WEBVTT - Was Tintin a Real Person?

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<v Speaker 1>You're listening to Part Time Genius, a production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what gave?

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<v Speaker 2>What's that Mango?

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<v Speaker 1>So in nineteen seventy two, a sixty five year old

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<v Speaker 1>Belgian walks into Andy Warhol's factory in New York City.

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<v Speaker 2>Okay, this sounds like the setup for a really bad joke.

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<v Speaker 1>I know, I promise it is not. It was actually

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<v Speaker 1>a historic meeting of two art world greats. So we've

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<v Speaker 1>got Andy Warhol and Air Jay, the creator of Tintin.

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<v Speaker 1>And while he's best known for his comic books starring

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<v Speaker 1>the boy Reporter of tinton and his faithful dog Snowy,

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<v Speaker 1>air Jay was also a highly knowledgeable art enthusiast and

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<v Speaker 1>modern art collector, and so when he traveled to the

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<v Speaker 1>US meeting, Warhol was actually on his bucket list. And

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<v Speaker 1>it turns out they had a ton in common. They

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<v Speaker 1>both did commercial illustrations early in their careers, and they

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<v Speaker 1>both kept plugging away until they achieved global success.

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<v Speaker 2>That's interesting, but honestly, I'm just enjoying the picturing this,

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<v Speaker 2>like old Belgian guy hanging out in the factory with Warhol.

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<v Speaker 1>Yeah. Well, apparently the two artists hit it off because

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<v Speaker 1>in nineteen seventy nine, air Jay asked Warhol to paint

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<v Speaker 1>his portrait, which he did, making a set of four

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<v Speaker 1>paintings similar as the ones you know you've seen of

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<v Speaker 1>Marilyn Monroe, and Warhol later explained that the admiration actually

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<v Speaker 1>went both ways. He said, quote, air Jay has influenced

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<v Speaker 1>my work in the same way as Walt Disney. For me,

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<v Speaker 1>Airjay was more than a comic strip artist.

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<v Speaker 2>Honestly, I had no idea. I never would have guessed

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<v Speaker 2>Andy Warhol was a Tintin fan.

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<v Speaker 1>Yeah, and he is not alone. The books are incredibly popular,

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<v Speaker 1>especially outside the US, so worldwide. Tintin books or albums

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<v Speaker 1>as those fans like to call them, have sold more

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<v Speaker 1>than two hundred and seventy million copies and have been

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<v Speaker 1>translated into more than one hundred languages, and even today,

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<v Speaker 1>between one point five to two million Tintin books are

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<v Speaker 1>sold per year.

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<v Speaker 2>We throw around a lot of numbers on the show,

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<v Speaker 2>but two million books. That's insane, it really is.

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<v Speaker 1>But like so many books from the nineteen thirties and forties,

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<v Speaker 1>not everything has aged well. And Airje himself has this

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<v Speaker 1>really fascinating and complicated biography. It spans everything from war

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<v Speaker 1>to boy Scouts, to cultural stereotypes to overcoming cultural stereotypes,

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<v Speaker 1>and also Will diffit to strange nightmares Steven Spielberg, and

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<v Speaker 1>of course that eternal question do comic books turn kids

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<v Speaker 1>into juvenile? The linquits, which I'm sure you have some

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<v Speaker 1>thoughts on. So there is so much to cover that

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<v Speaker 1>we've actually turned the story of Tintin into a two parter,

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<v Speaker 1>So let's dive in. Hey there, podcast listener as well,

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<v Speaker 1>and a part time genius, I'm monga shittig and because

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<v Speaker 1>Will is traveling this week, I'm here with my fellow

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<v Speaker 1>Tintin fan, Gabe Lucier. And over there in the booth

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<v Speaker 1>is uh gay? Where's Dylan? Uh?

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<v Speaker 2>Hang on, there's a There's a note taped under the microphone.

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<v Speaker 2>It says, gone adventuring with my faithful dog, love Dylan.

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<v Speaker 1>I'm not sure who's recording this episode, but I always

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<v Speaker 1>love Dylan's enthusiasm.

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<v Speaker 2>I guess he heard we were doing an episode on

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<v Speaker 2>Tintin and decided to, you know, really lean into it.

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<v Speaker 2>Dylan is always leaning in, as you know, speaking of which,

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<v Speaker 2>this is one of those episodes that we've had on

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<v Speaker 2>our Brainstorm list for a long time, and it's finally here,

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<v Speaker 2>and it's all because of you, honestly, because you were

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<v Speaker 2>obsessed with Tintin as a kid, Is that right.

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<v Speaker 1>Yeah. So, as a kid, we didn't have many relatives

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<v Speaker 1>in the States, and so to see my grandparents, my mom,

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<v Speaker 1>my sister, and I would go to India anytime we

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<v Speaker 1>could afford it. And it was always during the summer,

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<v Speaker 1>and that was super fun. But if you go to

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<v Speaker 1>India in the summer, you quickly realized that that is

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<v Speaker 1>the monsoon season there, and it's also when your cousins

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<v Speaker 1>returned to school, and so you're kind of stuck inside

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<v Speaker 1>all day it's raining, and so, like, I ended up

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<v Speaker 1>getting good at things that are indoor games, like cards

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<v Speaker 1>or karm, which is like a cool game you play

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<v Speaker 1>with your fingers. I used to play karam and scrabble

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<v Speaker 1>with my grandparents, and I would wait for my cousins

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<v Speaker 1>to come home and I would read comic books and

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<v Speaker 1>it was amazing because like, actually, you would love this.

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<v Speaker 1>My cousin had like early Captain Americas and Spider Man's.

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<v Speaker 1>I'm sure there were reprints or whatever, but it was

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<v Speaker 1>so fun to read and we'd read mystery books and

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<v Speaker 1>then I discovered Tintin and it kind of played to

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<v Speaker 1>everything I loved, right, Like I love dogs, I love journalism,

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<v Speaker 1>I love traveling, I like stories about spies and intrigue,

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<v Speaker 1>like learning about the world, and it all shows up

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<v Speaker 1>in those panels, right. It was just amazing that you

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<v Speaker 1>could open these albums and be transported. And it's also

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<v Speaker 1>one of the things like not that many kids in

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<v Speaker 1>the States knew about tinton Like I think there were

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<v Speaker 1>some cartoons that appeared on Nickelodeon or something at one point,

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<v Speaker 1>but most of my friends growing up in Delaware had

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<v Speaker 1>no idea what I was talking about. And so, actually,

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<v Speaker 1>I know you're a huge comics enthusiast. I'm curious, did

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<v Speaker 1>you ever read Tintin?

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<v Speaker 2>Not As a kid, my first introduction was that cartoon

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<v Speaker 2>you mentioned, The Adventures of Tintin. It aired on HBO

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<v Speaker 2>and then Nickelodeon back in the early nineties. And the

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<v Speaker 2>funny thing is my family didn't have cable, so it

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<v Speaker 2>was something I only got to watch when we went

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<v Speaker 2>on vacation, but that just made it more special. Like

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<v Speaker 2>I remember this one trip to the beach where my

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<v Speaker 2>mom got super annoyed with me because I didn't want

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<v Speaker 2>to go outside. I just wanted to stay in the

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<v Speaker 2>hotel room and watch Tintin. And I did eventually circle

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<v Speaker 2>back to the books in college, you know, and I

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<v Speaker 2>was really happy to see that the show was actually,

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<v Speaker 2>you know, incredibly faithful to the books. But hearing you

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<v Speaker 2>talk about Tintin, it's so clear that these books really

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<v Speaker 2>pulled you into their world in a special way and

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<v Speaker 2>became part of your world too, And it takes a

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<v Speaker 2>pretty special artist to do that. And in fact, he's

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<v Speaker 2>so special that he went by just one name.

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<v Speaker 1>I know. It is so rockstar, right, like very Madonna,

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<v Speaker 1>very Prince very Air, Jay.

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<v Speaker 2>Very Erga. Yes, but I did some research into his

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<v Speaker 2>early years so I can tell you that, unlike Madonna

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<v Speaker 2>and Prince Air, Jay was not born Aja. He was

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<v Speaker 2>born George Remi in nineteen oh seven in Brussels, and

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<v Speaker 2>the pen name he chose Jay is actually his initials

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<v Speaker 2>GR for George Remi in reverse RG and RG pronounced

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<v Speaker 2>in French is J. I'm sure sounds so much cooler

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<v Speaker 2>than Rgie. But I, you know, just think about it

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<v Speaker 2>for my own name. I'm wondering about switching to the

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<v Speaker 2>nome to plume. Hm, what do you think you'd probably

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<v Speaker 2>get mistaken for a chain of Swedish fast fashion stores.

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<v Speaker 2>Familiar if it makes you feel better, it wouldn't work

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<v Speaker 2>for me either, so gl backwards LG. That's an appliance.

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<v Speaker 1>So we'll just have to stick with our own name.

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<v Speaker 1>So tell me about young Airj's life then.

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<v Speaker 2>Well, surprisingly enough, he did not come from an artistic family.

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<v Speaker 2>His mom stayed home to take care of him and

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<v Speaker 2>his younger brother Paul. His dad worked in a candy factory,

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<v Speaker 2>and the family was solidly lower middle class. That said,

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<v Speaker 2>there's actually a bit of lore around Airj's grandfather. So's

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<v Speaker 2>dad had an identical twin brother, and growing up, the

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<v Speaker 2>twins never knew who their father was. And that's because apparently,

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<v Speaker 2>as a young single woman, Airjay's grandmother worked as a

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<v Speaker 2>maid at a countess's chateau. Then suddenly one day she

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<v Speaker 2>was pregnant with twin boys. So a lot of people,

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<v Speaker 2>including at one point Aga himself, believed she may have

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<v Speaker 2>had an affair with someone higher up, you know, someone

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<v Speaker 2>really wealthy or maybe even a noble.

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<v Speaker 1>So is there any evidence to support that or is

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<v Speaker 1>this just kind of like wishful thinking that he's royal.

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<v Speaker 2>Well, there is one interesting clue. After the twins were born,

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<v Speaker 2>the countess more or less treated them as her own

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<v Speaker 2>and she let the family live at the chateau until

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<v Speaker 2>the boys were fourteen, after which she kicked them out.

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<v Speaker 1>So she might have felt some sort of responsibility to them, yeah,

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<v Speaker 1>or you.

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<v Speaker 2>Know, maybe she was just a decent person and felt

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<v Speaker 2>bad for a single mom of twins. But the family

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<v Speaker 2>legend was that the twins' father, who would be air

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<v Speaker 2>Jay's grandfather, was actually Belgium's King Leopold the Second, who

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<v Speaker 2>ruled the country from eighteen thirty five to nineteen oh nine.

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<v Speaker 2>Now that's not substantiated, but it was something the family

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<v Speaker 2>liked to toss around in private. And the other rumor

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<v Speaker 2>is that the Countess's husband, the count, you know, he

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<v Speaker 2>may have been the father.

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<v Speaker 1>So I guess potentially a mysterious and royal background, which

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<v Speaker 1>I guess a little DNA testing could actually figure out today.

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<v Speaker 1>But between the royal rumors, a father who worked in

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<v Speaker 1>a literal candy factory, it sounds like a really exciting life.

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<v Speaker 1>So to tell me a little bit about Airjay's childhood

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<v Speaker 1>was it fun.

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<v Speaker 2>Actually the opposite. Airja described his childhood. Yeah, Airja described

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<v Speaker 2>his childhood as quote gray and uneventful, and one of

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<v Speaker 2>his biographers, Pierre Assoline wrote, quote everything was colorless, scentless,

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<v Speaker 2>tasteless and of no interest. In the Remi home. There

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<v Speaker 2>was no one to admire, no books to read, no

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<v Speaker 2>play to attend, no discussions. And you know that is

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<v Speaker 2>a little bit of an exaggeration because Airje did have

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<v Speaker 2>books and movies that he loved as a kid, and

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<v Speaker 2>his parents did encourage his drawing, but overall art and

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<v Speaker 2>culture wasn't really a focus in his family.

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<v Speaker 1>Yeah, and it sounds like not a childhood he sort

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<v Speaker 1>of was nostalgic for. So did he always have an

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<v Speaker 1>interest in illustration or was this something that came later

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<v Speaker 1>in life.

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<v Speaker 2>No, he showed an aptitude in it from an early age.

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<v Speaker 2>His school notebooks were filled with sketches, and when he

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<v Speaker 2>got a bit older, like high school age, his parents

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<v Speaker 2>enrolled him in art classes, though apparently he only lasted

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<v Speaker 2>a day before dropping out because the focus was on

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<v Speaker 2>technical skills like drawing Greek columns, and you know, he

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<v Speaker 2>had zero interest in that.

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<v Speaker 1>That is funny that he loves to draw, but he

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<v Speaker 1>won't like sit around to drug column Oh.

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<v Speaker 2>Yeah, not columns. You got to draw the line somewhere.

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<v Speaker 1>Well. I do know that in addition to drawing, there

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<v Speaker 1>was another excitement in his life, and that is the

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<v Speaker 1>Boy Scouts. Airjay joined them when he was about eleven

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<v Speaker 1>years old, and he really connected the Scouts. He described

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<v Speaker 1>it as the first color he remembers about his childhood,

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<v Speaker 1>which I guess goes back to that gray comment you mentioned.

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<v Speaker 1>And the Boy Scouts opened his eyes to this bigger world.

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<v Speaker 1>And for example, during the summers, they'd go to camps

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<v Speaker 1>around western Europe where they do things like hike two

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<v Speaker 1>hundred miles across the Pyrenees, and Airjay loved it so

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<v Speaker 1>much that he eventually became an Eagle Scout and a

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<v Speaker 1>troop leader, and he remained a Scout until he was

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<v Speaker 1>in his twenties. But the Scouts gave him something else,

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<v Speaker 1>even more important to this story. They gave him his

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<v Speaker 1>very first platform for his art. He published his first

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<v Speaker 1>illustrations in a monthly Boy Scout magazine when he was

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<v Speaker 1>around fifteen years old, and a few years later, in

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<v Speaker 1>nineteen twenty six, the magazine published Airjay's first serialized comic strip.

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<v Speaker 1>It was called The Adventures of Totor CP of the

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<v Speaker 1>June Bugs. Totor is a Belgian boy scout and in

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<v Speaker 1>the comic, he travels to Texas to visit his aunt

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<v Speaker 1>and his uncle, and when he is there, he's captured

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<v Speaker 1>by angry Native Americans who he outwits. He also outwits

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<v Speaker 1>bandits and he finds buried treasure, and so there is

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<v Speaker 1>a lot of excitement.

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<v Speaker 2>Got it. So sounds like maybe Totor was kind of

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<v Speaker 2>the prototype for Tintin.

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<v Speaker 1>That is an excellent guest, Gabe, and I'm going to

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<v Speaker 1>tell you all about how Airjay's passion for art and

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<v Speaker 1>scouting turned into the Tintin we know today. But first

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<v Speaker 1>let's take a quick break. Welcome back to Part time Genius.

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<v Speaker 1>We're talking all things Tintin. So let me set the scene, Gabe.

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<v Speaker 1>It is nineteen twenties Belgium. Airj is scouting and trying

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<v Speaker 1>to figure out what to do with his life. By

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<v Speaker 1>this time, he's graduated from high school and he's working

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<v Speaker 1>in the subscriptions department at this newspaper called Levutm Siecla,

0:13:05.920 --> 0:13:09.040
<v Speaker 1>which means the twentieth century. And this was a Catholic

0:13:09.120 --> 0:13:13.360
<v Speaker 1>newspaper run by father Norbert Wala. It was a right

0:13:13.400 --> 0:13:16.800
<v Speaker 1>wing paper, to put it mildly, and father Wala actually

0:13:16.880 --> 0:13:19.800
<v Speaker 1>kept a photo of Mussolini on his desk if you

0:13:19.840 --> 0:13:20.880
<v Speaker 1>want to know his politics.

0:13:21.440 --> 0:13:26.520
<v Speaker 2>Yi, yeah, that's never a good sign. But okay, from

0:13:26.520 --> 0:13:28.960
<v Speaker 2>what I've read though, you know, that was kind of

0:13:29.000 --> 0:13:31.280
<v Speaker 2>the norm in Belgium after World War One.

0:13:31.480 --> 0:13:35.880
<v Speaker 1>Right, yeah, Belgium was a very conservative and very Catholic country.

0:13:36.000 --> 0:13:39.360
<v Speaker 1>One of Airj's biographers said that right wing politics were

0:13:39.640 --> 0:13:43.720
<v Speaker 1>an almost inevitable byproduct of that time. So by working there,

0:13:43.880 --> 0:13:47.360
<v Speaker 1>Airja wasn't exactly taking a political stance, at least explicitly.

0:13:47.840 --> 0:13:50.520
<v Speaker 1>It was more this job that he was excited to

0:13:50.520 --> 0:13:53.199
<v Speaker 1>have and it was better than working at his father's store.

0:13:53.559 --> 0:13:55.560
<v Speaker 1>And by nineteen twenty eight, a couple of years after

0:13:55.679 --> 0:13:59.520
<v Speaker 1>Totor appears in the Boy Scott magazine, Airja had managed

0:13:59.559 --> 0:14:02.000
<v Speaker 1>to make his way out of the subscription department and

0:14:02.120 --> 0:14:05.920
<v Speaker 1>into illustrations. Mostly that meant drawing women's clothes and things

0:14:06.000 --> 0:14:08.480
<v Speaker 1>like that for the magazine, but he was making a living,

0:14:08.559 --> 0:14:11.920
<v Speaker 1>and more importantly, Father Walla had taken a real liking

0:14:11.960 --> 0:14:14.560
<v Speaker 1>to him, so he asked Erj to illustrate the new

0:14:14.600 --> 0:14:17.000
<v Speaker 1>weekly children's supplement that he's planning to.

0:14:16.960 --> 0:14:19.560
<v Speaker 2>Start, which I'm sure he just jumped at right.

0:14:20.080 --> 0:14:23.760
<v Speaker 1>Definitely, because in November of that year the Extraordinary Adventures

0:14:23.760 --> 0:14:29.600
<v Speaker 1>of Flup Nnesse who set a Hits newspaper stands.

0:14:30.240 --> 0:14:33.360
<v Speaker 2>That is some truly masterful French. I have to say,

0:14:34.360 --> 0:14:34.720
<v Speaker 2>I know.

0:14:34.600 --> 0:14:38.000
<v Speaker 1>I feel so embarrass every time we do any French

0:14:38.120 --> 0:14:40.640
<v Speaker 1>or any other language, unless it's kunkany, I'm not going

0:14:40.680 --> 0:14:44.120
<v Speaker 1>to speak it properly. And I also love the word

0:14:44.200 --> 0:14:48.320
<v Speaker 1>flop in that cartoon. That sounds really grad But the

0:14:48.480 --> 0:14:52.560
<v Speaker 1>comic was actually universally considered a dud. Part of the

0:14:52.560 --> 0:14:54.480
<v Speaker 1>problem is that it was written by the paper sports

0:14:54.520 --> 0:14:57.560
<v Speaker 1>reporter and he wasn't much of a writer. The story

0:14:57.600 --> 0:15:01.080
<v Speaker 1>is super simple, it is plotting. It's about three kids,

0:15:01.120 --> 0:15:04.280
<v Speaker 1>an inflatable rubber pig and their accidental trip to Africa,

0:15:04.720 --> 0:15:08.960
<v Speaker 1>which is you know, overwhelming with stereotypes and of course

0:15:09.080 --> 0:15:12.680
<v Speaker 1>caricatures as well. Now Urja did the illustrations, but they

0:15:12.720 --> 0:15:15.400
<v Speaker 1>aren't particularly inspired either. One of the issues was that

0:15:15.480 --> 0:15:18.560
<v Speaker 1>in Belgium at the time and most of Europe, cartoons

0:15:18.560 --> 0:15:22.520
<v Speaker 1>didn't use speech bubbles. This was actually an American innovation.

0:15:22.720 --> 0:15:24.880
<v Speaker 1>So to tell the story, there's been a lot of

0:15:24.920 --> 0:15:28.480
<v Speaker 1>text as captions and then drawings to accompany it.

0:15:28.720 --> 0:15:32.560
<v Speaker 2>So none of this boat's well for Flupin Friends long term.

0:15:32.920 --> 0:15:35.440
<v Speaker 1>Yeah, flup and Friends would have been a better name

0:15:35.480 --> 0:15:39.240
<v Speaker 1>for that cartoon, but you are right. The strip ends

0:15:39.280 --> 0:15:43.480
<v Speaker 1>after ten weeks. But this is where air Jay's fortunes turn.

0:15:43.880 --> 0:15:46.600
<v Speaker 1>So Father Waile asked him to draw a new comic

0:15:46.840 --> 0:15:51.080
<v Speaker 1>featuring a more totor like adolescent boy along with his dog.

0:15:51.480 --> 0:15:54.440
<v Speaker 1>And he wants something wholesome, right, something that portrays good

0:15:54.520 --> 0:15:57.840
<v Speaker 1>Catholic virtues, and he wants it with American speech bubbles.

0:15:57.840 --> 0:16:00.320
<v Speaker 1>So air Jay is excited and he gets to work

0:16:00.440 --> 0:16:03.080
<v Speaker 1>right away, and in early nineteen twenty nine the first

0:16:03.160 --> 0:16:06.000
<v Speaker 1>actual Tintin strips come out, and it's the beginning of

0:16:06.080 --> 0:16:08.680
<v Speaker 1>what would become Tintin in the Land of the Soviets.

0:16:09.240 --> 0:16:13.840
<v Speaker 2>Aha, our hero is born. And I imagine the choice

0:16:13.840 --> 0:16:17.200
<v Speaker 2>of Russia for that adventure like that had to be purposeful,

0:16:17.280 --> 0:16:18.480
<v Speaker 2>right it was.

0:16:18.680 --> 0:16:21.720
<v Speaker 1>It was also Father Wala's idea. Father Walla wanted to

0:16:21.760 --> 0:16:26.080
<v Speaker 1>show young Belgian readers basically how bad communism was. So

0:16:26.240 --> 0:16:30.920
<v Speaker 1>Tintin has all these like very explicitly anti communist lines

0:16:30.960 --> 0:16:34.120
<v Speaker 1>where he says things like those factories are running a

0:16:34.160 --> 0:16:36.920
<v Speaker 1>bit too well, let's see, and then he looks under

0:16:36.960 --> 0:16:40.360
<v Speaker 1>it and it's like great snakes just stage effects. They're

0:16:40.360 --> 0:16:43.040
<v Speaker 1>simply burning bundles of straw to make smoke come out

0:16:43.080 --> 0:16:45.680
<v Speaker 1>of these false chimneys. Right, So it's things like that,

0:16:45.760 --> 0:16:50.000
<v Speaker 1>and he's basically calling the Soviets poor idiots. He thinks

0:16:50.000 --> 0:16:53.120
<v Speaker 1>that the Soviets are fooling the people, and he kind

0:16:53.120 --> 0:16:56.240
<v Speaker 1>of paints this as this red paradise that is almost

0:16:56.280 --> 0:16:57.160
<v Speaker 1>Wizard of Oz like.

0:16:57.840 --> 0:17:02.240
<v Speaker 2>So not particularly new once propagandas as far as that.

0:17:02.160 --> 0:17:05.720
<v Speaker 1>Goes, yeah, and it didn't really have to be right, Like,

0:17:05.800 --> 0:17:09.959
<v Speaker 1>these sentiments didn't diverge much from what mainstream Belgian Catholics

0:17:10.000 --> 0:17:12.359
<v Speaker 1>were thinking at the time. So, according to one of

0:17:12.400 --> 0:17:16.480
<v Speaker 1>Airj's biographers, this is Harry Thompson, a lot of Belgians

0:17:16.520 --> 0:17:20.280
<v Speaker 1>believe that Russians were quote grinning devils with knives between

0:17:20.320 --> 0:17:24.240
<v Speaker 1>their teeth butchered small children for kicks, which is obviously

0:17:24.359 --> 0:17:27.520
<v Speaker 1>so sad and so ridiculous. But since air Ja hadn't

0:17:27.560 --> 0:17:30.520
<v Speaker 1>been to Russia, the strip really relies on some of

0:17:30.560 --> 0:17:33.240
<v Speaker 1>the more sensational accounts of Russia that's coming to him,

0:17:33.359 --> 0:17:36.600
<v Speaker 1>as well as Joilet's own anti communist views.

0:17:37.240 --> 0:17:41.080
<v Speaker 2>Well, you know, despite its not so subtle anti communist messaging,

0:17:41.400 --> 0:17:44.320
<v Speaker 2>the book does have a couple great things going for it.

0:17:44.440 --> 0:17:47.960
<v Speaker 2>So for starters, it's actually the only time in all

0:17:48.040 --> 0:17:50.920
<v Speaker 2>of the Tintin Adventures where the readers see him working

0:17:50.960 --> 0:17:53.000
<v Speaker 2>as a journalist writing an article.

0:17:53.160 --> 0:17:55.480
<v Speaker 1>I actually never noticed that. Like, as much as I

0:17:55.600 --> 0:17:58.240
<v Speaker 1>loved you did, I never realized he wasn't actually writing

0:17:58.320 --> 0:17:58.879
<v Speaker 1>that much.

0:17:59.480 --> 0:18:02.040
<v Speaker 2>It does come up nearly as much as you'd think,

0:18:02.119 --> 0:18:05.240
<v Speaker 2>but you know, the story is also where we first

0:18:05.240 --> 0:18:10.800
<v Speaker 2>meet Snowy, Tintin's trusty dog and fellow adventurer, And most excitingly,

0:18:10.880 --> 0:18:14.399
<v Speaker 2>it's where Tintin's trademark hair shape came to be, you know,

0:18:14.480 --> 0:18:18.040
<v Speaker 2>the little swirl or squirrel on his forehead. Gotta have

0:18:18.119 --> 0:18:21.320
<v Speaker 2>the swirl. But when the comic starts, Tintin actually has

0:18:21.480 --> 0:18:24.480
<v Speaker 2>flat combed hair. But there's a scene early on where

0:18:24.480 --> 0:18:27.400
<v Speaker 2>he's riding in a convertible and air draws his hair

0:18:27.440 --> 0:18:29.719
<v Speaker 2>sticking up to show the speed of the car, and

0:18:30.160 --> 0:18:33.000
<v Speaker 2>it just stayed like that forever. Like I guess the

0:18:33.000 --> 0:18:34.280
<v Speaker 2>wind was just that strong.

0:18:36.240 --> 0:18:38.560
<v Speaker 1>I like it, but I also like that in the

0:18:38.560 --> 0:18:41.120
<v Speaker 1>first book it isn't just his physical appearance that kind

0:18:41.119 --> 0:18:44.880
<v Speaker 1>of gets sorted right, Like his whole personality is there

0:18:44.920 --> 0:18:48.200
<v Speaker 1>from the very start. Tintin is depicted as this honest,

0:18:48.440 --> 0:18:53.400
<v Speaker 1>this intrepid kid reporter, and he is spreading Western values

0:18:53.440 --> 0:18:54.840
<v Speaker 1>and ideas around the world.

0:18:55.280 --> 0:18:57.600
<v Speaker 2>Yeah. I'm glad you bring that up, because, you know,

0:18:57.640 --> 0:18:59.480
<v Speaker 2>before we get too far into things, I want to

0:18:59.520 --> 0:19:02.320
<v Speaker 2>talk a little about Tintin himself. A lot of the

0:19:02.440 --> 0:19:05.840
<v Speaker 2>characterization that you're talking about, it was likely inspired by

0:19:05.840 --> 0:19:08.600
<v Speaker 2>Air's time in The Boy Scouts, which would make sense

0:19:08.640 --> 0:19:12.040
<v Speaker 2>Tintin is basically a boy Scout, but he's also an

0:19:12.200 --> 0:19:15.440
<v Speaker 2>iconic character visually because of that tuft of red hair

0:19:15.600 --> 0:19:19.480
<v Speaker 2>and his outfit blue sweater, white collar shirt, brown pants,

0:19:19.760 --> 0:19:23.040
<v Speaker 2>and the question of who inspired Tintin, both in his

0:19:23.200 --> 0:19:27.800
<v Speaker 2>look and his lifestyle. Yeah, that's one that Tintinologists, which yes,

0:19:27.840 --> 0:19:30.840
<v Speaker 2>are people who study Tintin. It's one they've been, you know,

0:19:30.920 --> 0:19:33.960
<v Speaker 2>trying to figure out basically since Tintin first appeared.

0:19:34.480 --> 0:19:38.000
<v Speaker 1>I love Tintinologists, Like it's not something that was offered

0:19:38.000 --> 0:19:40.720
<v Speaker 1>as a major at my college. But is there an

0:19:40.760 --> 0:19:43.760
<v Speaker 1>answer do they figure out who Tintin is based on?

0:19:44.520 --> 0:19:48.400
<v Speaker 2>Well, no, but there are lots of guesses. For example,

0:19:48.440 --> 0:19:51.120
<v Speaker 2>one idea is that he's based off of Airjay's younger

0:19:51.119 --> 0:19:55.240
<v Speaker 2>brother Paul, who apparently looked enough like Tintin, especially with

0:19:55.280 --> 0:19:57.840
<v Speaker 2>the hair style, that when he was an adult and

0:19:57.880 --> 0:20:01.760
<v Speaker 2>in the army, fellow soldiers call called him Major Tintin.

0:20:02.640 --> 0:20:05.720
<v Speaker 2>In fact, Paul Paul got pretty sick of the nickname.

0:20:05.920 --> 0:20:08.760
<v Speaker 2>He eventually changed his hair style because he was so

0:20:08.880 --> 0:20:10.040
<v Speaker 2>tired of the comparison.

0:20:10.160 --> 0:20:15.440
<v Speaker 1>Oh no, yeah, so brother Paul is one of the possibilities.

0:20:15.800 --> 0:20:16.920
<v Speaker 1>Who are the other contenders?

0:20:17.320 --> 0:20:22.159
<v Speaker 2>Another is a Danish boy named pell Hooled. In nineteen

0:20:22.200 --> 0:20:25.840
<v Speaker 2>twenty eight, when Pella was fifteen, he entered a newspaper

0:20:25.880 --> 0:20:30.600
<v Speaker 2>competition celebrating the Jules Verne centennial, and the paper was

0:20:30.640 --> 0:20:33.119
<v Speaker 2>looking for a teenage boy to reenact the journey of

0:20:33.200 --> 0:20:36.119
<v Speaker 2>around the world in eighty days. The rules were that

0:20:36.200 --> 0:20:38.919
<v Speaker 2>he'd have forty six days to get himself around the

0:20:38.960 --> 0:20:41.919
<v Speaker 2>world without using airplanes, and he would need to do

0:20:42.000 --> 0:20:46.040
<v Speaker 2>it alone anyway. Pele, who was also a boy scout,

0:20:46.240 --> 0:20:49.199
<v Speaker 2>won the competition, and his travels were all over the

0:20:49.200 --> 0:20:50.520
<v Speaker 2>news after.

0:20:50.320 --> 0:20:50.960
<v Speaker 1>He made it home.

0:20:51.040 --> 0:20:53.000
<v Speaker 2>He wrote a book about it, which was published in

0:20:53.080 --> 0:20:56.760
<v Speaker 2>nineteen twenty nine, which you'll note is the same year

0:20:56.800 --> 0:21:00.640
<v Speaker 2>the first Tintin strips came out. And it's been confirmed

0:21:00.680 --> 0:21:04.720
<v Speaker 2>that erge Red Pele's book, so's you know, some people

0:21:04.760 --> 0:21:07.639
<v Speaker 2>think he may have modeled Tintin after him got it.

0:21:07.720 --> 0:21:10.040
<v Speaker 1>So we've got the brother with the hairstyle of this

0:21:10.160 --> 0:21:12.639
<v Speaker 1>young kid who's traveling around the world. Anyone else in

0:21:12.680 --> 0:21:13.040
<v Speaker 1>this mix?

0:21:13.440 --> 0:21:18.600
<v Speaker 2>Yeah, My favorite contender is this French journalist named Robert six.

0:21:19.400 --> 0:21:23.640
<v Speaker 2>He was a war correspondent and a motorcycle enthusiast. Apparently

0:21:23.720 --> 0:21:26.879
<v Speaker 2>he both looked and dressed like Tintin and had a

0:21:26.880 --> 0:21:30.359
<v Speaker 2>best friend named Milu, which is, you know, phonetically the

0:21:30.480 --> 0:21:34.240
<v Speaker 2>name of Tintin's dog, Snowy in French. And if that

0:21:34.359 --> 0:21:39.120
<v Speaker 2>weren't enough, Tintin's travels also seemed to mirror Robert's. His

0:21:39.160 --> 0:21:41.800
<v Speaker 2>first reporting mission, it was to Moscow.

0:21:42.920 --> 0:21:46.200
<v Speaker 1>So we've got the dog, we've got the motorcycle, we've

0:21:46.240 --> 0:21:49.720
<v Speaker 1>got the mission to Moscow. All this is starting to

0:21:49.760 --> 0:21:50.240
<v Speaker 1>come together.

0:21:50.600 --> 0:21:53.639
<v Speaker 2>Yeah, and then Robert goes to the Congo and the

0:21:53.800 --> 0:21:56.840
<v Speaker 2>US after that, which is where Tintin goes next.

0:21:56.920 --> 0:21:58.880
<v Speaker 1>Yeah, where Tintin goes it's pretty alling.

0:21:59.040 --> 0:22:02.639
<v Speaker 2>There's enough there. Even the air Jay Foundation acknowledges the

0:22:02.680 --> 0:22:06.280
<v Speaker 2>similarities between Tintin and Robert. They even admit that some

0:22:06.320 --> 0:22:08.960
<v Speaker 2>of Airja's drawings in the books seem to have been

0:22:09.040 --> 0:22:14.480
<v Speaker 2>directly inspired by the photographs Robert took personally, though, I

0:22:14.520 --> 0:22:16.639
<v Speaker 2>think the most likely answer is that it, you know,

0:22:16.760 --> 0:22:18.919
<v Speaker 2>may have been a mix of all of these guys.

0:22:19.480 --> 0:22:22.479
<v Speaker 2>But for what it's worth, whenever he was asked about it,

0:22:22.680 --> 0:22:28.080
<v Speaker 2>air Jay would simply answer, Tintin Simoa or Tintin is me.

0:22:28.800 --> 0:22:31.200
<v Speaker 1>Yeah, that makes sense. I'm sure it's all the parts

0:22:31.200 --> 0:22:34.600
<v Speaker 1>of his personality he loved most right, inspired realities others.

0:22:34.720 --> 0:22:36.919
<v Speaker 1>So why don't we get back to the story. So

0:22:37.119 --> 0:22:40.400
<v Speaker 1>Tintin's starting to catch on in Belgium where we leave

0:22:40.440 --> 0:22:45.000
<v Speaker 1>off and this successful comic album Tintin in the Land

0:22:45.000 --> 0:22:47.399
<v Speaker 1>of the Soviets, Father Wailea is excited to keep the

0:22:47.440 --> 0:22:50.720
<v Speaker 1>ball rolling. He has his strips published in book form

0:22:50.720 --> 0:22:55.160
<v Speaker 1>in nineteen thirty and air Jay starts on the next installment,

0:22:55.200 --> 0:22:58.639
<v Speaker 1>which is Tintin in the Congo, which was originally serialized

0:22:58.680 --> 0:23:01.280
<v Speaker 1>in the paper. And this is between nineteen thirty and

0:23:01.440 --> 0:23:04.639
<v Speaker 1>nineteen thirty one, and just like with the Land of

0:23:04.680 --> 0:23:07.960
<v Speaker 1>the Soviets, it was Father Wailea who suggested the new

0:23:08.000 --> 0:23:11.439
<v Speaker 1>book's location, which is the Congo, and he chose it

0:23:11.480 --> 0:23:14.919
<v Speaker 1>because there was this hyper conservative colonial mindset in Belgium

0:23:14.960 --> 0:23:18.160
<v Speaker 1>at the time, which Juaala had fully bought into.

0:23:18.440 --> 0:23:21.960
<v Speaker 2>Of course he did. And of course this is the famous,

0:23:22.119 --> 0:23:25.399
<v Speaker 2>most problematic of the Tintin albums.

0:23:24.920 --> 0:23:27.720
<v Speaker 1>Right, yeah, this is the one you could not get

0:23:27.720 --> 0:23:29.760
<v Speaker 1>in India when I was growing up. And we'll get

0:23:29.760 --> 0:23:32.080
<v Speaker 1>into that a little bit. But the result is a

0:23:32.080 --> 0:23:36.200
<v Speaker 1>book that's full of Tintin quote civilizing the natives who

0:23:36.200 --> 0:23:40.240
<v Speaker 1>are portrayed as these super cringy caricatures. They worshiped Tintin

0:23:40.359 --> 0:23:43.960
<v Speaker 1>as he educates them on how wonderful Belgium's colonial system is.

0:23:44.040 --> 0:23:48.439
<v Speaker 2>It's you know, it's it's really bad. Yeah, And I

0:23:48.480 --> 0:23:50.840
<v Speaker 2>do think it's probably helpful at this point to remind

0:23:50.880 --> 0:23:54.160
<v Speaker 2>folks what kind of relationship Belgium had with the Congo.

0:23:54.640 --> 0:23:59.520
<v Speaker 2>Belgium was an especially violent colonial power, particularly under Leopold

0:23:59.560 --> 0:23:59.960
<v Speaker 2>the Second.

0:24:00.520 --> 0:24:04.600
<v Speaker 1>Yes, Leopold the Second, who is possibly but probably not

0:24:04.720 --> 0:24:07.840
<v Speaker 1>air Jay's grandfather, is believed to be responsible for the

0:24:07.880 --> 0:24:11.560
<v Speaker 1>deaths of millions and millions of Africans, and this is

0:24:11.600 --> 0:24:15.760
<v Speaker 1>through brutal force, labor, famine. This wasn't something that was

0:24:15.840 --> 0:24:18.080
<v Speaker 1>all that well understood in Belgium at the time, like

0:24:18.119 --> 0:24:21.200
<v Speaker 1>most Belgians who weren't really paying attention to what was

0:24:21.240 --> 0:24:24.760
<v Speaker 1>happening in Africa, didn't know the magnitude of the destruction there.

0:24:25.080 --> 0:24:27.840
<v Speaker 1>And it's honestly still a pass that Belgium is reckoning

0:24:27.880 --> 0:24:31.080
<v Speaker 1>with anyway. So Leopold the Second passes away. In nineteen

0:24:31.080 --> 0:24:34.560
<v Speaker 1>oh nine, his nephew Albert the First becomes king, and

0:24:34.720 --> 0:24:37.800
<v Speaker 1>right around that time the Congo becomes an official colony

0:24:37.840 --> 0:24:41.280
<v Speaker 1>of Belgium known as the Belgian Congo. The congleates were

0:24:41.320 --> 0:24:44.560
<v Speaker 1>forced to work as indentured servants on plantations and minds,

0:24:44.800 --> 0:24:48.840
<v Speaker 1>and the Belgian authorities' attitudes towards the Congolese people reflected

0:24:49.000 --> 0:24:53.560
<v Speaker 1>this common conservative European belief at the time of needing

0:24:53.560 --> 0:24:56.760
<v Speaker 1>to quote civilize Africa, right, it's like the white man's

0:24:56.760 --> 0:24:59.720
<v Speaker 1>burden essentially, and they treated Africans as if they were

0:24:59.800 --> 0:25:01.640
<v Speaker 1>chill children who needed to be taught how to live

0:25:01.720 --> 0:25:04.720
<v Speaker 1>and airj put out Tintin in the Congo. Right when

0:25:04.840 --> 0:25:06.000
<v Speaker 1>all of this was happening.

0:25:06.600 --> 0:25:10.480
<v Speaker 2>So Belgian readers they weren't like offended by this at all.

0:25:11.080 --> 0:25:13.600
<v Speaker 1>No, in fact, it was the opposite. It was a

0:25:13.720 --> 0:25:17.560
<v Speaker 1>huge success. And to celebrate the strip's conclusion, Father While

0:25:17.720 --> 0:25:20.879
<v Speaker 1>even organized this event a real life Tintin after his

0:25:21.080 --> 0:25:22.760
<v Speaker 1>return from Africa.

0:25:22.800 --> 0:25:23.800
<v Speaker 2>What does that even mean?

0:25:23.840 --> 0:25:28.400
<v Speaker 1>Though? So the paper, the paper had actually tried something

0:25:28.440 --> 0:25:32.400
<v Speaker 1>like this before when Tintin had returned from USSR, and

0:25:32.520 --> 0:25:34.440
<v Speaker 1>that event had gone so well that they decided to

0:25:34.480 --> 0:25:36.120
<v Speaker 1>try it again. And so the just as they dress

0:25:36.200 --> 0:25:38.680
<v Speaker 1>up a little boy to play Tintin, uh, they've got

0:25:38.720 --> 0:25:40.679
<v Speaker 1>a little white dog to play Snowy. And then the

0:25:40.720 --> 0:25:43.960
<v Speaker 1>actor would arrive via train in the main Brussel station

0:25:44.160 --> 0:25:47.520
<v Speaker 1>where this real life crowd celebrates his arrival. Right, and

0:25:47.640 --> 0:25:50.280
<v Speaker 1>for this particular event, they also had ten Congolese men

0:25:50.320 --> 0:25:52.919
<v Speaker 1>accompanying him and a bunch of circus animals they'd rented,

0:25:53.000 --> 0:25:55.560
<v Speaker 1>I guess to make it seem more African. And it

0:25:55.640 --> 0:25:58.160
<v Speaker 1>worked because five thousand people showed up to this train

0:25:58.200 --> 0:26:00.760
<v Speaker 1>station to watch Tintin come home. So it was clearly

0:26:00.800 --> 0:26:01.960
<v Speaker 1>a success right from the start.

0:26:02.359 --> 0:26:05.280
<v Speaker 2>Yeah, it's just such a shame, because you know, these

0:26:05.320 --> 0:26:09.639
<v Speaker 2>are great stories in so many ways, but obviously some

0:26:09.720 --> 0:26:13.800
<v Speaker 2>of the early depictions, they are just really rough, really problematic.

0:26:14.080 --> 0:26:15.760
<v Speaker 1>Yeah, it's not the type of thing you pick up

0:26:15.800 --> 0:26:17.680
<v Speaker 1>on as a kid, right, But as you get older

0:26:17.680 --> 0:26:18.639
<v Speaker 1>you really see this stuff.

0:26:18.960 --> 0:26:22.400
<v Speaker 2>Yeah, especially if the harmful stereotypes don't refer to you

0:26:22.760 --> 0:26:25.080
<v Speaker 2>or people who look like you. Is a kid, it's

0:26:25.119 --> 0:26:27.560
<v Speaker 2>easy to overlook that kind of thing, but once you

0:26:27.680 --> 0:26:30.720
<v Speaker 2>see it, oh man, it is impossible to ignore. Which

0:26:30.800 --> 0:26:33.080
<v Speaker 2>makes me wonder if Airja ever grappled with any of

0:26:33.080 --> 0:26:36.440
<v Speaker 2>this himself, Like, do you know if he ever acknowledged

0:26:36.480 --> 0:26:38.440
<v Speaker 2>how insensitive these books were.

0:26:38.880 --> 0:26:41.360
<v Speaker 1>He does to a certain extent, and that's actually part

0:26:41.359 --> 0:26:44.080
<v Speaker 1>of why I like Ja. He does tend to grow

0:26:44.240 --> 0:26:47.800
<v Speaker 1>over the years, but he never outright apologizes or anything.

0:26:48.880 --> 0:26:51.359
<v Speaker 1>He did want to say about the early books that quote,

0:26:51.400 --> 0:26:54.480
<v Speaker 1>they are not very intelligent, I know, and they do

0:26:54.600 --> 0:26:58.199
<v Speaker 1>me no honor. So he's clearly acknowledging it. And later

0:26:58.359 --> 0:27:01.359
<v Speaker 1>he says these stories were created quote in the spirit

0:27:01.400 --> 0:27:04.440
<v Speaker 1>of the pure paternalism which reigned at the time in Belgium.

0:27:04.720 --> 0:27:07.000
<v Speaker 1>I'm not trying to excuse myself. I admit that my

0:27:07.040 --> 0:27:10.240
<v Speaker 1>early books were typical of the Belgium bourgeois mentality. Of

0:27:10.280 --> 0:27:13.960
<v Speaker 1>the time and even later he doesn't want Tinton in

0:27:14.000 --> 0:27:16.400
<v Speaker 1>the Land of the Soviets to be republished, and he

0:27:16.480 --> 0:27:19.040
<v Speaker 1>redraws Tinton in the Congo in the nineteen forties. He

0:27:19.080 --> 0:27:21.760
<v Speaker 1>makes some changes, like turning one of the school lessons

0:27:21.800 --> 0:27:24.399
<v Speaker 1>Tinton gives into a math lesson instead of one about

0:27:24.440 --> 0:27:28.080
<v Speaker 1>Belgian superiority. But you know, the caricatures and the drawings

0:27:28.119 --> 0:27:29.440
<v Speaker 1>don't really change that much.

0:27:29.760 --> 0:27:33.280
<v Speaker 2>So basically his opinion was that it was almost impossible

0:27:33.560 --> 0:27:36.399
<v Speaker 2>for a Belgian man from his background at that time

0:27:36.800 --> 0:27:39.840
<v Speaker 2>to avoid absorbing, you know, this kind of perspective about

0:27:39.960 --> 0:27:41.600
<v Speaker 2>other races and cultures.

0:27:42.440 --> 0:27:45.400
<v Speaker 1>Yeah. Though the public response is of course different now,

0:27:45.520 --> 0:27:49.080
<v Speaker 1>right like today when people criticize specific Tinton books like

0:27:49.119 --> 0:27:51.080
<v Speaker 1>you and I were saying, Tinton in the Congo is

0:27:51.119 --> 0:27:54.240
<v Speaker 1>the one that everyone points to. In two thousand and seven,

0:27:54.320 --> 0:27:57.639
<v Speaker 1>for example, the UK's Commission for Racial Equality recommended that

0:27:57.800 --> 0:28:01.080
<v Speaker 1>not be sold due to its quote hideous racial prejudice,

0:28:01.600 --> 0:28:03.920
<v Speaker 1>and there have been attempts to ban it or limit

0:28:04.000 --> 0:28:07.080
<v Speaker 1>its availability in the US, Sweden and Belgium. Like I

0:28:07.119 --> 0:28:09.439
<v Speaker 1>was saying, in India, you couldn't find it in libraries.

0:28:09.800 --> 0:28:12.720
<v Speaker 1>It was very difficult to find and as an American publisher,

0:28:12.800 --> 0:28:15.119
<v Speaker 1>Lil Brown hasn't printed it for quite a while.

0:28:15.320 --> 0:28:19.120
<v Speaker 2>It's interesting because if Airja had stuck to creating Tintin

0:28:19.480 --> 0:28:23.320
<v Speaker 2>in the Belgian mentality of the time, he might have

0:28:23.359 --> 0:28:27.040
<v Speaker 2>continued drawing xenophobic, racist comics for the rest of his life.

0:28:27.600 --> 0:28:31.600
<v Speaker 2>But that's not at all what happened. Instead, he had

0:28:31.640 --> 0:28:34.640
<v Speaker 2>this life changing encounter that transformed the way he thought

0:28:34.680 --> 0:28:37.919
<v Speaker 2>about other cultures and about Tintin's place in the world.

0:28:38.280 --> 0:28:40.320
<v Speaker 2>It's a fascinating story and we're going to tell you

0:28:40.400 --> 0:28:45.480
<v Speaker 2>all about it right after this quick break.

0:28:58.200 --> 0:29:00.680
<v Speaker 1>Welcome back to Part Time Genius is two part exploration

0:29:00.760 --> 0:29:03.760
<v Speaker 1>of air Ja and Tintin and Gabe. When we left off,

0:29:03.800 --> 0:29:05.640
<v Speaker 1>you were just about to tell us, but I believe

0:29:05.800 --> 0:29:09.320
<v Speaker 1>is the redeeming part of this story about how air

0:29:09.440 --> 0:29:11.720
<v Speaker 1>Jay's life changed forever and for the better.

0:29:11.800 --> 0:29:16.040
<v Speaker 2>So have that, yes, yes, finally we get here. So

0:29:16.640 --> 0:29:19.680
<v Speaker 2>by the early nineteen thirties, Tintin has been around for

0:29:19.760 --> 0:29:22.880
<v Speaker 2>a couple of years. He's getting more popular, and he's

0:29:22.920 --> 0:29:26.480
<v Speaker 2>traveling the world. But I am talking about Tintin here

0:29:26.800 --> 0:29:30.760
<v Speaker 2>Airja himself. He is not traveling the world. He's just

0:29:30.800 --> 0:29:33.880
<v Speaker 2>sitting at his desk at a conservative Catholic newspaper, so

0:29:34.120 --> 0:29:37.280
<v Speaker 2>a lot of the cultural details he'd include came from

0:29:37.440 --> 0:29:42.040
<v Speaker 2>secondary sources, full of their own assumptions and prejudices, which

0:29:42.040 --> 0:29:45.400
<v Speaker 2>he would then pairrot. But as many scholars have pointed out,

0:29:45.600 --> 0:29:48.240
<v Speaker 2>there was a real change in that approach for the

0:29:48.280 --> 0:29:52.560
<v Speaker 2>fifth Tintin installment, The Blue Lotus, and it happened almost

0:29:52.600 --> 0:29:56.080
<v Speaker 2>by chance. When the newspaper announced that Tintin's next journey

0:29:56.080 --> 0:29:59.120
<v Speaker 2>would take place in China, a Belgian priest who worked

0:29:59.160 --> 0:30:02.160
<v Speaker 2>with Chinese student at a local university got in touch

0:30:02.200 --> 0:30:05.560
<v Speaker 2>with air Ja. The priest was like, Hey, my students

0:30:05.560 --> 0:30:08.800
<v Speaker 2>are big fans of Tintin, but they'll be pretty upset

0:30:08.880 --> 0:30:13.440
<v Speaker 2>if China and Chinese characters get portrayed as stereotypes, which

0:30:13.600 --> 0:30:14.520
<v Speaker 2>you are known to do.

0:30:16.960 --> 0:30:19.360
<v Speaker 1>And knowing this Tintin universe, there had been some Chinese

0:30:19.440 --> 0:30:22.080
<v Speaker 1>characters in earlier at tinton books, and obviously they were

0:30:22.160 --> 0:30:23.520
<v Speaker 1>not portrade very fairly.

0:30:24.080 --> 0:30:27.320
<v Speaker 2>That's right, yes, But to air Jay's credit, he was

0:30:27.360 --> 0:30:30.320
<v Speaker 2>really cool about the whole thing. He asked the priest, okay,

0:30:30.400 --> 0:30:32.960
<v Speaker 2>can you find someone who could advise me on China?

0:30:33.320 --> 0:30:36.160
<v Speaker 2>So the priest introduced him to a man named Jiang

0:30:36.440 --> 0:30:39.360
<v Speaker 2>chong Ren, who was around the same age as air

0:30:39.440 --> 0:30:43.000
<v Speaker 2>Je and a student at Brussels Royal Academy of Fine Arts.

0:30:43.560 --> 0:30:46.480
<v Speaker 2>So for about a year the two men met each

0:30:46.560 --> 0:30:51.200
<v Speaker 2>Sunday to talk and Jiong explained Chinese current affairs and

0:30:51.280 --> 0:30:55.200
<v Speaker 2>taught Airja about calligraphy. He also introduced him to concepts

0:30:55.240 --> 0:30:59.000
<v Speaker 2>like Buddhism and Taoism, which Aja took a real interest in,

0:30:59.320 --> 0:31:02.280
<v Speaker 2>especially later in his life. And so you know, an

0:31:02.320 --> 0:31:06.240
<v Speaker 2>actual friendship started to emerge from this. In fact, Xiang

0:31:06.400 --> 0:31:08.440
<v Speaker 2>later said that they were like brothers.

0:31:09.000 --> 0:31:11.840
<v Speaker 1>I mean, I love The Blue Loadus. There's so many

0:31:11.920 --> 0:31:15.240
<v Speaker 1>great details in that book, like it takes place mainly

0:31:15.280 --> 0:31:17.920
<v Speaker 1>in Shanghai. There are a lot of scenes that feature

0:31:18.000 --> 0:31:22.320
<v Speaker 1>Chinese calligraphy in the background. And I don't understand Chinese,

0:31:22.600 --> 0:31:25.560
<v Speaker 1>just like I don't pronounce French. Well, but it looked

0:31:25.600 --> 0:31:26.400
<v Speaker 1>really beautiful.

0:31:28.600 --> 0:31:31.240
<v Speaker 2>That's so funny because that writing that you're talking about,

0:31:31.480 --> 0:31:36.160
<v Speaker 2>it was actually done by Jiang. The calligraphy. Yeah, And

0:31:36.200 --> 0:31:38.600
<v Speaker 2>according to an article about The Blue Lotus on the

0:31:38.600 --> 0:31:42.000
<v Speaker 2>website The World of Chinese, the book includes quotes from

0:31:42.000 --> 0:31:45.280
<v Speaker 2>the Old Book of Tong praising the virtues of an

0:31:45.320 --> 0:31:48.600
<v Speaker 2>ancient doctor there were also posters on the street with

0:31:48.720 --> 0:31:54.120
<v Speaker 2>messages like abolish unfair treaties and down with imperialism. And

0:31:54.160 --> 0:31:56.840
<v Speaker 2>that's because the story is set around the time when

0:31:56.880 --> 0:31:58.360
<v Speaker 2>Japan invaded Manchuria.

0:31:59.280 --> 0:32:02.320
<v Speaker 1>I like that Tintin, or rather air Jay just kind

0:32:02.360 --> 0:32:04.880
<v Speaker 1>of like absorbs the influences of the people around him, right,

0:32:05.000 --> 0:32:09.080
<v Speaker 1>like father Wallay's politics feed it, and like Jiang saw

0:32:09.200 --> 0:32:11.600
<v Speaker 1>influence seems to be there. But but how did this

0:32:11.680 --> 0:32:13.520
<v Speaker 1>friend of his influence the storytelling?

0:32:13.920 --> 0:32:16.720
<v Speaker 2>Well, he encouraged airj to use, you know, real events

0:32:16.760 --> 0:32:20.880
<v Speaker 2>to inspire Tintin's adventures. So in the story, Tintin defends

0:32:20.920 --> 0:32:25.120
<v Speaker 2>the Chinese against the Japanese, but also against American businessmen

0:32:25.240 --> 0:32:29.080
<v Speaker 2>who are shown as ignorant and racist and aggressive. And

0:32:29.240 --> 0:32:31.840
<v Speaker 2>none of this was really happening in other Belgian comic

0:32:31.880 --> 0:32:34.120
<v Speaker 2>strips at the time. And by the way, if the

0:32:34.200 --> 0:32:37.880
<v Speaker 2>name of the arts student Jiang chong Ren sounds familiar

0:32:37.920 --> 0:32:40.600
<v Speaker 2>to you and any other Tintin readers out there listening,

0:32:40.840 --> 0:32:42.920
<v Speaker 2>it's because it sounds a lot like the name that

0:32:43.000 --> 0:32:48.000
<v Speaker 2>appears in the Blue Lotus, Chong chong Chen. So he's

0:32:48.040 --> 0:32:51.520
<v Speaker 2>the young Chinese orphan that sounds a lot lighter.

0:32:51.240 --> 0:32:53.600
<v Speaker 1>Right, Yeah, I figured that part.

0:32:54.080 --> 0:32:57.240
<v Speaker 2>Yeah right, yeah, yeah. He's the young Chinese orphan that

0:32:57.280 --> 0:32:59.600
<v Speaker 2>Tintin saves from drowning towards the end of the book

0:32:59.680 --> 0:33:02.880
<v Speaker 2>and later becomes friends with. Their friendship in the book

0:33:03.080 --> 0:33:07.000
<v Speaker 2>actually echoes the men's real life relationship. So right after

0:33:07.080 --> 0:33:10.400
<v Speaker 2>Tintin and Chong meet in the story, they discuss the

0:33:10.440 --> 0:33:14.760
<v Speaker 2>misconceptions Europeans have of Chinese people and the stereotypes that

0:33:14.800 --> 0:33:18.440
<v Speaker 2>their cultures have of one another, and they acknowledge that

0:33:18.720 --> 0:33:21.800
<v Speaker 2>all of these are incorrect. And so while Airja is

0:33:21.920 --> 0:33:25.720
<v Speaker 2>still trying to educate the reader in future books, it's

0:33:25.800 --> 0:33:29.400
<v Speaker 2>just in a different, more open minded way. For example,

0:33:29.480 --> 0:33:32.240
<v Speaker 2>there's a scene towards the end where the British detectives

0:33:32.280 --> 0:33:36.440
<v Speaker 2>Thompson and Thompson trying to disguise themselves by wearing what

0:33:36.480 --> 0:33:40.880
<v Speaker 2>they believe is typical Chinese clothing, but in reality it's

0:33:41.000 --> 0:33:46.600
<v Speaker 2>this outdated stereotype of what Westerners think Chinese people look like.

0:33:47.160 --> 0:33:50.400
<v Speaker 2>So the Chinese characters see the detectives and they just

0:33:50.440 --> 0:33:53.800
<v Speaker 2>start laughing, And this time, you know, the reader is

0:33:53.920 --> 0:33:55.720
<v Speaker 2>in on the joke. I love that.

0:33:56.200 --> 0:33:59.560
<v Speaker 1>So I read that the Blueloadus is also where Erge

0:33:59.760 --> 0:34:03.080
<v Speaker 1>learned to go deeper for force photographs for different locations,

0:34:04.280 --> 0:34:06.880
<v Speaker 1>and so before he'd been using whatever generic images were

0:34:06.920 --> 0:34:09.320
<v Speaker 1>being used in popular media. But all of a sudden,

0:34:09.400 --> 0:34:13.480
<v Speaker 1>now there's more nuance, more accuracy for these details, and

0:34:13.760 --> 0:34:16.640
<v Speaker 1>that didn't really exist in Tintin's previous adventures.

0:34:16.960 --> 0:34:19.560
<v Speaker 2>Yeah you can really tell too, like you can see it.

0:34:19.800 --> 0:34:21.840
<v Speaker 2>Which is not to say that the book is perfect.

0:34:22.000 --> 0:34:25.040
<v Speaker 2>This is nineteen thirty four, and there is still a

0:34:25.239 --> 0:34:27.799
<v Speaker 2>paternalistic attitude towards the Chinese.

0:34:28.239 --> 0:34:30.239
<v Speaker 1>Yeah, and the villains right, like the villains and the

0:34:30.239 --> 0:34:34.719
<v Speaker 1>Blue Lotus are the imperialist drug dealing Japanese. So unsurprisingly

0:34:34.760 --> 0:34:37.280
<v Speaker 1>the Japanese were not fans of the book. They wanted

0:34:37.320 --> 0:34:39.080
<v Speaker 1>it benn which you can see why.

0:34:39.480 --> 0:34:43.560
<v Speaker 2>Yeah, yeah, yeah, But but it was a hid in China, right,

0:34:43.719 --> 0:34:47.360
<v Speaker 2>So Airje was even invited by the First Lady to

0:34:47.480 --> 0:34:50.839
<v Speaker 2>visit the country. And perhaps more importantly, it's set a

0:34:50.840 --> 0:34:55.080
<v Speaker 2>new standard for how Erje approached Tintin's adventures and depictions

0:34:55.080 --> 0:34:58.400
<v Speaker 2>of places far from Belgium, you know, with deeper research

0:34:58.520 --> 0:35:02.160
<v Speaker 2>and a wider range of content imporiary sources. Getting these

0:35:02.200 --> 0:35:05.960
<v Speaker 2>details right mattered to him. But that said, there were

0:35:06.000 --> 0:35:09.120
<v Speaker 2>still issues in later books. For example, in Tintin and

0:35:09.160 --> 0:35:12.000
<v Speaker 2>the Broken Ear, which came out right after The Blue Lotus,

0:35:12.160 --> 0:35:16.560
<v Speaker 2>Er Jay didn't know anyone who spoke South American indigenous languages,

0:35:17.120 --> 0:35:20.400
<v Speaker 2>so he just made one up and later got a

0:35:20.520 --> 0:35:24.600
<v Speaker 2>lot of criticism for having some pretty overtly racist details

0:35:24.600 --> 0:35:28.080
<v Speaker 2>and characters in nineteen forty one's The Shooting Star. He

0:35:28.120 --> 0:35:32.360
<v Speaker 2>did later revise that book, but again he didn't really apologize.

0:35:32.440 --> 0:35:35.840
<v Speaker 2>He said, basically, this was just reflecting the politics and

0:35:36.080 --> 0:35:37.960
<v Speaker 2>style of the time. Deal with it.

0:35:38.239 --> 0:35:43.239
<v Speaker 1>Yeah, obviously, meeting Jong doesn't erase all his prejudices and biases,

0:35:43.280 --> 0:35:46.560
<v Speaker 1>but there is definitely a change in his approach and

0:35:47.239 --> 0:35:49.800
<v Speaker 1>certainly this attempt to capture some truth about a location.

0:35:50.600 --> 0:35:52.640
<v Speaker 1>So now we're going to jump ahead to the late

0:35:52.719 --> 0:35:56.160
<v Speaker 1>nineteen fifties and Air Jay is going through a tough

0:35:56.239 --> 0:35:59.160
<v Speaker 1>personal time. He is not a great husband, so his

0:35:59.239 --> 0:36:03.080
<v Speaker 1>first marriage apart after about a year, and he's having

0:36:03.080 --> 0:36:07.319
<v Speaker 1>these regular nightmares where everything in it turns white. He

0:36:08.080 --> 0:36:10.480
<v Speaker 1>in one of these dreams, he is climbing the stairs

0:36:10.520 --> 0:36:12.759
<v Speaker 1>of a tower and he looks down and it's just

0:36:12.800 --> 0:36:16.920
<v Speaker 1>a bunch of bones and skulls and demons, all white stuff,

0:36:16.960 --> 0:36:19.880
<v Speaker 1>like that, and it's really disconcerting. So Airj goes to

0:36:19.960 --> 0:36:24.080
<v Speaker 1>a Youngian psycho analyst, and this is in Switzerland, an

0:36:24.120 --> 0:36:26.799
<v Speaker 1>actual student of Carl Jung, And he's like, I've been

0:36:26.800 --> 0:36:29.239
<v Speaker 1>having these awful dreams, Doc, what should I do?

0:36:29.840 --> 0:36:31.520
<v Speaker 2>I'm picture I got to stop you on picturing. This

0:36:31.560 --> 0:36:34.080
<v Speaker 2>psychoanalyst he's smoking a pipe, right, and there's like a

0:36:34.160 --> 0:36:36.399
<v Speaker 2>view of Lake Zurich in the background. I'm just trying

0:36:36.400 --> 0:36:37.280
<v Speaker 2>to set the scene.

0:36:38.120 --> 0:36:42.240
<v Speaker 1>Yeah, well, there is no photographic evidence of this meeting,

0:36:42.360 --> 0:36:45.799
<v Speaker 1>so let's say that's where it occurs. But then the

0:36:45.800 --> 0:36:48.920
<v Speaker 1>doctor tells air Ja, this is very simple. These dreams

0:36:48.960 --> 0:36:53.480
<v Speaker 1>are all metaphors for being professionally and emotionally exhausted, and

0:36:53.520 --> 0:36:56.000
<v Speaker 1>the only thing you can do to stop them is

0:36:56.040 --> 0:36:56.840
<v Speaker 1>to stop drawing.

0:36:57.320 --> 0:37:00.720
<v Speaker 2>Stop drawing, telling the artist to stop drawing, like forever,

0:37:01.239 --> 0:37:03.600
<v Speaker 2>just stop more or less.

0:37:03.640 --> 0:37:06.640
<v Speaker 1>So he tells Airj he can't work and recover from

0:37:06.640 --> 0:37:09.279
<v Speaker 1>this personal turmoil at the same time, so he's got

0:37:09.320 --> 0:37:12.719
<v Speaker 1>to pick one. And Airj is super shaken by this, right,

0:37:13.280 --> 0:37:15.680
<v Speaker 1>and he does consider it because in some ways it's appealing.

0:37:15.760 --> 0:37:18.440
<v Speaker 1>He loves Tinton, but Tinton has also become a burden

0:37:18.520 --> 0:37:21.720
<v Speaker 1>and he's already been considering taking up abstract art instead.

0:37:21.719 --> 0:37:23.680
<v Speaker 1>You find us with a lot of artists, right, like

0:37:23.880 --> 0:37:27.000
<v Speaker 1>Bill Waterson had to take a spell. Conan Doyle retired

0:37:27.000 --> 0:37:30.920
<v Speaker 1>from homes for a bit before returning. Anyway, he thinks

0:37:30.960 --> 0:37:34.160
<v Speaker 1>about it and then he says, you know what, I

0:37:34.200 --> 0:37:36.520
<v Speaker 1>don't really like this advice, so maybe I should just

0:37:36.640 --> 0:37:40.120
<v Speaker 1>lean into the white instead. And so, with his mind

0:37:40.160 --> 0:37:42.560
<v Speaker 1>made up, he goes to work. And he'd rent a

0:37:42.640 --> 0:37:46.360
<v Speaker 1>ton of books on Tibet, mostly by Western explorers and

0:37:46.719 --> 0:37:51.040
<v Speaker 1>people going through the Himalias and the snow capped mountains there.

0:37:51.160 --> 0:37:54.360
<v Speaker 1>He'd also read at least one book by this native

0:37:54.360 --> 0:37:57.560
<v Speaker 1>Tibetan and so he's really inspired, and he studies maps

0:37:57.560 --> 0:38:01.680
<v Speaker 1>and photographs. He searches for photos and Belgian Alpine society,

0:38:01.920 --> 0:38:04.160
<v Speaker 1>and he was so committed to getting the details right.

0:38:04.200 --> 0:38:06.360
<v Speaker 1>Then one photo which he found in a book, it

0:38:06.680 --> 0:38:09.920
<v Speaker 1>only showed the lower half of a policeman in New Delhi,

0:38:10.440 --> 0:38:13.160
<v Speaker 1>and he actually writes the author asking for the original

0:38:13.200 --> 0:38:15.520
<v Speaker 1>photo so you can see the whole uniform, because he

0:38:15.600 --> 0:38:17.160
<v Speaker 1>really wants to depict it fully.

0:38:17.160 --> 0:38:19.880
<v Speaker 2>You that's awesome, Yeah, that is some serious commitment.

0:38:20.239 --> 0:38:22.439
<v Speaker 1>It's incredible when you see the details and you notice

0:38:22.480 --> 0:38:25.320
<v Speaker 1>what's actually drawn and incorporated into the story. There's a

0:38:25.360 --> 0:38:28.200
<v Speaker 1>bit in this cafe that I remember and like it's

0:38:28.200 --> 0:38:30.320
<v Speaker 1>a cafe in Nepal and the way the waiters stressed,

0:38:30.360 --> 0:38:32.359
<v Speaker 1>and then I saw a photo of the time that

0:38:32.400 --> 0:38:36.479
<v Speaker 1>he'd used. It's remarkable anyway. What's also really interesting about

0:38:36.520 --> 0:38:39.479
<v Speaker 1>Tinton and Tibet is that the plot is different from

0:38:39.520 --> 0:38:42.720
<v Speaker 1>all the other Tintin books. It's not really about capturing

0:38:42.719 --> 0:38:46.880
<v Speaker 1>a villain, and there's no car chases or classic Tintin

0:38:46.920 --> 0:38:49.920
<v Speaker 1>tropes like that. Instead, the book is about Tinton's quest

0:38:49.960 --> 0:38:51.640
<v Speaker 1>to find his friend Chong.

0:38:51.880 --> 0:38:55.160
<v Speaker 2>Blue Lotus Chong the same gun, yeah, the same one.

0:38:55.440 --> 0:38:58.600
<v Speaker 1>And I actually think that proves how much the real

0:38:58.719 --> 0:39:01.640
<v Speaker 1>Jong meant to j right like that he brings them

0:39:01.640 --> 0:39:04.600
<v Speaker 1>back into the stories during this what feels like a

0:39:04.640 --> 0:39:08.279
<v Speaker 1>pretty difficult period of his life. And in Tintin Inti

0:39:08.360 --> 0:39:11.200
<v Speaker 1>that everyone thinks Chong has died in a plane crash,

0:39:11.280 --> 0:39:14.520
<v Speaker 1>but Tintin refuses to believe it, and so he risks

0:39:14.560 --> 0:39:18.280
<v Speaker 1>his life and his limbs to save him. And also

0:39:18.320 --> 0:39:21.120
<v Speaker 1>there's a Yetti in this book, this appearance, which is

0:39:21.160 --> 0:39:22.719
<v Speaker 1>just super fun and sweet and.

0:39:22.719 --> 0:39:24.680
<v Speaker 2>Oh yeah, any points for YETI.

0:39:26.719 --> 0:39:29.320
<v Speaker 1>Anyway said that it was his favorite of the albums

0:39:29.360 --> 0:39:32.120
<v Speaker 1>he ever drew, and he calls it quote the story

0:39:32.160 --> 0:39:33.719
<v Speaker 1>of a friendship. Ah.

0:39:33.960 --> 0:39:36.920
<v Speaker 2>Yeah, there's something really poetic in this. You know that

0:39:37.000 --> 0:39:40.680
<v Speaker 2>the lessons he learned from his real friend Jong helped him,

0:39:40.719 --> 0:39:42.360
<v Speaker 2>you know, make his favorite book.

0:39:42.840 --> 0:39:45.839
<v Speaker 1>Yeah, definitely. It's also sort of like a perfect place

0:39:45.880 --> 0:39:48.160
<v Speaker 1>to end today's episode. But we are not done with

0:39:48.280 --> 0:39:51.279
<v Speaker 1>Tintin yet, because this is just part one of the story.

0:39:51.360 --> 0:39:53.600
<v Speaker 2>That's right, So be sure to tune back in to

0:39:53.640 --> 0:39:57.040
<v Speaker 2>hear part two, where we'll talk about Jay's behavior during

0:39:57.080 --> 0:40:01.000
<v Speaker 2>World War Two, comic bands in America, and serious long

0:40:01.080 --> 0:40:04.160
<v Speaker 2>lost play that one of our good friends actually just rediscovered.

0:40:04.520 --> 0:40:06.959
<v Speaker 1>It is an amazing story, and in the meantime, we'd

0:40:06.960 --> 0:40:09.960
<v Speaker 1>love to hear what you think about Tinton or anything else.

0:40:10.040 --> 0:40:13.200
<v Speaker 1>Email us at high Geniuses at gmail dot com. That's

0:40:13.360 --> 0:40:16.640
<v Speaker 1>Hi Geniuses at gmail dot com, or give us a

0:40:16.680 --> 0:40:19.319
<v Speaker 1>call on a hotline that is three oh two four

0:40:19.360 --> 0:40:21.880
<v Speaker 1>oh five five nine two five. I love that it's

0:40:21.920 --> 0:40:25.200
<v Speaker 1>a three or two areo code for all my Delawareans.

0:40:25.400 --> 0:40:28.960
<v Speaker 1>And you can also find us on Instagram and Blue Sky.

0:40:29.239 --> 0:40:31.600
<v Speaker 1>No matter how you get in touch, you know we'd

0:40:31.640 --> 0:40:34.200
<v Speaker 1>love hearing from you. This episode was written by the

0:40:34.239 --> 0:40:37.359
<v Speaker 1>always adventurous Mursa Brown. Thank you, Marissa. It was also

0:40:37.480 --> 0:40:41.480
<v Speaker 1>edited by Gabe and from Dylan, Mary, Gabe, Will and myself.

0:40:41.960 --> 0:40:56.759
<v Speaker 1>Thank you so much for listening. Part Time Genius is

0:40:56.760 --> 0:41:00.600
<v Speaker 1>a production of Kaleidoscope and iHeartRadio. This show is hosted

0:41:00.600 --> 0:41:05.040
<v Speaker 1>by Will Pearson and me Mongshatikler and researched by our

0:41:05.120 --> 0:41:09.680
<v Speaker 1>goodpal Mary Philip Sandy. Today's episode was engineered and produced

0:41:09.680 --> 0:41:13.000
<v Speaker 1>by the wonderful Dylan Fagan, with support from Tyler Klang.

0:41:13.440 --> 0:41:16.840
<v Speaker 1>The show is executive produced for iHeart by Katrina Norvel

0:41:16.960 --> 0:41:20.000
<v Speaker 1>and Ali Perry, with social media support from Sasha Gay,

0:41:20.080 --> 0:41:24.680
<v Speaker 1>trustee Dara Potts and Vine Shorey. For more podcasts from

0:41:24.719 --> 0:41:29.719
<v Speaker 1>Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:41:29.920 --> 0:41:45.040
<v Speaker 1>wherever you listen to your favorite shows.