1 00:00:05,480 --> 00:00:05,600 Speaker 1: Hi. 2 00:00:05,559 --> 00:00:08,320 Speaker 2: I am Kate Hudson and my name is Oliver Hudson. 3 00:00:08,480 --> 00:00:11,160 Speaker 3: We wanted to do something that highlighted our. 4 00:00:11,080 --> 00:00:19,440 Speaker 2: Relationship and what it's like to be siblings. We are 5 00:00:19,680 --> 00:00:23,320 Speaker 2: a sibling, Railvalry, No, no, sibling. 6 00:00:24,960 --> 00:00:31,920 Speaker 3: You don't do that with your mouth, Revelry. 7 00:00:33,640 --> 00:00:34,160 Speaker 2: That's good. 8 00:00:38,120 --> 00:00:38,720 Speaker 3: I want to say. 9 00:00:38,800 --> 00:00:40,600 Speaker 1: I want to say that you're in Toronto and you 10 00:00:40,640 --> 00:00:43,120 Speaker 1: just started a movie with your son. We'll get into 11 00:00:43,159 --> 00:00:49,360 Speaker 1: that later, but because the beautiful Brenda song is waiting 12 00:00:49,400 --> 00:00:52,960 Speaker 1: for us in the waiting room. Yes, but I'm so excited. 13 00:00:52,960 --> 00:00:55,120 Speaker 1: How does it feel to be working? Is it weird? 14 00:00:55,600 --> 00:01:01,960 Speaker 2: No, it's good. Second awesome. Silverstone, she's amazing, she's the best. 15 00:01:02,560 --> 00:01:03,920 Speaker 3: You know, she works with Nicole. 16 00:01:04,440 --> 00:01:07,280 Speaker 2: No, I know, I know, and she's so nice and 17 00:01:07,360 --> 00:01:12,200 Speaker 2: so sweet. Wilder's doing great, you know, he's very natural, 18 00:01:12,319 --> 00:01:14,240 Speaker 2: very cool. He's finding his footing. But you know, it's 19 00:01:14,240 --> 00:01:17,240 Speaker 2: just it's not easy to be thrown into this world 20 00:01:17,280 --> 00:01:19,920 Speaker 2: on a set with a million people, never having done 21 00:01:19,959 --> 00:01:22,360 Speaker 2: it before ever, and he's handling it really, really well. 22 00:01:22,440 --> 00:01:24,480 Speaker 1: Yeah, and he hasn't spent much time on set like 23 00:01:24,520 --> 00:01:26,360 Speaker 1: when we were kids, we spent a lot of time 24 00:01:26,440 --> 00:01:27,520 Speaker 1: on movie sets. 25 00:01:27,760 --> 00:01:29,960 Speaker 2: Yeah, they're kind of over it. In the beginning, it's 26 00:01:30,000 --> 00:01:32,720 Speaker 2: like yay craft service. And then now, you know, where 27 00:01:32,760 --> 00:01:34,560 Speaker 2: as the kids are older, like we don't want it's 28 00:01:34,600 --> 00:01:38,479 Speaker 2: boring as fuck, like we don't want to go. Yeah, 29 00:01:38,520 --> 00:01:39,240 Speaker 2: we loved it. 30 00:01:40,400 --> 00:01:43,080 Speaker 3: Yeah, I'm excited. I'm excited for him. It's like such 31 00:01:43,120 --> 00:01:43,800 Speaker 3: a great. 32 00:01:45,080 --> 00:01:49,040 Speaker 2: It's so fun. But he's still a teenager. Meaning I 33 00:01:49,120 --> 00:01:52,840 Speaker 2: had this idea, right I literally created like a montage 34 00:01:53,000 --> 00:01:55,240 Speaker 2: in my head where we're going to be here and 35 00:01:55,280 --> 00:01:58,160 Speaker 2: we're gonna like play music inst by the fire and 36 00:01:58,200 --> 00:01:59,760 Speaker 2: watch movies. It's going to be in my bed. 37 00:02:00,000 --> 00:02:01,320 Speaker 3: I want to get into this with Brenda. 38 00:02:01,360 --> 00:02:03,120 Speaker 2: We're going to get our lines and we're going to 39 00:02:03,200 --> 00:02:06,240 Speaker 2: do this, you know, and it's like beautiful music playing. 40 00:02:06,280 --> 00:02:07,800 Speaker 2: We hug at the end of the night and say 41 00:02:07,840 --> 00:02:11,079 Speaker 2: see you later, son, see you later, Dad. I can't 42 00:02:11,080 --> 00:02:13,720 Speaker 2: wait to wait, you know. And literally it's like what's up, 43 00:02:13,960 --> 00:02:20,239 Speaker 2: goes up to his room and the door closes. Oh okay. 44 00:02:20,240 --> 00:02:21,920 Speaker 3: You know he really is such a team. 45 00:02:22,800 --> 00:02:25,800 Speaker 2: Yeah yeah, that way. 46 00:02:25,280 --> 00:02:27,200 Speaker 1: Rider will talk to me all night long. I have 47 00:02:27,200 --> 00:02:29,000 Speaker 1: to like get I have to like pry off the 48 00:02:29,040 --> 00:02:32,520 Speaker 1: phone with him. I'm talking to I gotta go. Yeah, like, 49 00:02:32,639 --> 00:02:35,919 Speaker 1: I know, mom, Mom, No, sweetie, I know you're in college. 50 00:02:35,960 --> 00:02:37,840 Speaker 1: You're twenty one, can you We got to get off 51 00:02:37,880 --> 00:02:38,240 Speaker 1: the phone. 52 00:02:40,760 --> 00:02:41,640 Speaker 2: All right, let's bring it. 53 00:02:41,639 --> 00:02:44,920 Speaker 1: I just want to say, yeah, I'm excited because Brenda 54 00:02:45,040 --> 00:02:50,400 Speaker 1: song we're starting. This is actually the initial first thing 55 00:02:50,520 --> 00:02:54,760 Speaker 1: that I'm doing with a castmate to promote our show 56 00:02:54,840 --> 00:02:57,920 Speaker 1: Running Point and on Netflix, comes out on the twenty 57 00:02:58,000 --> 00:03:01,480 Speaker 1: seventh of February, and I'm I'm so excited because she 58 00:03:02,840 --> 00:03:06,320 Speaker 1: plays my bestie and my chief of staff on the show, 59 00:03:06,480 --> 00:03:09,440 Speaker 1: and she's phenomenal and now we get to like, you know, 60 00:03:09,520 --> 00:03:13,320 Speaker 1: delve deep into her psyche yes, which. 61 00:03:13,120 --> 00:03:17,840 Speaker 2: Is going to be very interesting. Hi, how are you? 62 00:03:18,560 --> 00:03:22,920 Speaker 3: I'm so excited. I am so good. I'm good. I mean, 63 00:03:23,000 --> 00:03:24,240 Speaker 3: it's been crazy. 64 00:03:24,600 --> 00:03:26,600 Speaker 4: I was about to say, are you Are you okay? 65 00:03:26,760 --> 00:03:28,600 Speaker 4: Is the house okay? Are the kids okay? 66 00:03:28,800 --> 00:03:29,160 Speaker 2: Thank you? 67 00:03:29,240 --> 00:03:33,760 Speaker 1: Everybody's great, everybody's fine. The house made it luckily. But 68 00:03:34,000 --> 00:03:38,840 Speaker 1: it's been really it's been like peaks and valleys, like 69 00:03:39,040 --> 00:03:43,440 Speaker 1: just so sad and so scary, and then it's like 70 00:03:43,480 --> 00:03:46,480 Speaker 1: you kind of and there's these like lulls of like 71 00:03:46,520 --> 00:03:49,200 Speaker 1: what's happening? And then you go and you see it 72 00:03:49,320 --> 00:03:52,840 Speaker 1: and it's just so devastating, Like the whole thing is. Yeah, 73 00:03:53,120 --> 00:03:57,240 Speaker 1: it sucks, but it really is interesting to see what 74 00:03:57,360 --> 00:04:01,280 Speaker 1: happens to a community in a time like this because 75 00:04:01,320 --> 00:04:05,200 Speaker 1: you realize like how strong the people are in it, 76 00:04:05,560 --> 00:04:09,320 Speaker 1: and it's really amazing to watch that, I have to say, 77 00:04:09,360 --> 00:04:12,520 Speaker 1: has been like the thing that's come out of. 78 00:04:12,440 --> 00:04:15,440 Speaker 3: This the most is like people who've lost everything. 79 00:04:15,040 --> 00:04:19,840 Speaker 1: And how they're handling it and and and like how 80 00:04:19,839 --> 00:04:24,120 Speaker 1: they're just one day at a time and with you know, 81 00:04:25,120 --> 00:04:28,159 Speaker 1: having lost everything, it's just wild, you know. 82 00:04:28,440 --> 00:04:30,919 Speaker 2: Yeah, no, it's it's horrible. It's sad. But at the 83 00:04:30,920 --> 00:04:35,280 Speaker 2: same time, I'm wondering when it's okay to post something 84 00:04:35,360 --> 00:04:39,520 Speaker 2: funny on Instagram again, like ol. But I'm saying, like 85 00:04:39,600 --> 00:04:43,000 Speaker 2: this is my dilemma, Like there's so many things I 86 00:04:43,040 --> 00:04:45,279 Speaker 2: want to say and have fun and now I'm like, 87 00:04:45,440 --> 00:04:47,360 Speaker 2: is it too So can I yet? 88 00:04:47,640 --> 00:04:51,240 Speaker 1: And I was thinking about this rap song that I 89 00:04:51,400 --> 00:04:55,520 Speaker 1: have recorded. I have it and it's you, your rap 90 00:04:55,560 --> 00:04:58,600 Speaker 1: song about growing up in the Palisades. 91 00:04:58,800 --> 00:05:01,360 Speaker 2: Oh God, and you and you. 92 00:05:01,240 --> 00:05:03,960 Speaker 1: Say you even say all the stores in it, like 93 00:05:04,120 --> 00:05:06,600 Speaker 1: you talk about all the different places in it. 94 00:05:06,600 --> 00:05:11,560 Speaker 2: It's actually like maybe we can do something, Yes, we 95 00:05:11,600 --> 00:05:13,640 Speaker 2: can do something charitable with this, you know. 96 00:05:13,640 --> 00:05:16,360 Speaker 4: What I mean, where are you all and where are 97 00:05:16,480 --> 00:05:17,520 Speaker 4: You're not in the You're not in. 98 00:05:17,440 --> 00:05:20,040 Speaker 2: The West Side, right, No I am. I'm in Brentwood. 99 00:05:20,040 --> 00:05:22,800 Speaker 2: I was right on the line of evacuation. I'm in 100 00:05:22,800 --> 00:05:26,200 Speaker 2: Toronto right now. I'm working in Toronto. So I have 101 00:05:26,360 --> 00:05:29,279 Speaker 2: yet I haven't had time to even process any of it. Yeah, 102 00:05:29,279 --> 00:05:31,320 Speaker 2: and I think there's a part of me that is 103 00:05:31,360 --> 00:05:34,200 Speaker 2: doing that on purpose. You know. I have a boat, 104 00:05:34,400 --> 00:05:36,360 Speaker 2: you know, a fish and I love my boat. And 105 00:05:36,400 --> 00:05:38,320 Speaker 2: I took it along the coast and I hugged the 106 00:05:38,360 --> 00:05:40,200 Speaker 2: coast and went all the way up, so I got 107 00:05:40,200 --> 00:05:42,680 Speaker 2: to see it from that perspective. And now, honestly, that 108 00:05:42,760 --> 00:05:45,440 Speaker 2: was the first time that I was able to sort 109 00:05:45,440 --> 00:05:48,440 Speaker 2: of take in the scope of it and finally feel 110 00:05:48,600 --> 00:05:52,120 Speaker 2: like emotional, you know, because it was unbelievable to see. 111 00:05:52,560 --> 00:05:55,000 Speaker 2: And this is where we grew up. Yeah, you know, 112 00:05:55,200 --> 00:05:58,360 Speaker 2: I mean we for forty plus years we were here 113 00:05:58,400 --> 00:06:01,479 Speaker 2: and it's it's all fucking gone. So at the same time, 114 00:06:02,920 --> 00:06:04,680 Speaker 2: you know, all we can do is is just is 115 00:06:04,760 --> 00:06:06,320 Speaker 2: move forward and try to help out as much as 116 00:06:06,320 --> 00:06:09,839 Speaker 2: we can. And then and I think I'm just going 117 00:06:09,920 --> 00:06:12,919 Speaker 2: to post something fun just because I think I got 118 00:06:13,040 --> 00:06:14,719 Speaker 2: to break the ice. I want to do something. 119 00:06:14,800 --> 00:06:16,919 Speaker 1: It's a weird thing. It's a it's a real grieving 120 00:06:17,000 --> 00:06:19,520 Speaker 1: process of like it's but it's not a human. It's 121 00:06:19,560 --> 00:06:23,080 Speaker 1: a place and so like it like like the like 122 00:06:23,120 --> 00:06:26,599 Speaker 1: when you're grieving a death of a person. It's sort 123 00:06:26,600 --> 00:06:29,320 Speaker 1: of like it comes at you at weird moments, like 124 00:06:30,040 --> 00:06:32,640 Speaker 1: my ex has a house and the palisades and the 125 00:06:32,680 --> 00:06:36,400 Speaker 1: alphabet streets and it's literally the only house standing. 126 00:06:36,480 --> 00:06:38,120 Speaker 3: And he sent me these videos. 127 00:06:38,400 --> 00:06:43,680 Speaker 1: Yeah, he sent me videos and I it was there 128 00:06:43,760 --> 00:06:45,440 Speaker 1: was it was weird because it was like looking at 129 00:06:45,440 --> 00:06:47,760 Speaker 1: it was almost unimaginable when you're looking at it. 130 00:06:47,839 --> 00:06:49,039 Speaker 3: And then and then he. 131 00:06:49,160 --> 00:06:52,880 Speaker 1: Drove by the place where we always go and it's gone, 132 00:06:53,120 --> 00:06:55,480 Speaker 1: and like our little yogurt shop that we take the 133 00:06:55,560 --> 00:07:00,200 Speaker 1: kids like every night, you know things and tomming, all 134 00:07:00,279 --> 00:07:03,040 Speaker 1: things is gone and it just like just like I 135 00:07:03,120 --> 00:07:04,440 Speaker 1: just started to ball. 136 00:07:04,839 --> 00:07:07,960 Speaker 3: Yeah, you have your routines in your life and the 137 00:07:08,000 --> 00:07:09,200 Speaker 3: people that work there, and. 138 00:07:09,320 --> 00:07:12,239 Speaker 2: Kay did love topics. I love. 139 00:07:13,840 --> 00:07:14,920 Speaker 3: People are like what are you doing in that? 140 00:07:15,000 --> 00:07:18,440 Speaker 4: In like a billion of time, it was here's the 141 00:07:18,480 --> 00:07:20,720 Speaker 4: thing I my best friends grew up in the Palisades. 142 00:07:20,840 --> 00:07:24,560 Speaker 4: So I spent most of my teenage and twenties going 143 00:07:24,560 --> 00:07:26,400 Speaker 4: to the Palisades and also being from the valley. Every 144 00:07:26,400 --> 00:07:27,679 Speaker 4: time I went to visit, I was like, I'm bringing 145 00:07:27,680 --> 00:07:31,120 Speaker 4: an overnight bag I would spend. It's just so hard 146 00:07:31,160 --> 00:07:33,680 Speaker 4: because one of the most beautiful things about the Palisades 147 00:07:33,680 --> 00:07:36,840 Speaker 4: and that whole area is the community. Like I feel 148 00:07:36,840 --> 00:07:38,160 Speaker 4: like it was a place where we would walk down 149 00:07:38,200 --> 00:07:39,920 Speaker 4: a cafe vita and we would run into just like 150 00:07:39,960 --> 00:07:41,880 Speaker 4: twelve different people that we hadn't seen in a while. 151 00:07:42,000 --> 00:07:45,920 Speaker 4: Everyone is the community. They're so beautiful. The hardest part 152 00:07:46,080 --> 00:07:48,240 Speaker 4: and of the most beautiful thing is seeing the resilience 153 00:07:48,320 --> 00:07:51,080 Speaker 4: and the strength of a community and all the people 154 00:07:51,080 --> 00:07:53,360 Speaker 4: who live there how much they love being there. And 155 00:07:53,400 --> 00:07:55,480 Speaker 4: I think that's one of the hardest things is I 156 00:07:55,520 --> 00:07:57,920 Speaker 4: always tell people who come to LA, if you find 157 00:07:58,200 --> 00:08:00,560 Speaker 4: the area that you love, and you find that that 158 00:08:00,600 --> 00:08:03,120 Speaker 4: community that you love, that's what LA is about, because 159 00:08:03,120 --> 00:08:05,640 Speaker 4: you can find so many different kinds of communities here, 160 00:08:06,040 --> 00:08:09,120 Speaker 4: and that the Palisades was so special, and you know, 161 00:08:09,160 --> 00:08:10,680 Speaker 4: and I think it'll be stronger and better. 162 00:08:10,720 --> 00:08:12,400 Speaker 3: It's just so it's just so hard. 163 00:08:12,440 --> 00:08:15,800 Speaker 4: I couldn't imagine growing up there and you know, it's 164 00:08:15,840 --> 00:08:18,040 Speaker 4: just not being I still feel so crazy. We were 165 00:08:18,120 --> 00:08:21,840 Speaker 4: there the Sunday before everything happened. It was like I 166 00:08:21,880 --> 00:08:25,240 Speaker 4: was like, it's just it's just feels so surreal. But 167 00:08:25,280 --> 00:08:27,200 Speaker 4: that being said, it's like it's just weird to like 168 00:08:27,400 --> 00:08:29,360 Speaker 4: be continued, like life just moves on. 169 00:08:29,800 --> 00:08:33,440 Speaker 1: It's so I know, And it's also I also was 170 00:08:33,480 --> 00:08:38,000 Speaker 1: thinking about though, like the one thing that where the 171 00:08:38,040 --> 00:08:40,600 Speaker 1: Palisades had so much magic, and I think all Tadna 172 00:08:40,679 --> 00:08:44,079 Speaker 1: feels the same way as there's a lot of generational families, 173 00:08:44,160 --> 00:08:46,239 Speaker 1: So like there's a lot of people in the Palisades 174 00:08:46,280 --> 00:08:50,000 Speaker 1: that aren't you know, like don't make the kind of 175 00:08:50,160 --> 00:08:52,440 Speaker 1: have the kind of means that say I do you know, 176 00:08:52,600 --> 00:08:55,040 Speaker 1: or a lot of people did they sort of inherited 177 00:08:55,080 --> 00:08:58,360 Speaker 1: their homes, they live there, they're still on, you know, 178 00:08:59,360 --> 00:09:02,840 Speaker 1: And I think the thing for the Palisades communities actually 179 00:09:02,840 --> 00:09:07,360 Speaker 1: making sure that all of those people can still afford 180 00:09:07,440 --> 00:09:11,720 Speaker 1: to go back to their house and rebuild instead of 181 00:09:11,760 --> 00:09:14,599 Speaker 1: having to sell. And I think that that one of 182 00:09:14,640 --> 00:09:18,200 Speaker 1: the things that made the Palisades kind of internally is 183 00:09:18,240 --> 00:09:21,800 Speaker 1: that we knew families there that are generational families that 184 00:09:21,840 --> 00:09:22,960 Speaker 1: we all grew up together. 185 00:09:23,200 --> 00:09:25,320 Speaker 3: Even though it's a very different kind. 186 00:09:25,200 --> 00:09:29,520 Speaker 1: Of set of means and and Altadna, it seems like 187 00:09:29,559 --> 00:09:33,840 Speaker 1: it's the same thing. But I think there that you know, 188 00:09:34,960 --> 00:09:37,160 Speaker 1: there's a lot of people who have the ability to 189 00:09:37,200 --> 00:09:41,160 Speaker 1: rebuild in the Palisades. Where's an Alta Dina. You know, 190 00:09:41,160 --> 00:09:43,240 Speaker 1: when you think about like how to help and how 191 00:09:43,240 --> 00:09:46,200 Speaker 1: to rebuild, like where where those resources are. 192 00:09:46,040 --> 00:09:46,679 Speaker 3: Going to me? 193 00:09:46,840 --> 00:09:49,800 Speaker 1: That's all I can think about, is like, you know, 194 00:09:49,920 --> 00:09:52,600 Speaker 1: the resources need to be going to the people who 195 00:09:52,960 --> 00:09:56,840 Speaker 1: who that We're not pushing people out because they lost 196 00:09:56,880 --> 00:09:57,200 Speaker 1: their home. 197 00:09:57,360 --> 00:09:59,480 Speaker 2: Problem is palace, it is going to turn into like 198 00:09:59,520 --> 00:10:03,440 Speaker 2: a fucking Mike community with all the same builds. Beauty 199 00:10:03,440 --> 00:10:07,199 Speaker 2: the Palisades was. It was very eclectic in its architecture, 200 00:10:08,240 --> 00:10:11,840 Speaker 2: starting from like the thirties and then moving forward into 201 00:10:12,000 --> 00:10:14,600 Speaker 2: current day, but everyone sort of had their own idea 202 00:10:14,600 --> 00:10:16,760 Speaker 2: of what to build. So it had that feeling. Now, 203 00:10:16,800 --> 00:10:18,760 Speaker 2: is it going to be rebuilt you know with this 204 00:10:18,840 --> 00:10:23,240 Speaker 2: sort of fucking same shit? Hope not, because that's the 205 00:10:23,280 --> 00:10:25,560 Speaker 2: soul that was the soul of the bubble place. 206 00:10:25,640 --> 00:10:28,240 Speaker 4: Seeing Alta Dina in that area, there's so much beautiful 207 00:10:28,440 --> 00:10:32,079 Speaker 4: architectural history there and like you said, multi generational families. 208 00:10:32,360 --> 00:10:34,840 Speaker 4: It's been beautiful to sort of seeing LA come together 209 00:10:35,320 --> 00:10:38,000 Speaker 4: because we are in these all these little pockets everywhere, 210 00:10:38,040 --> 00:10:41,199 Speaker 4: and you forget that, oh this, you know, you forget 211 00:10:41,200 --> 00:10:43,880 Speaker 4: that the other pockets exist, because in La, I feel 212 00:10:43,880 --> 00:10:44,760 Speaker 4: like you're in a bubble. 213 00:10:44,880 --> 00:10:47,280 Speaker 2: Did you guys watch the Grammys? Did you see the Grammys? 214 00:10:47,360 --> 00:10:48,160 Speaker 3: I loved that. 215 00:10:48,480 --> 00:10:49,360 Speaker 4: Loved the Grammys. 216 00:10:49,640 --> 00:10:50,760 Speaker 3: I loved that. 217 00:10:51,679 --> 00:10:53,839 Speaker 2: I didn't watch it. I never really do watch a 218 00:10:53,880 --> 00:10:56,720 Speaker 2: war shows. But everyone says it was awesome. 219 00:10:56,760 --> 00:10:58,559 Speaker 3: Oh it was the best Grammys ever. 220 00:10:58,640 --> 00:11:01,400 Speaker 1: And honestly, I was watched all by myself, like no 221 00:11:01,440 --> 00:11:02,840 Speaker 1: one wanted to watch it with me. I was like 222 00:11:02,880 --> 00:11:06,720 Speaker 1: sitting in the here just watching it, and I was like. 223 00:11:06,720 --> 00:11:09,439 Speaker 3: Does anybody? Oh my god, I was like crying. 224 00:11:09,720 --> 00:11:12,680 Speaker 1: I all the performances were great, but it had such 225 00:11:12,760 --> 00:11:17,720 Speaker 1: heart and and uh and and and Allie Aaron and 226 00:11:17,760 --> 00:11:20,160 Speaker 1: I all his wife Aaron and Aaron I were just 227 00:11:20,160 --> 00:11:22,280 Speaker 1: texting each other the whole time, like, oh my god, 228 00:11:22,960 --> 00:11:24,960 Speaker 1: yeah right, it was. 229 00:11:24,920 --> 00:11:26,440 Speaker 4: You know what it was? I thought that was so 230 00:11:26,520 --> 00:11:28,839 Speaker 4: much fun about this Grammys in particular was seeing all 231 00:11:28,840 --> 00:11:33,000 Speaker 4: these like really young emerging talent, like really at like this, 232 00:11:33,200 --> 00:11:36,280 Speaker 4: like it's so crazy that all these like Sarita Carpenter, Shoplon, 233 00:11:36,320 --> 00:11:39,120 Speaker 4: they're all so young Benson Boone, I was like, I 234 00:11:39,120 --> 00:11:40,800 Speaker 4: had never really seen a perform before, and I was like, 235 00:11:40,840 --> 00:11:43,400 Speaker 4: oh my god. It was really really fun to sort 236 00:11:43,400 --> 00:11:46,679 Speaker 4: of see this like younger generation. Just it gives us, 237 00:11:47,120 --> 00:11:50,120 Speaker 4: gave me just a lot of hope just creatively. It 238 00:11:50,160 --> 00:11:54,160 Speaker 4: really excited me seeing Beyonce finally when her reaction was 239 00:11:54,160 --> 00:11:57,440 Speaker 4: my favorite thing ever, her like disbelief that she finally won. 240 00:11:58,400 --> 00:12:01,680 Speaker 2: When you say what you say, Beyonce finally won, finally. 241 00:12:01,360 --> 00:12:07,320 Speaker 1: Won what never one album of the year ever really ever, 242 00:12:08,200 --> 00:12:08,600 Speaker 1: which is. 243 00:12:08,559 --> 00:12:11,400 Speaker 2: Which is insane, that's crazy. 244 00:12:11,720 --> 00:12:13,920 Speaker 4: And her reaction was just the best because she was like. 245 00:12:14,200 --> 00:12:17,840 Speaker 3: Me, me, well that was for that was country albums. 246 00:12:18,960 --> 00:12:21,200 Speaker 1: She won Best Country Album, and I think like she 247 00:12:21,320 --> 00:12:24,680 Speaker 1: was sort of like, yeah, in her mind, I bet. 248 00:12:24,520 --> 00:12:25,640 Speaker 3: I'm just gonna say I bet. 249 00:12:25,679 --> 00:12:27,720 Speaker 1: She was like, well, I think maybe I'll win Album 250 00:12:27,760 --> 00:12:29,880 Speaker 1: of the Year, but I'm not gonna win country album. 251 00:12:30,000 --> 00:12:31,840 Speaker 3: Yes, but she won both. 252 00:12:31,800 --> 00:12:33,760 Speaker 4: Yeah, which was amazing because I mean, I think it's 253 00:12:33,760 --> 00:12:36,120 Speaker 4: debatable whether or not it's truly country album, but I'll 254 00:12:36,120 --> 00:12:40,880 Speaker 4: take Cowboy Carter over you know, many many things. Yeah, 255 00:12:41,080 --> 00:12:43,439 Speaker 4: it was such a It's one of my favorite albums 256 00:12:43,440 --> 00:12:44,120 Speaker 4: of last year. 257 00:12:44,360 --> 00:12:46,920 Speaker 1: And I loved that, like seeing all these artists. I 258 00:12:46,920 --> 00:12:49,360 Speaker 1: haven't seen them live, but I was. It was so 259 00:12:49,440 --> 00:12:51,560 Speaker 1: much fun to see all the express like it was 260 00:12:51,559 --> 00:12:56,479 Speaker 1: so expressive and so much great showmanship, Like Sabrina Carpenter 261 00:12:57,440 --> 00:13:00,920 Speaker 1: just her sort of throwback cute kind of she's a 262 00:13:01,000 --> 00:13:03,520 Speaker 1: musical theater. It's a musical theater girl, like I was like, oh, 263 00:13:03,559 --> 00:13:04,480 Speaker 1: this is musical theater. 264 00:13:05,160 --> 00:13:09,360 Speaker 3: And then Chapel Roone is just like such a I 265 00:13:09,360 --> 00:13:10,800 Speaker 3: mean just so. 266 00:13:12,400 --> 00:13:14,640 Speaker 4: Like walked so she could run, you know what I mean. 267 00:13:14,720 --> 00:13:18,200 Speaker 4: She's like the new age Gagay in another for this generation. 268 00:13:18,400 --> 00:13:19,520 Speaker 4: I love her so much. 269 00:13:19,679 --> 00:13:22,520 Speaker 1: It's really I mean her just and and the fact 270 00:13:22,600 --> 00:13:25,040 Speaker 1: that she sings the way she does and can perform 271 00:13:25,160 --> 00:13:26,920 Speaker 1: like that is incredible. 272 00:13:26,400 --> 00:13:26,559 Speaker 2: Like. 273 00:13:28,000 --> 00:13:30,520 Speaker 3: It's so hard to do that, like to have that 274 00:13:30,600 --> 00:13:31,200 Speaker 3: kind of rain. 275 00:13:31,520 --> 00:13:35,520 Speaker 2: I just love Kendrick Winning for a disc track number one. 276 00:13:36,400 --> 00:13:39,240 Speaker 2: And if you notice, I don't know if this is 277 00:13:39,280 --> 00:13:43,640 Speaker 2: pointed out, but did you see what he was wearing? No, no, okay, 278 00:13:43,679 --> 00:13:45,960 Speaker 2: he was wearing. I might be taking this far, but 279 00:13:46,480 --> 00:13:48,520 Speaker 2: I have a feeling it's on purpose. And I haven't 280 00:13:48,520 --> 00:13:52,160 Speaker 2: read it anything. Yet he's wearing a denim on denim okay, 281 00:13:52,240 --> 00:13:54,040 Speaker 2: which is called the Canadian tuxedo. 282 00:13:54,400 --> 00:13:57,679 Speaker 4: Yeah, great, is from obviously Canadian. 283 00:13:58,200 --> 00:14:01,520 Speaker 2: Yeah. I mean, if he went that deep, which I 284 00:14:01,559 --> 00:14:03,280 Speaker 2: think he did, that is so rad. 285 00:14:04,520 --> 00:14:07,440 Speaker 4: He probably didn't like just not obviously not knowing, but 286 00:14:07,520 --> 00:14:09,440 Speaker 4: just knowing his work. I feel like he's someone that 287 00:14:09,440 --> 00:14:10,280 Speaker 4: would go that far. 288 00:14:10,679 --> 00:14:11,760 Speaker 2: Yeah, that's what I'm saying. 289 00:14:12,000 --> 00:14:15,520 Speaker 3: I know, I just don't like people dissing people. I 290 00:14:15,600 --> 00:14:19,640 Speaker 3: know people people dissing people. 291 00:14:20,480 --> 00:14:23,720 Speaker 2: Yeah, but the whole crowds screaming a minor. 292 00:14:24,800 --> 00:14:27,880 Speaker 4: Distract about not liking distracts, Right. 293 00:14:29,240 --> 00:14:30,280 Speaker 2: That's a great idea. 294 00:14:30,800 --> 00:14:34,640 Speaker 3: Oh god, the non. 295 00:14:34,520 --> 00:14:37,480 Speaker 1: Distruct I always feel so bad for the people who 296 00:14:37,520 --> 00:14:40,600 Speaker 1: like lose out to the other, you know what I mean, Like, 297 00:14:40,680 --> 00:14:43,680 Speaker 1: I don't know, I guess I'm I don't know. 298 00:14:44,120 --> 00:14:45,520 Speaker 4: I think every time I think of distruct, I just 299 00:14:45,520 --> 00:14:47,560 Speaker 4: think of old school like eminem in like eight mile 300 00:14:48,320 --> 00:14:49,160 Speaker 4: That's what I think of. 301 00:14:49,600 --> 00:14:52,160 Speaker 1: Yeah, but it's like, don't we teach our kids to 302 00:14:52,200 --> 00:14:56,120 Speaker 1: be nice to each other? So it's like, shouldn't adults 303 00:14:56,160 --> 00:14:59,560 Speaker 1: be nice to each other? Are we just supposed to 304 00:14:59,600 --> 00:15:02,920 Speaker 1: disc byd in their back? Was that the way it's 305 00:15:02,960 --> 00:15:05,440 Speaker 1: really supposed to go or worse. 306 00:15:06,120 --> 00:15:07,920 Speaker 2: It's worse you want to diss to the face. 307 00:15:10,800 --> 00:15:13,160 Speaker 3: I just I just love Kendrick. 308 00:15:13,240 --> 00:15:18,120 Speaker 1: And then also just the celebration of like like La Rap. 309 00:15:18,240 --> 00:15:20,720 Speaker 1: I just it's like I miss it, and it's it's 310 00:15:20,760 --> 00:15:23,680 Speaker 1: like we're we're like nineties kids, like that's just what 311 00:15:23,720 --> 00:15:24,880 Speaker 1: we grew up on. 312 00:15:25,080 --> 00:15:29,680 Speaker 3: I was like the explosion of West Coast hip hop. 313 00:15:30,160 --> 00:15:33,400 Speaker 4: Yeah, like Dre Snoop. Anytime I hear like when I 314 00:15:33,440 --> 00:15:37,280 Speaker 4: remember the like the the Olympic thing where they were 315 00:15:37,280 --> 00:15:39,480 Speaker 4: like passing along like the baton to La and seeing 316 00:15:39,560 --> 00:15:42,880 Speaker 4: like Snoop, I was just like, I was my he's 317 00:15:42,920 --> 00:15:45,400 Speaker 4: from New York, so he doesn't get it the way 318 00:15:45,400 --> 00:15:47,720 Speaker 4: I do. I was like, I was so emotional and 319 00:15:47,760 --> 00:15:49,480 Speaker 4: I was loving. He goes, oh, yeah, it's great. Snooff. 320 00:15:49,640 --> 00:15:53,760 Speaker 4: You don't understand, honey, snooze La snoopy La rap. He 321 00:15:53,800 --> 00:15:56,000 Speaker 4: we would not be and he was like, okay, honey, awesome. 322 00:15:56,440 --> 00:15:58,840 Speaker 4: I was like, you don't understand. It's a cultural thing 323 00:15:59,240 --> 00:16:02,080 Speaker 4: growing up in l especially in that time. He is 324 00:16:02,120 --> 00:16:04,040 Speaker 4: like a voice of that generation at least for me. 325 00:16:04,320 --> 00:16:07,080 Speaker 2: Yeah. Yeah, A thousand. That was a great That was 326 00:16:07,080 --> 00:16:11,040 Speaker 2: a great pass passover to the to LA with Snoop 327 00:16:11,080 --> 00:16:12,680 Speaker 2: doing his thing was awesome. 328 00:16:12,760 --> 00:16:13,520 Speaker 3: It was the best. 329 00:16:13,760 --> 00:16:16,400 Speaker 4: It's so I'm really excited about also like terrified about 330 00:16:16,440 --> 00:16:18,680 Speaker 4: the Olympics coming to the coming to LA. We can't 331 00:16:18,720 --> 00:16:19,400 Speaker 4: leave our homes. 332 00:16:19,840 --> 00:16:20,400 Speaker 3: I think that. 333 00:16:20,800 --> 00:16:24,560 Speaker 1: I think that, yeah, I think like that's that. Yeah, 334 00:16:24,720 --> 00:16:25,960 Speaker 1: the traffic will be on. 335 00:16:26,000 --> 00:16:30,440 Speaker 2: Another probably won't even be here. I'll be somewhere else. 336 00:16:30,640 --> 00:16:31,840 Speaker 2: And as much as I would love to go see 337 00:16:31,880 --> 00:16:34,880 Speaker 2: the Olympics, it just seems like a total utter nightmare. 338 00:16:36,400 --> 00:16:38,240 Speaker 3: Actually, you know, if they do it right. 339 00:16:39,000 --> 00:16:41,320 Speaker 1: I remember when I was living in London and the 340 00:16:41,480 --> 00:16:45,600 Speaker 1: and the and the Olympics were in London and it 341 00:16:45,680 --> 00:16:50,080 Speaker 1: was fine, like really oh, it was like I was like, oh, 342 00:16:50,120 --> 00:16:51,000 Speaker 1: it's gonna be a nightmare. 343 00:16:51,040 --> 00:16:51,240 Speaker 2: It was. 344 00:16:51,760 --> 00:16:54,520 Speaker 3: It was, you know, the way that they spread it 345 00:16:54,560 --> 00:16:55,840 Speaker 3: out and then they doesn't. 346 00:16:55,840 --> 00:16:59,320 Speaker 2: But doesn't London have really good infrastructure with public Yeah. 347 00:16:59,120 --> 00:17:01,320 Speaker 3: They have a great to the tube. You know they. 348 00:17:01,760 --> 00:17:04,640 Speaker 2: Yeah, we don't have a tube, but I think but. 349 00:17:04,680 --> 00:17:05,200 Speaker 3: We do have. 350 00:17:05,320 --> 00:17:07,240 Speaker 1: We do we do though, and I think they will 351 00:17:07,280 --> 00:17:09,320 Speaker 1: create like the rail system that we do have. 352 00:17:09,400 --> 00:17:10,679 Speaker 3: They're already like growing it. 353 00:17:11,040 --> 00:17:12,640 Speaker 1: I think by the time they get there, a lot 354 00:17:12,640 --> 00:17:14,639 Speaker 1: of the places that they're gonna build or they're going 355 00:17:14,720 --> 00:17:17,719 Speaker 1: to have will have that. I don't know, you know what, 356 00:17:17,760 --> 00:17:21,320 Speaker 1: I'm being positive. I'm just I'm trying to be positive 357 00:17:21,320 --> 00:17:22,160 Speaker 1: about everything. 358 00:17:24,200 --> 00:17:26,120 Speaker 4: If you guys bounce each other out, I love it. 359 00:17:26,119 --> 00:17:27,359 Speaker 4: It's that's why it works. 360 00:17:36,680 --> 00:17:40,160 Speaker 1: Brenda, we we usually get right into this, but because 361 00:17:40,200 --> 00:17:43,439 Speaker 1: you're basically my bestie on the show, we're just like 362 00:17:43,600 --> 00:17:46,280 Speaker 1: talking about things that have nothing to do with you. 363 00:17:46,680 --> 00:17:50,399 Speaker 3: And I know we haven't seen each other. So but let's, uh, 364 00:17:50,760 --> 00:17:53,920 Speaker 3: let's get Brenda focused, Brenda focus. 365 00:17:53,960 --> 00:17:54,919 Speaker 4: Don't get Brenda focus. 366 00:17:55,040 --> 00:17:57,840 Speaker 3: That's very I think that first. 367 00:17:57,960 --> 00:17:59,840 Speaker 1: I just want to like, we'll get this out of 368 00:17:59,880 --> 00:18:03,520 Speaker 1: the way, like we did our show. Why don't Why 369 00:18:03,560 --> 00:18:08,200 Speaker 1: don't you share with everybody you know who you play? 370 00:18:08,440 --> 00:18:09,560 Speaker 3: Let's test it out. 371 00:18:09,359 --> 00:18:12,800 Speaker 1: On the podcast before we get into our press Who 372 00:18:12,960 --> 00:18:13,480 Speaker 1: you play? 373 00:18:13,560 --> 00:18:15,840 Speaker 2: And then what do you hate most about yourself? 374 00:18:15,920 --> 00:18:21,760 Speaker 4: Go ohiest question of this whole podcast. So basically, I 375 00:18:22,960 --> 00:18:27,200 Speaker 4: play to Jeanie Busses to Katese Jeanie buss I play 376 00:18:27,280 --> 00:18:30,399 Speaker 4: sort of her right hand woman aka best friend, a 377 00:18:30,480 --> 00:18:32,880 Speaker 4: version of Linda Rambis. My character is heavily based off 378 00:18:32,880 --> 00:18:35,719 Speaker 4: of her, and it's really funny because I feel like 379 00:18:35,920 --> 00:18:37,800 Speaker 4: she and I actually have a lot in common in 380 00:18:37,840 --> 00:18:39,359 Speaker 4: real life. You both have do boys, we have a 381 00:18:39,400 --> 00:18:42,840 Speaker 4: deep love for basketball. We are both tiny little brunettes 382 00:18:42,880 --> 00:18:49,520 Speaker 4: who are very outspoken, and yeah, I feel like we 383 00:18:49,880 --> 00:18:53,520 Speaker 4: the same way that most friendships work. We balance each 384 00:18:53,520 --> 00:18:56,560 Speaker 4: other out. I think Ali's character is very type a, 385 00:18:56,840 --> 00:19:01,960 Speaker 4: very on top of everything, and Isla is stepping into 386 00:19:01,960 --> 00:19:05,359 Speaker 4: this sort of new role and she's much more laid 387 00:19:05,359 --> 00:19:07,800 Speaker 4: back about things. She has a very different perspective on 388 00:19:08,640 --> 00:19:10,720 Speaker 4: you know, this franchise and how it should be run. 389 00:19:10,960 --> 00:19:14,800 Speaker 4: And it's the breadth of fresh air that this organization needed. 390 00:19:15,200 --> 00:19:18,560 Speaker 4: And Alie sort of just here to be her biggest 391 00:19:18,600 --> 00:19:21,520 Speaker 4: reporter and be there for whatever that she needs and 392 00:19:21,640 --> 00:19:25,400 Speaker 4: also like to help fight off her brothers. Scotty MacArthur 393 00:19:25,480 --> 00:19:28,159 Speaker 4: texted me the other day about this crazy La trade 394 00:19:28,520 --> 00:19:31,000 Speaker 4: because he knows that, Oh my. 395 00:19:31,000 --> 00:19:34,719 Speaker 2: God, I know, I a whole on your podcast we 396 00:19:34,760 --> 00:19:37,240 Speaker 2: could get into right now with Luca Comming. 397 00:19:37,280 --> 00:19:41,439 Speaker 3: I mean, wait, you guys, I have a real. 398 00:19:41,320 --> 00:19:44,399 Speaker 4: Lover of basketball, like a real love for sports. 399 00:19:44,480 --> 00:19:46,000 Speaker 2: I'm a huge, huge Lakers. 400 00:19:46,080 --> 00:19:47,000 Speaker 3: No, you don't understand. 401 00:19:47,080 --> 00:19:51,000 Speaker 1: I want to start a TikTok that is just Branda's take. 402 00:19:51,240 --> 00:19:54,520 Speaker 1: It's called Brenda's take, and it's on things like this 403 00:19:55,160 --> 00:19:59,040 Speaker 1: where I ask her about like, you know, like today 404 00:19:59,080 --> 00:20:02,440 Speaker 1: we're gonna get Branda's take on the Los Angeles Lakers trade. 405 00:20:02,520 --> 00:20:05,040 Speaker 3: Go, She's like, it's crazy. 406 00:20:05,960 --> 00:20:08,159 Speaker 2: Before we move forward with the show, let me get 407 00:20:08,240 --> 00:20:12,640 Speaker 2: let me get your take. This trade was so out 408 00:20:12,640 --> 00:20:15,439 Speaker 2: of left field and so crazy. Do you think that 409 00:20:15,520 --> 00:20:19,760 Speaker 2: there's something underneath all of this that will maybe revealed, 410 00:20:19,800 --> 00:20:23,200 Speaker 2: may not be revealed as to why Cuban sort of said, 411 00:20:23,200 --> 00:20:24,800 Speaker 2: you know, we're going to get rid of him. 412 00:20:25,000 --> 00:20:27,040 Speaker 4: Well, apparently Cubans come out and said that he had 413 00:20:27,160 --> 00:20:30,080 Speaker 4: no he's a minority owner now, so he oh, that's right, 414 00:20:30,200 --> 00:20:32,680 Speaker 4: the first year of the new ownership. So maybe I 415 00:20:32,720 --> 00:20:37,200 Speaker 4: personally think that obviously Dallas has always been built on defense. 416 00:20:38,280 --> 00:20:40,800 Speaker 4: I think, you know, they're talking about the whole conditioning 417 00:20:40,800 --> 00:20:43,080 Speaker 4: issue with Luca. I'm sure that's a big issue. 418 00:20:43,119 --> 00:20:46,520 Speaker 2: I mean, seventy pounds drinking beer, right. 419 00:20:46,400 --> 00:20:49,600 Speaker 4: But also a d He's The hard thing is eighty 420 00:20:49,680 --> 00:20:51,640 Speaker 4: is one of my favorite lakers of this sort of iteration. 421 00:20:51,840 --> 00:20:55,040 Speaker 4: He's incredible, obviously, but he's also very injury prone. The 422 00:20:55,080 --> 00:20:56,680 Speaker 4: craziest thing for me Is he's been having one of 423 00:20:56,760 --> 00:20:57,600 Speaker 4: the best years. 424 00:20:58,000 --> 00:20:59,040 Speaker 2: Yeah, he's had in a. 425 00:20:58,960 --> 00:21:03,679 Speaker 4: While healthy, which is really hard. But also, you know, 426 00:21:03,880 --> 00:21:07,040 Speaker 4: he's thirty two. I think the Lakers are starting We 427 00:21:07,320 --> 00:21:09,439 Speaker 4: like the same way with the Waves. They never do 428 00:21:09,480 --> 00:21:11,879 Speaker 4: a full rebuild. They always like rebuild on the go. 429 00:21:11,960 --> 00:21:14,960 Speaker 3: And the Waves our is our team, yes. 430 00:21:14,960 --> 00:21:18,439 Speaker 4: Team on the show, it's you know. And with Lebron, 431 00:21:18,520 --> 00:21:20,080 Speaker 4: he's also getting older. I think we need to start 432 00:21:20,080 --> 00:21:22,760 Speaker 4: looking at this sort of next phase of the Lakers 433 00:21:22,840 --> 00:21:23,280 Speaker 4: for sure. 434 00:21:23,480 --> 00:21:25,920 Speaker 2: For sure, I'm not even talking about the Lake the Lakers. 435 00:21:26,119 --> 00:21:27,000 Speaker 2: They got Luca. 436 00:21:27,080 --> 00:21:28,879 Speaker 4: Oh yeah, I'm like, I'm thrilled we got Luca and 437 00:21:28,920 --> 00:21:29,800 Speaker 4: Puka in La. 438 00:21:29,840 --> 00:21:30,679 Speaker 3: I'm stoked. 439 00:21:30,760 --> 00:21:33,520 Speaker 2: This is ridiculous. I'm saying for the for Dallas, you. 440 00:21:33,440 --> 00:21:35,920 Speaker 4: Know, I don't know what they're thinking. But at the. 441 00:21:35,840 --> 00:21:37,960 Speaker 2: Same time, you're right. Look, you know, first of all, 442 00:21:38,000 --> 00:21:40,359 Speaker 2: with Luke, you know, when they went to the finals, 443 00:21:40,560 --> 00:21:41,960 Speaker 2: you know, they were still I think they had the 444 00:21:41,960 --> 00:21:44,199 Speaker 2: eighth best defense in the league, so they were not 445 00:21:44,880 --> 00:21:47,920 Speaker 2: lacking defense. Luca does not play defense. We know that. Yeah, 446 00:21:48,359 --> 00:21:53,040 Speaker 2: you know, ad Is is a fucking sick defensetible. Yeah, yeah, 447 00:21:53,080 --> 00:21:55,320 Speaker 2: so maybe it works out for them, but they've lost 448 00:21:55,400 --> 00:21:58,040 Speaker 2: so much juice without Luca being there. But maybe Kyrie 449 00:21:58,280 --> 00:22:00,120 Speaker 2: and Ad. 450 00:21:59,640 --> 00:22:02,800 Speaker 4: You know, because honestly that to be honest, if you 451 00:22:02,880 --> 00:22:04,760 Speaker 4: just look at the roster they have on paper, eighty 452 00:22:04,800 --> 00:22:07,200 Speaker 4: will slide in their eighty hates being a center. He 453 00:22:07,200 --> 00:22:09,960 Speaker 4: hates being a big man because that's not what he plays. 454 00:22:10,160 --> 00:22:12,600 Speaker 4: And in Dallas they have big men there, so he 455 00:22:12,640 --> 00:22:14,879 Speaker 4: gets to fit and slot where he feels more comfortable. 456 00:22:14,920 --> 00:22:16,800 Speaker 4: Like I feel like in LA he hated being the 457 00:22:16,800 --> 00:22:19,679 Speaker 4: big man. But now for La, we have no defense 458 00:22:19,720 --> 00:22:21,639 Speaker 4: and we have no size. Max Christine was such a 459 00:22:21,680 --> 00:22:24,240 Speaker 4: great defensive player and losing him was also really hard 460 00:22:24,320 --> 00:22:27,080 Speaker 4: because for us, I feel like we have no defense now. 461 00:22:27,840 --> 00:22:34,879 Speaker 1: So now everybody understands why she is my right. I 462 00:22:35,080 --> 00:22:39,439 Speaker 1: can you believe Brenda's that you are such a sport 463 00:22:39,560 --> 00:22:41,000 Speaker 1: like you shouare have your own sports show. 464 00:22:41,720 --> 00:22:44,800 Speaker 4: I love sports, between basketball and football. It's sort of 465 00:22:44,840 --> 00:22:46,639 Speaker 4: like it runs my life. They the thing that was 466 00:22:46,640 --> 00:22:49,760 Speaker 4: so fun about working on the show was Dave Astassin 467 00:22:49,840 --> 00:22:52,680 Speaker 4: and I Barenholt, who are our like you know, creators 468 00:22:52,680 --> 00:22:55,160 Speaker 4: in our show. Dave was our showrunner. They also love 469 00:22:55,240 --> 00:22:57,199 Speaker 4: sports a lot, and when I first sat down with them, 470 00:22:57,240 --> 00:22:59,119 Speaker 4: to sort of have a meeting about the show and Mindy. 471 00:22:59,840 --> 00:23:02,560 Speaker 4: We basically talked about sports for the first like half 472 00:23:02,600 --> 00:23:03,520 Speaker 4: hour because I was. 473 00:23:03,520 --> 00:23:05,680 Speaker 2: Like, this is my lost Chicago ship. 474 00:23:05,760 --> 00:23:10,200 Speaker 1: Oh yeah, Branda would rock in and it doesn't matter 475 00:23:10,240 --> 00:23:15,080 Speaker 1: what sport, but Branda would rock in and be like, guys. 476 00:23:14,840 --> 00:23:16,840 Speaker 3: Did you see the trade? Can you believe it? 477 00:23:16,960 --> 00:23:20,160 Speaker 1: Like every like every at least once a week, they'd 478 00:23:20,200 --> 00:23:21,520 Speaker 1: be like did you She'd be like, did you hear 479 00:23:21,560 --> 00:23:21,919 Speaker 1: about this? 480 00:23:21,920 --> 00:23:22,920 Speaker 3: Can you believe it? They paid? 481 00:23:23,119 --> 00:23:25,919 Speaker 2: They're like, what are you talking about? She goes cricket India? 482 00:23:25,960 --> 00:23:31,080 Speaker 2: Did you see what happened? This is the. 483 00:23:31,040 --> 00:23:33,360 Speaker 4: First time I think, like in my career that I've 484 00:23:33,400 --> 00:23:36,080 Speaker 4: been able to sort of blend two things that I 485 00:23:36,119 --> 00:23:40,159 Speaker 4: really really love and being able to also, you know, 486 00:23:40,240 --> 00:23:44,480 Speaker 4: get to know Genie and you know the Rambit. Jordan Rambis, 487 00:23:44,640 --> 00:23:47,040 Speaker 4: Linda's son, was a very you know, he was a 488 00:23:47,119 --> 00:23:48,720 Speaker 4: he was a big boy scenary. He would come visit. 489 00:23:48,720 --> 00:23:51,879 Speaker 4: They've been really, really wonderful and it's been nice to 490 00:23:51,920 --> 00:23:53,960 Speaker 4: sort of get this also inside track on the Lakers, 491 00:23:54,000 --> 00:23:58,840 Speaker 4: which was really it's really fun, So like, oh believe me, 492 00:23:59,760 --> 00:24:01,640 Speaker 4: and yeah, I think it was just it was such 493 00:24:01,680 --> 00:24:05,800 Speaker 4: a fun camaraderie, especially on that set, because everyone had 494 00:24:05,840 --> 00:24:08,359 Speaker 4: a real passion for what we were doing, and also 495 00:24:08,359 --> 00:24:10,480 Speaker 4: we were making such a fun show. I always like 496 00:24:10,560 --> 00:24:12,760 Speaker 4: say to everyone that this was a show that I 497 00:24:12,800 --> 00:24:15,800 Speaker 4: would come back even after like our crazy twelve fourteen 498 00:24:15,800 --> 00:24:18,400 Speaker 4: hour days of shooting night shoots or something crazy. We would. 499 00:24:18,640 --> 00:24:21,600 Speaker 4: We laughed so much and we had such a good 500 00:24:21,640 --> 00:24:24,240 Speaker 4: time making the show. I feel like I went in 501 00:24:24,359 --> 00:24:26,480 Speaker 4: every day and I was like, poor Kate. I'd like, 502 00:24:26,520 --> 00:24:28,919 Speaker 4: oh my god, Kate would be putting me through therapy, 503 00:24:28,960 --> 00:24:32,280 Speaker 4: giving me advice about parenting my kids, like me and 504 00:24:32,320 --> 00:24:34,560 Speaker 4: my partner every day in between our takes. I'm like, okay, 505 00:24:34,560 --> 00:24:36,000 Speaker 4: so anyway, who should I be going to? 506 00:24:36,400 --> 00:24:36,640 Speaker 3: Kate? 507 00:24:36,680 --> 00:24:39,160 Speaker 4: Like, read my aura, did my numbers, did my astrology. 508 00:24:39,240 --> 00:24:41,719 Speaker 2: It was the best I know. It makes sense Scotty, 509 00:24:41,880 --> 00:24:44,080 Speaker 2: who's a great friend of mine as well. Like, dude, 510 00:24:44,200 --> 00:24:45,880 Speaker 2: sometimes I just want to sit in the cast here 511 00:24:45,880 --> 00:24:47,879 Speaker 2: and bullshit about nothing, and your sister would all of 512 00:24:47,880 --> 00:24:50,360 Speaker 2: a sudden say, so, you know that story you told 513 00:24:50,400 --> 00:24:52,520 Speaker 2: about your father is really sad, Like, let's get into 514 00:24:52,560 --> 00:24:56,400 Speaker 2: the psychology. I don't want to do it. I don't 515 00:24:56,400 --> 00:24:56,879 Speaker 2: want to do it. 516 00:24:56,880 --> 00:24:58,960 Speaker 3: I don't want to know that's not lying. 517 00:25:00,359 --> 00:25:01,879 Speaker 2: Let me ask you a quick question, So did you 518 00:25:01,920 --> 00:25:02,760 Speaker 2: audition for this? 519 00:25:03,359 --> 00:25:06,800 Speaker 4: No? I like, I'm shocked. No, I had a meeting 520 00:25:06,840 --> 00:25:08,440 Speaker 4: with Mindy and even Ike. 521 00:25:08,640 --> 00:25:12,040 Speaker 2: Yes, okay, so, but why I'm asking that is because 522 00:25:12,080 --> 00:25:15,520 Speaker 2: being such a huge fucking Lakers fan, this show coming 523 00:25:15,560 --> 00:25:19,360 Speaker 2: about and you coming across your desk and reading it, 524 00:25:19,400 --> 00:25:21,760 Speaker 2: is it like, oh my god, holy fuck. I mean, 525 00:25:21,800 --> 00:25:23,760 Speaker 2: this is kind of the holy Grail in the sense 526 00:25:23,840 --> 00:25:26,320 Speaker 2: like I get to be a part of this organization. 527 00:25:26,560 --> 00:25:30,760 Speaker 4: In a way, it excited me in a way that 528 00:25:31,600 --> 00:25:35,280 Speaker 4: I hadn't you can't get like again, it's it was 529 00:25:35,280 --> 00:25:37,639 Speaker 4: the first script that I'd read that had two of 530 00:25:37,680 --> 00:25:39,959 Speaker 4: my favorite things. I was like, I get to do 531 00:25:40,160 --> 00:25:42,720 Speaker 4: and play pretend in a world that I actually wish 532 00:25:42,800 --> 00:25:45,560 Speaker 4: I could be in. And also, I was when I 533 00:25:45,680 --> 00:25:47,679 Speaker 4: sat down with Mindy, Ike and Dave. I was nervous 534 00:25:47,680 --> 00:25:50,240 Speaker 4: because the last couple of shows about these basketball teams, 535 00:25:50,800 --> 00:25:53,520 Speaker 4: like the Clippers and the Lakers, I watched them. I 536 00:25:53,560 --> 00:25:55,760 Speaker 4: was excited about them, and I was, you know, I 537 00:25:55,800 --> 00:25:58,199 Speaker 4: was disappointed because I'm such a like a like a 538 00:25:58,240 --> 00:26:01,360 Speaker 4: big basketball fan, and when I read this, I went, oh, 539 00:26:01,480 --> 00:26:04,879 Speaker 4: this is not about this is just a setting for 540 00:26:05,040 --> 00:26:09,560 Speaker 4: these characters and all these relationships. It's not necessarily about basketball, 541 00:26:10,320 --> 00:26:12,920 Speaker 4: and that's what I loved. And so even though it 542 00:26:12,920 --> 00:26:15,600 Speaker 4: gets to sort of play with some real life situations 543 00:26:15,640 --> 00:26:17,800 Speaker 4: that have sort of happened in these people's lives and 544 00:26:17,840 --> 00:26:21,680 Speaker 4: these situations, it's not. It's just a vehicle for these 545 00:26:21,720 --> 00:26:24,080 Speaker 4: really fun, silly people and a sort of like found 546 00:26:24,600 --> 00:26:28,359 Speaker 4: like family and and so for me, that's what really 547 00:26:28,400 --> 00:26:28,720 Speaker 4: sold it. 548 00:26:28,720 --> 00:26:28,919 Speaker 3: For me. 549 00:26:29,000 --> 00:26:30,800 Speaker 4: I was like, oh, it's not I'm not gonna be 550 00:26:30,840 --> 00:26:33,720 Speaker 4: worried about, you know, doing you know, a disservice to 551 00:26:33,880 --> 00:26:37,600 Speaker 4: the Lakers organization people's stories. And I think that for 552 00:26:37,640 --> 00:26:40,800 Speaker 4: me was kind of like it took the pressure off. 553 00:26:40,800 --> 00:26:42,080 Speaker 4: And because I was worried, I was like, oh my god, 554 00:26:42,080 --> 00:26:44,040 Speaker 4: if this thing about the Lakers, like this is scary, 555 00:26:44,200 --> 00:26:46,760 Speaker 4: Like I I'm not Linda Rambus and they're like, no, no, no, 556 00:26:46,800 --> 00:26:48,400 Speaker 4: it's just Louly and I was like, okay, all right, 557 00:26:48,440 --> 00:26:51,680 Speaker 4: well and then yeah, it working to only Kate Hudson's 558 00:26:51,680 --> 00:26:55,640 Speaker 4: in it, and I was like, I can possibly work 559 00:26:55,720 --> 00:26:58,040 Speaker 4: with Kate Hudson. I read don't understand Kate knows this. 560 00:26:58,080 --> 00:27:00,840 Speaker 4: Sometimes I mean in a scene I'd be in a scene, 561 00:27:00,840 --> 00:27:03,600 Speaker 4: and I'd be like, I'm doing a scene with Kate Hudson, what. 562 00:27:03,640 --> 00:27:06,199 Speaker 3: Is my life Like? 563 00:27:06,400 --> 00:27:10,040 Speaker 4: One of the craziest moments was when Kate was like facetiming. 564 00:27:10,080 --> 00:27:12,439 Speaker 4: She was like, oh wait, Brenda wait, I want you to, 565 00:27:12,520 --> 00:27:14,520 Speaker 4: like Mama, I want you to meet Brenda, who plays 566 00:27:14,520 --> 00:27:17,040 Speaker 4: my best like. I need a second before I get 567 00:27:17,040 --> 00:27:19,480 Speaker 4: on a face of time with a goldie freakin' han 568 00:27:19,600 --> 00:27:21,840 Speaker 4: Are you don't put me on the spot. 569 00:27:21,640 --> 00:27:33,280 Speaker 2: Like this, Branda before we move on. I have a 570 00:27:33,520 --> 00:27:37,640 Speaker 2: very very controversial question to ask you. So you're telling 571 00:27:37,720 --> 00:27:42,320 Speaker 2: me that you did not like Showtime, Yeah, you didn't 572 00:27:42,400 --> 00:27:42,720 Speaker 2: like it. 573 00:27:43,000 --> 00:27:43,480 Speaker 3: I didn't. 574 00:27:43,520 --> 00:27:46,880 Speaker 4: I didn't love it. And maybe here's the thing. I 575 00:27:46,920 --> 00:27:49,200 Speaker 4: there are parts of it that I thought were really interesting, 576 00:27:49,720 --> 00:27:52,639 Speaker 4: but I don't know. I couldn't get into it, and 577 00:27:52,720 --> 00:27:56,240 Speaker 4: I couldn't tell you why. I couldn't. Really, the breaking 578 00:27:56,320 --> 00:27:58,440 Speaker 4: of the fourth wall by like so many different characters 579 00:27:58,440 --> 00:28:00,879 Speaker 4: threw me off. I think that was a part that 580 00:28:00,960 --> 00:28:03,160 Speaker 4: kind of bugged me. I mean, it's a really well 581 00:28:03,200 --> 00:28:05,919 Speaker 4: made show. The actors were great. It just you know, 582 00:28:06,560 --> 00:28:09,040 Speaker 4: I can't. I couldn't get into it. I wanted to, 583 00:28:09,480 --> 00:28:11,040 Speaker 4: but I just couldn't. And then I didn't even watch 584 00:28:11,040 --> 00:28:11,879 Speaker 4: clipped a. 585 00:28:11,880 --> 00:28:16,600 Speaker 2: Little, a little overstylized, maybe right, Yeah, And. 586 00:28:16,640 --> 00:28:19,840 Speaker 4: I think also being such a big growing up as 587 00:28:19,840 --> 00:28:22,719 Speaker 4: a Laker fan, being in LA, there's some parts of 588 00:28:22,760 --> 00:28:25,800 Speaker 4: it where I'm like, when you take creative liberties like it, 589 00:28:25,800 --> 00:28:27,800 Speaker 4: it like throws me off on Like, wait a second. 590 00:28:27,520 --> 00:28:29,639 Speaker 1: I was gonna say, it's probably more because some of 591 00:28:29,680 --> 00:28:32,639 Speaker 1: that stuff really you you know so much, you're probably 592 00:28:32,680 --> 00:28:33,879 Speaker 1: like that didn't really happen. 593 00:28:34,640 --> 00:28:37,199 Speaker 4: I was like, that couldn't be it. Yeah, And so 594 00:28:37,280 --> 00:28:40,280 Speaker 4: I couldn't really put my finger on it. But I 595 00:28:40,360 --> 00:28:42,240 Speaker 4: just I couldn't get into I wanted to. Like, I 596 00:28:42,280 --> 00:28:44,719 Speaker 4: sat through the entire season, going Okay, the next episode 597 00:28:44,720 --> 00:28:45,800 Speaker 4: will get me in that. I mean, they got me 598 00:28:45,880 --> 00:28:48,400 Speaker 4: to watch the entire season. I just did you like it? 599 00:28:48,840 --> 00:28:51,000 Speaker 2: I did? I did so real quick and then we'll 600 00:28:51,000 --> 00:28:53,720 Speaker 2: move on. But I was thrown off at first by 601 00:28:53,800 --> 00:28:56,600 Speaker 2: the overstylization of it, by the breaking of the fourth wall. 602 00:28:57,000 --> 00:28:59,239 Speaker 2: But then because I'm such a huge Lakers fan, I 603 00:28:59,280 --> 00:29:02,880 Speaker 2: did into it. I thought the acting was really spot on, 604 00:29:03,000 --> 00:29:05,440 Speaker 2: really good and really fun to watch. John c Riley, 605 00:29:05,560 --> 00:29:08,680 Speaker 2: the kid who played Magic, was amazing. Everyone was really good. 606 00:29:08,720 --> 00:29:12,520 Speaker 2: So it was entertaining to watch, and yes, there were 607 00:29:12,600 --> 00:29:15,560 Speaker 2: crazy liberties taken. But at the same time, you know, 608 00:29:15,680 --> 00:29:19,840 Speaker 2: when when like this news conferences, when you know, if 609 00:29:19,840 --> 00:29:22,440 Speaker 2: you watch back the real ones versus sort of the 610 00:29:22,480 --> 00:29:25,680 Speaker 2: press conference, it's it's word for word and verbatim sort 611 00:29:25,680 --> 00:29:28,720 Speaker 2: of how certain things went down, You know what I mean. 612 00:29:28,960 --> 00:29:32,000 Speaker 1: I think what's really fun about what Brenda was saying 613 00:29:32,080 --> 00:29:35,280 Speaker 1: about running point, which is what was so fun and 614 00:29:35,320 --> 00:29:39,000 Speaker 1: what Genie really wanted, Like her original concept was like, 615 00:29:39,120 --> 00:29:43,320 Speaker 1: my life is a comedy. Like in her mind, she's like, 616 00:29:43,400 --> 00:29:47,200 Speaker 1: the comedic version of this is would be a really 617 00:29:47,280 --> 00:29:52,440 Speaker 1: fun show. And yeah, and instead of like so there's 618 00:29:52,480 --> 00:29:55,560 Speaker 1: things in it that are based upon and I love 619 00:29:55,600 --> 00:29:58,240 Speaker 1: that she is that self deprecating and has that kind 620 00:29:58,280 --> 00:30:01,280 Speaker 1: of sense of humor that she's sort of handed this 621 00:30:01,280 --> 00:30:04,960 Speaker 1: to Mindy to say, have fun with this because it's 622 00:30:05,080 --> 00:30:08,040 Speaker 1: so wild. You know, her life story is so wild, 623 00:30:08,080 --> 00:30:10,880 Speaker 1: and the family is so nuts, and there's so much 624 00:30:11,240 --> 00:30:15,040 Speaker 1: there's so much to play on, and so it kind of, 625 00:30:15,080 --> 00:30:19,320 Speaker 1: like you said, it became the show isn't really about basketball. 626 00:30:19,360 --> 00:30:21,040 Speaker 1: The show is about a family dynamic. 627 00:30:21,760 --> 00:30:24,200 Speaker 2: Yeah, look, we not I don't want to talk about Genie. 628 00:30:24,640 --> 00:30:28,520 Speaker 2: It makes me sad because she completely she ghosted me 629 00:30:28,560 --> 00:30:31,720 Speaker 2: and I don't know why. Oh, she was on my 630 00:30:31,800 --> 00:30:36,320 Speaker 2: podcast years ago. We became friends, you know, texting about Lakers, 631 00:30:36,320 --> 00:30:38,920 Speaker 2: this and that and emails and it was really sweet 632 00:30:38,920 --> 00:30:42,920 Speaker 2: and nice. And then it's been a year. However, nothing. 633 00:30:43,120 --> 00:30:45,960 Speaker 3: Yeah, some people have to clean out Ollie and you 634 00:30:46,040 --> 00:30:46,560 Speaker 3: were in her. 635 00:30:46,480 --> 00:30:49,320 Speaker 2: Clean you know, DMS. I can see that she's seen 636 00:30:49,560 --> 00:30:53,760 Speaker 2: the DM and has not. I don't know what I did. 637 00:30:53,960 --> 00:30:57,040 Speaker 1: I'm learning that all of her has been stocking Genie 638 00:30:57,040 --> 00:30:58,240 Speaker 1: Bess Right now. 639 00:30:58,320 --> 00:31:00,480 Speaker 2: Genie, what did I do? 640 00:31:02,160 --> 00:31:05,800 Speaker 4: She's like this exactly, this is exactly you're doing. 641 00:31:06,400 --> 00:31:07,720 Speaker 3: I'm doing it right now. 642 00:31:12,000 --> 00:31:13,280 Speaker 4: He's so wonderful. 643 00:31:13,280 --> 00:31:15,840 Speaker 2: Well, the funny thing is it's awesome. Like I was like, 644 00:31:15,880 --> 00:31:17,920 Speaker 2: oh my god, she's the best, the greatest man. 645 00:31:19,920 --> 00:31:23,440 Speaker 3: So is Linda Rambis, the whole Listen. They're wonderful. 646 00:31:23,520 --> 00:31:26,520 Speaker 1: It's also really amazing to see women at the helm 647 00:31:27,200 --> 00:31:27,960 Speaker 1: of such. 648 00:31:27,760 --> 00:31:30,440 Speaker 3: A large organization. 649 00:31:30,920 --> 00:31:38,280 Speaker 1: And yeah, and and like just be like, there's nothing 650 00:31:38,440 --> 00:31:42,280 Speaker 1: like I feel like it's a very unassuming. It's unassuming 651 00:31:42,360 --> 00:31:45,840 Speaker 1: leadership in the way like Genie's not some like you 652 00:31:45,880 --> 00:31:49,120 Speaker 1: know boys stress, Like she's not like her dad. She's 653 00:31:49,160 --> 00:31:53,480 Speaker 1: real shy and you know and and like open and 654 00:31:53,640 --> 00:31:56,720 Speaker 1: meaning like you know, warm and. 655 00:31:56,800 --> 00:31:59,000 Speaker 4: Like we'll meet you at Laker gates and bring walk 656 00:31:59,080 --> 00:32:01,600 Speaker 4: you in. Like she's so personally she's a human. 657 00:32:02,040 --> 00:32:02,280 Speaker 2: Yeah. 658 00:32:02,280 --> 00:32:04,440 Speaker 4: And one of the funny things that when we were 659 00:32:04,440 --> 00:32:05,640 Speaker 4: at the game and I was like, we haven't we 660 00:32:05,680 --> 00:32:07,720 Speaker 4: have to go to a game together. It was so crazy. 661 00:32:07,720 --> 00:32:09,440 Speaker 4: I sat here and I was like, this is what 662 00:32:09,640 --> 00:32:12,120 Speaker 4: our characters this is Like I was talking to Jordan. 663 00:32:12,200 --> 00:32:13,640 Speaker 4: I was like, this is what you guys do every 664 00:32:13,680 --> 00:32:15,080 Speaker 4: home game. This is a part of your job. You 665 00:32:15,080 --> 00:32:18,680 Speaker 4: come to Laker games. This is your job. Like how 666 00:32:19,480 --> 00:32:23,640 Speaker 4: crazy and how fun? Because the thing that I really 667 00:32:23,680 --> 00:32:26,320 Speaker 4: loved about like kind of getting to know every like 668 00:32:26,640 --> 00:32:30,520 Speaker 4: you know Linda in Jeanie's story was like, you know, 669 00:32:30,920 --> 00:32:34,040 Speaker 4: Jordan was telling me that like in the Lakers franchise. 670 00:32:33,720 --> 00:32:39,000 Speaker 1: Jordan is Jordan Rambus, Yes, Don Linda's son as a 671 00:32:39,000 --> 00:32:41,280 Speaker 1: producer on Running Point was like, you know. 672 00:32:41,200 --> 00:32:44,440 Speaker 4: In the organization, like Kurt Rambus, who was also a 673 00:32:44,520 --> 00:32:48,000 Speaker 4: Laker and our previous like a head coach, Like no, 674 00:32:48,000 --> 00:32:51,520 Speaker 4: no he's not, like Linda's not known as Kurt Rambas's wife, No, no, no, 675 00:32:51,560 --> 00:32:54,239 Speaker 4: people know him as like Kurt Will walking like, Oh, 676 00:32:54,240 --> 00:32:57,440 Speaker 4: you're Linda Rambis's husband. It's like, because that's how much 677 00:32:57,480 --> 00:33:00,719 Speaker 4: these women, how important they are to this organization, that 678 00:33:01,200 --> 00:33:05,480 Speaker 4: her you know, her her husband, who is you know, 679 00:33:05,480 --> 00:33:08,400 Speaker 4: a very accomplished player and head coach, is known as 680 00:33:08,720 --> 00:33:10,560 Speaker 4: her husband. And I was like, I love that. 681 00:33:11,800 --> 00:33:13,920 Speaker 2: Can I make an observation just the way that you 682 00:33:13,920 --> 00:33:17,520 Speaker 2: guys have been saying the title of your show, I'm 683 00:33:17,560 --> 00:33:20,080 Speaker 2: not sure the inflection is right unless you've been coached 684 00:33:20,080 --> 00:33:23,400 Speaker 2: to say this, because you're saying running point instead of 685 00:33:23,440 --> 00:33:26,400 Speaker 2: running point. Yeah, because running point is obviously you're a 686 00:33:26,400 --> 00:33:28,960 Speaker 2: point guard your running point, but you guys are emphasizing 687 00:33:29,000 --> 00:33:32,200 Speaker 2: the running running point. It's more running point. 688 00:33:32,320 --> 00:33:36,000 Speaker 3: Are you trying to tell us how to promote our show? 689 00:33:36,080 --> 00:33:37,760 Speaker 2: Well? Am I wrong? Brenda? 690 00:33:38,360 --> 00:33:39,920 Speaker 4: No, you're not, you're not. 691 00:33:40,080 --> 00:33:43,959 Speaker 3: Hold on a second. We can come to this realization ourselves, Oliver, 692 00:33:44,200 --> 00:33:45,080 Speaker 3: we don't need you. 693 00:33:46,320 --> 00:33:49,000 Speaker 2: But it's not. But it's not running point because it's like, 694 00:33:49,000 --> 00:33:50,880 Speaker 2: what does that mean? What is a running point? 695 00:33:50,920 --> 00:33:55,000 Speaker 1: But running point has so we've always talked about. 696 00:33:54,800 --> 00:33:57,840 Speaker 3: This running point is what it means. 697 00:33:57,880 --> 00:34:01,800 Speaker 2: Yes, I'm you know, running running point, we're run yes, 698 00:34:02,080 --> 00:34:04,600 Speaker 2: but it's got to be running point, not running point. 699 00:34:04,880 --> 00:34:07,200 Speaker 2: You can't go down on the point when we do our. 700 00:34:07,120 --> 00:34:09,319 Speaker 4: Press junk at next week, Oliver, I'm just gonna let 701 00:34:09,360 --> 00:34:11,000 Speaker 4: you know I'm going to hit point so hard and 702 00:34:11,000 --> 00:34:13,160 Speaker 4: every single time be like I'm crazy. I'm gonna be 703 00:34:13,160 --> 00:34:15,800 Speaker 4: like Oliver Hudson told me that I have to hit. 704 00:34:15,800 --> 00:34:19,880 Speaker 1: Point, yeah, because you're said there running plong with my inflection. 705 00:34:19,800 --> 00:34:22,000 Speaker 4: Every time, I'm like, so, I'm I'm Brenda song. I 706 00:34:22,280 --> 00:34:23,759 Speaker 4: play Alli from running point. 707 00:34:23,719 --> 00:34:25,000 Speaker 3: Slacked like a motherfucker. 708 00:34:25,200 --> 00:34:27,800 Speaker 2: That's right. But keep an eye on for my sister 709 00:34:27,840 --> 00:34:32,759 Speaker 2: because she'll revert back to running point. Now. 710 00:34:32,800 --> 00:34:35,520 Speaker 4: She's going to do it on purpose. You know this, Oh, 711 00:34:35,760 --> 00:34:38,040 Speaker 4: you know she's gonna do it on purpose. 712 00:34:38,560 --> 00:34:40,279 Speaker 3: I love Brenda so much. 713 00:34:40,400 --> 00:34:43,080 Speaker 1: We're going to do two parts to this, so stay 714 00:34:43,120 --> 00:34:46,680 Speaker 1: tuned for the second part where we really really get 715 00:34:46,719 --> 00:34:49,680 Speaker 1: into Brenda and her life story and. 716 00:34:49,680 --> 00:34:51,840 Speaker 3: All the good stuff. We got real pop culture on 717 00:34:51,880 --> 00:34:53,080 Speaker 3: this one, Ali, I'm proud of us. 718 00:34:53,640 --> 00:34:56,080 Speaker 2: I know we're poppy, Hey, poppy