WEBVTT - Small Talk With Mo Rocca: 'Mobituaries' and Perspective on Historical Crimes

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio M We're doing something a

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<v Speaker 1>little differently on today's episode of our show. Today, we're

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<v Speaker 1>talking to Mo Rocca, who is um on many interesting things,

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<v Speaker 1>the hosting creator of the hit podcast Mobituaries and author

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<v Speaker 1>of the New York Times bestselling book Mobituaries, Great Lives

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<v Speaker 1>Worth Reliving. Welcome to Criminalia. I am Maria Tremarque, and

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<v Speaker 1>I'm Holly Fry and Mo. I am so delighted to

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<v Speaker 1>have you here. I am a longtime fan. The Presidential

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<v Speaker 1>Pets book is a favorite. Yes, mine too, mine too, Yes,

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<v Speaker 1>I am truly howled not a lot of people bought

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<v Speaker 1>that book. Well, it's sold like hotcake at my house, right,

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<v Speaker 1>big hit in my world. Thank you. I mean, you

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<v Speaker 1>have a lot of great stuff under your belt. You

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<v Speaker 1>have a I'm time Emmy because she wrote the six

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<v Speaker 1>or fourth annual Tony Awards, which is amazing. That was,

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<v Speaker 1>And you have been a CBS Sunday Morning correspondent. You

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<v Speaker 1>do a lot of stuff, but I love that you

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<v Speaker 1>are working so much in history. Right now, today we're

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<v Speaker 1>going to talk a little bit about your show mobituaries

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<v Speaker 1>and all of the interesting ways that you encounter history

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<v Speaker 1>through this lens. So it's such a specific but really

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<v Speaker 1>smart way I think to talk about history. Was there

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<v Speaker 1>a specific person or topic that was the inspiration for this,

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<v Speaker 1>and then once you realize you were going to do it,

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<v Speaker 1>was there an obvious best choice of where you were

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<v Speaker 1>going to start telling these stories? Holly first of all,

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<v Speaker 1>and Maria, I'm so happy to be here. I do

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<v Speaker 1>have to say. You mentioned that I won an Emmy

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<v Speaker 1>for writing for the Chinese and I'm thinking that if

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<v Speaker 1>I could win a Grammy singing about the oscars, that

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<v Speaker 1>gave me an ego. It's a technical egot, and that's

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<v Speaker 1>the most important. Yes, it's the hardest type to have.

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<v Speaker 1>I thought of the idea for obituaries before I had

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<v Speaker 1>a specific person in mind. But I will tell you

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<v Speaker 1>the very person that we did, which was not my idea.

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<v Speaker 1>It came to me through my then producer Meg and

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<v Speaker 1>Marcus was on Meter, who was this wildly famous for

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<v Speaker 1>the time impersonator of John of Kennedy, then President, whose

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<v Speaker 1>career died when the president was assassinated. And it was

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<v Speaker 1>one of these boards where it combined politics with pop culture.

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<v Speaker 1>It was a dramatic story. It really what my appetite

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<v Speaker 1>for doing more of this. It just felt like you

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<v Speaker 1>could get through history and so many different ideas through

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<v Speaker 1>a you know, it's a really grim topic in an

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<v Speaker 1>entertaining way. We did an episode on the Rural Courge

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<v Speaker 1>about when really popular sitcoms of the sixties, which were

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<v Speaker 1>almost all about rural America Greenaker's Petticoach jump and replaced

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<v Speaker 1>in one health group by more urban sitcoms, and there

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<v Speaker 1>was a real history story there wasn't just about fun sitcoms.

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<v Speaker 1>We also are pretty curious what that research and prep

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<v Speaker 1>processes like after that. I know, we go through a

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<v Speaker 1>lot ourselves coming up for others, and there's always those little,

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<v Speaker 1>those spiders stories that don't quite make it into what

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<v Speaker 1>you're doing, but they're one or two sentences that are

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<v Speaker 1>always really interesting about someone or your research process changes,

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<v Speaker 1>I think constantly. But I'm curious how yours is too.

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<v Speaker 1>I mean, the rabbit holes are really fun, pulling yes

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<v Speaker 1>little threads. So when we were researching one on from

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<v Speaker 1>this pain, I was actually listening to the audio book

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<v Speaker 1>of our experts, Biography of Pain, written by a guy

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<v Speaker 1>named Craig Nelson, not to be confused with Nelson Couch,

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<v Speaker 1>but there was literal parenthetical, at least it sounded like

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<v Speaker 1>a parenthetical on the audiobook. It was one line that

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<v Speaker 1>mentioned a museum exhibit in Hamboard in seventeen fifty five

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<v Speaker 1>where Swedish spotmissed Carl Linnaeus disproved the thousands year long

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<v Speaker 1>belief in dragons. And I thought, well, what is this

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<v Speaker 1>right one sentence like the author at that point was

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<v Speaker 1>talking about the Enlightenment, and just toss decide that Carl Linnaeus,

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<v Speaker 1>the Swedish spotmiss was in Hamburg to look at a

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<v Speaker 1>seven headed high draw on exhibit and realized it was

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<v Speaker 1>a faith, thus disproving the existence of dragons. I wasn't

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<v Speaker 1>going to let it just fly by, Like I'm not

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<v Speaker 1>a big Game of Thrones person, but I know a

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<v Speaker 1>lot of dragons fly. But anyway, so that's part of

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<v Speaker 1>the fun of it, is when you stump something and

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<v Speaker 1>you stumble on a little detail and it leads you

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<v Speaker 1>in the whole of the direction. So that kind of

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<v Speaker 1>leads me to my next question because I know, I mean,

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<v Speaker 1>Maria and I both know history is full of little

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<v Speaker 1>surprises and you think you're talking about one topic and

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<v Speaker 1>it turns out to be actually something completely different. And

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<v Speaker 1>I wanted to talk to you about your episode Death

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<v Speaker 1>of a Name Mildred, Bertha and Todd, where you talk

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<v Speaker 1>about names and how they shift. Mildred Gallars, who is

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<v Speaker 1>known as access Sally, who kind of parallels some stories

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<v Speaker 1>we've told. I'm wondering what your biggest surprises were when

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<v Speaker 1>you were researching her, and at what point you were like, wait,

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<v Speaker 1>this woman was tried for treason in the US and

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<v Speaker 1>was the first woman to be so. And I suspect

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<v Speaker 1>because I know you did an episode right on Douglas Chandler,

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<v Speaker 1>is that right, who also was tried for treason or

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<v Speaker 1>convicted of it? So you're going to know more than I.

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<v Speaker 1>But I think that there aren't a lot of people

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<v Speaker 1>who have been convicted of treason. And so when one

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<v Speaker 1>of the producers of the Names episode gave me a

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<v Speaker 1>list of Mildred's, my eye went right towards Mildred Glars.

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<v Speaker 1>And so when I went to visit my fifth grade teacher,

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<v Speaker 1>Mildred Venisi, and we were talking about different Aldred, I

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<v Speaker 1>knew that it would be a fun thing to bring

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<v Speaker 1>up this woman convicted of treason who was a propagandist

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<v Speaker 1>for Nazi Germany. I was surprised that I didn't know

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<v Speaker 1>about this woman in learning about her that after her

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<v Speaker 1>prison terms she ended up teaching music in Ohio. I'm

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<v Speaker 1>wondering what she taught the kids, and obviously her career changed.

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<v Speaker 1>I guess if she had taught them eight old vice

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<v Speaker 1>it wouldn't have been It might have been a little loaded.

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<v Speaker 1>But the um again one of those kind of ancillary

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<v Speaker 1>benefits of doing these deep dives on a topic like

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<v Speaker 1>names that seemingly just a lot of fun, and it is.

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<v Speaker 1>But then suddenly to learn about someone picked of treason

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<v Speaker 1>and Mildred, Oh, treasonus Mildred, that's the Mildred that we

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<v Speaker 1>were looking for. That would be a great name for

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<v Speaker 1>a pet. Treesonus Mildred to the Treasons Mildred. Also like,

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<v Speaker 1>you know, just maybe you're getting a Christmas card from

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<v Speaker 1>military lars and seeing trees and greetings something like that.

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<v Speaker 1>I swear you just launched like a new business model.

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<v Speaker 1>You get royalties from that, right, This kind of still

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<v Speaker 1>builds on that idea of surprises. Our entire premise of

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<v Speaker 1>this show is that we're looking at historical crimes because

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<v Speaker 1>a lot of the time, when you see them in

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<v Speaker 1>the rear view mirror, you realize that some historical criminals

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<v Speaker 1>look actually pretty sympathetic, others that maybe heroes don't look

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<v Speaker 1>as great all the time. Have you had your expectations

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<v Speaker 1>or assumptions subverted by any of your subjects. I had

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<v Speaker 1>expectations subverted, as it's such a great point that things

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<v Speaker 1>that we think of as terrible times almost seemed sort

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<v Speaker 1>of sad and kind of limp in pathetic, and heroes

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<v Speaker 1>of course change. I knew that I would sympathize with

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<v Speaker 1>Billy Carter, with the younger brother of Jimmy Carter, going

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<v Speaker 1>into it, I didn't realize how much I would. I

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<v Speaker 1>think that's maybe a process of I don't want to

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<v Speaker 1>say necessarily falling in love with the subject, But I

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<v Speaker 1>think the deeper you get into search on somebody, the

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<v Speaker 1>more you do tend to empathize. I can't think of

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<v Speaker 1>somebody who I ended up disliking. Maybe I'm a little

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<v Speaker 1>bit of a chunk um. I felt more deeply for them,

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<v Speaker 1>And that was certainly the case of Billy Carter, who

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<v Speaker 1>played sort of the entertaining goofball. But the more we

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<v Speaker 1>got into it, the more it became a parent. That

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<v Speaker 1>what a situation to be placed in. He was a

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<v Speaker 1>father of six, I think before he was forty and

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<v Speaker 1>his wife they were raising a big family in this

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<v Speaker 1>very small town. Even in n national and international media.

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<v Speaker 1>Was a big deal to descend on this tiny town

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<v Speaker 1>in Georgia, and he placed under that microscope. I'm just

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<v Speaker 1>gonna plant this seed because I actually think you could

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<v Speaker 1>do an entire episode on baby Brothers, because you talking

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<v Speaker 1>about Billy makes me think of Lester Hemingway, who I

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<v Speaker 1>don't know how much you know about him, but Ernest

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<v Speaker 1>Hemingway's little brother had absolute like idolized his big brother

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<v Speaker 1>and kind of lived in his shadow and tried to

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<v Speaker 1>do all these crazy things to try to like make

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<v Speaker 1>a name for himself, including establishing his own country on

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<v Speaker 1>an island by using that loophole that if an island

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<v Speaker 1>had enough back guano, the U s could claim it

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<v Speaker 1>because it was a necessary fuel and fertilizer at the time.

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<v Speaker 1>But there are a lot of I the younger siblings

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<v Speaker 1>that are really interesting in history. I think he just

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<v Speaker 1>gave me three episodes and one right. For the Mombenturies book,

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<v Speaker 1>we did do something on siblings and the Bronte's brother,

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<v Speaker 1>Brandon Bronte. I can't remember. It's not Brandon, but it's

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<v Speaker 1>something like that. And you know those Bronte sisters, I

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<v Speaker 1>mean they were really productive. I mean they were really

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<v Speaker 1>talented helping their little brother. You know, it's so interesting

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<v Speaker 1>that you brought up sjuana. President Franklin Pierce one of

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<v Speaker 1>his big accomplishments. I mean, he helped tear the country

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<v Speaker 1>apart and let us into the Civil War, but he

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<v Speaker 1>also monopolized the international supply iguana, like hasting the guano islands,

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<v Speaker 1>and it really was a very valuable prolizer. Yeah, there's

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<v Speaker 1>a there's actually a three line there that you could

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<v Speaker 1>probably pursue, telling you do a whole season that's to

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<v Speaker 1>animal poop likes as long as it tid gently touches

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<v Speaker 1>the subject. He could. For a long time, I couldn't

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<v Speaker 1>feel I said guano was actually poop. I understood that

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<v Speaker 1>penguins pooped, but I thought the guana was just this

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<v Speaker 1>paste that they kind of admitted. I love this idea

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<v Speaker 1>that you think there's a secondary cloac situation happening where

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<v Speaker 1>they just like they make up pace. Oh that's no

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<v Speaker 1>fertilizer gland? Did you not know fertilizer gland? Exactly? I'm dying.

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<v Speaker 1>Fertilizer does sound a lot more romantic to say Guando

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<v Speaker 1>than I think. Yeah, I'm gonna laugh about Guano for

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<v Speaker 1>a minute, Um, Maria, were you about to go? Actually?

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<v Speaker 1>I was gonna make a joke about Douglas Chandler and

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<v Speaker 1>Paul Revere, but then I decided not. He used to

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<v Speaker 1>refer it in I did look a little bit. I

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<v Speaker 1>knew I did not know anything about Douglas Chandler. Chandler

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<v Speaker 1>is an interesting kind of guy. Holly and I talked

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<v Speaker 1>a lot about this on all of these people, like

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<v Speaker 1>where did this really come from? What grew in his

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<v Speaker 1>life that got him to the point where he was

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<v Speaker 1>taking the five point summary of propaganda points from the Germans?

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<v Speaker 1>You know, what we traced him back to was losing

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<v Speaker 1>his wealthy family and all of his money in the depression,

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<v Speaker 1>and he blamed it all on the Jewish community. And

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<v Speaker 1>he just went from there and he went to Europe

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<v Speaker 1>and everything that he saw there pleased him because it

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<v Speaker 1>wasn't American, really he stayed. He did many broadcasts anti

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<v Speaker 1>US broadcast, but Chandler, I think was one of the

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<v Speaker 1>stories where I found him looking at someone else. Actually,

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<v Speaker 1>I believe I might have been researching as a Pound

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<v Speaker 1>and his propaganda as repound speaking, and I think that's

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<v Speaker 1>when Douglas popped off, because his was actually similar in

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<v Speaker 1>that radio broadcast shortwave radio format. He's an interesting guy

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<v Speaker 1>who doesn't get a lot of name attention, but who

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<v Speaker 1>is exactly in that Nazi propaganda hole that I wanted

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<v Speaker 1>to try to avoid the entire season, that we didn't treasonist,

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<v Speaker 1>and yet here we were with Douglas Chandler. Yes, sort

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<v Speaker 1>of a lightweight as a Pound, which would make him

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<v Speaker 1>Ezra Bunch. That's a great cartoon character, as he's not

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<v Speaker 1>really very good at verse, but he tries real hard.

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<v Speaker 1>He Ghoest writes for people on the side. I'm gonna

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<v Speaker 1>ask you a sort of heady question, MO, When historians

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<v Speaker 1>of the future right your obituary, what do you hope

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<v Speaker 1>it includes? What's the thing where you're like, they better

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<v Speaker 1>tell people that I did X Y or Z. I

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<v Speaker 1>thought about what I taught my first line to be,

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<v Speaker 1>and it's all in that opening line in that clause, right,

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<v Speaker 1>I wanted to be Morocca Comma, who made people interested

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<v Speaker 1>in things they didn't expect to be interested in. Comma

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<v Speaker 1>died today. He was a D seven period whatever. But

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<v Speaker 1>I actually would love him to include my pets book. Um,

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<v Speaker 1>I want them to include my cooking show. Oh yes,

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<v Speaker 1>I forgot to bring this up earlier. I loved that idea. Yeah,

0:14:33.560 --> 0:14:36.720
<v Speaker 1>and I think, um, for a time, I probably would

0:14:36.720 --> 0:14:39.240
<v Speaker 1>have wanted the fact that I was a self taught

0:14:39.320 --> 0:14:42.600
<v Speaker 1>gymnast to be included. But I think at this point

0:14:43.240 --> 0:14:47.080
<v Speaker 1>I never learned to do a back hand spring unassisted,

0:14:47.120 --> 0:14:48.920
<v Speaker 1>which had been like a goal. By the time I

0:14:48.920 --> 0:14:51.080
<v Speaker 1>had thirty, then it was a goal, but I hit forty.

0:14:51.400 --> 0:14:53.440
<v Speaker 1>Then by the time I hit fifty, and I just

0:14:53.520 --> 0:14:57.520
<v Speaker 1>think at this point maybe a cause of death concerned.

0:14:59.240 --> 0:15:02.560
<v Speaker 1>So what a hundred and seven? That's when you go

0:15:02.680 --> 0:15:05.840
<v Speaker 1>for it on the backhand spring exactly like I can

0:15:05.920 --> 0:15:08.400
<v Speaker 1>do this, and do you do it perfectly? What a

0:15:08.440 --> 0:15:10.800
<v Speaker 1>great way to go out. If I knew that, okay,

0:15:10.840 --> 0:15:13.560
<v Speaker 1>tomorrow I'm going to die in my sleep, why not

0:15:13.920 --> 0:15:16.040
<v Speaker 1>just go for the hon assisted backhand spring right then?

0:15:16.560 --> 0:15:19.120
<v Speaker 1>That will put you in the history books. Right, absolutely,

0:15:19.120 --> 0:15:21.040
<v Speaker 1>put your camera up and take a little video of it.

0:15:21.200 --> 0:15:26.400
<v Speaker 1>Like some person in the future will be reading about

0:15:26.440 --> 0:15:28.480
<v Speaker 1>like strange deaths and they'll be like, oh, and then

0:15:28.520 --> 0:15:32.000
<v Speaker 1>that time that Morocca died doing an assistant backhand spring

0:15:32.000 --> 0:15:33.480
<v Speaker 1>at the age of a hundred and seven, and they'll

0:15:33.480 --> 0:15:36.080
<v Speaker 1>be like, what we have to do an episode of

0:15:36.200 --> 0:15:41.480
<v Speaker 1>this guy. Yeah, he didn't stink the landing something like that.

0:15:42.480 --> 0:15:47.560
<v Speaker 1>We'll make sure you have a good headline, like perfection, Maria.

0:15:47.640 --> 0:15:50.120
<v Speaker 1>Do you want to ask the most important question we

0:15:50.160 --> 0:15:54.080
<v Speaker 1>ask on all of ours. Holly and I have a

0:15:54.120 --> 0:15:56.440
<v Speaker 1>thing at the end of our Criminalia shows where we

0:15:56.560 --> 0:15:59.200
<v Speaker 1>do a cocktail and mock tail. It's related to the

0:15:59.240 --> 0:16:02.280
<v Speaker 1>topic that we've been talking about, sometimes loosely, sometimes very

0:16:02.440 --> 0:16:05.040
<v Speaker 1>We were wondering before we let you go for your day,

0:16:05.200 --> 0:16:07.920
<v Speaker 1>do you happen to have a favorite cocktail or mocktail?

0:16:08.920 --> 0:16:11.600
<v Speaker 1>I like an old fashioned because there's a part of

0:16:11.600 --> 0:16:16.920
<v Speaker 1>me that likes that moment between me and the bartender

0:16:17.120 --> 0:16:22.520
<v Speaker 1>where the bartender is thinking, really because you've got to

0:16:22.520 --> 0:16:24.800
<v Speaker 1>get the more the pestle and the cherry and the

0:16:24.880 --> 0:16:27.240
<v Speaker 1>orange and do the muddling. And it's also kind of

0:16:27.280 --> 0:16:30.480
<v Speaker 1>like I'm old fashioned such as it isn't like kind

0:16:30.480 --> 0:16:33.600
<v Speaker 1>of the word muddle anyway, muddling through? Aren't we all

0:16:33.680 --> 0:16:35.840
<v Speaker 1>just trying to muddle through? But yeah, I like that.

0:16:36.080 --> 0:16:41.080
<v Speaker 1>But I also have dreams of a cocktail called a

0:16:41.280 --> 0:16:45.920
<v Speaker 1>Shirley temple black. Oh yeah, but surely temple black I

0:16:45.960 --> 0:16:52.800
<v Speaker 1>guess would be ginger ail with grenadine and is it colua? Right, Holly? Yeah?

0:16:52.800 --> 0:16:56.160
<v Speaker 1>What would make it dark? Listen, here's what I would do,

0:16:56.560 --> 0:17:03.040
<v Speaker 1>like a black spice drum. No, that's it, that's hitch. Yeah, okay,

0:17:03.080 --> 0:17:07.640
<v Speaker 1>we accidentally made a cocktail this time, I know, right,

0:17:07.760 --> 0:17:10.480
<v Speaker 1>So Holly experimented once or twice also with charcoal in

0:17:10.560 --> 0:17:14.120
<v Speaker 1>her cocktails. I have. You have to be really careful

0:17:14.640 --> 0:17:17.639
<v Speaker 1>using activated charcoal to darken a drink, as we always

0:17:17.640 --> 0:17:20.080
<v Speaker 1>tell our listeners, but I say it every time. Don't

0:17:20.119 --> 0:17:22.520
<v Speaker 1>give someone a drink with activated charcoal in it if

0:17:22.520 --> 0:17:24.680
<v Speaker 1>they don't know it, because it will mess up medication

0:17:25.160 --> 0:17:27.480
<v Speaker 1>absorption and whatnot. That's a quick way to do. You

0:17:27.520 --> 0:17:29.800
<v Speaker 1>have to be very very judicious. But I think lately

0:17:29.840 --> 0:17:31.960
<v Speaker 1>I've been trying to figure out other ways to make

0:17:32.080 --> 0:17:35.320
<v Speaker 1>drinks that are dark. A little black spice drum is

0:17:35.400 --> 0:17:38.639
<v Speaker 1>usually my go to. Or another one that I've started

0:17:38.680 --> 0:17:41.719
<v Speaker 1>playing with lately is to drop a couple of black

0:17:41.760 --> 0:17:45.400
<v Speaker 1>tea bags in like a mason jar of vodka gin

0:17:45.640 --> 0:17:48.240
<v Speaker 1>and you get a very dark spirit out of that spice,

0:17:48.320 --> 0:17:51.120
<v Speaker 1>or do whatever else you want. There's surely temple black well.

0:17:51.160 --> 0:17:56.240
<v Speaker 1>I like that, he go like the end. A friend

0:17:56.280 --> 0:18:01.119
<v Speaker 1>of mine, her husband is Scottish and he probably introduced me,

0:18:01.160 --> 0:18:03.840
<v Speaker 1>I guess, years ago to sort of single malt sculpches

0:18:03.880 --> 0:18:07.320
<v Speaker 1>and I love I said, I wanted to taste like dirt.

0:18:07.600 --> 0:18:10.199
<v Speaker 1>What is that? Kind of what charcoal does do it?

0:18:10.200 --> 0:18:12.840
<v Speaker 1>It doesn't add a ton of flavor. It really does

0:18:12.960 --> 0:18:17.480
<v Speaker 1>more to just shift the color. But because charcoal absorbs

0:18:17.520 --> 0:18:21.479
<v Speaker 1>everything if you're on a medication, also, like nutrients that

0:18:21.520 --> 0:18:23.119
<v Speaker 1>you eat that day are not going to get to

0:18:23.119 --> 0:18:26.080
<v Speaker 1>yourselves because they're going with the charcoal. So it's one

0:18:26.080 --> 0:18:28.439
<v Speaker 1>of those things you have to be very judicious about.

0:18:28.640 --> 0:18:30.199
<v Speaker 1>It's the kind of thing if you're doing like a

0:18:30.240 --> 0:18:33.639
<v Speaker 1>Halloween or some other event where you do a specific

0:18:33.800 --> 0:18:37.120
<v Speaker 1>cocktail that has charcoal in it, you drink one that's

0:18:37.160 --> 0:18:39.120
<v Speaker 1>not a this is my drink for the night kind

0:18:39.119 --> 0:18:41.840
<v Speaker 1>of setup. So yeah, this is I know, I only

0:18:41.840 --> 0:18:44.760
<v Speaker 1>go with clean coal technology from my lir. Now this

0:18:44.800 --> 0:18:51.320
<v Speaker 1>is what I'm gonna have a gas based cocktail if

0:18:52.119 --> 0:18:55.520
<v Speaker 1>clean burning gas work on that. We've shifted a little

0:18:55.560 --> 0:18:57.399
<v Speaker 1>away from history, but I want to make sure we

0:18:57.600 --> 0:18:59.320
<v Speaker 1>thank you Moe for spending this time with this with

0:18:59.440 --> 0:19:02.160
<v Speaker 1>It's a light a way to to talk about history.

0:19:02.359 --> 0:19:04.040
<v Speaker 1>Thank you very much. It's just been a lot of

0:19:04.040 --> 0:19:06.560
<v Speaker 1>fun and I was just I'll go listen to more

0:19:06.600 --> 0:19:11.800
<v Speaker 1>Douglas Chandler, but I probably won't. Don't do that. Don't

0:19:11.840 --> 0:19:15.960
<v Speaker 1>do that, but make sure no save Douglas Chandler for

0:19:16.000 --> 0:19:18.639
<v Speaker 1>another day. But I want to make sure that you

0:19:19.000 --> 0:19:21.840
<v Speaker 1>tell our listeners where they can find Mobituaries so they

0:19:21.840 --> 0:19:25.160
<v Speaker 1>can get more of these very fun stories, and where

0:19:25.160 --> 0:19:29.399
<v Speaker 1>they can find your book. You can find Mobituaries wherever

0:19:29.400 --> 0:19:32.000
<v Speaker 1>you get your podcasts, and you can find a Mobituaries

0:19:32.080 --> 0:19:35.640
<v Speaker 1>book and the audio book wherever you get your books.

0:19:36.040 --> 0:19:38.480
<v Speaker 1>We're in the middle of our third season now and

0:19:38.600 --> 0:19:41.639
<v Speaker 1>we have plenty of I hope surprising and engaging stories

0:19:41.720 --> 0:19:45.160
<v Speaker 1>coming up the podcast. I love it. I will be listening.

0:19:45.200 --> 0:19:47.200
<v Speaker 1>I can't wait for the last having my episode. I

0:19:49.680 --> 0:19:51.760
<v Speaker 1>thank you again Moe for spending this time with us,

0:19:51.800 --> 0:19:54.040
<v Speaker 1>for our listeners. I also want to thank you, and

0:19:54.080 --> 0:19:56.560
<v Speaker 1>I really do hope you check out mobituaries. If you

0:19:56.600 --> 0:20:00.040
<v Speaker 1>love Criminalia, you're going to be addicted instantly, and we

0:20:00.080 --> 0:20:01.600
<v Speaker 1>will be right back here next week. We're going to

0:20:01.720 --> 0:20:04.640
<v Speaker 1>talk a little bit more about artists, and then we'll

0:20:04.640 --> 0:20:18.160
<v Speaker 1>have another cocktail and we'll see right back here. Criminalia

0:20:18.280 --> 0:20:20.800
<v Speaker 1>is a production of Shonda land Audio in partnership with

0:20:20.840 --> 0:20:24.280
<v Speaker 1>I Heart Radio. For more podcasts from Shonda land Audio,

0:20:24.600 --> 0:20:27.680
<v Speaker 1>please visit the I heart Radio app, Apple Podcasts, or

0:20:27.720 --> 0:20:29.600
<v Speaker 1>wherever you listen to your favorite shows.