Speaker 1>much anytime I contact people, they will they will give

0:38:43.320 --> 0:38:45.919
<v Speaker 1>me what if they have them, they'll give them to me. Well,

0:38:46.080 --> 0:38:48.960
<v Speaker 1>to what degree do you do that reach out as

0:38:49.000 --> 0:38:53.040
<v Speaker 1>opposed to having a prior relationship? Um, whenever there's a

0:38:53.080 --> 0:38:55.239
<v Speaker 1>song that I want to do, I reach out to

0:38:55.280 --> 0:38:57.360
<v Speaker 1>the artist or reach out to the manager or whatever,

0:38:57.440 --> 0:38:59.160
<v Speaker 1>or if I don't have the songs, and they'll they'll

0:38:59.200 --> 0:39:01.640
<v Speaker 1>typically send him to me. And at this point when

0:39:01.640 --> 0:39:04.160
<v Speaker 1>you reach out to most people know you. Were they

0:39:04.200 --> 0:39:07.920
<v Speaker 1>aware of you? Oh yeah, okay, let's go back to

0:39:07.920 --> 0:39:12.680
<v Speaker 1>the blink one video. So you release it. How many videos?

0:39:12.719 --> 0:39:18.040
<v Speaker 1>How many views does it get? Then? Probably? Um, that

0:39:18.080 --> 0:39:22.000
<v Speaker 1>one probably got a hundred thousand okay, pretty quickly, within

0:39:22.120 --> 0:39:25.080
<v Speaker 1>within three or four days. Okay, So how does that change?

0:39:25.080 --> 0:39:27.600
<v Speaker 1>You're thinking? Well, I did about five of these in

0:39:27.640 --> 0:39:31.520
<v Speaker 1>a row, um, because it was fun. People really like that.

0:39:31.640 --> 0:39:33.160
<v Speaker 1>I said, oh this is fun. So I did that.

0:39:33.320 --> 0:39:35.320
<v Speaker 1>Then I did every little thing she does his Magic.

0:39:35.360 --> 0:39:39.759
<v Speaker 1>Then I did Kids Charlemagne. Then I did um. I

0:39:39.760 --> 0:39:41.359
<v Speaker 1>can't remember what I did after that, but I did

0:39:41.440 --> 0:39:46.719
<v Speaker 1>three really varied ones and um, you know, people, where

0:39:46.719 --> 0:39:49.800
<v Speaker 1>did you get these things? You know? And and the

0:39:50.120 --> 0:39:52.840
<v Speaker 1>Kids Charlemagne? So I would I would break down the

0:39:52.840 --> 0:39:57.040
<v Speaker 1>track I did. Rosanna was one of the ones. Um,

0:39:57.120 --> 0:39:58.839
<v Speaker 1>I think a whole Lot of Love, which got taken

0:39:58.880 --> 0:40:02.439
<v Speaker 1>down by led Zeppelin then got put back up. Okay,

0:40:02.480 --> 0:40:04.360
<v Speaker 1>I gotta know why I got put back up. I

0:40:04.360 --> 0:40:07.520
<v Speaker 1>have no idea I did. I did ramblan, he got

0:40:07.520 --> 0:40:09.960
<v Speaker 1>taken down, he got immediately put back up. Well that

0:40:10.000 --> 0:40:12.120
<v Speaker 1>one I I did a I did a video a

0:40:12.200 --> 0:40:15.200
<v Speaker 1>rand But let's let's stop. That's all another topic. So

0:40:15.320 --> 0:40:18.200
<v Speaker 1>you're making you're making these multiple songs, you do like

0:40:18.280 --> 0:40:23.520
<v Speaker 1>five in a row. Then what um? And then I

0:40:23.600 --> 0:40:27.600
<v Speaker 1>kept making my other weird videos. Um and but I

0:40:27.600 --> 0:40:30.120
<v Speaker 1>would branch out. I mean I I would make a

0:40:30.200 --> 0:40:33.239
<v Speaker 1>video of the sound of two martial stacks together or

0:40:34.200 --> 0:40:39.080
<v Speaker 1>um uh what I mean? I made so many videos.

0:40:39.080 --> 0:40:41.440
<v Speaker 1>I did a video, you know, six months ago that

0:40:41.640 --> 0:40:44.880
<v Speaker 1>was I took the solo section to Stairway to Heaven,

0:40:45.400 --> 0:40:47.799
<v Speaker 1>and I did a I had my friend phil X

0:40:48.160 --> 0:40:52.160
<v Speaker 1>and Eric Johnson, famous guitar player play solos. But I

0:40:52.160 --> 0:40:55.120
<v Speaker 1>imitated what I thought Peter Frampton would have played. Phile

0:40:55.320 --> 0:40:59.080
<v Speaker 1>X did a solo what he what Eddie van Halen

0:40:59.120 --> 0:41:00.839
<v Speaker 1>would have played. It actually came out the day before

0:41:00.920 --> 0:41:03.799
<v Speaker 1>Eddie passed away. And then Eric Johnson. I called Eric

0:41:03.880 --> 0:41:05.279
<v Speaker 1>up and I said, Eric, you, I want you to

0:41:05.280 --> 0:41:07.200
<v Speaker 1>play in this. You're interested in playing in a video.

0:41:07.239 --> 0:41:09.200
<v Speaker 1>It's a remake of Stairwoid to Heaven. I remade the

0:41:09.239 --> 0:41:11.640
<v Speaker 1>solo section, but I want you to play what you

0:41:11.640 --> 0:41:14.200
<v Speaker 1>would play on Sterwoid to Heaven. He goes, You mean,

0:41:14.400 --> 0:41:16.719
<v Speaker 1>like what solo I would play? Said, yeah, pretend like

0:41:16.760 --> 0:41:20.000
<v Speaker 1>your sixteen Stairway to heavens out and you're playing over it.

0:41:20.080 --> 0:41:23.439
<v Speaker 1>You're but you're you, but you have to video. He's like, okay, cool,

0:41:24.120 --> 0:41:26.799
<v Speaker 1>and so that video has done incredibly well and he's

0:41:26.800 --> 0:41:29.719
<v Speaker 1>gonna do a million and a half views. But that's

0:41:30.239 --> 0:41:35.839
<v Speaker 1>I do these kind of interesting what if videos like that, Okay,

0:41:35.880 --> 0:41:38.919
<v Speaker 1>But my real question is when you do these more

0:41:39.080 --> 0:41:45.239
<v Speaker 1>mainstream videos and they have a spike in viewership, do

0:41:45.280 --> 0:41:49.239
<v Speaker 1>you then say, m I should do this because it

0:41:49.280 --> 0:41:55.680
<v Speaker 1>will enlarge my audience. Um. I do things because they're

0:41:55.680 --> 0:41:59.960
<v Speaker 1>fun to do. That's that's the Let's go back, because

0:42:00.040 --> 0:42:02.400
<v Speaker 1>scal it's four years later or whatever, three and a

0:42:02.440 --> 0:42:05.640
<v Speaker 1>half years later, and you're not You're not as successful

0:42:05.680 --> 0:42:08.359
<v Speaker 1>then as you are now. Okay, and now you've reached

0:42:08.400 --> 0:42:11.160
<v Speaker 1>a certain level on some level, you know you have

0:42:11.200 --> 0:42:13.960
<v Speaker 1>a great freedom as a result of your success. But

0:42:14.080 --> 0:42:19.239
<v Speaker 1>before then, what's going through your brain? Um? Well, since

0:42:19.280 --> 0:42:22.200
<v Speaker 1>I'm making so many videos, Bob I'm doing. I'm just

0:42:22.239 --> 0:42:25.359
<v Speaker 1>going from topic to topic whatever I think of during

0:42:25.400 --> 0:42:27.959
<v Speaker 1>the day, because I have no videos saved up ever.

0:42:28.840 --> 0:42:30.800
<v Speaker 1>I mean, I was gonna put out a video today,

0:42:30.800 --> 0:42:33.920
<v Speaker 1>but I have four different topics and I couldn't decide

0:42:33.960 --> 0:42:37.279
<v Speaker 1>what to do, so I didn't do anything. Okay, when

0:42:37.280 --> 0:42:41.440
<v Speaker 1>do you come up with your top twenties or top tens? Okay,

0:42:41.480 --> 0:42:44.400
<v Speaker 1>so my countdown videos, as I call those, I started

0:42:44.400 --> 0:42:48.920
<v Speaker 1>doing UM in the summer of twenty nineteen. I had

0:42:48.920 --> 0:42:52.120
<v Speaker 1>a friend of mine. UM, my friend, Marty Schwartz, had

0:42:52.160 --> 0:42:55.279
<v Speaker 1>told me that six months before. He's like, Rick, why

0:42:55.280 --> 0:42:57.120
<v Speaker 1>aren't you doing four K videos? I said, what do

0:42:57.200 --> 0:42:59.239
<v Speaker 1>you mean? I said, I do. I'm doing ten a

0:42:59.320 --> 0:43:02.520
<v Speaker 1>DP because well, YouTube can you can make four K videos?

0:43:02.560 --> 0:43:05.759
<v Speaker 1>And I think that they they actually want you to

0:43:05.920 --> 0:43:08.879
<v Speaker 1>make four K videos, like they'll actually push your videos harder.

0:43:08.880 --> 0:43:11.480
<v Speaker 1>I said, really, I said, well, I don't even have

0:43:11.520 --> 0:43:14.520
<v Speaker 1>a camera that can make four K, and so, um,

0:43:14.719 --> 0:43:16.840
<v Speaker 1>six months later I got a camera that did four K,

0:43:17.040 --> 0:43:19.600
<v Speaker 1>and so my first four K video was my Top

0:43:19.640 --> 0:43:23.520
<v Speaker 1>twenty acoustic intros and that's my biggest video ever. Now.

0:43:23.680 --> 0:43:27.279
<v Speaker 1>I don't know if that's random or what, but that's

0:43:27.320 --> 0:43:31.240
<v Speaker 1>like YouTube, Hey, make more like this, you know. Okay,

0:43:31.280 --> 0:43:36.200
<v Speaker 1>how many views does that have today? That's thirteen million? Okay,

0:43:36.280 --> 0:43:40.200
<v Speaker 1>So on a video like that, because you're using other songs,

0:43:40.239 --> 0:43:44.080
<v Speaker 1>you don't make a dime, correct, Okay, well that video,

0:43:44.320 --> 0:43:46.520
<v Speaker 1>that video, I make a little bit of money because,

0:43:46.760 --> 0:43:51.120
<v Speaker 1>um because not every song because I'm covering the songs,

0:43:51.160 --> 0:43:55.240
<v Speaker 1>so not every song is is uh not everything is demonetized,

0:43:55.280 --> 0:43:57.799
<v Speaker 1>but pretty much all the rest of my top twenty

0:43:58.040 --> 0:44:00.680
<v Speaker 1>videos are demonetized. Mean I don't make anything on any

0:44:01.000 --> 0:44:14.360
<v Speaker 1>of them. What is your most successful video financially? Um

0:44:14.440 --> 0:44:19.880
<v Speaker 1>m hmm, I'm not sure. Well how much money was

0:44:19.920 --> 0:44:32.120
<v Speaker 1>the most you ever made from a video? One video? Um? Probably,

0:44:32.160 --> 0:44:35.160
<v Speaker 1>I don't know, eight thousand bucks something like that. Okay,

0:44:35.680 --> 0:44:38.799
<v Speaker 1>so if you watch your channel, that's over the course

0:44:38.840 --> 0:44:42.239
<v Speaker 1>of years. Though you know, I understand that you watch

0:44:42.239 --> 0:44:46.239
<v Speaker 1>your channel. You say, Hey, this is really about not

0:44:46.320 --> 0:44:48.160
<v Speaker 1>about money making the videos, but if you want to

0:44:48.200 --> 0:44:52.640
<v Speaker 1>support me by by my books. When you started, have

0:44:52.719 --> 0:44:57.960
<v Speaker 1>you written books only created and created merch subsequent to

0:44:58.000 --> 0:45:01.160
<v Speaker 1>the channel? No, so my book I only have one book.

0:45:01.280 --> 0:45:03.640
<v Speaker 1>I only really sell two things. I have a book

0:45:03.640 --> 0:45:05.759
<v Speaker 1>that I wrote when I was a college professor called

0:45:05.800 --> 0:45:09.960
<v Speaker 1>the Beatto Book back in it was a music theory

0:45:10.040 --> 0:45:14.720
<v Speaker 1>and improvisation textbook and it's five pages long. And um,

0:45:14.760 --> 0:45:17.360
<v Speaker 1>I used to use that with my students for years

0:45:17.960 --> 0:45:21.799
<v Speaker 1>when I was a college professor. So I that's what

0:45:21.880 --> 0:45:23.960
<v Speaker 1>I sold. Starting at the beginning of my channel to

0:45:24.080 --> 0:45:26.680
<v Speaker 1>go along with the videos, I have these advanced theory

0:45:26.800 --> 0:45:30.400
<v Speaker 1>videos and for people that want to learn more about

0:45:30.440 --> 0:45:33.920
<v Speaker 1>these topics, you can only cover so much in uh,

0:45:34.120 --> 0:45:37.520
<v Speaker 1>you know, in a minute video. Um, there's a lot

0:45:37.520 --> 0:45:40.560
<v Speaker 1>of stuff you have to actually, you know, it's helpful

0:45:40.600 --> 0:45:42.960
<v Speaker 1>to have a book to to follow along with. So

0:45:43.080 --> 0:45:44.799
<v Speaker 1>I sell my book and then I have an ear

0:45:44.800 --> 0:45:47.200
<v Speaker 1>training course that I developed since I started my channel.

0:45:48.160 --> 0:45:50.880
<v Speaker 1>And I said, how many copies have you sold of

0:45:50.960 --> 0:45:55.800
<v Speaker 1>these items? Um, I'm not sure how many copies I sold.

0:45:55.800 --> 0:46:00.600
<v Speaker 1>When I first started selling them, I um, um, people

0:46:00.600 --> 0:46:02.560
<v Speaker 1>would just email me and I would just send him.

0:46:02.600 --> 0:46:06.440
<v Speaker 1>I didn't even have an automate automated not for I

0:46:06.440 --> 0:46:10.440
<v Speaker 1>didn't even have a store bob for um. Probably a

0:46:10.560 --> 0:46:13.200
<v Speaker 1>year into my channel. As a matter of fact, I

0:46:13.200 --> 0:46:15.560
<v Speaker 1>at rick Byatto dot com, which is where my story is.

0:46:15.640 --> 0:46:19.719
<v Speaker 1>I hadn't even logged into in four years. So um,

0:46:19.880 --> 0:46:23.920
<v Speaker 1>I got an an intern I got a guy, Aaron

0:46:24.160 --> 0:46:29.960
<v Speaker 1>who's um uh was did an internship from Berkeley. He

0:46:30.040 --> 0:46:31.560
<v Speaker 1>called me up he wanted to come down to his

0:46:31.600 --> 0:46:34.319
<v Speaker 1>internship here. He's a recording engineer major. And he came down.

0:46:34.440 --> 0:46:39.319
<v Speaker 1>The first stass, you don't even have a website. And

0:46:39.360 --> 0:46:41.799
<v Speaker 1>this is like I had at the time, seventy five

0:46:41.880 --> 0:46:44.239
<v Speaker 1>thousand subscribers on my channel. I said, I said, what

0:46:44.280 --> 0:46:45.839
<v Speaker 1>do you mean? He says, you rick Byatta dot com.

0:46:45.880 --> 0:46:47.799
<v Speaker 1>When's the last time you went there? I said, oh,

0:46:48.120 --> 0:46:50.880
<v Speaker 1>probably four years ago. He goes, yeah, it looks like

0:46:50.960 --> 0:46:55.600
<v Speaker 1>it's hasn't been updated in years. I said, okay. He goes,

0:46:55.640 --> 0:46:58.160
<v Speaker 1>you you probably get thousands of people there every day.

0:46:58.680 --> 0:47:01.839
<v Speaker 1>I said, what said I get? You're getting you know,

0:47:02.680 --> 0:47:05.680
<v Speaker 1>videos with a hundred thousand views. People are going to

0:47:05.719 --> 0:47:08.279
<v Speaker 1>ricky otto dot com. Well, how are you selling your book?

0:47:08.360 --> 0:47:10.120
<v Speaker 1>And I said, well, people just email me and I

0:47:10.440 --> 0:47:13.920
<v Speaker 1>they bay me on PayPal and I send it to him.

0:47:13.960 --> 0:47:20.000
<v Speaker 1>So he built my store and remade my my um

0:47:20.080 --> 0:47:23.040
<v Speaker 1>my website, my rick Byatta dot com and um so

0:47:23.280 --> 0:47:25.719
<v Speaker 1>I sell so as far as how many books I've sold,

0:47:25.760 --> 0:47:29.200
<v Speaker 1>I don't know how many books I've sold Um, Aaron

0:47:29.320 --> 0:47:32.120
<v Speaker 1>actually still works with me and he handles all the

0:47:32.160 --> 0:47:36.239
<v Speaker 1>stuff through my store. And um, he actually did all

0:47:36.239 --> 0:47:41.000
<v Speaker 1>the created my the your training course we did together. Okay,

0:47:41.040 --> 0:47:42.720
<v Speaker 1>let me ask you this. When you have a video

0:47:42.760 --> 0:47:44.640
<v Speaker 1>and you say go to my store and by the book,

0:47:45.080 --> 0:47:51.359
<v Speaker 1>how many books do you sell now off video? I'm

0:47:51.400 --> 0:47:59.120
<v Speaker 1>not sure that I could. Um. Um, it really all depends.

0:47:58.920 --> 0:48:04.520
<v Speaker 1>It's uh. Um, I can't most of the stuff that

0:48:04.560 --> 0:48:06.880
<v Speaker 1>I sell or from my live streams when I do sales,

0:48:08.080 --> 0:48:14.120
<v Speaker 1>so um, I don't really keep track of what of

0:48:14.160 --> 0:48:17.320
<v Speaker 1>how many books I sell or anything like that. I

0:48:17.320 --> 0:48:22.080
<v Speaker 1>I make enough money to keep making videos and um

0:48:22.160 --> 0:48:25.520
<v Speaker 1>uh and and do this full time. And like I said,

0:48:25.520 --> 0:48:27.960
<v Speaker 1>I have one assistant, so I have enough to pay

0:48:27.960 --> 0:48:30.719
<v Speaker 1>my assistant and and uh and keep doing this at

0:48:30.800 --> 0:48:34.480
<v Speaker 1>least until I I can't do it anymore. Okay, a

0:48:34.520 --> 0:48:38.919
<v Speaker 1>couple of questions. One, Okay, if you watch the videos,

0:48:39.640 --> 0:48:42.920
<v Speaker 1>it really talks about selling the book. So the income

0:48:43.000 --> 0:48:49.759
<v Speaker 1>from the books is it's significant or insignificant? Um? I

0:48:49.840 --> 0:48:53.040
<v Speaker 1>make enough, like I said, to support my family. My

0:48:53.040 --> 0:48:55.640
<v Speaker 1>my wife works a full time job. I make enough,

0:48:55.680 --> 0:48:59.120
<v Speaker 1>to you know, to keep the change the channel in

0:48:59.160 --> 0:49:04.040
<v Speaker 1>the p number the merch. Okay, that is your main

0:49:04.080 --> 0:49:08.399
<v Speaker 1>income at this point, and that's support your family. Yeah,

0:49:08.560 --> 0:49:11.239
<v Speaker 1>A couple of couple of questions. There's some other merch

0:49:11.400 --> 0:49:15.759
<v Speaker 1>on your site, coffee cups, etcetera. Is that a significant

0:49:15.800 --> 0:49:21.880
<v Speaker 1>businesses that sell? Not? Not really? Okay? Now, prior to

0:49:22.840 --> 0:49:28.200
<v Speaker 1>doing the YouTube channel, what was filling your days? Um?

0:49:28.600 --> 0:49:35.400
<v Speaker 1>Producing artists? That's all I did for you know, full time? Okay,

0:49:35.400 --> 0:49:37.319
<v Speaker 1>do you do that? Do you do that now? No?

0:49:37.560 --> 0:49:40.640
<v Speaker 1>I don't. I don't How long ago did you give

0:49:40.680 --> 0:49:45.759
<v Speaker 1>that up? Like about a year into my channel, I

0:49:45.840 --> 0:49:49.319
<v Speaker 1>just couldn't. I couldn't make the videos and keep doing

0:49:49.320 --> 0:49:50.880
<v Speaker 1>it. It It was just too much. I was on the

0:49:50.920 --> 0:49:54.680
<v Speaker 1>school board at my kids school. I was um, it

0:49:54.760 --> 0:49:59.839
<v Speaker 1>was just uh um, it was just too difficult to do.

0:50:00.080 --> 0:50:03.880
<v Speaker 1>And frankly, I you know, there were there were no

0:50:03.960 --> 0:50:07.359
<v Speaker 1>budgets for anything anymore. Nobody got record deals and um

0:50:07.880 --> 0:50:15.760
<v Speaker 1>and um, and I just got to the point where, um,

0:50:15.800 --> 0:50:19.319
<v Speaker 1>I just had been, honestly, Bob sick of producing. You know,

0:50:19.360 --> 0:50:22.560
<v Speaker 1>you can only make so many records of other people.

0:50:23.080 --> 0:50:26.480
<v Speaker 1>I believe me, I understand. Uh. If you're making twelve

0:50:26.560 --> 0:50:29.360
<v Speaker 1>videos a month now, yeah, how much time does it

0:50:29.400 --> 0:50:33.200
<v Speaker 1>take to make those twelve videos. It depends, like what

0:50:33.320 --> 0:50:35.920
<v Speaker 1>makes the sound great. Videos take a long time. They

0:50:36.000 --> 0:50:40.480
<v Speaker 1>usually take about twelve hours to make altogether. The more

0:50:40.520 --> 0:50:43.920
<v Speaker 1>complex the song, the longer it takes. Some songs are

0:50:44.000 --> 0:50:46.799
<v Speaker 1>very easy. Kid Charlemagne was not an easy one because

0:50:46.800 --> 0:50:50.319
<v Speaker 1>I notated that Bernard Purty strump part. I notated the

0:50:50.360 --> 0:50:54.880
<v Speaker 1>baseline I played Larry Carlton's guitar solo. I uh, I

0:50:54.960 --> 0:50:58.680
<v Speaker 1>notated the keyboard part. I forget who plays keyboard keyboards

0:50:58.680 --> 0:51:02.960
<v Speaker 1>on it? Um. And so those videos take longer because

0:51:03.000 --> 0:51:05.120
<v Speaker 1>the transcription takes time to do and you have to

0:51:05.120 --> 0:51:09.319
<v Speaker 1>include it in the video. UM. Some of them are

0:51:09.440 --> 0:51:12.280
<v Speaker 1>very easy. Blink one eight two is very easy because

0:51:12.280 --> 0:51:16.640
<v Speaker 1>it's only four chords or three chords. Okay, is it

0:51:16.760 --> 0:51:19.480
<v Speaker 1>harder when it's a song you're unfamiliar with, because there

0:51:19.520 --> 0:51:21.279
<v Speaker 1>are certainly videos where you watch you to listen to

0:51:21.280 --> 0:51:23.840
<v Speaker 1>the song and you start to play. Or is this

0:51:23.840 --> 0:51:25.719
<v Speaker 1>stuff you're so experienced you can just do it on

0:51:25.760 --> 0:51:30.120
<v Speaker 1>the fly. I can pretty much do it on the fly. Okay,

0:51:30.160 --> 0:51:32.440
<v Speaker 1>When do you decide to do a live video? And

0:51:32.480 --> 0:51:35.680
<v Speaker 1>why I do a live video once a week because

0:51:35.719 --> 0:51:40.160
<v Speaker 1>I've always done it because it's the only place, uh,

0:51:40.280 --> 0:51:43.920
<v Speaker 1>YouTube is the only um or when you live stream,

0:51:43.960 --> 0:51:46.320
<v Speaker 1>it's the only way you can actually communicate with people

0:51:46.400 --> 0:51:49.000
<v Speaker 1>that watch your channel. And it's really if you think

0:51:49.040 --> 0:51:52.160
<v Speaker 1>about it, it's like it's like TV that's interactive and

0:51:52.200 --> 0:51:55.480
<v Speaker 1>there's nothing else like that. You can't talk to somebody

0:51:55.520 --> 0:51:57.799
<v Speaker 1>on a talk show at the same time, you know,

0:51:57.840 --> 0:52:02.319
<v Speaker 1>if if you're watching whoever it is you're watching, you

0:52:02.360 --> 0:52:05.680
<v Speaker 1>can't ask a question and have it answered right there.

0:52:05.880 --> 0:52:08.120
<v Speaker 1>That's the beauty of YouTube. I mean, YouTube is a

0:52:08.120 --> 0:52:10.200
<v Speaker 1>place where people go to learn stuff and there's a

0:52:11.239 --> 0:52:16.480
<v Speaker 1>there's an incredible community out there um that UM that

0:52:16.800 --> 0:52:19.440
<v Speaker 1>people that follow my channel, people to follow other channels,

0:52:19.520 --> 0:52:22.080
<v Speaker 1>and people that are just enthusiastic about music in general

0:52:22.160 --> 0:52:25.160
<v Speaker 1>and follow a bunch of music channels. Okay, so when

0:52:25.160 --> 0:52:27.440
<v Speaker 1>you have a live stream, if you watch it on

0:52:27.480 --> 0:52:31.160
<v Speaker 1>YouTube occasually, you know it's going real fast. So if

0:52:31.160 --> 0:52:34.000
<v Speaker 1>it's in real time, how you know, how do you

0:52:34.160 --> 0:52:38.239
<v Speaker 1>discern you know what you should address? Well, you do, UM.

0:52:38.320 --> 0:52:40.960
<v Speaker 1>You put it in slow mode, which means that people

0:52:41.000 --> 0:52:43.600
<v Speaker 1>can only ask a question every thirty seconds or so

0:52:44.400 --> 0:52:47.120
<v Speaker 1>any one person, but it still goes really fast. I

0:52:47.120 --> 0:52:49.600
<v Speaker 1>mean I've had live streams with twenty people on it,

0:52:50.280 --> 0:52:55.080
<v Speaker 1>but um uh and those, it's it's just about impossible.

0:52:55.640 --> 0:52:57.879
<v Speaker 1>You know, people do super chat even but those even

0:52:58.160 --> 0:53:00.719
<v Speaker 1>you know where where will be highlighted. Those moves so

0:53:00.840 --> 0:53:04.560
<v Speaker 1>fast it's hard to even see those. So my assistant

0:53:04.560 --> 0:53:06.960
<v Speaker 1>Billy will usually be sitting about ten feet away and

0:53:07.040 --> 0:53:10.080
<v Speaker 1>he'll be of hole come up with questions that he

0:53:10.120 --> 0:53:14.080
<v Speaker 1>sees as it's going along. Okay, let's go into the

0:53:14.160 --> 0:53:19.040
<v Speaker 1>whole issue of demonetizing, etcetera. Because you've made whole videos

0:53:19.080 --> 0:53:30.600
<v Speaker 1>on that topic, so expand on that. So the right

0:53:31.120 --> 0:53:35.640
<v Speaker 1>um early on, I did a video very early on

0:53:35.800 --> 0:53:38.120
<v Speaker 1>where the sound was removed from it, and I was like,

0:53:38.160 --> 0:53:42.040
<v Speaker 1>what what is this? And it was a story that's

0:53:42.040 --> 0:53:45.000
<v Speaker 1>told about a famous saxophonist, Michael Brecker, who passed away

0:53:45.000 --> 0:53:47.560
<v Speaker 1>in two thousand nine, And I was talking about a

0:53:47.640 --> 0:53:50.480
<v Speaker 1>record that's one of my favorite records. It's a Klaus

0:53:50.480 --> 0:53:53.600
<v Speaker 1>Ogreman record. Claus Ogerman was a famous jazz arranger. He

0:53:53.640 --> 0:53:56.839
<v Speaker 1>passed away about three years ago, was eighty six. They

0:53:56.880 --> 0:54:00.879
<v Speaker 1>did a record called um Uh City Escape that came

0:54:00.880 --> 0:54:05.160
<v Speaker 1>out three I believe, and the first I told the

0:54:05.200 --> 0:54:09.200
<v Speaker 1>story of meeting Michael Brecker at Avatar in New York

0:54:09.280 --> 0:54:11.800
<v Speaker 1>City in two thousand nine. I did this whole send

0:54:11.880 --> 0:54:13.799
<v Speaker 1>up and then I played the first two minutes of

0:54:13.840 --> 0:54:17.759
<v Speaker 1>this piece title track, which is one of the most

0:54:17.760 --> 0:54:20.920
<v Speaker 1>beautiful things I've ever heard. It's just saxophone and string orchestra.

0:54:20.960 --> 0:54:24.480
<v Speaker 1>It's absolutely beautiful. I put out the video and people

0:54:24.640 --> 0:54:26.920
<v Speaker 1>I started reading the comments. What happened to the sounds?

0:54:26.920 --> 0:54:28.200
<v Speaker 1>So I go to the video, I watch it and

0:54:28.239 --> 0:54:32.000
<v Speaker 1>there's no sound. It's just me sitting there listening to it.

0:54:33.040 --> 0:54:36.160
<v Speaker 1>No sound. That's like, what's going on? I checked my email.

0:54:36.800 --> 0:54:39.439
<v Speaker 1>The sound has been blocked. It's like, what is that?

0:54:40.320 --> 0:54:43.120
<v Speaker 1>It detected this this thing? And then I then um

0:54:43.200 --> 0:54:46.920
<v Speaker 1>and I got a content I declaim also. So it

0:54:47.000 --> 0:54:49.759
<v Speaker 1>was back then they didn't take the videos down. They

0:54:49.760 --> 0:54:56.480
<v Speaker 1>would just mute the audio, and so I became started

0:54:56.480 --> 0:54:58.440
<v Speaker 1>to become aware of things like that, and then I

0:54:58.520 --> 0:55:01.040
<v Speaker 1>started getting content. I d alims. If I'd play just

0:55:01.080 --> 0:55:04.560
<v Speaker 1>a snippet of something, um, I would get a content

0:55:04.600 --> 0:55:06.719
<v Speaker 1>I declaim and I looked it up and it says

0:55:06.760 --> 0:55:09.720
<v Speaker 1>that they take the money from the video. It says

0:55:09.719 --> 0:55:14.680
<v Speaker 1>ineligible for monetization. So um, so then I had to

0:55:14.680 --> 0:55:19.000
<v Speaker 1>make a decision whether I was gonna make videos that

0:55:19.080 --> 0:55:22.080
<v Speaker 1>I wanted to make or videos that we're going to

0:55:22.200 --> 0:55:24.120
<v Speaker 1>make money for the channel, And I said, I want

0:55:24.160 --> 0:55:27.520
<v Speaker 1>to make videos that I want to make, because there's

0:55:27.560 --> 0:55:29.000
<v Speaker 1>no point in doing this if you're not going to

0:55:29.080 --> 0:55:33.000
<v Speaker 1>do that. You can't teach people about music by playing

0:55:33.040 --> 0:55:37.640
<v Speaker 1>your own examples. People learn from listening to the masters

0:55:39.120 --> 0:55:41.960
<v Speaker 1>to whoever it is. You know, if it's led Zeppelin

0:55:42.080 --> 0:55:47.440
<v Speaker 1>or if it's uh Bach, whoever it is, Beethoven, you

0:55:47.440 --> 0:55:52.000
<v Speaker 1>know that, and and anything that you play. Now, now

0:55:52.360 --> 0:55:54.040
<v Speaker 1>a lot of people tell me I should claim fair

0:55:54.120 --> 0:55:56.319
<v Speaker 1>use for these things. I mean, I get demonetized for

0:55:57.280 --> 0:55:59.920
<v Speaker 1>I did this video about this pianist Martha Rgret. She

0:56:00.040 --> 0:56:03.320
<v Speaker 1>just turned eighty years old, and I played, um, I

0:56:03.680 --> 0:56:08.360
<v Speaker 1>had her playing bach Bach Partita in there, and and

0:56:08.360 --> 0:56:13.080
<v Speaker 1>the video got demonetized by that, and um yeah, so

0:56:13.160 --> 0:56:14.840
<v Speaker 1>I just ignore it. I mean, it's like, yeah, okay,

0:56:14.960 --> 0:56:17.040
<v Speaker 1>I wanted to make the video about Martha Archridge. I

0:56:17.120 --> 0:56:19.239
<v Speaker 1>love Martha ar Gridge. I want people to know about her,

0:56:19.960 --> 0:56:21.880
<v Speaker 1>and that's the you know, I don't care if it

0:56:21.920 --> 0:56:26.840
<v Speaker 1>gets demonetized. But I have made videos about video about

0:56:27.000 --> 0:56:31.160
<v Speaker 1>having videos blocked. That to me is ridiculous when when

0:56:31.200 --> 0:56:35.239
<v Speaker 1>they actually do takedowns of videos. Um, it's one thing,

0:56:35.280 --> 0:56:39.200
<v Speaker 1>it's if take all the money, just leave the video

0:56:39.320 --> 0:56:43.520
<v Speaker 1>up like you know, if so. And in my What

0:56:43.600 --> 0:56:45.760
<v Speaker 1>makes Us Sound Great Series A hundred and five videos,

0:56:45.760 --> 0:56:50.040
<v Speaker 1>there's one blocked video. That's it, just one, and it's

0:56:50.239 --> 0:56:53.920
<v Speaker 1>Lindsey Buckingham blocked Go your Own Way. It's episode twelve.

0:56:54.560 --> 0:56:57.279
<v Speaker 1>It's the only video that's not been reinstated. I've had

0:56:57.400 --> 0:57:02.719
<v Speaker 1>many blocked, but they all it reinstated. Why do they

0:57:02.760 --> 0:57:05.960
<v Speaker 1>get reinstated? I have no idea. Okay, you're just sitting

0:57:05.960 --> 0:57:11.720
<v Speaker 1>at home. It's blocked four days later reappears. No, It's like, okay,

0:57:11.760 --> 0:57:15.080
<v Speaker 1>so I did, I did ramblean. I spent twelve hours

0:57:15.160 --> 0:57:17.960
<v Speaker 1>during the video, spent all this time recreating the guitar songs,

0:57:18.000 --> 0:57:20.560
<v Speaker 1>talking about everything. You know, I put up. The video

0:57:21.160 --> 0:57:26.360
<v Speaker 1>blocked immediately, so I can't believe it. And then I

0:57:26.400 --> 0:57:30.960
<v Speaker 1>went on and I did a rant about how, um,

0:57:31.040 --> 0:57:37.200
<v Speaker 1>the irrelevance of of uh the something about the error

0:57:37.240 --> 0:57:40.040
<v Speaker 1>we're talking about the era of perfect the irrelevance of

0:57:40.160 --> 0:57:43.960
<v Speaker 1>classic of you know, rock in the era of perfect

0:57:44.000 --> 0:57:48.360
<v Speaker 1>music or something like that, In the era of of

0:57:48.360 --> 0:57:54.760
<v Speaker 1>of time correction, pitch correction, auto tune. Uh. I'm trying

0:57:54.760 --> 0:57:59.720
<v Speaker 1>to show people this masterpiece Ramblan and it gets blocked

0:57:59.800 --> 0:58:08.880
<v Speaker 1>by this band that released it in you know. Yeah,

0:58:09.000 --> 0:58:13.680
<v Speaker 1>so that makes no sense, Like do these bands artists

0:58:13.680 --> 0:58:15.520
<v Speaker 1>want to be relevant? So I've made this I did

0:58:15.520 --> 0:58:18.960
<v Speaker 1>this rant video that and then that video got half

0:58:18.960 --> 0:58:23.080
<v Speaker 1>a million views in one day and I posted it

0:58:23.080 --> 0:58:25.360
<v Speaker 1>on Twitter and then the next day, all of a sudden,

0:58:25.360 --> 0:58:30.200
<v Speaker 1>the videos unblocked. It just uh and it's ineligible for

0:58:30.200 --> 0:58:34.480
<v Speaker 1>for it's it's just becomes a demonetized video. They're monetizing,

0:58:34.720 --> 0:58:37.200
<v Speaker 1>but you're not making it correct. Yeah, and I have

0:58:37.280 --> 0:58:40.640
<v Speaker 1>no problem with that, Okay, to a great degree. Is

0:58:40.680 --> 0:58:44.000
<v Speaker 1>that that one company in Germany that's doing it? No? No, no,

0:58:44.240 --> 0:58:50.440
<v Speaker 1>all the companies do it. Okay, So have you ever rented?

0:58:51.200 --> 0:58:58.360
<v Speaker 1>And they still took it down? Only only Fleetwood Mac.

0:58:58.840 --> 0:59:02.400
<v Speaker 1>Only Lindsey Buckham. And and he's not he's the blocker

0:59:02.560 --> 0:59:07.960
<v Speaker 1>in Fleetwood Mac. Actually Stevie Nicks. She had um what

0:59:08.120 --> 0:59:10.600
<v Speaker 1>was the song dreams that became a you know, was

0:59:10.640 --> 0:59:14.080
<v Speaker 1>a viral hit a few months ago, guy playing playing

0:59:14.080 --> 0:59:18.480
<v Speaker 1>it on TikTok writing a skateboard. She doesn't block and

0:59:18.560 --> 0:59:23.280
<v Speaker 1>that became a viral hit. So even in the same band, Uh,

0:59:23.320 --> 0:59:26.040
<v Speaker 1>you have different because the artists are the one or

0:59:26.040 --> 0:59:28.640
<v Speaker 1>their publisher or the people the sound recording. I mean

0:59:28.680 --> 0:59:32.000
<v Speaker 1>that I don't think the labels care and the artist

0:59:32.000 --> 0:59:34.680
<v Speaker 1>shouldn't care. They're making money. I mean guys like Don Henley.

0:59:34.840 --> 0:59:37.760
<v Speaker 1>Don Henley claims that he there's sixty people working on

0:59:37.840 --> 0:59:42.320
<v Speaker 1>copyright claims. Now that's laughable, Bob. There's not sixty people

0:59:42.320 --> 0:59:46.200
<v Speaker 1>working on copyright claims. There's probably one person. It doesn't

0:59:46.200 --> 0:59:50.720
<v Speaker 1>take sixty people. The YouTube algorithm gets all these things,

0:59:50.760 --> 0:59:54.080
<v Speaker 1>It finds it instantly. They're not sixty people. They may

0:59:54.120 --> 0:59:56.400
<v Speaker 1>be telling him they're sixty people, but there's no way

0:59:56.440 --> 1:00:00.840
<v Speaker 1>there's sixty people working at some label taking doing takedowns

1:00:00.880 --> 1:00:10.880
<v Speaker 1>of Eagle songs. That's absurd. Okay, tell the Joni Mitchell store,

1:00:11.760 --> 1:00:17.720
<v Speaker 1>m um. I love Joni Mitchell. I'm a massively big

1:00:17.760 --> 1:00:20.880
<v Speaker 1>fan and I've wanted to do a video of hers

1:00:22.480 --> 1:00:24.960
<v Speaker 1>um forever and I always say that it took me

1:00:25.520 --> 1:00:28.720
<v Speaker 1>ninety one episodes because I cry every time I listen

1:00:28.760 --> 1:00:31.439
<v Speaker 1>to Joni Mitchell. I love you know, I love all

1:00:31.480 --> 1:00:35.840
<v Speaker 1>of her music. You know the Blue Album, Hissing of Summer,

1:00:35.920 --> 1:00:40.240
<v Speaker 1>Lawn's Court and spark He's Era. These records are you know,

1:00:40.360 --> 1:00:44.520
<v Speaker 1>Shadows and Light. They're just absolutely brilliant mingus all these records,

1:00:44.560 --> 1:00:47.920
<v Speaker 1>so different, so creative. So I was like, Okay, I

1:00:47.920 --> 1:00:51.240
<v Speaker 1>gotta pick a Jonnie Mitchell signed to do. So I

1:00:51.360 --> 1:00:54.800
<v Speaker 1>was like, I'm gonna do Amelia. I don't have the

1:00:54.840 --> 1:00:56.560
<v Speaker 1>tracks to it, so I just did a breakdown of

1:00:56.600 --> 1:00:59.680
<v Speaker 1>the song from I mean, I know these songs inside

1:00:59.680 --> 1:01:02.040
<v Speaker 1>and out from all those things. Because not only is

1:01:02.120 --> 1:01:05.680
<v Speaker 1>Joanie one of my favorite singers and lyricists her, the

1:01:05.760 --> 1:01:08.080
<v Speaker 1>people that she had playing with her are all my

1:01:09.080 --> 1:01:14.720
<v Speaker 1>Larry Carlton, Robin Ford, Tom Scott, Wayne Shorter, Herbie Hancock,

1:01:15.120 --> 1:01:17.840
<v Speaker 1>you know the Joco Pastoria. She had all the best

1:01:17.840 --> 1:01:23.400
<v Speaker 1>players Pat Matheny that played in her groups and um,

1:01:23.440 --> 1:01:27.320
<v Speaker 1>so I decided on Amelia. But then at the beginning

1:01:27.360 --> 1:01:28.720
<v Speaker 1>of the video, I said, well, for those of you

1:01:28.800 --> 1:01:30.960
<v Speaker 1>that don't know Joni Mitchell, and I don't know how,

1:01:31.240 --> 1:01:33.120
<v Speaker 1>I'm sure there's people out there that say, who's Joni

1:01:33.200 --> 1:01:36.240
<v Speaker 1>Mitchell here, I'm gonna play some other songs of hers.

1:01:36.320 --> 1:01:40.200
<v Speaker 1>So I played, um, both sides now clip of that, Uh,

1:01:40.920 --> 1:01:43.480
<v Speaker 1>help me. I played, Um, I forget what I played.

1:01:43.560 --> 1:01:45.320
<v Speaker 1>I played clips of a bunch of a bunch of

1:01:45.360 --> 1:01:48.440
<v Speaker 1>her songs, the River and h. Then I did the

1:01:48.440 --> 1:01:52.480
<v Speaker 1>breakdown on that, and her assistant reached out to me

1:01:52.520 --> 1:01:55.680
<v Speaker 1>about a month after and said that Joni watched my video.

1:01:56.520 --> 1:01:59.520
<v Speaker 1>Wait wait wait, wait, wasn't it taken down at first? No?

1:01:59.600 --> 1:02:04.160
<v Speaker 1>It got eight down later, Bob, okay, keep going. Okay,

1:02:04.400 --> 1:02:08.680
<v Speaker 1>So Joanie's assistant reached out to me and UM and

1:02:09.080 --> 1:02:13.240
<v Speaker 1>said that Joanie watched the video and loved it, and

1:02:13.280 --> 1:02:17.000
<v Speaker 1>then she watched more and more videos and she and

1:02:17.200 --> 1:02:21.720
<v Speaker 1>Joanie is not one to, you know, uh, to be

1:02:21.840 --> 1:02:25.520
<v Speaker 1>impressed with people really, and she just loves my channel

1:02:26.440 --> 1:02:30.560
<v Speaker 1>and uh so she wanted my address to send me something,

1:02:31.360 --> 1:02:33.760
<v Speaker 1>and I said okay, So I sent her assistant my

1:02:33.760 --> 1:02:37.600
<v Speaker 1>address and then a Christmas, I get this package, Like

1:02:37.640 --> 1:02:40.040
<v Speaker 1>what is this? And I wrapped up thing and it's

1:02:40.160 --> 1:02:42.960
<v Speaker 1>right behind me. It's this Joni Mitchell. It's it's right

1:02:43.000 --> 1:02:44.840
<v Speaker 1>next to the light. It's her a box set with

1:02:44.880 --> 1:02:47.960
<v Speaker 1>an autograph. It says Merry Christmas, Rick Joni Mitchell in it.

1:02:48.720 --> 1:02:51.440
<v Speaker 1>And I opened my wife. I opened up my wife's

1:02:51.440 --> 1:02:53.320
<v Speaker 1>like what is that? I said it's a present from

1:02:53.400 --> 1:02:57.720
<v Speaker 1>Joni Mitchell. Like what and um. And then her assistant

1:02:57.720 --> 1:03:01.000
<v Speaker 1>said that next time, and I'm in l A to UM,

1:03:01.440 --> 1:03:02.960
<v Speaker 1>reach out to Johnny. You should love to have me

1:03:03.000 --> 1:03:07.439
<v Speaker 1>come and visit and um. But then after the video

1:03:07.440 --> 1:03:10.280
<v Speaker 1>had been out for I don't know eight months or so,

1:03:10.360 --> 1:03:14.840
<v Speaker 1>it got taken down. It's like what, UM, And I

1:03:14.920 --> 1:03:17.160
<v Speaker 1>forget how it got put back up. I did. I

1:03:17.240 --> 1:03:19.720
<v Speaker 1>put it on Twitter, did some type of rant, and

1:03:19.760 --> 1:03:21.600
<v Speaker 1>then it got put back up. I never know how

1:03:21.640 --> 1:03:24.120
<v Speaker 1>these things get put back up, Bob, because I never

1:03:24.200 --> 1:03:26.840
<v Speaker 1>find I never do anything. I don't dispute anything ever.

1:03:28.280 --> 1:03:31.560
<v Speaker 1>It's from people tagging people on Twitter. Honestly, that's what

1:03:31.600 --> 1:03:35.440
<v Speaker 1>it is. Okay, So you end up going to l

1:03:35.520 --> 1:03:37.840
<v Speaker 1>A tell that story. So I went to l A

1:03:38.000 --> 1:03:40.080
<v Speaker 1>and I texted her assistant. I mean I never had

1:03:40.120 --> 1:03:46.200
<v Speaker 1>spoken to Joanie. I texted her assistant UM and said UM,

1:03:46.280 --> 1:03:49.440
<v Speaker 1>and said I'm going to be in l A and UM,

1:03:50.520 --> 1:03:52.680
<v Speaker 1>you know I would love to come and and say

1:03:52.760 --> 1:03:55.000
<v Speaker 1>hi to Joanie. And then didn't hear anything back for

1:03:55.000 --> 1:03:57.080
<v Speaker 1>a week. And I get off the plane and UM,

1:03:57.120 --> 1:03:58.919
<v Speaker 1>I was going out there for an interview with a

1:03:58.960 --> 1:04:02.880
<v Speaker 1>friend of mine, Erk Weinstein to be on his podcast,

1:04:03.000 --> 1:04:06.080
<v Speaker 1>and and Joanie's and her assistant called me up and

1:04:06.120 --> 1:04:09.480
<v Speaker 1>she said that Joanie would love to meet you for

1:04:09.560 --> 1:04:12.120
<v Speaker 1>dinner if you're free on Saturday night at six pm.

1:04:12.200 --> 1:04:18.840
<v Speaker 1>And I said, uh, yeah, that'd be amazing. And we

1:04:18.880 --> 1:04:22.400
<v Speaker 1>met at this restaurant and it was spent three hours together.

1:04:22.400 --> 1:04:28.600
<v Speaker 1>It was unbelievable. Okay, Joanie Mitchell. Conversation with her, shall

1:04:28.640 --> 1:04:31.000
<v Speaker 1>I say, is not as easy as it is with

1:04:31.040 --> 1:04:35.240
<v Speaker 1>many other people. What I always say without talking about well,

1:04:35.280 --> 1:04:38.760
<v Speaker 1>I could talk about specific conversations. You know, if you

1:04:38.800 --> 1:04:41.560
<v Speaker 1>start with something irrelevant, you'll want to drill down on

1:04:41.640 --> 1:04:44.720
<v Speaker 1>the irrelevant point and you say, well forget that. You well,

1:04:44.720 --> 1:04:46.280
<v Speaker 1>why do you want to forget about that? What was

1:04:46.320 --> 1:04:50.840
<v Speaker 1>your experience of actually interacting with her, having conversation? Oh,

1:04:50.920 --> 1:04:53.440
<v Speaker 1>it was amazing. I mean I asked her things. I

1:04:53.440 --> 1:04:55.479
<v Speaker 1>mean I didn't really talk about it in my video

1:04:55.560 --> 1:04:57.440
<v Speaker 1>that I made the video about having dinner with her,

1:04:57.480 --> 1:05:01.000
<v Speaker 1>but I didn't don't really reveal things that we talked about. Um,

1:05:02.120 --> 1:05:07.440
<v Speaker 1>But I mean I asked her things like, Okay, if

1:05:07.480 --> 1:05:10.800
<v Speaker 1>I said, Joanie, of all your records, what is the

1:05:10.800 --> 1:05:13.920
<v Speaker 1>one that you think really has the best songs and

1:05:14.000 --> 1:05:17.120
<v Speaker 1>the best production that you're that you say, I'm the

1:05:17.160 --> 1:05:23.360
<v Speaker 1>most proud of. And she picked two different records, um,

1:05:23.520 --> 1:05:28.560
<v Speaker 1>one in particular, and I and she, um, um, well

1:05:28.560 --> 1:05:31.640
<v Speaker 1>it was Courton Spark. Okay, I'll just say it. She's

1:05:31.720 --> 1:05:34.479
<v Speaker 1>that and has you era those two records? She's thought

1:05:34.520 --> 1:05:38.160
<v Speaker 1>that the production and the songwriting because a lot of

1:05:38.160 --> 1:05:43.520
<v Speaker 1>times artists may feel like they have the their best songwriting,

1:05:43.560 --> 1:05:46.160
<v Speaker 1>but the production doesn't quite come out like they'd expect it,

1:05:46.360 --> 1:05:51.880
<v Speaker 1>you know, and and um, those are just that certainly,

1:05:51.920 --> 1:05:54.120
<v Speaker 1>you know, court and Spark had a I hate to

1:05:54.200 --> 1:05:58.160
<v Speaker 1>use words slick because it had negative connentation, but you know,

1:05:58.240 --> 1:06:02.200
<v Speaker 1>a presence without withinventation and a Gira is just I'm

1:06:02.240 --> 1:06:05.400
<v Speaker 1>glad you did Amelia because it's a vastly underrated album.

1:06:05.520 --> 1:06:08.520
<v Speaker 1>My favorite on that album Swam for Sharon, Refuge of

1:06:08.560 --> 1:06:11.560
<v Speaker 1>the Road. I mean, just unreal. But did you know

1:06:11.680 --> 1:06:13.680
<v Speaker 1>a lot of times she'll talk to artists and they're

1:06:13.680 --> 1:06:16.920
<v Speaker 1>not that familiar with her own career. Was she familiar

1:06:16.920 --> 1:06:22.840
<v Speaker 1>with her own career? Yeah? She she told me that. Um,

1:06:22.920 --> 1:06:29.720
<v Speaker 1>she she said that, Um that people you know that.

1:06:30.880 --> 1:06:34.120
<v Speaker 1>When her first few records came out, her dad said her.

1:06:34.160 --> 1:06:35.760
<v Speaker 1>I don't know if she said this in other interviews,

1:06:35.760 --> 1:06:38.480
<v Speaker 1>but her dad said, you know, there must be a

1:06:38.480 --> 1:06:43.960
<v Speaker 1>lot of depressed people out there. And she said that

1:06:44.080 --> 1:06:48.080
<v Speaker 1>kind of made her not um think as much about

1:06:48.080 --> 1:06:51.520
<v Speaker 1>her early records from her dad's saying that, and she

1:06:51.640 --> 1:06:55.400
<v Speaker 1>laughed about it and uh, and she said, you know,

1:06:55.440 --> 1:06:57.000
<v Speaker 1>people would call me a folk singer. I was like,

1:06:57.040 --> 1:06:58.520
<v Speaker 1>I'm in a folk singer. And then she's like, then

1:06:58.560 --> 1:07:00.480
<v Speaker 1>I listen. I was like, yeah, I was a book singer.

1:07:01.640 --> 1:07:06.600
<v Speaker 1>So okay. Throughout our conversation, here say oh, my friend,

1:07:06.640 --> 1:07:09.280
<v Speaker 1>this person, this person, how do you know all these people?

1:07:10.920 --> 1:07:13.320
<v Speaker 1>Um well, I've been in the music business a long

1:07:13.400 --> 1:07:21.040
<v Speaker 1>time and um, um, I don't know. I I I've

1:07:21.120 --> 1:07:27.480
<v Speaker 1>just I'm everywhere. I don't know. Um, I have no idea.

1:07:27.600 --> 1:07:31.440
<v Speaker 1>I just okay, okay. You have the opportunity to have

1:07:31.480 --> 1:07:37.720
<v Speaker 1>dinner with Joni Mitchell. Uh what author opportunities, whether commercial

1:07:37.800 --> 1:07:39.800
<v Speaker 1>or not commercial? If you had as results of the

1:07:39.840 --> 1:07:44.960
<v Speaker 1>successors your channel. Um well, I got to meet Peter Frampton.

1:07:45.040 --> 1:07:48.280
<v Speaker 1>I interviewed him um at his studio Nashville, and then

1:07:48.280 --> 1:07:50.640
<v Speaker 1>he was in my hundredth anniversary episode. I did a

1:07:50.840 --> 1:07:55.960
<v Speaker 1>video on do you feel like we do. UM. That

1:07:56.040 --> 1:07:59.840
<v Speaker 1>was one that that my um A friend of mine

1:07:59.840 --> 1:08:02.240
<v Speaker 1>who actually just talked to who he used to work

1:08:02.360 --> 1:08:05.160
<v Speaker 1>at ssl IS was good friends with Peter and he

1:08:05.360 --> 1:08:09.640
<v Speaker 1>um my friend Don. I saw don at at Um

1:08:09.680 --> 1:08:12.600
<v Speaker 1>at the a S Show back in eighteen and done.

1:08:13.760 --> 1:08:16.639
<v Speaker 1>He and I were talking and he said, I saw

1:08:16.680 --> 1:08:20.679
<v Speaker 1>your breakdown with Peter Peter Frampton, Um that you did,

1:08:20.880 --> 1:08:24.439
<v Speaker 1>and um I he said, I'm really good friends with

1:08:24.479 --> 1:08:27.439
<v Speaker 1>Peter and and I said, oh man, I'd love to

1:08:27.439 --> 1:08:29.639
<v Speaker 1>interview Peter. He's like, I'll give him a call. I'll

1:08:29.640 --> 1:08:33.280
<v Speaker 1>make it happen. Next day, I heard from Peter's assistant.

1:08:33.640 --> 1:08:35.479
<v Speaker 1>Three days later, I was up in Nashville at his

1:08:35.520 --> 1:08:40.640
<v Speaker 1>studio interviewing him. Any commercial opportunities come up as a

1:08:40.680 --> 1:08:45.920
<v Speaker 1>result of your success, um, And like, like, what would

1:08:45.920 --> 1:08:47.840
<v Speaker 1>you What do you mean that's something that we're making

1:08:47.880 --> 1:08:52.920
<v Speaker 1>money you wouldn't normally have made because public appearances, endorsement,

1:08:53.760 --> 1:08:56.400
<v Speaker 1>I don't do any endorsement. Well, I'm not gonna say

1:08:56.400 --> 1:08:58.439
<v Speaker 1>I don't do any endorsements. I have a Gibson signature

1:08:58.479 --> 1:09:01.840
<v Speaker 1>guitar coming out that I'm actually donating all the money

1:09:01.840 --> 1:09:06.080
<v Speaker 1>to charity. Um a um less Paul special that's coming

1:09:06.080 --> 1:09:08.000
<v Speaker 1>out in a few months. I don't I don't know

1:09:08.040 --> 1:09:09.800
<v Speaker 1>when the release state is. But I don't do any

1:09:09.840 --> 1:09:14.280
<v Speaker 1>other endorsements. Okay, let you don't do them by choice

1:09:14.400 --> 1:09:17.240
<v Speaker 1>or the opportunities haven't come down the pike, just by choice.

1:09:17.280 --> 1:09:18.920
<v Speaker 1>I don't want to. I don't. I don't like to.

1:09:20.120 --> 1:09:23.479
<v Speaker 1>It's just for me. It's just not my style to to.

1:09:24.640 --> 1:09:27.120
<v Speaker 1>I don't want to be pushing here or anything like that,

1:09:27.280 --> 1:09:30.880
<v Speaker 1>or pushing any products. I just it's just not my style.

1:09:30.920 --> 1:09:32.240
<v Speaker 1>I want to be able to talk about whatever I

1:09:32.280 --> 1:09:36.439
<v Speaker 1>want to talk about and have no one um that

1:09:36.520 --> 1:09:40.920
<v Speaker 1>I'm accountable to believe me. I understand. Okay, So you're

1:09:41.000 --> 1:09:44.840
<v Speaker 1>from were originally from Rochester, New York. Okay, what kind

1:09:44.840 --> 1:09:47.080
<v Speaker 1>of environment did you grow up? Was there a lot

1:09:47.120 --> 1:09:51.479
<v Speaker 1>of music there? Yes? Um? So I'm from a family

1:09:51.520 --> 1:09:55.840
<v Speaker 1>of seven. I have have four brothers and two sisters.

1:09:55.840 --> 1:09:57.600
<v Speaker 1>Where where wait? Where are you in the heart the

1:09:57.640 --> 1:10:05.840
<v Speaker 1>second youngest? Okay? So, um my moms uh, my parents

1:10:05.880 --> 1:10:09.599
<v Speaker 1>are both deceased. My mom's two of her sisters were

1:10:09.720 --> 1:10:12.599
<v Speaker 1>music teachers. Her dad played the guitar, one of her

1:10:12.600 --> 1:10:17.599
<v Speaker 1>brothers played bass, and Woody Herman's band. Um um, so

1:10:17.680 --> 1:10:19.840
<v Speaker 1>music was very big in their family. My mom didn't

1:10:19.840 --> 1:10:21.960
<v Speaker 1>play anything. She played some guitar, but but she was

1:10:22.040 --> 1:10:24.080
<v Speaker 1>she never had lessons. But but the rest of her

1:10:24.120 --> 1:10:27.400
<v Speaker 1>family were all musicians. And my dad was a huge

1:10:27.840 --> 1:10:31.360
<v Speaker 1>music listener, jazz listener. Really, he loved bebop, he loved

1:10:31.400 --> 1:10:34.720
<v Speaker 1>really sophisticated music. But it was not a musician. So

1:10:34.880 --> 1:10:39.799
<v Speaker 1>music was always encouraged in our house. But really, myself

1:10:39.840 --> 1:10:41.640
<v Speaker 1>and my younger brother John are the only ones that

1:10:41.960 --> 1:10:46.240
<v Speaker 1>ever played an instrument for um for any length the time.

1:10:46.240 --> 1:10:49.720
<v Speaker 1>When he's a guitarist, he's an excellent guitarist. And uh,

1:10:49.840 --> 1:10:54.320
<v Speaker 1>so we had lessons. Okay, you come of age when so.

1:10:54.360 --> 1:10:57.240
<v Speaker 1>I was born in sixty two, So I grew up

1:10:57.240 --> 1:11:00.679
<v Speaker 1>in one Once you know, you start having the rock

1:11:01.120 --> 1:11:04.679
<v Speaker 1>you know, the seventy two Jethrow, Tull, Depurple, all that stuff,

1:11:04.720 --> 1:11:08.600
<v Speaker 1>that's your wheelhouse. Yeah. So with having So being the

1:11:08.600 --> 1:11:12.720
<v Speaker 1>second youngest, my oldest sibling is sixty eight, so they

1:11:12.760 --> 1:11:15.000
<v Speaker 1>I heard the Beatles, I heard the Stones, I heard Zeppelin,

1:11:15.000 --> 1:11:18.000
<v Speaker 1>and every one of my siblings like different music. So

1:11:18.040 --> 1:11:20.439
<v Speaker 1>I grew up in a three bedroom house with nine

1:11:20.479 --> 1:11:25.120
<v Speaker 1>people in one bathroom, one bathroom, one bathroom. Yeah, well,

1:11:25.200 --> 1:11:29.160
<v Speaker 1>luckily we had a gas station across the street. They

1:11:29.240 --> 1:11:31.920
<v Speaker 1>had bathrooms. In case you know, what did your parents

1:11:31.960 --> 1:11:34.440
<v Speaker 1>do for a living. My dad worked for the railroad

1:11:34.640 --> 1:11:38.240
<v Speaker 1>for forty two years, New York Central, Penn Central. UM

1:11:38.240 --> 1:11:43.560
<v Speaker 1>started in when he's fourteen, and my mom worked for

1:11:43.600 --> 1:11:46.320
<v Speaker 1>the American Can Company when she was a factory worker,

1:11:46.320 --> 1:11:49.040
<v Speaker 1>worked on the lines. So they were and who was

1:11:49.160 --> 1:11:54.120
<v Speaker 1>managing all the kids? Uh? So my mom started working

1:11:54.120 --> 1:11:59.800
<v Speaker 1>when I was in kindergarten. Um, and uh, and my

1:12:00.000 --> 1:12:03.160
<v Speaker 1>older siblings watched us basically, and my dad was the

1:12:03.200 --> 1:12:06.880
<v Speaker 1>only one working before then. Okay, you start taking music

1:12:06.960 --> 1:12:11.160
<v Speaker 1>lessons at what age on what instrument? On on the cello?

1:12:11.640 --> 1:12:13.960
<v Speaker 1>In when I was in third grades that would have

1:12:14.000 --> 1:12:18.599
<v Speaker 1>been nine. Um. I took a test in second grade.

1:12:18.600 --> 1:12:20.240
<v Speaker 1>I think it was called the c Shore Test, which

1:12:20.240 --> 1:12:23.400
<v Speaker 1>was a musical aptitude test that they gave in our

1:12:24.240 --> 1:12:28.639
<v Speaker 1>school system. UM, and identified people that had really good

1:12:28.680 --> 1:12:31.639
<v Speaker 1>ears for music. Is this pitch higher? Lower? Is this pitch?

1:12:31.760 --> 1:12:34.679
<v Speaker 1>This is that? What do you recognize this instrument whatever,

1:12:34.920 --> 1:12:37.839
<v Speaker 1>whatever it was, And the people that scored the highest

1:12:37.880 --> 1:12:40.120
<v Speaker 1>played string instruments, and then the next group of people

1:12:40.120 --> 1:12:42.320
<v Speaker 1>played wind instruments. And they would start a year later.

1:12:42.400 --> 1:12:45.160
<v Speaker 1>So I started on the cello with private lessons when

1:12:45.200 --> 1:12:48.000
<v Speaker 1>I was in third grade, so seventy one, I think

1:12:48.080 --> 1:12:51.720
<v Speaker 1>was third grade, Okay, that was via the school, via

1:12:51.800 --> 1:12:53.720
<v Speaker 1>the school. Yeah, okay. How long did you play the

1:12:53.720 --> 1:12:56.400
<v Speaker 1>cello and what came after? I played the cello until

1:12:56.479 --> 1:12:58.600
<v Speaker 1>sixth grade. Then I took up the I moved to

1:12:58.600 --> 1:13:02.919
<v Speaker 1>the base. And my undergraduate degree is in classical bass, okay,

1:13:02.960 --> 1:13:05.479
<v Speaker 1>and my master's degree is in jazz guitar. So I

1:13:05.520 --> 1:13:07.680
<v Speaker 1>played the bass all the way through college. That's what

1:13:07.800 --> 1:13:10.680
<v Speaker 1>I literally, that's what I majored in. Okay, you know,

1:13:10.840 --> 1:13:14.599
<v Speaker 1>like classical with a bow. So it's okay. So sixth grade,

1:13:14.680 --> 1:13:17.720
<v Speaker 1>you're playing the cello, you switch to base. You're still

1:13:17.760 --> 1:13:21.240
<v Speaker 1>getting lessons in school, yes, all the Yeah, we're very

1:13:21.280 --> 1:13:23.960
<v Speaker 1>all the way through, all the way through high school. Correct,

1:13:24.760 --> 1:13:28.559
<v Speaker 1>and you're playing in the school orchestra. Correct to what

1:13:28.720 --> 1:13:31.960
<v Speaker 1>degree are you playing with bands? If at all? So

1:13:32.160 --> 1:13:35.120
<v Speaker 1>I started playing guitar. I broke my ankle summer of

1:13:35.200 --> 1:13:39.439
<v Speaker 1>seventh grade. I was laid up on the couch and

1:13:39.520 --> 1:13:41.600
<v Speaker 1>my brother had a chord book there. He had a

1:13:41.640 --> 1:13:44.120
<v Speaker 1>guitar that it wasn't really playing like a one dollar

1:13:44.520 --> 1:13:48.559
<v Speaker 1>global acoustic guitar. I had a Melbay chord book and

1:13:48.640 --> 1:13:53.640
<v Speaker 1>in America the band America Songbook, and I had the

1:13:53.680 --> 1:13:55.680
<v Speaker 1>America record. So I'm I'm laid up. I didn't even

1:13:55.720 --> 1:13:57.920
<v Speaker 1>have a walking cast. I'm literally on the couch the

1:13:57.920 --> 1:14:00.200
<v Speaker 1>whole summer. So I started playing this America record heard

1:14:00.439 --> 1:14:03.400
<v Speaker 1>and you know, I had Sandman and Horse with no Name,

1:14:03.439 --> 1:14:05.080
<v Speaker 1>all these songs on. It's the one with the three

1:14:05.120 --> 1:14:07.040
<v Speaker 1>of them on the cover with this the first album,

1:14:07.120 --> 1:14:09.800
<v Speaker 1>first album, and had a song on there called never

1:14:09.840 --> 1:14:12.960
<v Speaker 1>Found the Time that I loved. It was in three

1:14:13.040 --> 1:14:16.519
<v Speaker 1>four and so I had the chord book there and

1:14:16.560 --> 1:14:19.719
<v Speaker 1>I'm looking at playing along. I learned start learning the chords,

1:14:19.760 --> 1:14:22.000
<v Speaker 1>but I had dexterity because I already played the cello

1:14:22.080 --> 1:14:24.000
<v Speaker 1>and the hand positions spacing is about the same, so

1:14:24.040 --> 1:14:26.559
<v Speaker 1>it was very easy. I didn't go through a callous

1:14:26.600 --> 1:14:28.400
<v Speaker 1>period or anything like that, so it was easy to

1:14:28.439 --> 1:14:30.840
<v Speaker 1>pick up the chords. So I started playing along with

1:14:30.880 --> 1:14:34.320
<v Speaker 1>I said, this doesn't sound They sound kind of like

1:14:34.360 --> 1:14:37.280
<v Speaker 1>the chords, but it doesn't sound right. So anyways, I

1:14:37.320 --> 1:14:42.840
<v Speaker 1>get my cast off thirteen weeks and and I just

1:14:42.880 --> 1:14:45.760
<v Speaker 1>twisted it like the first day of summer of that year,

1:14:45.760 --> 1:14:48.960
<v Speaker 1>I twisted the park I was out screwing around really

1:14:49.000 --> 1:14:52.320
<v Speaker 1>bad break um, and I had a limp for about

1:14:52.320 --> 1:14:54.679
<v Speaker 1>a year and a half after that. I remember, um

1:14:54.760 --> 1:14:57.720
<v Speaker 1>and uh. So my mom I begged her to get

1:14:57.720 --> 1:14:59.880
<v Speaker 1>me a nicer guitar because this guitar was terrible. So

1:15:00.000 --> 1:15:02.000
<v Speaker 1>we went to this music store never been to a

1:15:02.080 --> 1:15:06.040
<v Speaker 1>music store really, and I saw a twelve string and

1:15:06.080 --> 1:15:08.439
<v Speaker 1>I played it. I said, this sounds like that America

1:15:08.560 --> 1:15:10.639
<v Speaker 1>song because it was actually done on a twelve string,

1:15:10.680 --> 1:15:13.240
<v Speaker 1>as was most things in the seventies, you know. And

1:15:13.439 --> 1:15:16.519
<v Speaker 1>so my first guitar was a hundred and twenty dollar

1:15:16.640 --> 1:15:19.280
<v Speaker 1>Penco acoustic that my mom said, don't tell your dad

1:15:19.520 --> 1:15:21.799
<v Speaker 1>how much it costs. So it's like a week sailor

1:15:21.880 --> 1:15:24.639
<v Speaker 1>from my mom. Your first guitar was a twelve string?

1:15:24.760 --> 1:15:26.519
<v Speaker 1>Was a twelve string? Yes, how did the hell you know?

1:15:26.600 --> 1:15:29.439
<v Speaker 1>This is pretty tuners, etcetera. And you learn how to

1:15:29.439 --> 1:15:36.760
<v Speaker 1>tune it. I just I just figured it out, so um. Um.

1:15:36.800 --> 1:15:40.559
<v Speaker 1>So I started playing on a twelve string and um,

1:15:40.640 --> 1:15:44.000
<v Speaker 1>and then I realized, okay, this is song is played

1:15:44.000 --> 1:15:46.639
<v Speaker 1>on a twelve string. And then I started picking around

1:15:46.640 --> 1:15:48.439
<v Speaker 1>and I figured I was, I had such a good ear,

1:15:48.479 --> 1:15:50.400
<v Speaker 1>I could just figure out what the parts were. And

1:15:50.439 --> 1:15:53.639
<v Speaker 1>I started figuring out all these songs by ear and

1:15:53.760 --> 1:16:00.559
<v Speaker 1>um uh, and then I was really serious into it.

1:16:00.640 --> 1:16:04.840
<v Speaker 1>And um so I started mowing this guy's lawn that

1:16:05.040 --> 1:16:07.519
<v Speaker 1>lived about two blocks away. I got in this program

1:16:07.560 --> 1:16:09.960
<v Speaker 1>where you signed up and you would do odd jobs

1:16:09.960 --> 1:16:12.839
<v Speaker 1>for people. So I'm owing this guy's lawn, this guy Tom,

1:16:12.960 --> 1:16:15.519
<v Speaker 1>and I went in to get paid, and I saw

1:16:15.560 --> 1:16:17.559
<v Speaker 1>I had all these guitars. Name was Tom Rizzo. He

1:16:17.560 --> 1:16:19.679
<v Speaker 1>has all these guitars in there. Said wow, you play guitar?

1:16:19.720 --> 1:16:21.720
<v Speaker 1>Said yeah, I own a music store in town, t

1:16:21.960 --> 1:16:25.560
<v Speaker 1>Rizzo Music it was called. And he said, do you

1:16:25.560 --> 1:16:27.519
<v Speaker 1>play guitar? Said yeah, he gouse, I'll play me something,

1:16:27.560 --> 1:16:30.519
<v Speaker 1>So I play something everything I said, well, I said,

1:16:30.960 --> 1:16:33.160
<v Speaker 1>play me a song. So he starts playing. And I'm

1:16:33.280 --> 1:16:36.439
<v Speaker 1>mean he was a phenomenal player. He ended up going

1:16:36.479 --> 1:16:38.720
<v Speaker 1>on and being on played with Maynard Ferguson. He was

1:16:38.720 --> 1:16:40.759
<v Speaker 1>on the Tonight you know, sub Don the Tonight Show

1:16:40.800 --> 1:16:43.599
<v Speaker 1>and everything, and but he said you should come take

1:16:43.680 --> 1:16:45.519
<v Speaker 1>lessons at my music store. So I went and took

1:16:45.600 --> 1:16:49.280
<v Speaker 1>lessons with him, and I mean, he was a real pro.

1:16:50.120 --> 1:16:55.840
<v Speaker 1>Jazz player, fusion player, amazing player. And that was a

1:16:55.920 --> 1:16:58.680
<v Speaker 1>great experience. And I hadn't got Mark, Mark Manetta, then

1:16:58.720 --> 1:17:01.040
<v Speaker 1>Glenn Cummings. I had teachers at this music store when

1:17:01.040 --> 1:17:03.720
<v Speaker 1>I was in junior high in high school, and and

1:17:03.800 --> 1:17:06.320
<v Speaker 1>my brother John started taking lessons there too, So my

1:17:06.360 --> 1:17:08.559
<v Speaker 1>mom would drive us every week for an hour. She's

1:17:08.560 --> 1:17:10.280
<v Speaker 1>sit in the car and wait for us and we

1:17:10.400 --> 1:17:14.120
<v Speaker 1>come back out. We took our lessons and and it

1:17:14.240 --> 1:17:17.280
<v Speaker 1>was great. I mean, you're so incredible, and that we

1:17:17.280 --> 1:17:20.080
<v Speaker 1>were just obsessed. Both of us were obsessed playing guitar.

1:17:20.560 --> 1:17:24.560
<v Speaker 1>Still to this day, play every day. I love it. Okay,

1:17:24.680 --> 1:17:27.439
<v Speaker 1>So in high school, you like Dwayne Almond playing so much.

1:17:27.479 --> 1:17:29.280
<v Speaker 1>You know he even takes some guitar play in the

1:17:29.320 --> 1:17:33.120
<v Speaker 1>bathroom or you know, you have a regular life. Oh no, no, no,

1:17:33.280 --> 1:17:35.920
<v Speaker 1>oh all the time. Okay. And when do you start

1:17:36.000 --> 1:17:39.479
<v Speaker 1>forming bands with electric guitars? Oh? So I got electric

1:17:39.479 --> 1:17:44.400
<v Speaker 1>guitar soon after in eighth grade, and uh started playing

1:17:44.400 --> 1:17:47.080
<v Speaker 1>in bands pretty immediately. But I was learning all the songs.

1:17:47.080 --> 1:17:49.720
<v Speaker 1>I mean, I learned my first song I learned an

1:17:49.720 --> 1:17:52.000
<v Speaker 1>electric guitar was Hey Joe. And I learned, you know,

1:17:52.080 --> 1:17:55.840
<v Speaker 1>I learned all the Zeppelin tunes and and I learned

1:17:55.880 --> 1:17:58.400
<v Speaker 1>everything that came out. I learned Leonard SKINNERD. I learned

1:17:58.479 --> 1:18:01.599
<v Speaker 1>the Beatles, I learned the Stones, I learned cream. You're

1:18:01.640 --> 1:18:03.680
<v Speaker 1>playing with these bands? Is it just fun? Are you

1:18:03.760 --> 1:18:07.120
<v Speaker 1>making any money? No? Not making any money? Just fun? Okay.

1:18:07.120 --> 1:18:10.720
<v Speaker 1>So you go to college where I did my undergrad

1:18:10.760 --> 1:18:14.200
<v Speaker 1>a Itfaca College. UM so I I UM. I actually

1:18:14.240 --> 1:18:16.280
<v Speaker 1>made a video about this. So I auditioned at two

1:18:16.320 --> 1:18:21.559
<v Speaker 1>schools on guitar classical guitar. You had audition to get

1:18:21.600 --> 1:18:23.920
<v Speaker 1>into the jazz program, and I got rejected from both

1:18:23.960 --> 1:18:27.840
<v Speaker 1>of them. I made a video about this, and my

1:18:27.920 --> 1:18:30.680
<v Speaker 1>video is called Fortunes of Failure. I I actually had

1:18:30.680 --> 1:18:33.240
<v Speaker 1>a video earlier in my channel called Fortunes of hard Work.

1:18:33.320 --> 1:18:35.800
<v Speaker 1>But it's really Fortunes of Failure was a second kind

1:18:35.800 --> 1:18:37.720
<v Speaker 1>of remake I did where I connected it to a

1:18:37.760 --> 1:18:41.080
<v Speaker 1>different story. So I got rejected from both places, but

1:18:41.120 --> 1:18:44.240
<v Speaker 1>I didn't tell my parents. I lied and I told

1:18:44.280 --> 1:18:46.960
<v Speaker 1>them that I got into both places for music. But this,

1:18:47.240 --> 1:18:50.519
<v Speaker 1>but my grades were so bad, Bob that. But I

1:18:51.040 --> 1:18:53.680
<v Speaker 1>ran track on the high school track team, and I

1:18:53.680 --> 1:18:55.880
<v Speaker 1>went to the state championships all the time. So the

1:18:55.880 --> 1:18:58.400
<v Speaker 1>track coach put it at Fredonia State University. Put a

1:18:58.439 --> 1:19:00.560
<v Speaker 1>thing in there. If you want to come to Radnia,

1:19:01.160 --> 1:19:04.080
<v Speaker 1>you can come and run on the track team and

1:19:04.120 --> 1:19:07.080
<v Speaker 1>get a small scholarship for it. Even though my grades

1:19:07.080 --> 1:19:08.439
<v Speaker 1>were bad. But I have to pick a different major.

1:19:08.439 --> 1:19:11.080
<v Speaker 1>So I went my first semester as a history major,

1:19:12.200 --> 1:19:14.280
<v Speaker 1>and the classical guitar teacher wouldn't take me on as

1:19:14.320 --> 1:19:20.479
<v Speaker 1>a student. So I learned from a freshman guitar player too,

1:19:21.040 --> 1:19:23.880
<v Speaker 1>because and I re auditioned for Ithaca College to get

1:19:23.880 --> 1:19:27.160
<v Speaker 1>into the guitar program, which I ended up going the

1:19:27.200 --> 1:19:29.600
<v Speaker 1>second semester. I passed the audition, I went there the

1:19:29.640 --> 1:19:32.640
<v Speaker 1>second semester, and then six years later I was a

1:19:32.640 --> 1:19:35.680
<v Speaker 1>professor there in the same office that I got rejected

1:19:35.720 --> 1:19:39.960
<v Speaker 1>in six years before. Okay, so you're at Ithaca College.

1:19:40.360 --> 1:19:43.240
<v Speaker 1>You come from a family of many children. Ithaca College

1:19:43.240 --> 1:19:46.000
<v Speaker 1>as a private school. How do you pay for that?

1:19:46.240 --> 1:19:49.760
<v Speaker 1>I had a lot of scholarships? Oh, I My first

1:19:49.840 --> 1:19:51.920
<v Speaker 1>day of school, I went in, I talked to the

1:19:51.960 --> 1:19:53.600
<v Speaker 1>bass teacher and I said, I want to play in

1:19:53.600 --> 1:19:56.280
<v Speaker 1>the orchestra even though a jazz guitar major, and he's

1:19:56.360 --> 1:19:57.880
<v Speaker 1>and he heard me play, said, well, why don't you

1:19:57.920 --> 1:20:00.560
<v Speaker 1>just be a base major? And he said, had you

1:20:00.600 --> 1:20:02.439
<v Speaker 1>audition a basse, you would have gotten in. Because I

1:20:02.439 --> 1:20:04.640
<v Speaker 1>was the first share bass player at my school. I

1:20:04.680 --> 1:20:08.080
<v Speaker 1>was a very good classical bass player. So I immediately

1:20:08.080 --> 1:20:11.640
<v Speaker 1>switched my major from guitar to bass, and so I

1:20:11.680 --> 1:20:13.400
<v Speaker 1>played in the orchestra. I did all that, and I

1:20:13.439 --> 1:20:16.559
<v Speaker 1>only just I took jazz guitar lessons, but that was

1:20:16.560 --> 1:20:18.360
<v Speaker 1>the only guitar thing I did. I take did no

1:20:18.520 --> 1:20:23.280
<v Speaker 1>jazz stuff there. Okay, so you graduate from Mythaca College,

1:20:23.320 --> 1:20:25.800
<v Speaker 1>then what Then? I went to New England Conservatory in

1:20:25.800 --> 1:20:29.280
<v Speaker 1>Boston for jazz guitar for two years. I got my

1:20:29.360 --> 1:20:33.519
<v Speaker 1>masters in jazz guitar. What was the plan? I had

1:20:33.600 --> 1:20:36.000
<v Speaker 1>no plan. The plan was to learn as much about

1:20:36.080 --> 1:20:39.160
<v Speaker 1>music as I could learn, and I was fascinated. I

1:20:39.200 --> 1:20:43.800
<v Speaker 1>loved classical music. Um, I loved playing bass. I love

1:20:43.880 --> 1:20:47.280
<v Speaker 1>playing in orchestra, and then I love jazz two and

1:20:47.320 --> 1:20:51.200
<v Speaker 1>I loved rock. So um, I wanted to learn as

1:20:51.280 --> 1:20:53.920
<v Speaker 1>much about as many different kinds of music as I could.

1:20:54.040 --> 1:20:55.439
<v Speaker 1>So I was like, Okay, I'm gonna go get my

1:20:55.479 --> 1:20:59.120
<v Speaker 1>masters in jazz guitar. So I went to New England

1:20:59.120 --> 1:21:01.400
<v Speaker 1>Conservatory for two years, and then I was like, Okay,

1:21:01.400 --> 1:21:03.360
<v Speaker 1>I'm gonna go to New York and I'm gonna play

1:21:03.479 --> 1:21:05.120
<v Speaker 1>for a living, try and make it as a jazz

1:21:05.160 --> 1:21:07.840
<v Speaker 1>guitar player. Moved back to Ithaca for a couple of

1:21:07.840 --> 1:21:10.360
<v Speaker 1>months to hang with my friends, figure out what I

1:21:10.400 --> 1:21:12.120
<v Speaker 1>was gonna do, how I was gonna move to New York.

1:21:12.160 --> 1:21:13.800
<v Speaker 1>And then I got the offer to teach there in

1:21:13.800 --> 1:21:20.160
<v Speaker 1>the fall, and then I just took that Staca College. Yes, yeah,

1:21:20.200 --> 1:21:25.200
<v Speaker 1>teaching jazz guitar there. Rom eight seven and ninety two

1:21:25.560 --> 1:21:30.639
<v Speaker 1>and how did you stop? So a buddy of mine

1:21:31.200 --> 1:21:34.960
<v Speaker 1>in eighty nine Um asked me if I would play

1:21:35.000 --> 1:21:38.439
<v Speaker 1>in a demo of his. His friend of mine, Alan Um,

1:21:38.560 --> 1:21:40.760
<v Speaker 1>he had some rock songs. He had an eight track

1:21:41.200 --> 1:21:43.000
<v Speaker 1>real to real recorder at his place. He said, how

1:21:43.040 --> 1:21:44.560
<v Speaker 1>want you come over and playing sliff? And I was like, no,

1:21:44.720 --> 1:21:46.760
<v Speaker 1>I don't. I don't really wanted to just come over

1:21:46.760 --> 1:21:49.720
<v Speaker 1>and play some guitar on this. So I went over

1:21:49.720 --> 1:21:51.479
<v Speaker 1>and played on this demo of his, and we ended

1:21:51.560 --> 1:21:55.200
<v Speaker 1>up getting a demo deal with Electra Records. This guy

1:21:55.240 --> 1:21:59.880
<v Speaker 1>Howard Thompson signed us. Fully, I know Howard, will Howard

1:22:00.120 --> 1:22:05.840
<v Speaker 1>amazing Howard really actually was. I actually made a video

1:22:05.840 --> 1:22:07.600
<v Speaker 1>and I talked about Howard and I got back in

1:22:07.640 --> 1:22:09.800
<v Speaker 1>touch with him. He emailed me and I hadn't talked

1:22:09.840 --> 1:22:11.240
<v Speaker 1>to him in years. But one of the reasons I

1:22:11.280 --> 1:22:17.080
<v Speaker 1>live in Atlantis because Howard saw me in three playing

1:22:17.080 --> 1:22:20.760
<v Speaker 1>at CBGB's based with some nobody band and He's like, Rick,

1:22:21.840 --> 1:22:24.599
<v Speaker 1>why are you wasting your time with this nothing band.

1:22:24.760 --> 1:22:27.200
<v Speaker 1>You need to do your own music. You need to

1:22:27.800 --> 1:22:30.160
<v Speaker 1>and you need to quit this thing now. So the

1:22:30.280 --> 1:22:32.080
<v Speaker 1>next day I moved out of New York and I

1:22:32.160 --> 1:22:35.439
<v Speaker 1>ended up landing down here in Atlanta. Okay, so you

1:22:35.560 --> 1:22:40.000
<v Speaker 1>do this demo. Howard is interested. How's the transition? How

1:22:40.000 --> 1:22:42.559
<v Speaker 1>do you get to New York? So Howard, um, so

1:22:42.800 --> 1:22:47.759
<v Speaker 1>this my friend Alan said, Howard signed us to to write,

1:22:47.760 --> 1:22:49.680
<v Speaker 1>to give us money to new demos. But I don't

1:22:49.720 --> 1:22:51.640
<v Speaker 1>have any other songs. We're gonna write some songs. And

1:22:51.680 --> 1:22:54.600
<v Speaker 1>I was like, how do you write songs? Um? I mean,

1:22:54.640 --> 1:22:56.679
<v Speaker 1>I'd written some songs with some bands in high school

1:22:56.720 --> 1:22:59.040
<v Speaker 1>and stuff. But my buddy Allen was like, well, you

1:22:59.040 --> 1:23:01.559
<v Speaker 1>need to have a hook for the signature, for the

1:23:01.600 --> 1:23:04.360
<v Speaker 1>intro and all these things, and he was So we

1:23:04.400 --> 1:23:07.519
<v Speaker 1>wrote eight songs together Howard gave us five grand and

1:23:07.520 --> 1:23:09.840
<v Speaker 1>we went in the studio and in Ithaca and we

1:23:09.920 --> 1:23:12.519
<v Speaker 1>cut them and then we went down and hung out

1:23:12.560 --> 1:23:15.599
<v Speaker 1>with Howard in New York and Howard critiqued all the songs.

1:23:15.600 --> 1:23:17.880
<v Speaker 1>Spent two hours with him, three hours. He took us

1:23:17.880 --> 1:23:20.360
<v Speaker 1>out the lunch. He said, you guys have to you

1:23:20.360 --> 1:23:22.640
<v Speaker 1>guys have great bridges, but this is a song as

1:23:22.720 --> 1:23:25.759
<v Speaker 1>this a song as that. Incredibly great critiques on the songs.

1:23:25.800 --> 1:23:28.320
<v Speaker 1>He didn't sign us, and then we wrote. We did

1:23:28.360 --> 1:23:30.160
<v Speaker 1>a ten song I never I've never even told the

1:23:30.160 --> 1:23:32.000
<v Speaker 1>story of my channel. We did a ten song demo

1:23:32.200 --> 1:23:34.960
<v Speaker 1>every month Bob and went down to New York and

1:23:35.000 --> 1:23:39.160
<v Speaker 1>played him for Howard and Howard critiqued him. Never signed us,

1:23:39.360 --> 1:23:44.880
<v Speaker 1>but gave us incredible advice on songwriting. UM, you know

1:23:44.920 --> 1:23:46.840
<v Speaker 1>you gotta learn how to write a bridge. You gotta

1:23:46.880 --> 1:23:48.840
<v Speaker 1>do this. You know this song is is good, but

1:23:48.920 --> 1:23:50.840
<v Speaker 1>the the I think the lyrics could be better here.

1:23:51.840 --> 1:23:56.080
<v Speaker 1>But we ended up getting a UM publishing deal with PolyGram.

1:23:56.200 --> 1:23:59.920
<v Speaker 1>John Tita signed us. UM. He came to a gig

1:24:00.120 --> 1:24:02.200
<v Speaker 1>we played at cm GMS. We just we had like

1:24:02.200 --> 1:24:04.760
<v Speaker 1>a pickup band, Alan and I we were changed their

1:24:04.840 --> 1:24:07.400
<v Speaker 1>names all the time, and he assigned us as songwriters

1:24:08.920 --> 1:24:13.760
<v Speaker 1>U and UM. Because of that, I took a leave

1:24:13.760 --> 1:24:16.559
<v Speaker 1>of absence from Ithaca College and ended up not going back.

1:24:16.680 --> 1:24:20.320
<v Speaker 1>And that's how I got out of teaching. Okay, so

1:24:20.560 --> 1:24:25.240
<v Speaker 1>the evolution from the songwriting deal to Atlanta so then

1:24:25.360 --> 1:24:30.559
<v Speaker 1>UM so so the songwriting deal, um so, the band

1:24:30.560 --> 1:24:33.160
<v Speaker 1>never got a record deal or anything, ended up kind

1:24:33.160 --> 1:24:36.080
<v Speaker 1>of disbanding and I didn't have a gig then, and

1:24:36.160 --> 1:24:39.840
<v Speaker 1>I UM, I ended up having going to go back

1:24:39.880 --> 1:24:41.960
<v Speaker 1>home to live with my parents when I was thirty

1:24:42.000 --> 1:24:44.280
<v Speaker 1>three or so. That was that was tough. My parents

1:24:44.280 --> 1:24:48.320
<v Speaker 1>were totally cool and UM. I stayed there for six

1:24:48.360 --> 1:24:51.240
<v Speaker 1>weeks or so. It was actually um. I ended up

1:24:51.320 --> 1:24:53.880
<v Speaker 1>leaving the day after Kurt Cobain died. He died in

1:24:54.520 --> 1:24:57.800
<v Speaker 1>first week in April. And I was a huge grunge fan.

1:24:57.920 --> 1:25:00.040
<v Speaker 1>I loved Kurt Cobain. I loved all the grunge and

1:25:00.280 --> 1:25:02.120
<v Speaker 1>I mean, you know, that was a real even though

1:25:02.120 --> 1:25:04.840
<v Speaker 1>I was in my I was thirty years old at

1:25:04.880 --> 1:25:06.960
<v Speaker 1>the time, that music really spoke to me because it

1:25:07.040 --> 1:25:12.360
<v Speaker 1>was really music of the seventies and and but yet honestly,

1:25:12.600 --> 1:25:15.679
<v Speaker 1>some of it was more sophisticated than than the music

1:25:15.720 --> 1:25:18.280
<v Speaker 1>of the seventies. Kirk o'bain was a very under is,

1:25:18.320 --> 1:25:25.840
<v Speaker 1>a very underestimated songwriter, incredibly sophisticated, um harmonically complex melodies

1:25:25.880 --> 1:25:30.760
<v Speaker 1>over very weird chord changes. Chris Cornell, Eddie Vetter, Lane Staley,

1:25:30.920 --> 1:25:33.160
<v Speaker 1>the guys in Stunt Temple Pilots, all of them wrote

1:25:33.320 --> 1:25:37.120
<v Speaker 1>very sophisticated songs and odd times with weird chord changes,

1:25:37.160 --> 1:25:39.479
<v Speaker 1>but they were all melodic. So that music spoke to

1:25:39.520 --> 1:25:42.360
<v Speaker 1>me and I thought, I'm gonna move somewhere else. I

1:25:42.400 --> 1:25:45.120
<v Speaker 1>want to start a band, and I ended up in

1:25:45.160 --> 1:25:50.960
<v Speaker 1>Atlanta because my old college roommate lived down here. Okay,

1:25:51.000 --> 1:25:53.880
<v Speaker 1>presently you have a whole studio in your videos, and

1:25:54.000 --> 1:25:56.559
<v Speaker 1>right now I can see all your guitars. What's the

1:25:56.600 --> 1:26:01.280
<v Speaker 1>evolution to that in Atlanta? So I um so I

1:26:01.360 --> 1:26:05.680
<v Speaker 1>came here in November of nine. I started working at

1:26:05.680 --> 1:26:09.040
<v Speaker 1>a local music store teaching guitar lessons, and I was

1:26:09.080 --> 1:26:11.960
<v Speaker 1>teaching all the hits of the of those days, I

1:26:12.000 --> 1:26:14.479
<v Speaker 1>had fifty students a week that I taught from nineteen

1:26:14.560 --> 1:26:21.320
<v Speaker 1>ninety four to nineteen UM I started producing bands. Um really.

1:26:21.479 --> 1:26:23.640
<v Speaker 1>The first band that produced was a band called the

1:26:23.680 --> 1:26:26.880
<v Speaker 1>Tender idols. They were friends of mine. One of the

1:26:26.880 --> 1:26:29.880
<v Speaker 1>guys in the band is Dave Cobb, who's the producer

1:26:29.960 --> 1:26:33.280
<v Speaker 1>up in Nashville. That is the hottest guy there right.

1:26:33.520 --> 1:26:35.640
<v Speaker 1>He was in the band in the first band I

1:26:35.680 --> 1:26:39.360
<v Speaker 1>ever produced, UM and a dear friend of mine for

1:26:39.640 --> 1:26:43.840
<v Speaker 1>twenty five years or so, UM and UH So I

1:26:43.880 --> 1:26:46.760
<v Speaker 1>started producing bands here and there, and I was in

1:26:47.000 --> 1:26:50.599
<v Speaker 1>I started a band called Billionaire in nineteen nine seven.

1:26:51.520 --> 1:26:58.519
<v Speaker 1>We got signed in UM by UM London Sire Records,

1:26:58.560 --> 1:27:03.960
<v Speaker 1>Bob Biggs, who ran Ash recently. I didn't know that

1:27:05.479 --> 1:27:09.479
<v Speaker 1>Bob was amazing. I'm just a super interesting guy. And

1:27:09.520 --> 1:27:14.439
<v Speaker 1>Peter Kupkey ran UM London Sire Yeah with ro Dreames, Yes,

1:27:14.479 --> 1:27:17.559
<v Speaker 1>with Rab James. So they UM. So we got signed

1:27:18.000 --> 1:27:23.680
<v Speaker 1>UM and we got forced to use a producer I'm

1:27:23.720 --> 1:27:28.240
<v Speaker 1>not going to name his name, and who ended up UM.

1:27:28.439 --> 1:27:31.360
<v Speaker 1>He stopped showing up at the studio. I've made videos

1:27:31.479 --> 1:27:34.800
<v Speaker 1>about this. He stopped showing up in the studio a

1:27:34.840 --> 1:27:36.920
<v Speaker 1>week into the project. And so the singer and I

1:27:36.960 --> 1:27:39.920
<v Speaker 1>are they're working on the stuff, just recording overdubs, and

1:27:39.960 --> 1:27:42.760
<v Speaker 1>he would come in every you know, every few days

1:27:42.760 --> 1:27:45.200
<v Speaker 1>and need to race everything that we did. So he

1:27:45.280 --> 1:27:47.679
<v Speaker 1>ended up getting fired after four months, and we spent

1:27:47.760 --> 1:27:49.920
<v Speaker 1>like four dred and eighty thousand dollars or so, and

1:27:50.000 --> 1:27:52.120
<v Speaker 1>the guys came in and he got fired by Peter

1:27:52.200 --> 1:27:54.800
<v Speaker 1>cup Key and and then they sent the record to

1:27:54.880 --> 1:27:58.680
<v Speaker 1>Kevin Shirley in New York UM to try and fix it.

1:27:58.760 --> 1:28:02.160
<v Speaker 1>Had no track sheets. It was forty eight tracks analog,

1:28:02.280 --> 1:28:07.320
<v Speaker 1>no track sheets, nothing, and Kevin mixed the record. The

1:28:07.400 --> 1:28:09.960
<v Speaker 1>record came out for I don't know a couple of weeks,

1:28:09.960 --> 1:28:12.439
<v Speaker 1>and then we got dropped because there was the first merger.

1:28:12.479 --> 1:28:16.880
<v Speaker 1>PolyGram got bought by Universal Um. But after we had

1:28:16.880 --> 1:28:22.479
<v Speaker 1>spent our budget, my dear friend read Hunter is who's

1:28:22.640 --> 1:28:28.760
<v Speaker 1>who's um, who's my lawyer? And he was, you know read,

1:28:28.880 --> 1:28:31.680
<v Speaker 1>I know, you know read. So I went over to

1:28:31.720 --> 1:28:36.040
<v Speaker 1>Reid's house and Um, he was working on his roof

1:28:36.960 --> 1:28:38.600
<v Speaker 1>his backyard. He had a bandana. I was like a

1:28:38.640 --> 1:28:40.840
<v Speaker 1>hundred degrees. He's like fixing something on his roof of

1:28:40.840 --> 1:28:42.680
<v Speaker 1>his garage and I'm talking to him like this and

1:28:42.720 --> 1:28:45.160
<v Speaker 1>I was like, he's like, so, you guys spent your

1:28:45.160 --> 1:28:46.960
<v Speaker 1>whole budget, right, And I said yeah, And he said

1:28:47.000 --> 1:28:48.760
<v Speaker 1>when's the record coming? And I said August He's like,

1:28:48.760 --> 1:28:49.960
<v Speaker 1>what are you gonna do till then I said, I

1:28:50.000 --> 1:28:51.400
<v Speaker 1>don't know. I think I'm just gonna go back and

1:28:51.439 --> 1:28:54.799
<v Speaker 1>teach guitar lessons. He has, well, why don't you produce bands?

1:28:54.920 --> 1:28:58.639
<v Speaker 1>And I was like, and I said, read, I can't

1:28:58.680 --> 1:29:01.960
<v Speaker 1>make any money producing bands, and I don't. There's no

1:29:02.040 --> 1:29:03.559
<v Speaker 1>who am I going to produce? He goes, well, there's

1:29:03.600 --> 1:29:07.280
<v Speaker 1>this band that needs a better demo, and go check out.

1:29:07.280 --> 1:29:09.639
<v Speaker 1>Pick up the cassette. It's on my kitchen table before

1:29:09.640 --> 1:29:12.320
<v Speaker 1>you leave, and tell him that I told them that

1:29:12.400 --> 1:29:14.400
<v Speaker 1>they need better demos. They have good songs, but they

1:29:14.400 --> 1:29:16.400
<v Speaker 1>needed better demos. And one of the songs I did

1:29:16.840 --> 1:29:22.439
<v Speaker 1>from that demo got an American Pie to soundtrack. UM.

1:29:22.600 --> 1:29:24.120
<v Speaker 1>From the first thing I did, I called up a

1:29:24.160 --> 1:29:26.360
<v Speaker 1>buddy of mine that was had a studio in his

1:29:26.400 --> 1:29:30.040
<v Speaker 1>basement and I went and produced it there. And then

1:29:30.040 --> 1:29:35.280
<v Speaker 1>I started getting project after project and um, all different

1:29:35.320 --> 1:29:37.760
<v Speaker 1>genres of music. And and Leslie Fram, who was the

1:29:37.760 --> 1:29:41.840
<v Speaker 1>program director at X at the time, dear friend of mine.

1:29:42.640 --> 1:29:45.120
<v Speaker 1>She started referring bands to me, should ever be out

1:29:45.120 --> 1:29:48.120
<v Speaker 1>of you know, do your do your recordings? And um.

1:29:48.160 --> 1:29:50.200
<v Speaker 1>She and her husband LANDI are really good friends of

1:29:50.200 --> 1:29:53.400
<v Speaker 1>mine Landy. Landy actually brought a band to meet and

1:29:53.439 --> 1:29:56.360
<v Speaker 1>that she and he and Leslie came to the studio

1:29:56.439 --> 1:30:00.160
<v Speaker 1>and Leslie was we're talking everything and and she was

1:30:00.200 --> 1:30:04.800
<v Speaker 1>really instrumental in helping me, um helping my career. It

1:30:04.880 --> 1:30:08.280
<v Speaker 1>was amazing and we're good, really close friends to this day.

1:30:08.800 --> 1:30:12.439
<v Speaker 1>She in in LANDI and I and um So I

1:30:12.520 --> 1:30:15.120
<v Speaker 1>just I never stopped producing. I had project after project

1:30:15.160 --> 1:30:19.679
<v Speaker 1>from two thousand seventeen. When did you build your own

1:30:19.720 --> 1:30:24.519
<v Speaker 1>studio in and you had enough money to do that?

1:30:24.600 --> 1:30:27.360
<v Speaker 1>Hid you managed to do it? So um I knew

1:30:27.400 --> 1:30:30.320
<v Speaker 1>that all the budgets were gonna go um, we're gonna

1:30:30.320 --> 1:30:32.840
<v Speaker 1>go away. They were starting to go away at that point,

1:30:32.960 --> 1:30:36.040
<v Speaker 1>so I um so I was like, Okay, I'm gon

1:30:36.120 --> 1:30:40.280
<v Speaker 1>have to build a studio. UM and UM I built

1:30:40.320 --> 1:30:42.559
<v Speaker 1>it with three of my friends. We did all the

1:30:42.560 --> 1:30:46.000
<v Speaker 1>construction ourself, planned it out. Red I had had a

1:30:46.040 --> 1:30:47.840
<v Speaker 1>buddy of mine that had built a studio that my

1:30:47.880 --> 1:30:51.160
<v Speaker 1>old band had worked at in town. Uh friend of

1:30:51.160 --> 1:30:55.120
<v Speaker 1>mine Jimmy and um and it took like four months

1:30:55.160 --> 1:30:57.800
<v Speaker 1>or so to build it and um and then I

1:30:57.840 --> 1:31:02.760
<v Speaker 1>started just producing everything here in my studio and um

1:31:02.880 --> 1:31:08.320
<v Speaker 1>um So I you know, basically collected all the gear

1:31:08.479 --> 1:31:10.599
<v Speaker 1>over the course of you know, of years and years

1:31:10.600 --> 1:31:14.120
<v Speaker 1>and years all the stuff that's in here, and bands

1:31:14.120 --> 1:31:15.559
<v Speaker 1>would come from out of town and they would just

1:31:15.640 --> 1:31:19.879
<v Speaker 1>use my all my stuff. And is your where's it located?

1:31:19.840 --> 1:31:25.000
<v Speaker 1>Has touched your house or where is it? Okay? So

1:31:26.640 --> 1:31:30.320
<v Speaker 1>at this late date, anybody watches your video, you have

1:31:30.360 --> 1:31:33.599
<v Speaker 1>a slew of equipment. Let's start with musical equipment. How

1:31:33.600 --> 1:31:39.360
<v Speaker 1>many guitars do you want? UM? I don't know, probably

1:31:39.880 --> 1:31:43.080
<v Speaker 1>probably forty, Maybe I don't know. You of Fender a

1:31:43.160 --> 1:31:47.400
<v Speaker 1>Gibson guy. I I'm a Gibson guy, but I have Fender.

1:31:47.600 --> 1:31:51.240
<v Speaker 1>I have plenty of Fender guitars. What I what do

1:31:51.280 --> 1:31:53.479
<v Speaker 1>you think about the new amps? You know, like Line

1:31:53.520 --> 1:31:56.439
<v Speaker 1>six brought in? They do all the changes you uh

1:31:57.160 --> 1:32:00.599
<v Speaker 1>thumbs upper thumbs down on that. I'm I'm I'm always

1:32:00.640 --> 1:32:03.679
<v Speaker 1>into whatever the latest gear is, Bob, I love gear.

1:32:05.080 --> 1:32:10.679
<v Speaker 1>I love learning new gear. I I um um. It's

1:32:10.680 --> 1:32:12.479
<v Speaker 1>one of my favorite things to do is to check

1:32:12.479 --> 1:32:17.200
<v Speaker 1>out new gear. Are you a pro tools or logic? Both?

1:32:17.320 --> 1:32:19.400
<v Speaker 1>But I use pro tools mainly, but I have I

1:32:19.439 --> 1:32:21.920
<v Speaker 1>have both actually, and why would you use one or

1:32:21.960 --> 1:32:25.080
<v Speaker 1>the other? Um? Some of the projects that I would

1:32:25.080 --> 1:32:27.200
<v Speaker 1>get as a producer would be in logic. Some of

1:32:27.200 --> 1:32:30.000
<v Speaker 1>the people would record their demos and logic and sometimes

1:32:30.000 --> 1:32:33.120
<v Speaker 1>a lot of times you'd have a part. You know,

1:32:33.200 --> 1:32:35.040
<v Speaker 1>there's a band need to breathe I worked with I

1:32:35.040 --> 1:32:38.040
<v Speaker 1>did three records with them, and sometimes they have demos

1:32:38.080 --> 1:32:40.479
<v Speaker 1>where they would get a particular sound you could never

1:32:40.520 --> 1:32:43.280
<v Speaker 1>recreate again, so we just take it out a lot

1:32:43.320 --> 1:32:45.120
<v Speaker 1>and I would have logic. They would send me the

1:32:45.120 --> 1:32:49.800
<v Speaker 1>sessions and I would take the I would take the

1:32:49.880 --> 1:32:52.960
<v Speaker 1>that particular sound and we'd use that sound in the session.

1:32:53.479 --> 1:32:56.200
<v Speaker 1>Something that that that is a one of a kind.

1:32:56.800 --> 1:33:01.360
<v Speaker 1>You know, many times you that, Um, it's very hard

1:33:01.360 --> 1:33:06.040
<v Speaker 1>to repeat sounds really hard unless you have meticulous notes

1:33:06.080 --> 1:33:11.479
<v Speaker 1>on things or don't move things. It's it's it's um,

1:33:11.520 --> 1:33:16.400
<v Speaker 1>it's uh extremely difficult, you know, like uh, like the

1:33:16.479 --> 1:33:20.760
<v Speaker 1>opening to Money for Nothing, Like, how do you even

1:33:20.760 --> 1:33:22.920
<v Speaker 1>get that sound? You can kind of approximate that, but

1:33:22.920 --> 1:33:24.680
<v Speaker 1>I don't know if Mark Noffler has ever gotten that

1:33:24.680 --> 1:33:30.439
<v Speaker 1>sound exactly the same like that. You know. Okay, so

1:33:31.000 --> 1:33:38.200
<v Speaker 1>where is music going? Um? It depends. There's there's a

1:33:38.200 --> 1:33:42.400
<v Speaker 1>lot of interesting genres of music that are progressing. You know,

1:33:42.560 --> 1:33:47.800
<v Speaker 1>the the greatest players, at least technically that have ever

1:33:47.880 --> 1:33:52.040
<v Speaker 1>lived or alive right now, and because of YouTube, because

1:33:52.080 --> 1:33:57.000
<v Speaker 1>of Instagram, they're they're the greatest technicians on the guitar.

1:33:57.360 --> 1:33:59.840
<v Speaker 1>And and some of the most creative kids are out

1:33:59.840 --> 1:34:05.000
<v Speaker 1>there are playing as right now doing things that were impossible.

1:34:05.840 --> 1:34:09.920
<v Speaker 1>But because of all the free tutorials that are out there,

1:34:10.760 --> 1:34:14.640
<v Speaker 1>kids can learn things at a incredibly fast rate and

1:34:14.760 --> 1:34:18.240
<v Speaker 1>incorporate all new techniques, playing on the guitar with two

1:34:18.280 --> 1:34:21.840
<v Speaker 1>different hands, things that you would have thought were impossible,

1:34:22.439 --> 1:34:24.960
<v Speaker 1>that our guitar heroes of the past, you know, never

1:34:25.040 --> 1:34:30.160
<v Speaker 1>you could have imagined. And UM and the genres like

1:34:30.200 --> 1:34:33.800
<v Speaker 1>progressive metal has a great community and that's kind of

1:34:33.840 --> 1:34:36.120
<v Speaker 1>like the jazz of today in a way. This where

1:34:36.160 --> 1:34:40.400
<v Speaker 1>a lot of innovation is happening. UM. As far as

1:34:40.439 --> 1:34:46.760
<v Speaker 1>pop music is concerned, you know, the there's some it's

1:34:46.880 --> 1:34:51.400
<v Speaker 1>it's uh, there's some interesting stuff. I love production, and

1:34:51.479 --> 1:34:55.400
<v Speaker 1>people hate it when I compliment anything that's popular. They

1:34:55.520 --> 1:34:57.439
<v Speaker 1>just the comment sections when I do my top ten

1:34:57.479 --> 1:35:01.040
<v Speaker 1>Spotify countdowns and I talked about pop music. When I

1:35:01.120 --> 1:35:03.800
<v Speaker 1>compliment things, and I try to look for the good

1:35:03.840 --> 1:35:08.920
<v Speaker 1>in music. Sometimes it's very difficult to find. But um,

1:35:08.960 --> 1:35:13.280
<v Speaker 1>but there's there's a lot of creative production elements in

1:35:13.360 --> 1:35:17.720
<v Speaker 1>contemporary pop music. The downside is that you don't you'll

1:35:18.280 --> 1:35:20.120
<v Speaker 1>you know, when's the last time we saw a kiss

1:35:20.120 --> 1:35:22.200
<v Speaker 1>from a rose like seal? Well, you don't see things

1:35:22.240 --> 1:35:28.960
<v Speaker 1>that have unbelievable orchestration with that have, you know, really

1:35:29.000 --> 1:35:33.840
<v Speaker 1>sophisticated melodies and chord changes and all pro players. You

1:35:33.840 --> 1:35:36.840
<v Speaker 1>know this, This doesn't really exist in popular music anymore.

1:35:36.840 --> 1:35:39.759
<v Speaker 1>When's the last time somebody spent money on a budget

1:35:39.760 --> 1:35:42.439
<v Speaker 1>to hire a real orchestra on a pop song? I mean,

1:35:42.479 --> 1:35:48.560
<v Speaker 1>I I don't know, um, but um, most most records

1:35:48.640 --> 1:35:52.840
<v Speaker 1>are made by people in their in their bedrooms, you know,

1:35:53.120 --> 1:35:58.240
<v Speaker 1>Billie Eilish. Interesting records are made by people that are

1:35:59.120 --> 1:36:02.479
<v Speaker 1>making them themselves else, you know, and and um, where

1:36:02.560 --> 1:36:05.680
<v Speaker 1>is it going? I'm not sure where is it going? Bob? Well,

1:36:05.720 --> 1:36:09.719
<v Speaker 1>let's separate it out. Okay, there is the Spotify Top fifty,

1:36:09.760 --> 1:36:12.840
<v Speaker 1>which is mainly hip hop and pop. Then there are

1:36:12.880 --> 1:36:15.599
<v Speaker 1>all these other genres. What do we know? The Spotify

1:36:15.720 --> 1:36:19.120
<v Speaker 1>top fifty, literally in terms of the numbers, is less

1:36:19.120 --> 1:36:22.519
<v Speaker 1>of the marketplace keeps going down. We we grew up

1:36:22.520 --> 1:36:25.639
<v Speaker 1>in arrows certainly in the sixties and in the eighties MTV.

1:36:25.680 --> 1:36:29.639
<v Speaker 1>If it was a hit, everybody knew it. Hit today

1:36:29.640 --> 1:36:31.840
<v Speaker 1>and most people have never heard it, never mind another

1:36:31.880 --> 1:36:34.800
<v Speaker 1>track on the album. But let's just stay with your

1:36:35.000 --> 1:36:39.920
<v Speaker 1>great players thing. If we're looking at rock to what

1:36:40.120 --> 1:36:44.040
<v Speaker 1>degree do we have the Berkeley College of Music paradigm

1:36:44.320 --> 1:36:48.280
<v Speaker 1>where you have some great players. But writing is different

1:36:48.680 --> 1:36:53.240
<v Speaker 1>from playing and is okay? Go on, Yes, writing is

1:36:53.320 --> 1:36:58.320
<v Speaker 1>very different from playing. Um, the the all the guitar

1:36:58.439 --> 1:37:02.360
<v Speaker 1>virtuoses that are out there don't write songs necessarily, or

1:37:02.400 --> 1:37:05.000
<v Speaker 1>they write songs. They don't find singers like you used

1:37:05.040 --> 1:37:07.479
<v Speaker 1>to back when I was growing up. You go out

1:37:07.479 --> 1:37:10.400
<v Speaker 1>and you find a singer to to so you can

1:37:10.439 --> 1:37:13.600
<v Speaker 1>play guitar solos and play parts because you wanted to

1:37:13.640 --> 1:37:16.320
<v Speaker 1>be part of writing songs. That's why why I got

1:37:16.320 --> 1:37:20.080
<v Speaker 1>into music was too to write songs. Yeah, I like

1:37:20.120 --> 1:37:23.800
<v Speaker 1>playing guitar solos. Two. I love playing guitar, but I

1:37:24.320 --> 1:37:27.639
<v Speaker 1>like songs more. I mean, well, I don't know about more,

1:37:27.760 --> 1:37:31.320
<v Speaker 1>but I love songs. So Eddie Van Helen needed David

1:37:31.360 --> 1:37:34.559
<v Speaker 1>Lee Roth, you know, Steven Tyler, Joe Perry needed Steven Tyler.

1:37:34.640 --> 1:37:38.799
<v Speaker 1>Jimmy Page needed Robert Plant, Keith Richards needed Mick Jagger.

1:37:39.720 --> 1:37:43.240
<v Speaker 1>It was never you know, Jimi Hendrix didn't need anyone

1:37:43.280 --> 1:37:46.000
<v Speaker 1>else but very few. Air Clapton didn't need anyone else.

1:37:46.000 --> 1:37:50.320
<v Speaker 1>But for the most part, Um, all the guitar players

1:37:50.320 --> 1:37:56.160
<v Speaker 1>that were historically uh you know, you know, the the

1:37:56.200 --> 1:38:01.400
<v Speaker 1>people that that that we're revered when I was growing up,

1:38:01.600 --> 1:38:04.439
<v Speaker 1>from David Gilmore to Brian Made to Jimmy Page to

1:38:05.240 --> 1:38:08.720
<v Speaker 1>Eric Clapton, Hendrix, all these you know, to Albert King

1:38:08.760 --> 1:38:12.240
<v Speaker 1>to b B. King, you know, all the blues masters. Uh.

1:38:12.520 --> 1:38:15.200
<v Speaker 1>The um, it was always about the song and the

1:38:15.320 --> 1:38:21.920
<v Speaker 1>soloing was secondary. Even with Van Halen, the soloing was secondary. Um.

1:38:22.040 --> 1:38:26.639
<v Speaker 1>Joni Mitchell had incredible soloists play with her, the the

1:38:26.640 --> 1:38:29.960
<v Speaker 1>the best player, Steely Dan. They had amazing solos on it.

1:38:30.000 --> 1:38:33.479
<v Speaker 1>Whether it's Jay Grayden on peg, whether it's Larry Carlton

1:38:33.560 --> 1:38:36.439
<v Speaker 1>and Kids, Charlemagne, Elliott Randall on reel and in the

1:38:36.520 --> 1:38:40.320
<v Speaker 1>years Denny Diaz on do it again. These were the

1:38:40.360 --> 1:38:45.639
<v Speaker 1>top session players in l A playing just unimaginably great solos.

1:38:45.680 --> 1:38:49.920
<v Speaker 1>Carlos Rios and brother to brother by Gino Vanilly just classics.

1:38:50.000 --> 1:38:53.840
<v Speaker 1>Or David Gilmore uncomfortably number. You know, another brick in

1:38:53.880 --> 1:38:59.960
<v Speaker 1>the wall. Whatever it is, Okay, So kids today, songwriting

1:39:00.120 --> 1:39:03.360
<v Speaker 1>is not necessarily a thing that guitar players do. There's

1:39:03.400 --> 1:39:05.960
<v Speaker 1>no impetus to do that. There is no rock movement,

1:39:06.240 --> 1:39:10.639
<v Speaker 1>and um, I think that the advent of pro tools

1:39:10.920 --> 1:39:15.400
<v Speaker 1>and logic being on every computer. Um, people can make

1:39:15.439 --> 1:39:18.000
<v Speaker 1>songs so easily. Put a beat here, they write lyrics,

1:39:18.000 --> 1:39:20.320
<v Speaker 1>I do this and then it's done. Back in the day,

1:39:20.360 --> 1:39:24.160
<v Speaker 1>I didn't know anybody that recorded recording recording studios when

1:39:24.160 --> 1:39:26.080
<v Speaker 1>I was a kid. I didn't go to one until

1:39:26.120 --> 1:39:29.280
<v Speaker 1>I was in college, and the and the College Fredonia,

1:39:29.360 --> 1:39:31.400
<v Speaker 1>My my cousin was the recording major. I went in

1:39:31.439 --> 1:39:34.720
<v Speaker 1>my first recording studio then couldn't believe it. Nobody I

1:39:34.800 --> 1:39:40.240
<v Speaker 1>knew made recordings. Believe me, I know. So you know.

1:39:40.560 --> 1:39:44.240
<v Speaker 1>Now occasionally I view the active rock chart, which is,

1:39:44.280 --> 1:39:48.000
<v Speaker 1>you know, a radio format. But I I remember when

1:39:48.120 --> 1:39:52.280
<v Speaker 1>Black Sabbath was too far out there and led Zeppel

1:39:52.400 --> 1:39:57.240
<v Speaker 1>was considered heavy metal. Then the standard became metallica. So

1:39:58.120 --> 1:40:01.080
<v Speaker 1>I find unless you've been study the music for ten

1:40:01.280 --> 1:40:07.280
<v Speaker 1>twenty years, it's indecipherable by the average listener. Right by

1:40:07.280 --> 1:40:11.040
<v Speaker 1>the same token he's nodding his head here. Then there's rock.

1:40:11.320 --> 1:40:14.599
<v Speaker 1>You occasionally find rock channel rock songs that I don't know,

1:40:14.960 --> 1:40:16.599
<v Speaker 1>I don't know where they're getting played. How do you

1:40:16.640 --> 1:40:22.080
<v Speaker 1>find this stuff? It's it's difficult. I mean the rock charts,

1:40:22.160 --> 1:40:24.519
<v Speaker 1>you know, the Spotify rock chart is rock this that's

1:40:24.560 --> 1:40:27.599
<v Speaker 1>the biggest playlist. It's got four point five million viewers.

1:40:28.120 --> 1:40:33.639
<v Speaker 1>Alison Hagendorf programs that, Um, the most people discover music

1:40:33.680 --> 1:40:36.479
<v Speaker 1>on playlists, and the playlists are now the A and

1:40:36.600 --> 1:40:40.559
<v Speaker 1>R people of twenty years ago. You know, Uh, they're

1:40:40.600 --> 1:40:42.880
<v Speaker 1>the ones at that side what gets played. Or maybe

1:40:42.880 --> 1:40:47.559
<v Speaker 1>they're the uh you know, the independent radio promoters that

1:40:47.640 --> 1:40:51.280
<v Speaker 1>were that all the labels paid to avoid payola back

1:40:51.320 --> 1:40:54.839
<v Speaker 1>and then you know, eighties and nineties. Is there anybody

1:40:54.840 --> 1:41:00.120
<v Speaker 1>out there in the rock sphere musically who's unrecognized that

1:41:00.240 --> 1:41:02.080
<v Speaker 1>you want to say or not recognize enough that you

1:41:02.120 --> 1:41:12.320
<v Speaker 1>say people should pay attention to um? Um? Maybe I

1:41:12.360 --> 1:41:22.160
<v Speaker 1>have my answer, uh, that people should pay attention to um.

1:41:22.280 --> 1:41:27.240
<v Speaker 1>You know, it's interesting when i'm um, most of the

1:41:27.280 --> 1:41:30.040
<v Speaker 1>stuff I listened to that's contemporary music are things that

1:41:30.080 --> 1:41:33.200
<v Speaker 1>are on the charts. When I do my breakdowns, it's

1:41:33.240 --> 1:41:36.639
<v Speaker 1>the way that I familiarize myself with contemporary music. Okay,

1:41:36.640 --> 1:41:40.080
<v Speaker 1>so who's on the charts but not not known by everybody?

1:41:42.680 --> 1:41:45.599
<v Speaker 1>You know, it's it's hard to say who knows. I don't.

1:41:46.479 --> 1:41:48.200
<v Speaker 1>Let's let's let's leave that because I don't want to

1:41:48.200 --> 1:41:50.080
<v Speaker 1>pay on the spot. But one thing I will put

1:41:50.120 --> 1:41:55.040
<v Speaker 1>you on the spot. Greatest guitarist of all time, greatest

1:41:55.120 --> 1:41:59.160
<v Speaker 1>rock guitars whip out Segovia or something. Greatest rock guitarists

1:41:59.200 --> 1:42:14.519
<v Speaker 1>of all time? Man, Um, geez? You know, uh, Jimmy

1:42:14.560 --> 1:42:18.080
<v Speaker 1>Hendricks and Jeff Beck. Maybe I go with Beck. Okay,

1:42:18.200 --> 1:42:20.920
<v Speaker 1>let's move on from there. Okay, so what and Jeff

1:42:20.960 --> 1:42:27.080
<v Speaker 1>and Jeff Beck? Honestly, Um suffers from not having Um

1:42:27.360 --> 1:42:29.920
<v Speaker 1>been in a band. Well, he had bands with vocalists

1:42:30.320 --> 1:42:32.760
<v Speaker 1>you know, No, no, I mean listen, you know you

1:42:32.760 --> 1:42:35.759
<v Speaker 1>talk about Jimmy Page. I remember going to the Arms show.

1:42:36.240 --> 1:42:39.040
<v Speaker 1>So you had Jimmy Page, Clapton and Becked on the

1:42:39.080 --> 1:42:42.840
<v Speaker 1>same stage. Beck blew him away. This is eighty three,

1:42:42.920 --> 1:42:47.320
<v Speaker 1>I think. But Jimmy Page, he wrote the songs those

1:42:47.400 --> 1:42:50.600
<v Speaker 1>he didn't we make that we're all ultimately standards and

1:42:50.640 --> 1:42:54.200
<v Speaker 1>produced them and you cannot underestimate that. So Jimmy Page.

1:42:54.400 --> 1:42:57.080
<v Speaker 1>If one of my friends asked me recently, who's the

1:42:57.120 --> 1:43:00.000
<v Speaker 1>one musician I would like to interview, and I said

1:43:00.120 --> 1:43:03.360
<v Speaker 1>Jimmy Page without hesitation. He said why Jimmy Page. I said,

1:43:04.520 --> 1:43:07.160
<v Speaker 1>because Jimmy Page was at the center of all this stuff.

1:43:07.200 --> 1:43:11.000
<v Speaker 1>Plus he's not been um you know. He said, why

1:43:11.040 --> 1:43:13.200
<v Speaker 1>not Paul McCartney. I said, because Paul McCartney has told

1:43:13.240 --> 1:43:17.000
<v Speaker 1>every story he has a hundred thousand times, Jimmy Page hasn't.

1:43:17.640 --> 1:43:19.479
<v Speaker 1>I want to know what it was like to sit

1:43:19.520 --> 1:43:23.559
<v Speaker 1>down with your Martin guitar when you're gonna start Stairway

1:43:23.600 --> 1:43:26.200
<v Speaker 1>to Heaven the first and you picked the first note

1:43:26.240 --> 1:43:29.320
<v Speaker 1>of it? What's going through your mind? That would be

1:43:29.360 --> 1:43:31.800
<v Speaker 1>a great interview. You'd be the perfect person for that

1:43:32.160 --> 1:43:39.280
<v Speaker 1>favorite led Zeppelin song. Oh my god, favorite led Zeppelin song.

1:43:39.680 --> 1:43:46.759
<v Speaker 1>Um ah, jeez. I would go with Good Times Bad Times?

1:43:47.160 --> 1:43:49.600
<v Speaker 1>Doesn't that no one ever mentioned the first album that

1:43:49.800 --> 1:43:52.120
<v Speaker 1>used to be my favorite? But now my favorite is

1:43:52.160 --> 1:43:55.160
<v Speaker 1>ten And I'll tell you and I love ten Years Gone,

1:43:55.160 --> 1:43:57.280
<v Speaker 1>but I'll tell you why I love Good Times Bad Times.

1:43:57.320 --> 1:44:03.000
<v Speaker 1>First of all, it's the drums sounds on this. It's

1:44:03.040 --> 1:44:05.800
<v Speaker 1>just like it's just Zeppelin just the first impression you

1:44:05.800 --> 1:44:09.320
<v Speaker 1>get have led Zeppelin right there. It's got a bass

1:44:09.360 --> 1:44:12.200
<v Speaker 1>solo in it, it's got this one of the best

1:44:12.360 --> 1:44:15.679
<v Speaker 1>John bonhom drumbeats. It's got a killer guitar riff, it's

1:44:15.680 --> 1:44:18.439
<v Speaker 1>got a great vocal melody, it's got a really great

1:44:18.520 --> 1:44:24.639
<v Speaker 1>hook um, and it incorporates all the elements of Zeppelin

1:44:25.560 --> 1:44:30.000
<v Speaker 1>and and is sonically phenomenal, like just right off the bat,

1:44:30.080 --> 1:44:32.280
<v Speaker 1>first song on the first record, so as I just

1:44:32.320 --> 1:44:34.240
<v Speaker 1>have to go with that. But there's so many great

1:44:34.320 --> 1:44:39.080
<v Speaker 1>Zeppelin songs. But man, that that's a whole another conversation.

1:44:39.160 --> 1:44:43.720
<v Speaker 1>So you do twelve videos a week? Is something percolating

1:44:43.760 --> 1:44:48.760
<v Speaker 1>in your brain? Now? Yes? Okay? Is that? How does

1:44:48.800 --> 1:44:51.280
<v Speaker 1>it work? Do you? Is it work that I gotta

1:44:51.320 --> 1:44:53.360
<v Speaker 1>make a video, gotta come up with a topic or

1:44:53.439 --> 1:44:56.599
<v Speaker 1>is it raw inspiration or the topics in the back

1:44:56.640 --> 1:45:00.960
<v Speaker 1>of your head? So I have a list of topics

1:45:01.000 --> 1:45:04.400
<v Speaker 1>that I on my phone. So usually I get up

1:45:04.439 --> 1:45:06.519
<v Speaker 1>with with my kids. I have three kids. I get

1:45:06.600 --> 1:45:08.320
<v Speaker 1>up and I have three dogs and three cats, and

1:45:08.360 --> 1:45:09.960
<v Speaker 1>I get up with my wife and you know, we

1:45:10.000 --> 1:45:12.040
<v Speaker 1>get all the dogs fed and do all this stuff

1:45:12.080 --> 1:45:15.920
<v Speaker 1>and get the kids fed, and then I'll go sit. Uh.

1:45:16.200 --> 1:45:18.240
<v Speaker 1>I usually I'll sit outside this time of year with

1:45:18.600 --> 1:45:21.360
<v Speaker 1>and drink my coffee and I'll start thinking about my

1:45:21.439 --> 1:45:23.719
<v Speaker 1>video that I'm gonna make. So I had a uh.

1:45:24.080 --> 1:45:26.639
<v Speaker 1>I usually have about ten video ideas going on at once,

1:45:28.640 --> 1:45:32.880
<v Speaker 1>and um, I haven't a video that I've been wanting

1:45:32.920 --> 1:45:36.320
<v Speaker 1>to make on auto tune, and I have about four

1:45:36.360 --> 1:45:40.840
<v Speaker 1>different ways that I want to uh that that I

1:45:40.880 --> 1:45:44.240
<v Speaker 1>can talk about it. I think auto tune is is

1:45:45.800 --> 1:45:50.640
<v Speaker 1>a a horrible thing, be a great thing for certain things. Right.

1:45:50.840 --> 1:45:54.280
<v Speaker 1>Auto tune saved a bunch of record projects for bands

1:45:54.280 --> 1:45:56.719
<v Speaker 1>that didn't have budgets. And you got your the last

1:45:56.800 --> 1:45:58.280
<v Speaker 1>day and your they can only be in town for

1:45:58.360 --> 1:46:00.559
<v Speaker 1>five days. And I was doing a thing. You have

1:46:00.600 --> 1:46:02.760
<v Speaker 1>a couple attitude notes and that you can fix with

1:46:02.760 --> 1:46:05.000
<v Speaker 1>auto tune because you don't have any extra takes that

1:46:05.080 --> 1:46:07.840
<v Speaker 1>we're with a good one. Right, So it's a lifesaver.

1:46:08.600 --> 1:46:11.599
<v Speaker 1>And then you have it where it's just on every

1:46:11.640 --> 1:46:15.240
<v Speaker 1>song and a dehumanizes music, you know, it's it's uh.

1:46:15.360 --> 1:46:18.719
<v Speaker 1>It takes the humanity and emotion out of everything. And

1:46:18.880 --> 1:46:21.519
<v Speaker 1>I think twenty years from now, I mean it makes

1:46:22.040 --> 1:46:26.840
<v Speaker 1>most music very forgettable because everybody's going through this um

1:46:26.880 --> 1:46:33.599
<v Speaker 1>this filter that essentially takes the humanity out of their voice,

1:46:33.960 --> 1:46:37.320
<v Speaker 1>all the imperfections, the pitch in perfections, which is actually

1:46:37.360 --> 1:46:42.040
<v Speaker 1>the character. Um. Yet some people use it for, you know,

1:46:42.120 --> 1:46:45.160
<v Speaker 1>with really cool effects, but the fact that it's whether

1:46:45.240 --> 1:46:46.880
<v Speaker 1>you can hear it or not is pretty much on

1:46:47.040 --> 1:46:50.760
<v Speaker 1>every vocal of every rock song, every pop song. Maybe

1:46:50.800 --> 1:46:52.519
<v Speaker 1>not every indie rock song, but a lot of indie

1:46:52.600 --> 1:46:55.040
<v Speaker 1>rock songs. You would be surprised that have auto tune

1:46:55.080 --> 1:46:59.960
<v Speaker 1>as well. And um, you know. So I'm trying to

1:47:00.040 --> 1:47:03.200
<v Speaker 1>decide how I want to tackle that topic. I've been

1:47:03.240 --> 1:47:05.160
<v Speaker 1>wanting to make an auto tune video for years and

1:47:05.200 --> 1:47:08.280
<v Speaker 1>I haven't done it yet. So that's one of the topics. Okay,

1:47:08.320 --> 1:47:12.040
<v Speaker 1>so you're like waiting for something to click in your brain. No,

1:47:12.160 --> 1:47:14.880
<v Speaker 1>I actually have four different ways that I can talk

1:47:14.920 --> 1:47:16.960
<v Speaker 1>about it for there would be four different videos. I

1:47:16.960 --> 1:47:19.320
<v Speaker 1>can't decide which video I want to make about it

1:47:19.439 --> 1:47:22.439
<v Speaker 1>yet though. Okay, do you ever come up with an

1:47:22.479 --> 1:47:24.760
<v Speaker 1>idea and say, you're so hot, I gotta run in

1:47:24.840 --> 1:47:28.519
<v Speaker 1>the studio make it right now, otherwise it just won't

1:47:28.520 --> 1:47:32.839
<v Speaker 1>be as good. Yes, it happens all the time, Okay,

1:47:33.040 --> 1:47:35.680
<v Speaker 1>all the time. Oh, my god. Yeah, most of my

1:47:35.760 --> 1:47:39.400
<v Speaker 1>videos are like that. Okay, And does it happen at

1:47:39.320 --> 1:47:43.400
<v Speaker 1>a certain time of the day, Yes, I I it can.

1:47:43.479 --> 1:47:46.280
<v Speaker 1>It can be whenever I'll record, whenever I have the idea,

1:47:46.320 --> 1:47:48.200
<v Speaker 1>I make it. If it's at night, if it's in

1:47:48.240 --> 1:47:50.800
<v Speaker 1>the morning, whenever I just sit down on the camera,

1:47:50.840 --> 1:47:54.360
<v Speaker 1>I start rolling. It's all improv always okay, late night

1:47:54.760 --> 1:47:59.320
<v Speaker 1>any better? Um my story videos typically go late night.

1:47:59.400 --> 1:48:02.439
<v Speaker 1>So in the last year, I've had seven trending videos

1:48:02.520 --> 1:48:05.400
<v Speaker 1>on YouTube. That means it's on the top fifty of

1:48:05.439 --> 1:48:09.760
<v Speaker 1>YouTube worldwide trending list. But they've been They've ranged in

1:48:09.840 --> 1:48:14.320
<v Speaker 1>topics from a top ten by Spotify countdown to a

1:48:14.400 --> 1:48:16.720
<v Speaker 1>video about my aunt Penny that passed away that had

1:48:17.000 --> 1:48:19.280
<v Speaker 1>has like a million and a half views. And it's

1:48:19.280 --> 1:48:22.479
<v Speaker 1>an eighteen minute video dedicated to my aunt Penny, who

1:48:22.560 --> 1:48:25.639
<v Speaker 1>was I was incredibly close with. It was a massive

1:48:25.880 --> 1:48:30.000
<v Speaker 1>influence on me musically and otherwise. I don't know why

1:48:30.040 --> 1:48:32.000
<v Speaker 1>that would become a trending video, but it was a

1:48:32.080 --> 1:48:36.120
<v Speaker 1>huge It was it was great, like the best tribute

1:48:36.160 --> 1:48:40.240
<v Speaker 1>I could have for her. So and that was just

1:48:40.280 --> 1:48:43.040
<v Speaker 1>a video, one take, you know, talking about her, and

1:48:43.040 --> 1:48:45.160
<v Speaker 1>I put a video of us hanging out together I

1:48:45.200 --> 1:48:47.759
<v Speaker 1>made in eighteen where she sitting down playing the piano

1:48:47.800 --> 1:48:50.880
<v Speaker 1>and we're talking about music and she improvised and I

1:48:51.560 --> 1:48:56.280
<v Speaker 1>you know, so so yeah. So it's it really depends. Okay,

1:48:56.520 --> 1:48:59.880
<v Speaker 1>do you ever feel man, I'm burdened. I just can't work.

1:49:00.360 --> 1:49:02.800
<v Speaker 1>I can never make a video again, or it's gonna

1:49:02.840 --> 1:49:07.960
<v Speaker 1>take days before I'm hot again. No, so you're always gone,

1:49:08.560 --> 1:49:18.080
<v Speaker 1>Oh yeah, totally Okay. What's your favorite video? Um? My

1:49:18.160 --> 1:49:21.560
<v Speaker 1>favorite video is probably my Stairway to Heaven video reimagining

1:49:21.600 --> 1:49:25.280
<v Speaker 1>this the guitar solo. That's one of my favorite ones,

1:49:25.680 --> 1:49:29.160
<v Speaker 1>um and my top twenty acoustic guitar intros. It's one

1:49:29.200 --> 1:49:31.720
<v Speaker 1>of the only acoustic guitar videos I've made, which is

1:49:31.800 --> 1:49:35.120
<v Speaker 1>very funny because I love playing acoustic guitar and I've

1:49:35.160 --> 1:49:39.519
<v Speaker 1>made very few videos with acoustic guitar, And um, it's

1:49:39.560 --> 1:49:42.880
<v Speaker 1>all music of that we grew up with. The songs

1:49:42.880 --> 1:49:44.720
<v Speaker 1>in there, I mean, it's got intros of Simon and

1:49:44.760 --> 1:49:50.080
<v Speaker 1>Garfunkel and things like that, and um uh saw these

1:49:50.080 --> 1:49:53.880
<v Speaker 1>classic you know, Stairway to Heaven and Angie and all

1:49:53.920 --> 1:49:56.800
<v Speaker 1>the all my favorite you know things that have these

1:49:57.320 --> 1:50:02.560
<v Speaker 1>signature guitar intros um and uh, so that was a

1:50:02.720 --> 1:50:05.000
<v Speaker 1>that's a video that I really loved making. It was

1:50:05.040 --> 1:50:07.160
<v Speaker 1>fun to make. You ever go back and watch the

1:50:07.200 --> 1:50:10.799
<v Speaker 1>early videos? Yeah, they're horrible? No, No, I'm just kidding

1:50:10.840 --> 1:50:14.120
<v Speaker 1>that so no, No, I don't. I don't really. Um.

1:50:14.360 --> 1:50:16.439
<v Speaker 1>My question would be to what degree you think you've

1:50:16.439 --> 1:50:19.840
<v Speaker 1>gotten better? Uh? And what has gotten better since you've

1:50:19.840 --> 1:50:22.000
<v Speaker 1>been doing this for five years? No, no, I actually

1:50:22.080 --> 1:50:24.240
<v Speaker 1>do go back and watch the early videos. Um. Some

1:50:24.320 --> 1:50:28.639
<v Speaker 1>of the uh, the content is I think is as

1:50:28.680 --> 1:50:31.240
<v Speaker 1>good even in my early videos. It's just the production

1:50:31.280 --> 1:50:33.120
<v Speaker 1>values are not good. I mean I would put text

1:50:33.160 --> 1:50:34.920
<v Speaker 1>over my face because I didn't know how to how

1:50:34.920 --> 1:50:38.519
<v Speaker 1>to move the text in the final cut pro Um.

1:50:39.120 --> 1:50:41.080
<v Speaker 1>There's a lot of technical errors that I had with it,

1:50:41.120 --> 1:50:43.439
<v Speaker 1>and the sonics weren't as good because I wasn't shooting

1:50:43.439 --> 1:50:45.599
<v Speaker 1>in his high quality. You know, I'm not shooting shooting

1:50:45.600 --> 1:50:47.320
<v Speaker 1>in four K. I don't have as nice of a camera.

1:50:47.439 --> 1:50:52.920
<v Speaker 1>But but um, um, some of my earliest videos are

1:50:52.960 --> 1:50:58.559
<v Speaker 1>are are Um I did, I did some good, good videos, right,

1:50:58.800 --> 1:51:01.000
<v Speaker 1>I think right in the beginning, you think your delivery

1:51:01.120 --> 1:51:04.559
<v Speaker 1>is better. Now my delivery is definitely better, just from

1:51:04.640 --> 1:51:07.400
<v Speaker 1>raw experience or anybody giving any tips. No, no, no,

1:51:07.560 --> 1:51:10.760
<v Speaker 1>just from our experience. Okay, I think we've covered it

1:51:10.840 --> 1:51:14.439
<v Speaker 1>here Rick. For those people unfamiliar with Rick's videos, you

1:51:14.560 --> 1:51:16.599
<v Speaker 1>gotta tune him in. I mean it's you go right

1:51:16.640 --> 1:51:19.280
<v Speaker 1>down the rabbit hole. As I say, I would start with,

1:51:19.439 --> 1:51:22.760
<v Speaker 1>you know, acoustic intros is great, you know some of

1:51:22.800 --> 1:51:25.000
<v Speaker 1>the top tens if you're not a player, if you know,

1:51:25.000 --> 1:51:26.360
<v Speaker 1>if your player, you might want to go to one

1:51:26.360 --> 1:51:30.040
<v Speaker 1>of the instructional videos. But I really have to give

1:51:30.080 --> 1:51:33.360
<v Speaker 1>you kudos. You've built something out of nothing based on

1:51:33.400 --> 1:51:37.519
<v Speaker 1>your experience and talent. Really been great talking to you, Rick.

1:51:37.960 --> 1:51:39.800
<v Speaker 1>Thank you. Bob. I've been a fan of yours for

1:51:39.840 --> 1:51:44.759
<v Speaker 1>so many years and we finally meet absolutely and hopefully

1:51:44.880 --> 1:51:47.479
<v Speaker 1>be more in the future. Definitely until next time. This

1:51:47.640 --> 1:51:48.719
<v Speaker 1>is Bob left Sex